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-NEWS REPORT ON RADIO -'Conservative hardliners set fire | 0:00:02 | 0:00:04 | |
'to posters featuring women during a religious procession in Karachi. | 0:00:04 | 0:00:10 | |
'A spokesman said advertisements were obscene. | 0:00:10 | 0:00:13 | |
'He also said they were against Islam and Sharia...' | 0:00:13 | 0:00:18 | |
VOICES SHOUTING | 0:00:18 | 0:00:21 | |
This programme contains some strong language | 0:00:22 | 0:00:28 | |
-RADIO: -'So how was your weekend? | 0:01:31 | 0:01:33 | |
'All I can remember is that I ate quite a bit, | 0:01:33 | 0:01:36 | |
'just a little too much, perhaps. | 0:01:36 | 0:01:38 | |
'This is Good Morning, Karachi! | 0:01:38 | 0:01:39 | |
'It's a brand-new week or, as they say, a new beginning. | 0:01:39 | 0:01:43 | |
'Don't forget, you can follow JMK on Twitter and Facebook. | 0:01:43 | 0:01:47 | |
'Here's something to wake you up this morning.' | 0:01:47 | 0:01:50 | |
MUSIC PLAYS | 0:01:50 | 0:01:53 | |
ENGLISH LANGUAGE TAPE PLAYS | 0:04:26 | 0:04:29 | |
-'Black or with milk, sir?' -Black or with milk, sir? | 0:04:29 | 0:04:34 | |
-'I want to visit several nightclubs.' -I want to visit several nightclubs. | 0:04:34 | 0:04:40 | |
Out! | 0:05:53 | 0:05:54 | |
Get out! | 0:05:56 | 0:05:57 | |
I'm sick of having you in my room, you little fart! | 0:06:00 | 0:06:03 | |
You are taking me to work with you today, right? | 0:06:10 | 0:06:13 | |
It's up to your mother. | 0:06:13 | 0:06:15 | |
-I'll just take it from him! -That's enough! | 0:07:00 | 0:07:03 | |
Rosie Khala! I cannot stay in that apartment for a minute. | 0:07:11 | 0:07:14 | |
-Please take me with you! -You heard your mother. | 0:07:14 | 0:07:18 | |
-Khala! Take me with you. -She worries about you. | 0:07:18 | 0:07:21 | |
She will make me go with you if you ask her! Look at your hands. | 0:07:21 | 0:07:25 | |
-These are old! -Training you is going to be more work than help for me. | 0:07:25 | 0:07:30 | |
I promise I will make your work easy. | 0:07:30 | 0:07:33 | |
You never stop! OK, just this once. Let's talk to your mother. | 0:07:33 | 0:07:38 | |
Rafina. Stay in your place. | 0:08:26 | 0:08:28 | |
-I've come back from America after so long. -Back to Pakistan again. | 0:08:35 | 0:08:40 | |
No Fifth Avenue, no New York Times. Same men. | 0:08:40 | 0:08:44 | |
It's so different in New York. | 0:08:44 | 0:08:47 | |
The men our age are dating and having fun. | 0:08:47 | 0:08:52 | |
-When is he coming back from America? -God knows when he'll return now. | 0:08:52 | 0:08:57 | |
He's gone there and... Ouch! The wax is so hot! | 0:08:58 | 0:09:02 | |
Rosie, you know how delicate my skin is. | 0:09:02 | 0:09:05 | |
You mean, how beautiful your skin is, madam. It's this girl. | 0:09:05 | 0:09:09 | |
She's a bit nervous today | 0:09:09 | 0:09:11 | |
because I told her what an important client you are to me. | 0:09:11 | 0:09:13 | |
She learns fast. | 0:09:13 | 0:09:14 | |
You just can't get a decent bagel in Karachi. | 0:09:18 | 0:09:22 | |
My son has them flown in sometimes. | 0:09:22 | 0:09:25 | |
Please, turn over. You have such beautiful skin, madam. | 0:09:26 | 0:09:29 | |
You know what I think? Imran spends money like water. | 0:09:33 | 0:09:38 | |
That girl must think she has married a maharajah's son. White trash. | 0:09:40 | 0:09:45 | |
-Please check, madam. -Done? | 0:09:45 | 0:09:48 | |
Done?! Let me be the judge of that! | 0:09:48 | 0:09:51 | |
You made more work for me today! Some helper(!) | 0:10:03 | 0:10:07 | |
Not helper, Rosie Khala! Please! Assistant. | 0:10:07 | 0:10:10 | |
Better English. | 0:10:12 | 0:10:13 | |
Now you're teaching me English?! Every word you speak I taught you! | 0:10:15 | 0:10:19 | |
I could never damage your work, Rosie Khala. | 0:10:20 | 0:10:22 | |
I know how important extra money is for you. | 0:10:22 | 0:10:25 | |
I don't think you do, Rafina. | 0:10:28 | 0:10:30 | |
I want to work with you at Radiance. I want to go to the real saloon. | 0:10:54 | 0:10:59 | |
Radiance. And it's salon, not saloon, you crazy girl. | 0:10:59 | 0:11:03 | |
-Will you talk to your boss about me? -When the time is right. -That's now! | 0:11:03 | 0:11:08 | |
-They want me to get married. -Rafina, you have a lot to learn. | 0:11:08 | 0:11:12 | |
Don't expect too much too soon. Let me get your mother's shampoo. | 0:11:12 | 0:11:16 | |
Oh, these Benazir posters! | 0:11:20 | 0:11:21 | |
A young girl has to be watched very carefully. | 0:11:59 | 0:12:01 | |
There'll be no hanky panky when Rosie's around. | 0:12:01 | 0:12:04 | |
Arif wants justice. Head in the clouds, feet in the party. | 0:12:07 | 0:12:11 | |
I put food on the table. It's not easy, you know. | 0:12:11 | 0:12:13 | |
-Please take me with you tomorrow. Please. -No. You have a lot to learn. | 0:12:16 | 0:12:20 | |
You didn't get a tip today because you were laughing. | 0:12:20 | 0:12:23 | |
I tell my clients they're beautiful and the more I tell them, | 0:12:23 | 0:12:26 | |
the better the tip. I got 1,000 rupees today and you got nothing! | 0:12:26 | 0:12:30 | |
Think about that. | 0:12:30 | 0:12:31 | |
Good night. | 0:12:32 | 0:12:34 | |
Rafina? | 0:12:53 | 0:12:54 | |
'What a way to end the week, Karachi. | 0:14:02 | 0:14:05 | |
'A mixed marathon, that is women and men running together, | 0:14:05 | 0:14:08 | |
'has mullahs screaming for their blood. | 0:14:08 | 0:14:10 | |
'They say Pakistan was made in the name of Allah | 0:14:10 | 0:14:12 | |
'and a mixed marathon is un-Islamic. | 0:14:12 | 0:14:15 | |
'What do you think? Send in your thoughts...' | 0:14:15 | 0:14:19 | |
You can only work for two months. | 0:17:37 | 0:17:39 | |
Rafina! We go this way. | 0:18:45 | 0:18:46 | |
-Rafina, we go this way. -Why not here? | 0:19:47 | 0:19:49 | |
-Good morning, Nawal. -Hello, Rosie. | 0:19:57 | 0:19:59 | |
-I brought that girl with me. -Oh, I see. | 0:20:00 | 0:20:04 | |
Do you have a diploma? | 0:20:04 | 0:20:05 | |
I've learned with Rosie Khala. | 0:20:05 | 0:20:08 | |
-I've been teaching her in my spare time. -So no training or diploma? | 0:20:08 | 0:20:12 | |
But, of course, for Rosie's sake, we'll try you out for a week. | 0:20:15 | 0:20:19 | |
-Thank you. -Thank you. | 0:20:20 | 0:20:21 | |
Rosie Khala, why can't I have the purple one? | 0:20:28 | 0:20:30 | |
If they keep you, you'll get the purple one. | 0:20:30 | 0:20:34 | |
CHATTER IN SALON | 0:20:43 | 0:20:46 | |
Girls, do you know what I'd really like to wear tonight? | 0:21:01 | 0:21:05 | |
One of those white wedding dresses with the long trains | 0:21:05 | 0:21:08 | |
and the flowers on my head. I would love that. | 0:21:08 | 0:21:10 | |
And I always thought I would get married in a white dress. Always. | 0:21:10 | 0:21:14 | |
Like the ones we used to wear when we were kids | 0:21:14 | 0:21:17 | |
and running around the room? | 0:21:17 | 0:21:18 | |
If you wanted that, you should have married one of those cute boys | 0:21:18 | 0:21:21 | |
from college as opposed to settling for a sweet little Muslim boy. | 0:21:21 | 0:21:24 | |
You are a beauty, a natural beauty. | 0:21:25 | 0:21:28 | |
-Rosie Khala, her hands are gorgeous, no? -That's so sweet of you. | 0:21:28 | 0:21:33 | |
-Why don't you tell her what that fucked glow is all about, then? -What? | 0:21:33 | 0:21:38 | |
What? You're not a virgin yourself? | 0:21:40 | 0:21:44 | |
Are you?! | 0:21:44 | 0:21:46 | |
Leave her alone, she's fine. | 0:21:46 | 0:21:48 | |
Well, you, missy, had better hope | 0:21:48 | 0:21:50 | |
your dear mummy-in-law doesn't find out what you've been up to. | 0:21:50 | 0:21:54 | |
(Fucked glow...) | 0:21:55 | 0:21:56 | |
-Can you make tea? -Yes. | 0:21:59 | 0:22:03 | |
I mean, not the stuff you people drink. I mean, proper tea. | 0:22:03 | 0:22:06 | |
And can you serve it without spilling it on somebody's lap? | 0:22:06 | 0:22:10 | |
Of course. | 0:22:10 | 0:22:12 | |
-Shall I get her started? -Please do. | 0:22:14 | 0:22:16 | |
Come on, girl. | 0:22:19 | 0:22:20 | |
(Thank you.) | 0:22:28 | 0:22:29 | |
Billboards are the truths. The art of our times. | 0:22:32 | 0:22:37 | |
They summarise the hopes, | 0:22:37 | 0:22:39 | |
dreams and aspirations of the people they are made for. | 0:22:39 | 0:22:42 | |
There are more girls interested in modelling every year. | 0:22:42 | 0:22:45 | |
Despite what some idiots say about Pakistanis being | 0:22:45 | 0:22:48 | |
a bunch of backward fundamentalists. | 0:22:48 | 0:22:50 | |
We are the women's revolution this country has been waiting for. | 0:22:50 | 0:22:54 | |
Our job is to help women realise their dreams | 0:22:54 | 0:22:56 | |
so the mullahs can't hold back | 0:22:56 | 0:22:57 | |
the sea change happening in this country. | 0:22:57 | 0:23:00 | |
ENGLISH LANGUAGE TAPE 'It's hot, isn't it? | 0:24:17 | 0:24:19 | |
'I would like to get a hot chocolate, please. | 0:24:19 | 0:24:23 | |
'I would like to explore the city. | 0:24:28 | 0:24:30 | |
'I would like to see London by night. | 0:24:35 | 0:24:37 | |
'What is famous about this place? | 0:24:41 | 0:24:43 | |
'He was very boastful about his career. | 0:24:46 | 0:24:49 | |
'Will you show me a seat plan for the theatre? | 0:24:52 | 0:24:55 | |
'I want to go clubbing. | 0:24:58 | 0:24:59 | |
'Where shall I...?' TAPE STOPS | 0:25:02 | 0:25:05 | |
Power cut. Don't worry, | 0:25:08 | 0:25:09 | |
soon power cuts for Princess Rafina will be a thing of the past. | 0:25:09 | 0:25:14 | |
Rafina! | 0:25:19 | 0:25:21 | |
SHE LAUGHS | 0:25:26 | 0:25:28 | |
Stop! | 0:25:28 | 0:25:29 | |
Hurry up! Hurry up! | 0:25:42 | 0:25:45 | |
We are running very late. | 0:25:45 | 0:25:48 | |
-Deepak? -Yeah? -We are running late and her phone is off. | 0:26:06 | 0:26:09 | |
Her phone is always off. | 0:26:09 | 0:26:11 | |
Girl. Come here. Come here. | 0:26:14 | 0:26:17 | |
Turn around. | 0:26:19 | 0:26:21 | |
Very nice. Can you try these on? | 0:26:23 | 0:26:25 | |
My model is not here and I need to do a fitting. | 0:26:25 | 0:26:28 | |
Come on, go, shoes. And come back in two minutes. Go. | 0:26:28 | 0:26:32 | |
-Are you insane? -Relax. | 0:26:32 | 0:26:34 | |
I want my food for the models, I want water, that's a requirement. | 0:27:05 | 0:27:09 | |
Deepak, I am so sorry, darling. Can you ever forgive me? | 0:27:09 | 0:27:12 | |
You're 20 minutes late. | 0:27:12 | 0:27:14 | |
You know, I would have thrown you out, but you're still my girl. | 0:27:14 | 0:27:18 | |
No harm done, come on. | 0:27:18 | 0:27:19 | |
Get your first outfit, I'll get the alterations done by that time. | 0:27:19 | 0:27:22 | |
Here's your first outfit, where's the second one? | 0:27:22 | 0:27:24 | |
Oh, the second outfit. She is wearing the second outfit. | 0:27:24 | 0:27:27 | |
Sweetie, I'm so sorry. My model is here, | 0:27:27 | 0:27:29 | |
you have to take this outfit off and give it to her. Come on. Thank you. | 0:27:29 | 0:27:33 | |
-Gentlemen, is this all Radiance has to offer? -Excuse me. | 0:28:35 | 0:28:40 | |
You obviously haven't seen her. She is my fun to work with model. | 0:28:40 | 0:28:46 | |
-Too visible. -I know what you are looking for. | 0:28:46 | 0:28:50 | |
I know exactly what he's looking for. | 0:28:50 | 0:28:52 | |
She's adored by everyone. | 0:28:53 | 0:28:55 | |
She is not too off the mark, | 0:28:55 | 0:28:57 | |
but the amount of trouble her husband causes on shoots, | 0:28:57 | 0:29:01 | |
for my ad agency, she just isn't worth it. | 0:29:01 | 0:29:03 | |
-Excuse me. -Personally, I don't think married women should model anyway. | 0:29:05 | 0:29:11 | |
I mean, our culture is so insecure about women, | 0:29:11 | 0:29:13 | |
they want to own them and possess them. | 0:29:13 | 0:29:15 | |
And now they also want to show them off to their friends. | 0:29:15 | 0:29:18 | |
Manhood versus economics. | 0:29:18 | 0:29:21 | |
Economics until six in the evening and then it's manhood all the way. | 0:29:21 | 0:29:24 | |
To get back, we understand that you are looking for | 0:29:25 | 0:29:28 | |
a very specific kind of girl. | 0:29:28 | 0:29:30 | |
Right now, most of your customers are women. | 0:29:30 | 0:29:32 | |
Black or with milk, sir? | 0:29:32 | 0:29:34 | |
With lots of milk and two sugars. | 0:29:36 | 0:29:38 | |
Anyway, women, and they are united by this one unique characteristic. | 0:29:41 | 0:29:47 | |
Let's call it enlightened innocence. | 0:29:47 | 0:29:50 | |
That's a fantastic phrase. I'm going to use that. | 0:29:50 | 0:29:54 | |
The face of the woman you are looking for | 0:29:54 | 0:29:57 | |
is a face that has seen a lot, | 0:29:57 | 0:29:59 | |
but hasn't been corrupted by what it has seen. | 0:29:59 | 0:30:02 | |
That's hard. Am I right? | 0:30:02 | 0:30:03 | |
-Do you have any like her? -Yes, we have several portfolios. | 0:30:09 | 0:30:12 | |
Anjo. She's my easy to work with model. | 0:30:19 | 0:30:23 | |
-Why are you still here? -Waiting to see if you need anything else. | 0:30:28 | 0:30:32 | |
We'll call you if we do. Thank you. | 0:30:32 | 0:30:36 | |
Farhad, you've found your girl. | 0:30:47 | 0:30:49 | |
She has country beauty, urban beauty, innocence. It was all there. | 0:30:49 | 0:30:53 | |
She was auditioning for you the whole time. | 0:30:53 | 0:30:55 | |
If you succeed in this photo shoot, | 0:30:57 | 0:31:00 | |
we'll give you some lessons in walking. | 0:31:00 | 0:31:02 | |
Give you practical experience | 0:31:02 | 0:31:04 | |
in your first runway show later this month. | 0:31:04 | 0:31:06 | |
And who knows, you might even come to Paris with us. | 0:31:06 | 0:31:09 | |
How much do I get for the photo shoot tomorrow? | 0:31:09 | 0:31:12 | |
How about we settle for 4,000 rupees? | 0:31:17 | 0:31:19 | |
It's less than you would normally get, | 0:31:19 | 0:31:21 | |
but we'll see how it goes and take it from there. | 0:31:21 | 0:31:23 | |
-How much does a model usually get? -About 7,000. | 0:31:23 | 0:31:26 | |
I'd like 6,000, then. | 0:31:29 | 0:31:31 | |
And... I'd like a car to pick me up too. | 0:31:33 | 0:31:36 | |
Let's see how this goes, Rafina. | 0:31:38 | 0:31:40 | |
All right, if it goes well, | 0:31:40 | 0:31:42 | |
I'll get a car to pick me up and I guess I might need a phone too. | 0:31:42 | 0:31:46 | |
Anything to add to that, Jamal? | 0:31:49 | 0:31:50 | |
How about, congratulations, Rafina. | 0:31:52 | 0:31:54 | |
For lovely skin, use Oliva. | 0:35:34 | 0:35:37 | |
-RADIO: -'Conservative hardliners set fire | 0:36:03 | 0:36:06 | |
'to posters featuring women | 0:36:06 | 0:36:09 | |
'during a religious procession in Karachi. | 0:36:09 | 0:36:11 | |
'A spokesman said the advertisements were obscene. He also said...' | 0:36:11 | 0:36:16 | |
' They condemned the government...' | 0:36:18 | 0:36:21 | |
That's fine. | 0:36:24 | 0:36:27 | |
That's nice. | 0:36:27 | 0:36:29 | |
All right, now. | 0:36:36 | 0:36:38 | |
Take a step back. | 0:36:41 | 0:36:43 | |
Come to the left, come to the left. Keep your back straight now. | 0:36:47 | 0:36:50 | |
Look into the camera, all right? Yes. | 0:36:50 | 0:36:52 | |
You should use her for your whole campaign. The ichai girl. | 0:37:21 | 0:37:25 | |
Think of it. She could be a hot commodity. | 0:37:27 | 0:37:30 | |
Rafina, how are you supposed to be a model? | 0:38:49 | 0:38:52 | |
Not a model the size of my fingernail. | 0:38:52 | 0:38:55 | |
I am not going to be just a model the size of your fingernail. | 0:38:55 | 0:38:58 | |
Then what are you going to be? A waxing woman? | 0:38:58 | 0:39:02 | |
Some day, I could be the giant face on the ichai billboards. | 0:39:10 | 0:39:14 | |
I'm going to be like the women in Paris, New York and London. | 0:39:14 | 0:39:18 | |
I'm going to have my own apartment, my own separate life. | 0:39:18 | 0:39:23 | |
-You don't need your family? -Modern women have cats as their family. | 0:39:25 | 0:39:29 | |
'News over the weekend - former Prime Minister Benazir Bhutto, | 0:40:23 | 0:40:27 | |
'the alleged corruption diva, is all set to return to Pakistan. | 0:40:27 | 0:40:31 | |
'Do you think she should come back or stay where she is? | 0:40:31 | 0:40:33 | |
'You can text your thoughts or call in. | 0:40:33 | 0:40:36 | |
'This is Good Morning, Karachi and this one is for you, | 0:40:36 | 0:40:39 | |
'struggling to wake up!' | 0:40:39 | 0:40:42 | |
POP MUSIC PLAYS | 0:40:42 | 0:40:45 | |
-Rafina, are you slouching? Can she be slouching? -Not in my agency. | 0:40:58 | 0:41:02 | |
Get over there. Come on! | 0:41:02 | 0:41:05 | |
Watch. | 0:41:07 | 0:41:08 | |
Stand straight, relax your shoulders, arch your back, | 0:41:08 | 0:41:10 | |
crisscross your feet, look straight, walk. | 0:41:10 | 0:41:14 | |
Your turn. | 0:41:20 | 0:41:22 | |
Come on, I haven't got time for this, Rafina. Come on. | 0:41:22 | 0:41:26 | |
Listen. | 0:41:34 | 0:41:36 | |
Imagine there's a string in your belly | 0:41:39 | 0:41:41 | |
and it's tugging you forward, it's pulling you forward. | 0:41:41 | 0:41:45 | |
Now walk. | 0:41:45 | 0:41:46 | |
Feel the tension. | 0:41:48 | 0:41:49 | |
Look straight ahead. | 0:41:49 | 0:41:51 | |
Relax those shoulders, arch your back. | 0:41:51 | 0:41:54 | |
This is your domain, you're the queen of the ramp. | 0:41:54 | 0:41:57 | |
Feel it, sense it! | 0:41:57 | 0:41:59 | |
Try again. | 0:42:05 | 0:42:06 | |
These are your car-service vouchers. | 0:42:11 | 0:42:13 | |
I think we also spoke about... | 0:42:17 | 0:42:20 | |
Oh, it's so pretty. | 0:42:20 | 0:42:21 | |
This will be deducted from your earnings, of course. | 0:42:21 | 0:42:25 | |
SOUNDTRACK ONLY | 0:42:28 | 0:42:31 | |
-I've never seen anything like this, ever. -Well, get used to it. | 0:42:34 | 0:42:39 | |
Welcome to your life. | 0:42:39 | 0:42:40 | |
SOUNDTRACK ONLY | 0:42:42 | 0:42:43 | |
TV: 'Police used excessive force against lawyers in front of | 0:43:11 | 0:43:14 | |
'the Supreme Court on Saturday while they were protesting. | 0:43:14 | 0:43:17 | |
'Private television channels have been asked to bring footage | 0:43:17 | 0:43:20 | |
'to substantiate their claims that police used brutal force | 0:43:20 | 0:43:24 | |
'against journalists and lawyers. | 0:43:24 | 0:43:26 | |
'Interestingly, the suo motu notice has been taken on a public holiday. | 0:43:26 | 0:43:29 | |
'The journalist community vented their anger at the brutal...' | 0:43:29 | 0:43:33 | |
MELLOW SONG ON CAR STEREO | 0:45:08 | 0:45:11 | |
Stop here. | 0:45:43 | 0:45:44 | |
Here? | 0:45:44 | 0:45:45 | |
I have to go. | 0:46:02 | 0:46:04 | |
Rafina! | 0:46:19 | 0:46:21 | |
CAR HORN BEEPS | 0:46:44 | 0:46:45 | |
MEN AND WOMEN SHOUT | 0:47:05 | 0:47:08 | |
SHOUTING CONTINUES | 0:47:10 | 0:47:13 | |
'Welcome back. This is Good Morning, Karachi, how are you this morning? | 0:47:35 | 0:47:39 | |
'The city is struggling to get back to some sort of normalcy | 0:47:39 | 0:47:41 | |
'after yesterday's bomb blast but I know you will, Karachi. | 0:47:41 | 0:47:45 | |
'I know you will. | 0:47:45 | 0:47:47 | |
'Coming up very shortly, news from Karachi Fashion Week. | 0:47:47 | 0:47:50 | |
'Due to security concerns, the location of the event | 0:47:50 | 0:47:52 | |
'in Karachi has not been disclosed. | 0:47:52 | 0:47:54 | |
'And this one especially for you, ladies...' | 0:47:54 | 0:47:58 | |
'Welcome back. This is Good Morning, Karachi, how are you this morning? | 0:48:46 | 0:48:50 | |
'The city is struggling to get back to some kind of normalcy | 0:48:50 | 0:48:53 | |
'after yesterday's bomb blast but I know you will, Karachi. | 0:48:53 | 0:48:57 | |
'I know you will. | 0:48:57 | 0:48:58 | |
'Coming up very shortly, news from Karachi Fashion Week. | 0:48:58 | 0:49:01 | |
'Due to security concerns | 0:49:01 | 0:49:03 | |
'the location of the event in Karachi has not been disclosed. | 0:49:03 | 0:49:05 | |
'And this one especially for you, ladies...' | 0:49:05 | 0:49:09 | |
SHE CRASHES DOWN | 0:52:49 | 0:52:50 | |
Rosie Khala! | 0:52:54 | 0:52:55 | |
Rosie Khala? What happened? I'll get you help. | 0:52:56 | 0:53:00 | |
You look so beautiful. | 0:53:03 | 0:53:06 | |
Rosie Khala, I'm going to get you help. All right? | 0:53:12 | 0:53:16 | |
No! Rosie Khala? | 0:53:24 | 0:53:26 | |
Rosie Khala! | 0:53:26 | 0:53:28 | |
The show can't happen. | 0:53:41 | 0:53:43 | |
-PJ: -Look, Rafina, this is a big night for Radiance and for you. | 0:53:44 | 0:53:48 | |
This is your launch. You're the star of the show. | 0:53:48 | 0:53:52 | |
It cannot happen without you. | 0:53:54 | 0:53:57 | |
Rosie would understand best. | 0:53:57 | 0:54:00 | |
I promise I'll get you to the funeral on time. | 0:54:00 | 0:54:03 | |
Don't tell Jamal about Rosie. | 0:54:14 | 0:54:16 | |
This is a big deal for Radiance. | 0:54:16 | 0:54:19 | |
I don't want him troubled. | 0:54:19 | 0:54:21 | |
LIGHT THUMPING ON CAR | 0:54:25 | 0:54:27 | |
After tonight... | 0:54:36 | 0:54:38 | |
your life will change. | 0:54:38 | 0:54:40 | |
PUMPING DANCE MUSIC | 0:54:59 | 0:55:01 | |
HUBBUB OF VOICES | 0:55:11 | 0:55:13 | |
WOMAN CHANTS PRAYERS | 0:56:22 | 0:56:24 | |
OTHER WOMEN JOIN PRAYER | 0:56:35 | 0:56:37 | |
So how did you like the show? | 0:58:02 | 0:58:03 | |
I loved the show. Rafina was great. | 0:58:03 | 0:58:06 | |
If I could believe that she's serious about modelling, | 0:58:06 | 0:58:09 | |
and was willing to stick with us for a long haul, | 0:58:09 | 0:58:12 | |
I'd renew with Radiance in a second. | 0:58:12 | 0:58:15 | |
We can make that work. | 0:58:16 | 0:58:17 | |
PRAYERS CONTINUE | 0:58:17 | 0:58:20 | |
Rafina. Wait till you see the afterparty I planned in your honour. | 0:58:39 | 0:58:43 | |
-Where have you been? I've messaged you a zillion times. -Why? | 0:58:43 | 0:58:47 | |
-I was busy. -I can see that. | 0:58:47 | 0:58:50 | |
Rafina says she can't come to the afterparty. Tell her she must, PJ. | 0:58:50 | 0:58:53 | |
Oh, what's another hour or two, Rafina? | 0:58:53 | 0:58:56 | |
You know I would love to, | 0:58:59 | 0:59:01 | |
but I'm simply overwhelmed by this amazing day. | 0:59:01 | 0:59:04 | |
I think it would be too much. | 0:59:04 | 0:59:06 | |
I totally agree. | 0:59:06 | 0:59:08 | |
That's why you'll only stay ten minutes, | 0:59:08 | 0:59:10 | |
so I can show you what we did in your honour. | 0:59:10 | 0:59:12 | |
You need to spend a few minutes with Fahad. | 0:59:12 | 0:59:15 | |
First class or second class... | 0:59:15 | 0:59:18 | |
Look. There's Fahad. | 0:59:18 | 0:59:20 | |
-Jamal, hey, come here. -Raz! | 0:59:20 | 0:59:22 | |
You have to meet Raz. | 0:59:22 | 0:59:24 | |
-Jamal, I should... -He's one of the best fashion photographers. | 0:59:24 | 0:59:27 | |
-How are you, Raz? -Good to see you, man. -Rafina, meet Raz and Shaz. | 0:59:27 | 0:59:31 | |
Hopefully you'll get to work with them soon. | 0:59:31 | 0:59:34 | |
Don't go too far. I'm your ride. | 0:59:36 | 0:59:38 | |
You were fantastic today, congratulations. | 1:00:30 | 1:00:34 | |
This girl is marvellous. | 1:00:36 | 1:00:39 | |
I'm off, take care. | 1:00:39 | 1:00:41 | |
-Bye, ladies. -Bye. | 1:00:41 | 1:00:43 | |
Now, where's the car? | 1:00:47 | 1:00:49 | |
CHANTING | 1:00:59 | 1:01:00 | |
WAILING | 1:01:02 | 1:01:05 | |
Rafina. | 1:02:56 | 1:02:58 | |
Rafina. Can I drop you home? | 1:02:58 | 1:03:01 | |
I just found out about Rosie. | 1:03:09 | 1:03:11 | |
I'm so sorry. | 1:03:13 | 1:03:15 | |
I missed her funeral. | 1:03:22 | 1:03:24 | |
How could I? | 1:03:31 | 1:03:32 | |
You did it for Radiance. | 1:03:35 | 1:03:37 | |
You didn't mean to. | 1:03:39 | 1:03:41 | |
You tried to do both. | 1:03:41 | 1:03:42 | |
For what it's worth, thank you. | 1:03:47 | 1:03:51 | |
I know you loved her. | 1:04:08 | 1:04:10 | |
I used to hate everything about my part of the city. | 1:04:25 | 1:04:27 | |
But I don't hate it at all any more. | 1:04:32 | 1:04:36 | |
In fact, I like a lot of it. | 1:04:36 | 1:04:38 | |
Some parts I love. | 1:04:44 | 1:04:46 | |
What do you love? | 1:04:48 | 1:04:50 | |
The Gola ganda. | 1:04:50 | 1:04:52 | |
You know they don't use mineral water to make it, don't you? | 1:04:56 | 1:04:59 | |
I've always wondered why Gola ganda can be made from mineral water | 1:05:04 | 1:05:09 | |
and served in a bowl for 150 rupees. | 1:05:09 | 1:05:11 | |
You are very important to me, Rafina, you are special. | 1:05:16 | 1:05:20 | |
You won Fahad over. | 1:05:28 | 1:05:30 | |
I did? | 1:05:33 | 1:05:34 | |
..is you. | 1:05:34 | 1:05:36 | |
He just called me. | 1:05:36 | 1:05:38 | |
Would you stop the car, please? | 1:05:56 | 1:05:58 | |
We did it, Rosie Khala. | 1:06:56 | 1:06:58 | |
TV: 'Good morning, Karachi, it's election fever all over again. | 1:07:35 | 1:07:40 | |
'Frenzied preparations for Benazir's election rally are under way | 1:07:40 | 1:07:43 | |
'admit huge security threats, but not to worry, Karachi, | 1:07:43 | 1:07:46 | |
'you will prevail, you always do. | 1:07:46 | 1:07:49 | |
'For more on the election, follow GMK...' | 1:07:49 | 1:07:52 | |
Arif! | 1:08:36 | 1:08:37 | |
Arif. | 1:08:39 | 1:08:40 | |
TV: 'The blast took place when the caravan was inching past Karsaz area | 1:10:43 | 1:10:48 | |
'in Shahrah-e-Faisal | 1:10:48 | 1:10:50 | |
'when the PPP chairperson was to make a speech. | 1:10:50 | 1:10:54 | |
'It was a scene of carnage at the blast site, | 1:10:54 | 1:10:57 | |
'with human limbs scattered all around. | 1:10:57 | 1:10:59 | |
'The blast swept up panic among the PPP supporters who ran to safety.' | 1:10:59 | 1:11:03 | |
TV: 'Reports are coming in from the general hospital where doctors | 1:11:03 | 1:11:07 | |
'have just confirmed the death of former Prime Minister Benazir Bhutto | 1:11:07 | 1:11:10 | |
'who was leaving an election rally when a gunman shot her in the neck | 1:11:10 | 1:11:12 | |
'and set off a bomb. | 1:11:12 | 1:11:14 | |
'Angry protests have already gripped many cities of Pakistan, | 1:11:14 | 1:11:17 | |
'especially Karachi, where 11 deaths have been reported so far. | 1:11:17 | 1:11:20 | |
'Security forces have been placed on a state of red alert.' | 1:11:20 | 1:11:23 | |
Well done, Rafina, it is a proper size now. | 1:11:51 | 1:11:54 | |
All the kids at school were excited about your face on the tea box. | 1:12:21 | 1:12:25 | |
You are smart, do what you want, but not living alone. | 1:12:25 | 1:12:29 | |
Welcome back after the break on this Karachi morning. | 1:17:02 | 1:17:05 | |
Guest Corner is on. | 1:17:05 | 1:17:08 | |
Today we have Rafina. | 1:17:08 | 1:17:11 | |
She's a model, and she is talk of the town. | 1:17:11 | 1:17:14 | |
So what does the future hold in store for Rafina? | 1:17:14 | 1:17:18 | |
What is behind "unveil your loving glow"? | 1:17:18 | 1:17:21 | |
The mullahs are saying I'm trying to instigate something. | 1:17:21 | 1:17:24 | |
I seriously don't know what they mean. | 1:17:24 | 1:17:28 | |
But your newest campaign is causing quite a stir. | 1:17:28 | 1:17:30 | |
The woman you see on the billboard is my Rosie. | 1:17:30 | 1:17:33 | |
They say she is unreal | 1:17:33 | 1:17:36 | |
and it is immoral, | 1:17:36 | 1:17:39 | |
but I am a simple person from Faisal Colony, | 1:17:39 | 1:17:41 | |
I do not think like them. I love her. | 1:17:41 | 1:17:44 | |
I love her face and I'm proud to show it. | 1:17:44 | 1:17:47 | |
Unveil your loving glow | 1:17:47 | 1:17:50 | |
means exactly what it says. | 1:17:50 | 1:17:53 | |
Show your love. | 1:17:53 | 1:17:54 |