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This programme contains some strong language. | 0:00:02 | 0:00:09 | |
Orphaned when he was just a boy, | 0:01:57 | 0:01:59 | |
Harry Papadopoulos came to this country with nothing. | 0:01:59 | 0:02:02 | |
Harry was a grafter, entering the restaurant trade as a young man. | 0:02:02 | 0:02:07 | |
That's a euphemism for Greek waiter, isn't it? | 0:02:07 | 0:02:09 | |
CROWD CHUCKLES | 0:02:09 | 0:02:10 | |
Only joking, Harry. | 0:02:10 | 0:02:12 | |
He then started the now-famous Papadopoulos and Sons, | 0:02:12 | 0:02:16 | |
doing all things Greek, | 0:02:16 | 0:02:17 | |
from taramasalata to olive oil and frozen moussakas, | 0:02:17 | 0:02:22 | |
which I must admit, my wife and I are partial to occasionally. | 0:02:22 | 0:02:25 | |
Not one to settle, Harry's made the move into commercial property, | 0:02:25 | 0:02:28 | |
where he's about to embark on one of the most audacious developments yet, | 0:02:28 | 0:02:32 | |
Papadopoulos Plaza - | 0:02:32 | 0:02:34 | |
a two-million square foot redevelopment | 0:02:34 | 0:02:36 | |
in the heart of our great city. | 0:02:36 | 0:02:39 | |
APPLAUSE | 0:02:39 | 0:02:41 | |
Ladies and gentlemen, I give you European Entrepreneur of the Year, | 0:02:44 | 0:02:48 | |
Harry Papadopoulos. | 0:02:48 | 0:02:49 | |
APPLAUSE | 0:02:49 | 0:02:52 | |
That's lovely. Now, just hold it up a bit for me. Yeah, that's nice. | 0:03:05 | 0:03:08 | |
-Bunch in a little. -Just look at the camera. -Little bit more. Perfect. | 0:03:08 | 0:03:11 | |
-Now, touch the vase for me, if you don't mind. -Touch it? | 0:03:11 | 0:03:15 | |
-What a perv. -Oh, Katie... You're the p-p-p-perv. | 0:03:15 | 0:03:21 | |
-And you're the f-f-f-freak. -Shush! -Come, guys. Big smiles! | 0:03:21 | 0:03:24 | |
-Big smiles for me! -Did you really work in a restaurant, Daddy? | 0:03:24 | 0:03:27 | |
-A long time ago. Touch it. -This is supposed to be a celebration! | 0:03:27 | 0:03:30 | |
What's the Greek word? Is it, er...opa? Opa? | 0:03:30 | 0:03:33 | |
Touch the vase. | 0:03:33 | 0:03:34 | |
Cheese! | 0:03:37 | 0:03:38 | |
Congratulations from the Prime Minister. | 0:03:39 | 0:03:42 | |
-Sir Derek Otterly was there today, Mrs Parrington. -Mm. Don't know him. | 0:03:46 | 0:03:50 | |
Sir Derek? You must remember him, he's been to the house. | 0:03:50 | 0:03:53 | |
-They all blur. -That's because they're all so dull. | 0:03:53 | 0:03:56 | |
Weird... Gold doing well, tech stocks down. | 0:03:56 | 0:03:59 | |
-Nice one, Mrs P. -Thanks, Dave. Do you want to stay for supper? | 0:03:59 | 0:04:03 | |
I'd best not, I've got some dinner at home. | 0:04:03 | 0:04:06 | |
That's a nice vase, innit? | 0:04:06 | 0:04:08 | |
European Entrepreneur of the Year. | 0:04:09 | 0:04:11 | |
It's impressive. | 0:04:12 | 0:04:14 | |
-Dave, did you g-get my cuttings? -I did, mate. It's the greenhouse. | 0:04:14 | 0:04:18 | |
I got you a caryopteris and a philadelphus. | 0:04:18 | 0:04:21 | |
-Cheers, man. Thank you. -See yous later. -See you tomorrow. | 0:04:23 | 0:04:26 | |
Daddy, what did Papadopoulos and Sons borrow for the | 0:04:26 | 0:04:29 | |
-property development? -About 300 million. | 0:04:29 | 0:04:31 | |
Never mind the trials and tribulations of the stock market, | 0:04:31 | 0:04:34 | |
finish your supper, young man! | 0:04:34 | 0:04:36 | |
Nanny P! | 0:04:36 | 0:04:38 | |
Eat up or there's no pudding. I made you a nice sponge. | 0:04:38 | 0:04:41 | |
-Two, four, eight... -All right. | 0:04:41 | 0:04:43 | |
-..16, 32, 64, 128... -That's enough. | 0:04:43 | 0:04:47 | |
Something is happening with inter-bank lending, Daddy. | 0:04:47 | 0:04:50 | |
We'll talk about it tomorrow. | 0:04:50 | 0:04:52 | |
It's going to be a long summer. | 0:04:52 | 0:04:54 | |
Taking them to a business award ceremony is hardly a family day out. | 0:04:54 | 0:04:57 | |
SHE SIGHS | 0:04:59 | 0:05:01 | |
My suggestion was a cottage in Lyme Regis. | 0:05:01 | 0:05:03 | |
Dave, I need to talk to you about James. | 0:05:08 | 0:05:11 | |
It's... Look you really should be doing that out the back. | 0:05:11 | 0:05:14 | |
-Yeah, sorry. -Look, it's, er... | 0:05:14 | 0:05:18 | |
He needs to complete his degree and this gardening, the horticulture, | 0:05:18 | 0:05:23 | |
-the plants... -Yeah, yeah. -It's a huge distraction. | 0:05:23 | 0:05:26 | |
I was just helping him out during the holidays. | 0:05:28 | 0:05:30 | |
Yeah, well, I need him to complete his studies | 0:05:30 | 0:05:32 | |
and you're diverting his attention. | 0:05:32 | 0:05:34 | |
And frankly, it's not what I pay you for. | 0:05:34 | 0:05:37 | |
Please don't be so churlish. | 0:05:38 | 0:05:40 | |
You know, if you worked for my company, you'd probably be fired. | 0:05:40 | 0:05:43 | |
Yeah. | 0:05:44 | 0:05:46 | |
Is there anything else? | 0:05:46 | 0:05:48 | |
No. That's it. | 0:05:49 | 0:05:51 | |
Goodnight, Mr Papadopoulos. | 0:05:51 | 0:05:53 | |
James? | 0:05:58 | 0:05:59 | |
JAMES TRIES TO SPEAK | 0:05:59 | 0:06:00 | |
Relax. | 0:06:00 | 0:06:02 | |
Calm down. | 0:06:02 | 0:06:04 | |
JAMES TRIES TO SPEAK | 0:06:04 | 0:06:05 | |
You need to learn how to... | 0:06:05 | 0:06:08 | |
You really need to learn how to express yourself more calm... | 0:06:08 | 0:06:11 | |
Wanker. | 0:06:11 | 0:06:12 | |
Wanker! | 0:06:13 | 0:06:15 | |
DOOR CLOSES | 0:06:20 | 0:06:21 | |
KNOCK ON DOOR | 0:06:21 | 0:06:22 | |
James, can I come in? | 0:06:25 | 0:06:27 | |
"It's not the strongest who survive, nor the most intelligent, | 0:06:43 | 0:06:47 | |
"but those adaptable to change." | 0:06:47 | 0:06:51 | |
Fascinating. Charles Darwin. | 0:06:51 | 0:06:53 | |
Aww, look at that! | 0:06:55 | 0:06:58 | |
-And that's... -Did you know that the average garden contains over | 0:07:03 | 0:07:08 | |
3.5 million species? | 0:07:08 | 0:07:11 | |
No, I didn't. | 0:07:11 | 0:07:13 | |
Dad, I'm not going back to it. | 0:07:17 | 0:07:19 | |
But it's only a year and then you've got a law degree. | 0:07:19 | 0:07:22 | |
I have no intention of running... | 0:07:22 | 0:07:25 | |
Papadopoulos and Sons. | 0:07:29 | 0:07:31 | |
I can't even pronounce it. | 0:07:33 | 0:07:35 | |
Look... | 0:07:35 | 0:07:37 | |
..finish your studies. The plants... | 0:07:39 | 0:07:42 | |
you know, it's a hobby, sure. | 0:07:42 | 0:07:44 | |
Give yourself options. You may change your mind about the business. | 0:07:44 | 0:07:47 | |
-You know, there a lot of creative roles now in business. -Like what? | 0:07:47 | 0:07:51 | |
Like marketing. | 0:07:57 | 0:07:59 | |
All right, defer the final year. | 0:08:00 | 0:08:02 | |
Take a year out, why not? Fine... | 0:08:04 | 0:08:07 | |
but don't quit. | 0:08:07 | 0:08:09 | |
-Your mother would have said the same. -Would she? | 0:08:09 | 0:08:11 | |
Well, your mother would probably have said, do what you feel | 0:08:11 | 0:08:14 | |
was right, but I'd argue she was wrong. | 0:08:14 | 0:08:16 | |
And then we'd argue, probably. And she'd win. | 0:08:17 | 0:08:20 | |
That was your mother. | 0:08:22 | 0:08:24 | |
At least consider deferring. | 0:08:26 | 0:08:28 | |
OK. I'll consider deferring. | 0:08:33 | 0:08:36 | |
Yeah? Great! | 0:08:38 | 0:08:40 | |
Great. So, there you are. It's not a definitely not. | 0:08:44 | 0:08:49 | |
What's this one called? | 0:08:54 | 0:08:56 | |
It's an ivy. | 0:08:56 | 0:08:58 | |
DOORBELL RINGS | 0:09:00 | 0:09:02 | |
Mrs P? | 0:09:03 | 0:09:05 | |
Mrs P?! | 0:09:11 | 0:09:12 | |
Look, I'd better... | 0:09:16 | 0:09:19 | |
Hey... | 0:09:19 | 0:09:20 | |
..well done for... | 0:09:22 | 0:09:24 | |
..you know. | 0:09:26 | 0:09:28 | |
Closed? | 0:09:36 | 0:09:37 | |
Yes, please. | 0:09:37 | 0:09:39 | |
Evening, boss. Sorry to disturb. I work for a homeless charity... | 0:09:41 | 0:09:44 | |
-Sorry. No, thanks. -New dish cloths? | 0:09:44 | 0:09:47 | |
-I know how you people operate. -I've got a badge. | 0:09:47 | 0:09:49 | |
No mention of a charity. | 0:09:49 | 0:09:52 | |
Come on, boss. Give us a break. | 0:09:52 | 0:09:54 | |
I'm trying to earn a living here. Look, I've got tea towels, | 0:09:54 | 0:09:57 | |
surface cleaners, scrubbers, brushes, window sprays, | 0:09:57 | 0:10:00 | |
chamois for drying the car. | 0:10:00 | 0:10:02 | |
-Cars... -Daddy, you need to see the news! | 0:10:03 | 0:10:06 | |
Hello there, mini boss. | 0:10:06 | 0:10:08 | |
Who's that man? | 0:10:08 | 0:10:10 | |
He's a... He's a... He works for a charity. | 0:10:10 | 0:10:13 | |
-Is it a cake sale? -Cakes? | 0:10:13 | 0:10:16 | |
Did you say cakes? Did he say cakes? | 0:10:16 | 0:10:19 | |
-How do you know that's what I want to do, open up a cake shop? -Cakes? | 0:10:19 | 0:10:22 | |
-Really? -Cupcakes, individually decorated gingerbread men, | 0:10:22 | 0:10:25 | |
bite-size apple strudels, gooey fudge balls, mini-muffins... | 0:10:25 | 0:10:29 | |
As well as traditional fare. | 0:10:29 | 0:10:30 | |
I've got a business plan and everything. It'll be egalitarian, | 0:10:30 | 0:10:34 | |
but feel...exclusive. | 0:10:34 | 0:10:37 | |
Sort of my mission statement, really. | 0:10:37 | 0:10:40 | |
"Progressive people's cake shop." | 0:10:40 | 0:10:41 | |
-With progressive pricing. -That's very good. | 0:10:43 | 0:10:45 | |
I know a thing or two about the food business, as well. | 0:10:45 | 0:10:48 | |
Really? I'm looking for investors. | 0:10:48 | 0:10:51 | |
Retail's not for me, I'm afraid. Staff - nightmare! | 0:10:51 | 0:10:53 | |
Nick your cakes, upset your customers and then do you | 0:10:53 | 0:10:56 | |
-for wrongful dismissal. -Thanks for the encouragement. | 0:10:56 | 0:10:58 | |
Let's buy something! The news, Daddy! | 0:10:58 | 0:11:01 | |
How much for, er... | 0:11:05 | 0:11:07 | |
It's a chamois. | 0:11:09 | 0:11:10 | |
-Whatever. How much? -The chamois? It's a chamois. | 0:11:10 | 0:11:14 | |
-I'm not going to say that word. -Why not? | 0:11:14 | 0:11:17 | |
Cos it's a silly word and I don't know what it's for. | 0:11:17 | 0:11:21 | |
And I don't know if you are genuine. | 0:11:21 | 0:11:23 | |
And I'll probably never use it. | 0:11:23 | 0:11:26 | |
DOOR CLOSES | 0:11:26 | 0:11:28 | |
Oh, a chamois! | 0:11:31 | 0:11:33 | |
Come look, Daddy. | 0:11:33 | 0:11:35 | |
Turn it up. | 0:11:40 | 0:11:41 | |
'Panic, confusion and chaos.' PHONE RINGS | 0:11:43 | 0:11:46 | |
'They said it couldn't happen again, | 0:11:46 | 0:11:48 | |
'but today it just did, sending shock waves through...' | 0:11:48 | 0:11:52 | |
-What's going on? -Another bank collapse. | 0:11:52 | 0:11:54 | |
Nicholas. | 0:11:54 | 0:11:56 | |
-Yeah, I'm watching now. It's insane. -'..the bank is put into liquidation. | 0:11:56 | 0:12:00 | |
'It comes as a shock...' | 0:12:00 | 0:12:02 | |
I don't know, why don't you call him? | 0:12:02 | 0:12:04 | |
All right. I'll see you first thing tomorrow. Bye. | 0:12:06 | 0:12:08 | |
Will this have repercussions on your loan? | 0:12:08 | 0:12:11 | |
That's a very good word, Theo. Isn't it? | 0:12:11 | 0:12:16 | |
Daddy?! | 0:12:16 | 0:12:17 | |
-Hm? -Repercussions... | 0:12:17 | 0:12:21 | |
It's a good word. | 0:12:22 | 0:12:25 | |
Mm. Yes, sorry. Yes. | 0:12:25 | 0:12:27 | |
It's a very good word. | 0:12:27 | 0:12:30 | |
They've revalued the property, they're calling in their guarantees. | 0:12:36 | 0:12:39 | |
You need to find 30 mil now. Six months to find the rest. | 0:12:39 | 0:12:43 | |
And if we don't? | 0:12:45 | 0:12:47 | |
What happens? | 0:12:50 | 0:12:51 | |
They'll put you and everything you own into administration. | 0:12:51 | 0:12:55 | |
Harry, you took out crazy loans. | 0:12:56 | 0:12:58 | |
-Our business is making feta cheese, for God's sake. -Nai. | 0:12:58 | 0:13:01 | |
You gambled it on a shopping mall. | 0:13:01 | 0:13:03 | |
I could really do without these comments, right now. | 0:13:03 | 0:13:05 | |
I am the finance director of this company, Harry. | 0:13:05 | 0:13:08 | |
You never listened. Never. It always had to be bigger. Better. | 0:13:08 | 0:13:12 | |
Like these offices. | 0:13:13 | 0:13:15 | |
We didn't need these offices. | 0:13:15 | 0:13:18 | |
Do you know how much we paid for that work of art up there? Do you? | 0:13:18 | 0:13:22 | |
200 grand. | 0:13:22 | 0:13:24 | |
200 grand... | 0:13:24 | 0:13:26 | |
for a fish. | 0:13:26 | 0:13:28 | |
-What do you want me to do, Nick? -Our business was profitable, Harry. | 0:13:28 | 0:13:32 | |
I was going to retire in two years. | 0:13:32 | 0:13:34 | |
I'd like to bring that forward. | 0:13:36 | 0:13:38 | |
You're resigning? Now? The accountants are coming in. | 0:13:42 | 0:13:45 | |
Sorry, Harry. | 0:13:45 | 0:13:47 | |
HE SPEAKS GREEK | 0:13:47 | 0:13:50 | |
-Nicholas! -No, it's enough. It's enough. | 0:13:50 | 0:13:53 | |
Nicholas! Can you believe that? | 0:13:53 | 0:13:56 | |
Shit, fan and hitting. Hey, Fat Laki! | 0:13:56 | 0:14:00 | |
You know why they call this guy Fat Laki? | 0:14:00 | 0:14:03 | |
Oh, wow. Well, congratulations. | 0:14:04 | 0:14:06 | |
I stopped eating bread. It's sad, though. | 0:14:06 | 0:14:09 | |
I love bread. But what can you do? | 0:14:09 | 0:14:12 | |
This is Sophie, just relocated from our New York office. | 0:14:12 | 0:14:15 | |
Hello, I'm really pleased to meet you. Can I just say, | 0:14:15 | 0:14:17 | |
I'm a huge fan of Greek food. | 0:14:17 | 0:14:18 | |
-Especially the cakes. I love baklava. -Great. | 0:14:18 | 0:14:22 | |
Ship's going down and we've got baklava. | 0:14:23 | 0:14:25 | |
So, I take it the banks are pulling the rug? | 0:14:25 | 0:14:28 | |
What are the bastards proposing? | 0:14:28 | 0:14:29 | |
They've demanded the 300 million we borrowed. | 0:14:29 | 0:14:32 | |
-30, by close of play. -Sweet mother of God, they are sons of bitches. | 0:14:32 | 0:14:36 | |
They've taken a new position on the value of the property development. | 0:14:36 | 0:14:39 | |
It's triggered the guarantees. | 0:14:39 | 0:14:42 | |
Can you sell it? | 0:14:42 | 0:14:44 | |
It's not even a building site yet. | 0:14:44 | 0:14:46 | |
So, it's bankruptcy. | 0:14:46 | 0:14:48 | |
Put something offshore, I said. He wanted to pay his taxes. | 0:14:48 | 0:14:52 | |
Maybe, I should have been more Greek about it. | 0:14:52 | 0:14:54 | |
-Hey, it's bankruptcy, baby. Not a disaster. -Accountants! | 0:14:54 | 0:14:57 | |
When it's good they get paid. When it's bad they get paid. | 0:14:57 | 0:15:00 | |
I want my son to be a lawyer for the same reason. | 0:15:00 | 0:15:04 | |
He doesn't get it. | 0:15:04 | 0:15:05 | |
So, what are the options? | 0:15:07 | 0:15:09 | |
Well, the obvious is to buy back your own business. | 0:15:09 | 0:15:11 | |
Trick is finding the investors to back you. | 0:15:11 | 0:15:14 | |
And the banks will sell back to me because...? | 0:15:14 | 0:15:17 | |
Because nobody makes pink slop like you do, Harry. | 0:15:17 | 0:15:19 | |
The banks just want a quick sale. They have no interest in running | 0:15:19 | 0:15:22 | |
your business. | 0:15:22 | 0:15:23 | |
Let's jump on it. | 0:15:25 | 0:15:27 | |
I'll talk to private equity firms, VCs, angels - the usual suspects. | 0:15:28 | 0:15:32 | |
We'll find someone. | 0:15:34 | 0:15:36 | |
What doesn't break you, makes you. | 0:15:36 | 0:15:38 | |
Ah, therapy! Don't charge me for that, will you? | 0:15:38 | 0:15:42 | |
Rob, don't let her charge me for that! | 0:15:42 | 0:15:44 | |
MUSIC PLAYS THROUGHOUT: Magissa Thessaloniki (Nyfoula tou Thermaikou) by Mario, Hontronakos | 0:15:50 | 0:15:55 | |
They're going through my things. It's disgusting! | 0:16:45 | 0:16:48 | |
-I know, darling. It's temporary, you'll get it all back. -Morning. | 0:16:48 | 0:16:51 | |
Oh, hi(!) | 0:16:51 | 0:16:53 | |
-Problem! -This is the kitchen. -Fabulous finishes! | 0:16:53 | 0:16:58 | |
-How long is this going to take? -Most of the day, I should think. | 0:16:58 | 0:17:02 | |
-And what are we allowed to keep? -Ah, well, according to the asset sheet, | 0:17:02 | 0:17:06 | |
let's see. Erm... | 0:17:06 | 0:17:07 | |
..not very much. | 0:17:09 | 0:17:10 | |
Little rats with their little claws. | 0:17:10 | 0:17:13 | |
-That's quite unnecessary, Katie. -We may as well do this now. | 0:17:13 | 0:17:17 | |
That's a nice computer. | 0:17:17 | 0:17:20 | |
Oh, don't worry. We're not going to take it. | 0:17:20 | 0:17:23 | |
-Now(!) -HE LAUGHS AWKWARDLY | 0:17:23 | 0:17:26 | |
-Anything interesting? -Stocks! Everyone's selling, I'm buying. | 0:17:27 | 0:17:32 | |
-Two, four, eight, 16... -Double your numbers quietly, Theo. | 0:17:32 | 0:17:37 | |
And apologise. | 0:17:37 | 0:17:38 | |
Otherwise I'll confiscate that wretched computer for a week. | 0:17:38 | 0:17:41 | |
Sorry(!) | 0:17:41 | 0:17:44 | |
There's no easy way of doing this. | 0:17:44 | 0:17:46 | |
You have impeccable taste, by the way. | 0:17:46 | 0:17:48 | |
-It's not mine. -We operate on very strict guidelines... | 0:17:48 | 0:17:51 | |
We have your range of Greek dips at home. Don't we, Rupert? | 0:17:51 | 0:17:55 | |
And as I was saying, we operate on very strict guidelines. | 0:17:55 | 0:17:57 | |
So, what is legally ours? | 0:17:57 | 0:18:00 | |
Well, the bank will let you keep £25,000 in cash | 0:18:00 | 0:18:03 | |
and you're each allowed £1,000 in personal items. | 0:18:03 | 0:18:06 | |
My Westwood Gold Label cost more than that! | 0:18:06 | 0:18:09 | |
It's such a beautiful dress. I couldn't resist looking. | 0:18:09 | 0:18:11 | |
-I love it, too. -(I'll sort something out for you.) -(Thank you.) | 0:18:11 | 0:18:15 | |
-Nigel... -You seem like such a lovely family. | 0:18:15 | 0:18:17 | |
-We hate doing this. -Nigel! -Right. | 0:18:17 | 0:18:21 | |
So, 25K cash | 0:18:21 | 0:18:25 | |
and 1,000 in... | 0:18:25 | 0:18:29 | |
personal items. | 0:18:29 | 0:18:32 | |
CAR ENGINES STARTS | 0:18:32 | 0:18:34 | |
What else? | 0:18:34 | 0:18:35 | |
Well, one thing that came up in the meeting with HQ this morning - | 0:18:35 | 0:18:38 | |
the fish and chip shop. The Three Brothers? | 0:18:38 | 0:18:41 | |
-What fish and chip shop? -Well, that went years ago. | 0:18:41 | 0:18:44 | |
Well, the bank is unable to seize it as an asset, because of its | 0:18:44 | 0:18:47 | |
co-ownership with a, er, Spiros Papadopoulos. | 0:18:47 | 0:18:51 | |
-Right. -Yes, that's his brother. | 0:18:51 | 0:18:54 | |
But they haven't spoken in years. | 0:18:54 | 0:18:56 | |
It was so strange. Oh, James... | 0:18:58 | 0:19:02 | |
more lemon, son. | 0:19:02 | 0:19:03 | |
Oh-ho! This is so good, Mrs P. | 0:19:05 | 0:19:10 | |
In all the years... | 0:19:10 | 0:19:11 | |
I've never stopped thinking about you. | 0:19:13 | 0:19:15 | |
-Or your food! -Ah, still so charming. | 0:19:15 | 0:19:18 | |
Mm... It's true. | 0:19:18 | 0:19:21 | |
So... | 0:19:21 | 0:19:23 | |
I'm sitting there, watching the telly... | 0:19:23 | 0:19:27 | |
and suddenly, I see Papadopoulos and Sons. | 0:19:27 | 0:19:30 | |
-On the TV! -Daddy over-leveraged himself. | 0:19:30 | 0:19:33 | |
HE LAUGHS | 0:19:35 | 0:19:37 | |
Look at this little Englezo! | 0:19:37 | 0:19:39 | |
Hey! I'm your Uncle Spiros, ey! I'm your uncle! | 0:19:40 | 0:19:45 | |
I'm going to eat him, he's so cute. | 0:19:45 | 0:19:48 | |
Please, don't eat me. | 0:19:48 | 0:19:50 | |
He's just like his mother. A little Englishman. | 0:19:52 | 0:19:55 | |
That's because my mummy was English. | 0:19:55 | 0:19:57 | |
Ah! | 0:19:57 | 0:20:01 | |
I know, ey! | 0:20:01 | 0:20:03 | |
So, I'm watching the news and I'm thinking, | 0:20:07 | 0:20:11 | |
"What's my baby brother gone and done, now?" | 0:20:11 | 0:20:14 | |
And just at that moment, as I'm thinking that thought - | 0:20:14 | 0:20:18 | |
in the same split second - | 0:20:18 | 0:20:22 | |
the phone rings and it's him! | 0:20:22 | 0:20:24 | |
I mean, it's got to be some kind of quantum physics there, no? | 0:20:25 | 0:20:31 | |
No? | 0:20:31 | 0:20:32 | |
It's...insane. Insane. | 0:20:34 | 0:20:36 | |
Katie? You're so grown-up. | 0:20:40 | 0:20:43 | |
I can't believe this. | 0:20:43 | 0:20:45 | |
You were, like, just a girl. | 0:20:45 | 0:20:49 | |
Dumpy and spoiled. | 0:20:49 | 0:20:52 | |
Look at you now... | 0:20:52 | 0:20:53 | |
-Well, she's still a little spoiled. -Nanny P! | 0:20:53 | 0:20:56 | |
And dumpy. | 0:20:56 | 0:20:59 | |
Not so dumpy. | 0:20:59 | 0:21:02 | |
Ah, James! | 0:21:02 | 0:21:05 | |
Sweet baby James. When you were three... | 0:21:05 | 0:21:08 | |
How old was he? Three or four? | 0:21:08 | 0:21:12 | |
..we used to play fight. Remember? | 0:21:12 | 0:21:15 | |
You loved to fight. | 0:21:15 | 0:21:17 | |
You broke my nose. Yeah! | 0:21:17 | 0:21:21 | |
-Fuck, that hurt! -Spiros! -Oh...sorry! | 0:21:21 | 0:21:26 | |
Duck! I said, "Duck!" | 0:21:26 | 0:21:29 | |
-Quack, quack. -I know what you said. | 0:21:29 | 0:21:32 | |
Don't tell your father. Quack, quack! | 0:21:32 | 0:21:35 | |
HE CHUCKLES | 0:21:35 | 0:21:37 | |
Harry, thank you for phoning me. | 0:21:42 | 0:21:45 | |
No, seriously. I am so grateful. | 0:21:45 | 0:21:49 | |
There's... | 0:21:49 | 0:21:51 | |
..I know there's so much we need to sort out, you and I. | 0:21:52 | 0:21:56 | |
-Well... -But we should be celebrating. | 0:21:59 | 0:22:03 | |
Yeah! | 0:22:03 | 0:22:04 | |
I don't drink any more - just so you know - | 0:22:04 | 0:22:07 | |
but you don't have to be drunk to dance. That's what I say now. | 0:22:07 | 0:22:10 | |
-"You don't have to be drunk to dance!" -Fantastic. | 0:22:10 | 0:22:13 | |
So, look. We're losing the house and, well, everything. | 0:22:13 | 0:22:17 | |
-What? -It's only temporary. | 0:22:17 | 0:22:19 | |
I'm in negotiation with a top corporate finance team | 0:22:19 | 0:22:22 | |
to buy it back. But in the meantime, I need to free up some capital. | 0:22:22 | 0:22:25 | |
I'll give you whatever I've got. You know, I don't have much money... | 0:22:25 | 0:22:28 | |
I don't want your money, Spiro. | 0:22:28 | 0:22:30 | |
I want to sell The Three Brothers. | 0:22:30 | 0:22:32 | |
We split 50-50. I get enough money to pay the rent, pay a few bills... | 0:22:32 | 0:22:37 | |
and it's great for you, because you get some cash to do | 0:22:37 | 0:22:40 | |
whatever it is you want to...do. | 0:22:40 | 0:22:43 | |
-We can't sell The Three Brothers. -I knew it. | 0:22:49 | 0:22:52 | |
I knew you'd be difficult. I knew it. I knew it, I knew it, I knew it. | 0:22:52 | 0:22:55 | |
-You haven't changed. -No, it doesn't feel right. | 0:22:55 | 0:22:58 | |
-You're loving this. -Oh, Harry! I want to help. | 0:22:58 | 0:23:01 | |
-Can't you see we're in the shit?! -Gentlemen, please! | 0:23:01 | 0:23:04 | |
May I suggest we sleep on this. | 0:23:04 | 0:23:06 | |
Before it gets out of hand. | 0:23:07 | 0:23:09 | |
Yeah. This is good advice, Mrs P. | 0:23:12 | 0:23:15 | |
Harry... | 0:23:16 | 0:23:18 | |
-Harry! -OK, whatever. | 0:23:20 | 0:23:22 | |
TRADITIONAL GREEK MUSIC PLAYS THROUGHOUT | 0:23:28 | 0:23:32 | |
I couldn't sleep last night. Not a wink! | 0:23:39 | 0:23:42 | |
Over and over in my mind, I was trying to imagine selling the shop. | 0:23:42 | 0:23:48 | |
Something here was saying, "No. No!" | 0:23:48 | 0:23:52 | |
I want to help you. | 0:23:52 | 0:23:54 | |
All of you. | 0:23:54 | 0:23:58 | |
So, I prayed for guidance and I asked the universe, | 0:23:58 | 0:24:01 | |
"Please, help me. Please, help me help these people." | 0:24:01 | 0:24:06 | |
And I must've fallen asleep not long after. A crazy sleep. | 0:24:06 | 0:24:11 | |
And then, this dream. | 0:24:11 | 0:24:14 | |
There was this...this music. | 0:24:14 | 0:24:18 | |
The most incredible music. | 0:24:18 | 0:24:21 | |
And you and me, Harry, running the shop. | 0:24:21 | 0:24:25 | |
I woke up with tears in my eyes and I knew... | 0:24:26 | 0:24:30 | |
Sorry, what are you going on about? | 0:24:32 | 0:24:34 | |
We're going to reopen The Three Brothers. | 0:24:35 | 0:24:38 | |
HE LAUGHS | 0:24:38 | 0:24:39 | |
Brilliant! | 0:24:39 | 0:24:41 | |
Is he talking about us? | 0:24:43 | 0:24:46 | |
-Yeah, I think he is. -There's nothing there! | 0:24:46 | 0:24:49 | |
Exactly. It's empty, useless. | 0:24:49 | 0:24:52 | |
We'd get nothing for it. | 0:24:52 | 0:24:53 | |
But if we made The Three Brothers great again... | 0:24:53 | 0:24:57 | |
Hey! That is our destiny! | 0:24:57 | 0:25:00 | |
OK, it needs work, sure. | 0:25:02 | 0:25:04 | |
But destiny needs work. | 0:25:04 | 0:25:07 | |
You're still crazy. | 0:25:07 | 0:25:09 | |
We have... You - you have a better chance of getting through this | 0:25:10 | 0:25:15 | |
if we increase the value of the shop. | 0:25:15 | 0:25:17 | |
I'm not opening a fish and chip shop. I'm Papadopoulos and Sons. | 0:25:17 | 0:25:21 | |
-I'm on supermarket shelves. -Oh, God. What would I tell my friends? | 0:25:21 | 0:25:24 | |
-I don't know, maybe the truth? SHE MIMICS HIM: -"I don't know, maybe the truth." | 0:25:24 | 0:25:29 | |
-God. Fuck off! -F-F-Fuck you. -Enough! | 0:25:29 | 0:25:32 | |
People, hear me out. If we get it up and running again, | 0:25:32 | 0:25:36 | |
we can sell it as a going concern, instead of an empty shop. | 0:25:36 | 0:25:40 | |
This deal that you're working on could take ages. | 0:25:40 | 0:25:42 | |
In the meantime, you're getting cash in AND you're saving money. | 0:25:42 | 0:25:47 | |
Because it's got two bedrooms. Eh? | 0:25:47 | 0:25:49 | |
The Three Brothers is a gold mine. Used to be. | 0:25:54 | 0:25:59 | |
-Can be again. -When did you become so practical? | 0:25:59 | 0:26:01 | |
I'll get it fixed. I'm a handyman now. | 0:26:01 | 0:26:04 | |
Oh, I thought you were a waiter, Spiros? | 0:26:04 | 0:26:06 | |
Around too much booze, Mrs P. | 0:26:06 | 0:26:08 | |
I went travelling. Belgium, America, Brooklyn... | 0:26:08 | 0:26:12 | |
I ended up managing a block of apartments in LA. | 0:26:12 | 0:26:15 | |
I do painting, decorating, plumbing, electrics, everything. | 0:26:15 | 0:26:19 | |
A man who can fix things. | 0:26:19 | 0:26:21 | |
I've got a van. | 0:26:21 | 0:26:22 | |
Oh, it's all right, everyone. Don't panic. He's got a van(!) | 0:26:22 | 0:26:26 | |
Let's go look at the shop. Let me go and start working on it now. | 0:26:26 | 0:26:29 | |
You're out of your mind. I know what you're up to. | 0:26:29 | 0:26:33 | |
You want to make some money for yourself. | 0:26:33 | 0:26:35 | |
That's fine, it's OK. It's OK. At least you're thinking smart these days. | 0:26:35 | 0:26:40 | |
But don't involve us in all this. | 0:26:40 | 0:26:41 | |
-I want to help. -Given the current situation... | 0:26:44 | 0:26:47 | |
..I think it's worth considering. | 0:26:48 | 0:26:51 | |
What?! I'm not opening a fish and chip shop! | 0:26:51 | 0:26:56 | |
I'm not! | 0:26:56 | 0:26:58 | |
I'm not! I'm not! I'm not! I'M NOT! | 0:26:58 | 0:27:01 | |
NOT! | 0:27:01 | 0:27:03 | |
What? | 0:27:05 | 0:27:07 | |
May I have a private word? | 0:27:08 | 0:27:10 | |
Now. | 0:27:14 | 0:27:16 | |
-You're behaving like a child. -Mrs Parrington, with all due respect... | 0:27:20 | 0:27:23 | |
-You are the father of this family. -..I'd rather boil my own head than go back to a chip shop. | 0:27:23 | 0:27:28 | |
What a terrible thing to say. Really. | 0:27:28 | 0:27:31 | |
He's unreliable, Mrs P. He's irresponsible. He's a talker. | 0:27:31 | 0:27:34 | |
He sings. He dances. He plays the bongo drums. He's a waiter. | 0:27:34 | 0:27:38 | |
He'll drive us all mad and leave us broke. | 0:27:38 | 0:27:41 | |
He seems reformed to me. He doesn't drink any more, I think he wants to help. | 0:27:41 | 0:27:45 | |
Moving back to a chip shop will destroy my children's confidence. | 0:27:46 | 0:27:49 | |
Seeing you behave like a spoiled brat will do that perfectly well. | 0:27:49 | 0:27:53 | |
We're going to smell of fish and chips. | 0:27:55 | 0:27:57 | |
The children need a home. | 0:27:58 | 0:28:01 | |
I don't give a fig for your bourgeois snobbery. | 0:28:01 | 0:28:04 | |
Look at you. Everything has to be a drama with you Greeks. | 0:28:05 | 0:28:09 | |
Show some gumption, man! | 0:28:09 | 0:28:11 | |
TRADITIONAL GREEK MUSIC PLAYS | 0:28:22 | 0:28:26 | |
So many memories! | 0:29:13 | 0:29:15 | |
Are we really going to live in that?! | 0:29:16 | 0:29:18 | |
I'm trying to find something good. | 0:29:21 | 0:29:23 | |
And? | 0:29:25 | 0:29:27 | |
No. Nothing. | 0:29:27 | 0:29:29 | |
Nonsense. You'll love it! | 0:29:29 | 0:29:32 | |
We're going to have a crazy time. | 0:29:32 | 0:29:35 | |
We're going to fix this place up. I'm going to teach you how to do some Greek dancing, some singing. | 0:29:35 | 0:29:40 | |
We'll fry some good fish. We'll laugh. | 0:29:40 | 0:29:44 | |
Good times! Good times! | 0:29:44 | 0:29:46 | |
MUSIC CONTINUES | 0:29:50 | 0:29:54 | |
-I don't believe it! -What? -The Greeks are back. | 0:30:05 | 0:30:08 | |
-What Greeks? -Those Greeks. | 0:30:10 | 0:30:11 | |
Hello, my old friends. | 0:30:13 | 0:30:15 | |
Mehmet, find out what they're up to. | 0:30:15 | 0:30:19 | |
See? | 0:30:45 | 0:30:47 | |
It looks much worse from the outside. | 0:30:47 | 0:30:50 | |
It's actually a fish and chip shop. | 0:30:50 | 0:30:52 | |
Of course it is, you spanner. | 0:30:54 | 0:30:56 | |
Daddy, really? | 0:30:58 | 0:31:00 | |
What's this? | 0:31:01 | 0:31:04 | |
This is Mr Charles. Our lucky fish. | 0:31:04 | 0:31:08 | |
He helped us make the busiest chip shop in London. | 0:31:08 | 0:31:10 | |
I can smell the past. | 0:31:18 | 0:31:20 | |
Your father and I - young! | 0:31:20 | 0:31:22 | |
The women - young! | 0:31:23 | 0:31:26 | |
Making good money! | 0:31:27 | 0:31:29 | |
Wasting it. | 0:31:29 | 0:31:31 | |
Gambling it. | 0:31:31 | 0:31:33 | |
Losing it. | 0:31:33 | 0:31:34 | |
-HE TUTS -Happy days! | 0:31:34 | 0:31:38 | |
-It's a crack den! -Don't worry... | 0:31:38 | 0:31:40 | |
..let me show you the rest. We'll make it homely. | 0:31:42 | 0:31:44 | |
Furniture, beds, TV. Come on. | 0:31:44 | 0:31:47 | |
Let me show you. So, here is the prep room, where we prepare the fish and... | 0:31:47 | 0:31:51 | |
There is a living room... You can put a in TV here. | 0:31:56 | 0:32:00 | |
And there is... | 0:32:01 | 0:32:04 | |
PHONE RINGS | 0:32:04 | 0:32:06 | |
Mortimer, Rolf and Jones. | 0:32:07 | 0:32:09 | |
Hello. Could I speak to Rob? | 0:32:10 | 0:32:13 | |
'He's not at his desk. Can I take a message?' | 0:32:13 | 0:32:16 | |
-It's Harry Papadopoulos. -Oh, hi. It's Sophie. | 0:32:18 | 0:32:20 | |
We met at your office the other day. | 0:32:20 | 0:32:23 | |
Oh, hi. | 0:32:23 | 0:32:26 | |
'Any news?' | 0:32:26 | 0:32:28 | |
We're lining up interest. | 0:32:28 | 0:32:30 | |
'Right...' | 0:32:30 | 0:32:31 | |
Er... Well, I, um...I just need to know... | 0:32:34 | 0:32:37 | |
I need to know if this is going to work. | 0:32:41 | 0:32:44 | |
Rest assured. We'll be driving the herd to Abilene. | 0:32:44 | 0:32:47 | |
-Sorry? -Oh. It's an old American Midwest expression. It's er... | 0:32:49 | 0:32:54 | |
Are you OK, Mr Papadopoulos? | 0:32:58 | 0:33:00 | |
Yup, all good. | 0:33:00 | 0:33:02 | |
Er... Just keep me informed, please. | 0:33:02 | 0:33:05 | |
Of course. | 0:33:05 | 0:33:06 | |
Harry Papadopoulos called. You should call him back. | 0:33:14 | 0:33:17 | |
Let's go out, yeah? Let's celebrate. Let's find, I don't know, let's find a salsa club or something, huh? | 0:33:17 | 0:33:23 | |
-Sorry? -IN AMERICAN ACCENT: -Daddy just put another pig in the bag. OUCH(!) | 0:33:23 | 0:33:27 | |
New instruction - Wallinghams. Big UK retail chain - established. | 0:33:27 | 0:33:32 | |
# Leave it, leave it to Wallinghams. # | 0:33:32 | 0:33:36 | |
"Comfortably, elegantly, reliably, Wallinghams! Croydon, Greenwich, Enfield, Wimbledon." | 0:33:36 | 0:33:40 | |
And... DING! Going into administration. Coming to little old moi for services rendered. | 0:33:40 | 0:33:45 | |
-AS TOMMY COOPER: -Oh, thank you. Oh, thank you very much. | 0:33:45 | 0:33:48 | |
God, I love an economic downturn! | 0:33:48 | 0:33:50 | |
Joking aside, though - 5,000 laid off. Sad. Very, very sad. | 0:33:50 | 0:33:55 | |
But dear sweet mother of God, it was a shit business. | 0:33:57 | 0:34:00 | |
-Happy days. -Oh, yeah. | 0:34:02 | 0:34:05 | |
-AMERICAN ACCENT: -Hallelujah. | 0:34:05 | 0:34:08 | |
Six? | 0:34:08 | 0:34:09 | |
Two, four, eight, 16... | 0:34:14 | 0:34:17 | |
-Two, four, eight... -Daddy, come look at this giant mushroom I found! | 0:34:23 | 0:34:27 | |
Coming. | 0:34:27 | 0:34:29 | |
Yeah! | 0:34:34 | 0:34:37 | |
Yeah, yeah, yeah. | 0:34:37 | 0:34:39 | |
Hey! | 0:34:40 | 0:34:42 | |
Remember up here? Hm? | 0:34:42 | 0:34:46 | |
We used to bring out the tables and the chairs with the other Greeks. | 0:34:49 | 0:34:53 | |
What ever happened to Soula, Pani and Stavros. | 0:34:53 | 0:34:57 | |
I loved that crowd. | 0:34:57 | 0:34:58 | |
Sometimes there'd be a poker game, sometimes dancing. We had fun. | 0:35:00 | 0:35:04 | |
Did my daddy dance? | 0:35:04 | 0:35:06 | |
Yeah, I taught him. | 0:35:06 | 0:35:08 | |
And your mother. | 0:35:08 | 0:35:09 | |
-My mummy? -Mm-hm. | 0:35:09 | 0:35:11 | |
Hey, this is the place where your mummy and your daddy met. | 0:35:11 | 0:35:18 | |
What, up here? | 0:35:18 | 0:35:20 | |
Yeah. They talked all night. They danced. | 0:35:20 | 0:35:22 | |
Yeah, there was a lot of dancing here. | 0:35:24 | 0:35:27 | |
Hey! | 0:35:27 | 0:35:29 | |
You want me to show you? How 'bout it? | 0:35:29 | 0:35:31 | |
Spiros, please. It's not a holiday. Just show everyone around. | 0:35:34 | 0:35:39 | |
What? | 0:35:39 | 0:35:40 | |
I'll show you later. | 0:35:42 | 0:35:44 | |
You all right? | 0:35:47 | 0:35:49 | |
Yeah. | 0:35:50 | 0:35:52 | |
Yeah, no, I like the view. | 0:35:52 | 0:35:54 | |
I might put some plants up here. | 0:35:56 | 0:35:57 | |
-Hello. -Hi. -Do you have a light? | 0:36:06 | 0:36:10 | |
You came all this way for a light? | 0:36:11 | 0:36:13 | |
I'm from the kebab shop across the road. | 0:36:26 | 0:36:28 | |
Nice(!) | 0:36:29 | 0:36:31 | |
My dad wants me to spy on you. | 0:36:39 | 0:36:41 | |
I don't think he likes Greeks. | 0:36:42 | 0:36:44 | |
You want to go out sometime? | 0:36:48 | 0:36:49 | |
Yeah, all right. | 0:36:52 | 0:36:53 | |
I'm Mehmet. | 0:36:54 | 0:36:56 | |
It's Katie. | 0:36:56 | 0:36:57 | |
It's shit around here, isn't it? | 0:37:01 | 0:37:03 | |
Yeah. | 0:37:03 | 0:37:05 | |
Pretty much. | 0:37:06 | 0:37:08 | |
Yeah. | 0:37:13 | 0:37:15 | |
-Catch you later. -Yeah. | 0:37:18 | 0:37:20 | |
Bye. | 0:37:21 | 0:37:23 | |
MUSIC: Athina, Athina by The Trio Attiko | 0:37:26 | 0:37:31 | |
PHONE RINGS | 0:38:43 | 0:38:46 | |
Mortimer, Rolf and Jones. | 0:38:47 | 0:38:49 | |
Oh. Hi, Dad! | 0:38:49 | 0:38:51 | |
Yeah, I got them. They're beautiful. Thank you. | 0:38:51 | 0:38:54 | |
All right, put her on. | 0:38:56 | 0:38:58 | |
-He's here. -(Right, just a second.) | 0:38:59 | 0:39:02 | |
Hi, Mom. | 0:39:02 | 0:39:04 | |
Thanks for the flowers. They're lovely. | 0:39:04 | 0:39:06 | |
There was nothing wrong with New York. | 0:39:08 | 0:39:10 | |
Yes, you can stay friends with Matt. | 0:39:12 | 0:39:14 | |
And Bill and Susan. | 0:39:16 | 0:39:18 | |
Mom, look, I've got a meeting. | 0:39:20 | 0:39:21 | |
I don't know, just some meeting. | 0:39:23 | 0:39:25 | |
Yeah, I promise I will. | 0:39:25 | 0:39:27 | |
I love you. | 0:39:28 | 0:39:30 | |
OK, bye. | 0:39:30 | 0:39:31 | |
Parents! | 0:39:32 | 0:39:34 | |
Is Matt your, um... | 0:39:34 | 0:39:35 | |
-Ex. -Right. | 0:39:35 | 0:39:37 | |
A bit of a tosser, yeah? | 0:39:38 | 0:39:40 | |
I wouldn't say tosser, exactly. | 0:39:41 | 0:39:45 | |
We just wanted different things. | 0:39:47 | 0:39:49 | |
Yada, yada, yada. Yeah, I hear ya. | 0:39:49 | 0:39:52 | |
It's like me and my ex. She was keen and everything, but... | 0:39:52 | 0:39:56 | |
I don't know, her forward thinking sort of killed the romance, you know? | 0:39:56 | 0:40:00 | |
It's good to have these little chats, yeah? | 0:40:02 | 0:40:04 | |
Shouldn't always be about work. Society is so work obsessed. | 0:40:04 | 0:40:08 | |
Tragic. | 0:40:08 | 0:40:09 | |
Right. Back to work. | 0:40:11 | 0:40:13 | |
-Some big names. -Pap & Sons is still a cash cow. | 0:40:27 | 0:40:30 | |
What's the potential deal structure? | 0:40:30 | 0:40:32 | |
That's the pisser. | 0:40:32 | 0:40:34 | |
You'd still be key to running the business, but... | 0:40:34 | 0:40:37 | |
But? | 0:40:38 | 0:40:39 | |
Money isn't cheap, Harry. | 0:40:39 | 0:40:41 | |
These guys will want at least 95% of the company. | 0:40:41 | 0:40:44 | |
Leaving me with nothing. I'd do the same thing. | 0:40:45 | 0:40:48 | |
I'd be CEO of Papadopoulos & Sons. | 0:40:50 | 0:40:53 | |
Get a salary. | 0:40:53 | 0:40:54 | |
Get my house back. | 0:40:54 | 0:40:56 | |
My children's future. | 0:40:56 | 0:40:57 | |
-Beats fish and chips. -You'd be working for someone else. | 0:40:57 | 0:41:00 | |
I'd be working for someone else. | 0:41:00 | 0:41:03 | |
By the way, I'm not actually running a fish and chip shop. | 0:41:03 | 0:41:06 | |
-Just helping my brother re-launch. -Sure. | 0:41:06 | 0:41:08 | |
Listen, there may be another way. | 0:41:08 | 0:41:10 | |
It came up in conversation with the Norske Velconan Bank. | 0:41:10 | 0:41:13 | |
It'd be along the lines of a straight loan to buy back the business. | 0:41:13 | 0:41:16 | |
-Why would they lend to me? -Well, let's ask them. Do you want me to look into it? -Sure. No choice. | 0:41:16 | 0:41:20 | |
OK, cool. | 0:41:20 | 0:41:22 | |
Got to go. Got an emergency. Wait, get this... | 0:41:22 | 0:41:25 | |
A hi-tech portable toilet company that has literally gone down the tubes. | 0:41:25 | 0:41:30 | |
An internet-ready, wireless crapper | 0:41:30 | 0:41:33 | |
with a waterproof keyboard and screen, for the love of God. | 0:41:33 | 0:41:36 | |
Because taking a dump needed an overhaul? | 0:41:36 | 0:41:38 | |
So, somebody's got to bury them. | 0:41:38 | 0:41:40 | |
In nomine Patris, et Spiritus Sancti, etc, etc... | 0:41:40 | 0:41:43 | |
Got to love a downturn(!) | 0:41:43 | 0:41:45 | |
Laters. | 0:41:47 | 0:41:48 | |
I think what you are currently doing with your brother sounds liberating. | 0:41:56 | 0:42:00 | |
I'm liberating myself from my last 25 grand on a disused chip shop. | 0:42:01 | 0:42:05 | |
But it's like a start-up. | 0:42:05 | 0:42:07 | |
Isn't that the most exciting phase of any venture? | 0:42:07 | 0:42:10 | |
Taking a bit of risk. Developing your products and your services. | 0:42:10 | 0:42:14 | |
Learning about your market. | 0:42:15 | 0:42:18 | |
Look, some of the largest companies on the planet never make a profit. | 0:42:18 | 0:42:22 | |
Like, a real profit. It's all accounting tricks and leveraged debt. | 0:42:22 | 0:42:26 | |
What I'm trying to say is... | 0:42:26 | 0:42:28 | |
does it matter if the business is a small one? | 0:42:28 | 0:42:31 | |
As long as it makes a profit and the people who work there are happy? | 0:42:31 | 0:42:35 | |
What are you doing working in a place like this? | 0:42:37 | 0:42:40 | |
This is only temporary. I got divorced recently. | 0:42:40 | 0:42:44 | |
Came to London for a fresh start. | 0:42:44 | 0:42:46 | |
I'm actually looking into setting up my own business. | 0:42:46 | 0:42:50 | |
Well, I'm sorry about that. | 0:42:51 | 0:42:53 | |
About the divorce, I mean. Not... | 0:42:54 | 0:42:57 | |
I've been meaning to ask. Can I come and visit your shop sometime? | 0:42:58 | 0:43:02 | |
-There isn't one. -When it's up and running. | 0:43:04 | 0:43:07 | |
It's a chip shop. | 0:43:08 | 0:43:10 | |
It's hot. On your feet all hours. | 0:43:10 | 0:43:12 | |
Verbal abuse from costumers on a Friday night. | 0:43:12 | 0:43:16 | |
I wasn't applying for a job, Harry. | 0:43:16 | 0:43:19 | |
I just wanted to stop by. | 0:43:19 | 0:43:21 | |
KNOCK ON DOOR | 0:43:29 | 0:43:32 | |
It's late! | 0:43:34 | 0:43:36 | |
What are you doing, little man? | 0:43:37 | 0:43:39 | |
Trading. | 0:43:39 | 0:43:42 | |
I watch trends... making trades based on patterns. | 0:43:42 | 0:43:46 | |
I don't even look at the fundamentals. | 0:43:46 | 0:43:49 | |
The fundamentals? | 0:43:49 | 0:43:50 | |
You know - capital employed, gearing ratios, etc. | 0:43:50 | 0:43:54 | |
Not even profit or turnover. It's short term, but I can spot a trend. | 0:43:54 | 0:43:59 | |
I know what's going to happen. | 0:44:00 | 0:44:02 | |
So, you can see the future? | 0:44:02 | 0:44:04 | |
-And? -Same as the past. | 0:44:06 | 0:44:09 | |
The pursuit of order from chaos. | 0:44:09 | 0:44:11 | |
I'm done for today. | 0:44:11 | 0:44:13 | |
Ah, Theo, Theo, Theo. | 0:44:16 | 0:44:18 | |
HE SPEAKS GREEK | 0:44:19 | 0:44:22 | |
Sweet dreams. | 0:44:24 | 0:44:26 | |
Uncle Spiros? | 0:44:26 | 0:44:28 | |
You knew my mummy? | 0:44:28 | 0:44:30 | |
Yes. | 0:44:32 | 0:44:34 | |
She was... | 0:44:34 | 0:44:36 | |
she was beautiful. | 0:44:36 | 0:44:39 | |
And she was very kind to me. | 0:44:39 | 0:44:41 | |
I wish I had my mummy sometimes. | 0:44:44 | 0:44:46 | |
It's very hard for you. | 0:44:47 | 0:44:49 | |
I'd have made her laugh, Uncle Spiros. | 0:44:49 | 0:44:51 | |
You make me laugh. | 0:44:53 | 0:44:55 | |
I've come out with some classics. Real gems. | 0:44:58 | 0:45:03 | |
Wasted on this family. | 0:45:05 | 0:45:09 | |
HE LAUGHS | 0:45:09 | 0:45:12 | |
You are something else! | 0:45:12 | 0:45:16 | |
-We can hear everything. -Don't fall for him, Spiros. | 0:45:16 | 0:45:19 | |
He's a little tinker. | 0:45:19 | 0:45:22 | |
-Say the magic release poem. -No. | 0:45:22 | 0:45:25 | |
-Yeah, actually say the magic release poem. -No! | 0:45:25 | 0:45:29 | |
Theo Papadopoulos is a Hippopotamus | 0:45:31 | 0:45:35 | |
He's always making such a fuss | 0:45:35 | 0:45:38 | |
From his toe to bottomus. | 0:45:38 | 0:45:41 | |
HE LAUGHS | 0:45:41 | 0:45:43 | |
Ah, your kids! They're something. | 0:45:49 | 0:45:53 | |
Don't worry. I'm not TOO religious. | 0:46:03 | 0:46:07 | |
I'm a lapsed Buddhist. | 0:46:12 | 0:46:14 | |
I do everything a good Buddhist does. Except abstinence. | 0:46:14 | 0:46:18 | |
PFF-FF-RRR-T! | 0:46:18 | 0:46:20 | |
Ear plugs? | 0:46:24 | 0:46:26 | |
This is a fantastic thing. | 0:46:29 | 0:46:32 | |
Did you ever imagine 30 years ago? Back here?! | 0:46:34 | 0:46:39 | |
No. | 0:46:42 | 0:46:43 | |
Remember how excited we felt when we first got this place? | 0:46:43 | 0:46:46 | |
It feels like that again! | 0:46:46 | 0:46:49 | |
Hey... | 0:46:49 | 0:46:50 | |
My gut says posh Alaskan pollock over cod. | 0:46:50 | 0:46:53 | |
-What do you think? -I should never have taken out that loan. | 0:46:53 | 0:46:58 | |
We'll talk fish after we fix this place. | 0:47:00 | 0:47:04 | |
(We'll talk fish after we fix this place!) | 0:47:04 | 0:47:08 | |
Katie's got some good thoughts. Says we should keep the old look. | 0:47:08 | 0:47:14 | |
Hmm? | 0:47:14 | 0:47:16 | |
And she had some beautiful ideas about the uniforms. | 0:47:16 | 0:47:19 | |
But then, you know, the potential yield of the plaza, | 0:47:19 | 0:47:21 | |
Papadopoulos Plaza, | 0:47:21 | 0:47:24 | |
fully developed with a 1,000-year lease. | 0:47:24 | 0:47:26 | |
I'd have kept the freehold. | 0:47:26 | 0:47:29 | |
I'm telling you, Spiro. It was good. | 0:47:29 | 0:47:35 | |
I'd have been worth a fortune. Worth, I don't know... | 0:47:35 | 0:47:39 | |
One billion five, one billion six. | 0:47:39 | 0:47:41 | |
One billion six! | 0:47:43 | 0:47:45 | |
Big numbers, Spiro. Big, big numbers. | 0:47:46 | 0:47:50 | |
SPIROS SNORES | 0:47:52 | 0:47:55 | |
We were children when we came to the UK. With nothing. | 0:48:15 | 0:48:18 | |
We start again. Fat Laki, the weight you lost is an inspiration. | 0:48:19 | 0:48:25 | |
Phil the Till, | 0:48:25 | 0:48:26 | |
you've helped many Greeks with your tax-friendly till machines. | 0:48:26 | 0:48:30 | |
Hey, only two things are certain in life. Death and taxes. | 0:48:30 | 0:48:36 | |
Unless you're Greek! Then it's only death! | 0:48:36 | 0:48:39 | |
APPLAUSE | 0:48:39 | 0:48:41 | |
Nikos, Kyriaco, Androniki, Loula, | 0:48:41 | 0:48:44 | |
Uncle Panico, Aphrodite, Maria and, of course, Father Jimmy. | 0:48:44 | 0:48:49 | |
Thank you. Thank you. Thank you. Thank you. | 0:48:49 | 0:48:53 | |
Didn't Father Jimmy get done for selling illegal copies of Rambo? | 0:48:53 | 0:48:57 | |
He owns three liquor stores in Palmers Green. | 0:48:57 | 0:48:59 | |
He always hated me. | 0:48:59 | 0:49:01 | |
People, hello. Sorry, hi. | 0:49:01 | 0:49:04 | |
Just want you to know this is a temporary situation for the family. | 0:49:04 | 0:49:07 | |
I'm currently in negotiation with a top corporate finance team | 0:49:07 | 0:49:10 | |
about re-acquiring the assets of Papadopoulos & Sons. That's it. | 0:49:10 | 0:49:14 | |
-What did he say? -He's had some sort of breakdown. -Tragic. | 0:49:14 | 0:49:20 | |
James! Music! | 0:49:20 | 0:49:22 | |
MUSIC: Opa, Opa Ta Bouzoukia by the Delphi Brothers | 0:49:22 | 0:49:24 | |
Thank you. | 0:49:24 | 0:49:26 | |
I officially announce the renovation | 0:49:26 | 0:49:30 | |
of the Three Brothers. | 0:49:30 | 0:49:33 | |
You're supposed to do that when you launch something. | 0:49:33 | 0:49:35 | |
To hell with convention. | 0:49:35 | 0:49:37 | |
GLASS SMASHES | 0:49:37 | 0:49:39 | |
APPLAUSE | 0:49:39 | 0:49:40 | |
HE SPEAKS GREEK | 0:49:40 | 0:49:42 | |
MUSIC: Opa, Opa Ta Bouzoukia by the Delphi Brothers | 0:49:47 | 0:49:51 | |
Ante, Laki. Pes mas. | 0:51:49 | 0:51:50 | |
-Tell us. -Entaksi. Don't rush me. | 0:51:50 | 0:51:53 | |
It's been a long time since I had meat like this. | 0:51:53 | 0:51:56 | |
-What's he doing? -He's assessing the competition. | 0:51:57 | 0:52:00 | |
HE SPEAKS GREEK | 0:52:03 | 0:52:06 | |
There's a reason why Hassan is still in business. | 0:52:06 | 0:52:09 | |
Texture - very good. Way above average. Meat content - high. | 0:52:09 | 0:52:13 | |
Mechanically recovered cheap rubbish? You wish! | 0:52:13 | 0:52:16 | |
This is a quality doner. | 0:52:16 | 0:52:18 | |
Nicely cooked, with all the right combination of herbs. | 0:52:18 | 0:52:23 | |
-It's beautiful! -It doesn't mean we can't take them on. | 0:52:24 | 0:52:28 | |
No. I'm not saying we can't. | 0:52:28 | 0:52:30 | |
DOOR CLOSES | 0:52:31 | 0:52:33 | |
-Yes? -Sorry. I... | 0:52:39 | 0:52:41 | |
What do you want? | 0:52:47 | 0:52:48 | |
That's a lot of Greeks. | 0:52:49 | 0:52:52 | |
What? We're going out. | 0:52:55 | 0:52:58 | |
Not too late. | 0:52:58 | 0:53:00 | |
Well, she is 18. | 0:53:04 | 0:53:06 | |
We'll make a better product at a cheaper price with larger portions. | 0:53:19 | 0:53:23 | |
We'll lose money on the kebabs in the short term. | 0:53:23 | 0:53:26 | |
Put the Turks out of business. | 0:53:26 | 0:53:27 | |
Make our margins on the fish and when the rest of this | 0:53:27 | 0:53:29 | |
crummy street's packed up, we'll raise our prices | 0:53:29 | 0:53:31 | |
and cut our portion sizes. | 0:53:31 | 0:53:33 | |
The entrepreneur has spoken. | 0:53:33 | 0:53:35 | |
Hey. It's temporary, but as long as we're here, we'll do some business. | 0:53:35 | 0:53:39 | |
EGGS SIZZLE | 0:53:44 | 0:53:46 | |
You know, when he was a little boy, | 0:53:48 | 0:53:51 | |
he'd come home from school and sit there. | 0:53:51 | 0:53:53 | |
Just like that. | 0:53:53 | 0:53:55 | |
Who was the third...brother? | 0:53:57 | 0:54:01 | |
Michael. | 0:54:01 | 0:54:03 | |
He died in the fire with our parents, your grandparents, | 0:54:03 | 0:54:07 | |
in Cyprus, in the war between the Greeks and the Turks. | 0:54:07 | 0:54:10 | |
How did you both escape? | 0:54:10 | 0:54:12 | |
-Spiros climbed down, and Michael, who was...six... -Yes. | 0:54:14 | 0:54:20 | |
-..dropped me down. I was just a baby. -I caught him. | 0:54:20 | 0:54:26 | |
But Michael, he... told Mihali to jump, but... | 0:54:26 | 0:54:30 | |
He ran right back into the house. | 0:54:32 | 0:54:37 | |
I'll never know why. One night everything changes. | 0:54:37 | 0:54:41 | |
He probably wanted to save his mum and dad. | 0:54:41 | 0:54:45 | |
You know what? | 0:54:46 | 0:54:48 | |
I never thought about that. You could be right. Yeah. | 0:54:48 | 0:54:53 | |
You're a wise boy, James. Your soul is old. | 0:54:53 | 0:54:58 | |
Tell me, this has always been a big question for me for many years. | 0:54:59 | 0:55:03 | |
Do you think I could've done something else? For Michael? | 0:55:03 | 0:55:08 | |
-No, you were holding a baby. -Yeah. | 0:55:08 | 0:55:11 | |
-And how old were you? -I was nine. | 0:55:11 | 0:55:15 | |
You were only a boy, like Theo. | 0:55:15 | 0:55:18 | |
Hmm. | 0:55:20 | 0:55:22 | |
H? | 0:55:22 | 0:55:24 | |
Hello? | 0:55:26 | 0:55:28 | |
What's wrong with him? | 0:55:28 | 0:55:30 | |
Hey! Don't worry. It's temporary. | 0:55:30 | 0:55:34 | |
(Excuse me.) | 0:55:42 | 0:55:44 | |
Did I say something wrong? | 0:55:51 | 0:55:52 | |
KNOCK ON DOOR | 0:55:57 | 0:56:00 | |
He was only nine. | 0:56:05 | 0:56:07 | |
I'd never thought about how young he was. | 0:56:11 | 0:56:13 | |
I brought you this. | 0:56:18 | 0:56:20 | |
Tea. | 0:56:23 | 0:56:24 | |
James? | 0:56:28 | 0:56:30 | |
Come here. | 0:56:33 | 0:56:35 | |
Sit down. | 0:56:37 | 0:56:39 | |
-I've let you and your brother and your sister down. -Dad! | 0:56:45 | 0:56:48 | |
I made a promise to your mother that I'd take care of you. | 0:56:48 | 0:56:51 | |
-And you're doing that. -This is humiliating for you. | 0:56:51 | 0:56:54 | |
Dad, we'll get through this. | 0:56:54 | 0:56:56 | |
Like... | 0:56:57 | 0:56:58 | |
I don't know. | 0:57:00 | 0:57:01 | |
King Lear. | 0:57:01 | 0:57:03 | |
I don't know the story. | 0:57:06 | 0:57:08 | |
Well, um... | 0:57:08 | 0:57:10 | |
King Lear loses everything. | 0:57:10 | 0:57:12 | |
Absolutely everything. He finds himself in the middle of a storm. | 0:57:12 | 0:57:16 | |
With nothing. | 0:57:16 | 0:57:17 | |
And...his kids... They hate him. | 0:57:17 | 0:57:23 | |
-They think he's a prick. -What happens to him? | 0:57:23 | 0:57:29 | |
Well, uh, he dies. | 0:57:31 | 0:57:33 | |
-Oh. -But it has to end like that. Because it's a tragedy. | 0:57:35 | 0:57:40 | |
I'm sorry about your plants. | 0:57:44 | 0:57:47 | |
-I can grow new ones. -Why you didn't bring more with you? | 0:57:47 | 0:57:50 | |
-I didn't want to get in the way. -You're such a sweet boy. | 0:57:52 | 0:57:57 | |
Get that from your mother. Your stammer's getting better. | 0:57:59 | 0:58:03 | |
You know what? I'm going to go get your plants. Now. | 0:58:05 | 0:58:12 | |
-From the house. -What? Right now? -Yeah. | 0:58:12 | 0:58:15 | |
I'm going to go get your plants. | 0:58:15 | 0:58:19 | |
Like King Lear, yeah? | 0:58:19 | 0:58:21 | |
Uh, yeah. Sort of. | 0:58:23 | 0:58:27 | |
GREEK MUSIC PLAYS ON RADIO | 0:59:58 | 1:00:01 | |
There you go. | 1:00:03 | 1:00:04 | |
Oh, no! No. No. No. | 1:00:06 | 1:00:07 | |
THEY LAUGH | 1:00:07 | 1:00:10 | |
Let me see that! | 1:00:10 | 1:00:13 | |
That's perfect. | 1:00:13 | 1:00:16 | |
-Hey. -Daddy! -Hello. | 1:00:16 | 1:00:22 | |
What's going on? | 1:00:23 | 1:00:25 | |
-We're making...batter. -Uncle Spiros' special mix. | 1:00:25 | 1:00:30 | |
-That's all I could find. -Thank you. -It's very late. | 1:00:33 | 1:00:37 | |
Oh. | 1:00:37 | 1:00:40 | |
-I said they could help. -It's the holidays. | 1:00:40 | 1:00:42 | |
Uncle Spiros said I could make beer and vodka batter. | 1:00:42 | 1:00:46 | |
It doesn't sound very good. | 1:00:47 | 1:00:49 | |
LAUGHTER | 1:00:49 | 1:00:51 | |
Hey, you can stay up. | 1:00:51 | 1:00:53 | |
It's the holidays. Tomorrow we'll look through the newspapers. | 1:00:53 | 1:00:57 | |
We'll pick out some stocks. How's that grab you? | 1:00:57 | 1:00:59 | |
Natural resources is a good buy. | 1:00:59 | 1:01:02 | |
Hey, wait. Show us your frying skills. | 1:01:05 | 1:01:07 | |
Yeah, I was telling them how you were born with a timer in your head. | 1:01:07 | 1:01:11 | |
-How you fried to perfection every time. -Not tonight. | 1:01:11 | 1:01:15 | |
-Come on, Dad. Show us how to fillet a fish. -Go on, Daddy. | 1:01:15 | 1:01:21 | |
Yeah, H, come on. Show us. | 1:01:21 | 1:01:24 | |
Show us. | 1:01:24 | 1:01:26 | |
Show us. | 1:01:26 | 1:01:28 | |
CHANTING: Show us. | 1:01:28 | 1:01:30 | |
ALL: Show us. Show us. Show us... | 1:01:30 | 1:01:34 | |
You should really be thinking about bed, all of you. Goodnight. | 1:01:34 | 1:01:38 | |
Bed? | 1:01:38 | 1:01:41 | |
Mmm! | 1:01:42 | 1:01:44 | |
All right. So. Where are we going? | 1:02:18 | 1:02:21 | |
City. Get a loan. Get the business back. Get the house back. | 1:02:21 | 1:02:27 | |
Does this suit look all right? | 1:02:27 | 1:02:29 | |
-Yeah. It's a suit. -Oh! | 1:02:29 | 1:02:32 | |
Doesn't... I don't know, it doesn't fit. | 1:02:32 | 1:02:35 | |
I don't believe it. They're kissing. | 1:02:41 | 1:02:43 | |
-Kids. Come on. -In the street? | 1:02:47 | 1:02:49 | |
-They're smoking. They're hanging out. -Do they? Are they? -What? | 1:02:50 | 1:02:56 | |
Are they screwing? | 1:02:56 | 1:02:57 | |
No. They're just kissing. | 1:02:59 | 1:03:01 | |
-Got to get out of this place. -Come on, he's a sweet guy. -Out! | 1:03:03 | 1:03:08 | |
-Family's in the gutter. -You're over-reacting, Harry. | 1:03:08 | 1:03:12 | |
The thought of her pregnant. | 1:03:12 | 1:03:14 | |
In a kebab shop. | 1:03:14 | 1:03:16 | |
Harry, don't worry about Katie. | 1:03:18 | 1:03:21 | |
She can look after herself. | 1:03:21 | 1:03:24 | |
What are you doing? | 1:04:03 | 1:04:05 | |
I've got something to say. | 1:04:05 | 1:04:07 | |
-About Katie? Is she pregnant? -No. | 1:04:07 | 1:04:10 | |
Oh, God. Have you got cancer? | 1:04:12 | 1:04:16 | |
No. | 1:04:16 | 1:04:17 | |
No, just... Just bear with me. | 1:04:19 | 1:04:22 | |
HE SIGHS | 1:04:27 | 1:04:29 | |
So. Here goes. | 1:04:36 | 1:04:38 | |
"After years of abuse, on my behalf | 1:04:39 | 1:04:43 | |
"and unacceptable behaviour, | 1:04:43 | 1:04:45 | |
"I reached a moment of clarity." | 1:04:45 | 1:04:48 | |
Actually this was two years ago. | 1:04:48 | 1:04:50 | |
-"I'd like to apologise for the hurt I've caused." -What? Now? | 1:04:51 | 1:04:55 | |
"There were aspects of my behaviour which was unacceptable, | 1:04:56 | 1:05:00 | |
-"which includes, but is not limited to..." -Why now? | 1:05:00 | 1:05:04 | |
I've been carrying this... | 1:05:06 | 1:05:08 | |
Well, if you don't want to hear, we can do it later. | 1:05:08 | 1:05:11 | |
No. Now's fine. Now's good. | 1:05:11 | 1:05:13 | |
Just... | 1:05:13 | 1:05:15 | |
Er... Ochi. | 1:05:19 | 1:05:21 | |
Ochi. | 1:05:21 | 1:05:22 | |
Skip that. | 1:05:24 | 1:05:26 | |
-"I have abused your generosity." -I agree with that statement. | 1:05:32 | 1:05:35 | |
"When we were children, and got to London, I looked after you, | 1:05:38 | 1:05:43 | |
"got you ready for school, made you do your homework. | 1:05:43 | 1:05:48 | |
"I taught you to cook, ride a bike, speak Greek, dance..." | 1:05:48 | 1:05:54 | |
Why don't you speak Greek, Harry? | 1:05:54 | 1:05:56 | |
You were reading your list. | 1:06:01 | 1:06:02 | |
"I fought with Steven Klein when he accused | 1:06:08 | 1:06:10 | |
"you of stealing his orthopaedic shoe." Remember that? | 1:06:10 | 1:06:14 | |
Yeah. | 1:06:14 | 1:06:16 | |
-Did you take it? -No. | 1:06:16 | 1:06:19 | |
You can tell me now. | 1:06:20 | 1:06:21 | |
I didn't steal the shoe. Are you going to read all of that? | 1:06:21 | 1:06:25 | |
-I don't have to. -Why did it go wrong with us, Spiro? | 1:06:27 | 1:06:30 | |
We may as well get to it. | 1:06:30 | 1:06:32 | |
Why did you turn against me after I left the shop? | 1:06:32 | 1:06:35 | |
-I never turned against you. -That's what it felt like. | 1:06:35 | 1:06:38 | |
I was jealous of you. | 1:06:46 | 1:06:48 | |
You were my brother. | 1:06:50 | 1:06:51 | |
Brothers get jealous. | 1:06:54 | 1:06:56 | |
You were more than a brother. | 1:06:56 | 1:06:58 | |
You were my life. And then you left. Gone. | 1:06:58 | 1:07:05 | |
I set up the business. I wasn't going to stay in the sh... | 1:07:05 | 1:07:08 | |
-You could have come with me. -Harry, you were so fast. | 1:07:11 | 1:07:16 | |
You were like a plane, like a supersonic jet. | 1:07:16 | 1:07:19 | |
But I gave you everything you ever wanted. | 1:07:21 | 1:07:23 | |
Did I ever once turn you down in all the years after I left the business? | 1:07:23 | 1:07:27 | |
And after it went bust. But it was never enough. | 1:07:27 | 1:07:30 | |
Every week something new. | 1:07:31 | 1:07:33 | |
Writing a cheque to... I don't know, you had some weird friends. | 1:07:33 | 1:07:37 | |
Who is that bloke with the pin head, kept turning up at the house? | 1:07:37 | 1:07:41 | |
None of my friends any more. | 1:07:41 | 1:07:42 | |
And then drunk at Elizabeth's funeral. | 1:07:47 | 1:07:49 | |
And your big tell-it-as-it-is speech. | 1:07:54 | 1:07:58 | |
I heard about it. | 1:08:00 | 1:08:01 | |
Well. That was it. For me. For us. | 1:08:01 | 1:08:05 | |
You were right to cut me off. | 1:08:12 | 1:08:14 | |
She never had a bad word for you, Elizabeth. | 1:08:14 | 1:08:16 | |
She always forgave you. And she made me forgive you. | 1:08:16 | 1:08:19 | |
Every time. | 1:08:19 | 1:08:22 | |
She did. | 1:08:23 | 1:08:25 | |
I always had a way back when she was with us. | 1:08:29 | 1:08:32 | |
Elizabeth was so good to me. | 1:08:37 | 1:08:38 | |
She was our world. | 1:08:48 | 1:08:50 | |
She was our world. | 1:08:51 | 1:08:53 | |
I'm sorry. I can't. | 1:09:03 | 1:09:05 | |
It's OK, H. | 1:09:07 | 1:09:09 | |
I've got to get to this meeting. It's an important meeting. | 1:09:09 | 1:09:14 | |
It's OK to miss her. | 1:09:16 | 1:09:18 | |
Oh, man. | 1:09:21 | 1:09:23 | |
Just give me a minute. | 1:09:30 | 1:09:32 | |
With the help of Lars and the Norske Velconan Bank | 1:09:51 | 1:09:54 | |
we aim to buy Pap & Sons back from the receivers. | 1:09:54 | 1:09:58 | |
Also, Harry, I have to say, that there's an intuitive bond, | 1:09:58 | 1:10:01 | |
between the Greek and the Nordic people. | 1:10:01 | 1:10:05 | |
Maybe the first Vikings were descended from | 1:10:05 | 1:10:08 | |
the ancient Greeks somewhere in the deepness of time. | 1:10:08 | 1:10:12 | |
It's so...Wagnerian! Ya? | 1:10:12 | 1:10:17 | |
We should point out the new approach. | 1:10:19 | 1:10:21 | |
To buy Papadopoulos & Sons | 1:10:23 | 1:10:25 | |
but divest the food manufacturing side of the business. | 1:10:25 | 1:10:28 | |
Divest the food manufacturing? What else is there? | 1:10:28 | 1:10:31 | |
-Sell off the food but keep the property. -Papadopoulos Plaza. | 1:10:31 | 1:10:35 | |
-It's going to be worth a fortune! -It's not what I had in mind. | 1:10:36 | 1:10:40 | |
-It's an asset break-up. -Tusk. Tusk, yah? | 1:10:40 | 1:10:44 | |
Makes us sound like barbarians. | 1:10:44 | 1:10:46 | |
With the new loan you buy back your old assets | 1:10:46 | 1:10:48 | |
and then sell off the brands in the Pap & Sons stable. | 1:10:48 | 1:10:51 | |
-And you know how to squeeze the value, Harry. -That's a break-up. | 1:10:51 | 1:10:56 | |
-Please. I know what it is. -The piTta bread, the cakes, | 1:10:56 | 1:10:59 | |
they get sold to a baker. | 1:10:59 | 1:11:00 | |
The halloumi and feta to a dairy company. | 1:11:00 | 1:11:03 | |
I love your halloumi! Ai-yai-yai! Grilled! It's...! | 1:11:03 | 1:11:07 | |
The sell-off value of these brands will exceed the new loan. | 1:11:07 | 1:11:10 | |
My bank will get its money back faster than you can say "knife". | 1:11:10 | 1:11:13 | |
And what do YOU get? | 1:11:13 | 1:11:16 | |
Lars wants 50% of the plaza development. | 1:11:16 | 1:11:19 | |
Which is what will remain after the debts have been settled. | 1:11:19 | 1:11:21 | |
-So you get 50% of the development for free? -Sure, yeah. | 1:11:21 | 1:11:27 | |
But you get 50% of the same development, yeah. Also for free. | 1:11:27 | 1:11:31 | |
-What do you want, Harry? -I want my food business back. | 1:11:33 | 1:11:35 | |
Guys, guys, guys. Reality check. Harry, it's not going to happen. | 1:11:35 | 1:11:39 | |
The best you can hope for is to work with Lars here and save something. | 1:11:39 | 1:11:43 | |
-Can't say no. -OK, so I need to take this to the board. | 1:11:45 | 1:11:50 | |
Take two, three months, ya? | 1:11:50 | 1:11:53 | |
It seems criminal to buy the business back only to break it up. | 1:11:54 | 1:11:58 | |
Can I just point out that you are skating, | 1:12:00 | 1:12:02 | |
figuratively speaking, on thin fucking ice. | 1:12:02 | 1:12:05 | |
-I'll do whatever the bank wants. -OK. | 1:12:10 | 1:12:13 | |
Harry, we are going to take this to the hoop, ya? Three points. | 1:12:13 | 1:12:18 | |
Three points! | 1:12:18 | 1:12:20 | |
Taking out a loan to pay off a loan so you can | 1:12:25 | 1:12:27 | |
remortgage a property. It's got nothing to do with business. | 1:12:27 | 1:12:31 | |
-It's got nothing to do with making stuff. -I get my life back. -No. | 1:12:31 | 1:12:36 | |
-You get a loan for some land. -My children get their lives back. | 1:12:36 | 1:12:40 | |
I'm sorry. This isn't very professional. | 1:12:42 | 1:12:45 | |
-Do you give all your clients a hard time, Sophie? -No. | 1:12:45 | 1:12:48 | |
-Just the interesting ones. -Have you got five minutes? | 1:12:51 | 1:12:55 | |
Yes, of course. | 1:12:55 | 1:12:57 | |
I just want to talk about the shop. | 1:12:57 | 1:13:00 | |
And make sure my brother has the right plan before I go. | 1:13:02 | 1:13:06 | |
OK. Let's grab a coffee. | 1:13:06 | 1:13:09 | |
So, it's 30% on material. | 1:13:09 | 1:13:12 | |
The fish, the potatoes, the packaging etc. | 1:13:12 | 1:13:14 | |
-Would you include energy? Light? Heat? -Yes. | 1:13:16 | 1:13:21 | |
-But not rent because we already own the building. -OK. | 1:13:21 | 1:13:26 | |
And 30% on labour. | 1:13:26 | 1:13:27 | |
-Yes. -So it's 30, 30, 30, classic restaurant model. | 1:13:27 | 1:13:31 | |
-That's right. -What are your weaknesses? | 1:13:31 | 1:13:35 | |
The price of fish can vary dramatically. | 1:13:39 | 1:13:41 | |
-Can you vary the menu? -You don't want to complicate it. | 1:13:42 | 1:13:47 | |
It doesn't have to be complicated, Harry. | 1:13:48 | 1:13:51 | |
What are your fears? | 1:13:56 | 1:13:58 | |
My fears? | 1:13:58 | 1:14:00 | |
Oh. | 1:14:06 | 1:14:07 | |
Just that it won't work out. | 1:14:07 | 1:14:11 | |
-That fish and chips has maybe had its day. -No. Hang on a second. | 1:14:15 | 1:14:20 | |
Fish and chips. It's a British classic! | 1:14:22 | 1:14:26 | |
Much more than just a quick meaningless experience. | 1:14:26 | 1:14:29 | |
Something to be savoured. | 1:14:30 | 1:14:31 | |
Just think of the soft white cod flakes gently falling away | 1:14:33 | 1:14:37 | |
as your fork pierces the hard, crunchy shell of the golden batter. | 1:14:37 | 1:14:42 | |
The rich smell of the fryer's delight, | 1:14:43 | 1:14:45 | |
the tangy smack of salt and vinegar on your lips. | 1:14:45 | 1:14:48 | |
Hell, yeah! I'd pay for that. | 1:14:49 | 1:14:53 | |
We should talk about... | 1:14:59 | 1:15:01 | |
-We should talk about accounting packages. -Yeah. We should. | 1:15:01 | 1:15:05 | |
-What? -This time last year I was in Malibu. | 1:15:22 | 1:15:27 | |
-We'll go tonight! -It's not a nightclub, it's America. | 1:15:28 | 1:15:31 | |
Oh. Look... | 1:15:33 | 1:15:35 | |
The shop's where I'm from. It's not where I'm going to end up. | 1:15:36 | 1:15:40 | |
My dad must have said that to my mum once. | 1:15:41 | 1:15:44 | |
Maybe even on this bridge. | 1:15:44 | 1:15:47 | |
See. Look where he ended up. | 1:15:47 | 1:15:49 | |
-So what's your plan? -Property. I've got an eye for it. | 1:15:51 | 1:15:56 | |
I'll probably be a pop star one day. | 1:15:56 | 1:16:01 | |
-Cool. -Yo, yo, yo | 1:16:01 | 1:16:03 | |
It's time to die, yo yo blue butterfly | 1:16:03 | 1:16:05 | |
He was fat, he was bloated | 1:16:05 | 1:16:07 | |
He was fatally attracted to my light bulb. | 1:16:07 | 1:16:11 | |
-That is well sick! -Yeah. | 1:16:11 | 1:16:14 | |
I wrote something for you too. | 1:16:16 | 1:16:18 | |
It's a poem. It's called Sometimes I Want For Nothing Else. | 1:16:18 | 1:16:23 | |
Just you and me in an ever-expanding universe | 1:16:24 | 1:16:27 | |
Sharing a cup of tea | 1:16:27 | 1:16:29 | |
Sometimes I want for nothing else. | 1:16:29 | 1:16:31 | |
Fuck. You're amazing. | 1:16:33 | 1:16:36 | |
We start from the side fin on the top, here. | 1:16:48 | 1:16:53 | |
And cut in one move all along the fish to the tail. | 1:16:53 | 1:16:56 | |
Lovely. Come and try. Fresh fish. Lovely hot chips. Delicious fish. | 1:17:19 | 1:17:25 | |
Come and try. Little boy! Battered inside. | 1:17:25 | 1:17:29 | |
Special chip for you. And one for you. Fish and chips. | 1:17:29 | 1:17:33 | |
Come and try. We batter our own fish. | 1:17:33 | 1:17:36 | |
We make beautiful fresh fish inside. Sir, have a chip. | 1:17:36 | 1:17:39 | |
Have a fish. No? None for you. Come and try! Come and try! | 1:17:39 | 1:17:43 | |
-It's not just fish and chips. -There's room for all of us. | 1:17:43 | 1:17:48 | |
-What do you want, Hassan? -Remember when we were children? | 1:17:50 | 1:17:54 | |
And we were friends? We weren't Greeks, Turks. | 1:17:55 | 1:17:59 | |
Respectfully, I would like you to take your kebabs off the menu. | 1:18:01 | 1:18:04 | |
-This is a fish and chip shop. -What do we get? | 1:18:06 | 1:18:09 | |
I won't do fish. | 1:18:11 | 1:18:13 | |
-You DON'T do fish, Hassan. -You're going to put us on the street. | 1:18:16 | 1:18:21 | |
-It's business. -It's not about business! | 1:18:21 | 1:18:24 | |
Perhaps you wouldn't be like this if we were Greeks. | 1:18:24 | 1:18:27 | |
I tell you what. | 1:18:31 | 1:18:33 | |
We'll take kebabs off the menu... | 1:18:34 | 1:18:36 | |
..if you ask your son to stay away from my daughter. | 1:18:38 | 1:18:41 | |
-More tea? -No. Thank you. | 1:18:46 | 1:18:49 | |
-This is very difficult. -Come on. It's easy. | 1:18:49 | 1:18:53 | |
-My son is his own man. -Right. -Then no deal. | 1:18:53 | 1:18:56 | |
-Is it because he's Turkish? Because he's a Muslim? -No. | 1:18:56 | 1:18:59 | |
-I don't have a problem with that. -Harry's not like that. | 1:18:59 | 1:19:02 | |
Because he works in a kebab shop, is that it? | 1:19:02 | 1:19:05 | |
-Yeah. -Harry's more like that. | 1:19:05 | 1:19:07 | |
I'd ask you, both of you, | 1:19:07 | 1:19:09 | |
to respect a man's aspirations for his daughter. | 1:19:09 | 1:19:12 | |
I have similar aspirations for my son. | 1:19:12 | 1:19:15 | |
Spiro? | 1:19:17 | 1:19:18 | |
Perhaps you should remind your brother where he is now. | 1:19:18 | 1:19:20 | |
Tell him to look around. | 1:19:20 | 1:19:22 | |
Perhaps he still sees a big mansion with gardens and servants. | 1:19:22 | 1:19:27 | |
Well, I don't. But, more importantly, neither does my son. | 1:19:27 | 1:19:31 | |
This is only temporary. We'll be gone in a couple of months. | 1:19:31 | 1:19:35 | |
I hope so. It's going to be a very long couple of months. | 1:19:35 | 1:19:39 | |
For both of us. | 1:19:39 | 1:19:41 | |
Say cheese! | 1:19:41 | 1:19:42 | |
CAMERA CLICKS | 1:19:42 | 1:19:44 | |
MUSIC: 5,000 Psemata by Yiorgos Zambetas | 1:19:44 | 1:19:49 | |
So here we are. | 1:21:45 | 1:21:47 | |
Here we are. | 1:21:49 | 1:21:50 | |
I'm sure it will be good news. | 1:21:56 | 1:21:58 | |
If it's good news, Spiro, I want you to have the shop. All of it. | 1:21:58 | 1:22:03 | |
-Will we get to visit Uncle Spiros again? -Of course we will. | 1:22:05 | 1:22:08 | |
Who's going to help me to run the store? | 1:22:08 | 1:22:11 | |
I'm going to need you, little man. | 1:22:11 | 1:22:12 | |
I expect Uncle Spiros will always find you a holiday job here. | 1:22:12 | 1:22:16 | |
MOBILE PHONE RINGS | 1:22:18 | 1:22:20 | |
Hello. Lars, yeah. | 1:22:21 | 1:22:24 | |
I'm just... I'm just... | 1:22:27 | 1:22:29 | |
-What is it? -Did you get the loan? | 1:22:51 | 1:22:54 | |
-Bad news, I'm afraid. -Really? -Yeah. | 1:22:56 | 1:22:59 | |
We're going home. We got it! | 1:22:59 | 1:23:02 | |
-We're going home. -Congratulations. | 1:23:06 | 1:23:08 | |
What's wrong? | 1:23:11 | 1:23:14 | |
We're leaving. We're out of here. We got the loan. | 1:23:14 | 1:23:16 | |
-We should be celebrating. -He's right. It's a good day. | 1:23:19 | 1:23:22 | |
You... You... | 1:23:24 | 1:23:26 | |
..made it. | 1:23:28 | 1:23:29 | |
You're a survivor. | 1:23:32 | 1:23:33 | |
Sorry. | 1:23:35 | 1:23:36 | |
What is it with you, Spiro? Why can't you be happy for me? | 1:23:36 | 1:23:40 | |
Whenever I have any kind of success, | 1:23:41 | 1:23:43 | |
you always have to stamp on it. | 1:23:43 | 1:23:45 | |
Where are you going? | 1:23:47 | 1:23:48 | |
I am happy for you. I am. | 1:23:49 | 1:23:52 | |
-What is it? What's wrong? -There is this... | 1:23:53 | 1:23:57 | |
SPIROS GROANS | 1:23:57 | 1:23:59 | |
-He looks dead to me. -No, he's not dead. He's sleeping. | 1:24:28 | 1:24:31 | |
-He's still sleeping. -Like... | 1:24:31 | 1:24:33 | |
-..Sleeping Beauty? -Yeah. | 1:24:35 | 1:24:37 | |
That's a good way of looking at it. | 1:24:37 | 1:24:39 | |
Sorry. I hope I'm not... | 1:24:50 | 1:24:54 | |
No. No. | 1:24:54 | 1:24:56 | |
Come in. James? James! | 1:24:56 | 1:24:58 | |
-And take the, er... -I heard the news and I really wanted | 1:25:02 | 1:25:06 | |
to bake something, so I made a Greek Easter cake. | 1:25:06 | 1:25:10 | |
-Don't ask. -No, that's really...lovely. | 1:25:10 | 1:25:14 | |
-Thank you very much. We'll have some of that. -James. | 1:25:14 | 1:25:19 | |
He's in a mild coma, apparently, | 1:25:19 | 1:25:21 | |
and we have to talk to him and play music. James, put the ... | 1:25:21 | 1:25:26 | |
Turn the music... | 1:25:27 | 1:25:29 | |
Hey, wake up! | 1:25:29 | 1:25:31 | |
The accountant's here. You've got to wake up. | 1:25:32 | 1:25:35 | |
TECHNO MUSIC PLAYS | 1:25:35 | 1:25:37 | |
-James! -Jesus Christ! -Katie! -It won't turn off. | 1:25:37 | 1:25:40 | |
-You're such a spanner. -Fuck off! | 1:25:40 | 1:25:44 | |
-Let me do it. -Wait, I felt something. Katie, get the doctor. | 1:25:44 | 1:25:48 | |
I don't want to ask. | 1:25:48 | 1:25:50 | |
Oh, for fuck's sake. I'll do it. | 1:25:51 | 1:25:54 | |
-James! -Excuse me... | 1:25:54 | 1:25:56 | |
Doctor, I felt something just now, a gripping movement. | 1:25:56 | 1:25:59 | |
-Anything else? -No, just a slight squeeze. Is that a sign? | 1:25:59 | 1:26:04 | |
-It could be a decorticate response. It's difficult to tell. -Right. | 1:26:04 | 1:26:08 | |
-How long's he going to be like this? -He suffered a heart attack. | 1:26:12 | 1:26:15 | |
It's hard to predict. | 1:26:15 | 1:26:17 | |
You should all take a break. | 1:26:22 | 1:26:24 | |
-I am sorry about him. -Yeah. OK. We'll leave it to you. | 1:26:24 | 1:26:30 | |
Say goodbye to Uncle Spiros. | 1:26:30 | 1:26:33 | |
Come on. Let's all go. | 1:26:33 | 1:26:36 | |
-Would you mind staying around, Sophie? -Of course. | 1:26:40 | 1:26:43 | |
BIG BEN CHIMES | 1:26:45 | 1:26:49 | |
HARRY HUMS A TUNE | 1:26:49 | 1:26:53 | |
So he saved me twice. Once in the fire and once after the bank. | 1:27:08 | 1:27:14 | |
I was always embarrassed by him, you know, by this thing that he does. | 1:27:14 | 1:27:19 | |
But the thing that he does, it's a good thing, really. | 1:27:21 | 1:27:25 | |
These last few months. This year, actually, this whole year. | 1:27:32 | 1:27:36 | |
God, what a year. | 1:27:36 | 1:27:39 | |
What a year! | 1:27:42 | 1:27:44 | |
And yet, I've never felt so alive, | 1:27:46 | 1:27:50 | |
I've never felt so engaged. | 1:27:50 | 1:27:52 | |
Why is that? I mean, why? I'm frying chips! | 1:27:53 | 1:27:57 | |
I love him. | 1:28:01 | 1:28:03 | |
I've always loved him. | 1:28:04 | 1:28:06 | |
And I love my children. | 1:28:09 | 1:28:12 | |
I love... | 1:28:12 | 1:28:13 | |
I love my life. I love it! | 1:28:13 | 1:28:16 | |
Why is that? | 1:28:16 | 1:28:18 | |
Why do I love it now? What was wrong with it before? | 1:28:18 | 1:28:20 | |
-It's OK. -It's a crazy, crazy world. It's up. It's down. | 1:28:24 | 1:28:27 | |
You fight, you win, you lose, become exhausted, then you leave. | 1:28:27 | 1:28:31 | |
There's no logic. There's no logic. It's insane. | 1:28:33 | 1:28:36 | |
The whole thing. | 1:28:39 | 1:28:40 | |
-No, no, no, Spiro. -I'll get someone. -Spiro mou. | 1:28:49 | 1:28:54 | |
SPIROS SIGHS | 1:28:54 | 1:28:56 | |
SPIROS SPEAKS GREEK | 1:28:58 | 1:29:01 | |
You have to let me go. | 1:29:06 | 1:29:09 | |
It's good. Michael's with us. | 1:29:11 | 1:29:14 | |
Michael. | 1:29:16 | 1:29:17 | |
Mihalis was always there. | 1:29:17 | 1:29:20 | |
Always with us. | 1:29:21 | 1:29:22 | |
Always. Three brothers. | 1:29:22 | 1:29:27 | |
When I was a little boy... | 1:29:32 | 1:29:34 | |
..you cooked for me, every time I came home. | 1:29:37 | 1:29:40 | |
They were good times, Spiro. | 1:29:42 | 1:29:44 | |
Efharisto. | 1:29:45 | 1:29:47 | |
SPIROS SPEAKS GREEK | 1:29:48 | 1:29:51 | |
A good life. | 1:29:51 | 1:29:52 | |
Now you understand. | 1:29:54 | 1:29:56 | |
SPIROS SPEAKS GREEK | 1:29:57 | 1:30:00 | |
Did you do this? | 1:31:29 | 1:31:30 | |
It was for you and Uncle Spiros. And Mum. | 1:31:32 | 1:31:36 | |
Thank you, James. | 1:31:45 | 1:31:48 | |
-This is the ivy you saved that night. -We meet again. | 1:31:52 | 1:31:56 | |
Did you know about this? | 1:32:02 | 1:32:05 | |
They can all go back to the house if you want. | 1:32:06 | 1:32:08 | |
The plants are easy to move. | 1:32:08 | 1:32:11 | |
But they're also very happy to grow here as well, | 1:32:13 | 1:32:16 | |
if we choose to stay. | 1:32:16 | 1:32:19 | |
It's whatever you want to do, Daddy. | 1:32:26 | 1:32:28 | |
We're all really proud of you. | 1:32:30 | 1:32:32 | |
-Thank you. -Theo mou. Good day at school? -Very good day. | 1:33:08 | 1:33:14 | |
Impressed the teacher with his ability to solve quadratic equations. | 1:33:14 | 1:33:18 | |
-That is fantastic! -Your friends are outside. | 1:33:18 | 1:33:22 | |
As you won't come to me, I thought I'd come to you. | 1:33:29 | 1:33:32 | |
-I'm not changing my mind, Rob. -I just want to talk. | 1:33:32 | 1:33:36 | |
Tell me this is a joke. | 1:33:36 | 1:33:38 | |
I don't want to do the deal. | 1:33:44 | 1:33:46 | |
Harry, you have seriously lost the plot on this one. | 1:33:46 | 1:33:49 | |
-It just doesn't feel right. -We worked hard on this! | 1:33:49 | 1:33:53 | |
If he doesn't want to do the deal, he doesn't want to do it. | 1:33:53 | 1:33:56 | |
-Shut up! -Hey! No need for that. | 1:33:56 | 1:34:00 | |
-I don't understand. -I've got everything I want. | 1:34:00 | 1:34:04 | |
And I've got no debt. That feels good. | 1:34:04 | 1:34:06 | |
When I lock up my shop at night, it feels good. | 1:34:06 | 1:34:09 | |
I've got no debts, no loans. | 1:34:09 | 1:34:13 | |
-I own it, 100%. -Come on. | 1:34:13 | 1:34:15 | |
A percentage of something that could be worth millions. | 1:34:15 | 1:34:20 | |
-You'd walk away from that? For a chip shop? -Yeah. | 1:34:20 | 1:34:24 | |
Right now, yeah, I would. And I'm with my children. | 1:34:24 | 1:34:27 | |
And that's... | 1:34:27 | 1:34:29 | |
Can't put a price on that, Rob. | 1:34:30 | 1:34:32 | |
And I'm having fun. | 1:34:33 | 1:34:34 | |
We're having fun. | 1:34:34 | 1:34:36 | |
Come back to the shop and let me cook you something to eat. Go on. | 1:34:36 | 1:34:41 | |
We're doing great business. I'm actually thinking of expanding. | 1:34:41 | 1:34:45 | |
That's, er... That's good, Harry. That's very good. | 1:34:45 | 1:34:50 | |
I'm happy for you. | 1:34:50 | 1:34:53 | |
If this is success. | 1:34:53 | 1:34:55 | |
What is success, Rob? | 1:34:56 | 1:34:58 | |
What is it? We've both had it. What is it? | 1:34:58 | 1:35:03 | |
Is it the share price? Is it the profit-earnings ratio? | 1:35:03 | 1:35:08 | |
-Is it a beautiful car? -You tell me, Harry. You've had it all. | 1:35:08 | 1:35:11 | |
Yeah, I have. And I can tell you. | 1:35:11 | 1:35:14 | |
Success... | 1:35:15 | 1:35:16 | |
..is...the joy you feel. | 1:35:18 | 1:35:22 | |
That's it. That's all it is. Success is the joy you feel. | 1:35:27 | 1:35:31 | |
Come on. Let's go. | 1:35:37 | 1:35:39 | |
I don't think so. | 1:35:39 | 1:35:41 | |
OK, I'm sorry I shouted at you. | 1:35:41 | 1:35:44 | |
I don't care about that. | 1:35:44 | 1:35:46 | |
I just don't want to work for you any more. | 1:35:48 | 1:35:50 | |
Good luck, people. | 1:35:55 | 1:35:56 | |
-Best fish and chips in London. -Call me when you want to go public. | 1:35:58 | 1:36:02 | |
HARRY LAUGHS | 1:36:02 | 1:36:04 | |
-I just quit my job. -Yup. I think you did. | 1:36:08 | 1:36:13 | |
I'm just trying to work out... | 1:36:13 | 1:36:16 | |
..what I'm feeling. | 1:36:17 | 1:36:20 | |
And? | 1:36:26 | 1:36:28 | |
Bag of chips? | 1:37:00 | 1:37:02 | |
Ladies and gentlemen, meet our new book-keeper. | 1:37:12 | 1:37:16 | |
-Hello. -You may have to take a few shifts behind the counter. | 1:37:16 | 1:37:18 | |
Well. Got to learn the business from the inside. | 1:37:18 | 1:37:21 | |
-Get the girl a Three Brothers coat. -Yes, boss. | 1:37:21 | 1:37:25 | |
We are going to build a great business. From today. | 1:37:25 | 1:37:30 | |
-I'm so excited. -Good times, eh? | 1:37:30 | 1:37:33 | |
I think so. | 1:37:37 | 1:37:38 | |
Katie, tell Hassan to meet me outside. Laki, bring the kebab. | 1:37:41 | 1:37:46 | |
Hassan? | 1:38:01 | 1:38:03 | |
Thank you for coming. Laki? | 1:38:03 | 1:38:06 | |
Kebabs are off the menu. | 1:38:12 | 1:38:15 | |
You are a good man. Thank you. We must celebrate. The Greek way. | 1:38:17 | 1:38:22 | |
-Yes? Come on. -Oh, no. | 1:38:22 | 1:38:25 | |
-Someone get some plates. Get everyone. -No, I can't. | 1:38:26 | 1:38:30 | |
I actually can't. I, er... | 1:38:30 | 1:38:32 | |
No, I really don't... | 1:38:34 | 1:38:36 | |
-I actually don't know how. -Come on! -Make it up! | 1:38:36 | 1:38:39 | |
-MOCKINGLY: -"Make it up!" | 1:38:39 | 1:38:40 | |
Come on, Harry. I want to learn too. Teach us all how to dance. | 1:38:40 | 1:38:45 | |
ALL: Yeah! | 1:38:45 | 1:38:46 | |
CHEERING | 1:38:47 | 1:38:49 | |
-Oh, Dad! What are you doing? -I think I'm going to dance. | 1:38:49 | 1:38:53 | |
-Then I'll teach you all. -Go on, Daddy! | 1:38:55 | 1:38:57 | |
SHOUTS OF ENCOURAGEMENT | 1:38:57 | 1:38:59 | |
It's been a long time since I did this. | 1:38:59 | 1:39:01 | |
Amazing how it all just...comes back to you. | 1:39:02 | 1:39:06 | |
HARRY HUMS | 1:39:06 | 1:39:10 | |
RHYTHMIC CLAPPING | 1:39:10 | 1:39:13 | |
SHOUTS OF ENCOURAGEMENT IN GREEK | 1:39:13 | 1:39:15 | |
MUSIC: Siko Chorepse Sirtaki by Yiorgos Zambetas | 1:39:15 | 1:39:20 | |
Oh, this is... | 1:39:20 | 1:39:23 | |
CHEERING | 1:39:29 | 1:39:32 | |
RHYTHMIC CLAPPING | 1:39:32 | 1:39:35 | |
HARRY HUMS THE TUNE | 1:39:40 | 1:39:43 | |
Hassan! | 1:40:00 | 1:40:02 | |
Opa! | 1:40:10 | 1:40:12 | |
Opa! | 1:40:26 | 1:40:27 | |
Opa! | 1:41:05 | 1:41:06 | |
Theo, come! Daddy's making the most delightful fool of himself. Quick! | 1:41:42 | 1:41:47 |