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This film contains strong language | 0:00:04 | 0:00:11 | |
CHILDREN LAUGHING | 0:00:27 | 0:00:29 | |
Where's Emma? Emma?! | 0:01:04 | 0:01:05 | |
CHILD SCREAMING | 0:01:05 | 0:01:08 | |
Emma! Emma! | 0:01:08 | 0:01:11 | |
Emma, where are you, honey? Emma? | 0:01:11 | 0:01:14 | |
Emma? | 0:01:15 | 0:01:16 | |
Oh, God. Oh, my God. EMMA CRYING | 0:01:17 | 0:01:19 | |
Are you OK? Oh, God. | 0:01:20 | 0:01:22 | |
OK, OK. | 0:01:22 | 0:01:25 | |
Oh, thank God. | 0:01:25 | 0:01:27 | |
I saw a scary man. | 0:01:30 | 0:01:32 | |
Neither fate nor society. | 0:01:43 | 0:01:45 | |
Put Francis Mulligan in the house | 0:01:45 | 0:01:47 | |
of Gloria Mitchell on the night of the 15th. | 0:01:47 | 0:01:49 | |
Neither fate nor society | 0:01:49 | 0:01:51 | |
told him to tie her up, shove a gun in her face | 0:01:51 | 0:01:54 | |
and steal her belongings. | 0:01:54 | 0:01:56 | |
That was his choice. | 0:01:56 | 0:01:59 | |
The defence... | 0:02:01 | 0:02:03 | |
The defence would have you walk in his client's shoes. | 0:02:05 | 0:02:09 | |
Well, I have. | 0:02:13 | 0:02:15 | |
I'm from Riverdale. | 0:02:16 | 0:02:17 | |
-It's a craphole. -HE CHUCKLES | 0:02:17 | 0:02:19 | |
Nobody's saying it's not, but... | 0:02:20 | 0:02:22 | |
That's where I'm from. It's not who I am. | 0:02:24 | 0:02:27 | |
He is not the victim here. | 0:02:30 | 0:02:32 | |
So if you are going to put yourself in anyone's shoes... | 0:02:35 | 0:02:39 | |
Put yourself... | 0:02:40 | 0:02:42 | |
in Gloria Mitchell's. | 0:02:42 | 0:02:44 | |
Thank you. | 0:02:48 | 0:02:49 | |
The jury will now adjourn to deliberate a verdict. | 0:02:51 | 0:02:54 | |
Nice close. Straight to your top five. | 0:02:57 | 0:02:59 | |
-You like that? -Yeah, I did. | 0:02:59 | 0:03:01 | |
"Not who I am." That was very cute. | 0:03:01 | 0:03:04 | |
-I gotta go. -Mitch, the jury only just left. | 0:03:04 | 0:03:06 | |
Guilty, five years, parole after two. | 0:03:06 | 0:03:08 | |
-How do you know that? -One, the judge is soft | 0:03:08 | 0:03:11 | |
on the educationally-challenged and nobody got shot. | 0:03:11 | 0:03:14 | |
And two? | 0:03:14 | 0:03:15 | |
I don't lose. | 0:03:15 | 0:03:17 | |
Well, that part's true. | 0:03:17 | 0:03:18 | |
-That's why I hate you. -See you tonight. | 0:03:18 | 0:03:20 | |
SHE GROANS Look up. Look up. | 0:03:33 | 0:03:35 | |
PHONE CAMERA CLICKING Please. HE CHUCKLES | 0:03:35 | 0:03:39 | |
-One more. -No. Absolutely not. | 0:03:39 | 0:03:42 | |
-Look at those tiny little hands. -I know. | 0:03:44 | 0:03:47 | |
SHE GROANS I can't believe her. Looks so perfect. | 0:03:53 | 0:03:56 | |
She's so peaceful. | 0:03:58 | 0:04:00 | |
Thank you. | 0:04:02 | 0:04:03 | |
We're lucky. | 0:04:05 | 0:04:06 | |
I'm sorry I have to go to this work thing tonight. | 0:04:08 | 0:04:12 | |
I wish I could stay here with you. | 0:04:12 | 0:04:14 | |
-Help me. -Careful, it's slippery. | 0:04:20 | 0:04:23 | |
Guys. Tomorrow, thank you. | 0:04:23 | 0:04:26 | |
Good night, boys. | 0:04:26 | 0:04:29 | |
-MITCH COUGHING -I fucking hate tequila! | 0:04:29 | 0:04:31 | |
Everybody hates tequila. That's the idea. | 0:04:31 | 0:04:33 | |
Well, I... I didn't know what to get | 0:04:33 | 0:04:34 | |
the man who has everything, so... | 0:04:34 | 0:04:36 | |
He's got a career, a beautiful little baby... | 0:04:36 | 0:04:40 | |
-Oh, my little baby. -..a sexy wife. | 0:04:40 | 0:04:42 | |
-Careful. -And then it hits me... | 0:04:42 | 0:04:45 | |
I'm going to get the man a tequila hangover. | 0:04:45 | 0:04:47 | |
So, Mitch, tomorrow morning, | 0:04:47 | 0:04:49 | |
-you are going to wake up complete, my friend. -That's right. | 0:04:49 | 0:04:51 | |
-Thank you. Thank you. -I helped. | 0:04:51 | 0:04:52 | |
Complete. | 0:04:52 | 0:04:54 | |
You OK getting home? | 0:04:54 | 0:04:55 | |
Yeah. Going to get a... | 0:04:55 | 0:04:57 | |
-Going to get a cab. -All right. | 0:04:57 | 0:04:59 | |
PHONE RINGING | 0:04:59 | 0:05:01 | |
-Hello? -'This is a collect call from an inmate at Concord Penitentiary. | 0:05:03 | 0:05:08 | |
'To accept this call, press 1.' HE GROANS | 0:05:08 | 0:05:11 | |
-Everything OK? -Yeah. | 0:05:11 | 0:05:13 | |
Yeah. Ugh. See you tomorrow. | 0:05:15 | 0:05:18 | |
Listen, when you throw up in the middle of the night, | 0:05:18 | 0:05:20 | |
-aim away from your baby. -Yeah, I will. | 0:05:20 | 0:05:22 | |
-Aim away from the baby. -Away from the baby. | 0:05:22 | 0:05:24 | |
-I promise. -Don't puke on your child, Mitch. | 0:05:24 | 0:05:27 | |
-I won't puke on my child. -Until tomorrow. | 0:05:27 | 0:05:29 | |
Tomorrow. | 0:05:29 | 0:05:31 | |
Don't be late! | 0:05:32 | 0:05:33 | |
LINE RINGING | 0:05:33 | 0:05:36 | |
'Inner-city Taxi.' | 0:05:36 | 0:05:38 | |
-Hey! -KEYS JINGLE | 0:05:38 | 0:05:39 | |
-ALARM CHIRPS, HONKS -'Inner-city Taxi. Hello?' | 0:05:39 | 0:05:42 | |
Can I help you guys? | 0:05:42 | 0:05:43 | |
What the fuck? | 0:05:47 | 0:05:49 | |
Oh, fuck it. | 0:05:55 | 0:05:57 | |
HE STARTS ENGINE | 0:06:01 | 0:06:03 | |
SIRENS WAIL | 0:06:34 | 0:06:37 | |
SIRENS CHIRP | 0:06:58 | 0:07:00 | |
INAUDIBLE | 0:07:00 | 0:07:02 | |
SIRENS CHIRP | 0:07:02 | 0:07:05 | |
RAPID SIRENS | 0:07:12 | 0:07:16 | |
-THUDS -Fuck. | 0:07:16 | 0:07:19 | |
Fuck. | 0:07:19 | 0:07:20 | |
What the fuck? | 0:07:20 | 0:07:22 | |
-BREATHING HEAVILY -Oh, no. | 0:07:22 | 0:07:25 | |
Oh, fuck. Oh, fuck. | 0:07:25 | 0:07:28 | |
Oh, I'm so sorry. I'm so sorry. | 0:07:34 | 0:07:37 | |
Oh, fuck. I'm so sorry. | 0:07:37 | 0:07:39 | |
Oh, shit. | 0:07:39 | 0:07:41 | |
Hey, I'll get an ambulance. | 0:07:41 | 0:07:42 | |
Oh, fuck. Oh, fuck. | 0:07:42 | 0:07:45 | |
-HE GRUNTS -Take this. | 0:07:45 | 0:07:47 | |
-MAN GROANING -It's OK. I'm going to get help. | 0:07:47 | 0:07:49 | |
I'm going to get an ambulance, all right? Hold in there. | 0:07:49 | 0:07:51 | |
OK. OK. | 0:07:59 | 0:08:01 | |
Hey. Two minutes. I promise. | 0:08:02 | 0:08:04 | |
-Don't leave me. -Just going to call an ambulance. | 0:08:04 | 0:08:07 | |
I'll be back in two minutes. | 0:08:07 | 0:08:08 | |
'911, what's your emergency?' | 0:08:20 | 0:08:22 | |
I need an ambulance. A guy's been hit by a car. | 0:08:22 | 0:08:25 | |
-'What's the location, sir?' -Uh, Keeler. | 0:08:25 | 0:08:28 | |
-Keeler and 26th. -'What's your name, sir?' | 0:08:28 | 0:08:30 | |
Please just hurry. Hurry, he's hurt real bad. | 0:08:30 | 0:08:33 | |
-'Sir.' -PHONE CLATTERS | 0:08:33 | 0:08:34 | |
-MAN GROANS -The ambulance is coming. | 0:08:46 | 0:08:49 | |
-Don't leave me. -I have to go. I can't stay. | 0:08:49 | 0:08:51 | |
I can't stay. You'll be fine. | 0:08:51 | 0:08:53 | |
I promise. I promise. I'm sorry. | 0:08:53 | 0:08:55 | |
-Please. No. -I have to go. -Please. -Please. Please. | 0:08:55 | 0:08:58 | |
Fuck. Fuck. | 0:08:59 | 0:09:01 | |
An ambulance is coming, OK? | 0:09:04 | 0:09:05 | |
-TRAIN CLATTERING -OK? | 0:09:05 | 0:09:08 | |
Don't leave me, please. | 0:11:15 | 0:11:17 | |
-There's Daddy. Hey, lover. -Hey. | 0:11:24 | 0:11:27 | |
What on earth are you doing up? | 0:11:27 | 0:11:29 | |
-I didn't sleep great. -Hangover? | 0:11:29 | 0:11:32 | |
-HE CHUCKLES -Yeah. | 0:11:32 | 0:11:34 | |
How are you? | 0:11:34 | 0:11:36 | |
Well, apparently they wake up every two hours and they demand food. | 0:11:36 | 0:11:40 | |
-Who knew? -Can I help? | 0:11:40 | 0:11:43 | |
Yes, you can fix the garage doors. They're driving me crazy. | 0:11:43 | 0:11:47 | |
Just going to grab some diapers. | 0:11:47 | 0:11:49 | |
-TV: -'..blamed a ride home when she got into... | 0:11:50 | 0:11:53 | |
'..in the third period, they mounted... | 0:11:53 | 0:11:55 | |
'..remind everybody that no matter what the weather, | 0:11:55 | 0:11:58 | |
'the winter festival is happening... | 0:11:58 | 0:12:00 | |
'..be careful out there, folks. The weather is...' | 0:12:00 | 0:12:02 | |
-Mitch. -Uh-huh. | 0:12:02 | 0:12:03 | |
Something you wanna tell me? | 0:12:03 | 0:12:06 | |
What? | 0:12:06 | 0:12:08 | |
About last night? | 0:12:08 | 0:12:10 | |
-What? -And the car? | 0:12:12 | 0:12:15 | |
Rach... | 0:12:19 | 0:12:21 | |
Uh... | 0:12:23 | 0:12:24 | |
And why it's parked in the garage? | 0:12:24 | 0:12:26 | |
Did you drive home? | 0:12:26 | 0:12:27 | |
Yeah. | 0:12:31 | 0:12:33 | |
-You promised to take a cab. -I know. | 0:12:33 | 0:12:35 | |
No, I mean... What, are you crazy? Cos if you get a DUI, | 0:12:35 | 0:12:37 | |
then you can kiss the DA's office goodbye. | 0:12:37 | 0:12:39 | |
I know. I know, I'm sorry. | 0:12:39 | 0:12:40 | |
I shouldn't have. I won't do it again. | 0:12:40 | 0:12:42 | |
Mitch, I am serious. You're a father now, OK? | 0:12:42 | 0:12:44 | |
You can't afford to take chances. | 0:12:44 | 0:12:46 | |
I know. I'm sorry. | 0:12:46 | 0:12:49 | |
I'm sorry. | 0:12:49 | 0:12:51 | |
See? Look, even Ella agrees. | 0:12:51 | 0:12:54 | |
Ella? | 0:12:54 | 0:12:56 | |
Are you sure? | 0:12:57 | 0:12:58 | |
Mm-hmm. Don't change the topic. | 0:12:58 | 0:13:01 | |
I don't know what I'd do if I lost you guys. | 0:13:02 | 0:13:04 | |
Mmm. Here, let me take her. You go to bed. | 0:13:04 | 0:13:07 | |
-HE SIGHS -Go get some rest. | 0:13:07 | 0:13:10 | |
There you go. Thanks. TRUCK APPROACHES | 0:13:10 | 0:13:12 | |
Just an hour. | 0:13:12 | 0:13:15 | |
-HE CLEARS HIS THROAT -Hey. -You OK? | 0:14:27 | 0:14:29 | |
Yeah. Could you call around | 0:14:30 | 0:14:32 | |
the local hospitals and clinics? | 0:14:32 | 0:14:34 | |
I'm trying to track down a young man who was involved | 0:14:34 | 0:14:35 | |
in a hit-and-run accident last night around midnight. | 0:14:35 | 0:14:38 | |
-What case is it connected to? -Just let me know what you find. | 0:14:38 | 0:14:41 | |
-Yeah. -Over there. | 0:14:55 | 0:14:57 | |
Thanks. | 0:14:57 | 0:14:59 | |
-Morning, officers. -Good morning. | 0:15:04 | 0:15:06 | |
-Good. This way. -Thanks. | 0:15:06 | 0:15:09 | |
'I'm down here in front of the police department' | 0:15:16 | 0:15:18 | |
with the story of the tragic death of this local young man. | 0:15:18 | 0:15:21 | |
What started out as a routine traffic stop last night | 0:15:21 | 0:15:24 | |
has turned into a gruesome murder investigation | 0:15:24 | 0:15:27 | |
when police officers stopped this van | 0:15:27 | 0:15:29 | |
parked behind me in the police impound | 0:15:29 | 0:15:31 | |
for nothing more than a burnt-out tail-light. | 0:15:31 | 0:15:33 | |
When they saw blood dripping from the rear door, | 0:15:33 | 0:15:35 | |
they demanded the driver open the van | 0:15:35 | 0:15:37 | |
and it was then they discovered the body of Cecil Ackerman, | 0:15:37 | 0:15:40 | |
a 24-year-old parolee from Naperville. | 0:15:40 | 0:15:43 | |
Please don't. | 0:15:43 | 0:15:45 | |
The driver claims he found Ackerman | 0:15:45 | 0:15:47 | |
dying in the road from an apparent hit-and-run | 0:15:47 | 0:15:49 | |
and was merely trying to get him to the hospital. | 0:15:49 | 0:15:51 | |
This is Jeff Franklin, reporting live from the scene. | 0:15:51 | 0:15:54 | |
Hey, Counsellor. | 0:16:08 | 0:16:09 | |
-BUZZES -Thanks. | 0:16:09 | 0:16:11 | |
Yeah? | 0:16:23 | 0:16:24 | |
-Detective Kanon? -Yeah. | 0:16:26 | 0:16:27 | |
How many "T"s in "committed"? | 0:16:27 | 0:16:29 | |
-Two. -Fucking paperwork. | 0:16:29 | 0:16:33 | |
SHE SIGHS You got here fast. | 0:16:34 | 0:16:36 | |
Yeah. | 0:16:36 | 0:16:38 | |
You said you were interested in the Ackerman murder? | 0:16:38 | 0:16:39 | |
-Yes, I am. -PAPER RUSTLES | 0:16:39 | 0:16:41 | |
DA assigned just you? | 0:16:41 | 0:16:43 | |
Well, it's just a provisional inquiry. | 0:16:45 | 0:16:47 | |
Walk with me. | 0:16:50 | 0:16:51 | |
Suspect's name is Clinton Davis. | 0:16:55 | 0:16:57 | |
55 car mechanic, | 0:16:57 | 0:17:00 | |
couple of assault charges - nothing he did time for - | 0:17:00 | 0:17:03 | |
no relatives, wife and daughter were murdered | 0:17:03 | 0:17:05 | |
in a home invasion a few years back. | 0:17:05 | 0:17:08 | |
Priest was in here already, | 0:17:08 | 0:17:10 | |
saying what a good guy he is, how he'd never hurt a fly, | 0:17:10 | 0:17:12 | |
-et cetera. -They said on the news | 0:17:12 | 0:17:13 | |
that he found Cecil Ackerman in the road. | 0:17:13 | 0:17:15 | |
Yeah, we've been there. | 0:17:15 | 0:17:17 | |
No broken car parts, no blood that we could see. | 0:17:17 | 0:17:20 | |
Yeah, but the snow thawed overnight, so... | 0:17:20 | 0:17:22 | |
We've got Ackerman's blood and hair all over Davis's clothes. | 0:17:24 | 0:17:27 | |
We've got the bloody tools and the plastic sheets | 0:17:27 | 0:17:29 | |
in the back of his van. We've got enough to charge him. | 0:17:29 | 0:17:31 | |
You guys need to decide if it's enough to convict. | 0:17:31 | 0:17:34 | |
-He looks terrified. -He should be. | 0:17:36 | 0:17:38 | |
He's staring down 20 to life for this one alone. | 0:17:38 | 0:17:42 | |
This one? | 0:17:43 | 0:17:45 | |
I ran some keywords through the database. | 0:17:45 | 0:17:47 | |
It flagged a string of unsolved homicides. | 0:17:47 | 0:17:49 | |
You think this guy's a serial killer? | 0:17:50 | 0:17:52 | |
You don't even know that he killed THIS guy. | 0:17:54 | 0:17:56 | |
Tell your boss we'll send him everything we got. | 0:17:57 | 0:18:00 | |
KNOCK ON DOOR | 0:18:16 | 0:18:17 | |
-Mitch. -I have a request, sir. | 0:18:19 | 0:18:23 | |
Thanks. Hey. | 0:18:25 | 0:18:27 | |
Mitch Brockden, DA's office. | 0:18:27 | 0:18:29 | |
My associate Stuart Wilson. | 0:18:29 | 0:18:31 | |
Terry Roberts, public defender's office. | 0:18:31 | 0:18:33 | |
There you go. | 0:18:33 | 0:18:34 | |
Mr Davis, we're going to ask you a few questions | 0:18:37 | 0:18:40 | |
about the night of the fourth. | 0:18:40 | 0:18:41 | |
If you can answer as accurately as possible... | 0:18:41 | 0:18:43 | |
You're going to be my prosecutor? | 0:18:43 | 0:18:46 | |
Uh, if this goes to trial, | 0:18:47 | 0:18:49 | |
then, yes, I am. | 0:18:49 | 0:18:50 | |
I didn't do anything. I'm innocent. | 0:18:50 | 0:18:53 | |
Then you've got nothing to worry about. | 0:18:53 | 0:18:55 | |
OK, Mr Davis, | 0:18:55 | 0:18:57 | |
let's start with you telling us where you were | 0:18:57 | 0:19:00 | |
earlier that evening. | 0:19:00 | 0:19:02 | |
Left work, went to group, | 0:19:02 | 0:19:05 | |
went for a drive. | 0:19:05 | 0:19:07 | |
Group? | 0:19:07 | 0:19:08 | |
Yeah, I help out at some support groups. | 0:19:08 | 0:19:12 | |
-and the drive? -Just something I do. | 0:19:12 | 0:19:15 | |
It's not against the law, right? | 0:19:15 | 0:19:18 | |
I mean, don't you ever go out and drive around at night? | 0:19:18 | 0:19:21 | |
Due respect, I think that's beside the point. | 0:19:24 | 0:19:27 | |
I don't like to spend too much time at home. | 0:19:27 | 0:19:29 | |
It brings back memories... | 0:19:29 | 0:19:31 | |
my wife and child. | 0:19:31 | 0:19:34 | |
Uh, yes. | 0:19:36 | 0:19:38 | |
I heard what happened to your family. | 0:19:38 | 0:19:40 | |
I'm... I'm sorry. | 0:19:40 | 0:19:42 | |
Emanuel Fryer. Gunned down the next night | 0:19:44 | 0:19:46 | |
attacking someone else's family. | 0:19:46 | 0:19:48 | |
'What do we know about the victim?' | 0:19:50 | 0:19:52 | |
Cecil Ackerman. Registered sex offender - | 0:19:52 | 0:19:55 | |
two counts of child sex abuse, did two years inside, | 0:19:55 | 0:19:57 | |
was only out on parole three months. | 0:19:57 | 0:19:59 | |
So a real loss to society. | 0:19:59 | 0:20:02 | |
So far there's no connection between him and Davis. | 0:20:02 | 0:20:04 | |
-What about the murder weapon? -Weapons. | 0:20:04 | 0:20:07 | |
The coroner couldn't be exact, | 0:20:07 | 0:20:09 | |
but he suggested these wounds could be consistent | 0:20:09 | 0:20:11 | |
with the type of tools and machine parts | 0:20:11 | 0:20:13 | |
found in the back of Davis's van. | 0:20:13 | 0:20:14 | |
-Could be? -Well, they also found | 0:20:14 | 0:20:16 | |
significant amounts of oil and grit in the wounds, | 0:20:16 | 0:20:19 | |
which corroborates Davis's hit-and-run story. | 0:20:19 | 0:20:21 | |
True, but the vic's DNA and blood were | 0:20:21 | 0:20:22 | |
all over Davis's clothes, inside his van. | 0:20:22 | 0:20:24 | |
Which could've got there when he lifted Ackerman into his van. | 0:20:24 | 0:20:27 | |
Yeah, or when he murdered him. Davis has two counts | 0:20:27 | 0:20:29 | |
-of aggravated assault. -At a time when his family | 0:20:29 | 0:20:30 | |
had just been murdered in a home invasion. | 0:20:30 | 0:20:32 | |
He hasn't had so much as a parking ticket since. | 0:20:32 | 0:20:35 | |
What's bothering you, Mitch? | 0:20:35 | 0:20:37 | |
I don't see motive. | 0:20:37 | 0:20:39 | |
KNOCK ON DOOR | 0:20:39 | 0:20:41 | |
Just got this audio file. | 0:20:42 | 0:20:45 | |
-SHE CLEARS HER THROAT -Here's the transcript. | 0:20:45 | 0:20:47 | |
It was a 911 call. Somebody called in an accident | 0:20:47 | 0:20:50 | |
20 minutes before Davis was picked up. | 0:20:50 | 0:20:52 | |
By the time the ambulance arrived at the location, | 0:20:52 | 0:20:54 | |
there was no-one there. | 0:20:54 | 0:20:56 | |
OK, thank you. | 0:20:56 | 0:20:58 | |
Is there any way we can find the caller? | 0:21:00 | 0:21:02 | |
-No, he used a payphone. -How do you know that? | 0:21:02 | 0:21:05 | |
If he used his cell, it would have his name, phone records. | 0:21:07 | 0:21:10 | |
OK, 911 call's potentially damaging, | 0:21:10 | 0:21:13 | |
but it's not conclusive. | 0:21:13 | 0:21:15 | |
And if we can't find the caller, defence probably can't either. | 0:21:15 | 0:21:19 | |
Could be anyone in Chicago. | 0:21:19 | 0:21:21 | |
Mitch, where were you that evening? | 0:21:21 | 0:21:24 | |
-HE LAUGHS -No, Mitch couldn't string a sentence together | 0:21:24 | 0:21:28 | |
-that night, right, Mitch? -HE CHUCKLES | 0:21:28 | 0:21:29 | |
-Yeah, thanks, Stu. -If it was a hit-and-run, | 0:21:29 | 0:21:32 | |
all it takes is for the guy who hit him | 0:21:32 | 0:21:34 | |
to come forward and confess, and we're dead in the water. | 0:21:34 | 0:21:37 | |
What's the likelihood of anybody doing that, huh? | 0:21:37 | 0:21:40 | |
Bottom line - do we have enough for a conviction? | 0:21:40 | 0:21:44 | |
Davis was found with a dead man in his van. | 0:21:44 | 0:21:47 | |
We have a ton of physical evidence, | 0:21:47 | 0:21:49 | |
no alibi, a documented history of violence | 0:21:49 | 0:21:51 | |
and his public defender's still in diapers. | 0:21:51 | 0:21:53 | |
Mitch will eat him for breakfast. | 0:21:53 | 0:21:55 | |
Charge him, murder one. | 0:22:01 | 0:22:04 | |
You examined the body, doctor. | 0:22:11 | 0:22:14 | |
In your professional... opinion, | 0:22:15 | 0:22:18 | |
what was the cause of death? | 0:22:18 | 0:22:20 | |
Blunt force trauma to the skull. | 0:22:20 | 0:22:22 | |
And what caused that trauma? | 0:22:22 | 0:22:24 | |
The back of the skull was badly crushed, | 0:22:24 | 0:22:26 | |
so it's hard to narrow it down to any one item, | 0:22:26 | 0:22:29 | |
but some of the marks seemed consistent | 0:22:29 | 0:22:31 | |
with a hammer found in the suspect's van. | 0:22:31 | 0:22:34 | |
And the interior was covered in grease and motor oil, | 0:22:34 | 0:22:37 | |
so any type of violent struggle in that environment | 0:22:37 | 0:22:41 | |
could've also caused those wounds and left that trace evidence. | 0:22:41 | 0:22:45 | |
You said, "SEEMED consistent." | 0:22:45 | 0:22:48 | |
That's correct. | 0:22:48 | 0:22:50 | |
Your report talks of abrasions | 0:22:51 | 0:22:54 | |
and impact wounds with grease and motor oil in them. | 0:22:54 | 0:22:59 | |
Now the defence, I'm sure, is going to argue that... | 0:23:00 | 0:23:03 | |
those wounds indicate | 0:23:03 | 0:23:05 | |
that a car ran over Cecil Ackerman, | 0:23:05 | 0:23:08 | |
as per the defendant's testimony, | 0:23:08 | 0:23:10 | |
and that the rest is just... | 0:23:10 | 0:23:12 | |
..a misinterpretation of the evidence. | 0:23:14 | 0:23:16 | |
No more questions, Your Honour. | 0:23:18 | 0:23:20 | |
'911, what's your emergency? | 0:23:27 | 0:23:28 | |
-'MITCH PANTING -I need an ambulance. | 0:23:28 | 0:23:30 | |
-'A guy's been hit by a car. -What's the location, sir? | 0:23:30 | 0:23:33 | |
'Uh, Keeler. Keeler and 26th. | 0:23:33 | 0:23:35 | |
'What's your name, sir? | 0:23:35 | 0:23:37 | |
-'Please just hurry. Hurry, he's hurt real bad. -Sir.' | 0:23:37 | 0:23:41 | |
It's your witness, Mr Brockden. | 0:23:42 | 0:23:45 | |
Doctor, the jury will be unfamiliar with your field of expertise, | 0:23:50 | 0:23:55 | |
so I'll ask quite a simple question. | 0:23:55 | 0:23:58 | |
Just how accurate is forensic linguistics? | 0:23:58 | 0:24:01 | |
-Extremely. -But it's not perfect? | 0:24:01 | 0:24:04 | |
Perfection doesn't happen in science. | 0:24:04 | 0:24:06 | |
OK. On a sliding scale of one to ten, then... | 0:24:06 | 0:24:10 | |
You may want to object, counsellor. | 0:24:10 | 0:24:13 | |
The witness's field is not on trial here. | 0:24:13 | 0:24:15 | |
I'll withdraw the question, Your Honour. | 0:24:15 | 0:24:16 | |
You stated earlier that you believe the caller to be genuine. | 0:24:18 | 0:24:22 | |
By this, I assume you mean | 0:24:22 | 0:24:26 | |
he was reporting a real accident. | 0:24:26 | 0:24:27 | |
Correct. | 0:24:27 | 0:24:29 | |
And you can tell this just by... | 0:24:30 | 0:24:32 | |
hearing his voice? | 0:24:32 | 0:24:33 | |
It's more complicated than that, but, yes. | 0:24:33 | 0:24:36 | |
What else can you tell us about the caller? | 0:24:36 | 0:24:39 | |
Hard to be certain from the quality of the tape. | 0:24:41 | 0:24:43 | |
Sounded like a white male... possibly in his 30s... | 0:24:43 | 0:24:47 | |
from the south of Chicago, | 0:24:47 | 0:24:49 | |
but he's tried hard to soften the accent - | 0:24:49 | 0:24:50 | |
not unlike yourself, Counsellor. | 0:24:50 | 0:24:52 | |
Now you're from where, Riverdale? | 0:24:52 | 0:24:54 | |
When you say it's hard to tell for certain... | 0:24:54 | 0:24:55 | |
..that the tape is unclear, that it SEEMS to be a white male... | 0:24:57 | 0:25:01 | |
The underlying ethnicity is hard to fully hide from trained ears. | 0:25:01 | 0:25:06 | |
Yes, it's a good recording. Uh-huh. | 0:25:10 | 0:25:13 | |
-OK, thank you. -Thank you, too. | 0:25:16 | 0:25:18 | |
-Hey. -Staff meeting starts in five. | 0:25:23 | 0:25:25 | |
Someone named Jimmy called, wouldn't leave a last name. | 0:25:25 | 0:25:28 | |
Said to tell you he's out and wants to see you. | 0:25:28 | 0:25:30 | |
Left a contact number. Do you want me to get him on the phone for you? | 0:25:30 | 0:25:33 | |
No, no, no, thank you. | 0:25:33 | 0:25:35 | |
HE INHALES Smell that? | 0:25:37 | 0:25:40 | |
That's the smell of freedom. | 0:25:40 | 0:25:43 | |
Hey, so I called your house the other day, | 0:25:48 | 0:25:51 | |
you know, looking for ya. | 0:25:51 | 0:25:52 | |
Your wife... | 0:25:55 | 0:25:56 | |
She doesn't know who I am, does she? | 0:25:57 | 0:25:59 | |
You've been gone a long time, Jimmy. | 0:26:01 | 0:26:02 | |
How do you not tell her about your own fucking brother? | 0:26:02 | 0:26:04 | |
Step-brother. | 0:26:04 | 0:26:05 | |
And let's face it, legally not even that. | 0:26:06 | 0:26:08 | |
You wanna play like that. | 0:26:11 | 0:26:12 | |
Don't be fucking cute with me, Jimmy. | 0:26:12 | 0:26:14 | |
I was working at that warehouse | 0:26:14 | 0:26:17 | |
to pay my way through law school when you fucking hit it! | 0:26:17 | 0:26:19 | |
I could've been done as a fucking accessory. Huh? | 0:26:21 | 0:26:24 | |
Bye-bye, career. Yeah, I know. I was fucking stupid. | 0:26:24 | 0:26:26 | |
Fuck, Mitch. | 0:26:28 | 0:26:29 | |
I mean, Jesus, I was doing a lot of drugs back then. | 0:26:29 | 0:26:32 | |
I was selfish. I've had a lot of fucking time | 0:26:33 | 0:26:35 | |
to think about my life, think about who I was. | 0:26:35 | 0:26:38 | |
OK? | 0:26:38 | 0:26:39 | |
Now, I let you down. | 0:26:40 | 0:26:42 | |
But I will not let you down again. | 0:26:43 | 0:26:45 | |
Look... | 0:26:48 | 0:26:49 | |
I met Rachel when I was graduating. | 0:26:51 | 0:26:53 | |
She processed my application to the DA's office. | 0:26:54 | 0:26:57 | |
Seeing as my ma never officially married your dad... | 0:26:57 | 0:26:59 | |
Yeah, you figured why mention us, right? | 0:26:59 | 0:27:01 | |
Jimmy, it was best for me not to have ties | 0:27:02 | 0:27:04 | |
-to a criminal past, you know? -JIMMY SNORTS | 0:27:04 | 0:27:07 | |
Once I'd lied on the forms, | 0:27:07 | 0:27:08 | |
-I couldn't tell... -Yeah, I get it. | 0:27:08 | 0:27:11 | |
I understand. | 0:27:12 | 0:27:13 | |
-God. -I'm not that kid any more. | 0:27:15 | 0:27:18 | |
Riverdale, it's... | 0:27:21 | 0:27:22 | |
It was another life. | 0:27:24 | 0:27:26 | |
Well, lucky you. | 0:27:27 | 0:27:29 | |
I only got the one. | 0:27:30 | 0:27:32 | |
Hey. | 0:27:34 | 0:27:36 | |
PHONE RINGING | 0:27:56 | 0:27:59 | |
Hello? | 0:28:01 | 0:28:04 | |
'Hey, Mr Brockden. It's Kanon.' | 0:28:04 | 0:28:06 | |
Detective Kanon. | 0:28:08 | 0:28:09 | |
What can I do for you? | 0:28:10 | 0:28:11 | |
'Just checking in. | 0:28:11 | 0:28:13 | |
'We lost a point or two on that forensic linguist.' | 0:28:14 | 0:28:17 | |
Yeah. | 0:28:18 | 0:28:20 | |
Yeah, I know. It's, um... | 0:28:20 | 0:28:22 | |
It's almost impossible to make Davis the caller, so... | 0:28:22 | 0:28:27 | |
'Right.' | 0:28:27 | 0:28:29 | |
'It's kind of late, Detective. Is there something you need? | 0:28:30 | 0:28:34 | |
'No, just wanted to know that you're ready for tomorrow. | 0:28:34 | 0:28:38 | |
'SOFT CLICK' | 0:28:38 | 0:28:39 | |
-What was that? -'What?' | 0:28:41 | 0:28:44 | |
You're recording this? | 0:28:46 | 0:28:48 | |
'Why would I be recording this? | 0:28:48 | 0:28:49 | |
'SHE CHUCKLES They say that cops are paranoid. | 0:28:49 | 0:28:53 | |
'See you in court.' | 0:28:53 | 0:28:55 | |
She's asleep. Hey. | 0:29:22 | 0:29:25 | |
Hey. | 0:29:25 | 0:29:27 | |
-You smell like milk. -SHE CHUCKLES | 0:29:28 | 0:29:30 | |
Ella was sick on me, again. FRIDGE CLOSES | 0:29:30 | 0:29:32 | |
-GLASS CLATTERS -Nice. | 0:29:32 | 0:29:34 | |
Mitch. Hey. | 0:29:36 | 0:29:39 | |
Look at me. | 0:29:39 | 0:29:41 | |
Mitch. | 0:29:43 | 0:29:44 | |
What is it? | 0:29:47 | 0:29:49 | |
Is there something you're not telling me? | 0:29:50 | 0:29:52 | |
Yes. | 0:29:54 | 0:29:55 | |
What? Can't you just... | 0:29:57 | 0:29:59 | |
Tell me. | 0:30:00 | 0:30:02 | |
I love you. | 0:30:06 | 0:30:08 | |
I love you, too. | 0:30:18 | 0:30:20 | |
All rise. | 0:30:26 | 0:30:28 | |
Be seated. | 0:30:34 | 0:30:35 | |
Before session begins, Your Honour, I would like to approach the bench. | 0:30:37 | 0:30:41 | |
I will not tolerate tardiness, Mr Roberts. | 0:30:42 | 0:30:45 | |
I'm sorry, your honour, but there has been | 0:30:45 | 0:30:47 | |
an important development. | 0:30:47 | 0:30:49 | |
Defence would like to call a new witness. | 0:30:53 | 0:30:55 | |
Objection, Your Honour. The prosecution wasn't informed of this. | 0:30:55 | 0:30:58 | |
Defence was unaware of their identity until late last night. | 0:30:58 | 0:31:01 | |
What is the relevance of this witness, Mr Roberts? | 0:31:01 | 0:31:04 | |
He's the man who made the 911 call. | 0:31:04 | 0:31:05 | |
PEOPLE: What? What? Order! | 0:31:05 | 0:31:07 | |
GAVEL BANGS Order. | 0:31:07 | 0:31:09 | |
-Your Honour... -I'm inclined to allow it, Mr Brockden. | 0:31:09 | 0:31:11 | |
Yes, I understand that, but if you could just... | 0:31:11 | 0:31:13 | |
-Mr Brockden! -Dr Brown's lab ran | 0:31:13 | 0:31:15 | |
a voice analysis overnight and we got a viable match. | 0:31:15 | 0:31:19 | |
How soon can defence present this witness? | 0:31:19 | 0:31:21 | |
Right away, Your Honour. He's been in the courtroom | 0:31:21 | 0:31:23 | |
-this entire trial. -Your Honour, please! | 0:31:23 | 0:31:25 | |
-Can I just please say some... -GAVEL BANGS | 0:31:25 | 0:31:26 | |
Enough! | 0:31:26 | 0:31:28 | |
Call your witness. | 0:31:28 | 0:31:30 | |
The defence calls... | 0:31:31 | 0:31:33 | |
..Jimmy Logan to the stand. | 0:31:35 | 0:31:36 | |
'In a surprise twist of events, a witness came forward today | 0:31:50 | 0:31:53 | |
'and ended the prosecution's case against Clinton Davis. | 0:31:53 | 0:31:56 | |
'The witness saw the victim, Cecil Ackerman, | 0:31:56 | 0:31:58 | |
'mowed down by a hit-and-run driver | 0:31:58 | 0:32:00 | |
'in a red SUV and left on the road to die.' | 0:32:00 | 0:32:03 | |
He then called 911. | 0:32:03 | 0:32:05 | |
It seems that Clinton Davis | 0:32:06 | 0:32:08 | |
was not the only Good Samaritan in this trial. | 0:32:08 | 0:32:10 | |
Mr Davis? | 0:32:13 | 0:32:14 | |
I just wanted to wish you all the best. | 0:32:17 | 0:32:20 | |
Yeah, it's like you said... | 0:32:20 | 0:32:21 | |
if I was innocent, everything would work out. | 0:32:21 | 0:32:25 | |
Yes, I did. | 0:32:25 | 0:32:27 | |
So, what happens now? | 0:32:27 | 0:32:29 | |
-You go back to your life. -No, no, no, | 0:32:32 | 0:32:34 | |
I mean with the hit-and-run driver, the one the witness saw. | 0:32:34 | 0:32:37 | |
Maybe he'll turn himself in. | 0:32:40 | 0:32:42 | |
Huh! | 0:32:42 | 0:32:44 | |
Would you? | 0:32:44 | 0:32:46 | |
-WOMAN SCREAMING -I fucking love you, you fucking bitch! | 0:33:08 | 0:33:11 | |
-Whore! -Stop it! | 0:33:11 | 0:33:13 | |
-I'll fucking kill you! -Stop it! | 0:33:13 | 0:33:15 | |
-No! Leave me alone! -Don't do this to me, you fucking bitch! | 0:33:15 | 0:33:18 | |
-I fucking love you! -Hey! -Fucking let me go! | 0:33:18 | 0:33:21 | |
I fucking love you! | 0:33:21 | 0:33:24 | |
The mutilated body of Pedro Gonzales | 0:34:04 | 0:34:06 | |
was found early this morning on the bank of the Chicago River. | 0:34:06 | 0:34:09 | |
According to a source at the coroner's office, | 0:34:09 | 0:34:12 | |
the back of his skull was badly crushed, | 0:34:12 | 0:34:14 | |
possibly by a hammer. | 0:34:14 | 0:34:16 | |
His family says the last time anybody saw him alive | 0:34:16 | 0:34:19 | |
was at the North Mall on Saturday. | 0:34:19 | 0:34:21 | |
KANON'S VOICE: 'I ran some keywords through the database. | 0:35:01 | 0:35:02 | |
'it flagged a string of unsolved homicides.' | 0:35:02 | 0:35:05 | |
SIRENS WAILING | 0:36:49 | 0:36:53 | |
I can't stay here. Shit! | 0:37:02 | 0:37:04 | |
Oh, fuck. No. No. | 0:37:09 | 0:37:11 | |
I looked at the autopsy results. | 0:37:13 | 0:37:14 | |
The wounds on Ackerman were similar to those found on Gonzales. | 0:37:14 | 0:37:17 | |
Ackerman was a hit-and-run, remember? | 0:37:17 | 0:37:20 | |
The wounds were inconclusive. | 0:37:20 | 0:37:22 | |
You yourself pointed that out at the trial. | 0:37:22 | 0:37:23 | |
Inconclusive, exactly. | 0:37:23 | 0:37:25 | |
What if it was both? | 0:37:25 | 0:37:26 | |
what if Ackerman ran into the path of a car | 0:37:26 | 0:37:30 | |
because he was trying to get away from Davis | 0:37:30 | 0:37:32 | |
who was in the process of torturing him? | 0:37:32 | 0:37:33 | |
It explains why the forensics was so confusing. | 0:37:33 | 0:37:36 | |
Anything else? | 0:37:36 | 0:37:38 | |
Thanks for coming by. | 0:37:43 | 0:37:45 | |
Hey. | 0:40:10 | 0:40:11 | |
Oh, fuck. | 0:40:19 | 0:40:21 | |
-MUTTERS -Shit. Fuck. | 0:40:21 | 0:40:23 | |
BABY CRYING | 0:40:53 | 0:40:55 | |
HE GASPS | 0:41:04 | 0:41:06 | |
PHONE RINGS Yes, sir... | 0:42:25 | 0:42:28 | |
Oh, shit. | 0:42:54 | 0:42:56 | |
PHONE RINGING | 0:44:46 | 0:44:49 | |
-yeah, hello. -CLINTON: 'You get my photograph?' | 0:44:49 | 0:44:51 | |
-What do you want? -Stop following me. | 0:44:53 | 0:44:57 | |
I know what you did. | 0:44:57 | 0:44:59 | |
And yet the cops haven't come a'calling. | 0:44:59 | 0:45:02 | |
TOOL WHIRRING Why you think that is, Mitch? | 0:45:02 | 0:45:04 | |
If you knew I was the driver, why didn't you just turn me in, huh? | 0:45:04 | 0:45:09 | |
'I didn't want to play my ace in the police station.' | 0:45:09 | 0:45:12 | |
I needed to go to court. | 0:45:12 | 0:45:15 | |
I had to get a jury of my peers | 0:45:15 | 0:45:17 | |
to see your card, find me innocent. | 0:45:17 | 0:45:20 | |
You wanted double jeopardy. | 0:45:21 | 0:45:23 | |
'Bingo. A free pass.' | 0:45:23 | 0:45:25 | |
-But you didn't expose me. -'There was no need.' | 0:45:27 | 0:45:30 | |
I could see you were having a crisis of conscience. | 0:45:30 | 0:45:32 | |
-Is this a fucking game to you? -'Far from it.' | 0:45:32 | 0:45:36 | |
I won't let you get away with this. | 0:45:37 | 0:45:39 | |
Yeah, you will, or I will ruin you. | 0:45:39 | 0:45:43 | |
Besides, who's going to protect Rachel and Ella | 0:45:44 | 0:45:47 | |
'when you get locked up for hit-and-run, hmm?' | 0:45:47 | 0:45:50 | |
What did you say? | 0:45:50 | 0:45:52 | |
Family is a precious thing, Mitch. | 0:45:52 | 0:45:56 | |
It's our job as men to protect 'em. | 0:45:56 | 0:46:00 | |
-Davis. -HANGS UP | 0:46:01 | 0:46:03 | |
Hey. Shut the door. | 0:46:22 | 0:46:24 | |
Is that Ackerman? | 0:46:28 | 0:46:29 | |
And the guy from the news. | 0:46:29 | 0:46:32 | |
Have to work out what links all these men. | 0:46:32 | 0:46:35 | |
How he's picking his victims and why. | 0:46:36 | 0:46:38 | |
How who's picking them? | 0:46:38 | 0:46:39 | |
Clinton Davis. | 0:46:39 | 0:46:41 | |
What? | 0:46:41 | 0:46:43 | |
These are the unsolved homicides | 0:46:43 | 0:46:45 | |
that Kanon thinks match Davis's MO. | 0:46:45 | 0:46:47 | |
Davis's MO? | 0:46:47 | 0:46:48 | |
-HE CHUCKLES -Dav-Davis was innocent. | 0:46:48 | 0:46:51 | |
Hit-and-run, Mitch. 911 caller proved it. | 0:46:51 | 0:46:53 | |
Yeah, I wish it were that simple. | 0:46:53 | 0:46:55 | |
What the hell is going on? | 0:46:56 | 0:46:58 | |
What the hell is going on, Mitch? | 0:46:58 | 0:47:00 | |
First you blow the Davis case, almost get yourself disbarred | 0:47:00 | 0:47:03 | |
and now what? You're trying to prove | 0:47:03 | 0:47:04 | |
that this guy is the goddamn Boston Strangler? | 0:47:04 | 0:47:07 | |
Stu, if I could explain this, I would. | 0:47:07 | 0:47:09 | |
All these men were murdered with what pathologists think were tools. | 0:47:09 | 0:47:13 | |
The first took place eight months | 0:47:13 | 0:47:15 | |
after Davis's family was tortured with similar tools. | 0:47:15 | 0:47:18 | |
You see, I think he picked 'em. | 0:47:18 | 0:47:20 | |
I think he picked all of them, | 0:47:20 | 0:47:22 | |
but what the fuck do they all have in common? | 0:47:22 | 0:47:26 | |
Well, Ackerman was a child molester. | 0:47:26 | 0:47:28 | |
None of the others were. | 0:47:28 | 0:47:29 | |
Well, they do all have criminal records. | 0:47:29 | 0:47:32 | |
So you think this behaviour started | 0:47:33 | 0:47:35 | |
-with the death of his family, right? -Yes, I do. | 0:47:35 | 0:47:37 | |
So remind me, what happened there? | 0:47:37 | 0:47:38 | |
A man broke into their home and systematically tortured | 0:47:38 | 0:47:41 | |
and butchered his wife and child... | 0:47:41 | 0:47:43 | |
using similar tools to the ones that killed these guys. | 0:47:43 | 0:47:48 | |
The guy made Davis watch the whole goddamn thing. | 0:47:48 | 0:47:51 | |
Then he slit his throat and left him for dead. | 0:47:58 | 0:47:59 | |
It was a miracle he survived. | 0:47:59 | 0:48:01 | |
The guy's name was Emanuel fryer... | 0:48:03 | 0:48:05 | |
career criminal. | 0:48:05 | 0:48:07 | |
Gunned down the following night during another home invasion. | 0:48:07 | 0:48:09 | |
Recently paroled, blah, blah, blah. | 0:48:09 | 0:48:13 | |
-Broken home... -Oh, shit. | 0:48:13 | 0:48:15 | |
What? | 0:48:15 | 0:48:16 | |
Gonzales, recently paroled. | 0:48:17 | 0:48:19 | |
Fryer, recently paroled. | 0:48:19 | 0:48:20 | |
Ackerman was recently... | 0:48:20 | 0:48:22 | |
All these men are recently fucking paroled. | 0:48:22 | 0:48:23 | |
Stu, you are a goddamn genius! | 0:48:23 | 0:48:26 | |
Shit. I love you. I love you. | 0:48:26 | 0:48:29 | |
OK, so you're saying that the only reason Ackerman was in the street | 0:48:37 | 0:48:39 | |
-was because Davis was chasing him. -Uh-huh. -And then after you left, | 0:48:39 | 0:48:43 | |
-Davis finished the job? -Exactly. | 0:48:43 | 0:48:46 | |
If I could just get proof, you know? | 0:48:46 | 0:48:49 | |
Davis can't be retried for Ackerman, | 0:48:49 | 0:48:51 | |
but if I can get evidence that he... | 0:48:51 | 0:48:53 | |
he killed those other guys, | 0:48:53 | 0:48:55 | |
I can cut us both a deal. | 0:48:55 | 0:48:57 | |
What you said under oath, what I did... | 0:48:58 | 0:49:00 | |
You all right there? | 0:49:00 | 0:49:01 | |
What I did, it just goes away. | 0:49:04 | 0:49:06 | |
Mitch, I'm on parole. | 0:49:06 | 0:49:08 | |
I get busted breaking into some guy's fucking house... | 0:49:08 | 0:49:10 | |
Come on, I don't want you breaking in. I'll break in. | 0:49:10 | 0:49:12 | |
I just need for you to tail him... | 0:49:13 | 0:49:16 | |
let me know when he's coming back. | 0:49:16 | 0:49:19 | |
Ah, it's just a little aiding and abetting, then. | 0:49:19 | 0:49:21 | |
Eh. | 0:49:21 | 0:49:23 | |
Forget it, Mitch. | 0:49:23 | 0:49:24 | |
Let it go. I'm done. | 0:49:24 | 0:49:26 | |
That fucker really break into your house? | 0:49:38 | 0:49:40 | |
Yes. | 0:49:40 | 0:49:43 | |
While we were sleeping. | 0:49:43 | 0:49:45 | |
All right, he's going to know your ride. | 0:49:48 | 0:49:50 | |
-Can you rent me a clean set of wheels? -Of course. | 0:49:50 | 0:49:52 | |
Thanks, Jimmy. | 0:49:54 | 0:49:56 | |
You know what? I mean that. | 0:49:56 | 0:49:58 | |
I may be an asshole, but I'm still your brother. | 0:49:59 | 0:50:02 | |
See you later, Davis. | 0:51:44 | 0:51:47 | |
All right, guys. See you later. Have a good evening. | 0:51:47 | 0:51:49 | |
-BEEPS -Yo, Jimmy. | 0:54:11 | 0:54:12 | |
Got anything tying him to the victims? | 0:54:12 | 0:54:14 | |
No. Not yet. | 0:54:14 | 0:54:17 | |
Looks like he eats and sleeps here, but that's about it. | 0:54:17 | 0:54:20 | |
The rest of the time he spends in self-help groups. | 0:54:20 | 0:54:23 | |
You know, sometimes he goes to two a night. | 0:54:23 | 0:54:25 | |
Oh, fuck. That's it. | 0:54:28 | 0:54:31 | |
That's how he picks his victims. | 0:54:32 | 0:54:34 | |
The guy that killed his family was a parolee. | 0:54:34 | 0:54:36 | |
They're all parolee meetings. | 0:54:36 | 0:54:38 | |
Nobody notices the guy making coffee. | 0:54:38 | 0:54:41 | |
He just hangs around like a fly on the wall, | 0:54:41 | 0:54:43 | |
'listening for the guy who feels worried about reoffending.' | 0:54:43 | 0:54:45 | |
Yeah, I've been to those meetings. | 0:54:45 | 0:54:47 | |
-The room's full of guys like that. -Exactly. | 0:54:47 | 0:54:50 | |
Fuck me. | 0:55:04 | 0:55:06 | |
He kept their parolee cards. | 0:55:07 | 0:55:09 | |
-HORN BLASTS -'Jimmy, what's that?' | 0:55:11 | 0:55:13 | |
Uh, we're near the cement works. | 0:55:13 | 0:55:16 | |
Must be coffee break or something. | 0:55:16 | 0:55:17 | |
You know, that's pretty close. | 0:55:18 | 0:55:20 | |
Is he coming back? | 0:55:20 | 0:55:22 | |
I don't know. He went into some old warehouse | 0:55:22 | 0:55:24 | |
and came out carrying something. I lost him. | 0:55:24 | 0:55:26 | |
-Carrying what? -I don't know, looked like some old tools or something. | 0:55:26 | 0:55:29 | |
Jimmy, get the fuck outta there. | 0:55:29 | 0:55:30 | |
Jimmy? Jimmy! | 0:55:32 | 0:55:34 | |
Jimmy, can you hear me? | 0:55:36 | 0:55:38 | |
'Jimmy? Jimmy, are you there? | 0:55:38 | 0:55:40 | |
'I'm coming, Jimmy.' | 0:55:40 | 0:55:42 | |
I'm coming, Jimmy. | 0:55:42 | 0:55:44 | |
Jimmy! | 0:57:02 | 0:57:03 | |
Jimmy! | 0:57:04 | 0:57:05 | |
Jimmy! | 0:57:11 | 0:57:13 | |
Jimmy! | 0:57:15 | 0:57:17 | |
-Jimmy! -Aah! Fuck! -GRUNTS | 0:57:17 | 0:57:21 | |
-JIMMY YELLS -Jimmy! | 0:57:33 | 0:57:36 | |
-Mitch! -Jimmy! | 0:57:36 | 0:57:39 | |
Help me! | 0:57:41 | 0:57:42 | |
MITCH PANTING You gotta help me, Mitch! | 0:57:42 | 0:57:45 | |
Help... Mitch. RUNNING FOOTSTEPS | 0:57:45 | 0:57:46 | |
Yo, Jimmy! | 0:57:46 | 0:57:48 | |
Oh, please help me! | 0:57:49 | 0:57:50 | |
-Jimmy! -Mitch! | 0:57:53 | 0:57:56 | |
GASPS Mitch! | 0:57:56 | 0:57:58 | |
-Oh, Jesus Christ. -GASPING BREATHS | 0:57:58 | 0:58:01 | |
Oh, Jimmy. | 0:58:01 | 0:58:02 | |
'911, what is your emergency?' | 0:58:04 | 0:58:06 | |
-WEAKLY: -Help me. | 0:58:06 | 0:58:08 | |
Help me, please. | 0:58:08 | 0:58:10 | |
He's...trying to kill me. | 0:58:10 | 0:58:12 | |
PANTS HURRY 'Sir? | 0:58:12 | 0:58:14 | |
'Sir, who is trying to kill you? | 0:58:14 | 0:58:15 | |
'Sir? Sir, are you there? | 0:58:15 | 0:58:18 | |
'Sir?' | 0:58:18 | 0:58:19 | |
Hello? Yeah, I need an ambulance. | 0:58:26 | 0:58:28 | |
Can you hear... Can you hear me? | 0:58:30 | 0:58:32 | |
Hello? | 0:58:32 | 0:58:33 | |
Yeah, I need an ambulance. | 0:58:33 | 0:58:34 | |
-BEEPS -Fuck! Fuck! | 0:58:34 | 0:58:37 | |
-Stay with me. I'm going to move you, OK? -JIMMY GRUNTS | 0:58:54 | 0:58:57 | |
-OK? -OK. | 0:58:57 | 0:58:58 | |
OK, OK, come on. | 0:58:58 | 0:59:00 | |
-JIMMY SCREAMS -Come on, stay with me! | 0:59:01 | 0:59:03 | |
-Come on! -JIMMY GRUNTS | 0:59:03 | 0:59:05 | |
SIRENS WAILING | 0:59:05 | 0:59:08 | |
Let's go, men. | 0:59:15 | 0:59:17 | |
Hey! | 0:59:19 | 0:59:21 | |
-Hey, he needs an ambulance. -Set him down now! | 0:59:21 | 0:59:24 | |
-Oh, fuck. -Put him down! | 0:59:24 | 0:59:26 | |
Do it! Put him down now! | 0:59:26 | 0:59:27 | |
-Now! -Down! Down! -Fuck. | 0:59:27 | 0:59:30 | |
-You gotta be fucking kidding me. Oh, fuck. -Go! | 0:59:30 | 0:59:33 | |
-He needs an ambulance! -Cool it! | 0:59:33 | 0:59:35 | |
Jimmy. Oh, God, get him a fucking ambulance! | 0:59:35 | 0:59:38 | |
-JIMMY COUGHING -Jimmy, hang in there. Hang in there, brother. | 0:59:38 | 0:59:41 | |
-Hang in there, brother. -..can and will be used against you... | 0:59:41 | 0:59:44 | |
-Calm down. -Hang in there. | 0:59:44 | 0:59:45 | |
You have the right to an attorney. | 0:59:45 | 0:59:47 | |
We've got an injured white male. | 0:59:47 | 0:59:48 | |
DOOR BUZZER | 0:59:48 | 0:59:50 | |
DOOR OPENS FOOTSTEPS | 0:59:50 | 0:59:53 | |
-How's Jimmy? -He's in a coma... | 0:59:53 | 0:59:56 | |
DOOR CLOSES ..but the doctors are hopeful. | 0:59:56 | 0:59:58 | |
So, you wanna tell me what your relationship is to him? | 1:00:05 | 1:00:08 | |
-Yeah, we're, um... -HE CLEARS HIS THROAT | 1:00:08 | 1:00:10 | |
..step-brothers. | 1:00:10 | 1:00:12 | |
Our parents just never married. | 1:00:12 | 1:00:14 | |
That's why he'd lie for you in court. | 1:00:14 | 1:00:15 | |
Exactly. | 1:00:15 | 1:00:17 | |
So why turn on him now? | 1:00:18 | 1:00:19 | |
What? | 1:00:21 | 1:00:22 | |
Was he blackmailing you? | 1:00:22 | 1:00:24 | |
What are you talking about? | 1:00:26 | 1:00:28 | |
I didn't do this. | 1:00:28 | 1:00:31 | |
Clinton Davis did this. | 1:00:31 | 1:00:32 | |
-Using your hammer? -Yes. | 1:00:37 | 1:00:39 | |
He broke into my house, he stole my tools. | 1:00:41 | 1:00:43 | |
Did you report that? | 1:00:43 | 1:00:45 | |
-No. -No. | 1:00:47 | 1:00:49 | |
It's only your prints on the hammer. | 1:00:50 | 1:00:52 | |
Jesus Christ. | 1:00:52 | 1:00:54 | |
I made the 911 call, for Christ's sakes. | 1:00:54 | 1:00:57 | |
Why would I do that if I was guilty? | 1:00:57 | 1:00:58 | |
I really don't know, Mitch. | 1:00:58 | 1:01:00 | |
But you did it before. | 1:01:03 | 1:01:05 | |
'911, what's your emergency? | 1:01:05 | 1:01:08 | |
'I need an ambulance. A guy's been hit by a car. | 1:01:08 | 1:01:10 | |
'What's the location, sir? | 1:01:10 | 1:01:12 | |
'Uh, Keeler.' | 1:01:12 | 1:01:13 | |
-That's you, right? -Yes, yes, yes, it's me. | 1:01:13 | 1:01:16 | |
I hit Ackerman with my car and I left. | 1:01:16 | 1:01:18 | |
It was wrong. I know that, but I was scared. | 1:01:18 | 1:01:21 | |
I'd been drinking. It was an accident. | 1:01:21 | 1:01:23 | |
We found this... | 1:01:29 | 1:01:31 | |
..in the bottom of your tool box. | 1:01:32 | 1:01:35 | |
It has Ackerman's blood all over it. | 1:01:35 | 1:01:37 | |
Well, Davis must've put it there. | 1:01:37 | 1:01:40 | |
I dropped my cards when I was helping Ackerman. | 1:01:42 | 1:01:45 | |
-I must've missed one. -All of this... | 1:01:45 | 1:01:47 | |
-..leads directly to you. -Oh, Jesus Christ. | 1:01:48 | 1:01:51 | |
All right, listen, OK? If I killed Ackerman, | 1:01:51 | 1:01:54 | |
why didn't I crucify Davis in court when I had the chance, hmm? | 1:01:54 | 1:01:57 | |
He was the perfect scapegoat. | 1:01:57 | 1:01:59 | |
-HE SIGHS -OK, there's a bag. | 1:02:02 | 1:02:06 | |
-There's a bag? -Yes. | 1:02:06 | 1:02:07 | |
Davis kept the IDs of all his victims. | 1:02:08 | 1:02:11 | |
He's targeting violent parolees | 1:02:12 | 1:02:14 | |
that he thinks will reoffend, | 1:02:14 | 1:02:15 | |
like the man that killed his family. | 1:02:15 | 1:02:17 | |
-Where's this bag? -In his house. | 1:02:17 | 1:02:19 | |
How do you know this? | 1:02:19 | 1:02:21 | |
-I broke in. -You broke in? | 1:02:23 | 1:02:25 | |
SHE CHUCKLES You broke into his fucking house? | 1:02:27 | 1:02:31 | |
Seriously, Mitch... | 1:02:31 | 1:02:32 | |
How do I know you didn't put it there? | 1:02:33 | 1:02:36 | |
You know, I don't think I should answer any more questions | 1:02:41 | 1:02:43 | |
till I have a lawyer present. | 1:02:43 | 1:02:46 | |
You know, I think | 1:02:47 | 1:02:50 | |
that's a really good idea. | 1:02:50 | 1:02:52 | |
You've got a call. Stuart Wilson from the DA's office. | 1:03:27 | 1:03:30 | |
Stu, where the fuck have you been? | 1:03:35 | 1:03:37 | |
CLINTON: 'I'm sorry, Mitch. | 1:03:37 | 1:03:39 | |
'this is the only way they'd let me talk to you.' | 1:03:39 | 1:03:41 | |
Now you listen to me, you fucking son of a bitch. | 1:03:41 | 1:03:44 | |
I will find you, I will come for you and I will take your life. | 1:03:44 | 1:03:47 | |
-'You hear me, Davis?' -Oh, listen to you. | 1:03:47 | 1:03:50 | |
Where was all that backbone when you hit Ackerman, huh? | 1:03:50 | 1:03:53 | |
If you'd showed it then, | 1:03:53 | 1:03:55 | |
you would've waited for the ambulance and he'd be alive. | 1:03:55 | 1:03:58 | |
Course, he'd still be free to go around | 1:03:58 | 1:04:00 | |
hurting small children... CHILDREN LAUGHING | 1:04:00 | 1:04:02 | |
THUDS ..which he was about to do when I took him. | 1:04:02 | 1:04:05 | |
You do know that, right? | 1:04:05 | 1:04:07 | |
'If you'd let well enough alone, | 1:04:07 | 1:04:09 | |
'we never would've come to this place, Mitch.' | 1:04:09 | 1:04:13 | |
What do you want? | 1:04:13 | 1:04:14 | |
'You could've ruined my life or ruined yours,' | 1:04:14 | 1:04:18 | |
but yet you found a third option. | 1:04:18 | 1:04:21 | |
One that helped us both. | 1:04:21 | 1:04:23 | |
There is no fucking third option here. | 1:04:23 | 1:04:25 | |
'Yeah, there is.' | 1:04:25 | 1:04:27 | |
what if another murder happened with the same MO | 1:04:27 | 1:04:29 | |
while they have you in custody, hmm? | 1:04:29 | 1:04:32 | |
Go a long way towards shedding light on your innocence | 1:04:32 | 1:04:36 | |
or even throw a reasonable doubt on your guilt. | 1:04:36 | 1:04:40 | |
'What are you... What are you talking about, | 1:04:40 | 1:04:42 | |
-'another murder?' -The problem is, you don't know my pain | 1:04:42 | 1:04:47 | |
or my emptiness. | 1:04:47 | 1:04:49 | |
'But now you're going to know what it is to be me.' | 1:04:49 | 1:04:52 | |
Davis? Davis, what...? | 1:04:57 | 1:05:01 | |
Where are you, Davis? Huh? | 1:05:01 | 1:05:03 | |
I have to go now, Mitch. | 1:05:03 | 1:05:04 | |
-Davis! -CLICKS RAPIDLY | 1:05:04 | 1:05:06 | |
Hey! Is the line cut? Hey! | 1:05:06 | 1:05:10 | |
I need a line. I need an outside line. | 1:05:11 | 1:05:13 | |
-Davis is going to kill my wife! -Stop! | 1:05:13 | 1:05:15 | |
-hey! -He's going to kill my fucking wife. Ah! | 1:05:15 | 1:05:18 | |
DOORBELL | 1:05:55 | 1:05:57 | |
-Mrs Brockden? -Yes. | 1:05:58 | 1:06:00 | |
I'm detective Kanon. I hate to bother you | 1:06:00 | 1:06:03 | |
at this ungodly hour, but I'd like to ask you | 1:06:03 | 1:06:04 | |
-some questions about your husband... -ELLA CRYING | 1:06:04 | 1:06:06 | |
..if it's all right with you. | 1:06:06 | 1:06:07 | |
No, not at all. Of co... I'm... Just one minute. | 1:06:07 | 1:06:11 | |
'Suspect is approximately 5'5"...' | 1:06:17 | 1:06:21 | |
You know, I've been calling all day and I... | 1:06:48 | 1:06:50 | |
I hope you don't mind. | 1:06:51 | 1:06:54 | |
Hey, officer. Just finished up with a client. | 1:06:54 | 1:06:57 | |
Can you tell me what you've arrested my husband for? | 1:07:01 | 1:07:04 | |
-Murder. -What?! | 1:07:04 | 1:07:06 | |
That-I mean, that's insane. Mitch... | 1:07:06 | 1:07:08 | |
I know. I know it-it's crazy. | 1:07:08 | 1:07:11 | |
and I personally don't believe he's guilty at all, | 1:07:11 | 1:07:13 | |
but I just need to ask you some questions to clear... | 1:07:13 | 1:07:15 | |
-HE COUGHS -Could you get me a glass of water, please? | 1:07:15 | 1:07:18 | |
Um, yeah, sure. | 1:07:18 | 1:07:20 | |
Good night, counsellor. | 1:07:20 | 1:07:22 | |
Drive safe. | 1:07:22 | 1:07:24 | |
HORNS BLASTING | 1:07:33 | 1:07:35 | |
There you go. ELLA CRYING | 1:07:37 | 1:07:40 | |
look, I just don't understand. | 1:07:40 | 1:07:42 | |
If you know that he didn't do it, then why are you still holding him? | 1:07:42 | 1:07:45 | |
Some of the other detectives are having a problem with his story. | 1:07:45 | 1:07:49 | |
But like I said, once we have our conversation, | 1:07:51 | 1:07:54 | |
I'm sure we can clear that all up. | 1:07:54 | 1:07:58 | |
-He got a phone call and he went crazy. -Who called? | 1:08:24 | 1:08:26 | |
Wilson or something from the DA's office. | 1:08:26 | 1:08:28 | |
He was ranting about making another call, | 1:08:28 | 1:08:30 | |
said someone was going to kill his wife. Davis. | 1:08:30 | 1:08:32 | |
What the hell's going on in here? | 1:09:33 | 1:09:34 | |
-Did you just call Mitch? -No. | 1:09:34 | 1:09:36 | |
Get a unit over to Brockden's house now. | 1:09:36 | 1:09:38 | |
SHE SCREAMS | 1:10:07 | 1:10:09 | |
Rachel! Rach! | 1:10:15 | 1:10:16 | |
Oh, somebody! Somebody help me! | 1:10:16 | 1:10:20 | |
-Get up. -No! Why are you doing this? -Get up. -No! | 1:10:22 | 1:10:24 | |
Please, don't kill me. | 1:10:24 | 1:10:25 | |
-No. -Don't hurt her! | 1:10:25 | 1:10:27 | |
Mitch. Mitch. | 1:10:27 | 1:10:29 | |
-SHE GULPS LOUDLY -Toss the gun over here. | 1:10:29 | 1:10:33 | |
Do it. | 1:10:37 | 1:10:38 | |
Now, Rachel, I want you to bend down | 1:10:48 | 1:10:51 | |
take that gun by the barrel | 1:10:51 | 1:10:53 | |
and pass it to me. | 1:10:53 | 1:10:55 | |
Whatever you're thinking of doing, Clinton, don't do it. | 1:10:55 | 1:10:58 | |
Well, it looks like you just fucked up | 1:10:58 | 1:11:01 | |
our reasonable doubt here, Mitch. | 1:11:01 | 1:11:02 | |
What happened to your family was terrible. | 1:11:02 | 1:11:05 | |
Doing this, it's... It's not going to change that. | 1:11:05 | 1:11:09 | |
I was protecting other people's families. | 1:11:09 | 1:11:12 | |
Who's going to protect yours now, Mitch? | 1:11:12 | 1:11:15 | |
You? | 1:11:15 | 1:11:16 | |
You understand now? Do you get it? | 1:11:18 | 1:11:20 | |
Yeah, I get it. | 1:11:20 | 1:11:21 | |
I get that you watched your wife and child | 1:11:22 | 1:11:25 | |
tortured to death and you did nothing. | 1:11:25 | 1:11:28 | |
I get that you're a fucking coward. | 1:11:28 | 1:11:30 | |
You froze. | 1:11:31 | 1:11:33 | |
You cared more about saving yourself than your own flesh and blood. | 1:11:33 | 1:11:37 | |
-Mitch, please don't. -You think if you take out | 1:11:37 | 1:11:39 | |
-as many parolees as possible... -Shut up. | 1:11:39 | 1:11:42 | |
..you'll make what happened to your family go away. | 1:11:42 | 1:11:44 | |
-Please. -You know, if you were a man... | 1:11:46 | 1:11:48 | |
A real man, you would've died first. | 1:11:49 | 1:11:51 | |
I thought I WAS dead. | 1:11:51 | 1:11:53 | |
I was hog-tied with my throat cut, | 1:11:53 | 1:11:55 | |
but I wasn't so lucky. | 1:11:55 | 1:11:57 | |
I had to watch my loved ones die. | 1:11:57 | 1:12:00 | |
You're not tied up though, Mitch. | 1:12:01 | 1:12:03 | |
So what are you going to do, huh? | 1:12:04 | 1:12:07 | |
Are you willing to die first? | 1:12:08 | 1:12:09 | |
Yes. | 1:12:09 | 1:12:11 | |
Yes, I am. | 1:12:13 | 1:12:15 | |
We'll see about that. | 1:12:15 | 1:12:17 | |
Oh! Mitch! No! | 1:12:18 | 1:12:20 | |
You need to understand, | 1:12:20 | 1:12:23 | |
to see someone you love | 1:12:23 | 1:12:25 | |
bleed to death in front of your eyes. | 1:12:25 | 1:12:27 | |
SHE CRIES Please. Please don't. | 1:12:27 | 1:12:30 | |
-Please don't. -Begging won't help, Rachel. | 1:12:30 | 1:12:32 | |
My wife begged. | 1:12:32 | 1:12:34 | |
It's a waste of time. | 1:12:34 | 1:12:37 | |
-Now... -No! No! | 1:12:38 | 1:12:40 | |
-Now you're going to see what it's like to be me. -Please! | 1:12:40 | 1:12:45 | |
To feel my emptiness, | 1:12:46 | 1:12:48 | |
my pain. | 1:12:48 | 1:12:50 | |
I'm going to give you something I never had, Mitch. | 1:12:54 | 1:12:56 | |
Prove you can do better than I did. | 1:13:00 | 1:13:02 | |
-Please. -Go ahead. | 1:13:02 | 1:13:04 | |
-Save...your family. -SHE CRIES | 1:13:06 | 1:13:10 | |
Mitch, no! | 1:13:11 | 1:13:13 | |
GUNSHOT | 1:13:13 | 1:13:14 | |
CRYING CONTINUES Mitch! | 1:13:14 | 1:13:17 | |
Mitch! | 1:13:17 | 1:13:18 | |
SHE SOBS | 1:13:21 | 1:13:23 | |
DISTANT SIRENS | 1:13:31 | 1:13:34 | |
Can I help you with anything? | 1:14:21 | 1:14:22 | |
Oh, you're hysterical. | 1:14:22 | 1:14:25 | |
Rach! | 1:14:26 | 1:14:28 | |
Rach, he's here. | 1:14:28 | 1:14:30 | |
Give me Ella, then you can say hello. | 1:14:30 | 1:14:33 | |
-Yeah, I got her. -I know. | 1:14:33 | 1:14:34 | |
-This is my wife Rachel. -Hey. | 1:14:37 | 1:14:40 | |
-SHE CLEARS HER THROAT -This is my brother Jimmy. | 1:14:40 | 1:14:43 | |
-Hello, Jimmy. -Wow, hi. | 1:14:43 | 1:14:46 | |
-How are you? -Better than I look. | 1:14:47 | 1:14:49 | |
-ALL LAUGH -And this... | 1:14:49 | 1:14:51 | |
-Oh, Jesus. -This is your niece... | 1:14:53 | 1:14:55 | |
Ella. | 1:14:55 | 1:14:57 | |
Oh, my God. Hi, Ella. | 1:14:57 | 1:15:00 | |
Ella, that's your uncle Jimmy. | 1:15:00 | 1:15:03 | |
Hey, Ella. | 1:15:04 | 1:15:06 | |
Oh, my God. | 1:15:06 | 1:15:09 | |
Oh, Mitch. | 1:15:09 | 1:15:10 | |
You named her after your ma. | 1:15:10 | 1:15:12 | |
Wow. | 1:15:12 | 1:15:14 | |
INHALES DEEPLY Well, I don't know about you guys, | 1:15:21 | 1:15:23 | |
-but I am freezing. -Yeah. | 1:15:23 | 1:15:25 | |
-Jimmy, wanna come in? -Yeah, all right. Definitely. | 1:15:25 | 1:15:27 | |
-You OK with her? -This is terrifying. | 1:15:27 | 1:15:29 | |
How do you do this? | 1:15:29 | 1:15:31 |