Browse content similar to Romeo & Juliet. Check below for episodes and series from the same categories and more!
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Two households, both alike in dignity... | 0:00:58 | 0:01:01 | |
in fair Verona, where we lay our scene. | 0:01:01 | 0:01:04 | |
From ancient grudge break to new mutiny... | 0:01:04 | 0:01:08 | |
where civil blood makes civil hands unclean. | 0:01:08 | 0:01:11 | |
And so the prince has called a tournament to keep | 0:01:11 | 0:01:14 | |
the battle from the city streets. | 0:01:14 | 0:01:16 | |
Now rival Capulets and Montagues, | 0:01:16 | 0:01:20 | |
they try their strength to gain the royal ring. | 0:01:20 | 0:01:23 | |
Ride, cousin! | 0:01:29 | 0:01:31 | |
HE CHUCKLES | 0:01:31 | 0:01:32 | |
CROWD CHEERS | 0:01:45 | 0:01:47 | |
We here declare Mercutio, from the house of Montague, | 0:02:17 | 0:02:20 | |
our champion. | 0:02:20 | 0:02:22 | |
And so I bid you all enjoy the day. | 0:02:22 | 0:02:26 | |
ALL CHEER | 0:02:26 | 0:02:28 | |
-NURSE: -Juliet? | 0:02:37 | 0:02:39 | |
Juliet, please! | 0:02:39 | 0:02:41 | |
My lady and my lord will soon be home with news of the tournament. | 0:02:41 | 0:02:45 | |
Then hurry, nurse. Why do you dally so? | 0:02:45 | 0:02:47 | |
Oh, I should so hurry - till my heart gives out. | 0:02:47 | 0:02:49 | |
Your heart is made of sterner stuff than that. | 0:02:49 | 0:02:52 | |
Your heart is made of sterner stuff... | 0:02:52 | 0:02:55 | |
JULIET CHUCKLES | 0:02:55 | 0:02:56 | |
..that you should laugh to see me so wore out. | 0:02:56 | 0:02:59 | |
I keep you fast to make you young and strong. | 0:02:59 | 0:03:02 | |
Here, what about this one? | 0:03:10 | 0:03:13 | |
HE GRUNTS | 0:03:13 | 0:03:14 | |
GLASS SHATTERS | 0:03:14 | 0:03:15 | |
Do you not choke to see Lord Tybalt bested by a Montague dog? | 0:03:15 | 0:03:18 | |
Leave it. The quarrel is between our masters. | 0:03:18 | 0:03:20 | |
The quarrel is between our masters and us, their men. | 0:03:20 | 0:03:23 | |
Stop! | 0:03:30 | 0:03:31 | |
Stop! | 0:03:34 | 0:03:35 | |
Put up your sword! You know not what you do. | 0:03:35 | 0:03:37 | |
Hold up, there. Turn, now, Benvolio, and look upon thy death. | 0:03:37 | 0:03:43 | |
Tybalt, I do but keep the peace. | 0:03:43 | 0:03:46 | |
-Put up your sword or manage it to part these men with me. -What? | 0:03:46 | 0:03:49 | |
Do you draw your sword and talk of peace? | 0:03:49 | 0:03:51 | |
I hate the word as I hate hell, all Montagues and thee. | 0:03:51 | 0:03:55 | |
-Yah! Yah! -Gah! | 0:03:57 | 0:03:59 | |
Back, Tybalt! You argue with a child. | 0:03:59 | 0:04:02 | |
Turn now and fight your equal, if you dare. | 0:04:02 | 0:04:05 | |
Old Montague doth flourish his blade in spite of me! | 0:04:13 | 0:04:17 | |
No! Enough! | 0:04:17 | 0:04:19 | |
-SERVANT: -The prince! | 0:04:19 | 0:04:20 | |
The prince! | 0:04:20 | 0:04:21 | |
Rebellious subjects! Stop this! | 0:04:21 | 0:04:24 | |
Enemies to peace would stain the pleasure of a tournament | 0:04:24 | 0:04:29 | |
with bitter blood? | 0:04:29 | 0:04:31 | |
Throw your ill-tempered weapons to the ground... | 0:04:31 | 0:04:33 | |
and hear the sentence of your angry prince. | 0:04:33 | 0:04:36 | |
Three civil brawls, bred of a foolish word | 0:04:36 | 0:04:40 | |
by thee, Lord Capulet, or Montague, | 0:04:40 | 0:04:42 | |
have thrice destroyed the calm of our streets. | 0:04:42 | 0:04:46 | |
If ever you disturb our town again, | 0:04:46 | 0:04:49 | |
your lives will pay the price for the offence. | 0:04:49 | 0:04:52 | |
You, Capulet, you go along with me. | 0:04:53 | 0:04:55 | |
And, Montague, come you this afternoon. | 0:04:57 | 0:05:00 | |
And now, on pain of death, all fighting men depart. | 0:05:00 | 0:05:04 | |
Good afternoon, my cousin. | 0:05:12 | 0:05:14 | |
Is it so? | 0:05:14 | 0:05:15 | |
I thought it should be night. | 0:05:15 | 0:05:17 | |
Not much past four. | 0:05:17 | 0:05:19 | |
When I am sad, the hours seem long. | 0:05:19 | 0:05:22 | |
What sadness lengthens Romeo's hours? | 0:05:24 | 0:05:26 | |
I lack the thing which, if I had it, would make them short. | 0:05:27 | 0:05:30 | |
I see. | 0:05:30 | 0:05:31 | |
You're in love. | 0:05:31 | 0:05:33 | |
How was the tournament? | 0:05:33 | 0:05:35 | |
It served its turn... | 0:05:35 | 0:05:36 | |
to launch another clash with Capulets. | 0:05:36 | 0:05:39 | |
So you must fence with hate, and I with love. | 0:05:39 | 0:05:41 | |
Love is a harsh tyrant where he rules. | 0:05:42 | 0:05:46 | |
-HE SIGHS -Love is a smoke... | 0:05:46 | 0:05:47 | |
..raised on the fume of sighs, | 0:05:48 | 0:05:51 | |
a madness drenched in syrup and choked with rage. | 0:05:51 | 0:05:55 | |
May I not know who it is you love? | 0:05:55 | 0:05:56 | |
I love a woman. | 0:05:56 | 0:05:58 | |
That much I found unaided. | 0:06:00 | 0:06:02 | |
Who loves me not. | 0:06:02 | 0:06:04 | |
Sweet cousin, say not so, but may I have a name? | 0:06:04 | 0:06:08 | |
Rosaline. | 0:06:11 | 0:06:12 | |
Rosaline? | 0:06:12 | 0:06:14 | |
-The niece of Lord Capulet? -The same. | 0:06:14 | 0:06:17 | |
Be ruled by me and forget to think of her. | 0:06:17 | 0:06:21 | |
Oh, teach me how I should forget to think! | 0:06:21 | 0:06:23 | |
Love will not call on you but once, nor stay forever when he comes. | 0:06:23 | 0:06:27 | |
Release your eyes. Be glad she does not care. | 0:06:27 | 0:06:29 | |
-Examine other beauties. -To what purpose? | 0:06:29 | 0:06:32 | |
Cousin, I pray you change your mind. | 0:06:32 | 0:06:34 | |
My child is still a stranger to this world. | 0:06:36 | 0:06:38 | |
Let two more summers wither in their pride | 0:06:38 | 0:06:40 | |
before we judge her right to be a wife. | 0:06:40 | 0:06:42 | |
Younger than she are happy mothers now. | 0:06:42 | 0:06:44 | |
Juliet is my only living child. | 0:06:46 | 0:06:50 | |
She's the hopeful lady of my earth... | 0:06:50 | 0:06:52 | |
..but woo her, gentle Paris. | 0:06:54 | 0:06:56 | |
Win her heart. | 0:06:56 | 0:06:58 | |
Now... | 0:06:58 | 0:07:00 | |
Peter, sir, come hither, pray. | 0:07:00 | 0:07:03 | |
Take this list... | 0:07:06 | 0:07:09 | |
of the last and final names, search them through all Verona - | 0:07:09 | 0:07:12 | |
bid them come to feast and welcome at my house this night. | 0:07:12 | 0:07:16 | |
Go. | 0:07:17 | 0:07:18 | |
PEOPLE CHATTER | 0:07:22 | 0:07:24 | |
DOGS BARK | 0:07:24 | 0:07:26 | |
Find out those men whose names are written here. | 0:07:27 | 0:07:30 | |
I must first find out what names he here has writ. | 0:07:30 | 0:07:34 | |
Pray you, sir. Can you read? | 0:07:38 | 0:07:39 | |
Aye. If I know the letters and the language. | 0:07:39 | 0:07:42 | |
Stay, fellow. I can read. | 0:07:42 | 0:07:46 | |
"Signor Martino and his wife and daughters, | 0:07:46 | 0:07:49 | |
"Count Anselme and his beauteous sisters, | 0:07:49 | 0:07:51 | |
"the lady widow of Vitravio, | 0:07:51 | 0:07:53 | |
"Signor Placentio and his lovely wife, | 0:07:53 | 0:07:55 | |
"my nephew, Count Tybalt, and Lucio and lively Helena, | 0:07:55 | 0:07:59 | |
"my fair niece, Rosaline." What assembly is this? | 0:07:59 | 0:08:02 | |
A masked gathering tonight at our house. | 0:08:02 | 0:08:03 | |
-Whose house? -My master is the great Lord Capulet. | 0:08:03 | 0:08:06 | |
If you not be of the House of Montague, | 0:08:06 | 0:08:08 | |
you're right welcome for your help. I bid you thanks. | 0:08:08 | 0:08:11 | |
So Rosaline sups with Capulet this night. | 0:08:14 | 0:08:17 | |
Do but compare her face with some I know, | 0:08:17 | 0:08:19 | |
and I will make you think your swan a crow. | 0:08:19 | 0:08:21 | |
As if there could be fairer than my love. | 0:08:21 | 0:08:24 | |
I'll go tonight, | 0:08:24 | 0:08:25 | |
but only to rejoice and worship at the glory of my choice. | 0:08:25 | 0:08:28 | |
Hm! | 0:08:34 | 0:08:35 | |
-Now, stay here... -Heavens, child! | 0:08:39 | 0:08:42 | |
What are you thinking? | 0:08:42 | 0:08:43 | |
-Go, go, go on. -Make haste. | 0:08:43 | 0:08:45 | |
The guests will be long gone ere you are ready to receive them. | 0:08:45 | 0:08:49 | |
SHE SIGHS | 0:08:49 | 0:08:50 | |
What is it, Mother? | 0:08:51 | 0:08:53 | |
Juliet... | 0:08:53 | 0:08:54 | |
..you're a woman now. | 0:08:55 | 0:08:57 | |
-SHE CHUCKLES -Not a woman. | 0:08:57 | 0:09:00 | |
Well, she's nearly a woman. | 0:09:00 | 0:09:02 | |
Nearly, but not yet. | 0:09:02 | 0:09:04 | |
Nurse, I know my daughter's age. | 0:09:04 | 0:09:06 | |
I think of her birth as if 'twere yesterday. | 0:09:06 | 0:09:09 | |
I remember, too, one day when she did fall and cut her brow, | 0:09:09 | 0:09:14 | |
my husband, rest his soul, picked up the child. | 0:09:14 | 0:09:16 | |
"Why do you fall on your face?" says he, | 0:09:16 | 0:09:18 | |
"You will fall backward when you have more wit." | 0:09:18 | 0:09:21 | |
And looking up at him, the child said, "Yes!" | 0:09:21 | 0:09:23 | |
Enough of this. | 0:09:23 | 0:09:24 | |
I pray you, hold your peace. | 0:09:24 | 0:09:26 | |
Yet, madam, I must laugh to think a child could stop crying like that | 0:09:26 | 0:09:29 | |
-and then say "yes" to Jack! -Nurse, I pray you, stop. | 0:09:29 | 0:09:31 | |
-I beg! -Peace, I have done. | 0:09:31 | 0:09:34 | |
But I must say, you were the prettiest babe | 0:09:34 | 0:09:36 | |
I ever nursed till now. | 0:09:36 | 0:09:38 | |
If I could live to see you wed, I'll have my wish. | 0:09:38 | 0:09:42 | |
And that is the very theme that I came to talk about. | 0:09:42 | 0:09:46 | |
Tell me, daughter, what do you think of marriage? | 0:09:46 | 0:09:49 | |
I never think of it. | 0:09:51 | 0:09:53 | |
Well, think of it now. | 0:09:53 | 0:09:55 | |
Younger than you are mothers - | 0:09:55 | 0:09:56 | |
-I was your mother, too, when I was your age. -I know it. | 0:09:56 | 0:09:59 | |
Count Paris wants you for his wife and love. | 0:10:01 | 0:10:04 | |
Count Paris?! | 0:10:04 | 0:10:06 | |
So, daughter... | 0:10:06 | 0:10:08 | |
..can you love the man? | 0:10:10 | 0:10:12 | |
I hardly know him. | 0:10:12 | 0:10:14 | |
Then learn to know him at the feast tonight. | 0:10:14 | 0:10:17 | |
Seek how you feel. | 0:10:17 | 0:10:20 | |
Study his eyes and read the message there. | 0:10:20 | 0:10:24 | |
See... | 0:10:24 | 0:10:25 | |
if you can be happy with him. | 0:10:25 | 0:10:27 | |
I'll look and try to like him, if that is my parents' wish. | 0:10:31 | 0:10:35 | |
-ROMEO: -Should we attempt to talk our way inside | 0:10:40 | 0:10:42 | |
or sweep past in a crowd without a word? | 0:10:42 | 0:10:44 | |
Say nothing, lest you say too much. | 0:10:44 | 0:10:46 | |
We will not challenge them for fear they challenge us. | 0:10:46 | 0:10:48 | |
We'll enter, take the lady's measure, | 0:10:48 | 0:10:50 | |
and having taken it, depart. | 0:10:50 | 0:10:52 | |
Nay, gentle Romeo, we must see you dance. | 0:10:52 | 0:10:54 | |
Not I, Mercutio. | 0:10:54 | 0:10:56 | |
You have the dancing shoes and dancing feet to fill them. | 0:10:56 | 0:10:59 | |
My soul is made of lead. | 0:10:59 | 0:11:01 | |
It sticks me to the ground, and I cannot move. | 0:11:01 | 0:11:03 | |
You are a lover. Borrow Cupid's wings and fly. | 0:11:03 | 0:11:07 | |
MAN ANNOUNCES GUESTS | 0:11:07 | 0:11:08 | |
But should we enter? | 0:11:14 | 0:11:16 | |
I start to fear some consequence yet hanging in the stars | 0:11:16 | 0:11:18 | |
shall bitterly begin this fearful date. | 0:11:18 | 0:11:20 | |
Maybe we should consider what we do. | 0:11:20 | 0:11:24 | |
I dreamed a dream last night. | 0:11:24 | 0:11:27 | |
And so did I! | 0:11:27 | 0:11:28 | |
Well, what was yours? | 0:11:28 | 0:11:29 | |
That dreamers often lie. | 0:11:29 | 0:11:31 | |
-In bed asleep, where they do dream things true. -Ha! | 0:11:31 | 0:11:33 | |
Then I see Queen Mab has been with you. | 0:11:33 | 0:11:36 | |
She is the fairies' midwife, | 0:11:36 | 0:11:38 | |
and she comes in shape no bigger than an agate stone | 0:11:38 | 0:11:41 | |
on the forefinger of an alderman, drawn with a team of little atomies, | 0:11:41 | 0:11:45 | |
athwart men's noses as they lie asleep. | 0:11:45 | 0:11:48 | |
Her chariot is an empty hazelnut, | 0:11:48 | 0:11:51 | |
and in this state, she gallops night by night through lovers' brains, | 0:11:51 | 0:11:55 | |
and then they dream of love, | 0:11:55 | 0:11:56 | |
o'er courtiers' knees that dream on curtsies straight, | 0:11:56 | 0:11:59 | |
o'er lawyers' fingers, who straight dream on fees, | 0:11:59 | 0:12:03 | |
o'er ladies' lips, who straight on kisses dream. | 0:12:03 | 0:12:07 | |
Peace, peace, Mercutio, enough. | 0:12:07 | 0:12:09 | |
You talk of nothing. | 0:12:09 | 0:12:11 | |
True, I talk of dreams, | 0:12:11 | 0:12:14 | |
which are the children of an idle brain | 0:12:14 | 0:12:16 | |
begot of nothing but vain fantasy, | 0:12:16 | 0:12:18 | |
which is as thin of substance as the air | 0:12:18 | 0:12:20 | |
and more inconstant than the wind. | 0:12:20 | 0:12:22 | |
Much more of this, and we shall be too late. | 0:12:22 | 0:12:25 | |
Come, let us brave our fears and steer our course. | 0:12:25 | 0:12:28 | |
Whatever it may prove. | 0:12:28 | 0:12:30 | |
On, lusty gentlemen. | 0:12:30 | 0:12:33 | |
MUSIC AND CHATTER | 0:12:34 | 0:12:36 | |
Welcome, gentlemen! | 0:12:41 | 0:12:43 | |
Ladies that have their toes unplagued with corns | 0:12:43 | 0:12:46 | |
will walk about with you. | 0:12:46 | 0:12:47 | |
LAUGHTER | 0:12:47 | 0:12:49 | |
I welcome you all. Come, musicians, play. | 0:12:52 | 0:12:55 | |
DANCING MUSIC BEGINS | 0:12:55 | 0:12:57 | |
A hall, a hall. Make room. | 0:12:59 | 0:13:02 | |
Methinks we have the pick of what's on show. | 0:13:10 | 0:13:12 | |
They all look hungrier than a starving dog. | 0:13:12 | 0:13:14 | |
HE BARKS | 0:13:14 | 0:13:16 | |
-PARIS: -My lady Juliet. | 0:14:03 | 0:14:05 | |
Count Paris. | 0:14:07 | 0:14:09 | |
Can I beseech that you will pity me enough to dance | 0:14:09 | 0:14:11 | |
and warm my evening with a heavenly smile? | 0:14:11 | 0:14:13 | |
Keep your unmannered hand for lesser prey... | 0:14:13 | 0:14:16 | |
and leave the fair one to her own device. | 0:14:16 | 0:14:19 | |
Is that not Rosaline? | 0:14:25 | 0:14:27 | |
Aye, it is she. | 0:14:30 | 0:14:32 | |
Should you not start to make your case? | 0:14:33 | 0:14:35 | |
My case? | 0:14:39 | 0:14:41 | |
When you carried me hither, that I might see I have no case to make? | 0:14:41 | 0:14:44 | |
Go - YOU speak with her. | 0:14:44 | 0:14:46 | |
The Montagues in Capulet's domain? | 0:14:51 | 0:14:54 | |
Messer Benvolio, have you all run mad? | 0:14:54 | 0:14:56 | |
He that I stand for has run mad for love of your green eyes. | 0:14:56 | 0:15:01 | |
Since Romeo is here, why is he in need of deputies? | 0:15:02 | 0:15:05 | |
Of course, he means to plead his cause himself. | 0:15:05 | 0:15:08 | |
-SCOFFS: -Indeed. | 0:15:11 | 0:15:13 | |
From where we stand, he looks well occupied. | 0:15:13 | 0:15:16 | |
SHE VOCALISES | 0:15:18 | 0:15:20 | |
The lady Rosaline is well disposed but trembles for your safety. | 0:15:28 | 0:15:32 | |
What lady is that who doth enrich the hand of yonder knight? | 0:15:33 | 0:15:36 | |
I do not know. | 0:15:36 | 0:15:38 | |
But Rosaline... | 0:15:38 | 0:15:40 | |
Oh, she does teach the torches to burn bright. | 0:15:40 | 0:15:42 | |
It seems she hangs upon the cheek of night | 0:15:42 | 0:15:45 | |
like a fine jewel in an Ethiop's ear. | 0:15:45 | 0:15:48 | |
Beauty too rich for use, for earth too dear. | 0:15:48 | 0:15:52 | |
So shows the snowy dove trooping with crows, | 0:15:52 | 0:15:55 | |
as yonder lady o'er her fellow shows. | 0:15:55 | 0:15:58 | |
But what of your old love, Rosaline? | 0:15:58 | 0:16:01 | |
Did my heart love till now? | 0:16:03 | 0:16:05 | |
Forswear the sight. | 0:16:06 | 0:16:08 | |
I never saw true beauty till this night. | 0:16:09 | 0:16:12 | |
Sirrah, I must protest. | 0:16:19 | 0:16:21 | |
I have a prior claim. | 0:16:21 | 0:16:22 | |
-WOMAN: -Count Paris, come dance with me. | 0:16:22 | 0:16:24 | |
What claim is that? | 0:16:24 | 0:16:27 | |
The claim of love that ever must be heard. | 0:16:27 | 0:16:29 | |
Then shall I take advantage of this turn... | 0:16:36 | 0:16:39 | |
try my chances with fair Rosaline? | 0:16:39 | 0:16:41 | |
SHE LAUGHS | 0:16:41 | 0:16:43 | |
Now, by the shield and honour of my blood, to strike him dead, | 0:17:04 | 0:17:07 | |
I hold it not a sin. | 0:17:07 | 0:17:08 | |
Why, how now, Tybalt, why storm you so? | 0:17:08 | 0:17:10 | |
Uncle, the man Juliet is with is a Montague. | 0:17:10 | 0:17:13 | |
Young Romeo, is it? | 0:17:18 | 0:17:19 | |
APPLAUSE | 0:17:19 | 0:17:20 | |
It's him, that villain Romeo. | 0:17:24 | 0:17:27 | |
Content thee, gentle coz. | 0:17:27 | 0:17:30 | |
Let him alone. | 0:17:30 | 0:17:32 | |
You heard the prince's warning at the joust. | 0:17:34 | 0:17:36 | |
To harm a Montague under this roof | 0:17:36 | 0:17:38 | |
means riot, and in its bloody wake, our deaths. | 0:17:38 | 0:17:41 | |
I would not for the wealth of all the town | 0:17:41 | 0:17:44 | |
let any harm beset him in my house. | 0:17:44 | 0:17:45 | |
I'll not endure it. | 0:17:45 | 0:17:47 | |
You WILL endure it, for I say you will. | 0:17:47 | 0:17:49 | |
Am I master here, or you? | 0:17:49 | 0:17:50 | |
You'll make a mutiny among the guests. | 0:17:50 | 0:17:52 | |
You will set cock-a-hoop - oh, you'll be the man! | 0:17:52 | 0:17:54 | |
-Uncle, 'tis a shame! -Go to, go to. | 0:17:54 | 0:17:56 | |
You shall contrary me. You are a princox! Go. | 0:17:56 | 0:18:00 | |
Good my lord husband, why are you so hot? | 0:18:00 | 0:18:04 | |
He may be hot, but I am hotter still to see a Montague at leisure here. | 0:18:04 | 0:18:07 | |
MASTER OF CEREMONIES: The Moresca! | 0:18:07 | 0:18:09 | |
Moresca? | 0:18:09 | 0:18:10 | |
Why, what a perfect dance for our amusement. | 0:18:10 | 0:18:13 | |
To find the dance that's fit for Romeo, | 0:18:13 | 0:18:15 | |
we first need to put a rope around his neck. | 0:18:15 | 0:18:18 | |
Nay, cousin, come... | 0:18:18 | 0:18:20 | |
tread a length with me, and I shall coax you into company. | 0:18:20 | 0:18:24 | |
Lead her, gentle nephew, | 0:18:24 | 0:18:25 | |
in a country dance that we may see your anger is forsworn. | 0:18:25 | 0:18:29 | |
HE SCOFFS | 0:18:29 | 0:18:31 | |
If you so order, Uncle - but be warned, | 0:18:34 | 0:18:38 | |
this foul invasion, that you think so sweet, | 0:18:38 | 0:18:41 | |
shall turn to bitter gall before the end. | 0:18:41 | 0:18:43 | |
MORESCA MUSIC PLAYS | 0:18:45 | 0:18:47 | |
Speak, sir. | 0:19:14 | 0:19:15 | |
You are too grave for one who cuts a country dance. | 0:19:15 | 0:19:19 | |
If I profane with my unworthiest hand this holy shrine... | 0:19:38 | 0:19:41 | |
..my lips, two blushing pilgrims, | 0:19:44 | 0:19:47 | |
ready stand to smooth that rough touch with a tender kiss. | 0:19:47 | 0:19:51 | |
Good pilgrim, you do wrong your hand too much. | 0:19:57 | 0:20:01 | |
Which mannerly devotion shows in this, | 0:20:03 | 0:20:06 | |
for saints have hands that pilgrims' hands do touch, | 0:20:06 | 0:20:08 | |
palm to palm is holy palmers' kiss. | 0:20:08 | 0:20:11 | |
Have saints not lips, and holy palmers, too? | 0:20:11 | 0:20:14 | |
Aye, pilgrim, lips that they must use in prayer. | 0:20:14 | 0:20:17 | |
Oh, then, dear saint, let lips do what hands do. | 0:20:17 | 0:20:19 | |
They pray, grant thou, lest faith turn to despair. | 0:20:19 | 0:20:23 | |
Saints do not move, though grant for prayers' sake. | 0:20:23 | 0:20:26 | |
Then move not... | 0:20:26 | 0:20:27 | |
..while my prayers' effect I take. | 0:20:34 | 0:20:36 | |
Thus from my lips, by yours, my sin is purged. | 0:20:51 | 0:20:54 | |
Then have my lips the sin that they have took? | 0:20:54 | 0:20:57 | |
Sin from my lips? | 0:20:57 | 0:20:59 | |
Oh, trespass sweetly urged. | 0:20:59 | 0:21:01 | |
Give me my sin again. | 0:21:05 | 0:21:06 | |
You kiss by the book. | 0:21:16 | 0:21:17 | |
Madam... | 0:21:17 | 0:21:19 | |
your mother craves a word with you. | 0:21:19 | 0:21:21 | |
Who is her mother? | 0:21:36 | 0:21:38 | |
Her mother is the lady of the house. | 0:21:38 | 0:21:41 | |
You mean she's a Capulet? | 0:21:41 | 0:21:43 | |
She is. | 0:21:43 | 0:21:44 | |
And I tell you, he that can lay hold of Juliet | 0:21:45 | 0:21:48 | |
shall have the chinks. | 0:21:48 | 0:21:49 | |
Oh, my dear God. | 0:21:49 | 0:21:51 | |
My life is my foe's debt. | 0:21:53 | 0:21:56 | |
Hm... | 0:21:56 | 0:21:57 | |
Know you the man my cousin has made welcome? | 0:22:09 | 0:22:12 | |
Nay, but he would seem a goodly youth. | 0:22:14 | 0:22:16 | |
Goodly and deadly. | 0:22:16 | 0:22:17 | |
He is Romeo - hope of the House of Montague. | 0:22:17 | 0:22:20 | |
SHE GASPS | 0:22:20 | 0:22:22 | |
Come hither, Nurse. | 0:22:26 | 0:22:27 | |
Who is that gentleman going through the door? | 0:22:29 | 0:22:32 | |
His name is Romeo and a Montague. | 0:22:34 | 0:22:37 | |
The only son of your great enemy. | 0:22:37 | 0:22:40 | |
My only love sprung from my only hate. | 0:22:46 | 0:22:49 | |
To early seen unknown and known too late. | 0:22:49 | 0:22:52 | |
What's this? What's this? | 0:22:52 | 0:22:54 | |
It's nothing. | 0:22:57 | 0:22:58 | |
A sombre face to wear after a ball. | 0:23:13 | 0:23:15 | |
If I am young, must I always be glad? | 0:23:15 | 0:23:16 | |
No blackguard then, has cracked your peace of mind? | 0:23:16 | 0:23:19 | |
What blackguard would this be? | 0:23:19 | 0:23:20 | |
None I would name... | 0:23:20 | 0:23:22 | |
..nor let their name be spoken in this house. | 0:23:23 | 0:23:25 | |
Cousin, I love thee. | 0:23:26 | 0:23:29 | |
Tybalt, I know it. | 0:23:29 | 0:23:31 | |
Your honour is as dear to me as life. | 0:23:31 | 0:23:34 | |
SHE SIGHS | 0:23:34 | 0:23:35 | |
And with that warming thought, I'll take my leave. | 0:23:37 | 0:23:40 | |
OWL HOOTS | 0:23:47 | 0:23:49 | |
-MERCUTIO: -Romeo? | 0:23:50 | 0:23:52 | |
BENVOLIO: Romeo! | 0:23:53 | 0:23:55 | |
Can I go home, when all my heart is here? | 0:23:55 | 0:23:57 | |
Cousin Romeo? | 0:23:57 | 0:23:58 | |
Romeo? | 0:23:59 | 0:24:01 | |
Should I go home when all my heart is here? | 0:24:01 | 0:24:03 | |
Romeo! | 0:24:03 | 0:24:05 | |
MERCUTIO LAUGHS | 0:24:05 | 0:24:06 | |
Romeo? | 0:24:06 | 0:24:08 | |
Romeo? | 0:24:09 | 0:24:11 | |
-Cousin Romeo? -He is wise, and on my life, | 0:24:11 | 0:24:15 | |
has stolen home to bed. | 0:24:15 | 0:24:17 | |
He ran this way. | 0:24:17 | 0:24:19 | |
SIGHS: I know he's jumped the wall. | 0:24:19 | 0:24:21 | |
Let's call him, good Mercutio. | 0:24:21 | 0:24:23 | |
Romeo! | 0:24:23 | 0:24:24 | |
Suitor! | 0:24:24 | 0:24:27 | |
Madman! | 0:24:27 | 0:24:29 | |
He jests at scars that never felt a wound. | 0:24:29 | 0:24:32 | |
But soft, what light through yonder window breaks? | 0:24:43 | 0:24:47 | |
It is the east, and Juliet is the sun. | 0:24:48 | 0:24:53 | |
Arise, fair sun and kill the envious moon | 0:24:53 | 0:24:56 | |
who's already sick and pale with grief | 0:24:56 | 0:24:58 | |
that thou, her maid, are far more fair than she. | 0:24:58 | 0:25:01 | |
BIRD SINGS | 0:25:01 | 0:25:03 | |
Wait... | 0:25:08 | 0:25:10 | |
it is my lady. | 0:25:10 | 0:25:12 | |
Oh, it is my love. | 0:25:14 | 0:25:15 | |
Oh, that she knew she were. | 0:25:17 | 0:25:18 | |
The brightness of her cheek would shame the stars | 0:25:20 | 0:25:22 | |
as daylight doth a lamp. | 0:25:22 | 0:25:24 | |
Her eyes set in heaven would give forth such light | 0:25:24 | 0:25:28 | |
that birds would sing and think it were not night. | 0:25:28 | 0:25:31 | |
See how she leans her cheek upon her hand. | 0:25:33 | 0:25:35 | |
Oh, that I were a glove upon that hand | 0:25:37 | 0:25:40 | |
that I might touch that cheek. | 0:25:40 | 0:25:42 | |
Ah, me. | 0:25:43 | 0:25:45 | |
She speaks. | 0:25:45 | 0:25:47 | |
Oh, speak again, bright angel. | 0:25:47 | 0:25:50 | |
Oh, Romeo, Romeo... | 0:25:50 | 0:25:52 | |
wherefore art thou "Romeo"? | 0:25:52 | 0:25:55 | |
Deny thy father and refuse thy name, | 0:25:59 | 0:26:02 | |
or if thou wilt not, but be sworn my love, | 0:26:02 | 0:26:04 | |
and I'll no longer be a Capulet. | 0:26:04 | 0:26:05 | |
Shall I hear more, or shall I speak at this? | 0:26:07 | 0:26:09 | |
'Tis but thy name that is my enemy. | 0:26:09 | 0:26:12 | |
You'd be yourself if you were not called Montague. | 0:26:12 | 0:26:15 | |
What's in a name? | 0:26:17 | 0:26:18 | |
That which we call a rose by any other name would smell as sweet. | 0:26:20 | 0:26:24 | |
So Romeo would. | 0:26:24 | 0:26:26 | |
Romeo, cast off thy name, and for that name, | 0:26:27 | 0:26:30 | |
which is no part of you, take all of me. | 0:26:30 | 0:26:32 | |
-I take you at your word! -SHE GASPS | 0:26:32 | 0:26:34 | |
Call me your love, and I'll be new baptised henceforth. | 0:26:34 | 0:26:36 | |
I never will be Romeo. | 0:26:36 | 0:26:38 | |
What man are you that hides within the shadows of the night | 0:26:38 | 0:26:40 | |
to spy on me? | 0:26:40 | 0:26:41 | |
I know not how to tell you who I am. | 0:26:43 | 0:26:45 | |
My name, dear saint, is hateful to myself | 0:26:45 | 0:26:49 | |
because it is an enemy to you. | 0:26:49 | 0:26:51 | |
I have not heard you speak a hundred words, | 0:26:52 | 0:26:54 | |
yet I do know the sound of that sweet voice. | 0:26:54 | 0:26:57 | |
Are you not Romeo and a Montague? | 0:26:57 | 0:26:59 | |
Neither, dear love, if either you dislike. | 0:26:59 | 0:27:02 | |
Why have you come? | 0:27:05 | 0:27:07 | |
This place is death if any of my kinsmen find you here. | 0:27:07 | 0:27:10 | |
With love's light wings did I o'er perch these walls... | 0:27:10 | 0:27:13 | |
..for stony limits cannot hold love out, | 0:27:14 | 0:27:16 | |
and what love can do, that dares love attempt. | 0:27:16 | 0:27:19 | |
Therefore thy kinsmen are no stop to me. | 0:27:21 | 0:27:23 | |
To see you look severe more frightens me | 0:27:23 | 0:27:26 | |
than 20 of their swords. | 0:27:26 | 0:27:27 | |
Look you but sweet, and I am proof against their enmity. | 0:27:29 | 0:27:32 | |
I would not for the world they saw you here. | 0:27:34 | 0:27:37 | |
But I would not have missed the words you spoke. | 0:27:38 | 0:27:41 | |
I blush to think what you have heard tonight. | 0:27:42 | 0:27:44 | |
If I should ask you now for vows of love, I know you would say aye... | 0:27:46 | 0:27:49 | |
but if you swear, you may prove false. | 0:27:49 | 0:27:52 | |
They say that Jove does laugh at lovers' perjuries. | 0:27:52 | 0:27:56 | |
And will you now call me too fast? | 0:27:56 | 0:27:58 | |
When, had you not heard me, I should be slow as ice. | 0:27:58 | 0:28:00 | |
Romeo, trust me, and I will prove more true | 0:28:00 | 0:28:02 | |
than those who play the game with far more cunning wit. | 0:28:02 | 0:28:05 | |
Lady, by yonder moon I swear | 0:28:05 | 0:28:07 | |
that tips with silver all the fruit tree tops. | 0:28:07 | 0:28:09 | |
Oh, swear not by the moon - | 0:28:09 | 0:28:11 | |
the inconstant moon that monthly changes in her circled orb, | 0:28:11 | 0:28:14 | |
lest that your love prove likewise variable. | 0:28:14 | 0:28:17 | |
What shall I swear by? | 0:28:17 | 0:28:18 | |
Do not swear at all, and listen hard. | 0:28:18 | 0:28:22 | |
Are we too rash, too unadvised, too quick? | 0:28:22 | 0:28:24 | |
No, for this bud of love in summer's breath | 0:28:24 | 0:28:27 | |
will prove a beauteous flower when next we meet. | 0:28:27 | 0:28:30 | |
-I promise. -NURSE: -Juliet? | 0:28:32 | 0:28:34 | |
Go, and goodnight, | 0:28:34 | 0:28:35 | |
and let sweet rest come to your heart and mine within my breast. | 0:28:35 | 0:28:39 | |
But will you leave me so unsatisfied? | 0:28:40 | 0:28:43 | |
What satisfaction would you have tonight? | 0:28:43 | 0:28:45 | |
The exchange of your love's faithful vow for mine. | 0:28:45 | 0:28:49 | |
I gave you mine before you did request it. | 0:28:49 | 0:28:52 | |
My lady? | 0:28:52 | 0:28:53 | |
Madam? | 0:28:55 | 0:28:56 | |
Anon, good nurse. | 0:28:56 | 0:28:57 | |
Sweet Montague, be true. | 0:28:57 | 0:28:59 | |
Stay here a while, and I will come again. | 0:28:59 | 0:29:01 | |
I'm afraid all this is but a dream. | 0:29:04 | 0:29:06 | |
Too flattering sweet to be substantial. | 0:29:06 | 0:29:09 | |
Think if your love be pure, your purpose marriage? | 0:29:11 | 0:29:14 | |
It is, my lady. | 0:29:14 | 0:29:16 | |
Then I will send to you to learn my fate, | 0:29:17 | 0:29:19 | |
where and what time we will perform the rite, | 0:29:19 | 0:29:22 | |
and all my fortunes at your feet I lay | 0:29:22 | 0:29:24 | |
and follow you, my lord, throughout the world. | 0:29:24 | 0:29:27 | |
Juliet! | 0:29:27 | 0:29:28 | |
My lady? | 0:29:30 | 0:29:31 | |
A thousand times, goodnight. | 0:29:35 | 0:29:36 | |
A thousand times the worse, to miss your light. | 0:29:36 | 0:29:38 | |
Romeo... | 0:29:38 | 0:29:39 | |
My love. | 0:29:39 | 0:29:41 | |
What time tomorrow shall I send to you? | 0:29:59 | 0:30:01 | |
At nine o'clock. | 0:30:01 | 0:30:02 | |
I will not fail. | 0:30:02 | 0:30:03 | |
'Tis 20 years till then. | 0:30:03 | 0:30:05 | |
I have forgotten why I called you back. | 0:30:05 | 0:30:07 | |
Let me stand here till you remember it. | 0:30:07 | 0:30:09 | |
I should forget to have thee still stand there, | 0:30:11 | 0:30:14 | |
remembering how I love thy company. | 0:30:14 | 0:30:16 | |
And I'll still stay to have thee still forget, | 0:30:25 | 0:30:28 | |
forgetting any other home but this. | 0:30:28 | 0:30:30 | |
Goodnight, goodnight. | 0:30:34 | 0:30:36 | |
Parting is such sweet sorrow. | 0:30:40 | 0:30:42 | |
Let us just say goodnight till it be morrow. | 0:30:42 | 0:30:45 | |
Sleep dwell upon thine eyes, peace in thy breast. | 0:30:50 | 0:30:53 | |
Oh! Lady, come in. | 0:30:56 | 0:30:58 | |
You will catch a chill. | 0:30:58 | 0:30:59 | |
Would I were sleep and peace, so sweet to rest. | 0:30:59 | 0:31:03 | |
BIRDS CHIRP | 0:31:05 | 0:31:07 | |
The earth is nature's mother and her tomb. | 0:31:08 | 0:31:13 | |
Within the petal trim of this small flower, | 0:31:13 | 0:31:17 | |
poison has residence and medicine power. | 0:31:17 | 0:31:21 | |
Boiled and mixed, the smell will bring us health. | 0:31:22 | 0:31:25 | |
And swallowed? | 0:31:25 | 0:31:27 | |
The result is instant death. | 0:31:27 | 0:31:29 | |
Ahem... | 0:31:31 | 0:31:33 | |
Good morning, Father. | 0:31:33 | 0:31:35 | |
Romeo! | 0:31:35 | 0:31:37 | |
Up and about in early morn. | 0:31:37 | 0:31:40 | |
I do not look to see the young at dawn. | 0:31:40 | 0:31:43 | |
Care keeps the old awake and wakes them soon, | 0:31:43 | 0:31:46 | |
but young men sleep a golden sleep till noon. | 0:31:46 | 0:31:48 | |
Or if they don't - and here I'll guess it right - | 0:31:50 | 0:31:53 | |
our Romeo hath not been in bed tonight. | 0:31:53 | 0:31:57 | |
That last is true, but a sweet rest was mine. | 0:31:57 | 0:32:00 | |
God pardon sin. | 0:32:06 | 0:32:08 | |
Were you with Rosaline? | 0:32:08 | 0:32:10 | |
Ah, I pray you were not playing Satan's game. | 0:32:10 | 0:32:15 | |
Who is Rosaline? | 0:32:15 | 0:32:17 | |
I have forgot the name. | 0:32:17 | 0:32:18 | |
That's good, my son. Where then have you been? | 0:32:18 | 0:32:22 | |
I'll tell you, ere you ask it me again. | 0:32:22 | 0:32:26 | |
Oh, Father, know my heart's desire | 0:32:26 | 0:32:27 | |
is set on the fair daughter of rich Capulet. | 0:32:27 | 0:32:30 | |
As mine on hers, so hers is set as well. | 0:32:30 | 0:32:32 | |
And how we met and wooed, and how I fell I'll say as we walk back. | 0:32:32 | 0:32:36 | |
But this I pray - you consent to marry us today. | 0:32:36 | 0:32:40 | |
HE GASPS | 0:32:40 | 0:32:42 | |
Holy St Francis! | 0:32:42 | 0:32:44 | |
What a change is here. | 0:32:45 | 0:32:47 | |
Why is she cast off, that you did love so dear? | 0:32:47 | 0:32:50 | |
Jesu Maria! | 0:32:50 | 0:32:51 | |
What a deal of brine has washed your sallow cheeks for Rosaline! | 0:32:51 | 0:32:54 | |
You scolded me for loving Rosaline. | 0:32:54 | 0:32:56 | |
I scolded you for moping like a child. | 0:32:56 | 0:32:59 | |
I'd not believe you'd tasted true love's joy. | 0:32:59 | 0:33:01 | |
Then scold no more, for God has taught me now to know true love, | 0:33:01 | 0:33:04 | |
and Juliet has her face. | 0:33:04 | 0:33:06 | |
Speak you so, though she be a Capulet? | 0:33:09 | 0:33:12 | |
What care I for the quarrels of the past? | 0:33:12 | 0:33:14 | |
Or rivalries now buried in the tomb? | 0:33:14 | 0:33:17 | |
Well, well. | 0:33:17 | 0:33:19 | |
If this could carry all before... | 0:33:21 | 0:33:23 | |
..I think I see a chance to end the city's strife. | 0:33:25 | 0:33:27 | |
If, as I pray, your marriage should prove sweet, | 0:33:30 | 0:33:33 | |
you'll turn your families' rancour to pure love. | 0:33:33 | 0:33:36 | |
Come, you waverer, and go along with me. | 0:33:38 | 0:33:41 | |
I'll grant your wish... | 0:33:41 | 0:33:43 | |
..and be your wedding priest. | 0:33:45 | 0:33:46 | |
Where, then, is our Romeo? | 0:33:52 | 0:33:54 | |
Did he come home last night? | 0:33:54 | 0:33:56 | |
Not to this house. I've spoken with his man. | 0:33:56 | 0:33:59 | |
Mercutio, there's news. Tybalt has sent a letter here, addressed to him. | 0:34:00 | 0:34:04 | |
A challenge, on my life. | 0:34:06 | 0:34:08 | |
Which Romeo will meet. | 0:34:08 | 0:34:09 | |
Alas, poor Romeo, he's already dead. | 0:34:09 | 0:34:12 | |
Why? | 0:34:12 | 0:34:14 | |
Who and what is Tybalt, that he should be so sure of victory? | 0:34:14 | 0:34:17 | |
More than a prince of cats, I tell you now. | 0:34:17 | 0:34:19 | |
He fights like a music player, all precision, | 0:34:19 | 0:34:22 | |
and keeps his time and distance perfect play. | 0:34:22 | 0:34:24 | |
With one and two and three, and in your chest. | 0:34:24 | 0:34:27 | |
He's a gentleman and a duellist, | 0:34:27 | 0:34:29 | |
and none who fight him live to tell the tale. | 0:34:29 | 0:34:31 | |
Ah, gentlemen. I hope you've helped to cover my tracks. | 0:34:31 | 0:34:34 | |
Where did you vanish to last night? | 0:34:34 | 0:34:35 | |
You gave us both the slip most prettily. | 0:34:35 | 0:34:37 | |
Pardon, Mercutio, I was much taken up. | 0:34:37 | 0:34:40 | |
At such a time, a man may lose his grace. | 0:34:40 | 0:34:42 | |
And more besides. | 0:34:42 | 0:34:44 | |
Nay, we forgive you, for you are Romeo again. | 0:34:44 | 0:34:46 | |
Is this not better now than groaning still for love? | 0:34:46 | 0:34:49 | |
Now you are sociable. | 0:34:49 | 0:34:51 | |
-Great love will make us only into fools. -Stop there. | 0:34:51 | 0:34:54 | |
Romeo, there's a letter come for you. | 0:34:54 | 0:34:57 | |
I fear it is a challenge from Count Tybalt, | 0:34:57 | 0:34:59 | |
which will not brook delay in your reply. | 0:34:59 | 0:35:02 | |
-You could soothe his rage... -Excuse me, both, I prithee. | 0:35:02 | 0:35:04 | |
-Cousin? Where are you going? -Romeo! | 0:35:04 | 0:35:07 | |
This heavy matter cannot be ignored! | 0:35:07 | 0:35:08 | |
Good sir, I desire some talk with you. | 0:35:16 | 0:35:18 | |
What tired old bawd is this? | 0:35:18 | 0:35:20 | |
And who is he that wears the hated coat of Capulet? | 0:35:20 | 0:35:22 | |
Go to. I would walk a while with her. | 0:35:22 | 0:35:24 | |
Will we see you at your father's dinner? | 0:35:24 | 0:35:26 | |
Of course. I'll be there. | 0:35:26 | 0:35:28 | |
MERCUTIO GROWLS | 0:35:31 | 0:35:32 | |
Why was the man so rude? | 0:35:37 | 0:35:39 | |
That liked to use his tongue to flay and wound a poor old woman? | 0:35:39 | 0:35:42 | |
He is much enamoured by the sound of his own voice. | 0:35:42 | 0:35:45 | |
And you stand by and suffer such a knave to use me at his pleasure? | 0:35:45 | 0:35:48 | |
If I knew any man to use you for his pleasure, | 0:35:48 | 0:35:50 | |
my weapon will be quickly out, I swear. | 0:35:50 | 0:35:53 | |
Now, before God, I'm so vexed that every part about me quivers. | 0:35:55 | 0:36:00 | |
So, to the business. | 0:36:00 | 0:36:01 | |
-My young lady, Juliet... -What of her? | 0:36:01 | 0:36:04 | |
She bade me seek you out and say... | 0:36:04 | 0:36:06 | |
First, if you should do double with her, | 0:36:06 | 0:36:08 | |
-you will have me to answer to. -Nurse, I do protest. -I'll tell her. | 0:36:08 | 0:36:12 | |
Just listen. | 0:36:12 | 0:36:14 | |
She must gain her mother's word to make confession later on today. | 0:36:14 | 0:36:17 | |
Let her but come to Father Laurence's cell. | 0:36:17 | 0:36:20 | |
There she will be absolved and married, too. | 0:36:20 | 0:36:23 | |
-This afternoon, a bride? -Farewell. | 0:36:23 | 0:36:25 | |
-Be trusty and commend me to your mistress. -I... | 0:36:25 | 0:36:28 | |
There's one thing more. | 0:36:28 | 0:36:30 | |
What is it? | 0:36:30 | 0:36:31 | |
There is a nobleman in town, one Paris, | 0:36:31 | 0:36:34 | |
who plans to marry and lie with her. | 0:36:34 | 0:36:36 | |
-And does she like him? -Never! | 0:36:36 | 0:36:38 | |
She would as soon have lain with a stinking toad. | 0:36:38 | 0:36:40 | |
Her thoughts are all with you, as I have taunted her. | 0:36:40 | 0:36:42 | |
-But you should know of him. -And so I do. | 0:36:42 | 0:36:45 | |
And now commend me to my lady. | 0:36:45 | 0:36:47 | |
I will. | 0:36:47 | 0:36:49 | |
A thousand times. | 0:36:50 | 0:36:51 | |
Why, my darling Nurse, what news? | 0:36:59 | 0:37:02 | |
Tell me you found him. | 0:37:02 | 0:37:04 | |
Oh... Oh! Oh... | 0:37:04 | 0:37:06 | |
Good, sweet Nurse... | 0:37:06 | 0:37:07 | |
SHE SIGHS WEARILY | 0:37:09 | 0:37:11 | |
Oh, Lord, you look so sad. | 0:37:11 | 0:37:12 | |
Whatever news you bring, cast off your gloom, | 0:37:12 | 0:37:15 | |
and if your tale be glad, | 0:37:15 | 0:37:16 | |
then do not punish me by wearing such a mask of tragedy. | 0:37:16 | 0:37:19 | |
I'm so weary, let me rest awhile. | 0:37:19 | 0:37:21 | |
Oh, my bones ache after the day I've had. | 0:37:21 | 0:37:23 | |
I would exchange my bones for all your news. | 0:37:23 | 0:37:25 | |
Please speak, I pray you. | 0:37:25 | 0:37:27 | |
Dear sweet Nurse, do tell. | 0:37:27 | 0:37:29 | |
What's the rush?! A minute's patience, please! | 0:37:29 | 0:37:31 | |
Can you not see I'm out of breath? | 0:37:31 | 0:37:32 | |
Are you out of breath when you have breath to say to me | 0:37:32 | 0:37:35 | |
that you are out of breath? | 0:37:35 | 0:37:36 | |
Is your news good or bad? Just answer that. | 0:37:36 | 0:37:38 | |
Say either and I'll wait to hear the rest. | 0:37:38 | 0:37:40 | |
Let me just know if it is good or bad. | 0:37:40 | 0:37:42 | |
SHE SIGHS | 0:37:44 | 0:37:46 | |
Well... | 0:37:46 | 0:37:47 | |
..I must say you have good taste in men. | 0:37:49 | 0:37:54 | |
That Romeo's face is handsome as the dawn. | 0:37:55 | 0:37:59 | |
His body... | 0:38:00 | 0:38:01 | |
..figure, leg, foot excel against the finest. | 0:38:02 | 0:38:07 | |
His manners might improve, but there is time. Now... | 0:38:07 | 0:38:12 | |
-have you dined already? -Not yet. | 0:38:12 | 0:38:15 | |
But Nurse, I knew all this before. | 0:38:15 | 0:38:17 | |
What says he of our marriage? What of that? | 0:38:17 | 0:38:19 | |
Lord, how my head aches. | 0:38:19 | 0:38:20 | |
Oh, what a head I have! | 0:38:20 | 0:38:22 | |
It throbs as it would break in 20 bits. | 0:38:22 | 0:38:24 | |
And my back - my back is killing me! | 0:38:24 | 0:38:26 | |
It's all your fault for sending me to town. | 0:38:26 | 0:38:28 | |
In future, take your messages yourself. | 0:38:28 | 0:38:30 | |
In mercy, pity me! What says my Romeo? | 0:38:30 | 0:38:33 | |
Can you have leave today, to make confession? | 0:38:40 | 0:38:43 | |
I could. | 0:38:43 | 0:38:45 | |
Then, go you from here to Father Laurence's cell... | 0:38:45 | 0:38:50 | |
..you'll find a husband... | 0:38:53 | 0:38:56 | |
keen to make you wife. | 0:38:56 | 0:38:58 | |
But not until you've had a bath. | 0:39:06 | 0:39:07 | |
THEY LAUGH | 0:39:07 | 0:39:08 | |
I pray the heavens smile upon this act, | 0:39:15 | 0:39:18 | |
and do not punish us with later sorrow. | 0:39:18 | 0:39:21 | |
Amen. | 0:39:21 | 0:39:23 | |
But come what sorrow can, | 0:39:24 | 0:39:26 | |
it cannot countervail the exchange of joy | 0:39:26 | 0:39:28 | |
that one short minute gives me in her sight. | 0:39:28 | 0:39:30 | |
Do thou but close our hands with holy words... | 0:39:30 | 0:39:34 | |
then love, devouring death, do what he dare - | 0:39:34 | 0:39:36 | |
it is enough that I can call her mine. | 0:39:36 | 0:39:38 | |
These violent passions can have violent ends, | 0:39:38 | 0:39:43 | |
and blaze up like gunpowder, in their fiery glory, | 0:39:43 | 0:39:45 | |
consuming themselves and others. | 0:39:45 | 0:39:48 | |
The sweetest honey sickens when over-ate, | 0:39:49 | 0:39:52 | |
defeating its own delight. | 0:39:52 | 0:39:54 | |
Therefore, be moderate. | 0:39:54 | 0:39:57 | |
Long-lasting love must be. | 0:39:57 | 0:39:59 | |
Love too fast can prove falser than love too slow. | 0:39:59 | 0:40:03 | |
Good evening to my dearest confessor. | 0:40:07 | 0:40:09 | |
Romeo gives thanks to see you here. | 0:40:09 | 0:40:12 | |
I owe those thanks to him with all my heart. | 0:40:12 | 0:40:15 | |
Oh, Juliet, if your heart, like mine, is full | 0:40:16 | 0:40:19 | |
and you have greater skill than I to speak, | 0:40:19 | 0:40:22 | |
then tell the joy that waits us both this night. | 0:40:22 | 0:40:25 | |
I cannot tell of what is limitless. | 0:40:25 | 0:40:28 | |
They are but beggars who can count their worth. | 0:40:28 | 0:40:31 | |
Enough of love talk. | 0:40:31 | 0:40:32 | |
Come along with me - | 0:40:32 | 0:40:33 | |
for we will make short work of binding oaths, | 0:40:33 | 0:40:36 | |
and holy church shall join two into one. | 0:40:36 | 0:40:39 | |
Romeo... | 0:40:45 | 0:40:47 | |
HE SPEAKS IN LATIN | 0:40:47 | 0:40:49 | |
HE RESPONDS IN LATIN | 0:41:00 | 0:41:01 | |
Juliet... | 0:41:04 | 0:41:05 | |
HE SPEAKS IN LATIN | 0:41:07 | 0:41:08 | |
SHE RESPONDS IN LATIN | 0:41:16 | 0:41:17 | |
HE CONTINUES IN LATIN | 0:41:21 | 0:41:23 | |
Amen. | 0:41:34 | 0:41:35 | |
Amen. | 0:41:36 | 0:41:38 | |
Amen. | 0:41:38 | 0:41:39 | |
Yah! | 0:42:36 | 0:42:37 | |
Juliet. | 0:42:40 | 0:42:41 | |
My lady Juliet. | 0:42:41 | 0:42:43 | |
Scarcely were you both gone and on your way, | 0:42:43 | 0:42:45 | |
a messenger from Lord Capulet arrived. | 0:42:45 | 0:42:48 | |
Your cousin Tybalt has set forth in such a rage. | 0:42:48 | 0:42:51 | |
There's trouble in the offing. | 0:42:51 | 0:42:53 | |
Your father bids you hurry back. | 0:42:53 | 0:42:55 | |
I will. | 0:42:55 | 0:42:57 | |
Nurse, you go with her. See her safely home. | 0:42:57 | 0:42:59 | |
Till tonight. | 0:43:00 | 0:43:02 | |
Which is a year away. | 0:43:02 | 0:43:04 | |
Only a year? | 0:43:04 | 0:43:06 | |
You do not love me, then? | 0:43:06 | 0:43:07 | |
I pray you, good Mercutio, let's go. The Capulets are out. | 0:43:17 | 0:43:21 | |
You are like the man who snatches off his sword, | 0:43:21 | 0:43:23 | |
on a tavern's table lays it down forthwith | 0:43:23 | 0:43:25 | |
and vows to have no need of it. | 0:43:25 | 0:43:27 | |
Till, with the second beer, | 0:43:27 | 0:43:28 | |
he takes it up and runs his host right through. | 0:43:28 | 0:43:31 | |
Am I like such a fellow? | 0:43:31 | 0:43:32 | |
You know you are as hot a jack today as any to be found in Italy. | 0:43:32 | 0:43:35 | |
-Your mood as moody as a bitch on heat. -Is it so? | 0:43:35 | 0:43:37 | |
Why, you'd quarrel with a man for cracking nuts, | 0:43:37 | 0:43:40 | |
for the insult given to your hazel eyes. | 0:43:40 | 0:43:42 | |
I've seen you quarrel with a man for coughing in the street | 0:43:42 | 0:43:44 | |
because he woke your dog. | 0:43:44 | 0:43:45 | |
And if I did, I'm still less quick to find a fight than you. | 0:43:45 | 0:43:49 | |
WHISTLE IN DISTANCE | 0:43:49 | 0:43:50 | |
By heaven, here come the Capulets. | 0:43:52 | 0:43:54 | |
And do I care? | 0:43:54 | 0:43:56 | |
Wait over here, and I will speak with them. | 0:44:10 | 0:44:13 | |
Good morrow, gentlemen. | 0:44:13 | 0:44:14 | |
A word with one of you. | 0:44:14 | 0:44:15 | |
A single word with one of us? | 0:44:15 | 0:44:17 | |
Let's couple it with something - maybe a word and a blow? | 0:44:17 | 0:44:20 | |
You'll find me good at that, Mercutio, | 0:44:20 | 0:44:22 | |
if you'll give me the chance. | 0:44:22 | 0:44:23 | |
Can you not take the chance, or must it be given? | 0:44:23 | 0:44:26 | |
I have sent a letter writ to Romeo, whom you consort with. | 0:44:26 | 0:44:30 | |
Consort with? | 0:44:30 | 0:44:32 | |
HE LAUGHS | 0:44:32 | 0:44:33 | |
What? Do you imagine us a pair of minstrels? | 0:44:33 | 0:44:36 | |
For if you do, expect the sharpest notes. | 0:44:36 | 0:44:39 | |
Here's my baton that shall make you dance. "Consorts," indeed. | 0:44:39 | 0:44:42 | |
Mercutio, Tybalt, this is a public place. | 0:44:42 | 0:44:44 | |
Either withdraw into some private place | 0:44:44 | 0:44:46 | |
and there dispute your grievance, or else, and better yet, go home. | 0:44:46 | 0:44:48 | |
Men's eyes were made to look and let them gaze. | 0:44:48 | 0:44:50 | |
HORSE WHINNIES | 0:44:50 | 0:44:51 | |
I will not budge for no man's pleasure, I. | 0:44:51 | 0:44:53 | |
Whoa... | 0:44:59 | 0:45:00 | |
Peace be with you, sir. | 0:45:02 | 0:45:04 | |
-Here comes my man. -Your man? | 0:45:04 | 0:45:05 | |
I do not see him in your livery. | 0:45:05 | 0:45:07 | |
How dare you call a Montague your man! | 0:45:07 | 0:45:09 | |
Benvolio! Is something here amiss? | 0:45:09 | 0:45:12 | |
Romeo! The hate I bear thee can afford no better term than this - | 0:45:12 | 0:45:16 | |
thou art a villain. | 0:45:16 | 0:45:17 | |
Tybalt, the reason that I have to love thee | 0:45:17 | 0:45:20 | |
does much excuse the appertaining rage to such a greeting. | 0:45:20 | 0:45:24 | |
Villain am I none. Therefore, farewell. | 0:45:24 | 0:45:26 | |
-I see you know me not. -Boy! | 0:45:26 | 0:45:28 | |
This will not temper the injuries you have done me. | 0:45:28 | 0:45:31 | |
Therefore, turn and fight. | 0:45:31 | 0:45:33 | |
I do insist I never injured you, | 0:45:35 | 0:45:36 | |
but loved you better than you'll understand, | 0:45:36 | 0:45:38 | |
till you do know the reason. | 0:45:38 | 0:45:40 | |
So, good Capulet, | 0:45:40 | 0:45:43 | |
a name I love as dearly as my own, be satisfied. | 0:45:43 | 0:45:46 | |
A smooth, dishonourable, vile submission! | 0:45:46 | 0:45:49 | |
Tybalt. | 0:45:49 | 0:45:50 | |
You rat-catcher. | 0:45:53 | 0:45:55 | |
Will you walk this way? | 0:45:55 | 0:45:57 | |
What do you want from me? | 0:45:57 | 0:45:58 | |
Good king of cats, just one of your nine lives. | 0:45:58 | 0:46:00 | |
You have it to spare, with eight to use hereafter. | 0:46:00 | 0:46:03 | |
What, do you dither now to draw your sword? | 0:46:03 | 0:46:07 | |
Make haste, or I will pluck you ere it's out. | 0:46:07 | 0:46:09 | |
I am for you. | 0:46:15 | 0:46:17 | |
No, Mercutio, I beg you, put your sword down. | 0:46:17 | 0:46:19 | |
Come, sir. Are you ready? Let's begin. | 0:46:19 | 0:46:21 | |
Mercutio, stop! | 0:46:21 | 0:46:23 | |
Benvolio, help me hold them back! | 0:46:23 | 0:46:25 | |
We must stop! Please! | 0:46:25 | 0:46:28 | |
Mercutio! | 0:46:28 | 0:46:29 | |
Tybalt! | 0:46:29 | 0:46:31 | |
Gentlemen, for shame! | 0:46:35 | 0:46:37 | |
Stop this brawl now! | 0:46:37 | 0:46:39 | |
You know the prince has made his wishes clear - | 0:46:40 | 0:46:43 | |
an end to fighting in Verona's streets! | 0:46:43 | 0:46:45 | |
Tybalt, good Mercutio, hold! | 0:46:45 | 0:46:48 | |
It is time for peace! | 0:46:48 | 0:46:50 | |
HE GROANS | 0:46:52 | 0:46:53 | |
Let's away. | 0:47:03 | 0:47:04 | |
I am dead. | 0:47:04 | 0:47:06 | |
Is Tybalt gone with no wound to bear? | 0:47:06 | 0:47:08 | |
You, sir, run to my father's house! Fetch a surgeon! | 0:47:10 | 0:47:14 | |
Tybalt! | 0:47:14 | 0:47:15 | |
Romeo! | 0:47:16 | 0:47:18 | |
Villain! Dog! | 0:47:18 | 0:47:20 | |
If thou art brave, come settle with me, boy. | 0:47:20 | 0:47:24 | |
Have courage, man. The wound cannot be much. | 0:47:27 | 0:47:30 | |
No. | 0:47:30 | 0:47:32 | |
'Tis not so deep as a well, | 0:47:32 | 0:47:34 | |
nor so wide as a church door... | 0:47:34 | 0:47:36 | |
..but 'tis enough. | 0:47:37 | 0:47:39 | |
'Twill serve. | 0:47:39 | 0:47:41 | |
Ask for me tomorrow, and you shall find me a grave man. | 0:47:42 | 0:47:46 | |
I am peppered... I warrant, for this world. | 0:47:46 | 0:47:50 | |
Why the devil came you between us? He stabbed me under your arm. | 0:47:52 | 0:47:55 | |
I thought all for the best. | 0:47:55 | 0:47:57 | |
Our best intentions pave the way to hell. | 0:47:59 | 0:48:02 | |
To hell with the Montagues and Capulets... | 0:48:05 | 0:48:08 | |
whose angry war has stolen all my days. | 0:48:08 | 0:48:12 | |
Plague on both your houses. | 0:48:14 | 0:48:18 | |
MERCUTIO GASPS | 0:48:18 | 0:48:20 | |
He's dead. | 0:48:26 | 0:48:28 | |
His gallant spirit is among the clouds. | 0:48:30 | 0:48:33 | |
Stay here, Benvolio. | 0:48:42 | 0:48:43 | |
Be what help you may. | 0:48:43 | 0:48:45 | |
I have some business with a new relation. | 0:48:46 | 0:48:48 | |
No! | 0:48:51 | 0:48:52 | |
But, Romeo, stay! | 0:48:52 | 0:48:53 | |
Tybalt! | 0:48:55 | 0:48:57 | |
Let him pass. | 0:48:58 | 0:48:59 | |
What, Romeo? | 0:49:12 | 0:49:13 | |
Is it cowardice that holds you back? | 0:49:13 | 0:49:15 | |
Ngh! | 0:49:40 | 0:49:41 | |
Gah! | 0:49:41 | 0:49:43 | |
Many have died in this place, Montague. | 0:49:45 | 0:49:48 | |
Befriend their spirits while you still have time. | 0:49:48 | 0:49:50 | |
They wait to welcome you with open arms. | 0:49:50 | 0:49:53 | |
They wait for one of us. | 0:49:53 | 0:49:54 | |
That much is sure. | 0:49:54 | 0:49:56 | |
Cousin! | 0:50:13 | 0:50:15 | |
-We're here, Tybalt. -We're here for you, sir. | 0:50:15 | 0:50:17 | |
Leave us! | 0:50:17 | 0:50:18 | |
No! | 0:50:28 | 0:50:29 | |
My Lord! My Lord? | 0:50:29 | 0:50:31 | |
Romeo, away! | 0:50:53 | 0:50:55 | |
The gods themselves are angry. Tybalt's killed! | 0:50:55 | 0:50:57 | |
-Tybalt is slain! -Don't stand there a-daze. Go! | 0:50:57 | 0:50:59 | |
The prince will have your head if you are taken. | 0:50:59 | 0:51:01 | |
Go! | 0:51:01 | 0:51:02 | |
Oh, I am fortune's fool. | 0:51:04 | 0:51:06 | |
Romeo, begone. Away you now! | 0:51:06 | 0:51:09 | |
CROWD CLAMOURS | 0:51:15 | 0:51:17 | |
ANGRY SHOUTS | 0:51:21 | 0:51:24 | |
-LADY CAPULET: -Tybalt, my nephew. He was my brother's child. | 0:51:33 | 0:51:38 | |
See how the blood is spilled of my dear kinsmen. | 0:51:38 | 0:51:42 | |
Prince, as you are true, for blood of ours, shed blood of Montague. | 0:51:42 | 0:51:48 | |
Benvolio, who began this bloody fight? | 0:51:48 | 0:51:51 | |
Tybalt, here slain, and I was witness how. | 0:51:51 | 0:51:55 | |
Romeo did beg him to desist. | 0:51:55 | 0:51:57 | |
Alas, nothing could stay the rage of angry Tybalt, | 0:51:57 | 0:51:59 | |
whose ears were deaf to peace. | 0:51:59 | 0:52:01 | |
But what of the second act? | 0:52:01 | 0:52:03 | |
Mercutio lies dead, | 0:52:03 | 0:52:05 | |
and in his grief does blinded Romeo entertain revenge. | 0:52:05 | 0:52:09 | |
He is a cousin of the Montagues. | 0:52:09 | 0:52:11 | |
Affection makes him false. | 0:52:11 | 0:52:13 | |
Romeo killed Tybalt. | 0:52:13 | 0:52:15 | |
Romeo must not live. | 0:52:15 | 0:52:17 | |
Romeo killed him. He killed Mercutio. | 0:52:17 | 0:52:19 | |
Who is the guilty man in all this grief? | 0:52:19 | 0:52:22 | |
Not Romeo, Prince. | 0:52:22 | 0:52:24 | |
He was Mercutio's friend, and killed his murderer. | 0:52:24 | 0:52:26 | |
The very end the law would have exacted. | 0:52:26 | 0:52:30 | |
This offence means we do now, at once, exile him hence. | 0:52:37 | 0:52:41 | |
I will be deaf to pleading and excuse. | 0:52:44 | 0:52:47 | |
Therefore, use none. | 0:52:47 | 0:52:49 | |
Let Romeo leave in haste. | 0:52:49 | 0:52:51 | |
For if he's found, that hour will be his last. | 0:52:51 | 0:52:54 | |
SHE SOBS | 0:52:56 | 0:52:58 | |
Did Romeo's hand shed Tybalt's blood? | 0:52:59 | 0:53:03 | |
It did. | 0:53:03 | 0:53:05 | |
I weep to say it, but it did. | 0:53:05 | 0:53:07 | |
And now the prince has exiled Tybalt's murderer. | 0:53:07 | 0:53:12 | |
No. | 0:53:12 | 0:53:13 | |
Shame on your Romeo! | 0:53:13 | 0:53:15 | |
Blister your tongue! | 0:53:15 | 0:53:16 | |
Oh, what a beast I've been to chide him. | 0:53:16 | 0:53:18 | |
Did Tybalt not first stab Mercutio? | 0:53:18 | 0:53:21 | |
Will you speak well of him that killed your cousin? | 0:53:21 | 0:53:23 | |
Shall I speak ill of him that is my husband? | 0:53:23 | 0:53:26 | |
How stupid I have been to rail, | 0:53:26 | 0:53:28 | |
when now your news of him is worse than Tybalt's death. | 0:53:28 | 0:53:30 | |
Worse than your cousin's death?! | 0:53:30 | 0:53:32 | |
Indeed. | 0:53:32 | 0:53:33 | |
You told me Romeo is banished. | 0:53:33 | 0:53:36 | |
And that one word is greater grief to me | 0:53:36 | 0:53:38 | |
than Father, Mother, Tybalt and myself all dead and buried. | 0:53:38 | 0:53:41 | |
Stay in your room, | 0:53:46 | 0:53:48 | |
and I'll find Romeo. | 0:53:48 | 0:53:51 | |
I promise you a husband for tonight. | 0:53:51 | 0:53:53 | |
Give this ring to my true knight | 0:54:01 | 0:54:03 | |
and bid him come to take his last farewell. | 0:54:03 | 0:54:06 | |
I will. | 0:54:08 | 0:54:10 | |
SHE SOBS | 0:54:14 | 0:54:16 | |
What have I done but murdered my tomorrow? | 0:54:20 | 0:54:23 | |
In killing him whom she most truly loved, | 0:54:23 | 0:54:25 | |
I have tried and sentenced my own heart to death. | 0:54:25 | 0:54:28 | |
But if she can pity me my suffering, | 0:54:31 | 0:54:33 | |
then were it worth a thousand torments more. | 0:54:33 | 0:54:36 | |
Disasters follow you like trusty dogs. | 0:54:36 | 0:54:40 | |
You must be married to calamity. | 0:54:40 | 0:54:42 | |
Tell me the prince's verdict. | 0:54:42 | 0:54:43 | |
Am I to die so young? | 0:54:43 | 0:54:45 | |
Not yet at least. | 0:54:45 | 0:54:47 | |
His judgment has more pity than you dread. | 0:54:47 | 0:54:51 | |
He seeks to have you banished and not dead. | 0:54:52 | 0:54:55 | |
Not banishment. | 0:54:55 | 0:54:56 | |
Be merciful, say "death", | 0:54:58 | 0:55:00 | |
for exile has more terror in its look, much more than death. | 0:55:00 | 0:55:02 | |
-Do not say "banishment". -All he asks is that you leave Verona. | 0:55:02 | 0:55:07 | |
It's not so much. The world is broad and wide. | 0:55:07 | 0:55:10 | |
There is no world beyond the city's walls. | 0:55:10 | 0:55:13 | |
Just purgatory, torture, hell itself. | 0:55:13 | 0:55:16 | |
And exile is another word for "death". | 0:55:17 | 0:55:20 | |
The prince's kindness is a golden axe that cuts my head off. | 0:55:20 | 0:55:24 | |
Rude, unthankful boy. | 0:55:24 | 0:55:25 | |
The prince, in gentleness, overturns the law! | 0:55:26 | 0:55:30 | |
This is sweet mercy, and you see it not?! | 0:55:30 | 0:55:33 | |
'Tis torture and not mercy. | 0:55:33 | 0:55:36 | |
Heaven is here, where Juliet lives, | 0:55:36 | 0:55:38 | |
and every cat and dog and little mouse, every unworthy thing, | 0:55:38 | 0:55:43 | |
live here in heaven and may look on her, but Romeo may not. | 0:55:43 | 0:55:46 | |
More validity, more honourable state, | 0:55:46 | 0:55:50 | |
more courtship lives in carrion flies than Romeo. | 0:55:50 | 0:55:54 | |
And they may seize on the white wonder of dear Juliet's hand. | 0:55:54 | 0:55:58 | |
I mean, flies may do this, but I from this must fly. | 0:55:59 | 0:56:03 | |
-They are free men, but I am banished. -Cease, Romeo, | 0:56:03 | 0:56:06 | |
in your ingratitude. | 0:56:06 | 0:56:07 | |
You cannot talk of what you do not feel. | 0:56:07 | 0:56:09 | |
If you were young like me and full of love, | 0:56:09 | 0:56:12 | |
married an hour, | 0:56:12 | 0:56:14 | |
red with Tybalt's blood, hungry for Juliet | 0:56:14 | 0:56:16 | |
but banished from her side, then you could speak and I would listen. | 0:56:16 | 0:56:19 | |
Where is my lady's lord? Where is Romeo? | 0:56:20 | 0:56:24 | |
Behold him now, with his own tears made drunk. | 0:56:25 | 0:56:28 | |
So is my lady Juliet just the same, blubbering and weeping, | 0:56:33 | 0:56:37 | |
weeping and blubbering. | 0:56:37 | 0:56:38 | |
Good nurse, you speak of Juliet? | 0:56:38 | 0:56:41 | |
Say quick - does she now think I am a murderer? | 0:56:41 | 0:56:44 | |
She weeps and weeps... | 0:56:44 | 0:56:46 | |
and lies upon her bed, and... | 0:56:46 | 0:56:48 | |
and then jumps up and cries out, "Tybalt", and then, "Romeo". | 0:56:48 | 0:56:52 | |
My name was fatal to her from the start. | 0:56:52 | 0:56:54 | |
It kills her, as it killed her noble kinsman. | 0:56:56 | 0:56:59 | |
Oh, tell me in what part of my anatomy does lodge my name, | 0:56:59 | 0:57:02 | |
and I will hack it off! | 0:57:02 | 0:57:03 | |
-Oh! -What? | 0:57:03 | 0:57:05 | |
Wouldst kill yourself and all the lady's hopes? | 0:57:05 | 0:57:08 | |
Look to your wits! | 0:57:09 | 0:57:11 | |
Your Juliet is alive. | 0:57:12 | 0:57:15 | |
There you are happy. | 0:57:15 | 0:57:17 | |
Tybalt would kill you, but you instead killed Tybalt. | 0:57:18 | 0:57:21 | |
Take heart. | 0:57:21 | 0:57:23 | |
The prince has altered death to simple exile. | 0:57:23 | 0:57:27 | |
Another stroke of luck to make you smile. | 0:57:27 | 0:57:29 | |
Have done with pouting. | 0:57:29 | 0:57:31 | |
Go to your love. | 0:57:31 | 0:57:32 | |
Climb to her chamber, kiss and comfort her! | 0:57:32 | 0:57:35 | |
But leave before the watch begins to walk, | 0:57:36 | 0:57:38 | |
to make the journey safe to Mantua, | 0:57:38 | 0:57:40 | |
where you will live till we can find a way to blaze your marriage, | 0:57:40 | 0:57:44 | |
reconcile your friends, beg pardon of the prince and call you back. | 0:57:44 | 0:57:48 | |
Oh, what it is to hear good counsel. | 0:57:51 | 0:57:53 | |
You must return to my lady Juliet. | 0:57:53 | 0:57:55 | |
Say Romeo is coming. | 0:57:56 | 0:57:59 | |
My Lord, I'll tell my lady you will come. | 0:57:59 | 0:58:02 | |
Say I am prepared to be chastised. | 0:58:02 | 0:58:04 | |
Here, sir, a ring she did bid me give you. | 0:58:05 | 0:58:08 | |
How well my comfort is revived by this. | 0:58:09 | 0:58:12 | |
Be sure you leave before the dawn. | 0:58:13 | 0:58:15 | |
Then make your home in Mantua and wait. | 0:58:16 | 0:58:19 | |
I will send you messages with all our news. | 0:58:19 | 0:58:22 | |
If I were not to gain a joy past joy, | 0:58:24 | 0:58:26 | |
I would be sad to leave you. | 0:58:26 | 0:58:28 | |
So, farewell. | 0:58:34 | 0:58:35 | |
Why the race to drag her to the church? | 0:58:46 | 0:58:48 | |
Give her time to mourn her cousin. | 0:58:50 | 0:58:52 | |
No. | 0:58:52 | 0:58:54 | |
We have no time to waste in sterile tears, | 0:58:54 | 0:58:57 | |
with Paris restive in the slips and soon to be rid of her | 0:58:57 | 0:59:00 | |
if he be not persuaded she is his. | 0:59:00 | 0:59:02 | |
I do not think he is so changeable. | 0:59:02 | 0:59:03 | |
Let us not take a chance with lovers' vows | 0:59:03 | 0:59:05 | |
when Jove does laugh at their fragility. | 0:59:05 | 0:59:08 | |
Do you want legal offspring from our loins? | 0:59:08 | 0:59:11 | |
With Tybalt dead and all our line at risk, | 0:59:11 | 0:59:14 | |
young Juliet is the only living course | 0:59:14 | 0:59:15 | |
-through which our blood can flow. -You know I do. | 0:59:15 | 0:59:18 | |
Well, then we shall take action when we may... | 0:59:18 | 0:59:21 | |
-DOOR OPENS -..and strike while the iron is hot. | 0:59:21 | 0:59:24 | |
-MAN: -This way, sir. | 0:59:24 | 0:59:27 | |
Paris, welcome. | 0:59:28 | 0:59:30 | |
How does my lady in this sorrowful hour? | 0:59:30 | 0:59:33 | |
I would that I might be some comfort to her. | 0:59:33 | 0:59:36 | |
Tonight, she is imprisoned in her grief, | 0:59:36 | 0:59:39 | |
but in the morning, I will know her mind. | 0:59:39 | 0:59:42 | |
Wife... | 0:59:42 | 0:59:44 | |
When dawn breaks, bid her make ready for her wedding day. | 0:59:44 | 0:59:48 | |
You will tell her on Thursday she will wed the noble count. | 0:59:48 | 0:59:53 | |
What say you to Thursday? | 0:59:53 | 0:59:55 | |
My Lord, I wish Thursday were tomorrow. | 0:59:55 | 0:59:58 | |
Thursday it is, then. | 0:59:58 | 1:00:00 | |
Come, gentle night. | 1:00:01 | 1:00:03 | |
Come loving, black-browed night. | 1:00:03 | 1:00:05 | |
Give me my Romeo, | 1:00:05 | 1:00:07 | |
and when he shall die, take him and cut him out in little stars. | 1:00:07 | 1:00:12 | |
He will make the face of heaven so fine | 1:00:12 | 1:00:14 | |
that all the world will be in love with night | 1:00:14 | 1:00:17 | |
and pay no worship to the garish sun. | 1:00:17 | 1:00:19 | |
My husband. | 1:01:23 | 1:01:24 | |
My wife. | 1:01:25 | 1:01:27 | |
BIRDSONG | 1:02:09 | 1:02:11 | |
BIRDS CHIRP | 1:02:30 | 1:02:32 | |
Must you be gone? | 1:02:38 | 1:02:39 | |
It's nowhere near the dawn. | 1:02:41 | 1:02:43 | |
You heard the nightingale and not a lark, I promise. | 1:02:43 | 1:02:46 | |
She sings each night sitting in yonder tree. | 1:02:46 | 1:02:49 | |
Believe me, love, it was the nightingale. | 1:02:49 | 1:02:52 | |
It was the lark, the herald of the morn. | 1:02:52 | 1:02:55 | |
No nightingale. | 1:02:55 | 1:02:56 | |
Look, love, | 1:02:57 | 1:03:00 | |
what envious streaks do lace the severing clouds in yonder east. | 1:03:00 | 1:03:03 | |
Night's candles are burnt out, | 1:03:06 | 1:03:07 | |
and jocund day stands tiptoe on the misty mountain tops. | 1:03:07 | 1:03:11 | |
I must be gone, and live... | 1:03:14 | 1:03:16 | |
or stay and die. | 1:03:16 | 1:03:19 | |
I do not think the light is daylight yet. | 1:03:19 | 1:03:22 | |
I am content if you would have it so. | 1:03:25 | 1:03:27 | |
I have more heart to stay than will to go. | 1:03:27 | 1:03:31 | |
Come, death, and welcome. | 1:03:31 | 1:03:35 | |
Juliet wills it so. | 1:03:35 | 1:03:37 | |
I will lie with you and say it is not day. | 1:03:37 | 1:03:40 | |
BIRDSONG | 1:03:40 | 1:03:42 | |
It is. It is. | 1:03:43 | 1:03:44 | |
Go now. Begone. Away! | 1:03:44 | 1:03:46 | |
Oh, it is the lark that sings so out of tune with horrid discords | 1:03:46 | 1:03:48 | |
and unpleasant sharps. | 1:03:48 | 1:03:50 | |
Oh, hurry now. More light and light it grows! | 1:03:50 | 1:03:52 | |
More light and light, more dark and dark our woes. | 1:03:52 | 1:03:54 | |
RUNNING FOOTSTEPS | 1:03:54 | 1:03:56 | |
-Madam! -What is it? | 1:03:58 | 1:04:00 | |
Your mother is soon coming to your chamber. The day is here. | 1:04:00 | 1:04:03 | |
Be careful and make haste. | 1:04:03 | 1:04:05 | |
I shall be gone. | 1:04:05 | 1:04:06 | |
Your parents cannot know that I have been part of this deceit. | 1:04:06 | 1:04:10 | |
Farewell, my love. | 1:04:16 | 1:04:17 | |
One more kiss, and I'll descend. | 1:04:17 | 1:04:19 | |
No. Come this way. | 1:04:29 | 1:04:31 | |
I'll teach Benvolio to learn your news each day. | 1:04:37 | 1:04:39 | |
No, more than that. | 1:04:39 | 1:04:40 | |
Each hour in each day. | 1:04:40 | 1:04:41 | |
Each minute in each hour is a day for pining lovers. | 1:04:41 | 1:04:43 | |
And amen to that. | 1:04:43 | 1:04:45 | |
Do you believe we'll ever meet again? | 1:05:02 | 1:05:04 | |
I do not doubt it. | 1:05:06 | 1:05:08 | |
Nor that we shall smile to think of all these troubles in the past. | 1:05:08 | 1:05:11 | |
If God would only free me of foreboding. | 1:05:21 | 1:05:24 | |
I think I see you, now you are below, | 1:05:24 | 1:05:28 | |
as dim and pale as dead men in their tombs. | 1:05:28 | 1:05:31 | |
So are you dim, love, in dawn's drab light. | 1:05:31 | 1:05:34 | |
Our worries make us pale. | 1:05:35 | 1:05:37 | |
So, adieu. | 1:05:40 | 1:05:41 | |
Oh, fortune, fortune, | 1:06:26 | 1:06:28 | |
all men call you fickle because no fortune ever constant be. | 1:06:28 | 1:06:33 | |
If that is so, then change again, oh, fortune. | 1:06:33 | 1:06:36 | |
Be fickle now and send him back to me. | 1:06:36 | 1:06:39 | |
Whoa, whoa, whoa. | 1:06:52 | 1:06:55 | |
Please, Benvolio, be a guardian angel to my love. | 1:06:55 | 1:06:58 | |
Watch her firmly and gently as it would do the eye of God. | 1:07:00 | 1:07:03 | |
I will. | 1:07:03 | 1:07:04 | |
I promise you. | 1:07:04 | 1:07:06 | |
Farewell, cousin. | 1:07:06 | 1:07:07 | |
What is the rush? | 1:07:12 | 1:07:14 | |
I pray you tell, My Lord, I will not marry yet, | 1:07:14 | 1:07:16 | |
and when I do, I swear it shall be Romeo, | 1:07:16 | 1:07:18 | |
whom I hate, rather than Paris, whom I despise! | 1:07:18 | 1:07:21 | |
Here comes your father. You can tell him so yourself. | 1:07:26 | 1:07:29 | |
SHE SOBS | 1:07:29 | 1:07:30 | |
My girl is like a channel. | 1:07:35 | 1:07:37 | |
What, more tears? | 1:07:37 | 1:07:40 | |
The level of the sea will start to lift | 1:07:40 | 1:07:42 | |
if much more water flows from your sweet eyes. | 1:07:42 | 1:07:45 | |
Wife, have you told her of her marriage plans? | 1:07:47 | 1:07:50 | |
I have, and she will have none of it, I swear. | 1:07:50 | 1:07:54 | |
Soft. | 1:07:54 | 1:07:55 | |
Soft. | 1:07:56 | 1:07:58 | |
Take me with you, take me with you, wife. | 1:07:59 | 1:08:01 | |
How? Will she none? | 1:08:01 | 1:08:03 | |
Does she not give us thanks? | 1:08:06 | 1:08:08 | |
Is she not proud? | 1:08:08 | 1:08:10 | |
Does she not think her blessed, unworthy as she is, | 1:08:10 | 1:08:13 | |
that we have brought so worthy a gentleman to be her groom? | 1:08:13 | 1:08:15 | |
Thankful I am, and grateful for your love, | 1:08:15 | 1:08:18 | |
but proud I cannot be of what I hate. | 1:08:18 | 1:08:20 | |
How... How-how-how, chopped logic. What is this? | 1:08:20 | 1:08:23 | |
"Proud" and "I thank you", but "I thank you not". | 1:08:23 | 1:08:26 | |
Thank me no thankings, nor proud me no prouds! | 1:08:26 | 1:08:29 | |
Be ready, lady, Thursday morning next, | 1:08:29 | 1:08:31 | |
to go with Paris to St Peter's Church - | 1:08:31 | 1:08:33 | |
or I will drag thee thither on a rail! | 1:08:33 | 1:08:35 | |
Are you mad? | 1:08:35 | 1:08:36 | |
Good father, I beseech you on my knees. | 1:08:36 | 1:08:39 | |
Will you not give me leave to plead my cause? | 1:08:39 | 1:08:41 | |
You... | 1:08:43 | 1:08:44 | |
I tell you what. | 1:08:46 | 1:08:48 | |
Be there, Thursday church, or never after look me in the face. | 1:08:48 | 1:08:51 | |
-I... -Speak not. | 1:08:51 | 1:08:53 | |
Reply not, do not answer me. My fingers itch! | 1:08:53 | 1:08:55 | |
My lord, you're in the wrong, my lord, to punish her. | 1:08:55 | 1:08:58 | |
Is that my lady wisdom's view? Take care. | 1:08:58 | 1:09:00 | |
You dice with your place in talking thus. | 1:09:00 | 1:09:02 | |
May not one speak? | 1:09:02 | 1:09:04 | |
Oh, will you be quiet, you fool! | 1:09:04 | 1:09:06 | |
-Now... -No, husband, you are too hot. | 1:09:06 | 1:09:08 | |
God's blood, it does make me mad! | 1:09:09 | 1:09:11 | |
-SHE SOBS -Day, night, month, year! | 1:09:11 | 1:09:16 | |
My constant care... | 1:09:17 | 1:09:20 | |
has been to have my only child worthily matched. | 1:09:20 | 1:09:23 | |
And here I find an educated man | 1:09:25 | 1:09:27 | |
of equal birth with honourable parts, | 1:09:27 | 1:09:31 | |
with fine estates - and handsome to behold, and what is my reward? | 1:09:31 | 1:09:35 | |
A puking fool, who answers, "I'll not wed. | 1:09:35 | 1:09:38 | |
"I cannot love. I am too young. I pray you pardon me." | 1:09:38 | 1:09:42 | |
Now think on this. Thursday is near. | 1:09:43 | 1:09:46 | |
If you will play the bride, | 1:09:46 | 1:09:47 | |
then are you my daughter and all is forgot. | 1:09:47 | 1:09:49 | |
If you will not, then you are mine no more. | 1:09:49 | 1:09:52 | |
Graze where you will. | 1:09:52 | 1:09:54 | |
You shall not house with me. | 1:09:54 | 1:09:56 | |
Beg, starve or hang, I'll ne'er acknowledge thee, | 1:09:56 | 1:10:01 | |
nor pass to you the slightest thing that's mine. | 1:10:01 | 1:10:04 | |
I swear to this, my word, so help me God! | 1:10:04 | 1:10:09 | |
SHE GASPS | 1:10:11 | 1:10:12 | |
How can Father speak so | 1:10:14 | 1:10:16 | |
to a child who loves him better than she loves herself? | 1:10:16 | 1:10:19 | |
Oh, oh, God. | 1:10:21 | 1:10:23 | |
Oh, Nurse, how shall this be prevented? | 1:10:23 | 1:10:27 | |
I have a living husband here on earth. | 1:10:27 | 1:10:30 | |
What, should I take a second in a lie and cast myself forever into hell? | 1:10:30 | 1:10:35 | |
SHE SOBS | 1:10:35 | 1:10:37 | |
Well, here it is. | 1:10:39 | 1:10:41 | |
Romeo is... | 1:10:41 | 1:10:43 | |
..gone, and cannot come back, | 1:10:44 | 1:10:46 | |
except in stealth, at risk to life and limb. | 1:10:46 | 1:10:48 | |
Given that case, which will not alter soon... | 1:10:50 | 1:10:53 | |
I think it best you marry with the count. | 1:10:53 | 1:10:57 | |
Speakest thou from thy heart? | 1:10:59 | 1:11:02 | |
And from my soul. | 1:11:03 | 1:11:04 | |
Or the devil take us all. | 1:11:06 | 1:11:08 | |
Amen. | 1:11:10 | 1:11:11 | |
-FRIAR LAURENCE: -Oh, Juliet, I understand your grief. | 1:11:54 | 1:11:57 | |
I strive and strain to think how I may help. | 1:11:57 | 1:12:00 | |
I know your father's will is absolute | 1:12:00 | 1:12:03 | |
that Thursday next you marry with the count. | 1:12:03 | 1:12:05 | |
Why talk of what must be which cannot be? | 1:12:05 | 1:12:07 | |
BELL TOLLS | 1:12:09 | 1:12:11 | |
If you have no solution to my plight, | 1:12:11 | 1:12:12 | |
then this knife will be my deliverer. | 1:12:12 | 1:12:15 | |
Ah, Jesu Maria. | 1:12:15 | 1:12:17 | |
God joined our hearts in bliss - you joined our hands, | 1:12:18 | 1:12:21 | |
and death is better than the ruin of all. | 1:12:21 | 1:12:23 | |
So bless this blade, unless you have a remedy, | 1:12:23 | 1:12:25 | |
and I'll exchange my honour for my life. | 1:12:25 | 1:12:27 | |
Daughter... | 1:12:29 | 1:12:31 | |
..I do spy a kind of hope... | 1:12:35 | 1:12:37 | |
..but it requires a desperate execution. | 1:12:39 | 1:12:41 | |
You have the strength of will to kill yourself | 1:12:49 | 1:12:51 | |
rather than marry Paris. | 1:12:51 | 1:12:53 | |
Very well. | 1:12:53 | 1:12:55 | |
You will need that strength - | 1:12:55 | 1:12:57 | |
and I do know a way. | 1:12:57 | 1:12:59 | |
Rather than marry Paris, | 1:13:02 | 1:13:04 | |
I would jump from off the battlements of yonder tower. | 1:13:04 | 1:13:07 | |
Spend the long, dark night walled in a tomb, | 1:13:07 | 1:13:10 | |
-with rotting limbs and hollow, grinning skulls. -Mm... | 1:13:10 | 1:13:12 | |
Or order me to lie in a fresh grave, | 1:13:12 | 1:13:15 | |
and hide myself inside the corpse's shroud. | 1:13:15 | 1:13:17 | |
Things most hideous will I gladly do | 1:13:17 | 1:13:19 | |
to keep myself unscarred for Romeo's love. | 1:13:19 | 1:13:22 | |
Then go home, be merry... | 1:13:22 | 1:13:25 | |
..and agree to marry Paris. | 1:13:26 | 1:13:28 | |
Oh, I am in earnest, Juliet. | 1:13:30 | 1:13:32 | |
For I have knowledge to concoct a mix | 1:13:36 | 1:13:38 | |
that will unlock you from your present cell - | 1:13:38 | 1:13:42 | |
if you but find the nerve to swallow it. | 1:13:42 | 1:13:45 | |
Tomorrow's Thursday. | 1:13:48 | 1:13:49 | |
Now, tonight, make sure you sleep alone. | 1:13:50 | 1:13:53 | |
And send your prying nurse out of the room. | 1:13:53 | 1:13:57 | |
Lie down upon your bed, | 1:14:08 | 1:14:10 | |
then take this phial... | 1:14:10 | 1:14:12 | |
..and drink the clouded juice to the last drop. | 1:14:19 | 1:14:22 | |
Soon, soft drowsiness will close your eyes. | 1:14:31 | 1:14:35 | |
Your pulse will cease, | 1:14:36 | 1:14:38 | |
and there will be no sign of life within you. | 1:14:38 | 1:14:41 | |
Neither warmth, nor breath, | 1:14:44 | 1:14:46 | |
nor roses in your cheeks nor on your lips, | 1:14:46 | 1:14:49 | |
but stiff and stark and every sign of death. | 1:14:49 | 1:14:53 | |
And in this borrowed likeness of a corpse, | 1:14:54 | 1:14:57 | |
you will continue for six and twenty hours, | 1:14:57 | 1:15:00 | |
and then awake as from a pleasant dream. | 1:15:00 | 1:15:04 | |
So Paris, on his wedding morn, will come to find his bride is dead | 1:15:04 | 1:15:09 | |
and ripe for burial in the great vault where Capulets do lie... | 1:15:09 | 1:15:13 | |
..while I will write with news to Romeo. | 1:15:17 | 1:15:19 | |
He and I will be there, | 1:15:27 | 1:15:29 | |
when he will wake you with a kiss... | 1:15:29 | 1:15:31 | |
..and he will carry you to some far distant place, | 1:15:43 | 1:15:47 | |
where all your anguish shall become pure joy. | 1:15:47 | 1:15:51 | |
Give me the phial and talk no more of fear. | 1:15:55 | 1:15:57 | |
Then go. | 1:15:57 | 1:15:59 | |
At dawn tomorrow, | 1:15:59 | 1:16:00 | |
a novice will set out for Mantua with letters for your lord. | 1:16:00 | 1:16:04 | |
Farewell, dear Friar. | 1:16:04 | 1:16:06 | |
And now, love... | 1:16:08 | 1:16:09 | |
..give me strength. | 1:16:11 | 1:16:12 | |
You said it was a modest group of friends. | 1:16:14 | 1:16:16 | |
And so it will be. | 1:16:16 | 1:16:18 | |
Peter, what's the news? | 1:16:18 | 1:16:19 | |
Well, we've hired ten cooks and 20 serving men. | 1:16:19 | 1:16:22 | |
A quiet marriage leads to speculation. | 1:16:24 | 1:16:27 | |
My daughter has the virtue of a saint, | 1:16:28 | 1:16:31 | |
and I would rather none had leave to doubt. | 1:16:31 | 1:16:33 | |
SHE SIGHS | 1:16:33 | 1:16:35 | |
Come here, Nurse. | 1:16:35 | 1:16:36 | |
My lord? | 1:16:36 | 1:16:38 | |
Is Juliet gone to Friar Laurence's cell? | 1:16:38 | 1:16:41 | |
She is, to make confession of her sins. | 1:16:41 | 1:16:44 | |
Well, let's hope he may have found some good in her. | 1:16:44 | 1:16:47 | |
She's here. | 1:16:49 | 1:16:50 | |
And merrier than when she left. | 1:16:53 | 1:16:55 | |
And where have you been, my headstrong gadabout? | 1:16:55 | 1:16:58 | |
The holy friar sends me home to kneel and ask forgiveness for my mutiny. | 1:16:58 | 1:17:01 | |
Pardon me, dear Father, I beseech you. | 1:17:04 | 1:17:06 | |
Henceforward, I will live beneath your rule. | 1:17:06 | 1:17:08 | |
Well said, my daughter. | 1:17:10 | 1:17:12 | |
If you should find Romeo in morbid grief or feverish, | 1:17:16 | 1:17:20 | |
these herbs will make him well. | 1:17:20 | 1:17:22 | |
Be sure he's strong to take the journey home. | 1:17:22 | 1:17:24 | |
But do not fear. | 1:17:24 | 1:17:26 | |
My letter will revive him. | 1:17:26 | 1:17:28 | |
Give me your blessing, and I will be gone. | 1:17:29 | 1:17:32 | |
God speed your path and keep you safe from harm. | 1:17:32 | 1:17:36 | |
Nurse, here is the key to fetch more spices. | 1:17:53 | 1:17:57 | |
The cook wants dates and quinces for the pies. | 1:17:57 | 1:18:00 | |
We must a-move on. Paris will be here. | 1:18:00 | 1:18:02 | |
Get anything we need, spare not the cost. | 1:18:02 | 1:18:05 | |
My lady and my lord, | 1:18:05 | 1:18:06 | |
get you some rest or you will not survive the wedding feast! | 1:18:06 | 1:18:09 | |
What nonsense! | 1:18:09 | 1:18:10 | |
I've been up all night before for lesser cause than this. | 1:18:10 | 1:18:13 | |
And I know why. And look to have no repetition now. | 1:18:13 | 1:18:17 | |
A wife still jealous after all these years? | 1:18:20 | 1:18:22 | |
Why, 'tis compliment enough to give me cheer. | 1:18:22 | 1:18:25 | |
HE CLICKS HIS TONGUE | 1:18:25 | 1:18:26 | |
Hmm? Hmm? | 1:18:26 | 1:18:28 | |
SHE LAUGHS | 1:18:28 | 1:18:29 | |
Wife! | 1:18:35 | 1:18:37 | |
Nurse! | 1:18:37 | 1:18:39 | |
Will nobody obey me?! | 1:18:39 | 1:18:41 | |
Oh, peace, peace! | 1:18:41 | 1:18:43 | |
Go waken Juliet. Dress her and trim her. | 1:18:43 | 1:18:46 | |
Pray, bring her down to compliment the bridegroom in his choice. | 1:18:46 | 1:18:49 | |
Hmm. | 1:18:49 | 1:18:51 | |
Mistress. | 1:18:59 | 1:19:01 | |
My Juliet? | 1:19:01 | 1:19:02 | |
Oh, still fast asleep! | 1:19:04 | 1:19:05 | |
Come, lady. Come, lamb. | 1:19:07 | 1:19:08 | |
It's time to wake. | 1:19:08 | 1:19:10 | |
Well, you'll profit from a few hours' dreams. | 1:19:10 | 1:19:13 | |
Tonight, Count Paris will have other plans. | 1:19:14 | 1:19:17 | |
But if your marriage will not let you rest, just wait ten years. | 1:19:18 | 1:19:22 | |
You'll sleep all you want. | 1:19:22 | 1:19:26 | |
Heavens, how sound you slumber. | 1:19:26 | 1:19:28 | |
I must needs wake you. | 1:19:29 | 1:19:32 | |
Lady... | 1:19:32 | 1:19:33 | |
Lady! | 1:19:40 | 1:19:42 | |
SHE SCREAMS | 1:19:44 | 1:19:46 | |
Oh, no! | 1:19:47 | 1:19:49 | |
SCREAMS CONTINUE | 1:19:49 | 1:19:51 | |
THEY SOB | 1:20:05 | 1:20:06 | |
DOOR OPENS | 1:20:06 | 1:20:08 | |
MEN CHATTER | 1:20:10 | 1:20:12 | |
Come, is my bride ready to go to church? | 1:20:12 | 1:20:16 | |
Ready to go, but never to return. | 1:20:16 | 1:20:18 | |
My son... | 1:20:19 | 1:20:21 | |
the night before your wedding day, your wife was stolen from you. | 1:20:21 | 1:20:25 | |
What? | 1:20:27 | 1:20:28 | |
Are you saying she is dead? | 1:20:31 | 1:20:33 | |
Flower as she was... | 1:20:33 | 1:20:34 | |
..Death is now my heir. | 1:20:36 | 1:20:38 | |
My daughter he has married. | 1:20:39 | 1:20:41 | |
I will die and leave him all. | 1:20:42 | 1:20:45 | |
Life, living, all is Death's. | 1:20:45 | 1:20:49 | |
This day had promised all my happiness... | 1:20:51 | 1:20:54 | |
..and now it shows me such a sight as this? | 1:20:55 | 1:20:57 | |
Accursed, unhappy, wretched, hateful day! | 1:20:57 | 1:21:01 | |
The worst that ever dawned. | 1:21:01 | 1:21:03 | |
Most woeful day. Never was so black a day as this. | 1:21:04 | 1:21:09 | |
I am divorced... | 1:21:10 | 1:21:12 | |
..wronged... | 1:21:13 | 1:21:15 | |
hated... | 1:21:15 | 1:21:17 | |
killed by Death, but Death is my future. | 1:21:17 | 1:21:20 | |
He holds all I love. | 1:21:20 | 1:21:22 | |
Death, that has killed my daughter, ties my tongue | 1:21:35 | 1:21:39 | |
and drains my eyes and will not let me grieve. | 1:21:39 | 1:21:42 | |
Oh, child. | 1:21:42 | 1:21:44 | |
My soul more than my child. | 1:21:44 | 1:21:46 | |
Dead are you now. | 1:21:46 | 1:21:48 | |
Alack, my child is dead... | 1:21:48 | 1:21:50 | |
..and with my child, all my joys are buried. | 1:21:52 | 1:21:56 | |
Oh, come, sir, for shame. | 1:21:57 | 1:21:59 | |
And think of her poor soul, | 1:22:03 | 1:22:05 | |
freed now from care and safe in heaven's bliss. | 1:22:05 | 1:22:09 | |
Give up your grief and bring sweet-smelling flowers | 1:22:11 | 1:22:14 | |
to lay upon her corpse with gentle tears. | 1:22:14 | 1:22:17 | |
Then take her to church, | 1:22:18 | 1:22:20 | |
where she may sleep among her kin for all eternity. | 1:22:20 | 1:22:23 | |
The plans we made for joyful celebration | 1:22:26 | 1:22:28 | |
must turn instead to mark our sorrowing woe. | 1:22:28 | 1:22:32 | |
Our merry hymns to sullen dirges change. | 1:22:32 | 1:22:36 | |
Sir, madam, | 1:22:40 | 1:22:42 | |
make ready for our march, | 1:22:42 | 1:22:45 | |
to take this lovely child to her grave. | 1:22:45 | 1:22:47 | |
LADY CAPULET SOBS | 1:22:48 | 1:22:49 | |
We cannot know why it is heaven's will... | 1:22:49 | 1:22:52 | |
..but we must trust in Him who orders all. | 1:22:54 | 1:22:58 | |
Stop! I beseech you, sir. | 1:23:06 | 1:23:07 | |
In heaven's name. Say now, are you a holy man of God? | 1:23:07 | 1:23:12 | |
I am a novice, but I serve God, yes. | 1:23:12 | 1:23:15 | |
Have you made study in the art of herbs? | 1:23:15 | 1:23:17 | |
I have. | 1:23:17 | 1:23:18 | |
My son is sick. | 1:23:18 | 1:23:20 | |
I have an errand to perform in Mantua. | 1:23:20 | 1:23:22 | |
-By when? -Before tonight. | 1:23:22 | 1:23:24 | |
Mantua is but two leagues away. I'll take you there myself. | 1:23:24 | 1:23:28 | |
HE SIGHS | 1:23:28 | 1:23:29 | |
Then show me your child. | 1:23:29 | 1:23:31 | |
DRUM BEATS STEADILY | 1:23:36 | 1:23:38 | |
-Will there be anything else, sir? -No, thank you, Jack. | 1:25:03 | 1:25:05 | |
Cousin. | 1:25:08 | 1:25:10 | |
Benvolio! | 1:25:10 | 1:25:13 | |
Welcome. | 1:25:13 | 1:25:14 | |
And with Verona's news? | 1:25:16 | 1:25:18 | |
I do bring news. | 1:25:18 | 1:25:20 | |
It's true. | 1:25:20 | 1:25:21 | |
Then spit it out. How does my lady? Is my father well? | 1:25:23 | 1:25:27 | |
How does my Juliet? | 1:25:34 | 1:25:36 | |
See, I ask it twice. | 1:25:39 | 1:25:40 | |
Then I must answer once... | 1:25:44 | 1:25:46 | |
..to say the worst. | 1:25:47 | 1:25:49 | |
Her body sleeps among the Capulets... | 1:25:51 | 1:25:54 | |
..in the great monument that marks their fame. | 1:25:54 | 1:25:57 | |
Juliet is dead? | 1:26:02 | 1:26:04 | |
Only her mortal part. | 1:26:04 | 1:26:06 | |
Her soul lives on in heaven's blessed care. | 1:26:08 | 1:26:11 | |
You know this, or you heard a story told? | 1:26:11 | 1:26:13 | |
I saw her laid inside her kindred's vault. | 1:26:13 | 1:26:16 | |
That done, I came as quick as I could find a horse to bring me. | 1:26:16 | 1:26:21 | |
Pardon me, cousin... | 1:26:21 | 1:26:24 | |
that I come with a tale so full of grief. | 1:26:24 | 1:26:26 | |
And it is so? | 1:26:28 | 1:26:29 | |
Then I must hurry. Jack! | 1:26:37 | 1:26:38 | |
I beg you give yourself some time. | 1:26:38 | 1:26:40 | |
You must be riven with a savage grief | 1:26:40 | 1:26:42 | |
and need a while to calm your raging thoughts. | 1:26:42 | 1:26:44 | |
Cousin, you're deceived. I know my mind. | 1:26:44 | 1:26:45 | |
Are there no letters to me from the friar? | 1:26:45 | 1:26:47 | |
No, my good lord. | 1:26:47 | 1:26:49 | |
No matter. | 1:26:56 | 1:26:58 | |
Go with Jack. | 1:26:59 | 1:27:01 | |
Get fresh water for your horse. | 1:27:01 | 1:27:03 | |
I'll meet you by the city gates. | 1:27:03 | 1:27:05 | |
Go. | 1:27:07 | 1:27:08 | |
DOOR CLOSES | 1:27:16 | 1:27:18 | |
Well, Juliet... | 1:27:18 | 1:27:22 | |
..I will lie with you tonight. | 1:27:25 | 1:27:27 | |
As to the means, I will not wonder long. | 1:27:31 | 1:27:34 | |
I do remember an apothecary who lives not far from here... | 1:27:36 | 1:27:40 | |
..if it is life... | 1:27:42 | 1:27:44 | |
..where there is neither gold... | 1:27:45 | 1:27:48 | |
nor food... | 1:27:48 | 1:27:49 | |
..nor rest. | 1:27:52 | 1:27:53 | |
Hey, there! | 1:28:01 | 1:28:02 | |
Apothecary! | 1:28:04 | 1:28:06 | |
Who calls so loud? | 1:28:06 | 1:28:08 | |
Come over here. | 1:28:09 | 1:28:11 | |
I see that you're poor. | 1:28:16 | 1:28:18 | |
HE SCOFFS There is no crime in that. | 1:28:18 | 1:28:21 | |
Nor pleasure, neither. | 1:28:21 | 1:28:22 | |
Now, listen, I seek a kind of poison so powerful | 1:28:22 | 1:28:26 | |
that swallowed in one dram, it stops a man | 1:28:26 | 1:28:28 | |
and drops him in his tracks before he may but mark the consequence. | 1:28:28 | 1:28:31 | |
If this be murder, the answer's no. | 1:28:31 | 1:28:34 | |
The victim's one I have right to kill. | 1:28:34 | 1:28:36 | |
I have such mortal drugs... | 1:28:39 | 1:28:43 | |
but Mantua's law brings death to any man who issues them. | 1:28:43 | 1:28:47 | |
Are you so thin and full of wretchedness, yet scared to die? | 1:28:47 | 1:28:50 | |
Famine is in your cheeks. The world is not your friend. | 1:28:50 | 1:28:52 | |
You will not find that cherishing the law makes you rich - | 1:28:52 | 1:28:55 | |
be not poor, and break the law for this. | 1:28:55 | 1:28:59 | |
My poverty, not my will, consents. | 1:29:02 | 1:29:07 | |
I pay your poverty and not your will. | 1:29:07 | 1:29:10 | |
I'm looking for Lord Romeo. | 1:29:33 | 1:29:35 | |
-JACK: -He is gone. | 1:29:35 | 1:29:36 | |
Gone? | 1:29:36 | 1:29:38 | |
And in great haste. Back to Verona. | 1:29:38 | 1:29:41 | |
What purpose had you with him? | 1:29:42 | 1:29:45 | |
Nothing now. | 1:29:45 | 1:29:46 | |
-You've had a wasted journey. -Who can say? | 1:29:46 | 1:29:50 | |
I saved a child, but failed in my delivery. | 1:29:50 | 1:29:53 | |
God's ways are hard for us to penetrate. | 1:29:55 | 1:29:58 | |
Benvolio, you can come no further. | 1:30:27 | 1:30:31 | |
Now take this letter early in the morn | 1:30:34 | 1:30:36 | |
and see you deliver it to my lord and father. | 1:30:36 | 1:30:39 | |
Farewell, Benvolio. | 1:30:41 | 1:30:42 | |
Let us say goodnight. | 1:30:44 | 1:30:45 | |
No... | 1:30:50 | 1:30:52 | |
But... But why descend into this bed of death? | 1:30:53 | 1:30:56 | |
Partly, I must behold my lady's face. | 1:30:56 | 1:31:00 | |
Chiefly, I'd return this precious ring | 1:31:00 | 1:31:03 | |
to her fair hand which gave it me. | 1:31:03 | 1:31:04 | |
And now begone. | 1:31:06 | 1:31:08 | |
I go, and do not seek to question you. | 1:31:13 | 1:31:16 | |
By which you show your love. | 1:31:21 | 1:31:22 | |
Goodbye, dear friend. | 1:31:24 | 1:31:26 | |
Banished Romeo Montague, | 1:31:51 | 1:31:54 | |
who murdered Juliet's cousin, noble Tybalt... | 1:31:54 | 1:31:56 | |
..causing her the grief that took her to the grave. | 1:31:58 | 1:32:01 | |
And now he comes to desecrate the dead. | 1:32:01 | 1:32:04 | |
Leave them to heaven and attend to me. | 1:32:05 | 1:32:07 | |
We needs must fight, for you are bound to die. | 1:32:08 | 1:32:12 | |
The very reason why you find me here. | 1:32:15 | 1:32:17 | |
I am Count Paris, | 1:32:18 | 1:32:21 | |
and I here defend the grave of she who should have been my bride. | 1:32:21 | 1:32:25 | |
Oh, good, gentle youth, tempt not a desperate man. | 1:32:25 | 1:32:29 | |
Put not another sin upon my head by urging me to fury. | 1:32:29 | 1:32:32 | |
Oh, fly hence. | 1:32:32 | 1:32:34 | |
-Begone, survive. -What? | 1:32:34 | 1:32:35 | |
Should I buy this proof of your concern? | 1:32:37 | 1:32:40 | |
Or is a Montague afraid to fight? | 1:32:40 | 1:32:43 | |
Agh! | 1:33:15 | 1:33:17 | |
May God bless you, Paris. | 1:33:29 | 1:33:31 | |
Friar! | 1:33:33 | 1:33:34 | |
Friar Laurence! | 1:33:34 | 1:33:36 | |
Friar Laurence! | 1:33:38 | 1:33:39 | |
Who's there? | 1:33:39 | 1:33:40 | |
Benvolio? | 1:33:42 | 1:33:45 | |
What brings you here to me at dead of night? | 1:33:45 | 1:33:47 | |
My care for one you love. | 1:33:47 | 1:33:48 | |
The good lord Romeo, he waits by Juliet's tomb, | 1:33:48 | 1:33:51 | |
all full of woe. | 1:33:51 | 1:33:52 | |
Why talk of woe? Say rather joy. | 1:33:52 | 1:33:56 | |
How joy, when all his love and life are in the grave? | 1:33:56 | 1:33:59 | |
Did he not receive my letter? | 1:34:00 | 1:34:02 | |
What letter's that? | 1:34:02 | 1:34:04 | |
HE GASPS | 1:34:04 | 1:34:05 | |
Is that you, Tybalt, | 1:34:25 | 1:34:27 | |
in that mortal sleep? | 1:34:27 | 1:34:29 | |
Forgive me, cousin, for the harm I did. | 1:34:32 | 1:34:34 | |
There is no reparation more than this, | 1:34:36 | 1:34:39 | |
that I shall kill the man who once killed you. | 1:34:39 | 1:34:41 | |
Leaving this sweet corpse is trial enough. | 1:34:51 | 1:34:53 | |
Oh, my love. | 1:35:04 | 1:35:06 | |
My wife. | 1:35:17 | 1:35:19 | |
It is time to join you in all eternity. | 1:35:21 | 1:35:23 | |
Juliet, why are you still so fair? | 1:35:37 | 1:35:39 | |
Death that has sucked the honey of your breath | 1:35:40 | 1:35:42 | |
has had no power as yet to spoil your beauty. | 1:35:42 | 1:35:45 | |
Shall I believe he has a plan in this? | 1:35:51 | 1:35:53 | |
That insubstantial Death is amorous, | 1:35:53 | 1:35:55 | |
keeping you perfect for his paramour? | 1:35:55 | 1:35:57 | |
For fear of that... | 1:36:06 | 1:36:07 | |
..I will still stay with thee. | 1:36:09 | 1:36:11 | |
And never from this palace of dim night depart again. | 1:36:14 | 1:36:17 | |
Eyes... | 1:36:33 | 1:36:34 | |
..look your last. | 1:36:35 | 1:36:37 | |
Arms... | 1:36:38 | 1:36:40 | |
..take your last embrace. | 1:36:41 | 1:36:43 | |
And lips... | 1:36:44 | 1:36:46 | |
..the doors of breath, be forever sealed with a righteous kiss. | 1:36:48 | 1:36:52 | |
Come... | 1:37:12 | 1:37:14 | |
bitter conduct. | 1:37:14 | 1:37:15 | |
Come, unsavoury guide. | 1:37:16 | 1:37:19 | |
Here's to my love. | 1:37:25 | 1:37:26 | |
Oh, true apothecary, thy drugs are quick. | 1:37:40 | 1:37:43 | |
-WHISPERS: -Juliet. | 1:37:53 | 1:37:56 | |
Romeo. | 1:38:00 | 1:38:02 | |
Oh, no... | 1:38:28 | 1:38:30 | |
Thus, with a kiss, I die. | 1:38:35 | 1:38:37 | |
No. No. | 1:38:37 | 1:38:40 | |
No. | 1:38:40 | 1:38:42 | |
No. | 1:38:42 | 1:38:43 | |
SHE SOBS | 1:38:47 | 1:38:49 | |
Oh, no. | 1:39:01 | 1:39:03 | |
Oh, no. | 1:39:10 | 1:39:12 | |
So pale? | 1:39:13 | 1:39:15 | |
My best beloved husband lies here dead. | 1:39:16 | 1:39:19 | |
Not Romeo. | 1:39:20 | 1:39:21 | |
My child. | 1:39:21 | 1:39:23 | |
Not him, of all. | 1:39:25 | 1:39:27 | |
Oh, what unkind hour has brought to pass this miserable deed? | 1:39:30 | 1:39:34 | |
Alas, my lady, we are overturned. | 1:39:38 | 1:39:41 | |
No! | 1:39:41 | 1:39:43 | |
A greater power than we can contradict | 1:39:43 | 1:39:46 | |
has thwarted all our plans. | 1:39:46 | 1:39:48 | |
Come away from death, contagion and unnatural sleep. | 1:39:50 | 1:39:54 | |
Leaving my husband to face this alone? | 1:39:54 | 1:39:57 | |
DOOR CLANGS IN DISTANCE | 1:39:57 | 1:39:59 | |
The watchman. My lady, come away. | 1:39:59 | 1:40:01 | |
No! | 1:40:01 | 1:40:04 | |
Unkind! | 1:40:04 | 1:40:05 | |
To drink it all and leave no drop so I could follow after. | 1:40:05 | 1:40:09 | |
-Nay, good my lady. -GLASS SHATTERS | 1:40:09 | 1:40:10 | |
Listen now, and come. | 1:40:10 | 1:40:13 | |
I will hide you in a sisterhood of nuns. | 1:40:13 | 1:40:17 | |
Stop, stop, not to question why. We must away. | 1:40:17 | 1:40:19 | |
You go. | 1:40:19 | 1:40:21 | |
I must bid farewell to Romeo. | 1:40:21 | 1:40:23 | |
THUMP IN DISTANCE | 1:40:25 | 1:40:28 | |
Stay then, until you are at peace. | 1:40:28 | 1:40:31 | |
But linger not. | 1:40:31 | 1:40:32 | |
I'll hold back the watchman. | 1:40:32 | 1:40:34 | |
I'd kiss my love for one last time. | 1:40:37 | 1:40:39 | |
Then follow you at once. | 1:40:39 | 1:40:41 | |
Do not be late. | 1:40:46 | 1:40:47 | |
-WATCHMAN: -Who's there? | 1:40:51 | 1:40:53 | |
DOOR OPENS | 1:40:53 | 1:40:54 | |
Who's there? Who's within? | 1:40:54 | 1:40:56 | |
Just one kiss, | 1:41:00 | 1:41:02 | |
in case some venom lingers on your lips. | 1:41:02 | 1:41:05 | |
Your mouth is warm. | 1:41:16 | 1:41:18 | |
-FRIAR LAURENCE: -I will explain. | 1:41:28 | 1:41:30 | |
The boy has come here at my bidding. | 1:41:30 | 1:41:32 | |
Somebody's coming. | 1:41:35 | 1:41:36 | |
Then I'll be brief. | 1:41:38 | 1:41:40 | |
Oh, happy dagger. | 1:41:51 | 1:41:52 | |
This is thy sheath. | 1:41:58 | 1:41:59 | |
Agh! | 1:42:01 | 1:42:02 | |
There rust... | 1:42:08 | 1:42:09 | |
..and let me die. | 1:42:10 | 1:42:12 | |
-FRIAR LAURENCE: -Patience now. | 1:42:21 | 1:42:23 | |
We should not disturb this holy quiet. | 1:42:23 | 1:42:24 | |
-Show me the way! -Very well, very well. | 1:42:24 | 1:42:27 | |
If you insist. | 1:42:27 | 1:42:29 | |
HE GASPS | 1:42:33 | 1:42:34 | |
We know now how this sorrow came about... | 1:43:06 | 1:43:08 | |
..and pardon all the players in their end. | 1:43:09 | 1:43:12 | |
Their own forbidden love did murder them. | 1:43:13 | 1:43:17 | |
Yet can we take a lesson from their deaths. | 1:43:22 | 1:43:24 | |
Capulet, Montague. | 1:43:26 | 1:43:28 | |
See what a scourge is laid upon your hate, | 1:43:34 | 1:43:37 | |
that heaven finds means to kill your joy with love. | 1:43:37 | 1:43:42 | |
Oh, dearest Montague... | 1:43:45 | 1:43:47 | |
Give me your hand. | 1:43:52 | 1:43:54 | |
The sun, for sorrow, will not show his head. | 1:44:29 | 1:44:32 | |
And joined with all in grieving for the dead. | 1:44:32 | 1:44:36 | |
For never was a story of more woe | 1:44:36 | 1:44:41 | |
than this, of Juliet... | 1:44:41 | 1:44:44 | |
and her Romeo. | 1:44:44 | 1:44:46 |