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| Line | From | To | |
|---|---|---|---|
This film contains strong language and some scenes which some viewers may find upsetting | 0:00:02 | 0:00:09 | |
I was 14 years old. I live in a tiny farming area called Nuristan. | 0:00:09 | 0:00:12 | |
The men came to our house. | 0:00:12 | 0:00:16 | |
They grab my brother by the hair and drag him onto the street. | 0:00:21 | 0:00:25 | |
I hold my sisters back and try and cover their eyes. | 0:00:27 | 0:00:31 | |
They tie my brother's hands behind his back and to his feet, | 0:00:33 | 0:00:38 | |
like we do with goats for slaughter. | 0:00:38 | 0:00:41 | |
My father, he just...cries. | 0:00:44 | 0:00:48 | |
I only see my brother's head pulled back | 0:00:52 | 0:00:56 | |
so his neck looks white and soft. | 0:00:56 | 0:00:59 | |
CAMERAS CLICK | 0:01:01 | 0:01:03 | |
They say it is me next. | 0:01:11 | 0:01:13 | |
When we all leave for the border in Turkey... | 0:01:19 | 0:01:22 | |
..we are shot at by the guards. | 0:01:25 | 0:01:27 | |
Some people are injured or die. | 0:01:30 | 0:01:36 | |
On the boat to Italy, I remember counting the people. | 0:01:38 | 0:01:43 | |
There are 19 left. | 0:01:45 | 0:01:47 | |
We started with 31. | 0:01:49 | 0:01:51 | |
Finally, I end up in Oxford. | 0:01:56 | 0:01:59 | |
I thought this was centre of England | 0:01:59 | 0:02:02 | |
because this is where your words come from... | 0:02:02 | 0:02:04 | |
-LAUGHTER -..well, dictionary. | 0:02:04 | 0:02:07 | |
That is my story. Thank you. | 0:02:10 | 0:02:13 | |
'My story. | 0:02:20 | 0:02:23 | |
'I tell it over and over again, | 0:02:23 | 0:02:27 | |
'until its meaning is lost. | 0:02:27 | 0:02:30 | |
'It's all that stops me | 0:02:33 | 0:02:35 | |
'from being sent back to a place worse than hell.' | 0:02:35 | 0:02:39 | |
That story, ladies and gentlemen, | 0:02:41 | 0:02:45 | |
was not believed. | 0:02:45 | 0:02:48 | |
And so now Omar faces removal if his appeal fails next week. | 0:02:48 | 0:02:55 | |
Thank you. | 0:02:59 | 0:03:01 | |
'We are all in this together... | 0:03:09 | 0:03:11 | |
'..but not all of us will be believed.' | 0:03:13 | 0:03:15 | |
BOYS CHAT | 0:03:29 | 0:03:30 | |
-Hey! -Hey, Omar! -Are you OK? -Yeah, I'm fine. Come in! -Good, good. | 0:03:33 | 0:03:36 | |
-You all right? -Hi, Chloe. | 0:03:36 | 0:03:39 | |
-Hiya! -Come on. | 0:03:39 | 0:03:41 | |
Hey, man, you OK? | 0:03:44 | 0:03:45 | |
-Morning. -Hello, Mr Nigel. -Morning. | 0:03:53 | 0:03:57 | |
-Morning, Mr Nigel. -Morning. | 0:03:57 | 0:03:59 | |
-Morning. -Hello. -Good morning. | 0:03:59 | 0:04:01 | |
-Good morning, sir. -Good morning. | 0:04:01 | 0:04:03 | |
-Good morning. -Good morning, Mr Nigel. -Good morning, Alpha. | 0:04:13 | 0:04:16 | |
Good morning, Omar. | 0:04:16 | 0:04:18 | |
Omar, here's your book. | 0:04:25 | 0:04:27 | |
Hey, bro, you got a pen on you? | 0:04:33 | 0:04:36 | |
Thanks, man. | 0:04:39 | 0:04:40 | |
Five Names. Is this you? Is this you? | 0:04:44 | 0:04:47 | |
OK, OK. | 0:04:49 | 0:04:51 | |
-So, welcome, everybody. Good morning. -Good morning. | 0:04:53 | 0:04:55 | |
This morning, we have a few new faces. | 0:04:55 | 0:04:59 | |
-Faces. -Faces. -LAUGHTER | 0:04:59 | 0:05:01 | |
Right, er... | 0:05:01 | 0:05:05 | |
Those glasses make you look like Malcolm X. | 0:05:05 | 0:05:08 | |
Thank you, Mr Nigel. | 0:05:08 | 0:05:09 | |
These glasses use a holographic film | 0:05:09 | 0:05:12 | |
-that creates an effect like a dispersive prism. -Ah! Thank you, Alpha. | 0:05:12 | 0:05:15 | |
So, some of the new faces. Who have we got? Ah, Umi. | 0:05:15 | 0:05:20 | |
Umi? Am I saying that right? | 0:05:22 | 0:05:25 | |
Umi, where are you from? Which country are you from? | 0:05:25 | 0:05:28 | |
Which country? | 0:05:30 | 0:05:32 | |
No? | 0:05:33 | 0:05:35 | |
What's your name? | 0:05:36 | 0:05:38 | |
Name? | 0:05:38 | 0:05:41 | |
My name is Nigel. | 0:05:41 | 0:05:44 | |
Nigel. What's your name? | 0:05:46 | 0:05:48 | |
-Zizidi. -And where are you from, Zizidi? Nigeria? | 0:05:50 | 0:05:54 | |
No, no, no, not Nigeria. | 0:05:54 | 0:05:57 | |
-Guinea. -Guinea. You don't like Nigeria? | 0:05:57 | 0:06:00 | |
SHE SPEAKS IN HER OWN LANGUAGE | 0:06:00 | 0:06:04 | |
She says that Nigerians think they're kings of Africa. | 0:06:04 | 0:06:07 | |
SHE SPEAKS IN HER OWN LANGUAGE | 0:06:07 | 0:06:10 | |
She says that we have more cows, more gold | 0:06:10 | 0:06:12 | |
and the most beautiful women. | 0:06:12 | 0:06:14 | |
More beautiful women. | 0:06:14 | 0:06:15 | |
More beautiful women, you hear that, Umi? | 0:06:15 | 0:06:18 | |
Not in Nigeria. Is that true? | 0:06:18 | 0:06:20 | |
OK, so, Omar, why don't you tell us about what you did in the break? | 0:06:21 | 0:06:26 | |
Well, Mr Nigel, Five Names and me went skiing on the Costa Brava, | 0:06:27 | 0:06:32 | |
then flew off in a private jet | 0:06:32 | 0:06:34 | |
to the Riviera for a spot of wine-tasting. | 0:06:34 | 0:06:36 | |
-Wine-tasting? -Mm-hm. | 0:06:36 | 0:06:38 | |
Then on our way back, all chilled, | 0:06:38 | 0:06:42 | |
they came out of nowhere - the Feds. | 0:06:42 | 0:06:45 | |
Then they handcuffed us and dragged us away. | 0:06:47 | 0:06:49 | |
DOOR OPENS | 0:06:52 | 0:06:54 | |
Ah! Welcome, welcome. Another new addition. You must be Abdul? | 0:06:54 | 0:06:59 | |
Abdul, yes? Yes? | 0:06:59 | 0:07:01 | |
Where are you from, Abdul? | 0:07:02 | 0:07:04 | |
Where are you from? | 0:07:06 | 0:07:07 | |
TRANSLATION: | 0:07:07 | 0:07:09 | |
He says he's from Nigeria. | 0:07:11 | 0:07:13 | |
-LAUGHTER -Thank you. | 0:07:13 | 0:07:15 | |
Well, I'm going to take a lucky guess | 0:07:15 | 0:07:17 | |
and say you're from Afghanistan. | 0:07:17 | 0:07:19 | |
OK, so can you show me where Afghanistan is on the map? | 0:07:19 | 0:07:23 | |
If you look at the map, can you tell me where Afghanistan is? | 0:07:23 | 0:07:26 | |
He doesn't know where Afghanistan is on the map, Uncle. | 0:07:31 | 0:07:33 | |
-He's a farmer's boy, never seen a map of the world, probably. -OK, OK. | 0:07:33 | 0:07:36 | |
So, Abdul, can you write your name? Follow me. | 0:07:36 | 0:07:40 | |
Here's the board. Can you write your name? Your name. | 0:07:41 | 0:07:44 | |
HE SPEAKS IN HIS OWN LANGUAGE | 0:07:44 | 0:07:46 | |
-I will help, Mr Nigel. -Thank you, Omar. | 0:07:46 | 0:07:49 | |
OK, so while they do that, | 0:07:49 | 0:07:51 | |
I'd like everyone to take their workbooks out, please, | 0:07:51 | 0:07:54 | |
and today, we will look at the subject of tenses. | 0:07:54 | 0:07:58 | |
Tenses - the past, the present and the future. | 0:08:00 | 0:08:03 | |
The past, the present and the future. | 0:08:03 | 0:08:07 | |
Today, we're going to look at the past so find a seat, Abdul. | 0:08:07 | 0:08:11 | |
OMAR SPEAKS TO ABDUL IN HIS OWN LANGUAGE | 0:08:11 | 0:08:12 | |
OK, so the past, the present and future. What defines the past? | 0:08:12 | 0:08:18 | |
-You cannot get rid of it, Mr Nigel. -You cannot get rid of it. Good! | 0:08:18 | 0:08:23 | |
It's part of you. | 0:08:23 | 0:08:25 | |
Part of your history. | 0:08:27 | 0:08:28 | |
Yes, the past is all the actions that have happened. | 0:08:28 | 0:08:33 | |
I tell you what, this war carries on much longer, | 0:08:43 | 0:08:47 | |
we'll have to get a bigger map! | 0:08:47 | 0:08:49 | |
Maybe. | 0:08:57 | 0:08:59 | |
Other way up. Other way up. | 0:10:13 | 0:10:15 | |
Like that. Thank you. | 0:10:15 | 0:10:17 | |
Stare into the camera for me, please. | 0:10:25 | 0:10:27 | |
No smiling. | 0:10:27 | 0:10:30 | |
Stand straight, no smiling. | 0:10:30 | 0:10:32 | |
No smiling. Stand straight, no smiling. | 0:10:33 | 0:10:36 | |
FGM is recognised as persecution under human rights law | 0:10:44 | 0:10:50 | |
so we've got a pretty strong case. | 0:10:50 | 0:10:52 | |
Where are you from? | 0:10:52 | 0:10:54 | |
INTERPRETER TRANSLATES | 0:10:54 | 0:10:57 | |
-Nuristan. -Microphone, please. | 0:10:57 | 0:10:59 | |
INTERPRETER TRANSLATES | 0:10:59 | 0:11:01 | |
-Nuristan. -Erm, he says that he's from Nuristan in Afghanistan, | 0:11:01 | 0:11:07 | |
but I think he could be from Pakistan. | 0:11:07 | 0:11:10 | |
I see that, as a minor, you have been placed in a foster home. | 0:11:18 | 0:11:22 | |
Is that right? | 0:11:22 | 0:11:24 | |
Please answer clearly so that I can make a note. | 0:11:26 | 0:11:29 | |
You do understand the purpose of this interview | 0:11:29 | 0:11:32 | |
-is to establish your right to asylum, don't you? -Yes. | 0:11:32 | 0:11:35 | |
What problems did you experience in Guinea? | 0:11:37 | 0:11:40 | |
I experience sexual abuse, | 0:11:42 | 0:11:45 | |
forced marriage, circumcision... | 0:11:45 | 0:11:50 | |
..miscarriage and beating. | 0:11:51 | 0:11:54 | |
SHE COUGHS | 0:12:05 | 0:12:07 | |
Can you be more precise? | 0:12:09 | 0:12:11 | |
I was raped by three people in the house. | 0:12:13 | 0:12:15 | |
Ruba... | 0:12:17 | 0:12:18 | |
..his brother... | 0:12:20 | 0:12:21 | |
and another man who came to the house to learn the Koran. | 0:12:21 | 0:12:25 | |
SHE COUGHS | 0:12:27 | 0:12:29 | |
How old were you at that time? | 0:12:31 | 0:12:33 | |
I was 12. | 0:12:34 | 0:12:36 | |
Did you tell anyone about this abuse? | 0:12:38 | 0:12:40 | |
-Would you like to take a break? -No! | 0:12:59 | 0:13:01 | |
Moist hands. | 0:13:23 | 0:13:24 | |
No eye contact. | 0:13:34 | 0:13:36 | |
Stand up. INTERPRETER TRANSLATES | 0:13:36 | 0:13:39 | |
Stand next to him. | 0:13:39 | 0:13:40 | |
About 5' 7", 5' 8". | 0:13:44 | 0:13:47 | |
You'll receive a letter with an appointment to see Social Services. | 0:13:47 | 0:13:50 | |
They will carry out an age assessment. | 0:13:50 | 0:13:52 | |
INTERPRETER TRANSLATES | 0:13:52 | 0:13:53 | |
Here is a list of solicitors and a map of how to get here. | 0:13:56 | 0:13:59 | |
We're done. You can leave. INTERPRETER TRANSLATES | 0:14:14 | 0:14:17 | |
DANCE MUSIC BLARES | 0:14:29 | 0:14:32 | |
-Rafi, man? -Rafi? -Come on, we thought it might be good for you, you know. | 0:14:32 | 0:14:36 | |
-Go down the park, have a few laughs. -I don't come! -Oh, Rafi! | 0:14:36 | 0:14:39 | |
The Feds won't recognise you, man. Dress how you like. | 0:14:39 | 0:14:42 | |
We are going Bollywood-style, man, your favourite. | 0:14:42 | 0:14:44 | |
You go as a gangster, innit? The bad boy all the girls love. | 0:14:44 | 0:14:49 | |
-Do not say to me. I don't come. -Oh, Rafi, please. | 0:14:49 | 0:14:52 | |
Rafi, it's good, you will like it. | 0:14:52 | 0:14:54 | |
I don't come, that's it. | 0:14:54 | 0:14:56 | |
Rafi! | 0:14:56 | 0:14:58 | |
Rafi, of course it's safe! I'll look after you. | 0:14:58 | 0:15:00 | |
Another raghead. | 0:15:12 | 0:15:15 | |
Assalaamu Alaikum. | 0:15:19 | 0:15:21 | |
You guys know each other from back home? | 0:15:25 | 0:15:27 | |
You are all my brothers, eh? Mmm? | 0:15:28 | 0:15:31 | |
DOOR OPENS | 0:15:31 | 0:15:32 | |
I will come. THEY CHEER | 0:15:33 | 0:15:35 | |
-Rafi... -Rafi? Where's he going? | 0:15:38 | 0:15:41 | |
Omar. | 0:15:47 | 0:15:48 | |
MUSIC SEEPS FROM HEADPHONES | 0:16:03 | 0:16:04 | |
Stinks in here. | 0:16:17 | 0:16:19 | |
Sorry? | 0:16:21 | 0:16:22 | |
Div! | 0:16:31 | 0:16:33 | |
DOOR OPENS AND CLOSES | 0:16:33 | 0:16:37 | |
RECEDING FOOTSTEPS | 0:16:37 | 0:16:40 | |
# I suffer you in my arms | 0:17:12 | 0:17:20 | |
# Ooh-ooh-ooh... # | 0:17:24 | 0:17:30 | |
-Hey, Chloe! -LAUGHTER | 0:17:30 | 0:17:34 | |
Take a picture for back home. | 0:17:36 | 0:17:38 | |
-Alpha! -Wait, what? -Move over. -No, no, no, no, stop. I didn't ask... | 0:17:38 | 0:17:45 | |
-This is not a family photo! -Right, cheese! -Wait, wait, wait! | 0:17:45 | 0:17:50 | |
-Oh, Rafi, what are you doing? -Again. -Abdul! | 0:17:50 | 0:17:55 | |
Hey, introduce yourselves, idiots. | 0:17:55 | 0:17:57 | |
Give me the phone! | 0:17:58 | 0:18:00 | |
LAUGHTER | 0:18:06 | 0:18:08 | |
-What did he say? -The beautiful girl is Chloe. | 0:18:11 | 0:18:14 | |
Ooooh! | 0:18:14 | 0:18:17 | |
-What the hell is this? -Diwali! | 0:18:17 | 0:18:19 | |
It represents the triumph of good over evil. | 0:18:19 | 0:18:21 | |
Papers, please. | 0:19:15 | 0:19:17 | |
(Rafi, just keep walking.) | 0:19:17 | 0:19:19 | |
(Just keep walking straight, straight past them.) | 0:19:19 | 0:19:22 | |
-Papers, please, young man. -Sorry? | 0:19:24 | 0:19:26 | |
Papers, please. Thank you very much. | 0:19:26 | 0:19:28 | |
-Can I see your papers, please? -I haven't done anything, Officer. | 0:19:28 | 0:19:32 | |
I know. Can I have your name? Can I have your name, please? | 0:19:32 | 0:19:35 | |
-My name is Rafi. -Your full name and your address? | 0:19:35 | 0:19:38 | |
THEY ARGUE | 0:19:39 | 0:19:42 | |
-I'm talking to your friend, all right? -I haven't done anything! | 0:19:42 | 0:19:45 | |
The sooner you let him do his job, the sooner you can all be on your way. | 0:19:45 | 0:19:48 | |
Have you got anything that you shouldn't have? | 0:19:48 | 0:19:50 | |
-No, I don't have anything. -Nothing at all? | 0:19:50 | 0:19:52 | |
Stand aside, please, sir. Stand aside, please. | 0:19:52 | 0:19:55 | |
Can you just stand aside, please? | 0:19:55 | 0:19:57 | |
-We're talking to him. -Rafi, go! | 0:19:57 | 0:20:00 | |
Go, Rafi, go! | 0:20:00 | 0:20:02 | |
-Go, Rafi, run! Go, Rafi! -Go, Rafi! | 0:20:02 | 0:20:05 | |
-Fuck! -Fucking hell, man! Shit! | 0:20:09 | 0:20:12 | |
Fuck, man! | 0:20:12 | 0:20:13 | |
-What the fuck is wrong with you, man? Fucking dickheads! -Fuck you! | 0:20:13 | 0:20:17 | |
Where are you taking him, eh? | 0:20:17 | 0:20:20 | |
Rafi, man, we'll get you out, don't worry. I'll call your caseworker. | 0:20:21 | 0:20:25 | |
BELL RINGS | 0:20:32 | 0:20:35 | |
I'm next. | 0:20:52 | 0:20:54 | |
Then you... | 0:20:59 | 0:21:01 | |
then you. | 0:21:01 | 0:21:03 | |
You a Fed? | 0:21:20 | 0:21:22 | |
Fuck... | 0:21:48 | 0:21:50 | |
Omar, where you get this laptop from, bro? So shit, man. | 0:21:50 | 0:21:53 | |
I can't even remember what the fuck I said in my statement. | 0:21:55 | 0:21:58 | |
It was like two years ago, bro. | 0:21:58 | 0:22:00 | |
Look, just tell them a good story, that's all I'm saying. | 0:22:02 | 0:22:05 | |
-It's all about what you say and... -Who you say it to. -Yes, bro. | 0:22:05 | 0:22:09 | |
-We need to find somewhere more dangerous than Nuristan. -Peckham! | 0:22:11 | 0:22:14 | |
Look, bro, they can't send you back. You've got options. Check it out. | 0:22:18 | 0:22:23 | |
Look, Gereshk Valley, Helmand Province. Danger there, man. | 0:22:24 | 0:22:29 | |
All kinds of shit going off. Death Valley! | 0:22:29 | 0:22:31 | |
But you need to nail it, every detail. | 0:22:31 | 0:22:35 | |
You can't appeal based on a well-founded fear of persecution | 0:24:17 | 0:24:21 | |
cos your father was involved in a dispute over land. | 0:24:21 | 0:24:25 | |
But the fact that the Home Office have taken so long to review your case | 0:24:25 | 0:24:29 | |
means we should apply under Article 8 of the Human Rights Act - | 0:24:29 | 0:24:33 | |
the right to respect of private and family life. | 0:24:33 | 0:24:36 | |
OK. | 0:24:38 | 0:24:39 | |
You've been here a long time - established a life. | 0:24:39 | 0:24:44 | |
Let's review your case. Which province are you from again? | 0:24:45 | 0:24:49 | |
I say I was from Nuristan, but actually I'm from Gereshk Valley. | 0:24:52 | 0:24:58 | |
Well, that makes sense. It helps. | 0:25:01 | 0:25:03 | |
It's on the list of no-go areas. | 0:25:03 | 0:25:05 | |
Why did you say you were from Nuristan in your screening interview? | 0:25:06 | 0:25:09 | |
Maybe the people who got you in told you it was better to say that. | 0:25:20 | 0:25:23 | |
You were 15...traumatised. | 0:25:24 | 0:25:27 | |
-Maybe. -Definitely. | 0:25:27 | 0:25:30 | |
I was 15 and I was traumatised. | 0:25:32 | 0:25:36 | |
You'll need a suit. | 0:25:39 | 0:25:40 | |
Omar, bro! It's jihad time, man! | 0:25:50 | 0:25:54 | |
Life in the UK - question number one. First to Alpha. | 0:26:02 | 0:26:08 | |
When was the Queen born? | 0:26:08 | 0:26:10 | |
-She was born April 21st, 1926. -Mm-hm. | 0:26:10 | 0:26:14 | |
She also has a birthday in June. | 0:26:14 | 0:26:16 | |
-Only the Queen of England has two birthdays. -No! -Are you mad? Look! | 0:26:16 | 0:26:20 | |
-What? -Look at this. -Home Office birthdays, bro. What is this? | 0:26:20 | 0:26:23 | |
-Booyah! -Oh-h, that's right. We also have two birthdays. | 0:26:23 | 0:26:27 | |
That means we are like royalty! | 0:26:27 | 0:26:30 | |
-Omar, same question. -Hey, King Omar, eh? | 0:26:30 | 0:26:33 | |
Sorry, Your Royal fucking Highness. | 0:26:33 | 0:26:36 | |
How old is HRH Queen Elizabeth whatever? | 0:26:36 | 0:26:39 | |
I would never comment on a lady's age. | 0:26:39 | 0:26:41 | |
White girls, mmm! | 0:26:42 | 0:26:44 | |
LAUGHTER | 0:26:44 | 0:26:47 | |
# War, huh, ooh-yeah | 0:26:47 | 0:26:50 | |
# What is it good for? | 0:26:50 | 0:26:53 | |
# Absolutely nothing! # | 0:26:53 | 0:26:54 | |
-Boys, boys, get your stuff. -Girls, get your stuff in the coach. -Listen! | 0:27:00 | 0:27:05 | |
-Just get here...just get here. The bags are on the bus. -Queue up. Keep a watch of the bags here. | 0:27:05 | 0:27:09 | |
I'm not hassling you, I'm telling you that the coach is here. You need to get here. | 0:27:14 | 0:27:17 | |
You're late, you can get to the back. | 0:27:17 | 0:27:19 | |
No, no, no, no, mostly everyone's here. | 0:27:21 | 0:27:24 | |
Nigel! Nigel, can you get off the phone and sort this ticket, please? | 0:27:45 | 0:27:49 | |
Boys, come on! | 0:28:04 | 0:28:05 | |
-Boys, come on, please. -All right? | 0:28:16 | 0:28:18 | |
Yeah, everything's fine. | 0:28:19 | 0:28:21 | |
-Come on, boys. -Come on, come on! | 0:28:22 | 0:28:25 | |
THEY SING IN THEIR OWN LANGUAGE | 0:28:25 | 0:28:27 | |
(Is Abdul OK?) | 0:28:55 | 0:28:57 | |
Where we come from, everyone in uniform is an enemy. | 0:28:59 | 0:29:02 | |
Yes. | 0:29:05 | 0:29:06 | |
Yes, of course, thank you. | 0:29:06 | 0:29:08 | |
THEY CHEER AND SING | 0:29:14 | 0:29:16 | |
THEY CONTINUE TO SING | 0:29:33 | 0:29:34 | |
Abdul, come here. | 0:29:47 | 0:29:49 | |
ZIZIDI: | 0:30:54 | 0:30:56 | |
THEY LAUGH | 0:31:47 | 0:31:48 | |
A reservoir. That is not a natural lake, that is a reservoir, man-made. | 0:31:53 | 0:31:58 | |
It is a man-made lake. It is not actually a natural lake. | 0:31:58 | 0:32:02 | |
-CHLOE: -What do you mean? -Man-made. | 0:32:02 | 0:32:04 | |
Dug a big hole, put the water in, | 0:32:04 | 0:32:06 | |
because that water goes to England, comes out of the tap. | 0:32:06 | 0:32:10 | |
It's true. Have a look. | 0:32:10 | 0:32:12 | |
AMINA CHATS | 0:32:22 | 0:32:24 | |
Take a seat. | 0:32:27 | 0:32:29 | |
Are you OK? | 0:32:33 | 0:32:35 | |
What are you thinking about? | 0:32:36 | 0:32:39 | |
Hmm? What are you thinking about? | 0:32:39 | 0:32:40 | |
THUNDER RUMBLES | 0:32:43 | 0:32:45 | |
Oh, my God! Let me see your hands. | 0:32:57 | 0:32:59 | |
You have got a really long lifeline, you know. | 0:33:00 | 0:33:04 | |
Let's see. | 0:33:04 | 0:33:05 | |
Do you want me to read your palm? | 0:33:05 | 0:33:07 | |
OK. | 0:33:08 | 0:33:09 | |
So you are going to travel the world, yes. | 0:33:11 | 0:33:14 | |
You're going to go to Egypt | 0:33:15 | 0:33:17 | |
and you're going to meet a nice man called Havi, who's Chinese. | 0:33:17 | 0:33:20 | |
THEY GIGGLE | 0:33:20 | 0:33:22 | |
And then you are going to move into his castle, yeah? | 0:33:27 | 0:33:30 | |
Oh, no! | 0:33:30 | 0:33:32 | |
Havi is going to fall off a cliff, he is going to die. | 0:33:34 | 0:33:36 | |
But it's all right. Because you are going to get all his money and you're going to be rich, | 0:33:37 | 0:33:41 | |
like really, really, really rich. | 0:33:41 | 0:33:43 | |
Hurry up. | 0:33:49 | 0:33:52 | |
Right. | 0:33:52 | 0:33:53 | |
Sorry, can you just...? | 0:33:53 | 0:33:55 | |
Right. Let's see. | 0:33:55 | 0:33:58 | |
Ugh, what is that mole from? | 0:33:58 | 0:33:59 | |
-Oh, my days! -What? -Oh, my God, look at that! | 0:34:01 | 0:34:05 | |
-Right. -Close your hand. -Will I have a big house? | 0:34:07 | 0:34:09 | |
No, you are going to have loads of babies. | 0:34:09 | 0:34:11 | |
What? | 0:34:12 | 0:34:13 | |
What's the matter? | 0:34:13 | 0:34:15 | |
I have had three. | 0:34:20 | 0:34:21 | |
I can't have any more. | 0:34:24 | 0:34:25 | |
I need speak. | 0:34:55 | 0:34:57 | |
Do you need your caseworker? I will go and fetch her. | 0:34:57 | 0:35:00 | |
I need speak you, Mr Nigel. | 0:35:00 | 0:35:01 | |
I need speak about me. | 0:35:03 | 0:35:05 | |
Need help, Uncle? | 0:35:05 | 0:35:06 | |
No, I think we will manage. | 0:35:08 | 0:35:11 | |
To translate. | 0:35:11 | 0:35:12 | |
That's kind of you to offer, Omar. Thank you. | 0:35:13 | 0:35:15 | |
IN OWN LANGUAGE: | 0:35:18 | 0:35:21 | |
Can you hold the door? That's it. | 0:35:36 | 0:35:39 | |
Right. Over there, over there. Over there. | 0:35:39 | 0:35:41 | |
THEY WHOOP | 0:35:41 | 0:35:43 | |
-All right, Chloe. -Yeah. | 0:35:44 | 0:35:46 | |
THEY CALL OUT IN THEIR OWN LANGUAGE | 0:35:50 | 0:35:52 | |
Boys, save your energy! Boys! | 0:35:56 | 0:35:58 | |
-Take in where you are. -It's amazing. | 0:35:58 | 0:36:02 | |
That is where we are climbing up to, the top over there. | 0:36:02 | 0:36:05 | |
Abdul! | 0:36:05 | 0:36:06 | |
No, no, no! | 0:36:06 | 0:36:08 | |
Come back down, you have plenty of time to climb. Stay with us. | 0:36:08 | 0:36:13 | |
AEROPLANE ROARS OVERHEAD | 0:36:13 | 0:36:15 | |
Most people are never prepared for the mountain climb. | 0:36:19 | 0:36:22 | |
Last year, | 0:36:22 | 0:36:23 | |
there were over 200 accidents that happened on these mountains. | 0:36:23 | 0:36:27 | |
They failed to take steps to master the basics of good navigation. | 0:36:27 | 0:36:31 | |
That is why I have my compass, so I will never get lost. | 0:36:31 | 0:36:34 | |
-The mist's coming down, that's all. Just a bit of mist. -Yeah, yeah. | 0:36:50 | 0:36:54 | |
-We're not going to be safe up there. -We will be safe, we will be safe. | 0:36:54 | 0:36:57 | |
SPEAKING IN DISTANCE | 0:36:57 | 0:37:01 | |
Just do this. Do this with your feet. Run up and down. | 0:37:08 | 0:37:12 | |
OK. How are you feeling? | 0:37:12 | 0:37:13 | |
-Your hands warm? -Yes. -Ears warm? -Can we go back now? | 0:37:13 | 0:37:17 | |
Well, it is getting a bit... | 0:37:17 | 0:37:18 | |
THUNDER RUMBLES | 0:37:18 | 0:37:20 | |
-Do you think we could go to the next ridge, yeah? -No. | 0:37:20 | 0:37:22 | |
AMINA: Nigel! We are going to go back! | 0:37:22 | 0:37:26 | |
OK! | 0:37:27 | 0:37:29 | |
OK. | 0:37:30 | 0:37:31 | |
Ready? Am I in shot? | 0:37:31 | 0:37:33 | |
-Yeah. -Yeah? Come on, let me see. Wait. | 0:37:34 | 0:37:37 | |
THUNDER RUMBLES | 0:37:37 | 0:37:40 | |
-Omar? Where are you? I can't see. -I think we should head back now. | 0:37:55 | 0:38:00 | |
Are you scared? | 0:38:00 | 0:38:02 | |
No, no, it just doesn't seem like a very good idea to go much further. | 0:38:02 | 0:38:06 | |
Omar! | 0:38:11 | 0:38:12 | |
This way. | 0:38:12 | 0:38:14 | |
See you later, Mr Nigel. I am not a child. I can take care of myself. | 0:38:14 | 0:38:18 | |
It certainly will be the case, but while you are on a children's | 0:38:18 | 0:38:21 | |
residential trip, we will stick to the rules and stay together. | 0:38:21 | 0:38:25 | |
Thank you. | 0:38:25 | 0:38:27 | |
What has got into you? | 0:38:29 | 0:38:31 | |
Hey, where is the farm boy? | 0:38:33 | 0:38:34 | |
Head count! | 0:38:39 | 0:38:41 | |
One, two, three, four, five, six, seven, eight... | 0:38:42 | 0:38:45 | |
-One, two, three, four, five, six, seven, eight... -(Shit.) | 0:38:45 | 0:38:47 | |
Fucking... | 0:38:48 | 0:38:50 | |
Right, here is what we are going to do. | 0:38:50 | 0:38:52 | |
Omar, I would like you to take this group. | 0:38:52 | 0:38:55 | |
-Follow the path all the way down to Amina. -Alpha can do this. | 0:38:55 | 0:39:00 | |
I will go with you and search for Abdul. It is better like this. OK? | 0:39:00 | 0:39:03 | |
We have 2,000 feet to descend. | 0:39:04 | 0:39:07 | |
It will take us over an hour if we walk at 3mph. So come, let's go. | 0:39:07 | 0:39:11 | |
Stay with Alpha. And follow the path! | 0:39:11 | 0:39:14 | |
Take care, Mr Nigel. | 0:39:14 | 0:39:17 | |
-You go this way, I go this way. We keep in touch by shouting. -Right... | 0:39:19 | 0:39:23 | |
-Abdul! -Abdul! | 0:39:23 | 0:39:27 | |
Abdul! Abdul! | 0:39:28 | 0:39:30 | |
NIGEL CONTINUES TO SHOUT | 0:39:30 | 0:39:33 | |
ABDUL: Yah! SHEEP BLEAT | 0:40:07 | 0:40:08 | |
THUNDER RUMBLES | 0:40:33 | 0:40:35 | |
SPEAKS OWN LANGUAGE: | 0:41:01 | 0:41:03 | |
Abdul! Abdul! | 0:41:44 | 0:41:46 | |
THEY PANT | 0:41:47 | 0:41:50 | |
HE SPEAKS HIS OWN LANGUAGE | 0:42:23 | 0:42:25 | |
TALKING ON RADIO | 0:43:16 | 0:43:19 | |
THEY CHEER | 0:43:19 | 0:43:21 | |
-Abdul? -He is very tired, innit? Alpha? It's OK, just leave him, he's very tired. | 0:43:40 | 0:43:45 | |
Let him rest. | 0:43:45 | 0:43:46 | |
DRUMMING | 0:43:48 | 0:43:50 | |
SHOUTING AND ULULATING | 0:43:50 | 0:43:51 | |
RHYTHMIC SHOUTING AND CHANTING | 0:44:00 | 0:44:04 | |
Abdul! Abdul! Abdul! Abdul! | 0:44:16 | 0:44:19 | |
Abdul, Abdul, Abdul! | 0:44:28 | 0:44:33 | |
Abdul! Abdul! Abdul! Abdul! | 0:44:33 | 0:44:37 | |
SHE SCREAMS | 0:44:41 | 0:44:44 | |
Abdul! | 0:44:46 | 0:44:48 | |
Amina! | 0:44:48 | 0:44:50 | |
-Get out the way. -Abdul! | 0:44:50 | 0:44:52 | |
Abdul! | 0:44:52 | 0:44:54 | |
-How long has she been here? -A few months, we think. | 0:44:57 | 0:45:01 | |
We are not sure. | 0:45:01 | 0:45:03 | |
Can you take your top off, please? | 0:45:03 | 0:45:05 | |
It's OK. | 0:45:10 | 0:45:11 | |
OK. It's OK. Get down. | 0:45:20 | 0:45:22 | |
SHE WINCES | 0:45:35 | 0:45:37 | |
There has been some sort of operation on her womb. | 0:45:40 | 0:45:43 | |
I need to call the hospital. You can get up now. | 0:45:44 | 0:45:48 | |
-All right, baby. -Gently. | 0:45:48 | 0:45:50 | |
That's it. | 0:45:51 | 0:45:52 | |
What are those? | 0:45:55 | 0:45:56 | |
Cigarettes. | 0:46:00 | 0:46:03 | |
Cigarettes. | 0:46:03 | 0:46:05 | |
SHE SPEAKS HER OWN LANGUAGE | 0:46:06 | 0:46:11 | |
Her husband... | 0:46:13 | 0:46:15 | |
and his friends. | 0:46:15 | 0:46:16 | |
AMINA: Abdul! | 0:46:37 | 0:46:40 | |
Bus! Now! | 0:46:40 | 0:46:42 | |
What is the minimum age for buying alcohol and smoking tobacco? | 0:46:50 | 0:46:55 | |
Ah, yes. 18 years old. | 0:46:55 | 0:46:57 | |
And also for buying nice fireworks | 0:46:57 | 0:46:58 | |
and renting pornography. And for staying in the country. | 0:46:58 | 0:47:01 | |
OK. | 0:47:01 | 0:47:03 | |
Sir? | 0:47:11 | 0:47:12 | |
Is Zizidi OK? | 0:47:12 | 0:47:14 | |
She'll be fine. | 0:47:14 | 0:47:16 | |
Don't worry. | 0:47:18 | 0:47:19 | |
Yes. | 0:48:19 | 0:48:21 | |
Presumably you have developed hair around the groin area | 0:48:21 | 0:48:25 | |
and under the arms? | 0:48:25 | 0:48:27 | |
-Uh-huh. -Yes. | 0:48:35 | 0:48:36 | |
OK. | 0:48:36 | 0:48:38 | |
Um...any wisdom teeth coming through at the back? | 0:48:38 | 0:48:41 | |
-I don't know. -OK. | 0:48:47 | 0:48:49 | |
Um... | 0:48:54 | 0:48:55 | |
..open the mouth. | 0:48:57 | 0:48:58 | |
OK. | 0:49:08 | 0:49:10 | |
Please. | 0:49:32 | 0:49:33 | |
You're fine, sir. | 0:49:35 | 0:49:36 | |
Got something in your pocket there, mate. | 0:49:37 | 0:49:40 | |
-Tie. -Just take it out, please. | 0:49:40 | 0:49:42 | |
Yeah, OK. | 0:49:47 | 0:49:48 | |
Breathe in, breathe out. What's the worst that can happen? | 0:49:51 | 0:49:54 | |
Don't answer that. | 0:49:56 | 0:49:57 | |
In your first statement, you said you were from Nuristan. | 0:49:59 | 0:50:02 | |
Is that correct? | 0:50:02 | 0:50:04 | |
Say yes, don't nod. | 0:50:05 | 0:50:07 | |
Yes. | 0:50:07 | 0:50:09 | |
And then you said you are from Kabul. | 0:50:10 | 0:50:14 | |
Yes. | 0:50:15 | 0:50:16 | |
But now you say you are from the Gereshk Valley in Helmand Province. | 0:50:17 | 0:50:21 | |
Can I answer in English, sir? | 0:50:24 | 0:50:26 | |
The court-appointed interpreter is there to assist you. | 0:50:26 | 0:50:29 | |
If you want us to dismiss him, we can, | 0:50:29 | 0:50:31 | |
but I would think carefully before making this decision. | 0:50:31 | 0:50:34 | |
Omar, | 0:50:36 | 0:50:38 | |
you have changed your story so many times, | 0:50:38 | 0:50:40 | |
I'm struggling to keep up with you. | 0:50:40 | 0:50:42 | |
Just remind me, where you are from today? | 0:50:42 | 0:50:44 | |
Sir, we are defending Omar under Article 8. | 0:50:46 | 0:50:49 | |
It is contended by my client that he should be granted leave to remain | 0:50:49 | 0:50:53 | |
based on his established private and family life in the UK. | 0:50:53 | 0:50:56 | |
He has not been to school here, he has no job. | 0:50:56 | 0:51:00 | |
He was head boy in his madrasa. | 0:51:00 | 0:51:02 | |
-JUDGE: -Ms Ramires, I'm finding it difficult to understand why | 0:51:02 | 0:51:06 | |
the appellant would not be an asset to Afghanistan. | 0:51:06 | 0:51:09 | |
May we call on our witness statements - bundle 254 DC, your honour? | 0:51:10 | 0:51:15 | |
-Are the witnesses here? -Yes, your honour. | 0:51:15 | 0:51:17 | |
His girlfriend and his teacher from somewhere called Paradise. | 0:51:17 | 0:51:22 | |
How long have you been courting? | 0:51:25 | 0:51:27 | |
-What? -Going out, dating. Together. | 0:51:27 | 0:51:30 | |
-Um...about a year. -A whole year, that long? | 0:51:32 | 0:51:37 | |
-How many relationships have you had, Chloe? -Your honour...? | 0:51:37 | 0:51:39 | |
This appears to be an irrelevant line of questioning. | 0:51:39 | 0:51:42 | |
What languages does Omar speak? | 0:51:46 | 0:51:47 | |
-Afghani and English. -Afghani? That is a currency, but never mind. | 0:51:49 | 0:51:53 | |
Would you be prepared live with him if he was returned to Afghanistan? | 0:51:53 | 0:51:56 | |
What, move out of East London? | 0:51:57 | 0:51:59 | |
-No more questions, your honour. -Any questions, Ms Ramires? | 0:52:03 | 0:52:06 | |
Shall we move on to our last witness? Nigel Hapgood, please stand. | 0:52:06 | 0:52:11 | |
State your relationship to the appellant. | 0:52:13 | 0:52:15 | |
Omar is part of my family. | 0:52:16 | 0:52:19 | |
He has lived with me since Christmas. Christmas last year. | 0:52:19 | 0:52:24 | |
His possessions are scattered throughout my house, | 0:52:25 | 0:52:29 | |
integrated with my life. | 0:52:29 | 0:52:31 | |
So...we share our stuff. | 0:52:31 | 0:52:32 | |
We talk of "our house", "our car". | 0:52:34 | 0:52:37 | |
He knows I get irritated with his unpunctuality, his dirty clothes. | 0:52:37 | 0:52:43 | |
And...well, we have developed this game with our loose change. | 0:52:45 | 0:52:51 | |
Whoever leaves it on the table by the phone has to replace | 0:52:51 | 0:52:55 | |
the smaller denominations with higher nominations. | 0:52:55 | 0:52:58 | |
So a 5p gets replaced with a 10p, | 0:52:58 | 0:53:02 | |
a 20p with a 50, 50 with £1. | 0:53:02 | 0:53:06 | |
Inevitably these transactions leave me out of pocket. | 0:53:06 | 0:53:10 | |
Perhaps the highlight of my day are the dinners we share | 0:53:12 | 0:53:15 | |
where we discuss what has happened to us. | 0:53:15 | 0:53:18 | |
Um...Omar calls me Home Office, because I ask so many questions. | 0:53:18 | 0:53:23 | |
Too many questions. | 0:53:23 | 0:53:25 | |
So, if this boy is not integrated with British society... | 0:53:28 | 0:53:33 | |
..well, then, neither am I. | 0:53:34 | 0:53:36 | |
INTERPRETER TRANSLATES | 0:53:36 | 0:53:37 | |
The appellant has relied on Article 8 of the ECHR, | 0:53:43 | 0:53:46 | |
which I will consider in my judgment. | 0:53:46 | 0:53:49 | |
I recall a House of Lords decision that stated that | 0:53:49 | 0:53:52 | |
human beings are social animals, they depend on others. | 0:53:52 | 0:53:55 | |
Their family or extended family is the group | 0:53:55 | 0:53:58 | |
on which many people most heavily depend... | 0:53:58 | 0:54:01 | |
VOICE FADES AWAY | 0:54:01 | 0:54:05 | |
THEY SPEAK THEIR OWN LANGUAGE | 0:54:16 | 0:54:18 | |
-Thanks for coming, Chloe. -That's all right. It was exciting. | 0:54:21 | 0:54:24 | |
Ain't got a clue what anyone was on about, though. | 0:54:24 | 0:54:26 | |
-Respect, Uncle Nigel. -Thank you. | 0:54:26 | 0:54:28 | |
-OK, Omar? -Thank you. | 0:54:28 | 0:54:31 | |
-Yeah. Yeah, yeah. -So what now, Uncle? | 0:54:33 | 0:54:37 | |
Evening, guys. | 0:55:09 | 0:55:10 | |
TV ON IN BACKGROUND | 0:55:10 | 0:55:13 | |
-Right, I'll leave you to say your goodbyes. All this? -Er, yes. | 0:55:15 | 0:55:20 | |
Cheerio. | 0:55:23 | 0:55:24 | |
TV: 'John Terry. | 0:55:24 | 0:55:26 | |
'Here is Essien.' | 0:55:26 | 0:55:28 | |
Oh! Hold that for a second. | 0:55:28 | 0:55:30 | |
'There are not many who play in midfield like him.' | 0:55:30 | 0:55:33 | |
Abdul! | 0:55:37 | 0:55:38 | |
-Abdul! -KNOCKING | 0:55:50 | 0:55:52 | |
Call me, yeah? | 0:55:58 | 0:55:59 | |
CAR DOORS CLOSE | 0:56:24 | 0:56:25 | |
DOGS BARK | 0:56:25 | 0:56:27 | |
CAR ENGINE STARTS | 0:56:28 | 0:56:29 | |
Ready? | 0:56:32 | 0:56:33 | |
Ready. | 0:56:35 | 0:56:36 | |
-You got everything you need? -Mm-hm. | 0:56:53 | 0:56:55 | |
DANCE MUSIC IN BACKGROUND | 0:57:23 | 0:57:26 | |
Whoa, whoa, whoa! You're not wearing that. | 0:57:34 | 0:57:37 | |
-What is wrong? -It is rank. | 0:57:37 | 0:57:39 | |
-Get this on. -OK. | 0:57:42 | 0:57:45 | |
Big bum. | 0:57:50 | 0:57:51 | |
SHE CHUCKLES | 0:57:51 | 0:57:52 | |
-Do you like it? -Yes, it looks nice. | 0:57:56 | 0:57:59 | |
Do your hair. | 0:57:59 | 0:58:01 | |
-I am not coming. -What? | 0:58:12 | 0:58:14 | |
Why not? | 0:58:14 | 0:58:16 | |
Whatever. | 0:58:18 | 0:58:20 | |
That is the attitude, girl. | 0:58:35 | 0:58:37 | |
Let's have a drink. | 0:58:39 | 0:58:41 | |
Oh, don't worry about that. Don't have to do that here. | 0:58:53 | 0:58:55 | |
This is my son, Toby. | 0:58:59 | 0:59:01 | |
VIDEO GAME PLAYS IN BACKGROUND | 0:59:02 | 0:59:04 | |
Omar, Toby. Toby, Omar. | 0:59:06 | 0:59:08 | |
Pleased to meet you. | 0:59:09 | 0:59:10 | |
They don't teach them manners at his college. Let me show you upstairs. | 0:59:12 | 0:59:16 | |
-This game is called, I Have Never, Ever, Ever. Right? -Never ever, ever. | 0:59:17 | 0:59:24 | |
Yeah. It goes like this. | 0:59:24 | 0:59:26 | |
I have never, ever, ever, ever, ever kissed a boy. | 0:59:26 | 0:59:29 | |
-If you have, drink. -OK. | 0:59:29 | 0:59:33 | |
If you haven't, don't. | 0:59:33 | 0:59:35 | |
Right. | 0:59:37 | 0:59:39 | |
You go first. | 0:59:39 | 0:59:41 | |
I have never, ever smoked. | 0:59:41 | 0:59:44 | |
SHE COUGHS | 0:59:48 | 0:59:49 | |
I have never, never ever, ever... | 0:59:50 | 0:59:54 | |
kissed a girl. | 0:59:54 | 0:59:56 | |
Ah! | 0:59:58 | 0:59:59 | |
I have never ever had boyfriend. | 1:00:01 | 1:00:07 | |
-What? you ain't had a boyfriend? -No. | 1:00:14 | 1:00:16 | |
Chloe, I can't do it. | 1:00:28 | 1:00:30 | |
Are you joking? What is that? | 1:00:30 | 1:00:34 | |
-Walk... -Don't laugh at me. | 1:00:34 | 1:00:36 | |
Just walk normal. Walk normal. | 1:00:37 | 1:00:39 | |
Put your back straight. | 1:00:39 | 1:00:41 | |
That's it. | 1:00:41 | 1:00:42 | |
Boy, she brushes up well. | 1:00:54 | 1:00:57 | |
Chloe, I thought you was bringing Zizidi... | 1:01:02 | 1:01:04 | |
..but you brought an uber-babe instead. | 1:01:05 | 1:01:07 | |
MUSIC BLARES | 1:01:08 | 1:01:11 | |
CHEERING | 1:01:11 | 1:01:14 | |
I am an African. | 1:01:26 | 1:01:28 | |
I can't dance to this. | 1:01:28 | 1:01:30 | |
Let me show you one move. | 1:01:30 | 1:01:31 | |
-All right. Sure. -You put your hand on top. | 1:01:31 | 1:01:34 | |
And you go like that. | 1:01:34 | 1:01:36 | |
You got to pump it. | 1:01:36 | 1:01:38 | |
You go faster. | 1:01:47 | 1:01:49 | |
How are you sleeping? | 1:02:47 | 1:02:48 | |
MAN TRANSLATES | 1:02:48 | 1:02:50 | |
They're trying to help. | 1:02:55 | 1:02:56 | |
Abdul, the doctor just wants to know what's wrong. | 1:02:56 | 1:02:59 | |
Talk to them. | 1:02:59 | 1:03:01 | |
MAN TRANSLATES | 1:03:01 | 1:03:04 | |
I see bad things. | 1:03:05 | 1:03:07 | |
Moussa's head. | 1:03:07 | 1:03:08 | |
Who's Moussa? | 1:03:10 | 1:03:11 | |
HE TRANSLATES | 1:03:11 | 1:03:13 | |
Moussa is my uncle. | 1:03:21 | 1:03:23 | |
Taliban, in the bakery, cut of his head and showed it to me | 1:03:23 | 1:03:26 | |
and then they took me with them. | 1:03:26 | 1:03:27 | |
Do you see things when you are awake? | 1:03:29 | 1:03:31 | |
HE TRANSLATES | 1:03:31 | 1:03:35 | |
HE SPEAKS IN HIS OWN LANGUAGE | 1:03:42 | 1:03:45 | |
They cut Moussa like that, just like a goat. | 1:03:46 | 1:03:49 | |
A lot of them do that. | 1:03:58 | 1:03:59 | |
What? | 1:03:59 | 1:04:01 | |
Act. Pretend to have PTSD. | 1:04:01 | 1:04:04 | |
So they get their papers quicker. | 1:04:04 | 1:04:06 | |
Abdul! | 1:04:35 | 1:04:36 | |
Argh! | 1:05:00 | 1:05:01 | |
Argh! | 1:05:03 | 1:05:04 | |
Argh! | 1:05:05 | 1:05:07 | |
SHE CONTINUES SCREAMING | 1:05:07 | 1:05:09 | |
Where's Jesus? | 1:05:15 | 1:05:16 | |
-What? -He said he's not doing it. | 1:05:18 | 1:05:19 | |
Please. This is your mother speaking. You must obey me. | 1:05:22 | 1:05:25 | |
We'll go without him. | 1:05:31 | 1:05:33 | |
The Three Wise Men were swift, quick... | 1:05:33 | 1:05:38 | |
Hand of God. Nigel! Nigel! The Hand of God. | 1:05:43 | 1:05:47 | |
You're the Hand of God. | 1:05:47 | 1:05:49 | |
Sorry. Yup. | 1:05:49 | 1:05:51 | |
I grant you Mary, Joseph and Jesus. | 1:05:51 | 1:05:59 | |
-Omar? -Yeah. -The Hand of God is stuck. | 1:05:59 | 1:06:03 | |
-Well, fix the hand and go again. -What? | 1:06:03 | 1:06:05 | |
Let's fix the hand and go again. | 1:06:05 | 1:06:07 | |
Right you are. | 1:06:07 | 1:06:09 | |
Omar, can I borrow Zizidi, please? | 1:06:09 | 1:06:10 | |
What! No! | 1:06:10 | 1:06:12 | |
Omar, I'd just like a moment with Zizidi. | 1:06:12 | 1:06:15 | |
Thank you. | 1:06:15 | 1:06:17 | |
-Be quick. -Sure. | 1:06:17 | 1:06:18 | |
Try and carry on without me. | 1:06:18 | 1:06:21 | |
My wife, the Virgin Mary, leaves. Shame on Virgin Mary. | 1:06:21 | 1:06:25 | |
LAUGHTER | 1:06:25 | 1:06:26 | |
-Immaculate conception. -What's immaculate? | 1:06:26 | 1:06:28 | |
Getting pregnant by magic. | 1:06:28 | 1:06:29 | |
It's a fairly loose interpretation. | 1:06:29 | 1:06:31 | |
-She has a baby without having sex. -Yes. | 1:06:31 | 1:06:33 | |
-That is whack. -It is true. | 1:06:33 | 1:06:36 | |
And it's a good story. | 1:06:36 | 1:06:37 | |
Yes, and it's the sort of story that even the Home Office might believe. | 1:06:37 | 1:06:41 | |
This is just the start of a long process, all right? | 1:06:55 | 1:06:58 | |
Take this, have a read | 1:06:58 | 1:07:00 | |
and have a think about it. | 1:07:00 | 1:07:02 | |
Read it again. | 1:07:04 | 1:07:07 | |
Please. | 1:07:07 | 1:07:08 | |
"In the light of all the evidence available to him | 1:07:19 | 1:07:22 | |
"the Secretary of State is not satisfied that you have established | 1:07:22 | 1:07:25 | |
"a well-founded fear of persecution in Guinea | 1:07:25 | 1:07:28 | |
"because of race, religion, | 1:07:28 | 1:07:30 | |
"nationality or membership of a political social group | 1:07:30 | 1:07:34 | |
"or because of political opinion." | 1:07:34 | 1:07:36 | |
And yours is a domestic grievance. | 1:07:36 | 1:07:39 | |
"Your application is therefore refused | 1:07:40 | 1:07:42 | |
"to under paragraph 336 of HC395 as amended." | 1:07:42 | 1:07:47 | |
Darling, I'm so sorry. | 1:07:51 | 1:07:54 | |
SHE SCREAMS | 1:07:55 | 1:07:58 | |
What happened, man? | 1:08:11 | 1:08:13 | |
-Zizidi? -Leave me! | 1:08:19 | 1:08:21 | |
-Everything be OK. -What do you know? | 1:08:28 | 1:08:30 | |
I help you. | 1:08:33 | 1:08:34 | |
I am not your mother. | 1:08:34 | 1:08:36 | |
You are not my son. | 1:08:36 | 1:08:38 | |
You have a mother. Go and find her and leave me alone! | 1:08:40 | 1:08:43 | |
No, I don't. | 1:08:48 | 1:08:51 | |
You are now my family. | 1:08:57 | 1:09:00 | |
I know what to do. | 1:09:12 | 1:09:14 | |
DOOR OPENS | 1:09:14 | 1:09:17 | |
-Baby lamb. -Yeah? -Baby lamb. | 1:09:45 | 1:09:48 | |
-A whole lamb? -Baby lamb. | 1:09:48 | 1:09:50 | |
I want to cook for her. | 1:09:50 | 1:09:52 | |
That's going to cost you £130, mate. | 1:09:52 | 1:09:55 | |
I have money. | 1:09:55 | 1:09:57 | |
No, no. This is £130. | 1:09:57 | 1:09:59 | |
Sorry, mate. I can't. | 1:09:59 | 1:10:00 | |
-Baby lamb. -How about chicken? -No. Baby lamb. -No, no, no. | 1:10:00 | 1:10:03 | |
-Baby lamb. -Next customer, please. | 1:10:04 | 1:10:07 | |
# From the nape of her neck | 1:10:31 | 1:10:33 | |
# He made his decent | 1:10:33 | 1:10:35 | |
# They watched men hurl from rock to sea | 1:10:39 | 1:10:44 | |
# Like sternum to button | 1:10:48 | 1:10:50 | |
# Lined lip pinches in between | 1:10:50 | 1:10:52 | |
# Your foothills | 1:10:57 | 1:11:04 | |
# Your warm. # | 1:11:06 | 1:11:09 | |
Get him some water. | 1:12:12 | 1:12:14 | |
PHONE RINGS | 1:12:30 | 1:12:32 | |
-Omar? -Yeah. -It says Anna, solicitor. | 1:12:36 | 1:12:39 | |
Hello. Hello. Hello. | 1:12:43 | 1:12:45 | |
Thank you. | 1:12:52 | 1:12:54 | |
Bye. | 1:12:54 | 1:12:56 | |
What's going on? | 1:12:57 | 1:12:59 | |
I have leave to remain, bro. | 1:13:02 | 1:13:03 | |
Whoo! | 1:13:03 | 1:13:05 | |
-I got leave to remain. -Well done. | 1:13:09 | 1:13:13 | |
-Thank you so much. -Congratulations, Omar. That's wonderful news. | 1:13:16 | 1:13:19 | |
Thank you. I couldn't have done it without you. | 1:13:19 | 1:13:21 | |
Thank you for everything. | 1:13:21 | 1:13:24 | |
I really appreciate all your help. I really do. | 1:13:24 | 1:13:26 | |
Well, no, you had a long wait. | 1:13:26 | 1:13:29 | |
Congratulations. | 1:13:29 | 1:13:30 | |
-Zizidi. -I'm really happy for you. | 1:13:31 | 1:13:35 | |
I can't believe it. | 1:13:37 | 1:13:39 | |
What's he saying, Omar? | 1:13:50 | 1:13:52 | |
He's just wondering why we're celebrating, Uncle. | 1:13:52 | 1:13:54 | |
-He quite doesn't understand why... -What? | 1:13:54 | 1:13:56 | |
-He doesn't know why we're celebrating. -What? | 1:13:56 | 1:13:58 | |
He doesn't know why we're... | 1:13:58 | 1:14:00 | |
Omar is a Taliban bastard. | 1:14:00 | 1:14:01 | |
Omar is a Taliban bastard, Mr Nigel. | 1:14:01 | 1:14:03 | |
No! No! | 1:14:03 | 1:14:05 | |
Abdul! Abdul! Abdul! | 1:14:05 | 1:14:07 | |
Ambulance! Call an ambulance! | 1:14:07 | 1:14:09 | |
Abdul! Abdul! | 1:14:09 | 1:14:11 | |
Ambulance! Call an ambulance now! | 1:14:11 | 1:14:13 | |
Abdul! Abdul! Uncle Nigel! | 1:14:13 | 1:14:16 | |
Uncle Nigel! | 1:14:18 | 1:14:20 | |
Uncle, can I tell you something? Uncle, stop! | 1:14:52 | 1:14:54 | |
What the fuck are you doing?! Can you fucking drive?! What the fuck?! | 1:14:56 | 1:15:00 | |
Tell me. | 1:15:14 | 1:15:16 | |
I was working for the Taliban. | 1:15:23 | 1:15:25 | |
I was Taliban. | 1:15:29 | 1:15:32 | |
My job was laying mines down for the soldiers. | 1:15:34 | 1:15:38 | |
Most of the people in the village know where they are hidden. | 1:15:40 | 1:15:44 | |
Children were playing nearby. | 1:15:46 | 1:15:49 | |
There was a loud noise. | 1:15:52 | 1:15:55 | |
Then screams. | 1:15:58 | 1:16:00 | |
There was a woman on her hands and knees. | 1:16:03 | 1:16:07 | |
She'd lost something. | 1:16:11 | 1:16:13 | |
She looked at me. | 1:16:17 | 1:16:19 | |
"My baby. | 1:16:23 | 1:16:25 | |
"I lost my baby." | 1:16:27 | 1:16:29 | |
I kill children. | 1:16:34 | 1:16:36 | |
Why should I believe this story more than any other? | 1:16:55 | 1:16:58 | |
I've sworn in court. I lied for you. | 1:17:07 | 1:17:10 | |
-Happy Christmas. -Thanks, Dad. | 1:18:13 | 1:18:16 | |
Omar? | 1:18:33 | 1:18:35 | |
Omar? | 1:18:37 | 1:18:39 | |
It is beautiful. | 1:20:17 | 1:20:19 | |
Close the fucking window. It's freezing. | 1:20:19 | 1:20:21 | |
SHE LAUGHS | 1:20:26 | 1:20:29 | |
-You haven't seen snow before? -No. | 1:20:40 | 1:20:41 | |
Aw, bless you. | 1:20:43 | 1:20:45 | |
Big man, look. | 1:20:45 | 1:20:47 | |
Hey, big man, watch. | 1:20:50 | 1:20:52 | |
You'd better watch yourself! | 1:21:00 | 1:21:02 | |
Chloe! Chloe! Stop! Stop! | 1:21:10 | 1:21:13 | |
Abdul! | 1:21:13 | 1:21:14 | |
Omar! | 1:21:14 | 1:21:16 | |
Hey, bro! What's up, man? | 1:21:16 | 1:21:19 | |
-Abdul. -You always come running back. | 1:21:19 | 1:21:21 | |
I know. Cos this is time for families, isn't it? | 1:21:21 | 1:21:23 | |
-Yes, bro. -Exactly. | 1:21:23 | 1:21:25 | |
Abdul, you scared us, bro. | 1:21:25 | 1:21:27 | |
You OK? | 1:21:27 | 1:21:29 | |
Come, come. | 1:21:29 | 1:21:31 | |
Sit down, man. Good to have you back. | 1:21:31 | 1:21:34 | |
It's good to see you all well. Come. | 1:21:34 | 1:21:36 | |
Come. | 1:21:36 | 1:21:37 | |
Let's sit. | 1:21:37 | 1:21:38 | |
-Is he OK, Omar? -Yeah, he's OK. | 1:21:38 | 1:21:40 | |
He's OK. He just come back from hospital. | 1:21:40 | 1:21:42 | |
He's all right. Zi will look after him. | 1:21:42 | 1:21:44 | |
You take care of him. | 1:21:44 | 1:21:46 | |
You're OK, Abdul, you're OK. | 1:21:46 | 1:21:48 | |
Look, Abdul, just listen to me. | 1:22:01 | 1:22:03 | |
It is going to be OK. | 1:22:06 | 1:22:08 | |
You and me, we are going to make it. | 1:22:08 | 1:22:10 | |
Omar? | 1:22:53 | 1:22:55 | |
# Your foothills | 1:23:12 | 1:23:19 | |
# Your warm. # | 1:23:19 | 1:23:24 |