
Browse content similar to Midnight's Children. Check below for episodes and series from the same categories and more!
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SALEEM: 'I was born in the city of Bombay, once upon a time. | 0:00:12 | 0:00:17 | |
'At the precise instant of India's arrival at Independence, | 0:00:21 | 0:00:24 | |
'on the stroke of midnight, I tumbled forth into the world. | 0:00:24 | 0:00:29 | |
'I, Saleem Sinai, was mysteriously handcuffed to history. | 0:00:32 | 0:00:37 | |
'My destiny, forever chained to my country's. | 0:00:37 | 0:00:40 | |
'And I couldn't even wipe my own nose at the time. | 0:00:42 | 0:00:45 | |
'Most of what matters in our lives takes place in our absence. | 0:00:53 | 0:00:58 | |
'And my life really began on the shore of the Dal Lake in Kashmir... | 0:00:58 | 0:01:03 | |
'more than 30 years before I was born.' | 0:01:03 | 0:01:05 | |
'The central feature of my grandfather's anatomy | 0:01:09 | 0:01:12 | |
'was his magnificent nose.' | 0:01:12 | 0:01:15 | |
-Doctor Aziz. -Good morning, Ghani Sahib. -Good morning. | 0:01:30 | 0:01:33 | |
Now that our own lady doctor is sick, | 0:01:36 | 0:01:39 | |
you, Doctor Aziz, get the opportunity and she gets the sack. | 0:01:39 | 0:01:43 | |
-Big chance for you, young man! -Yes, sir. | 0:01:43 | 0:01:45 | |
I've heard nice things about you. | 0:01:45 | 0:01:47 | |
Good doctor, Europe-returned. Good family background. | 0:01:47 | 0:01:50 | |
Well, good enough. | 0:01:50 | 0:01:52 | |
My daughter is not well. | 0:01:53 | 0:01:55 | |
Do a good job. Make her all right. | 0:01:55 | 0:01:57 | |
I have many friends in this town. | 0:01:57 | 0:01:59 | |
-And you have a practice to build. Right? -Right. -Right. | 0:01:59 | 0:02:03 | |
Where is she, your daughter? | 0:02:13 | 0:02:14 | |
She is standing behind the sheet, like a good girl. | 0:02:14 | 0:02:16 | |
But, Ghani Sahib, how will I examine her without seeing her? | 0:02:18 | 0:02:21 | |
Ah, I can see your confusion. | 0:02:21 | 0:02:24 | |
You Europe-returned chappies forget certain things. | 0:02:25 | 0:02:29 | |
My daughter is not going to flaunt her body | 0:02:29 | 0:02:32 | |
under the nose of any Tom, Dick or, for that matter, Aziz. | 0:02:32 | 0:02:35 | |
You will...specify the portion that you want to examine. | 0:02:35 | 0:02:39 | |
What does the lady complain of? | 0:02:40 | 0:02:42 | |
My poor child has terrible, too-dreading, stomach-ache. | 0:02:42 | 0:02:45 | |
In that case, may I examine her...? | 0:02:46 | 0:02:49 | |
Yes, Naseem, stomach, pronto. | 0:02:49 | 0:02:51 | |
-May I? -Yeah, yes, you can. | 0:03:09 | 0:03:11 | |
Thank you. | 0:03:11 | 0:03:12 | |
Doctor Aziz, my poor child is suffering from constipation. | 0:03:30 | 0:03:33 | |
-Yes. -No, no. | 0:03:33 | 0:03:35 | |
Don't even think about it. | 0:03:35 | 0:03:37 | |
There is no question of being permitted to administer an enema. | 0:03:37 | 0:03:39 | |
-No, no. No, no, Ghani Sahib. -No. I said "no"! | 0:03:39 | 0:03:42 | |
Doctor Aziz! | 0:03:49 | 0:03:50 | |
Thank you. | 0:03:58 | 0:03:59 | |
Is it...permitted that I touch? | 0:04:07 | 0:04:10 | |
-Touch away, touch away! Hands of the healer! -Thank you. | 0:04:11 | 0:04:13 | |
With your permission, please. | 0:04:19 | 0:04:21 | |
-Is it the lady's time of the month? -Yes. | 0:04:27 | 0:04:30 | |
But then, then... Then there is nothing to worry about. | 0:04:30 | 0:04:32 | |
-It's, it's, it's all right. -Don't be embarrassed, old chap! | 0:04:32 | 0:04:36 | |
You're the family doctor now! | 0:04:36 | 0:04:37 | |
Doctor Aziz... | 0:04:57 | 0:04:59 | |
she has a headache. | 0:04:59 | 0:05:01 | |
My goodness, Doctor, what a nose! | 0:05:20 | 0:05:22 | |
HE LAUGHS | 0:05:22 | 0:05:24 | |
Yes, it's quite a specimen. | 0:05:24 | 0:05:27 | |
I agree. | 0:05:28 | 0:05:30 | |
So, Doctor Aziz. | 0:05:34 | 0:05:36 | |
Anything else? | 0:05:39 | 0:05:40 | |
Just one more thing... | 0:05:40 | 0:05:42 | |
We will be a modern couple. | 0:05:43 | 0:05:46 | |
Naseem will not wear the veil. | 0:05:46 | 0:05:47 | |
So, you will allow other men to look at her face? | 0:05:47 | 0:05:50 | |
Most men, Ghani Sahib, are not beasts. | 0:05:51 | 0:05:53 | |
Most men are also not blind, Doctor Sahib. | 0:05:53 | 0:05:56 | |
Listen, would you... move a little, please. | 0:06:14 | 0:06:18 | |
Move where? Move how? | 0:06:20 | 0:06:23 | |
I mean... | 0:06:24 | 0:06:25 | |
..like, like a woman. | 0:06:27 | 0:06:28 | |
Who have I married? | 0:06:35 | 0:06:36 | |
I know you foreign-educated types. | 0:06:37 | 0:06:39 | |
You do God knows what with those foreign, terrible women, | 0:06:40 | 0:06:44 | |
and then you expect us to be like them. | 0:06:44 | 0:06:46 | |
Listen, Doctor Sahib, | 0:06:48 | 0:06:50 | |
husband or no husband, | 0:06:50 | 0:06:52 | |
I am not the moving type. | 0:06:52 | 0:06:54 | |
FLUTTERING WINGS | 0:06:55 | 0:06:57 | |
LOW CONVERSATION IN URDU | 0:06:57 | 0:07:00 | |
SALEEM: 'In Agra, my grandfather contracted | 0:07:26 | 0:07:29 | |
'a dangerous form of optimism. | 0:07:29 | 0:07:31 | |
'It was caused by Mian Abdullah, | 0:07:31 | 0:07:34 | |
'the hope of all Indian Muslims... | 0:07:34 | 0:07:36 | |
'who were against the partition of the country | 0:07:36 | 0:07:38 | |
'into India and Pakistan. | 0:07:38 | 0:07:40 | |
'A politician with a peacock-feather fan.' | 0:07:40 | 0:07:44 | |
-We can beat them. -I'm sure. | 0:07:44 | 0:07:46 | |
We are ready for whatever may come. | 0:07:46 | 0:07:48 | |
There is talk of dirty deeds. | 0:07:48 | 0:07:50 | |
Oh, yes? | 0:07:50 | 0:07:51 | |
-This is Nadir Khan, my secretary. -Nice to meet you, Nadir. | 0:07:51 | 0:07:54 | |
He has a heightened imagination. | 0:07:54 | 0:07:57 | |
-He's a poet, you see. -Oh, a poet... | 0:07:57 | 0:07:59 | |
And what poetry! Not a single verse! | 0:07:59 | 0:08:03 | |
Not a single verb! | 0:08:03 | 0:08:04 | |
Well, all these ideas seem out of date to me. ..Excuse me, sir. | 0:08:04 | 0:08:08 | |
All artistic expression is equal, | 0:08:08 | 0:08:10 | |
poetry, movies, even the old men who use their skill to | 0:08:10 | 0:08:14 | |
spit out betel-juice and hit a spittoon. | 0:08:14 | 0:08:16 | |
Perhaps I will get you a spittoon, so that you can practice your art. | 0:08:16 | 0:08:20 | |
How about that, Mian Abdullah? | 0:08:20 | 0:08:22 | |
These are new ideas. > | 0:08:23 | 0:08:25 | |
We must leave, Your Highness. | 0:08:29 | 0:08:30 | |
..Excuse us. Dr Aziz. | 0:08:30 | 0:08:33 | |
Khuda-hafiz. | 0:08:35 | 0:08:36 | |
LADIES GIGGLE NEARBY | 0:08:38 | 0:08:41 | |
TYRES SCREECH | 0:08:51 | 0:08:53 | |
GUNSHOT, GLASS SMASHES | 0:08:55 | 0:08:56 | |
MULTIPLE GUNSHOTS | 0:08:58 | 0:09:01 | |
GUNSHOTS CONTINUE | 0:09:01 | 0:09:04 | |
TYRES SCREECH | 0:09:04 | 0:09:07 | |
Mian Sahib? | 0:09:22 | 0:09:23 | |
TYRES SCREECH IN DISTANCE | 0:09:32 | 0:09:34 | |
DOGS BARK | 0:09:46 | 0:09:49 | |
GEESE HONK AND FLAP | 0:09:58 | 0:10:01 | |
Help me, Doctor Aziz. | 0:10:16 | 0:10:17 | |
What? | 0:10:19 | 0:10:20 | |
Please help me. | 0:10:23 | 0:10:24 | |
Who's this? | 0:10:24 | 0:10:25 | |
Sorry for the interruption! | 0:10:27 | 0:10:29 | |
Such an intrusion. | 0:10:29 | 0:10:30 | |
Nadir? | 0:10:32 | 0:10:33 | |
I had to hide! | 0:10:33 | 0:10:34 | |
Is that you, Nadir? What are you...? | 0:10:34 | 0:10:37 | |
I saw everything, Doctor! | 0:10:38 | 0:10:40 | |
They killed him. | 0:10:42 | 0:10:43 | |
Assassins shot him like a dog. | 0:10:46 | 0:10:49 | |
-And then they saw me! -Shh. Quiet. | 0:10:49 | 0:10:51 | |
You have to hide me, Doctor. | 0:10:51 | 0:10:53 | |
Or I'm a dead man. | 0:10:53 | 0:10:54 | |
SALEEM: 'At home, Doctor Aadam Aziz found himself surrounded by women. | 0:10:56 | 0:11:01 | |
'His formidable wife, Naseem, | 0:11:01 | 0:11:03 | |
'and their three daughters - wise Alia, sweet Mumtaz, | 0:11:03 | 0:11:07 | |
'and flighty Emerald.' | 0:11:07 | 0:11:09 | |
He's asked us for our shelter. | 0:11:09 | 0:11:11 | |
We have no choice. | 0:11:11 | 0:11:12 | |
Please. | 0:11:20 | 0:11:21 | |
And spare us your crazy oaths! | 0:11:31 | 0:11:32 | |
But, Abba, where will we put him? | 0:11:46 | 0:11:50 | |
We'll sweep him under the carpet. | 0:11:50 | 0:11:53 | |
Like all other problems. | 0:11:53 | 0:11:55 | |
'Sometimes emotions are stirred into food, | 0:12:05 | 0:12:08 | |
'and become what you feel. | 0:12:08 | 0:12:10 | |
'And sometimes, people leak into each other, | 0:12:12 | 0:12:15 | |
'like flavours when you cook.' | 0:12:15 | 0:12:17 | |
'Mumtaz Aziz, destined to be my mother, | 0:12:19 | 0:12:23 | |
'took upon herself the duties of caring for the needs of Nadir Khan.' | 0:12:23 | 0:12:27 | |
You're very good. | 0:12:51 | 0:12:52 | |
I'm not a brainbox like Alia, or a beauty like Emerald. | 0:12:57 | 0:13:01 | |
But you are. | 0:13:06 | 0:13:08 | |
Eat, now. Don't let it go cold. | 0:13:10 | 0:13:14 | |
CAR AND GEESE HONK | 0:13:27 | 0:13:30 | |
HE TAPS | 0:13:37 | 0:13:39 | |
FOOTSTEPS APPROACH | 0:13:45 | 0:13:47 | |
Terrible business, sir. I fully understand your grief. | 0:13:57 | 0:14:00 | |
But you did know this fellow, | 0:14:00 | 0:14:02 | |
Nadir, secretary to Mian Abdullah? | 0:14:02 | 0:14:05 | |
-No, I don't think so, no. -Met him at the Rani of Cooch Naheen's | 0:14:07 | 0:14:11 | |
-on the night of the killing? -Yes, of course... | 0:14:11 | 0:14:14 | |
Yes, I thought you might be able to shed some light on | 0:14:14 | 0:14:17 | |
his disappearance. No? | 0:14:17 | 0:14:19 | |
No. | 0:14:23 | 0:14:24 | |
And of course these charming young ladies | 0:14:24 | 0:14:26 | |
of yours have also seen nothing. | 0:14:26 | 0:14:28 | |
And if we should see something, Major Zulfikar, what should we do? | 0:14:28 | 0:14:31 | |
Ah. Miss Emerald. Naturally you should inform your father, | 0:14:31 | 0:14:34 | |
who will then alert me in my office at the military cantonment. | 0:14:34 | 0:14:37 | |
-Yes, of course. -Of course. Thank you so much, Major. | 0:14:37 | 0:14:40 | |
Yes. | 0:14:40 | 0:14:42 | |
Thank you, Major. | 0:14:42 | 0:14:43 | |
Sir. Ladies. | 0:14:46 | 0:14:48 | |
Madam. | 0:14:50 | 0:14:51 | |
-Did you see that girl, Captain? -Yes, sir. | 0:14:57 | 0:14:59 | |
-That, Captain, is the girl I intend to marry. -Yes, sir. | 0:14:59 | 0:15:02 | |
'Feeling left out by her self-imposed vow of silence, | 0:15:16 | 0:15:20 | |
'my grandmother eavesdropped on her daughters' dreams.' | 0:15:20 | 0:15:24 | |
'She visited Emerald's dreams | 0:15:32 | 0:15:35 | |
'and found Zulfikar lurking in them.' | 0:15:35 | 0:15:38 | |
'In Alia's, she saw | 0:15:51 | 0:15:53 | |
'the successful and handsome businessman, Ahmed Sinai.' | 0:15:53 | 0:15:58 | |
'And in Mumtaz's, she saw a son. | 0:16:07 | 0:16:11 | |
'A boy with a cucumber nose, unfortunately.' | 0:16:12 | 0:16:15 | |
No, tell me a poem - one of yours. | 0:16:25 | 0:16:30 | |
No, no, you wouldn't like it, OK? | 0:16:30 | 0:16:33 | |
You must! The best one you ever wrote. | 0:16:33 | 0:16:36 | |
-It's got no rhymes. It's free verse. -Does it at least have a name? | 0:16:36 | 0:16:40 | |
-Yes. -So, what is it? | 0:16:45 | 0:16:47 | |
Mumtaz. | 0:16:49 | 0:16:50 | |
Spittoon. | 0:17:12 | 0:17:13 | |
So that you can practise your art. | 0:17:14 | 0:17:16 | |
See, I remembered. | 0:17:16 | 0:17:18 | |
OK, I'm sorry, everyone, but is this really happening? | 0:17:18 | 0:17:21 | |
They're going to get married and live in the cellar | 0:17:21 | 0:17:22 | |
and we have to keep the secret? | 0:17:22 | 0:17:24 | |
For how long? | 0:17:24 | 0:17:25 | |
Ten years? This is ridiculous. | 0:17:25 | 0:17:27 | |
Please, Emerald. There might still be killers out there. | 0:17:27 | 0:17:30 | |
-I need some time. -What would Major Zulfikar say? | 0:17:30 | 0:17:33 | |
Already he wonders, how Nadir survived the shooting. | 0:17:33 | 0:17:36 | |
If Nadir is innocent he should go to the Major and come clean. | 0:17:36 | 0:17:39 | |
"If" Nadir is innocent? "If", you say? | 0:17:39 | 0:17:42 | |
Please, Emerald. Some time, na? | 0:17:42 | 0:17:44 | |
OK, | 0:17:44 | 0:17:46 | |
OK. | 0:17:46 | 0:17:47 | |
-Hide on, like a fat worm under the ground. -Emerald... | 0:17:48 | 0:17:52 | |
SHE GRUNTS | 0:17:53 | 0:17:55 | |
I'm sorry. | 0:18:23 | 0:18:25 | |
No. No, it's OK. | 0:18:25 | 0:18:28 | |
It's OK. It'll come, all right. | 0:18:28 | 0:18:31 | |
RAIN SHEETS, THUNDER RUMBLES | 0:18:31 | 0:18:34 | |
'Family history, too, has dietary laws. | 0:19:02 | 0:19:06 | |
'One is supposed only to swallow the halal parts, | 0:19:06 | 0:19:09 | |
'drained of blood. | 0:19:09 | 0:19:10 | |
'But that makes the stories less juicy, | 0:19:12 | 0:19:15 | |
'and this was a juicy part. | 0:19:15 | 0:19:17 | |
'So, it must be told.' | 0:19:17 | 0:19:19 | |
What's going on? | 0:19:26 | 0:19:28 | |
Abba! | 0:19:28 | 0:19:29 | |
Move! | 0:19:29 | 0:19:30 | |
Abba, Abba, please don't tell them anything. | 0:19:30 | 0:19:33 | |
-He's been in this house for far too long! -Abbajan? Please, what's wrong? | 0:19:33 | 0:19:36 | |
What's wrong? What's wrong you say? I'll tell you what's wrong! | 0:19:36 | 0:19:39 | |
My daughter tells me she is still a virgin! That's what is wrong. | 0:19:39 | 0:19:42 | |
I love my husband. | 0:19:44 | 0:19:46 | |
-What? -I love him, Abba. | 0:19:46 | 0:19:48 | |
The other thing will come, right? It will. | 0:19:48 | 0:19:50 | |
A marriage should not depend on this thing... | 0:19:50 | 0:19:52 | |
..but on love. | 0:19:53 | 0:19:55 | |
This should not have been mentioned. | 0:19:57 | 0:19:59 | |
GATE OPENS | 0:20:21 | 0:20:22 | |
SHE WEEPS | 0:20:22 | 0:20:24 | |
Down there! | 0:20:25 | 0:20:27 | |
-Weapons out! -No! | 0:20:27 | 0:20:29 | |
-You'll thank me later, just wait and see. -Stay tight! | 0:20:29 | 0:20:33 | |
Follow me, boys! | 0:20:38 | 0:20:39 | |
Women must marry men, not mice. | 0:20:49 | 0:20:51 | |
So you found your voice. | 0:20:51 | 0:20:53 | |
Whose crazy fool scheme was this? | 0:20:53 | 0:20:55 | |
To allow this coward who hides underground | 0:20:55 | 0:20:57 | |
like a worm, into our home? | 0:20:57 | 0:20:59 | |
The bird has turned! The worm has flown! | 0:20:59 | 0:21:02 | |
After all that, he actually got away? | 0:21:02 | 0:21:05 | |
CARS DRIVE AWAY | 0:21:07 | 0:21:09 | |
That sweet man. | 0:21:43 | 0:21:44 | |
SHE SOBS | 0:21:44 | 0:21:46 | |
He set me free. | 0:21:46 | 0:21:47 | |
Please look over here, sir. | 0:21:57 | 0:21:59 | |
Big smile! | 0:22:01 | 0:22:02 | |
Thank you. | 0:22:04 | 0:22:05 | |
-Thank you. -Thank you. | 0:22:05 | 0:22:07 | |
It's a... It's a beautiful wedding, sir, really. | 0:22:07 | 0:22:09 | |
Most grateful. Damn glad I chose not to charge you | 0:22:09 | 0:22:12 | |
with harbouring a wanted criminal. Married your daughter instead. | 0:22:12 | 0:22:15 | |
Thank you, sir. Thanks very much. | 0:22:15 | 0:22:17 | |
HUM OF CONVERSATION, MUSIC PLAYS | 0:22:17 | 0:22:21 | |
INDISTINCT CONVERSATION | 0:22:21 | 0:22:24 | |
Go away! | 0:22:24 | 0:22:26 | |
You know, I've always loved children. | 0:22:35 | 0:22:37 | |
Me too. | 0:22:37 | 0:22:39 | |
But never had any. My former wife couldn't. | 0:22:39 | 0:22:43 | |
-Oh, I'm sorry. But, you could always still... -Marry again? | 0:22:43 | 0:22:47 | |
Yes. | 0:22:48 | 0:22:50 | |
Well, if I found the right girl. | 0:22:50 | 0:22:52 | |
And, if she would have me, if I asked. | 0:22:53 | 0:22:58 | |
Yes? | 0:23:00 | 0:23:02 | |
Yes. | 0:23:04 | 0:23:05 | |
And move to Bombay with me. | 0:23:07 | 0:23:09 | |
We're moving to...? | 0:23:09 | 0:23:11 | |
I mean, you're moving? | 0:23:13 | 0:23:16 | |
Safer for a family, no? | 0:23:16 | 0:23:18 | |
BRASS BAND MUSIC | 0:23:27 | 0:23:31 | |
THEY PLAY | 0:23:31 | 0:23:32 | |
Big smile! | 0:23:42 | 0:23:43 | |
CAMERA SHUTTER CLICKS | 0:23:43 | 0:23:46 | |
TRAIN WHISTLE BLOWS, STEAM HISSES | 0:23:46 | 0:23:48 | |
INDISTINCT ANNOUNCEMENTS | 0:23:48 | 0:23:50 | |
Mumtaz... | 0:23:56 | 0:23:58 | |
TRAIN WHISTLE BLOWS | 0:24:09 | 0:24:10 | |
I've got something for you. | 0:24:27 | 0:24:28 | |
What? A present? | 0:24:31 | 0:24:33 | |
Better than that. A new name. | 0:24:33 | 0:24:37 | |
Amina. | 0:24:37 | 0:24:38 | |
Do you like it? | 0:24:40 | 0:24:42 | |
Amina? | 0:24:42 | 0:24:44 | |
Yes. | 0:24:44 | 0:24:45 | |
Nadir and Mumtaz are in the past now. | 0:24:45 | 0:24:48 | |
Better to leave them behind, no? | 0:24:52 | 0:24:54 | |
A new name for a new beginning... | 0:24:57 | 0:25:00 | |
Mrs Amina Sinai. | 0:25:00 | 0:25:02 | |
Whatever you say. | 0:25:05 | 0:25:06 | |
SALEEM: 'Why did she marry him so quickly? For solace? | 0:25:11 | 0:25:15 | |
'For the children they both wanted so much? | 0:25:15 | 0:25:18 | |
'My mother Amina Sinai, in her new incarnation, | 0:25:18 | 0:25:21 | |
'resolved to forget the poet, Nadir, | 0:25:21 | 0:25:24 | |
'and fall in love with my father, Ahmed Sinai. | 0:25:24 | 0:25:27 | |
'But love is a rare thing.' | 0:25:29 | 0:25:30 | |
SCREECHING | 0:25:39 | 0:25:41 | |
LOUD CLATTERING | 0:25:41 | 0:25:45 | |
'Our Bombay! | 0:25:45 | 0:25:47 | |
'Bombay, of which the old tunes sang, | 0:25:47 | 0:25:50 | |
'# Prima in Indis! Gateway to India! | 0:25:50 | 0:25:53 | |
'# Star of the East with her face to the West! # | 0:25:53 | 0:25:57 | |
'Our Bombay!' | 0:25:57 | 0:25:59 | |
Ah, Mr Methwold. | 0:26:05 | 0:26:08 | |
Mr Sinai. How do you do? | 0:26:08 | 0:26:10 | |
Very well, and you? My wife. | 0:26:10 | 0:26:12 | |
CLINKING | 0:26:12 | 0:26:14 | |
Well, Mr Methwold, I must say, | 0:26:14 | 0:26:16 | |
the price you're asking for Buckingham Villa, it's... | 0:26:16 | 0:26:19 | |
It's rather... Well, it's absolutely... | 0:26:19 | 0:26:22 | |
Ridiculous. Yes, a ridiculously low price. | 0:26:22 | 0:26:25 | |
We're giving the whole blasted country away, in point of fact. | 0:26:25 | 0:26:29 | |
Hundreds of years of decent, honourable government | 0:26:29 | 0:26:31 | |
and then all of a sudden, it's up and off. | 0:26:31 | 0:26:33 | |
-You must admit, though, we weren't all bad. -Not at all. | 0:26:36 | 0:26:39 | |
We built your schools, railway stations, trains, so forth. | 0:26:39 | 0:26:44 | |
METHWOLD CLEARS THROAT | 0:26:52 | 0:26:53 | |
I was just telling my wife what a fine man you are! | 0:26:53 | 0:26:56 | |
Ah! | 0:26:56 | 0:26:57 | |
-HE CHUCKLES -Hm. | 0:26:57 | 0:26:59 | |
SINGING NEARBY | 0:26:59 | 0:27:03 | |
SHE SINGS: | 0:27:03 | 0:27:05 | |
Look here, Willie, do me a favour, man, will you. | 0:27:13 | 0:27:18 | |
I've got this terrible headache. | 0:27:18 | 0:27:19 | |
And if you could nip down to Kemp's Corner | 0:27:19 | 0:27:22 | |
and ask the chemist to give you some pills. | 0:27:22 | 0:27:24 | |
Servants are all down with a cold. Otherwise I wouldn't have asked. | 0:27:26 | 0:27:29 | |
-Yes, sir. Of course, sir. -Good man. | 0:27:29 | 0:27:32 | |
SHE CONTINUES: | 0:27:40 | 0:27:43 | |
My own little transfer of power will also take place | 0:28:01 | 0:28:04 | |
at midnight on August the 14th, 1947. | 0:28:04 | 0:28:08 | |
When India rids itself of us... | 0:28:10 | 0:28:12 | |
Buckingham Villa, will be free of William Methwold. Me. | 0:28:13 | 0:28:19 | |
And the grass must be sprayed every single night. | 0:28:19 | 0:28:24 | |
Well, absolutely, Mr Methwold. | 0:28:24 | 0:28:25 | |
Well, as you say in Hindustani, | 0:28:25 | 0:28:27 | |
-"Sab kuch ticktock hai." "Everything is tickety-boo." -Absolutely. | 0:28:27 | 0:28:31 | |
And another small detail, Mr Sinai. | 0:28:32 | 0:28:35 | |
Nothing in the house must change until Independence. | 0:28:35 | 0:28:40 | |
It must be bought complete with its entire contents. | 0:28:40 | 0:28:43 | |
Janum, everything? | 0:28:43 | 0:28:45 | |
Not even a spoon can be thrown? And this lamp...for two months? | 0:28:45 | 0:28:49 | |
Well, Mr Sinai? | 0:28:52 | 0:28:53 | |
Yes, sir, Mr Methwold? | 0:28:53 | 0:28:55 | |
One other little condition. | 0:28:57 | 0:29:00 | |
We will take a cocktail here, in the grounds of Buckingham Villa, | 0:29:00 | 0:29:03 | |
-every evening until my departure from India. -Very well. | 0:29:03 | 0:29:06 | |
# Goodnight, ladies, goodnight, ladies... # | 0:29:18 | 0:29:22 | |
This is Wee Willie. Local tramp and his wife, Vanita. | 0:29:22 | 0:29:26 | |
You'll be seeing a lot of them. | 0:29:26 | 0:29:28 | |
HE SCATS | 0:29:28 | 0:29:31 | |
# Farewell, ladies, farewell, ladies | 0:29:37 | 0:29:42 | |
# Farewell, ladies... | 0:29:42 | 0:29:44 | |
# We're going, say goodnight... # | 0:29:44 | 0:29:47 | |
HE SCATS | 0:29:47 | 0:29:49 | |
# Goodnight, ladies Goodnight, ladies... # | 0:29:51 | 0:29:55 | |
Sings well, your Wee Willie. Damn silly name, though. | 0:29:55 | 0:29:59 | |
But you gave it to him. | 0:29:59 | 0:30:01 | |
So I did. Amongst other things. | 0:30:01 | 0:30:04 | |
# Goodnight, ladies | 0:30:10 | 0:30:12 | |
# Goodnight, ladies | 0:30:12 | 0:30:14 | |
# We're going to leave you now | 0:30:14 | 0:30:17 | |
# We're going | 0:30:17 | 0:30:19 | |
# To say goodnight! # SHE RATTLES COINS | 0:30:19 | 0:30:23 | |
-Very good, Willie. -APPLAUSE | 0:30:23 | 0:30:25 | |
Wee Willie Winkie is my name, to sing for my supper is my fame. | 0:30:25 | 0:30:29 | |
I hope you are com-for-table | 0:30:29 | 0:30:31 | |
or are you come-for-tea? | 0:30:31 | 0:30:33 | |
Oh, joke! Joke, ladies and ladahs! | 0:30:33 | 0:30:35 | |
Bottoms up. | 0:30:37 | 0:30:38 | |
-Fix you another one? -How kind. Thank you, Mr Sinai. | 0:30:40 | 0:30:43 | |
Pretty girl, that. | 0:30:46 | 0:30:47 | |
Must be due around about the same time as you. | 0:30:49 | 0:30:51 | |
Sab kuch ticktock hai. | 0:30:52 | 0:30:55 | |
Everything is indeed tickety-boo. | 0:30:55 | 0:30:58 | |
Tickety-boo. | 0:30:58 | 0:30:59 | |
SHE MOANS | 0:31:12 | 0:31:13 | |
I think, Madame, you are going to have a baby boy. | 0:31:25 | 0:31:29 | |
LOW CONVERSATION | 0:31:43 | 0:31:45 | |
Joe! My God! | 0:32:04 | 0:32:07 | |
What are you doing here? | 0:32:10 | 0:32:11 | |
You and your politics! | 0:32:13 | 0:32:14 | |
Is that freedom? Is that justice? | 0:32:23 | 0:32:25 | |
Against the rich. | 0:32:33 | 0:32:35 | |
The rich need to become poor, and the poor rich. | 0:32:37 | 0:32:39 | |
-You need money? -No. | 0:32:42 | 0:32:44 | |
KNOCK AT DOOR, BABY CRIES | 0:32:44 | 0:32:46 | |
SALEEM: 'Pakistan and India | 0:32:49 | 0:32:51 | |
'were born washing themselves in one another's blood.' | 0:32:51 | 0:32:54 | |
The Empire on which the sun never sets. | 0:32:55 | 0:32:58 | |
'But I will not describe it. | 0:32:58 | 0:33:00 | |
'I will avert my eyes from the violence. | 0:33:00 | 0:33:03 | |
'Selfish perhaps, but excusably so in my opinion. | 0:33:03 | 0:33:07 | |
'After all, one is not born every day.' | 0:33:07 | 0:33:10 | |
-NEHRU: -Long years ago, we made a tryst with destiny. | 0:33:12 | 0:33:18 | |
And now the time comes when we shall redeem our pledge | 0:33:18 | 0:33:23 | |
'not wholly, or in full measure, but very substantially.' | 0:33:23 | 0:33:30 | |
SHE GROANS | 0:33:30 | 0:33:32 | |
SHE MOANS | 0:33:39 | 0:33:41 | |
Busy night! | 0:33:51 | 0:33:52 | |
BABIES CRY | 0:33:52 | 0:33:54 | |
-Joe! -I need to get out of Bombay. They're after me. | 0:33:57 | 0:34:00 | |
We need to do it now, Mary. | 0:34:10 | 0:34:12 | |
The real revolution. | 0:34:12 | 0:34:13 | |
Say you love me. | 0:34:27 | 0:34:28 | |
Say it once. | 0:34:30 | 0:34:32 | |
At the stroke of the midnight hour, | 0:34:34 | 0:34:37 | |
'when the world sleeps, | 0:34:37 | 0:34:39 | |
'India will awake to life and freedom.' | 0:34:39 | 0:34:41 | |
CHEERING | 0:34:41 | 0:34:43 | |
'A moment comes, which comes but rarely in history, | 0:34:43 | 0:34:48 | |
'when we step out from the old to the new.' | 0:34:48 | 0:34:52 | |
When an age ends, and when the soul of a nation, | 0:34:52 | 0:34:56 | |
long suppressed, finds utterance. | 0:34:56 | 0:34:59 | |
SHE SCREAMS | 0:34:59 | 0:35:01 | |
SALEEM: 'At the precise instant of India's arrival at independence. | 0:35:01 | 0:35:06 | |
'On the stroke of midnight, as a matter of fact, | 0:35:06 | 0:35:10 | |
'I tumbled forth into the world.' | 0:35:10 | 0:35:12 | |
FIREWORKS BOOM | 0:35:12 | 0:35:14 | |
Vanita? | 0:35:17 | 0:35:19 | |
Oh, Jesus. | 0:35:20 | 0:35:22 | |
BABY CRIES | 0:35:26 | 0:35:28 | |
SHE COOS | 0:35:30 | 0:35:32 | |
Poor baby. | 0:35:34 | 0:35:36 | |
Poor thing. | 0:35:38 | 0:35:39 | |
Mommy no more. | 0:35:39 | 0:35:41 | |
Hmm? | 0:35:41 | 0:35:42 | |
Oh, Mary, so many babies... | 0:35:45 | 0:35:47 | |
Give it to me. | 0:35:47 | 0:35:48 | |
Private room number four. Sinai. | 0:35:48 | 0:35:50 | |
Sinai. Hey? | 0:35:53 | 0:35:55 | |
SALEEM: 'Two babies in her hands. | 0:36:21 | 0:36:23 | |
'Two lives in her power. | 0:36:25 | 0:36:26 | |
'She did it for Joe. | 0:36:28 | 0:36:29 | |
'Her own private, revolutionary act. | 0:36:29 | 0:36:32 | |
'"Love me, Joe," was in Mary's mind. | 0:36:33 | 0:36:36 | |
'And then it was done.' | 0:36:39 | 0:36:40 | |
OK, Joe? | 0:36:41 | 0:36:43 | |
WEEPING NEARBY | 0:36:46 | 0:36:47 | |
HE SOBS | 0:36:47 | 0:36:49 | |
'When she gave the child of my mother's womb | 0:36:53 | 0:36:56 | |
'to Wee Willie Winkie, | 0:36:56 | 0:36:58 | |
'Mary knew she was condemning the rich-born boy | 0:36:58 | 0:37:01 | |
'to a life of accordions and poverty.' | 0:37:01 | 0:37:04 | |
Shiva. | 0:37:07 | 0:37:08 | |
'As Joe had said, let the rich be poor, | 0:37:10 | 0:37:13 | |
'and the poor, rich.' | 0:37:13 | 0:37:16 | |
Hi! | 0:37:20 | 0:37:21 | |
BABY SNEEZES | 0:37:21 | 0:37:23 | |
Thank you. | 0:37:24 | 0:37:25 | |
Saleem. Saleem Sinai. | 0:37:27 | 0:37:31 | |
Look, Janum. Poor fellow, he's got his grandfather's nose! | 0:37:33 | 0:37:38 | |
Go call the newspapers. | 0:37:38 | 0:37:40 | |
Tell the photographers to come! | 0:37:40 | 0:37:42 | |
Hm? | 0:37:42 | 0:37:43 | |
"A charming pose of Baby Saleem Sinai, | 0:37:43 | 0:37:46 | |
"born on the exact moment of our nation's independence. | 0:37:46 | 0:37:50 | |
"We shall be watching over your life with the closest attention. | 0:37:50 | 0:37:53 | |
"It will be in a sense, a mirror of our own. | 0:37:53 | 0:37:57 | |
"The happy child of the glorious hour!" | 0:37:57 | 0:38:01 | |
CAMERA CLICKS | 0:38:08 | 0:38:10 | |
Come, let's go home. | 0:38:11 | 0:38:13 | |
HORN HONKS | 0:38:15 | 0:38:16 | |
CHICKENS CLUCK NEARBY | 0:38:16 | 0:38:18 | |
Joe...! SHE SOBS | 0:38:58 | 0:39:00 | |
'Mary, unable in her fright. to confess her crime, | 0:39:07 | 0:39:11 | |
'realised she had been a fool. | 0:39:11 | 0:39:13 | |
'She cursed herself, | 0:39:14 | 0:39:16 | |
'but kept her secret. | 0:39:16 | 0:39:19 | |
'And decided to make amends of a kind... | 0:39:19 | 0:39:22 | |
'..to a motherless boy.' | 0:39:23 | 0:39:25 | |
-Mary, isn't it? -Yes. | 0:39:32 | 0:39:34 | |
-From Dr Narlikar's clinic? -Yes. | 0:39:34 | 0:39:36 | |
Is something the matter? | 0:39:36 | 0:39:37 | |
No. I just wanted to know if you need any ayah? | 0:39:37 | 0:39:43 | |
Well, yes, actually I do. | 0:39:46 | 0:39:48 | |
-Come. -Thank you. | 0:39:50 | 0:39:52 | |
Hi. | 0:39:57 | 0:39:59 | |
First time I saw him I was just done for him. | 0:39:59 | 0:40:02 | |
SALEEM GURGLES, SINGING NEARBY | 0:40:02 | 0:40:05 | |
Who has come? | 0:40:05 | 0:40:07 | |
Winkie... Winkie! | 0:40:07 | 0:40:09 | |
-Can I come? -Come. -WEE WILLIE SINGS | 0:40:09 | 0:40:12 | |
# Pale hands I loved | 0:40:17 | 0:40:20 | |
# Beside the Shahlimar | 0:40:20 | 0:40:25 | |
# Where are you now... # | 0:40:25 | 0:40:27 | |
Mary. Please go give him some money. | 0:40:27 | 0:40:31 | |
Here. | 0:40:31 | 0:40:32 | |
# Pale hands I loved | 0:40:32 | 0:40:35 | |
# Beside the Shahlimar | 0:40:35 | 0:40:39 | |
# Where are you now who lies beneath your spell? | 0:40:39 | 0:40:45 | |
# Where are you now? | 0:40:45 | 0:40:48 | |
# Where are you now? # | 0:40:48 | 0:40:55 | |
SHIVA GURGLES | 0:41:06 | 0:41:08 | |
Bless you, baby. | 0:41:16 | 0:41:18 | |
BABY GURGLES, THEY COO | 0:41:23 | 0:41:26 | |
Come, come. | 0:41:26 | 0:41:29 | |
-There there. -HE GURGLES | 0:41:29 | 0:41:33 | |
Saleem. Baba. | 0:41:33 | 0:41:35 | |
# Anything you want to be | 0:41:35 | 0:41:39 | |
# You can be | 0:41:39 | 0:41:42 | |
# You can be... | 0:41:42 | 0:41:45 | |
# Just what on Earth you want | 0:41:45 | 0:41:51 | |
# Anything you want to be... # | 0:41:51 | 0:41:54 | |
SALEEM: 'By our tenth birthday, India and myself | 0:41:54 | 0:41:58 | |
'were both under a lot of pressure. | 0:41:58 | 0:42:01 | |
'There was growth, there were gains, | 0:42:01 | 0:42:04 | |
'there were five-year plans and good exam results.' | 0:42:04 | 0:42:07 | |
-# Anything you want to... # -Mary, please can you stop singing that. | 0:42:07 | 0:42:11 | |
-# You can be... # -Please, Mary! | 0:42:11 | 0:42:13 | |
'But there was also. the weight of expectation.' | 0:42:13 | 0:42:17 | |
-Please, Mary. -# ..What you want. # | 0:42:17 | 0:42:19 | |
'It was a lot to live up to.' | 0:42:21 | 0:42:24 | |
Aren't you forgetting something, Saleem? Where's my morning hug? | 0:42:28 | 0:42:32 | |
Come on! | 0:42:32 | 0:42:34 | |
Come on. Come on. | 0:42:37 | 0:42:39 | |
Come on! Yes! | 0:42:39 | 0:42:40 | |
-Stop it, Abba, it's embarrassing! -Embarrassing? | 0:42:42 | 0:42:46 | |
-What nonsense! -Ammi! | 0:42:46 | 0:42:47 | |
Great things in store for you, my son! I love you. | 0:42:52 | 0:42:55 | |
Come. | 0:42:55 | 0:42:57 | |
-And me Abba? -Yes, you, too, Jamila. | 0:42:57 | 0:43:01 | |
Jamila, Abba's just joking. | 0:43:01 | 0:43:03 | |
You want green chutney, baba? | 0:43:03 | 0:43:05 | |
Yes, sure. Of course. | 0:43:05 | 0:43:08 | |
What a fine boy! | 0:43:08 | 0:43:09 | |
See if I care. | 0:43:09 | 0:43:12 | |
SHE HUMS TO HERSELF | 0:43:12 | 0:43:14 | |
Jamila! | 0:43:17 | 0:43:18 | |
Yes, Ammi? | 0:43:18 | 0:43:20 | |
Coming! | 0:43:21 | 0:43:23 | |
Hey, Saleem. Suppose it turns out that you're not that special. | 0:43:29 | 0:43:33 | |
Suppose, in the end, you're just normal. | 0:43:33 | 0:43:36 | |
I know. | 0:43:37 | 0:43:39 | |
-# Anything you want to be... # -Shut up, stupid. | 0:43:39 | 0:43:42 | |
# Anything... # | 0:43:44 | 0:43:45 | |
Begum! | 0:43:57 | 0:43:58 | |
Frozen. | 0:44:13 | 0:44:14 | |
Freeze a Muslim's assets they say, and he'll run back to Pakistan. | 0:44:14 | 0:44:18 | |
Leaving all his wealth behind. | 0:44:18 | 0:44:19 | |
Something. We have law courts. We have to fight! | 0:44:27 | 0:44:30 | |
Fight? How? With what? | 0:44:30 | 0:44:33 | |
They've shoved my balls into an ice bucket. | 0:44:33 | 0:44:36 | |
-GLASSES CLATTER -No... | 0:44:36 | 0:44:39 | |
Janum, please. | 0:44:43 | 0:44:45 | |
'Though some of his assets eventually unfroze, | 0:44:56 | 0:45:00 | |
'from that moment, my father entered a deep solitude.' | 0:45:00 | 0:45:03 | |
'And a strange perfume started wafting out | 0:45:04 | 0:45:07 | |
'from under his study door. | 0:45:07 | 0:45:09 | |
'Jamila said it was the smell of stale food, | 0:45:13 | 0:45:16 | |
'but it's my belief that it was the aroma of failure.' | 0:45:16 | 0:45:20 | |
HE PLAYS ACCORDIAN | 0:45:23 | 0:45:26 | |
When I say, "doggie", you'll say, "woof, woof". | 0:45:29 | 0:45:32 | |
What will you say? | 0:45:32 | 0:45:33 | |
Woof, woof! | 0:45:33 | 0:45:34 | |
Woof, woof. Woof, woof. | 0:45:34 | 0:45:37 | |
KIDS SHOUT | 0:45:37 | 0:45:41 | |
# How much is that doggie in the window? | 0:45:41 | 0:45:44 | |
Woof! Woof! | 0:45:44 | 0:45:45 | |
# The one with the waggly tail | 0:45:45 | 0:45:48 | |
# How much is that doggie in the window? | 0:45:48 | 0:45:51 | |
Woof! Woof! | 0:45:51 | 0:45:52 | |
# I do hope that dog is for sale. # | 0:45:52 | 0:45:57 | |
Saleem, quickly. | 0:46:46 | 0:46:48 | |
Look there. | 0:46:53 | 0:46:54 | |
You see it? It's Sputnik. | 0:46:54 | 0:46:58 | |
Great achievement for Man. | 0:46:58 | 0:47:01 | |
Listen, Saleem, my achievements have been small, | 0:47:02 | 0:47:07 | |
my ambitions thwarted. | 0:47:07 | 0:47:08 | |
But you, my son, yours must be big. | 0:47:09 | 0:47:13 | |
-Do you understand? -Yes, Abba. HE GRUNTS | 0:47:13 | 0:47:16 | |
PHONE RINGS | 0:47:24 | 0:47:26 | |
Hello. | 0:47:30 | 0:47:31 | |
No. It's the wrong number. | 0:47:31 | 0:47:33 | |
I told you, this is the wrong number! | 0:47:33 | 0:47:35 | |
HE SIGHS | 0:48:01 | 0:48:04 | |
SHE SOBS | 0:48:11 | 0:48:13 | |
Nadir... | 0:48:17 | 0:48:18 | |
Nadir... | 0:48:23 | 0:48:25 | |
Nadir... | 0:48:31 | 0:48:33 | |
Achoo! VOICES CHATTER | 0:48:36 | 0:48:39 | |
-DISTORTED: -Who's...? Who's in there? | 0:48:39 | 0:48:40 | |
Ammi, I swear, I didn't see anything! Wait a minute, Ammi! | 0:48:40 | 0:48:44 | |
There's noises in my head! | 0:48:44 | 0:48:45 | |
-Come! -Ammi, I... | 0:48:45 | 0:48:47 | |
YELLING | 0:48:47 | 0:48:49 | |
-DISTORTED: -Not one word for one whole day! | 0:48:49 | 0:48:52 | |
-Ammi, I... -Not one word. -VOICES CHATTER | 0:48:52 | 0:48:55 | |
-Mary, listen... -Sh! | 0:48:57 | 0:48:59 | |
Shhh...SHHH! | 0:48:59 | 0:49:01 | |
VOICES CHATTER | 0:49:01 | 0:49:04 | |
SILENCE | 0:49:13 | 0:49:15 | |
VOICES CHATTER | 0:49:20 | 0:49:22 | |
HE SNORTS, VOICES QUIETEN | 0:49:31 | 0:49:33 | |
HE SNORTS, VOICES SILENT | 0:49:33 | 0:49:36 | |
'By the morning, I had discovered that | 0:49:36 | 0:49:39 | |
'I could somehow control the volume of the voices | 0:49:39 | 0:49:42 | |
'through my nose! | 0:49:42 | 0:49:44 | |
'Fear left me, and I was thinking, | 0:49:44 | 0:49:47 | |
'"Man! This is better than All India Radio!"' | 0:49:47 | 0:49:51 | |
Ammi, Abba! | 0:49:51 | 0:49:53 | |
Mary, please can I have your attention? | 0:49:53 | 0:49:56 | |
HE SNUFFLES | 0:49:56 | 0:49:57 | |
You have something to tell us? | 0:49:57 | 0:49:59 | |
An apology, I hope. | 0:49:59 | 0:50:00 | |
Ammi, something really big has happened finally! | 0:50:00 | 0:50:03 | |
-But first, please call Abba. -Most certainly not. | 0:50:03 | 0:50:05 | |
What's going on? | 0:50:05 | 0:50:06 | |
Abbu, Ammi. I'm hearing voices. | 0:50:06 | 0:50:09 | |
Voices are speaking to me inside my head. | 0:50:09 | 0:50:11 | |
I really think that archangels have started to talk to me. | 0:50:11 | 0:50:13 | |
What's wrong? Has your brain gone raw? | 0:50:13 | 0:50:15 | |
Are you growing into a madman? | 0:50:15 | 0:50:17 | |
Oh, Jesus. | 0:50:17 | 0:50:18 | |
-What is it? -Please. | 0:50:18 | 0:50:20 | |
Abba? | 0:50:20 | 0:50:22 | |
-You're hearing voices inside your head? -Yes. | 0:50:25 | 0:50:28 | |
Still hearing those voices, ha? | 0:50:31 | 0:50:33 | |
Still hearing the voices?! | 0:50:33 | 0:50:35 | |
..to avoid repetition. | 0:50:45 | 0:50:47 | |
-VOICE: -'Saleem, listen to me! | 0:50:52 | 0:50:54 | |
'Saleem listen to me! | 0:50:54 | 0:50:56 | |
'Saleem! | 0:50:56 | 0:50:59 | |
'Saleem!' | 0:50:59 | 0:51:02 | |
VOICES CONTINUE, VOLUME INCREASES | 0:51:02 | 0:51:06 | |
'Listen to me, Saleem. Saleem?' | 0:51:17 | 0:51:20 | |
Go away! I don't want you! | 0:51:21 | 0:51:25 | |
Did you see what Abbu did? | 0:51:26 | 0:51:28 | |
PHONE RINGS | 0:51:28 | 0:51:30 | |
Hello? No, it's the wrong number. | 0:51:33 | 0:51:36 | |
When? | 0:51:40 | 0:51:41 | |
Where? | 0:51:42 | 0:51:43 | |
I told you, it's the wrong number! | 0:51:46 | 0:51:48 | |
And now she'll go out by herself. | 0:52:02 | 0:52:05 | |
'Once upon a time, there was an underground husband... | 0:52:11 | 0:52:15 | |
'who fled, leaving loving messages of divorce. | 0:52:15 | 0:52:18 | |
'After a lost decade... | 0:52:20 | 0:52:22 | |
'..he emerged from goodness-knows-where.' | 0:52:23 | 0:52:25 | |
'I watched my mother and Nadir Khan. | 0:52:29 | 0:52:32 | |
'And I saw the kiss. | 0:52:34 | 0:52:35 | |
'The indirect kiss.' | 0:52:37 | 0:52:39 | |
I'll be gob-smacked. | 0:53:25 | 0:53:27 | |
KNOCKING | 0:53:33 | 0:53:36 | |
Saleem? What on earth are you doing here? | 0:53:36 | 0:53:38 | |
-Don't talk to me! I hate you! -What's happening, darling? | 0:53:38 | 0:53:41 | |
You know what's happening! I saw everything. I saw it all. | 0:53:41 | 0:53:45 | |
I saw what you did! | 0:53:45 | 0:53:46 | |
What did I do? | 0:53:46 | 0:53:48 | |
No more of these wrong-number calls, OK, Amma? | 0:53:48 | 0:53:50 | |
Don't go out to see other men! | 0:53:50 | 0:53:51 | |
No more of this glass-kissery! | 0:53:51 | 0:53:54 | |
I hate you! | 0:53:54 | 0:53:55 | |
HE SOBS | 0:54:06 | 0:54:08 | |
-VOICE: -'Saleem! Saleem, listen to me! Saleem!' | 0:54:08 | 0:54:12 | |
Go away! I told you! VOICES CHATTER | 0:54:12 | 0:54:14 | |
Get out of my head! | 0:54:14 | 0:54:16 | |
-'Saleem!' -VOICES CHATTER | 0:54:16 | 0:54:20 | |
We're not friends. I don't even know you. | 0:54:20 | 0:54:23 | |
VOICES SHOUT, HE SOBS | 0:54:23 | 0:54:25 | |
Never call on this number again. | 0:54:27 | 0:54:28 | |
Saleem! | 0:54:40 | 0:54:42 | |
Saleem? | 0:54:42 | 0:54:44 | |
Saleem, we are your friends. | 0:54:45 | 0:54:47 | |
We're like you. We were born then, on that night. | 0:54:47 | 0:54:50 | |
You mean my midnight? | 0:54:52 | 0:54:54 | |
That midnight? | 0:54:54 | 0:54:56 | |
Yes, in that first hour. | 0:54:56 | 0:54:58 | |
All of you? | 0:55:00 | 0:55:01 | |
-ALL: -Yes, all of us! | 0:55:01 | 0:55:04 | |
But how can I hear you all? | 0:55:04 | 0:55:06 | |
How can I see you? | 0:55:07 | 0:55:09 | |
We all have gifts. | 0:55:09 | 0:55:11 | |
The closer to midnight our birth-times, the greater our gifts. | 0:55:11 | 0:55:14 | |
CLUNK! Who's there? | 0:55:14 | 0:55:16 | |
Saleem and Shiva. Shiva and Saleem. | 0:55:18 | 0:55:21 | |
Both born on the stroke of midnight... | 0:55:22 | 0:55:25 | |
Same to same. | 0:55:26 | 0:55:27 | |
Saleem has the greatest gift of all. | 0:55:29 | 0:55:32 | |
He's the only one who can bring us all together. | 0:55:32 | 0:55:34 | |
Aren't you Wee Willie's son? How's your father anyway? | 0:55:39 | 0:55:43 | |
Talking to yourself? Ammi is right, your brain has really gone raw. | 0:55:43 | 0:55:46 | |
-Get lost! -See if I care! | 0:55:46 | 0:55:49 | |
ALL SAY GOODBYE | 0:55:55 | 0:55:56 | |
Where are you all going? Why you are leaving? | 0:55:56 | 0:55:58 | |
HE SNUFFLES | 0:55:58 | 0:56:00 | |
GUNSHOT | 0:56:00 | 0:56:01 | |
-You'll get better at this. -At what? -This. | 0:56:01 | 0:56:04 | |
Children of midnight? | 0:56:13 | 0:56:15 | |
No. | 0:56:16 | 0:56:18 | |
Midnight's Children. | 0:56:19 | 0:56:20 | |
REVERENT CHORAL MUSIC | 0:56:23 | 0:56:25 | |
You see this man? | 0:57:26 | 0:57:27 | |
This man brought civilisation to savages. | 0:57:28 | 0:57:33 | |
And he commanded respect. | 0:57:33 | 0:57:35 | |
How? | 0:57:35 | 0:57:37 | |
With his...? | 0:57:39 | 0:57:40 | |
-Sword, sir? -Correct! So, today's subject, human geography. | 0:57:41 | 0:57:47 | |
Sinai? | 0:57:47 | 0:57:49 | |
Sir? | 0:57:51 | 0:57:52 | |
-This is what, Sinai? -Sir, I don't know, sir. | 0:57:54 | 0:57:57 | |
Ah, you don't know, my friend! Come with me. | 0:57:57 | 0:58:00 | |
-So, I ask again... -Ah! | 0:58:00 | 0:58:03 | |
-Do you know what is human geography? -Oh! Sir, please! Sir, please, sir! | 0:58:03 | 0:58:07 | |
Sh! | 0:58:07 | 0:58:08 | |
Regard, please, the hideous face of this primitive creature. | 0:58:14 | 0:58:18 | |
-It reminds you of...? -Sir, the devil, sir! | 0:58:18 | 0:58:19 | |
Sir, a vegetable, sir! | 0:58:19 | 0:58:21 | |
A cousin of mine, sir! I don't know which one. | 0:58:21 | 0:58:24 | |
Silence, sons of baboons! This object here is human geography. | 0:58:24 | 0:58:27 | |
-How, sir? -Where, sir? | 0:58:27 | 0:58:28 | |
In the face of this ugly ape, you don't see the whole map of India? | 0:58:28 | 0:58:31 | |
ALL: No, sir! | 0:58:31 | 0:58:33 | |
See, the Deccan peninsula hanging down? | 0:58:34 | 0:58:37 | |
ALL LAUGH | 0:58:37 | 0:58:39 | |
And the stains! These stains are Pakistan. | 0:58:39 | 0:58:42 | |
The birthmark on the right is East Pakistan, | 0:58:42 | 0:58:45 | |
and this horrible stain is where...? | 0:58:45 | 0:58:48 | |
HE SNORTS | 0:58:48 | 0:58:49 | |
ALL LAUGH | 0:58:49 | 0:58:52 | |
-Tell me what you are! -An animal, sir? -Tell me what you are! -ARGGH! | 0:58:57 | 0:59:00 | |
RENDING | 0:59:00 | 0:59:02 | |
Er, accidents will happen, Mrs Sinai. | 0:59:02 | 0:59:04 | |
What's wrong with you, Mr Crusoe? | 0:59:04 | 0:59:06 | |
I'm here because one of your teachers pulled out a clump of hair | 0:59:06 | 0:59:08 | |
from my son's scalp and this is what you have to say to me? | 0:59:08 | 0:59:11 | |
Just shoo! Go! | 0:59:11 | 0:59:12 | |
Let's have a look, shall we? | 0:59:19 | 0:59:21 | |
This won't hurt a bit. | 0:59:21 | 0:59:22 | |
We've a given him a mild sedative. | 0:59:26 | 0:59:28 | |
It'll make him a little groggy, but it'll help him get better. | 0:59:28 | 0:59:31 | |
You'll be fine soon, OK? | 0:59:31 | 0:59:33 | |
By the way... | 0:59:33 | 0:59:35 | |
Your blood type, A and O? You're sure? | 0:59:36 | 0:59:39 | |
Yes. | 0:59:39 | 0:59:41 | |
Why do you ask? | 0:59:41 | 0:59:42 | |
I... Excuse me. | 0:59:42 | 0:59:44 | |
You see, he's neither one nor the other. | 0:59:49 | 0:59:52 | |
You're sure he's your son? Not adopted? | 0:59:52 | 0:59:55 | |
-Yes, of course, he's our son, Doctor. -Excuse me. | 0:59:55 | 0:59:57 | |
-I don't understand. -What is there not to understand? | 1:00:00 | 1:00:03 | |
He's neither one nor the other. Somebody else's blood is involved. | 1:00:03 | 1:00:06 | |
What?! You're his father. | 1:00:06 | 1:00:09 | |
He's your son. | 1:00:09 | 1:00:10 | |
Abba...? | 1:00:10 | 1:00:12 | |
Look at his face. | 1:00:19 | 1:00:21 | |
Where am I in the face? | 1:00:21 | 1:00:22 | |
That bloody nose. I should have known. | 1:00:25 | 1:00:27 | |
I will not let you say such things about me! | 1:00:27 | 1:00:30 | |
-I'll kill myself! -SLAPPING, SHE GASPS | 1:00:30 | 1:00:32 | |
Baba? | 1:00:43 | 1:00:44 | |
Baba? | 1:00:45 | 1:00:46 | |
I will make you all the green chutney in the world. | 1:00:49 | 1:00:53 | |
Excuse me, sir, would you like to have something? Ma'am? | 1:01:10 | 1:01:13 | |
No, thanks. | 1:01:13 | 1:01:14 | |
Excuse me, would you like to have something? | 1:01:16 | 1:01:18 | |
'My blood was wrong. | 1:01:22 | 1:01:24 | |
'My wrong blood turned my father's love to hate. | 1:01:24 | 1:01:28 | |
'And though it caused my mother much pain, | 1:01:28 | 1:01:31 | |
'I was sent away.' | 1:01:31 | 1:01:32 | |
Ah, Saleem. Righto. | 1:02:08 | 1:02:10 | |
Let me be clear. | 1:02:13 | 1:02:15 | |
My sister asked me to take you in, I can't refuse, | 1:02:15 | 1:02:18 | |
whatever my own personal inclinations may be. | 1:02:18 | 1:02:20 | |
Welcome. | 1:02:20 | 1:02:22 | |
Thank you, Emerald Auntie. | 1:02:22 | 1:02:23 | |
Your cousin Zia will show you the ropes. Zia? | 1:02:24 | 1:02:28 | |
What did you do to get kicked out? | 1:02:31 | 1:02:34 | |
I hear you still wet your pants. | 1:02:34 | 1:02:36 | |
Watch it, snotty! | 1:02:36 | 1:02:37 | |
-Everything ready, Em? -Yes, darling. | 1:02:51 | 1:02:53 | |
The time is close now. | 1:02:55 | 1:02:57 | |
Very well. | 1:02:57 | 1:02:58 | |
-Discretion is the watchword. -Of course, darling. | 1:03:00 | 1:03:03 | |
-Dad, what's going on? -Quiet! | 1:03:03 | 1:03:06 | |
And you, boy. Here on sufferance. | 1:03:08 | 1:03:11 | |
Don't act smart. Understood? | 1:03:11 | 1:03:14 | |
-And forget everything you've just heard. -Yes, Uncle Zulfi. | 1:03:14 | 1:03:18 | |
Yes, sir, General Zulfikar. | 1:03:18 | 1:03:22 | |
Yes, sir, General Zulfikar. | 1:03:22 | 1:03:24 | |
"Uncle" is hardly appropriate, given the circs. | 1:03:24 | 1:03:28 | |
HE SNUFFLES | 1:03:29 | 1:03:32 | |
Are you there? All of you, are you there? | 1:03:38 | 1:03:41 | |
-Yes! -Hi, Parvati. | 1:03:41 | 1:03:44 | |
-Hello, Saleem. -Any new tricks? | 1:03:44 | 1:03:47 | |
Abracadabra! | 1:03:50 | 1:03:52 | |
Wow! | 1:03:52 | 1:03:54 | |
I was born seven seconds after midnight. | 1:03:54 | 1:03:56 | |
This is too good! We've got to organise ourselves. | 1:04:00 | 1:04:03 | |
Gangs need bosses, rich kid. | 1:04:03 | 1:04:05 | |
-It's me that's bringing you all together in my head. -Yeah. | 1:04:09 | 1:04:12 | |
Everyone does what I say. | 1:04:12 | 1:04:13 | |
Let Saleem be! | 1:04:13 | 1:04:14 | |
Hm! | 1:04:14 | 1:04:16 | |
It's somehow because of this. HE SNUFFLES, KIDS LAUGH | 1:04:19 | 1:04:22 | |
One thousand and one. | 1:04:26 | 1:04:28 | |
But... | 1:04:28 | 1:04:29 | |
Four and 20 are already dead. | 1:04:29 | 1:04:31 | |
And everyone else? | 1:04:31 | 1:04:33 | |
Do you know what they can do? | 1:04:33 | 1:04:34 | |
In Orissa, there is a girl, | 1:04:34 | 1:04:36 | |
and whoever sees her falls in love with her. | 1:04:36 | 1:04:39 | |
And you, from Goa! | 1:04:39 | 1:04:41 | |
You can multiply fish! | 1:04:41 | 1:04:43 | |
And you, from Kerala! You can step through mirrors... | 1:04:43 | 1:04:46 | |
and reappear through them wherever you want! | 1:04:46 | 1:04:48 | |
And you, | 1:04:48 | 1:04:50 | |
a werewolf from Nilgiri Hills! | 1:04:50 | 1:04:52 | |
And you from the Vindhyas, you can make yourself bigger and smaller. | 1:04:52 | 1:04:55 | |
And you can fly. | 1:04:55 | 1:04:57 | |
So, if we have these gifts, then we must ask why? | 1:05:00 | 1:05:05 | |
There must be a reason, na? | 1:05:05 | 1:05:06 | |
I think we should figure it out and dedicate... | 1:05:06 | 1:05:09 | |
What's the reason that you're rich and I'm poor? | 1:05:12 | 1:05:14 | |
What's the reason I'm starving, man? I'll tell you. | 1:05:14 | 1:05:18 | |
You got to get what you can, do what you can with it, | 1:05:18 | 1:05:20 | |
and then you got to die. | 1:05:20 | 1:05:22 | |
That's the reason, rich kid! | 1:05:22 | 1:05:24 | |
And everything else is mother-sleeping wind. | 1:05:24 | 1:05:26 | |
Stop it, Shiva. | 1:05:26 | 1:05:28 | |
I'm going to take this gang of freaks over. | 1:05:29 | 1:05:32 | |
Not without me. Without me, they won't even be able to listen to you. | 1:05:32 | 1:05:36 | |
Just try and stop me. | 1:05:36 | 1:05:38 | |
Good evening. Please. | 1:05:44 | 1:05:46 | |
CAR APPROACHES | 1:05:46 | 1:05:50 | |
Sir! | 1:05:54 | 1:05:55 | |
Mr Commander-in-Chief, be welcome in our home. | 1:05:55 | 1:05:58 | |
-Come, Emerald, no need for such formalities. -Please, come. | 1:05:58 | 1:06:01 | |
You shouldn't be watching. | 1:06:02 | 1:06:04 | |
Neither should you. | 1:06:04 | 1:06:05 | |
HE SNORTS | 1:06:06 | 1:06:08 | |
Wow! If he's here, then this is something really big. | 1:06:11 | 1:06:14 | |
Shh! | 1:06:14 | 1:06:16 | |
What is the meaning of this? | 1:06:16 | 1:06:17 | |
Perhaps they should be permitted to attend. | 1:06:19 | 1:06:21 | |
It's their future that we're making after all. Come on. | 1:06:21 | 1:06:23 | |
Come on, boys. | 1:06:23 | 1:06:25 | |
Gentlemen, here, in our Pakistan, | 1:06:26 | 1:06:30 | |
our Land of the Pure, | 1:06:30 | 1:06:32 | |
there is impurity on every side. | 1:06:32 | 1:06:35 | |
Tonight, therefore, on my command, we assume control of the State. | 1:06:35 | 1:06:39 | |
ALL: Hear! Hear! | 1:06:39 | 1:06:40 | |
Martial Law is imposed with immediate effect. | 1:06:40 | 1:06:42 | |
The Constitution is abrogated. | 1:06:42 | 1:06:44 | |
All political parties are abolished. | 1:06:44 | 1:06:47 | |
-General Zulfikar! -Sir! | 1:06:47 | 1:06:49 | |
Kindly map out the procedures. | 1:06:49 | 1:06:51 | |
Sir. | 1:06:51 | 1:06:53 | |
Zia! Come here. | 1:06:53 | 1:06:55 | |
You, Saleem. Come up here and help. | 1:07:00 | 1:07:02 | |
Excuse me. | 1:07:02 | 1:07:04 | |
At this moment, | 1:07:07 | 1:07:09 | |
the national radio station has been surrounded by hand-picked units. | 1:07:09 | 1:07:13 | |
'GUNFIRE, EXPLOSIONS ECHO' | 1:07:13 | 1:07:17 | |
Loyal armoured units | 1:07:17 | 1:07:18 | |
are simultaneously seizing control of the airport. | 1:07:18 | 1:07:22 | |
Key points in the city... | 1:07:25 | 1:07:26 | |
..are now secure. | 1:07:28 | 1:07:30 | |
'GUNSHOTS ECHO' | 1:07:30 | 1:07:32 | |
And finally, | 1:07:32 | 1:07:34 | |
crack troops have taken charge of the Presidential palace. | 1:07:34 | 1:07:38 | |
Gentlemen, the day is ours! | 1:07:43 | 1:07:46 | |
-Pakistan! -ALL TOAST | 1:07:46 | 1:07:49 | |
Well done, young man. | 1:07:49 | 1:07:51 | |
FOOTSTEPS RUMBLE | 1:07:53 | 1:07:55 | |
Mr President. | 1:08:04 | 1:08:05 | |
You're a lucky man. | 1:08:06 | 1:08:07 | |
It's only exile for you. | 1:08:07 | 1:08:09 | |
'"Only exile"? | 1:08:10 | 1:08:13 | |
'In exile, I learned about power. | 1:08:13 | 1:08:16 | |
'After all, I had helped to overthrow a government. | 1:08:16 | 1:08:18 | |
'Also I learned about loneliness. | 1:08:20 | 1:08:22 | |
'Years with no friends... | 1:08:24 | 1:08:25 | |
'..except for midnight's children.' | 1:08:27 | 1:08:28 | |
HE MOANS | 1:08:30 | 1:08:31 | |
BATS SCREECH | 1:08:35 | 1:08:37 | |
HE SCREAMS | 1:08:38 | 1:08:39 | |
That dream again. | 1:08:42 | 1:08:43 | |
Come, please. All of you. | 1:09:01 | 1:09:03 | |
HE SNUFFLES | 1:09:03 | 1:09:05 | |
Now what, cucumber-nose? | 1:09:18 | 1:09:20 | |
ALL GIGGLE | 1:09:20 | 1:09:22 | |
Come on, Shiva. It's time for the conference, everyone. | 1:09:22 | 1:09:25 | |
-Hi! -Ya, not that story again. | 1:09:25 | 1:09:29 | |
Haven't you worked out that it's the same every time? | 1:09:30 | 1:09:34 | |
HE SIGHS | 1:09:34 | 1:09:35 | |
"We must be here for a reason. | 1:09:37 | 1:09:39 | |
"We're all here for a higher purpose. | 1:09:40 | 1:09:43 | |
"Maybe...maybe we should just use our powers to help our parents." | 1:09:43 | 1:09:46 | |
ALL LAUGH | 1:09:46 | 1:09:48 | |
"No! | 1:09:51 | 1:09:53 | |
"We must keep it a secret...shh... | 1:09:53 | 1:09:56 | |
"If they find us, they will come after us and they will KILL US!" | 1:09:56 | 1:10:01 | |
ALL LAUGH | 1:10:01 | 1:10:03 | |
Huh? What do you suggest, Mr I'm-Very-Strong(?) | 1:10:03 | 1:10:06 | |
Parvati. | 1:10:06 | 1:10:07 | |
-What's your bloody plan? -No, stop! | 1:10:07 | 1:10:10 | |
Parvati. | 1:10:11 | 1:10:13 | |
We all have to stay together, na? | 1:10:13 | 1:10:15 | |
Isn't that right? | 1:10:15 | 1:10:17 | |
I mean, don't you all see everything else is breaking apart? | 1:10:17 | 1:10:20 | |
Languages, religions, countries... | 1:10:20 | 1:10:25 | |
We can show people a new way of being. | 1:10:25 | 1:10:28 | |
Get up. | 1:10:28 | 1:10:29 | |
Shiva! | 1:10:29 | 1:10:31 | |
Now, listen to me. | 1:10:35 | 1:10:36 | |
Nobody can stop us. Hm? | 1:10:39 | 1:10:42 | |
We can blind people. | 1:10:47 | 1:10:50 | |
Make gold. | 1:10:50 | 1:10:51 | |
Fly. | 1:10:51 | 1:10:52 | |
Read minds. Do jaadu. | 1:10:53 | 1:10:55 | |
How will they fight us? | 1:10:56 | 1:10:57 | |
The world is not ideas, rich kid. | 1:11:02 | 1:11:05 | |
The world is things. | 1:11:06 | 1:11:08 | |
If you have things, you have time to dream. | 1:11:10 | 1:11:12 | |
Hm? If you don't... | 1:11:12 | 1:11:15 | |
..you fight. | 1:11:18 | 1:11:20 | |
ALL MURMUR No, Shiva. No, no fighting. | 1:11:20 | 1:11:23 | |
Look, people aren't things, man. | 1:11:23 | 1:11:27 | |
People need each other. | 1:11:27 | 1:11:30 | |
And it's not about flying, or blinding, or gold...or magic! | 1:11:30 | 1:11:34 | |
-And our powers aren't for fighting. -It's this. | 1:11:34 | 1:11:37 | |
-Shiva, stop! -You don't understand. They don't care about us! | 1:11:38 | 1:11:41 | |
No fighting, guys! Please. | 1:11:41 | 1:11:43 | |
I think Saleem's right! | 1:11:43 | 1:11:44 | |
We should start a coup! | 1:11:45 | 1:11:46 | |
No! Enough! No coup! | 1:11:46 | 1:11:48 | |
-Shut up. -Hey, rich kid! | 1:11:48 | 1:11:50 | |
ALL YELL | 1:11:50 | 1:11:52 | |
Agh! | 1:11:52 | 1:11:53 | |
Shiva! | 1:11:53 | 1:11:54 | |
Shiva, don't do this. Stop! | 1:11:54 | 1:11:56 | |
Try to understand, Shiva! Don't do this! | 1:11:57 | 1:12:00 | |
ALL BAY | 1:12:00 | 1:12:02 | |
Shh. Shut up! | 1:12:04 | 1:12:05 | |
How about I finish this right now! | 1:12:07 | 1:12:09 | |
More? | 1:12:11 | 1:12:12 | |
No! | 1:12:12 | 1:12:14 | |
The Midnight's Children conference is hereby dissolved! | 1:12:16 | 1:12:19 | |
Its constitution is abrogated! | 1:12:22 | 1:12:23 | |
Its assemblies are suspended! I abolish it! | 1:12:23 | 1:12:25 | |
SILENCE | 1:12:25 | 1:12:28 | |
MUSIC PLAYS: Who's Sorry Now? by Connie Francis | 1:12:35 | 1:12:39 | |
Good morning, General Zulfikar. | 1:12:39 | 1:12:41 | |
You wanted me, Emerald Auntie? | 1:12:47 | 1:12:49 | |
How long has it been now, Saleem? | 1:12:49 | 1:12:52 | |
Quite a long time, you'll agree? | 1:12:52 | 1:12:53 | |
-Yes. -Such a helpful boy. Love you. | 1:12:53 | 1:12:56 | |
I told your ma, she must have you back. | 1:13:00 | 1:13:02 | |
To be fair, she's been on your side all along. | 1:13:02 | 1:13:05 | |
Your pater wants to make a fresh start here in Pakistan. | 1:13:05 | 1:13:10 | |
So you'll be joining them at Alia's place, in Karachi. | 1:13:10 | 1:13:15 | |
Oh! Oh, sorry! | 1:13:18 | 1:13:20 | |
What are you doing?! Out! Idiot, out of my sight! | 1:13:20 | 1:13:23 | |
Yes, Emerald Auntie. | 1:13:23 | 1:13:24 | |
HE SNUFFLES | 1:13:24 | 1:13:26 | |
Cheerio, Uncle Zulfi! | 1:13:32 | 1:13:34 | |
TRAIN WHISTLE BLOWS | 1:13:35 | 1:13:39 | |
INDISTINCT ANNOUNCEMENTS | 1:13:45 | 1:13:48 | |
STREET BUSTLE | 1:13:54 | 1:13:57 | |
-Did your auntie feed you properly? -Her food is horrible. | 1:14:05 | 1:14:08 | |
I missed your cooking so much. Green chutney. | 1:14:08 | 1:14:11 | |
Oh! Baba... | 1:14:11 | 1:14:13 | |
She didn't come, Mary? | 1:14:15 | 1:14:18 | |
She's waiting at home. Let's go. | 1:14:18 | 1:14:20 | |
Give it to me. | 1:14:21 | 1:14:22 | |
PIANO RECITAL AND SINGING NEARBY | 1:14:23 | 1:14:26 | |
My child. | 1:14:55 | 1:14:56 | |
Ammi. | 1:14:58 | 1:14:59 | |
Terrible things happen in life and we don't know how. | 1:15:04 | 1:15:07 | |
Forgive me. | 1:15:08 | 1:15:10 | |
Be kind to your abba. | 1:15:22 | 1:15:24 | |
He's not been very happy these days. | 1:15:24 | 1:15:27 | |
PIANO RECITAL PLAYS | 1:15:31 | 1:15:34 | |
Hello, Abba. | 1:15:34 | 1:15:36 | |
Abba. Hi. | 1:15:51 | 1:15:53 | |
Hi, Saleem. | 1:16:04 | 1:16:06 | |
Hi. | 1:16:06 | 1:16:07 | |
-Welcome back. -Thank you. | 1:16:08 | 1:16:10 | |
Come. | 1:16:13 | 1:16:14 | |
JAMILA SINGS | 1:16:18 | 1:16:21 | |
What happened to me, Mary? | 1:16:23 | 1:16:25 | |
How can my blood be wrong? | 1:16:25 | 1:16:26 | |
Nothing wrong with your blood. | 1:16:26 | 1:16:28 | |
It's my mother's fault. | 1:16:29 | 1:16:31 | |
Don't say that. | 1:16:31 | 1:16:32 | |
She was with other men. | 1:16:32 | 1:16:33 | |
-Shut up, baba! -I saw it Mary. | 1:16:33 | 1:16:36 | |
I saw it all. | 1:16:36 | 1:16:37 | |
SHE SOBS | 1:17:07 | 1:17:09 | |
Please, Joe. | 1:17:09 | 1:17:11 | |
Help me. | 1:17:11 | 1:17:12 | |
SHE SINGS | 1:17:18 | 1:17:21 | |
Ah, Jamila the singing star has arrived. | 1:17:21 | 1:17:24 | |
She sings very well. | 1:17:24 | 1:17:26 | |
-Thank you, Abba. -You're welcome, darling. | 1:17:26 | 1:17:28 | |
Five-letter word for "singer". | 1:17:32 | 1:17:34 | |
-Mary. A little more toast, please. -Ah, "tenor"! | 1:17:38 | 1:17:41 | |
SHE SNUFFLES | 1:17:41 | 1:17:42 | |
Sir. Madam. | 1:17:42 | 1:17:45 | |
Madam, please. | 1:17:45 | 1:17:47 | |
What's wrong, Mary? | 1:17:48 | 1:17:50 | |
What happened? | 1:17:56 | 1:17:57 | |
Baba is not your son. | 1:18:01 | 1:18:03 | |
He's Winkie and Vanita's son. | 1:18:03 | 1:18:05 | |
No, he is not. | 1:18:05 | 1:18:06 | |
Vanita's child's father is not Winkie. | 1:18:07 | 1:18:10 | |
It's that...that Englishman... | 1:18:10 | 1:18:12 | |
-Methwold. -Methwold. | 1:18:12 | 1:18:13 | |
He's gone back to England and poor Vanita, she's dead now. | 1:18:13 | 1:18:17 | |
She died at midnight. | 1:18:17 | 1:18:18 | |
I was there, Madam. | 1:18:18 | 1:18:20 | |
Sorry, Madam. | 1:18:27 | 1:18:29 | |
Not a nice boy at all. | 1:18:38 | 1:18:40 | |
I'm sorry, Madam. | 1:18:41 | 1:18:43 | |
Let the rich be poor... Poor, rich. | 1:18:43 | 1:18:45 | |
Mary. | 1:18:45 | 1:18:46 | |
Please, just... | 1:18:46 | 1:18:48 | |
leave now. | 1:18:48 | 1:18:50 | |
Baba? | 1:18:55 | 1:18:56 | |
I love you, baba. Like my own son. | 1:18:56 | 1:18:58 | |
SHE WHIMPERS | 1:18:58 | 1:19:00 | |
No! No! | 1:19:09 | 1:19:11 | |
Stop it, Abba! | 1:19:11 | 1:19:13 | |
Stop it, Abba! | 1:19:13 | 1:19:14 | |
Bastard. | 1:19:17 | 1:19:19 | |
Get him out of my sight before I kill him. | 1:19:20 | 1:19:22 | |
No. | 1:19:26 | 1:19:27 | |
What did you say? | 1:19:28 | 1:19:30 | |
He will not go. | 1:19:30 | 1:19:32 | |
No! | 1:19:35 | 1:19:36 | |
Once before you sent him away and I didn't want him to go. | 1:19:37 | 1:19:39 | |
Love is not just born, it's made! | 1:19:40 | 1:19:43 | |
He is my child! | 1:19:43 | 1:19:45 | |
If he goes, | 1:19:46 | 1:19:47 | |
I'll go. | 1:19:47 | 1:19:48 | |
'Despite the revelation of the midnight swap, | 1:19:56 | 1:19:59 | |
'never once did I have any desire | 1:19:59 | 1:20:01 | |
'to search for the Englishman, Methwold | 1:20:01 | 1:20:04 | |
'And never once, to my knowledge, did Ammi and Abba set out | 1:20:04 | 1:20:07 | |
'to look for the true son of their blood. | 1:20:07 | 1:20:10 | |
'I like to think, that in spite of all the heartache, | 1:20:12 | 1:20:15 | |
'my parents loved me.' | 1:20:15 | 1:20:17 | |
CLATTERING, BUBBLING | 1:20:17 | 1:20:19 | |
Parvati? | 1:20:19 | 1:20:20 | |
Saleem? | 1:20:24 | 1:20:25 | |
I know who I am now. | 1:20:28 | 1:20:30 | |
I'm not my ammi's son. | 1:20:35 | 1:20:37 | |
What do you mean? | 1:20:40 | 1:20:41 | |
DISTORTED VOICES | 1:20:41 | 1:20:44 | |
HE SIGHS | 1:20:46 | 1:20:48 | |
Then her child is...? | 1:20:52 | 1:20:55 | |
Saleem, he'll kill you. | 1:20:57 | 1:21:00 | |
You stole his life. | 1:21:00 | 1:21:01 | |
He must never know. | 1:21:03 | 1:21:05 | |
HE SNEEZES | 1:21:08 | 1:21:10 | |
Excuse me. | 1:21:12 | 1:21:14 | |
Abba, what are we doing here? | 1:21:26 | 1:21:29 | |
Abba, why have you brought me here? | 1:21:29 | 1:21:32 | |
-Come with me, Saleem. -No, I'm not coming. | 1:21:34 | 1:21:37 | |
-Saleem... -I'm not coming. No! Why am I here? | 1:21:37 | 1:21:41 | |
Look, can't we just talk about this like grown-ups? | 1:21:42 | 1:21:45 | |
They mustn't touch my nose, OK. Do you understand? | 1:21:45 | 1:21:47 | |
-Sit down! -No, no, no. | 1:21:47 | 1:21:48 | |
You understand, Abba, they mustn't touch my... | 1:21:48 | 1:21:52 | |
You hear that? You are not to touch my nose! Achoo! | 1:21:52 | 1:21:54 | |
Abba! Abba! | 1:21:54 | 1:21:56 | |
Achoo! | 1:21:56 | 1:21:57 | |
Listen to me. Don't! You don't know what you are doing. | 1:21:57 | 1:21:59 | |
You can't! Look, look, you cannot touch my nose. | 1:21:59 | 1:22:02 | |
-It's OK. -Please, don't! You don't know! | 1:22:02 | 1:22:05 | |
Just be a good fellow and count to ten. | 1:22:05 | 1:22:07 | |
-Ten. Nine. Eight. Seven. Six... -GAS HISSES | 1:22:07 | 1:22:13 | |
Five. Four. Three. Two. | 1:22:13 | 1:22:18 | |
One. That's it. | 1:22:18 | 1:22:21 | |
DISTANT VOICES | 1:22:23 | 1:22:26 | |
Saleem? | 1:22:28 | 1:22:30 | |
SHE SINGS | 1:22:38 | 1:22:41 | |
SOFT SINGING | 1:22:47 | 1:22:50 | |
Are you there? | 1:22:54 | 1:22:56 | |
All of you? | 1:22:59 | 1:23:01 | |
Parvati? | 1:23:03 | 1:23:05 | |
Parvati? | 1:23:08 | 1:23:09 | |
Where are you? | 1:23:09 | 1:23:11 | |
It's me. | 1:23:11 | 1:23:13 | |
They've all gone. I can't call them any more. | 1:23:13 | 1:23:16 | |
Who's gone? Who's Parvati? | 1:23:16 | 1:23:17 | |
-HE SOBS Everybody! -Saleem. Just relax. | 1:23:17 | 1:23:21 | |
HE WEEPS | 1:23:21 | 1:23:24 | |
Jamila? | 1:23:31 | 1:23:32 | |
-Hey, put that back! -No, no, Jamila. | 1:23:32 | 1:23:34 | |
I can smell. | 1:23:36 | 1:23:38 | |
-Through that, you can smell? -Yes, I can smell everything. | 1:23:39 | 1:23:43 | |
What can you smell? | 1:23:43 | 1:23:45 | |
I can smell your jasmine. | 1:23:45 | 1:23:47 | |
I can smell traffic on the street. | 1:23:49 | 1:23:51 | |
I can smell medicine. | 1:23:51 | 1:23:52 | |
I can smell other things, like... | 1:23:52 | 1:23:55 | |
Love. | 1:23:56 | 1:23:58 | |
Jamila... | 1:23:59 | 1:24:00 | |
I can smell love. | 1:24:01 | 1:24:03 | |
Saleem. | 1:24:05 | 1:24:07 | |
SHE HUMS TO HERSELF | 1:24:10 | 1:24:12 | |
SHE INHALES | 1:24:12 | 1:24:14 | |
SHE SINGS | 1:24:21 | 1:24:23 | |
SONG CONTINUES | 1:24:53 | 1:24:55 | |
-There's going to be a big war, you know. -Yeah? So? | 1:25:03 | 1:25:07 | |
"Yeah, so"(?) | 1:25:07 | 1:25:09 | |
-So which side are we on? -I know which side I'm on. | 1:25:09 | 1:25:12 | |
You're the one who's confused with your Bombay this, Bombay that. | 1:25:12 | 1:25:16 | |
-I'm not confused. -Aren't you? | 1:25:16 | 1:25:18 | |
Oh, maybe. | 1:25:20 | 1:25:22 | |
REVS MOTOR | 1:25:33 | 1:25:35 | |
INTRO PLAYS | 1:25:40 | 1:25:42 | |
SONG ENDS | 1:27:11 | 1:27:13 | |
APPLAUSE | 1:27:13 | 1:27:15 | |
War draws closer every minute. | 1:27:23 | 1:27:25 | |
The Indian enemy rises in strength. | 1:27:25 | 1:27:28 | |
But we too are strong, | 1:27:28 | 1:27:30 | |
and beti, your voice will make us stronger. | 1:27:30 | 1:27:33 | |
It will inspire our soldiers to victory! | 1:27:33 | 1:27:36 | |
-Pakistan! -ALL CHANT | 1:27:36 | 1:27:39 | |
'Crazed by the war fought by both the countries | 1:27:49 | 1:27:52 | |
to which I had belonged, | 1:27:52 | 1:27:54 | |
'I rode the night streets of Karachi...' | 1:27:54 | 1:27:56 | |
Stop! Final warning! | 1:27:56 | 1:27:58 | |
'..looking for death.' | 1:27:58 | 1:27:59 | |
What are you doing! Bring him! Bring him! Bring him! | 1:28:01 | 1:28:03 | |
-Because of me, you see! Because of my crime. -What crime? | 1:28:03 | 1:28:06 | |
-It's nothing, ya. The poor man is cracked. -Easy, easy, OK. | 1:28:06 | 1:28:10 | |
SHOUTING | 1:28:10 | 1:28:12 | |
DISTANT EXPLOSIONS | 1:28:12 | 1:28:16 | |
WHISTLING PROJECTILE | 1:28:19 | 1:28:22 | |
CRASHING | 1:28:22 | 1:28:24 | |
GLASS SHATTERS | 1:28:24 | 1:28:27 | |
FIRE CRACKLES | 1:28:27 | 1:28:30 | |
Everything is...tickety-boo. | 1:28:44 | 1:28:46 | |
CLANGING | 1:28:58 | 1:28:59 | |
RUMBLING | 1:29:03 | 1:29:06 | |
AIR-RAID SIREN WAILS | 1:29:11 | 1:29:13 | |
'Most of my family died in that war. | 1:29:26 | 1:29:29 | |
'I, orphaned, survived. | 1:29:29 | 1:29:31 | |
'For six years, I slept, brained by a silver spittoon. | 1:29:32 | 1:29:36 | |
'Wiped clean, remembering nothing.' | 1:29:36 | 1:29:38 | |
HEARTBEATS THUD | 1:29:38 | 1:29:41 | |
'After six years, I awoke, and was shipped off to another war.' | 1:29:44 | 1:29:49 | |
Torch, please. | 1:29:49 | 1:29:50 | |
'This time, a civil war.' | 1:29:51 | 1:29:54 | |
Awake, are we? Right on time to get shipped off to East Pakistan. | 1:29:54 | 1:29:58 | |
'Pakistan's East Wing fighting for its independence against the West.' | 1:29:58 | 1:30:02 | |
ENGINES ROAR | 1:30:10 | 1:30:12 | |
Shahid. | 1:30:22 | 1:30:23 | |
No memory. | 1:30:31 | 1:30:33 | |
Refuses to talk. All he's good for is sniffing, yeah. | 1:30:33 | 1:30:36 | |
-He gives me the creeps, ya. -Creeps? | 1:30:36 | 1:30:39 | |
Nobody's home. | 1:30:42 | 1:30:44 | |
HE LAUGHS | 1:30:44 | 1:30:47 | |
ENGINES DRONE | 1:30:47 | 1:30:52 | |
'In three short weeks, Pakistan had lost half its navy | 1:30:56 | 1:31:00 | |
'a third of its army, and a quarter of its air force. | 1:31:00 | 1:31:04 | |
'By the time I tumbled into the war, it was all over.' | 1:31:04 | 1:31:08 | |
DISTANT PLANE ENGINES | 1:31:08 | 1:31:12 | |
SINGING | 1:31:29 | 1:31:32 | |
SALEEM GROANS | 1:31:59 | 1:32:02 | |
HE GROANS | 1:32:50 | 1:32:52 | |
General. | 1:33:56 | 1:33:58 | |
HELICOPTER POWERS DOWN | 1:33:58 | 1:34:00 | |
Good. That's that. | 1:34:06 | 1:34:08 | |
I'm sorry for your loss in the battle, Zulfi. | 1:34:09 | 1:34:11 | |
Thank you, sir. | 1:34:12 | 1:34:14 | |
Shiva? | 1:34:15 | 1:34:17 | |
Our most decorated officer. He fought quite a battle. | 1:34:18 | 1:34:21 | |
Good show, Major. | 1:34:21 | 1:34:23 | |
Zulfi. | 1:34:23 | 1:34:25 | |
FANFARE PLAYS | 1:34:31 | 1:34:32 | |
'When General Zulfikar surrendered to his old friend, | 1:34:32 | 1:34:36 | |
'General Aurora of India, | 1:34:36 | 1:34:38 | |
'Pakistan also lost more than half its population, | 1:34:38 | 1:34:41 | |
'who became citizens of Bangladesh. | 1:34:41 | 1:34:44 | |
'In those days, all our wars were fights between friends.' | 1:34:45 | 1:34:49 | |
CHEERING, DRUMMING | 1:34:49 | 1:34:52 | |
'Magicians had been brought from India to entertain the crowds, | 1:34:55 | 1:34:58 | |
'and that day, everyone believed in magic.' | 1:34:58 | 1:35:01 | |
CHEERING, MUSIC PLAYS | 1:35:01 | 1:35:03 | |
Parvati. | 1:35:25 | 1:35:27 | |
Parvati. | 1:35:27 | 1:35:28 | |
Parvati the witch! MUSIC FADES | 1:35:28 | 1:35:30 | |
Parvati! Parvati! | 1:35:30 | 1:35:32 | |
Parvati the witch! | 1:35:32 | 1:35:34 | |
Parvati! | 1:35:36 | 1:35:37 | |
-Saleem? -"Saleem"? | 1:35:40 | 1:35:42 | |
Saleem! That's it! | 1:35:44 | 1:35:46 | |
And I thought I was dreaming the whole thing. | 1:35:46 | 1:35:49 | |
Come! | 1:35:51 | 1:35:52 | |
MUSIC PLAYS | 1:35:54 | 1:35:57 | |
Abracadabra. | 1:36:15 | 1:36:17 | |
Abracadabra. | 1:36:17 | 1:36:19 | |
Abracadabra. | 1:36:19 | 1:36:21 | |
SINGING, BELLS JINGLE | 1:36:21 | 1:36:25 | |
Hey, you there! Hurry up, they're boarding the plane. | 1:36:26 | 1:36:29 | |
Sir. | 1:36:29 | 1:36:31 | |
What's in this? | 1:36:35 | 1:36:37 | |
Don't disturb her. It's a personal snake. | 1:36:37 | 1:36:40 | |
HISSING | 1:36:40 | 1:36:42 | |
-And this one? -It's empty, sir. Take a look. | 1:36:42 | 1:36:45 | |
Very good. | 1:36:47 | 1:36:48 | |
-Gather your belongings and board the aircraft. -Is it OK? | 1:36:48 | 1:36:52 | |
'And so it came to pass that without passport or permit, | 1:37:07 | 1:37:11 | |
'I returned in Parvati's basket of invisibility to India. | 1:37:11 | 1:37:16 | |
'My India. The land of my birth.' | 1:37:17 | 1:37:21 | |
Abracadabra. | 1:37:46 | 1:37:47 | |
Abracadabra. Abracadabra. | 1:37:47 | 1:37:50 | |
Saleem? | 1:38:38 | 1:38:40 | |
LAUGHTER | 1:38:49 | 1:38:53 | |
Picture Singh-ji? | 1:39:20 | 1:39:22 | |
-Bye, Saleem. -Bye. | 1:39:22 | 1:39:23 | |
"Picture Singh. | 1:39:23 | 1:39:25 | |
"The most charming man in the world. | 1:39:25 | 1:39:28 | |
"charm your friends with that Eastman Kodak." That's me. | 1:39:28 | 1:39:32 | |
Captain. | 1:39:34 | 1:39:36 | |
Parvati is a good girl. | 1:39:36 | 1:39:39 | |
Very sensible girl. | 1:39:39 | 1:39:41 | |
But she's an orphan. | 1:39:42 | 1:39:44 | |
She's your good friend. | 1:39:45 | 1:39:48 | |
How to take care of her? | 1:39:48 | 1:39:51 | |
Any idea? | 1:39:53 | 1:39:56 | |
Picture-ji! HE LAUGHS | 1:40:02 | 1:40:05 | |
Chai. | 1:40:06 | 1:40:08 | |
OK. | 1:40:10 | 1:40:11 | |
MUEZZIN CALL TO PRAYER | 1:40:21 | 1:40:24 | |
Abracadabra. | 1:40:39 | 1:40:40 | |
Finally, I have someone who knows my magic is real. | 1:40:51 | 1:40:54 | |
Why don't you tell the others? | 1:40:55 | 1:40:57 | |
..magicians who believe in real magic? | 1:41:01 | 1:41:04 | |
They don't want witches around here. | 1:41:06 | 1:41:08 | |
Not even Picture Singh? | 1:41:10 | 1:41:11 | |
Not even Picture Singh. | 1:41:15 | 1:41:17 | |
Midnight's Children. | 1:41:39 | 1:41:41 | |
You and me. | 1:41:42 | 1:41:44 | |
That's something else. | 1:41:44 | 1:41:45 | |
HE GASPS | 1:42:01 | 1:42:04 | |
Parvati. | 1:42:21 | 1:42:23 | |
-Parvati, please, talk to me. -No, you talk to me, Saleem! | 1:42:26 | 1:42:29 | |
It... It changes. | 1:42:34 | 1:42:36 | |
I'm sorry. | 1:42:40 | 1:42:41 | |
Are you too grand for me, huh? Remember I know a secret about you. | 1:42:45 | 1:42:48 | |
-You haven't told anyone. -I could have. | 1:42:52 | 1:42:55 | |
I met the other one. | 1:42:55 | 1:42:57 | |
-"The other one"? -The one you're scared of. | 1:42:57 | 1:42:59 | |
He was there at the victory parade. The biggest hero of the whole war. | 1:43:01 | 1:43:05 | |
Your old buddy. | 1:43:06 | 1:43:07 | |
-You met him? -Yes. | 1:43:08 | 1:43:10 | |
And you told him. | 1:43:12 | 1:43:13 | |
No. | 1:43:14 | 1:43:16 | |
But maybe I should send for him. | 1:43:17 | 1:43:19 | |
"Send for him"? | 1:43:20 | 1:43:22 | |
And you think he'll come to you? | 1:43:22 | 1:43:24 | |
To hell with you! | 1:43:24 | 1:43:25 | |
No further, Picture-ji. | 1:43:43 | 1:43:44 | |
Come to me. | 1:44:15 | 1:44:17 | |
Abracadabra. | 1:44:17 | 1:44:18 | |
Come to me. | 1:44:20 | 1:44:22 | |
'Certain ironies must not pass unnoticed, | 1:44:50 | 1:44:53 | |
'for had not Shiva risen as I fell? | 1:44:53 | 1:44:55 | |
'Which of us became a slum-dweller, and who was the hero, | 1:44:57 | 1:45:00 | |
'the most powerful of Midnight's Children? | 1:45:00 | 1:45:03 | |
'There's nothing like war | 1:45:04 | 1:45:07 | |
'for the reinvention of lives.' | 1:45:07 | 1:45:09 | |
Who are you, hmm? Woman? | 1:45:13 | 1:45:15 | |
-I'm the witch. -Mm-hm. | 1:45:16 | 1:45:19 | |
Another Midnight's child. | 1:45:20 | 1:45:22 | |
You. | 1:45:28 | 1:45:30 | |
I have nothing to say to you. | 1:45:30 | 1:45:31 | |
I'm leaving. | 1:45:33 | 1:45:34 | |
Come back to me. | 1:45:34 | 1:45:36 | |
Hey! | 1:45:57 | 1:45:58 | |
Saleem. | 1:46:02 | 1:46:03 | |
Woof woof. | 1:46:08 | 1:46:09 | |
WEE WILLIE SINGS, ECHOING: '# How much is that doggie in the window? | 1:46:11 | 1:46:15 | |
'# I do hope that doggie's for sale... # ' | 1:46:15 | 1:46:19 | |
HE GASPS | 1:46:19 | 1:46:21 | |
'I had many families and no family. | 1:46:45 | 1:46:47 | |
'There were the parents I never knew who gave me life. | 1:46:48 | 1:46:50 | |
'And the parents who raised me, whom I lost. | 1:46:51 | 1:46:55 | |
'And Midnight's Children, who were taken from me for a time. | 1:46:55 | 1:46:59 | |
'I wandered among them all, and at last I was ready.' | 1:47:00 | 1:47:04 | |
RAIN SHEETS, KIDS CHATTER | 1:47:07 | 1:47:10 | |
-I called him because I was angry with you. -I know. | 1:47:34 | 1:47:38 | |
He left his child with me. | 1:47:43 | 1:47:45 | |
Parvati. | 1:47:45 | 1:47:46 | |
Maybe it's not his child. | 1:47:48 | 1:47:50 | |
What do you mean? | 1:47:50 | 1:47:52 | |
When we get married, it will be ours. | 1:47:53 | 1:47:56 | |
What? | 1:47:57 | 1:47:58 | |
When we get married, it'll be ours. | 1:47:58 | 1:48:00 | |
SHE LAUGHS | 1:48:02 | 1:48:04 | |
MUSIC PLAYS | 1:48:07 | 1:48:11 | |
SHE MOANS | 1:49:13 | 1:49:16 | |
Your face. | 1:49:41 | 1:49:42 | |
What about my face now? | 1:49:45 | 1:49:47 | |
Nothing... | 1:49:47 | 1:49:48 | |
Parvati, it's so beautiful. | 1:49:51 | 1:49:55 | |
-TV: -'June 12, 1975, will be remembered as a historic date. | 1:50:04 | 1:50:08 | |
'At 2.15 this afternoon | 1:50:08 | 1:50:10 | |
'the Prime Minister was found guilty of electoral malpractice. | 1:50:10 | 1:50:14 | |
'From a specially built podium, Mrs Gandhi told | 1:50:14 | 1:50:16 | |
'the crowd that she was a victim...' | 1:50:16 | 1:50:18 | |
"Emergency." | 1:50:18 | 1:50:20 | |
'The word "emergency" was heard for the first time.' | 1:50:20 | 1:50:23 | |
Saleem! | 1:50:23 | 1:50:25 | |
SHE GASPS | 1:50:25 | 1:50:27 | |
'The censorship of the press, | 1:50:27 | 1:50:29 | |
'arrest of subversive elements, | 1:50:29 | 1:50:32 | |
'and forced sterilisation. | 1:50:32 | 1:50:35 | |
'Some things were ending...' BABY CRIES | 1:50:35 | 1:50:38 | |
'..something was being born.' | 1:50:38 | 1:50:40 | |
Saleem! | 1:50:40 | 1:50:41 | |
It's a baby boy! | 1:50:41 | 1:50:43 | |
SHE SIGHS | 1:50:43 | 1:50:44 | |
Look at your ears, they're so big! | 1:50:55 | 1:50:59 | |
Who knows what things you'll hear? | 1:51:00 | 1:51:02 | |
Aadam. | 1:51:03 | 1:51:05 | |
Aadam Sinai. | 1:51:05 | 1:51:07 | |
# Anything you want | 1:51:08 | 1:51:10 | |
# You can be | 1:51:10 | 1:51:14 | |
# You can be | 1:51:14 | 1:51:16 | |
# Just whatever you want. # | 1:51:16 | 1:51:19 | |
INAUDIBLE | 1:51:29 | 1:51:32 | |
ENGINE REVS | 1:51:32 | 1:51:34 | |
SHE SNEEZES | 1:51:38 | 1:51:40 | |
HE PANTS | 1:51:40 | 1:51:43 | |
'With the declaration of the Emergency, | 1:51:46 | 1:51:50 | |
'and the birth of a new, unfree India... | 1:51:50 | 1:51:54 | |
'..a dark night fell. | 1:51:55 | 1:51:56 | |
'A continuous midnight that would last...for years.' | 1:51:59 | 1:52:03 | |
What's happening? | 1:52:06 | 1:52:09 | |
Where's the daylight? THUNDER RUMBLES | 1:52:09 | 1:52:11 | |
A curse has come upon us. | 1:52:11 | 1:52:14 | |
I have never seen such a thing. | 1:52:15 | 1:52:17 | |
MICE CHITTER | 1:52:18 | 1:52:20 | |
No doubt about it, Madam. | 1:52:23 | 1:52:26 | |
Your horoscope clearly states that you are one with the Motherland. | 1:52:26 | 1:52:31 | |
India is the Prime Minister, | 1:52:31 | 1:52:33 | |
Prime Minister is India. | 1:52:33 | 1:52:36 | |
'The Prime Minister wanted as to think of her as "Devi", | 1:52:36 | 1:52:39 | |
'"The Mother Goddess". | 1:52:39 | 1:52:42 | |
'Those who would be gods fear all other potential deities. | 1:52:42 | 1:52:46 | |
'And that's why she hated us. The magical children of midnight.' | 1:52:48 | 1:52:52 | |
But, Madam, these strange children are a potential pain in the neck. | 1:52:54 | 1:52:59 | |
It is astrologically proven, | 1:53:01 | 1:53:03 | |
a threat to the nation, Madam, | 1:53:03 | 1:53:06 | |
is a threat to the Prime Minister also. | 1:53:06 | 1:53:09 | |
THUNDER RUMBLES | 1:53:09 | 1:53:11 | |
SINGING NEARBY | 1:53:15 | 1:53:19 | |
-Saleem? -Huh? | 1:53:19 | 1:53:21 | |
-Saleem? -Huh? | 1:53:21 | 1:53:22 | |
Did you hear that? | 1:53:22 | 1:53:24 | |
SINGING CONTINUES | 1:53:24 | 1:53:26 | |
HE SINGS, WIND WHISTLES | 1:53:26 | 1:53:29 | |
THUNDER RUMBLES | 1:53:29 | 1:53:31 | |
A civic beautification has been authorised in this sector. | 1:53:31 | 1:53:35 | |
This slum contains subversive elements, it's an eyesore, | 1:53:35 | 1:53:38 | |
and a public scandal. | 1:53:38 | 1:53:40 | |
All persons must vacate immediately! | 1:53:40 | 1:53:42 | |
SHOUTING, CRASHING | 1:53:51 | 1:53:53 | |
Parvati! Parvati! Aadam! | 1:54:06 | 1:54:08 | |
CRASHING, COMMOTION | 1:54:10 | 1:54:15 | |
Parvati! | 1:54:18 | 1:54:19 | |
Shiva! | 1:54:20 | 1:54:22 | |
Rich kid. | 1:54:22 | 1:54:23 | |
Parvati! | 1:54:26 | 1:54:27 | |
Shiva! | 1:54:31 | 1:54:32 | |
Shiva, stop! | 1:54:32 | 1:54:33 | |
Now tell me where the other children are. | 1:54:33 | 1:54:35 | |
-Parvati! -Where are they? -Little Aadam! He's your son! | 1:54:37 | 1:54:40 | |
THUNK! | 1:54:40 | 1:54:41 | |
AADAM WAILS | 1:54:55 | 1:54:57 | |
Abracadabra. | 1:55:06 | 1:55:08 | |
REVVING | 1:55:13 | 1:55:16 | |
CRASHING | 1:55:16 | 1:55:18 | |
The Emergency | 1:55:35 | 1:55:37 | |
was necessary and justified. | 1:55:37 | 1:55:42 | |
Democracy was under threat. | 1:55:42 | 1:55:44 | |
It had to be protected. | 1:55:44 | 1:55:46 | |
APPLAUSE | 1:55:46 | 1:55:48 | |
THUNDER RUMBLES | 1:55:48 | 1:55:51 | |
We think you're very dangerous. | 1:55:53 | 1:55:55 | |
Or what you might be capable of, potentially. | 1:55:55 | 1:55:57 | |
What you're plotting to do. | 1:55:57 | 1:55:59 | |
Or might be plotting at a future date. | 1:55:59 | 1:56:02 | |
We're going to nip you in the bud. | 1:56:02 | 1:56:04 | |
Cut you off at the source. | 1:56:04 | 1:56:06 | |
Prevention is better than cure. | 1:56:06 | 1:56:09 | |
This is an "Emergency." | 1:56:09 | 1:56:10 | |
Your gang of freaks? | 1:56:10 | 1:56:12 | |
It will have to be smashed... with your help. | 1:56:12 | 1:56:15 | |
Of course. | 1:56:15 | 1:56:17 | |
Names. | 1:56:17 | 1:56:19 | |
Addresses. | 1:56:19 | 1:56:20 | |
Physical descriptions. | 1:56:22 | 1:56:23 | |
Nature of peculiar capabilities. | 1:56:23 | 1:56:26 | |
All of it. | 1:56:26 | 1:56:27 | |
Thank you in advance. | 1:56:29 | 1:56:31 | |
Thank you very much. | 1:56:31 | 1:56:32 | |
No. | 1:56:34 | 1:56:35 | |
Never. | 1:56:36 | 1:56:37 | |
CANE CLATTERS | 1:56:37 | 1:56:39 | |
Ugh! | 1:56:39 | 1:56:41 | |
That wasn't too bad, was it? | 1:56:46 | 1:56:48 | |
Not so bad at all. | 1:56:48 | 1:56:49 | |
Shiva. | 1:56:50 | 1:56:52 | |
He's really me. | 1:56:52 | 1:56:54 | |
You two, out. | 1:56:56 | 1:56:59 | |
Now! | 1:57:01 | 1:57:02 | |
Two babies. | 1:57:14 | 1:57:16 | |
Born together. | 1:57:18 | 1:57:20 | |
Same place, same time. | 1:57:20 | 1:57:24 | |
Swapped, see? | 1:57:27 | 1:57:29 | |
Swapped. | 1:57:30 | 1:57:32 | |
I stole your life. | 1:57:44 | 1:57:47 | |
-YOUNG SHIVA, ECHOING: -'..Rich boy.' | 1:57:56 | 1:57:57 | |
'Saleem and Shiva. Shiva and Saleem.' | 1:58:02 | 1:58:05 | |
HE GASPS | 1:58:13 | 1:58:16 | |
SHOUTING NEARBY | 1:58:26 | 1:58:29 | |
Shiva. | 1:58:35 | 1:58:37 | |
No! Stop! | 1:58:37 | 1:58:39 | |
SHOUTING | 1:58:39 | 1:58:40 | |
Let them go! Let them go! Let them go! | 1:58:55 | 1:58:57 | |
Forgive me. | 1:59:07 | 1:59:08 | |
I'm sorry to inform you that we're obliged to operate. | 1:59:10 | 1:59:13 | |
Operate? What, what... what operation? | 1:59:13 | 1:59:15 | |
"Sperectomy." | 1:59:15 | 1:59:17 | |
SALEEM GASPS | 1:59:18 | 1:59:20 | |
I'm going to take your life away... | 1:59:24 | 1:59:25 | |
..bit by bit. | 1:59:27 | 1:59:29 | |
Like you took mine. | 1:59:31 | 1:59:32 | |
No! Don't! No, stop! Stop! | 1:59:32 | 1:59:36 | |
Don't do this! Don't do this! HE BANGS | 1:59:36 | 1:59:39 | |
GAS HISSES, HE COUGHS | 1:59:39 | 1:59:41 | |
Stop... Stop. Stop... | 1:59:43 | 1:59:45 | |
Take the pyjama off. | 1:59:47 | 1:59:48 | |
'The "Emergency", everyone called it. | 1:59:48 | 1:59:51 | |
'But it was really a betrayal. Her betrayal of her father's dreams. | 1:59:51 | 1:59:55 | |
'Who were we? We were the promises of independence.' | 1:59:57 | 2:00:01 | |
WATER SPLASHES | 2:00:02 | 2:00:05 | |
HE GROANS | 2:00:06 | 2:00:08 | |
'And like all promises, made to be broken.' | 2:00:10 | 2:00:13 | |
Vasectomy. | 2:00:14 | 2:00:16 | |
NEWS REPORT: 'In a stunning upset, | 2:00:17 | 2:00:19 | |
'the Prime Minister Indira Gandhi has been | 2:00:19 | 2:00:21 | |
'unceremoniously flung out of office. | 2:00:21 | 2:00:24 | |
'Sure of a triumph, she called an election, | 2:00:24 | 2:00:27 | |
'only to have it backfire on her. | 2:00:27 | 2:00:28 | |
'The Emergency is over.' | 2:00:28 | 2:00:31 | |
HE LAUGHS | 2:01:24 | 2:01:28 | |
HE GASPS | 2:01:28 | 2:01:32 | |
'420 of us stood, blinking in the sunlight. | 2:01:52 | 2:01:56 | |
'And then dispersed into the healing privacy of the crowds. | 2:01:58 | 2:02:02 | |
'And what of Shiva? | 2:02:04 | 2:02:06 | |
'Shiva, who was now a wanted man.' | 2:02:06 | 2:02:08 | |
TYRES SCREECH, TRUCK HORN BLARES | 2:02:08 | 2:02:10 | |
CRASHING | 2:02:13 | 2:02:15 | |
CHILDREN CHATTER | 2:02:34 | 2:02:37 | |
WATER SPLASHES | 2:03:09 | 2:03:11 | |
Parvati...? | 2:03:51 | 2:03:53 | |
Unfortunately, she... | 2:03:55 | 2:03:58 | |
But, Captain, you have a son. | 2:04:03 | 2:04:07 | |
Come. Come with me. | 2:04:08 | 2:04:11 | |
TRAFFIC BUSTLE | 2:04:34 | 2:04:37 | |
She didn't even use her magic to save her life. | 2:05:00 | 2:05:02 | |
You see, Picture-ji, Parvati gave up all of that before he was born. | 2:05:04 | 2:05:10 | |
She didn't give it up. | 2:05:10 | 2:05:12 | |
I found Aadam in her basket of invisibility. | 2:05:13 | 2:05:17 | |
The soldiers looked inside and shouted... | 2:05:17 | 2:05:20 | |
I heard them with my own ears. | 2:05:22 | 2:05:23 | |
But you saw him? | 2:05:24 | 2:05:26 | |
I believed in her magic. | 2:05:26 | 2:05:30 | |
Always knew it was not a trick. | 2:05:31 | 2:05:34 | |
STREET BUSTLE | 2:05:35 | 2:05:38 | |
He's a fine child, child of dignity. | 2:05:42 | 2:05:46 | |
No matter he doesn't speak, but he will, | 2:05:48 | 2:05:51 | |
when he has something to say. | 2:05:51 | 2:05:55 | |
Picture-ji... | 2:06:05 | 2:06:06 | |
This chutney! What's this? | 2:06:06 | 2:06:08 | |
Where's it from? | 2:06:08 | 2:06:09 | |
Here, sir. | 2:06:17 | 2:06:19 | |
Oh! One from famous Braganza Pickles of Bombay. | 2:06:21 | 2:06:26 | |
Picture-ji, we must go to Bombay. | 2:06:29 | 2:06:32 | |
Just now? | 2:06:32 | 2:06:34 | |
Now. | 2:06:37 | 2:06:38 | |
'Parvati was gone. | 2:06:41 | 2:06:43 | |
'But in the five-syllable monotony of the wheels, | 2:06:44 | 2:06:47 | |
'I heard her magic spell. | 2:06:47 | 2:06:49 | |
'"Abracadabra, abracadabra, abracadabra", | 2:06:49 | 2:06:52 | |
'sang the wheels, as they bore us back to Bombay.' | 2:06:52 | 2:06:56 | |
TRAIN HONKS HORN | 2:06:56 | 2:06:58 | |
CLATTERING | 2:06:58 | 2:07:01 | |
BEEPING | 2:07:01 | 2:07:02 | |
Is Mrs Braganza here? | 2:07:12 | 2:07:14 | |
Yes, but you can't meet with her. Where are you going? | 2:07:14 | 2:07:16 | |
PHONE RINGS | 2:07:16 | 2:07:18 | |
Hello? | 2:07:18 | 2:07:19 | |
Who is it? | 2:07:32 | 2:07:34 | |
Saleem. | 2:07:44 | 2:07:45 | |
Oh... | 2:07:48 | 2:07:49 | |
You've become so thin. Let me kiss you. | 2:07:59 | 2:08:02 | |
Mary, this is my son, Aadam. | 2:08:12 | 2:08:15 | |
And Aadam... | 2:08:19 | 2:08:20 | |
SHE SOBS | 2:08:28 | 2:08:29 | |
Come here. | 2:08:34 | 2:08:36 | |
Come, Little Baba, hm? | 2:08:40 | 2:08:42 | |
FIREWORK HISSES | 2:08:46 | 2:08:49 | |
PICTURE-JI WHISPERS | 2:09:07 | 2:09:08 | |
Blow. | 2:09:20 | 2:09:22 | |
Blow. | 2:09:22 | 2:09:23 | |
FIREWORKS BOOM | 2:09:29 | 2:09:31 | |
Happy birthday. | 2:09:37 | 2:09:39 | |
Bless you. | 2:09:39 | 2:09:41 | |
Abba... | 2:09:47 | 2:09:48 | |
He's speaking...! | 2:09:51 | 2:09:53 | |
Abba... | 2:09:53 | 2:09:54 | |
Baba... | 2:09:54 | 2:09:56 | |
He's calling me "father". | 2:09:57 | 2:09:59 | |
Abracadabra. | 2:10:02 | 2:10:04 | |
What did you say? | 2:10:08 | 2:10:09 | |
Abracadabra. | 2:10:10 | 2:10:12 | |
Another magic child. | 2:10:12 | 2:10:15 | |
So. A new generation... | 2:10:19 | 2:10:21 | |
but more careful. | 2:10:21 | 2:10:23 | |
Tougher. | 2:10:24 | 2:10:25 | |
Baba? | 2:10:27 | 2:10:28 | |
Here you go. | 2:10:31 | 2:10:33 | |
'A child and a country were born at midnight, once upon a time. | 2:10:33 | 2:10:38 | |
'Great things were expected of us both. | 2:10:39 | 2:10:42 | |
'The truth has been less glorious than the dream. | 2:10:42 | 2:10:45 | |
'But we have survived and made our way. | 2:10:47 | 2:10:50 | |
'And our lives have been, in spite of everything... | 2:10:50 | 2:10:53 | |
'..acts of love.' | 2:10:55 | 2:10:56 | |
FIREWORKS WHIZ AND BOOM | 2:10:56 | 2:10:58 |