Browse content similar to Great Expectations. Check below for episodes and series from the same categories and more!
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SHIPS' BELLS RING IN DISTANCE | 0:01:26 | 0:01:29 | |
GEESE HONK | 0:01:35 | 0:01:36 | |
CLANKING OF CHAINS | 0:02:33 | 0:02:34 | |
-PIP CRIES OUT -Hold your noise! | 0:02:34 | 0:02:36 | |
Hold your noise, you little devil, or I'll out your throat! | 0:02:36 | 0:02:38 | |
-Tell us your, name! Quick! -Pip! | 0:02:40 | 0:02:42 | |
-Once more! Give it mouth! -Pip! | 0:02:42 | 0:02:43 | |
-Shh! -Pip, sir! No, sir, please! | 0:02:43 | 0:02:47 | |
-You got wittles on you, boy? You got wittles on you? -No, sir! | 0:02:47 | 0:02:50 | |
Come here. | 0:02:51 | 0:02:53 | |
What fat cheeks you got. | 0:02:53 | 0:02:55 | |
Darn me if I couldn't eat 'em. | 0:02:55 | 0:02:57 | |
Where's your mother? | 0:02:57 | 0:02:59 | |
STAMMERING: There, sir! | 0:02:59 | 0:03:01 | |
Also Georgiana, sir. | 0:03:01 | 0:03:02 | |
My mother and brothers, too. | 0:03:02 | 0:03:04 | |
Orphan, eh? | 0:03:04 | 0:03:05 | |
Who d'you live with? That supposin' I let you live. | 0:03:05 | 0:03:08 | |
My sister, sir, Mrs Joe Gargery, | 0:03:08 | 0:03:10 | |
wife of Joe Gargery, the blacksmith. | 0:03:10 | 0:03:13 | |
Blacksmith, eh? | 0:03:13 | 0:03:14 | |
You know what a file is? | 0:03:15 | 0:03:17 | |
-You know what wittles is? -Yes, sir, food, sir. | 0:03:17 | 0:03:19 | |
I ain't alone, as you may think I am. | 0:03:19 | 0:03:22 | |
There's a young man hid with me in comparison with which I am an angel, | 0:03:22 | 0:03:26 | |
and he has a secret way of getting at a boy, and at his heart, | 0:03:26 | 0:03:30 | |
and at his liver, so that they may be roasted and ate. | 0:03:30 | 0:03:32 | |
It is in vain for a boy to hide from that young man. | 0:03:32 | 0:03:36 | |
Now, you bring me tomorrow morning early, in this graveyard, | 0:03:36 | 0:03:40 | |
that file and them wittles, | 0:03:40 | 0:03:42 | |
never daring to say a word, | 0:03:42 | 0:03:45 | |
and I will do what I can to keep that young man out of your insides. | 0:03:45 | 0:03:49 | |
-Understand? Speak it out! -Yes, sir! -Now get you home. | 0:03:49 | 0:03:53 | |
CHAINS JANGLE | 0:03:56 | 0:03:57 | |
There you are, Pip! Ah, your sister's been out a dozen times looking for you. | 0:04:22 | 0:04:26 | |
-Now, listen, she's on the rampage and she's got Tickler with her. -WOMAN YELLS OUTSIDE | 0:04:26 | 0:04:30 | |
Now, I'll do what I can but you best get in there behind the door. | 0:04:30 | 0:04:34 | |
-Now... You ready? -WOMAN: -Where have you been? | 0:04:34 | 0:04:36 | |
Wearing me out with fret and worry! | 0:04:37 | 0:04:39 | |
-I said, "Where have you been?" -MAN GRUNTS | 0:04:39 | 0:04:41 | |
-The churchyard. -The churchyard! If it weren't for me | 0:04:41 | 0:04:44 | |
you would've been to the churchyard years ago, and stayed there! | 0:04:44 | 0:04:46 | |
-Who brought you up by hand? -BOTH: -You did! | 0:04:46 | 0:04:48 | |
Why did I, I should like to know! Fetch the tar water! | 0:04:48 | 0:04:51 | |
There's no need for tar water, my love. It's Christmas. | 0:04:51 | 0:04:53 | |
-Fetch it! -PIP GROANS | 0:04:53 | 0:04:55 | |
Bad enough having to be a blacksmith's wife, without having to mother you, too. | 0:04:55 | 0:04:59 | |
-You're driving me to the churchyard. -You all right? | 0:04:59 | 0:05:02 | |
-You'd like that, both of you, I suppose. -Tar water. You be careful. | 0:05:02 | 0:05:06 | |
Table! Now! | 0:05:08 | 0:05:09 | |
DISTANT EXPLOSION | 0:05:11 | 0:05:13 | |
There's another convict escaped from the Hulks. | 0:05:13 | 0:05:16 | |
-What might he have done, the convict? -Murder most likely. | 0:05:17 | 0:05:21 | |
That's why they put them in the Hulks, because they murder. | 0:05:21 | 0:05:24 | |
-"Murder"? -Murder and robbing. That's too many questions! | 0:05:24 | 0:05:27 | |
Where's that bread gone? | 0:05:28 | 0:05:29 | |
I ate it. | 0:05:32 | 0:05:33 | |
-You did, did you? -HE MOUTHS | 0:05:35 | 0:05:37 | |
SNORING | 0:05:56 | 0:05:59 | |
Sir. Sir... | 0:06:43 | 0:06:45 | |
MAN GRUNTS, PIP GASPS | 0:06:45 | 0:06:47 | |
Did you bring it, boy? | 0:07:23 | 0:07:25 | |
Yes, sir. Here. | 0:07:25 | 0:07:28 | |
What's in the bottle? | 0:07:29 | 0:07:32 | |
-Brandy. -Here. Here. | 0:07:32 | 0:07:34 | |
HE GASPS | 0:07:36 | 0:07:38 | |
HE COUGHS | 0:07:38 | 0:07:40 | |
HE GAGS | 0:07:40 | 0:07:41 | |
HE SIGHS | 0:07:41 | 0:07:43 | |
-You brought no-one with you? -No, sir! | 0:07:49 | 0:07:51 | |
-And you asked no-one to follow? -I wouldn't do that, sir. | 0:07:51 | 0:07:54 | |
I'm glad you enjoy the pie. | 0:07:59 | 0:08:01 | |
Oh, thank 'ee, my boy, I do. I do. | 0:08:01 | 0:08:03 | |
-There'll be none left for him! -"Him"? | 0:08:03 | 0:08:06 | |
-Who's "him"? -The young man you spoke of. Who wants to eat my liver. | 0:08:06 | 0:08:10 | |
Oh, him! HE CHUCKLES | 0:08:10 | 0:08:14 | |
-He won't want no pie. -LAUGHING | 0:08:14 | 0:08:17 | |
He looked as if he did. | 0:08:18 | 0:08:20 | |
Looked? What d'you mean, looked? | 0:08:20 | 0:08:22 | |
-I saw him. -When? -Just now. | 0:08:22 | 0:08:25 | |
-Where? -Down by the river. | 0:08:25 | 0:08:27 | |
What with... Dressed like me with a bruised face? | 0:08:27 | 0:08:30 | |
-Here? Badly bruised? -Yes, sir. -Give me the file, boy! | 0:08:30 | 0:08:33 | |
Hunt him down like a dog, I will. | 0:08:36 | 0:08:39 | |
-Goodbye, then, sir. -Let him go free? -Merry Christmas, sir. | 0:08:39 | 0:08:42 | |
-Let him make a fool of me again? -Goodbye. | 0:08:42 | 0:08:45 | |
That villain. I'll take him to the bottom of the river... | 0:08:45 | 0:08:49 | |
# ..On Christmas day, on Christmas day | 0:08:51 | 0:08:54 | |
# And all the souls on earth shalt sing | 0:08:54 | 0:08:56 | |
# On Christmas day in the morning | 0:08:56 | 0:08:59 | |
# Then let us all rejoice and sing | 0:08:59 | 0:09:01 | |
# On Christmas day, on Christmas day... # | 0:09:01 | 0:09:03 | |
CHEERING | 0:09:03 | 0:09:05 | |
Beautiful. | 0:09:05 | 0:09:07 | |
ALL LAUGH | 0:09:07 | 0:09:12 | |
A beautiful piece of meat, that is. | 0:09:12 | 0:09:15 | |
For the great feast we are about to receive, thanks to you, ma'am... | 0:09:16 | 0:09:19 | |
-Hear, hear! -May the good Lord make us truly thankful. | 0:09:19 | 0:09:23 | |
-Amen. -ALL: Amen! | 0:09:23 | 0:09:26 | |
Did you hear that? Be grateful! | 0:09:26 | 0:09:27 | |
Especially, my boy, as to those what brought you up by hand. | 0:09:27 | 0:09:31 | |
Why is it that the young are never grateful? | 0:09:31 | 0:09:34 | |
ALL SIGHING | 0:09:34 | 0:09:35 | |
-Naturally wicious! -Wicious little ferret. What? ALL LAUGH | 0:09:35 | 0:09:39 | |
-They're lovely! -They're not lovely. They're wicious. | 0:09:39 | 0:09:41 | |
More gravy, Mr Wopsle? | 0:09:41 | 0:09:43 | |
ALL CHATTER | 0:09:43 | 0:09:46 | |
Mm-hm. | 0:09:46 | 0:09:48 | |
ALL MUNCH | 0:09:48 | 0:09:50 | |
Oh, I nearly forgot! Ladies and gentlemen, | 0:09:50 | 0:09:53 | |
please do leave a little room for the savoury pork pie | 0:09:53 | 0:09:57 | |
so kindly provided for by dear Mr Pumblechook. | 0:09:57 | 0:10:00 | |
No more than you deserve, ma'am. | 0:10:00 | 0:10:02 | |
I'll get it now. Shall I get it now? | 0:10:02 | 0:10:05 | |
I'll get it now. | 0:10:05 | 0:10:07 | |
I often say, a slice of savoury pork pie | 0:10:07 | 0:10:10 | |
-will sit on top of anything you care to mention... -< Are you all right? | 0:10:10 | 0:10:13 | |
..and do no harm. | 0:10:13 | 0:10:14 | |
Especially with a little brandy. | 0:10:14 | 0:10:16 | |
Wise words, as always. | 0:10:16 | 0:10:17 | |
It's in here somewhere. | 0:10:17 | 0:10:19 | |
At least it was here. It's gone! | 0:10:19 | 0:10:22 | |
HE SPLUTTERS AND COUGHS | 0:10:22 | 0:10:25 | |
-There's tar water in the brandy! -Pip! | 0:10:25 | 0:10:28 | |
Where do you think you're going, boy? | 0:10:29 | 0:10:31 | |
HE GASPS | 0:10:31 | 0:10:32 | |
CLAMOUR | 0:10:32 | 0:10:34 | |
-Oh, that is hot, yeah. -Well done, blacksmith. Well done. | 0:10:34 | 0:10:37 | |
Nasty vicious characters, both of them. | 0:10:40 | 0:10:42 | |
Not the kind you'd want to stumble upon alone, eh? | 0:10:42 | 0:10:44 | |
Anybody here seen anything of such a gang? | 0:10:44 | 0:10:46 | |
-Nothing, Sergeant. -Thank you, ma'am. | 0:10:46 | 0:10:47 | |
Your health, sir. | 0:10:50 | 0:10:51 | |
Thank you, sir. A fine job. | 0:10:51 | 0:10:54 | |
We found them filed clean through. | 0:10:54 | 0:10:56 | |
But no matter. We'll have 'em back on him in no time. | 0:10:56 | 0:11:00 | |
Course, if any of you gentlemen fancy some sport... | 0:11:00 | 0:11:03 | |
-Oh, yes. -Willingly. | 0:11:03 | 0:11:05 | |
Right, outside. Fall in. | 0:11:05 | 0:11:06 | |
Jump to it! | 0:11:06 | 0:11:08 | |
Come on, let's be having you. | 0:11:08 | 0:11:10 | |
Out you come, Pip. | 0:11:10 | 0:11:11 | |
I hope we don't find 'em, Joe. | 0:11:21 | 0:11:22 | |
I hope so too, old chap. | 0:11:22 | 0:11:24 | |
I hope so too. | 0:11:24 | 0:11:25 | |
-INDISTINCT SHOUTING MAN: -Over here, Sergeant! | 0:11:37 | 0:11:41 | |
Come here! | 0:11:41 | 0:11:42 | |
INDISTINCT SHOUTING | 0:11:42 | 0:11:44 | |
-SERGEANT: -You, man, break it off. | 0:11:44 | 0:11:47 | |
Break it off. | 0:11:48 | 0:11:50 | |
Get them. Go. | 0:11:50 | 0:11:51 | |
-GRUNTING, PUNCHES LAND -Get out there, you cowardly bastard. | 0:11:51 | 0:11:54 | |
Move. Move. | 0:11:54 | 0:11:56 | |
HE GRUNTS | 0:11:56 | 0:11:57 | |
I've got him! | 0:11:57 | 0:11:59 | |
-HE GRUNTS -Break it off! Break it off! | 0:11:59 | 0:12:01 | |
CHAINES JANGLE, THUMPING | 0:12:01 | 0:12:03 | |
What are you waiting for? Get out there! | 0:12:03 | 0:12:05 | |
HE GROANS | 0:12:05 | 0:12:06 | |
Go on, get in! | 0:12:06 | 0:12:08 | |
GRUNTING | 0:12:08 | 0:12:10 | |
-CONVICT 1: -Let me at him! Let me at him! | 0:12:11 | 0:12:14 | |
-He tried to murder me! -OFFICERS SHOUT | 0:12:14 | 0:12:19 | |
-I took him! -Get those leg irons over here. | 0:12:19 | 0:12:21 | |
He tried to murder me! | 0:12:21 | 0:12:23 | |
Let him go free? Let him profit from me again and again? | 0:12:23 | 0:12:26 | |
Let's put him down. | 0:12:26 | 0:12:27 | |
-He tried to murder me! -Quiet, you! | 0:12:27 | 0:12:30 | |
I should have been a dead man, if you hadn't got here! | 0:12:30 | 0:12:33 | |
I wish to say something. | 0:12:38 | 0:12:40 | |
-A confession if you like. -Wait. | 0:12:40 | 0:12:43 | |
Go on. | 0:12:43 | 0:12:44 | |
A man can't starve. | 0:12:44 | 0:12:46 | |
I took, stole, some wittles up at the village. | 0:12:46 | 0:12:50 | |
And a file, too. | 0:12:50 | 0:12:52 | |
And I'll tell you from where. | 0:12:52 | 0:12:54 | |
The blacksmith's. | 0:12:54 | 0:12:55 | |
Brandy and a pie. | 0:12:55 | 0:12:57 | |
Have you missed such an article as a pie, blacksmith? | 0:12:57 | 0:12:59 | |
-My wife did. -So you're the blacksmith, are you? | 0:12:59 | 0:13:03 | |
Then I'm sorry to say I've eat your pie. | 0:13:04 | 0:13:07 | |
God knows you're welcome to it. | 0:13:07 | 0:13:09 | |
We don't know what you've done, | 0:13:09 | 0:13:11 | |
but we wouldn't wish you to starve to death for it, would us, Pip? | 0:13:11 | 0:13:14 | |
No. | 0:13:15 | 0:13:16 | |
Pip? | 0:13:18 | 0:13:20 | |
Move on! | 0:13:20 | 0:13:21 | |
CHAINS JANGLE | 0:13:21 | 0:13:23 | |
-MAN: -Swing your legs in there. | 0:13:32 | 0:13:34 | |
I say, Pip, old chap! | 0:14:03 | 0:14:05 | |
What a scholar you are! | 0:14:05 | 0:14:06 | |
I should like to be, some day. | 0:14:06 | 0:14:09 | |
Here, read it, Joe. | 0:14:09 | 0:14:10 | |
Read it. | 0:14:12 | 0:14:13 | |
Read it. | 0:14:15 | 0:14:16 | |
"My dear Joe, | 0:14:23 | 0:14:25 | |
"I hope you are quite well. | 0:14:25 | 0:14:29 | |
"I shall soon be able for to teach you, Joe. | 0:14:29 | 0:14:35 | |
-"And what larks!" -"Larks"! | 0:14:35 | 0:14:38 | |
It's a J. | 0:14:38 | 0:14:39 | |
An O. | 0:14:39 | 0:14:41 | |
-HE STAMMERS -That's the best O I ever saw. | 0:14:41 | 0:14:43 | |
-It's astonishing! -PIP CHUCKLES | 0:14:43 | 0:14:45 | |
How interesting this reading is! | 0:14:45 | 0:14:47 | |
-Perhaps I could teach you one day, Joe. -Perhaps. | 0:14:47 | 0:14:51 | |
Be it so, be it so. | 0:14:52 | 0:14:54 | |
But I fear I am most awful... awful...dull. | 0:14:54 | 0:14:58 | |
PIP SIGHS | 0:14:58 | 0:14:59 | |
-Not like you, young scholar! -BOTH CHUCKLE | 0:14:59 | 0:15:02 | |
HE SIGHS | 0:15:04 | 0:15:05 | |
Ever the best of friends. Thanks, Pip. | 0:15:07 | 0:15:10 | |
Ever the best of friends, Joe. | 0:15:10 | 0:15:11 | |
And when you're apprenticed to me, what larks. | 0:15:11 | 0:15:16 | |
-MRS JOE: -Gargery! | 0:15:16 | 0:15:17 | |
-She must be, what, two mile off? -THEY LAUGH | 0:15:19 | 0:15:22 | |
-MRS JOE: -GARGERY! | 0:15:24 | 0:15:26 | |
Best be getting back, old chap. | 0:15:26 | 0:15:28 | |
MRS GARGERY SCREAMS IN DISTANCE | 0:15:28 | 0:15:31 | |
You're not too quick for me yet! | 0:15:34 | 0:15:36 | |
Now, if this boy ain't grateful, he never will be. | 0:15:36 | 0:15:40 | |
I only hope he won't be pampered. | 0:15:40 | 0:15:42 | |
She ain't in that line, ma'am, have no fear. | 0:15:42 | 0:15:44 | |
-"She"? -Well, Miss Havisham ain't a he, is she? | 0:15:44 | 0:15:46 | |
Even you ain't as dull as that! | 0:15:46 | 0:15:47 | |
Well put, ma'am. Good indeed. | 0:15:47 | 0:15:49 | |
-Mr Pumblechook... -Her tenant, don't you see? | 0:15:49 | 0:15:51 | |
..goes to pay his rent and Miss Havisham says, | 0:15:51 | 0:15:54 | |
does he know a boy who might go and play there for her pleasure? | 0:15:54 | 0:15:58 | |
And Mr Pumblechook always being considerate and thoughtful of us... | 0:15:58 | 0:16:02 | |
No more than you deserve, ma'am. | 0:16:02 | 0:16:03 | |
..mentions this boy prancing here | 0:16:03 | 0:16:05 | |
to go straightaway! | 0:16:05 | 0:16:07 | |
For all we know our fortune might be made and all he has to do is play! | 0:16:07 | 0:16:10 | |
I don't want to. | 0:16:10 | 0:16:11 | |
-You listen to me, ungrateful wretch! -PIP GRUNTS | 0:16:11 | 0:16:13 | |
Want to mix with people of quality and breeding | 0:16:13 | 0:16:15 | |
or stay here and rot with this great lumpen noodle? | 0:16:15 | 0:16:19 | |
-Stay here. -What?! | 0:16:21 | 0:16:22 | |
-What? -SHE GRUNTS | 0:16:24 | 0:16:26 | |
SHE GASPS | 0:16:27 | 0:16:29 | |
-Breathe in. Breathe. -SHE YELLS | 0:16:31 | 0:16:35 | |
Six sixes. | 0:16:38 | 0:16:40 | |
36. | 0:16:40 | 0:16:42 | |
-Minus 35. -One. | 0:16:42 | 0:16:46 | |
Plus 119. | 0:16:46 | 0:16:48 | |
119... | 0:16:48 | 0:16:50 | |
Um, 120. | 0:16:50 | 0:16:52 | |
Divided by 84. | 0:16:52 | 0:16:53 | |
Your answer, please, boy. Your answer. | 0:16:55 | 0:16:57 | |
So start again. | 0:16:57 | 0:16:59 | |
12 times 39... | 0:16:59 | 0:17:03 | |
Four times 17. | 0:17:14 | 0:17:15 | |
Too slow! 68. | 0:17:15 | 0:17:17 | |
Nine times 13. | 0:17:17 | 0:17:19 | |
117... | 0:17:19 | 0:17:20 | |
Now, boy, remember your station | 0:17:28 | 0:17:31 | |
and let your conduct be a credit | 0:17:31 | 0:17:33 | |
as to those which brought you up by hand. | 0:17:33 | 0:17:35 | |
Ow! PIP GRUNTS | 0:17:35 | 0:17:37 | |
-Look, the clock's stopped. -Never mind the clock... | 0:17:39 | 0:17:42 | |
CHAIN RATTLES | 0:17:48 | 0:17:51 | |
-What name? -Pumblechook. | 0:18:01 | 0:18:04 | |
Quite right. | 0:18:04 | 0:18:05 | |
Do you wish to see Miss Havisham? | 0:18:05 | 0:18:07 | |
-Well, if Miss Havisham wishes to see me! -She don't. | 0:18:08 | 0:18:11 | |
Come along, boy. | 0:18:11 | 0:18:13 | |
Boy! | 0:18:13 | 0:18:14 | |
Are you frightened? | 0:18:31 | 0:18:32 | |
STAMMERING: I don't know. | 0:18:33 | 0:18:35 | |
Go in, then. | 0:18:40 | 0:18:41 | |
NERVOUSLY: After you, miss. | 0:18:42 | 0:18:43 | |
Who is it? | 0:19:18 | 0:19:19 | |
Pip, ma'am. | 0:19:20 | 0:19:22 | |
Pip? | 0:19:23 | 0:19:24 | |
Pumblechook's boy, | 0:19:24 | 0:19:26 | |
come to, er, play. | 0:19:26 | 0:19:29 | |
Oh. | 0:19:29 | 0:19:30 | |
Ah, yes. Um... | 0:19:32 | 0:19:34 | |
Come nearer. | 0:19:35 | 0:19:36 | |
Let me look at you. | 0:19:36 | 0:19:37 | |
Look at me! | 0:19:44 | 0:19:45 | |
You're not afraid of a woman who's never seen the sun since you were born? | 0:19:47 | 0:19:50 | |
NERVOUSLY: No, ma'am. | 0:19:51 | 0:19:53 | |
Then come closer. | 0:19:53 | 0:19:55 | |
Hmm. | 0:19:58 | 0:19:59 | |
Now, I sometimes have sick fancies. | 0:20:09 | 0:20:13 | |
And, um, I have a sick fancy that I want to see some play. | 0:20:13 | 0:20:18 | |
Um, so...play. | 0:20:18 | 0:20:20 | |
Go on, play. Play.! | 0:20:20 | 0:20:22 | |
-Are you sullen and obstinate? -No, ma'am! | 0:20:25 | 0:20:28 | |
I am very sorry for you and sorry that I can't play. | 0:20:28 | 0:20:31 | |
But if you complain of me I will get into trouble with my sister, | 0:20:31 | 0:20:35 | |
so I would play if I could, but it's just so new here. | 0:20:35 | 0:20:39 | |
Call Estella! Estella! | 0:20:39 | 0:20:41 | |
Estella! | 0:20:41 | 0:20:43 | |
Mmm. | 0:20:48 | 0:20:49 | |
SHE CHUCKLES | 0:20:53 | 0:20:54 | |
(Your own one day, my dear, | 0:20:54 | 0:20:57 | |
(and you will use it well.) | 0:20:57 | 0:20:59 | |
Now. Let me see you play cards with him. | 0:21:02 | 0:21:05 | |
(But he's a common labouring boy. | 0:21:05 | 0:21:08 | |
(You can break his heart.) | 0:21:08 | 0:21:10 | |
What do you play, boy? | 0:21:11 | 0:21:13 | |
Nothing but Beggar My Neighbour, miss. | 0:21:13 | 0:21:16 | |
So... | 0:21:16 | 0:21:18 | |
Beggar him. | 0:21:18 | 0:21:19 | |
SHE CACKLES | 0:21:19 | 0:21:22 | |
-PIP: The jack of diamonds. ESTELLA: -"Jack"! | 0:21:36 | 0:21:38 | |
He calls the knaves "jack", this boy. | 0:21:38 | 0:21:40 | |
And what coarse hands he has, | 0:21:41 | 0:21:44 | |
and what thick boots. | 0:21:44 | 0:21:47 | |
He's nothing but a stupid, clumsy, labouring boy. | 0:21:47 | 0:21:50 | |
What do you think of her? | 0:21:54 | 0:21:55 | |
You say nothing of her. | 0:21:55 | 0:21:57 | |
I don't like to say. | 0:21:58 | 0:22:01 | |
Whisper in my ear. | 0:22:01 | 0:22:03 | |
Hm. | 0:22:07 | 0:22:08 | |
What do you think? | 0:22:08 | 0:22:10 | |
I think she is very proud. | 0:22:10 | 0:22:13 | |
-Anything else? -I think... | 0:22:13 | 0:22:15 | |
I think she is very pretty. | 0:22:17 | 0:22:19 | |
Anything else? | 0:22:19 | 0:22:21 | |
I think she is very insulting. | 0:22:21 | 0:22:24 | |
I think I should like to go home. | 0:22:26 | 0:22:27 | |
What? | 0:22:29 | 0:22:30 | |
And never see her again? | 0:22:30 | 0:22:32 | |
I think I'd like to see her again. | 0:22:32 | 0:22:34 | |
Then you shall. | 0:22:34 | 0:22:36 | |
Then you shall. | 0:22:38 | 0:22:39 | |
-But when, when shall I have you here again? -Today is Wednesday. | 0:22:41 | 0:22:44 | |
No Wednesdays, Thursdays, Fridays here, | 0:22:44 | 0:22:46 | |
no days of the week, no weeks of the year. | 0:22:46 | 0:22:49 | |
No... Come again after six nights. | 0:22:50 | 0:22:54 | |
Estella, take him down. | 0:22:54 | 0:22:56 | |
Feed him. | 0:22:56 | 0:22:57 | |
"And the Lord said unto...unto..." CLAMOURING | 0:23:14 | 0:23:17 | |
"...unto Aaron, | 0:23:17 | 0:23:19 | |
"Thou and thy sons and thy father's house..." | 0:23:19 | 0:23:24 | |
CHATTER AND LAUGHTER PIP CONTINUES | 0:23:24 | 0:23:29 | |
Good gracious, what is going on?! Enough! Enough, I say! | 0:23:29 | 0:23:33 | |
Back to your form, Pip. | 0:23:33 | 0:23:35 | |
HE SNORES | 0:23:35 | 0:23:38 | |
Now, let us read together. | 0:23:39 | 0:23:42 | |
Quietly. | 0:23:42 | 0:23:45 | |
ALL: "And the Lord said... | 0:23:45 | 0:23:47 | |
"Unto Aaron..." BELL TOLLS | 0:23:47 | 0:23:51 | |
"Thou and thy sons..." | 0:23:51 | 0:23:54 | |
INDISTINCT CHATTER | 0:23:54 | 0:23:57 | |
I wonder if you might teach me. | 0:23:57 | 0:23:59 | |
Teach you what, Pip? | 0:23:59 | 0:24:01 | |
Everything. | 0:24:01 | 0:24:02 | |
I want to know everything. | 0:24:02 | 0:24:05 | |
-SHE LAUGHS -Everything? | 0:24:05 | 0:24:07 | |
Goodness, well, | 0:24:07 | 0:24:09 | |
that might take a little time. | 0:24:09 | 0:24:12 | |
Pip, whatever for? | 0:24:12 | 0:24:14 | |
Do you know the name of the house, boy? | 0:24:14 | 0:24:18 | |
It is Satis House. | 0:24:18 | 0:24:20 | |
Is that Greek or Latin? | 0:24:20 | 0:24:23 | |
Greek or Latin or Hebrew or all three, for "enough". | 0:24:23 | 0:24:28 | |
-"Enough House". That's a curious name. -Don't loiter! | 0:24:28 | 0:24:32 | |
It meant, when it was given, that whoever had this house | 0:24:32 | 0:24:35 | |
would want for nothing else. | 0:24:35 | 0:24:37 | |
They must have been easily satisfied. | 0:24:37 | 0:24:40 | |
-WOMAN 1: -Is this him? Is this the boy? | 0:24:43 | 0:24:45 | |
-None of your business. -MAN: -Well! Of all the... | 0:24:45 | 0:24:47 | |
Will she see us today? We have been waiting! | 0:24:47 | 0:24:49 | |
-WOMAN 2: -Waiting all morning! -MAN: -Waiting all morning! | 0:24:49 | 0:24:52 | |
-We only wish to help. -We only wish to help. | 0:24:52 | 0:24:54 | |
Miss Havisham's poor relations. | 0:24:54 | 0:24:56 | |
-She calls them her vultures. -The little bitch! -Ignore them. | 0:24:56 | 0:25:00 | |
-PIP: So are they your relations, too? ESTELLA: -Certainly not. | 0:25:03 | 0:25:05 | |
I have no relations. | 0:25:05 | 0:25:07 | |
-Then Miss Havisham is not your... -Well? | 0:25:07 | 0:25:10 | |
-Well, miss? -Am I pretty? | 0:25:10 | 0:25:13 | |
Yes. You are very pretty. | 0:25:13 | 0:25:15 | |
Am I insulting? | 0:25:19 | 0:25:21 | |
No. | 0:25:21 | 0:25:22 | |
Well, not so much as last time. | 0:25:22 | 0:25:25 | |
-HE GROANS -Why don't you cry? | 0:25:25 | 0:25:28 | |
Because I don't want to. | 0:25:28 | 0:25:30 | |
Whom have we here? | 0:25:30 | 0:25:31 | |
Ah. So you're the boy, are you? | 0:25:32 | 0:25:36 | |
Well, I have a pretty large experience of boys, | 0:25:36 | 0:25:39 | |
and you're a bad set of fellows. | 0:25:39 | 0:25:41 | |
Behave yourself. | 0:25:41 | 0:25:42 | |
You're to wait here in the ballroom. | 0:25:44 | 0:25:47 | |
-HAVISHAM: -What do you think it is? | 0:25:55 | 0:25:56 | |
A cake. | 0:25:57 | 0:25:59 | |
A bride's cake. | 0:25:59 | 0:26:01 | |
Mine! | 0:26:01 | 0:26:02 | |
Take my hand, walk with me. | 0:26:05 | 0:26:07 | |
Today is my birthday. | 0:26:10 | 0:26:13 | |
-Many happy ret... -I will not have it spoken of! | 0:26:13 | 0:26:15 | |
No. On this day of the year, long before you were born, | 0:26:17 | 0:26:22 | |
this heap of decay was brought here... | 0:26:22 | 0:26:24 | |
We've worn away together. | 0:26:24 | 0:26:26 | |
Mice have gnawed at it. | 0:26:26 | 0:26:28 | |
And sharper teeth than mice have gnawed at me. | 0:26:28 | 0:26:30 | |
When the ruin is complete, | 0:26:33 | 0:26:35 | |
when they lay me dead in my bride's dress, | 0:26:35 | 0:26:39 | |
on the bride's table, | 0:26:39 | 0:26:41 | |
the curse will be finished on him. | 0:26:41 | 0:26:43 | |
On who, Miss Havisham? | 0:26:43 | 0:26:45 | |
MURMUR OF VOICES | 0:26:45 | 0:26:46 | |
Miss Havisham. How well you look! | 0:26:46 | 0:26:49 | |
-Happy birthday. -MAN: -Indeed! | 0:26:49 | 0:26:50 | |
Ah, the vultures. | 0:26:52 | 0:26:55 | |
Estella, feed the boy. | 0:26:56 | 0:26:59 | |
ESTELLA HUMS | 0:27:03 | 0:27:07 | |
Who are you? Who let you in? | 0:27:47 | 0:27:51 | |
Who gave you leave to prowl about? | 0:27:51 | 0:27:53 | |
Estella. | 0:27:53 | 0:27:54 | |
Estella? | 0:27:54 | 0:27:55 | |
That witch! | 0:27:55 | 0:27:56 | |
-Take that back! -I will not! | 0:27:56 | 0:27:58 | |
-You will take that back. -Fight me, then. | 0:27:58 | 0:28:01 | |
Regular rules. | 0:28:01 | 0:28:02 | |
Come to the ground! | 0:28:02 | 0:28:04 | |
HE HUFFS | 0:28:06 | 0:28:08 | |
HE GRUNTS | 0:28:09 | 0:28:11 | |
-Fight me, fight me. -HE GRUNTS | 0:28:19 | 0:28:22 | |
HE GROANS | 0:28:23 | 0:28:24 | |
That means you won. | 0:28:31 | 0:28:33 | |
Honour is satisfied. Much obliged. Good afternoon! | 0:28:33 | 0:28:36 | |
You are to return the day after tomorrow at noon, | 0:28:44 | 0:28:47 | |
alternate days after that. | 0:28:47 | 0:28:49 | |
Expect no reward. | 0:28:50 | 0:28:52 | |
You may kiss me. | 0:28:55 | 0:28:57 | |
If you like. | 0:28:57 | 0:28:58 | |
Now, then, the Kings of England. | 0:29:25 | 0:29:27 | |
-Henry Ill, Richard... -Edward I... | 0:29:27 | 0:29:30 | |
-Edward I -..II and III. | 0:29:30 | 0:29:34 | |
-Richard. -Richard the... -Richard II. -Henry the... | 0:29:34 | 0:29:37 | |
How do you manage it, Biddy? | 0:29:37 | 0:29:39 | |
Manage what? | 0:29:39 | 0:29:41 | |
To know so much! | 0:29:41 | 0:29:43 | |
I suppose I catch it. | 0:29:43 | 0:29:46 | |
Like a cough. | 0:29:46 | 0:29:48 | |
HE WHISTLES | 0:29:48 | 0:29:52 | |
# Old Clem, beat it out, beat it out | 0:29:52 | 0:29:55 | |
# Old Clem, with a clink for the stout | 0:29:55 | 0:29:59 | |
# Old Clem, with a... # | 0:29:59 | 0:30:01 | |
Something wrong, old chap? | 0:30:01 | 0:30:02 | |
I wish you hadn't taught me to call knaves jacks! | 0:30:02 | 0:30:05 | |
What's that, Pip? | 0:30:05 | 0:30:06 | |
I wish my boots weren't so thick and my hands so coarse. | 0:30:06 | 0:30:09 | |
I wish I wasn't common! | 0:30:09 | 0:30:10 | |
-'May I tell you a secret? BIDDY: -I suppose you may.' | 0:30:12 | 0:30:15 | |
I don't... I don't want to be a blacksmith. | 0:30:17 | 0:30:21 | |
I want to be a gentleman. | 0:30:22 | 0:30:24 | |
Oh, I wouldn't if I was you. | 0:30:24 | 0:30:26 | |
-Aren't you fond of the forge? And Joe? -Yes. | 0:30:26 | 0:30:29 | |
Then don't you think you'd be happier as you are? | 0:30:29 | 0:30:31 | |
I have particular reasons. | 0:30:31 | 0:30:35 | |
To do with a certain young lady, I suppose. | 0:30:35 | 0:30:38 | |
Your princess. | 0:30:39 | 0:30:41 | |
One, two, three, four. | 0:30:41 | 0:30:44 | |
One, two, three, four. | 0:30:44 | 0:30:47 | |
BOTH: One, two, three, four... | 0:30:54 | 0:30:56 | |
One, two, three, four... | 0:30:56 | 0:30:59 | |
One, two, three... | 0:31:07 | 0:31:10 | |
Estella. | 0:31:10 | 0:31:11 | |
What are you doing? | 0:31:12 | 0:31:14 | |
Teaching Pip to dance. | 0:31:14 | 0:31:16 | |
Like a gentleman. | 0:31:16 | 0:31:18 | |
Bring the blacksmith to See me. | 0:31:22 | 0:31:24 | |
Joe. | 0:31:35 | 0:31:36 | |
Oh. | 0:31:51 | 0:31:53 | |
So you are the husband of the sister of the boy? | 0:31:53 | 0:31:56 | |
-Being that I have been married to your sister... -Just say yes, Joe. | 0:31:59 | 0:32:02 | |
-By which I mean to say... -Joe! -Yes, Miss Havisham. | 0:32:02 | 0:32:06 | |
And you have reared the boy | 0:32:06 | 0:32:07 | |
with the intention of making him your apprentice? | 0:32:07 | 0:32:10 | |
You know, Pip, as you and I ever were the best of friends, | 0:32:12 | 0:32:15 | |
and it were look for'ard to betwixt us | 0:32:15 | 0:32:17 | |
as being calculated to lead to larks. | 0:32:17 | 0:32:19 | |
The boy has made no objection to the trade? | 0:32:26 | 0:32:29 | |
-Larks being the great wish of his heart. -Oh, enough! Estella. | 0:32:29 | 0:32:32 | |
Um, bring me that purse. | 0:32:32 | 0:32:34 | |
Yes, um... | 0:32:36 | 0:32:38 | |
Pip has earned a premium here. | 0:32:38 | 0:32:41 | |
Here are five and 20 guineas. | 0:32:41 | 0:32:44 | |
Give it to your new master, Pip. | 0:32:44 | 0:32:46 | |
Now... | 0:32:53 | 0:32:55 | |
You are now a blacksmith. | 0:32:55 | 0:32:57 | |
Goodbye. | 0:32:57 | 0:32:59 | |
-You are not ashamed of being a blacksmith, are you? -No. | 0:33:04 | 0:33:08 | |
-Then you are a blacksmith. -Goodbye. | 0:33:08 | 0:33:11 | |
But... | 0:33:12 | 0:33:13 | |
Am I to come again? | 0:33:13 | 0:33:15 | |
No. Goodbye, Pip. | 0:33:16 | 0:33:19 | |
You have been a good boy. | 0:33:19 | 0:33:21 | |
Goodbye. Goodbye. | 0:33:21 | 0:33:23 | |
Come on. Let's go. | 0:33:29 | 0:33:30 | |
Perhaps we shall meet again. One day. | 0:33:44 | 0:33:48 | |
It seems unlikely. | 0:33:52 | 0:33:53 | |
Pip. Pip. | 0:34:00 | 0:34:02 | |
Come on, boy. | 0:34:04 | 0:34:05 | |
Pip. | 0:34:50 | 0:34:52 | |
Joe, may I? | 0:34:52 | 0:34:53 | |
THEY LAUGH | 0:34:57 | 0:35:00 | |
Biddy, I wish... | 0:35:53 | 0:35:54 | |
Go on. | 0:35:56 | 0:35:57 | |
Pip? | 0:35:57 | 0:35:58 | |
-Biddy, I wish I could fall in love with you. -Oh. | 0:36:03 | 0:36:07 | |
-Can I say this to you? -Don't mind me. | 0:36:07 | 0:36:12 | |
I wish I could love you and my work | 0:36:13 | 0:36:15 | |
and that I could settle down with Joe at the forge, | 0:36:15 | 0:36:17 | |
and that we could be sitting here together, | 0:36:17 | 0:36:20 | |
two completely different people. | 0:36:20 | 0:36:22 | |
I do wish I could be content, but... | 0:36:22 | 0:36:25 | |
You cannot. | 0:36:27 | 0:36:28 | |
Might you be content with me? | 0:36:35 | 0:36:36 | |
I might. | 0:36:38 | 0:36:39 | |
But then, I'm easily pleased. | 0:36:40 | 0:36:42 | |
Do you think of her very often? | 0:36:48 | 0:36:50 | |
'CLANGING' | 0:37:01 | 0:37:03 | |
Pip. Pip! | 0:37:04 | 0:37:07 | |
Gentleman to see you. | 0:37:07 | 0:37:08 | |
You are Philip Pirrip, | 0:37:10 | 0:37:12 | |
more commonly known as Pip, am I right? | 0:37:12 | 0:37:16 | |
-Yes, sir. -And this is your brother-in-law... | 0:37:16 | 0:37:19 | |
-Joseph, or "Joe" Gargery? -I am that man. | 0:37:19 | 0:37:21 | |
-And your wife, Mr Gargery? -Dead, sir. Bad heart. | 0:37:21 | 0:37:25 | |
Passed away five years since, while on the rampage. I miss her. | 0:37:25 | 0:37:29 | |
-I miss her... -Condolences, yes. | 0:37:29 | 0:37:31 | |
My name is Jaggers. I'm a lawyer in London. | 0:37:31 | 0:37:33 | |
I'm pretty well known. | 0:37:33 | 0:37:35 | |
And I have some unusual business to transact with you. | 0:37:35 | 0:37:38 | |
Joseph Gargery, I am the bearer of an offer... | 0:37:42 | 0:37:44 | |
to relieve you of this young fellow, your apprentice. | 0:37:44 | 0:37:48 | |
I am here to inform you that he has great expectations. | 0:37:48 | 0:37:52 | |
He has come into a handsome fortune, | 0:37:54 | 0:37:57 | |
and it is the desire of the present possessor of the fortune | 0:37:57 | 0:38:01 | |
that he be removed from his present circumstances | 0:38:01 | 0:38:04 | |
and brought up as a gentleman in London. | 0:38:04 | 0:38:07 | |
Do you have any objections? | 0:38:10 | 0:38:13 | |
-I don't think so. -There are conditions, of course. | 0:38:13 | 0:38:16 | |
The first being that you always retain the name Pip. | 0:38:16 | 0:38:19 | |
-You've no objections to that, I dare say. -I have no objection. | 0:38:19 | 0:38:23 | |
And the second stipulation, | 0:38:23 | 0:38:24 | |
is that the name of the liberal benefactor remain a profound secret. | 0:38:24 | 0:38:30 | |
You are positively prohibited | 0:38:30 | 0:38:32 | |
from making any enquiries into this question. Do you understand? | 0:38:32 | 0:38:36 | |
I understand. | 0:38:36 | 0:38:37 | |
-Mr Gargery? -Hm? | 0:38:37 | 0:38:40 | |
Mr Gargery, this is for you. | 0:38:40 | 0:38:42 | |
20 guineas. | 0:38:42 | 0:38:44 | |
As compensation for the loss of his services. | 0:38:44 | 0:38:47 | |
Very generous, I think you'd agree. | 0:38:51 | 0:38:53 | |
If you think money can make compensation | 0:38:53 | 0:38:56 | |
for the loss of the little orphan what come to the forge and was... | 0:38:56 | 0:38:58 | |
-It's time for us, Joe. -Yes, yes, yes, very noble sentiment. | 0:38:58 | 0:39:01 | |
Very touching, I'm sure. Do you want the money or no? | 0:39:01 | 0:39:03 | |
-If you're a man, come on! -Joe! | 0:39:03 | 0:39:05 | |
Bear-baiting and badgering me in my own home. | 0:39:05 | 0:39:06 | |
-Come on, I say! -Joe! | 0:39:06 | 0:39:08 | |
-Come on, I say! -Joe! Enough! Enough! | 0:39:08 | 0:39:09 | |
Joe! CHAINS RATTLES | 0:39:09 | 0:39:11 | |
Well, Mr Pip, the sooner you leave here, the better. | 0:39:22 | 0:39:24 | |
Shall we say one week? | 0:39:24 | 0:39:26 | |
And what will I do in London? | 0:39:27 | 0:39:29 | |
"Do"? | 0:39:29 | 0:39:30 | |
What will be my trade? | 0:39:30 | 0:39:33 | |
My profession? | 0:39:33 | 0:39:34 | |
A gentleman. You will be a gentleman. | 0:39:34 | 0:39:37 | |
You will please consider me your guardian now. | 0:39:37 | 0:39:39 | |
Good evening. | 0:39:42 | 0:39:43 | |
-PUMBLECHOOK: -Thing is, I always say, you need your inexpressibles | 0:39:47 | 0:39:51 | |
in something fine, clingy! | 0:39:51 | 0:39:53 | |
-A nice lute string, ladies. -LADIES CHUCKLING | 0:39:53 | 0:39:55 | |
No point your inexpressibles being in nankeen, now, is there? | 0:39:55 | 0:39:59 | |
No point at all. | 0:39:59 | 0:40:00 | |
Nothing clings. Nothing is expressed. | 0:40:00 | 0:40:02 | |
LAUGHTER CONTINUES Mr Pumblechook. | 0:40:02 | 0:40:04 | |
Oh, seven times 16, your answer, please. | 0:40:06 | 0:40:09 | |
-Mr Pumblechook. -Too slow, too slow. | 0:40:09 | 0:40:12 | |
-Mr Pumblechook, I have some news. -Oh? | 0:40:12 | 0:40:13 | |
I've... | 0:40:13 | 0:40:15 | |
Well, I've come into some property. | 0:40:15 | 0:40:17 | |
Oh. | 0:40:22 | 0:40:23 | |
This is a very sweet article for light summer wear. | 0:40:23 | 0:40:26 | |
-May I? -You may. | 0:40:26 | 0:40:28 | |
Ah... Feel the knap? Do you feel that? | 0:40:28 | 0:40:31 | |
Yah. | 0:40:31 | 0:40:32 | |
See how it catches the light? Extra superfine | 0:40:32 | 0:40:35 | |
and quite in vogue amongst the London gentry. Number five... | 0:40:35 | 0:40:38 | |
This is you as well. | 0:40:40 | 0:40:42 | |
This is very you. | 0:40:42 | 0:40:43 | |
That will be evening and that will be daytime. | 0:40:43 | 0:40:46 | |
So, best to get them both. | 0:40:46 | 0:40:48 | |
-What about some gentleman's boots? -We don't do boots. | 0:40:48 | 0:40:52 | |
Astonishing! | 0:40:55 | 0:40:57 | |
Oi! JOE LAUGHS | 0:41:00 | 0:41:02 | |
For luck! | 0:41:02 | 0:41:04 | |
-Bye, boy. -Bye, Pip. | 0:41:08 | 0:41:10 | |
SHE SOBS | 0:41:16 | 0:41:18 | |
BELLS RING | 0:41:28 | 0:41:30 | |
So we thought you might like a little erm... | 0:41:30 | 0:41:32 | |
A little something to tempt your appetite. | 0:41:33 | 0:41:35 | |
A cup of tea? You might enjoy the chocolate... | 0:41:35 | 0:41:38 | |
Pip. | 0:41:39 | 0:41:42 | |
Come closer, come closer. | 0:41:42 | 0:41:43 | |
Come join us. | 0:41:43 | 0:41:45 | |
How handsome you look in your finery. | 0:41:45 | 0:41:48 | |
You remember my cousin Sarah Pocket. | 0:41:48 | 0:41:50 | |
She works for me now. | 0:41:50 | 0:41:52 | |
I employ her. | 0:41:52 | 0:41:54 | |
Miss Havisham, I... | 0:41:54 | 0:41:56 | |
-I came to take my leave of you. You see, I've... -Yes, yes. | 0:41:56 | 0:41:59 | |
I've seen Mr Jaggers. I know all about it. | 0:41:59 | 0:42:02 | |
You are adopted by a mysterious benefactor? | 0:42:03 | 0:42:07 | |
ALL GASP | 0:42:07 | 0:42:08 | |
Yes, Miss Havisham. | 0:42:08 | 0:42:10 | |
Isn't that wonderful news, everyone? | 0:42:10 | 0:42:12 | |
-Yes, quite... -Wonderful. | 0:42:12 | 0:42:14 | |
-Wonderful. -Go now. -Everyone, go. | 0:42:14 | 0:42:16 | |
All of you, go. | 0:42:16 | 0:42:18 | |
Hmph. | 0:42:18 | 0:42:19 | |
I was, er, hoping that... | 0:42:23 | 0:42:25 | |
She's abroad, Pip. | 0:42:25 | 0:42:27 | |
Educating for a lady. | 0:42:27 | 0:42:29 | |
Far out of reach. Prettier than ever. | 0:42:29 | 0:42:31 | |
Admired by all who see her. | 0:42:31 | 0:42:35 | |
Do you feel you have lost her, Pip? | 0:42:35 | 0:42:38 | |
Be patient. | 0:42:38 | 0:42:39 | |
I'm sure your paths will cross. | 0:42:39 | 0:42:41 | |
-I hope so. -Mm. | 0:42:41 | 0:42:45 | |
Miss Havisham, I wished to say how grateful... | 0:42:45 | 0:42:47 | |
Uh-uh-uh-uh-uh. Hush now, Pip. | 0:42:47 | 0:42:50 | |
You will always keep the name of Pip, you know. | 0:42:51 | 0:42:54 | |
Go. | 0:42:59 | 0:43:00 | |
Goodbye, Pip. | 0:43:04 | 0:43:05 | |
COACHMAN SPURS HORSES | 0:43:10 | 0:43:12 | |
GEESE HONK | 0:43:17 | 0:43:18 | |
VENDORS SHOUT INDISTINCTLY | 0:43:26 | 0:43:28 | |
Here, sir, you want some offal? | 0:43:49 | 0:43:51 | |
CROWD CHATTERS | 0:43:54 | 0:43:56 | |
-MAN: -Get off! | 0:43:56 | 0:43:58 | |
ANIMALS LOW AND BLEAT | 0:43:58 | 0:44:00 | |
CLAMOUR | 0:44:00 | 0:44:03 | |
INDISTINCT CONVERSATION | 0:44:03 | 0:44:06 | |
Excuse me, sir. | 0:44:06 | 0:44:07 | |
CLAMOUR OF VOICES AND ACTIVITY | 0:44:07 | 0:44:10 | |
-VENDOR: -Meat! | 0:44:31 | 0:44:34 | |
Lovely meat! | 0:44:34 | 0:44:35 | |
-WEMMICK: -Mr Pip? Mr Jaggers will be with you shortly, Mr Pip. | 0:44:38 | 0:44:42 | |
He's at the Bailey, getting evidence together. | 0:44:42 | 0:44:44 | |
Whose likenesses are they? | 0:44:48 | 0:44:49 | |
Likenesses? | 0:44:49 | 0:44:51 | |
Why, this is their true selves! | 0:44:51 | 0:44:54 | |
Casts made in Newgate, fresh from the gallows. | 0:44:54 | 0:44:56 | |
Murderer, and a forger of wills. | 0:44:58 | 0:45:01 | |
Very crafty in particular, this one. | 0:45:01 | 0:45:03 | |
But the evidence was too strong. | 0:45:03 | 0:45:05 | |
Not so crafty now, are you, my friend? | 0:45:05 | 0:45:08 | |
This was his as well. Made a gift of it to me, just before the end. | 0:45:08 | 0:45:11 | |
They're not worth much, but they're portable, | 0:45:11 | 0:45:14 | |
and they're property. | 0:45:14 | 0:45:15 | |
That's my guiding star, Mr Pip. | 0:45:15 | 0:45:17 | |
-Get hold of portable property. -I have no more to say to you! | 0:45:17 | 0:45:20 | |
-That's Mr Jaggers now. -MEN ARGUING INDISTINCTLY | 0:45:20 | 0:45:23 | |
I wish to know no more than I know. ..Good day, Mr Pip. | 0:45:23 | 0:45:25 | |
-Any more news, Mr Jaggers? -MAN: -Get your hands off me! | 0:45:25 | 0:45:28 | |
-Have you paid Mr Wemmick? -Yes. -Now let go of my coat. | 0:45:28 | 0:45:30 | |
I trust your journey was satisfactory. | 0:45:30 | 0:45:32 | |
Mr Jaggers, have you had any feelings about my claim? | 0:45:32 | 0:45:35 | |
"Feelings"? "Feelings"? | 0:45:35 | 0:45:37 | |
We'll have no "feelings" here. | 0:45:37 | 0:45:39 | |
Come on in, Mr Pip. | 0:45:39 | 0:45:40 | |
CLAMOUR | 0:45:40 | 0:45:42 | |
Move back! | 0:45:42 | 0:45:44 | |
-You've met Mr Wemmick. -Sorry, sir. | 0:45:44 | 0:45:47 | |
He keeps the money, so doubtless you will be seeing a lot of him. | 0:45:47 | 0:45:50 | |
SLAMMING DOORS | 0:45:50 | 0:45:52 | |
Dear Lord, is that your new suit? | 0:45:52 | 0:45:54 | |
Here. | 0:45:54 | 0:45:55 | |
Tailor, hatter, bootmaker, hosier. | 0:45:55 | 0:46:00 | |
Your credit will be good with all of them. | 0:46:00 | 0:46:02 | |
I've taken the liberty of enrolling you in a gentlemen's club. | 0:46:02 | 0:46:05 | |
The Finches of the Grove. Just the thing for gentlemen of distinction. | 0:46:05 | 0:46:09 | |
Your allowance, Mr Pip. | 0:46:09 | 0:46:11 | |
I trust you will find it generous. | 0:46:11 | 0:46:13 | |
Your temporary lodgings will be at Barnard's Inn. | 0:46:13 | 0:46:18 | |
-Quite near here, so I might keep an eye on you... -There you are, sir. | 0:46:18 | 0:46:21 | |
..and pull you up when I find you going wrong. | 0:46:21 | 0:46:25 | |
And, you will go wrong, Mr Pip... | 0:46:25 | 0:46:28 | |
..not through any fault of mine. | 0:46:29 | 0:46:33 | |
CROWD CHATTERS INDISTINCTLY | 0:46:33 | 0:46:35 | |
HERBERT SINGS INDISTINCTLY | 0:47:05 | 0:47:07 | |
-Mr Pip? -Mr Pocket? | 0:47:08 | 0:47:10 | |
I am extremely sorry, but I thought that, | 0:47:10 | 0:47:14 | |
coming from the country, you might like a little fruit. | 0:47:14 | 0:47:17 | |
-Strawberries! -Oh. | 0:47:17 | 0:47:19 | |
-Oh. -Strawberry jam! | 0:47:19 | 0:47:20 | |
Mm. Have you seen your lodgings? | 0:47:21 | 0:47:24 | |
-No. -They're by no means splendid, | 0:47:24 | 0:47:26 | |
but I'm sure that we shan't come to blows. | 0:47:26 | 0:47:29 | |
Put them up. | 0:47:36 | 0:47:37 | |
Come on. | 0:47:38 | 0:47:40 | |
Come on. | 0:47:40 | 0:47:41 | |
Come on. | 0:47:42 | 0:47:43 | |
Stand your ground. Regular rules apply. | 0:47:44 | 0:47:47 | |
I beg your pardon? | 0:47:47 | 0:47:48 | |
HE HUFFS | 0:47:48 | 0:47:50 | |
HE LAUGHS | 0:47:52 | 0:47:54 | |
-HE GROWLS -The prowling boy. | 0:47:54 | 0:47:56 | |
The pale, young gentleman! HE CHUCKLES | 0:47:59 | 0:48:02 | |
I was there with my Aunt Sarah on a trial visit. | 0:48:03 | 0:48:07 | |
Miss Havisham fancied that she wanted to see me play. | 0:48:07 | 0:48:11 | |
KNOCK ON DOOR | 0:48:11 | 0:48:12 | |
Clearly she didn't take much of a fancy to me. | 0:48:19 | 0:48:21 | |
Poor taste on her part but just as well. | 0:48:21 | 0:48:24 | |
Otherwise, I might have been what-d'-you-called it to Estella. | 0:48:24 | 0:48:27 | |
Affianced. Betrothed. | 0:48:27 | 0:48:30 | |
Engaged. | 0:48:30 | 0:48:31 | |
But, it was not to be. | 0:48:32 | 0:48:36 | |
I'm very sorry. | 0:48:36 | 0:48:37 | |
Sorry? | 0:48:37 | 0:48:39 | |
The girl's a Tartar. | 0:48:39 | 0:48:41 | |
Hard and haughty and... ..Thank you. | 0:48:41 | 0:48:44 | |
..Capricious to the last degree. | 0:48:44 | 0:48:45 | |
Brought up by Miss Havisham to wreak revenge on all the male sex. | 0:48:45 | 0:48:50 | |
Why should she wreak revenge? | 0:48:52 | 0:48:54 | |
Lord, Mr Pip. Don't you know? | 0:48:56 | 0:48:58 | |
Miss Havisham was very rich and very proud, a spoilt child. | 0:49:00 | 0:49:05 | |
Her mother died when she was young and her father married again. | 0:49:05 | 0:49:08 | |
His cook, would you believe? | 0:49:08 | 0:49:11 | |
And they had a son, Arthur. | 0:49:11 | 0:49:13 | |
-Who was... -How might I put this? -...Not entirely legitimate. | 0:49:13 | 0:49:17 | |
At this point, I might break off and mention | 0:49:18 | 0:49:20 | |
that in London it's not the custom to put the knife in the mouth, | 0:49:20 | 0:49:23 | |
-for fear of accidents. -Sorry. | 0:49:23 | 0:49:25 | |
And also the fork is not generally used underhand but over. | 0:49:27 | 0:49:30 | |
-Of course. Of course. -Do you mind? | 0:49:30 | 0:49:32 | |
No, not at all. I'm gra'eful. | 0:49:32 | 0:49:35 | |
-HE MOUTHS -Er... Ts, Mr Pip. | 0:49:35 | 0:49:38 | |
You are GRATEFUL. | 0:49:38 | 0:49:40 | |
Grateful. Sorry. | 0:49:40 | 0:49:43 | |
Now, um... | 0:49:43 | 0:49:44 | |
Miss Havisham met a certain man | 0:49:45 | 0:49:47 | |
and she loved this man, devotedly, passionately. | 0:49:47 | 0:49:50 | |
Idolised him. | 0:49:50 | 0:49:52 | |
And soon, they were engaged. | 0:49:52 | 0:49:55 | |
He persuaded her to buy her half-brother's share of the brewery | 0:49:56 | 0:49:58 | |
at an immense price, so that when he was her husband, | 0:49:58 | 0:50:00 | |
he could hold and manage it all. | 0:50:00 | 0:50:03 | |
Well... | 0:50:04 | 0:50:05 | |
'The happy day arrived. | 0:50:07 | 0:50:09 | |
'The wedding dresses were bought, the wedding tour planned out. | 0:50:09 | 0:50:12 | |
'The wedding guests were invited, my parents among them.' | 0:50:12 | 0:50:15 | |
The feast was laid out. | 0:50:16 | 0:50:18 | |
'A great bride cake made. | 0:50:18 | 0:50:19 | |
'And the groom wrote her a letter. | 0:50:21 | 0:50:23 | |
'And she received the letter from her brother, Arthur...' | 0:50:24 | 0:50:28 | |
-As she was dressing for marriage? -At 20... -20 minutes to nine. | 0:50:28 | 0:50:31 | |
'Of course. All those stopped clocks. | 0:50:31 | 0:50:33 | |
'It was a conspiracy between the groom and her brother, | 0:50:33 | 0:50:38 | |
'to defraud Miss Havisham and break her heart.' | 0:50:38 | 0:50:40 | |
No! | 0:50:44 | 0:50:45 | |
SHE SCREAMS BITTERLY | 0:50:45 | 0:50:49 | |
And, in that they most surely succeeded. | 0:51:02 | 0:51:05 | |
So, 'erbert, what's your line of business? | 0:51:07 | 0:51:10 | |
Well, trade. | 0:51:10 | 0:51:12 | |
That's where the money is. | 0:51:12 | 0:51:13 | |
In the future, I shall trade to Egypt for silks and spices. | 0:51:13 | 0:51:18 | |
Ceylon for elephant tusks. | 0:51:18 | 0:51:21 | |
But for now? MEN SINGING DRUNKENLY HEARBY | 0:51:21 | 0:51:24 | |
But for now, I am a clerk in a counting house, | 0:51:24 | 0:51:27 | |
with a sweetheart whom I can't afford to marry. | 0:51:27 | 0:51:30 | |
-Is there profit in being a clerk? -No. | 0:51:30 | 0:51:32 | |
None whatsoever. | 0:51:32 | 0:51:34 | |
Not a penny. | 0:51:34 | 0:51:36 | |
BOTH LAUGH | 0:51:36 | 0:51:38 | |
You know, I don't much care for the name Mr Pip. | 0:51:38 | 0:51:40 | |
I'll tell you what I should like. Seeing as we are so harmonious | 0:51:41 | 0:51:45 | |
and you have been a blacksmith, | 0:51:45 | 0:51:46 | |
would you mind Handel for a familiar name? | 0:51:46 | 0:51:49 | |
The Harmonious Blacksmith. It's by Handel. | 0:51:51 | 0:51:52 | |
HE HUMS | 0:51:52 | 0:51:54 | |
-Do you mind? -I would like it very much. -Good! | 0:52:00 | 0:52:03 | |
As Bullfinch of this Grove, | 0:52:07 | 0:52:09 | |
and in the name of the most honoured Chaffinch... | 0:52:09 | 0:52:11 | |
-ALL: Fringillae! -..Goldfinch... | 0:52:11 | 0:52:12 | |
ALL: Carduelis! | 0:52:12 | 0:52:14 | |
..And Hawfinch. | 0:52:14 | 0:52:15 | |
Coccothraustes! | 0:52:15 | 0:52:16 | |
May the present promotion of good feeling ever reign predominant | 0:52:16 | 0:52:20 | |
among the Noble Finches of the Grove. Gentlemen... | 0:52:20 | 0:52:23 | |
ALL: Huzzah! Huzzah! | 0:52:25 | 0:52:27 | |
For the Finches of the Grove! | 0:52:27 | 0:52:28 | |
GLASSES SMASH | 0:52:31 | 0:52:33 | |
ALL CHATTER INDISTINCTLY | 0:52:35 | 0:52:36 | |
I am assured that they are the most fashionable people. | 0:52:41 | 0:52:43 | |
-Believe me. -Oh. | 0:52:43 | 0:52:45 | |
You there! New boy. Yes, you there. | 0:52:45 | 0:52:47 | |
Partridge. | 0:52:48 | 0:52:50 | |
Throw me a partridge! | 0:52:51 | 0:52:52 | |
Come on, come on. | 0:52:55 | 0:52:56 | |
HE LAUGHS | 0:52:58 | 0:52:59 | |
Oh, dear. I don't think he shall do well, here. | 0:53:01 | 0:53:04 | |
-FINCH: -Pip, isn't it? | 0:53:05 | 0:53:07 | |
-Er, Pip? -Pirrip. | 0:53:07 | 0:53:09 | |
Pirrip? | 0:53:11 | 0:53:13 | |
Pip Pirrip? | 0:53:14 | 0:53:15 | |
Oh. How remarkable. | 0:53:17 | 0:53:18 | |
And where are your people from? | 0:53:19 | 0:53:21 | |
-My people? -From Kent. | 0:53:23 | 0:53:25 | |
They're the Kentish Pirrips. | 0:53:25 | 0:53:27 | |
You sound like some sort of apple. | 0:53:27 | 0:53:28 | |
HE LAUGHS | 0:53:28 | 0:53:30 | |
ALL CHATTERING INDISTINCTLY | 0:53:30 | 0:53:32 | |
SHOUTING | 0:53:35 | 0:53:37 | |
Huzzah! For Finches of the Grove! | 0:53:46 | 0:53:49 | |
CROWD LAUGHS | 0:53:49 | 0:53:51 | |
This will just take a moment, my dear. | 0:53:58 | 0:54:00 | |
-He seems very keen. -I'm sure. | 0:54:00 | 0:54:02 | |
Handel, this is my beloved fiancee, Clara. | 0:54:02 | 0:54:05 | |
-Aren't I the lucky one? -Herbert, please! | 0:54:05 | 0:54:08 | |
So pleased to meet you. Shall we? | 0:54:08 | 0:54:11 | |
(This is far too expensive for you, Herbert. What are we doing here?) | 0:54:15 | 0:54:19 | |
There you are, sir. | 0:54:20 | 0:54:23 | |
Well? What do you think? | 0:54:23 | 0:54:25 | |
-It would be at my expense, of course. -(You're a clerk, Herbert Pocket.) | 0:54:27 | 0:54:32 | |
Well? | 0:54:35 | 0:54:36 | |
Well... | 0:54:38 | 0:54:39 | |
MAN SPEAKING INDISTINCTLY | 0:54:41 | 0:54:43 | |
..Hurry. I'd like to meet these extravagant Finches of yours. | 0:54:43 | 0:54:47 | |
Tomorrow evening. No ceremony. No dinner dress. | 0:54:47 | 0:54:51 | |
Six o'clock, say? | 0:54:51 | 0:54:53 | |
Give him the money, Wemmick. | 0:54:53 | 0:54:55 | |
Very well, sir. | 0:54:55 | 0:54:56 | |
MAN SHOUTING IN THE DISTANCE | 0:54:56 | 0:54:58 | |
What shall I make of him, Mr Wemmick? | 0:54:58 | 0:55:01 | |
He's a deep one. Deep. | 0:55:03 | 0:55:06 | |
As Australia. | 0:55:07 | 0:55:09 | |
Don't take it personal, Mr Pip. It's professional. | 0:55:09 | 0:55:11 | |
Only professional. | 0:55:11 | 0:55:13 | |
I say, if tonight you have nothing better to do, | 0:55:13 | 0:55:16 | |
why don't you come home to Walworth with me? | 0:55:16 | 0:55:18 | |
I don't have much to show you but there's a garden | 0:55:18 | 0:55:20 | |
and one or two curiosities. | 0:55:20 | 0:55:22 | |
-What? -Watch this. | 0:55:22 | 0:55:25 | |
I know what you're thinking. | 0:55:25 | 0:55:27 | |
It's like living in the country. | 0:55:27 | 0:55:29 | |
All my own doing. | 0:55:31 | 0:55:33 | |
-CHICKENS CLUCK -Please, now... | 0:55:34 | 0:55:37 | |
Let me introduce you to the Aged Parent. | 0:55:37 | 0:55:40 | |
-Well, Aged P, how are you? -All right, John, my boy. All right. | 0:55:43 | 0:55:47 | |
This is Mr Pip, Aged P. Not that he can hear a word I'm saying. | 0:55:47 | 0:55:51 | |
(Just nod away at him, if you don't mind. Nod and wink.) | 0:55:51 | 0:55:53 | |
-Now, John... -Nod. | 0:55:53 | 0:55:55 | |
-Now... -(And wink. Keep nodding. One more.) | 0:55:55 | 0:55:57 | |
Nearly time, Aged P. (You keep nodding, I'll heat the poker.) | 0:55:57 | 0:56:00 | |
Down the stairs, that's right. | 0:56:00 | 0:56:03 | |
CHILDREN CHATTER AND LAUGH | 0:56:03 | 0:56:04 | |
Now, John. Now. | 0:56:08 | 0:56:10 | |
Mr Pip. Mr Pip, if you'd care to do the honours. | 0:56:10 | 0:56:13 | |
BOOM! Ooh! | 0:56:17 | 0:56:19 | |
CHILDREN SHOUT ALL THREE LAUGH | 0:56:19 | 0:56:20 | |
I heard it! I heard it! | 0:56:20 | 0:56:22 | |
-Does Mr Jaggers admire it? -Never seen it. Never heard of it. | 0:56:23 | 0:56:27 | |
Never seen the Aged. Never heard of him. | 0:56:27 | 0:56:29 | |
When I come into The Castle, I leave Mr Jaggers behind. | 0:56:29 | 0:56:32 | |
And if it's not in any way disagreeable to you, | 0:56:32 | 0:56:34 | |
you'll oblige me by doing the same. | 0:56:34 | 0:56:36 | |
-Of course. I understand. -I will give you one piece of advice, though. | 0:56:36 | 0:56:41 | |
When you dine with Mr Jaggers tomorrow, | 0:56:41 | 0:56:44 | |
you take a look at his housekeeper, Molly. | 0:56:44 | 0:56:46 | |
'His housekeeper? Why? | 0:56:46 | 0:56:47 | |
'Just take a look at his housekeeper and see, a wild beast tamed.' | 0:56:47 | 0:56:52 | |
Now, gentlemen! Gentlemen! | 0:56:52 | 0:56:54 | |
Our generous host, Mr Bentley Drummle. | 0:56:54 | 0:56:57 | |
ALL SHOUTING INDISTINCTLY | 0:56:57 | 0:56:59 | |
Oh... | 0:56:59 | 0:57:01 | |
May the present promotion of good feeling | 0:57:01 | 0:57:04 | |
ever reign predominant over the Noble Finches of the Grove. | 0:57:04 | 0:57:07 | |
See, Bentley, I told you, you could do it. | 0:57:08 | 0:57:10 | |
GLASS SMASHES | 0:57:12 | 0:57:15 | |
Tell me, Pip. Who is the Spider? | 0:57:15 | 0:57:18 | |
That blotchy, sprawly, sulky fellow? | 0:57:18 | 0:57:21 | |
That's Bentley Drummle. The richest young man in England. | 0:57:21 | 0:57:25 | |
-Is it now? -He owns most of Derbyshire, apparently. | 0:57:25 | 0:57:27 | |
Bentley Drummle, you say? | 0:57:28 | 0:57:30 | |
Most promising. | 0:57:30 | 0:57:32 | |
Molly. | 0:57:32 | 0:57:33 | |
Make sure that fellow does not have an empty glass all evening. | 0:57:33 | 0:57:36 | |
-MAN: -Come on! -ALL CHEERING | 0:57:43 | 0:57:45 | |
-MAN 2: -My money's on Bentley! I raise you five! | 0:57:46 | 0:57:50 | |
ALL: Oh! | 0:57:50 | 0:57:51 | |
A fluke. Pure chance. | 0:57:52 | 0:57:54 | |
Come, come, Bentley, concede defeat. Pip beat you fair and square. | 0:57:54 | 0:57:58 | |
I was under the impression that the Finches was a club for gentlemen. | 0:57:58 | 0:58:02 | |
I can't be expected to compete against country boys. | 0:58:02 | 0:58:06 | |
What do you mean, Mr Drummle? | 0:58:06 | 0:58:08 | |
No slight, I assure you. | 0:58:08 | 0:58:09 | |
In fact, I salute you, Kentish Pirrip! | 0:58:11 | 0:58:13 | |
You have the arms of a blacksmith! | 0:58:15 | 0:58:16 | |
Molly, more wine here. | 0:58:18 | 0:58:20 | |
You talk of strength. | 0:58:22 | 0:58:24 | |
I'll show you strength. | 0:58:24 | 0:58:26 | |
Show them your wrists, Molly. Come on. | 0:58:26 | 0:58:28 | |
-Master, don't! -Show them both. Show them. Show them. | 0:58:28 | 0:58:31 | |
-MAN: -What is that? | 0:58:36 | 0:58:38 | |
Mm. | 0:58:38 | 0:58:40 | |
There's power. | 0:58:40 | 0:58:41 | |
Very few men have the power this woman has. | 0:58:43 | 0:58:46 | |
Gentlemen, I propose a toast. | 0:58:50 | 0:58:53 | |
I drink to you, Mr Drummle. | 0:58:54 | 0:58:57 | |
-To your good health, Bentley! -ALL MURMUR | 0:58:57 | 0:59:00 | |
I apologise if anything disagreeable... | 0:59:03 | 0:59:05 | |
Oh, no, no. That's all right. | 0:59:05 | 0:59:07 | |
-I do like that Spider fellow, though. -Do you? I don't. | 0:59:08 | 0:59:11 | |
No. No, you're right, of course. Stay as clear of him as you can. | 0:59:12 | 0:59:16 | |
He does have great promise, though. | 0:59:18 | 0:59:22 | |
Indeed, if I were a fortune teller. | 0:59:22 | 0:59:25 | |
But I'm not a fortune teller. | 0:59:27 | 0:59:28 | |
You know what I am, don't you? | 0:59:30 | 0:59:32 | |
Go to bed, Pip. Goodnight. | 0:59:34 | 0:59:37 | |
-KNOCKING ON DOOR -Sir. | 0:59:46 | 0:59:48 | |
Come on! Come on, sir! | 0:59:48 | 0:59:50 | |
-Get up! -PIP MOANS | 0:59:50 | 0:59:52 | |
Someone to see you, sir. | 0:59:53 | 0:59:55 | |
Pepper, I've told you I'm not to be woken unless the... | 0:59:57 | 1:00:00 | |
How are you, Pip? | 1:00:01 | 1:00:03 | |
I brought you a toasting fork as a present, | 1:00:20 | 1:00:22 | |
you know, for crumpets and the like. | 1:00:22 | 1:00:25 | |
-But I see you have no need. -That's... It's perfect, Joe. Thank you. | 1:00:25 | 1:00:28 | |
-Tea or coffee, sir? -Oh! Tea, sir, please, if you don't mind. | 1:00:29 | 1:00:32 | |
I find the coffee a little powerful. | 1:00:32 | 1:00:34 | |
-Us two now being alone, sir... -Sir? | 1:00:38 | 1:00:41 | |
Joe, how can you call me sir? | 1:00:41 | 1:00:43 | |
Us two being now alone, Pip, | 1:00:43 | 1:00:46 | |
I might tell you the reason for me being in the abode of a gentleman, | 1:00:46 | 1:00:49 | |
which is that I've had a communication with a certain Miss A. | 1:00:49 | 1:00:54 | |
"Miss A", Joe? | 1:00:57 | 1:00:58 | |
Miss 'Avisham. She wishes to see you on a matter of great import. | 1:01:00 | 1:01:03 | |
DOOR OPENS | 1:01:03 | 1:01:05 | |
Joe, this is my good friend Herbert Pocket. | 1:01:05 | 1:01:09 | |
-Mr Gargery, I've heard a great deal about you. -Nice to meet you. | 1:01:09 | 1:01:12 | |
-Oh? What is there to say? -A very great deal. | 1:01:12 | 1:01:16 | |
Now, suppose we have a celebration? | 1:01:16 | 1:01:19 | |
CROWD CHATTERING INDISTINCTLY | 1:01:19 | 1:01:21 | |
It takes some getting used to, eh, Joe? | 1:01:28 | 1:01:31 | |
Now, this place may look a little rough but don't be deceived. | 1:01:31 | 1:01:34 | |
In my opinion, this is the finest place in London. | 1:01:34 | 1:01:38 | |
Oh, and the pressed duck is superb. | 1:01:39 | 1:01:41 | |
Let him take it, Joe. | 1:01:46 | 1:01:48 | |
Joe. | 1:01:56 | 1:01:57 | |
How do you find London, Mr Gargery? | 1:02:04 | 1:02:07 | |
London! What a place! What a place! | 1:02:07 | 1:02:09 | |
Course, I wouldn't keep a pig in it myself. | 1:02:09 | 1:02:12 | |
Biddy sends her regards. She's a teacher now, a good one. | 1:02:24 | 1:02:28 | |
She taught me. | 1:02:28 | 1:02:30 | |
Fork. F-O-R-K. | 1:02:30 | 1:02:31 | |
-Knife. N-I-F-E. I know it's not! -HE CHUCKLES | 1:02:31 | 1:02:33 | |
-More wine, Mr Gargery? -Yes, please. | 1:02:33 | 1:02:35 | |
Joe, please! There's really no need | 1:02:37 | 1:02:39 | |
to be so conscientious in emptying your glass. | 1:02:39 | 1:02:41 | |
The rim should never touch your nose, Joe. | 1:02:43 | 1:02:46 | |
Gentlemen, if you'll excuse me. | 1:02:51 | 1:02:53 | |
Well, business concluded, | 1:03:03 | 1:03:05 | |
I'll be off. | 1:03:05 | 1:03:07 | |
-You're going now? -Yes, I am. | 1:03:07 | 1:03:09 | |
-Please, put your money away, Joe. -No. No, I insist. | 1:03:09 | 1:03:12 | |
-You will not stay the night? -No, I won't. | 1:03:12 | 1:03:14 | |
-Sir! -HE WHISTLES | 1:03:14 | 1:03:16 | |
-Sir! -For God's sake, Joe, put your money away! | 1:03:16 | 1:03:19 | |
HITS ARM | 1:03:19 | 1:03:21 | |
CROWD CHATTERS | 1:03:38 | 1:03:40 | |
Joe! | 1:03:40 | 1:03:41 | |
-At least, let me walk you to the coach. -I'll find my own way. | 1:03:42 | 1:03:45 | |
But we have barely spoken, Joe. I wished to show you some sights. | 1:03:45 | 1:03:49 | |
You and me are not two figures to be together in London. | 1:03:49 | 1:03:52 | |
I'm wrong outside the forge, and the kitchen and the marshes. | 1:03:52 | 1:03:56 | |
You come sometime and you, put your head in at the window at the forge | 1:03:56 | 1:03:59 | |
and you'll see Joe the blacksmith, and what larks we'll have! | 1:03:59 | 1:04:03 | |
But here, Pip, here I am most awful dull. | 1:04:03 | 1:04:05 | |
So God bless you, dear old Pip, old chap. God bless you! | 1:04:06 | 1:04:09 | |
You know the way. | 1:04:25 | 1:04:26 | |
-SHE GASPS -Pip. | 1:04:31 | 1:04:33 | |
How do you do? | 1:04:33 | 1:04:35 | |
You kiss my hand as if I was a queen. | 1:04:38 | 1:04:40 | |
-You wished to see me? -Mm. | 1:04:41 | 1:04:43 | |
Pip. | 1:05:03 | 1:05:04 | |
I am to be sent to London. | 1:05:14 | 1:05:16 | |
I am to go on show, myself and the jewels. | 1:05:16 | 1:05:19 | |
Do you wish to go on show? | 1:05:25 | 1:05:26 | |
Why ask? | 1:05:28 | 1:05:29 | |
We have no choice, you and I, but to obey instructions. | 1:05:29 | 1:05:33 | |
ESTELLA GIGGLES | 1:05:34 | 1:05:36 | |
I watched you, you know, that day. | 1:05:36 | 1:05:39 | |
Fighting for my honour. | 1:05:39 | 1:05:42 | |
I must have been a strange little creature to hide and watch, | 1:05:42 | 1:05:46 | |
but I did. I enjoyed it very much. | 1:05:46 | 1:05:48 | |
You rewarded me very much. | 1:05:48 | 1:05:50 | |
Did I? | 1:05:50 | 1:05:52 | |
You kissed me. | 1:05:55 | 1:05:57 | |
Poor Pip. | 1:05:58 | 1:05:59 | |
You imagine yourself a young knight from a child's story, | 1:06:06 | 1:06:09 | |
tearing away the cobwebs and thorns, letting in the sunshine. | 1:06:09 | 1:06:13 | |
Marrying the princess. | 1:06:13 | 1:06:15 | |
But you must know, Pip, I have no heart. | 1:06:19 | 1:06:22 | |
I don't believe it. How can there be beauty without a heart? | 1:06:22 | 1:06:24 | |
Oh, I have a heart to be stabbed in or shot in, | 1:06:24 | 1:06:27 | |
and if it ceased to beat, | 1:06:27 | 1:06:29 | |
I should cease to be. | 1:06:29 | 1:06:31 | |
But there's no...softness there. | 1:06:31 | 1:06:33 | |
No sympathy. | 1:06:33 | 1:06:36 | |
Sentiment. | 1:06:36 | 1:06:38 | |
Nonsense. I've been made that way. | 1:06:40 | 1:06:43 | |
-Oh, I... -I am serious, Pip. | 1:06:44 | 1:06:46 | |
If we're to be thrown together, you must believe me. | 1:06:47 | 1:06:51 | |
For both our sakes. | 1:06:51 | 1:06:52 | |
I'm sorry, I cannot. | 1:06:53 | 1:06:56 | |
I will not. | 1:06:56 | 1:06:57 | |
Very well. It is said at any rate. | 1:06:58 | 1:07:00 | |
Come, Miss Havisham will be expecting you at your old post. | 1:07:05 | 1:07:08 | |
'Is she beautiful?' | 1:07:11 | 1:07:13 | |
Is she graceful? | 1:07:13 | 1:07:14 | |
Is she well-grown? | 1:07:14 | 1:07:16 | |
Do you admire her? | 1:07:16 | 1:07:18 | |
-Of course. -Then love her. Love her, Pip. | 1:07:18 | 1:07:21 | |
If she wounds you, love her. If she fails you, love her. | 1:07:21 | 1:07:24 | |
If she tears your heart to pieces, as it gets older, it will tear deeper, | 1:07:24 | 1:07:27 | |
but love her, love her, love her! | 1:07:27 | 1:07:29 | |
I adopted her to be loved. I bred her to be loved. | 1:07:29 | 1:07:31 | |
I educated her and I developed her into what she is. | 1:07:32 | 1:07:36 | |
You know what love is, Pip? | 1:07:36 | 1:07:38 | |
It is blind devotion. | 1:07:38 | 1:07:40 | |
It is self-humiliation. | 1:07:40 | 1:07:42 | |
It is degradation. It is utter submission, | 1:07:42 | 1:07:44 | |
giving up your heart and soul as I did to that man. | 1:07:44 | 1:07:47 | |
Miss Havisham! | 1:07:47 | 1:07:50 | |
Enough excitement for one day. | 1:07:50 | 1:07:52 | |
Pip, you've been requested to escort Estella to London in the morning. | 1:07:52 | 1:07:56 | |
I suggest an early night. | 1:07:56 | 1:07:58 | |
Miss Havisham. | 1:08:03 | 1:08:04 | |
Shall we take a trip? | 1:08:06 | 1:08:08 | |
Once round? | 1:08:10 | 1:08:11 | |
HE HUMS HAPPILY | 1:08:29 | 1:08:31 | |
# Old Clem, with a thump and a sound | 1:08:36 | 1:08:39 | |
# Old Clem | 1:08:40 | 1:08:41 | |
# Beat it out, beat it out | 1:08:41 | 1:08:43 | |
# Old Clem with a... # | 1:08:43 | 1:08:45 | |
HE HUMS | 1:08:45 | 1:08:47 | |
Mrs Brandley is to be paid a large sum of money to introduce me to society. | 1:09:07 | 1:09:12 | |
The jewels and I. | 1:09:13 | 1:09:15 | |
-We are to be shown to people... -Hurry up! | 1:09:15 | 1:09:18 | |
..and people are to be "shown" to us. | 1:09:18 | 1:09:20 | |
-And may I come and see you? -Of course. | 1:09:20 | 1:09:23 | |
Miss Havisham expects it. | 1:09:23 | 1:09:26 | |
If my time permits. | 1:09:26 | 1:09:28 | |
I see bills from vintners, bills from jewellers, from bookmakers. | 1:09:31 | 1:09:36 | |
I suspected you would go wrong, Pip, but really you are excelling yourself. | 1:09:36 | 1:09:40 | |
-I'll endeavour to show more restraint. -Oh, do as you will, it's no business of mine. | 1:09:40 | 1:09:43 | |
Will you make sure that Mr Pip gets the money he requires. | 1:09:45 | 1:09:47 | |
Thank you, Wemmick? Excuse me. | 1:09:47 | 1:09:50 | |
Ah. Good day to you, sir. | 1:09:51 | 1:09:53 | |
Please come into my office. So good to see you again. | 1:09:53 | 1:09:56 | |
'STRADELLA QUADRILLE PLAYS' | 1:09:56 | 1:09:59 | |
CROWD CHATTER | 1:10:04 | 1:10:06 | |
Finches, Finches, I would like to raise a glass | 1:10:22 | 1:10:24 | |
to a lady of my acquaintance. | 1:10:24 | 1:10:26 | |
ALL: Ooh! | 1:10:26 | 1:10:28 | |
A lady of Richmond. | 1:10:29 | 1:10:31 | |
A peerless beauty. | 1:10:32 | 1:10:33 | |
Miss Estella Havisham! | 1:10:35 | 1:10:37 | |
FINCHES: Miss Estella Havisham! I know that lady. | 1:10:37 | 1:10:40 | |
Do you? Oh, Lord! | 1:10:40 | 1:10:43 | |
And you know nothing of her! | 1:10:43 | 1:10:45 | |
Well, on the contrary, I've had the pleasure of dancing with her. | 1:10:45 | 1:10:48 | |
-Several times. -You lie! | 1:10:48 | 1:10:50 | |
Steady now, Handel. | 1:10:50 | 1:10:52 | |
Indeed. | 1:10:52 | 1:10:54 | |
Then perhaps you might care to follow me. | 1:10:55 | 1:10:57 | |
FINCHES CHATTER EXCITEDLY | 1:10:59 | 1:11:01 | |
MUSIC CONTINUES | 1:11:03 | 1:11:05 | |
-MAN 1: -Out of my way! | 1:11:22 | 1:11:24 | |
-MAN 2: -Out of my way! | 1:11:24 | 1:11:25 | |
-MAN 3: -Out of my way! | 1:11:26 | 1:11:27 | |
MUSIC STOPS, APPLAUSE | 1:11:29 | 1:11:32 | |
-MAN: -Step away from the lady, sir. | 1:11:34 | 1:11:36 | |
A waltz! | 1:11:44 | 1:11:45 | |
WALTZ PLAYS | 1:11:49 | 1:11:51 | |
-The dance is not yet over. -Remove your hand, sir. | 1:12:11 | 1:12:14 | |
Oh, hard luck. Come on! | 1:12:21 | 1:12:23 | |
Pip! | 1:12:36 | 1:12:38 | |
Pip, will you never take warning? | 1:12:38 | 1:12:40 | |
-How can you do it, Estella? -What? -Give your affections to that man. | 1:12:40 | 1:12:44 | |
All sorts of ugly creatures hover about a lighted candle. | 1:12:44 | 1:12:47 | |
-Can the candle help it? -No, but you can. -Perhaps. If I cared. | 1:12:47 | 1:12:52 | |
But you MUST care! | 1:12:52 | 1:12:53 | |
To encourage a man as despised, | 1:12:54 | 1:12:57 | |
as unworthy and boorish as Bentley Drummle. | 1:12:57 | 1:13:00 | |
And this is a man who has nothing to recommend him except money... | 1:13:00 | 1:13:03 | |
Pip, don't let it affect you so. | 1:13:03 | 1:13:06 | |
I can't help it! | 1:13:06 | 1:13:07 | |
To give that man the looks and smiles you never give to me... | 1:13:07 | 1:13:10 | |
Do you want me to deceive you? | 1:13:10 | 1:13:11 | |
-Do you deceive him? -Yes! | 1:13:13 | 1:13:15 | |
Yes, him and many, many other men. | 1:13:15 | 1:13:17 | |
All men. | 1:13:17 | 1:13:19 | |
All men but you. | 1:13:20 | 1:13:22 | |
And why am I to be spared? | 1:13:22 | 1:13:24 | |
Why do you think? | 1:13:28 | 1:13:29 | |
< Lovely evening, isn't it? | 1:14:03 | 1:14:05 | |
A storm later, so they say. | 1:14:07 | 1:14:09 | |
Estella, Mr Drummle requires your presence. | 1:14:10 | 1:14:13 | |
Urgently. | 1:14:17 | 1:14:18 | |
THUNDER RUMBLES | 1:14:28 | 1:14:32 | |
RAIN PATTERS | 1:14:32 | 1:14:35 | |
FIRE CRACKLES | 1:14:52 | 1:14:54 | |
CLOCK CHIMES | 1:14:55 | 1:14:56 | |
Hello? | 1:14:58 | 1:14:59 | |
CLATTERING NEARBY Herbert? | 1:15:00 | 1:15:02 | |
You're back early! | 1:15:04 | 1:15:06 | |
Who's there? | 1:15:06 | 1:15:07 | |
THUNDER RUMBLES | 1:15:22 | 1:15:25 | |
HE GASPS Who are you? | 1:15:27 | 1:15:29 | |
Wait, wait, wait. Shh. Wait. | 1:15:29 | 1:15:32 | |
How'd you get in here? | 1:15:32 | 1:15:33 | |
Good God. | 1:15:41 | 1:15:42 | |
What are you...? | 1:15:51 | 1:15:52 | |
You acted noble, my boy. | 1:15:57 | 1:16:00 | |
Noble, and I have never forgot it. | 1:16:01 | 1:16:04 | |
Look, if you're grateful to me for what I did as a boy... | 1:16:04 | 1:16:07 | |
..it's not necessary. | 1:16:08 | 1:16:10 | |
-Really. You must understand. -What must I understand? | 1:16:10 | 1:16:15 | |
That I cannot renew our acquaintance. | 1:16:15 | 1:16:18 | |
My life has changed since then. | 1:16:18 | 1:16:19 | |
Now, I'm glad that you're well and you've repented. | 1:16:19 | 1:16:23 | |
But really, you must go. | 1:16:23 | 1:16:25 | |
Please? | 1:16:25 | 1:16:26 | |
How about a drink first? | 1:16:26 | 1:16:29 | |
Before I go. | 1:16:29 | 1:16:30 | |
How have you been living? | 1:16:34 | 1:16:36 | |
A sheep farmer... | 1:16:37 | 1:16:38 | |
..stock breeder, in the New World. | 1:16:40 | 1:16:42 | |
Many a thousand mile off. | 1:16:44 | 1:16:46 | |
-You've done well? -I've done wonderful well. | 1:16:48 | 1:16:51 | |
Seems, you've done well, too. | 1:16:51 | 1:16:54 | |
Yes. | 1:16:54 | 1:16:56 | |
Yes. No, I have. Thank you. | 1:16:56 | 1:16:59 | |
I would like, if I may, | 1:16:59 | 1:17:01 | |
to give you this gift. | 1:17:01 | 1:17:02 | |
A token. For old times. | 1:17:04 | 1:17:06 | |
Before you go. | 1:17:11 | 1:17:13 | |
There's your gift. | 1:17:27 | 1:17:28 | |
Might a varmint make so bold as to ask you, | 1:17:30 | 1:17:33 | |
how you've done well... | 1:17:33 | 1:17:35 | |
Since we were on them marshes? | 1:17:35 | 1:17:37 | |
Mmm? | 1:17:39 | 1:17:40 | |
-I've come into some property. -And might he ask whose property? | 1:17:40 | 1:17:44 | |
No, I cannot say her name. There are conditions. | 1:17:44 | 1:17:46 | |
Conditions? Could I make a guess as to your income? | 1:17:46 | 1:17:50 | |
Might the first figure be a... | 1:17:52 | 1:17:54 | |
-A five? -How could you... -And you would have had a guardian? | 1:17:54 | 1:17:58 | |
A lawyer, maybe, with a name beginning with a...a J? | 1:17:58 | 1:18:02 | |
A J, perhaps, who might have sent me your address | 1:18:02 | 1:18:05 | |
when I landed in Portsmouth? | 1:18:05 | 1:18:07 | |
Mr Jaggers, perhaps? | 1:18:07 | 1:18:11 | |
Yes, dear boy. Yes. | 1:18:12 | 1:18:14 | |
I've made a gentleman of you. | 1:18:14 | 1:18:16 | |
I swore that time | 1:18:21 | 1:18:23 | |
as sure as I ever earned a guinea, that guinea should go to you. | 1:18:23 | 1:18:27 | |
-No... -I lived rough that you should live smooth. | 1:18:27 | 1:18:31 | |
I worked hard that you should be above work. | 1:18:31 | 1:18:36 | |
I made you! | 1:18:38 | 1:18:39 | |
-I'm your, your father, Pip. -No. No, no, no. You are not my father! | 1:18:40 | 1:18:44 | |
No, no. | 1:18:44 | 1:18:46 | |
Your second father, then. | 1:18:46 | 1:18:48 | |
You're my son. No... | 1:18:48 | 1:18:50 | |
No, you're more to me than any son. | 1:18:50 | 1:18:53 | |
-Look at you, dear boy! -HE CRIES | 1:18:55 | 1:18:58 | |
Look at these lodgings. They're fit for a lord. | 1:18:58 | 1:19:00 | |
And yeah, this watch and this ring | 1:19:00 | 1:19:04 | |
and your linen and your clothes. | 1:19:04 | 1:19:07 | |
And your, your books, too. | 1:19:08 | 1:19:11 | |
Oh! | 1:19:11 | 1:19:12 | |
You read them all, have you? | 1:19:12 | 1:19:14 | |
You shall read them to me... | 1:19:15 | 1:19:18 | |
And I shall be so proud, to think that I'm the maker of such a man. | 1:19:18 | 1:19:24 | |
I must sleep, long and sound. | 1:19:27 | 1:19:31 | |
It's a long time since I slept. | 1:19:31 | 1:19:33 | |
You'll keep watch, dear boy? | 1:19:34 | 1:19:36 | |
Cos, look here. Here. | 1:19:36 | 1:19:39 | |
Caution is necessary. | 1:19:40 | 1:19:43 | |
I was sent for life. | 1:19:43 | 1:19:45 | |
It's death to come back. I should be hanged if took. | 1:19:45 | 1:19:49 | |
You risked your life to come to me? | 1:19:49 | 1:19:51 | |
That's right, dear boy. | 1:19:51 | 1:19:53 | |
I... I don't even know your name. | 1:19:53 | 1:19:57 | |
Magwitch. | 1:19:57 | 1:19:59 | |
Abel Magwitch. | 1:19:59 | 1:20:02 | |
-Well, is it true? -Do not commit yourself. | 1:20:20 | 1:20:22 | |
Do not tell me anything, I do not want... | 1:20:22 | 1:20:24 | |
-Is what I've been told true? -"Told" implies verbal communication. | 1:20:24 | 1:20:29 | |
You cannot have verbal communication with a man in New South Wales. | 1:20:29 | 1:20:33 | |
-I was always led to believe... -Nothing. Nothing. | 1:20:33 | 1:20:37 | |
You believed what you chose to believe. Mm-hm? | 1:20:37 | 1:20:40 | |
It's not my responsibility. | 1:20:41 | 1:20:44 | |
Now, I understand you have an uncle staying with you. | 1:20:44 | 1:20:47 | |
Yes? Yes? | 1:20:48 | 1:20:49 | |
-Yes. -Right. | 1:20:51 | 1:20:53 | |
May I, suggest you buy him some new clothes, | 1:20:53 | 1:20:56 | |
advise him to spend most of his time in your rooms | 1:20:56 | 1:20:59 | |
and perhaps have a haircut. | 1:20:59 | 1:21:02 | |
Yes? | 1:21:02 | 1:21:03 | |
Meanwhile, if you are writing to your friend in New South Wales, | 1:21:03 | 1:21:08 | |
you may choose to send him that. | 1:21:08 | 1:21:10 | |
The balance of our accounts. | 1:21:10 | 1:21:12 | |
Mm-hm? | 1:21:12 | 1:21:14 | |
My services are ended. | 1:21:14 | 1:21:17 | |
Good day, Mr Pip. | 1:21:19 | 1:21:20 | |
All that time, in Satis House, I was just a... | 1:21:25 | 1:21:27 | |
..a mechanical heart to practise on. | 1:21:28 | 1:21:31 | |
Estella was never meant for me at all. | 1:21:32 | 1:21:35 | |
And you, my "guardian", have known this all along. | 1:21:35 | 1:21:38 | |
WEMMICK CLEARS HIS THROAT | 1:21:38 | 1:21:40 | |
Well... | 1:21:41 | 1:21:43 | |
You may as well hear this from me as anyone else. | 1:21:44 | 1:21:47 | |
Um... | 1:21:47 | 1:21:49 | |
The Spider has played his hand. | 1:21:49 | 1:21:51 | |
Can I help you? | 1:22:06 | 1:22:08 | |
-Open this gate, Drummle, or I swear... -Why, it's the smithy's boy! | 1:22:08 | 1:22:12 | |
Don't lose your temper, smithy's boy. | 1:22:13 | 1:22:16 | |
Seems to me you've lost quite enough already. | 1:22:16 | 1:22:18 | |
Pip? | 1:22:30 | 1:22:32 | |
-Pip. -Oh, enough! | 1:22:32 | 1:22:34 | |
What I have to say to Estella I will say before you. | 1:22:36 | 1:22:38 | |
But, Miss Havisham... | 1:22:39 | 1:22:41 | |
When you first took me from my home, | 1:22:43 | 1:22:45 | |
I came as a kind of servant, to gratify a whim and be paid for it. | 1:22:45 | 1:22:50 | |
-Yes. -And when I fell into my mistake | 1:22:50 | 1:22:51 | |
of imagining that you were my benefactor... | 1:22:51 | 1:22:55 | |
Yes, I... Let you go on. | 1:22:55 | 1:22:56 | |
Was that kind? | 1:22:59 | 1:23:00 | |
"Kind"? Who am I to be kind? | 1:23:01 | 1:23:04 | |
No, it amused me... | 1:23:07 | 1:23:09 | |
To punish my relations. | 1:23:10 | 1:23:12 | |
You were adequately paid, I believe. What else do you want? | 1:23:13 | 1:23:17 | |
Estella. | 1:23:21 | 1:23:22 | |
You know I love you. | 1:23:28 | 1:23:31 | |
I have loved you since I first saw you in this house. | 1:23:31 | 1:23:33 | |
Foolishly, I had hoped that Miss Havisham | 1:23:34 | 1:23:37 | |
had meant us for each other. | 1:23:37 | 1:23:39 | |
Clearly the idea was absurd, | 1:23:39 | 1:23:42 | |
and I hope Miss Havisham will take what pleasure she can | 1:23:42 | 1:23:45 | |
in knowing that I am as unhappy as she ever meant me to be. | 1:23:45 | 1:23:49 | |
These are sentiments, | 1:23:49 | 1:23:51 | |
emotions that I am unable to comprehend. | 1:23:51 | 1:23:54 | |
When you say you love me, | 1:23:54 | 1:23:57 | |
I understand it as a form of words but it touches nothing here. | 1:23:57 | 1:24:01 | |
-I don't believe you. -Did I not warn you? | 1:24:01 | 1:24:03 | |
-Yes. -Did you not think I meant it? | 1:24:03 | 1:24:05 | |
-No. It's not natural! -It is natural in me! | 1:24:05 | 1:24:08 | |
And yet still I love you. | 1:24:08 | 1:24:10 | |
I know that I'll never call you mine, Estella, | 1:24:12 | 1:24:15 | |
yet still, I love you. | 1:24:15 | 1:24:18 | |
I love you and I beg you do not marry Bentley Drummle. | 1:24:18 | 1:24:22 | |
Someone else, anyone, but not that brute. | 1:24:22 | 1:24:25 | |
Too late. It's too late. | 1:24:25 | 1:24:27 | |
I am going to marry him. | 1:24:29 | 1:24:31 | |
The preparations are already under way. | 1:24:31 | 1:24:33 | |
-You can't let Miss Havisham... -It is my own act. | 1:24:35 | 1:24:38 | |
Miss Havisham has urged me to wait, to reconsider. | 1:24:38 | 1:24:41 | |
But I am tired of my life. | 1:24:43 | 1:24:45 | |
We will do well enough. | 1:24:47 | 1:24:49 | |
Give me your hand. | 1:24:54 | 1:24:56 | |
Be happy, Pip... | 1:25:00 | 1:25:03 | |
This will pass in time. I'll be out of your thoughts in a week. | 1:25:03 | 1:25:07 | |
Out of my thoughts? | 1:25:08 | 1:25:11 | |
You're in every thought. | 1:25:11 | 1:25:13 | |
You're part of my existence. | 1:25:13 | 1:25:16 | |
Part of me. | 1:25:16 | 1:25:18 | |
You're in every thought, | 1:25:18 | 1:25:20 | |
in every line I have ever read since I first came here. | 1:25:20 | 1:25:23 | |
You're in the river, | 1:25:24 | 1:25:26 | |
the sails of ships, | 1:25:26 | 1:25:28 | |
the sea, the clouds, | 1:25:28 | 1:25:30 | |
the stones of London. | 1:25:30 | 1:25:32 | |
Until the last hours of my life, you will remain in me... | 1:25:33 | 1:25:37 | |
Part of the little good, part of the evil. | 1:25:37 | 1:25:40 | |
And I will always think of the good. | 1:25:42 | 1:25:44 | |
Goodbye. God bless you. | 1:25:53 | 1:25:55 | |
So proud, | 1:25:55 | 1:25:57 | |
so hard. | 1:25:57 | 1:25:58 | |
I am what you have made me! | 1:26:00 | 1:26:02 | |
You are my mother, and yet I have never seen your face by daylight. | 1:26:04 | 1:26:09 | |
Since I was a baby, you taught me | 1:26:09 | 1:26:10 | |
that there was no such thing as daylight, | 1:26:10 | 1:26:12 | |
that it had blighted you... | 1:26:12 | 1:26:14 | |
And it would blight me, too, if I let it. | 1:26:16 | 1:26:18 | |
Well... | 1:26:20 | 1:26:22 | |
I am what you made me. | 1:26:23 | 1:26:25 | |
This is what you made me. | 1:26:29 | 1:26:31 | |
Estella... | 1:26:31 | 1:26:34 | |
Come with me now. | 1:26:34 | 1:26:35 | |
I'd like to help Mr Pocket. He has been a loyal and decent friend | 1:27:18 | 1:27:22 | |
and I'd like to use the money that remains to do one good thing. | 1:27:22 | 1:27:24 | |
I'd like to purchase him a position. Without his knowledge. | 1:27:24 | 1:27:27 | |
Allowing for debts, which are substantial, | 1:27:27 | 1:27:30 | |
I might add, that's £500, sir. | 1:27:30 | 1:27:32 | |
-All invested in a friend? -Yes, yes. Every last penny. | 1:27:32 | 1:27:35 | |
What's your advice? | 1:27:35 | 1:27:37 | |
HE SCOFFS | 1:27:37 | 1:27:38 | |
Well, sir, if I was in the office, | 1:27:38 | 1:27:40 | |
I would suggest that you take that £500, and choose your bridge. | 1:27:40 | 1:27:43 | |
There are six to choose from up as high as Chelsea Reach | 1:27:43 | 1:27:45 | |
and throw the money off it. | 1:27:45 | 1:27:47 | |
You'll lose it just the same, but it will be quicker and less painful. | 1:27:47 | 1:27:51 | |
Those would be my sentiments... | 1:27:51 | 1:27:53 | |
in the office. | 1:27:53 | 1:27:55 | |
But your home sentiments, your... | 1:27:55 | 1:27:58 | |
Your Walworth sentiments? | 1:27:58 | 1:28:00 | |
My Walworth sentiments... | 1:28:00 | 1:28:04 | |
would be... | 1:28:04 | 1:28:06 | |
I'm going to see what I can do. | 1:28:07 | 1:28:09 | |
CHURCH BELL RINGS | 1:28:14 | 1:28:17 | |
MAN GROANS, CLATTERING | 1:28:25 | 1:28:27 | |
SHOUTING | 1:28:27 | 1:28:28 | |
-Let go of me! -Magwitch! | 1:28:30 | 1:28:34 | |
Leave him! Magwitch! HERBERT WHIMPERS | 1:28:34 | 1:28:37 | |
He wishes to buy us a house! | 1:28:37 | 1:28:39 | |
In Hyde Park! | 1:28:39 | 1:28:41 | |
A coach, horses... | 1:28:41 | 1:28:42 | |
Can't you accept? | 1:28:42 | 1:28:44 | |
How can I? | 1:28:44 | 1:28:46 | |
I've seen him try to murder a man. He might have murdered you. | 1:28:47 | 1:28:50 | |
And yet, he risked his life to find you. | 1:28:51 | 1:28:55 | |
He says I am the son he's never had. | 1:28:55 | 1:28:58 | |
The idea appals me, Herbert... | 1:28:58 | 1:28:59 | |
-..but even so, he must not be captured... -Gentlemen. | 1:29:01 | 1:29:05 | |
Now, I ain't going to tell you my life like a song or a story book, | 1:29:08 | 1:29:11 | |
but give it to you short and handy. | 1:29:11 | 1:29:13 | |
In jail, out of jail. In jail, out of jail. | 1:29:13 | 1:29:17 | |
That's my life... Until I met my boy here. | 1:29:17 | 1:29:21 | |
I've been done everything to except hanged. | 1:29:22 | 1:29:25 | |
I've tramped and begged and thieved, poached... | 1:29:25 | 1:29:28 | |
Anything that doesn't pay and leads to trouble. | 1:29:28 | 1:29:30 | |
And then a matter of 20 years ago... | 1:29:31 | 1:29:34 | |
..when I was out of money and out of luck, not that I'd been in it much, | 1:29:35 | 1:29:39 | |
I met a man. | 1:29:39 | 1:29:41 | |
At Epsom Races. | 1:29:41 | 1:29:43 | |
His name...was Compeyson. | 1:29:43 | 1:29:46 | |
-Compeyson? -Compeyson. | 1:29:46 | 1:29:48 | |
I'm sorry. Go on. | 1:29:50 | 1:29:52 | |
'A gentleman was Compeyson, | 1:29:53 | 1:29:56 | |
'a smooth one, good-looking, too, went to boarding school. | 1:29:56 | 1:29:59 | |
'He was younger than me but he'd got cloth and he'd got learning. | 1:29:59 | 1:30:04 | |
'He and his missus had a plan... | 1:30:04 | 1:30:07 | |
'involving the defrauding of a certain lady by her half-brother. | 1:30:07 | 1:30:11 | |
'It weren't much of a plan to my mind, but I played my part... | 1:30:11 | 1:30:15 | |
'I played my part in a small way. | 1:30:15 | 1:30:18 | |
'I can't say I'm proud of it.' | 1:30:18 | 1:30:19 | |
Well done, Abel. | 1:30:19 | 1:30:21 | |
-I had a missus, too, at that time. -You were married? -No matter. | 1:30:25 | 1:30:29 | |
That was a dark time, that time with Compeyson. | 1:30:38 | 1:30:41 | |
Always in debt to him, always under his thumb, | 1:30:41 | 1:30:44 | |
always getting into danger, | 1:30:44 | 1:30:46 | |
always working, for years and years, | 1:30:46 | 1:30:49 | |
till I was his black slave. | 1:30:49 | 1:30:52 | |
The short of it is, we got committed for felony, | 1:30:57 | 1:31:01 | |
putting forged notes into circulation. | 1:31:01 | 1:31:03 | |
"Separate defences," Compeyson says. "No communication." | 1:31:03 | 1:31:07 | |
HE LAUGHS | 1:31:07 | 1:31:08 | |
I sold everything but the clothes on my back so I could get Jaggers, | 1:31:08 | 1:31:12 | |
for all the good it did me. | 1:31:12 | 1:31:14 | |
Says the counsel for Compeyson, wasn't he the younger | 1:31:14 | 1:31:17 | |
and well brought up and of a good school? Wasn't he... | 1:31:17 | 1:31:19 | |
-LAWYER: -'..A gentleman of a county of Shropshire...' | 1:31:19 | 1:31:22 | |
A gentleman? | 1:31:22 | 1:31:24 | |
'Given your persistence and your malign influence...' | 1:31:24 | 1:31:27 | |
And when the verdict came, wasn't it Compeyson | 1:31:27 | 1:31:29 | |
as was recommended for mercy on account of good character | 1:31:29 | 1:31:32 | |
and bad company and all the damn'd lies he'd given up against me? | 1:31:32 | 1:31:37 | |
And wasn't it me as never got a word... | 1:31:37 | 1:31:39 | |
-..But to find you guilty. -Guilty. | 1:31:39 | 1:31:41 | |
HE GRUNTS | 1:31:41 | 1:31:42 | |
-Guilty. -JUDGE: -Order! Order! | 1:31:42 | 1:31:45 | |
Guilty. | 1:31:45 | 1:31:46 | |
For how long? | 1:31:47 | 1:31:50 | |
14 years. | 1:31:50 | 1:31:51 | |
He got two. | 1:31:53 | 1:31:55 | |
And a few months on, he turns up on my prison ship. | 1:31:55 | 1:31:58 | |
I swore to the Lord, I'd smash his face in... | 1:31:58 | 1:32:00 | |
And I did. And then, thinking, hoping, that he'd drowned, | 1:32:01 | 1:32:05 | |
I swam to the shore and was hiding among the graves there, | 1:32:05 | 1:32:08 | |
envying them that were in them... | 1:32:08 | 1:32:10 | |
And my boy here found me. | 1:32:11 | 1:32:13 | |
My boy. | 1:32:15 | 1:32:17 | |
-Is he dead? -Who? -Compeyson. | 1:32:20 | 1:32:22 | |
'He'll wish I am, if he's alive.' | 1:32:22 | 1:32:25 | |
And he'll wish he was, if I find him. | 1:32:25 | 1:32:28 | |
-And the lady he defrauded. Her name was...? -Havisham. | 1:32:29 | 1:32:32 | |
Miss Havisham. | 1:32:34 | 1:32:35 | |
PIP: 'I need you to tell me about Compeyson. | 1:32:52 | 1:32:55 | |
-JAGGERS: -'Clever fellow. Dangerous. | 1:32:55 | 1:32:58 | |
-'Is he still alive? -To my knowledge, yes.' | 1:32:58 | 1:33:01 | |
I would strongly advise your uncle to pack his bags. | 1:33:01 | 1:33:04 | |
If he's found, he will hang. | 1:33:04 | 1:33:06 | |
And it's fair to presume that Mr Compeyson does not wish him well. | 1:33:06 | 1:33:09 | |
-FOOTSTEPS APPROACHING -Abel's come back! | 1:33:09 | 1:33:11 | |
-You told me he'd never come back. -Calm down, Molly. | 1:33:11 | 1:33:13 | |
He mustn't find out, ever. Poor, poor, Abel. | 1:33:13 | 1:33:15 | |
What did you make me do? It was wicked, wicked! | 1:33:15 | 1:33:17 | |
Abel will never find out. I'll shall ensure that. | 1:33:17 | 1:33:20 | |
-Did I not swear at the time... -You swore that she'd be safe! | 1:33:20 | 1:33:23 | |
You swore she'd have a brand-new life! | 1:33:23 | 1:33:25 | |
PIP: 'Jaggers, you must tell me.' | 1:33:28 | 1:33:29 | |
Who is this "she"? | 1:33:31 | 1:33:32 | |
Magwitch and Molly had a child. | 1:33:39 | 1:33:42 | |
'A girl. A pretty thing. | 1:33:42 | 1:33:44 | |
'But Molly was a fierce one, wild and passionate like her husband, | 1:33:44 | 1:33:47 | |
'and not a woman to let injustice go unpunished. | 1:33:47 | 1:33:51 | |
'Compeyson, of course, was safe in prison. | 1:33:51 | 1:33:53 | |
'His wife, however, was not safe. | 1:33:53 | 1:33:55 | |
'Molly found her. | 1:33:55 | 1:33:57 | |
'A terrible crime.' | 1:33:57 | 1:33:58 | |
BOTH GRUNT | 1:33:58 | 1:34:01 | |
'Cold-blooded and ruthless, | 1:34:02 | 1:34:03 | |
'assuming, of course, that Molly did it.' | 1:34:03 | 1:34:06 | |
But to be guilty and to be found guilty are different things. | 1:34:07 | 1:34:13 | |
Put the case that a woman accused of murder went to see her... | 1:34:21 | 1:34:25 | |
..legal adviser... | 1:34:26 | 1:34:28 | |
..and put the case that same legal adviser | 1:34:30 | 1:34:32 | |
holds a trust to find a child for an eccentric and rich woman | 1:34:32 | 1:34:36 | |
to adopt and bring up. | 1:34:36 | 1:34:38 | |
Put the case that the legal adviser said to the mother of the child... | 1:34:40 | 1:34:45 | |
Give the child into my hands, I will do my best to get you off. | 1:34:46 | 1:34:50 | |
If you are saved, your child is saved. | 1:34:50 | 1:34:53 | |
If you are lost, your child is still saved. | 1:34:53 | 1:34:57 | |
And the child was your fee? | 1:35:00 | 1:35:03 | |
And what of Magwitch? | 1:35:06 | 1:35:08 | |
-The father was told... -No! You say his name! | 1:35:10 | 1:35:13 | |
Magwitch was told that the child had died. | 1:35:15 | 1:35:20 | |
Consumption. | 1:35:20 | 1:35:22 | |
Put the case that she is now safe and wealthy, | 1:35:28 | 1:35:30 | |
and about to marry one of the richest men in England. | 1:35:30 | 1:35:33 | |
And one of the vilest. | 1:35:33 | 1:35:35 | |
Estella is not the Spider's reward. | 1:35:36 | 1:35:38 | |
Estella is his PUNISHMENT. | 1:35:40 | 1:35:42 | |
And you arranged it. | 1:35:45 | 1:35:47 | |
As instructed by my client. | 1:35:47 | 1:35:50 | |
Only as instructed. | 1:35:50 | 1:35:51 | |
'And what did Miss Havisham want with the child? | 1:35:55 | 1:35:57 | |
'Well, you, er, must ask her yourself.' | 1:35:57 | 1:36:00 | |
What did you want with the child? | 1:36:22 | 1:36:23 | |
I just wanted a little girl, to love, and to rear, | 1:36:26 | 1:36:30 | |
to save from my fate. | 1:36:30 | 1:36:33 | |
'One night. he brought her here... | 1:36:34 | 1:36:37 | |
'And I called her Estella. | 1:36:38 | 1:36:40 | |
'Pip, she was so gentle. | 1:36:41 | 1:36:43 | |
'She was so beautiful. | 1:36:43 | 1:36:45 | |
'Pip, believe me, when she first came to me, | 1:36:48 | 1:36:51 | |
'I just meant to save her from misery like my own. | 1:36:51 | 1:36:53 | |
'But as she grew more beautiful, I gradually did worse. | 1:36:53 | 1:36:58 | |
'And with my praises and my jewels and my teachings, | 1:36:59 | 1:37:04 | |
I...I stole her heart away... | 1:37:04 | 1:37:07 | |
'And put ice in its place. | 1:37:09 | 1:37:11 | |
-WHISPERING: -'I stole her heart away... | 1:37:13 | 1:37:17 | |
'..And put ice in its place.' | 1:37:19 | 1:37:21 | |
Pip, are you very unhappy? | 1:37:31 | 1:37:33 | |
Do you hate me very much? | 1:37:35 | 1:37:38 | |
I know you must hate me, but if you can ever bear to forgive me... | 1:37:38 | 1:37:43 | |
SHE SHRIEKS | 1:37:44 | 1:37:47 | |
SHE SCREAMS | 1:37:50 | 1:37:53 | |
SHE WHIMPERS | 1:38:03 | 1:38:05 | |
SHE WHIMPERS | 1:38:14 | 1:38:16 | |
SHE WHIMPERS, HE COUGHS | 1:38:17 | 1:38:20 | |
Forgive me. Forgive me. Forgive me. | 1:38:41 | 1:38:45 | |
Forgive me. Forgive me. | 1:38:45 | 1:38:47 | |
Forgive me... | 1:38:47 | 1:38:49 | |
I won't deny there have been too many secrets. | 1:39:05 | 1:39:09 | |
But who would the truth serve? | 1:39:11 | 1:39:13 | |
If Estella... were to discover that her father is a convict, | 1:39:17 | 1:39:22 | |
her mother a murderess, | 1:39:22 | 1:39:25 | |
would she thank you, do you think? | 1:39:25 | 1:39:28 | |
HE WINCES | 1:39:28 | 1:39:29 | |
Hmm? | 1:39:35 | 1:39:36 | |
DISTANT BELLS | 1:39:36 | 1:39:39 | |
Sir. A note for you. Most important, the gentleman said. | 1:39:47 | 1:39:52 | |
PEOPLE TALK INDISTINCTLY | 1:40:15 | 1:40:17 | |
-WOMAN: -Bastard! Where are you? Show your bitchy face! | 1:40:17 | 1:40:20 | |
SHE SPITS | 1:40:20 | 1:40:23 | |
-Did you destroy my note? -I did. | 1:40:38 | 1:40:41 | |
Best not to leave any evidence. They're on to him, Mr Pip. | 1:40:41 | 1:40:43 | |
WHISTLING, SHOUTS | 1:40:43 | 1:40:45 | |
Police. | 1:40:45 | 1:40:47 | |
The reward on his head is substantial. | 1:40:48 | 1:40:50 | |
Every copper and cut-throat in London | 1:40:50 | 1:40:52 | |
is on the hunt for your Antipodean uncle. | 1:40:52 | 1:40:54 | |
It was all your Mr Herbert and I could do to get him out in time. | 1:40:54 | 1:40:57 | |
How do we get him away? | 1:40:57 | 1:40:58 | |
There's a steamer leaving for Antwerp at midnight. | 1:40:58 | 1:41:02 | |
You and your uncle find a way onto it. | 1:41:02 | 1:41:04 | |
Portable property, Mr Pip. | 1:41:06 | 1:41:08 | |
Try and lay hold of portable property. | 1:41:08 | 1:41:11 | |
All is well, Handel. He's quite safe here. Though he is keen to see you. | 1:41:13 | 1:41:16 | |
-Goodness! What happened to your hands? -Where is he? | 1:41:16 | 1:41:19 | |
Listen, the steamer departs at midnight. We'll intercept it shortly after. | 1:41:20 | 1:41:23 | |
The further from the city we can get, the safer it will be. | 1:41:23 | 1:41:26 | |
It's not long now. | 1:41:28 | 1:41:29 | |
Thank 'ee, my boy. | 1:41:29 | 1:41:31 | |
-I love you. -Herbert... | 1:41:32 | 1:41:34 | |
Clara, I will return your fiance safely, I swear. | 1:41:37 | 1:41:40 | |
Apologies, Handel. She thinks you have rather a malign influence on me. | 1:41:43 | 1:41:47 | |
And she's right. | 1:41:47 | 1:41:49 | |
Herbert, are you sure you want to... | 1:41:49 | 1:41:51 | |
Handel, I don't think I've ever been more excited in my life! | 1:41:51 | 1:41:54 | |
RUSTLING | 1:42:09 | 1:42:12 | |
PIP: "The rain pattered dismally against the panes, | 1:42:13 | 1:42:16 | |
"and my candle was nearly burnt out, | 1:42:16 | 1:42:19 | |
"when, by the glimmer of the half-extinguished light, | 1:42:19 | 1:42:22 | |
"I saw the dull yellow eye of the creature open... | 1:42:22 | 1:42:26 | |
"it breathed." | 1:42:27 | 1:42:29 | |
Something wrong, Abel? | 1:42:29 | 1:42:31 | |
Not a bit of it. | 1:42:31 | 1:42:32 | |
To sit here and have my smoke along with my dear boy... | 1:42:32 | 1:42:36 | |
I had a little child once. | 1:42:40 | 1:42:42 | |
I didn't tell you afore. | 1:42:43 | 1:42:45 | |
Pretty little thing. A girl. | 1:42:45 | 1:42:48 | |
Died while I was in prison. | 1:42:49 | 1:42:51 | |
But there weren't a day, as I was rotting on that hulk, | 1:42:52 | 1:42:56 | |
when I didn't think on her face | 1:42:56 | 1:42:59 | |
and what a dear, pretty thing she were. | 1:42:59 | 1:43:01 | |
And when I saw you on them marshes, | 1:43:01 | 1:43:04 | |
well, you brought her to my mind. | 1:43:04 | 1:43:07 | |
Maybe that's why I took to you so strong. | 1:43:07 | 1:43:10 | |
I hope I've been a friend to you this little time we've had. | 1:43:11 | 1:43:15 | |
You speak as if we're parting. | 1:43:19 | 1:43:21 | |
In an hour, we'll be safe aboard. | 1:43:21 | 1:43:23 | |
We can no more see to the bottom of the next few hours | 1:43:25 | 1:43:28 | |
than we can see to the bottom of this river. | 1:43:28 | 1:43:30 | |
Which I catches in my hand. | 1:43:31 | 1:43:34 | |
And it's run through my fingers and gone. | 1:43:34 | 1:43:37 | |
You see? | 1:43:39 | 1:43:40 | |
SHIP WHISTLES IN DISTANCE | 1:43:40 | 1:43:42 | |
Listen! | 1:43:42 | 1:43:43 | |
Can you hear? | 1:43:44 | 1:43:46 | |
DISTANT WHISTLE BLOWS | 1:43:46 | 1:43:49 | |
Get the oars. We'll head down the river and wait. | 1:43:49 | 1:43:52 | |
DISTANT WHISTLE | 1:44:27 | 1:44:29 | |
STEAM ENGINE CHUGS | 1:44:42 | 1:44:45 | |
Go, boys. Go! | 1:44:48 | 1:44:49 | |
ALL GRUNT | 1:44:52 | 1:44:54 | |
Come on, boys, row! | 1:44:57 | 1:44:58 | |
-POLICEMAN: -Stop! Stop that boat! There they are! | 1:45:12 | 1:45:16 | |
-MAGWITCH: -Go on, boys! Put your back into it! Row! | 1:45:16 | 1:45:20 | |
You have a returned convict there! | 1:45:25 | 1:45:27 | |
His name is Abel Magwitch. | 1:45:27 | 1:45:30 | |
I apprehend the man, and call upon him to surrender! | 1:45:30 | 1:45:34 | |
Keep going! | 1:45:34 | 1:45:35 | |
Compeyson! | 1:45:35 | 1:45:38 | |
Row! | 1:45:38 | 1:45:39 | |
-POLICEMAN: -Stop! Stop that boat! | 1:45:41 | 1:45:43 | |
Nearly there! | 1:45:48 | 1:45:50 | |
Turn! | 1:45:50 | 1:45:53 | |
Come on, boys! They're closing on us! | 1:45:53 | 1:45:54 | |
No! No! | 1:45:55 | 1:45:57 | |
Get off! | 1:45:57 | 1:45:58 | |
COMMOTION | 1:45:58 | 1:46:00 | |
Handel! Handel! | 1:46:00 | 1:46:02 | |
-Hang on! -Magwitch, grab my hand! | 1:46:08 | 1:46:11 | |
-WHISTLE BLOWS -Look out, Pip! -Aargh! | 1:46:11 | 1:46:13 | |
Pip! | 1:46:24 | 1:46:25 | |
-Magwitch! -We have to get over there! | 1:46:28 | 1:46:31 | |
THEY GRUNT | 1:46:31 | 1:46:32 | |
Magwitch! | 1:46:36 | 1:46:38 | |
HE GROANS | 1:46:38 | 1:46:40 | |
MEN SHOUT | 1:46:44 | 1:46:47 | |
Up you come. Give me your hand. Give me your hand. | 1:47:03 | 1:47:06 | |
-MAN: -Just get in there! | 1:47:08 | 1:47:10 | |
Come on. | 1:47:10 | 1:47:11 | |
-Abel! -Handel, don't. | 1:47:16 | 1:47:17 | |
No. | 1:47:17 | 1:47:19 | |
Abel! | 1:47:20 | 1:47:21 | |
HE WHEEZES | 1:47:27 | 1:47:29 | |
All is lost. | 1:47:32 | 1:47:34 | |
All is gone. | 1:47:34 | 1:47:36 | |
You've let the whole thing slip through your fingers. | 1:47:36 | 1:47:38 | |
-Will he be tried? -Yes. | 1:47:38 | 1:47:40 | |
He will be tried and found guilty, too, and hanged. | 1:47:40 | 1:47:43 | |
The best that we can hope for | 1:47:43 | 1:47:44 | |
is that he dies before it comes to that. | 1:47:44 | 1:47:46 | |
The money, the land, are all forfeit to the crown. | 1:47:47 | 1:47:51 | |
You have nothing, Pip. | 1:47:53 | 1:47:55 | |
Not a penny. | 1:47:55 | 1:47:57 | |
Can we keep that from him? | 1:47:57 | 1:47:59 | |
I'd like him to think I'm a gentleman still. | 1:48:00 | 1:48:03 | |
I must, amongst you, single out a miserable man | 1:48:03 | 1:48:07 | |
who, after many years of living a peaceable and honest life in exile, | 1:48:07 | 1:48:13 | |
decided, in a fatal moment, | 1:48:13 | 1:48:15 | |
to return to the country where he was expressly proscribed. | 1:48:15 | 1:48:19 | |
Whatever the motive for his return, there can only be one punishment. | 1:48:20 | 1:48:26 | |
A punishment he shall share with all of you here before me today. | 1:48:26 | 1:48:31 | |
ALL MURMUR | 1:48:33 | 1:48:34 | |
CHAINS JANGLE | 1:48:36 | 1:48:37 | |
By the power vested in me by this court, | 1:48:37 | 1:48:40 | |
I sentence you all to death by hanging. | 1:48:40 | 1:48:44 | |
CLAMOUR | 1:48:44 | 1:48:47 | |
May the Lord have mercy on your souls. | 1:48:47 | 1:48:51 | |
Are you in much pain today? | 1:49:04 | 1:49:06 | |
I don't complain, dear boy. | 1:49:07 | 1:49:10 | |
If only you had stayed away... | 1:49:12 | 1:49:14 | |
And not seen this face? | 1:49:16 | 1:49:18 | |
I... I wish I had been more deserving of your love. | 1:49:19 | 1:49:23 | |
Hush. | 1:49:24 | 1:49:26 | |
A gentleman. | 1:49:27 | 1:49:29 | |
My very own. | 1:49:32 | 1:49:33 | |
Magwitch, I must tell you. | 1:49:37 | 1:49:39 | |
Your daughter... whom you loved and lost... | 1:49:40 | 1:49:43 | |
She lived. She lived, and found powerful friends. | 1:49:44 | 1:49:48 | |
She is living now. | 1:49:49 | 1:49:51 | |
She is a lady and very beautiful. | 1:49:51 | 1:49:54 | |
And I...I love her. | 1:49:57 | 1:49:59 | |
HE GASPS | 1:50:06 | 1:50:08 | |
HE SIGHS | 1:50:08 | 1:50:11 | |
HE GASPS | 1:50:18 | 1:50:20 | |
I don't know you. | 1:50:30 | 1:50:31 | |
Concerns a debt, sir. | 1:50:31 | 1:50:33 | |
£125.15s.6d. | 1:50:33 | 1:50:36 | |
-I don't have it. -We didn't think so, sir. | 1:50:38 | 1:50:41 | |
So we've come to arrest you. | 1:50:41 | 1:50:43 | |
Would you come with us, please, sir? | 1:50:44 | 1:50:45 | |
Yes. | 1:50:47 | 1:50:49 | |
Yes, of course. | 1:50:49 | 1:50:50 | |
HE GASPS | 1:50:53 | 1:50:56 | |
-Hello, there. -Is it Joe? | 1:51:09 | 1:51:12 | |
Which it is, old chap. | 1:51:12 | 1:51:14 | |
Forgive me, Joe. | 1:51:15 | 1:51:17 | |
Dear old Pip, old chap, | 1:51:17 | 1:51:20 | |
you and me was ever friends. | 1:51:20 | 1:51:22 | |
Now, you sleep... | 1:51:23 | 1:51:25 | |
And when you're well enough, what larks! | 1:51:26 | 1:51:30 | |
DISTANT BELL RINGS | 1:51:31 | 1:51:34 | |
"Paid in full." | 1:51:53 | 1:51:54 | |
"Paid in full." | 1:51:55 | 1:51:57 | |
"Paid." | 1:52:03 | 1:52:04 | |
SEA BIRDS CALL | 1:52:16 | 1:52:19 | |
METAL CLANKS | 1:52:23 | 1:52:26 | |
BIDDY HUMS | 1:52:29 | 1:52:31 | |
-I came as quickly as I could. I wanted to tell you... -Oh, Pip. | 1:52:42 | 1:52:46 | |
-It's my wedding day! -Biddy, I can't for the life of me get... | 1:52:46 | 1:52:49 | |
FOOTSTEPS APPROACHING | 1:52:49 | 1:52:51 | |
Pip. | 1:52:53 | 1:52:54 | |
Oh, Pip! | 1:52:55 | 1:52:57 | |
-Oh! -Biddy! | 1:52:57 | 1:53:00 | |
Oh! | 1:53:00 | 1:53:01 | |
Right, this way! Come on! | 1:53:01 | 1:53:03 | |
-Forward, troops! -BIDDY LAUGHS | 1:53:03 | 1:53:04 | |
Come on! Or I'll carry you like a big bird | 1:53:04 | 1:53:07 | |
and fly like a bird all the way over there. | 1:53:07 | 1:53:09 | |
ALL LAUGH | 1:53:09 | 1:53:11 | |
Come on, Mrs Gargery. One, two, three, four. | 1:53:11 | 1:53:14 | |
Oh! Oh, my poor old back! | 1:53:14 | 1:53:16 | |
What have you been eating? | 1:53:16 | 1:53:19 | |
Pip! Whoo! | 1:53:19 | 1:53:21 | |
-'Your life savings, Joe! -It's only money, Pip.' | 1:53:21 | 1:53:24 | |
Nevertheless, I will work. | 1:53:24 | 1:53:26 | |
I will pay you back every penny, if it takes me... | 1:53:26 | 1:53:28 | |
Pip. That's enough. | 1:53:28 | 1:53:30 | |
BUSTLE, CHATTERING | 1:53:57 | 1:54:01 | |
-Father! Father! -Charles, be quiet. | 1:54:11 | 1:54:13 | |
How many times do I need to tell you, | 1:54:13 | 1:54:15 | |
-this is a place of business, not a nursery! -I have a letter. | 1:54:15 | 1:54:18 | |
Given by a lady. | 1:54:18 | 1:54:20 | |
Oh, a lady! | 1:54:20 | 1:54:21 | |
How intriguing! | 1:54:22 | 1:54:24 | |
Handel! You've a letter. | 1:54:26 | 1:54:28 | |
LOW CHATTER | 1:54:31 | 1:54:34 | |
CHILDREN TALKING INDISTINCTLY | 1:54:42 | 1:54:44 | |
Drummle died two years ago. | 1:55:14 | 1:55:16 | |
He was kicking his horse, and the horse kicked back. | 1:55:17 | 1:55:20 | |
I'm sorry to hear that. | 1:55:20 | 1:55:22 | |
-Pip... -I'm sorry for anything that brings you sorrow. | 1:55:23 | 1:55:28 | |
Well, rest assured I feel none. | 1:55:28 | 1:55:30 | |
My husband and I made each other perfectly miserable, | 1:55:30 | 1:55:33 | |
just as intended. | 1:55:33 | 1:55:34 | |
I have been bent and broken... | 1:55:38 | 1:55:40 | |
But I hope into a better shape. | 1:55:42 | 1:55:43 | |
I've been travelling a great deal. | 1:55:50 | 1:55:52 | |
I had heard that you were here and thriving... | 1:55:55 | 1:55:58 | |
and I had a desire to see my old friend. | 1:55:58 | 1:56:01 | |
My only friend. | 1:56:04 | 1:56:05 | |
When we last met, you said that you would always think of me. | 1:56:08 | 1:56:12 | |
And I have. | 1:56:14 | 1:56:16 | |
-That you would think of the good in me. -Always. | 1:56:16 | 1:56:18 | |
You are a part of me, Estella. | 1:56:23 | 1:56:25 | |
"You are in the ships," you said, "and the river." | 1:56:25 | 1:56:30 | |
I love you, Estella. | 1:56:33 | 1:56:35 | |
I'm glad. | 1:56:43 | 1:56:45 |