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| Line | From | To | |
|---|---|---|---|
EXCITED CHATTER | 0:01:20 | 0:01:24 | |
..for my wife, for myself and my darling children. | 0:01:37 | 0:01:39 | |
-No trains to Paris. Only as far as... -I've got to get to Paris! | 0:01:39 | 0:01:43 | |
I'm a Frenchman. My country NEEDS me! | 0:01:43 | 0:01:45 | |
-No trains to Paris! -SHE TALKS FRENCH QUICKLY | 0:01:45 | 0:01:47 | |
CHILDREN SING | 0:01:47 | 0:01:49 | |
THEY ARGUE, OVERLAPPING SPEECH | 0:01:49 | 0:01:53 | |
A ticket to Vienna, please. | 0:01:54 | 0:01:57 | |
-No trains to Austria. -How about Switzerland? | 0:01:57 | 0:01:59 | |
-Only as far as Bern. -All right, Bern, then. | 0:01:59 | 0:02:02 | |
Sorry, fraulein, we take only gold or silver. | 0:02:14 | 0:02:17 | |
-I gave my last piece... -Only gold or silver! | 0:02:17 | 0:02:20 | |
-Next, please. -I... -Just a minute. I'll give you twice the price. | 0:02:20 | 0:02:23 | |
Fraulein, please let other people... | 0:02:23 | 0:02:24 | |
You can't do that. It's against the law! | 0:02:24 | 0:02:26 | |
-Next, please! -There's no sign refusing paper money! | 0:02:26 | 0:02:28 | |
If you want gold and silver, why don't you say? | 0:02:28 | 0:02:31 | |
-I told you.. -The Prime Minister is a personal friend of mine! | 0:02:31 | 0:02:33 | |
-I'll tell him you refused paper money without putting up a sign of warning! -Gold or silver! | 0:02:33 | 0:02:37 | |
-I'll give you three times the price of a ticket! -The other people! | 0:02:37 | 0:02:40 | |
ARGUMENT CONTINUES | 0:02:40 | 0:02:42 | |
Stall closed. No more telegrams! | 0:02:52 | 0:02:54 | |
-Only gold and silver. -Oh, but I'm... -I'm sorry, fraulein. | 0:03:05 | 0:03:08 | |
Er, perhaps mademoiselle would allow me to buy the books for her? | 0:03:19 | 0:03:22 | |
Oh, no, thanks. I really didn't want them. | 0:03:22 | 0:03:24 | |
-I was just trying to get this note changed. -Oh, but, er... | 0:03:24 | 0:03:27 | |
Couldn't you use a peppermint? Or a...or a pillow? | 0:03:27 | 0:03:30 | |
We sell a lot of these. | 0:03:30 | 0:03:32 | |
No? Well, then, how about, er...? How about a souvenir of Luxembourg? | 0:03:32 | 0:03:36 | |
Something nice to cut yourself with | 0:03:36 | 0:03:38 | |
and remember your trip to Luxembourg? | 0:03:38 | 0:03:40 | |
You're really very kind, but all I wanted was to get to Vienna | 0:03:40 | 0:03:42 | |
and, if you could change this note, I'd be awfully grateful. | 0:03:42 | 0:03:45 | |
Why, of course. | 0:03:45 | 0:03:47 | |
But, er, couldn't you go via Madrid? It's really right on the way. | 0:03:47 | 0:03:51 | |
And, er, I'M going to Madrid. | 0:03:51 | 0:03:53 | |
I'm sure you'll like it. It's a charming place. | 0:03:53 | 0:03:56 | |
Full of antiquity and bullfights. | 0:03:56 | 0:03:58 | |
But unfortunately, my ticket must be straight through to Vienna, | 0:03:58 | 0:04:01 | |
without stopover. | 0:04:01 | 0:04:03 | |
I'm sorry. | 0:04:03 | 0:04:05 | |
-Just one ticket? -Just one. Full fare. | 0:04:07 | 0:04:11 | |
Well, that's something anyway! | 0:04:11 | 0:04:13 | |
ARGUING | 0:04:19 | 0:04:22 | |
WOMAN YELLS | 0:04:22 | 0:04:24 | |
SHOUTING | 0:04:24 | 0:04:26 | |
YELLING CONTINUES | 0:04:31 | 0:04:33 | |
-I report failure. -You mean you couldn't get another ticket? | 0:04:35 | 0:04:38 | |
-I mean, I couldn't get one beyond Bern. -Ah! Shall we get aboard, then? | 0:04:38 | 0:04:42 | |
We?! Oh, then you're going to let me travel with you? | 0:04:42 | 0:04:45 | |
-Well, I can't think of any way to stop you. -Good! | 0:04:45 | 0:04:47 | |
Up! | 0:04:50 | 0:04:51 | |
THEY CHATTER IN FRENCH | 0:04:51 | 0:04:55 | |
SHE COUGHS | 0:04:57 | 0:05:00 | |
Pardon me, please. My wife. Please, don't smoke, please. | 0:05:01 | 0:05:04 | |
MAN SHOUTS IN GERMAN | 0:05:04 | 0:05:07 | |
HE SHOUTS BACK IN FRENCH | 0:05:07 | 0:05:10 | |
THEY ARGUE, OVERLAPPING SPEECH | 0:05:10 | 0:05:13 | |
TRAIN WHISTLE BLOWS | 0:05:20 | 0:05:22 | |
-Anything else? -No, thanks. | 0:05:24 | 0:05:27 | |
BOY SPEAKS FRENCH | 0:05:27 | 0:05:29 | |
-Voila. -Say thank you to the lady. | 0:05:29 | 0:05:31 | |
-Say thank you to the lady. -Merci, madam. -Merci. | 0:05:31 | 0:05:34 | |
The restaurant's a little overcrowded, I say. | 0:05:37 | 0:05:39 | |
-Yes, I haven't even a napkin. -Oh! Do use mine. -Thank you. | 0:05:39 | 0:05:44 | |
I didn't know any Viennese had such lovely hair. | 0:05:48 | 0:05:51 | |
I didn't say I was Viennese. I said I was going to Vienna. | 0:05:51 | 0:05:54 | |
Just because a cat gets in an oven is no sign she's a biscuit. | 0:05:54 | 0:05:58 | |
-Oh, then you aren't Viennese? -I didn't say that either. | 0:05:58 | 0:06:01 | |
-Perhaps we're fellow townsmen? -We might even be neighbours. | 0:06:01 | 0:06:04 | |
We might even be relatives. | 0:06:04 | 0:06:06 | |
Heaven forbid! Friends is enough! | 0:06:06 | 0:06:08 | |
If, er, close enough friends? | 0:06:08 | 0:06:11 | |
Your poor arm will be broken. | 0:06:13 | 0:06:15 | |
Not my arm. | 0:06:17 | 0:06:18 | |
You're very difficult to argue with, but very nice. | 0:06:20 | 0:06:23 | |
TRAIN WHISTLE BLOWS | 0:06:23 | 0:06:26 | |
BRAKES SCREECH | 0:06:28 | 0:06:30 | |
-CONCERNED CHATTER -What's wrong? | 0:06:34 | 0:06:36 | |
This training goes no farther. All out. | 0:06:36 | 0:06:38 | |
You stay here. I'll see what's going on. | 0:06:38 | 0:06:42 | |
COUPLE ARGUE IN FRENCH | 0:06:42 | 0:06:45 | |
That's all I know. The train goes no further. | 0:06:45 | 0:06:48 | |
All out. | 0:06:48 | 0:06:49 | |
-I'm afraid we have to get out. -What did you hear? | 0:06:51 | 0:06:54 | |
Out, we have to get out. | 0:06:54 | 0:06:56 | |
EXCITED CHATTER IN FRENCH | 0:06:56 | 0:06:59 | |
MAN SHOUTS, THEY ARGUE | 0:06:59 | 0:07:03 | |
STEAM HISSES | 0:07:04 | 0:07:06 | |
-Think they're going to hold us here long? -I hope so. | 0:07:10 | 0:07:13 | |
I never faced a happier internment. And you? | 0:07:13 | 0:07:15 | |
-Well, under the circumstances, yes. -Aha! But under the rain? | 0:07:15 | 0:07:19 | |
Oh, I can't argue with you! No, but really, | 0:07:19 | 0:07:22 | |
-don't you think there's a car or something to be had? -Perhaps. | 0:07:22 | 0:07:25 | |
If you stay here and keep dry, I'll go out | 0:07:25 | 0:07:27 | |
and get wet and see what I can do. | 0:07:27 | 0:07:29 | |
-I won't be five minutes. -No, wait. | 0:07:31 | 0:07:33 | |
Never mind. Go ahead. | 0:07:35 | 0:07:37 | |
Somehow, I-I hate to go. | 0:07:37 | 0:07:40 | |
Somehow, I hate to have you. | 0:07:40 | 0:07:42 | |
Don't you think that, with the war and everything, | 0:07:42 | 0:07:44 | |
and me going away for five minutes, you might, er, wish me good luck? | 0:07:44 | 0:07:50 | |
Good luck. | 0:07:50 | 0:07:52 | |
What's your name? | 0:07:56 | 0:07:58 | |
SHE LAUGHS I'll tell you when you come back. | 0:07:58 | 0:08:00 | |
And you can tell me yours too. | 0:08:00 | 0:08:03 | |
-Goodbye. -Goodbye?! | 0:08:03 | 0:08:05 | |
Let's stop this game right now. It sounds too serious! | 0:08:05 | 0:08:09 | |
Auf wiedersehen. In five minutes. | 0:08:09 | 0:08:12 | |
Auf wiedersehen. In five minutes. | 0:08:12 | 0:08:15 | |
SOLDIER SHOUTS | 0:08:38 | 0:08:40 | |
-I want to see the officer of the day. -Nobody can see him now! | 0:08:40 | 0:08:43 | |
-Oh, Captain? -Yes? | 0:08:45 | 0:08:47 | |
-Are you the officer of the day? -I am. | 0:08:47 | 0:08:49 | |
-Oh, what can I do for you, Captain? -I've got to get to Vienna. | 0:08:52 | 0:08:56 | |
-Can you get me a car? -I'm afraid not. There isn't one left. | 0:08:56 | 0:08:59 | |
But I have got one that's going partway, if it will be of any help? | 0:08:59 | 0:09:01 | |
Well, if that's the best you can do. Er, I have someone with me? | 0:09:01 | 0:09:05 | |
That's quite all right. The car will leave in about an hour. | 0:09:05 | 0:09:08 | |
Thanks, Captain. I'll be back. | 0:09:08 | 0:09:09 | |
BUZZ OF CONVERSATION | 0:09:14 | 0:09:16 | |
Sit down. | 0:09:43 | 0:09:44 | |
I've just had an unpleasant half hour with the Colonel. | 0:09:47 | 0:09:51 | |
He doesn't think very highly of us today. | 0:09:51 | 0:09:53 | |
And I don't blame him. | 0:09:53 | 0:09:55 | |
The Russians have secret agents right here in Vienna. | 0:09:57 | 0:10:00 | |
And we're not doing a thing about it. | 0:10:00 | 0:10:02 | |
They get hold of our codes before we learn them ourselves. | 0:10:02 | 0:10:06 | |
A week ago, they blew up our ammunition dump. | 0:10:06 | 0:10:09 | |
Last night, we staged a surprise attack. | 0:10:10 | 0:10:13 | |
And again, the Russians found out about it and were waiting for us! | 0:10:13 | 0:10:16 | |
They bottled up half a division of our best shock troops. | 0:10:17 | 0:10:21 | |
We've got to stop the leaks! | 0:10:23 | 0:10:25 | |
Our duty is counterespionage. | 0:10:27 | 0:10:29 | |
I don't care whether it's your own father, mother, sweetheart, anyone! | 0:10:29 | 0:10:33 | |
If you even think they're working against us, arrest them! | 0:10:33 | 0:10:36 | |
And I want results! | 0:10:36 | 0:10:38 | |
That's all. | 0:10:38 | 0:10:40 | |
You'd better look your boyfriends over, Marta. | 0:10:46 | 0:10:49 | |
Perhaps you're doing too much talking to them. | 0:10:49 | 0:10:51 | |
I don't have to talk to my boyfriends. | 0:10:51 | 0:10:53 | |
All right, get a little more action, then. | 0:10:53 | 0:10:55 | |
WALTZ MUSIC PLAYS, BUZZ OF CONVERSATION | 0:10:57 | 0:11:02 | |
WOMAN: # This is the night so what shall it be? | 0:11:09 | 0:11:14 | |
# Love's an illusion | 0:11:14 | 0:11:17 | |
# Nothing is free | 0:11:17 | 0:11:19 | |
# Pay for the wine and pay for a kiss | 0:11:19 | 0:11:25 | |
# You will discover | 0:11:25 | 0:11:29 | |
# The art of a lover | 0:11:29 | 0:11:34 | |
# So... | 0:11:34 | 0:11:36 | |
# Buy a kiss | 0:11:36 | 0:11:38 | |
# Try a kiss | 0:11:38 | 0:11:40 | |
# Buy a kiss from me | 0:11:40 | 0:11:43 | |
# There is bliss in a kiss | 0:11:43 | 0:11:46 | |
# Given tenderly | 0:11:46 | 0:11:49 | |
# Let's be gay, let us play | 0:11:49 | 0:11:53 | |
# Till the night is gone | 0:11:53 | 0:11:56 | |
# No regrets | 0:11:56 | 0:11:58 | |
# We'll forget | 0:11:58 | 0:12:00 | |
# When we part at dawn | 0:12:00 | 0:12:03 | |
# Let's romance as we dance | 0:12:03 | 0:12:07 | |
# Nothing will be lost | 0:12:07 | 0:12:10 | |
# Find a thrill where you will | 0:12:10 | 0:12:13 | |
# Never mind the cost | 0:12:13 | 0:12:17 | |
# Hold me near, call me dear | 0:12:17 | 0:12:21 | |
# We'll pretend to the end | 0:12:21 | 0:12:27 | |
# Buy a kiss | 0:12:27 | 0:12:29 | |
# Try a kiss from me... # | 0:12:29 | 0:12:36 | |
MUSIC CONTINUES | 0:12:40 | 0:12:43 | |
# Let's be gay, let us play | 0:12:52 | 0:12:56 | |
# Till the night is gone | 0:12:56 | 0:12:59 | |
# No regrets, we'll forget | 0:12:59 | 0:13:02 | |
# When we part at dawn | 0:13:02 | 0:13:05 | |
# Let's romance as we dance... # | 0:13:05 | 0:13:09 | |
-Oh. -Madam. | 0:13:09 | 0:13:11 | |
-# Never mind... # -Pardon, fraulein. | 0:13:16 | 0:13:17 | |
You'll come with us, please? | 0:13:17 | 0:13:19 | |
And you too, sir. | 0:13:19 | 0:13:21 | |
MUSIC FADES | 0:13:26 | 0:13:28 | |
-Find anything? -Nothing so far. | 0:13:48 | 0:13:51 | |
So far? Just how much farther could you have gone? | 0:13:51 | 0:13:54 | |
Sorry, fraulein. | 0:13:54 | 0:13:56 | |
-We were looking for something. -I gathered that. | 0:13:56 | 0:13:58 | |
We're looking for spies. | 0:13:58 | 0:14:00 | |
Well, you won't find any on me. | 0:14:00 | 0:14:03 | |
Oh, did you think I kept them in my lipstick? | 0:14:03 | 0:14:05 | |
The Government will replace any damage done in the search, fraulein. | 0:14:05 | 0:14:08 | |
If the government is done with its damage for the day, | 0:14:08 | 0:14:11 | |
-I think I'll run along. -That's all. | 0:14:11 | 0:14:13 | |
I'll never try and keep a secret from you. Not after this. | 0:14:19 | 0:14:23 | |
DOOR OPENS | 0:15:23 | 0:15:24 | |
-MAN: -Have you got it for me? -WOMAN: -What? | 0:15:24 | 0:15:26 | |
-My coat, I left it here yesterday. -Oh, I don't remember. | 0:15:26 | 0:15:30 | |
-What was it? A coat? -Yes, I left it to be mended. | 0:15:30 | 0:15:33 | |
-It was to be finished at noon. -Well, you'd better come along. | 0:15:33 | 0:15:35 | |
Maybe the girl up here will know something about it. | 0:15:35 | 0:15:38 | |
But I doubt if it's ready. They never are. | 0:15:38 | 0:15:41 | |
-It isn't ready, is it? -Yes, here it is. | 0:15:41 | 0:15:44 | |
Oh! | 0:15:44 | 0:15:46 | |
-How much? -I wouldn't think this was worth more than two kronen. | 0:15:47 | 0:15:50 | |
-Two kronen?! -One krone, then? -Oh, that's better. | 0:15:50 | 0:15:54 | |
DOOR CLOSES | 0:15:59 | 0:16:01 | |
SHOUTING OUTSIDE, WHISTLE BLOWS | 0:16:06 | 0:16:09 | |
WHISTLES CONTINUE | 0:16:12 | 0:16:14 | |
DOOR OPENS | 0:16:23 | 0:16:24 | |
Good afternoon. What can I do for you? | 0:16:24 | 0:16:27 | |
-Who was that man who just left here? -How should I know? -What did he want? | 0:16:27 | 0:16:30 | |
How should I know?! | 0:16:30 | 0:16:31 | |
-He came here to get his coat mended. -Who mended it for him? | 0:16:31 | 0:16:35 | |
The girl upstairs. | 0:16:35 | 0:16:36 | |
-You just mended a man's coat - who was he? -I don't know, sir. | 0:16:39 | 0:16:43 | |
-Never saw him before? -No, sir. -Come on! | 0:16:43 | 0:16:45 | |
-He was your sweetheart, wasn't he? -No, sir. -Who was he, then? | 0:16:45 | 0:16:48 | |
-A spy! -Oh, probably not a very good one. | 0:16:48 | 0:16:51 | |
-Well, he isn't a very good one now, anyway! -Did they kill him? | 0:16:51 | 0:16:54 | |
Better off dead! | 0:16:54 | 0:16:56 | |
That your statement? | 0:16:56 | 0:16:57 | |
-I don't know what you mean, sir. -What? | 0:17:02 | 0:17:05 | |
Hmm. | 0:17:05 | 0:17:06 | |
Oh, yes, sir, that's my statement. | 0:17:11 | 0:17:13 | |
-MAN: -Anybody there? Frau Huber! Frau Huber! -I'm coming, I'm coming! | 0:17:13 | 0:17:18 | |
Hold your mouth! | 0:17:18 | 0:17:20 | |
-How childish! -Oh, come on! Hurry up! -I'm coming! Stop your racket! | 0:17:20 | 0:17:25 | |
-Espionage officers! -This way! | 0:17:25 | 0:17:27 | |
-Gretl? Gretl? -FOOTSTEPS ON STAIRS | 0:17:29 | 0:17:32 | |
Gretl? | 0:17:32 | 0:17:34 | |
Gre...? | 0:17:34 | 0:17:36 | |
Why, I left her here just now. She and the police officer. | 0:17:38 | 0:17:41 | |
-What police officer? -Well, he wasn't in uniform, but he had a badge. | 0:17:41 | 0:17:45 | |
He took her statement and he said that the man | 0:17:45 | 0:17:47 | |
-who brought the overcoat here to be mended was a spy! -HE told you? | 0:17:47 | 0:17:51 | |
Better take a look around. | 0:17:51 | 0:17:52 | |
Gretl? | 0:17:52 | 0:17:54 | |
-I have your transfer papers. -Where to? | 0:18:00 | 0:18:02 | |
You're going as a nurse into the Austrian base hospital, | 0:18:02 | 0:18:05 | |
-about 12km behind the front. -I can't do that. -Can't do what? | 0:18:05 | 0:18:07 | |
I can't do this kind of work behind a nurse's uniform. | 0:18:07 | 0:18:10 | |
-I never have. -Those are your orders! | 0:18:10 | 0:18:11 | |
They're expecting a nurse by the name of Karen Schontag. | 0:18:11 | 0:18:14 | |
She'll never arrive. All arrangements have been made | 0:18:14 | 0:18:16 | |
for you to take her place. Those are your orders. | 0:18:16 | 0:18:18 | |
BELL RINGS OUTSIDE | 0:18:27 | 0:18:30 | |
AIRCRAFT HUM, SIREN WAILS | 0:18:32 | 0:18:35 | |
FANFARE PLAYS | 0:18:37 | 0:18:40 | |
GUNFIRE | 0:19:01 | 0:19:03 | |
ARTILLERY BOMBARDMENT, TRAY CRASHES | 0:19:03 | 0:19:06 | |
Take it out. | 0:19:06 | 0:19:07 | |
AIRCRAFT ROARS, BOMBARDMENT CONTINUES | 0:19:09 | 0:19:12 | |
EXPLOSIONS | 0:19:20 | 0:19:22 | |
-You'd better go. -No, I'll stay. | 0:19:26 | 0:19:28 | |
ANOTHER EXPLOSION | 0:19:28 | 0:19:30 | |
BOMBARDMENT CONTINUES, SHE WHIMPERS | 0:19:32 | 0:19:34 | |
You can't do any good while you're shaking like that! Go, please! | 0:19:34 | 0:19:37 | |
-No, I'm sure I... -EXPLOSION | 0:19:37 | 0:19:39 | |
No, I can't stand it! I can't stand it! | 0:19:39 | 0:19:42 | |
SHE SOBS | 0:19:42 | 0:19:44 | |
DOOR SLAMS | 0:19:45 | 0:19:48 | |
It's her first day under fire. | 0:19:48 | 0:19:50 | |
You haven't been here so long yourself. You better go too. | 0:19:50 | 0:19:53 | |
All right. | 0:19:58 | 0:20:00 | |
Orderly! | 0:20:08 | 0:20:10 | |
-Weren't you frightened? -Paralysed. | 0:20:17 | 0:20:20 | |
Well, why didn't you run like all the rest of them? | 0:20:20 | 0:20:22 | |
-Being the heroine, eh? -Too scared to run. HE LAUGHS | 0:20:22 | 0:20:25 | |
-Hello, Major, what's the trouble? -Why, Doctor, just another burn. | 0:20:26 | 0:20:30 | |
You must be getting a little tired of them. | 0:20:30 | 0:20:33 | |
I'm treating a lot of your boys. | 0:20:33 | 0:20:35 | |
What are you doing with them over at that experimental station of yours? | 0:20:35 | 0:20:38 | |
Still playing with liquid fire? | 0:20:38 | 0:20:40 | |
Yeah, the new projectors blow up half the time. | 0:20:40 | 0:20:44 | |
But if we don't kill ourselves off first, | 0:20:44 | 0:20:46 | |
they ought to be very effective. | 0:20:46 | 0:20:47 | |
They throw the flame twice as far as the old ones. | 0:20:47 | 0:20:51 | |
But they're worse than a mule to handle. | 0:20:51 | 0:20:54 | |
ARTILLERY BOMBARDMENT | 0:20:58 | 0:21:01 | |
BOMBARDMENT CONTINUES | 0:21:09 | 0:21:12 | |
GENERAL CHATTER | 0:21:31 | 0:21:34 | |
BOMBARDMENT CONTINUES | 0:21:34 | 0:21:36 | |
Halt! | 0:21:47 | 0:21:49 | |
Your pass. | 0:21:52 | 0:21:53 | |
ARTILLERY BARRAGE CONTINUES | 0:21:53 | 0:21:56 | |
Thank you. | 0:22:02 | 0:22:04 | |
BOMBARDMENT CONTINUES | 0:22:25 | 0:22:27 | |
SHE TAPS THE STEP | 0:22:27 | 0:22:29 | |
SHE TAPS TWICE | 0:22:33 | 0:22:35 | |
SHE TAPS ONCE | 0:22:36 | 0:22:38 | |
HE WHISPERS | 0:23:15 | 0:23:18 | |
PIGS SNORT | 0:23:23 | 0:23:26 | |
So, you were taking it home to read, were you? | 0:24:25 | 0:24:28 | |
Where'd you get this book? | 0:24:30 | 0:24:32 | |
All right. We know all we need to. | 0:24:32 | 0:24:35 | |
Take him out. | 0:24:35 | 0:24:37 | |
Well, your men did a fine job, Captain, in picking that fellow up. | 0:24:43 | 0:24:46 | |
Thank you, sir. Now at least we know where to look for K-14. | 0:24:46 | 0:24:49 | |
Yes, he's probably responsible for the blowing up | 0:24:49 | 0:24:52 | |
of our ammunition dumps in that sector. | 0:24:52 | 0:24:55 | |
I certainly would like to get up there, Major. | 0:24:55 | 0:24:58 | |
-How soon can you leave? -Within an hour. | 0:24:58 | 0:25:00 | |
Good, I'll arrange for your transfer to the chemical section. | 0:25:00 | 0:25:03 | |
-You report to Major Lieber. -Very well, sir. | 0:25:03 | 0:25:06 | |
Hello! | 0:25:09 | 0:25:12 | |
SHOUTED COMMANDS | 0:25:12 | 0:25:16 | |
Major Lieber? Captain Rudolph Ritter, reports his arrival for duty in the chemical section. | 0:25:33 | 0:25:38 | |
Oh, I'm glad you're here. Hope you had a pleasant journey. | 0:25:38 | 0:25:41 | |
3004, Intelligence Department. | 0:25:41 | 0:25:42 | |
Right. They never tell me how you intelligence men are coming. | 0:25:53 | 0:25:58 | |
The last one arrived amongst a batch of prisoners. | 0:25:58 | 0:26:01 | |
Well, I imagine you won't want to waste much time in a laboratory. | 0:26:02 | 0:26:07 | |
No, sir. I want to find out who's getting through | 0:26:07 | 0:26:10 | |
so much information to the enemy from this sector. | 0:26:10 | 0:26:13 | |
Whoever he is, he's a great deal smarter than anyone | 0:26:13 | 0:26:15 | |
the intelligence department has sent down so far. | 0:26:15 | 0:26:19 | |
I said, "so far". | 0:26:19 | 0:26:21 | |
You may still be saying that four weeks from now, sir. | 0:26:22 | 0:26:25 | |
-But I hope not. -So do I. Thank you. | 0:26:25 | 0:26:29 | |
LOUD SINGING FROM THE BAR | 0:26:36 | 0:26:40 | |
THEY SING: Deutschmeister Regimentsmarsch | 0:26:42 | 0:26:46 | |
SINGING CONTINUES | 0:27:00 | 0:27:04 | |
-It is you, isn't it? -Yes, I'm afraid so. | 0:27:16 | 0:27:19 | |
-I don't know that I should forgive you. -Forgive me for what? | 0:27:21 | 0:27:23 | |
For leaving me out in the rain. | 0:27:23 | 0:27:25 | |
I hope you're not going to keep on evading me. | 0:27:25 | 0:27:28 | |
I think I'm being very accommodating, here I am | 0:27:28 | 0:27:31 | |
-and there you are. -Yes, but there you were that night at the station. | 0:27:31 | 0:27:34 | |
And then in five minutes, there you weren't. What happened? | 0:27:34 | 0:27:39 | |
-If I told you, you'd never believe me. -Probably not. | 0:27:39 | 0:27:43 | |
-It wasn't very flattering, you know. -Was I supposed to be flattering you? | 0:27:43 | 0:27:46 | |
-Let's sit down and talk this over. -But I must be on duty soon. | 0:27:46 | 0:27:51 | |
-I'm on duty now. -I see we're still arguing. -Good evening, Fraulein. | 0:27:51 | 0:27:55 | |
-Good evening, Major. -You two know each other? -Know her? | 0:27:55 | 0:27:59 | |
Why I've been madly in love with her for years. | 0:27:59 | 0:28:02 | |
Introduce us, would you, Major? | 0:28:02 | 0:28:04 | |
-Introduce you?! -Yes, the name has rather slipped his mind. | 0:28:04 | 0:28:08 | |
Oh, of course! | 0:28:08 | 0:28:10 | |
Fraulein Schontag, allow me to present the man who's been | 0:28:10 | 0:28:13 | |
madly in love with you for years, Captain Rudolph Ritter. | 0:28:13 | 0:28:16 | |
My great pleasure, Fraulein Schontag. | 0:28:16 | 0:28:20 | |
And now won't you join me to have some delicious Kummel here. | 0:28:20 | 0:28:23 | |
-Thank you. -Some Kummel, please. | 0:28:23 | 0:28:25 | |
I can't stay very long, I must be at the hospital in a few minutes. | 0:28:28 | 0:28:30 | |
A few minutes are all that Kummel needs. | 0:28:30 | 0:28:33 | |
Then I should be very careful. SINGING STARTS AGAIN | 0:28:33 | 0:28:36 | |
-We won't disturb these singers, will we? -Not if you are very quiet(!) | 0:28:36 | 0:28:40 | |
-We are a great nation of singers. -So I hear! | 0:28:40 | 0:28:44 | |
What are you reading? | 0:28:51 | 0:28:52 | |
Just some books I'm taking to one of my patients at the hospital. | 0:28:52 | 0:28:56 | |
-Must I be jealous already? -Not of this poor boy. -Of whom then? | 0:28:56 | 0:29:02 | |
Well, I'll try and think of someone and let you know later. | 0:29:02 | 0:29:05 | |
Now I really must go. | 0:29:05 | 0:29:07 | |
I'll walk with you to the hospital if Major Lieber... | 0:29:10 | 0:29:13 | |
My dear sir, it's not your departure that leaves me desolate but the lady's. | 0:29:13 | 0:29:17 | |
Goodnight, Major. | 0:29:17 | 0:29:19 | |
-Couldn't I persuade you to stay out a little longer? -Mm-mm. | 0:29:32 | 0:29:35 | |
Well, then, during the long lonely hours, I think I'll shoot myself. | 0:29:35 | 0:29:39 | |
Not too fatally of course and be brought to you in agony. | 0:29:39 | 0:29:42 | |
Then I shall report you. | 0:29:42 | 0:29:44 | |
Perhaps when you see my suffering, you will learn a little kindness. | 0:29:44 | 0:29:47 | |
-Goodnight. -Wait. Suppose we had an air raid and I should get killed. | 0:29:47 | 0:29:51 | |
You'd be sorry you didn't kiss me goodnight. | 0:29:51 | 0:29:54 | |
Yes, but supposing I kissed you, | 0:29:54 | 0:29:56 | |
we had an air raid, and you didn't get killed. | 0:29:56 | 0:29:59 | |
Goodnight. | 0:29:59 | 0:30:01 | |
TRUMPET FANFARE | 0:30:08 | 0:30:11 | |
THEY SING: Oh Du Lieber Augustin | 0:30:31 | 0:30:35 | |
-Erdbeere, specially for you. -I don't believe it. | 0:30:37 | 0:30:40 | |
Where did you ever find strawberries around here? | 0:30:40 | 0:30:43 | |
Some gypsies wandered into town this afternoon and brought them to me. | 0:30:43 | 0:30:46 | |
-I saved them for you. -You are dear, thank you. | 0:30:46 | 0:30:49 | |
-It was sweet of her, wasn't it? -I'm not interested in strawberries. | 0:30:52 | 0:30:55 | |
You know this week would have been perfect if I'd seen you enough. | 0:30:56 | 0:30:59 | |
Enough? Why we have been together every evening. | 0:30:59 | 0:31:02 | |
Evenings, they are so short. | 0:31:02 | 0:31:04 | |
LIVELY GYPSY MUSIC PLAYS | 0:31:10 | 0:31:13 | |
-I like the uniform. -Where did you get them? | 0:31:26 | 0:31:30 | |
I rent it! | 0:31:30 | 0:31:31 | |
WORDS DROWNED BY MUSIC | 0:31:31 | 0:31:33 | |
Bravo! Bravo! | 0:31:35 | 0:31:37 | |
GYPSY MUSIC PLAYS | 0:31:47 | 0:31:49 | |
Wait! Wait! | 0:31:51 | 0:31:54 | |
No more gypsy music, play something from home, | 0:31:54 | 0:31:57 | |
something from Vienna, something with feeling! | 0:31:57 | 0:32:00 | |
Play a walzer. | 0:32:00 | 0:32:04 | |
HE PLAYS A WALTZ | 0:32:09 | 0:32:13 | |
Lovely, isn't it? | 0:32:21 | 0:32:23 | |
SHE SINGS ALONG | 0:32:44 | 0:32:47 | |
SHE HUMS | 0:32:54 | 0:32:57 | |
# Let's romance as we dance | 0:33:00 | 0:33:03 | |
# Love will be lost... # | 0:33:03 | 0:33:07 | |
SHE HUMS | 0:33:07 | 0:33:10 | |
# Always, always | 0:33:14 | 0:33:17 | |
# We'll pretend to the end | 0:33:17 | 0:33:22 | |
# Buy a kiss | 0:33:22 | 0:33:25 | |
# Buy a kiss - from me. # | 0:33:25 | 0:33:31 | |
Gypsy charms, lady, gypsy magic, bring you handsome lover. | 0:33:35 | 0:33:38 | |
Go away, go away, she's got a handsome lover! | 0:33:38 | 0:33:40 | |
Earrings, pretty lady, gypsy earrings. | 0:33:40 | 0:33:43 | |
See... | 0:33:43 | 0:33:45 | |
Oh! This will always protect you, Fraulein. Love charms. | 0:33:49 | 0:33:54 | |
You give it to the lady, it will keep other lovers away. | 0:33:54 | 0:33:57 | |
If you can do that, gypsy, you've made a sale. | 0:33:57 | 0:34:00 | |
Ha, ha. Thank you, General, thank you, Fraulein. | 0:34:00 | 0:34:03 | |
Thank you. | 0:34:03 | 0:34:04 | |
What's the matter? | 0:34:14 | 0:34:16 | |
Oh, just a little breathless. | 0:34:16 | 0:34:18 | |
How about a little fresh air? | 0:34:18 | 0:34:19 | |
No, Rudy, I... | 0:34:19 | 0:34:21 | |
A clean getaway and very nicely done. | 0:34:42 | 0:34:46 | |
Getting away from a lot of people is easy. | 0:34:46 | 0:34:49 | |
Getting away from one is difficult. | 0:34:49 | 0:34:52 | |
Are you still trying to escape? | 0:34:52 | 0:34:53 | |
I'm still trying to remember that some day I might have to | 0:34:53 | 0:34:56 | |
and you're going to make it terribly difficult. | 0:34:56 | 0:34:59 | |
I'm going to make it impossible. | 0:34:59 | 0:35:00 | |
I hope... | 0:35:00 | 0:35:02 | |
That's what I'm afraid of. | 0:35:03 | 0:35:05 | |
Why? | 0:35:05 | 0:35:07 | |
Oh, I don't know. | 0:35:07 | 0:35:09 | |
Some day when things are different I'll tell you. | 0:35:09 | 0:35:11 | |
PLANE FLIES OVERHEAD | 0:35:28 | 0:35:30 | |
Enemy plane. | 0:35:35 | 0:35:37 | |
I bet the poor devil's lonely up there. | 0:35:37 | 0:35:39 | |
I wonder if they'll keep on being enemy? | 0:35:39 | 0:35:42 | |
Oh, I doubt it. | 0:35:42 | 0:35:43 | |
We're all getting a bit tired of the mess we made. | 0:35:43 | 0:35:46 | |
It'll be over soon. | 0:35:46 | 0:35:48 | |
Soon... | 0:35:48 | 0:35:49 | |
Remember that's when it was always going to be over. | 0:35:49 | 0:35:51 | |
Soon... | 0:35:51 | 0:35:53 | |
It's a pretty hopeless word that, soon... | 0:35:53 | 0:35:56 | |
Listen... | 0:36:25 | 0:36:27 | |
There's hardly a sound out there. | 0:36:27 | 0:36:28 | |
Perhaps it's all over now. | 0:36:30 | 0:36:32 | |
It is still. | 0:36:32 | 0:36:34 | |
It's strange... | 0:36:34 | 0:36:37 | |
I love you. | 0:36:37 | 0:36:39 | |
Would that account for it? | 0:36:39 | 0:36:42 | |
Do you really love me? | 0:36:42 | 0:36:43 | |
Yes. | 0:36:45 | 0:36:46 | |
I've found all the things I've wanted... | 0:36:46 | 0:36:49 | |
in you. | 0:36:49 | 0:36:51 | |
So have I... | 0:36:51 | 0:36:52 | |
in you. | 0:36:52 | 0:36:54 | |
We suddenly seem so very important. | 0:37:22 | 0:37:25 | |
Don't we? | 0:37:25 | 0:37:27 | |
Can just two people ever be very important? | 0:37:27 | 0:37:29 | |
You are to me. | 0:37:31 | 0:37:32 | |
The one completely lovely thing I've ever known. | 0:37:32 | 0:37:35 | |
We're important just as long as we stay here. | 0:37:37 | 0:37:40 | |
-The minute we leave... -No. | 0:37:41 | 0:37:43 | |
We belong to each other. | 0:37:44 | 0:37:45 | |
Goodnight. | 0:38:41 | 0:38:43 | |
Auf wiedersehen... | 0:38:43 | 0:38:44 | |
my love. | 0:38:44 | 0:38:46 | |
Hello, Erlich. Well...? | 0:39:11 | 0:39:13 | |
We found it. | 0:39:13 | 0:39:14 | |
Their post office? | 0:39:14 | 0:39:15 | |
-The fellow you told us to follow led us right to the spot. -Great. Where? | 0:39:15 | 0:39:19 | |
In a narrow hall, under a stairway. | 0:39:19 | 0:39:22 | |
Good. | 0:39:22 | 0:39:24 | |
Here's where the messages came through, Captain. | 0:40:29 | 0:40:32 | |
-Has he talked yet? -Not so far, sir. | 0:40:36 | 0:40:38 | |
Sergeant, have this fixed and stay here with one man. Yes, sir. | 0:40:38 | 0:40:42 | |
You post guards around the building and across the street. | 0:40:42 | 0:40:45 | |
I want anybody and everybody who enters this hallway | 0:40:45 | 0:40:47 | |
brought to my office for questioning. | 0:40:47 | 0:40:49 | |
Very well, Captain. | 0:40:49 | 0:40:51 | |
DISTANT EXPLOSIONS | 0:41:12 | 0:41:14 | |
MULTIPLE EXPLOSIONS | 0:41:25 | 0:41:27 | |
LOUD FOOTSTEPS | 0:42:07 | 0:42:10 | |
DOORBELL RINGS | 0:42:12 | 0:42:14 | |
-Good morning, Fraulein. -Morning. | 0:42:17 | 0:42:19 | |
-So early? -Yes, it is early but I must leave for the hospital at seven | 0:42:19 | 0:42:22 | |
-and I simply must have my hair washed. -Of course, of course. | 0:42:22 | 0:42:25 | |
Won't you sit down, if you can find a place to sit. | 0:42:25 | 0:42:27 | |
If this crazy war keeps up for another month, | 0:42:27 | 0:42:29 | |
-I won't have a chair to sit on. -CARLA CHUCKLES | 0:42:29 | 0:42:31 | |
You haven't many windows left, have you? | 0:42:31 | 0:42:33 | |
It's those air raids. | 0:42:33 | 0:42:35 | |
You'd think those men had nothing to do but break windows. | 0:42:35 | 0:42:38 | |
We'll never stop this going on. | 0:42:38 | 0:42:40 | |
I remember, before the war on a Saturday night | 0:42:43 | 0:42:45 | |
when the men got drunk. | 0:42:45 | 0:42:46 | |
Now we go around breaking things every day in the week. | 0:42:46 | 0:42:49 | |
EXPLOSION IN DISTANCE | 0:42:49 | 0:42:51 | |
Will you sit down there, my dear. | 0:42:51 | 0:42:54 | |
Give a man a drink of Schnapps, or a gun, and he goes crazy. | 0:42:54 | 0:42:58 | |
I complained to the police about the soldiers marching across my garden | 0:42:58 | 0:43:03 | |
but all they could say was, "It's the war. It's the war." | 0:43:03 | 0:43:06 | |
The war, indeed! | 0:43:06 | 0:43:08 | |
It's a lot of crazy men, that's what it is. | 0:43:08 | 0:43:10 | |
DOORBELL RINGS | 0:43:10 | 0:43:12 | |
LOUD KNOCKING | 0:43:12 | 0:43:13 | |
What's that? | 0:43:13 | 0:43:16 | |
What do you want? | 0:43:18 | 0:43:20 | |
Wait a minute! | 0:43:20 | 0:43:21 | |
What is this? | 0:43:21 | 0:43:22 | |
Did you just come up those stairs, Fraulein Schontag? | 0:43:24 | 0:43:27 | |
Yes, I did. | 0:43:27 | 0:43:28 | |
How do you think she got here? Through the roof?! | 0:43:28 | 0:43:30 | |
-Do you live here? -Yes, if you call it living with all that noise going on. | 0:43:30 | 0:43:33 | |
Sorry, but you'll both have to come with me at once. | 0:43:33 | 0:43:36 | |
But I'm just having my hair washed. | 0:43:36 | 0:43:38 | |
And you can't dry it! | 0:43:38 | 0:43:39 | |
Come on. | 0:43:41 | 0:43:42 | |
You men! | 0:43:42 | 0:43:44 | |
Hm. | 0:43:44 | 0:43:45 | |
Have your men go through this place | 0:43:48 | 0:43:50 | |
and you go up and search the nurse's room. | 0:43:50 | 0:43:52 | |
Your books, Fraulein. | 0:44:01 | 0:44:03 | |
I'll take these. | 0:44:05 | 0:44:07 | |
Who gives you the messages? | 0:44:11 | 0:44:12 | |
You could make it easier for yourself if you answer my questions. | 0:44:14 | 0:44:17 | |
You know what it means. | 0:44:19 | 0:44:20 | |
Sorry... | 0:44:23 | 0:44:24 | |
Take him out. | 0:44:24 | 0:44:26 | |
RAPID KNOCKING AT DOOR | 0:44:32 | 0:44:34 | |
Come in. | 0:44:34 | 0:44:35 | |
This is an outrage, taking me from my shop at this time in the morning! | 0:44:35 | 0:44:38 | |
I'm a respectable Austrian citizen | 0:44:38 | 0:44:40 | |
and you've no right to interrupt a shampoo... | 0:44:40 | 0:44:42 | |
-Shut your mouth! -I won't shut my mouth. | 0:44:42 | 0:44:44 | |
Silence! | 0:44:44 | 0:44:46 | |
-Why should I be silent...? -Silence! | 0:44:46 | 0:44:47 | |
Er... | 0:44:47 | 0:44:49 | |
-Who is this woman? -One of the two we picked up | 0:44:49 | 0:44:51 | |
with a hairdressing shop over that stairway. | 0:44:51 | 0:44:53 | |
-Has she been searched? -Oh! No, sir. -Take her out and have her searched. -Oh, this is the last straw. | 0:44:53 | 0:44:57 | |
All you men think of nowadays is finding an excuse to touch a woman. | 0:44:57 | 0:45:00 | |
Don't you touch me or I'll bite your arm off. | 0:45:00 | 0:45:02 | |
-Get her out of here. -Now, don't touch me! | 0:45:02 | 0:45:04 | |
Leave me alone! | 0:45:04 | 0:45:05 | |
Take her to the matron. | 0:45:07 | 0:45:09 | |
Bring the other one in. | 0:45:09 | 0:45:10 | |
Come in, please. | 0:45:15 | 0:45:16 | |
This is Frau Stengel's customer. | 0:45:20 | 0:45:22 | |
Why was this young lady arrested? | 0:45:30 | 0:45:31 | |
Your orders, Captain. | 0:45:31 | 0:45:32 | |
You told me to bring in anyone who went up those stairs. | 0:45:32 | 0:45:35 | |
Was there anything suspicious about her going up those stairs? | 0:45:38 | 0:45:41 | |
-Well... -Well, what? Come on! | 0:45:41 | 0:45:43 | |
Did she do anything suspicious? | 0:45:43 | 0:45:45 | |
She stopped on the fourth step. | 0:45:45 | 0:45:48 | |
It seemed to me she noticed the panel had been tampered with. | 0:45:48 | 0:45:50 | |
Did you stop? | 0:45:57 | 0:45:59 | |
Why, no... Yes, as a matter of fact I believe I did stop | 0:45:59 | 0:46:02 | |
for a moment to tie my shoelace | 0:46:02 | 0:46:04 | |
but I certainly don't remember what step it was on. | 0:46:04 | 0:46:07 | |
Then what happened? | 0:46:07 | 0:46:08 | |
-She went on upstairs. -I was going to have my hair washed. | 0:46:08 | 0:46:11 | |
But isn't a quarter of seven a rather unusual hour for a shampoo? | 0:46:11 | 0:46:15 | |
I have to have it done when I can. I was due at the hospital at seven. | 0:46:15 | 0:46:19 | |
I checked on that too, Captain. | 0:46:19 | 0:46:21 | |
What she says is true but it certainly didn't give her much time. | 0:46:21 | 0:46:24 | |
You're suspicious of me, aren't you? | 0:46:30 | 0:46:33 | |
In that case, I think I'd rather be searched. | 0:46:33 | 0:46:35 | |
-KNOCK AT DOOR -Come in. | 0:46:38 | 0:46:40 | |
-Well... -We've searched the nurse's room, Sir. | 0:46:43 | 0:46:46 | |
-Did you find anything? -Nothing, Sir. | 0:46:46 | 0:46:47 | |
-Except her books which I gave to Major Lieber for inspection. -I see. | 0:46:47 | 0:46:51 | |
Report to Major Lieber and ask him to let me | 0:46:51 | 0:46:53 | |
know as soon as he has finished the examination. | 0:46:53 | 0:46:56 | |
See if they find anything on the other prisoner and let me know. | 0:46:56 | 0:47:00 | |
I'm awfully sorry this has to happen. | 0:47:09 | 0:47:12 | |
But we found enemy spies were using those stairs to pass | 0:47:12 | 0:47:14 | |
information through. | 0:47:14 | 0:47:16 | |
Am I not to be searched? | 0:47:16 | 0:47:18 | |
No. | 0:47:18 | 0:47:20 | |
I'm afraid I'll have to trust you. | 0:47:20 | 0:47:22 | |
Will you forgive me for having you arrested? | 0:47:35 | 0:47:37 | |
I'd probably forgive you if you had me shot. | 0:47:37 | 0:47:40 | |
DISTANT FOOTSTEPS | 0:47:50 | 0:47:52 | |
-OUTSIDE: -Halt! | 0:47:54 | 0:47:56 | |
COMMANDS SHOUTED | 0:47:59 | 0:48:02 | |
MORE COMMANDS SHOUTED | 0:48:07 | 0:48:10 | |
Don't watch it. | 0:48:14 | 0:48:16 | |
Who is it? | 0:48:17 | 0:48:18 | |
The man who was caught under the stairs. | 0:48:18 | 0:48:21 | |
GUNS FIRE | 0:48:23 | 0:48:25 | |
COMMANDS CONTINUE | 0:48:27 | 0:48:30 | |
I'm sorry you heard that. | 0:48:42 | 0:48:44 | |
But such things must happen. | 0:48:44 | 0:48:47 | |
Yes, I know. | 0:48:47 | 0:48:49 | |
It seems so terribly unfair. | 0:48:49 | 0:48:50 | |
He was doing the best for his country, just as you're doing and I. | 0:48:50 | 0:48:54 | |
Yes, but he'd probably send hundreds of men to their death. | 0:48:54 | 0:48:57 | |
So does the man behind the machine gun. | 0:48:57 | 0:49:00 | |
He isn't shot when he's caught. | 0:49:00 | 0:49:03 | |
Let's don't talk about it. | 0:49:03 | 0:49:05 | |
Rudy, suddenly it frightens me. | 0:49:05 | 0:49:08 | |
Last night I forgot about the war, darling. | 0:49:08 | 0:49:11 | |
It seemed far away. | 0:49:11 | 0:49:12 | |
Today it's closer than ever. | 0:49:14 | 0:49:16 | |
It's... | 0:49:16 | 0:49:18 | |
It's got us trapped. | 0:49:18 | 0:49:20 | |
We mustn't think about it. | 0:49:20 | 0:49:21 | |
No, I suppose not. | 0:49:23 | 0:49:24 | |
May I go now? | 0:49:27 | 0:49:29 | |
Of course. | 0:49:29 | 0:49:31 | |
And tonight we dine together. | 0:49:41 | 0:49:42 | |
And tomorrow night and every night. | 0:49:42 | 0:49:44 | |
-Every night... -Until this war machine we work for separates us. | 0:49:44 | 0:49:49 | |
Oh, Rudy, I'm afraid. | 0:49:49 | 0:49:50 | |
I'm afraid it will. | 0:49:50 | 0:49:52 | |
Darling, we've got to believe in our luck. | 0:49:52 | 0:49:54 | |
I'll try. | 0:49:56 | 0:49:57 | |
Goodbye. | 0:50:05 | 0:50:07 | |
Bye. | 0:50:07 | 0:50:08 | |
I think you better take a look at this. | 0:50:19 | 0:50:21 | |
What is it? | 0:50:21 | 0:50:23 | |
One of the books Sergeant Probert picked up. | 0:50:23 | 0:50:25 | |
-Anything in it? -No. | 0:50:26 | 0:50:28 | |
Well...? | 0:50:28 | 0:50:30 | |
It's what isn't there that's interesting. | 0:50:30 | 0:50:32 | |
There's a page missing. | 0:50:32 | 0:50:34 | |
A freshly torn-out page. | 0:50:34 | 0:50:35 | |
It looks at though you're on the right track at last. | 0:50:51 | 0:50:55 | |
Why do you feel so certain? | 0:50:55 | 0:50:57 | |
Wasn't it a book that allowed you to locate K-14? | 0:50:57 | 0:51:00 | |
Isn't it a book that you've been looking for, for weeks? | 0:51:01 | 0:51:04 | |
Why... | 0:51:06 | 0:51:08 | |
yes. | 0:51:08 | 0:51:09 | |
But a missing page is not conclusive evidence! | 0:51:09 | 0:51:11 | |
Not conclusive? | 0:51:11 | 0:51:13 | |
What more do you want? | 0:51:13 | 0:51:14 | |
Proof. | 0:51:17 | 0:51:18 | |
I've got to be certain. | 0:51:18 | 0:51:20 | |
Are you out of your mind? | 0:51:21 | 0:51:23 | |
Don't you know who was carrying this when it was found? | 0:51:23 | 0:51:26 | |
-No. -Someone we both know. | 0:51:26 | 0:51:29 | |
Fraulein Schontag. | 0:51:30 | 0:51:31 | |
It couldn't be true, could it? | 0:51:31 | 0:51:33 | |
Well... | 0:51:35 | 0:51:37 | |
She has often had books when we've seen her. | 0:51:37 | 0:51:40 | |
She had one the first time we all met. | 0:51:41 | 0:51:43 | |
Oh, I hope it isn't true. | 0:51:45 | 0:51:47 | |
But... | 0:51:48 | 0:51:50 | |
It could be. | 0:51:51 | 0:51:52 | |
It can't be, Major. | 0:51:54 | 0:51:55 | |
It can't be. | 0:51:55 | 0:51:57 | |
Wouldn't you prefer to be relieved of this particular assignment? | 0:52:00 | 0:52:05 | |
-Are you questioning my loyalty? -No, no, of course not. | 0:52:05 | 0:52:08 | |
I've got to prove she's innocent. | 0:52:09 | 0:52:11 | |
And, if you fail? | 0:52:11 | 0:52:13 | |
Let someone else carry on, my boy. | 0:52:21 | 0:52:23 | |
No... | 0:52:27 | 0:52:28 | |
Probert. | 0:52:33 | 0:52:35 | |
Bring Muller in. | 0:52:35 | 0:52:37 | |
Please don't go, Major. | 0:52:37 | 0:52:39 | |
Muller, I understand you speak Russian? Yes, sir. | 0:52:46 | 0:52:49 | |
Good. | 0:52:49 | 0:52:51 | |
You're going into the hospital today as a wounded Russian prisoner. | 0:52:51 | 0:52:54 | |
But, Sir, I am not wounded. | 0:52:54 | 0:52:57 | |
You will be. | 0:52:57 | 0:52:59 | |
This is what I want you to do. | 0:53:00 | 0:53:02 | |
I'll give you a message to a certain nurse. | 0:53:02 | 0:53:05 | |
We have intercepted a communication of hers signed with a double circle | 0:53:05 | 0:53:10 | |
which we believe is her contact signal. | 0:53:10 | 0:53:12 | |
You are to get in conversation with her. | 0:53:13 | 0:53:15 | |
HE PLEAS IN RUSSIAN | 0:53:15 | 0:53:17 | |
Do you know what he's talking about? | 0:53:17 | 0:53:20 | |
I don't, Sir. | 0:53:20 | 0:53:22 | |
Well, er, wait a minute. | 0:53:22 | 0:53:24 | |
CONTINUES HIS PLEAS | 0:53:27 | 0:53:29 | |
Nurse Schontag. | 0:53:35 | 0:53:36 | |
You speak Russian, don't you? Yes, sir. | 0:53:39 | 0:53:41 | |
They've just brought in a wounded Russian prisoner and nobody can make out what he wants. | 0:53:41 | 0:53:45 | |
I'll see what I can do, Major. | 0:53:45 | 0:53:46 | |
HE CONVERSES IN RUSSIAN | 0:53:49 | 0:53:51 | |
THEY CONVERSE IN RUSSIAN | 0:53:53 | 0:53:57 | |
SHE REASSURES HIM | 0:54:12 | 0:54:14 | |
So she took the message from Muller, you say? | 0:54:55 | 0:54:58 | |
Yes, sir. He had no trouble at all. | 0:54:58 | 0:55:00 | |
That's all. | 0:55:04 | 0:55:05 | |
-Any chocolate today? -Oh, yes, plenty of chocolate today. -Good. | 0:55:28 | 0:55:31 | |
-Good afternoon, Fraulein. -Good afternoon. | 0:55:31 | 0:55:33 | |
I've got to make a getaway tonight. | 0:55:38 | 0:55:40 | |
-Is it safe? -I don't know. They've been watching me all day. | 0:55:40 | 0:55:42 | |
-I don't know whether I can trust the message I got. -Do you think it's a trap? | 0:55:42 | 0:55:45 | |
I don't know that either, I've got to take a chance. | 0:55:45 | 0:55:47 | |
I only have one thing. One way, or the other, I'm never coming back. | 0:55:47 | 0:55:51 | |
Here is the chocolate, lady. | 0:55:51 | 0:55:53 | |
Oh, thank you, that's fine. | 0:55:53 | 0:55:54 | |
-Can I help? -No, I better work alone. | 0:55:56 | 0:55:58 | |
-I'll meet you at the time in the lane... -No, no, you mustn't do it. | 0:55:58 | 0:56:01 | |
-I'll meet you at nine. -No. -Is that all today, lady? | 0:56:01 | 0:56:03 | |
Hey, Mitika. | 0:56:03 | 0:56:05 | |
Hello. | 0:56:11 | 0:56:13 | |
-Hello. -Are you through with your day's work already? | 0:56:15 | 0:56:18 | |
Yes. That is, partly yes. | 0:56:18 | 0:56:20 | |
They've let me off for a few hours. | 0:56:20 | 0:56:22 | |
You mean, you have to go back tonight? | 0:56:22 | 0:56:25 | |
For a little while. | 0:56:25 | 0:56:26 | |
I have to be there by nine. | 0:56:27 | 0:56:29 | |
Oh... | 0:56:30 | 0:56:32 | |
We have till then. | 0:56:32 | 0:56:34 | |
All right. | 0:56:36 | 0:56:37 | |
Till then. | 0:56:37 | 0:56:39 | |
CLOCK TICKS | 0:56:41 | 0:56:43 | |
You seem miles away, Rudy. | 0:56:48 | 0:56:50 | |
What's the matter? | 0:56:50 | 0:56:52 | |
Must you really go? | 0:56:56 | 0:56:57 | |
Yes, I must. | 0:57:00 | 0:57:01 | |
Haven't they any other nurses at the hospital, do you always... | 0:57:01 | 0:57:05 | |
Oh, Rudy. | 0:57:05 | 0:57:06 | |
Don't spoil the little time we have left. | 0:57:06 | 0:57:09 | |
Sorry. | 0:57:12 | 0:57:13 | |
I like the way you say that. | 0:57:13 | 0:57:16 | |
It's different. | 0:57:16 | 0:57:17 | |
And very much a part of you. | 0:57:17 | 0:57:19 | |
I hope I never have to say it again. | 0:57:22 | 0:57:24 | |
Can't we... | 0:57:29 | 0:57:30 | |
Can't we meet tonight after you get through? | 0:57:30 | 0:57:33 | |
I'm going to be so late. | 0:57:35 | 0:57:37 | |
What of it? | 0:57:37 | 0:57:39 | |
If I knew I was going to see you again tonight, | 0:57:39 | 0:57:41 | |
I'd almost be glad to let you go. | 0:57:41 | 0:57:43 | |
Will you? | 0:57:47 | 0:57:48 | |
All right. | 0:57:51 | 0:57:52 | |
I knew you'd say yes. I knew it. | 0:57:52 | 0:57:55 | |
Let's have another drink. | 0:57:55 | 0:57:57 | |
Oh, Rudy, when I'm with you, I... | 0:58:03 | 0:58:06 | |
Oh, why don't you take me away from here? | 0:58:06 | 0:58:08 | |
-Far away, where no-one ever can find us. -Well, I... I might kidnap you. | 0:58:08 | 0:58:12 | |
-Could you? I've always wanted to be kidnapped. -Good! | 0:58:12 | 0:58:15 | |
-We can start tonight. I wonder if I could steal a car. -Why not? | 0:58:15 | 0:58:19 | |
I once knew a man who stole a car with a newly married couple in it. | 0:58:19 | 0:58:22 | |
-Did they mind? -They never knew. He took them to Oberammergau. | 0:58:22 | 0:58:25 | |
-To the Passion Play? -Uh-huh. Of course, that was the last place | 0:58:25 | 0:58:28 | |
they wanted to go, but under the circumstances, | 0:58:28 | 0:58:30 | |
one place was just as good as another, don't you think? | 0:58:30 | 0:58:32 | |
-You are perfectly mad! -Well, why shouldn't I be? | 0:58:32 | 0:58:35 | |
It's a chance to be free. To have quiet around me, peace in my mind. | 0:58:35 | 0:58:40 | |
Something that lasts, that won't end tomorrow, | 0:58:40 | 0:58:43 | |
or tonight, or a moment from now, something that will never end. | 0:58:43 | 0:58:47 | |
Oh, Rudy, if we could only do it all. | 0:58:47 | 0:58:50 | |
Could? We will, won't we? | 0:58:50 | 0:58:52 | |
-Of course. -Let's drink to that. | 0:58:54 | 0:58:57 | |
All right. | 0:58:57 | 0:58:59 | |
To you, whom I love. | 0:58:59 | 0:59:01 | |
To you, whom I love. | 0:59:01 | 0:59:04 | |
CLOCK CHIMES | 0:59:09 | 0:59:14 | |
CHIMING STOPS | 0:59:17 | 0:59:19 | |
-I... -It's going to be lonely until you come back. | 0:59:26 | 0:59:29 | |
Oh, my darling, don't be lonely. | 0:59:29 | 0:59:32 | |
We'll be together again soon. | 0:59:32 | 0:59:34 | |
Think of me as always wanting to come to you, | 0:59:34 | 0:59:37 | |
no matter how long I'm kept away. | 0:59:37 | 0:59:39 | |
And please, never stop loving me. | 0:59:39 | 0:59:42 | |
Will you be gone long? | 0:59:48 | 0:59:50 | |
I hope not. | 0:59:53 | 0:59:54 | |
I'll walk over with you. | 0:59:59 | 1:00:00 | |
Why, that'll be fine. | 1:00:03 | 1:00:05 | |
I'll just go up and get my case. Will you wait here? | 1:00:05 | 1:00:08 | |
Karen? | 1:00:10 | 1:00:11 | |
Don't be long. | 1:00:14 | 1:00:16 | |
She left, Captain, by the rear stairway. | 1:01:14 | 1:01:17 | |
She just left, Captain. | 1:01:20 | 1:01:21 | |
All right! | 1:01:21 | 1:01:23 | |
-Come with me. -Yes, sir. | 1:01:37 | 1:01:39 | |
RUMBLE OF ARTILLERY | 1:01:48 | 1:01:50 | |
-Yes? -I beg your pardon, I think I've lost my way. | 1:02:00 | 1:02:03 | |
Could you tell me whether this is the road to Thoune? | 1:02:03 | 1:02:05 | |
I think so, fraulein. | 1:02:05 | 1:02:07 | |
It ought to be about, er... | 1:02:07 | 1:02:11 | |
2km to Thoune. | 1:02:11 | 1:02:13 | |
RUMBLE OF ARTILLERY | 1:02:15 | 1:02:18 | |
Are you K-5? | 1:02:20 | 1:02:22 | |
-Yes. -I was told to contact you here. | 1:02:22 | 1:02:24 | |
I have a message that was nearly intercepted this morning. | 1:02:24 | 1:02:27 | |
-I'll put it through for you. -Any further orders? | 1:02:27 | 1:02:30 | |
-Wait outside, Lehan. -Yes, sir. | 1:02:30 | 1:02:33 | |
K-14? | 1:02:55 | 1:02:57 | |
Yes. | 1:02:59 | 1:03:01 | |
Russian operative. | 1:03:01 | 1:03:03 | |
Yes. | 1:03:05 | 1:03:06 | |
Name? | 1:03:06 | 1:03:08 | |
You're right, what's the use? | 1:03:11 | 1:03:13 | |
Ever since you were brought to me this morning, I've known. | 1:03:15 | 1:03:19 | |
I fought against believing it. | 1:03:20 | 1:03:24 | |
I hoped that something would happen to me... | 1:03:24 | 1:03:26 | |
before this moment could come true. | 1:03:26 | 1:03:28 | |
But nothing has. | 1:03:31 | 1:03:32 | |
I have only died inside. | 1:03:34 | 1:03:36 | |
No, Rudy. | 1:03:36 | 1:03:39 | |
What we've known and said together must go on living, in you. | 1:03:39 | 1:03:42 | |
It mustn't die. | 1:03:42 | 1:03:45 | |
And I won't believe that fate was kind. | 1:03:45 | 1:03:48 | |
But you see, it isn't. It's laughing at us. | 1:03:48 | 1:03:52 | |
Yes. | 1:03:52 | 1:03:54 | |
If I only could... | 1:03:54 | 1:03:56 | |
You can't, they'll take it right out of your hands. | 1:03:56 | 1:03:58 | |
When we get back, there will be a five-minute court martial | 1:03:58 | 1:04:01 | |
and nothing you will do can stop it. | 1:04:01 | 1:04:03 | |
It's strange. | 1:04:05 | 1:04:08 | |
Your country asks everything of you. | 1:04:08 | 1:04:10 | |
Your life and your love and your happiness. | 1:04:10 | 1:04:14 | |
You ask for nothing. | 1:04:14 | 1:04:17 | |
Not even for sympathy. | 1:04:17 | 1:04:18 | |
Your country asks as much of you. | 1:04:20 | 1:04:22 | |
RUMBLE OF ARTILLERY | 1:04:22 | 1:04:24 | |
Oh, Rudy, don't. | 1:04:24 | 1:04:26 | |
It'll only make it worse for both of us. | 1:04:27 | 1:04:31 | |
Come on, take me back quickly. Let's get it over with. | 1:04:31 | 1:04:34 | |
GUNFIRE | 1:04:36 | 1:04:38 | |
Rudy! | 1:04:38 | 1:04:40 | |
RUMBLE OF ARTILLERY | 1:04:40 | 1:04:42 | |
-Come on. -No! -You must come. | 1:04:47 | 1:04:48 | |
It's our only chance of getting out of here alive. | 1:04:48 | 1:04:51 | |
I don't care if they find me. I won't leave him here alone, I won't! | 1:04:51 | 1:04:54 | |
-You go on, take her out. -Oh, Rudy! -Come on! -Take her out. -Rudy! | 1:04:54 | 1:04:59 | |
-Rudy! -Come on! -Rudy! | 1:04:59 | 1:05:02 | |
RUMBLE OF ARTILLERY | 1:05:06 | 1:05:11 | |
CHEERING | 1:05:42 | 1:05:45 | |
But I tell you, you can't get in the baggage room, sir, it's not allowed. | 1:06:08 | 1:06:11 | |
I have a trunk that's been there for a week and I intend to get it. | 1:06:11 | 1:06:14 | |
Listen, I can't leave now, sir, the Paris Express will be in any minute. | 1:06:14 | 1:06:17 | |
-Oh, so you can't leave here, huh? -No, sir. -Well, well, that's fine. | 1:06:17 | 1:06:20 | |
You stay right here and I'll do it myself. | 1:06:20 | 1:06:23 | |
Here, wait a minute! | 1:06:23 | 1:06:25 | |
Yes, ma'am. | 1:06:26 | 1:06:27 | |
-CHILD GRUMBLING -I don't want to go! | 1:06:27 | 1:06:30 | |
-Rudy! It is you, isn't it? -I'm afraid so. | 1:06:38 | 1:06:41 | |
-Oh, I never dared hope for this. -Neither did I. | 1:06:41 | 1:06:44 | |
I never even dared hope that you were alive. | 1:06:44 | 1:06:46 | |
Oh, my darling, how are you? What are you doing here? | 1:06:46 | 1:06:48 | |
You look thinner, have you been through... | 1:06:48 | 1:06:50 | |
Wait a minute. Now I want to say something. | 1:06:50 | 1:06:52 | |
The Excelsior? Oh, sweetheart. | 1:06:52 | 1:06:55 | |
I never thought this would happen to you. | 1:06:55 | 1:06:58 | |
I never thought THIS would happen to me. | 1:06:58 | 1:07:00 | |
Oh, she's a surprise. | 1:07:00 | 1:07:02 | |
-She certainly is. -I wish she were yours. | 1:07:02 | 1:07:05 | |
-Oh. -And mine too - she is neither. She is my niece. | 1:07:05 | 1:07:10 | |
-Glad of that! Ours would be much nicer. -I think so, too. | 1:07:10 | 1:07:13 | |
Oh, my darling, I'm so happy, let's get out of here. | 1:07:13 | 1:07:16 | |
-You wait here while I... -Wait? I certainly will not. | 1:07:16 | 1:07:18 | |
You left me once for five minutes | 1:07:18 | 1:07:20 | |
and it took me two years to find you. | 1:07:20 | 1:07:22 | |
-I'm not going to take any more chances. -Ada, come on! | 1:07:22 | 1:07:26 | |
THUNDER RUMBLES | 1:07:26 | 1:07:28 | |
Rudy, darling, if we're going to have a lot of children, | 1:07:28 | 1:07:30 | |
-shouldn't we get married first? -No. -What? -I can't marry you. -Why? | 1:07:30 | 1:07:35 | |
-I don't know your name. -Oh, that's easily remedied. | 1:07:35 | 1:07:37 | |
What sort of idea was that, taking my cap? | 1:07:37 | 1:07:39 | |
-Why, the people couldn't even find me... -All right, all right! | 1:07:39 | 1:07:42 | |
-You keep the cap, but I get the lady! -So, you're not Excelsior? | 1:07:42 | 1:07:46 | |
Of course not. Now, would you please tell me your name? | 1:07:46 | 1:07:49 | |
Yes. It's... | 1:07:49 | 1:07:50 | |
THUNDER RUMBLES, LIGHTNING CRASHES | 1:07:50 | 1:07:54 |