
Browse content similar to Shadow Dancer. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
This film contains strong language | 0:00:02 | 0:00:09 | |
TELEX BEEPS | 0:00:19 | 0:00:21 | |
RUMBLING | 0:00:47 | 0:00:49 | |
-MAN: -We'll load up the truck first, then we'll get going. Is that it? | 0:00:50 | 0:00:54 | |
Aye. | 0:00:54 | 0:00:56 | |
MAN TALKS INDISTINCTLY | 0:00:56 | 0:00:59 | |
-MAN EXHALES -Aye. We'll sort that out for him. | 0:00:59 | 0:01:02 | |
We've got to get started really early on Monday, though. | 0:01:02 | 0:01:05 | |
Aye, I'll talk to him about that. | 0:01:05 | 0:01:07 | |
Go out and get us some fags, love, would you? | 0:01:07 | 0:01:10 | |
Yeah. | 0:01:12 | 0:01:13 | |
Collette, get going! | 0:01:13 | 0:01:16 | |
Get yourself some sweets, eh? | 0:01:16 | 0:01:18 | |
Sorry, mate? Aye. | 0:01:18 | 0:01:21 | |
Oh, no-one's heading out now except for the missus. | 0:01:24 | 0:01:27 | |
-Dad wants you to get some fags. -He asked you. -Doesn't matter, I went last time. | 0:01:32 | 0:01:37 | |
-Do you want a glass of milk, Collette? -No, I'm fine. | 0:01:37 | 0:01:39 | |
Don't forget to brush your teeth before you go to bed, love. | 0:01:39 | 0:01:42 | |
-Go on! -No. -I'll give you some money. | 0:01:44 | 0:01:47 | |
-Stop talking and get ready. -Aye, I'm coming, I'm coming. | 0:01:48 | 0:01:51 | |
COINS CLINK | 0:01:51 | 0:01:53 | |
Get me some sweets. | 0:01:56 | 0:01:58 | |
DOOR CLOSES | 0:02:08 | 0:02:09 | |
-BOY: -Oi, you. | 0:02:22 | 0:02:24 | |
ENGINE APPROACHES | 0:02:29 | 0:02:32 | |
-BOY: -Run! Come on, they're coming! | 0:02:32 | 0:02:34 | |
RUMBLING | 0:02:34 | 0:02:36 | |
RADIO CRACKLES | 0:02:43 | 0:02:44 | |
MUSIC PLAYS SOFTLY | 0:02:44 | 0:02:46 | |
KETTLE WHISTLES | 0:02:51 | 0:02:53 | |
WOOD CRACKS | 0:03:00 | 0:03:02 | |
Ma! HUBBUB | 0:03:02 | 0:03:03 | |
-Dad! Jesus Christ! He's shot! Jesus! -What happened? | 0:03:03 | 0:03:07 | |
-He got shot, Dad. -What? Who is it? Sean?! | 0:03:07 | 0:03:10 | |
Is it Sean?! Oh, God, Gerry! | 0:03:10 | 0:03:13 | |
Breathe! For Jesus' sake, breathe! | 0:03:13 | 0:03:15 | |
-Get a towel! Get a towel! -Out the way! | 0:03:15 | 0:03:19 | |
Just breathe! Just breathe for me! | 0:03:19 | 0:03:22 | |
God! Please! Give that to me! | 0:03:22 | 0:03:24 | |
Get the fucking...! | 0:03:24 | 0:03:26 | |
God! | 0:03:26 | 0:03:28 | |
Gerry! | 0:03:30 | 0:03:31 | |
Oh, Jesus Christ! Oh, Jesus! | 0:03:31 | 0:03:33 | |
Sean! Sean! Oh, God! | 0:03:33 | 0:03:35 | |
Oh, Sean! Sean! Oh, my God! | 0:03:35 | 0:03:37 | |
-SHE SOBS -Oh, Sean! | 0:03:37 | 0:03:40 | |
MOTHER SOBS | 0:03:40 | 0:03:42 | |
Oh, God! Oh, God! Oh, God! Oh, God! | 0:03:45 | 0:03:48 | |
MOTHER SOBS | 0:03:48 | 0:03:50 | |
Please, God! Sean! Oh, God! | 0:03:50 | 0:03:53 | |
No! No! | 0:03:53 | 0:03:55 | |
MOTHER SOBS | 0:03:55 | 0:03:57 | |
SHE SIGHS | 0:04:06 | 0:04:08 | |
TRAIN RATTLES | 0:04:20 | 0:04:22 | |
TRAIN RUMBLES | 0:04:58 | 0:05:00 | |
ELECTRONIC WHISTLE | 0:05:38 | 0:05:40 | |
Excuse me. | 0:06:17 | 0:06:18 | |
TRAIN RATTLES | 0:06:48 | 0:06:50 | |
-AUTOMATED VOICE: -'Mind the gap.' | 0:06:59 | 0:07:01 | |
'Mind the gap.' | 0:07:04 | 0:07:06 | |
'Mind the gap.' | 0:07:09 | 0:07:10 | |
TRAIN RATTLES | 0:07:42 | 0:07:44 | |
SHE BREATHES HEAVILY | 0:08:15 | 0:08:17 | |
SHE GROANS | 0:08:17 | 0:08:18 | |
-MAN ON PA: -'Ladies and gentlemen, your attention please. | 0:08:35 | 0:08:39 | |
'Due to a reported emergency, | 0:08:39 | 0:08:41 | |
'will all passengers leave the station immediately? | 0:08:41 | 0:08:44 | |
'Ladies and gentlemen, your attention, please. | 0:08:57 | 0:09:00 | |
'Due to a reported emergency, | 0:09:00 | 0:09:02 | |
'will all passengers leave the station immediately?' | 0:09:02 | 0:09:06 | |
SHE GRUNTS | 0:09:16 | 0:09:18 | |
SHE WHIMPERS | 0:09:37 | 0:09:39 | |
SHE WHIMPERS | 0:09:48 | 0:09:49 | |
LIFT PINGS | 0:10:51 | 0:10:52 | |
SHE SIGHS HEAVILY | 0:10:57 | 0:10:59 | |
KEYS JANGLE | 0:11:23 | 0:11:24 | |
DOOR OPENS | 0:11:28 | 0:11:29 | |
DOOR CLOSES | 0:11:38 | 0:11:39 | |
Do you want water? | 0:12:00 | 0:12:02 | |
Coffee? | 0:12:02 | 0:12:04 | |
It's not going to give you what you want | 0:12:09 | 0:12:11 | |
or what your family's lawyers expect. | 0:12:11 | 0:12:14 | |
But it might help. | 0:12:16 | 0:12:18 | |
DOOR OPENS AND CLOSES | 0:12:27 | 0:12:30 | |
This could take a while. | 0:13:07 | 0:13:09 | |
SHE SOBS | 0:13:38 | 0:13:39 | |
DOOR OPENS | 0:14:21 | 0:14:22 | |
You're wasting your time. | 0:14:28 | 0:14:30 | |
I doubt it. | 0:14:30 | 0:14:32 | |
OK. | 0:14:38 | 0:14:40 | |
So... | 0:14:40 | 0:14:42 | |
a lot of this you know we know, | 0:14:42 | 0:14:45 | |
some of it you definitely don't. | 0:14:45 | 0:14:47 | |
Like this. | 0:14:51 | 0:14:53 | |
Remember him? | 0:14:53 | 0:14:55 | |
Course you do. | 0:14:55 | 0:14:57 | |
Look at him. | 0:14:58 | 0:15:00 | |
Henry Laws. You used to work in his print factory. | 0:15:04 | 0:15:08 | |
You told Connor he was a part-time soldier. | 0:15:08 | 0:15:11 | |
You scouted it, Gerry ordered it, Connor pulled the trigger. | 0:15:11 | 0:15:14 | |
Henry's wife found their kids clinging to the corpse. | 0:15:18 | 0:15:21 | |
Now obviously his family didn't know, but a week later you went to the funeral. | 0:15:31 | 0:15:34 | |
Why did you do that? | 0:15:34 | 0:15:37 | |
OK. Provisional forensics. | 0:15:47 | 0:15:49 | |
This is definitely not one for the brothers back home. | 0:15:49 | 0:15:52 | |
This would definitely lead to a lot of awkward questions. | 0:15:52 | 0:15:56 | |
So I guess this is how you figured it, you leave the bag, you make the call, they place a warning. | 0:15:57 | 0:16:02 | |
"There's a bomb on a train somewhere on the line." | 0:16:02 | 0:16:04 | |
We have to close down the whole network. We find the bag, we carry out a controlled explosion. | 0:16:04 | 0:16:09 | |
And that way your brothers at home never find out, right? | 0:16:09 | 0:16:11 | |
You never set the timer, Collette. | 0:16:15 | 0:16:17 | |
I want a lawyer. | 0:16:18 | 0:16:20 | |
-A terrorist who can't bring herself to... -I want a lawyer. | 0:16:20 | 0:16:23 | |
Let me tell you what it's going to be like. | 0:16:44 | 0:16:46 | |
Irish girl, English jail. | 0:16:46 | 0:16:49 | |
Every time you want to see your boy, every time he wants to see you, | 0:16:49 | 0:16:52 | |
his grandma's going to have to load him onto the ferry and drive 400 miles. | 0:16:52 | 0:16:55 | |
It's going to break his fucking heart. | 0:16:57 | 0:16:59 | |
Do you know how many people your brothers killed last year? | 0:17:07 | 0:17:10 | |
This year's victims are still walking around, Collette. | 0:17:11 | 0:17:14 | |
They're doing the washing, they're dropping their kids at school. | 0:17:14 | 0:17:18 | |
You can keep it that way. | 0:17:19 | 0:17:21 | |
You see, now that everybody's talking peace... | 0:17:23 | 0:17:27 | |
the word is that your leaders think that Gerry's the problem. | 0:17:27 | 0:17:31 | |
He's not going to let 'em sell out. | 0:17:32 | 0:17:35 | |
So how far is he going to go? What's he going to do? | 0:17:35 | 0:17:38 | |
You agree to watch him and talk to us | 0:17:39 | 0:17:41 | |
and you're out of here like nothing ever happened. | 0:17:41 | 0:17:44 | |
Back to your ma. | 0:17:45 | 0:17:47 | |
Back to your boy. | 0:17:47 | 0:17:50 | |
We'll pay you. | 0:17:50 | 0:17:52 | |
And one day, if you want it, we'll give you a life far away from this. | 0:17:52 | 0:17:55 | |
Nobody dies. | 0:17:56 | 0:17:58 | |
Nobody gets hurt. | 0:17:58 | 0:18:00 | |
We just talk. | 0:18:00 | 0:18:02 | |
I want a lawyer. | 0:18:04 | 0:18:06 | |
This isn't who you are, Collette. | 0:18:06 | 0:18:08 | |
How the fuck would you know who I am? | 0:18:12 | 0:18:15 | |
I know it bugs the hell out of you that your mum won't get the washing machine fixed. | 0:18:16 | 0:18:20 | |
I know you're asking yourself why your boy still wets his bed at night. | 0:18:22 | 0:18:26 | |
-Fuck off. -And I know | 0:18:26 | 0:18:28 | |
you were so lonely the night before you came down here | 0:18:28 | 0:18:30 | |
that you went home with some guy you don't even like. | 0:18:30 | 0:18:32 | |
I want a lawyer. | 0:18:32 | 0:18:35 | |
You can have all the fucking lawyers you like, | 0:18:35 | 0:18:38 | |
but it's not going to change a thing. | 0:18:38 | 0:18:39 | |
We've got you, you're finished, you're done. | 0:18:39 | 0:18:42 | |
So is your boy. | 0:18:42 | 0:18:44 | |
Look. | 0:18:44 | 0:18:46 | |
There's the paperwork to have him taken into care. | 0:18:46 | 0:18:50 | |
Eh? | 0:18:52 | 0:18:54 | |
You really want a lawyer? You want to go that way? | 0:18:55 | 0:18:59 | |
Just dial nine for an outside line. | 0:19:01 | 0:19:04 | |
DOOR CLOSES | 0:19:18 | 0:19:20 | |
SHE SOBS | 0:19:22 | 0:19:24 | |
-TV: -'Yes, the IRA does continue to insist it's serious about peace, | 0:19:26 | 0:19:29 | |
'but a lot of people are going to find that hard to credit | 0:19:29 | 0:19:32 | |
'when the organisation appears to be tying to send young men and women over here | 0:19:32 | 0:19:35 | |
'to place bombs on the London transport network. | 0:19:35 | 0:19:38 | |
'And now the police have issued this photograph of the alleged bomber tonight. | 0:19:38 | 0:19:42 | |
'It is a little indistinct, it was taken from a security camera before she went into that tunnel, | 0:19:42 | 0:19:47 | |
'but they hope that someone will recognise her from it.' | 0:19:47 | 0:19:50 | |
'Now, in other news, the government is expected to give its decision later today...' | 0:19:50 | 0:19:55 | |
They'll kill me. | 0:20:54 | 0:20:57 | |
They'll never know. | 0:20:57 | 0:20:59 | |
They will. | 0:21:01 | 0:21:03 | |
DISTANT SIREN | 0:21:03 | 0:21:04 | |
I'll be there, day and night, watching. | 0:21:04 | 0:21:07 | |
-Have you done this before? -Yes. | 0:21:09 | 0:21:12 | |
-Are any of them still alive? -Yes. All of them. | 0:21:12 | 0:21:15 | |
Till you don't need them any more. | 0:21:17 | 0:21:18 | |
We do this together. | 0:21:18 | 0:21:20 | |
But I need to hear you say it. | 0:21:23 | 0:21:25 | |
You have to be sure. | 0:21:29 | 0:21:31 | |
I'm sure. | 0:21:35 | 0:21:36 | |
So this is our number. Memorise it, then burn the paper. | 0:22:06 | 0:22:10 | |
Always ask for Declan. | 0:22:10 | 0:22:12 | |
He's your new boyfriend. That's your cover story. | 0:22:12 | 0:22:15 | |
So we meet every Wednesday at midday | 0:22:16 | 0:22:19 | |
at the car park in the quay at Queen's Island, starting this week. | 0:22:19 | 0:22:23 | |
You just walk around until I find you. | 0:22:23 | 0:22:25 | |
You think you're being followed, don't stop. | 0:22:25 | 0:22:28 | |
Don't use the phone at the house. | 0:22:28 | 0:22:30 | |
Anyone sees you in a phone box, just say it's a love affair you don't want your mother to hear about. | 0:22:30 | 0:22:34 | |
You're going to need this. | 0:22:37 | 0:22:38 | |
It's an emergency bleeper. | 0:22:38 | 0:22:40 | |
Hide it well. | 0:22:40 | 0:22:41 | |
You press that button, half the world'll come running. | 0:22:43 | 0:22:45 | |
What's your name? | 0:22:48 | 0:22:49 | |
Always ask for Declan. | 0:22:49 | 0:22:51 | |
-I mean, your real name? -It's better you don't know. | 0:22:52 | 0:22:56 | |
If you make a mistake, I'm dead. | 0:22:58 | 0:23:00 | |
Right? | 0:23:03 | 0:23:05 | |
I'd like to know your name. | 0:23:09 | 0:23:11 | |
Mac. | 0:23:13 | 0:23:15 | |
So I'll see you at the quay the day after tomorrow. | 0:23:19 | 0:23:21 | |
You make damn sure you're there. | 0:23:23 | 0:23:25 | |
ENGINE STARTS | 0:23:28 | 0:23:30 | |
TRAIN RATTLES | 0:23:36 | 0:23:38 | |
CHILDREN SHOUT | 0:23:52 | 0:23:54 | |
-Where is he? -He's out the back. | 0:24:15 | 0:24:18 | |
He's fine. | 0:24:18 | 0:24:20 | |
COLLETTE SIGHS IN RELIEF | 0:24:20 | 0:24:22 | |
Mark. | 0:24:41 | 0:24:43 | |
Go away! | 0:24:46 | 0:24:48 | |
-Hey! Come here. -Leave me alone. | 0:24:52 | 0:24:55 | |
Come here. Come here. | 0:24:55 | 0:24:57 | |
Hey. | 0:24:57 | 0:24:59 | |
You're all right. | 0:25:02 | 0:25:04 | |
-TV PLAYS SOFTLY -Let's see. | 0:25:08 | 0:25:10 | |
I can see one, two, three, four, five, six... | 0:25:10 | 0:25:14 | |
How yous all doing? We heard a rumour our girl was back. | 0:25:14 | 0:25:17 | |
-Hi, Gerry. -Hi, Ma. | 0:25:17 | 0:25:20 | |
-Hi, Connor. -Hi, Ma. | 0:25:20 | 0:25:22 | |
-Good to see you. -Good to see you. How's it going? | 0:25:22 | 0:25:24 | |
It was all over the news, so just be careful with Ma, she's been a bit upset. | 0:25:24 | 0:25:29 | |
-All right, wee man? -JOHN MAJOR: -'The Taoiseach and I have agreed | 0:25:30 | 0:25:34 | |
'on a joint declaration on Northern Ireland. | 0:25:34 | 0:25:36 | |
'It makes no compromise on strongly held principles...' | 0:25:36 | 0:25:40 | |
-You heard about this, right? -Aye, I read about it. | 0:25:40 | 0:25:43 | |
'Our message is clear and simple, there is no future in violence.' | 0:25:43 | 0:25:47 | |
-MAN: -'Republican leader Liam Hughes gave his reaction. | 0:25:47 | 0:25:50 | |
'Republicans are very disappointed about what they've heard here today, | 0:25:50 | 0:25:54 | |
'but we will give this document serious consideration and stand ready to move the process forward.' | 0:25:54 | 0:25:58 | |
'But even...' | 0:25:58 | 0:26:00 | |
Finish your carrot there. | 0:26:03 | 0:26:05 | |
-You want to play some football before you start your homework? -OK. | 0:26:08 | 0:26:11 | |
So... | 0:26:13 | 0:26:16 | |
were you being followed? | 0:26:16 | 0:26:17 | |
Not all the time. | 0:26:18 | 0:26:21 | |
I think there was some of them on the train, so I got off and ran. | 0:26:23 | 0:26:27 | |
-Into a tunnel? -Aye. | 0:26:27 | 0:26:29 | |
Brave. | 0:26:31 | 0:26:33 | |
Stupid. | 0:26:33 | 0:26:35 | |
HE SIGHS | 0:26:39 | 0:26:40 | |
You'll need to talk to Kevin. | 0:26:40 | 0:26:43 | |
CONNOR LAUGHS | 0:26:43 | 0:26:44 | |
CONNOR SIGHS | 0:27:00 | 0:27:01 | |
-Jesus Christ! -SHE CHUCKLES | 0:27:01 | 0:27:03 | |
He's all right, so he is. | 0:27:07 | 0:27:09 | |
How are you? | 0:27:13 | 0:27:15 | |
I'm fine. | 0:27:15 | 0:27:17 | |
Let's see that. | 0:27:17 | 0:27:19 | |
What did Gerry say? | 0:27:22 | 0:27:25 | |
I have to talk to Kevin. | 0:27:25 | 0:27:28 | |
Why? | 0:27:28 | 0:27:30 | |
Cos Gerry says so. | 0:27:30 | 0:27:32 | |
How are things here? | 0:27:41 | 0:27:44 | |
It's OK. | 0:27:44 | 0:27:45 | |
It's quiet. | 0:27:45 | 0:27:47 | |
Remember that peeler who tried to put us away for your boss at the print works? | 0:27:51 | 0:27:55 | |
We know where he lives. | 0:27:55 | 0:27:57 | |
Maybe you'd like to be a part of it. It's Friday. | 0:28:00 | 0:28:04 | |
-MARK: -I'm going up to my room, Granny, I've got to do my homework. | 0:28:50 | 0:28:53 | |
FOOTSTEPS APPROACH | 0:28:53 | 0:28:55 | |
There you go, sir. | 0:29:56 | 0:29:58 | |
CHATTER | 0:30:27 | 0:30:28 | |
-Hey. -OK, Pat, thanks. | 0:30:28 | 0:30:30 | |
-Congratulations. -Your idea. | 0:30:30 | 0:30:33 | |
But it was your catch. | 0:30:33 | 0:30:35 | |
-Is she really in? -We'll see. | 0:30:35 | 0:30:39 | |
Well, they'll run her past Kevin Mulville. | 0:30:39 | 0:30:42 | |
They're even more paranoid than normal at the minute. | 0:30:42 | 0:30:45 | |
It's OK, she's smart. | 0:30:45 | 0:30:47 | |
-She'll be fine. -Good. | 0:30:47 | 0:30:50 | |
COLLETTE LAUGHS | 0:30:56 | 0:30:57 | |
-Have a good day. -Bye. | 0:31:01 | 0:31:03 | |
BELL RINGS | 0:31:04 | 0:31:06 | |
See you later. | 0:31:06 | 0:31:08 | |
GULLS SCREECH | 0:31:30 | 0:31:32 | |
WASHING MACHINE CLANGS | 0:31:51 | 0:31:53 | |
Shite! | 0:31:53 | 0:31:54 | |
I asked Connor to fix that. | 0:31:56 | 0:31:59 | |
We need to get Gerry in, Ma. | 0:32:00 | 0:32:02 | |
Connor can't fix his own hair. | 0:32:04 | 0:32:06 | |
MA LAUGHS | 0:32:06 | 0:32:07 | |
GULLS SCREECH | 0:32:13 | 0:32:14 | |
She's not coming. | 0:32:22 | 0:32:23 | |
-Hi, Granny. -Hi, love. | 0:32:36 | 0:32:38 | |
You have a visitor. | 0:32:42 | 0:32:43 | |
DOOR CLOSES | 0:32:54 | 0:32:56 | |
All right, Mark. What about you? | 0:32:57 | 0:33:00 | |
Are you all right? | 0:33:02 | 0:33:04 | |
-Hello, Kevin. -Collette, what about you? | 0:33:05 | 0:33:09 | |
Hey, you, I'll be there in a second. Go through. | 0:33:09 | 0:33:12 | |
That's a beautiful wee young fella you have. | 0:33:14 | 0:33:16 | |
That's kind of you, Kevin. | 0:33:16 | 0:33:18 | |
We just need to talk about London. | 0:33:20 | 0:33:22 | |
Later. I've got to give him his tea. | 0:33:22 | 0:33:25 | |
A volunteer is never off duty, Collette. | 0:33:27 | 0:33:29 | |
Neither's a mammy, Kevin. | 0:33:31 | 0:33:33 | |
SHE LAUGHS | 0:33:33 | 0:33:34 | |
All right, no problem. | 0:33:37 | 0:33:39 | |
-Tomorrow, then? -Aye. | 0:33:41 | 0:33:43 | |
What the fuck's he doing here? | 0:33:48 | 0:33:50 | |
He's grand, Connor. He's just leaving. | 0:33:50 | 0:33:52 | |
-Just doing me job, Connor. -OK, fuck off and do it somewhere else. | 0:33:52 | 0:33:55 | |
See you tomorrow, Collette. | 0:33:55 | 0:33:57 | |
Prick! | 0:33:58 | 0:34:00 | |
He's no business coming to this house. | 0:34:01 | 0:34:04 | |
-KEVIN: All right, Gerry? GERRY: -Kevin. | 0:34:08 | 0:34:10 | |
-Are you looking for me or something? -No, I was just calling in for Collette. | 0:34:10 | 0:34:13 | |
-CONNOR: -Gerry should be keeping him in line. -Her hands are full there with the young fella. | 0:34:13 | 0:34:17 | |
-Mummy? -Mark? | 0:34:20 | 0:34:22 | |
-Can I have some cake? -All right. | 0:34:22 | 0:34:24 | |
MUFFLED POUNDING | 0:34:36 | 0:34:38 | |
MAN: Open up! Police! | 0:34:38 | 0:34:40 | |
DOOR FRAME CRACKS | 0:34:41 | 0:34:43 | |
Ma! | 0:34:43 | 0:34:45 | |
-Mummy! -You have no business breaking in here. | 0:34:45 | 0:34:47 | |
-Who do you think you are?! -Get dressed, Miss McVeigh. | 0:34:47 | 0:34:50 | |
-Where's Mark? -Leave her! -Get dressed. | 0:34:50 | 0:34:53 | |
-Leave her! Leave her alone! -Don't! -Look, we've had enough. | 0:34:53 | 0:34:56 | |
-We've all had enough. -Well, she's a mother, for God's sake! | 0:34:56 | 0:34:59 | |
I'm a father, but what does that change? Nothing. | 0:34:59 | 0:35:02 | |
-Well, let her get dressed. -Are you looking after the boy, Mrs McVeigh? | 0:35:02 | 0:35:05 | |
-Mummy? -Mark! Jesus Christ! | 0:35:05 | 0:35:06 | |
-Come on. Hurry up, you wee bitch! -Mummy! -You're all right, son. | 0:35:06 | 0:35:10 | |
-Come on! -Come here, love. | 0:35:10 | 0:35:13 | |
It's all right, darling. | 0:35:13 | 0:35:14 | |
Get out of the way. | 0:35:14 | 0:35:17 | |
All right, Mark. Mark. | 0:35:17 | 0:35:18 | |
-You're OK, darling. You're OK. -Mum! | 0:35:18 | 0:35:21 | |
Bring her out. | 0:35:26 | 0:35:28 | |
PEOPLE SHOUT | 0:35:28 | 0:35:29 | |
Come on! Move yourself! | 0:35:32 | 0:35:34 | |
SHE SIGHS | 0:35:48 | 0:35:49 | |
DOOR CLOSES | 0:36:16 | 0:36:18 | |
Where were you? | 0:36:19 | 0:36:21 | |
I was looking after my son. I couldn't get away. | 0:36:21 | 0:36:23 | |
So I save you from a lifetime in a prison cell and you're | 0:36:23 | 0:36:26 | |
seriously going to sit here and tell me that you didn't turn up | 0:36:26 | 0:36:29 | |
because you couldn't find a fucking nanny?! | 0:36:29 | 0:36:32 | |
You've got one minute to give me something, otherwise the deal's off | 0:36:32 | 0:36:35 | |
and you're down that corridor looking at a charge sheet. | 0:36:35 | 0:36:38 | |
I'm sorry. | 0:36:41 | 0:36:42 | |
Have you seen your brothers? | 0:36:42 | 0:36:44 | |
-Aye. -What does Gerry think of the declaration? | 0:36:46 | 0:36:49 | |
-Not much. -What did he say about it? | 0:36:49 | 0:36:52 | |
I don't know. | 0:36:53 | 0:36:55 | |
He was round your place the other afternoon just after the document was signed. It was all over the news. | 0:36:55 | 0:36:59 | |
What did he say about it? | 0:36:59 | 0:37:00 | |
So tell me what's moving? Operations? Plans? | 0:37:04 | 0:37:07 | |
I don't know. | 0:37:09 | 0:37:11 | |
You know what? | 0:37:13 | 0:37:15 | |
This isn't going to work. | 0:37:16 | 0:37:18 | |
You need to call a lawyer. | 0:37:20 | 0:37:22 | |
There's something tomorrow. | 0:37:26 | 0:37:28 | |
Connor's going to get the detective... | 0:37:40 | 0:37:43 | |
..who tried to put us away for the murder of my boss at the print works. | 0:37:46 | 0:37:50 | |
-Where? -I don't know. | 0:37:52 | 0:37:55 | |
What time? | 0:37:57 | 0:37:58 | |
He...he didn't say. | 0:37:58 | 0:38:01 | |
That's all I can tell you. | 0:38:01 | 0:38:03 | |
-COLLETTE: -He said he was called Jenkins. | 0:38:10 | 0:38:12 | |
He wants to know where I was last week, what was I doing? | 0:38:12 | 0:38:16 | |
MAC: OK, let's go over it again. | 0:38:16 | 0:38:18 | |
I've got it. | 0:38:18 | 0:38:20 | |
OK...so they might not come at you straight away... | 0:38:21 | 0:38:26 | |
so be careful, don't drop your guard. | 0:38:26 | 0:38:29 | |
OK, it's time to go. | 0:38:31 | 0:38:33 | |
You should go. | 0:38:38 | 0:38:40 | |
WIND HOWLS | 0:38:43 | 0:38:45 | |
COLLETTE SOBS | 0:38:58 | 0:39:00 | |
-Mummy? -Hmm? | 0:39:00 | 0:39:02 | |
I wet my bed. | 0:39:02 | 0:39:04 | |
I'm sorry. | 0:39:04 | 0:39:05 | |
No worries. | 0:39:05 | 0:39:07 | |
Oh, you're all right. | 0:39:07 | 0:39:09 | |
Is he OK? | 0:39:16 | 0:39:18 | |
-Aye. -He hasn't done this for months. | 0:39:18 | 0:39:21 | |
Collette, if you won't tell Gerry that you've had enough... | 0:39:22 | 0:39:28 | |
..I will. | 0:39:29 | 0:39:31 | |
INDISTINCT CHATTER | 0:39:50 | 0:39:52 | |
Hey, Geoff, are you still going to London in the morning? | 0:39:59 | 0:40:02 | |
-Nah, I got pulled into this last minute TCG meeting. -What meeting? | 0:40:02 | 0:40:06 | |
Guess it's invitation only. | 0:40:08 | 0:40:09 | |
Please tell me this is bullshit. You can't be serious. | 0:40:28 | 0:40:30 | |
You're going to put the SAS in his back garden?! | 0:40:30 | 0:40:33 | |
-Mac! -Derek Henderson is one of our own. | 0:40:33 | 0:40:35 | |
-We can't just sit here and... -Tell him. | 0:40:35 | 0:40:37 | |
You do this, our player's dead. | 0:40:40 | 0:40:42 | |
Look, we have a chance here | 0:40:42 | 0:40:44 | |
to take Connor McVeigh's entire team out of circulation and we have to take it. | 0:40:44 | 0:40:48 | |
You lay an ambush, there'll be the mother and father of all tout hunts. | 0:40:48 | 0:40:51 | |
-You might as well print her name in the Belfast fucking Telegraph. -Come on, you're overreacting. | 0:40:51 | 0:40:56 | |
I'm going to call London. | 0:40:56 | 0:40:57 | |
I want everything on hold until I've spoke to Buchanan. | 0:40:57 | 0:41:00 | |
I've already spoken to him, Mac. | 0:41:00 | 0:41:02 | |
-What the fuck is this all about?! -How should I know? | 0:41:17 | 0:41:20 | |
You give us Connor McVeigh, we're going to take him. | 0:41:20 | 0:41:23 | |
The rest of it is your problem. | 0:41:23 | 0:41:26 | |
DOOR OPENS | 0:41:29 | 0:41:31 | |
DOOR CLOSES | 0:41:33 | 0:41:35 | |
-Collette? -Jesus fucking...! | 0:41:50 | 0:41:53 | |
-What time is it? -It's six o'clock. | 0:41:53 | 0:41:56 | |
What's going on? | 0:41:56 | 0:41:58 | |
Brian Flynn was picked up last night. | 0:41:58 | 0:42:01 | |
We need you. | 0:42:01 | 0:42:02 | |
I promised I'd take Mark to school. | 0:42:02 | 0:42:05 | |
He's fine with Ma. | 0:42:05 | 0:42:08 | |
Get up. | 0:42:08 | 0:42:09 | |
Get dressed. | 0:42:09 | 0:42:11 | |
No, I promised Mark, Connor. | 0:42:11 | 0:42:13 | |
Is something wrong? | 0:42:16 | 0:42:18 | |
-No. -Get dressed. | 0:42:21 | 0:42:23 | |
-CONNOR: -Henderson pulls out of a cul-de-sac | 0:42:30 | 0:42:32 | |
off the Newtownards Road at 7:30 on the nail every day. | 0:42:32 | 0:42:35 | |
He drives a silver Granada. | 0:42:35 | 0:42:37 | |
You block one side, we block the other and Brendan does the business. | 0:42:38 | 0:42:41 | |
-You got that? -Aye. | 0:42:44 | 0:42:46 | |
Yous can have coffee, if you prefer? | 0:43:42 | 0:43:45 | |
CHAMBER CLICKS | 0:43:48 | 0:43:50 | |
-CONNOR: -Put it down. | 0:43:57 | 0:43:59 | |
Connor, I'm going to the toilet. | 0:44:18 | 0:44:20 | |
Collette, are you ready? | 0:45:03 | 0:45:05 | |
I need to speak to Declan. | 0:45:07 | 0:45:09 | |
Collette? | 0:45:14 | 0:45:15 | |
Collette, are you ready? | 0:45:21 | 0:45:24 | |
-'This is Declan' CONNOR: -Collette? | 0:45:24 | 0:45:26 | |
Listen, I've had to come on a wee trip with my brother. | 0:45:26 | 0:45:29 | |
I'm inside. | 0:45:29 | 0:45:31 | |
I'm inside. | 0:45:31 | 0:45:32 | |
-COLLETTE: -No! | 0:45:34 | 0:45:36 | |
KNOCK AT DOOR | 0:45:41 | 0:45:42 | |
You OK? | 0:45:45 | 0:45:47 | |
Aye, I'm fine. | 0:45:47 | 0:45:49 | |
-We're ready. -Right. | 0:45:56 | 0:45:58 | |
Put this on. You're coming with me. | 0:47:10 | 0:47:12 | |
-What? -You're coming with me. | 0:47:13 | 0:47:15 | |
GUNSHOT | 0:47:41 | 0:47:42 | |
-CONNOR: -Jesus Christ! Get out! Get out! -Oh, my God! | 0:47:42 | 0:47:45 | |
MEN SHOUT | 0:47:45 | 0:47:47 | |
BABY CRIES WOMAN SCREAMS | 0:47:49 | 0:47:52 | |
-BOY: -Mummy! -BABY CRIES | 0:47:52 | 0:47:54 | |
Where's the key? Where's the fucking key?! | 0:47:54 | 0:47:57 | |
My husband has the key! | 0:47:57 | 0:47:59 | |
BABY CRIES | 0:47:59 | 0:48:00 | |
MEN SHOUT | 0:48:04 | 0:48:05 | |
DOG BARKS | 0:48:05 | 0:48:07 | |
SHE PANTS | 0:48:09 | 0:48:11 | |
SIREN BLARES | 0:48:11 | 0:48:13 | |
WATER RUNS | 0:48:37 | 0:48:39 | |
PHONES RING CHATTER | 0:49:12 | 0:49:15 | |
So what have you got, anything? | 0:49:17 | 0:49:19 | |
-MAN: -'The shooter's name is Brendan O'Shea. He's in intensive care. | 0:49:19 | 0:49:22 | |
-'It's touch-and-go whether he'll make it.' -Mulville? | 0:49:22 | 0:49:25 | |
-'We're still looking.' -OK. | 0:49:25 | 0:49:28 | |
What a fucking mess! | 0:49:29 | 0:49:31 | |
-FLETCHER: -Thanks for coming by, Barry. | 0:49:39 | 0:49:41 | |
OK, talk later. | 0:49:42 | 0:49:44 | |
What was all that with Delavine earlier? | 0:50:11 | 0:50:14 | |
Are you...feeling left out, Mac? | 0:50:14 | 0:50:18 | |
-So you're working another angle? -No. | 0:50:18 | 0:50:20 | |
Relax...we're all on the same side. | 0:50:22 | 0:50:26 | |
DIALLING TONE | 0:50:33 | 0:50:35 | |
-Can I speak to Declan? -MAN: -'Hold the line.' | 0:50:38 | 0:50:41 | |
MAC: 'Yeah, this is Declan.' | 0:50:43 | 0:50:45 | |
-Is he dead? -He's in the hospital, but it's not looking good. | 0:50:45 | 0:50:49 | |
SHE SIGHS | 0:50:49 | 0:50:51 | |
He came in when I was talking to you. | 0:50:51 | 0:50:53 | |
Did he hear you? | 0:50:53 | 0:50:55 | |
Aye. | 0:50:55 | 0:50:56 | |
OK, we'll deal with it. | 0:50:56 | 0:50:59 | |
If he's alive, that's it. | 0:50:59 | 0:51:02 | |
'I said we'll deal with it.' | 0:51:02 | 0:51:05 | |
Right. Right. | 0:51:09 | 0:51:11 | |
Kevin. | 0:51:28 | 0:51:30 | |
We need to talk. | 0:51:33 | 0:51:35 | |
-Aye. -Now. | 0:51:36 | 0:51:38 | |
Have a seat there for yourself, Collette. | 0:52:26 | 0:52:29 | |
Do you want a coffee? | 0:52:36 | 0:52:38 | |
That'd be grand. | 0:52:40 | 0:52:41 | |
When did you first hear about the operation, Collette? | 0:52:56 | 0:52:59 | |
This morning in the car. | 0:52:59 | 0:53:01 | |
In the car this morning? | 0:53:01 | 0:53:04 | |
-Aye. -Are you sure about that? | 0:53:04 | 0:53:06 | |
Aye. | 0:53:08 | 0:53:10 | |
No mention of it before then? | 0:53:10 | 0:53:13 | |
No. | 0:53:13 | 0:53:14 | |
No? Connor drop you a few hints? | 0:53:14 | 0:53:17 | |
No. | 0:53:17 | 0:53:19 | |
We were going to take out the guy who tried to put you away? | 0:53:19 | 0:53:22 | |
No. | 0:53:25 | 0:53:26 | |
See...it's like this, Collette. | 0:53:30 | 0:53:33 | |
Only two men knew the time and the place, right? | 0:53:33 | 0:53:37 | |
It's hardly our Gerry squealing to the Brits, | 0:53:37 | 0:53:39 | |
so is it his shaggy-haired brother? | 0:53:39 | 0:53:42 | |
Or did he blab his fat mouth off to his sister? | 0:53:42 | 0:53:45 | |
We lose you in London, | 0:53:47 | 0:53:49 | |
but then you're back like nothing ever happened. | 0:53:49 | 0:53:51 | |
Then the peelers bash in your Ma's door, haul you off to Castlereagh, | 0:53:51 | 0:53:55 | |
but you're back by tea-time, like nothing ever happened. | 0:53:55 | 0:53:58 | |
Sure, they knew I'd been away for a while. | 0:54:00 | 0:54:02 | |
-Who? -A man. An English fella. | 0:54:02 | 0:54:06 | |
What was his name? | 0:54:06 | 0:54:08 | |
Jenkins. | 0:54:08 | 0:54:10 | |
-MI5? -Probably, aye. | 0:54:10 | 0:54:12 | |
What did he want? | 0:54:13 | 0:54:15 | |
-Where was I? What had I been doing? -Hmm. | 0:54:15 | 0:54:19 | |
What did you say? | 0:54:21 | 0:54:22 | |
I said I was visiting my auntie in the south. | 0:54:22 | 0:54:25 | |
Without your son? | 0:54:27 | 0:54:29 | |
I told him I was going with a fella there. | 0:54:34 | 0:54:37 | |
-Which one asked you about it all? -Mac. | 0:54:40 | 0:54:43 | |
Who's Mac? | 0:54:44 | 0:54:46 | |
You said his name was Jenkins. | 0:54:48 | 0:54:50 | |
Well, Mac Jenkins, that's his name. | 0:54:50 | 0:54:54 | |
So you were friendly then. | 0:54:57 | 0:54:59 | |
Hmm? First name terms and all that. | 0:54:59 | 0:55:02 | |
You're red-lighted, Collette McVeigh. | 0:55:12 | 0:55:15 | |
Don't leave Belfast. | 0:55:15 | 0:55:17 | |
We're not done yet. | 0:55:17 | 0:55:19 | |
PLASTIC SHEETING RUSTLES | 0:55:23 | 0:55:25 | |
INDISTINCT VOICE OVER TANNOY | 0:55:42 | 0:55:44 | |
-Where is he? -He's making his excuses to our Lord. | 0:55:48 | 0:55:52 | |
So sad, isn't it? | 0:55:52 | 0:55:54 | |
-CONNOR: -He said he wants to talk to Collette again. | 0:55:59 | 0:56:01 | |
That's not right, Gerry. You need to tell Kevin to back off. | 0:56:01 | 0:56:04 | |
-GERRY: -After what's just happened, he'll need to talk to her again. | 0:56:04 | 0:56:07 | |
-What do you mean? -Just heard from the hospital. | 0:56:07 | 0:56:11 | |
Brendan's dead. | 0:56:11 | 0:56:13 | |
Christ! | 0:56:16 | 0:56:18 | |
THUNDER CRACKS | 0:56:19 | 0:56:21 | |
SHE PANTS | 0:56:45 | 0:56:47 | |
Did you kill him? | 0:56:49 | 0:56:51 | |
-Did you fucking kill him?! -Calm down! | 0:56:54 | 0:56:57 | |
No. | 0:56:59 | 0:57:01 | |
Were you going to? | 0:57:06 | 0:57:08 | |
Were you going to? | 0:57:12 | 0:57:14 | |
SHE SIGHS | 0:57:26 | 0:57:28 | |
Kevin knows. He's red-lighted me. | 0:57:28 | 0:57:30 | |
No, he doesn't. It's his job to make you think he knows. | 0:57:30 | 0:57:34 | |
Well, he's brilliant at it, then. | 0:57:36 | 0:57:38 | |
-You said, "Nobody dies, nobody gets hurt." -Collette! | 0:57:44 | 0:57:47 | |
WOMAN SOBS | 0:58:55 | 0:58:57 | |
BABY CRIES | 0:59:10 | 0:59:12 | |
Collette, love. | 0:59:18 | 0:59:20 | |
Fucking loads of them. | 0:59:43 | 0:59:45 | |
Do you want to talk to these guys? | 0:59:57 | 0:59:59 | |
I'll do the talking, OK? Yeah? | 0:59:59 | 1:00:02 | |
Yous will have to let us through. | 1:00:08 | 1:00:11 | |
Good morning. We agreed none of this would happen. | 1:00:11 | 1:00:14 | |
-Yes, we did. -You know the law, Mr Hughes. -Yes, I do. -Good. | 1:00:14 | 1:00:18 | |
You're not going to bury this man as a soldier. | 1:00:18 | 1:00:21 | |
-Not on my watch. -There's nothing here. -That's a colour party! | 1:00:21 | 1:00:24 | |
It's a few grieving men. | 1:00:24 | 1:00:26 | |
Do I look like I was born yesterday? | 1:00:26 | 1:00:28 | |
Do you realise how antagonistic this is? There'll be no trouble from us. | 1:00:28 | 1:00:32 | |
-Come on, Gerry. -Listen... -No trouble. | 1:00:32 | 1:00:34 | |
-Just make sure there isn't. -Hmm. | 1:00:34 | 1:00:36 | |
Gerry. | 1:00:36 | 1:00:38 | |
Gerry! | 1:00:39 | 1:00:41 | |
Walk away. | 1:00:41 | 1:00:43 | |
Move your men back. Do you hear? | 1:00:43 | 1:00:46 | |
Stay where you are. | 1:00:48 | 1:00:50 | |
-Better stand in, Liam. -You know I can't. | 1:00:58 | 1:01:00 | |
-WOMAN: -Father, Son and the Holy Ghost. | 1:01:00 | 1:01:03 | |
-Come on. -For God's sake! | 1:01:03 | 1:01:05 | |
LIAM SIGHS | 1:01:05 | 1:01:08 | |
SHUTTERS CLICK | 1:01:08 | 1:01:10 | |
Liam. | 1:01:21 | 1:01:22 | |
Any comments, Mr Hughes? | 1:01:22 | 1:01:24 | |
Look over here, Liam. | 1:01:24 | 1:01:26 | |
SHUTTERS CLICK | 1:01:26 | 1:01:28 | |
MAN SHOUTS IN GAELIC | 1:01:32 | 1:01:34 | |
GUN FIRES THREE TIMES MAN SHOUTS IN GAELIC | 1:01:34 | 1:01:37 | |
ALL CHEER | 1:01:37 | 1:01:39 | |
GUNSHOT | 1:01:48 | 1:01:49 | |
HUBBUB | 1:01:49 | 1:01:51 | |
CHATTER | 1:02:13 | 1:02:15 | |
-All right? -What about you? -What about you? | 1:02:35 | 1:02:38 | |
-Where's Connor? -I think he's in the back room there. | 1:02:51 | 1:02:53 | |
-Right. -Aye. | 1:02:53 | 1:02:55 | |
-I'll see yous in a wee bit. -No matter. Take it easy. | 1:02:55 | 1:02:58 | |
HUGHES: What happened today makes us look bad, understand? | 1:03:45 | 1:03:48 | |
It makes us look divided. | 1:03:48 | 1:03:49 | |
-GERRY: -Yous want a ceasefire...now. | 1:03:49 | 1:03:53 | |
We're not there yet, Gerry. | 1:03:53 | 1:03:55 | |
We're not there, but yous are. | 1:03:55 | 1:03:57 | |
-The Brits are talking about a serious... -A document of surrender, that's what's on the table. | 1:03:57 | 1:04:01 | |
-The Brits are talking about a serious response to any gesture we make. -It's a document of surrender. | 1:04:01 | 1:04:05 | |
You've no fucking right! No fucking right! | 1:04:05 | 1:04:08 | |
-The leadership decides, Gerry. -You don't represent us, you never fucking have. | 1:04:10 | 1:04:14 | |
-The leadership decides. -Never fucking have! | 1:04:14 | 1:04:16 | |
The leadership decides, Gerry. | 1:04:16 | 1:04:19 | |
Now cop yourself home. | 1:04:19 | 1:04:21 | |
Fucking child! | 1:04:21 | 1:04:23 | |
CHATTER | 1:04:26 | 1:04:28 | |
Hiya. How you doing, man? | 1:04:34 | 1:04:36 | |
Hey, pet, are you all right? All right. | 1:04:42 | 1:04:45 | |
You away there, Collette? | 1:05:00 | 1:05:02 | |
Aye. Aye, it's getting on. | 1:05:02 | 1:05:05 | |
Don't forget to pay your respects to poor Brendan's parents. | 1:05:06 | 1:05:10 | |
Actually, I've been meaning to ask you, Kevin. | 1:05:14 | 1:05:17 | |
Are you my brother's keeper, now? | 1:05:20 | 1:05:22 | |
I'll do what I have to do, Collette. | 1:05:25 | 1:05:28 | |
I believe it's your wee boy's birthday. | 1:05:31 | 1:05:34 | |
Get him a football or something. | 1:05:38 | 1:05:40 | |
-That's kind of you, Kevin. -Don't worry about it. | 1:05:46 | 1:05:50 | |
Identification, please, sir. | 1:06:12 | 1:06:14 | |
That's fine. Thank you. | 1:06:17 | 1:06:20 | |
KEYS TAP | 1:06:23 | 1:06:25 | |
BEEPING | 1:06:29 | 1:06:31 | |
BEEPING | 1:06:41 | 1:06:42 | |
DOORBELL RINGS | 1:06:51 | 1:06:53 | |
Mac? | 1:06:59 | 1:07:01 | |
Come in. | 1:07:03 | 1:07:04 | |
We'll go in here. | 1:07:13 | 1:07:15 | |
Louie...can you give us a minute? | 1:07:15 | 1:07:18 | |
Go and talk to Daddy a minute in the other room. | 1:07:18 | 1:07:21 | |
-Right...drink? -No, thanks. | 1:07:23 | 1:07:27 | |
Come on, it's the weekend. | 1:07:27 | 1:07:29 | |
If I had known you were on your own, I'd have invited you over. | 1:07:32 | 1:07:35 | |
SHE SIGHS | 1:07:41 | 1:07:43 | |
Why have you locked the Henderson file? | 1:07:43 | 1:07:45 | |
-Maybe it was London. -It wasn't London. | 1:07:46 | 1:07:49 | |
Barry Delavine works my side of the street, | 1:07:49 | 1:07:51 | |
if he was pumping your hand that means he's got another angle on Henderson. | 1:07:51 | 1:07:54 | |
Another angle means another tout. | 1:07:54 | 1:07:56 | |
So you've got someone else? | 1:07:57 | 1:07:59 | |
Mac. | 1:07:59 | 1:08:01 | |
But Collette McVeigh was your idea, so I'm asking myself why? | 1:08:01 | 1:08:05 | |
You know, I spend eight months reeling her in | 1:08:05 | 1:08:08 | |
and you're prepared to burn her on day one. Why? | 1:08:08 | 1:08:10 | |
I'll tell you why I think. | 1:08:10 | 1:08:12 | |
I think Mulville was getting close to Barry's tout | 1:08:12 | 1:08:14 | |
and you just wanted some fucking red meat to throw him. | 1:08:14 | 1:08:17 | |
-I want to take her out. -That's out of the question. | 1:08:18 | 1:08:21 | |
They'll assume she's one of ours, so she'll still take the heat off | 1:08:21 | 1:08:24 | |
-whoever it is you're trying to protect. -That's fantasy. | 1:08:24 | 1:08:26 | |
Besides, she's only just got started. | 1:08:26 | 1:08:29 | |
-She's done what we asked of her. -Come on, Mac! | 1:08:29 | 1:08:32 | |
A new identity, protection, a house, income for life. | 1:08:33 | 1:08:38 | |
What is that, a million? | 1:08:38 | 1:08:41 | |
Throw into that eight months' work setting her up, it's more like two. | 1:08:41 | 1:08:44 | |
You think London's going to buy all that | 1:08:44 | 1:08:48 | |
just for one good hit on Connor McVeigh's crew? | 1:08:48 | 1:08:50 | |
-Forget it. -We made a deal. | 1:08:50 | 1:08:53 | |
I absolutely forbid it. | 1:08:53 | 1:08:56 | |
Kate, she's got a son! | 1:08:56 | 1:08:59 | |
Is this because she has a pretty face, Mac? | 1:09:00 | 1:09:03 | |
Because I thought you were a lot smarter than that. | 1:09:03 | 1:09:07 | |
PAPER IS RIPPED | 1:09:11 | 1:09:13 | |
-GERRY: -Da-da! | 1:09:17 | 1:09:20 | |
There you go. | 1:09:20 | 1:09:22 | |
-COLLETTE: -What do you think it is? | 1:09:22 | 1:09:24 | |
What do you think that is? Are you just going to look at it?! | 1:09:24 | 1:09:26 | |
Open it, Mark. | 1:09:26 | 1:09:28 | |
-Go on. -Open it up. | 1:09:28 | 1:09:31 | |
-Look! -Just rip it off. | 1:09:31 | 1:09:33 | |
Quality wrapping right there, isn't it? Go on, rip it open. | 1:09:35 | 1:09:38 | |
-Look at that! -Do you like it? | 1:09:42 | 1:09:44 | |
-Whoa! -ALL LAUGH | 1:09:44 | 1:09:46 | |
-It's a good one, isn't it? -Yeah. | 1:09:46 | 1:09:49 | |
-Reckon you're big enough for it? -I think so. | 1:09:49 | 1:09:51 | |
It's very fast. A very fast bike this, you know. | 1:09:51 | 1:09:55 | |
I'm just going to check the old... | 1:09:55 | 1:09:57 | |
It looks good. | 1:09:57 | 1:09:59 | |
Erm... | 1:09:59 | 1:10:01 | |
All right, get up on it. | 1:10:01 | 1:10:03 | |
OK, off you go. | 1:10:05 | 1:10:07 | |
Yay! Yes! | 1:10:07 | 1:10:09 | |
Perfect. | 1:10:09 | 1:10:11 | |
-Turn round. -Is the brakes all right? -They're fine. | 1:10:11 | 1:10:15 | |
Check 'em when you... Just try 'em out down here. | 1:10:15 | 1:10:18 | |
Slow it down. Keep going. Keep going. Keep... | 1:10:18 | 1:10:21 | |
Oh! | 1:10:21 | 1:10:22 | |
Perfect. | 1:10:22 | 1:10:24 | |
It's all uphill now, of course. | 1:10:24 | 1:10:26 | |
He looks great. | 1:10:26 | 1:10:29 | |
-I think we've done a good job there. -I think so. | 1:10:29 | 1:10:32 | |
-Just go faster! -Look at his face. | 1:10:32 | 1:10:34 | |
-Faster! -Come on! | 1:10:34 | 1:10:36 | |
BELL RINGS LAUGHTER | 1:10:36 | 1:10:38 | |
-Go on. Perfect. -Mark McVeigh! | 1:10:38 | 1:10:41 | |
ROTORS WHIR | 1:10:41 | 1:10:42 | |
-COLLETTE: -Go on. | 1:10:53 | 1:10:55 | |
-CONNOR: -Right, come on. Right, 20 seconds. | 1:10:58 | 1:11:01 | |
22 seconds. Off you go. There you go. That's all right. | 1:11:01 | 1:11:04 | |
Don't start, Ma, please. Not today. | 1:11:04 | 1:11:07 | |
-CONNOR: -Come back now. Where you going?! That's 23! | 1:11:07 | 1:11:10 | |
Where you going? He's going to kill himself. | 1:11:10 | 1:11:12 | |
Stop him. No, stop. Stop, stop, stop. | 1:11:12 | 1:11:15 | |
-What are you doing here, Mac? -I need a favour. | 1:11:21 | 1:11:24 | |
You were all out of those a long time ago. | 1:11:24 | 1:11:26 | |
They're hunting a tout in Gerry McVeigh's crowd, right? | 1:11:26 | 1:11:29 | |
Have been for a while? | 1:11:29 | 1:11:31 | |
Maybe a year. | 1:11:34 | 1:11:37 | |
They know it's someone close to Gerry. | 1:11:37 | 1:11:40 | |
What's Gerry doing about it? | 1:11:40 | 1:11:41 | |
He's listening to our friend Kevin Mulville. | 1:11:41 | 1:11:44 | |
You know Mulville, Mac. | 1:11:46 | 1:11:48 | |
He won't stop until he's put a bullet in someone's head. | 1:11:48 | 1:11:51 | |
Be back in a wee bit. | 1:12:44 | 1:12:46 | |
I have a doctor's appointment. | 1:12:46 | 1:12:49 | |
Can't you take Mark with you? | 1:12:49 | 1:12:51 | |
-Where are you going? -Downtown. | 1:12:51 | 1:12:53 | |
-Then going downtown can wait. -Please, Ma, I've got to go. | 1:12:53 | 1:12:57 | |
-What are you going to do in the town, Collette? -Please, Ma. | 1:12:57 | 1:13:00 | |
-No-one -has -to go downtown. -I've got to go. | 1:13:01 | 1:13:05 | |
GULLS SCREECH | 1:13:10 | 1:13:11 | |
-You're late. -I'm here. I made it. You've seen me, I've got to go. My mother's raging. | 1:13:16 | 1:13:20 | |
-Collette! -Kevin's watching me. -Look, we've been through this before. -For Christ's sake! | 1:13:20 | 1:13:23 | |
-Listen to me! You've got a job to do. -My job is to end up in a ditch. | 1:13:23 | 1:13:27 | |
-It's not going to end like that. -It is. -Pull yourself together, otherwise this isn't going to work. | 1:13:27 | 1:13:31 | |
You made your choice. | 1:13:31 | 1:13:34 | |
I'm dead! I'm...dead! | 1:13:34 | 1:13:36 | |
-That's the choice I've made. -No, you're not. | 1:13:36 | 1:13:38 | |
That is not going to happen. I'm not going to let that happen. | 1:13:38 | 1:13:41 | |
I'm sorry. | 1:14:07 | 1:14:09 | |
I've got to take you out. | 1:14:31 | 1:14:33 | |
It's just me, you understand? | 1:14:36 | 1:14:38 | |
They've got their own agenda, | 1:14:38 | 1:14:40 | |
so if I take you out, we're on our own. | 1:14:40 | 1:14:42 | |
I'll need a few days. | 1:14:46 | 1:14:49 | |
I can take your boy but nothing else, do you understand? | 1:14:51 | 1:14:53 | |
Do you understand, Collette? | 1:14:55 | 1:14:57 | |
I'll be here at three o'clock on Monday. | 1:14:59 | 1:15:02 | |
MULVILLE: Sure, the politics of it is all bollocks. | 1:15:46 | 1:15:49 | |
If it comes to it, we'll go our own way and be better for it. | 1:15:49 | 1:15:51 | |
MULVILLE SIGHS | 1:15:53 | 1:15:55 | |
But we're nothing if we're not clean. | 1:15:57 | 1:15:59 | |
And a tout means we're dirty. | 1:16:01 | 1:16:03 | |
Gerry, I can't hold on any longer. | 1:16:08 | 1:16:11 | |
We can't. | 1:16:12 | 1:16:14 | |
It's someone close to you, it has to be. | 1:16:15 | 1:16:18 | |
I need the word now. | 1:16:20 | 1:16:22 | |
MULVILLE SIGHS HEAVILY | 1:16:33 | 1:16:35 | |
Don't worry about it. | 1:16:40 | 1:16:42 | |
DIALLING TONE | 1:17:03 | 1:17:04 | |
-Hello, Geoff. It's Mac. -'Hi, Mac.' | 1:17:04 | 1:17:07 | |
Yeah, listen, I'm just doing a bit of paperwork here. | 1:17:07 | 1:17:09 | |
You know the Henderson operation last week, | 1:17:09 | 1:17:12 | |
do you know if they've put a hard copy in the library yet? | 1:17:12 | 1:17:14 | |
'Not sure. Why?' | 1:17:14 | 1:17:16 | |
I can't seem to get in. | 1:17:16 | 1:17:18 | |
You couldn't dig me out the agent code, could you? | 1:17:18 | 1:17:20 | |
-'You got a pen?' -Yeah, shoot. | 1:17:20 | 1:17:23 | |
'Actually, there's two on the incident report.' | 1:17:23 | 1:17:26 | |
That's all right, just give me 'em both. | 1:17:26 | 1:17:28 | |
'6725451/MIU... | 1:17:28 | 1:17:31 | |
'and 5736917/LPN.' | 1:17:31 | 1:17:36 | |
BEEPING | 1:17:38 | 1:17:39 | |
HE GASPS | 1:18:55 | 1:18:57 | |
HE COUGHS | 1:18:59 | 1:19:01 | |
So let's try this one more time, Connor, eh? | 1:19:10 | 1:19:13 | |
-When did you tell your sister about the attack on the peeler? -Fuck you. | 1:19:15 | 1:19:19 | |
Go on. | 1:19:19 | 1:19:22 | |
All right. | 1:19:35 | 1:19:36 | |
CONNOR GASPS | 1:19:36 | 1:19:38 | |
If you didn't tell her, then that means you're the squealer. Right, Connor? | 1:19:38 | 1:19:43 | |
-I need a favour. -You always need a favour. | 1:20:15 | 1:20:18 | |
-I need to look at some of the records from Castlereagh. -Why? | 1:20:18 | 1:20:21 | |
I want to check out everyone that was brought in for interview or interrogation around April '82. | 1:20:21 | 1:20:27 | |
I said, why? | 1:20:27 | 1:20:29 | |
You know how uptight they are. | 1:20:31 | 1:20:34 | |
Come on, Ian. Everyone's got to fight for their guy, right? | 1:20:34 | 1:20:36 | |
I don't think mine's got long left. | 1:20:38 | 1:20:40 | |
CONNOR GASPS | 1:20:41 | 1:20:43 | |
Last chance, Connor. | 1:20:51 | 1:20:53 | |
Just fucking do it. | 1:20:53 | 1:20:55 | |
CONNOR PANTS | 1:20:55 | 1:20:57 | |
Fucking do it. | 1:20:59 | 1:21:01 | |
He's not the one we're looking for. | 1:21:08 | 1:21:09 | |
-'82. What month? -April. | 1:21:24 | 1:21:26 | |
Get on with it. | 1:21:29 | 1:21:31 | |
-MA: -Come on, yous are going to be late. -Did you clean your teeth? -Yes. | 1:22:21 | 1:22:24 | |
-PHONE RINGS -I'll go. -Here's your coat, Mummy. | 1:22:24 | 1:22:27 | |
Thank you, Mark. | 1:22:27 | 1:22:30 | |
-Hello? -MAC: 'They're coming for Collette. | 1:22:32 | 1:22:35 | |
'We recruited her to protect you.' | 1:22:35 | 1:22:37 | |
SHE SIGHS | 1:22:50 | 1:22:52 | |
Right, off we go. | 1:22:59 | 1:23:01 | |
There was nobody there. | 1:23:01 | 1:23:04 | |
I'll see you later. | 1:23:04 | 1:23:06 | |
-Bye, Granny. -Here, Mark. | 1:23:06 | 1:23:09 | |
See you. | 1:23:12 | 1:23:14 | |
DOOR CLOSES SHE SIGHS | 1:23:18 | 1:23:20 | |
CAR APPROACHES | 1:24:40 | 1:24:41 | |
DOOR CLOSES | 1:25:13 | 1:25:14 | |
DOOR CLOSES | 1:26:14 | 1:26:16 | |
We made it in time. | 1:26:16 | 1:26:18 | |
You should have seen his little face at the gates. | 1:26:35 | 1:26:39 | |
Mam? | 1:26:54 | 1:26:56 | |
DOG BARKS | 1:28:59 | 1:29:00 | |
DOG BARKS | 1:29:46 | 1:29:47 | |
PHONE RINGS | 1:29:55 | 1:29:57 | |
-Mummy, where are we going? -We're going on a wee trip. | 1:30:15 | 1:30:18 | |
-Connor? -It's done. | 1:30:34 | 1:30:38 | |
We need to get going. | 1:30:39 | 1:30:42 |