Browse content similar to Looper. Check below for episodes and series from the same categories and more!
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This film contains some violent scenes and very strong language. | 0:00:02 | 0:00:08 | |
HE SPEAKS FRENCH | 0:00:08 | 0:00:09 | |
WOMAN ON TAPE SPEAKS FRENCH | 0:00:09 | 0:00:11 | |
HE SPEAKS FRENCH | 0:00:11 | 0:00:14 | |
MAN SCREAMS | 0:00:39 | 0:00:41 | |
Time travel has not yet been invented... | 0:00:50 | 0:00:53 | |
but 30 years from now, it will have been. | 0:00:53 | 0:00:56 | |
It will be instantly outlawed, | 0:00:58 | 0:01:01 | |
used only in secret by the largest criminal organisations. | 0:01:01 | 0:01:06 | |
It's nearly impossible to dispose of a body in the future... | 0:01:15 | 0:01:19 | |
I'm told. Tagging techniques, whatnot. | 0:01:19 | 0:01:23 | |
So when these criminal organisations in the future need someone gone, | 0:01:23 | 0:01:27 | |
they use specialised assassins in our present called "loopers". | 0:01:27 | 0:01:32 | |
And so, | 0:01:32 | 0:01:35 | |
my employers in the future nab the target. | 0:01:35 | 0:01:38 | |
They zap him back to me, their looper. | 0:01:38 | 0:01:40 | |
He appears, hands tied and head sacked... | 0:01:40 | 0:01:44 | |
and I do the necessaries. | 0:01:44 | 0:01:47 | |
Collect my silver. | 0:01:47 | 0:01:50 | |
So the target is vanished from the future | 0:01:50 | 0:01:52 | |
and I've just disposed of a body that technically does not exist. | 0:01:52 | 0:01:56 | |
Clean. | 0:01:59 | 0:02:01 | |
THEY BOTH SPEAK FRENCH | 0:02:08 | 0:02:11 | |
-How's the French? -Slow. | 0:02:11 | 0:02:13 | |
-How's the coffee? -Burnt. | 0:02:13 | 0:02:15 | |
-MAN: -...the devil bring you into hell! You have to heal yourself. | 0:02:27 | 0:02:31 | |
Two, Jed. | 0:02:44 | 0:02:45 | |
BUZZER | 0:02:45 | 0:02:47 | |
Hey, Joe. | 0:02:52 | 0:02:53 | |
-Be at the club tonight? -Yeah. | 0:02:53 | 0:02:56 | |
Four, Jed. | 0:02:56 | 0:02:58 | |
MUSIC: Powerful Love by Chuck and Mack | 0:02:58 | 0:03:04 | |
HE MUTTERS | 0:03:04 | 0:03:08 | |
Bonjour, mademoiselle. | 0:03:18 | 0:03:19 | |
Bang. | 0:03:22 | 0:03:23 | |
TYRES SCREECH | 0:03:38 | 0:03:42 | |
Hey, walk around. | 0:03:59 | 0:04:01 | |
Around the bike. I'm not kidding! Wide around, you shit! | 0:04:01 | 0:04:05 | |
Rude! If you had a mama, she didn't raise you right. | 0:04:05 | 0:04:07 | |
That's funny because I'm going to pick your mother | 0:04:07 | 0:04:10 | |
-up later on my bike, and I'm gonna take my blunderbuss... -Hey, Seth. | 0:04:10 | 0:04:14 | |
-Hey, Joe. -That's new. | 0:04:14 | 0:04:16 | |
Yeah, thanks. | 0:04:16 | 0:04:18 | |
Goddamn thing won't fucking start. | 0:04:18 | 0:04:21 | |
So you going to the Belle? | 0:04:22 | 0:04:24 | |
-So you bought a slat bike? -Yup. | 0:04:25 | 0:04:28 | |
How much that thing set you back? How much? | 0:04:28 | 0:04:30 | |
I was gonna pull up in it tonight. | 0:04:30 | 0:04:33 | |
Well, congratulations. You're pulling up with me instead. | 0:04:33 | 0:04:36 | |
Don't. If we're going in, don't do that. | 0:04:36 | 0:04:39 | |
-Chicks dig TKs. -They do not. | 0:04:39 | 0:04:41 | |
-Yes, they do. -It's tacky. Don't do it. | 0:04:41 | 0:04:46 | |
'About 10% of the population has this TK mutation. | 0:04:46 | 0:04:51 | |
'When it first appeared, | 0:04:51 | 0:04:53 | |
'everyone thought we were gonna get superheroes, | 0:04:53 | 0:04:55 | |
'but it turns out this was it. | 0:04:55 | 0:04:57 | |
'Now it's a bunch of assholes, | 0:04:57 | 0:04:59 | |
'think they're blowing your mind floating quarters. | 0:04:59 | 0:05:01 | |
'It's like this whole town. | 0:05:12 | 0:05:15 | |
'Big heads, small potatoes.' | 0:05:15 | 0:05:18 | |
BUZZER | 0:05:24 | 0:05:25 | |
-Full house tonight, Joe. -We'll stick backstage. | 0:05:26 | 0:05:29 | |
-Just meeting up. -Packing your blunderbusses? | 0:05:29 | 0:05:32 | |
-Hardly. Right, Seth? -I'm with Joe. | 0:05:32 | 0:05:34 | |
-Just meeting up, in and out. -Go on. | 0:05:34 | 0:05:36 | |
CHATTER | 0:05:36 | 0:05:39 | |
Suzie! | 0:05:41 | 0:05:43 | |
-Hey! -You working a shift tonight? | 0:05:43 | 0:05:45 | |
-Yeah. -Yeah? | 0:05:45 | 0:05:47 | |
A gat man bought me out already for the night. | 0:05:47 | 0:05:49 | |
Oh. | 0:05:49 | 0:05:51 | |
Sweetie, I've got to work. | 0:05:52 | 0:05:54 | |
Hey, Joe. | 0:06:03 | 0:06:04 | |
-What? -Zach. He's in there right now with Abe. | 0:06:10 | 0:06:13 | |
-For what? -Closed his loop. | 0:06:13 | 0:06:15 | |
No shit? | 0:06:15 | 0:06:17 | |
'There's a reason we're called loopers. | 0:06:19 | 0:06:22 | |
'When we sign up for this job, taking out the future's garbage, | 0:06:23 | 0:06:27 | |
'we also agree to a very specific proviso.' | 0:06:27 | 0:06:31 | |
GUNSHOT | 0:06:31 | 0:06:33 | |
'Time travel in the future is so illegal | 0:06:33 | 0:06:35 | |
'that when our employers want to close our contracts, | 0:06:35 | 0:06:38 | |
'they'll also want to erase any trace | 0:06:38 | 0:06:40 | |
'of their relationship with us ever existing. | 0:06:40 | 0:06:43 | |
'So if we're still alive 30 years from now, | 0:06:45 | 0:06:49 | |
'they'll find our older self, zap him back to us, | 0:06:49 | 0:06:53 | |
'and we'll kill him like any other job. | 0:06:53 | 0:06:56 | |
'This is called closing your loop. | 0:06:58 | 0:07:00 | |
'Eh, you get a golden payday, you get a handshake, | 0:07:02 | 0:07:05 | |
'and you get released from your contract. | 0:07:05 | 0:07:08 | |
'Enjoy the next 30 years. | 0:07:08 | 0:07:11 | |
'This job doesn't tend to attract the most forward-thinking people.' | 0:07:11 | 0:07:15 | |
So we celebrating? | 0:07:15 | 0:07:18 | |
-ALL LAUGH -Yeah! | 0:07:18 | 0:07:20 | |
Whoo! | 0:07:21 | 0:07:23 | |
ELECTRONIC MUSIC PLAYS | 0:07:29 | 0:07:32 | |
Look out! | 0:07:55 | 0:07:56 | |
Shit! | 0:07:58 | 0:07:59 | |
HE LAUGHS | 0:07:59 | 0:08:02 | |
Jesus. | 0:08:02 | 0:08:04 | |
Fuck, Joe. | 0:08:04 | 0:08:06 | |
HE SPEAKS FRENCH | 0:08:16 | 0:08:18 | |
Bonjour, Joe. | 0:08:27 | 0:08:28 | |
HE SPEAKS FRENCH | 0:08:28 | 0:08:32 | |
Ooh, la, la. | 0:08:32 | 0:08:34 | |
What's that, fourth loop closed this month? | 0:08:41 | 0:08:43 | |
-Loop closed. Here we go. -CHEERING | 0:08:43 | 0:08:46 | |
GUNSHOT | 0:08:49 | 0:08:51 | |
-Loop closed, baby! -CHEERING | 0:08:58 | 0:09:02 | |
GUNSHOTS | 0:09:02 | 0:09:05 | |
BANGING ON DOOR | 0:09:23 | 0:09:25 | |
BANGING ON DOOR CONTINUES Yeah. | 0:09:30 | 0:09:33 | |
BANGING ON DOOR CONTINUES | 0:09:36 | 0:09:38 | |
BANGING ON DOOR CONTINUES | 0:09:43 | 0:09:46 | |
Seth? | 0:09:46 | 0:09:48 | |
Jesus. | 0:09:48 | 0:09:50 | |
-Shh. They could be here any minute. Are they here? -No. Who? | 0:09:50 | 0:09:55 | |
Oh, Christ. Joe, Christ! | 0:09:55 | 0:09:58 | |
-What are you doing? -Give me the gun. | 0:09:59 | 0:10:01 | |
Oh, right. That's smart. | 0:10:01 | 0:10:03 | |
-Get away from the window. -Christ, Joe. | 0:10:03 | 0:10:05 | |
-Just quiet down. -You can protect me. | 0:10:05 | 0:10:07 | |
-So they... -What did you do? | 0:10:07 | 0:10:09 | |
Oh, jeez. This is like a nightmare. | 0:10:09 | 0:10:12 | |
This is a nightmare. | 0:10:13 | 0:10:14 | |
'I knew then what he did, so I don't know why I asked.' | 0:10:14 | 0:10:18 | |
What did you do? | 0:10:18 | 0:10:20 | |
He... He was singing. | 0:10:21 | 0:10:24 | |
'Through the gag and sack, but I could hear the tune. | 0:10:27 | 0:10:31 | |
'Deep memories, | 0:10:31 | 0:10:33 | |
'my mom in a dark room, | 0:10:33 | 0:10:36 | |
'taking care of me, singing that tune.' | 0:10:36 | 0:10:39 | |
Once I knew he was me... | 0:10:41 | 0:10:45 | |
I... | 0:10:49 | 0:10:51 | |
Joe, I couldn't. | 0:10:51 | 0:10:52 | |
'I couldn't. I had to see. | 0:10:52 | 0:10:55 | |
'He told me... I remember, he told me | 0:10:58 | 0:11:02 | |
'there's a new holy terror boss man in the future' | 0:11:02 | 0:11:06 | |
and he's closing all the loops. | 0:11:06 | 0:11:09 | |
The Rainmaker, they call him. | 0:11:09 | 0:11:12 | |
He told me it. Then he wanted a cigarette, | 0:11:12 | 0:11:16 | |
so I untied him and he gives me this look. | 0:11:16 | 0:11:21 | |
And he just starts running. | 0:11:23 | 0:11:25 | |
I had my blunderbuss, | 0:11:26 | 0:11:27 | |
so I know I've got about 15 strides till he's out of my range. | 0:11:27 | 0:11:31 | |
And they come and they go... | 0:11:31 | 0:11:33 | |
..and I just watch him till he's gone. | 0:11:34 | 0:11:38 | |
'This is called letting your loop run - | 0:11:38 | 0:11:40 | |
'it's not a good thing.' | 0:11:40 | 0:11:42 | |
What do I do? | 0:11:42 | 0:11:44 | |
You're the only friend I've got, Joe. You've got to help me. | 0:11:45 | 0:11:49 | |
You're a fucking idiot coming here. | 0:11:51 | 0:11:53 | |
You can't be here. I'll give you some money. | 0:11:54 | 0:11:57 | |
Joe! A little money? Where am I gonna go? | 0:11:57 | 0:11:59 | |
You hop a freight train. You beat it the hell out of town. | 0:11:59 | 0:12:02 | |
-BANGING ON DOOR -Oh! -Shh! | 0:12:02 | 0:12:05 | |
(Just don't move.) | 0:12:08 | 0:12:10 | |
Tell Court, watch the window outside. | 0:12:12 | 0:12:14 | |
You got it, window. | 0:12:14 | 0:12:16 | |
BANGING ON DOOR Just a minute! | 0:12:17 | 0:12:20 | |
-Open this goddamn door! -I can't do anything for you, Seth. | 0:12:20 | 0:12:23 | |
(You've got to hide me! Please, Joe! Hide me!) | 0:12:23 | 0:12:27 | |
(Please! Just buy me some time and then I'll go! Please?) | 0:12:27 | 0:12:31 | |
You gonna make me blow this door down? | 0:12:31 | 0:12:33 | |
Yeah, hold on! | 0:12:33 | 0:12:35 | |
(Please?) | 0:12:36 | 0:12:37 | |
Move. | 0:12:38 | 0:12:40 | |
-BANGING ON DOOR -Come on, Joe! Open up! | 0:12:40 | 0:12:43 | |
Jesus. | 0:12:52 | 0:12:54 | |
-That took a while. -You think it's easy looking this good? | 0:13:02 | 0:13:05 | |
Tye's gonna watch your apartment while we go have a talk with Abe. | 0:13:05 | 0:13:10 | |
There's coffee in the tin. | 0:13:10 | 0:13:12 | |
Thank you. | 0:13:12 | 0:13:13 | |
KNOCK ON DOOR | 0:13:29 | 0:13:31 | |
-MAN OVER INTERCOM: -Give me two minutes. | 0:13:31 | 0:13:33 | |
Know why they call that pea shooter of yours a blunderbuss? | 0:13:46 | 0:13:50 | |
Because it's impossible to hit anything farther than 15 yards. | 0:13:50 | 0:13:53 | |
Impossible to miss anything closer. | 0:13:53 | 0:13:56 | |
It's a gun for fuck-up turkeys... | 0:13:56 | 0:13:59 | |
not like a gat. | 0:13:59 | 0:14:01 | |
A gat has range... | 0:14:02 | 0:14:06 | |
accuracy. | 0:14:06 | 0:14:08 | |
Kid, cut it out. Don't blow your other foot off. | 0:14:10 | 0:14:13 | |
Ow! | 0:14:33 | 0:14:34 | |
GUNSHOT | 0:14:34 | 0:14:36 | |
-Jesus Christ! -What the hell is going on out there? | 0:14:36 | 0:14:40 | |
-How you doing, Abe? -Eh... | 0:14:40 | 0:14:42 | |
You didn't shoot your other foot off, did you, Kid? | 0:14:42 | 0:14:45 | |
All right. | 0:14:48 | 0:14:49 | |
My great-grandfather told my grandfather, "Men are like spiders - | 0:14:51 | 0:14:56 | |
"it's the little ones you've got to be careful of." | 0:14:56 | 0:14:59 | |
Don't know I agree with that. | 0:14:59 | 0:15:02 | |
Yeah? Huh. | 0:15:02 | 0:15:04 | |
What the fuck did my great-grandfather know? | 0:15:04 | 0:15:07 | |
'This man is from the future. | 0:15:07 | 0:15:09 | |
'He was sent back here by the mob, | 0:15:09 | 0:15:11 | |
'a one-way ticket, to run the loopers. | 0:15:11 | 0:15:13 | |
'That's low effort, even for Abe, so to pass the time, | 0:15:13 | 0:15:16 | |
'he recruited some real muscle, the gat men. Now he runs the city. | 0:15:16 | 0:15:20 | |
'Any other city, that would be impressive.' | 0:15:20 | 0:15:22 | |
HE SIGHS | 0:15:22 | 0:15:25 | |
How can you kids stand to wear those chokers? | 0:15:35 | 0:15:38 | |
-Cravats? -Ties. | 0:15:40 | 0:15:41 | |
Ridiculous. You're aware we don't have a dress code? | 0:15:41 | 0:15:44 | |
-Fashion. -You know... Well, you don't know. | 0:15:44 | 0:15:46 | |
The movies that you're dressing like are just copying other movies. | 0:15:46 | 0:15:50 | |
These goddamn 20th century affectations. | 0:15:50 | 0:15:54 | |
Do something new. Huh? | 0:15:54 | 0:15:56 | |
Put a glowing thing around your neck or use rubberised... | 0:15:56 | 0:16:01 | |
Just be new. OK. | 0:16:01 | 0:16:03 | |
-It was nice chatting with you, Abe. -I do like you, Joe, | 0:16:09 | 0:16:13 | |
but we're sure enough that Seth paid you a visit. | 0:16:13 | 0:16:16 | |
-We have to do something. -Seth? | 0:16:16 | 0:16:18 | |
You're expecting we're gonna break your fingers with a hammer, | 0:16:18 | 0:16:21 | |
or something awful, | 0:16:21 | 0:16:23 | |
but I'm gonna defuse that tension right now. That's not gonna happen. | 0:16:23 | 0:16:26 | |
What is gonna happen is that I'm gonna talk for a little, | 0:16:26 | 0:16:30 | |
not even that long, | 0:16:30 | 0:16:32 | |
and you're gonna give up your friend. | 0:16:32 | 0:16:34 | |
My friend? Seth? Sorry, I'm confused. | 0:16:34 | 0:16:39 | |
Well, then I'll talk a little. | 0:16:39 | 0:16:40 | |
You know, you were the youngest looper I ever hired. | 0:16:40 | 0:16:44 | |
You looked goddamn ridiculous, they said. | 0:16:44 | 0:16:46 | |
THEY LAUGH | 0:16:46 | 0:16:47 | |
Blunderbuss up to here on you. | 0:16:47 | 0:16:50 | |
-They brought you in, I forget what for. -Watch shop. | 0:16:50 | 0:16:53 | |
Yeah. You rolled one of our fronts, a watch shop. | 0:16:53 | 0:16:58 | |
And they had you, you know, this kid, like an animal. | 0:16:58 | 0:17:02 | |
But you looked at me, your hair stuck to half your face, | 0:17:02 | 0:17:06 | |
just one eye looking at me. | 0:17:06 | 0:17:08 | |
I could see, | 0:17:08 | 0:17:09 | |
like seeing it happen on the TV, the bad version of your life. | 0:17:09 | 0:17:14 | |
Like a vision, I could see how you'd turn bad, | 0:17:14 | 0:17:19 | |
so I changed it. | 0:17:19 | 0:17:22 | |
I cleaned you up and put a gun in your hand. | 0:17:22 | 0:17:25 | |
-I gave you something that was yours. -I'm grateful for that, Abe. | 0:17:27 | 0:17:31 | |
I gave you something that was yours. | 0:17:31 | 0:17:34 | |
And I remember that kid. | 0:17:36 | 0:17:37 | |
And I think if you ask yourself, | 0:17:39 | 0:17:41 | |
you ask, Who would I sacrifice for what's mine?" | 0:17:41 | 0:17:44 | |
I think Seth would be deep and cosy inside that circle. | 0:17:44 | 0:17:48 | |
HE LAUGHS | 0:17:48 | 0:17:50 | |
I'll show you how much I know you. Ahem. | 0:17:50 | 0:17:53 | |
I'm not even gonna break you. I'm just gonna set you back a ways. | 0:17:53 | 0:17:57 | |
We know that you've been stashing half your bars, | 0:17:58 | 0:18:01 | |
which is smart, no law against it. You're gonna get out. | 0:18:01 | 0:18:04 | |
You're gonna go overseas. Studying up your Mandarin? | 0:18:04 | 0:18:07 | |
-French. -French? | 0:18:07 | 0:18:09 | |
You give him up or you give us half your stash. | 0:18:11 | 0:18:16 | |
You willing to dump your silver in the dirt... | 0:18:16 | 0:18:19 | |
for Seth? | 0:18:19 | 0:18:21 | |
You're gonna kill him. | 0:18:30 | 0:18:32 | |
Not if we can help it. Be too cataclysmic a change for the future. | 0:18:32 | 0:18:36 | |
What we'll do is dangerous in that regards, | 0:18:36 | 0:18:39 | |
though not as dangerous as killing him. | 0:18:39 | 0:18:41 | |
On top of which a man from the future runs free long enough, | 0:18:41 | 0:18:46 | |
this time travel shit fries your brain like an egg. | 0:18:46 | 0:18:50 | |
Why the fuck French? | 0:18:50 | 0:18:51 | |
I'm going to France. | 0:18:52 | 0:18:54 | |
-You should go to China. -I'm going to France. | 0:18:54 | 0:18:56 | |
I'm from the future - you should go to China. | 0:18:56 | 0:18:59 | |
-I'm going to France. -You're going... | 0:18:59 | 0:19:01 | |
The floor safe, under the rug. | 0:19:12 | 0:19:16 | |
Six, seven, four, two. | 0:19:16 | 0:19:17 | |
It's the little ones that get you. | 0:19:23 | 0:19:25 | |
Why don't you kill an hour, Joe, on the house. | 0:19:31 | 0:19:35 | |
Call the doc. | 0:19:39 | 0:19:41 | |
TYRES SCREECH | 0:20:51 | 0:20:53 | |
HE SCREAMS | 0:21:00 | 0:21:03 | |
Wait! | 0:21:14 | 0:21:16 | |
Wait! | 0:21:16 | 0:21:19 | |
Wait. | 0:21:21 | 0:21:22 | |
HE SOBS | 0:21:22 | 0:21:24 | |
GUNSHOT | 0:21:46 | 0:21:48 | |
ROCK MUSIC PLAYS | 0:22:10 | 0:22:13 | |
You know, I can't remember my mother's face. | 0:22:25 | 0:22:28 | |
She used to run her hands through my hair. | 0:22:28 | 0:22:33 | |
HE SIGHS | 0:22:33 | 0:22:34 | |
Just like this. | 0:22:38 | 0:22:39 | |
I think I just let my best friend get killed tonight... | 0:22:56 | 0:23:00 | |
for silver. | 0:23:00 | 0:23:01 | |
Shit. | 0:23:07 | 0:23:09 | |
Yeah... | 0:23:09 | 0:23:11 | |
Shit. | 0:23:11 | 0:23:12 | |
(Sorry.) | 0:23:16 | 0:23:17 | |
I'm gonna give you some money. | 0:23:20 | 0:23:22 | |
I've been stashing my silver for years | 0:23:22 | 0:23:24 | |
and I'm gonna give you half of it. | 0:23:24 | 0:23:26 | |
You can raise your kid right. | 0:23:26 | 0:23:28 | |
You wanna give me half your silver? | 0:23:28 | 0:23:30 | |
Silver's got strings. | 0:23:30 | 0:23:33 | |
I got my job. | 0:23:33 | 0:23:34 | |
You got yours. | 0:23:36 | 0:23:38 | |
It's sweet of you to worry about me, but I'm doing fine. | 0:23:38 | 0:23:42 | |
Why don't we just stick to services rendered? | 0:23:44 | 0:23:47 | |
(Is this what you want?) | 0:23:51 | 0:23:53 | |
WATCH TICS | 0:25:16 | 0:25:19 | |
Shit! | 0:25:53 | 0:25:54 | |
PHONE RINGS | 0:26:28 | 0:26:30 | |
Then it just becomes a mess, like a pig fucking a football. | 0:27:30 | 0:27:33 | |
You know what I'm saying. Let's finish this up. | 0:27:33 | 0:27:36 | |
There's 24 there. I'm keeping count. | 0:27:38 | 0:27:41 | |
Two more trips should just do it. | 0:27:44 | 0:27:46 | |
BANGING IN THE DISTANCE | 0:27:53 | 0:27:55 | |
Goddamn it! Aah! | 0:28:06 | 0:28:09 | |
Kid, I'm sorry! Tell Abe I'm gonna fix this! | 0:28:11 | 0:28:14 | |
Tell him I'm gonna find my loop and I'm gonna kill him! Tell Abe... | 0:28:14 | 0:28:17 | |
GUNSHOTS | 0:28:17 | 0:28:20 | |
Motherfucker! | 0:28:20 | 0:28:21 | |
INDISTINCT CHATTER | 0:30:04 | 0:30:06 | |
-WOMAN ON TV: -Rainmaker.... | 0:31:53 | 0:31:55 | |
DOOR CLOSES | 0:32:08 | 0:32:09 | |
HE GRUNTS | 0:32:54 | 0:32:56 | |
CLOCK TICS | 0:33:07 | 0:33:09 | |
Shit! | 0:34:15 | 0:34:16 | |
GUNSHOT | 0:34:16 | 0:34:17 | |
-You got any aspirin? -Uh-huh. | 0:34:39 | 0:34:41 | |
All of them, please. | 0:34:41 | 0:34:42 | |
I'll take that coat too. | 0:34:46 | 0:34:49 | |
SIRENS BLARE IN DISTANCE | 0:34:51 | 0:34:53 | |
What are you doing? | 0:35:07 | 0:35:09 | |
What are you doing? Joe, I told you to run. | 0:35:11 | 0:35:14 | |
Don't do it, you idiot. | 0:35:37 | 0:35:39 | |
Hurry up, Blue! | 0:35:43 | 0:35:45 | |
That's the second loop we had run this week. It's getting endemic. | 0:35:45 | 0:35:50 | |
Fucking Kid Blue. | 0:35:51 | 0:35:53 | |
About two more trips should do it. | 0:35:53 | 0:35:55 | |
GUNSHOTS | 0:36:24 | 0:36:26 | |
GLASS SMASHES | 0:36:26 | 0:36:27 | |
GUNSHOTS | 0:36:29 | 0:36:32 | |
Shit. | 0:36:32 | 0:36:33 | |
You stupid little shit. | 0:36:54 | 0:36:56 | |
TYRES SCREECH | 0:37:02 | 0:37:04 | |
Pound the pavement, sweep the train yard. | 0:37:05 | 0:37:07 | |
Every second that passes is bad. Get on it. | 0:37:07 | 0:37:11 | |
Stupid little shit. | 0:37:12 | 0:37:14 | |
I can fix this. | 0:37:14 | 0:37:16 | |
-I can find him! -Go home. | 0:37:17 | 0:37:19 | |
Let the grownups work. | 0:37:19 | 0:37:21 | |
Kid Blue. | 0:37:22 | 0:37:24 | |
TRAIN WHISTLE BLOWS IN DISTANCE | 0:37:34 | 0:37:38 | |
You old bastard. How do I find you? | 0:38:00 | 0:38:04 | |
DOOR OPENS | 0:39:19 | 0:39:21 | |
Coffee? | 0:40:07 | 0:40:08 | |
Please. | 0:40:10 | 0:40:12 | |
Black and some water. | 0:40:12 | 0:40:14 | |
Anything else? | 0:40:14 | 0:40:17 | |
We eating? | 0:40:17 | 0:40:19 | |
I ordered something. | 0:40:19 | 0:40:20 | |
Steak and eggs, rare and scrambled. | 0:40:20 | 0:40:23 | |
Two steak and eggs, coming up. | 0:40:23 | 0:40:25 | |
Must hurt. | 0:40:30 | 0:40:32 | |
-I wasn't sure you'd remember her. -Yeah, I put it together. | 0:40:32 | 0:40:36 | |
Clever. | 0:40:36 | 0:40:37 | |
You know, there's another girl who works here on the weekends. | 0:40:43 | 0:40:47 | |
-Jen? -Right. Less letters. | 0:40:49 | 0:40:53 | |
That'd be better. | 0:40:53 | 0:40:55 | |
THEY SPEAK FRENCH | 0:40:56 | 0:40:58 | |
How's your French coming? | 0:41:03 | 0:41:05 | |
Good. You gonna tell me I ought to be learning Mandarin? | 0:41:05 | 0:41:08 | |
I never regretted learning French. | 0:41:08 | 0:41:10 | |
No? Well, you'll get it eventually. | 0:41:15 | 0:41:17 | |
-Obviously. -All right, listen. | 0:41:18 | 0:41:20 | |
I know this is a hard situation for you, | 0:41:20 | 0:41:22 | |
but we both know how this has to go down. | 0:41:22 | 0:41:24 | |
I can't let you walk away from this diner alive. | 0:41:24 | 0:41:26 | |
This is my life now, I earned it. You had yours already. | 0:41:26 | 0:41:29 | |
So why don't you do what old men do and die? Get the fuck out of my way. | 0:41:29 | 0:41:34 | |
Why don't you take your gun out from between your legs and do it? | 0:41:34 | 0:41:38 | |
Boy. | 0:41:40 | 0:41:41 | |
It's hard staring into your eyes. | 0:41:47 | 0:41:49 | |
-It's too strange. -Your face looks backwards. | 0:41:51 | 0:41:54 | |
So you know what's gonna happen? You've done all this already, as me? | 0:41:56 | 0:42:00 | |
I don't want to talk about time travel shit. | 0:42:00 | 0:42:02 | |
If we start talking about it, we're gonna be here all day, | 0:42:02 | 0:42:05 | |
making diagrams with straws. | 0:42:05 | 0:42:07 | |
-It doesn't matter. -I hurt myself, it changes your body. | 0:42:07 | 0:42:10 | |
-Does what I do change your memories? -It doesn't matter! | 0:42:10 | 0:42:13 | |
My memory is cloudy. | 0:42:25 | 0:42:27 | |
It's a cloud. | 0:42:28 | 0:42:30 | |
Because my memories aren't really memories - | 0:42:30 | 0:42:33 | |
they're just one possible eventuality now... | 0:42:33 | 0:42:36 | |
..and they grow clearer or cloudier as they become more or less likely. | 0:42:37 | 0:42:43 | |
But then they get to the present moment | 0:42:43 | 0:42:45 | |
and they're instantly clear again. | 0:42:45 | 0:42:48 | |
I can remember what you do after you do it... | 0:42:48 | 0:42:51 | |
..and it hurts. | 0:42:54 | 0:42:55 | |
So even when we're apart, | 0:42:55 | 0:42:57 | |
-you can remember what I do after? -Yes. | 0:42:57 | 0:43:00 | |
But this is a precise description of a fuzzy mechanism. | 0:43:00 | 0:43:04 | |
It's messy. | 0:43:04 | 0:43:06 | |
All I know... I know two things. | 0:43:06 | 0:43:08 | |
I know what's happening in my head | 0:43:08 | 0:43:10 | |
and I know that you're gonna meet her. | 0:43:10 | 0:43:13 | |
Who? | 0:43:18 | 0:43:19 | |
She's gonna save your life. | 0:43:25 | 0:43:27 | |
For a long time, she thought we'd... | 0:43:32 | 0:43:35 | |
We'd have a baby. | 0:43:36 | 0:43:38 | |
She'd have been a great mother. | 0:43:41 | 0:43:43 | |
-She wanted it so much. -Yeah, but she...? | 0:43:45 | 0:43:48 | |
How...? | 0:43:49 | 0:43:50 | |
-So she saves my life? -Yes. | 0:43:52 | 0:43:54 | |
Let's take a look at your life. | 0:43:56 | 0:43:58 | |
You're a killer and a junkie. | 0:43:58 | 0:44:01 | |
A fucking child mentality. | 0:44:01 | 0:44:03 | |
"What's mine. "My life." Save your life. You're asking me how. | 0:44:03 | 0:44:07 | |
The question is why. Why would someone sacrifice their life? | 0:44:07 | 0:44:10 | |
Cut your high and mighty bullshit. I don't need my life... | 0:44:10 | 0:44:12 | |
Shut your fucking child mouth. | 0:44:12 | 0:44:15 | |
You're so self-absorbed and stupid, | 0:44:17 | 0:44:19 | |
and she's gonna clean you up and she's gonna... | 0:44:19 | 0:44:22 | |
You're gonna take her love... | 0:44:30 | 0:44:32 | |
like a sponge. | 0:44:32 | 0:44:34 | |
And you think, "Maybe I'm clear of the past. | 0:44:34 | 0:44:37 | |
"Maybe I'm safe." | 0:44:37 | 0:44:39 | |
Yesterday. | 0:44:41 | 0:44:42 | |
Yesterday what? | 0:44:43 | 0:44:44 | |
30 years from now is yesterday. | 0:44:44 | 0:44:48 | |
You're not gonna remember it. | 0:44:49 | 0:44:52 | |
I'm gonna tell you what happens | 0:45:02 | 0:45:04 | |
to this beautiful woman who saves your worthless fucking life. | 0:45:04 | 0:45:07 | |
Have you heard of the Rainmaker? | 0:45:50 | 0:45:52 | |
Yeah, Seth said that night. | 0:45:54 | 0:45:57 | |
New boss in the future? He used the words "holy terror". | 0:45:57 | 0:46:00 | |
Yeah. A reign of terror. | 0:46:00 | 0:46:03 | |
Mass executions, vagrant purges, everywhere at once. | 0:46:03 | 0:46:07 | |
Legend is the Rainmaker came out of nowhere. | 0:46:07 | 0:46:10 | |
In the span of six months, | 0:46:10 | 0:46:11 | |
he took total control of the five major syndicates. | 0:46:11 | 0:46:14 | |
-That'd take an army. -He didn't have an army. | 0:46:14 | 0:46:16 | |
The story is that he did it alone. | 0:46:16 | 0:46:19 | |
-Alone, alone. -So how did he do it? | 0:46:19 | 0:46:21 | |
That's the mystery. There's no pictures of him, even if it is a him. It's insane. | 0:46:21 | 0:46:26 | |
There are stories he has a synthetic jaw, | 0:46:26 | 0:46:28 | |
saw his morn shot, shit like that. | 0:46:28 | 0:46:30 | |
Word spread through the ex-looper grapevine | 0:46:30 | 0:46:33 | |
because the first thing he did was start closing loops - all of them. | 0:46:33 | 0:46:37 | |
You know what this is? This number? | 0:46:41 | 0:46:43 | |
Dale, wait. Slow down. | 0:46:43 | 0:46:45 | |
It could lead us to the Rainmaker, Joe! It's in the hospital records. | 0:46:45 | 0:46:48 | |
Write this down - 0, 7, 1, 5, 3... | 0:46:48 | 0:46:50 | |
..9, 0, 2, 9, 3, 5! | 0:46:51 | 0:46:54 | |
This is a piece of identifying information on the Rainmaker. | 0:47:02 | 0:47:06 | |
He's here. He lives here now, in this county... | 0:47:06 | 0:47:11 | |
and I'm gonna use this to find him | 0:47:11 | 0:47:14 | |
and I'm gonna kill him. | 0:47:14 | 0:47:16 | |
I'm gonna stop him from killing my wife. | 0:47:16 | 0:47:18 | |
Fuck you and your wife. None of this concerns me. | 0:47:18 | 0:47:22 | |
-This is gonna happen to you... -It happened to you. | 0:47:22 | 0:47:25 | |
It doesn't have to happen to me. | 0:47:25 | 0:47:26 | |
You got her picture right there in my watch? | 0:47:26 | 0:47:29 | |
Show me the picture. As soon as I see her, I walk away. | 0:47:29 | 0:47:32 | |
I'll fucking marry someone else...promise. | 0:47:32 | 0:47:35 | |
When I see that picture, that fog inside your brain should just | 0:47:35 | 0:47:38 | |
swallow up all the memories, right? She'll be gone. | 0:47:38 | 0:47:41 | |
-If you give her up, she'll be safe. -Give her up? | 0:47:41 | 0:47:45 | |
You're the one that got her killed. If she never meets you, she's safe. | 0:47:45 | 0:47:49 | |
You don't understand. We don't have to give her up. | 0:47:49 | 0:47:51 | |
I'm not gonna give her up. | 0:47:51 | 0:47:54 | |
I'm gonna save her. | 0:47:54 | 0:47:55 | |
HE GRUNTS | 0:47:56 | 0:47:58 | |
GLASSES SMASH | 0:48:05 | 0:48:09 | |
Get to the fields. We can lose them in the fields. | 0:48:09 | 0:48:11 | |
DOOR OPENS | 0:48:11 | 0:48:13 | |
Hop a train, get out of town! | 0:48:13 | 0:48:16 | |
What the hell is everybody doing?! You wait for my signal! | 0:48:39 | 0:48:44 | |
-Out back! He's running! -He ran out the back! | 0:48:44 | 0:48:46 | |
Shit! | 0:48:56 | 0:48:57 | |
Alive! | 0:49:04 | 0:49:05 | |
Fuck! Shit! Come on, come on! | 0:49:11 | 0:49:13 | |
Come on, you piece of shit! Come on! | 0:49:13 | 0:49:16 | |
Get the tracker! The tracker! Go! Go! | 0:49:25 | 0:49:28 | |
Fuck! Fuck! | 0:49:28 | 0:49:30 | |
Shit. | 0:49:31 | 0:49:32 | |
Come on, baby. Time to get up. | 0:51:11 | 0:51:13 | |
DOOR CREAKS | 0:51:17 | 0:51:19 | |
GUN LOADS | 0:51:45 | 0:51:46 | |
Listen up, fucker! | 0:51:53 | 0:51:55 | |
I have shot and buried three vagrants in the past year, | 0:51:55 | 0:52:01 | |
so I don't care what hobo sob story you've got! | 0:52:01 | 0:52:05 | |
I get a dozen a week, pal. It cuts no cash with me. | 0:52:05 | 0:52:08 | |
But if you show your face here again, | 0:52:08 | 0:52:11 | |
I will cut you the fuck in half! | 0:52:11 | 0:52:13 | |
Well... | 0:52:53 | 0:52:54 | |
..you found him. | 0:52:55 | 0:52:57 | |
Tracking Seth's bike, that was clever. | 0:52:57 | 0:53:01 | |
Then you rustled up a posse and went out to get him. | 0:53:01 | 0:53:04 | |
-I could do it again. -You can fuck up again? Really? | 0:53:04 | 0:53:07 | |
I've got too much riding, Kid. | 0:53:07 | 0:53:10 | |
I can't afford a fuck-up playing cowboy. | 0:53:10 | 0:53:13 | |
Put your gat on the table. | 0:53:14 | 0:53:16 | |
HE SOBS | 0:53:29 | 0:53:31 | |
I wanted you to say I did good. | 0:53:33 | 0:53:36 | |
That's all I wanted. | 0:53:38 | 0:53:40 | |
This is all I have. | 0:53:42 | 0:53:44 | |
Please, just give me one more chance. | 0:53:52 | 0:53:54 | |
I'll bring him here alive and hold him... | 0:53:54 | 0:53:58 | |
and you can put a bullet in his brain yourself. | 0:53:58 | 0:54:00 | |
No! | 0:54:02 | 0:54:03 | |
HE SCREAMS | 0:54:03 | 0:54:06 | |
Get off me! Get off me! | 0:54:09 | 0:54:12 | |
LEAVES RUSTLE | 0:54:46 | 0:54:49 | |
Hey, who's there? | 0:54:59 | 0:55:01 | |
GUN LOADS | 0:55:03 | 0:55:04 | |
Stop right there! I will shoot you. | 0:55:06 | 0:55:09 | |
You stop! Stop right there! | 0:55:11 | 0:55:13 | |
I'm telling you to stop! | 0:55:16 | 0:55:19 | |
You stop! | 0:55:19 | 0:55:20 | |
SHE SIGHS | 0:55:35 | 0:55:37 | |
HE GROANS | 0:55:40 | 0:55:43 | |
Hey. | 0:55:43 | 0:55:45 | |
Head's splitting apart. | 0:55:50 | 0:55:52 | |
-My head. -Hey. | 0:55:52 | 0:55:54 | |
Look up at the light. Look up at me. | 0:55:54 | 0:55:57 | |
How long since you dropped? | 0:55:57 | 0:55:58 | |
-Dropped? -Dropped. | 0:55:58 | 0:56:01 | |
-A day. -A day. | 0:56:01 | 0:56:03 | |
I can't feel my legs. | 0:56:03 | 0:56:04 | |
That's cos you're going through withdrawal, you fucking junkie. | 0:56:04 | 0:56:07 | |
You gotta help me. I'm gonna die. | 0:56:07 | 0:56:09 | |
I'm thirsty. | 0:56:10 | 0:56:13 | |
Water. Water! | 0:56:13 | 0:56:15 | |
(Thirsty.) | 0:56:31 | 0:56:33 | |
Cid! | 0:56:46 | 0:56:47 | |
Come inside, baby. | 0:56:49 | 0:56:50 | |
-Who is that man? -He's just a vagrant. | 0:56:52 | 0:56:54 | |
-No, he's not. -Oh, yeah? | 0:56:54 | 0:56:56 | |
His shoes are too shiny. | 0:56:56 | 0:56:59 | |
Aren't you a smart monkey. | 0:56:59 | 0:57:01 | |
-Is he sick? -Yup. | 0:57:01 | 0:57:03 | |
-Will he get better? -Yeah. | 0:57:03 | 0:57:06 | |
-Promise? -Just go to sleep, OK, baby boy? | 0:57:06 | 0:57:10 | |
-Night, sweetie. -Night, Sara. | 0:57:14 | 0:57:16 | |
INDISTINCT SHOUTING | 0:57:19 | 0:57:21 | |
Hey! | 0:57:52 | 0:57:53 | |
The first time I saw her face. | 0:58:02 | 0:58:04 | |
First time I saw her face. | 0:58:04 | 0:58:06 | |
Look at me. | 0:58:06 | 0:58:08 | |
No. | 0:58:08 | 0:58:10 | |
The first time I saw her face. | 0:58:10 | 0:58:12 | |
The first time I saw her face. The first time I saw your face. | 0:58:13 | 0:58:17 | |
The first time I saw her face. | 0:58:17 | 0:58:19 | |
HE GRUNTS | 0:58:21 | 0:58:23 | |
Morning, monkey. Do you want something to eat? | 0:58:59 | 0:59:02 | |
The man's up. | 0:59:02 | 0:59:05 | |
Is he staying here now? | 0:59:05 | 0:59:07 | |
No. | 0:59:07 | 0:59:09 | |
Toss it. | 0:59:14 | 0:59:16 | |
-I'm about to finish cleaning it. -Put it down. | 0:59:17 | 0:59:19 | |
-How are you feeling? -I'd say I'm at 30%. | 0:59:23 | 0:59:26 | |
You take it slow, by the end of the week you'll be at 50. | 0:59:26 | 0:59:28 | |
I took you in so you wouldn't die. | 0:59:31 | 0:59:33 | |
Now you're not gonna die, so just take the morning to rest, | 0:59:33 | 0:59:35 | |
-then get off my farm. -I can't do that. -I'm sorry? | 0:59:35 | 0:59:38 | |
I need to stay here for a little while. | 0:59:38 | 0:59:41 | |
-I'm not cool with that. -Sorry. | 0:59:41 | 0:59:42 | |
You just lost your "take the morning to rest" privileges. | 0:59:42 | 0:59:45 | |
-Get off my farm. -No. | 0:59:45 | 0:59:47 | |
Get off my farm. | 0:59:47 | 0:59:49 | |
You couldn't scare a retarded hobo with that, literally. | 0:59:49 | 0:59:52 | |
This is a Remington 870. One blast could cut you... | 0:59:52 | 0:59:55 | |
In half. That's telling. You're holding a gun. | 0:59:55 | 0:59:57 | |
I say I'm not afraid, so you describe the gun to me. | 0:59:57 | 1:00:00 | |
It's not the gun I'm not afraid of. | 1:00:00 | 1:00:02 | |
What are you gonna do, shoot in the air, try and scare me? Go ahead. | 1:00:02 | 1:00:05 | |
-You wouldn't let me die, you're not gonna kill me. -So that makes me weak? | 1:00:05 | 1:00:09 | |
I'm not a threat to you or your boy. I need to be on your property. | 1:00:09 | 1:00:12 | |
I'd rather there's no contact at all. I'm gonna stay in the fields. | 1:00:12 | 1:00:16 | |
There's one thing I need, then you'll never have to deal with me again. | 1:00:16 | 1:00:20 | |
Verify this is your house, so I'm in the right place. | 1:00:20 | 1:00:22 | |
-What's this? -It's a map. | 1:00:22 | 1:00:25 | |
That's my house. Why is it marked? | 1:00:25 | 1:00:26 | |
OK, doesn't matter. Look, I'm gonna be out of the barn in an hour. | 1:00:26 | 1:00:30 | |
If you can spare it, I'm gonna take this canteen. | 1:00:30 | 1:00:33 | |
-Is there somewhere I can fill it? -This number, how did you get this? | 1:00:33 | 1:00:36 | |
That mean something to you? | 1:00:38 | 1:00:40 | |
What? Hey! Hey! Hey! | 1:00:41 | 1:00:44 | |
You're right, I'm not a killer, | 1:00:57 | 1:00:59 | |
but I'm fine with how a blast of rock salt to your face won't kill you. | 1:00:59 | 1:01:03 | |
Now you're gonna tell me who you are | 1:01:03 | 1:01:06 | |
and what the fuck you're doing on my farm. | 1:01:06 | 1:01:08 | |
GUN LOADS OK. | 1:01:08 | 1:01:10 | |
Time travel hasn't been invented yet, | 1:01:12 | 1:01:15 | |
but in 30 years, it will have been. | 1:01:15 | 1:01:18 | |
-It's gonna be used by these criminal... -You're a looper? | 1:01:18 | 1:01:21 | |
I can't go back to the city because Abe, the boss, | 1:01:33 | 1:01:36 | |
his men will be searching for me 24/7 until they find me or find him. | 1:01:36 | 1:01:40 | |
All I've got is that map. | 1:01:40 | 1:01:42 | |
He had three houses marked on it, yours is one of them. | 1:01:42 | 1:01:46 | |
I know he's coming here. | 1:01:46 | 1:01:48 | |
You know about loopers? You know what we do? | 1:01:49 | 1:01:51 | |
So he's coming here to murder my son | 1:01:51 | 1:01:55 | |
because he thinks he might be this Rainmaker? | 1:01:55 | 1:01:58 | |
Once he kills the Rainmaker, what happens? | 1:01:59 | 1:02:01 | |
I think he thinks if he killed the Rainmaker, | 1:02:01 | 1:02:04 | |
he never would have been sent back. | 1:02:04 | 1:02:06 | |
He'd just vanish. He'd disappear, just like he appeared. | 1:02:06 | 1:02:09 | |
He'd be back with his wife. | 1:02:11 | 1:02:13 | |
Who is he, this guy you let run? | 1:02:14 | 1:02:17 | |
Just some random guy from the future? | 1:02:17 | 1:02:20 | |
He's just somebody. You know what the numbers mean? | 1:02:20 | 1:02:22 | |
This is Cid's birthday | 1:02:26 | 1:02:28 | |
and this is the med code of the hospital he was born in. | 1:02:28 | 1:02:31 | |
How many kids were born in that hospital that day with your son? | 1:02:37 | 1:02:41 | |
-Like, two? -Sounds right. | 1:02:41 | 1:02:42 | |
Three kids, three houses marked on his map. | 1:02:42 | 1:02:46 | |
He knows one of them is the Rainmaker - he doesn't know which. | 1:02:46 | 1:02:48 | |
What's he gonna do? | 1:02:48 | 1:02:50 | |
(Oh, God.) | 1:02:51 | 1:02:53 | |
BABY CRIES | 1:03:52 | 1:03:55 | |
-Can he really do this? -Think about what doing this would fix. | 1:04:37 | 1:04:41 | |
What he thinks it would fix. | 1:04:41 | 1:04:43 | |
If he comes here, will you stop him? | 1:04:48 | 1:04:50 | |
-I'm asking, can I trust you? -I don't care if you trust me. | 1:04:53 | 1:04:56 | |
I don't care about your son. | 1:04:56 | 1:04:58 | |
I lost my life. I kill this man, I get it back. | 1:04:58 | 1:05:01 | |
He'll kill the other two kids and come here last. Put off facing me. | 1:05:05 | 1:05:10 | |
All this goddamn cane leaves us blind. | 1:05:10 | 1:05:13 | |
He can get within 50 yards of this place without a hawk spotting him. | 1:05:13 | 1:05:17 | |
What makes sense is we burn the fields, level them. | 1:05:17 | 1:05:20 | |
How much gas you got in that barn? | 1:05:20 | 1:05:23 | |
No, you can't burn down my cane fields. | 1:05:23 | 1:05:25 | |
This stuff is half dead anyway. | 1:05:25 | 1:05:27 | |
It's the seed for next year. It's not gonna happen, you fucking nut. | 1:05:27 | 1:05:32 | |
Listen, use what you need and set up anywhere. | 1:05:38 | 1:05:40 | |
But one thing - I don't want you talking to Cid. | 1:05:40 | 1:05:43 | |
I watch my son, you watch the cane - | 1:05:43 | 1:05:45 | |
-that's the deal. -Good by me. | 1:05:45 | 1:05:47 | |
Fine. | 1:05:47 | 1:05:48 | |
-Jesus. -All right, hold still. | 1:05:48 | 1:05:50 | |
It's easy for things to get infected on a farm... | 1:05:52 | 1:05:55 | |
start falling off. | 1:05:55 | 1:05:57 | |
Pussy. | 1:05:59 | 1:06:01 | |
I'm out here and you're in the house. We need a way to communicate. | 1:06:03 | 1:06:07 | |
There's a dinner bell in the barn, | 1:06:07 | 1:06:09 | |
you can ring that if someone's coming. | 1:06:09 | 1:06:11 | |
Dinner bell. We need buzzers or walkies or something. | 1:06:11 | 1:06:15 | |
I don't know what we've got, but I'll look. | 1:06:15 | 1:06:17 | |
Cid! | 1:06:17 | 1:06:19 | |
-How's the math coming? -I want to help the man. | 1:06:21 | 1:06:24 | |
-Help him with what? -I could help him with my toys. | 1:06:24 | 1:06:27 | |
No. Let me talk to you. | 1:06:27 | 1:06:29 | |
I need you to stay away from that man. OK? | 1:06:29 | 1:06:32 | |
Let him do his thing, but stick with me. | 1:06:32 | 1:06:34 | |
-OK? Is he not good? -SHE SIGHS | 1:06:34 | 1:06:37 | |
Well, we're gonna see what he is. All right? | 1:06:37 | 1:06:39 | |
But I need you to stick with me. | 1:06:39 | 1:06:42 | |
Good boy. | 1:06:42 | 1:06:43 | |
(Shh.) | 1:07:16 | 1:07:17 | |
Hand me that Phillips. | 1:07:30 | 1:07:31 | |
-Tell me if you hear her coming. -What are we doing here? | 1:07:36 | 1:07:39 | |
Commundication. | 1:07:39 | 1:07:41 | |
But I need to make it stronger. | 1:07:43 | 1:07:46 | |
-And how do we do that? -Bigger battery. | 1:07:46 | 1:07:49 | |
Smart. | 1:07:49 | 1:07:50 | |
Do you kill people? | 1:07:53 | 1:07:55 | |
Uh... Let's say I kill people. | 1:07:59 | 1:08:02 | |
With your gun? | 1:08:03 | 1:08:04 | |
Uh-huh. | 1:08:04 | 1:08:06 | |
-You want a gun like mine? -Yeah. | 1:08:08 | 1:08:10 | |
What are you gonna do with it, pole vaulting? It's bigger than you. | 1:08:10 | 1:08:14 | |
Stop bad things from happening. | 1:08:15 | 1:08:18 | |
TOY BEEPS LOUDLY Shit! | 1:08:19 | 1:08:21 | |
So how long you and your mom been out here on the farm? | 1:08:36 | 1:08:39 | |
She's not. | 1:08:39 | 1:08:41 | |
She's not what? | 1:08:41 | 1:08:43 | |
Sara doesn't know, but I remember my real mom. | 1:08:44 | 1:08:48 | |
When I was a baby, I couldn't stop it. | 1:08:50 | 1:08:54 | |
Couldn't stop what? | 1:08:54 | 1:08:56 | |
I couldn't stop her from getting killed. | 1:08:57 | 1:09:01 | |
I saw it, but I couldn't stop it. | 1:09:01 | 1:09:04 | |
I wasn't strong enough. | 1:09:04 | 1:09:06 | |
You should... | 1:09:09 | 1:09:11 | |
-You should talk to your mom about this. -She's not my mom. | 1:09:11 | 1:09:15 | |
She's a liar. | 1:09:15 | 1:09:17 | |
GUNSHOTS | 1:09:20 | 1:09:22 | |
Spotted him coming out of a sewer tunnel on the west end. | 1:09:31 | 1:09:33 | |
He's on the run. | 1:09:33 | 1:09:35 | |
Think he's heading to the west on Talbott Street, | 1:09:46 | 1:09:49 | |
possibly to Whore's Alley. We have a visual. | 1:09:49 | 1:09:52 | |
You can't take that thing out with a plough or something? | 1:09:55 | 1:09:58 | |
Uh-huh. | 1:09:59 | 1:10:00 | |
Listen, I found a... | 1:10:01 | 1:10:04 | |
In the barn, I found some parts and I made a thing. | 1:10:05 | 1:10:08 | |
Here. | 1:10:10 | 1:10:11 | |
So if you see something, just push that. | 1:10:12 | 1:10:14 | |
TOY FROG CROAKS | 1:10:14 | 1:10:17 | |
When? | 1:10:17 | 1:10:18 | |
Last night he woke me up. Don't tell him I told you. He didn't... | 1:10:20 | 1:10:24 | |
You said you were his mom. | 1:10:28 | 1:10:30 | |
Yeah. | 1:10:32 | 1:10:34 | |
He told me you're not. | 1:10:34 | 1:10:35 | |
He said that? | 1:10:37 | 1:10:39 | |
Yeah. | 1:10:40 | 1:10:42 | |
-If he's not your son, who is he? -He's my son. | 1:10:42 | 1:10:45 | |
I had Cid when I was 22... | 1:10:48 | 1:10:50 | |
but I didn't want to give up my life in the city, | 1:10:50 | 1:10:53 | |
so I dropped him here on the farm with my sister, | 1:10:53 | 1:10:57 | |
and she saw how I was living, so she took him. | 1:10:57 | 1:11:01 | |
And my sister, she raised him. | 1:11:01 | 1:11:04 | |
She loved him. He called her mom. | 1:11:06 | 1:11:10 | |
How did she get killed? | 1:11:16 | 1:11:18 | |
Jesus Christ. | 1:11:18 | 1:11:19 | |
He remembers it. You've gotta talk to him. | 1:11:19 | 1:11:21 | |
I told you one thing. I told you to stay away from my son. | 1:11:21 | 1:11:24 | |
-He asked about my gun. -Stay out of it! | 1:11:24 | 1:11:27 | |
And stay the fuck away from my son! | 1:11:27 | 1:11:29 | |
Where does 56 go? | 1:11:32 | 1:11:35 | |
Oh, good. You're smart. | 1:11:37 | 1:11:40 | |
21? | 1:11:40 | 1:11:41 | |
How long can you not sleep? | 1:11:41 | 1:11:43 | |
I don't know. Probably a while. | 1:11:43 | 1:11:46 | |
It's a good question. | 1:11:46 | 1:11:47 | |
Where does it go? Come on. | 1:11:47 | 1:11:49 | |
Good. | 1:11:51 | 1:11:53 | |
32? | 1:11:53 | 1:11:54 | |
-You should help Joe watch. -Joe? | 1:11:54 | 1:11:57 | |
Because he can't stay awake all the time. | 1:11:57 | 1:12:00 | |
-Isn't our business, OK? -He's keeping us safe. | 1:12:00 | 1:12:02 | |
Let's do this now, OK? | 1:12:02 | 1:12:04 | |
You have 32 there. I know you know this one. | 1:12:04 | 1:12:07 | |
-No. Eight times three is what? -32. | 1:12:10 | 1:12:13 | |
Eight times three is what? | 1:12:13 | 1:12:15 | |
32. | 1:12:15 | 1:12:17 | |
-I want you to count three eights. -8, 16... | 1:12:20 | 1:12:25 | |
..32. | 1:12:26 | 1:12:27 | |
-You telling me you want alone time? -No. | 1:12:27 | 1:12:30 | |
Then why don't you put that where it belongs? | 1:12:30 | 1:12:32 | |
-Alone time. -He's protecting us because you can't do it. | 1:12:38 | 1:12:42 | |
-I told you to stay away from him, didn't I? -I never did anything. | 1:12:42 | 1:12:45 | |
-Do you think I'm stupid? -So? | 1:12:45 | 1:12:47 | |
-I told Joe to leave... -So?! | 1:12:48 | 1:12:50 | |
-You do what I tell you! -You can't tell me what to do | 1:12:50 | 1:12:53 | |
cos you're not my mom! | 1:12:53 | 1:12:54 | |
You're not my mom! You're a liar! | 1:12:54 | 1:12:56 | |
You're gonna get killed because you won't stop lying! | 1:12:56 | 1:12:59 | |
-Cid, calm down. -You're lying! I hate you! | 1:12:59 | 1:13:02 | |
-You're lying to me! I hate you! -Cid... | 1:13:02 | 1:13:04 | |
-I hate you! Liar! You're lying! -Calm down. | 1:13:04 | 1:13:07 | |
Liar! | 1:13:22 | 1:13:25 | |
Liar! | 1:13:25 | 1:13:26 | |
You're not my mom! You're a liar! | 1:13:28 | 1:13:31 | |
HE CONTINUES SHOUTING OUTSIDE | 1:13:31 | 1:13:33 | |
You're not my mom! | 1:13:36 | 1:13:38 | |
I hate you! | 1:13:38 | 1:13:39 | |
Liar! | 1:13:39 | 1:13:41 | |
Liar! Liar! | 1:13:41 | 1:13:43 | |
I'm sorry. | 1:14:15 | 1:14:17 | |
It's OK, sweetie. | 1:14:19 | 1:14:21 | |
Holy shit. | 1:15:06 | 1:15:08 | |
INDISTINCT SPEECH | 1:15:13 | 1:15:15 | |
KNOCK ON DOOR | 1:15:37 | 1:15:39 | |
KNOCK ON DOOR | 1:15:41 | 1:15:43 | |
TOY FROG CROAKS | 1:15:51 | 1:15:53 | |
Evening, ma'am. | 1:15:59 | 1:16:00 | |
Evening. How can I help you? | 1:16:02 | 1:16:04 | |
Ahem. You can start by accepting my apologies re the hour. | 1:16:04 | 1:16:09 | |
-Hope I didn't catch you at supper. -No, that's fine. | 1:16:09 | 1:16:12 | |
I've been walking between empty farms all day. | 1:16:12 | 1:16:14 | |
Thought I'd just tick this one off the list, | 1:16:14 | 1:16:17 | |
-not have to come back tomorrow. -What's this about? | 1:16:17 | 1:16:20 | |
You alone here, ma'am? | 1:16:20 | 1:16:22 | |
My husband should be back any time. | 1:16:22 | 1:16:24 | |
-Happy to hear it. -Mm-hm. | 1:16:24 | 1:16:26 | |
Could I trouble you for some water? | 1:16:29 | 1:16:31 | |
I'll get you some. You can take the glass with you. | 1:16:31 | 1:16:35 | |
Actually, ma'am, | 1:16:35 | 1:16:36 | |
my business today, this ticking off the list business, | 1:16:36 | 1:16:41 | |
is gonna require me coming in, if that's all right. | 1:16:41 | 1:16:44 | |
-Will you tell me what this is about? -I will, yes. | 1:16:44 | 1:16:47 | |
Can I come in? | 1:16:50 | 1:16:51 | |
Ma'am? | 1:16:55 | 1:16:56 | |
I'm a deputised police officer, looking for an escaped criminal. | 1:17:04 | 1:17:08 | |
Anyone through here in the past two days, vagrants? | 1:17:09 | 1:17:12 | |
Vagrants are always passing, nobody near the house. | 1:17:12 | 1:17:14 | |
That man there? | 1:17:14 | 1:17:16 | |
He's young. No. | 1:17:16 | 1:17:18 | |
We're looking for his father too. Similar-looking build, late 50s, | 1:17:18 | 1:17:22 | |
may or may not be travelling together. | 1:17:22 | 1:17:25 | |
Do you recognise them? | 1:17:27 | 1:17:28 | |
-No. -Keep them. | 1:17:30 | 1:17:32 | |
Your kids with your husband? | 1:17:34 | 1:17:36 | |
Yeah, just one. | 1:17:38 | 1:17:39 | |
-How old? -Ten. | 1:17:39 | 1:17:42 | |
Ten. | 1:17:42 | 1:17:43 | |
I'm gonna show you the barn and house, | 1:18:03 | 1:18:05 | |
and then you can be on your way. | 1:18:05 | 1:18:07 | |
I took the liberty with your barn. Apologies. | 1:18:07 | 1:18:10 | |
So...the house. | 1:18:11 | 1:18:14 | |
DOOR CLOSES | 1:18:16 | 1:18:18 | |
-Ten, you said? Your boy? -Yeah. | 1:18:29 | 1:18:31 | |
-And your husband? -Mm-hm. | 1:18:31 | 1:18:34 | |
I've just gotta check in with the home office. | 1:18:34 | 1:18:37 | |
The boy's in the city with his father. When they getting back? | 1:18:39 | 1:18:42 | |
Couldn't tell you. | 1:18:42 | 1:18:43 | |
Ah. | 1:18:47 | 1:18:48 | |
This goddamn thing. | 1:18:50 | 1:18:52 | |
I can never get a signal this far out of town. | 1:18:52 | 1:18:54 | |
Ah. Piece of shit. | 1:18:56 | 1:18:58 | |
OK. Here we go. | 1:19:04 | 1:19:06 | |
Is this man dangerous? | 1:19:07 | 1:19:09 | |
He shoots men down for a living. | 1:19:09 | 1:19:11 | |
He's a stone-cold killer. | 1:19:11 | 1:19:13 | |
My boss has half the city looking for him. | 1:19:13 | 1:19:16 | |
Half the city and me, so... | 1:19:16 | 1:19:18 | |
And if you find him, there's a hell of a price. | 1:19:18 | 1:19:21 | |
Chunk of money like that, you should think on it. | 1:19:21 | 1:19:24 | |
-I will. -All right. Show me upstairs. -DOOR CLOSES | 1:19:24 | 1:19:28 | |
There's drafts in the house. | 1:19:30 | 1:19:33 | |
GUN LOADS | 1:19:33 | 1:19:34 | |
My grandad built this tunnel when the vagrant raids got bad. | 1:19:51 | 1:19:55 | |
-Nana said he was nuts. -Thank you, Grandad. | 1:19:55 | 1:19:58 | |
-That wasn't the man. -No. It's funny. I know that guy, though. | 1:19:58 | 1:20:03 | |
His name is Jesse. I like him. He's good. | 1:20:03 | 1:20:07 | |
He's gonna go away once he doesn't find me. | 1:20:07 | 1:20:10 | |
He won't hurt your mom. | 1:20:10 | 1:20:12 | |
-Sara. -Where's your morn? | 1:20:12 | 1:20:15 | |
Where's my mom? | 1:20:17 | 1:20:19 | |
-She...gave me up. -I was younger than you. | 1:20:21 | 1:20:26 | |
We were vagrants and she was alone. | 1:20:27 | 1:20:30 | |
I thought she was stupid for getting on the drugs she was on, | 1:20:32 | 1:20:35 | |
but now I see she was just so alone. | 1:20:35 | 1:20:39 | |
It's what she had. | 1:20:39 | 1:20:41 | |
She sold me to a panhandle gang. | 1:20:42 | 1:20:45 | |
I got away and I ran and ended up on this train. | 1:20:46 | 1:20:49 | |
I remember I was sitting there in an empty car. | 1:20:49 | 1:20:52 | |
And I saw myself over and over again, | 1:20:52 | 1:20:54 | |
killing those men that bought me, that got my mom on what she was on. | 1:20:54 | 1:20:59 | |
Just finding them and tearing them apart. Saving my mom. | 1:20:59 | 1:21:03 | |
But you didn't. | 1:21:03 | 1:21:04 | |
No, a man in the city found me, put a gun in my hand. | 1:21:05 | 1:21:08 | |
Gave me something that was mine. | 1:21:08 | 1:21:10 | |
That's just men trying to figure out what | 1:21:11 | 1:21:13 | |
they would do to keep what's theirs, what they've got. | 1:21:13 | 1:21:16 | |
DOOR CLOSES | 1:21:16 | 1:21:17 | |
That's the only kind of man there is. | 1:21:17 | 1:21:20 | |
I'm not gonna let Sara get killed. | 1:21:20 | 1:21:22 | |
I think we're clear. | 1:21:33 | 1:21:35 | |
Sara! | 1:21:46 | 1:21:48 | |
Baby. | 1:21:51 | 1:21:53 | |
All working girls, yeah? | 1:22:10 | 1:22:12 | |
This whole block and a couple of blocks over. | 1:22:12 | 1:22:15 | |
Hello, Joe. | 1:22:17 | 1:22:18 | |
If you want to check those, too, I can arrange. | 1:22:18 | 1:22:21 | |
I'm an arranger, stranger. | 1:22:25 | 1:22:28 | |
If you don't see what you want to see, no refunds. | 1:22:28 | 1:22:30 | |
FOOTSTEPS APPROACH | 1:23:29 | 1:23:32 | |
What? | 1:23:32 | 1:23:33 | |
What happened? | 1:23:35 | 1:23:37 | |
That's pretty good. | 1:24:21 | 1:24:23 | |
In the city, young guys would | 1:24:26 | 1:24:29 | |
hit on me by floating fucking quarters. | 1:24:29 | 1:24:33 | |
And I wouldn't tell them I was TK, | 1:24:33 | 1:24:36 | |
but I would keep their quarters down. | 1:24:36 | 1:24:39 | |
This one guy just busted a blood vessel in his eye | 1:24:39 | 1:24:43 | |
trying to get it up. | 1:24:43 | 1:24:44 | |
He's you. | 1:24:57 | 1:24:59 | |
Your loop. | 1:24:59 | 1:25:00 | |
You lied to me. | 1:25:02 | 1:25:04 | |
But I know you're not lying when you say you're gonna kill this guy, | 1:25:06 | 1:25:09 | |
your own self. | 1:25:09 | 1:25:12 | |
You protected Cid from that gat man. | 1:25:12 | 1:25:15 | |
Uh... | 1:25:15 | 1:25:16 | |
-Yeah. -He saved your ass, didn't he? | 1:25:18 | 1:25:20 | |
He saved my ass, yeah. | 1:25:20 | 1:25:22 | |
He's a... | 1:25:22 | 1:25:24 | |
He's a good kid. | 1:25:26 | 1:25:28 | |
Yeah, he is. | 1:25:28 | 1:25:30 | |
You know, when I came back, after my sister died, | 1:25:33 | 1:25:38 | |
I remember seeing him | 1:25:38 | 1:25:41 | |
for the first time in two years, just sitting on the porch. | 1:25:41 | 1:25:46 | |
I drove up crying. I'd been at this | 1:25:46 | 1:25:50 | |
party all night in the city when I got the call... | 1:25:50 | 1:25:55 | |
..so I was wearing this ridiculous party dress. | 1:25:57 | 1:26:01 | |
All my ridiculous shit. | 1:26:04 | 1:26:06 | |
And I don't know if he... | 1:26:08 | 1:26:11 | |
..even remembered me... | 1:26:11 | 1:26:14 | |
..but he looked at me... | 1:26:15 | 1:26:18 | |
-SOBBING: -I abandoned him. | 1:26:24 | 1:26:26 | |
I abandoned my baby. | 1:26:29 | 1:26:32 | |
And I've seen so many men in the city... | 1:26:36 | 1:26:40 | |
who I look in their eyes and they're just lost. | 1:26:40 | 1:26:44 | |
So whether he loves me back or not... | 1:26:46 | 1:26:49 | |
..as long as I'm there to raise him... | 1:26:51 | 1:26:54 | |
..he's gonna be taken care of. | 1:26:55 | 1:26:58 | |
He's gonna be safe. | 1:26:59 | 1:27:01 | |
He's never gonna get lost. | 1:27:03 | 1:27:06 | |
LOW RUMBLING | 1:27:14 | 1:27:17 | |
Hello, Joe. | 1:27:27 | 1:27:28 | |
Jesse. | 1:27:30 | 1:27:32 | |
Put this down and let her go. | 1:27:33 | 1:27:36 | |
Sara, Jesse here is the best shot with a gat that I know. | 1:27:37 | 1:27:41 | |
When he lets you go, just sit on the couch. Don't do anything stupid. | 1:27:41 | 1:27:45 | |
He's coming here, Jess. My loop is coming here. | 1:27:50 | 1:27:53 | |
-I gotta take you in. -I got 948 bars of pure silver. | 1:27:53 | 1:27:57 | |
I close my loop, I get right with Abe. | 1:27:57 | 1:27:59 | |
Whatever he gives back, I'll split it with you. | 1:27:59 | 1:28:02 | |
Was that your plan? | 1:28:02 | 1:28:03 | |
OK, take all of it. | 1:28:04 | 1:28:06 | |
Are you delusional? You ain't getting right. | 1:28:06 | 1:28:08 | |
Long as Abe's got one gat man standing, | 1:28:08 | 1:28:11 | |
he's gonna hunt you till his dying day. | 1:28:11 | 1:28:13 | |
We're gonna go now. Gonna get in my truck and you're just gonna... | 1:28:13 | 1:28:16 | |
STAIRS CREAK | 1:28:16 | 1:28:17 | |
GUN LOADS | 1:28:17 | 1:28:19 | |
SHE GASPS | 1:28:27 | 1:28:28 | |
I'm sorry. | 1:28:31 | 1:28:32 | |
The Rainmaker. | 1:29:33 | 1:29:34 | |
SHE GROANS | 1:29:50 | 1:29:52 | |
Cid! | 1:29:57 | 1:29:58 | |
Cid! | 1:29:58 | 1:30:01 | |
Oh, my God! | 1:30:01 | 1:30:03 | |
Cid! Cid! | 1:30:05 | 1:30:07 | |
Cid. | 1:30:09 | 1:30:11 | |
It's him. What is he, some TK freak? | 1:30:11 | 1:30:15 | |
You knew. | 1:30:15 | 1:30:17 | |
-What are you doing? -How did your sister die? | 1:30:19 | 1:30:22 | |
What are you doing with those guns? | 1:30:22 | 1:30:23 | |
How did she die? Is that what happened to her? | 1:30:23 | 1:30:25 | |
-No! -He kill her like that? | 1:30:25 | 1:30:27 | |
No. He was climbing a bookshelf and it fell back on him. | 1:30:27 | 1:30:30 | |
He can get scared. It exploded. | 1:30:30 | 1:30:33 | |
-Jesus frigging... -He'll learn to control it. | 1:30:33 | 1:30:35 | |
-Imagine what he's gonna do! -If he did good with it, though. | 1:30:35 | 1:30:39 | |
If he grew up with me raising him. | 1:30:39 | 1:30:42 | |
If he grew up good... | 1:30:42 | 1:30:44 | |
He doesn't. | 1:30:46 | 1:30:47 | |
You stay away from him, Joe! | 1:30:47 | 1:30:50 | |
Cid! Cid, stay away from Joe, baby! | 1:30:54 | 1:30:59 | |
Follow me, baby! | 1:30:59 | 1:31:00 | |
Come to me. It's OK. | 1:31:58 | 1:32:00 | |
(It's OK, baby.) | 1:32:04 | 1:32:06 | |
Right now, two things have happened - | 1:32:09 | 1:32:11 | |
my loop knows Cid's the kid he's looking for | 1:32:11 | 1:32:13 | |
and my gang knows I'm here. | 1:32:13 | 1:32:15 | |
That means in 15 minutes, one or both of them is coming down that highway. | 1:32:15 | 1:32:19 | |
Pack up the gat man's truck. Take everything you can and go. | 1:32:19 | 1:32:22 | |
Drive north, away from the city. | 1:32:22 | 1:32:25 | |
Thank you. | 1:32:25 | 1:32:26 | |
Got everyone here, all our men. | 1:32:39 | 1:32:41 | |
Arm them up. Let's go. | 1:32:41 | 1:32:42 | |
I got him, Abe. I got him. | 1:32:51 | 1:32:53 | |
Well, shit. | 1:32:54 | 1:32:56 | |
That's right, motherfuckers. | 1:32:59 | 1:33:01 | |
-Whoa. -I got him. | 1:33:01 | 1:33:03 | |
Knew he was sweet on this one whore, | 1:33:03 | 1:33:05 | |
so I checked her building... | 1:33:05 | 1:33:07 | |
They found Joe in a farm on the east side - | 1:33:07 | 1:33:09 | |
that's why all the gat men are here. | 1:33:09 | 1:33:11 | |
The whole crew is arming up to make a sweep. | 1:33:11 | 1:33:14 | |
Joe? | 1:33:14 | 1:33:16 | |
Fuck Joe. Save your bullets! I've got the loop! | 1:33:16 | 1:33:19 | |
Not such a fuck-up now, huh? I'm bringing him up to see Abe. | 1:33:19 | 1:33:23 | |
Get this asshole! | 1:33:33 | 1:33:34 | |
Motherfuckers! | 1:33:36 | 1:33:38 | |
HE SCREAMS | 1:33:39 | 1:33:41 | |
FOOTSTEPS RAPIDLY APPROACH | 1:33:44 | 1:33:46 | |
GUNS LOAD | 1:34:00 | 1:34:03 | |
RAPID GUNFIRE | 1:34:04 | 1:34:07 | |
RAPID GUNFIRE CONTINUES | 1:34:19 | 1:34:22 | |
Holy shit. | 1:34:47 | 1:34:49 | |
Joe! | 1:34:55 | 1:34:57 | |
Guess I put the gun in that kid's hand, huh? | 1:34:59 | 1:35:01 | |
I guess everything comes back around... | 1:35:04 | 1:35:07 | |
..like your goddamn ties. | 1:35:09 | 1:35:11 | |
HE GROANS | 1:35:23 | 1:35:25 | |
HE GROANS | 1:35:29 | 1:35:31 | |
GUN LOADS | 1:36:23 | 1:36:25 | |
Take this truck and take your gold, and go live your life. | 1:36:32 | 1:36:35 | |
Nobody's coming after you. I fixed it. | 1:36:35 | 1:36:39 | |
You go kill the boy, that how you fix it? | 1:36:39 | 1:36:41 | |
You're goddamn right I'm gonna kill that boy! | 1:36:41 | 1:36:44 | |
-You just got your life back. -My life?! | 1:36:44 | 1:36:47 | |
Your life! Becoming you! | 1:36:47 | 1:36:50 | |
Goddamn it! You've lost your fucking mind! | 1:36:50 | 1:36:53 | |
You let this boy live, he's gonna take everything you've got | 1:36:53 | 1:36:57 | |
and everything I got! | 1:36:57 | 1:36:58 | |
-See what he becomes. -I haven't seen that yet. | 1:36:59 | 1:37:02 | |
Goddamn it! | 1:37:02 | 1:37:04 | |
GUNSHOT | 1:37:17 | 1:37:18 | |
Shit. | 1:37:54 | 1:37:55 | |
OK, baby, we're going. | 1:37:55 | 1:37:57 | |
Put your seat belt on. | 1:37:59 | 1:38:00 | |
-Stop. -Duck down. It's OK. | 1:38:26 | 1:38:28 | |
-Stop, please. He can shoot us. -Duck down. | 1:38:28 | 1:38:30 | |
Stop! | 1:38:30 | 1:38:32 | |
Stop! Stop! Stop! | 1:38:32 | 1:38:34 | |
-Cid. -I'm sorry. | 1:38:54 | 1:38:57 | |
It's OK. It's OK. I'm gonna get you down. | 1:38:57 | 1:39:00 | |
OK, we're going into the cane. Go. Go. | 1:39:09 | 1:39:12 | |
GUNSHOTS | 1:39:15 | 1:39:18 | |
Go. | 1:39:18 | 1:39:20 | |
GUNSHOTS CONTINUE | 1:39:21 | 1:39:23 | |
GUN LOADS | 1:39:32 | 1:39:33 | |
GUNSHOT | 1:39:34 | 1:39:37 | |
No! | 1:39:37 | 1:39:38 | |
No. Cid, no. | 1:39:46 | 1:39:47 | |
No! | 1:40:34 | 1:40:36 | |
(It's OK, baby. You're OK.) | 1:40:41 | 1:40:45 | |
(It's OK, baby.) | 1:40:47 | 1:40:49 | |
(It's OK.) | 1:40:53 | 1:40:55 | |
(I love you. Calm down.) | 1:40:55 | 1:40:59 | |
(Good boy.) | 1:40:59 | 1:41:01 | |
(Mommy loves you.) | 1:41:03 | 1:41:05 | |
(Mommy loves you.) | 1:41:07 | 1:41:10 | |
(It's OK.) | 1:41:11 | 1:41:13 | |
Mom. | 1:41:15 | 1:41:16 | |
Shit. | 1:41:26 | 1:41:28 | |
Oh. Oh. You did good. | 1:41:29 | 1:41:32 | |
You did so good. Good boy. | 1:41:32 | 1:41:34 | |
OK, listen to me. I need you to run into the fields now. | 1:41:37 | 1:41:40 | |
-No, Mom, I don't want to leave you. -It's OK. | 1:41:40 | 1:41:44 | |
-You need to go. Go! -Move! | 1:41:44 | 1:41:46 | |
Move, goddamn it! | 1:41:46 | 1:41:48 | |
Move. | 1:42:04 | 1:42:06 | |
'Then I saw it. | 1:42:10 | 1:42:12 | |
'I saw a mom who would die for her son. | 1:42:16 | 1:42:19 | |
'A man who would kill for his wife. | 1:42:21 | 1:42:23 | |
'A boy, angry and alone. | 1:42:26 | 1:42:29 | |
'Laid out in front of him, the bad path, I saw it. | 1:42:30 | 1:42:32 | |
'And the path was a circle... | 1:42:35 | 1:42:36 | |
'..round and round. | 1:42:40 | 1:42:41 | |
'So I changed it.' | 1:42:52 | 1:42:53 | |
Cid! | 1:43:09 | 1:43:10 | |
Where's Joe? | 1:43:33 | 1:43:34 | |
He had to go away, baby. | 1:43:36 | 1:43:38 | |
WATCH TICS | 1:44:55 | 1:44:56 | |
# Why in the world do I love you like I do, baby? | 1:46:10 | 1:46:16 | |
# When you told me over ain't over | 1:46:19 | 1:46:23 | |
# Showing off, girl, that you wouldn't be true... # | 1:46:23 | 1:46:27 |