Browse content similar to Buried. Check below for episodes and series from the same categories and more!
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This film contains very strong language. | 0:00:02 | 0:00:05 | |
CONSTRICTED BREATHING | 0:02:54 | 0:02:56 | |
LABOURED COUGHING | 0:02:58 | 0:03:03 | |
DULL THUDDING | 0:03:15 | 0:03:18 | |
CONSTRICTED BREATHING CONTINUES | 0:03:24 | 0:03:27 | |
DULL THUMPING, METAL CLINKS | 0:03:38 | 0:03:41 | |
LIGHTER FLICKS | 0:03:44 | 0:03:46 | |
HE WHEEZES | 0:03:54 | 0:03:57 | |
BREATHING SLOWS AND SPEEDS UP | 0:03:57 | 0:04:01 | |
HE WHIMPERS | 0:04:18 | 0:04:21 | |
HE YELLS | 0:04:21 | 0:04:23 | |
PANICKED YELLING/BANGING CONTINUES | 0:04:28 | 0:04:32 | |
PANICKED YELLS | 0:04:34 | 0:04:37 | |
THUMPING AND PANIC | 0:04:41 | 0:04:45 | |
HE SCREAMS | 0:04:50 | 0:04:52 | |
Hey! | 0:04:55 | 0:04:59 | |
Help! Help! Help! | 0:05:06 | 0:05:11 | |
HE STRAINS | 0:05:18 | 0:05:21 | |
HE COUGHS | 0:06:01 | 0:06:03 | |
Fuck! | 0:06:11 | 0:06:13 | |
HE GRUNTS | 0:06:56 | 0:06:58 | |
(OK, OK, OK...) | 0:07:08 | 0:07:10 | |
HE STRAINS | 0:07:43 | 0:07:45 | |
HE STRUGGLES LABOURED BREATHING | 0:07:47 | 0:07:50 | |
HE SOBS DESPAIRINGLY | 0:08:09 | 0:08:12 | |
PHONE VIBRATES | 0:08:23 | 0:08:24 | |
HE YELLS | 0:08:24 | 0:08:26 | |
VIBRATING CONTINUES | 0:08:34 | 0:08:36 | |
PHONE BEEPS | 0:08:52 | 0:08:55 | |
Come on, What's... What's the number? What's the number? | 0:09:12 | 0:09:18 | |
One, two... Er, one... | 0:09:18 | 0:09:20 | |
Fuck! | 0:09:21 | 0:09:22 | |
Where is it? | 0:09:33 | 0:09:34 | |
LINE RINGING | 0:09:54 | 0:09:56 | |
-911, please hold. -No! Wait! Wait! | 0:09:56 | 0:09:59 | |
BEEPING | 0:09:59 | 0:10:01 | |
-Yes, 911. -Hello, I'm buried. | 0:10:01 | 0:10:03 | |
-You have to help me. You have to help me, I can't breathe... -Sir... | 0:10:03 | 0:10:06 | |
I'm buried in a coffin. Please help me! Send someone to find me... | 0:10:06 | 0:10:08 | |
-Sir, slow down. What is your name? -Paul. Paul Conroy. | 0:10:08 | 0:10:11 | |
OK, Mr Conroy. Can you tell me your location? | 0:10:11 | 0:10:13 | |
-I don't know. -I'm in a coffin. -I don't know where. | 0:10:13 | 0:10:16 | |
-Please help. I'm scared. -You're in a coffin? -Yes. | 0:10:16 | 0:10:19 | |
It's, like, one of those old, wooden ones. | 0:10:19 | 0:10:21 | |
-Are you at a funeral home? -No. I don't know. No. | 0:10:21 | 0:10:24 | |
-DISTORTED: -How are you calling me right now? -What? | 0:10:24 | 0:10:26 | |
If you're buried in a coffin, where are you calling from? | 0:10:26 | 0:10:29 | |
From a cellphone. There was an old cellphone in the coffin. | 0:10:29 | 0:10:31 | |
-You're calling from your cellphone? -Yes, yes, yes... | 0:10:31 | 0:10:34 | |
No. It's not my cellphone, but, yes, I'm calling from a cellphone. | 0:10:34 | 0:10:37 | |
There was a cellphone in the coffin when you climbed in? | 0:10:37 | 0:10:39 | |
Yes... What? I didn't climb in, though. | 0:10:39 | 0:10:43 | |
-How did you end up in the coffin, sir? -I was put here. | 0:10:43 | 0:10:45 | |
-In the coffin? -Yes. Please, help. | 0:10:45 | 0:10:49 | |
And you're saying the coffin is buried? | 0:10:49 | 0:10:51 | |
Yes. I'm a truck driver, I'm an American. | 0:10:51 | 0:10:54 | |
It's... It's hot in here and I can't breathe. | 0:10:54 | 0:10:56 | |
Do you know your location, sir? | 0:10:56 | 0:10:57 | |
I... I told you. Somewhere in Iraq. | 0:10:57 | 0:11:00 | |
-Please, help! -Iraq? | 0:11:00 | 0:11:01 | |
Yes. I'm a truck driver, I'm an American. I work for CRT. | 0:11:01 | 0:11:04 | |
-Are you a soldier, sir? -No. Please, you have to listen to me. | 0:11:04 | 0:11:07 | |
I'm a truck driver. I'm an American. | 0:11:07 | 0:11:08 | |
I'm a civilian contractor working in Iraq. | 0:11:08 | 0:11:11 | |
We were attacked in Baqubah, they shot... | 0:11:11 | 0:11:14 | |
They shot them. All of them. | 0:11:14 | 0:11:16 | |
-They shot who, sir? -All of the other drivers. | 0:11:16 | 0:11:18 | |
And you're saying this happened in Iraq? The country? | 0:11:18 | 0:11:20 | |
Yeah! Please listen to me, OK? | 0:11:20 | 0:11:22 | |
Listen, they gave me a safety number, and it was in my wallet... | 0:11:22 | 0:11:25 | |
And I don't know were it is now. | 0:11:25 | 0:11:26 | |
Mr Conroy, this is 911 emergency in Youngstown, Ohio. | 0:11:26 | 0:11:30 | |
-Ohio? -Yes, sir. I'm not sure exactly how you called here | 0:11:31 | 0:11:34 | |
if you're in another country, but if you'd like... | 0:11:34 | 0:11:36 | |
I can patch you through to the Sheriff's Department. | 0:11:36 | 0:11:38 | |
You don't understand. I need... Forget it. | 0:11:38 | 0:11:41 | |
PHONE BEEPS | 0:11:44 | 0:11:46 | |
(OK, OK, OK. OK...) | 0:11:48 | 0:11:50 | |
LIGHTER SPARKS | 0:11:51 | 0:11:54 | |
LINE DIALLING OUT | 0:12:01 | 0:12:04 | |
Pick up, pick up, pick up. | 0:12:04 | 0:12:06 | |
Pick up. | 0:12:08 | 0:12:09 | |
'Thanks for calling the Conroys. | 0:12:11 | 0:12:13 | |
'We're not home right now. | 0:12:13 | 0:12:15 | |
'Please leave a message after the beep. Thanks.' | 0:12:15 | 0:12:17 | |
-BEEP -Yeah, Linda! | 0:12:17 | 0:12:19 | |
Linda, honey, it's me. | 0:12:19 | 0:12:20 | |
I need you to contact the National Guard right away. Or the Pentagon. | 0:12:20 | 0:12:24 | |
Tell them we were attacked in the Diyala Province, in Baqubah. | 0:12:24 | 0:12:29 | |
They need to find me, OK? | 0:12:29 | 0:12:31 | |
Please, baby. You gotta help them find me. | 0:12:31 | 0:12:33 | |
LINE RINGING | 0:12:38 | 0:12:40 | |
-'Hi, this is Linda.' -Argh! -'Please leave a message. | 0:12:41 | 0:12:44 | |
'Thanks and have a great day.' | 0:12:44 | 0:12:46 | |
Linda. Linda! I need you to call me right away, OK? | 0:12:46 | 0:12:48 | |
Call me at this number. It's an absolute emergency. | 0:12:48 | 0:12:50 | |
Call me at the number that comes up on your screen, right away. | 0:12:50 | 0:12:53 | |
OK? I don't know what the hell is going on... | 0:12:53 | 0:12:56 | |
I'm buried in a box... | 0:12:57 | 0:12:58 | |
I'm buried in a box. | 0:13:00 | 0:13:01 | |
I can't breathe in here. | 0:13:03 | 0:13:06 | |
Call me whenever you can. Please, baby. | 0:13:06 | 0:13:09 | |
HE COUGHS | 0:13:25 | 0:13:30 | |
UNSCREWING FLASK | 0:13:35 | 0:13:37 | |
DRINKING | 0:13:39 | 0:13:42 | |
HE COUGHS | 0:13:44 | 0:13:46 | |
LINE RINGING | 0:13:54 | 0:13:57 | |
What city and state, please? | 0:13:57 | 0:13:58 | |
Um... I don't know. The FBI. Wherever they are. | 0:13:58 | 0:14:00 | |
Do you have a specific city you'd like to be connected to? | 0:14:00 | 0:14:03 | |
Anywhere, any city. Just connect me to the FBI. | 0:14:03 | 0:14:05 | |
Sir, I have FBI field offices listed in Boston, | 0:14:05 | 0:14:08 | |
-Chicago, New York, Philadelphia... -It doesn't matter. | 0:14:08 | 0:14:11 | |
Any city, anywhere. just connect me, please! | 0:14:11 | 0:14:14 | |
I'm sorry, sir, but I'm not allowed to do that. | 0:14:14 | 0:14:16 | |
-Chicago, fine! Chicago, OK? -There's no need to be rude, sir. | 0:14:16 | 0:14:19 | |
Please hold for your number. | 0:14:19 | 0:14:21 | |
The number you requested, 312-421-6700... | 0:14:21 | 0:14:34 | |
can be connected for an additional charge of 25 cents | 0:14:34 | 0:14:39 | |
by pressing the number one. | 0:14:39 | 0:14:41 | |
Chicago field office. Special Agent Harris. | 0:14:46 | 0:14:48 | |
-Is this the FBI? -Yes, it is, sir. | 0:14:48 | 0:14:49 | |
OK, I'm calling from Iraq. I'm buried in the desert somewhere. | 0:14:49 | 0:14:52 | |
-I need you to help me... -Whoa, whoa, sir. Slow down. | 0:14:52 | 0:14:54 | |
-When were you in Iraq? -Now. I'm there now. | 0:14:54 | 0:14:57 | |
I'm a truck driver. I work for CRT. I've been here for nine months. | 0:14:57 | 0:15:00 | |
-May I have your name please, sir? -It's Paul Conroy. | 0:15:00 | 0:15:03 | |
-TYPING -Paul Conroy. -Yeah. | 0:15:03 | 0:15:06 | |
-OK, Paul, explain to me what's going on. -Er, all right. OK. | 0:15:06 | 0:15:09 | |
Me and a convoy of other drivers | 0:15:11 | 0:15:14 | |
were delivering some kitchen supplies to a community centre. | 0:15:14 | 0:15:16 | |
And then some kids... They started throwing rocks at the trucks. | 0:15:16 | 0:15:20 | |
And then an IED went off up ahead and blew up one of the other trucks. | 0:15:20 | 0:15:25 | |
And then these guys came out from behind the houses | 0:15:26 | 0:15:28 | |
and they started shooting everyone right there on the street. | 0:15:28 | 0:15:31 | |
-Were you shot at? -I don't know! | 0:15:31 | 0:15:34 | |
I don't know. I was way in the back of the convoy. | 0:15:34 | 0:15:36 | |
I guess I got hit in the head by one of the rocks and blacked out. | 0:15:36 | 0:15:40 | |
That's the last thing I remember. | 0:15:40 | 0:15:42 | |
And then I woke up here, tied up in a coffin. | 0:15:42 | 0:15:45 | |
-Who put you there? -I guess whoever ambushed us. | 0:15:45 | 0:15:47 | |
-A bunch of kids? -No, no, no. | 0:15:47 | 0:15:50 | |
Some kids... The kids threw rocks at us. | 0:15:50 | 0:15:52 | |
These guys... Iraqis, some insurgents, I don't fucking know... | 0:15:52 | 0:15:56 | |
They popped out and started shooting everybody right there on the street. | 0:15:56 | 0:15:59 | |
-I thought you said they didn't shoot at you. -They didn't, I don't know! | 0:15:59 | 0:16:02 | |
-They shot them! -Sir, you're going to have to stop shouting... | 0:16:02 | 0:16:04 | |
I'm shouting because you're not listening to me! | 0:16:04 | 0:16:06 | |
I need you to help me! | 0:16:06 | 0:16:07 | |
OK, OK, OK! | 0:16:09 | 0:16:10 | |
Can you trace the call? GPS or something? | 0:16:12 | 0:16:15 | |
Why is it that they didn't shoot you? | 0:16:17 | 0:16:19 | |
I don't know. I have no idea. They didn't, that's all I know. | 0:16:21 | 0:16:25 | |
What's your social security number, Paul? | 0:16:25 | 0:16:28 | |
Er... Why? Why? Who cares? | 0:16:28 | 0:16:32 | |
I'm buried in the middle of the fucking desert! | 0:16:32 | 0:16:34 | |
Who cares what my social security number is? | 0:16:34 | 0:16:36 | |
I'm an American citizen. Just send someone to find me, please! | 0:16:36 | 0:16:40 | |
-SIGNAL CRACKS -Hold on! I can't hear you. | 0:16:40 | 0:16:44 | |
What did you...? Hold on! | 0:16:44 | 0:16:46 | |
-No, no, no, just... -LINE GOES DEAD | 0:16:46 | 0:16:48 | |
Shit! | 0:16:48 | 0:16:50 | |
LIGHTER SPARKS | 0:16:52 | 0:16:55 | |
LINE RINGING | 0:17:15 | 0:17:18 | |
Thank you for calling Crestin, Roland and Thomas. | 0:17:20 | 0:17:22 | |
How may I direct your call? | 0:17:22 | 0:17:24 | |
Somebody, I need to talk to someone right away. It's an emergency. | 0:17:24 | 0:17:27 | |
Who is this, please? | 0:17:27 | 0:17:28 | |
It's Paul Conroy. | 0:17:28 | 0:17:29 | |
I'm a driver for you guys. I'm calling from Iraq. | 0:17:29 | 0:17:31 | |
-My convoy was attacked. -Sir, if this is a crisis situation, | 0:17:31 | 0:17:34 | |
-you need to contact the Safety Number... -I know, I know, | 0:17:34 | 0:17:36 | |
but I don't have it any more. The people took it. | 0:17:36 | 0:17:38 | |
Who took it, sir? | 0:17:38 | 0:17:40 | |
I don't know. The Iraqis, I think. I blacked out. | 0:17:40 | 0:17:42 | |
I'm going to put you through to Alan Davenport. | 0:17:42 | 0:17:44 | |
-Da...? Who's that? -Director of Personnel. Please hold. | 0:17:44 | 0:17:48 | |
Personnel? No, no, no, no! Wait, wait... | 0:17:48 | 0:17:51 | |
CLASSICAL HOLD MUSIC | 0:17:51 | 0:17:53 | |
-RECORDED MESSAGE: -At CRT, we work with our clients | 0:17:53 | 0:17:56 | |
to provide effective and sustainable solutions | 0:17:56 | 0:17:58 | |
to the challenges they face in our fast-growing, global economy. | 0:17:58 | 0:18:02 | |
As the prem... | 0:18:02 | 0:18:03 | |
-BEEP -'You've reached Alan Davenport. | 0:18:03 | 0:18:05 | |
'Personnel director at Crestin, Roland and Thomas. | 0:18:05 | 0:18:07 | |
'Please leave your name and number at the tone. | 0:18:07 | 0:18:09 | |
'And I will return your call as soon as possible.' | 0:18:09 | 0:18:12 | |
-BEEP -This is Paul Conroy. | 0:18:12 | 0:18:14 | |
I'm from Hastings, Michigan. | 0:18:14 | 0:18:15 | |
I'm a driver for CRT, my convoy was ambushed | 0:18:15 | 0:18:17 | |
by terrorists or insurgents. I don't know. | 0:18:17 | 0:18:19 | |
I don't know who it was. | 0:18:19 | 0:18:21 | |
I'm stuck, I'm buried in a coffin in the ground. | 0:18:21 | 0:18:24 | |
I need help. Please send help. I'm begging you. | 0:18:24 | 0:18:27 | |
I think I'm in Baqubah in the Diyala Province. | 0:18:27 | 0:18:29 | |
I'm not sure. Please send help right away. I can't breathe in here. | 0:18:29 | 0:18:33 | |
I can't breathe. I didn't know who else to call. | 0:18:33 | 0:18:35 | |
-Please help... -PHONE PIPS | 0:18:35 | 0:18:37 | |
Fuck! Fuck! | 0:18:37 | 0:18:40 | |
Fuck! | 0:18:40 | 0:18:42 | |
-HAMMERING -Fuck! | 0:18:42 | 0:18:44 | |
HE YELLS | 0:18:44 | 0:18:46 | |
HE SOBS | 0:18:50 | 0:18:53 | |
LIGHTER FLICKS | 0:19:12 | 0:19:14 | |
PHONE BEEPS | 0:20:08 | 0:20:10 | |
LINE DIALLING OUT | 0:20:10 | 0:20:12 | |
Come on! | 0:20:14 | 0:20:15 | |
LINE RINGING | 0:20:21 | 0:20:23 | |
Hello? Is anybody there? | 0:20:25 | 0:20:29 | |
Hello? | 0:20:29 | 0:20:30 | |
Hello? | 0:20:33 | 0:20:34 | |
MAN: Breathe no breathe, American? Ah? Breathe no breathe? | 0:20:34 | 0:20:37 | |
Hold on? I don't know what you're saying. Who is this? | 0:20:37 | 0:20:40 | |
American can breathe no breathe? | 0:20:40 | 0:20:42 | |
No, I can't breathe. Please get me out of here. | 0:20:42 | 0:20:44 | |
-Get out? -Yes, get me out. Get me out. Please help. | 0:20:44 | 0:20:47 | |
-Soldier. -No, no, I'm not a soldier. | 0:20:47 | 0:20:50 | |
I'm a truck driver. Just a contractor. | 0:20:50 | 0:20:52 | |
-Contractor? -Yeah. A contractor, that's all. No soldier. | 0:20:52 | 0:20:56 | |
-Blackwater? -No, not for Blackwater. | 0:20:56 | 0:20:58 | |
I'm not a security contractor. I'm just a truck driver. That's all. | 0:20:58 | 0:21:01 | |
-You are American. -Yeah. | 0:21:01 | 0:21:04 | |
Then you soldier. | 0:21:04 | 0:21:06 | |
No, I'm not. | 0:21:09 | 0:21:10 | |
I'm here unarmed. But you still shot at us. | 0:21:12 | 0:21:17 | |
In head and in throat, so you tell no more lies. | 0:21:17 | 0:21:19 | |
No, I'm not lying! We were all drivers. | 0:21:19 | 0:21:22 | |
Drive what? | 0:21:22 | 0:21:24 | |
Trucks. Trucks! The trucks you see driving around with the supplies. | 0:21:24 | 0:21:27 | |
That's me, that's us, that's all. Not a soldier. Truck driver. | 0:21:27 | 0:21:30 | |
-Five million money. -What? | 0:21:30 | 0:21:33 | |
Five million money tonight 9pm or you stay. Buried like dog. | 0:21:33 | 0:21:38 | |
-Five million dollars? From who? -Your family. | 0:21:38 | 0:21:41 | |
My family doesn't have five million dollars. | 0:21:41 | 0:21:44 | |
If they did, I wouldn't be here. | 0:21:44 | 0:21:46 | |
From Embassy. | 0:21:46 | 0:21:47 | |
I don't know, yeah, yeah... | 0:21:49 | 0:21:51 | |
From the Embassy. If you let me out of here, they'll pay you the money. | 0:21:51 | 0:21:54 | |
Yeah! | 0:21:54 | 0:21:56 | |
9pm, five million money. | 0:21:56 | 0:21:59 | |
LINE GOES DEAD | 0:21:59 | 0:22:01 | |
HE STRAINS | 0:24:11 | 0:24:14 | |
STRAINING CONTINUES | 0:24:22 | 0:24:25 | |
HE GRUNTS | 0:24:33 | 0:24:35 | |
BEEPING | 0:25:00 | 0:25:03 | |
What's your number? | 0:25:04 | 0:25:06 | |
HE CLEARS HIS THROAT | 0:25:10 | 0:25:12 | |
LINE RINGING | 0:25:12 | 0:25:13 | |
What city and listing, please? | 0:25:14 | 0:25:16 | |
Hastings, Michigan. I'm looking for Donna Mitchell. | 0:25:16 | 0:25:19 | |
I have two Donna Mitchells, sir. | 0:25:21 | 0:25:23 | |
One on Federal Road and one on Ardmore Avenue. | 0:25:23 | 0:25:26 | |
Ardmore Avenue... No. Shit, I don't know. | 0:25:26 | 0:25:31 | |
-Just give me that one. -Ardmore Avenue? | 0:25:31 | 0:25:33 | |
-Yes, Ardmore Avenue. -Please hold for your number. | 0:25:33 | 0:25:37 | |
RECORDED VOICE: The number you requested, 2-6-9-1-4-8-1-9-9-8 | 0:25:37 | 0:25:45 | |
can be automatically... | 0:25:45 | 0:25:47 | |
LINE RINGING | 0:25:48 | 0:25:51 | |
Come on! | 0:25:51 | 0:25:52 | |
Where is everybody? | 0:25:54 | 0:25:55 | |
-Hello? -Donna, it's Paul. | 0:25:59 | 0:26:01 | |
Hey, how's it going? | 0:26:01 | 0:26:02 | |
I need to talk to Linda. | 0:26:02 | 0:26:05 | |
She's not answering her phone. | 0:26:05 | 0:26:06 | |
-I've got a problem. I've been held hostage by... -Fooled you! | 0:26:06 | 0:26:10 | |
I'm not really home. | 0:26:10 | 0:26:11 | |
But if you leave a message, I'll get back to you | 0:26:11 | 0:26:13 | |
as soon as I get in. Bye-bye. | 0:26:13 | 0:26:15 | |
-BEEP -Donna, I need to talk to Linda. | 0:26:15 | 0:26:18 | |
It's an absolute emergency. Have her call me. | 0:26:18 | 0:26:20 | |
Use star 69 to find the number of this phone | 0:26:20 | 0:26:21 | |
and have her call me at this number OK? | 0:26:21 | 0:26:23 | |
-Paul? -Donna! | 0:26:23 | 0:26:25 | |
-What do you want? -I need to talk to Linda. | 0:26:25 | 0:26:27 | |
-Where is she? -I don't know. I haven't talked to her all day... | 0:26:27 | 0:26:29 | |
-Are you at your computer right now? -Yeah. Why? -OK. | 0:26:29 | 0:26:32 | |
I need you to Look up a number for me, the State Department. | 0:26:32 | 0:26:34 | |
Paul, I was just heading out to the supermarket. | 0:26:34 | 0:26:36 | |
-I don't have time... -Please, just look up the number for me. | 0:26:36 | 0:26:38 | |
-Is everything all right? -No! Everything's not all right! | 0:26:38 | 0:26:41 | |
-Just look up the number. -Don't fucking yell at me, Paul. | 0:26:41 | 0:26:43 | |
-I'm not yelling at you, Donna. -Yes, you are. | 0:26:43 | 0:26:44 | |
-No, just get me the fucking number! -I'm not... -Just get me the number! | 0:26:44 | 0:26:48 | |
Get me the fucking number! | 0:26:48 | 0:26:49 | |
-LINE GOES DEAD -Fuck! | 0:26:49 | 0:26:52 | |
You stupid fucking cunt! | 0:26:52 | 0:26:54 | |
Fuck! | 0:26:54 | 0:26:56 | |
Fuck you, bitch! Fuck you, fuck you! | 0:26:56 | 0:27:00 | |
HE SOBS | 0:27:00 | 0:27:02 | |
BREATHING HEAVILY | 0:27:05 | 0:27:08 | |
BEEPING | 0:27:15 | 0:27:17 | |
LINE RINGS | 0:27:20 | 0:27:22 | |
-What? -Donna, I'm very sorry that I yelled at you. | 0:27:22 | 0:27:26 | |
I shouldn't have done that. | 0:27:26 | 0:27:27 | |
But I'm only going to ask you one more time to get me this number. | 0:27:27 | 0:27:30 | |
If you don't, I'm going to die. | 0:27:30 | 0:27:32 | |
What? | 0:27:32 | 0:27:33 | |
Please, I don't have time to explain. The number. | 0:27:33 | 0:27:35 | |
OK, hold on. | 0:27:35 | 0:27:37 | |
OK... | 0:27:41 | 0:27:42 | |
-State Department. -Yeah. | 0:27:42 | 0:27:43 | |
-It's 202... -OK, 202... | 0:27:43 | 0:27:46 | |
-134... -134... | 0:27:46 | 0:27:48 | |
4750. | 0:27:48 | 0:27:50 | |
-4750? -Yeah. | 0:27:50 | 0:27:52 | |
OK, fuck you! | 0:27:52 | 0:27:53 | |
BEEPING | 0:27:53 | 0:27:55 | |
LINE RINGING | 0:27:58 | 0:28:00 | |
United States Department of State. | 0:28:02 | 0:28:03 | |
I'm an American citizen working in Iraq. I've been taken hostage. | 0:28:03 | 0:28:06 | |
I need to speak to someone right away. | 0:28:06 | 0:28:07 | |
-Where are you calling from, sir? -From Iraq. | 0:28:07 | 0:28:09 | |
I'm a truck driver. I work for CRT, Crestin, Roland and Thomas. | 0:28:09 | 0:28:12 | |
My convoy was attacked and I'm being held for ransom. | 0:28:12 | 0:28:15 | |
-Are the kidnappers with you? -No. I'm buried somewhere. | 0:28:15 | 0:28:17 | |
-You're buried? -Yeah, yeah, in a coffin. | 0:28:17 | 0:28:20 | |
It's a wooden box. An old wooden coffin. | 0:28:20 | 0:28:22 | |
Did you try contacting the military out there? | 0:28:22 | 0:28:24 | |
They gave me a number to call, a safety number. | 0:28:24 | 0:28:26 | |
-But the people took it. -The people holding you hostage? -Yeah, yeah! | 0:28:26 | 0:28:29 | |
I don't know. Hold on. Let me connect you... | 0:28:29 | 0:28:31 | |
No. Don't put me on hold... No! | 0:28:31 | 0:28:32 | |
LINE RINGING | 0:28:32 | 0:28:35 | |
-Rebecca Browning. -Hello? -Yes, hello. | 0:28:42 | 0:28:44 | |
-I was just informed of your situation. -Yeah, my situation. | 0:28:44 | 0:28:46 | |
I'm running out of time and you guys keep putting me on hold. | 0:28:46 | 0:28:48 | |
-What the hell is wrong with you? -I'm sorry. -Don't be sorry. | 0:28:48 | 0:28:51 | |
-Just help me. -I just have a few questions for you, Mr Conroy. | 0:28:51 | 0:28:53 | |
You've got to be kidding me. | 0:28:53 | 0:28:54 | |
-It's important that I get this information. -Wait, wait, wait... | 0:28:54 | 0:28:57 | |
-How do you know my name? -I'm sorry? | 0:28:59 | 0:29:01 | |
My name. I didn't give it to you. | 0:29:01 | 0:29:02 | |
I don't think I gave it to the other guy, either. | 0:29:02 | 0:29:05 | |
What's going on right now? | 0:29:05 | 0:29:08 | |
We received a call from a representative at CRT. | 0:29:08 | 0:29:10 | |
-You left him a message? -Yeah. | 0:29:10 | 0:29:11 | |
-He contacted us right away. -So if you know what the hell's going on, | 0:29:11 | 0:29:14 | |
what have you done to get me out of here? | 0:29:14 | 0:29:16 | |
There's little we can do from Washington. | 0:29:16 | 0:29:17 | |
So, that's it? I'm just supposed to sit here and rot | 0:29:17 | 0:29:20 | |
-because there's little you can do? -No. -Then what? | 0:29:20 | 0:29:22 | |
I need to know where you were when your convoy was ambushed. | 0:29:22 | 0:29:24 | |
In Baqubah in the Diyala Province. | 0:29:24 | 0:29:26 | |
OK. And has contact been made with the kidnappers? | 0:29:26 | 0:29:28 | |
Yeah. The guy told me that he wants five million dollars | 0:29:28 | 0:29:30 | |
-by nine o'clock tonight. -OK. Or else...? | 0:29:30 | 0:29:32 | |
Or else he'll take me to Sea World. | 0:29:32 | 0:29:35 | |
What the hell do you think, lady? | 0:29:35 | 0:29:37 | |
We'll do everything we can. | 0:29:37 | 0:29:38 | |
-So you'll pay them then, yeah? -No. That we can't do. | 0:29:38 | 0:29:42 | |
-Why?! Why? -It's the policy of the United States government... | 0:29:42 | 0:29:44 | |
-The policy of the United States? -..to not negotiate with terrorists. | 0:29:44 | 0:29:47 | |
Lady, come on! You're sitting in an air conditioned office. | 0:29:47 | 0:29:50 | |
It's easy for you to say. You're not the one stuck in a coffin | 0:29:50 | 0:29:52 | |
-buried in the goddamn desert! -I understand your frustration. | 0:29:52 | 0:29:56 | |
Frustration? Lady, I'm going to fucking die in here. | 0:29:56 | 0:29:59 | |
Understand that? | 0:29:59 | 0:30:00 | |
-Hello? -I'm here. -Then say something. | 0:30:07 | 0:30:09 | |
Tell me how you're going to get me out of here. | 0:30:09 | 0:30:11 | |
OK, what's the number on the phone you're calling from? | 0:30:11 | 0:30:14 | |
I don't know. Did it come up on your end? | 0:30:14 | 0:30:16 | |
No. It's listed as unavailable. | 0:30:16 | 0:30:18 | |
-Tell me this, can you remember a number? -Yeah... No! | 0:30:18 | 0:30:21 | |
-I have a pencil. -OK, write this down. | 0:30:21 | 0:30:23 | |
Just a second... OK. Go ahead. | 0:30:24 | 0:30:27 | |
-410. -Yeah. | 0:30:27 | 0:30:29 | |
-195. -Uh-huh. | 0:30:29 | 0:30:31 | |
-5453. -5453. | 0:30:31 | 0:30:33 | |
-Who's that? -That's Dan Brenner. | 0:30:33 | 0:30:35 | |
He's the commander of a Hostage Working Group over in Iraq. | 0:30:35 | 0:30:39 | |
Hostage Working Group? | 0:30:39 | 0:30:41 | |
We formed it in 2004 to deal with situations such as yours. | 0:30:41 | 0:30:44 | |
Situations. I love how you keep calling it that. | 0:30:44 | 0:30:47 | |
-Did you write down the number? -Yeah. | 0:30:47 | 0:30:49 | |
Good. Hold on, I'll connect you with him now. He should be expecting you. | 0:30:49 | 0:30:52 | |
What about the news? I'm going to call them. | 0:30:52 | 0:30:54 | |
No. Don't call the news. | 0:30:54 | 0:30:55 | |
I repeat, do not contact the news. | 0:30:55 | 0:30:57 | |
It will only complicate things further | 0:30:57 | 0:30:59 | |
-and threaten your chances of rescue. -That's bullshit. | 0:30:59 | 0:31:01 | |
You don't go looking for something if you don't know it's missing. | 0:31:01 | 0:31:03 | |
We are running out of time, Paul. | 0:31:03 | 0:31:06 | |
That's why you need to contact Dan Brenner right away. | 0:31:06 | 0:31:09 | |
Fine. | 0:31:09 | 0:31:11 | |
I'm transferring you now. | 0:31:11 | 0:31:14 | |
BEEPING | 0:31:14 | 0:31:15 | |
LINE RINGING | 0:31:15 | 0:31:18 | |
-Brenner. -Dan Brenner? | 0:31:34 | 0:31:35 | |
-ENGLISH ACCENT: -Is this Paul Conroy? -Yeah. Yeah, it's me. It's Paul. | 0:31:35 | 0:31:38 | |
Paul, I was informed of what's going on. | 0:31:38 | 0:31:40 | |
I want you to know that we're already working | 0:31:40 | 0:31:42 | |
-on trying to get you out of there. -Oh, thank you, God. | 0:31:42 | 0:31:44 | |
-I was told that we have until 9pm. Is that right? -That's what he said. | 0:31:44 | 0:31:47 | |
All right. That doesn't give us a whole lot of time. | 0:31:47 | 0:31:50 | |
And just so I have this right, the kidnappers buried you in the ground? | 0:31:50 | 0:31:53 | |
Yeah, it's an old, wooden coffin. | 0:31:53 | 0:31:54 | |
OK. My guess is that since you're able to get a cell signal... | 0:31:54 | 0:31:57 | |
-you're no more than a few feet underground. -I don't know. Maybe. | 0:31:57 | 0:31:59 | |
What about battery life? How much does the phone have left? | 0:31:59 | 0:32:02 | |
Uh, it's... Just less than half. | 0:32:02 | 0:32:04 | |
OK. You have to conserve that battery. | 0:32:04 | 0:32:07 | |
Our best bet of finding you is by tracking your cell signal. | 0:32:07 | 0:32:10 | |
-Is the ringer set on a sound or vibrate? -Vibrate. | 0:32:10 | 0:32:13 | |
I need you to press and hold down the asterisk key | 0:32:13 | 0:32:15 | |
to change it to a ring tone. | 0:32:15 | 0:32:17 | |
-It will use less power. -What about my Zippo? | 0:32:17 | 0:32:19 | |
-You have a lighter? -Yeah. | 0:32:19 | 0:32:21 | |
-Use it to look around for markings, a logo... -Won't it use up oxygen? | 0:32:21 | 0:32:24 | |
Don't worry about that now. Try to find... | 0:32:24 | 0:32:26 | |
-It's just so dark in here without it. -I understand, Paul. | 0:32:26 | 0:32:29 | |
Try to find anything in there | 0:32:29 | 0:32:30 | |
that might indicate where that coffin was made. | 0:32:30 | 0:32:32 | |
-You guys have to hurry. -We're working as fast as we can, Paul. | 0:32:32 | 0:32:36 | |
-Do you know if there were any other survivors? -From your convoy? | 0:32:36 | 0:32:39 | |
-Yeah. -Still unclear at this point. | 0:32:39 | 0:32:41 | |
I just wanted to do right by my family. That's all. | 0:32:42 | 0:32:44 | |
I didn't know it was going to be like this out here. | 0:32:44 | 0:32:48 | |
I don't think any of us did. | 0:32:48 | 0:32:49 | |
PHONE RINGS | 0:32:49 | 0:32:51 | |
-It's him. He's calling. -The kidnapper? -Yeah. What should I do? | 0:32:53 | 0:32:56 | |
-You know his number? -Yeah. | 0:32:56 | 0:32:57 | |
-Give it to me. -OK, but what about the call? | 0:32:57 | 0:32:59 | |
-Give me the number first. -He's going to hang up. | 0:32:59 | 0:33:01 | |
-Take the call... That's OK, just take the call. -But... OK. | 0:33:01 | 0:33:03 | |
Hello. Hello. | 0:33:03 | 0:33:05 | |
Two hour, four minute. | 0:33:05 | 0:33:07 | |
You have to give me more time. | 0:33:10 | 0:33:11 | |
You talk to embassy? Give the money? | 0:33:11 | 0:33:13 | |
Yes. I talked to someone at the government. | 0:33:13 | 0:33:15 | |
-They said that they won't pay the money. -No pay? | 0:33:15 | 0:33:17 | |
No. They said that they don't negotiate with terrorists. | 0:33:17 | 0:33:20 | |
-Terrorists? I am terrorist? -Yeah. | 0:33:20 | 0:33:23 | |
Yeah, you're a terrorist, you son of a bitch. | 0:33:23 | 0:33:25 | |
You terrified, so I am terrorist? | 0:33:25 | 0:33:29 | |
What did I ever do to you? | 0:33:29 | 0:33:30 | |
-Ever do? -Yeah. | 0:33:30 | 0:33:33 | |
Yeah. | 0:33:33 | 0:33:35 | |
I'm here because it's a job, to make money. That's it. | 0:33:35 | 0:33:39 | |
I have job until you come. Now my family have nothing. | 0:33:39 | 0:33:42 | |
That's not my fault! | 0:33:42 | 0:33:43 | |
Nine-one-one was not my fault, but you are still here. | 0:33:43 | 0:33:45 | |
-Saddam was not my fault, but still you are here. -I told you, | 0:33:45 | 0:33:48 | |
I'm here to work. To help rebuild. | 0:33:48 | 0:33:50 | |
Rebuild what you destroyed. | 0:33:50 | 0:33:51 | |
Stop! Stop, just please, stop! I'm just a guy. | 0:33:51 | 0:33:54 | |
I'm just a truck driver. OK? | 0:33:54 | 0:33:55 | |
I'm nobody that makes decisions about anything. | 0:33:55 | 0:33:57 | |
I just want to go home. | 0:33:57 | 0:33:59 | |
Hello? | 0:34:04 | 0:34:05 | |
You make video, ransom video. | 0:34:06 | 0:34:08 | |
Yeah. I'll make a video. If you let me go, I'll make the video. | 0:34:08 | 0:34:11 | |
No. You make video now. | 0:34:11 | 0:34:13 | |
-What? How? -Use video on phone. | 0:34:13 | 0:34:16 | |
Near foot. You read note near foot in box. | 0:34:16 | 0:34:19 | |
-I don't see it. -Near foot. Read note inside box. | 0:34:21 | 0:34:25 | |
OK, OK... If I make the video, will you let me go? | 0:34:25 | 0:34:27 | |
Only if we get money. | 0:34:27 | 0:34:29 | |
Nobody's going to pay five million dollars for me. | 0:34:29 | 0:34:32 | |
We take less. One million money. | 0:34:32 | 0:34:35 | |
If they pay it, you'll let me go? | 0:34:35 | 0:34:36 | |
One million money. | 0:34:38 | 0:34:41 | |
PHONE PIPS | 0:34:41 | 0:34:46 | |
HE STRAINS | 0:34:59 | 0:35:02 | |
Fuck... | 0:35:02 | 0:35:03 | |
OK. | 0:35:06 | 0:35:07 | |
HE STRAINS | 0:35:12 | 0:35:16 | |
LABOURED BREATHING | 0:35:26 | 0:35:29 | |
CREAKING | 0:35:52 | 0:35:55 | |
HE STRAINS | 0:36:01 | 0:36:04 | |
Ah, ah, ah! | 0:36:18 | 0:36:21 | |
HE YELLS | 0:36:23 | 0:36:26 | |
Argh! | 0:36:32 | 0:36:34 | |
CREAKING | 0:36:41 | 0:36:43 | |
Ow! | 0:37:20 | 0:37:21 | |
BEEPING | 0:38:26 | 0:38:29 | |
LINE RINGING | 0:38:32 | 0:38:34 | |
'Thanks for calling the Conroys. | 0:38:39 | 0:38:41 | |
'We're not home right now. | 0:38:41 | 0:38:42 | |
'Please leave a message after the beep. Thanks.' | 0:38:42 | 0:38:45 | |
BEEP | 0:38:45 | 0:38:46 | |
NO CONNECTION | 0:38:46 | 0:38:48 | |
-RECORDED MESSAGE: -Your call cannot be connected. | 0:38:48 | 0:38:51 | |
-Please dial again... -Shit. | 0:38:51 | 0:38:54 | |
-LINE RINGING -Paul? | 0:39:01 | 0:39:03 | |
-Here's his number... -Hold on. All right, go ahead. | 0:39:03 | 0:39:06 | |
OK. Er, all right... | 0:39:06 | 0:39:07 | |
It's 07902-24-921. | 0:39:09 | 0:39:14 | |
OK. This is huge, Paul. Unless they're using a cloned line | 0:39:14 | 0:39:18 | |
we should be able to find where this is coming from in minutes. | 0:39:18 | 0:39:20 | |
OK, what about me? Can you track my cell signal? | 0:39:20 | 0:39:22 | |
We're having a lot of trouble with yours. | 0:39:22 | 0:39:24 | |
Seems to be an EDS line, | 0:39:24 | 0:39:25 | |
probably through one of the Egyptian carriers. | 0:39:25 | 0:39:27 | |
-What does that mean? -That it's just not going to be easy. | 0:39:27 | 0:39:32 | |
-He wants me to make a ransom video. -No. Hold off for as long as you can. | 0:39:32 | 0:39:36 | |
If it gets me out of here, I'm making it. | 0:39:36 | 0:39:37 | |
The last thing we want is for this to end up all over Al Jazeera. | 0:39:37 | 0:39:41 | |
-We? -Yes. This can't turn into an international incident. | 0:39:41 | 0:39:43 | |
Oh, that's all you people care about! Don't you care about me? | 0:39:43 | 0:39:46 | |
-We do. -What about me? | 0:39:46 | 0:39:47 | |
We do, Paul, We do. That's why we're here. | 0:39:47 | 0:39:49 | |
No, no, no, you don't! You don't care about me. | 0:39:49 | 0:39:52 | |
You don't care about any of us. | 0:39:52 | 0:39:53 | |
I've had eight friends killed out here, six of them today. | 0:39:53 | 0:39:55 | |
-Listen, Paul... -We don't have any guns, any armour. Nothing. | 0:39:55 | 0:39:59 | |
That's because you're not soldiers. | 0:39:59 | 0:40:00 | |
Tell that to the people who put me in this box! | 0:40:00 | 0:40:03 | |
-Paul, listen. -Tell that to the people who shot my friends! | 0:40:03 | 0:40:06 | |
-We're doing the best we can. -No, you're not. You're not. | 0:40:06 | 0:40:08 | |
-OK, calm down. -I've been out here nine months. I know how it works. | 0:40:08 | 0:40:10 | |
All you care about is your secret plans and your back room politics. | 0:40:10 | 0:40:13 | |
If I were some diplomat or a hostage working group leader | 0:40:13 | 0:40:16 | |
or whatever the fuck your title is, I'd be out of here by now. | 0:40:16 | 0:40:18 | |
But I'm not, so I'm just supposed to just sit in here, | 0:40:18 | 0:40:21 | |
shut my mouth and die. | 0:40:21 | 0:40:22 | |
-OK, I need you to stay focused, Paul. -Fuck you, Dan. | 0:40:22 | 0:40:25 | |
Paul, listen to me, finding you is our primary concern. Bottom line. | 0:40:25 | 0:40:28 | |
And we're searching just as hard as we would be | 0:40:28 | 0:40:31 | |
for a four-star general. | 0:40:31 | 0:40:32 | |
So don't literally waste your breath suggesting otherwise. | 0:40:32 | 0:40:35 | |
-Are you injured, Paul? Are you OK? -I don't know. Who are they? | 0:40:37 | 0:40:40 | |
The people who put me in here, who are they? | 0:40:40 | 0:40:42 | |
They're just that, people. No different from you and me. | 0:40:42 | 0:40:45 | |
-I'm not a terrorist. -Neither are they. | 0:40:45 | 0:40:48 | |
How do you know? | 0:40:48 | 0:40:49 | |
If you were homeless, starving... | 0:40:49 | 0:40:51 | |
Actually, I take that back. | 0:40:51 | 0:40:53 | |
If your family was homeless and starving what would you do for them? | 0:40:53 | 0:40:56 | |
I wouldn't kill somebody. | 0:40:56 | 0:40:58 | |
-How can you be sure? -What difference does it make? | 0:40:58 | 0:41:02 | |
They're criminals, desperate ones at that. | 0:41:02 | 0:41:04 | |
They don't care about anything other than getting the money. | 0:41:04 | 0:41:07 | |
So pay them, just pay them. | 0:41:07 | 0:41:09 | |
Trust me, if it was an option, I would do that in a heartbeat. | 0:41:09 | 0:41:12 | |
How many others have there been? | 0:41:15 | 0:41:17 | |
-Since I got here? -Yeah. | 0:41:17 | 0:41:19 | |
Several. Journalists, contractors, soldiers... | 0:41:19 | 0:41:22 | |
Dozens have been taken. | 0:41:22 | 0:41:23 | |
It's one of the only functioning businesses out here. | 0:41:23 | 0:41:26 | |
How many have you rescued? | 0:41:26 | 0:41:28 | |
-How many? -Not many. | 0:41:33 | 0:41:36 | |
-Tell me their names. -No. | 0:41:36 | 0:41:39 | |
-Any of them. -Who? | 0:41:39 | 0:41:42 | |
Make me believe they really do matter to you. | 0:41:42 | 0:41:44 | |
That they really do matter to anyone. | 0:41:44 | 0:41:47 | |
-Mark White. -Who's Mark White? | 0:41:47 | 0:41:50 | |
A kid from New Hampshire. 26 years old. Med student. | 0:41:50 | 0:41:55 | |
Came over here to help out local doctors. | 0:41:55 | 0:41:58 | |
-What happened to him? -Insurgents grabbed him. | 0:41:58 | 0:42:02 | |
-When? -About three weeks ago. | 0:42:02 | 0:42:05 | |
You remember his name. | 0:42:09 | 0:42:10 | |
I remember all their names. | 0:42:11 | 0:42:13 | |
-Is he...? Did he....? -Yeah. Yes, he's alive. | 0:42:16 | 0:42:21 | |
-Where is he now? -Home. | 0:42:21 | 0:42:23 | |
Probably happy to be back at school. | 0:42:23 | 0:42:25 | |
(I want to get out of here.) | 0:42:28 | 0:42:31 | |
We found him, we'll find you, too. | 0:42:31 | 0:42:35 | |
How? | 0:42:35 | 0:42:36 | |
We already have a solid lead on the number you gave us. | 0:42:36 | 0:42:39 | |
-You do? -Yeah. A unit's on its way over there now. | 0:42:39 | 0:42:43 | |
-That's good. That feels good. -Yeah. | 0:42:43 | 0:42:47 | |
What...? What should I do in the meantime? | 0:42:49 | 0:42:52 | |
I know it's hard, but try to relax. | 0:42:52 | 0:42:54 | |
The more worked up you are, the more air you're going to use. | 0:42:54 | 0:43:00 | |
I can't help it. | 0:43:00 | 0:43:01 | |
It's hard cos I... I have anxiety. | 0:43:01 | 0:43:05 | |
I take pills for it. | 0:43:05 | 0:43:07 | |
-Do you have them with you? -Yeah. -Good, take them. | 0:43:07 | 0:43:11 | |
You need to preserve your oxygen level any way you can. | 0:43:11 | 0:43:15 | |
-Is your Zippo still lit? -No. Not any more. | 0:43:16 | 0:43:19 | |
-All right. Good. -I feel nauseous. | 0:43:19 | 0:43:21 | |
-You have to calm down. -OK. -And you need to save that battery. | 0:43:21 | 0:43:24 | |
We're expecting some intel in about ten minutes. | 0:43:25 | 0:43:28 | |
-Call me back then. -OK. | 0:43:28 | 0:43:30 | |
-Just hang in there, Paul. -I'm trying. OK. | 0:43:30 | 0:43:33 | |
PHONE RINGS, HE YELLS | 0:43:39 | 0:43:40 | |
-What? -Did you make video? -No. -You make video! | 0:43:40 | 0:43:42 | |
-Let me out and I'll make it. -No! You make video now. In box. | 0:43:42 | 0:43:45 | |
-I can't read the paper. -Make video now! | 0:43:45 | 0:43:47 | |
I don't know what you want me to say. I can't read the paper. | 0:43:47 | 0:43:49 | |
You make video now. | 0:43:49 | 0:43:52 | |
Fuck! | 0:43:52 | 0:43:54 | |
HE YELLS | 0:43:54 | 0:43:56 | |
HE CHOKES | 0:44:00 | 0:44:03 | |
CONTINUES YELLING | 0:44:04 | 0:44:07 | |
HE PANTS | 0:44:12 | 0:44:15 | |
OK, come on, come on. | 0:44:19 | 0:44:22 | |
Come on, come on. Come on, come on, come on, come on... | 0:44:22 | 0:44:25 | |
SCRAPING | 0:45:25 | 0:45:28 | |
Shit. | 0:45:30 | 0:45:31 | |
BEEPING | 0:47:00 | 0:47:02 | |
LINE RINGING | 0:47:07 | 0:47:09 | |
Mountain View Nursing Home. | 0:47:09 | 0:47:12 | |
Hi. I was hoping I could speak with Maryanne Conroy, please. | 0:47:12 | 0:47:16 | |
Um...OK. Ah... let me bring the cordless phone to her room. | 0:47:16 | 0:47:20 | |
Hold on a moment, please. | 0:47:20 | 0:47:22 | |
FOOTSTEPS OVER PHONE | 0:47:22 | 0:47:23 | |
Mrs Conroy, you have a telephone call, dear. | 0:47:30 | 0:47:33 | |
Here. You can use this phone. | 0:47:33 | 0:47:35 | |
-Hello? -Mom. It's Paul. | 0:47:38 | 0:47:43 | |
-Who? -It's Paul. Your son. | 0:47:43 | 0:47:47 | |
-I have a son? -It's OK, Mom. | 0:47:47 | 0:47:50 | |
-How are you? -I'm fine. | 0:47:50 | 0:47:53 | |
That's good. | 0:47:53 | 0:47:55 | |
-Who are you? -It's your son, Mom. It's Paulie. | 0:47:55 | 0:47:58 | |
-Paulie? -Yeah. | 0:48:00 | 0:48:03 | |
Remember? We used to lived on Colfax Street, in the duplex. Remember? | 0:48:03 | 0:48:08 | |
-Paulie? -Yeah. | 0:48:08 | 0:48:11 | |
-That's right. -Is this Paulie? | 0:48:11 | 0:48:14 | |
It is. It's Paulie. | 0:48:14 | 0:48:16 | |
-How's everything at the home? -Very nice. | 0:48:18 | 0:48:21 | |
Your father and I have been playing gin rummy every night. | 0:48:21 | 0:48:25 | |
Yeah... I don't think Pop's there with you, Mom. | 0:48:28 | 0:48:33 | |
How are you doing, sweetie? | 0:48:33 | 0:48:36 | |
Not very good. | 0:48:36 | 0:48:37 | |
-This may be the last time I talk to you. -That's nice, honey. | 0:48:41 | 0:48:45 | |
Did you get the flowers I sent you a few months ago? | 0:48:47 | 0:48:51 | |
-Flowers? -Yeah. | 0:48:51 | 0:48:54 | |
I sent you... Never mind. | 0:48:54 | 0:48:56 | |
Look, I'm going to get going now. OK? | 0:48:57 | 0:49:00 | |
I just wanted to call and talk to you. | 0:49:00 | 0:49:04 | |
I love you, Mom. | 0:49:04 | 0:49:06 | |
I love you, Mom. Do you want to tell me that you love me? | 0:49:08 | 0:49:10 | |
Yes, dear. Your father and I have been playing gin rummy every night. | 0:49:10 | 0:49:14 | |
OK, Mom. Tell Pop I said hi. | 0:49:16 | 0:49:19 | |
PHONE BEEPS | 0:49:21 | 0:49:22 | |
HE SOBS | 0:49:22 | 0:49:25 | |
PHONE RINGS | 0:49:32 | 0:49:33 | |
PHONE BEEPS | 0:49:38 | 0:49:39 | |
PHONE VIBRATES | 0:49:39 | 0:49:41 | |
VIBRATING STOPS | 0:49:51 | 0:49:52 | |
PHONE BEEPS | 0:49:52 | 0:49:54 | |
DIAL TONE | 0:49:54 | 0:49:55 | |
PHONE BEEPS | 0:49:56 | 0:49:58 | |
PHONE BEEPS | 0:50:05 | 0:50:07 | |
No. | 0:50:07 | 0:50:08 | |
No, no, no, no, no! | 0:50:08 | 0:50:10 | |
No, no, no, no, no! | 0:50:11 | 0:50:13 | |
KEYPAD BEEPS | 0:50:13 | 0:50:14 | |
RINGING TONE | 0:50:14 | 0:50:16 | |
-Video make? -Please, don't hurt her. | 0:50:16 | 0:50:18 | |
We shoot her if you no make video. | 0:50:18 | 0:50:19 | |
No! Don't shoot her. Don't shoot! | 0:50:19 | 0:50:21 | |
-You get money. American million. -I will, I promise. I promise. | 0:50:21 | 0:50:24 | |
-Please, she's a mother, she has two kids. -Two kids? | 0:50:24 | 0:50:26 | |
-Yes! -I have five. Now only one. You make video. Now! -Wait. | 0:50:26 | 0:50:28 | |
-I can't read the paper. -Three seconds. -What do you want me to say? | 0:50:28 | 0:50:32 | |
-Three, two... -OK! OK, I'll make the video. -..one! | 0:50:32 | 0:50:34 | |
I'll make the video. I'll make the video. Please. | 0:50:34 | 0:50:37 | |
I have to hang up to make the video. Is that OK? | 0:50:37 | 0:50:39 | |
You have three minute to send video. | 0:50:39 | 0:50:42 | |
My name is Paul Conroy. | 0:51:04 | 0:51:06 | |
I'm an American citizen from Hastings, Michigan. | 0:51:06 | 0:51:08 | |
I'm a civilian truck driver for Crestin, Roland and Thomas. | 0:51:08 | 0:51:12 | |
I've been taken hostage somewhere in Iraq. | 0:51:12 | 0:51:16 | |
I need 1 million by nine o'clock tonight, Baghdad time | 0:51:16 | 0:51:19 | |
or I'll be left to die here in this coffin I'm buried in. | 0:51:19 | 0:51:23 | |
I'm told that if the money is paid... | 0:51:23 | 0:51:25 | |
THUMPING | 0:51:25 | 0:51:27 | |
I'm told that if the money is paid, I will be let go. | 0:51:27 | 0:51:30 | |
If it is not, I will be left to die in here. | 0:51:30 | 0:51:32 | |
These threats are real and will be followed through on. | 0:51:33 | 0:51:37 | |
PHONE BEEPS | 0:51:41 | 0:51:42 | |
KEYPAD BEEPS | 0:51:51 | 0:51:52 | |
HE SIGHS | 0:51:56 | 0:51:57 | |
HE CHUCKLES | 0:52:03 | 0:52:06 | |
SOFT BREATHING | 0:52:35 | 0:52:37 | |
SOFT GROAN | 0:52:46 | 0:52:48 | |
STIRRING | 0:52:56 | 0:52:57 | |
GASPING | 0:53:00 | 0:53:02 | |
SHAKY BREATHING | 0:53:05 | 0:53:07 | |
HISSING | 0:54:11 | 0:54:12 | |
HE BREATHES SHAKILY | 0:54:15 | 0:54:17 | |
SNAKE HISSES | 0:54:21 | 0:54:22 | |
QUIET SCRAPE | 0:54:58 | 0:54:59 | |
QUIET RATTLE | 0:55:07 | 0:55:09 | |
LID RATTLES | 0:55:14 | 0:55:15 | |
THUD | 0:55:19 | 0:55:20 | |
SNAKE HISSES | 0:55:24 | 0:55:26 | |
SNAKE HISSES | 0:55:48 | 0:55:50 | |
PHONE VIBRATES | 0:56:10 | 0:56:12 | |
HE CRIES OUT | 0:56:12 | 0:56:13 | |
SNAKE HISSES | 0:56:13 | 0:56:15 | |
VIBRATING CONTINUES | 0:56:22 | 0:56:23 | |
CREAKING, HE STRAINS | 0:56:43 | 0:56:45 | |
VIBRATING STOPS, PHONE BEEPS | 0:56:52 | 0:56:54 | |
CREAKING, HE CRIES OUT | 0:56:54 | 0:56:55 | |
HE PANTS | 0:57:09 | 0:57:10 | |
FLASK CLATTERS | 0:57:16 | 0:57:17 | |
DISTANT CALL TO PRAYER | 0:57:54 | 0:57:57 | |
HE GRUNTS | 0:58:16 | 0:58:17 | |
PHONE BEEPS | 0:58:19 | 0:58:21 | |
Oh, my... | 0:58:38 | 0:58:40 | |
I got you! | 0:58:46 | 0:58:47 | |
I got you, you fucking motherfucker. | 0:58:56 | 0:58:58 | |
I got you. I got you. I got you. | 0:59:04 | 0:59:06 | |
Fuckin' A. | 0:59:08 | 0:59:10 | |
KEYPAD BEEPS | 0:59:10 | 0:59:11 | |
RINGING TONE | 0:59:15 | 0:59:16 | |
Come on, come on, come on. Pick up, pick up. | 0:59:16 | 0:59:19 | |
Hi, this is Linda. Please leave a message. | 0:59:19 | 0:59:21 | |
Thanks and have a great day. | 0:59:21 | 0:59:23 | |
Linda, I figured out the number for the phone. I got it. | 0:59:23 | 0:59:27 | |
I got it! | 0:59:27 | 0:59:29 | |
OK, it's 0792-42-884. | 0:59:29 | 0:59:33 | |
Use the international calling code to dial it. I got it, baby. | 0:59:33 | 0:59:36 | |
I love you. Call me as soon as you get this. Call me. I love you. | 0:59:36 | 0:59:40 | |
HE LAUGHS | 0:59:40 | 0:59:42 | |
Oh shit. | 0:59:45 | 0:59:46 | |
Shit. | 0:59:47 | 0:59:48 | |
OK. | 0:59:50 | 0:59:51 | |
CLATTERING | 0:59:56 | 0:59:57 | |
HE PANTS | 1:00:00 | 1:00:02 | |
THUD, HE GRUNTS | 1:00:09 | 1:00:10 | |
Ugh. | 1:00:19 | 1:00:20 | |
Fuck. | 1:00:32 | 1:00:33 | |
RATTLING | 1:00:36 | 1:00:38 | |
TAPPING | 1:00:41 | 1:00:43 | |
Fuck. | 1:00:46 | 1:00:47 | |
PHONE VIBRATES | 1:00:49 | 1:00:51 | |
PHONE BEEPS | 1:01:05 | 1:01:06 | |
My name is Pamela Lutti. | 1:01:16 | 1:01:18 | |
I'm a food service worker at FOB Anaconda, | 1:01:18 | 1:01:22 | |
employed by Crestin, Roland and Thomas. | 1:01:22 | 1:01:23 | |
SHE SOBS | 1:01:23 | 1:01:25 | |
My captor's requests for ransom have gone unanswered, and... | 1:01:29 | 1:01:33 | |
Please, no! | 1:01:33 | 1:01:34 | |
HE RETCHES | 1:01:36 | 1:01:38 | |
SOUND MUFFLED | 1:01:38 | 1:01:39 | |
ECHOING: 'My name is Pamela Lutti... | 1:01:50 | 1:01:52 | |
'Please, no!' GUNSHOT ECHOES | 1:01:52 | 1:01:55 | |
'If you're buried in a coffin, where are you calling from? | 1:01:57 | 1:02:00 | |
'The number you requested, 269-948-1998... | 1:02:04 | 1:02:12 | |
'They're criminals, desperate ones at that. | 1:02:12 | 1:02:15 | |
'They don't care about anything other than getting the money... | 1:02:15 | 1:02:18 | |
'At CRT, we work with our clients... | 1:02:18 | 1:02:19 | |
'Sir, you're going to have to stop shouting... | 1:02:19 | 1:02:21 | |
'..challenges they face... | 1:02:21 | 1:02:23 | |
'Sir, this is a crisis situation you need to... | 1:02:23 | 1:02:26 | |
'Find million money tonight, 9pm, or you stay... | 1:02:26 | 1:02:29 | |
'Finding you is our primary concern. Bottom line. | 1:02:29 | 1:02:32 | |
'We're searching for you just as hard as...' | 1:02:32 | 1:02:34 | |
VOICES ALL TALK AT ONCE | 1:02:34 | 1:02:36 | |
CHILD'S VOICE ECHOING: 'Thanks for calling the Conroys. | 1:02:38 | 1:02:40 | |
'We're not home right now. | 1:02:40 | 1:02:41 | |
'Please leave a message after the beep. Thanks.' | 1:02:41 | 1:02:43 | |
BEEP | 1:02:43 | 1:02:46 | |
HEARTBEAT GROWING LOUDER | 1:02:48 | 1:02:51 | |
SOUND RETURNS TO NORMAL, RATTLING | 1:03:00 | 1:03:02 | |
PHONE BEEPS | 1:03:11 | 1:03:12 | |
KEYPAD BEEPS | 1:03:12 | 1:03:14 | |
RINGING TONE | 1:03:16 | 1:03:17 | |
-Why the hell did you make that video? -It's all a bunch of lies. | 1:03:20 | 1:03:23 | |
-What is? What are you talking about? -All of it. | 1:03:23 | 1:03:26 | |
All of what? | 1:03:26 | 1:03:28 | |
You don't give a shit about any of us. We're nothing to you people. | 1:03:28 | 1:03:31 | |
-We're going to find you. -Fuck off, Dan. You're baby-sitting me. | 1:03:31 | 1:03:35 | |
You're just gonna stay on the phone with me until I die. | 1:03:35 | 1:03:38 | |
OK, you can't start breaking on me now, Paul. You have to stay strong. | 1:03:38 | 1:03:41 | |
They shot her. You didn't do anything. | 1:03:41 | 1:03:44 | |
We didn't even know she'd been taken hostage. | 1:03:44 | 1:03:46 | |
-She sent three videos. -That's what they told her to say. | 1:03:46 | 1:03:49 | |
-Why? -I don't know. | 1:03:49 | 1:03:52 | |
What do you know? | 1:03:52 | 1:03:55 | |
That your ransom video already has 47,000 hits on YouTube. | 1:03:55 | 1:03:59 | |
And all the major networks are playing it, including Al Jazeera. | 1:03:59 | 1:04:04 | |
So, now your captors have no choice but to follow through. | 1:04:04 | 1:04:07 | |
I found out the number to this phone. | 1:04:07 | 1:04:10 | |
-How? -Who cares? | 1:04:10 | 1:04:13 | |
I figured that out, and you didn't. Why? | 1:04:13 | 1:04:15 | |
Because I didn't. | 1:04:18 | 1:04:20 | |
Just like you and every other person on the planet, | 1:04:20 | 1:04:22 | |
there are some things I know and there are some things I don't. | 1:04:22 | 1:04:25 | |
Then how am I ever going to get out of here? | 1:04:27 | 1:04:29 | |
Their signal was cloned, like we figured. But, we're close. | 1:04:29 | 1:04:32 | |
Really close. | 1:04:32 | 1:04:34 | |
I'm near a mosque. I heard a call to prayer over the PA. | 1:04:36 | 1:04:40 | |
Good. Good. That means that we're in the right area. | 1:04:40 | 1:04:43 | |
You're... | 1:04:44 | 1:04:46 | |
You're nearby? | 1:04:46 | 1:04:48 | |
I spoke with soldiers from the third ID who were escorting your convoy. | 1:04:48 | 1:04:53 | |
They're alive? | 1:04:53 | 1:04:54 | |
Not all of them. | 1:04:54 | 1:04:56 | |
-Both Bradley tanks were hit with IEDs. -DISTANT JET ENGINE | 1:04:56 | 1:04:59 | |
The rest got caught in small arms fire. | 1:04:59 | 1:05:01 | |
What the hell happened out there, Paul? | 1:05:03 | 1:05:06 | |
Paul. | 1:05:06 | 1:05:07 | |
-MUFFLED THUD -Wait. | 1:05:07 | 1:05:09 | |
Paul? | 1:05:09 | 1:05:11 | |
EXPLOSION | 1:05:11 | 1:05:12 | |
HE GRUNTS | 1:05:14 | 1:05:16 | |
EXPLOSION | 1:05:19 | 1:05:21 | |
DEEP THUD | 1:05:22 | 1:05:23 | |
HE PANTS | 1:05:24 | 1:05:26 | |
CREAKING | 1:05:30 | 1:05:31 | |
Argh! | 1:05:31 | 1:05:32 | |
HE CRIES OUT | 1:05:35 | 1:05:37 | |
Fuck! | 1:05:53 | 1:05:55 | |
Come on, come on! | 1:06:13 | 1:06:15 | |
Come on. Come on. Come on. | 1:06:16 | 1:06:20 | |
PHONE VIBRATES | 1:06:20 | 1:06:21 | |
Hello? Hello? Who's there? | 1:06:21 | 1:06:23 | |
-Is this Paul Conroy? -Yeah, yeah, yeah, it's Paul. Who are you? | 1:06:23 | 1:06:27 | |
Paul, my name's Alan Davenport. | 1:06:27 | 1:06:28 | |
I'm the personnel director here at Crestin, Roland and Thomas. | 1:06:28 | 1:06:31 | |
-I left you a message. -You did. I also heard | 1:06:31 | 1:06:33 | |
from Rebecca Browning over at the State Department. | 1:06:33 | 1:06:36 | |
-Are you able to speak on the status of your situation? -It's worse. | 1:06:36 | 1:06:39 | |
There was an explosion or something. The sand's coming through. | 1:06:39 | 1:06:42 | |
I probably have a half an hour before... | 1:06:42 | 1:06:44 | |
OK, OK. Slow down. You should try to stay calm. | 1:06:44 | 1:06:47 | |
Tell me something, Paul, who have you spoken to? | 1:06:47 | 1:06:49 | |
The hostage takers, Dan Brenner from the hostage working group. | 1:06:49 | 1:06:53 | |
OK, Paul. I'm with you. How about the media? | 1:06:53 | 1:06:55 | |
-I know your ransom video leaked but have you spoken... -No. | 1:06:55 | 1:06:58 | |
-..directly to anyone about what's going on? -No, no, no. -That's good. | 1:06:58 | 1:07:01 | |
It needs to stay that way. | 1:07:01 | 1:07:02 | |
It's important that we keep this situation as contained as possible. | 1:07:02 | 1:07:05 | |
The situation's in a coffin! I think it's pretty contained! | 1:07:05 | 1:07:09 | |
Help me! Help me! What are you doing right now to help me?! | 1:07:09 | 1:07:12 | |
I know you're upset. But from what I've been told, they're extremely | 1:07:12 | 1:07:15 | |
close to getting you out of there. | 1:07:15 | 1:07:17 | |
So, hopefully it won't be too much longer. | 1:07:17 | 1:07:19 | |
Thank God. Yeah. Thank God. | 1:07:19 | 1:07:22 | |
-Now, I'm going to switch on a recorder right now. -What? | 1:07:24 | 1:07:28 | |
Just a second. | 1:07:28 | 1:07:30 | |
CLICK, BEEP | 1:07:30 | 1:07:32 | |
This is Alan Davenport, | 1:07:32 | 1:07:34 | |
personnel director for Crestin, Roland and Thomas, Incorporated. | 1:07:34 | 1:07:38 | |
The date is October 23rd, 2006. | 1:07:38 | 1:07:41 | |
I am speaking with Paul Conroy. | 1:07:41 | 1:07:44 | |
Mr Conroy, are you aware that I'm recording this conversation? | 1:07:44 | 1:07:47 | |
-What? -Please answer the question. | 1:07:47 | 1:07:49 | |
I... Shit. | 1:07:49 | 1:07:51 | |
-Mr Conroy? -Yeah, yeah, yeah. | 1:07:51 | 1:07:53 | |
And do I have your permission to do so? | 1:07:53 | 1:07:55 | |
Why do you need my permission? What's this about? | 1:07:55 | 1:07:58 | |
-I need you to answer yes or no, please. -Yes. Yes! All right? | 1:07:58 | 1:08:01 | |
Thank you. Now, Mr Conroy, when were you hired by CRT? | 1:08:01 | 1:08:05 | |
I don't know, nine months ago. Around January. What is all this? | 1:08:05 | 1:08:07 | |
I have your official date of hire as January 4th. Is that correct? | 1:08:07 | 1:08:12 | |
Who cares? This is fucking crazy. | 1:08:12 | 1:08:14 | |
-January 4th. Is that correct? -Yes! | 1:08:14 | 1:08:17 | |
And during your initial training, before being sent to Iraq, | 1:08:17 | 1:08:20 | |
you were made aware of the dangers inherent to the position | 1:08:20 | 1:08:23 | |
for which you were hired. | 1:08:23 | 1:08:24 | |
You mean when I came down there to Dallas and you guys said that | 1:08:24 | 1:08:27 | |
all of the trucks would be armoured and have bulletproof glass? | 1:08:27 | 1:08:30 | |
When you told us that things were safer than ever over here? | 1:08:30 | 1:08:32 | |
Is that when I was made aware? | 1:08:32 | 1:08:34 | |
-I need you to answer yes or no, please. -Yes. | 1:08:34 | 1:08:38 | |
During that time, | 1:08:38 | 1:08:39 | |
did you also receive and sign an employment contract with CRT, | 1:08:39 | 1:08:42 | |
which thoroughly explained company policy | 1:08:42 | 1:08:45 | |
that pertained to your specific terms of employment? | 1:08:45 | 1:08:47 | |
Yeah, I signed a bunch of things. | 1:08:47 | 1:08:49 | |
-Yes or no. -Yes. I signed the contract. Yes. | 1:08:49 | 1:08:52 | |
It's our understanding that you were taken hostage in Iraq two hours ago. | 1:08:52 | 1:08:56 | |
Is that also correct? | 1:08:56 | 1:08:57 | |
Yes. I think it's a fair assessment of the situation, you fucking dick! | 1:08:57 | 1:09:00 | |
What is the point of all this? | 1:09:00 | 1:09:02 | |
Our legal department requires that | 1:09:02 | 1:09:04 | |
we obtain a sworn affidavit from employees confirming that they | 1:09:04 | 1:09:07 | |
understand the reasons for their forced separation from the company. | 1:09:07 | 1:09:10 | |
As of this morning, your employment with CRT was officially terminated. | 1:09:10 | 1:09:14 | |
Wait, wait, wait... what? | 1:09:14 | 1:09:17 | |
It was brought to our attention that you were engaging in relations with | 1:09:17 | 1:09:20 | |
a fellow CRT employee, Pamela Lutti. | 1:09:20 | 1:09:22 | |
No. No, no, no. Hold on. | 1:09:24 | 1:09:25 | |
Stipulated in your contract was a fraternization clause, | 1:09:25 | 1:09:28 | |
in which it was stated quite clearly that any relationship... | 1:09:28 | 1:09:31 | |
-Stop, stop, stop. -..be it romantic or sexual in nature | 1:09:31 | 1:09:33 | |
-deemed inappropriate... -We were friends. -..by CRT senior officials | 1:09:33 | 1:09:37 | |
-as grounds for immediate termination. -Hold on. OK? We were just friends. | 1:09:37 | 1:09:41 | |
-Our records indicate differently. -You records are wrong. | 1:09:41 | 1:09:43 | |
We're also legally required to inform you that | 1:09:43 | 1:09:46 | |
because you were technically no longer under | 1:09:46 | 1:09:48 | |
the employ of CRT at the time of your abduction, | 1:09:48 | 1:09:51 | |
we cannot be held accountable for any injury that may befall upon you | 1:09:51 | 1:09:55 | |
after your official date and time of termination. | 1:09:55 | 1:09:58 | |
Therefore, in your case, that includes this incident | 1:09:58 | 1:10:01 | |
or any consequences that may result from it. | 1:10:01 | 1:10:04 | |
What about my insurance money? My family will need that money. | 1:10:05 | 1:10:09 | |
Given that you were alive up until the time of your termination... | 1:10:09 | 1:10:13 | |
Don't do this. | 1:10:13 | 1:10:15 | |
-Do you understand everything...? -Don't do this! | 1:10:15 | 1:10:18 | |
Do you understand everything you've been told, Mr Conroy? | 1:10:18 | 1:10:21 | |
Mr Conroy? | 1:10:24 | 1:10:25 | |
You're a piece of shit! | 1:10:27 | 1:10:29 | |
That concludes our interview with Paul Conroy. | 1:10:30 | 1:10:34 | |
I am now turning off the recorder. | 1:10:34 | 1:10:36 | |
BEEP | 1:10:36 | 1:10:38 | |
You put me here. | 1:10:38 | 1:10:40 | |
I'm sorry. | 1:10:44 | 1:10:45 | |
PHONE BEEPS | 1:10:48 | 1:10:50 | |
HE SIGHS | 1:11:59 | 1:12:01 | |
RATTLING | 1:12:02 | 1:12:05 | |
(Fuck.) | 1:12:08 | 1:12:09 | |
PHONE BEEPS | 1:12:12 | 1:12:14 | |
KEYPAD BEEPS | 1:12:20 | 1:12:21 | |
RINGING TONE | 1:12:26 | 1:12:28 | |
CREAKING | 1:12:34 | 1:12:36 | |
PHONE BEEPS | 1:12:42 | 1:12:44 | |
KEYPAD BEEPS | 1:12:44 | 1:12:45 | |
RINGING TONE | 1:12:48 | 1:12:50 | |
CREAKING | 1:12:52 | 1:12:53 | |
Come on. Answer. Why won't you answer the phone? | 1:12:58 | 1:13:00 | |
PHONE BEEPS, KEYPAD BEEPS | 1:13:00 | 1:13:02 | |
CREAKING | 1:13:03 | 1:13:05 | |
CREAKING | 1:13:19 | 1:13:21 | |
THUD | 1:13:21 | 1:13:23 | |
Fuck. | 1:13:25 | 1:13:27 | |
Fuck! | 1:13:32 | 1:13:33 | |
HE CHUCKLES | 1:13:37 | 1:13:38 | |
PHONE BEEPS | 1:14:05 | 1:14:06 | |
KEYPAD BEEPS | 1:14:06 | 1:14:07 | |
RINGING TONE | 1:14:11 | 1:14:12 | |
-Paul, is that you? -They're dead. | 1:14:13 | 1:14:17 | |
-How do you know that? -I just do. | 1:14:17 | 1:14:19 | |
Three F-16s levelled parts of the city a few minutes ago. | 1:14:19 | 1:14:23 | |
Yeah, I know. | 1:14:23 | 1:14:25 | |
Yeah, that was fun for me. | 1:14:25 | 1:14:27 | |
Did they know I was here? | 1:14:30 | 1:14:32 | |
Yeah. | 1:14:33 | 1:14:34 | |
Did they care? | 1:14:36 | 1:14:37 | |
These people that took me, if they're dead... | 1:14:42 | 1:14:48 | |
they can't tell you where I am. | 1:14:48 | 1:14:50 | |
We can still try to track down your signal. | 1:14:50 | 1:14:53 | |
-You tried that already. -We can try again. | 1:14:54 | 1:14:58 | |
It's over, isn't it? | 1:15:06 | 1:15:07 | |
No. | 1:15:07 | 1:15:08 | |
Yeah. | 1:15:12 | 1:15:13 | |
What should I do? | 1:15:19 | 1:15:20 | |
I don't know. | 1:15:23 | 1:15:24 | |
It's weird. | 1:15:26 | 1:15:29 | |
What is? | 1:15:29 | 1:15:30 | |
Knowing. | 1:15:31 | 1:15:33 | |
I wish this could have gone differently, Paul. | 1:15:36 | 1:15:39 | |
Yeah. | 1:15:40 | 1:15:41 | |
Me too. | 1:15:45 | 1:15:47 | |
PHONE BEEPS | 1:15:47 | 1:15:48 | |
PHONE BEEPS | 1:15:51 | 1:15:52 | |
My name is Paul Steven Conroy. | 1:16:03 | 1:16:07 | |
Social Security number 048-32-1198. | 1:16:07 | 1:16:10 | |
Date of birth 3/23/76. | 1:16:10 | 1:16:12 | |
This video will serve as my last will and testament. | 1:16:15 | 1:16:18 | |
To my wife, Linda Conroy, | 1:16:24 | 1:16:27 | |
I leave you the £700 in my personal savings... | 1:16:27 | 1:16:30 | |
..and whatever's left in my annuity. | 1:16:33 | 1:16:36 | |
To my son, Shane Conroy... | 1:16:37 | 1:16:40 | |
..I don't have... | 1:16:47 | 1:16:50 | |
My clothes. I leave you my clothes... | 1:16:50 | 1:16:54 | |
which you will grow into. | 1:16:54 | 1:16:55 | |
HE LAUGHS | 1:16:55 | 1:16:57 | |
Not these ones. | 1:16:57 | 1:16:59 | |
I don't really have... | 1:17:03 | 1:17:04 | |
I wish that I had more for you. | 1:17:06 | 1:17:09 | |
Maybe if I was a famous baseball player, | 1:17:11 | 1:17:13 | |
or some guy who wore a suit to work... | 1:17:13 | 1:17:15 | |
..then I'd have more. | 1:17:17 | 1:17:19 | |
But, you know. you can be one of those people if you want. Um... | 1:17:19 | 1:17:23 | |
Yeah. | 1:17:26 | 1:17:28 | |
Just promise me that when you get older, | 1:17:28 | 1:17:30 | |
you'll take good care of your mom. | 1:17:30 | 1:17:32 | |
And...I don't know. | 1:17:32 | 1:17:35 | |
You'll always try to do the right thing. | 1:17:35 | 1:17:38 | |
(I love you very much, Shane.) | 1:17:42 | 1:17:45 | |
Maybe I never said that enough. | 1:17:47 | 1:17:49 | |
Maybe I did, I don't know. | 1:17:49 | 1:17:52 | |
That probably means I didn't, and... | 1:17:52 | 1:17:54 | |
I'm sorry, Linda. I should have listened to you. | 1:18:02 | 1:18:07 | |
PHONE BEEPS | 1:18:07 | 1:18:08 | |
SAND FLOWING | 1:18:47 | 1:18:49 | |
PHONE VIBRATES | 1:18:53 | 1:18:54 | |
You're not dead. | 1:19:10 | 1:19:12 | |
Hello? Hello?! | 1:19:12 | 1:19:14 | |
-Where is money? -I don't know. | 1:19:14 | 1:19:16 | |
-What don't know? -I don't know where it is. | 1:19:16 | 1:19:19 | |
-Liar! -No, I'm not lying! I swear. | 1:19:19 | 1:19:21 | |
-Swear? -Yeah, I swear. I'm telling the truth. | 1:19:21 | 1:19:24 | |
-From embassy. -No. | 1:19:24 | 1:19:25 | |
-You get money now! -I can't! | 1:19:25 | 1:19:27 | |
-You will! -I need more time. Please. -No more time! | 1:19:27 | 1:19:29 | |
There's sand pouring in here. It's everywhere. Let me out of here | 1:19:29 | 1:19:32 | |
-and I promise you I will get you the money. -You show blood. | 1:19:32 | 1:19:35 | |
-What? -You show blood, they give money. -No. | 1:19:35 | 1:19:38 | |
-You cut finger, send video. -No. I'm not doing that. -Yes. | 1:19:38 | 1:19:42 | |
-No. -No? -That's right, no. You let me out of here | 1:19:42 | 1:19:45 | |
-and I'll cut off my whole goddamn hand if you want. -You have wife? | 1:19:45 | 1:19:48 | |
Yes, I do. And a son. A young son. I want to see them. Please, sir. | 1:19:48 | 1:19:51 | |
-Sir? -Yes. Sir. I say that out of respect to you. | 1:19:51 | 1:19:54 | |
243 North Walnut Street. Hastings, Michigan. USA. | 1:19:54 | 1:19:58 | |
That's my... Why did you say that? | 1:19:58 | 1:20:01 | |
You show blood or they show blood. | 1:20:01 | 1:20:04 | |
No. | 1:20:04 | 1:20:06 | |
You're nobody. You can't get to them. | 1:20:06 | 1:20:08 | |
-No? -No. | 1:20:08 | 1:20:10 | |
You're peasants, you're fucking criminals, that's all. | 1:20:10 | 1:20:12 | |
-You don't even know where Michigan is. -Detroit. Ann Arbor. | 1:20:12 | 1:20:15 | |
You looked at a map. You looked at a map. | 1:20:15 | 1:20:18 | |
You show blood or they show blood. Send video by five minutes. | 1:20:18 | 1:20:23 | |
LINE GOES DEAD | 1:20:23 | 1:20:25 | |
KEYPAD BEEPS | 1:20:27 | 1:20:28 | |
RINGING TONE | 1:20:32 | 1:20:33 | |
Hi, this is Linda. Please leave a message. | 1:20:36 | 1:20:38 | |
Thanks and have a great day. | 1:20:38 | 1:20:40 | |
Linda, listen to me, you and Shane have to go somewhere, OK? | 1:20:40 | 1:20:43 | |
Do not go back to the house. Do not go back to the house. | 1:20:43 | 1:20:46 | |
Go anywhere but the house. These guys know where we live. | 1:20:46 | 1:20:48 | |
They have my driver's licence. | 1:20:48 | 1:20:50 | |
Go to the sheriff's station if you have to, just don't go home. | 1:20:50 | 1:20:53 | |
Oh, my God. | 1:20:58 | 1:20:59 | |
Fuck. | 1:20:59 | 1:21:00 | |
KEYPAD BEEPS | 1:21:00 | 1:21:02 | |
This is Daniel Brenner. Please leave a message at the tone. | 1:21:06 | 1:21:09 | |
Brenner, where are you?! The guy is still alive! | 1:21:09 | 1:21:11 | |
He just called me! He's still alive! | 1:21:11 | 1:21:14 | |
Fuck. | 1:21:14 | 1:21:15 | |
PHONE BEEPS | 1:21:15 | 1:21:18 | |
They can't get them. They can't. | 1:21:18 | 1:21:22 | |
There's no way. | 1:21:22 | 1:21:23 | |
No, no, no, no, | 1:21:23 | 1:21:25 | |
They can't find them, they can't find them, they can't find them. | 1:21:25 | 1:21:29 | |
Fuck. | 1:21:33 | 1:21:34 | |
PHONE BEEPS | 1:21:36 | 1:21:37 | |
'My name is Pamela Lutti. | 1:21:41 | 1:21:43 | |
'I'm a food service worker at FOB Anaconda, | 1:21:44 | 1:21:47 | |
'employed by Crestin, Roland and Thomas. | 1:21:47 | 1:21:49 | |
SOBBING | 1:21:49 | 1:21:51 | |
'My captor's requests for ransom have gone unanswered, and... | 1:21:51 | 1:21:54 | |
'Please, no!' GUNSHOT | 1:21:54 | 1:21:56 | |
HE GASPS | 1:21:56 | 1:21:58 | |
Fuck. | 1:22:01 | 1:22:04 | |
HE PANTS | 1:22:25 | 1:22:27 | |
MUFFLED SCREAMS | 1:22:31 | 1:22:33 | |
SAWING | 1:22:37 | 1:22:39 | |
HE PANTS/SCREAMS | 1:22:45 | 1:22:46 | |
HYSTERIA | 1:22:46 | 1:22:49 | |
PHONE BEEPS | 1:23:04 | 1:23:06 | |
PHONE VIBRATES | 1:23:10 | 1:23:12 | |
SCRAPING | 1:23:20 | 1:23:21 | |
THUMPING | 1:23:23 | 1:23:25 | |
VOICES/SCRAPING | 1:23:26 | 1:23:29 | |
..move it, move it, move it! | 1:23:29 | 1:23:30 | |
I see it! Get back! Everyone, get back! | 1:23:30 | 1:23:34 | |
HELICOPTER BLADES WHIR | 1:23:34 | 1:23:36 | |
SHOUTING | 1:23:36 | 1:23:39 | |
Are you OK? Talk to me. | 1:23:39 | 1:23:41 | |
Paul. Are you OK? | 1:23:41 | 1:23:43 | |
PHONE VIBRATES | 1:23:43 | 1:23:44 | |
-Yeah? -Paul! Paul, it's Brenner. -Yeah. | 1:24:00 | 1:24:03 | |
-Are you there, Paul? -I'm here. | 1:24:03 | 1:24:06 | |
We're coming for you now. You hear me? We know where you are. | 1:24:06 | 1:24:09 | |
-You're coming? -We are, Paul. We're almost there now. | 1:24:09 | 1:24:12 | |
How do you know? | 1:24:12 | 1:24:13 | |
Coalition forces picked up a Shi'ite insurgent just outside of Baghdad. | 1:24:13 | 1:24:16 | |
Said he knew where an American was buried alive. | 1:24:16 | 1:24:18 | |
He agreed to show us where if we let him go. | 1:24:18 | 1:24:21 | |
-You're coming for me? -We're practically there already. | 1:24:21 | 1:24:23 | |
-You have to hurry. -We are, Paul. | 1:24:23 | 1:24:25 | |
You have to hurry. The sand... | 1:24:25 | 1:24:27 | |
Just hang in there three more minutes. | 1:24:27 | 1:24:29 | |
This will all be over soon, I promise. | 1:24:29 | 1:24:31 | |
-OK. I believe you. -Three minutes. | 1:24:31 | 1:24:33 | |
-Hang on for three minutes. -Thank you. | 1:24:33 | 1:24:35 | |
This will all be over soon, I promise. | 1:24:35 | 1:24:37 | |
-Thank you. I have to go! Call me right back. -Paul, no! Wait! | 1:24:37 | 1:24:39 | |
Call me right back. Please! | 1:24:39 | 1:24:41 | |
-Linda? Linda! -Paul? Paul is that you? | 1:24:43 | 1:24:47 | |
-Tell me it's you. -It's me, sweetie. | 1:24:47 | 1:24:50 | |
Oh, my God, Paul! What are they doing to you? Please, tell me you're OK. | 1:24:50 | 1:24:54 | |
-I'm OK. -I just saw the news... | 1:24:54 | 1:24:56 | |
They're coming to get me. The Americans are coming for me. | 1:24:56 | 1:24:59 | |
-They are? -It's gonna be OK. | 1:24:59 | 1:25:01 | |
-Oh, thank God. Thank God. -They're on their way. | 1:25:01 | 1:25:05 | |
-It's going to be OK. -I was so afraid I was going to lose you. | 1:25:05 | 1:25:09 | |
I love you so much. I love you so, so much. | 1:25:09 | 1:25:12 | |
I love you so much. I love you so much. I'm so sorry. | 1:25:12 | 1:25:14 | |
I should never have come here. I should have listened to you. | 1:25:14 | 1:25:17 | |
Sweetie, I don't care. I just want you home. Please, come home to me. | 1:25:17 | 1:25:20 | |
I'm coming home, I'm coming home. | 1:25:20 | 1:25:23 | |
-Swear it. -I swear. I swear I will. | 1:25:23 | 1:25:25 | |
-I love you. I love you so much. -I know. | 1:25:25 | 1:25:27 | |
-PHONE RINGS -They're here! -OK. | 1:25:27 | 1:25:30 | |
I have to go. | 1:25:30 | 1:25:31 | |
-Call me right away. -I will. I promise you. | 1:25:31 | 1:25:34 | |
-I love you. -I love you. | 1:25:34 | 1:25:36 | |
-Swear it again. -I swear. I have to go. | 1:25:36 | 1:25:38 | |
Please, come home to me. PHONE BEEPS | 1:25:38 | 1:25:40 | |
-Move! Move! Let's go. -Brennan! | 1:25:40 | 1:25:42 | |
Paul? Paul? | 1:25:42 | 1:25:44 | |
Corporal, get your men over here! | 1:25:44 | 1:25:47 | |
You have to hurry. It's almost full. | 1:25:47 | 1:25:50 | |
Just hang in there! | 1:25:50 | 1:25:52 | |
-I can't... Are you close? -We're almost there. | 1:25:52 | 1:25:54 | |
-Are you close? -We're almost there. | 1:25:54 | 1:25:56 | |
-I can't hear you! I can't hear you! Where are you? -We're almost there. | 1:25:56 | 1:26:00 | |
SHOUTING | 1:26:00 | 1:26:01 | |
Keep digging! We see the coffin. | 1:26:01 | 1:26:03 | |
Hang in there! | 1:26:03 | 1:26:04 | |
Please open it. Please open it. | 1:26:04 | 1:26:06 | |
Hurry! Hurry! | 1:26:07 | 1:26:09 | |
Hurry, please! Hurry! | 1:26:09 | 1:26:13 | |
Hurry! | 1:26:13 | 1:26:14 | |
Oh, God! | 1:26:14 | 1:26:16 | |
-What? -Oh, my God! | 1:26:16 | 1:26:19 | |
-I'm so sorry, Paul. -What is it? -So sorry. -What is it? | 1:26:19 | 1:26:22 | |
It's Mark White. | 1:26:22 | 1:26:25 | |
He brought us to Mark White. | 1:26:25 | 1:26:27 | |
I'm sorry. I'm sorry. | 1:26:29 | 1:26:31 | |
PHONE BEEPS | 1:26:31 | 1:26:32 | |
OK. | 1:26:32 | 1:26:34 | |
OK, OK, OK. | 1:26:35 | 1:26:36 | |
I'm sorry, Paul. | 1:26:42 | 1:26:44 | |
I'm so sorry. | 1:26:44 | 1:26:46 | |
MUSIC: In The Lap Of A Mountain by Garret Wall & The Breath-No-Brother | 1:26:56 | 1:27:01 | |
# In the lap of the mountain | 1:27:01 | 1:27:03 | |
# So far and wide | 1:27:05 | 1:27:06 | |
# Down by the river | 1:27:09 | 1:27:11 | |
# Love is waiting for us | 1:27:12 | 1:27:14 | |
# Well, the leaves turned to gold | 1:27:16 | 1:27:18 | |
# 'Neath the limitless blue | 1:27:20 | 1:27:21 | |
# In the lap of the mountain | 1:27:24 | 1:27:26 | |
# I can't help loving you | 1:27:28 | 1:27:29 | |
# Seagulls are squalling | 1:27:33 | 1:27:37 | |
# In the sky above | 1:27:37 | 1:27:39 | |
# I know that you love me | 1:27:41 | 1:27:44 | |
# But I wanted you much more | 1:27:44 | 1:27:46 | |
# In the lap of the mountain | 1:27:46 | 1:27:49 | |
# On a still, cloudless night | 1:27:51 | 1:27:53 | |
# Ships sound their foghorns | 1:27:55 | 1:27:57 | |
# Beneath the flickering stars. # | 1:27:58 | 1:28:00 |