
Browse content similar to Dream House. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
This film contains some strong language | 0:00:02 | 0:00:04 | |
Will. | 0:00:59 | 0:01:00 | |
Full severance package, and a book deal. | 0:01:07 | 0:01:11 | |
-Total non-disclosure. -Uh-huh. | 0:01:11 | 0:01:14 | |
Total. | 0:01:18 | 0:01:19 | |
OK, boys, get his stuff. | 0:01:21 | 0:01:23 | |
Danish? | 0:01:25 | 0:01:27 | |
I'm going to miss you, Will. | 0:01:40 | 0:01:41 | |
A little lift of afternoon pick-me-up, Mr A? | 0:01:44 | 0:01:46 | |
I'm OK, Tommy. | 0:01:46 | 0:01:48 | |
-You remodelling? -No, I quit. | 0:01:48 | 0:01:51 | |
Why would you do that? | 0:01:51 | 0:01:52 | |
He wants to spend more time with his family. | 0:01:52 | 0:01:55 | |
Didn't know you had a family. Spend all your time here. | 0:01:55 | 0:01:57 | |
Well, I do. | 0:01:57 | 0:01:59 | |
LAUGHTER AND CHATTER | 0:01:59 | 0:02:02 | |
-CORK POPS -Whoa! | 0:02:06 | 0:02:08 | |
To the best editor who ever escaped | 0:02:10 | 0:02:13 | |
the dreary halls of GPH. | 0:02:13 | 0:02:15 | |
ALL: To Will! | 0:02:15 | 0:02:18 | |
We're going to miss you, Mr Atenton. | 0:02:18 | 0:02:21 | |
Thank you. Thank you. | 0:02:21 | 0:02:23 | |
WOMAN LAUGHS | 0:02:26 | 0:02:29 | |
-So you finally made it out the door? -Yes. | 0:02:35 | 0:02:38 | |
You have some brilliant ideas in your head. Let them out. | 0:02:38 | 0:02:42 | |
You think? | 0:02:42 | 0:02:43 | |
You don't want chained to your desk as an old editor, do you? | 0:02:43 | 0:02:46 | |
No. | 0:02:46 | 0:02:48 | |
Here! | 0:02:48 | 0:02:49 | |
Best contractor in Fairfield County. | 0:02:49 | 0:02:52 | |
You can't do it all by yourself. | 0:02:52 | 0:02:54 | |
I shall miss you. | 0:02:54 | 0:02:56 | |
-Good luck. -Thank you. | 0:02:57 | 0:02:59 | |
INDISTINCT PA ANNOUNCEMENT | 0:03:08 | 0:03:12 | |
Hey, Atenton! | 0:03:54 | 0:03:56 | |
Will, how you doing? Heather. | 0:03:56 | 0:03:59 | |
Heather Keeler. | 0:03:59 | 0:04:02 | |
-I found your house. -Yes, sorry. | 0:04:02 | 0:04:03 | |
Yes, how you doing? | 0:04:03 | 0:04:06 | |
-I'm well. You need a lift? -No, I'm getting a taxi. | 0:04:06 | 0:04:09 | |
A cab? In this weather? Come on, I'll give you a lift. | 0:04:09 | 0:04:13 | |
No, no, Heather, mine's the one on the left. | 0:04:13 | 0:04:15 | |
But you know that. | 0:04:17 | 0:04:19 | |
OK. Here we are. Enjoy your new home. | 0:04:20 | 0:04:24 | |
-Thank you. Have a good night. -Good night. | 0:04:24 | 0:04:26 | |
I just wanted to know, did you get the 7:15? | 0:04:51 | 0:04:54 | |
Cos I really don't know whether to put the kids to bed or not. | 0:04:54 | 0:04:58 | |
So, give me a call... Oh, Jesus! | 0:04:58 | 0:05:01 | |
Will! | 0:05:02 | 0:05:04 | |
You gave me a fright! | 0:05:04 | 0:05:06 | |
You're crazy! | 0:05:07 | 0:05:09 | |
You don't answer the phone. What's going on? | 0:05:12 | 0:05:15 | |
What? | 0:05:16 | 0:05:18 | |
You did it? | 0:05:23 | 0:05:25 | |
You didn't? You didn't? | 0:05:25 | 0:05:26 | |
-HE CHUCKLES -You didn't think I would. | 0:05:26 | 0:05:28 | |
I didn't think you would. You did it! I'm so proud of you! | 0:05:28 | 0:05:32 | |
We're going to be so much happier. The kids are going to be so much happier. | 0:05:32 | 0:05:35 | |
-Where are they? -The kids are sleep. | 0:05:35 | 0:05:38 | |
OK. | 0:05:38 | 0:05:39 | |
-Mrs Atenton. -Mr Atenton. | 0:05:40 | 0:05:44 | |
GIGGLING | 0:05:49 | 0:05:52 | |
-What's this? -This is the kids' painting. | 0:05:52 | 0:05:56 | |
-Have the children gone to bed? -Yeah, the children are very... They're very tired. | 0:05:56 | 0:06:01 | |
-I put them in bed. -Have they been working all day? -Mm-hmm. Yeah. | 0:06:01 | 0:06:04 | |
I'll put my coat down here. | 0:06:04 | 0:06:08 | |
And this is... this is a new cushion, I see. | 0:06:11 | 0:06:14 | |
-Shall I give it a squeeze? -I think you should. GIGGLING | 0:06:14 | 0:06:17 | |
-CHILDREN SCREAM -Oh, my God! | 0:06:17 | 0:06:19 | |
SQUEALING AND LAUGHTER | 0:06:19 | 0:06:23 | |
What you been doing? | 0:06:23 | 0:06:25 | |
-Painting. -Oh, really? | 0:06:25 | 0:06:27 | |
Sweetie, you want to show Daddy the surprise? | 0:06:27 | 0:06:30 | |
-Yeah, yeah! -Yeah, yeah! -That surprise! | 0:06:30 | 0:06:33 | |
Ready, Dee Dee? One, two, three, go! | 0:06:39 | 0:06:42 | |
-HE LAUGHS -Wow! | 0:06:42 | 0:06:44 | |
-Do you like it? -Yeah, I do. -Really? -Yeah. | 0:06:44 | 0:06:47 | |
-Honestly? -Yeah. You're hired. | 0:06:47 | 0:06:49 | |
-You can't afford me. -I think I might be able to. | 0:06:49 | 0:06:52 | |
What is that...? | 0:06:56 | 0:06:57 | |
There's a very strange smell around here. | 0:06:57 | 0:06:59 | |
-You! -You! | 0:06:59 | 0:07:00 | |
-I know what it is. It's stinky kids. -Mm-hmm. | 0:07:00 | 0:07:04 | |
Stinky kids. Stinky kids need bath time! | 0:07:04 | 0:07:07 | |
GIRLS SQUEAL | 0:07:07 | 0:07:08 | |
HE ROARS | 0:07:08 | 0:07:10 | |
Are you going to tell me what this novel's about? | 0:07:14 | 0:07:16 | |
If I tell you about it, then... | 0:07:16 | 0:07:19 | |
Then it all disappears, doesn't it? | 0:07:19 | 0:07:23 | |
But I can see the characters, Libby. | 0:07:23 | 0:07:25 | |
I can. Just as clearly as I can... Thank you. As I can see you now. | 0:07:25 | 0:07:31 | |
Thanks for the flowers. | 0:07:34 | 0:07:37 | |
-When...? I didn't give them to you. -I found them on the porch this morning. | 0:07:40 | 0:07:44 | |
They're probably from a secret admirer. | 0:07:44 | 0:07:47 | |
-Of yours. -No. -Maybe. | 0:07:47 | 0:07:50 | |
Some gentlemen caller leaving you flowers on the door step. | 0:07:50 | 0:07:54 | |
SHE LAUGHS | 0:07:54 | 0:07:56 | |
I missed you. | 0:07:56 | 0:07:58 | |
I feel so safe when you're here. | 0:08:06 | 0:08:08 | |
Well, I'm not going to go anywhere. | 0:08:10 | 0:08:13 | |
What are you thinking about? | 0:08:22 | 0:08:24 | |
Yeah, memories, baby. | 0:08:26 | 0:08:29 | |
Do you remember this? | 0:08:37 | 0:08:38 | |
Forever. | 0:08:41 | 0:08:43 | |
SHE GIGGLES | 0:08:46 | 0:08:49 | |
You remember this? | 0:08:54 | 0:08:56 | |
-Are you OK? -Yeah. | 0:09:17 | 0:09:20 | |
All right. See you soon. | 0:09:20 | 0:09:23 | |
-Can you back by nine? -For Christ's sake, I know the drill. | 0:09:23 | 0:09:27 | |
-Can't we have single exchange without...? -Without you twisting the knife? | 0:09:27 | 0:09:30 | |
No, it seems we can't. | 0:09:30 | 0:09:33 | |
Bye. | 0:09:34 | 0:09:36 | |
Bye, honey. | 0:09:37 | 0:09:39 | |
TYRES SCREECH | 0:09:40 | 0:09:44 | |
PIANO PLAYS "FUR ELISE" HALTINGLY | 0:10:04 | 0:10:07 | |
-That's all I know. -That's good. | 0:10:17 | 0:10:19 | |
PIANO CONTINUES | 0:10:19 | 0:10:21 | |
That's good. | 0:10:21 | 0:10:23 | |
Will, come here. | 0:10:48 | 0:10:50 | |
Come take a look at this. | 0:10:50 | 0:10:52 | |
Look at that. | 0:10:57 | 0:11:00 | |
You know what? I'm not going to paint over it. | 0:11:03 | 0:11:06 | |
Don't. It belongs to the house. | 0:11:06 | 0:11:08 | |
They used to run up those stairs. | 0:11:09 | 0:11:11 | |
Wonder where they are now? | 0:11:14 | 0:11:17 | |
Driving their parents insane. | 0:11:17 | 0:11:19 | |
-KNOCK AT DOOR -Your financial statement, sir. | 0:11:29 | 0:11:31 | |
It's not what we hoped. | 0:11:32 | 0:11:35 | |
Any word on your custody appeal? | 0:11:36 | 0:11:39 | |
Sorry, sir. | 0:11:40 | 0:11:42 | |
WIND WHISTLES CHIMES JINGLE | 0:11:58 | 0:12:02 | |
Enter. | 0:12:06 | 0:12:08 | |
Hey, Shakespeare, just brought you some tea. | 0:12:08 | 0:12:11 | |
Dee Dee, leave Daddy alone, he's writing. Come on. | 0:12:13 | 0:12:16 | |
Dee Dee, come on, come out of there. Daddy's working. | 0:12:16 | 0:12:18 | |
-Want daddy. -He's working right now. I told you. | 0:12:18 | 0:12:22 | |
Will? | 0:12:22 | 0:12:23 | |
I want to go home to my house. | 0:12:25 | 0:12:27 | |
This is your house. This is where we live. Come on, baby. | 0:12:27 | 0:12:30 | |
Come here. Give me your hands. | 0:12:30 | 0:12:33 | |
What you so scared about? What's going on? | 0:12:33 | 0:12:36 | |
-Tell me, what's going on? -Mom, she saw a man in the window. | 0:12:38 | 0:12:42 | |
I couldn't find him. | 0:12:42 | 0:12:45 | |
Where? | 0:12:45 | 0:12:47 | |
Show me. | 0:12:47 | 0:12:48 | |
He was right there. | 0:12:51 | 0:12:53 | |
What did he looks like, baby? | 0:12:53 | 0:12:54 | |
She said he had a big head. | 0:12:54 | 0:12:56 | |
And it was fuzzy. | 0:12:56 | 0:12:58 | |
Fuzzy? | 0:12:58 | 0:13:00 | |
Sweetie, do you mean a pretend person? Is that what you're talking about? | 0:13:00 | 0:13:03 | |
Wait a minute, I know what you saw. Look. | 0:13:03 | 0:13:05 | |
You look the twigs at the bottom of the garden. Looks like a man, see? | 0:13:05 | 0:13:09 | |
No, he was right there. | 0:13:09 | 0:13:11 | |
Wait a minute. Look at this. | 0:13:11 | 0:13:14 | |
Watch. Look at the window. | 0:13:14 | 0:13:16 | |
And...? | 0:13:16 | 0:13:18 | |
See? See? It was it your own reflection. | 0:13:18 | 0:13:21 | |
When Trish turned on the light. | 0:13:21 | 0:13:23 | |
It wasn't a man, it was you, little one. It was you. | 0:13:23 | 0:13:26 | |
CRASH GIRLS SCREAM | 0:13:26 | 0:13:28 | |
WILL LAUGHS | 0:13:28 | 0:13:30 | |
-Who peed their pants? -You! | 0:13:31 | 0:13:34 | |
Did you pee your pants? Did you pee your pants? | 0:13:34 | 0:13:36 | |
Come on. | 0:13:36 | 0:13:37 | |
PIANO PLAYS "FUR ELISE" FLUIDLY | 0:14:46 | 0:14:50 | |
You OK? | 0:15:34 | 0:15:35 | |
Mm-hmm. | 0:15:37 | 0:15:38 | |
Come on, you're worried about something. Tell me what's going on. | 0:15:38 | 0:15:42 | |
You're so beautiful. | 0:15:42 | 0:15:44 | |
Stay like that forever. | 0:15:45 | 0:15:48 | |
Sorry, no. Not possible. Not forever. | 0:15:48 | 0:15:51 | |
Shit. | 0:15:53 | 0:15:55 | |
FAINT CLATTER | 0:16:01 | 0:16:04 | |
TAPPING | 0:16:10 | 0:16:12 | |
CREAKING AND FAINT CLANKING | 0:16:14 | 0:16:17 | |
FAINT KNOCKING AND THUD | 0:16:32 | 0:16:36 | |
WIND WHISTLES OUTSIDE | 0:16:47 | 0:16:49 | |
CHIMING | 0:17:01 | 0:17:03 | |
JANGLING | 0:17:12 | 0:17:13 | |
FAINT WHISPERS | 0:17:23 | 0:17:25 | |
FAINT VOICES | 0:17:36 | 0:17:39 | |
Daddy, aren't you going to kill us again? | 0:17:54 | 0:17:56 | |
-SCREAMING -What are you doing? | 0:18:00 | 0:18:03 | |
Go, go! Get out of here! | 0:18:03 | 0:18:05 | |
-Shit! -Shit! | 0:18:05 | 0:18:07 | |
LAUGHTER AND SCREAMING | 0:18:07 | 0:18:10 | |
Get up! | 0:18:14 | 0:18:15 | |
-What were you doing there? -Didn't know anybody lived here. | 0:18:15 | 0:18:18 | |
-I live there! -Well, you scared the shit out of me! | 0:18:18 | 0:18:21 | |
-Well, what were you doing down there? -It's because of the murders. | 0:18:21 | 0:18:24 | |
What murders? | 0:18:24 | 0:18:26 | |
You live here and you don't know about the murders? | 0:18:26 | 0:18:28 | |
The snow storm? | 0:18:28 | 0:18:30 | |
In April? Come on, man! The whole family got murdered. | 0:18:30 | 0:18:33 | |
Have you been looking in through my windows? | 0:18:33 | 0:18:36 | |
He's back. | 0:18:36 | 0:18:38 | |
-OTHERS GASP -He's back. -Who's back? | 0:18:38 | 0:18:42 | |
-He's back. -It's him! | 0:18:42 | 0:18:43 | |
-HE LAUGHS -He's back! | 0:18:43 | 0:18:46 | |
THEY WHOOP AND LAUGH | 0:18:46 | 0:18:48 | |
LAUGHTER CONTINUES TYRES SCREECH | 0:18:51 | 0:18:54 | |
Hey, what...? Who is it? | 0:18:54 | 0:18:57 | |
It's nothing, Libby, it's just some kids. | 0:18:57 | 0:18:59 | |
They were just messing about. | 0:18:59 | 0:19:01 | |
-Go back to bed. I'll be up in a minute. -OK. | 0:19:01 | 0:19:04 | |
The department doesn't close unsolved homicides. | 0:19:39 | 0:19:42 | |
So, officially, the case is still open. | 0:19:42 | 0:19:43 | |
But I've only been on the job a couple of years, so I don't know a lot about the old cases. | 0:19:43 | 0:19:47 | |
You must be able to tell me something. | 0:19:47 | 0:19:49 | |
I mean, who did it, for Christ's sake? | 0:19:49 | 0:19:51 | |
The focus came down on the father. | 0:19:54 | 0:19:58 | |
Peter Ward. | 0:19:58 | 0:19:59 | |
He went a little nuts. | 0:19:59 | 0:20:01 | |
I thought you said the whole family were killed. | 0:20:02 | 0:20:05 | |
The family was shot, the father survived. | 0:20:05 | 0:20:07 | |
-So he's still alive? -I don't really know. | 0:20:07 | 0:20:09 | |
-Well, where is he? -I don't know. | 0:20:09 | 0:20:12 | |
-Let me look at the case files. -I can't. -I could do it on my own. -It's police business. No! | 0:20:12 | 0:20:15 | |
-Well, if you're not going to do it... -We can't enrol the general public. | 0:20:15 | 0:20:18 | |
I'm hardly the general public. | 0:20:18 | 0:20:20 | |
I... I bought for crime scene, for Christ's sake! | 0:20:20 | 0:20:23 | |
New Ashford is a safe town now, OK? So, you get nothing to worry about. | 0:20:23 | 0:20:28 | |
Have a nice day. | 0:20:28 | 0:20:30 | |
Libby? | 0:20:45 | 0:20:47 | |
Libby? | 0:20:49 | 0:20:50 | |
In here. | 0:20:50 | 0:20:52 | |
What's going on? | 0:20:55 | 0:20:56 | |
She heard the kid from across the street on her cell. | 0:20:56 | 0:21:00 | |
What did she say? | 0:21:00 | 0:21:02 | |
Everybody who lives in this house gets killed. | 0:21:02 | 0:21:06 | |
-Oh, God Almighty. -Why would she say something like that? | 0:21:06 | 0:21:11 | |
I told them we'd wait until Daddy got home. | 0:21:11 | 0:21:14 | |
OK. Let me... | 0:21:15 | 0:21:17 | |
DOORBELL CHIMES | 0:21:24 | 0:21:27 | |
Hi, there! Hi. | 0:21:27 | 0:21:29 | |
Were you talking on your phone near our house just now? | 0:21:29 | 0:21:32 | |
-I just... -Mom? | 0:21:32 | 0:21:35 | |
Can I...? | 0:21:35 | 0:21:36 | |
Hi, I'm Will Atenton, from across the street. I wondered... Can I...? | 0:21:36 | 0:21:42 | |
Can I, um...? | 0:21:42 | 0:21:44 | |
Hi. look, we... | 0:21:47 | 0:21:50 | |
We just found out what happened in our house. | 0:21:50 | 0:21:52 | |
I didn't mean to upset your daughter, but I think she might have been | 0:21:52 | 0:21:55 | |
talking with some friends on the phone near the house, and my daughters overheard. | 0:21:55 | 0:21:59 | |
They're, like, five and seven, and | 0:21:59 | 0:22:01 | |
I know she didn't do it on purpose, it's just... | 0:22:01 | 0:22:03 | |
-I'll talk to her. -Thank you. | 0:22:03 | 0:22:05 | |
Thank you. That's all I'm asking. | 0:22:05 | 0:22:07 | |
You know, it was the fifth anniversary a few days ago. | 0:22:07 | 0:22:11 | |
My daughter's been having nightmares again. | 0:22:11 | 0:22:13 | |
I'm sorry about that. | 0:22:13 | 0:22:14 | |
Did...? Did you leave some flowers on our porch? | 0:22:18 | 0:22:22 | |
-Mom? -No. What? | 0:22:22 | 0:22:24 | |
Can I see you for a minute? | 0:22:24 | 0:22:28 | |
Right. OK, thank you. | 0:22:28 | 0:22:31 | |
The house had been empty a long time. | 0:22:31 | 0:22:33 | |
Yes, except we've... | 0:22:34 | 0:22:36 | |
We've got an infestation of teenagers in our basement, and... | 0:22:36 | 0:22:40 | |
You... You would know...? Do they live around here? | 0:22:40 | 0:22:44 | |
I'd like to talk to their parents, just try and keep them away. | 0:22:44 | 0:22:48 | |
Right. Sorry to bother you. | 0:22:50 | 0:22:53 | |
Have a good day. | 0:22:53 | 0:22:55 | |
What are you doing? | 0:23:42 | 0:23:44 | |
-HE SIGHS -Um... | 0:23:45 | 0:23:47 | |
What's going on? | 0:23:47 | 0:23:49 | |
I'm just covering this up. I couldn't sleep. | 0:23:49 | 0:23:52 | |
What is this? | 0:24:07 | 0:24:09 | |
Those kids, you know? I... | 0:24:09 | 0:24:11 | |
The ones I chased off? They left this. | 0:24:11 | 0:24:14 | |
"Peter... Ward... | 0:24:18 | 0:24:19 | |
"Slaughter... | 0:24:23 | 0:24:25 | |
"house." | 0:24:25 | 0:24:27 | |
Who's Peter Ward? | 0:24:28 | 0:24:30 | |
Why didn't you just tell me? | 0:24:37 | 0:24:39 | |
Because I didn't want you to worry. | 0:24:41 | 0:24:43 | |
-I just knew we shouldn't have moved out of the city. -Libby, don't say that. | 0:24:45 | 0:24:48 | |
-I knew that this wasn't going to last. -What? -This! | 0:24:48 | 0:24:51 | |
-There's something wrong with this house. -No, Libby, there isn't. | 0:24:54 | 0:24:57 | |
We'll... We'll do whatever it takes, OK? We'll... | 0:24:59 | 0:25:03 | |
We'll hire a priest. | 0:25:03 | 0:25:05 | |
SHE LAUGHS Hire a priest? Where do you do that? | 0:25:05 | 0:25:09 | |
Well, it's... Or a witchdoctor, whatever. I don't know. | 0:25:09 | 0:25:11 | |
We'll feng shui the place. It's our house. | 0:25:11 | 0:25:14 | |
Hmm? | 0:25:15 | 0:25:16 | |
There's joy in this house. | 0:25:17 | 0:25:20 | |
There's real joy in this house. You're in it, so... | 0:25:20 | 0:25:23 | |
What? | 0:25:24 | 0:25:25 | |
What is that out there? | 0:25:29 | 0:25:30 | |
There. | 0:25:38 | 0:25:39 | |
Hey! | 0:25:44 | 0:25:45 | |
Go in! | 0:25:50 | 0:25:51 | |
Will? | 0:25:54 | 0:25:55 | |
OWL HOOTS | 0:26:01 | 0:26:04 | |
-CRACK -Shit! | 0:26:26 | 0:26:29 | |
-Will! -I'm all right! I'm all right. | 0:26:29 | 0:26:32 | |
Will! | 0:26:32 | 0:26:34 | |
Go back in the house! Go! Get back in the house! | 0:26:34 | 0:26:38 | |
Girls? | 0:27:12 | 0:27:13 | |
Girls! | 0:27:28 | 0:27:30 | |
Trish? | 0:27:30 | 0:27:32 | |
Dee Dee? | 0:27:35 | 0:27:36 | |
Girls? | 0:27:38 | 0:27:39 | |
Trish? | 0:27:41 | 0:27:43 | |
Girls? | 0:27:48 | 0:27:50 | |
JANGLING | 0:27:50 | 0:27:51 | |
Will? | 0:28:08 | 0:28:10 | |
I can't find the girls. | 0:28:10 | 0:28:11 | |
They're not in bed, they're not in the garden. I don't know where they are. | 0:28:11 | 0:28:14 | |
Girls, come on! It's not funny! Come out right now! Kids! | 0:28:14 | 0:28:17 | |
-Have you looked under the bed? -No! | 0:28:17 | 0:28:19 | |
-Girls, come on now, where are you? -Trish? | 0:28:22 | 0:28:24 | |
FAINT MUFFLED VOICES | 0:28:33 | 0:28:34 | |
-Libby? -What? | 0:28:34 | 0:28:36 | |
HE MOUTHS | 0:28:36 | 0:28:38 | |
FAINT VOICES CONTINUE | 0:28:51 | 0:28:54 | |
OK. How many lumps? | 0:29:01 | 0:29:03 | |
One lump of sugar, please. | 0:29:03 | 0:29:05 | |
GIGGLING | 0:29:07 | 0:29:09 | |
Would you like any tea, Princess Katherine? | 0:29:09 | 0:29:11 | |
Yes, please, Prince Beatrice. | 0:29:11 | 0:29:13 | |
OK. | 0:29:13 | 0:29:14 | |
-What are you girls doing in here? -Are we interrupting you? | 0:29:14 | 0:29:18 | |
Hello, Mommy. Hello, Daddy. | 0:29:18 | 0:29:20 | |
Hello, Mommy. We found a little girl's clubhouse. | 0:29:20 | 0:29:23 | |
I see. Wow. | 0:29:23 | 0:29:26 | |
Oh, my goodness me, look at all of this. | 0:29:26 | 0:29:28 | |
-And you're having tea? -Yep. | 0:29:28 | 0:29:31 | |
-But we were looking for you. -You were? | 0:29:31 | 0:29:33 | |
-We were looking for you everywhere. -How long have you been in here for? When did you get in here? | 0:29:33 | 0:29:37 | |
-About two hours. -Two hours. -Two hours ago?! | 0:29:37 | 0:29:40 | |
You've been in here for two hours? And how did you find it? It's an amazing place. | 0:29:40 | 0:29:44 | |
-I fell through the wall. -Oh, really? | 0:29:44 | 0:29:46 | |
-You didn't hurt yourself? -No. | 0:29:46 | 0:29:47 | |
No. Look at all these toys. | 0:29:47 | 0:29:49 | |
I fell in the box. | 0:29:49 | 0:29:51 | |
Look at that. | 0:29:52 | 0:29:54 | |
"This book belongs to Katherine Ward." | 0:29:58 | 0:30:00 | |
And this belongs to Beatrice, see? | 0:30:00 | 0:30:03 | |
Let me see that, sweetie. | 0:30:03 | 0:30:05 | |
Yeah, she wrote it in there in ink. | 0:30:07 | 0:30:09 | |
Hmm. | 0:30:11 | 0:30:12 | |
-Do you think this is where they played? -Yeah. | 0:30:13 | 0:30:16 | |
-This is their secret clubhouse. -Uh-huh. | 0:30:16 | 0:30:19 | |
They were happy here. | 0:30:19 | 0:30:21 | |
They were? How do you know that? | 0:30:21 | 0:30:23 | |
She just knows. | 0:30:23 | 0:30:24 | |
OK, I need a cup of tea. | 0:30:26 | 0:30:28 | |
Lavender, lavender. | 0:30:28 | 0:30:29 | |
Lavender tea, please, to calm my nerves. | 0:30:29 | 0:30:32 | |
-I just can't believe all this stuff. -Yeah, I know. | 0:30:40 | 0:30:43 | |
SHE SIGHS That's our house, Will. | 0:30:50 | 0:30:52 | |
-Yeah. -I mean, how could the neighbours not have said anything to us? | 0:30:52 | 0:30:55 | |
I don't understand. Nothing. Not a word. | 0:30:55 | 0:30:57 | |
Well, they're all freaked out about having a murderer in their midst. | 0:30:57 | 0:31:00 | |
They just care about property prices, that's all. | 0:31:00 | 0:31:03 | |
Jesus Christ. | 0:31:03 | 0:31:04 | |
He shot the little one in the back. | 0:31:07 | 0:31:08 | |
-DOORBELL CHIMES Will? -I got it! | 0:31:24 | 0:31:27 | |
Hello. | 0:31:29 | 0:31:31 | |
I brought you some stew. I thought you might like something you could just heat up. | 0:31:31 | 0:31:35 | |
With all the work you're doing in here, you must be busy. | 0:31:35 | 0:31:38 | |
Thank you so much. That's... That's incredibly generous of you. | 0:31:38 | 0:31:41 | |
I felt a little bad about our last meeting. | 0:31:41 | 0:31:44 | |
No, don't. Please, well, look, come in. | 0:31:44 | 0:31:47 | |
GIRLS SHOUT UPSTAIRS | 0:31:47 | 0:31:48 | |
I live with a herd of elephants, sorry. | 0:31:48 | 0:31:51 | |
Can you keep it down, just a bit? | 0:31:51 | 0:31:53 | |
OK, Dad! | 0:31:53 | 0:31:54 | |
Will, who is that at the door? | 0:31:54 | 0:31:56 | |
I'm... I don't know your name. | 0:31:56 | 0:31:58 | |
Ann Patterson. | 0:31:58 | 0:32:00 | |
It's Ann Patterson from across the street. Come down, say hello. | 0:32:00 | 0:32:03 | |
Down in a minute. | 0:32:03 | 0:32:04 | |
-I should go. -OK. | 0:32:11 | 0:32:14 | |
You'll come back? | 0:32:14 | 0:32:15 | |
Ann! | 0:32:16 | 0:32:18 | |
Did you know the people who used to live here? | 0:32:18 | 0:32:20 | |
Why didn't you come down and say hello? | 0:32:40 | 0:32:42 | |
What's wrong? | 0:32:52 | 0:32:53 | |
This is where the mother was shot. | 0:32:53 | 0:32:55 | |
OK. | 0:32:58 | 0:32:59 | |
Children were shot right here. | 0:33:09 | 0:33:11 | |
Peter Ward. | 0:33:21 | 0:33:23 | |
Now listen to this. | 0:33:23 | 0:33:24 | |
It's a letter to the editor from just a few weeks ago. | 0:33:24 | 0:33:28 | |
"It is impossible to comprehend how a psychotic murderer | 0:33:28 | 0:33:31 | |
"could be placed in a residential treatment programme | 0:33:31 | 0:33:34 | |
"with total disregard for the community. | 0:33:34 | 0:33:37 | |
"Harkness House is located | 0:33:37 | 0:33:39 | |
"within a half mile of my children's elementary school." | 0:33:39 | 0:33:42 | |
Hey, man. Good luck in there. | 0:33:49 | 0:33:51 | |
When people talk, you oughtn't be rude to them, asshole. | 0:33:53 | 0:33:56 | |
GENERAL CHATTER | 0:33:56 | 0:33:58 | |
Unis, has the mail come yet? | 0:34:03 | 0:34:04 | |
Jesus, Brady, I've been here three days | 0:34:04 | 0:34:06 | |
and you keep asking the same damn question. | 0:34:06 | 0:34:09 | |
It already came, and you already didn't get nothing. | 0:34:09 | 0:34:12 | |
You got the release papers for me? | 0:34:12 | 0:34:14 | |
No. I'm not a patient. I'm... | 0:34:14 | 0:34:15 | |
-Client. -Right. | 0:34:15 | 0:34:17 | |
I need to talk to you about one of your clients. | 0:34:17 | 0:34:20 | |
-Unis, has the mail come yet? -Hey, go on. | 0:34:20 | 0:34:23 | |
-Move! -Come on. Let's watch a little ping-pong. | 0:34:23 | 0:34:27 | |
You need to speak to Mrs O'Brien. | 0:34:28 | 0:34:30 | |
You can just have a seat over there. | 0:34:30 | 0:34:31 | |
I said you could have a seat. | 0:34:38 | 0:34:39 | |
Yeah. Right, thank you. | 0:34:41 | 0:34:43 | |
What are you doing with my stuff? | 0:35:43 | 0:35:45 | |
This is my stuff. | 0:35:47 | 0:35:49 | |
Where'd you get this? | 0:35:49 | 0:35:50 | |
Calm down! Why are you so angry? | 0:35:50 | 0:35:53 | |
This was in my kids' room. Where did you get it? | 0:35:53 | 0:35:56 | |
I don't understand what you're saying, all right? | 0:35:56 | 0:35:58 | |
I'll explain it to you. Peter Ward, stay away from my family, or I'll kill you! | 0:35:58 | 0:36:02 | |
Peter Ward? | 0:36:02 | 0:36:03 | |
There's no Peter Ward here. | 0:36:04 | 0:36:06 | |
No. I'm Martin. | 0:36:08 | 0:36:10 | |
Look. | 0:36:15 | 0:36:16 | |
Peter Ward's out there, man. | 0:36:18 | 0:36:20 | |
I'm sorry. | 0:36:29 | 0:36:30 | |
Will? | 0:36:47 | 0:36:49 | |
What happened? | 0:36:50 | 0:36:51 | |
-Not a lot. -Not a lot? | 0:36:53 | 0:36:55 | |
Hey, babies. | 0:36:55 | 0:36:57 | |
Why are you keeping things from me? | 0:36:57 | 0:36:59 | |
I'm not. | 0:37:01 | 0:37:02 | |
Was Ward at Harkness House, yes or no? | 0:37:06 | 0:37:08 | |
-No, he wasn't, but it's fine. -It's not fine. You want to know why it's not fine? | 0:37:08 | 0:37:11 | |
Because he was outside the window looking in. The kids just saw him. | 0:37:11 | 0:37:14 | |
-They're imagining things, honey... -I saw him! | 0:37:14 | 0:37:16 | |
-Well, then we'll call the police! -I did. | 0:37:16 | 0:37:18 | |
What is that? | 0:37:19 | 0:37:21 | |
It's a car. | 0:37:21 | 0:37:23 | |
OK, OK, kids, everything's OK. Daddy's home. | 0:37:23 | 0:37:26 | |
Just dial it down a bit, please. | 0:37:27 | 0:37:30 | |
CAR ENGINE REVS | 0:37:32 | 0:37:33 | |
Just stay here. | 0:37:33 | 0:37:35 | |
ENGINE REVS | 0:37:36 | 0:37:39 | |
What are you doing? What the hell are you doing? | 0:37:41 | 0:37:45 | |
Kids, go upstairs now and lock the door! | 0:37:45 | 0:37:48 | |
Hey! | 0:37:49 | 0:37:50 | |
I know who you are, Ward! | 0:37:50 | 0:37:52 | |
-Will! -Libby, get inside! | 0:38:04 | 0:38:05 | |
SIREN | 0:38:16 | 0:38:17 | |
Wait, wait, hold it, hold it, hold it! | 0:38:17 | 0:38:19 | |
Look, you've come at the wrong end. | 0:38:19 | 0:38:20 | |
The guy's driving a maroon Buick. | 0:38:20 | 0:38:22 | |
He's got a hooded parka on. He's gone now. | 0:38:22 | 0:38:24 | |
OK, all right. Calm down. | 0:38:24 | 0:38:25 | |
-I will calm down. But he's just... -All right. | 0:38:25 | 0:38:27 | |
-This guy's just come in and threatened me and my wife. -Sir, everything is under control. | 0:38:27 | 0:38:31 | |
-It doesn't seem to be. You know what? Look. -Hey! Hey! | 0:38:31 | 0:38:33 | |
-It's a photograph. Look, he took this from my house. -All right. | 0:38:33 | 0:38:36 | |
-He's not in Greenhaven. He's back! -The whole neighbourhood doesn't have to know. | 0:38:36 | 0:38:39 | |
What do you mean, the whole neighbourhood? | 0:38:39 | 0:38:41 | |
You must have just passed him now on the road. | 0:38:41 | 0:38:43 | |
-Did you see him? A maroon Buick? Hooded parka. -Just calm down. | 0:38:43 | 0:38:46 | |
What are you taking notes for? Get in the car and go after him! | 0:38:46 | 0:38:48 | |
Would you keep your voice down, please? | 0:38:48 | 0:38:50 | |
You know what, I'm going to get a gun, I'll shoot him myself! | 0:38:50 | 0:38:52 | |
-Go get some sleep, sir. -Oh, you guys, Jesus Christ! | 0:38:52 | 0:38:55 | |
Useless! | 0:38:56 | 0:38:57 | |
He's been in our house? | 0:39:03 | 0:39:05 | |
He had this. | 0:39:05 | 0:39:06 | |
Why are they not helping us? | 0:39:17 | 0:39:19 | |
I really appreciate you doing this. | 0:39:47 | 0:39:49 | |
I don't understand why the police won't help us. | 0:39:51 | 0:39:54 | |
Let's just make sure we're talking about the same man. | 0:39:54 | 0:39:56 | |
Please, sit down. | 0:39:56 | 0:39:59 | |
Peter Ward. | 0:39:59 | 0:40:00 | |
Well, I'm just... | 0:40:00 | 0:40:02 | |
I'm just trying to protect my family. | 0:40:05 | 0:40:07 | |
What's that? | 0:40:19 | 0:40:21 | |
It's a gunshot wound. | 0:40:21 | 0:40:23 | |
I don't understand. If he was a suspect, who...? | 0:40:23 | 0:40:27 | |
Who shot him? | 0:40:27 | 0:40:28 | |
His wife. | 0:40:28 | 0:40:30 | |
Somehow she'd gotten the gun away from him. | 0:40:30 | 0:40:33 | |
Fought back before she died. | 0:40:33 | 0:40:36 | |
INDISTINCT SCREAMING | 0:40:36 | 0:40:37 | |
What's he screaming? | 0:40:37 | 0:40:39 | |
He wants to get out, to find the man who killed his wife and children. | 0:40:39 | 0:40:43 | |
You filmed him all the time? | 0:40:43 | 0:40:44 | |
We had to, to protect ourselves. | 0:40:44 | 0:40:48 | |
MAN YELLS | 0:40:48 | 0:40:51 | |
He was not competent to stand trial. | 0:40:52 | 0:40:55 | |
We held him as long as we could without conclusive evidence. | 0:40:55 | 0:40:59 | |
Wait, can you...? Sorry. | 0:40:59 | 0:41:01 | |
Can you just rewind that a little, just to there? | 0:41:01 | 0:41:04 | |
Stop. | 0:41:04 | 0:41:05 | |
That's Ann Patterson. | 0:41:09 | 0:41:11 | |
She's... She lives across the road from us. | 0:41:11 | 0:41:15 | |
I knew she knew him. | 0:41:15 | 0:41:16 | |
Let's go on. You'll understand. | 0:41:18 | 0:41:21 | |
At a certain point, | 0:41:23 | 0:41:25 | |
he simply refused to believe that he was Peter Ward. | 0:41:25 | 0:41:27 | |
You see, in his mind, if he wasn't Peter Ward, | 0:41:27 | 0:41:29 | |
he couldn't have killed his wife and family. | 0:41:29 | 0:41:31 | |
What's he doing now? | 0:41:31 | 0:41:33 | |
He refused to allow his name to appear on any of the hospital IDs. | 0:41:33 | 0:41:37 | |
So he chewed them off... | 0:41:37 | 0:41:39 | |
..and invented a new name. | 0:41:41 | 0:41:43 | |
-May I? -Sure. | 0:41:43 | 0:41:45 | |
That's... | 0:41:45 | 0:41:47 | |
All right. | 0:41:50 | 0:41:52 | |
Now I want to show you something I showed you earlier. | 0:41:52 | 0:41:56 | |
From five years ago. | 0:41:58 | 0:41:59 | |
That's not Peter Ward. That's... | 0:42:18 | 0:42:21 | |
That's me. | 0:42:23 | 0:42:25 | |
You lived in this institution for five years, Peter. | 0:42:26 | 0:42:29 | |
No. | 0:42:39 | 0:42:40 | |
That's... That's ridiculous. | 0:42:43 | 0:42:46 | |
I'm not Peter Ward. I'm Will Atenton. | 0:42:46 | 0:42:49 | |
That's the name you gave yourself. | 0:42:50 | 0:42:52 | |
W1-1L becomes Will. | 0:42:52 | 0:42:55 | |
The numbers 8-10-10 | 0:42:56 | 0:42:59 | |
become Atenton. | 0:42:59 | 0:43:01 | |
Will Atenton. | 0:43:01 | 0:43:04 | |
I don't believe any of this. | 0:43:08 | 0:43:11 | |
You're a danger to yourself. | 0:43:11 | 0:43:14 | |
And to others. | 0:43:14 | 0:43:16 | |
I'm sure the scar where your wife shot you is still there. | 0:43:17 | 0:43:21 | |
That would... | 0:43:23 | 0:43:24 | |
That would mean that... | 0:43:28 | 0:43:30 | |
No. | 0:44:03 | 0:44:04 | |
I left my wife and my family at home this morning. | 0:44:08 | 0:44:12 | |
You murdered your wife and family | 0:44:13 | 0:44:16 | |
five years ago. | 0:44:16 | 0:44:18 | |
You're a fucking liar! | 0:44:26 | 0:44:28 | |
All right, move in. | 0:44:29 | 0:44:31 | |
McNulty, get in here. | 0:44:31 | 0:44:32 | |
-Oh, nice. -HE CHUCKLES | 0:44:34 | 0:44:38 | |
HE DIALS PHONE | 0:44:38 | 0:44:39 | |
Hello? Hi. | 0:44:44 | 0:44:46 | |
Hi. Where are you? | 0:44:48 | 0:44:51 | |
Nothing. Nothing's wrong. I'm fine. | 0:44:52 | 0:44:54 | |
I love you, Libby. | 0:45:01 | 0:45:02 | |
I love you. | 0:45:05 | 0:45:06 | |
Will you just hold on just a minute, please? | 0:45:06 | 0:45:09 | |
Would you like to talk to my wife? | 0:45:11 | 0:45:13 | |
No. | 0:45:13 | 0:45:14 | |
Doesn't matter. | 0:45:19 | 0:45:20 | |
No, no. | 0:45:20 | 0:45:22 | |
No, we'll sort it out when I get home. It's... | 0:45:26 | 0:45:28 | |
Will! | 0:45:38 | 0:45:40 | |
Mr A? | 0:45:40 | 0:45:41 | |
How's the novel? | 0:45:45 | 0:45:47 | |
Am I in it? | 0:45:47 | 0:45:49 | |
I knew he'd be back. | 0:45:49 | 0:45:51 | |
The even numbers always come back. | 0:45:51 | 0:45:54 | |
-(SOBBING) -Will... | 0:45:54 | 0:45:56 | |
Will... | 0:45:56 | 0:45:57 | |
SHE SOBS | 0:45:57 | 0:46:00 | |
BUZZER SOUNDS | 0:46:00 | 0:46:01 | |
HE SCREAMS | 0:47:52 | 0:47:53 | |
-(ECHO) -Thanks for the flowers. | 0:49:00 | 0:49:01 | |
CHILDREN'S VOICES | 0:49:15 | 0:49:16 | |
-CHILD'S VOICE: -Tell us a story, Daddy. | 0:49:22 | 0:49:25 | |
Once upon a time, | 0:49:28 | 0:49:33 | |
there were two little girls. | 0:49:33 | 0:49:35 | |
And they lived in a house... | 0:49:37 | 0:49:40 | |
In the forest. | 0:49:40 | 0:49:42 | |
..in a forest. | 0:49:45 | 0:49:47 | |
By a stream. | 0:49:47 | 0:49:49 | |
And they had a beautiful garden, with some beautiful flowers in it. | 0:49:49 | 0:49:55 | |
Dee Dee, do you remember the names of the flowers? | 0:49:55 | 0:49:59 | |
Sunflowers! | 0:49:59 | 0:50:01 | |
Marigolds. | 0:50:01 | 0:50:03 | |
And tulips. | 0:50:05 | 0:50:06 | |
Two lips! One, two. | 0:50:06 | 0:50:09 | |
Stop it. | 0:50:09 | 0:50:11 | |
Will, are you OK? | 0:50:14 | 0:50:16 | |
Will? | 0:50:19 | 0:50:20 | |
Are you OK? | 0:50:25 | 0:50:27 | |
What's the... | 0:50:27 | 0:50:29 | |
Sweetie, you are seriously hot. | 0:50:29 | 0:50:32 | |
You've got a fever. You're not well. | 0:50:34 | 0:50:38 | |
-Daddy, what's wrong? -Daddy's not well. | 0:50:38 | 0:50:40 | |
Listen, why don't you girls go play, | 0:50:40 | 0:50:42 | |
and we'll finish dinner later on, OK? All right? | 0:50:42 | 0:50:45 | |
I'm just going to talk to Daddy for a little bit. | 0:50:45 | 0:50:49 | |
Stay there! | 0:50:49 | 0:50:50 | |
I'm just going to talk to Daddy, OK? | 0:50:52 | 0:50:54 | |
What happened to you at Greenhaven? | 0:50:57 | 0:51:00 | |
They told me that... | 0:51:03 | 0:51:05 | |
They told me that you're not really here. | 0:51:09 | 0:51:11 | |
OK, Will, now you... | 0:51:15 | 0:51:17 | |
You're really scaring me. | 0:51:20 | 0:51:22 | |
I'm not Will Atenton. | 0:51:22 | 0:51:24 | |
I'm... | 0:51:25 | 0:51:27 | |
I'm Peter Ward. | 0:51:29 | 0:51:31 | |
Do not say that. | 0:51:33 | 0:51:35 | |
You have a fever, | 0:51:36 | 0:51:38 | |
and this is the fever talking. | 0:51:38 | 0:51:40 | |
OK? | 0:51:45 | 0:51:47 | |
Come here. Come on. | 0:51:47 | 0:51:48 | |
Come here, baby. Daddy's not feeling well. | 0:51:53 | 0:51:56 | |
Tell me your name. | 0:52:03 | 0:52:04 | |
Your real name, not your nickname. | 0:52:05 | 0:52:09 | |
Beatrice. We leave off the front. | 0:52:09 | 0:52:11 | |
OK, here we go. | 0:52:24 | 0:52:26 | |
And what's your real name? | 0:52:28 | 0:52:31 | |
It begins with a "K." | 0:52:31 | 0:52:32 | |
Katherine. Katie. | 0:52:33 | 0:52:36 | |
We used to call her Tee Tee. | 0:52:36 | 0:52:38 | |
Now everybody calls her Dee Dee. | 0:52:38 | 0:52:40 | |
And you're Libby. | 0:52:42 | 0:52:43 | |
You're Elizabeth Ward. | 0:52:45 | 0:52:47 | |
OK, girls. Upstairs. | 0:52:55 | 0:52:57 | |
I'll be up in a minute. | 0:53:01 | 0:53:03 | |
Come on. | 0:53:03 | 0:53:04 | |
It's OK. You're going to be all right. | 0:53:13 | 0:53:15 | |
Take it easy. | 0:53:21 | 0:53:22 | |
It's just a fever. | 0:53:31 | 0:53:33 | |
It's going to pass. | 0:53:34 | 0:53:36 | |
PANTING | 0:53:43 | 0:53:45 | |
CRUMBLING | 0:53:49 | 0:53:50 | |
Will! | 0:53:52 | 0:53:53 | |
Will, come here! | 0:54:03 | 0:54:05 | |
Oh, God. They've caught your fever! | 0:54:17 | 0:54:20 | |
Come here, baby. Are you OK? | 0:54:20 | 0:54:23 | |
I can't breathe. | 0:54:24 | 0:54:26 | |
You what? | 0:54:26 | 0:54:27 | |
I can't... | 0:54:27 | 0:54:28 | |
Hey, hey, hey, come here. | 0:54:28 | 0:54:31 | |
Come here, come here. | 0:54:31 | 0:54:33 | |
What is it? Tell me what's wrong. | 0:54:33 | 0:54:35 | |
My throat hurts. | 0:54:37 | 0:54:38 | |
-Yeah? -I can't swallow. | 0:54:38 | 0:54:40 | |
It's OK, I'm going to get you some medicine, | 0:54:40 | 0:54:43 | |
and you're going to feel OK in a minute, all right? | 0:54:43 | 0:54:45 | |
I can't...breathe. | 0:54:45 | 0:54:47 | |
SHE PANTS | 0:54:47 | 0:54:49 | |
I hurt my shoulder, too. | 0:54:50 | 0:54:52 | |
Is this where it hurts? You want to show Mommy where it hurts? Where? | 0:54:59 | 0:55:03 | |
Oh, my God. | 0:55:03 | 0:55:05 | |
Oh, my God, there's a... She's got... | 0:55:05 | 0:55:07 | |
She's bleeding. She's got... | 0:55:07 | 0:55:09 | |
She's got a bite here. | 0:55:09 | 0:55:10 | |
-Baby, we're going to... -It's where she was shot, Libby. | 0:55:10 | 0:55:13 | |
-No, it's a... -It's where she was shot, Libby. | 0:55:13 | 0:55:15 | |
-It's a fever sore! -It's where she was shot, Libby! | 0:55:15 | 0:55:17 | |
Stop saying that! | 0:55:17 | 0:55:18 | |
There's a bullet wound! Look at her back! | 0:55:18 | 0:55:21 | |
Oh, my God. | 0:55:28 | 0:55:29 | |
Oh, God! | 0:55:32 | 0:55:34 | |
Dee Dee?! | 0:55:36 | 0:55:37 | |
Dee Dee? | 0:55:39 | 0:55:41 | |
Baby, come on. Dee Dee? | 0:55:41 | 0:55:44 | |
Oh, God. | 0:55:44 | 0:55:46 | |
Oh, God, she's so cold, Will. Will, please do something. | 0:55:46 | 0:55:49 | |
She's... She's not moving. I need you to help, please. | 0:55:49 | 0:55:52 | |
Please, she's not... | 0:55:52 | 0:55:53 | |
What's going on? Dee Dee? | 0:55:53 | 0:55:55 | |
Come on, Dee Dee. Dee Dee? Dee Dee? | 0:55:57 | 0:56:00 | |
God, Will, she's cold. Trish? Trish? | 0:56:00 | 0:56:04 | |
Trish, come on. Dee Dee. Dee Dee, come on. Dee Dee? | 0:56:04 | 0:56:08 | |
Why are you just standing there? | 0:56:08 | 0:56:10 | |
Will, why are you just standing there? | 0:56:10 | 0:56:12 | |
Wake up! | 0:56:12 | 0:56:14 | |
Why won't you help your children? | 0:56:14 | 0:56:17 | |
Will! | 0:56:17 | 0:56:18 | |
Come on. Wake up! | 0:56:20 | 0:56:21 | |
Libby, they're dead. | 0:56:21 | 0:56:23 | |
You're dead. | 0:56:26 | 0:56:28 | |
Oh, please. | 0:56:34 | 0:56:36 | |
Yes, sir. Good evening. | 0:56:54 | 0:56:56 | |
I wonder if you'd take a look at this for me, please? | 0:56:56 | 0:56:59 | |
Thank you. | 0:57:06 | 0:57:07 | |
This is my home. | 0:57:11 | 0:57:13 | |
But it's not... | 0:57:13 | 0:57:15 | |
It's not fit for habitation, Mr Ward. | 0:57:15 | 0:57:17 | |
-OK, let's go. -Board it up now! | 0:57:17 | 0:57:21 | |
Libby! Libby! | 0:57:21 | 0:57:22 | |
Look out, buddy. | 0:57:25 | 0:57:27 | |
Libby! | 0:57:27 | 0:57:29 | |
I'm sorry, sir. | 0:57:29 | 0:57:31 | |
Did you do this? | 0:57:36 | 0:57:38 | |
You don't remember me. | 0:57:40 | 0:57:42 | |
Yeah, I remember you were... | 0:57:45 | 0:57:47 | |
You were here. | 0:57:49 | 0:57:50 | |
And you were at Greenhaven... | 0:57:52 | 0:57:53 | |
You really see them. | 0:58:00 | 0:58:02 | |
They're there. | 0:58:03 | 0:58:05 | |
Look. Look! | 0:58:05 | 0:58:07 | |
They're buried at New Ashford Cemetery. | 0:58:11 | 0:58:14 | |
-What are you doing? -Trying to get into my house. | 0:58:50 | 0:58:53 | |
Can't let you do that. | 0:58:53 | 0:58:54 | |
This house is condemned, buddy, can't let anyone in here. | 0:58:54 | 0:58:57 | |
Have you been watching me? | 0:59:01 | 0:59:03 | |
Goddamn right I have. You're a killer. | 0:59:03 | 0:59:06 | |
Now get out of here. | 0:59:06 | 0:59:07 | |
Go on. Get out of here. | 0:59:12 | 0:59:13 | |
Where were you that night? | 1:00:07 | 1:00:10 | |
I was alone, here at the house. | 1:00:12 | 1:00:15 | |
I was supposed to go out, but it was... | 1:00:20 | 1:00:23 | |
snowing. | 1:00:23 | 1:00:25 | |
Chloe was with her father, thank God. | 1:00:25 | 1:00:27 | |
Why did you visit me in Greenhaven? | 1:00:27 | 1:00:29 | |
Because I was your neighbour from across the street. | 1:00:31 | 1:00:35 | |
Libby was my best friend. | 1:00:35 | 1:00:37 | |
Why didn't you tell me who I was? | 1:00:37 | 1:00:39 | |
I wanted to, | 1:00:39 | 1:00:41 | |
but you told me you were Will Atenton. What was I going to say? | 1:00:41 | 1:00:45 | |
Did I do it? | 1:00:47 | 1:00:48 | |
No. | 1:00:50 | 1:00:52 | |
How do you know? | 1:00:52 | 1:00:54 | |
I just know. | 1:00:54 | 1:00:55 | |
Mom? | 1:00:56 | 1:00:58 | |
-Hey, honey. -Hi. | 1:01:05 | 1:01:06 | |
Hi. | 1:01:08 | 1:01:09 | |
You... You need a bath. | 1:01:13 | 1:01:15 | |
Yeah. | 1:01:18 | 1:01:19 | |
I guess I'll run him a bath. | 1:01:19 | 1:01:22 | |
So, | 1:01:27 | 1:01:29 | |
Mom says you see them. | 1:01:29 | 1:01:32 | |
Yeah. | 1:01:33 | 1:01:34 | |
Are they older? | 1:01:36 | 1:01:37 | |
No, they're not. | 1:01:39 | 1:01:41 | |
Could you tell them how much I miss them? | 1:01:42 | 1:01:44 | |
I will. | 1:01:51 | 1:01:52 | |
Did you leave the plant? | 1:01:55 | 1:01:57 | |
Yeah. It was the anniversary. | 1:01:57 | 1:02:00 | |
-Do you water it? -Yeah, I do. | 1:02:02 | 1:02:04 | |
-Go get in the car, honey. -OK. | 1:02:09 | 1:02:11 | |
-Bye. -Bye. | 1:02:11 | 1:02:14 | |
The water is running. I left some towels. | 1:02:14 | 1:02:17 | |
-Don't go anywhere. -Thank you. | 1:02:19 | 1:02:22 | |
-Are you OK? -Yeah. | 1:02:28 | 1:02:31 | |
Don't tell your father. | 1:02:36 | 1:02:38 | |
Will? | 1:03:10 | 1:03:11 | |
Yes. | 1:03:19 | 1:03:20 | |
I'll be down now. | 1:03:21 | 1:03:23 | |
DOORBELL RINGS | 1:03:24 | 1:03:25 | |
Mom. | 1:03:29 | 1:03:30 | |
Oh, damn it. | 1:03:32 | 1:03:34 | |
What are you doing here? | 1:03:34 | 1:03:36 | |
I've heard Peter Ward's been in our house. | 1:03:36 | 1:03:38 | |
No, he's not. And it's not our house. It's my house. | 1:03:38 | 1:03:43 | |
-Come on, Chloe. Get your stuff. -She's not yours till Friday. | 1:03:43 | 1:03:45 | |
She's in danger. He's a psychopath. | 1:03:45 | 1:03:47 | |
What are you talking about, Jack? Just go. | 1:03:47 | 1:03:49 | |
-Chloe... -No, it's fine, Mom. I'll go. | 1:03:55 | 1:03:58 | |
Honey, you don't have to go. | 1:03:58 | 1:04:00 | |
No, it's OK. It's fine. | 1:04:00 | 1:04:03 | |
Good girl. | 1:04:03 | 1:04:04 | |
You're such an asshole. | 1:04:05 | 1:04:07 | |
Chloe! Where are you... | 1:04:08 | 1:04:10 | |
She's upset. What do you expect? | 1:04:10 | 1:04:13 | |
Ann, I shouldn't even be here. I'm sorry. | 1:04:14 | 1:04:18 | |
-It's not your fault. He's just... -Chloe! | 1:04:18 | 1:04:21 | |
Look, I should go after her. | 1:04:21 | 1:04:24 | |
But I found this in the laundry. | 1:04:24 | 1:04:28 | |
Dr Greeley. She treated you at Greenhaven. | 1:04:28 | 1:04:32 | |
Thank you. | 1:04:32 | 1:04:33 | |
I think you should call her. | 1:04:33 | 1:04:35 | |
Chloe! | 1:04:38 | 1:04:40 | |
Chloe! | 1:04:44 | 1:04:46 | |
Chloe! | 1:04:46 | 1:04:48 | |
Why did you release me? | 1:04:50 | 1:04:52 | |
I had no choice. There was no evidence against you. | 1:04:52 | 1:04:56 | |
So I needed to let you go. | 1:04:56 | 1:04:58 | |
How's the book? | 1:05:01 | 1:05:02 | |
I'm not writing a book. | 1:05:02 | 1:05:03 | |
I'm living in a fantasy and walking around my house, | 1:05:03 | 1:05:06 | |
talking to the walls. | 1:05:06 | 1:05:08 | |
Perhaps it's your mind trying to protect itself. | 1:05:08 | 1:05:11 | |
From what? | 1:05:11 | 1:05:12 | |
Their deaths. Or, the truth. | 1:05:12 | 1:05:16 | |
You think I did it? | 1:05:16 | 1:05:18 | |
I honestly don't know. | 1:05:19 | 1:05:21 | |
I don't care what my mind's trying to do. | 1:05:21 | 1:05:24 | |
I just have to find out who killed my family, even if it was me. | 1:05:24 | 1:05:28 | |
If you would admit yourself here now | 1:05:28 | 1:05:30 | |
under my care, I can treat you. | 1:05:30 | 1:05:32 | |
-You're not well, Peter. -Mmm. | 1:05:32 | 1:05:35 | |
No, I'm not. | 1:05:35 | 1:05:36 | |
Oh, I hate it when you leave! | 1:06:54 | 1:06:57 | |
Look. | 1:06:58 | 1:06:59 | |
-I'm going to beat you! -Come on! | 1:07:00 | 1:07:02 | |
The girls have been waiting for you. | 1:07:03 | 1:07:05 | |
I love you. Sleep tight. | 1:07:09 | 1:07:11 | |
Night, Daddy. | 1:07:11 | 1:07:12 | |
Tell me what you know about that night. | 1:07:23 | 1:07:25 | |
I don't want to do this. | 1:07:25 | 1:07:28 | |
You remembered where you were shot. | 1:07:28 | 1:07:30 | |
I remember I heard someone on the stairs and I came out. | 1:07:33 | 1:07:36 | |
I can't do this! | 1:07:36 | 1:07:38 | |
You heard somebody on the stairs. | 1:07:38 | 1:07:40 | |
And I came out because I knew it was you. | 1:07:40 | 1:07:42 | |
And then I fell. | 1:07:44 | 1:07:46 | |
And... | 1:07:46 | 1:07:47 | |
The kids were... | 1:07:52 | 1:07:53 | |
..lying there and they were so still. | 1:07:55 | 1:07:58 | |
And I knew they were going away, | 1:08:00 | 1:08:02 | |
and I knew they needed me to take care of them, so I went with them. | 1:08:02 | 1:08:06 | |
And then... | 1:08:08 | 1:08:10 | |
And then... | 1:08:15 | 1:08:17 | |
..I found those flowers, and I was painting the front hall | 1:08:19 | 1:08:23 | |
and it was snowing, and I was worried | 1:08:23 | 1:08:25 | |
you wouldn't make it home, but you did. | 1:08:25 | 1:08:27 | |
What else? What else do you remember? | 1:08:30 | 1:08:32 | |
I don't remember anything. | 1:08:32 | 1:08:34 | |
I don't remember anything. | 1:08:36 | 1:08:38 | |
You shot me. You shot me. | 1:08:38 | 1:08:40 | |
-No. -You shot me! | 1:08:40 | 1:08:42 | |
No, I shot the man who shot the girls. | 1:08:42 | 1:08:45 | |
You shot me. | 1:08:45 | 1:08:46 | |
No. | 1:08:46 | 1:08:47 | |
What is that? | 1:08:50 | 1:08:51 | |
It's a scar. | 1:08:54 | 1:08:55 | |
Why? | 1:08:59 | 1:09:01 | |
Forgive me. | 1:09:04 | 1:09:06 | |
KNOCK ON DOOR | 1:09:07 | 1:09:09 | |
(ECHO) Peter? Peter, are you there? | 1:09:10 | 1:09:13 | |
KNOCK ON DOOR | 1:09:27 | 1:09:29 | |
Peter? | 1:09:29 | 1:09:30 | |
-You have to get out of here. -What? | 1:09:30 | 1:09:33 | |
-You're going to tell me the truth. -I tried to tell you in Greenhaven. | 1:09:36 | 1:09:39 | |
-Tell me what? -Everything. | 1:09:39 | 1:09:42 | |
Libby, the children, they're gone. | 1:09:42 | 1:09:45 | |
Libby is dead, | 1:09:45 | 1:09:47 | |
and you need to let them go. | 1:09:47 | 1:09:50 | |
It was a mistake coming back here. | 1:09:52 | 1:09:54 | |
You can't stay in this house, Peter. | 1:09:54 | 1:09:57 | |
It'll drive you crazy. | 1:09:58 | 1:10:00 | |
How did she die, Ann? | 1:10:02 | 1:10:04 | |
Tell me how she died. | 1:10:05 | 1:10:06 | |
Libby loved you. | 1:10:11 | 1:10:13 | |
She'd want you to let her go. | 1:10:17 | 1:10:19 | |
You have to let her go now, Peter. | 1:10:24 | 1:10:26 | |
Hey. Where are you? | 1:10:29 | 1:10:31 | |
I heard you come in. Is that you downstairs? | 1:10:31 | 1:10:34 | |
'I'm outside the house.' | 1:10:34 | 1:10:35 | |
'Uh-huh.' | 1:10:35 | 1:10:37 | |
'Daddy's home.' | 1:10:37 | 1:10:38 | |
Who are you? | 1:10:41 | 1:10:44 | |
Shh! | 1:10:44 | 1:10:45 | |
-Mommy? -Come on, I heard you downstairs. | 1:10:45 | 1:10:47 | |
What? You're a liar. What? | 1:10:47 | 1:10:49 | |
'Libby?' | 1:10:53 | 1:10:54 | |
OK, kids, don't move, don't move. | 1:10:54 | 1:10:56 | |
-Mommy? -It's going to be OK. | 1:10:56 | 1:10:58 | |
'Libby?' | 1:10:58 | 1:10:59 | |
Put down the gun, please. | 1:10:59 | 1:11:01 | |
'Libby?' | 1:11:01 | 1:11:02 | |
'Put the gun down, please.' | 1:11:04 | 1:11:06 | |
Libby! | 1:11:06 | 1:11:07 | |
GUNSHOT | 1:11:10 | 1:11:11 | |
-Run! -Daddy! | 1:11:11 | 1:11:13 | |
-GUNSHOT -Daddy! | 1:11:13 | 1:11:15 | |
THUMPS | 1:11:18 | 1:11:20 | |
GUNSHOT | 1:11:34 | 1:11:35 | |
I didn't do it. | 1:11:44 | 1:11:45 | |
I didn't. | 1:11:48 | 1:11:50 | |
DOOR CREAKS | 1:11:50 | 1:11:51 | |
Hello, Peter Ward. | 1:11:55 | 1:11:57 | |
Jack? | 1:11:58 | 1:12:00 | |
Why don't you... | 1:12:02 | 1:12:04 | |
Why don't you put that thing down | 1:12:04 | 1:12:05 | |
and we can have a conversation? | 1:12:05 | 1:12:07 | |
Peter! | 1:12:10 | 1:12:11 | |
Jack, you killed them. | 1:12:13 | 1:12:15 | |
It was supposed to be you. | 1:12:15 | 1:12:17 | |
Stop! THUMPING | 1:12:17 | 1:12:20 | |
Get the chloroform! Now! | 1:12:23 | 1:12:26 | |
It should've been so simple. | 1:12:47 | 1:12:49 | |
I went to the wrong goddamn house. It was a mistake. | 1:12:49 | 1:12:52 | |
We put them in the basement. | 1:12:52 | 1:12:54 | |
-Where are you? -'I am pulling up right now.' | 1:13:12 | 1:13:16 | |
First right on Bramble Branch, third house on the right. | 1:13:16 | 1:13:20 | |
'I'm outside the house. I'm looking at your ex-wife right now.' | 1:13:20 | 1:13:24 | |
-Where is she? -She's talking to someone on her cell. | 1:13:24 | 1:13:28 | |
-Who's she talking to? -'I don't know. | 1:13:28 | 1:13:31 | |
'Maybe that young boyfriend you were talking about.' | 1:13:31 | 1:13:35 | |
-You got the gun I gave you last night? -Yeah. | 1:13:35 | 1:13:39 | |
Well, use it. And then just drift on out of New Ashford like I told you. | 1:13:39 | 1:13:44 | |
-'The insurance money is real, right?' -You'll get paid. | 1:13:44 | 1:13:47 | |
I know we don't know each other that well, but after tonight | 1:13:47 | 1:13:51 | |
you got something on me, I got something on you. | 1:13:51 | 1:13:53 | |
-We gotta trust each other. -'You sure you want me to do this?' | 1:13:53 | 1:13:58 | |
-What right has she got to destroy my life? What right has she got to my daughter? -'Your call.' | 1:13:58 | 1:14:04 | |
'Last chance to back out of this.' | 1:14:04 | 1:14:08 | |
Kill her now. | 1:14:08 | 1:14:09 | |
-GUNSHOT -I'm sick of your shit. | 1:14:30 | 1:14:33 | |
You've tormented me for five goddamn years. | 1:14:33 | 1:14:35 | |
Child killer. | 1:14:35 | 1:14:37 | |
GUNSHOT | 1:14:37 | 1:14:39 | |
Come on. | 1:14:52 | 1:14:54 | |
You'll never collect. | 1:14:55 | 1:14:57 | |
Chloe collects, I collect. | 1:14:57 | 1:14:59 | |
You took everything. My money, my house, my kid! | 1:15:29 | 1:15:33 | |
And now that Ward's back, | 1:15:34 | 1:15:37 | |
I get another shot. | 1:15:37 | 1:15:39 | |
LIQUID SPLASHES | 1:16:11 | 1:16:14 | |
Peter. | 1:16:23 | 1:16:24 | |
Peter?! | 1:16:39 | 1:16:41 | |
Peter! | 1:16:41 | 1:16:43 | |
Wake up, Peter! | 1:16:43 | 1:16:44 | |
GUNSHOT | 1:17:06 | 1:17:08 | |
GUNSHOT | 1:17:08 | 1:17:09 | |
OK, Ward! | 1:17:19 | 1:17:20 | |
Argh! | 1:17:20 | 1:17:21 | |
Peter. Peter! | 1:17:24 | 1:17:27 | |
You're all right. You're all right. You're OK. | 1:17:30 | 1:17:33 | |
GUNSHOTS | 1:17:42 | 1:17:46 | |
SCREAMING | 1:18:08 | 1:18:11 | |
COUGHING | 1:18:30 | 1:18:31 | |
Are you OK? | 1:18:31 | 1:18:33 | |
-Yes. -Chloe! | 1:18:33 | 1:18:35 | |
Mom! Mom! | 1:18:35 | 1:18:38 | |
Oh, baby. | 1:18:41 | 1:18:43 | |
Peter, no! | 1:18:47 | 1:18:49 | |
Libby! | 1:18:56 | 1:18:57 | |
Libby! | 1:18:59 | 1:19:01 | |
What are you doing? Get out of here. | 1:19:08 | 1:19:12 | |
I don't want to lose you. | 1:19:12 | 1:19:14 | |
I know, but you have to go. | 1:19:15 | 1:19:19 | |
You be good. | 1:19:39 | 1:19:41 | |
We love you, Daddy. | 1:19:41 | 1:19:42 | |
I love you. | 1:20:08 | 1:20:09 | |
I love you. | 1:20:11 | 1:20:13 | |
I'll always be with you. | 1:20:18 | 1:20:20 | |
I know. | 1:20:20 | 1:20:21 | |
But you know that. | 1:20:24 | 1:20:26 | |
EXPLOSION | 1:20:27 | 1:20:28 | |
-Is there anybody else inside? -No. | 1:21:04 | 1:21:06 | |
-You OK? -Yeah. | 1:21:06 | 1:21:08 | |
SIRENS | 1:21:08 | 1:21:10 |