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| Line | From | To | |
|---|---|---|---|
Where? | 0:01:36 | 0:01:38 | |
I want a haircut. | 0:01:38 | 0:01:40 | |
The President's in town. | 0:01:41 | 0:01:43 | |
We don't care. | 0:01:43 | 0:01:45 | |
We need a haircut. We need to go across town. | 0:01:45 | 0:01:48 | |
We'll hit traffic that speaks in quarter inches. | 0:01:48 | 0:01:52 | |
Just so I know... | 0:01:52 | 0:01:54 | |
which president are we talking about? | 0:01:54 | 0:01:57 | |
United States. | 0:01:57 | 0:01:59 | |
Barriers will be set up. | 0:01:59 | 0:02:01 | |
Entire streets deleted from the map. | 0:02:01 | 0:02:03 | |
Show me my car. | 0:02:05 | 0:02:07 | |
What have we learned, then? | 0:02:13 | 0:02:14 | |
Our system is secure. We're impenetrable. | 0:02:14 | 0:02:17 | |
There's no rogue programme. | 0:02:17 | 0:02:18 | |
It would seem, however... | 0:02:18 | 0:02:20 | |
Eric, no, we ran every test. | 0:02:20 | 0:02:23 | |
No-one's overloading the system or manipulating our sites. | 0:02:23 | 0:02:26 | |
-When did we do all this? -Yesterday, | 0:02:26 | 0:02:28 | |
at the complex - our rapid response team. | 0:02:28 | 0:02:31 | |
There is no vulnerable point of entry. | 0:02:31 | 0:02:33 | |
Our insurer did a threat analysis. | 0:02:33 | 0:02:36 | |
We are buffered from attack. | 0:02:36 | 0:02:37 | |
-Everywhere? -Yes. | 0:02:37 | 0:02:39 | |
Including the car? | 0:02:39 | 0:02:40 | |
Including, absolutely, yes. | 0:02:40 | 0:02:42 | |
My car, this car? | 0:02:42 | 0:02:43 | |
Eric, yes. Please... | 0:02:43 | 0:02:45 | |
We've been together, you and I, since the little-bitty start-up. | 0:02:48 | 0:02:52 | |
I want you to tell me that you still have the stamina to do this job. | 0:02:52 | 0:02:56 | |
-The single mindedness. -This car, your car... | 0:02:56 | 0:02:59 | |
The relentless will. | 0:02:59 | 0:03:02 | |
cos I keep hearing about our legend, | 0:03:02 | 0:03:04 | |
that we're all young, smart and raised by wolves, | 0:03:04 | 0:03:07 | |
that the phenomenon of reputation is a delicate thing. | 0:03:07 | 0:03:10 | |
A person rises on a word | 0:03:10 | 0:03:12 | |
and falls on a syllable. | 0:03:12 | 0:03:14 | |
I know I'm asking the wrong man. | 0:03:16 | 0:03:18 | |
Oh, what? | 0:03:18 | 0:03:19 | |
Where was the car last night after we ran our tests? | 0:03:19 | 0:03:22 | |
I... | 0:03:22 | 0:03:24 | |
I don't know. | 0:03:24 | 0:03:26 | |
Where do all these limos go at night? | 0:03:30 | 0:03:33 | |
I know I'm changing the subject. | 0:03:33 | 0:03:35 | |
Haven't been sleeping much. | 0:03:35 | 0:03:36 | |
I look at books and drink brandy. | 0:03:36 | 0:03:38 | |
What happens to all these stretched limousines that prowl the throbbing city all day long? | 0:03:38 | 0:03:43 | |
Where do they spend the night? | 0:03:43 | 0:03:45 | |
What? | 0:03:50 | 0:03:51 | |
Do you ever get the feeling, sometimes, that you don't know what's going on? | 0:03:52 | 0:03:56 | |
Do I want to ask you what you mean by that? | 0:03:58 | 0:04:01 | |
All this optimism... | 0:04:01 | 0:04:03 | |
All this booming and soaring. | 0:04:03 | 0:04:05 | |
Things happen like... Bang! It's this AND that! Simultaneous. | 0:04:05 | 0:04:10 | |
I put out my hand and what do I feel? | 0:04:10 | 0:04:13 | |
I know there are a thousand things that you analyse every ten minutes - | 0:04:14 | 0:04:18 | |
patterns, ratio, indexes, whole maps of information. | 0:04:18 | 0:04:22 | |
I love information. | 0:04:24 | 0:04:26 | |
Eric, this is our sweetness and light. | 0:04:27 | 0:04:30 | |
It is a fuck-all wonder | 0:04:30 | 0:04:32 | |
and we have meaning in this world. | 0:04:32 | 0:04:35 | |
People eat and sleep in the shadow of what we do. | 0:04:35 | 0:04:39 | |
But at the same time... | 0:04:41 | 0:04:43 | |
What... | 0:04:44 | 0:04:45 | |
Any special reason we're in the car instead of the office? | 0:04:49 | 0:04:53 | |
What makes you think we're in the car instead of the office? | 0:04:53 | 0:04:56 | |
-If I answer that question... -Based on what premise? | 0:04:56 | 0:04:58 | |
..I know I'll say something that's halfway clever, | 0:04:58 | 0:05:01 | |
but mostly shallow | 0:05:01 | 0:05:03 | |
and probably inaccurate on some level | 0:05:03 | 0:05:05 | |
and then you will pity me for having been born. | 0:05:05 | 0:05:09 | |
We're in the car cos I need a haircut. | 0:05:09 | 0:05:11 | |
So have the barber go to the office, get your hair cut there. | 0:05:11 | 0:05:13 | |
Or have the barber come to your car. Just... | 0:05:13 | 0:05:16 | |
get your hair cut and go to the office. | 0:05:16 | 0:05:18 | |
A haircut has what? Associations. | 0:05:18 | 0:05:22 | |
Calendar on the wall, mirrors everywhere. | 0:05:22 | 0:05:24 | |
There's no barber chair here. | 0:05:24 | 0:05:26 | |
Nothing swivels but the chair you're in, Shiner. | 0:05:26 | 0:05:28 | |
Where's your car? | 0:05:48 | 0:05:50 | |
We can't seem to find it. | 0:05:51 | 0:05:53 | |
I'd offer you a ride. | 0:05:54 | 0:05:56 | |
I couldn't. Absolutely. | 0:05:56 | 0:05:59 | |
I know you work en route. | 0:05:59 | 0:06:01 | |
And I like taxis. | 0:06:01 | 0:06:03 | |
I was never good at geography | 0:06:03 | 0:06:05 | |
and I learned things by asking the drivers where they come from. | 0:06:05 | 0:06:08 | |
They come from horror and despair. | 0:06:08 | 0:06:12 | |
Yes, exactly. | 0:06:12 | 0:06:14 | |
One learns about the countries where unrest is occurring by riding the taxis here. | 0:06:14 | 0:06:19 | |
I haven't seen you in a while. | 0:06:20 | 0:06:22 | |
I looked for you this morning. | 0:06:27 | 0:06:28 | |
Your eyes are blue. | 0:06:30 | 0:06:32 | |
Have you ate breakfast yet? | 0:06:33 | 0:06:35 | |
No. | 0:06:35 | 0:06:36 | |
Good. I'm hungry for something thick and chewy. | 0:06:38 | 0:06:41 | |
You never told me you were blue eyed. | 0:06:43 | 0:06:45 | |
What are we going to talk about? | 0:06:46 | 0:06:48 | |
I want a heliport on the roof. | 0:06:49 | 0:06:52 | |
I've acquired the air rights, but we still need the zoning variants. | 0:06:52 | 0:06:55 | |
Don't you want to eat? | 0:06:55 | 0:06:57 | |
There's a shooting range next to the elevator bank. | 0:06:57 | 0:06:59 | |
Let's talk about us. | 0:07:01 | 0:07:03 | |
You and I? | 0:07:03 | 0:07:04 | |
We're here so we might as well. | 0:07:04 | 0:07:06 | |
When are we going to have sex again? | 0:07:07 | 0:07:09 | |
We will, I promise. | 0:07:11 | 0:07:13 | |
We haven't in a while now. | 0:07:14 | 0:07:16 | |
When I work, you see... | 0:07:17 | 0:07:19 | |
the energy is precious. | 0:07:19 | 0:07:22 | |
When you write? | 0:07:22 | 0:07:24 | |
Yes. | 0:07:24 | 0:07:25 | |
Where do you do this? | 0:07:27 | 0:07:28 | |
I look for you, Elise. | 0:07:28 | 0:07:31 | |
I curl up somewhere. | 0:07:31 | 0:07:33 | |
I've always done this. | 0:07:33 | 0:07:35 | |
My mother used to send people to find me... | 0:07:35 | 0:07:38 | |
Maids and gardeners, combing the house and grounds... | 0:07:38 | 0:07:42 | |
She thought I was dissolvable in water. | 0:07:42 | 0:07:45 | |
I like your mother. | 0:07:45 | 0:07:48 | |
You have your mother's breasts. | 0:07:48 | 0:07:50 | |
Her breasts? | 0:07:50 | 0:07:52 | |
Great stand-up tits. | 0:07:54 | 0:07:56 | |
Tell me this - where will you go now? | 0:07:59 | 0:08:02 | |
To a meeting somewhere, to your office? | 0:08:02 | 0:08:04 | |
Where is your office? | 0:08:04 | 0:08:06 | |
What do you do, exactly? | 0:08:06 | 0:08:09 | |
You know things - I think this is what you do. | 0:08:09 | 0:08:12 | |
I think you're dedicated to knowing. | 0:08:12 | 0:08:15 | |
I think you acquire information | 0:08:15 | 0:08:17 | |
and turn it into something stupendous and awful. | 0:08:17 | 0:08:20 | |
You're a dangerous person. Do you agree? | 0:08:21 | 0:08:24 | |
A visionary. | 0:08:25 | 0:08:27 | |
A report from the Complex. | 0:08:38 | 0:08:40 | |
It's a credible threat, not to be dismissed. | 0:08:40 | 0:08:43 | |
Which means riding cross town is... | 0:08:43 | 0:08:45 | |
Had numerous threats, all credible. | 0:08:45 | 0:08:47 | |
I'm still standing here. | 0:08:47 | 0:08:49 | |
Not a threat to your safety, to his. | 0:08:49 | 0:08:53 | |
Who the fuck is "his"? | 0:08:53 | 0:08:54 | |
The President's. This means a ride across town... | 0:08:54 | 0:08:58 | |
does not happen unless we make a day of it, with cookies and milk. | 0:08:58 | 0:09:01 | |
Do people still shoot at Presidents? | 0:09:02 | 0:09:04 | |
I thought there were more stimulating targets. | 0:09:04 | 0:09:07 | |
In the next block, there are two haircutting saloons, | 0:09:08 | 0:09:12 | |
there's one and two. | 0:09:12 | 0:09:13 | |
No need to go across town. | 0:09:13 | 0:09:16 | |
Situation is unstable. | 0:09:16 | 0:09:18 | |
Here. | 0:09:20 | 0:09:21 | |
I know that smile, Michael. | 0:09:25 | 0:09:26 | |
I think the yuan... | 0:09:26 | 0:09:28 | |
I mean, there's reason to believe we may be leveraging too rashly. | 0:09:28 | 0:09:31 | |
It's gonna turn our way. | 0:09:31 | 0:09:33 | |
Yes, I know, it always has. | 0:09:33 | 0:09:35 | |
The rashness you think you see. | 0:09:37 | 0:09:39 | |
What is happening doesn't chart. | 0:09:39 | 0:09:41 | |
It charts. You just have to search a little harder. | 0:09:43 | 0:09:46 | |
Don't trust standard models, think outside the limits. | 0:09:46 | 0:09:51 | |
The yuan is making a statement. | 0:09:51 | 0:09:52 | |
Read it and leap. | 0:09:52 | 0:09:54 | |
We are betting big time here. | 0:09:54 | 0:09:57 | |
I know that smile and I want to respect it, | 0:09:57 | 0:10:00 | |
but the yuan can't go any higher. | 0:10:00 | 0:10:02 | |
I want to trust it. | 0:10:02 | 0:10:04 | |
We're borrowing enormous, enormous sums. | 0:10:04 | 0:10:06 | |
Any assault on the borders of perception | 0:10:06 | 0:10:08 | |
is gonna seem rash at first. | 0:10:08 | 0:10:10 | |
Yeah, come on, we're speculating into the void! | 0:10:10 | 0:10:13 | |
Your mother blamed the smile on your father... | 0:10:13 | 0:10:15 | |
he blamed her... | 0:10:15 | 0:10:18 | |
there's something deadly about it. | 0:10:18 | 0:10:20 | |
She thought she'd have to enrol you in special counselling. | 0:10:20 | 0:10:22 | |
I think we ought to adjust. | 0:10:22 | 0:10:24 | |
Where's Shiner? | 0:10:27 | 0:10:29 | |
On his way to the airport. | 0:10:29 | 0:10:31 | |
Why are they called airports? | 0:10:32 | 0:10:34 | |
I know I can't answer these questions | 0:10:34 | 0:10:37 | |
without losing your respect. | 0:10:37 | 0:10:39 | |
Shiner told me our network is secure. | 0:10:39 | 0:10:41 | |
Then it is. | 0:10:41 | 0:10:42 | |
Safe from penetration. | 0:10:43 | 0:10:46 | |
Why am I seeing things that haven't happened yet? | 0:10:49 | 0:10:53 | |
How old are you? | 0:10:59 | 0:11:01 | |
22. | 0:11:01 | 0:11:02 | |
What? 22. | 0:11:05 | 0:11:06 | |
You look younger. | 0:11:06 | 0:11:08 | |
I was always younger than anyone around me. | 0:11:10 | 0:11:11 | |
One day, it began to change. | 0:11:11 | 0:11:14 | |
I don't feel younger. | 0:11:14 | 0:11:17 | |
I feel located totally nowhere. | 0:11:17 | 0:11:19 | |
Think I'm ready to quit... | 0:11:20 | 0:11:22 | |
basically, the business. | 0:11:22 | 0:11:24 | |
Put a stick of gum in your mouth and try not to chew it. | 0:11:24 | 0:11:27 | |
For someone your age with your gifts, | 0:11:31 | 0:11:32 | |
there's only one thing in the world worth pursuing both professionally and intellectually. | 0:11:32 | 0:11:36 | |
What is it, Michael? | 0:11:36 | 0:11:38 | |
The interaction between technology and capital - | 0:11:39 | 0:11:41 | |
the inseparability. | 0:11:41 | 0:11:44 | |
High school was the last true challenge. | 0:11:44 | 0:11:46 | |
There's a poem I read in which a rat becomes the unit of currency. | 0:11:48 | 0:11:52 | |
Yes, that would be interesting. | 0:11:52 | 0:11:55 | |
Yeah, that would impact the world economy. | 0:11:55 | 0:11:57 | |
The name alone, better than the dong or the kwacha. | 0:11:57 | 0:12:00 | |
-The name says everything. -Yes. "The rat". | 0:12:00 | 0:12:03 | |
"Yes, the rat closed lower today against the euro." | 0:12:03 | 0:12:05 | |
"Yes, there's going concern that the Russian rat will be devalued." | 0:12:05 | 0:12:09 | |
White rats, think about that. | 0:12:09 | 0:12:11 | |
Yes, pregnant rats. | 0:12:11 | 0:12:12 | |
"Major sell-off of pregnant, Russian rats." | 0:12:12 | 0:12:15 | |
"Britain converts the rat." | 0:12:15 | 0:12:16 | |
"Joins trend to universal currency." | 0:12:16 | 0:12:18 | |
"Yes, US establishes rat standard." | 0:12:18 | 0:12:20 | |
"Is every US dollar redeemable for rat?" | 0:12:20 | 0:12:23 | |
"Dead rats!" | 0:12:24 | 0:12:26 | |
"Yes, stockpiling of dead rats called global health menace." | 0:12:26 | 0:12:31 | |
How old are you, | 0:12:32 | 0:12:34 | |
now that you're not younger than everyone else? | 0:12:34 | 0:12:37 | |
LOUD MOANING | 0:12:41 | 0:12:43 | |
Was I expecting you? | 0:13:13 | 0:13:16 | |
Just passing by. | 0:13:16 | 0:13:18 | |
Thought you'd drop in, did you? That's nice. I'm glad. | 0:13:18 | 0:13:22 | |
Been a while. | 0:13:22 | 0:13:24 | |
I read about it. | 0:13:28 | 0:13:29 | |
Of course. Or did I see it on TV? | 0:13:29 | 0:13:33 | |
-What? -What? The wedding! | 0:13:34 | 0:13:38 | |
Strange you didn't tell me. | 0:13:38 | 0:13:41 | |
-It's not so strange. -Not so strange? | 0:13:41 | 0:13:44 | |
Two great fortunes! | 0:13:44 | 0:13:47 | |
Like one of those great arranged marriages of old empire Europe. | 0:13:47 | 0:13:53 | |
Except I'm a world citizen with a New York pair of balls. | 0:13:53 | 0:13:58 | |
So how many billions together do you two represent? | 0:13:58 | 0:14:02 | |
She's a poet. | 0:14:02 | 0:14:04 | |
Is that what she is? | 0:14:06 | 0:14:10 | |
I thought she was a Schifrin. | 0:14:10 | 0:14:12 | |
Little of both. | 0:14:12 | 0:14:13 | |
So rich and crisp. | 0:14:20 | 0:14:24 | |
Does she let you touch her personal parts? | 0:14:24 | 0:14:27 | |
You look gorgeous today. | 0:14:29 | 0:14:31 | |
For someone who's 41 | 0:14:31 | 0:14:33 | |
and finally understands what her problem is. | 0:14:33 | 0:14:37 | |
What's that? | 0:14:37 | 0:14:39 | |
Life is... | 0:14:39 | 0:14:41 | |
..too contemporary. | 0:14:42 | 0:14:45 | |
So how old is your consort? | 0:14:47 | 0:14:49 | |
Never mind, I don't want to know. | 0:14:52 | 0:14:54 | |
Tell me to shut up. | 0:14:56 | 0:14:58 | |
Oh, one more question. | 0:14:58 | 0:15:01 | |
Is she good in bed? | 0:15:01 | 0:15:02 | |
Is she good in a limo? | 0:15:04 | 0:15:07 | |
I don't know yet. | 0:15:07 | 0:15:09 | |
Aww, that's the trouble with old money. | 0:15:09 | 0:15:13 | |
Now tell me to shut up. | 0:15:13 | 0:15:15 | |
I know something you want to know. | 0:15:17 | 0:15:19 | |
What's that? | 0:15:20 | 0:15:22 | |
There's a Rothko in private hands | 0:15:22 | 0:15:24 | |
that I have privileged knowledge of. | 0:15:24 | 0:15:26 | |
It's about to become available. | 0:15:26 | 0:15:29 | |
You've seen it? | 0:15:29 | 0:15:30 | |
Three, four years ago, yes. | 0:15:32 | 0:15:34 | |
It is... | 0:15:34 | 0:15:36 | |
..luminous. | 0:15:38 | 0:15:40 | |
What about the chapel? | 0:15:40 | 0:15:42 | |
What about it? | 0:15:42 | 0:15:44 | |
I've been thinking about the chapel. | 0:15:44 | 0:15:45 | |
You can't buy the goddamn chapel. | 0:15:45 | 0:15:47 | |
How do you know? Contact the principals. | 0:15:47 | 0:15:50 | |
I thought you'd be thrilled about the painting. One painting. | 0:15:50 | 0:15:53 | |
You don't have an important Rothko and you've always want one - | 0:15:53 | 0:15:57 | |
we've talked about this. | 0:15:57 | 0:15:58 | |
How many paintings in this chapel? | 0:15:58 | 0:16:00 | |
I don't know. | 0:16:02 | 0:16:04 | |
14? 15? | 0:16:04 | 0:16:06 | |
If they're selling the chapel, I'll keep it intact. | 0:16:07 | 0:16:09 | |
Tell them. SHE LAUGHS | 0:16:09 | 0:16:12 | |
Keep it intact? Where? | 0:16:12 | 0:16:14 | |
Tell them. | 0:16:14 | 0:16:17 | |
In my apartment. | 0:16:17 | 0:16:19 | |
There's sufficient space. | 0:16:19 | 0:16:22 | |
I can make more space. | 0:16:22 | 0:16:24 | |
My people need to see it. | 0:16:24 | 0:16:26 | |
Let them buy it. | 0:16:26 | 0:16:27 | |
Let them outbid me. | 0:16:27 | 0:16:30 | |
Forgive the pissy way to say this, | 0:16:30 | 0:16:32 | |
but the Rothko Chapel belongs to the world. | 0:16:32 | 0:16:36 | |
It's mine if I buy it. | 0:16:36 | 0:16:37 | |
How much do they want for it? | 0:16:39 | 0:16:40 | |
They don't want to sell the chapel... | 0:16:40 | 0:16:43 | |
and I don't want to give you lessons in self-denial | 0:16:43 | 0:16:46 | |
and social responsibility | 0:16:46 | 0:16:48 | |
because I don't believe for a second you're as cruel as you sound. | 0:16:48 | 0:16:52 | |
How much? | 0:16:53 | 0:16:54 | |
What does it mean to spend money? | 0:17:00 | 0:17:04 | |
A dollar? | 0:17:04 | 0:17:06 | |
A million? | 0:17:06 | 0:17:07 | |
-For a painting? -For anything. | 0:17:07 | 0:17:10 | |
I have two private elevators now. | 0:17:12 | 0:17:15 | |
One is programmed to play Satie's piano pieces... | 0:17:15 | 0:17:18 | |
and move at one quarter the normal speed. | 0:17:18 | 0:17:21 | |
This is right for Satie, | 0:17:21 | 0:17:22 | |
and this is the elevator I take when I'm in a certain... | 0:17:22 | 0:17:25 | |
let's say... | 0:17:25 | 0:17:27 | |
unsettled mood. | 0:17:27 | 0:17:28 | |
It calms me, makes me whole. | 0:17:28 | 0:17:31 | |
Who's the other elevator? | 0:17:31 | 0:17:33 | |
-Brother Fez. -Who's that? | 0:17:33 | 0:17:35 | |
The Sufi rap star. You don't know this? | 0:17:35 | 0:17:37 | |
I miss things. | 0:17:37 | 0:17:39 | |
I don't know what money is any more. | 0:17:39 | 0:17:42 | |
I'm losing money by the ton today. | 0:17:43 | 0:17:44 | |
Many millions. | 0:17:44 | 0:17:46 | |
Betting against the yuan. | 0:17:46 | 0:17:48 | |
Isn't the yuan asleep? | 0:17:48 | 0:17:49 | |
Currency markets never close. | 0:17:49 | 0:17:51 | |
Shanghai runs day and night, | 0:17:51 | 0:17:53 | |
now all the major exchanges, seven days a week. | 0:17:53 | 0:17:56 | |
I miss that. | 0:17:56 | 0:17:57 | |
I miss a lot. | 0:18:00 | 0:18:01 | |
How many millions? | 0:18:06 | 0:18:08 | |
Hundreds of millions. | 0:18:10 | 0:18:11 | |
How old are you? | 0:18:13 | 0:18:14 | |
28? | 0:18:15 | 0:18:17 | |
28. | 0:18:18 | 0:18:19 | |
I want you to go to the chapel and make them an offer. | 0:18:20 | 0:18:23 | |
Whatever it takes. | 0:18:23 | 0:18:25 | |
I want everything that's there. | 0:18:25 | 0:18:27 | |
Walls and all. | 0:18:27 | 0:18:29 | |
I remember what you told me once. | 0:18:32 | 0:18:34 | |
What's that? | 0:18:34 | 0:18:35 | |
Talent is more erotic when it's wasted. | 0:18:36 | 0:18:38 | |
What did I mean? | 0:18:39 | 0:18:41 | |
KNOCKS ON WINDOW | 0:18:43 | 0:18:45 | |
A word? | 0:18:46 | 0:18:47 | |
Yeah. | 0:18:47 | 0:18:49 | |
Complex recommends extra security. | 0:18:49 | 0:18:51 | |
-You're not happy about this. -No. | 0:18:51 | 0:18:53 | |
First, a threat to the President... | 0:18:53 | 0:18:55 | |
You're confident you can handle whatever comes up? | 0:18:55 | 0:18:57 | |
..now an attack on the managing director of the International Monetary Fund. | 0:18:57 | 0:19:00 | |
-Arthur Rapp? -Arthur Rapp, yes. | 0:19:00 | 0:19:03 | |
Where? | 0:19:03 | 0:19:04 | |
Nike, North Korea, while being interviewed on television. | 0:19:04 | 0:19:08 | |
It's on all the channels. | 0:19:08 | 0:19:10 | |
-TV: -'Director Rapp, will this change your policy on the yuan?' | 0:19:10 | 0:19:13 | |
'The yuan is uncharacteristically inflated, which makes it unstable, | 0:19:13 | 0:19:17 | |
'and eventually it will drop, | 0:19:17 | 0:19:19 | |
'and when it... | 0:19:19 | 0:19:20 | |
'Argh!' | 0:19:20 | 0:19:21 | |
The Complex... | 0:19:30 | 0:19:32 | |
Accept their recommendation. | 0:19:34 | 0:19:36 | |
Good. | 0:19:36 | 0:19:38 | |
All these limos... My God. | 0:19:59 | 0:20:01 | |
You can't tell one from another. | 0:20:01 | 0:20:04 | |
We could be kids on prom night. | 0:20:04 | 0:20:06 | |
Or some dumb wedding wherever. | 0:20:06 | 0:20:09 | |
What's the charm of identical? | 0:20:09 | 0:20:11 | |
That I'm a powerful person | 0:20:11 | 0:20:13 | |
who chooses not to demarcate his territory | 0:20:13 | 0:20:15 | |
with singular driblets of piss, is what? | 0:20:15 | 0:20:18 | |
Something I need to apologise for? | 0:20:18 | 0:20:20 | |
I want to go home and tongue-kiss my Maxima. | 0:20:20 | 0:20:24 | |
You now what today is? | 0:20:24 | 0:20:25 | |
-Incidentally... -I know. -..it's my day off, dammit! | 0:20:25 | 0:20:28 | |
-I know this. -I need this extra day, desperately. | 0:20:28 | 0:20:31 | |
-I know this. -But you don't know this. | 0:20:31 | 0:20:33 | |
You can't know what it's like, I am a single, struggling mother. | 0:20:33 | 0:20:37 | |
We have a situation here. | 0:20:37 | 0:20:39 | |
I am a mother running in the park | 0:20:39 | 0:20:41 | |
when my phone explodes in my navel | 0:20:41 | 0:20:44 | |
I think it's the kid's nanny who never calls | 0:20:44 | 0:20:46 | |
until the fever reaches 105. | 0:20:46 | 0:20:48 | |
But it's this situation, it.... | 0:20:48 | 0:20:50 | |
We have a situation all right. | 0:20:50 | 0:20:52 | |
We have a yuan carry that could crush us in hours. | 0:20:52 | 0:20:55 | |
Take some water. Sit on the banquette. | 0:20:55 | 0:20:59 | |
I like face to face. | 0:20:59 | 0:21:01 | |
And I don't need to look at all those screens, | 0:21:01 | 0:21:03 | |
I know what's happening. | 0:21:03 | 0:21:04 | |
-The yuan will fall. -That's right. | 0:21:04 | 0:21:07 | |
Consumer spending's down. | 0:21:07 | 0:21:08 | |
That's right. | 0:21:08 | 0:21:10 | |
Besides which, the Bank of China left interest rates unchanged. | 0:21:10 | 0:21:13 | |
This happened today? | 0:21:14 | 0:21:16 | |
This happened tonight in Shanghai. I called the source at Shenzhen. | 0:21:16 | 0:21:19 | |
-While running? -While flinging my body down Madison Avenue | 0:21:19 | 0:21:23 | |
to get here on time. | 0:21:23 | 0:21:25 | |
The yuan can't go any higher. | 0:21:25 | 0:21:27 | |
That's true, that's right. Except it just did. | 0:21:27 | 0:21:30 | |
I didn't sleep last night. | 0:21:34 | 0:21:35 | |
-There's a time limit. -Doctor Ingram... | 0:21:53 | 0:21:56 | |
-Who the fuck are you? -Doctor Ingram. | 0:21:56 | 0:21:59 | |
Where's Doctor Nevius? | 0:21:59 | 0:22:00 | |
Called away suddenly. A personal matter. | 0:22:00 | 0:22:02 | |
Speak slowly and clearly. | 0:22:02 | 0:22:05 | |
Called away suddenly. I don't know... A family crisis... | 0:22:05 | 0:22:09 | |
I'm the associate, I... | 0:22:09 | 0:22:12 | |
flushed out your ear holes once. | 0:22:12 | 0:22:14 | |
You do this why? | 0:22:18 | 0:22:20 | |
What? | 0:22:20 | 0:22:21 | |
Every day. | 0:22:21 | 0:22:23 | |
No matter...? | 0:22:23 | 0:22:25 | |
Wherever I am, that's right. | 0:22:25 | 0:22:27 | |
No matter. | 0:22:27 | 0:22:28 | |
So you do what? Same routine every day? | 0:22:40 | 0:22:44 | |
Varies. Depending. | 0:22:44 | 0:22:47 | |
So he comes to your house... | 0:22:47 | 0:22:49 | |
Nice(!) | 0:22:49 | 0:22:51 | |
On weekends. | 0:22:51 | 0:22:52 | |
We die, Jane, on weekends. People. | 0:22:52 | 0:22:55 | |
It happens. | 0:22:55 | 0:22:57 | |
You're right. | 0:22:57 | 0:22:59 | |
I didn't think of that. | 0:22:59 | 0:23:00 | |
We die BECAUSE it's the weekend. | 0:23:00 | 0:23:02 | |
I thought we were moving, but we're not any more. | 0:23:03 | 0:23:07 | |
The President's in town. | 0:23:07 | 0:23:09 | |
Oh, you're right. | 0:23:09 | 0:23:10 | |
I forgot. I thought I saw him when I ran out of the park. | 0:23:10 | 0:23:13 | |
There was an entourage of limousines | 0:23:13 | 0:23:15 | |
going down 5th with a motorcycle escort. | 0:23:15 | 0:23:17 | |
I thought all these limos were for the President... I can understand. | 0:23:17 | 0:23:20 | |
But it was somebody famous's funeral. | 0:23:20 | 0:23:22 | |
We die every day. | 0:23:23 | 0:23:25 | |
What do we do about this? | 0:23:35 | 0:23:36 | |
Let it express itself. | 0:23:39 | 0:23:40 | |
What? Do nothing? | 0:23:40 | 0:23:42 | |
Let it express itself. | 0:23:42 | 0:23:44 | |
You can stand up now. | 0:23:46 | 0:23:48 | |
So, look, we have two rumours working in our favour. | 0:23:50 | 0:23:53 | |
First, there's the bankruptcies for six straight months. | 0:23:53 | 0:23:56 | |
More each month, more on the way. | 0:23:56 | 0:23:58 | |
Large Chinese corporations. | 0:23:58 | 0:24:00 | |
This is good. | 0:24:00 | 0:24:01 | |
The yuan will drop. | 0:24:01 | 0:24:03 | |
This is loss of faith. It will force the yuan to drop. | 0:24:03 | 0:24:05 | |
Dollar will settle up. | 0:24:05 | 0:24:07 | |
The yuan will drop. Where's Chin? | 0:24:07 | 0:24:09 | |
Working on visual patterns. | 0:24:09 | 0:24:11 | |
-This thing doesn't chart. -It charts. | 0:24:11 | 0:24:14 | |
It doesn't chart the way you chart technology stocks. | 0:24:14 | 0:24:17 | |
You can find real patterns there, | 0:24:17 | 0:24:19 | |
locate predictable components. This is different. | 0:24:19 | 0:24:22 | |
We're teaching him to see. | 0:24:23 | 0:24:26 | |
You should do the seeing, you're the seer. | 0:24:26 | 0:24:30 | |
What is he? He's a kid. | 0:24:30 | 0:24:31 | |
He's got the streak in his hair, he's got the earring... | 0:24:31 | 0:24:34 | |
He doesn't have the earring. | 0:24:34 | 0:24:36 | |
If he was any dreamier, we'd have to put him on life support. | 0:24:36 | 0:24:38 | |
HE GRUNTS UNCOMFORTABLY What's the second rumour? | 0:24:38 | 0:24:41 | |
There's a rumour, it seems, involving the Finance Minister... | 0:24:41 | 0:24:45 | |
Some kind of scandal about a misconstrued comment. | 0:24:45 | 0:24:48 | |
He made a comment about the economy that may have been misconstrued. | 0:24:48 | 0:24:52 | |
The whole country is now analysing the grammar and syntax | 0:24:52 | 0:24:55 | |
of this comment. | 0:24:55 | 0:24:57 | |
Or it wasn't even what he said. It was when he paused. | 0:24:57 | 0:25:01 | |
They're trying to construe | 0:25:01 | 0:25:02 | |
the meaning of the pause. | 0:25:02 | 0:25:03 | |
So it may be deeper | 0:25:05 | 0:25:07 | |
even than grammar. | 0:25:07 | 0:25:08 | |
It may be breathing. | 0:25:08 | 0:25:11 | |
So the whole economy convulses because the man took a breath. | 0:25:11 | 0:25:15 | |
You gripped the water bottle. | 0:25:18 | 0:25:20 | |
Yes, it's that soft-type plastic. | 0:25:22 | 0:25:24 | |
You grip it. | 0:25:24 | 0:25:26 | |
You choke it. | 0:25:26 | 0:25:27 | |
It's a matter-of-fact thing. | 0:25:29 | 0:25:31 | |
It's sexual tension. | 0:25:31 | 0:25:32 | |
It's everyday nervousness in a life... | 0:25:32 | 0:25:34 | |
It's sexual tension. | 0:25:34 | 0:25:36 | |
Days like this... | 0:25:37 | 0:25:39 | |
What? | 0:25:44 | 0:25:45 | |
Oh, that whole sad business of Judeo-Christian jogging. | 0:25:47 | 0:25:50 | |
You were not born to run. | 0:25:50 | 0:25:51 | |
I look at you. I know what you are. | 0:25:51 | 0:25:53 | |
You're sloppy-bodied, smelly and wet. | 0:25:53 | 0:25:55 | |
A woman who was born to sit strapped in a chair, | 0:25:55 | 0:25:58 | |
while a man tells her how much she excites him. | 0:25:58 | 0:26:01 | |
How come we've never spent this kind of time together? | 0:26:01 | 0:26:04 | |
Your prostate is asymmetrical. | 0:26:13 | 0:26:15 | |
Those two... They're ours? | 0:26:52 | 0:26:54 | |
I felt the need... | 0:26:57 | 0:26:58 | |
Imperative that we reroute. | 0:26:59 | 0:27:01 | |
-The situation is what? -This. | 0:27:01 | 0:27:04 | |
Water main break. | 0:27:04 | 0:27:05 | |
We have flood conditions in the streets ahead. | 0:27:05 | 0:27:07 | |
A state of chaos. | 0:27:07 | 0:27:09 | |
This. The question of the President and his whereabouts. | 0:27:09 | 0:27:12 | |
He is fluid. He is moving. | 0:27:12 | 0:27:13 | |
Wherever he goes, our satellite receiver reports a ripple effect | 0:27:13 | 0:27:16 | |
in the traffic that causes mass paralysis. | 0:27:16 | 0:27:18 | |
This also. | 0:27:18 | 0:27:19 | |
There's a funeral proceeding slowly downtown | 0:27:19 | 0:27:22 | |
and now deflecting westward. | 0:27:22 | 0:27:24 | |
Many vehicles, numerous mourners on foot. And finally this. | 0:27:24 | 0:27:28 | |
We have a report of imminent activity in the area. | 0:27:28 | 0:27:31 | |
Activity? | 0:27:31 | 0:27:32 | |
Imminent. | 0:27:32 | 0:27:34 | |
The nature is yet unknown. | 0:27:34 | 0:27:37 | |
Complex says "use caution". | 0:27:37 | 0:27:39 | |
Recite to me. | 0:28:22 | 0:28:24 | |
Where's your necktie? | 0:28:26 | 0:28:28 | |
I had my check-up. | 0:28:28 | 0:28:30 | |
Saw my heart on the screen. | 0:28:30 | 0:28:32 | |
I don't like saying this... | 0:28:35 | 0:28:37 | |
But? | 0:28:37 | 0:28:40 | |
You smell of sex. | 0:28:40 | 0:28:42 | |
That's my doctor's appointment you smell. | 0:28:42 | 0:28:44 | |
I smell sex all over you. | 0:28:44 | 0:28:46 | |
It's what? | 0:28:46 | 0:28:48 | |
It's hunger you smell. | 0:28:50 | 0:28:52 | |
I want to eat lunch. | 0:28:52 | 0:28:54 | |
You want to eat lunch. | 0:28:54 | 0:28:57 | |
We're people in the world. | 0:28:57 | 0:28:59 | |
We need to eat and talk. | 0:28:59 | 0:29:01 | |
I'm not sure how hungry I am. | 0:29:05 | 0:29:08 | |
Eat. You'll find out. | 0:29:08 | 0:29:10 | |
Speaking of sex... | 0:29:11 | 0:29:12 | |
We've been married only weeks. Barely weeks. | 0:29:12 | 0:29:16 | |
Everything is barely weeks. We have minutes to live. | 0:29:16 | 0:29:20 | |
We don't want to start counting the times, do we? | 0:29:20 | 0:29:23 | |
And having solemn discussions on the subject? | 0:29:23 | 0:29:25 | |
No, we want to do it. | 0:29:25 | 0:29:27 | |
And we will. We shall. | 0:29:27 | 0:29:31 | |
We want to have it. | 0:29:31 | 0:29:33 | |
Sex. | 0:29:33 | 0:29:36 | |
Yes. | 0:29:36 | 0:29:37 | |
Because there isn't time not to have it. | 0:29:37 | 0:29:40 | |
Time is a thing that grows scarcer every day. What, you don't know this? | 0:29:40 | 0:29:45 | |
I like that bookshop. Do you know why? | 0:29:45 | 0:29:48 | |
Because it's semi-underground. | 0:29:48 | 0:29:52 | |
You feel hidden. You like to hide. | 0:29:52 | 0:29:55 | |
From what? | 0:29:55 | 0:29:57 | |
Sometimes only noise. | 0:29:57 | 0:29:59 | |
You're one of those silent, wistful children, | 0:30:00 | 0:30:03 | |
glued to the shadows. | 0:30:03 | 0:30:05 | |
And you? | 0:30:05 | 0:30:07 | |
I don't know. I don't think about it. | 0:30:07 | 0:30:09 | |
Think about one thing and tell me what it was. | 0:30:09 | 0:30:13 | |
All right, one thing. | 0:30:13 | 0:30:15 | |
When I was four, I figured out how much I'd weigh | 0:30:15 | 0:30:18 | |
on each of the planets in the Solar System. | 0:30:18 | 0:30:20 | |
Oh, that's nice. | 0:30:20 | 0:30:23 | |
I like that. | 0:30:23 | 0:30:25 | |
Such science and ego combined. | 0:30:25 | 0:30:28 | |
When are we going to the lake? | 0:30:30 | 0:30:32 | |
Fuck the lake. | 0:30:32 | 0:30:34 | |
I thought we liked it there? | 0:30:34 | 0:30:36 | |
After all the planning, all the construction... | 0:30:36 | 0:30:38 | |
To get away, to be alone together. It's quiet at the lake. | 0:30:38 | 0:30:42 | |
It's quiet in town. | 0:30:42 | 0:30:43 | |
The way we live, yes, I suppose. | 0:30:44 | 0:30:48 | |
High enough, far enough. | 0:30:48 | 0:30:51 | |
What about your car? | 0:30:51 | 0:30:53 | |
Not so quiet, surely. | 0:30:53 | 0:30:55 | |
You spend a lot of time there. | 0:30:55 | 0:30:57 | |
I had the car 'Prousted'. | 0:30:57 | 0:30:58 | |
Yes? | 0:31:00 | 0:31:01 | |
The way they build a stretch is this... | 0:31:03 | 0:31:05 | |
Take a vehicle's base unit and cut in half | 0:31:05 | 0:31:08 | |
with a huge, throbbing buzz saw device. | 0:31:08 | 0:31:10 | |
Then they add a segment to lengthen the chassis by 10, 11, 12 feet. | 0:31:10 | 0:31:14 | |
Whatever desired dimension. 22 feet, if you like. | 0:31:14 | 0:31:18 | |
While they were doing this to my car, | 0:31:18 | 0:31:20 | |
I sent word that they had to 'Proust' it - | 0:31:20 | 0:31:22 | |
Cork-line it against street noise. | 0:31:22 | 0:31:25 | |
It's lovely, actually. I love that. | 0:31:25 | 0:31:27 | |
The vehicles are armoured, of course. This complicated the cork lining. | 0:31:29 | 0:31:33 | |
But they managed in the end. | 0:31:33 | 0:31:35 | |
It's a gesture. It's a thing a man does. | 0:31:37 | 0:31:40 | |
Did it work? | 0:31:40 | 0:31:41 | |
How could it work? No. | 0:31:41 | 0:31:43 | |
This city eats and sleeps noise. Makes noise out of every century. | 0:31:43 | 0:31:47 | |
Makes the same noises that were made in the 17th century, | 0:31:47 | 0:31:50 | |
along with all the other noises that have evolved since then. | 0:31:50 | 0:31:52 | |
No. | 0:31:52 | 0:31:54 | |
But I don't mind the noise. | 0:31:54 | 0:31:56 | |
The noise energizes me. | 0:31:56 | 0:31:59 | |
The important thing is that it's there. | 0:31:59 | 0:32:01 | |
The cork? | 0:32:01 | 0:32:03 | |
That's right. The cork. | 0:32:03 | 0:32:05 | |
This is what finally matters. | 0:32:06 | 0:32:08 | |
Is this what I wanted? | 0:32:16 | 0:32:18 | |
Tell me what you wanted. | 0:32:18 | 0:32:20 | |
Duck consomme with a herb twist. | 0:32:20 | 0:32:22 | |
It's true, you know. | 0:32:25 | 0:32:26 | |
You do actually reek of sexual discharge. | 0:32:26 | 0:32:29 | |
It's not the sex you think I've had. | 0:32:31 | 0:32:34 | |
It's the sex I want, that's what you smell on me. | 0:32:34 | 0:32:37 | |
Cos the more I look at you, the more I know about us both. | 0:32:37 | 0:32:40 | |
Tell me what that means. | 0:32:40 | 0:32:42 | |
Or don't. No, don't. | 0:32:42 | 0:32:45 | |
And the more I want to have sex with you. | 0:32:45 | 0:32:47 | |
Because there's a certain kind of sex that has an element of cleansing. | 0:32:47 | 0:32:50 | |
It's the antidote to disillusion. The counter-poison. | 0:32:50 | 0:32:53 | |
You need to be inflamed, don't you? | 0:32:56 | 0:32:59 | |
This is your element. | 0:32:59 | 0:33:01 | |
Where were you going after the bookstore? | 0:33:01 | 0:33:03 | |
Because there's a hotel... | 0:33:03 | 0:33:04 | |
I was going to the bookstore. Period. | 0:33:04 | 0:33:07 | |
I was in the bookstore, I was happy there. | 0:33:07 | 0:33:09 | |
Where were you going? | 0:33:11 | 0:33:13 | |
To get a haircut. | 0:33:13 | 0:33:14 | |
Do you need a haircut? | 0:33:16 | 0:33:18 | |
I need anything you can give me. | 0:33:18 | 0:33:19 | |
Be nice. | 0:33:19 | 0:33:21 | |
I need all the meanings of the inflamed. | 0:33:22 | 0:33:26 | |
There's a hotel just across the avenue. We can start over. | 0:33:26 | 0:33:29 | |
Or finish with intense feeling, that's one of the meanings. | 0:33:29 | 0:33:32 | |
To arouse a passionate feeling. We can finish what we barely started. | 0:33:32 | 0:33:36 | |
Two hotels, in fact. We have a choice. | 0:33:36 | 0:33:39 | |
I don't think I want to pursue this. | 0:33:39 | 0:33:42 | |
No, you don't. You wouldn't. | 0:33:42 | 0:33:44 | |
Be nice to me. | 0:33:46 | 0:33:47 | |
GLASS SHATTERS NEARBY | 0:33:50 | 0:33:51 | |
-BOTH: -A spectre is haunting the world! | 0:33:56 | 0:33:58 | |
A spectre is haunting the world! A spectre is haunting the world! | 0:33:58 | 0:34:03 | |
We want to think about the art of money-making. | 0:34:16 | 0:34:19 | |
The Greeks have a word for it. | 0:34:19 | 0:34:21 | |
Chrimatistikos. | 0:34:21 | 0:34:23 | |
But we have to give the word a little leeway. | 0:34:23 | 0:34:26 | |
Adapt it to the current situation. | 0:34:26 | 0:34:28 | |
Because money has taken a turn. | 0:34:28 | 0:34:31 | |
All wealth has become wealth for its own sake. | 0:34:31 | 0:34:34 | |
There's no other kind of enormous wealth. | 0:34:34 | 0:34:36 | |
Money has lost its narrative quality, | 0:34:36 | 0:34:39 | |
the way painting did once upon a time. | 0:34:39 | 0:34:41 | |
Money is talking to itself. | 0:34:41 | 0:34:44 | |
I want this car, which I love. The glow of the screens. | 0:34:44 | 0:34:49 | |
I love the screens. | 0:34:49 | 0:34:50 | |
It's the glow of cyber-capital. So radiant and seductive. | 0:34:50 | 0:34:54 | |
I understand none of this. | 0:34:54 | 0:34:57 | |
Does it ever stop? Does it slow down? | 0:34:57 | 0:35:01 | |
Of course not. | 0:35:01 | 0:35:02 | |
Why should it? It's fantastic. | 0:35:02 | 0:35:06 | |
But you know how shameless I am in the presence of anything | 0:35:06 | 0:35:09 | |
that calls itself an idea. | 0:35:09 | 0:35:11 | |
The idea is time. Living in the future. | 0:35:11 | 0:35:15 | |
Look at those numbers running. | 0:35:15 | 0:35:18 | |
Money makes time. | 0:35:18 | 0:35:19 | |
It used to be the other way around. | 0:35:19 | 0:35:21 | |
Clock time accelerated the rise of the capitalism. | 0:35:21 | 0:35:24 | |
People stopped thinking about eternity | 0:35:24 | 0:35:26 | |
and began to concentrate on hours. | 0:35:26 | 0:35:28 | |
Measurable hours, man hours - | 0:35:28 | 0:35:30 | |
using labour more efficiently. | 0:35:30 | 0:35:32 | |
It's cyber-capital that creates the future. | 0:35:32 | 0:35:35 | |
What is the measurement called a nanosecond? | 0:35:35 | 0:35:38 | |
Ten to the minus ninth power. | 0:35:38 | 0:35:40 | |
-This is what? -One billionth of a second. | 0:35:40 | 0:35:42 | |
I understand none of it. | 0:35:42 | 0:35:44 | |
But it tells me how rigorous we need to be | 0:35:44 | 0:35:46 | |
in order to take adequate measure of the world around us. | 0:35:46 | 0:35:49 | |
There are zeptoseconds. | 0:35:49 | 0:35:50 | |
Good, I'm glad. | 0:35:50 | 0:35:52 | |
Yoctoseconds - one septillionth of a second. | 0:35:52 | 0:35:55 | |
Because time is a corporate asset now. | 0:35:55 | 0:35:58 | |
It belongs to the free market system. | 0:35:58 | 0:36:01 | |
The present is harder to find. | 0:36:01 | 0:36:03 | |
It is being sucked out of the world | 0:36:03 | 0:36:04 | |
to make way for the future of uncontrolled markets | 0:36:04 | 0:36:07 | |
and huge investment potential. | 0:36:07 | 0:36:09 | |
The future becomes insistent. | 0:36:09 | 0:36:11 | |
This is why something will happen soon. Maybe today. | 0:36:13 | 0:36:16 | |
To correct the acceleration of time | 0:36:16 | 0:36:18 | |
and bring nature back to normal, more or less. | 0:36:18 | 0:36:21 | |
You have to understand. | 0:37:00 | 0:37:02 | |
The more visionary the idea, the more people it leaves behind. | 0:37:02 | 0:37:06 | |
This is what the protest is all about. | 0:37:06 | 0:37:08 | |
Visions of technology and wealth, | 0:37:08 | 0:37:11 | |
the force of the cyber-capital | 0:37:11 | 0:37:12 | |
that will send people to the gutter to retch and die. | 0:37:12 | 0:37:15 | |
What is the flaw of human rationality? | 0:37:15 | 0:37:18 | |
What? | 0:37:19 | 0:37:20 | |
It pretends not to see the horror and death | 0:37:20 | 0:37:22 | |
at the end of the schemes it builds. | 0:37:22 | 0:37:24 | |
This is a protest against the future. | 0:37:24 | 0:37:27 | |
They want to hold off the future. | 0:37:27 | 0:37:28 | |
They want to normalise it, keep it from overwhelming the present. | 0:37:28 | 0:37:31 | |
The future is always a wholeness, | 0:37:31 | 0:37:33 | |
a sameness - we're all tall and happy there. | 0:37:33 | 0:37:36 | |
This is why the future fails. | 0:37:36 | 0:37:38 | |
It can never be the cruel and happy place we want to make it. | 0:37:38 | 0:37:41 | |
What would happen if they knew | 0:37:41 | 0:37:43 | |
that the head of Packer Capital was in the car? | 0:37:43 | 0:37:45 | |
We know what the anarchists have always said. | 0:37:45 | 0:37:48 | |
-Yes. -Tell me. | 0:37:48 | 0:37:51 | |
The urge to destroy is a creative urge. | 0:37:51 | 0:37:54 | |
This is also a hallmark of capitalist thought. | 0:37:54 | 0:37:57 | |
Enforced destruction. | 0:37:57 | 0:37:59 | |
Old industries have to be harshly eliminated. | 0:37:59 | 0:38:02 | |
New markets have to be forcibly claimed | 0:38:02 | 0:38:04 | |
and old markets have to be re-exploited. | 0:38:04 | 0:38:07 | |
Destroy the past. Make the future. | 0:38:07 | 0:38:10 | |
This is the thing about genius. | 0:38:19 | 0:38:21 | |
Genius alters the terms of its habitat. | 0:38:21 | 0:38:24 | |
Technology is crucial to civilisation. Why? | 0:38:24 | 0:38:27 | |
Because it helps us to make our fate. | 0:38:27 | 0:38:29 | |
We don't need God, or miracles or flight of the bumblebee, | 0:38:29 | 0:38:33 | |
but it is also crouched and undecidable. | 0:38:33 | 0:38:36 | |
It can go either way. | 0:38:36 | 0:38:38 | |
You've been talking about the future being impatient, | 0:38:39 | 0:38:43 | |
pressing upon us. | 0:38:43 | 0:38:44 | |
That was theory. | 0:38:44 | 0:38:45 | |
I am your chief of theory. | 0:38:45 | 0:38:47 | |
I deal in theory. | 0:38:47 | 0:38:49 | |
It's not original. | 0:39:16 | 0:39:17 | |
Hey... | 0:39:19 | 0:39:20 | |
What's original? | 0:39:20 | 0:39:23 | |
He did it, didn't he? | 0:39:23 | 0:39:24 | |
It's an appropriation. | 0:39:24 | 0:39:26 | |
He poured the gasoline and lit the match. | 0:39:28 | 0:39:31 | |
All those Vietnamese monks... | 0:39:31 | 0:39:33 | |
one after another in all their lotus positions. | 0:39:33 | 0:39:36 | |
Imagine the pain. | 0:39:39 | 0:39:41 | |
Sit here and feel it. | 0:39:41 | 0:39:43 | |
Immolating themselves endlessly. | 0:39:43 | 0:39:46 | |
To say something. | 0:39:47 | 0:39:49 | |
To make people think. | 0:39:50 | 0:39:53 | |
It's not original. | 0:39:53 | 0:39:55 | |
-Just now. -What? | 0:40:04 | 0:40:06 | |
A report from the Complex. Concerns your safety. | 0:40:06 | 0:40:09 | |
A little late, are they? | 0:40:09 | 0:40:10 | |
This is specific and categorical. | 0:40:10 | 0:40:12 | |
There's been a threat, then. | 0:40:12 | 0:40:14 | |
Assessment, credible red. Highest order of urgency. | 0:40:14 | 0:40:17 | |
This means an incursion is already in progress. | 0:40:17 | 0:40:20 | |
Now we know. | 0:40:20 | 0:40:21 | |
Now we have to act on what we know. | 0:40:21 | 0:40:24 | |
But we still want what we want. | 0:40:24 | 0:40:26 | |
We want a haircut. | 0:40:28 | 0:40:29 | |
It's interesting, isn't it? | 0:40:34 | 0:40:36 | |
About men and immortality. | 0:40:37 | 0:40:39 | |
You live in a tower that soars to heaven and goes unpunished by God. | 0:40:40 | 0:40:46 | |
And you bought an aeroplane. | 0:40:46 | 0:40:48 | |
I've nearly forgotten this. | 0:40:49 | 0:40:51 | |
Soviet or ex-soviet. | 0:40:51 | 0:40:54 | |
A strategic bomber, capable of knocking out a small city. | 0:40:54 | 0:40:59 | |
Is this right? | 0:40:59 | 0:41:01 | |
It's an old Tu-160. NATO calls it Blackjack A. | 0:41:01 | 0:41:06 | |
It was deployed around 1988. | 0:41:06 | 0:41:08 | |
Carries nuclear bombs and cruise missiles. | 0:41:08 | 0:41:11 | |
These were not included in the deal. | 0:41:11 | 0:41:13 | |
And they wouldn't let you fly it. Could you fly it? | 0:41:14 | 0:41:18 | |
Could and did. | 0:41:18 | 0:41:20 | |
They wouldn't let me fly it armed. | 0:41:20 | 0:41:22 | |
Who wouldn't? | 0:41:22 | 0:41:24 | |
State Department. | 0:41:24 | 0:41:26 | |
The Pentagon, The Bureau of Alcohol, Tobacco and Firearms. | 0:41:26 | 0:41:30 | |
The Russians? | 0:41:30 | 0:41:32 | |
What Russians? | 0:41:32 | 0:41:33 | |
I bought it black market and dirt cheap | 0:41:33 | 0:41:35 | |
from a Belgian arms dealer in Kazakhstan. | 0:41:35 | 0:41:37 | |
That's where I took the controls, for half an hour, over the desert. | 0:41:37 | 0:41:41 | |
US Dollars, 31 million. | 0:41:41 | 0:41:44 | |
Where is it now? | 0:41:44 | 0:41:46 | |
Parked in a storage facility in Arizona, | 0:41:46 | 0:41:48 | |
waiting for replacement parts that nobody can find. | 0:41:48 | 0:41:52 | |
Sitting in the wind. | 0:41:52 | 0:41:53 | |
I go out there now and then. | 0:41:55 | 0:41:57 | |
To do what? | 0:41:57 | 0:41:59 | |
To look at it. | 0:41:59 | 0:42:02 | |
It's mine. | 0:42:02 | 0:42:03 | |
People will not die. | 0:42:07 | 0:42:10 | |
Isn't this the creed of the new culture? | 0:42:10 | 0:42:12 | |
People will be absorbed in streams of information. | 0:42:14 | 0:42:18 | |
I know nothing about this. | 0:42:18 | 0:42:20 | |
Computers will die. | 0:42:21 | 0:42:23 | |
They're dying in their present form. | 0:42:24 | 0:42:27 | |
They're just about dead as distinct units. | 0:42:27 | 0:42:30 | |
A box, a screen, a keyboard... | 0:42:31 | 0:42:35 | |
They're melting into the texture of everyday life. | 0:42:36 | 0:42:40 | |
Is this true or not? | 0:42:40 | 0:42:42 | |
Even the word "computer". | 0:42:42 | 0:42:44 | |
Even the word "computer" sounds backward and dumb. | 0:42:44 | 0:42:47 | |
HE GROANS | 0:43:04 | 0:43:06 | |
You work out? | 0:43:09 | 0:43:11 | |
6% body fat. | 0:43:11 | 0:43:12 | |
Used to be my number. Then I got lazy. | 0:43:12 | 0:43:15 | |
What are you gonna do about it? | 0:43:18 | 0:43:20 | |
Hit the machines in the morning and run in the park at night. | 0:43:20 | 0:43:24 | |
Where is he now? | 0:43:28 | 0:43:30 | |
Who? | 0:43:30 | 0:43:31 | |
You know. | 0:43:33 | 0:43:35 | |
He's in the lobby. Torval. | 0:43:36 | 0:43:39 | |
He's watching them come and go. | 0:43:39 | 0:43:42 | |
Danko's in the hall outside. | 0:43:42 | 0:43:45 | |
Who's that? | 0:43:46 | 0:43:48 | |
Danko, my partner. | 0:43:48 | 0:43:50 | |
He's new. | 0:43:53 | 0:43:55 | |
I'M new. He's been watching your back for some time now. | 0:43:55 | 0:44:00 | |
Came over after those wars in the Balkans. He's a veteran. | 0:44:00 | 0:44:03 | |
What's he gonna say to you about all of this? | 0:44:07 | 0:44:09 | |
Torval. | 0:44:11 | 0:44:13 | |
That's who you're talking about? | 0:44:13 | 0:44:16 | |
Say his name. | 0:44:16 | 0:44:17 | |
What's he gonna say to you? | 0:44:17 | 0:44:20 | |
Just so you're safe. | 0:44:20 | 0:44:22 | |
That's the job. | 0:44:22 | 0:44:24 | |
Men get possessive. | 0:44:27 | 0:44:29 | |
What, you don't know this? | 0:44:29 | 0:44:31 | |
I heard the rumour. | 0:44:31 | 0:44:33 | |
Fact is, I technically speaking got off duty an hour ago, so... | 0:44:33 | 0:44:38 | |
it's basically my time we're dealing with here. | 0:44:38 | 0:44:40 | |
Do you find this interesting? | 0:45:03 | 0:45:05 | |
What? | 0:45:05 | 0:45:07 | |
Protecting someone in danger. | 0:45:08 | 0:45:10 | |
What makes you willing to do this? Take this risk? | 0:45:11 | 0:45:15 | |
Maybe you're worth it. | 0:45:15 | 0:45:16 | |
Maybe it's just the pay. | 0:45:19 | 0:45:21 | |
Pay's pretty good. | 0:45:21 | 0:45:23 | |
The risk? | 0:45:25 | 0:45:28 | |
I don't think about the risk. | 0:45:28 | 0:45:30 | |
You're the man in the crosshairs. I figure the risk is yours. | 0:45:30 | 0:45:33 | |
But is it interesting? | 0:45:35 | 0:45:38 | |
It's interesting to be near men somebody wants to kill. | 0:45:38 | 0:45:41 | |
You know what they say, don't you? | 0:45:45 | 0:45:47 | |
What? | 0:45:48 | 0:45:50 | |
The logical extension of business is murder. | 0:45:50 | 0:45:53 | |
Move a little left. | 0:45:55 | 0:45:57 | |
Move left... | 0:45:57 | 0:45:59 | |
Nice. | 0:46:04 | 0:46:05 | |
Perfect. | 0:46:05 | 0:46:07 | |
What kind of weapon did he give you? | 0:46:09 | 0:46:11 | |
Taser. | 0:46:12 | 0:46:14 | |
He doesn't trust me yet with deadly force. | 0:46:26 | 0:46:29 | |
How many volts at your disposal? | 0:46:34 | 0:46:36 | |
100,000. | 0:46:36 | 0:46:38 | |
Jam your nervous system. | 0:46:38 | 0:46:40 | |
Drop you to your knees. | 0:46:41 | 0:46:44 | |
Like this. | 0:46:44 | 0:46:45 | |
Stun me. | 0:46:51 | 0:46:52 | |
I mean it. | 0:46:53 | 0:46:55 | |
I want you to do it, Kendra. Show me what it feels like. | 0:46:55 | 0:46:59 | |
I'm looking for more. | 0:46:59 | 0:47:01 | |
Show me something I don't know. | 0:47:02 | 0:47:05 | |
Stun me to my DNA. | 0:47:05 | 0:47:07 | |
Come on, do it. Click the switch. | 0:47:07 | 0:47:09 | |
Aim and fire. | 0:47:09 | 0:47:10 | |
I want all the voltage the weapon holds. | 0:47:10 | 0:47:13 | |
Do it. | 0:47:13 | 0:47:15 | |
Shoot it. | 0:47:15 | 0:47:16 | |
Now. | 0:47:17 | 0:47:19 | |
I need to know where you're going. | 0:47:48 | 0:47:50 | |
Wait...and learn. | 0:47:50 | 0:47:52 | |
You smoke since when? | 0:47:59 | 0:48:01 | |
I took it up when I was 15. | 0:48:02 | 0:48:04 | |
It's one of those things a girl takes up. | 0:48:06 | 0:48:09 | |
It tells her she's more than a skinny body no-one looks at. | 0:48:09 | 0:48:13 | |
There's a certain drama in her life. | 0:48:13 | 0:48:16 | |
She notices herself. Then other people notice her. | 0:48:16 | 0:48:21 | |
Then she marries one of them. Then they go to dinner. | 0:48:21 | 0:48:25 | |
You're wearing a Pau Du Soir cocktail dress. | 0:48:28 | 0:48:30 | |
Yes? | 0:48:32 | 0:48:34 | |
It's navy blue. | 0:48:34 | 0:48:36 | |
Yes. | 0:48:36 | 0:48:38 | |
And that's your... | 0:48:39 | 0:48:41 | |
silver Lucide jewellery. | 0:48:41 | 0:48:43 | |
Yes, it is. | 0:48:44 | 0:48:47 | |
I'm noticing. | 0:48:47 | 0:48:49 | |
How was the play? | 0:48:49 | 0:48:50 | |
I left at intermission, didn't I? | 0:48:51 | 0:48:53 | |
What was it about and who was in it? | 0:48:55 | 0:48:56 | |
I'm making conversation. | 0:48:56 | 0:48:59 | |
I went on impulse. | 0:49:00 | 0:49:03 | |
The audience was sparse. | 0:49:03 | 0:49:05 | |
Five minutes after the curtains went up, I understood why. | 0:49:05 | 0:49:09 | |
Where is your jacket? | 0:49:09 | 0:49:11 | |
Where is my jacket? | 0:49:14 | 0:49:16 | |
You were wearing a suit jacket earlier. | 0:49:16 | 0:49:18 | |
Where is your jacket? | 0:49:19 | 0:49:20 | |
Lost in the scuffle, I guess. | 0:49:23 | 0:49:25 | |
You saw the car. | 0:49:25 | 0:49:27 | |
We were under attack by anarchists. | 0:49:27 | 0:49:28 | |
Just two hours ago, there were major global protests. | 0:49:28 | 0:49:31 | |
Now what? Forgotten. | 0:49:31 | 0:49:32 | |
There's something else I wish I could forget. | 0:49:33 | 0:49:36 | |
That's my peanuts you smell. | 0:49:36 | 0:49:38 | |
Didn't I see you come out of the hotel up the street | 0:49:39 | 0:49:42 | |
while I was standing outside the theatre? | 0:49:42 | 0:49:45 | |
Is that the hotel you wanted to take me to? | 0:49:45 | 0:49:49 | |
We don't need a hotel. | 0:49:49 | 0:49:51 | |
We'll do it in the ladies' room. | 0:49:51 | 0:49:52 | |
We'll go to the alley out back and rattle the garbage cans. Look... | 0:49:52 | 0:49:55 | |
I'm trying to make contact in the most ordinary ways. | 0:49:55 | 0:49:58 | |
To see and hear. To notice your mood. | 0:49:58 | 0:50:02 | |
Your clothes. | 0:50:02 | 0:50:03 | |
This is important. | 0:50:03 | 0:50:04 | |
Are your stockings on straight? I understand this at some level. | 0:50:04 | 0:50:07 | |
How people look... | 0:50:07 | 0:50:09 | |
what people wear. | 0:50:09 | 0:50:10 | |
How they smell. | 0:50:10 | 0:50:12 | |
Do you mind my saying that? | 0:50:12 | 0:50:14 | |
Am I being too wifely? | 0:50:15 | 0:50:17 | |
I'll tell you what the problem is. | 0:50:19 | 0:50:21 | |
I don't know how to be indifferent. | 0:50:21 | 0:50:24 | |
I can't master this. | 0:50:24 | 0:50:26 | |
And it makes me susceptible to pain. | 0:50:26 | 0:50:29 | |
In other words, it hurts. | 0:50:30 | 0:50:33 | |
This is good. | 0:50:35 | 0:50:37 | |
We're like people talking. | 0:50:38 | 0:50:39 | |
Isn't this how they talk? | 0:50:39 | 0:50:41 | |
How would I know? | 0:50:41 | 0:50:43 | |
My prostate is asymmetrical. | 0:50:43 | 0:50:45 | |
What does that mean? | 0:50:45 | 0:50:48 | |
I don't know. | 0:50:48 | 0:50:49 | |
You have to see a doctor. | 0:50:51 | 0:50:52 | |
I just saw a doctor. I see a doctor every day. | 0:50:52 | 0:50:54 | |
You just saw a doctor? | 0:50:54 | 0:50:57 | |
That's how I know. | 0:50:57 | 0:50:58 | |
Packer Capital's portfolio | 0:51:04 | 0:51:06 | |
is being reduced to near nothingness in the course of a day. | 0:51:06 | 0:51:11 | |
My personal fortune in the tens of billions | 0:51:11 | 0:51:13 | |
is in ruinous convergence with this fact. | 0:51:13 | 0:51:16 | |
And there's been a credible threat on my life. | 0:51:16 | 0:51:19 | |
It's OK. | 0:51:20 | 0:51:21 | |
It's fine. | 0:51:21 | 0:51:23 | |
Makes me feel free in a way I've never known. | 0:51:23 | 0:51:26 | |
That's so awful. Don't say things like that. | 0:51:26 | 0:51:31 | |
Free to do what? Go broke and die? | 0:51:31 | 0:51:34 | |
Listen to me, I'll help you financially. | 0:51:37 | 0:51:41 | |
I'll truly do what I can to help. | 0:51:41 | 0:51:43 | |
You can re-establish yourself. | 0:51:43 | 0:51:46 | |
At your pace, in your way. | 0:51:46 | 0:51:49 | |
Tell me what you need and I promise I'll help. | 0:51:49 | 0:51:51 | |
But as a couple, as a marriage, | 0:51:52 | 0:51:56 | |
I think we're done, aren't we? | 0:51:56 | 0:51:58 | |
You speak of being free. This is your lucky day. | 0:51:59 | 0:52:03 | |
LOUD ELECTRO MUSIC PLAYS | 0:52:07 | 0:52:09 | |
-EASTERN EUROPEAN ACCENT: -This is very crazy. | 0:52:21 | 0:52:23 | |
Take over whole theatre. | 0:52:23 | 0:52:26 | |
What do you think? | 0:52:26 | 0:52:27 | |
I don't know | 0:52:29 | 0:52:31 | |
I don't know either. | 0:52:31 | 0:52:33 | |
But I think it is crazy. | 0:52:33 | 0:52:36 | |
Looks like drug scene. What do you think? | 0:52:36 | 0:52:39 | |
Yes. | 0:52:39 | 0:52:42 | |
I think it is latest drug. | 0:52:42 | 0:52:43 | |
Called Novo. | 0:52:45 | 0:52:47 | |
Makes pain go away. | 0:52:47 | 0:52:49 | |
Look how good they feel. | 0:52:51 | 0:52:52 | |
Kids. | 0:52:56 | 0:52:58 | |
They are kids, exactly. | 0:52:58 | 0:53:00 | |
What pain do they feel that they need to take pill? Music? | 0:53:02 | 0:53:07 | |
OK, too loud. So what? | 0:53:08 | 0:53:12 | |
It is beautiful how they dance. | 0:53:14 | 0:53:16 | |
What pain do they feel, too young to buy beer? | 0:53:19 | 0:53:22 | |
There's pain enough for everybody now. | 0:53:24 | 0:53:27 | |
I don't believe I'm here. | 0:53:27 | 0:53:29 | |
You tell me when we leave. I'll take you out. | 0:53:31 | 0:53:34 | |
Where is he? | 0:53:35 | 0:53:38 | |
At the entrance. | 0:53:38 | 0:53:41 | |
Torval? | 0:53:41 | 0:53:42 | |
He watches at the entrance. | 0:53:43 | 0:53:45 | |
Do you kill people? | 0:53:49 | 0:53:51 | |
What do you think? | 0:53:51 | 0:53:53 | |
Like lunch. | 0:53:57 | 0:53:59 | |
What do we know? | 0:54:03 | 0:54:04 | |
-AUDIO SPEAKER: -We know it's not a coup. | 0:54:04 | 0:54:06 | |
It's not an organized terror cell | 0:54:06 | 0:54:08 | |
or international kidnappers with ransom demands. | 0:54:08 | 0:54:11 | |
It's an individual. | 0:54:11 | 0:54:13 | |
Do we care? | 0:54:13 | 0:54:15 | |
We don't have a name. But we have a phone call. | 0:54:15 | 0:54:18 | |
The Complex is analysing the voice data. | 0:54:18 | 0:54:20 | |
It made certain assessments. | 0:54:20 | 0:54:22 | |
They're projecting a course of action on the part of the individual. | 0:54:22 | 0:54:25 | |
Why can't I work up any curiosity on the subject? | 0:54:25 | 0:54:27 | |
Because it doesn't matter. | 0:54:28 | 0:54:30 | |
Whoever it is... | 0:54:30 | 0:54:32 | |
that's who it is. | 0:54:32 | 0:54:34 | |
Eric. | 0:54:39 | 0:54:40 | |
Why are we here? | 0:54:49 | 0:54:50 | |
You ain't heard? | 0:54:50 | 0:54:52 | |
-What? -Brother Fez. | 0:54:52 | 0:54:55 | |
What? | 0:54:56 | 0:54:58 | |
Dead. | 0:54:59 | 0:55:00 | |
No... What? Can't be. | 0:55:02 | 0:55:04 | |
Dead. Died. Earlier today. | 0:55:04 | 0:55:06 | |
I don't know this. | 0:55:08 | 0:55:10 | |
Funeral has been in progress all day... | 0:55:11 | 0:55:13 | |
The family wanted the city to have a chance to pay respect. | 0:55:13 | 0:55:17 | |
Record label wanted an exploitation event. Big and loud. | 0:55:18 | 0:55:21 | |
Street to street. Right through the night. | 0:55:21 | 0:55:24 | |
I don't know this. | 0:55:26 | 0:55:28 | |
How can this be? I love his music. I have his music in my elevator. | 0:55:28 | 0:55:32 | |
I know the man. What, they've shot him? | 0:55:34 | 0:55:36 | |
Fez has been having cardiac problems for years. | 0:55:36 | 0:55:39 | |
Since high school. | 0:55:39 | 0:55:40 | |
Been seeing specialists, been seeing faith healers. | 0:55:40 | 0:55:44 | |
The heart just wore out. | 0:55:44 | 0:55:46 | |
This ain't a thug down some alley. | 0:55:46 | 0:55:48 | |
The man has never been breathalysed, barely, since he was 17. | 0:55:48 | 0:55:52 | |
Hope you're not disappointed. | 0:55:53 | 0:55:56 | |
Disappointed? | 0:55:56 | 0:55:57 | |
That our man here wasn't shot! | 0:55:57 | 0:55:59 | |
Hope he didn't let you down. | 0:55:59 | 0:56:01 | |
Natural causes - now that's a let-down. | 0:56:01 | 0:56:04 | |
What happened to your stretch? | 0:56:10 | 0:56:12 | |
Let a fine machine degrade in public. | 0:56:12 | 0:56:15 | |
That's scandal, man. | 0:56:16 | 0:56:17 | |
Everything's a scandal. | 0:56:18 | 0:56:21 | |
Dying's a scandal, but we all do it. | 0:56:21 | 0:56:23 | |
I think I'm hearing voices in the night, | 0:56:23 | 0:56:26 | |
because I can't believe you're saying this. | 0:56:26 | 0:56:29 | |
HIP-HOP MUSIC PLAYS | 0:56:29 | 0:56:31 | |
# Coming from the streets To Mecca | 0:56:31 | 0:56:34 | |
# Death no matter where you go Come and get ya | 0:56:34 | 0:56:38 | |
# Coming from the streets To Mecca | 0:56:39 | 0:56:43 | |
# Death no matter where you go Come and get ya... # | 0:56:45 | 0:56:49 | |
Ask me do I love this shit? | 0:56:50 | 0:56:52 | |
Me being big as I am and a retro-nigger. | 0:56:52 | 0:56:54 | |
I have to love what I'm seeing. | 0:56:54 | 0:56:57 | |
Because this is something I can never dream of doing | 0:56:57 | 0:57:00 | |
on my thinnest day on Earth. | 0:57:00 | 0:57:02 | |
He liked having his clergy nearby. | 0:57:02 | 0:57:04 | |
He showed up in my office once with an imam and two white boys from Utah in suits. | 0:57:04 | 0:57:09 | |
He was always excusing himself so he could pray. | 0:57:11 | 0:57:13 | |
He lived in a minaret, for a while, in Los Angeles. | 0:57:16 | 0:57:18 | |
Yeah, I heard that. | 0:57:20 | 0:57:21 | |
I went to visit him once. | 0:57:24 | 0:57:25 | |
He built it next to his house. | 0:57:27 | 0:57:30 | |
He moved out of his house and into the minaret. | 0:57:30 | 0:57:33 | |
MUSIC CONTINUES RAPPING: # Getting shot is easy | 0:57:33 | 0:57:35 | |
# Tried it seven times Now I'm just a solo poet | 0:57:35 | 0:57:37 | |
# Working on my rhymes | 0:57:37 | 0:57:39 | |
# Kid used to think he was wise to the system | 0:57:39 | 0:57:41 | |
# Prince of the streets Always do things his way | 0:57:41 | 0:57:44 | |
# But he had a case of conventional wisdom | 0:57:44 | 0:57:46 | |
# Never say nothing the others don't say... | 0:57:46 | 0:57:49 | |
THEY SOB | 0:57:49 | 0:57:52 | |
# ..my soul's unfolding Oh, God, oh, man | 0:57:52 | 0:57:55 | |
# Living high at last Suckin the tit | 0:57:55 | 0:57:57 | |
# Milk of prayer and fast | 0:57:57 | 0:57:58 | |
# Man gave the news in a slanted room | 0:57:58 | 0:58:01 | |
# And it felt like a silver of icy truth | 0:58:01 | 0:58:04 | |
# Felt my sad ass soul flying out the mouth | 0:58:04 | 0:58:06 | |
# My gold tooth splitting down...to the root | 0:58:06 | 0:58:09 | |
# Let me be who I was I'm a fool who's lost but living | 0:58:09 | 0:58:13 | |
# Coming from the streets To Mecca | 0:58:16 | 0:58:21 | |
# Death no matter where you go Come and get ya | 0:58:21 | 0:58:25 | |
# Coming from the streets To Mecca | 0:58:26 | 0:58:31 | |
# Death no matter where you go Come and get ya. # | 0:58:32 | 0:58:36 | |
Argh! | 0:58:57 | 0:58:59 | |
I'm after you long time. | 0:59:05 | 0:59:07 | |
Son of a bitch. I glop you good. | 0:59:07 | 0:59:11 | |
Today you are cremed by the master Andre Petrescu. The pastry assassin. | 0:59:13 | 0:59:20 | |
This is my mission worldwide to sabotage power and wealth. | 0:59:20 | 0:59:24 | |
For years, I'm waiting for this. | 0:59:25 | 0:59:28 | |
Freshly baked only, you know. | 0:59:28 | 0:59:30 | |
I passed up the President of the United States to make the strike. | 0:59:32 | 0:59:36 | |
I can creme him any time, | 0:59:39 | 0:59:42 | |
but you are a major statement. | 0:59:42 | 0:59:45 | |
Very hard to zero in. | 0:59:46 | 0:59:48 | |
Argh! | 0:59:50 | 0:59:51 | |
You lack of humour, Mr Packer. | 1:00:06 | 1:00:09 | |
You live up to reputation, OK? | 1:00:09 | 1:00:11 | |
But I am kicked and beaten by security so many times, | 1:00:11 | 1:00:15 | |
I'm walking dead. | 1:00:15 | 1:00:16 | |
You know they put me a radio collar when I was in England, | 1:00:16 | 1:00:19 | |
to save the Queen. | 1:00:19 | 1:00:20 | |
They tracked me like a rare crane. | 1:00:20 | 1:00:22 | |
But please, believe one thing. | 1:00:23 | 1:00:25 | |
I cremed Fidel three times in six days | 1:00:25 | 1:00:28 | |
when he was in Bucharest years ago. | 1:00:28 | 1:00:31 | |
I am an action painter of cremed pies. | 1:00:31 | 1:00:35 | |
I... | 1:00:35 | 1:00:36 | |
dropped from a tree on Michael Jordan one time. | 1:00:36 | 1:00:39 | |
This was the famous Flying Pie. | 1:00:39 | 1:00:42 | |
Museum quality. | 1:00:42 | 1:00:43 | |
Video for the ages. | 1:00:43 | 1:00:45 | |
I quiched the fucking sultan of Brunei in his bath. | 1:00:45 | 1:00:51 | |
They put me in a black hole until I was screaming from my eyes. | 1:00:51 | 1:00:56 | |
OK, let's go. | 1:00:59 | 1:01:01 | |
Do you play? | 1:01:28 | 1:01:29 | |
Not really my game. | 1:01:32 | 1:01:33 | |
Rugby... Now that was my game. | 1:01:35 | 1:01:38 | |
You play? | 1:01:39 | 1:01:41 | |
Some. | 1:01:42 | 1:01:43 | |
I like the action and the pain. | 1:01:46 | 1:01:48 | |
Pump iron now. | 1:01:49 | 1:01:51 | |
Of course you understand... | 1:01:53 | 1:01:55 | |
there's still someone tracking you. | 1:01:55 | 1:01:58 | |
Still someone out there. | 1:01:58 | 1:02:00 | |
This was a petty incursion. | 1:02:00 | 1:02:03 | |
The whipped cream. | 1:02:03 | 1:02:06 | |
Technically irrelevant. | 1:02:06 | 1:02:09 | |
I understand. | 1:02:09 | 1:02:11 | |
Next time, no pies and cakes. | 1:02:11 | 1:02:14 | |
Dessert...is over. | 1:02:14 | 1:02:17 | |
Yeah, he's out there. | 1:02:17 | 1:02:20 | |
And he's armed. | 1:02:20 | 1:02:22 | |
He's armed and you're armed. | 1:02:26 | 1:02:29 | |
This is true. | 1:02:29 | 1:02:30 | |
You'll have to draw your weapon. | 1:02:31 | 1:02:33 | |
This is true. | 1:02:35 | 1:02:36 | |
Let me see the thing. | 1:02:40 | 1:02:42 | |
Let you see the thing? | 1:02:42 | 1:02:44 | |
OK. | 1:02:47 | 1:02:49 | |
Why not, you paid for it, right? | 1:02:49 | 1:02:52 | |
Manufactured in Austria. | 1:02:54 | 1:02:56 | |
Nice. | 1:02:58 | 1:03:00 | |
Smart tool. Scary smart. | 1:03:00 | 1:03:03 | |
Voice recognition. | 1:03:05 | 1:03:07 | |
That's right. | 1:03:07 | 1:03:08 | |
You what? You speak and it knows your voice? | 1:03:10 | 1:03:13 | |
That's right. | 1:03:13 | 1:03:14 | |
The mechanism doesn't activate | 1:03:14 | 1:03:17 | |
unless the voice print matches the stored data. | 1:03:17 | 1:03:20 | |
Only my voice matches. | 1:03:20 | 1:03:22 | |
Do you have to speak German before it fires? | 1:03:25 | 1:03:28 | |
No, but the voice is only half the operation. | 1:03:28 | 1:03:32 | |
You're saying there's a code as well. | 1:03:34 | 1:03:36 | |
Pre-programmed spoken code. | 1:03:36 | 1:03:37 | |
What is it? | 1:03:40 | 1:03:42 | |
-Nancy Babich. -GUN BEEPS | 1:03:47 | 1:03:49 | |
GUNSHOT | 1:03:55 | 1:03:57 | |
We are here. | 1:04:28 | 1:04:30 | |
But how come you're such a stranger lately? | 1:05:09 | 1:05:12 | |
Hello, Anthony. | 1:05:12 | 1:05:14 | |
Long time. | 1:05:16 | 1:05:19 | |
Long time. | 1:05:19 | 1:05:20 | |
I need a haircut. | 1:05:20 | 1:05:22 | |
You look like what... | 1:05:22 | 1:05:25 | |
Get in here...so I can look at you. | 1:05:25 | 1:05:29 | |
Never seen such ratty hair on a human. | 1:05:35 | 1:05:38 | |
I woke up this morning and knew it was time. | 1:05:40 | 1:05:43 | |
You knew where to come. | 1:05:43 | 1:05:44 | |
Said to myself, "I want a haircut". | 1:05:46 | 1:05:50 | |
Maybe you want to eat something first. | 1:05:50 | 1:05:53 | |
I could eat something. | 1:05:54 | 1:05:56 | |
I have takeout in the fridge that I nibble at when I get the urge. | 1:05:56 | 1:06:01 | |
So, you married that woman? | 1:06:14 | 1:06:18 | |
That's right. | 1:06:18 | 1:06:20 | |
That her family has got like money unbeknownst. | 1:06:20 | 1:06:25 | |
Never thought you'd get married so young, but...what do I know? | 1:06:25 | 1:06:30 | |
I have chickpeas all mashed up and eggplants with rice and nuts. | 1:06:31 | 1:06:37 | |
-Give me the eggplants. -Yeah. Good. | 1:06:37 | 1:06:40 | |
Your father did not tell your mother until he had to. | 1:06:42 | 1:06:46 | |
He went fast once they found it. He was diagnosed and then he went. | 1:06:46 | 1:06:51 | |
You were four years old. | 1:06:51 | 1:06:54 | |
-Five. -Exactly. | 1:06:54 | 1:06:56 | |
And you? | 1:06:56 | 1:06:58 | |
You're keeping well? | 1:06:58 | 1:07:00 | |
-CHUCKLING: -You know me, kid. I could tell you I can't complain. | 1:07:00 | 1:07:04 | |
But I could definitely complain. | 1:07:04 | 1:07:06 | |
The thing is, I don't wanna, cos... | 1:07:06 | 1:07:09 | |
there ain't time. | 1:07:09 | 1:07:10 | |
Let me think what I have that we could drink. | 1:07:10 | 1:07:14 | |
Water from the tap. I drink water now. | 1:07:14 | 1:07:17 | |
I have a bottle of liqueur that's been there don't ask how long. | 1:07:17 | 1:07:22 | |
I could drink some of that. | 1:07:22 | 1:07:24 | |
Because if your father himself walked in here | 1:07:24 | 1:07:27 | |
and I offered him tap water... | 1:07:27 | 1:07:29 | |
oh, God forbid, he would rip out my last hair. | 1:07:29 | 1:07:33 | |
Maybe we could ask my driver to come in. My driver's outside in the car. | 1:07:35 | 1:07:38 | |
Oh, we could give him the other eggplants. | 1:07:38 | 1:07:42 | |
I drove a chequered cab. | 1:07:47 | 1:07:49 | |
Big. Bouncy. | 1:07:49 | 1:07:52 | |
I drove nights. I was young. What could they do to me? | 1:07:52 | 1:07:58 | |
Night is not so good if you have a wife and child. | 1:07:58 | 1:08:00 | |
Besides, I can tell you, it was crazy enough in the daytime. | 1:08:00 | 1:08:04 | |
I loved my cab. | 1:08:04 | 1:08:07 | |
I drove 12 hours nonstop. | 1:08:07 | 1:08:10 | |
I stopped only to pee. | 1:08:10 | 1:08:13 | |
A man is hit one day by another taxi. Comes flying into my taxi. | 1:08:15 | 1:08:19 | |
I mean, he was flying in the air, crashed against the windscreen. | 1:08:19 | 1:08:22 | |
Right there in my face. Blood is everywhere. | 1:08:22 | 1:08:26 | |
I never left my garage without my Windex. | 1:08:26 | 1:08:30 | |
I am Acting Secretary of External Affairs in a previous life. | 1:08:30 | 1:08:34 | |
I said to him, "Get off from there. | 1:08:34 | 1:08:36 | |
"I cannot drive with your body on my windscreen." | 1:08:36 | 1:08:40 | |
I ate at the wheel. | 1:08:40 | 1:08:42 | |
I kept my sandwiches in tinfoil. | 1:08:42 | 1:08:45 | |
I ate at the wheel also. I could not afford to stop driving. | 1:08:45 | 1:08:49 | |
Where did you pee, Ibrahim? | 1:08:52 | 1:08:54 | |
I peed under the Manhattan Bridge. | 1:08:54 | 1:08:57 | |
This is where I peed exactly. | 1:08:57 | 1:08:59 | |
I peed in parks and alleys. | 1:08:59 | 1:09:02 | |
I peed in a pet cemetery once. | 1:09:02 | 1:09:05 | |
Night is better in some ways, I am certain of it. | 1:09:05 | 1:09:08 | |
I was here, what? Probably four hours a day. | 1:09:12 | 1:09:18 | |
Helping my father cut hair. | 1:09:18 | 1:09:20 | |
Nights, I drove my cab. Oh, I loved my cab. | 1:09:20 | 1:09:24 | |
I had a little fan that worked on a battery, | 1:09:24 | 1:09:28 | |
because air conditioning? | 1:09:28 | 1:09:30 | |
Forget about it in that day and age. | 1:09:30 | 1:09:32 | |
And then I had a drinking cup | 1:09:32 | 1:09:34 | |
with a magnet that I stuck on the dashboard. | 1:09:34 | 1:09:38 | |
I had my steering wheel upholstered, very nice, in zebra. | 1:09:38 | 1:09:42 | |
And my daughter, with her photograph on the visor. | 1:09:42 | 1:09:45 | |
I give this guy his first haircut. | 1:09:45 | 1:09:49 | |
He didn't want to sit in the car seat. | 1:09:49 | 1:09:52 | |
His father tried to jam him in there. | 1:09:52 | 1:09:56 | |
He was going "No, no, no, no!" | 1:09:56 | 1:09:59 | |
So I put him right where he's sitting now. | 1:09:59 | 1:10:02 | |
His father pinned him down. | 1:10:02 | 1:10:04 | |
I cut his father's hair when he was a kid. Yeah, I cut his hair. | 1:10:04 | 1:10:10 | |
But where is the chief of security in this situation? | 1:10:12 | 1:10:16 | |
I realised he's not with us. | 1:10:16 | 1:10:19 | |
We are alone. | 1:10:19 | 1:10:20 | |
I gave him the rest of the night off. | 1:10:22 | 1:10:24 | |
You have protection, right, in the car? | 1:10:26 | 1:10:29 | |
Protection? | 1:10:29 | 1:10:31 | |
Protection. You know what that means? | 1:10:31 | 1:10:34 | |
-I had a gun, but I threw it away. -But why? | 1:10:34 | 1:10:37 | |
I didn't want to make plans. I wasn't thinking ahead. | 1:10:40 | 1:10:44 | |
Didn't want to take precautions. | 1:10:44 | 1:10:46 | |
You know how that sounds? How does that sound? | 1:10:46 | 1:10:48 | |
I thought you were some kind of big shot | 1:10:48 | 1:10:51 | |
that destroyed people in a blink of an eye. | 1:10:51 | 1:10:54 | |
But you sound pretty iffy to me. | 1:10:54 | 1:10:57 | |
This is Mike Packer's kid that had a gun and threw it away? | 1:10:57 | 1:11:02 | |
What is that? | 1:11:02 | 1:11:03 | |
Yes, what is that? | 1:11:03 | 1:11:05 | |
Yeah. In this part of town, and you had a gun. | 1:11:05 | 1:11:08 | |
There are steps you must take to safeguard yourself. | 1:11:08 | 1:11:11 | |
In this part of town? | 1:11:11 | 1:11:13 | |
You cannot walk five metres after dark. You would be careless. | 1:11:13 | 1:11:16 | |
They'd kill you straight away. | 1:11:16 | 1:11:17 | |
You'd be reasonable with them? They'll take a little longer, | 1:11:17 | 1:11:20 | |
tear out your entrails first. | 1:11:20 | 1:11:22 | |
What happened to your eye that it got all twisted that way? | 1:11:26 | 1:11:29 | |
I can see. I can drive. | 1:11:32 | 1:11:35 | |
I passed their tests. | 1:11:35 | 1:11:37 | |
You were beaten and tortured. | 1:11:40 | 1:11:43 | |
An army coup. | 1:11:43 | 1:11:45 | |
By the secret police. | 1:11:45 | 1:11:47 | |
Or they thought they executed you. Fired a shot to your face. | 1:11:47 | 1:11:52 | |
Left you for dead. | 1:11:52 | 1:11:54 | |
I loved my cab. | 1:11:56 | 1:11:59 | |
I gulped my food. | 1:11:59 | 1:12:02 | |
I drove 12 hours straight, night after night. | 1:12:02 | 1:12:06 | |
Vacations? Forget about it. | 1:12:06 | 1:12:09 | |
But what did I do for protection? | 1:12:09 | 1:12:11 | |
I need to leave. | 1:12:38 | 1:12:40 | |
How come? | 1:12:40 | 1:12:42 | |
I don't know how come. | 1:12:44 | 1:12:46 | |
That's how come. | 1:12:46 | 1:12:48 | |
But let me do the left side, at least. So both sides are equal. | 1:12:48 | 1:12:51 | |
I'll come back. Take my word for it. | 1:12:51 | 1:12:54 | |
I'll sit and you'll finish. | 1:12:54 | 1:12:56 | |
Ibrahim, tell me this. | 1:13:11 | 1:13:13 | |
Yes? | 1:13:13 | 1:13:15 | |
These stretched limousines that fill the streets... | 1:13:17 | 1:13:21 | |
I've been wondering... | 1:13:21 | 1:13:23 | |
Yes? | 1:13:23 | 1:13:24 | |
Where are they parked at night? | 1:13:29 | 1:13:30 | |
They need large tracts of space. | 1:13:32 | 1:13:35 | |
Out near the airports or somewhere in the Meadowlands. | 1:13:35 | 1:13:39 | |
Long Island. New Jersey. | 1:13:39 | 1:13:44 | |
I will go to New Jersey. The limo stays here. | 1:13:44 | 1:13:47 | |
Where? | 1:13:50 | 1:13:51 | |
Next block, there will be an underground garage. Limos only. | 1:13:52 | 1:13:56 | |
I would drop off your car, | 1:13:56 | 1:13:58 | |
pick up my car, then drive home, through the stinking tunnel. | 1:13:58 | 1:14:02 | |
Early in the morning, you could see, right here, | 1:14:37 | 1:14:39 | |
teams of men in white overalls... | 1:14:39 | 1:14:41 | |
they are washing limousines. A marketplace of limos, rags flying. | 1:14:41 | 1:14:47 | |
METAL DOOR CREAKS | 1:14:48 | 1:14:51 | |
GUNSHOT GLASS SHATTERS | 1:15:29 | 1:15:31 | |
Eric Michael Packer! | 1:15:35 | 1:15:38 | |
GUNSHOT | 1:15:40 | 1:15:41 | |
GUNSHOTS | 1:15:44 | 1:15:46 | |
Nancy Babich. | 1:17:46 | 1:17:48 | |
GUNSHOT | 1:17:52 | 1:17:53 | |
GUNSHOT | 1:17:59 | 1:18:00 | |
What are you doing here? | 1:18:09 | 1:18:10 | |
That's not the question. | 1:18:10 | 1:18:12 | |
The question is yours to answer. Why do you want to kill me? | 1:18:12 | 1:18:16 | |
No, that's not the question. That's too easy to be the question. | 1:18:16 | 1:18:20 | |
I want to kill you | 1:18:22 | 1:18:24 | |
because I want to count for something in my own life. | 1:18:24 | 1:18:27 | |
See how easy? | 1:18:28 | 1:18:30 | |
You're not a reflective man. I live consciously in my head. | 1:18:33 | 1:18:36 | |
Give me a cigarette. | 1:18:38 | 1:18:40 | |
Give me a drink. | 1:18:40 | 1:18:41 | |
Do you recognise me? | 1:18:43 | 1:18:44 | |
I can't see you clearly. | 1:18:44 | 1:18:46 | |
Sit. We'll talk. | 1:18:48 | 1:18:51 | |
Yes. | 1:18:52 | 1:18:54 | |
I'd like that. | 1:18:54 | 1:18:55 | |
Sit and talk. | 1:19:01 | 1:19:04 | |
I've had a long day. | 1:19:05 | 1:19:07 | |
Things. People. | 1:19:07 | 1:19:09 | |
Time for a philosophical pause. | 1:19:10 | 1:19:13 | |
Some reflection. | 1:19:13 | 1:19:15 | |
Yes. | 1:19:15 | 1:19:17 | |
POWERFUL GUNSHOT | 1:19:18 | 1:19:20 | |
You're not familiar with that weapon. | 1:19:23 | 1:19:26 | |
I fired that weapon. | 1:19:26 | 1:19:27 | |
That's a serious weapon. Whereas this... | 1:19:27 | 1:19:30 | |
I'm thinking of installing a shooting range in my apartment. | 1:19:33 | 1:19:37 | |
Why not your office? Line them up and shoot them. | 1:19:37 | 1:19:42 | |
You know the office, is that right? You've been in the office. | 1:19:42 | 1:19:47 | |
Tell me who you think I am. | 1:19:47 | 1:19:49 | |
I don't know. Who are you? | 1:19:49 | 1:19:51 | |
Maybe if you'd tell me your name. | 1:20:05 | 1:20:07 | |
You wouldn't know my name. | 1:20:07 | 1:20:09 | |
I know names more than faces. Tell me. | 1:20:09 | 1:20:13 | |
Benno Levin. | 1:20:13 | 1:20:15 | |
That's a phony name. It's phony. It's fake. | 1:20:15 | 1:20:18 | |
It's fake, it isn't real. | 1:20:18 | 1:20:20 | |
But I think I recognise you now. | 1:20:20 | 1:20:22 | |
You were at a cash machine outside a bank, | 1:20:22 | 1:20:24 | |
some time around noon. | 1:20:24 | 1:20:26 | |
You saw me. | 1:20:28 | 1:20:30 | |
You looked familiar. I didn't know why. | 1:20:30 | 1:20:34 | |
Maybe you used to work for me. | 1:20:34 | 1:20:36 | |
Hate me, want to kill me. Fine. | 1:20:36 | 1:20:40 | |
Everything in our lives... | 1:20:40 | 1:20:42 | |
yours and mine... | 1:20:42 | 1:20:44 | |
..has brought us to this moment. | 1:20:45 | 1:20:47 | |
Fine. | 1:20:49 | 1:20:50 | |
I could use a tall beer about now. | 1:20:54 | 1:20:57 | |
How old are you? I'm interested. | 1:21:00 | 1:21:02 | |
Do you think people like me can't happen? | 1:21:02 | 1:21:05 | |
-How old? -We happen. | 1:21:05 | 1:21:07 | |
41. | 1:21:07 | 1:21:09 | |
Prime number. | 1:21:09 | 1:21:10 | |
But...not an interesting one. | 1:21:10 | 1:21:13 | |
Or did I turn 42? | 1:21:15 | 1:21:17 | |
It is possible, because I don't keep track. | 1:21:17 | 1:21:19 | |
Because why should I? | 1:21:19 | 1:21:20 | |
I've become an enigma to myself. | 1:21:26 | 1:21:28 | |
So said St Augustine. | 1:21:30 | 1:21:32 | |
And herein lies my sickness. | 1:21:34 | 1:21:37 | |
Well, that's a start. | 1:21:37 | 1:21:38 | |
-It's a crucial self-realisation. -I'm not talking about myself. | 1:21:38 | 1:21:42 | |
I'm talking about you. | 1:21:42 | 1:21:44 | |
Your whole waking life is a self-contradiction. | 1:21:44 | 1:21:47 | |
That's why you're engineering your own downfall. | 1:21:47 | 1:21:50 | |
Why are you here? | 1:21:53 | 1:21:55 | |
That's the first thing I said to you when I came out of the toilet. | 1:21:56 | 1:21:59 | |
I noticed the toilet. | 1:21:59 | 1:22:01 | |
It's the first thing I noticed when I walked in the room. | 1:22:03 | 1:22:05 | |
What happens to your waste? | 1:22:12 | 1:22:13 | |
There's a... There's a hole below the fixture. | 1:22:16 | 1:22:20 | |
I knocked a hole in the floor... | 1:22:20 | 1:22:22 | |
..and then I positioned the toilet | 1:22:23 | 1:22:25 | |
so that one hole fits over the other. | 1:22:25 | 1:22:27 | |
Holes are interesting. There are books about holes. | 1:22:27 | 1:22:31 | |
There are books about... | 1:22:31 | 1:22:33 | |
shit. | 1:22:33 | 1:22:35 | |
But we want to know why you would willingly | 1:22:36 | 1:22:38 | |
enter a house where there's someone inside that's prepared to kill you. | 1:22:38 | 1:22:43 | |
All right, tell me. Why am I here? | 1:22:43 | 1:22:46 | |
-HE CHUCKLES / SCOFFS -You have to tell me. | 1:22:46 | 1:22:49 | |
Some kind of unexpected failure. | 1:22:53 | 1:22:55 | |
Shocked your self-esteem. | 1:22:57 | 1:22:59 | |
The yuan. | 1:23:05 | 1:23:07 | |
I couldn't figure out the yuan. | 1:23:08 | 1:23:10 | |
The yuan? | 1:23:15 | 1:23:16 | |
I couldn't chart the yuan. | 1:23:19 | 1:23:21 | |
The yuan eluded me. | 1:23:25 | 1:23:26 | |
And so you brought everything down. | 1:23:26 | 1:23:29 | |
This had never happened. | 1:23:32 | 1:23:34 | |
I became half-hearted. | 1:23:36 | 1:23:37 | |
This is because you only have half a heart. | 1:23:37 | 1:23:40 | |
Give me a cigarette. | 1:23:41 | 1:23:43 | |
I don't smoke cigarettes. | 1:23:44 | 1:23:46 | |
Huge ambition and contempt... | 1:23:54 | 1:23:57 | |
I can... | 1:23:57 | 1:23:59 | |
list the things, name the appetites, the people. | 1:23:59 | 1:24:03 | |
Mistreat some, ignore some. Persecute others. | 1:24:04 | 1:24:07 | |
The self-totality. | 1:24:10 | 1:24:13 | |
The lack of remorse. | 1:24:13 | 1:24:15 | |
These are your gifts. | 1:24:16 | 1:24:18 | |
What else? | 1:24:18 | 1:24:19 | |
Intuition of early death. | 1:24:25 | 1:24:28 | |
What else? | 1:24:28 | 1:24:29 | |
What else... | 1:24:29 | 1:24:31 | |
Secret doubts. | 1:24:34 | 1:24:36 | |
Doubts you could never acknowledge. | 1:24:38 | 1:24:40 | |
You know some things. | 1:24:40 | 1:24:42 | |
I know you smoke cigars. | 1:24:44 | 1:24:46 | |
I know everything that's ever been said or written about you. | 1:24:51 | 1:24:54 | |
I know what I see in your face... | 1:24:57 | 1:24:59 | |
..after years of study. | 1:25:01 | 1:25:04 | |
You worked for me, doing what? | 1:25:04 | 1:25:06 | |
Currency analysis. | 1:25:11 | 1:25:13 | |
I worked on the baht. | 1:25:13 | 1:25:15 | |
-The baht is interesting. -I loved the baht! | 1:25:15 | 1:25:18 | |
But your system is so micro-timed that I couldn't keep up with it. | 1:25:18 | 1:25:21 | |
I couldn't find it. It is so infinitesimal! | 1:25:21 | 1:25:24 | |
Then I began to hate my work and you | 1:25:27 | 1:25:30 | |
and all the numbers on my screen and every minute of my life. | 1:25:30 | 1:25:34 | |
100 satang to the baht. | 1:25:34 | 1:25:36 | |
What's your real name? | 1:25:39 | 1:25:41 | |
Ah, you wouldn't know it. | 1:25:42 | 1:25:44 | |
Tell me your name. | 1:25:44 | 1:25:46 | |
Sheets. Richard Sheets. | 1:25:49 | 1:25:52 | |
Means nothing to me. | 1:25:54 | 1:25:56 | |
Tell me... | 1:25:58 | 1:25:59 | |
do you imagine that I stole ideas from you? | 1:25:59 | 1:26:02 | |
-Intellectual property. -What does anyone imagine? | 1:26:04 | 1:26:07 | |
A hundred things a minute. | 1:26:07 | 1:26:09 | |
Whether I imagine a thing or not, it's real to me. | 1:26:12 | 1:26:15 | |
I have syndromes where they're real. | 1:26:17 | 1:26:19 | |
From Malaysia, for example. | 1:26:23 | 1:26:25 | |
The things that I believe become facts. | 1:26:26 | 1:26:29 | |
They have the time and space of facts. | 1:26:29 | 1:26:31 | |
You're forcing me to be reasonable. I don't like that. | 1:26:31 | 1:26:34 | |
I have severe anxieties that my sex organ is receding into my body. | 1:26:35 | 1:26:39 | |
-But it's not. -Shrinking into my abdomen. | 1:26:39 | 1:26:42 | |
-But it's not. -Either it is or not. | 1:26:42 | 1:26:45 | |
I know it is. | 1:26:45 | 1:26:46 | |
Show me. | 1:26:48 | 1:26:50 | |
I don't have to look. There are folk beliefs. | 1:26:53 | 1:26:57 | |
There are epidemics that happen, | 1:26:57 | 1:26:59 | |
men in the thousands in real fear and pain. | 1:26:59 | 1:27:02 | |
All right. All right. | 1:27:02 | 1:27:06 | |
People like you can happen. I understand this. | 1:27:08 | 1:27:12 | |
I believe it, but not the violence. Not the gun. The gun is all wrong. | 1:27:12 | 1:27:17 | |
You're not a violent man. | 1:27:17 | 1:27:19 | |
Violence is meant to be real based on real motives, | 1:27:20 | 1:27:25 | |
on forces in the world that, what, make us want to defend ourselves | 1:27:25 | 1:27:29 | |
or take aggressive action. | 1:27:29 | 1:27:31 | |
The crime you want to commit is cheap imitation. | 1:27:31 | 1:27:35 | |
It's a stale fantasy. | 1:27:35 | 1:27:36 | |
People do it because other people do it. | 1:27:36 | 1:27:39 | |
It's just another syndrome, | 1:27:44 | 1:27:46 | |
it's a thing you caught from others. | 1:27:46 | 1:27:49 | |
It has no history. | 1:27:51 | 1:27:52 | |
It's all history, the whole thing is history. | 1:27:52 | 1:27:55 | |
You are foully and berserkly rich. | 1:27:55 | 1:27:59 | |
Don't tell me about your charities. | 1:28:00 | 1:28:03 | |
-I have no charities. -I know this. | 1:28:03 | 1:28:06 | |
You don't resent the rich, that's not your sensibility. | 1:28:08 | 1:28:11 | |
What's my sensibility? | 1:28:11 | 1:28:13 | |
Confusion. | 1:28:13 | 1:28:15 | |
-This is why you're unemployable. -Why? | 1:28:15 | 1:28:17 | |
-Because you want to kill people. -That's not why I'm unemployable. | 1:28:17 | 1:28:20 | |
-Then why? -Because I stink. | 1:28:20 | 1:28:23 | |
Smell me. | 1:28:25 | 1:28:26 | |
Smell me. HE LAUGHS | 1:28:26 | 1:28:29 | |
Even when you self-destruct, | 1:28:29 | 1:28:31 | |
you have to fail more, lose more, die more, stink more than others. | 1:28:31 | 1:28:34 | |
In... In the old tribes, | 1:28:38 | 1:28:40 | |
the chief who destroyed more of his own property | 1:28:40 | 1:28:42 | |
than the other chiefs was the most powerful. | 1:28:42 | 1:28:45 | |
What else? | 1:28:45 | 1:28:47 | |
You have everything to live and die for, I have nothing and neither. | 1:28:47 | 1:28:51 | |
That's another reason to kill you. | 1:28:51 | 1:28:53 | |
-Richard... -I want to be known as BENNO! | 1:28:53 | 1:28:56 | |
You're unsettled cos you feel you have no role. | 1:28:58 | 1:29:02 | |
You have no place. | 1:29:02 | 1:29:04 | |
But you have to ask yourself whose fault that is. | 1:29:06 | 1:29:10 | |
Cos, in fact, there's very little in this society | 1:29:10 | 1:29:13 | |
that you have to hate. Think. | 1:29:13 | 1:29:15 | |
Think... | 1:29:16 | 1:29:18 | |
Violence... | 1:29:21 | 1:29:23 | |
needs a cause. | 1:29:23 | 1:29:25 | |
A truth. | 1:29:26 | 1:29:27 | |
There's nothing in the world but other people. | 1:29:30 | 1:29:34 | |
I had this thought one day. | 1:29:37 | 1:29:39 | |
It was the thought of my life. | 1:29:39 | 1:29:41 | |
I'm surrounded by other people. | 1:29:43 | 1:29:45 | |
It's "buy and sell". | 1:29:47 | 1:29:49 | |
It's "let's have lunch". | 1:29:49 | 1:29:50 | |
I thought, "Look at them and look at me." | 1:29:50 | 1:29:53 | |
Light shines through me on the street. | 1:29:55 | 1:29:59 | |
I'm, what's the word, pervious to visible light. | 1:29:59 | 1:30:02 | |
I thought, "All those other people", I thought... | 1:30:05 | 1:30:09 | |
"How did they get to be who they are?" | 1:30:09 | 1:30:11 | |
It's... | 1:30:13 | 1:30:15 | |
banks and car parks. | 1:30:15 | 1:30:16 | |
It's airline tickets and their computers. | 1:30:16 | 1:30:18 | |
It's...restaurants filled with people talking. | 1:30:18 | 1:30:23 | |
It's people signing the merchant copy. | 1:30:23 | 1:30:25 | |
It's people taking the merchant copy | 1:30:25 | 1:30:27 | |
out of their leather folder and then signing it, | 1:30:27 | 1:30:30 | |
and separating the merchant copy from the customer copy, | 1:30:30 | 1:30:33 | |
and putting the credit card back in their wallet. | 1:30:33 | 1:30:35 | |
This alone could do it. | 1:30:35 | 1:30:37 | |
It's people who have doctors that order tests for them. | 1:30:39 | 1:30:42 | |
THIS ALONE...! | 1:30:42 | 1:30:44 | |
I am helpless in their system that makes no sense to me. | 1:30:48 | 1:30:53 | |
You want me to be a helpless robot soldier. | 1:30:53 | 1:30:57 | |
And all I could be was helpless. | 1:30:58 | 1:31:01 | |
It's women shoes. | 1:31:01 | 1:31:03 | |
It's all the names they have for shoes! | 1:31:03 | 1:31:05 | |
It's all those people in the park, behind the library. | 1:31:08 | 1:31:11 | |
Talking in the sun. | 1:31:15 | 1:31:16 | |
Your crime has no conscience. | 1:31:21 | 1:31:23 | |
You haven't been driven to it by some oppressive social force. | 1:31:24 | 1:31:28 | |
I hate to be reasonable. | 1:31:29 | 1:31:31 | |
You're not against the rich. Nobody is against the rich. | 1:31:34 | 1:31:37 | |
Everybody is ten seconds away from being rich, | 1:31:37 | 1:31:40 | |
or so everybody thought. | 1:31:40 | 1:31:41 | |
No. | 1:31:41 | 1:31:43 | |
Your crime is in your head. | 1:31:45 | 1:31:47 | |
Another fool shooting up a diner | 1:31:48 | 1:31:51 | |
because bullets flying through the walls... | 1:31:51 | 1:31:53 | |
So useless and stupid. | 1:31:53 | 1:31:55 | |
Even your weapon is a fantasy. What is it called? | 1:31:58 | 1:32:01 | |
What are the attachments mounted on the barrel? | 1:32:03 | 1:32:05 | |
-What are they called, what do they do? -All right. | 1:32:05 | 1:32:08 | |
I don't have the manhood to know those names. | 1:32:09 | 1:32:12 | |
Men know these names. You have the experience of manhood. | 1:32:12 | 1:32:16 | |
I can't THINK that far ahead! | 1:32:16 | 1:32:18 | |
It's all I can do to be a person. | 1:32:20 | 1:32:23 | |
Violence needs a burden. | 1:32:27 | 1:32:31 | |
It needs a purpose. | 1:32:32 | 1:32:34 | |
What are you doing? | 1:32:38 | 1:32:39 | |
I don't know. | 1:32:42 | 1:32:43 | |
Maybe nothing. | 1:32:45 | 1:32:47 | |
GUNSHOT | 1:32:49 | 1:32:50 | |
HE SCREAMS IN AGONY | 1:32:50 | 1:32:52 | |
My prostate is asymmetrical. | 1:33:18 | 1:33:20 | |
So is mine. | 1:33:23 | 1:33:24 | |
What does it mean? | 1:33:29 | 1:33:31 | |
Nothing, it means nothing. | 1:33:40 | 1:33:43 | |
It's harmless. A harmless variation. | 1:33:43 | 1:33:46 | |
Nothing to worry about. | 1:33:46 | 1:33:48 | |
At your age, why worry? | 1:33:48 | 1:33:50 | |
You should have listened to your prostate. | 1:33:53 | 1:33:55 | |
What? | 1:33:55 | 1:33:56 | |
You tried to predict movements on the yuan by drawing on patterns from nature. | 1:33:56 | 1:34:00 | |
Yes, of course, the mathematical properties of tree rings. | 1:34:00 | 1:34:04 | |
Sunflower seeds. The limbs of galactic spirals. | 1:34:04 | 1:34:08 | |
I've learned this with the baht. | 1:34:08 | 1:34:10 | |
I loved the cross-harmonies between nature and data. | 1:34:10 | 1:34:13 | |
You taught me this. | 1:34:13 | 1:34:15 | |
You made this form of analysis horribly and sadistically precise. | 1:34:15 | 1:34:20 | |
But you forgot something along the way. | 1:34:20 | 1:34:22 | |
What? | 1:34:22 | 1:34:23 | |
The importance of the lopsided. | 1:34:23 | 1:34:26 | |
The thing that's skewed a little. | 1:34:26 | 1:34:28 | |
You were looking for balance. | 1:34:30 | 1:34:33 | |
Beautiful balance, equal parts, equal sides - I know this. | 1:34:33 | 1:34:36 | |
I know you. | 1:34:37 | 1:34:39 | |
But you should have been tracking the yuan in its ticks and quirks. | 1:34:41 | 1:34:45 | |
A little quirk. A misshape. | 1:34:46 | 1:34:49 | |
The misweave. | 1:34:51 | 1:34:52 | |
That's where the answer was. In your body, in your prostate. | 1:34:52 | 1:34:55 | |
But I still have to shoot you. | 1:35:05 | 1:35:07 | |
I'm willing to discuss it, | 1:35:07 | 1:35:09 | |
but there's no life for me unless I do this. | 1:35:09 | 1:35:11 | |
Don't you ever walked through the park behind the library | 1:35:13 | 1:35:16 | |
and see all those people sitting in their little chairs | 1:35:16 | 1:35:18 | |
and drinking at those tables... | 1:35:18 | 1:35:21 | |
on the terrace, after work, and hear their voices mingling in the air | 1:35:21 | 1:35:25 | |
and want to kill them? | 1:35:25 | 1:35:27 | |
No. | 1:35:29 | 1:35:30 | |
I'm having my Korean panic attack. | 1:35:32 | 1:35:35 | |
That's from holding in my anger all those years. | 1:35:39 | 1:35:41 | |
HE LAUGHS | 1:35:41 | 1:35:43 | |
But not any more. | 1:35:46 | 1:35:49 | |
You have to die, no matter what. | 1:35:49 | 1:35:51 | |
I could tell you my situation has changed in the course of a day. | 1:35:54 | 1:35:57 | |
I have my syndromes, you have your complex. | 1:36:00 | 1:36:04 | |
Icarus falling. You did it to yourself! | 1:36:04 | 1:36:07 | |
Meltdown in the sun. | 1:36:09 | 1:36:11 | |
You will plunge three and half feet to your death. | 1:36:12 | 1:36:15 | |
It's not very heroic, is it? | 1:36:15 | 1:36:17 | |
Even if there's a fungus living between my toes that speaks to me... | 1:36:28 | 1:36:32 | |
Even if a fungus told me to kill you... | 1:36:35 | 1:36:37 | |
even then, your death is justified | 1:36:37 | 1:36:39 | |
because of where you stand on the earth. | 1:36:39 | 1:36:40 | |
For your apartment and what you paid for it. | 1:36:40 | 1:36:44 | |
For you daily medical check-ups. This alone... | 1:36:44 | 1:36:48 | |
Medical check-ups... | 1:36:50 | 1:36:53 | |
every day. | 1:36:53 | 1:36:54 | |
For the limousine that displaces the air | 1:36:56 | 1:36:58 | |
that people need to breathe in Bangladesh. | 1:36:58 | 1:37:01 | |
This alone... | 1:37:01 | 1:37:03 | |
Don't make me laugh. | 1:37:04 | 1:37:06 | |
Don't make you laugh? | 1:37:08 | 1:37:10 | |
You just made that up. | 1:37:12 | 1:37:14 | |
You've never spend a minute of your life worrying about other people. | 1:37:14 | 1:37:18 | |
All right. | 1:37:20 | 1:37:21 | |
But the air you breathe, this alone, the thoughts you have... | 1:37:24 | 1:37:27 | |
Is there a fungus that speaks to you? I'm serious. | 1:37:32 | 1:37:35 | |
People hear things. They hear God. | 1:37:36 | 1:37:39 | |
Anyway, you're already dead. | 1:37:49 | 1:37:51 | |
You look like someone already dead. | 1:37:51 | 1:37:54 | |
Someone dead 100 years. | 1:37:54 | 1:37:56 | |
Many centuries dead. Kings dead. | 1:37:57 | 1:38:00 | |
Royals in their pyjamas eating mutton. | 1:38:01 | 1:38:05 | |
Have I ever used the word "mutton" in my life? | 1:38:08 | 1:38:10 | |
Came in my head, out of nowhere. | 1:38:10 | 1:38:12 | |
Mutton. | 1:38:12 | 1:38:13 | |
I wanted you to heal me. | 1:38:25 | 1:38:28 | |
Save me. | 1:38:28 | 1:38:30 | |
I wanted you to save me. | 1:38:33 | 1:38:35 |