Not Another Happy Ending


Not Another Happy Ending

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BELL DINGS

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WATCH BEEPS

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THUNDER RUMBLES

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Roddy! Let's go!

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Morning.

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DOOR BUZZES Get that, would you?

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If you're not giving me a lift I'll have to get another minicab!

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PHONE RINGS

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Tristesse Books.

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I've got Wuthering Heights with my Year 10s!

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Hello? Yes?

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Tristesse Books?

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Tom Duval?

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Oh, yeah, come in.

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Just down the hall!

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MAN SPEAKS FRENCH ON PHONE

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HE SPEAKS FRENCH

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Mm-hm. Mm-hm.

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Mm, yeah.

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Yeah. Oh, yeah, no, he's a wonderful writer.

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Very unremittingly bleak. MAN SHOUTS IN FRENCH ON PHONE

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No, Tristesse doesn't publish him any more.

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Do you know what, he had a little disagreement with Tom.

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SHOUTING IN FRENCH

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Yeah, she's one of my favourites.

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Yeah. She was longlisted for the Booker.

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Right after she was sectioned.

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HE SHOUTS IN FRENCH

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No, she-she left, too. (Jane Lockhart!)

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CLANGING

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What are you doing?

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I'm so sorry. I didn't mean to...

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I was just touching it. Not like...

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touching it, that sounds like molesting.

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Like I'm some kind of pervert.

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Which I'm not. So...

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Young European Publisher of the Year Runner-Up! That's really impressive.

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I have a swimming certificate.

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Who the hell are you?

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Jane Lockhart.

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I wrote The Endless Anguish Of My Father.

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Oh.

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Yeah.

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Follow me.

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Hello.

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I'm busy, so I'll keep this brief.

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I read your novel, I'm afraid it needs work. A lot of work.

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Please, sit down.

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But it has potential, so I'm going to publish it.

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I'm offering you a two-book deal.

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It's going to mean a lot of rewriting, definitely a new title,

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and neither of us will get rich, but...

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I think you have it in you to be a writer,

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and as unfashionable as it may seem, that's what I came here to find.

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I believe you're...

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..crying. Sorry.

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I didn't mean to start...

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It's just...

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It's been so long, you know?

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So many rejections, and I have a board...

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You have a board? Of rejections letters.

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I call it my board of pain.

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Well, that's completely normal.

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It is? I'm sorry.

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He was like this in university. Everywhere he went, crying women.

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Your lot are supposed to be charming. Charmant, n'est-ce pas?

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I told you never speak French to me! Don't you dare! No, really!

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I've never been so happy

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in all my life.

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SHE SOBS

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Jane.

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There is no need to be nervous. Nervous? Me? No. No, no.

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I'm not nervous. Not me.

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OK, a little bit nervous.

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You'll be fine.

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It's just usually I need a run-up before I start editing, like a tea,

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a walk, regrouting the shower... Or we could just begin.

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OK!

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OK, so, where do you want to begin?

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Well, call me crazy, but we could start at the beginning.

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Yeah, OK. Yeah.

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You crazy Frenchman. What?

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I don't know. All right.

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So you're in a good mood. I'm always in a good mood. No, you're not.

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Yes, I am. Are you? Yes. Oh.

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SHE GIGGLES

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So, first sentence, I think it's so good. It's beautiful.

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MUSIC: How We Met (Cherry Pie) by TeenCanteen

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# I fell into your eyes with an inky black splash

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# I fell into your eyes with an shiny black splash

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# My, oh my cherry pie what a big, big splash

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# I ran into your heart with a red-hot crash

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# I ran into your heart with a full-on smash

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# My, oh my cherry pie it'll happen so fast

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# My, oh my cherry pie it was all so fast

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# Like rain that falls without a warning

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# On a sunny morning

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# This is how we met

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# Like sugar in my cup of coffee

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# Apples dipped in toffee

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# This is how we met... #

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Well, actually, I'm reading it right now.

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"I shut my eyes and sink into the water,

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"letting it wash over my face and hair..." Hello!

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So, I was just, you know, passing, and thought

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it might have come back from the printers and it actually has. Yeah.

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I don't know.

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"Beneath my feet, I felt crumpled pages..."

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I don't believe this.

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I'll call you back. "Happy Ending?"

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Happy Ending? What happened to The Endless Anguish Of My Father?

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What happened?

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You know how important this stuff is. You changed my title to that!

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I told you. The very first time we met, I said it must go. Yeah,

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but we never discussed it. I knew how you'd react, darling.

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Oi, careful!

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That's my Young Publisher of the Year award.

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Runner-up!

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What's wrong with you?

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Who are you? What?

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All that time we spent together working on the manuscript...

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No-one's EVER got me the way you...

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I don't know you.

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Look, it was a terrible title and I changed it. What's done is done.

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Let's move on. How can it be so easy for you?

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Perhaps because I am not a moderately talented writer

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whose loser dad left her with an inability to stop worshipping

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her own pain. Worshipping my own pain? Calm, sit down.

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Let's talk about the launch.

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You know what?

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Our deal is one more book, and then what's done is done.

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Let's move on.

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"Most childhood summers are long and blue.

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"Mine wasn't like that,

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"and certainly not the summer when Mum got sick. I knew if I just

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"went out and saw her in the sun, she'd be all right again..."

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JANE READS INDISTINCTLY FROM HER BOOK

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"..but not me. I never saw her in the sun again..."

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"She'd taken me to Woolworths to choose my birthday present

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"and it wouldn't be like last year when Dad just slipped the Barbie

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"under his coat and walked right out the door with it..."

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INDISTINCT CHATTER

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And this is to...?

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Dad.

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It's great to be here to present this award for Best New Writer

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to an outstanding debut.

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Happy Ending. Jane Lockhart.

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Congratulations. Thank you.

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What we have here is a real writer.

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Someone who can go to some pretty dark places - but I get it, Jane.

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Writers! We both understand what it is to face el toro blanco,

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the terror of the white bull, the blank page.

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And every day, we face it together.

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Right, Jane? Mm-hm.

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Ladies and gentlemen, Jane Lockhart.

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Thank you.

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SHE SHRIEKS AND GIGGLES

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PHONE RINGS

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Yeah? 'I'm starting the final chapter.'

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You'll have the manuscript by the end of the week. About bloody time.

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Ah, Tom, as ever my little ray of sunshine. Well, moan all you like.

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I've never been this... Annoying?

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Happy.

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You bastard. Happy! So...

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One more chapter? Yes.

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And we never have to see each other again?

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Yes. Better get writing, then.

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A bientot, Jane. Au revoir, Tom.

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Willie? I'm off out for a bit.

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Sure!

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WOMAN: Just look to the chapter...

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BANGING AND CLATTERING

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TOM: Listen. I don't care what you think.

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I'm telling you, this is not an opening chapter, its an ice age!

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You can't talk to me like that!

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I was voted one of Scotland's foremost novelists

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under the age of 30!

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TOM CRIES MOCKINGLY

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And that's why I won't allow this piece of crap to be published

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with your name on it!

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You have my notes. Fix it.

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Bye then, Nicola, see you at the launch.

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If you try to make ME cry,

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I'll inform the Inland Revenue about your yacht.

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Hi.

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Hi.

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If we have to talk figures,

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can you do that thing where you use vegetables?

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Imagine this tomato is my cash flow.

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How many new writers have you thrown money at this year?

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I only throw money at good writers. Good Scottish writers.

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I'm very patriotic. And what does it matter?

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One hit pays for all the rest. And I have a bestseller in the wings.

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Mm, Jane Lockhart, yeah.

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So how's the new book shaping up? I have no idea.

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She won't let me read a word until it's finished.

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Relax!

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It'll be just like the first one.

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I read that she was moving publisher. Klinsch and McLeish?

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With the red and white covers? That's big time.

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Klinsch and McLeish. You know what they're called in the trade?

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Clench and Release. They're not right for my Jane.

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For Jane. So talk to her! Persuade her to stay.

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But I don't want her to stay!

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After she delivers her new novel, I want her to go! Far away!

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Oh, for God's sake, Tom,

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Tristesse Books is on the verge of compulsory liquidation.

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And...I've had an offer.

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Well, you're a very attractive... Shut up.

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They want to invest in you.

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I don't need Pandemic Media. I have Jane Lockhart and this time

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she's going all the way. Are you sure?

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Because if she doesn't deliver...

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your tomatoes look like ketchup.

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She'll deliver. She might be a miserable pain in the arse,

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but when she's writing, she's like a guided missile.

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SHE HUMS

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Teaspoon.

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PHONE RINGS

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Willie? Willie, will you get that?

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Willie!

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PHONE CONTINUES TO RING

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Hello? Thursday or Friday for the manuscript?

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Grease-proof paper!

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Oh!

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Just want to check. You're certain it will be finished next week?

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I told you, one more chapter.

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What are you doing?

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Nothing. Are you baking?

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LINE DISCONNECTS

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PHONE RINGS

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PHONE RINGS INSIDE FRIDGE

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TOM: Oh, my God.

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She's baking.

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She only bakes when she's blocked.

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Largest planet in the solar system?

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Jupiter. Who did Ali beat to become World Heavyweight Champion

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for the first time?

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Sonny Liston. Come on, the quiz is going to be harder than this.

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Get serious.

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Right. Who was Shakespeare's wife?

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Hi, Dad.

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Ah, darling!

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(Who was Shakespeare's wife?)

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(Anne Hathaway.)

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And at the end of the third round, the winners are Benny Lockhart

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and his Jets with 22 points. Join us for the second half in ten minutes.

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Mr L! Ah, Tom!

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Good to see you. Good to see you! How are you? Aye, good.

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Where you been hiding? From your daughter, mostly.

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I understand that, aye.

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Never talked to me for years, but...with good reason.

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Hey, what you having? Nothing. He's not staying.

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Come on, Jane.

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What are you doing here? My favourite author is being adapted

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by Scotland's most talented screenwriter, Willie Scott.

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Huge fan. Naturally, I want to know how he's getting on.

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Well, I may not be the most talented, but...

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who else are you going to pick, uh?

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THEY LAUGH

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Just one sec.

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Where is my novel?

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I'm working on it. So you're not suffering from el toro blanco? What?

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So you're not B-L-O-C-K-E-D? Why are you spelling it?

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It's nothing to be ashamed of, and there are plenty of strategies

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to overcome it. I'm not blocked. For instance, narcotics.

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I'm not blocked. For a while there Hunter S Thompson was permanently

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unblocked. I'm not blocked! Until you deliver that manuscript,

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you're still under contract to me, so whatever is going on,

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snap out of it, and get writing.

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Bye, Jane.

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"Bye, Jane."

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He's not gone, has he?

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Won't get a chance to talk about my screenplay.

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Hi. The French really appreciate my work, you know?

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Connoisseurs du cinema. Oh, aye.

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We should have him over for dinner. Oh, your wine.

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Bathroom.

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I know you, don't I?

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Where was it we met?

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Chapter two. I'm in the opening chapter, of course,

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but you only really get to know me from chapter two on.

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Darsie?

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What do you think? I think I'm talking to my protagonist.

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I prefer heroine.

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What are you doing here? It's a very intense narrative.

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I personally have suffered a broken engagement

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and two bereavements so far. Yes, I know. Sorry. No, no, no.

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Please don't apologise. I think it's going to make me a stronger person

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in the end. The end?

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Yes, so you're going to go back and finish it?

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I can't do that, not without you. Why can't you finish it, Jane?

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Huh?

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What are you afraid of?

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HE SOBS

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Get a hold of yourself, will you?

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Gets me every time. Three times now.

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It's that ending. Don't talk to me about damn endings! Do your marking.

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OK.

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Being silly.

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Oh, Jane says hi.

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HE SOBS

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That poor lassie.

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She must have led such a shocking life to write like that.

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What are you saying? Well, the lonely page,

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the endless introspection,

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the mind plagued by funky thoughts...

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That's how writers tick, innit?

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No misery, no poetry.

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PHONE RINGS

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Yeah? Did you speak to Jane Lockhart?

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Yes, she's happy, very happy.

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Happier than she's ever been, apparently.

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And the novel?

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Tom?

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Hello, are you still there?

0:25:550:25:57

Tom!

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I have a problem I believe may be suited to your particular talents.

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Let's say...

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A miserable writer, through the supreme efforts of her publisher

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and her only good talent, becomes successful and happy.

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Are you listening? Hello, sir.

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Amber, Roxanne! Out on a school night, sir?

0:26:280:26:31

This your boyfriend, sir?

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GIRLS GIGGLE

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Say nothing, just keep very still, you don't want to antagonize them.

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Can we get back to my problem? Yeah, OK.

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Yeah, miserable writer becomes successful and happy, I get it. And?

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And, being happy, she's unable to finish her latest miserable novel.

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So, in order to help her, the selfless publisher embarks

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on a course of action to return her to the fragile mental state

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in which she wrote her highly profitable debut!

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You want to make Jane Lockhart's life a misery

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so she can finish writing her book?

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That's seriously messed up.

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They teach you this stuff in France? We study a broad curriculum.

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So, how do we make someone completely, totally miserable?

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Why are you asking me?

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I dedicated the last ten years to encouraging young minds,

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planting hope and aspiration.

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Benson, put it away, stand in the corner and face the wall!

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(Little shite.)

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OK, maybe I've some experience in the field.

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The trick is not simply to upset her,

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you have to get her in the right mood.

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It's a special kind of misery you want, a melancholy.

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A dull sense of dissociation

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and alienation that's the source of every artist's creativity.

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It's like drain unblocker for novelists.

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Keats? Mm. John Keats? Mm-hm.

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Your plan involves actual poetry?

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I think by definition that makes it a shit plan.

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All right, settle down, you lot, settle down. William Wordsworth.

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Wordsworth was, of course,

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the first of the Romantics to use a MacBook Pro.

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HE CHUCKLES

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(OK...)

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Careful. You're going to kill that thing.

0:28:450:28:47

You know, it was a birthday present from my dad.

0:28:570:28:59

He showed up out of the blue with a card and baby money plant

0:29:010:29:04

and he said...

0:29:040:29:05

"I owe you, darling.

0:29:070:29:09

"I owe you the world."

0:29:090:29:10

And, um...

0:29:120:29:14

And then he left.

0:29:140:29:16

And I didn't see him again for six years.

0:29:170:29:19

How many Ps in deprivation?

0:29:220:29:25

Just one.

0:29:290:29:31

One.

0:29:310:29:32

Coffee cake. Mm-hm.

0:29:380:29:39

That was your mum's favourite. I know.

0:29:410:29:43

Your mum was a big fan of cake, in general.

0:29:440:29:47

She always made a cake for my birthday. Aye.

0:29:490:29:52

Do you remember when you were six...

0:29:540:29:57

your mum and I, we took you to Edinburgh Zoo,

0:29:570:29:59

and the monkeys threw rotten fruit at us. I slipped on a bit,

0:29:590:30:03

fractured my foot in three places.

0:30:030:30:06

Damn monkeys, they were laughing at us. Do you remember? Yeah.

0:30:060:30:09

I remember.

0:30:090:30:11

That's in your book, isn't it?

0:30:150:30:18

The Happy thing.

0:30:180:30:19

Ending.

0:30:190:30:21

It's called Happy Ending and, yeah, the main character does go to the zoo

0:30:210:30:25

with her dad, but he's not you.

0:30:250:30:27

And they're not monkeys, they're penguins.

0:30:270:30:29

The penguins throw fruit, uh?

0:30:310:30:33

It's different, its a story, not real life... They're not the same.

0:30:340:30:38

Aye, whatever you say.

0:30:390:30:41

Damn monkeys.

0:30:420:30:43

THEY LAUGH

0:30:430:30:45

How's the new book, then? Oh, that's cooking. Aye? Yup.

0:30:460:30:50

And Tommy?

0:30:500:30:52

Don't call him Tommy, his name is Thomas Duval, he's from Saint-Tropez,

0:30:520:30:56

a place they named a fake tan after. You call him Tommy, you make him

0:30:560:30:59

sound he's from here, like he's normal. With his...

0:30:590:31:02

and his stupid, stubbly face.

0:31:020:31:04

You see a lot of Thomas Duvals around here?

0:31:040:31:06

There's a Jean-Claude Darcheville, he played for Rangers.

0:31:060:31:09

Anyway, forget about Tom.

0:31:090:31:11

I'm about to sign with a new publisher, Klinsch and McLeish.

0:31:110:31:14

With the red and white covers?

0:31:140:31:15

I liked him. I liked Tom. Dad.

0:31:150:31:18

I mean, nobody else wanted your wee book, did they?

0:31:180:31:21

I mean, he showed faith in you.

0:31:210:31:23

No, he showed faith in my book.

0:31:230:31:25

You know he changed my original title? Did he? Yep.

0:31:250:31:27

Was it a good title? That's not the point.

0:31:270:31:30

Was what it? What was the original title?

0:31:300:31:32

Nothing. Nothing, it doesn't matter. Tell me.

0:31:320:31:36

I mean, I like that kind of stuff, stuff that other people don't know.

0:31:360:31:39

It makes me feel closer to you.

0:31:390:31:42

OK. I was going to call it...

0:31:420:31:46

The Endless Anguish Of My Father.

0:31:460:31:49

For fuck's sake!

0:31:520:31:54

The Endless Anguish Of My Father?!

0:31:550:31:57

I knew it was about me, I knew it!

0:31:590:32:00

No, its not about you, it's a character I made up.

0:32:000:32:03

People at work looked at me differently when it came out,

0:32:030:32:06

I knew it! I'm away back to the depot. No, you never read it!

0:32:060:32:10

You're not allowed to be hurt until you've actually read the damn thing!

0:32:100:32:14

Do you not think I'm hurt my own dad hasn't read my novel?

0:32:140:32:17

I will read it.

0:32:190:32:21

I will read it just as soon as I get over my anguish.

0:32:210:32:24

Dad?

0:32:280:32:29

Target acquired. Over.

0:32:430:32:45

It's a pot plant, Roddy.

0:32:450:32:47

Not a North Korean reactor.

0:32:470:32:49

Just warn me if either of them comes back. Roger that.

0:32:490:32:53

Understood loud and clear.

0:32:530:32:55

That is a solid copy.

0:32:550:32:57

Right. Time for some low-level unhappiness.

0:33:050:33:09

HE INHALES Mm.

0:33:140:33:16

"The Twilight Sad."

0:33:200:33:23

Hey, Roddy, are you there?

0:33:300:33:32

"Maverick to Ice Man."

0:33:510:33:53

"We are Oscar Mike."

0:33:540:33:56

"Five clicks from extraction point."

0:33:580:34:01

"We have a clean visual on" - Bollocks.

0:34:020:34:05

Tom, Tom, Tom, she's back.

0:34:050:34:08

What?

0:34:080:34:09

She's coming up the stairs!

0:34:090:34:11

Shit!

0:34:110:34:13

Damn it, man, get out of there! Abort! Abort!

0:34:130:34:16

Oh, that's horrible, she's really upset. I'm not looking at that.

0:35:100:35:13

Yes!

0:35:170:35:18

Oh! What was that for?

0:35:180:35:19

You're enjoying this too much.

0:35:210:35:23

It's for her own good.

0:35:230:35:25

And it's not as if I actually killed her plant.

0:35:270:35:29

ENGINE SPLUTTERS

0:35:380:35:41

ENGINE STRUGGLES AND DIES

0:35:440:35:47

TYPEWRITER KEYS CLACK

0:35:550:35:59

So what do you think? I think this is the end of Les Miserables. Yes.

0:36:240:36:27

You should write something like that.

0:36:270:36:29

Oh, yeah, thank you, great suggestion.

0:36:290:36:32

Bit of French, people dying of consumption and all that.

0:36:320:36:34

I'm a bit more urban Scotland, Primal Scream,

0:36:340:36:37

unhappy '90s childhood.

0:36:370:36:38

Sorry? She wasn't talking to you!

0:36:380:36:40

I wasn't talking to you. Oh.

0:36:410:36:44

Willie? Mm?

0:36:500:36:52

Do your characters ever, uh...talk to you?

0:36:530:36:57

Sure. All the time.

0:36:570:37:00

That's why I've got this. Drowns out the bastards.

0:37:000:37:03

See, when I'm writing, I like to hear the one voice - mine.

0:37:030:37:08

Charming.

0:37:080:37:09

Quite the hero. Aww, you still blocked?

0:37:090:37:13

SHE MOUTHS

0:37:160:37:17

# Hey, hey, hey, hey, hey, hey

0:37:190:37:28

# Hey, hey, hey, hey

0:37:280:37:31

# She said hey... #

0:37:310:37:35

"101 Ways To Beat Writer's Block"?

0:37:350:37:37

"Beat Your Block To A Pulp"?

0:37:390:37:41

SHE GIGGLES

0:37:440:37:46

"What Would Jesus Write"? Seriously?

0:37:460:37:49

OK. OK, so what is the deal?

0:37:490:37:50

Are you going to stalk me until I finish my novel?

0:37:500:37:53

Yes, I believe that's how it works.

0:37:530:37:54

Now, can we talk about the last chapter? What about it?

0:37:540:37:57

I'm a romantic heroine, I don't want to end up unhappy.

0:37:570:38:00

It's not that easy. You don't really get to choose your ending.

0:38:000:38:03

It has to follow from what came before, or it doesn't feel true.

0:38:030:38:06

Please. I want it all to turn out OK. Jane...

0:38:060:38:09

don't let us down, darling. Jane Lockhart? Mm-hm.

0:38:090:38:13

I thought it was you!

0:38:130:38:16

Shona Haybridge, proprietor of Mocha Books.

0:38:160:38:18

Can I just say it's such a pleasure to meet the woman

0:38:180:38:21

who helped pay for my new kitchen?

0:38:210:38:23

THEY CHUCKLE

0:38:230:38:25

It is, it's her, it's her, it's her.

0:38:250:38:28

I just lo-o-o-o-ved Happy Ending, it's so sad.

0:38:280:38:32

I can't wait for your next one. What's it called?

0:38:320:38:34

Is it finished yet? Well, it's going to be, um... It must be difficult.

0:38:340:38:38

I mean, so much to live up to. How do you come back

0:38:380:38:41

after the extraordinary success of Happy Ending?

0:38:410:38:44

We are interrupting the muse.

0:38:460:38:49

I'm sure you're eager to get back to the page.

0:38:490:38:51

Oh, yes. And I have my eye on a gorgeous bathroom!

0:38:510:38:53

LAUGHTER

0:38:530:38:56

Please take that with my compliments. Thank you.

0:38:560:38:58

I just need to run that through the till. Ah, no!

0:38:580:39:01

Blocked?

0:39:020:39:04

HE EXHALES

0:39:290:39:31

Dad.

0:39:310:39:33

Come in.

0:39:330:39:34

I was just making strudel. Oh...I cant stay, anyway. Er...

0:39:340:39:38

I just wanted to say...

0:39:400:39:41

I had it in my head what I was going to say.

0:39:450:39:48

I don't supposed you're ever stuck for words.

0:39:500:39:53

Eh...

0:39:530:39:55

Listen.

0:39:550:39:56

We don't really know each other.

0:39:570:40:00

And I would like to... to get to know you.

0:40:000:40:03

And I'm making a mess of it again.

0:40:030:40:06

The other day in the cemetery, I...

0:40:060:40:09

HE EXHALES

0:40:090:40:10

I was out of order.

0:40:100:40:12

I was and I'm sorry.

0:40:130:40:15

I'm really sorry, darling.

0:40:150:40:17

Right, that's it, I've said it and, uh...

0:40:180:40:21

I'm going to go and meet the boys for quiz practice, I'm off.

0:40:210:40:25

Right, OK, I'm off. Dad?

0:40:250:40:27

It's OK.

0:40:340:40:35

I know how complicated all of this is and, er....

0:40:350:40:39

Can I be on your quiz team?

0:40:410:40:43

I think you're maybe a bit busy

0:40:500:40:52

for a daft quiz team.

0:40:520:40:55

Please.

0:40:570:40:58

I'd like to.

0:40:590:41:02

Get to know you.

0:41:020:41:03

Really? Really.

0:41:050:41:07

Great!

0:41:100:41:11

Great. We need you.

0:41:120:41:15

Rory's showing signs of early dementia.

0:41:150:41:18

That would be great.

0:41:180:41:20

Welcome to the family! Thanks! Thanks so much!

0:41:370:41:40

Please excuse Dr Klinsch, she does have a tendency to pee her pants

0:41:400:41:45

whenever we sign a new author.

0:41:450:41:47

That was just the one time. OK.

0:41:470:41:49

So, Klinsch and McLeish. I cant quite believe it!

0:41:490:41:54

I'm going to be published in one of those classic red and white covers!

0:41:540:41:57

I-It's obviously not just about the covers, but they're so pretty.

0:41:570:42:00

And your list's amazing, too. I mean, you published Glen Bucking.

0:42:000:42:03

Ah, Glen, fabulous writer.

0:42:030:42:05

And you know that you have something in common. Really?

0:42:050:42:08

No... What, you think so? God, he's up there with...Rushdie and McEwan.

0:42:080:42:13

Quite possibly.

0:42:150:42:16

No, I meant you were both discovered by your former publisher. Tom.

0:42:160:42:20

Yes, he didn't last,

0:42:200:42:22

they went their separate ways before the first novel was published.

0:42:220:42:25

By us. Oh.

0:42:250:42:27

Well, yeah, sounds like Tom. Anyway, enough of the past,

0:42:270:42:31

here's to the future.

0:42:310:42:33

Phew!

0:42:330:42:35

(So exciting!)

0:42:410:42:43

Blocked on this, too, eh?

0:42:530:42:55

I'm so sorry, would you excuse us - uh, me - for just one second?

0:43:030:43:07

Where's your bathroom? Uh, it's...

0:43:070:43:09

What are you doing here? Well, I figured out what's going on.

0:43:110:43:14

You can't write the ending because once it's finished

0:43:150:43:18

you'll have no reason to see Tom ever again.

0:43:180:43:20

SHE LAUGHS FORCEFULLY

0:43:200:43:23

Oh, that is such a load of rubbish!

0:43:230:43:26

KNOCK ON DOOR Jane, dear...

0:43:260:43:28

is everything all right?

0:43:280:43:30

Yep, fine, I'll just be out in a minute.

0:43:300:43:32

In case you haven't noticed,

0:43:350:43:37

I'm about to leave Tom and sign with a new publisher.

0:43:370:43:40

Oh, and one more minor detail,

0:43:400:43:42

I'm not writing my ending, I'm writing yours. And I'm not you.

0:43:420:43:45

No, of course not, and your first novel wasn't a barely fictionalised

0:43:450:43:48

account of your relationship with your father.

0:43:480:43:50

Oh, and remind me, what's your middle name, Jane Darsie Lockhart?

0:43:500:43:53

That means nothing, and anyway, I was thinking of changing your name, so...

0:43:530:43:57

Still here. Oh!

0:44:020:44:04

Sorry. I'm so sorry.

0:44:070:44:10

Now then, young lady, ready to go with a real publisher?

0:44:100:44:14

Um...

0:44:160:44:17

Let me get this straight: you only take on writers you love.

0:44:250:44:29

WRITING I love.

0:44:290:44:31

How interesting.

0:44:310:44:32

No, no, it isn't.

0:44:320:44:35

Can we get back to making Jane miserable?

0:44:350:44:38

Fine.

0:44:380:44:39

If that's what you really want.

0:44:390:44:41

Have you thought a bit about what will happen if you succeed?

0:44:410:44:44

Yeah.

0:44:440:44:45

I win.

0:44:470:44:48

Yes, but you'll lose her.

0:44:480:44:51

Who cares?

0:44:510:44:53

It's not as if she wants to stay.

0:44:530:44:55

TAPE: 'Motivation: The heart of self-improvement.

0:45:000:45:03

'A - Achieve your dreams. Avoid negative people, things and places.

0:45:030:45:07

'B - Believe in yourself and in what you can do.

0:45:070:45:11

'C - Consider things on every angle and aspect.

0:45:110:45:13

'Motivation comes from the...' One of us really needs to get laid.

0:45:130:45:17

Oh, God, yes.

0:45:170:45:19

We should. Next week.

0:45:200:45:22

Yeah? There's a girl at the chippy.

0:45:220:45:24

'Q - quitters never win, and winners never quit.

0:45:260:45:29

'So choose your fate -

0:45:290:45:31

'are you going to be a quitter or a winner?'

0:45:310:45:34

'R...' OK.

0:45:340:45:36

Here's the thought. We could kill her dog.

0:45:360:45:39

I didn't know she had a dog. She doesn't.

0:45:390:45:41

We could buy her one, and then kill it.

0:45:410:45:44

It wouldn't be a cute dog.

0:45:440:45:46

And you don't think that's a little bit - how can I put this -

0:45:460:45:49

psychotic? Yeah, you're right. She hasn't got a dog.

0:45:490:45:52

But she has got a screenwriter.

0:45:550:45:58

I'm not helping you kill Willie Scott, am I?

0:45:580:46:00

HE CHUCKLES

0:46:000:46:01

Tom?

0:46:010:46:02

Dammit.

0:46:200:46:21

She's still baking.

0:46:210:46:23

Back, you cupcakes of Satan!

0:46:240:46:26

OK, here goes.

0:46:280:46:30

I hate these things. Mmm.

0:46:420:46:45

Yeah, I prefer the Routemaster 2670, myself.

0:46:450:46:48

It's a bus joke. Sorry.

0:46:520:46:54

No, no, I...

0:46:570:46:59

I get it. It's, erm...

0:46:590:47:00

It's just, I've never really met anyone else who made

0:47:000:47:03

a bus joke before.

0:47:030:47:04

Hello, Jane.

0:47:120:47:14

Hello. What do you want?

0:47:140:47:16

I'll tell you what I don't want.

0:47:160:47:18

Mmm. I don't want a cupcake.

0:47:180:47:21

So, two writers living under the same roof.

0:47:210:47:25

How's that working out? Oh...

0:47:250:47:27

I bet it's fantastic - sharing ideas,

0:47:270:47:29

the ebb and flow of discussion...

0:47:290:47:31

Willie must be a great boon. Yes, yes, he is.

0:47:310:47:34

So, what does the big man make of the new novel?

0:47:340:47:37

You're right, it's not fair to ask you. I should ask him.

0:47:390:47:42

What? No, no, he loves it. He just loves it. Naturally he has notes.

0:47:420:47:46

Naturally.

0:47:460:47:47

Willie has not asked to read one single page, has he?

0:47:510:47:54

Well, he's very busy with his screen thing. Oh, yes, the adaptation.

0:47:540:47:58

How's that going? Terrific.

0:47:580:48:00

Oh, it's going terrific...ly.

0:48:000:48:01

You don't know, do you?

0:48:030:48:05

He doesn't discuss it with you.

0:48:070:48:10

What's your point? He's using you!

0:48:100:48:13

That's rich, coming from you.

0:48:130:48:14

Grr! Come on, it's common knowledge.

0:48:140:48:17

He wouldn't be adapting Happy Ending if you hadn't insisted... Oh, yeah?

0:48:170:48:20

Willie Scott's writing career peaked sometime around 1998.

0:48:200:48:24

He's a talentless hack without a brain or a conscience

0:48:240:48:27

who doesn't give a damn about you or your novel!

0:48:270:48:30

Um, yeah, behind you.

0:48:330:48:34

Hey!

0:48:390:48:40

Willie!

0:48:400:48:41

CROWD MURMURS

0:48:430:48:45

HE GROANS

0:48:570:48:59

Is that fruit cake? Oh, yeah.

0:49:050:49:07

It's frozen. IT CLANGS

0:49:080:49:10

I brought a couple of spares. It's for your nose.

0:49:100:49:13

Look, I'm sorry about Willie.

0:49:130:49:16

He shouldn't have hit you, even though you did deserve it.

0:49:160:49:19

He caught me off guard.

0:49:200:49:22

Usually I don't go down after the first punch.

0:49:230:49:26

Usually it's about the...

0:49:260:49:27

third or fourth. Mm-hmm.

0:49:270:49:29

How did I get here?

0:49:300:49:31

I made Willie carry you.

0:49:320:49:34

No, you didn't. What? What's wrong now?

0:49:350:49:37

It's not very manly, being carried upstairs by another bloke.

0:49:370:49:41

He's not still here, is he? No, I sent him outside to calm down.

0:49:430:49:47

Look, Jane...

0:49:550:49:57

There's something I need to tell you.

0:49:570:49:59

Something I've never said before.

0:50:000:50:02

What's the capital of Ethiopia?

0:50:060:50:08

1,001 Trivia Questions. What's this for?

0:50:140:50:18

Your dad has a...

0:50:180:50:19

You're on the team.

0:50:200:50:21

We're in the finals, actually.

0:50:210:50:24

So that was it?

0:50:250:50:27

That's what you needed to say?

0:50:280:50:30

No.

0:50:310:50:33

No, no, no.

0:50:330:50:35

I...

0:50:380:50:40

What I meant to say is...

0:50:430:50:44

Happy Ending... Mmm.

0:50:460:50:47

At the end, when things became, you know...

0:50:490:50:52

..with us.

0:50:530:50:54

And the title...

0:50:580:50:59

I never told you.

0:51:040:51:05

The book...

0:51:070:51:09

..it's good.

0:51:120:51:13

Mm.

0:51:140:51:15

It's like the saddest music I've ever heard.

0:51:170:51:19

What the hell was that?

0:51:250:51:27

What are you up to? I'm not up to anything. Yes, you are.

0:51:270:51:30

All this sad music crap and filling my head with doubts about Willie.

0:51:300:51:34

Why would you do that? Why, unless...?

0:51:340:51:36

Unless...

0:51:370:51:38

Oh, I know why.

0:51:390:51:42

You want me to sign a new book deal with you.

0:51:420:51:44

Well, if you can hear me through the obvious concussion,

0:51:440:51:46

pay attention, it is NEVER going to happen.

0:51:460:51:50

I have a concussion? Oh, get off. Get off this bus.

0:51:500:51:54

You know what?

0:51:570:51:58

You really think I'd want you back?

0:52:000:52:02

Why?

0:52:020:52:04

Why would I do that to myself?

0:52:040:52:06

You're distant at the best of times and when you're writing,

0:52:060:52:09

your characters were more real to you than I was.

0:52:090:52:12

Ahem.

0:52:120:52:13

So, no, Jane.

0:52:200:52:22

I do not want you back.

0:52:230:52:24

I do not want you back.

0:52:250:52:27

TYPEWRITER CLACKS

0:52:290:52:31

So, how's the screenplay coming along?

0:52:370:52:41

Hmm? Your screenplay.

0:52:410:52:43

I was just thinking, we haven't really discussed it much at all,

0:52:430:52:47

and since, well, I wrote the novel, maybe I could...

0:52:470:52:51

you know.

0:52:510:52:52

What I mean is, we should have more ebb and flow.

0:52:520:52:56

It's not a bad idea.

0:52:560:52:58

You know the scene in the book where the father goes on a bender,

0:52:580:53:01

doesn't turn up for the mother's funeral?

0:53:010:53:03

Yeah.

0:53:030:53:05

I remember. Would you miss it?

0:53:050:53:07

What? You... What? You... You can't...

0:53:100:53:14

Willie, I think we need to talk this through.

0:53:140:53:16

I know what this is about, Jane.

0:53:160:53:18

You haven't written a word in two weeks,

0:53:180:53:21

so you want to talk instead of dealing with your luggage.

0:53:210:53:25

How many times? I am not...

0:53:250:53:26

There was this writer I knew that got stuck

0:53:260:53:30

on a long-lost sibling story arc.

0:53:300:53:32

Thought it was the end of his career, but...

0:53:320:53:35

But he beat it.

0:53:350:53:36

Do you know how?

0:53:360:53:38

How?

0:53:380:53:39

He wrote naked.

0:53:420:53:44

Yeah.

0:53:450:53:47

Yeah, right. Seriously.

0:53:470:53:49

The idea is you release yourself from the restrictions of the

0:53:490:53:51

everyday so you can express your ideas in an uninhibited fashion.

0:53:510:53:56

Oh, OK.

0:53:560:53:57

I think you just want to be able to sit there and write

0:53:570:54:00

while you stare at my tits.

0:54:000:54:01

They are great tits.

0:54:020:54:04

WHISTLE BLOWS

0:54:180:54:21

Yeah, come on!

0:54:210:54:23

It's not a weapon, Jane.

0:54:230:54:24

There's something up with my stick.

0:54:270:54:29

Yeah, pass it to the other team, Shona.

0:54:290:54:31

That's it, well played, well played.

0:54:380:54:40

PHONE RINGS

0:54:400:54:42

Tom?

0:54:430:54:44

I've got some business to take care of.

0:54:510:54:53

DOOR CLOSES

0:55:050:55:08

I want it on record that this is going too far, OK?

0:55:080:55:10

She's only just started rebuilding her relationship with her dad.

0:55:100:55:13

I'm just trying to help her finish her book,

0:55:130:55:16

and she'll thank me in the end.

0:55:160:55:17

First we get rid of Willie, then we work on Papa.

0:55:170:55:21

AMERICAN ACCENT ON PHONE: So, Mr Scott - Willie -

0:55:210:55:25

our senior development executive has been looking for...

0:55:250:55:29

a very special screenwriter with a distinctive voice

0:55:290:55:32

for a project which she has slated for next year.

0:55:320:55:35

Yeah. When she heard you were adapting Jane Lockhart's,

0:55:350:55:39

uh, Happy Ending, she was...she was excited.

0:55:390:55:42

We were...we were all excited.

0:55:420:55:44

What company is this again? I mean, have you spoken to my agent, or...?

0:55:440:55:49

Yeah, thank you, you too. Ciao, ciao.

0:55:490:55:52

Sure, she put us right onto you. Uh...

0:55:520:55:56

But if you're too busy right now, perhaps we should just leave it. PHONE BLEEPS

0:55:560:56:00

Oh, no, no, no. Erm, no.

0:56:000:56:02

No, no, I'm excited. It's, erm...

0:56:020:56:05

You know, it's not just adaptations that I do.

0:56:050:56:08

I mean, I have my own material, you know. Terrific. Well, uh, we, uh...

0:56:080:56:13

You can share all that with our...

0:56:130:56:15

uh, senior BP, Bob,

0:56:150:56:18

and our head of deputy acquisitions, Bonda, who...

0:56:180:56:22

They're going to be over there next Friday. You live in London, right?

0:56:220:56:26

Well, mainly, but, you know, I've got my place up country too,

0:56:260:56:30

you know, obviously.

0:56:300:56:31

Well, apologies,

0:56:310:56:32

but it may involve dragging you out to the middle of nowhere,

0:56:320:56:35

but we're scouting Steven's next pick.

0:56:350:56:38

Steven...

0:56:380:56:40

Seagal? Soderbergh.

0:56:400:56:42

He'll probably drop by to say hi, if that's OK.

0:56:420:56:45

Aye, that would be fine!

0:56:450:56:48

BELL TOLLS

0:56:480:56:51

HORN BEEPS

0:56:510:56:53

Taxi's here. Oh, where's my ticket?

0:56:530:56:56

Oh, it's in your bag, where you put it two minutes ago.

0:56:560:56:59

Jane, this is an important trip for me.

0:56:590:57:01

These people are working with Soderbergh.

0:57:010:57:03

They called me, and that just never happens.

0:57:030:57:06

You're right. It doesn't.

0:57:060:57:08

And it's all because of you.

0:57:090:57:11

The truth is, they would never have asked to see me

0:57:110:57:14

if I hadn't been adapting your novel.

0:57:140:57:16

Och, that's rubbish. Look, you're a great writer.

0:57:160:57:20

Yeah, you're right.

0:57:200:57:22

Where's my treatments? Did you tidy them? Willie, breathe!

0:57:220:57:25

How are you feeling? Good.

0:57:320:57:34

Sharp? Sharp, aye.

0:57:340:57:36

Rory? Brand-new.

0:57:370:57:39

Mind you, I'm a bit worried

0:57:390:57:41

because we don't know what he's gonnae ask us.

0:57:410:57:44

It's a quiz. It's a quiz, Rory. Oh, right, aye.

0:57:440:57:48

Aye.

0:57:480:57:50

Mr L!

0:57:500:57:51

Tom! Oh, hey, good to see you.

0:57:510:57:53

Good to see you.

0:57:530:57:55

Big night, eh? Oh, big night, big night.

0:57:550:57:58

Aye, this is the final.

0:57:580:57:59

The winner gets a holiday to America and two tickets to Disneyland.

0:57:590:58:03

Whoa! That's wonderful. Good luck with that.

0:58:030:58:05

Oh, thanks, Tom, thanks.

0:58:050:58:07

Listen, eh, I know that Jane and you haven't always seen eye to eye,

0:58:070:58:11

but, erm...

0:58:110:58:12

I'm sure she'll be really happy to see you.

0:58:120:58:15

Where is she?

0:58:150:58:16

Oh, she's not here yet, but the quiz doesn't start until eight, so...

0:58:160:58:19

Oh, well, plenty of time, then.

0:58:190:58:22

Och, plenty of time.

0:58:220:58:24

HORN BEEPS

0:58:240:58:26

That was quick.

0:58:330:58:34

Wasn't expecting you for another ten minutes.

0:58:340:58:37

Aye, well, I was just round the corner, hen.

0:58:370:58:39

Where are you going? East End, please, The Walter Scott.

0:58:390:58:42

Mm-hmm, lovely.

0:58:420:58:43

Ta-da! What do you think?

0:58:470:58:50

Lovely. Me and the lads discussed it.

0:58:500:58:54

We're going to make her captain.

0:58:540:58:56

When she was a little girl,

0:58:560:58:57

every penny her mother gave her she put in the piggy bank.

0:58:570:59:01

Saving up, you know, to go to Disneyland.

0:59:010:59:04

Every birthday was Mickey Mouse, Mickey Mouse,

0:59:040:59:06

Disneyland, Mickey Mouse, you know?

0:59:060:59:08

Every birthday.

0:59:080:59:09

Well...

0:59:110:59:12

..until the seventh birthday.

0:59:140:59:15

Her mother took her to Woolworths for a present, a gift, and, erm...

0:59:210:59:25

Well, they were late getting back.

0:59:260:59:28

I lost it, Tom, you know?

0:59:300:59:33

I was, "Oh, I want my dinner on the table," and...

0:59:330:59:36

That was the night I walked out on them.

0:59:400:59:42

If only that was the worst thing I did that night.

0:59:470:59:49

Excuse me, where are we going?

0:59:530:59:56

The Rabbie Burns. No, I said The Walter Scott.

0:59:560:59:59

You sure?

1:00:001:00:01

Of course I'm sure! Hey, there's no need for that.

1:00:011:00:05

They're both iconic pillars of our national literature,

1:00:051:00:07

arguably responsible for the over-romanticisation

1:00:071:00:10

of Scottish history that persists to this day.

1:00:101:00:13

It's an easy mistake to make.

1:00:131:00:14

All right, please, just please hurry. Please.

1:00:141:00:17

'Hello, it's Benny Lockhart here.

1:00:211:00:22

'If you leave a message then I'll get back to you soon.

1:00:221:00:25

'Okey dokes, bye.'

1:00:251:00:27

BEEP

1:00:271:00:29

Do you know why they were late back?

1:00:311:00:33

Yeah.

1:00:361:00:37

Yeah, of course you do, because it's in the book, isn't it?

1:00:381:00:41

Her mother dropped dead in Woolworths.

1:00:441:00:47

Her mother was lying dead in the pick and mix aisle and I'm...

1:00:481:00:52

Daddy was spending her Mickey Mouse money on booze.

1:00:531:00:57

I swore I would never touch another drop after that.

1:01:021:01:05

Not a drop.

1:01:051:01:06

You look familiar. You on the telly?

1:01:131:01:16

Erm, no. I've done a few interviews but... Oh, you're that writer.

1:01:161:01:20

Jane something. Aye, my...my wife read your book. Oh, yeah?

1:01:201:01:24

Aye, what's it called again? Happy Ending. Happy Ending, aye.

1:01:241:01:27

She was greeting her eyes out by the end.

1:01:271:01:29

And you wrote it? That's amazing!

1:01:291:01:30

God, you must be a right miserable cow.

1:01:321:01:34

Do know you from...?

1:01:361:01:38

Uh...

1:01:381:01:39

I'm out of fags.

1:01:411:01:42

What? Hey, no!

1:01:421:01:45

Come back, I need to get to the... Run!

1:01:451:01:47

..pub.

1:01:471:01:48

Hey!

1:01:541:01:55

BENNY: Years later...

1:02:011:02:02

..I discovered that the police brought her back...

1:02:031:02:06

..two minutes after I'd left home.

1:02:071:02:09

Two minutes, Tom.

1:02:111:02:12

You know, I realise that I can never make it up to that little girl,

1:02:141:02:19

that seven-year-old Jane that...

1:02:191:02:21

I can't do it.

1:02:241:02:26

But if we win tonight, Tom...

1:02:271:02:29

Whoa, if we win tonight, I'm gonnae take her to Disneyland. Aye.

1:02:301:02:36

I don't mean the shite one in Paris, the real Disneyland.

1:02:361:02:40

No offence, I know you're French.

1:02:401:02:42

None taken.

1:02:421:02:43

Gentlemen, ladies, can you please take your places for the quiz final?

1:02:451:02:49

She'll be here, she'll be here.

1:02:521:02:53

Nothing's gonnae happen. Not again, no.

1:02:551:02:57

Hey, hey!

1:03:011:03:02

You know what? I'll see you in a sec.

1:03:121:03:14

PHONE RINGS

1:03:161:03:18

Tom. Roddy, call it off. Call it off, bring her here immediately.

1:03:201:03:24

She's gone.

1:03:241:03:26

We've lost her.

1:03:281:03:29

In Cambuslang.

1:03:301:03:31

HORN BEEPS Sorry!

1:03:551:03:58

THUNDER RUMBLES

1:04:061:04:08

Captains, last call.

1:04:091:04:12

Please bring your team lists to the adjudicator's table.

1:04:121:04:15

Ben, if I don't get your list you'll forfeit your place.

1:04:201:04:24

Benny, come on. Come on, Benny!

1:04:241:04:26

Two more minutes, lads.

1:04:261:04:28

Oh! Argh!

1:04:291:04:31

Benny, I'm...

1:04:441:04:46

I'm sorry.

1:04:461:04:48

It's OK, son.

1:04:481:04:50

It's not your fault. Well, actually...

1:04:501:04:53

OK, that's enough. Let's get on with this.

1:04:531:04:56

Welcome, ladies and gentlemen, to the grand final of the...

1:04:561:05:00

MUSIC DROWNS SPEECH

1:05:001:05:02

Dad. Dad?

1:05:051:05:08

Question one. Who was William Shakespeare's wife?

1:05:121:05:18

Oh!

1:05:181:05:20

The indisputable winners, Benny and his Jets!

1:05:211:05:25

We've won! Whoa-hoa!

1:05:251:05:27

THEY CHANT

1:05:271:05:29

DISTANT CELEBRATIONS

1:05:511:05:53

.Fact is...

1:06:001:06:01

..we're not dog killers.

1:06:031:06:05

What's the worst thing we actually achieved?

1:06:051:06:09

Kidnapping a pot plant.

1:06:091:06:11

There's our fatal flaw.

1:06:141:06:15

At heart...

1:06:171:06:18

..we're nice guys.

1:06:201:06:21

I'm going to tell her everything.

1:06:271:06:29

JANE HUMS

1:06:351:06:37

I will not do nudity unless it is essential to the plot.

1:06:391:06:42

DOORBELL RINGS

1:06:461:06:48

Oh, you must be joking!

1:06:551:06:57

Jane?

1:06:571:06:58

Just go away.

1:07:011:07:02

I've got to talk to you.

1:07:021:07:04

Please open the door.

1:07:041:07:06

PHONE RINGS

1:07:061:07:08

Hold on a minute.

1:07:081:07:10

Willie? 'You need to hear about our great deal on home insurance...'

1:07:121:07:15

ALARM BEEPS Your meringues, Jane.

1:07:151:07:18

Oh, shit!

1:07:181:07:20

Shit, shit!

1:07:201:07:22

Jane, you OK? Shit!

1:07:221:07:24

SHE BLOWS ON THE MERINGUES

1:07:241:07:27

Shit, shit, shit. Shit!

1:07:271:07:29

Shit, shit! No!

1:07:341:07:36

Stop looking!

1:07:421:07:44

What the hell are you doing here, anyway?

1:07:491:07:52

I came to apolo... Whoa.

1:07:521:07:54

Is that my novel?

1:07:571:07:59

No, no, no. Give it back.

1:08:011:08:04

Give it back!

1:08:041:08:06

I paid good money for this, I'm going to read it.

1:08:061:08:08

No, you don't get to read anything until it's finished.

1:08:081:08:12

OK.

1:08:131:08:14

Here.

1:08:161:08:18

Thank you.

1:08:201:08:21

Good to know you behave like a grown-up once in a...

1:08:211:08:24

Where's the rest of it? Oh!

1:08:241:08:26

Hey, come out of there, you thieving bastard!

1:08:261:08:30

Give my back my novel!

1:08:301:08:33

How could you do that?

1:08:441:08:45

I can't believe you.

1:08:461:08:48

Even you.

1:08:481:08:49

So, what did you think?

1:08:521:08:54

It's merely the first couple of chapters, so who can say?

1:08:541:08:57

However...

1:08:581:09:00

Putting to one side that you're a whining,

1:09:001:09:03

overpaid author who clearly got lucky with her debut...

1:09:031:09:06

..I'd say this is a very good start.

1:09:081:09:10

Well...

1:09:121:09:14

Coming from a never-even-has-been

1:09:141:09:16

owner of a third-rate publishing company...

1:09:161:09:19

I have to say thank you.

1:09:191:09:21

MUSIC: Like Comedy by The Proclaimers

1:09:211:09:23

Naturally...

1:09:231:09:24

..I have a few notes.

1:09:261:09:27

Definitely.

1:09:281:09:30

For instance... MUSIC DROWNS SPEECH

1:09:341:09:36

# You don't have to make it worse

1:09:361:09:39

# Cos the world isn't perfect

1:09:391:09:41

# And you don't need to give a toss

1:09:431:09:45

# But you'd make it better if you did

1:09:451:09:48

# You did

1:09:481:09:55

# You were made to be loving

1:09:551:10:00

# Not a source of bitterness and hate

1:10:031:10:07

# And when you turn them on yourself

1:10:101:10:12

# You make one more useless martyr

1:10:121:10:15

# Make the best of here and now

1:10:171:10:19

# Heaven or hell can wait

1:10:191:10:22

# They'll wait

1:10:221:10:26

# Let them wait

1:10:261:10:28

# When you lose your appetite for self-destruction. #

1:10:301:10:34

PHONE RINGS

1:10:341:10:36

Who's going to get the phone?

1:10:361:10:38

Just one second. Willie. Hi, Janey. Hi.

1:10:411:10:43

So, how's the trip going? Did you meet Soderbergh?

1:10:431:10:46

There was no meeting. I've been stuck in the arse end of nowhere.

1:10:461:10:50

Couldn't get a cab, I've been walking for nine hours

1:10:501:10:53

in the rain, my phone died - I've only just now found a phone.

1:10:531:10:56

Oh, Willie!

1:10:561:10:57

I'm cold, I'm wet and I'm feeling so...

1:10:571:11:00

so miserable. You know, the funny thing is...

1:11:001:11:04

..even though the trip turned out so badly...

1:11:051:11:08

it made me realise a few things.

1:11:081:11:11

I miss you, Janey.

1:11:131:11:15

You're the best thing in my life and...

1:11:161:11:18

..I love you.

1:11:211:11:22

Janey, let's get married.

1:11:241:11:26

# So many days

1:11:521:11:54

# So many nights I cried

1:11:541:11:57

# Written in these words

1:12:001:12:02

# Everything I feel inside

1:12:021:12:06

# So be careful with my heart... #

1:12:081:12:11

Oh. HE COUGHS

1:12:111:12:13

There we go.

1:12:131:12:14

He's sick! Oh, come on, he's just taking the piss now.

1:12:211:12:25

He said he loves me.

1:12:251:12:27

You've heard him.

1:12:271:12:29

Actually, I didn't. Maybe it was in your vivid imagination.

1:12:291:12:33

And I love Willie too. He makes me...happy.

1:12:331:12:37

Any chance of that cup of tea, doll?

1:12:371:12:40

Aw, he's a sweetheart.

1:12:421:12:44

# But I cannot be loved

1:12:501:12:52

# If I never give my heart

1:12:521:12:55

# Torn all along the way

1:12:571:13:00

# Picking up the pieces... #

1:13:001:13:03

Priscilla.

1:13:071:13:09

Listen, sweetheart, get out the big pen.

1:13:091:13:12

It's time to bill the bastards for my first draft.

1:13:121:13:15

I just finished the script.

1:13:151:13:17

A lifetime with Willie Scott.

1:13:251:13:27

If that doesn't make her miserable, nothing will.

1:13:291:13:33

Look, I know things haven't worked out for the two of you but...

1:13:331:13:37

surely you don't really, actually, totally,

1:13:371:13:40

completely want her to be unhappy?

1:13:401:13:42

Of course I don't. I mean...

1:13:421:13:45

Oh, tu comprends rien.

1:13:451:13:48

It's tricky, OK? Whatever.

1:13:481:13:49

# Ever since he tore my world

1:13:491:13:53

# I fell apart

1:13:531:13:58

# And rescue me

1:13:581:14:01

# From this story

1:14:011:14:04

# Cos this is not another happy ending. #

1:14:041:14:07

Which is why Shakespeare never left New York again.

1:14:071:14:13

PHONE BUZZES

1:14:131:14:15

Oh, OK. Erm, chapter 21.

1:14:151:14:19

Read it or be punished.

1:14:191:14:21

Yo. He's only gone and changed the ending! Wow!

1:14:231:14:26

All you did was change her title

1:14:261:14:28

and she thought you were a complete wanker.

1:14:281:14:30

That's... Juan Kerr.

1:14:301:14:33

He was a 19th century South American revolutionary.

1:14:331:14:35

This is going to break her heart. Yeah, well, great.

1:14:371:14:40

Now all you've got to do is make sure she reads it.

1:14:401:14:43

Mission accomplished.

1:14:431:14:45

Yeah.

1:14:451:14:46

You've given it a happy ending?

1:14:481:14:50

And your point? The point is Jane's novel doesn't end happily.

1:14:511:14:55

Who the hell wants to walk out of a movie feeling miserable?

1:14:551:14:58

You have to change it back. I don't think so.

1:14:581:15:00

That script says more about my love for her

1:15:001:15:02

than I could ever put into words.

1:15:021:15:04

She doesn't know yet, does she?

1:15:041:15:06

Do you have any idea what this will do to her? To both of you?

1:15:081:15:12

I made a mistake and I can't take it back.

1:15:131:15:16

But really, if you truly love her, change it.

1:15:161:15:21

What's going on here?

1:15:211:15:23

You just don't get her, do you? Oh, I get her, all right.

1:15:231:15:26

Every night I get her.

1:15:271:15:28

Any way up I fancy.

1:15:301:15:32

Hit a sick man, would you?

1:15:361:15:37

Watch this. Ah! Oh, oh, oh!

1:15:391:15:42

Remind me, does the bridge explode in the novel?

1:15:501:15:53

DOOR CREAKS

1:15:531:15:56

Hi, Janey, I'm home.

1:15:561:15:58

HE COUGHS Any chance of a wee cup of tea?

1:15:581:16:01

Willie!

1:16:041:16:06

I just don't understand how you can do this over a dumb ending.

1:16:061:16:09

No, no, you don't.

1:16:091:16:10

Well, if it's any consolation, Janey, I don't think me

1:16:101:16:13

and you would have worked out anyway. Oh.

1:16:131:16:15

I just don't get all that "worshipping your pain" stuff.

1:16:151:16:20

Daddy issues.

1:16:241:16:25

# I guess it's funnier from where you're standing

1:16:361:16:40

# Cos from over here I miss the joke

1:16:441:16:47

# Clear the way for my crash landing

1:16:521:16:56

# I've done it again, another number for your notes

1:16:571:17:03

# I'd be smiling if I wasn't so desperate

1:17:071:17:10

# I'd be patient if I had the time

1:17:141:17:18

# I could stop and answer all of your questions

1:17:211:17:25

# As soon as I find out how I can move from the back of the line

1:17:271:17:32

# I'll be your clown

1:17:341:17:36

# Behind the glass

1:17:371:17:41

# Go ahead and laugh cos it's funny

1:17:411:17:45

# I would too if I saw

1:17:451:17:48

# I'll be your clown

1:17:481:17:50

# On your favourite channel

1:17:521:17:54

# My life's a circus, circus

1:17:551:17:58

# Round in circles

1:17:581:18:00

# Selling out tonight. #

1:18:001:18:03

Tom, if she hasn't delivered, you have to take Pandemic Media's offer.

1:18:081:18:12

Mark my words - never going to happen.

1:18:121:18:14

Well, I'll have no option but to declare you bankrupt

1:18:141:18:17

and call in a receiver.

1:18:171:18:19

HE WHINES, COUGHS

1:18:191:18:20

You're my relationship manager, right? Yeah, so?

1:18:271:18:30

So, what should I do about my relationship?

1:18:311:18:33

Oh, for God's sake!

1:18:331:18:35

Do you love her?

1:18:381:18:40

Tom.

1:18:401:18:41

Jane. Hi. Tom's not here.

1:18:571:19:00

Should be back any minute if you want to wait. No, I don't think so.

1:19:001:19:04

I'm heading off for a bit of a break.

1:19:041:19:06

I just came to drop this off. It's my new novel.

1:19:071:19:11

I finished it. Oh! That's a relief.

1:19:111:19:13

Between you and me,

1:19:131:19:15

your book's the only thing stopping this place from going tits up.

1:19:151:19:18

So, where shall I leave it?

1:19:231:19:25

Erm...

1:19:251:19:26

Just put it on his desk.

1:19:261:19:28

OK. Bye.

1:19:281:19:30

SHE SIGHS

1:19:411:19:43

I don't know what to do.

1:19:511:19:52

Hold it. Jane.

1:19:541:19:56

Jane!

1:19:571:19:58

Argh! Bastard!

1:20:001:20:02

No, I shouldn't still be seeing you.

1:20:351:20:38

I finished it!

1:20:381:20:40

Leave me alone. All I want is to be alone!

1:21:031:21:06

GRAVEL CRUNCHES

1:21:271:21:29

HE KNOCKS THE DOOR Jane.

1:21:561:21:59

Jane!

1:21:591:22:00

Listen, I know you're in there.

1:22:061:22:08

And I know it sounds crazy, but I was trying to help.

1:22:091:22:12

Jane.

1:22:141:22:15

Your dad's worried about you and so am I.

1:22:161:22:19

He told me where to find you.

1:22:191:22:21

All you care about is what my book can do for your damn company.

1:22:231:22:26

Well, you got what you wanted.

1:22:261:22:29

HE KNOCKS THE DOOR

1:22:511:22:52

Jane, please open the door.

1:22:551:22:56

Jane, I'm not good at this countryside stuff, all right?

1:23:001:23:04

I think I saw a bear.

1:23:071:23:08

SHE MOUTHS

1:23:081:23:10

Jane.

1:23:101:23:11

I'm sorry.

1:23:191:23:20

Thanks a lot.

1:23:441:23:45

I deserved that.

1:23:501:23:52

I'll just go, shall I?

1:23:521:23:53

I'll go.

1:23:551:23:56

# Crash land

1:24:021:24:04

# So I can't find you

1:24:041:24:06

# And just as things were looking up

1:24:061:24:10

# We're stuck

1:24:101:24:13

# Don't panic

1:24:131:24:16

# Because I'm left without food

1:24:161:24:18

# And just as things were heating up

1:24:181:24:21

# I should've told you that you're good enough

1:24:211:24:24

# Because I'm stuck here on this island

1:24:241:24:27

# And I've lost her all over again

1:24:271:24:30

# Nothing gets better than memories

1:24:301:24:33

# When all your have are memories for friends

1:24:331:24:36

# And I was searching... #

1:24:361:24:39

HE SHOUTS IN FRENCH

1:24:391:24:41

# I was searching when my flight went down

1:24:431:24:47

# Cos I made a rope

1:24:471:24:50

# Can I throw it out to you?

1:24:501:24:53

# You drag me back home

1:24:531:24:55

# I deserve to be rescued

1:24:551:24:58

# But still I have trouble with most days and nights

1:25:001:25:05

# But still I have trouble with moving my life outside... #

1:25:061:25:10

HE SPEAKS FRENCH

1:25:101:25:12

# Crash land

1:25:121:25:14

# So I can't find you

1:25:151:25:17

# And just as things were looking up

1:25:171:25:20

# We're fucked

1:25:211:25:24

# Don't panic

1:25:241:25:26

# Cos there's nothing here to fear

1:25:261:25:29

# Just don't lose imagination

1:25:291:25:33

# Or luck

1:25:331:25:34

# Cos I made a rope

1:25:341:25:37

# And can I throw it out to you?

1:25:371:25:41

# You drag me back home

1:25:411:25:42

# I deserve to be rescued. #

1:25:421:25:46

It's eight miles to the nearest village.

1:25:461:25:49

I don't expect to see you when I wake up.

1:25:491:25:51

Goodnight.

1:25:531:25:54

HE COUGHS

1:25:541:25:56

SHE YELLS

1:26:001:26:02

What the hell were you thinking?

1:26:021:26:04

About the plant? No, about me! Idiot.

1:26:041:26:06

Here's the thing.

1:26:081:26:09

You go to some dark places when you write.

1:26:111:26:13

You bring out stuff most people prefer to keep locked up,

1:26:131:26:16

so I thought maybe if I made you miserable...

1:26:161:26:18

I'd be able to finish my novel? Well, that's genius. Well, I was wrong.

1:26:181:26:22

Of course you were wrong.

1:26:221:26:23

You don't have to be miserable to write, you do it because you have to.

1:26:231:26:27

Because it gnaws away at your insides if you try to ignore it.

1:26:271:26:30

Because if you don't write, then you might as well be dead.

1:26:301:26:34

And what do you mean you were wrong? You got the novel, didn't you?

1:26:341:26:37

In Tom and Roddy world, the plan was a roaring success. Not exactly.

1:26:371:26:42

The last chapter, it doesn't work.

1:26:421:26:45

It needs a rewrite.

1:26:451:26:46

How much of it?

1:26:491:26:50

All of it.

1:26:501:26:51

You all right?

1:26:581:26:59

No.

1:26:591:27:01

I'm bloody not all right and I want more chocolate.

1:27:011:27:04

Maybe...

1:27:071:27:09

..it would help if you talked it through.

1:27:101:27:12

What have I missed?

1:27:131:27:15

I think the problem might be that you don't really get

1:27:201:27:23

to choose your ending.

1:27:231:27:25

It has to follow naturally from what comes before or it doesn't

1:27:251:27:28

feel true. Oh, he's so insightful. I want to start with Darsie.

1:27:281:27:31

Oh, goody. I don't understand her. You'll get it.

1:27:311:27:35

I mean, why is she in love with a man who betrays her so utterly?

1:27:351:27:39

He's emotionally crippled,

1:27:391:27:41

has an uncomfortable tendency for mean-spiritedness...

1:27:411:27:43

He has nice...

1:27:431:27:45

hair.

1:27:451:27:46

Mm.

1:27:461:27:48

OK, so, yes.

1:27:521:27:54

Maybe there is an element of autobiography.

1:27:541:27:57

Which means you're the reason I can't write. Me?

1:27:571:27:59

At some point during the last few weeks, it dawned on me that...

1:27:591:28:03

when I finished this novel, we were finished too,

1:28:031:28:06

and some insane part of me doesn't want that to happen.

1:28:061:28:09

You're my block, Tom. But I want you to finish it.

1:28:121:28:14

Yeah, of course you want me to finish it. And for what?

1:28:141:28:16

So you can turn a profit. I've sold it.

1:28:161:28:19

What?

1:28:201:28:23

I've sold the business.

1:28:231:28:24

No, you can't have sold it.

1:28:241:28:26

That stupid company is you.

1:28:261:28:29

Get it back. You can't do this to me.

1:28:311:28:33

I'm on the moral high ground here and I'm not getting off now.

1:28:331:28:37

You sold it? Yeah.

1:28:401:28:42

And you can take all the time you need for the last chapter.

1:28:491:28:51

I made it part of the deal.

1:28:511:28:53

Uh, Tom?

1:28:551:28:56

I didn't sign.

1:28:581:28:59

With Klinsch and McLeish - I couldn't do it.

1:29:001:29:02

Jane, I've spoken to my relationship manager...

1:29:021:29:05

If I hear the words "sad",

1:29:051:29:06

"beautiful" or "music" you're a dead man.

1:29:061:29:09

Apparently...

1:29:091:29:10

..I block you.

1:29:121:29:13

And I block you too.

1:29:131:29:15

SHE YELLS

1:29:211:29:22

What? What could possibly be more important?

1:29:221:29:25

I know how it ends.

1:29:261:29:27

I'm just going to get my laptop.

1:29:271:29:30

Ah! I don't care.

1:29:301:29:31

You are on fire! You are pretty hot yourself, baby.

1:29:411:29:44

SHE GIGGLES

1:29:441:29:47

Uh, Tom?

1:29:491:29:51

Tom, what are you doing?

1:29:511:29:53

Tom? Oh, my God, Tom!

1:29:531:29:55

Tom?

1:30:011:30:02

Tom!

1:30:031:30:04

Why is it that the saddest endings always seem the truest?

1:30:101:30:14

In the stories I told myself, I was always the heroine.

1:30:141:30:18

Always reaching for my happy ending.

1:30:181:30:20

It didn't turn out that way.

1:30:241:30:26

I won't get to spend the rest of my life with him.

1:30:271:30:29

But I was loved.

1:30:311:30:32

And that's enough.

1:30:341:30:35

MAN COUGHS

1:30:391:30:41

Ladies and gentlemen, Jane Lockhart will now be signing

1:30:471:30:51

copies of her chart-topping new novel, You'll Catch Your Death.

1:30:511:30:56

Well, Darsie, back where you belong.

1:31:101:31:12

Are you actually talking to your book?

1:31:121:31:14

You don't think it's all a bit tacky? Tacky? We have canapes.

1:31:161:31:19

Now, get signing.

1:31:191:31:21

Are you ready? Go on, just do it. OK, pay attention, class.

1:31:271:31:30

Pay attention!

1:31:301:31:31

Jane Lockhart, of course, follows Charlotte Bronte as only

1:31:351:31:40

the second writer in English to design and build her own hovercraft.

1:31:401:31:46

Hovercraft!

1:31:461:31:47

H-O-V-E-R-C-R-A-F-T.

1:31:471:31:50

See? They believe anything you tell them.

1:31:521:31:54

So...

1:31:571:31:59

I thought you said the Pandemic Media people were coming today.

1:31:591:32:03

Where are they?

1:32:031:32:04

You're looking at them. What do you mean?

1:32:041:32:07

They want someone in the company who won't let you get away

1:32:071:32:09

with your usual extravagance.

1:32:091:32:11

Someone hardline..

1:32:111:32:12

..someone disciplined.

1:32:141:32:15

Oh!

1:32:171:32:19

Cheers! Brilliant.

1:32:191:32:20

Cheers, thank you. Thank you.

1:32:221:32:24

You read it.

1:32:261:32:28

Yeah.

1:32:281:32:30

Her father was really bad to her. A nasty piece of work.

1:32:301:32:33

No. No, no, no, he wasn't... But...

1:32:331:32:35

..she forgives him in the end.

1:32:361:32:38

Mr L!

1:32:451:32:46

Oh, if you think that was bad,

1:32:481:32:50

wait till you see what she's done with you in her new one.

1:32:501:32:53

Yeah, erm...

1:32:571:32:58

Mr Lockhart, Benny, would you give us a second?

1:32:591:33:03

Yeah, sure. Thanks.

1:33:051:33:07

So... Mm-hmm.

1:33:231:33:24

Look... Yes.

1:33:261:33:28

You are, frankly,

1:33:281:33:29

about the most infuriating person I've ever met, which,

1:33:291:33:32

considering I work in Scottish publishing, is saying something.

1:33:321:33:36

But we couldn't have got here without each other.

1:33:381:33:41

So, Jane, what I'm saying is...

1:33:441:33:46

will you...?

1:33:461:33:48

Could you...?

1:33:501:33:52

Is that a contract? Two more books and an option for a third.

1:33:521:33:55

Exclusive? Naturally, we'd have to work very, very, very closely.

1:33:551:33:59

With lots of notes. An excessive amount of notes.

1:33:591:34:02

OK, I do.

1:34:021:34:03

I mean... I mean, I will.

1:34:051:34:08

I will, I meant. Erm...

1:34:081:34:10

OK, just give it here.

1:34:101:34:11

MUSIC: I Fall For You by Lorne Balfe Sandi Thom

1:34:201:34:23

He likes that - you like that, don't you? I like that.

1:38:321:38:33

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