
Browse content similar to Dom Hemingway. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
KEYS JANGLE | 0:00:35 | 0:00:37 | |
DOOR LOCK BUZZES | 0:00:45 | 0:00:47 | |
HEAVY DOOR CLOSES | 0:00:48 | 0:00:49 | |
Is my cock exquisite? | 0:00:52 | 0:00:55 | |
Cos I think it's fucking exquisite. | 0:01:02 | 0:01:04 | |
I think it's a fucking work of art. | 0:01:07 | 0:01:10 | |
Like a Renoir. | 0:01:11 | 0:01:14 | |
Or a Picasso. | 0:01:14 | 0:01:15 | |
A painting of my cock should hang at the Louvre. | 0:01:18 | 0:01:22 | |
They should study my cock in art classes. | 0:01:23 | 0:01:26 | |
-Spend whole courses... -DISTANT BELL RINGS | 0:01:26 | 0:01:28 | |
..studying the splendid contours of its exquisiteness, | 0:01:28 | 0:01:31 | |
don't you think? | 0:01:31 | 0:01:32 | |
They should also study my cock in science class, cos it defies nature. | 0:01:34 | 0:01:39 | |
My cock is hard. | 0:01:40 | 0:01:42 | |
It's metal, it's steel, it's titanium. | 0:01:42 | 0:01:45 | |
It does not break. It does not weaken. | 0:01:45 | 0:01:47 | |
My cock can stand all day like a good soldier | 0:01:47 | 0:01:51 | |
trained to impress his superiors. | 0:01:51 | 0:01:55 | |
If my cock could win a medal, it would. | 0:01:55 | 0:01:57 | |
If they could name a school after it, it should. | 0:01:57 | 0:02:01 | |
If it could save small Somali children from starving it would | 0:02:01 | 0:02:05 | |
and should, and it'll have a Nobel fucking Peace Prize for it, | 0:02:05 | 0:02:08 | |
the first such prize ever given to a cock. | 0:02:08 | 0:02:11 | |
My Nobel-Prize-winning cock's like a cheetah, | 0:02:11 | 0:02:16 | |
all sleek and dangerous and deadly. | 0:02:16 | 0:02:19 | |
Sonnets should be written about how dangerous my cheetah cock is. | 0:02:19 | 0:02:23 | |
Poems, plays... Wars should be won over it! | 0:02:23 | 0:02:27 | |
Kingdoms fallen because of it. | 0:02:27 | 0:02:29 | |
My cock is lightning, it is fire, | 0:02:29 | 0:02:31 | |
it is a volcano brewing with the sacred semen lava. | 0:02:31 | 0:02:37 | |
-BUZZING -Oh, sugar and spice | 0:02:38 | 0:02:40 | |
and all things... | 0:02:40 | 0:02:41 | |
..nice. | 0:02:43 | 0:02:44 | |
Sorry for the lack of warning, deary. | 0:02:45 | 0:02:47 | |
Things happen. | 0:02:50 | 0:02:51 | |
Sometimes you expect it, sometimes you don't. | 0:02:51 | 0:02:54 | |
I said, "Give me 200 quid, | 0:03:05 | 0:03:06 | |
"I'll light my fag off two fucking fireworks..." | 0:03:06 | 0:03:09 | |
Hemmingway. | 0:03:10 | 0:03:11 | |
I'm eating my pudding. | 0:03:11 | 0:03:13 | |
I couldn't give a toss about your pudding. | 0:03:13 | 0:03:15 | |
Put your fork down and get over here. | 0:03:15 | 0:03:16 | |
I'll put my fork down when I'm ready to put my fork down. | 0:03:16 | 0:03:18 | |
I'll finish my pudding when I'm ready to finish my pudding. | 0:03:18 | 0:03:21 | |
You want to disrespect me, disrespect me. | 0:03:21 | 0:03:23 | |
But then I won't be able to tell you what I know. | 0:03:23 | 0:03:26 | |
I know you'd like to know what I know. | 0:03:26 | 0:03:28 | |
-What would I like to know? -Wouldn't you like to know?! | 0:03:28 | 0:03:30 | |
-I would like to know. -Yeah, you would, wouldn't you? | 0:03:30 | 0:03:32 | |
-Tell me. -Fork! | 0:03:32 | 0:03:33 | |
Fuck. | 0:03:33 | 0:03:34 | |
For God's sake, Dom, just put the fork down. | 0:03:37 | 0:03:39 | |
Tell me what it is you have to tell me. | 0:03:49 | 0:03:51 | |
Call came in. | 0:03:51 | 0:03:52 | |
-Call? -THE call. | 0:03:54 | 0:03:55 | |
THE call? | 0:03:58 | 0:03:59 | |
Came in. | 0:03:59 | 0:04:00 | |
MUSIC: The Stand by The Alarm | 0:04:09 | 0:04:12 | |
# Oh, I have been out searching | 0:04:16 | 0:04:18 | |
# With the black book in my hand | 0:04:18 | 0:04:20 | |
# And I've looked between the lines | 0:04:20 | 0:04:21 | |
# That lie on the pages that I tread | 0:04:21 | 0:04:23 | |
# I met the walking dude, religious | 0:04:23 | 0:04:25 | |
# In his worn-down cowboy boots | 0:04:25 | 0:04:27 | |
# He walked liked no man on Earth | 0:04:27 | 0:04:29 | |
-# I swear he had no name -Had no name | 0:04:29 | 0:04:31 | |
# I swear he had no name | 0:04:31 | 0:04:33 | |
# Come on down | 0:04:33 | 0:04:36 | |
# And meet your maker | 0:04:36 | 0:04:38 | |
# Come on down | 0:04:38 | 0:04:39 | |
# And make the stand... # | 0:04:39 | 0:04:41 | |
-PRISONERS CHANT: -Dom! Dom! Dom! | 0:04:41 | 0:04:43 | |
# As I crawled beneath the searchlights | 0:04:55 | 0:04:57 | |
# Looking through the floorboards of this life | 0:04:57 | 0:04:59 | |
# I met Doctor Strangelove's cousin | 0:04:59 | 0:05:00 | |
# He bore the marks of time | 0:05:00 | 0:05:02 | |
# Hey! Trash can where you going, boy? | 0:05:02 | 0:05:04 | |
# Your eyes are feet apart | 0:05:04 | 0:05:06 | |
# Is that the end you're carrying | 0:05:06 | 0:05:08 | |
-# Shall I play the funeral march? -Play the march | 0:05:08 | 0:05:10 | |
# Play the funeral march | 0:05:10 | 0:05:12 | |
# Come on down | 0:05:12 | 0:05:14 | |
# And meet your maker | 0:05:14 | 0:05:16 | |
# Come on down | 0:05:16 | 0:05:18 | |
# And make the stand | 0:05:18 | 0:05:20 | |
# Come on down Come on down | 0:05:20 | 0:05:23 | |
# Come on down... # | 0:05:23 | 0:05:25 | |
Oi. Where's Sandy Butterfield? | 0:05:25 | 0:05:27 | |
-Dom? Dom, is that you? -Where's Sandy Butterfield? | 0:05:27 | 0:05:29 | |
Dom, you really don't want to... | 0:05:29 | 0:05:31 | |
Where's Sandy Butterfield? | 0:05:31 | 0:05:33 | |
Where?! | 0:05:34 | 0:05:35 | |
He's still working at the depot. | 0:05:35 | 0:05:37 | |
TYRES SQUEAL | 0:05:47 | 0:05:49 | |
HORN HONKS | 0:05:49 | 0:05:50 | |
Hey, where are you going? | 0:05:52 | 0:05:54 | |
Where's Sandy Butterfield? | 0:05:54 | 0:05:56 | |
Where's Sandy Butterfield?! | 0:05:56 | 0:05:58 | |
# When I looked out the window | 0:06:03 | 0:06:04 | |
# On the hardship that had struck | 0:06:04 | 0:06:06 | |
# Saw the seven phials open | 0:06:06 | 0:06:08 | |
# The plague claimed man and son | 0:06:08 | 0:06:10 | |
# Four men at a grave in silence | 0:06:10 | 0:06:12 | |
# With hats bowed down in grace | 0:06:12 | 0:06:14 | |
# A simple wooden cross | 0:06:14 | 0:06:15 | |
# It had no epitaph in place... # | 0:06:15 | 0:06:18 | |
Sandy. | 0:06:18 | 0:06:19 | |
So that's what you do, is it, mate? | 0:06:30 | 0:06:33 | |
You fuck other men's wives when they're in prison. | 0:06:33 | 0:06:35 | |
That's what you do with yourself. | 0:06:35 | 0:06:37 | |
That's how you conduct yourself, how you conduct your business. | 0:06:37 | 0:06:41 | |
She was my wife. My wife! | 0:06:41 | 0:06:43 | |
-You were divorced and in jail. -She was still my wife. | 0:06:43 | 0:06:46 | |
Always my wife, you fuck! You fucker! | 0:06:46 | 0:06:50 | |
My betrothed! | 0:06:50 | 0:06:51 | |
You're nothing but a pestilence - an uphill gardener with a weak chin. | 0:06:51 | 0:06:54 | |
You're a filthithising thief. | 0:06:54 | 0:06:56 | |
That's what you are. You think you can steal from me. From me?! | 0:06:56 | 0:07:00 | |
From Dom Hemmingway?! | 0:07:00 | 0:07:01 | |
SANDY GROANS | 0:07:13 | 0:07:14 | |
Aaah! | 0:07:16 | 0:07:17 | |
SANDY WHEEZES | 0:07:21 | 0:07:23 | |
All right, Billy? | 0:07:36 | 0:07:38 | |
Pat Andrew. | 0:07:38 | 0:07:40 | |
Hello, Dom. | 0:07:40 | 0:07:41 | |
Long time. | 0:07:41 | 0:07:43 | |
Welcome home. | 0:07:44 | 0:07:45 | |
Thanks. Are you good? | 0:07:45 | 0:07:48 | |
-Betty good? -Yeah. | 0:07:48 | 0:07:50 | |
Charlie just graduated university. | 0:07:50 | 0:07:53 | |
Little Charlie with his hair all growing in his eyes | 0:07:53 | 0:07:55 | |
graduated university? | 0:07:55 | 0:07:58 | |
Can you believe it? | 0:07:58 | 0:07:59 | |
SANDY MOANS | 0:08:04 | 0:08:05 | |
I should fucking kill you... | 0:08:07 | 0:08:08 | |
..but I fancy a pint instead. | 0:08:10 | 0:08:11 | |
I got anger issues, Dickie. I just do. | 0:08:18 | 0:08:20 | |
I always have, ain't I? | 0:08:21 | 0:08:23 | |
I tried to work on them, you know, in prison. Took some classes. | 0:08:23 | 0:08:27 | |
I tried the yoga, inspirational CDs. I did it all. | 0:08:27 | 0:08:31 | |
But the anger's still inside of me. | 0:08:31 | 0:08:32 | |
I just lost it, I guess. | 0:08:34 | 0:08:36 | |
He married Keefie. What's a man to do? | 0:08:36 | 0:08:39 | |
Well, I broke his fucking nose. | 0:08:40 | 0:08:42 | |
-He wasn't so good-looking to start with. -No. | 0:08:42 | 0:08:44 | |
He wet himself. | 0:08:45 | 0:08:47 | |
-He had it coming. -Still. | 0:08:47 | 0:08:48 | |
Sorry, Dom, you can't smoke in here. | 0:08:51 | 0:08:53 | |
You what? | 0:08:55 | 0:08:56 | |
They banned it. Smoking. | 0:08:56 | 0:08:59 | |
-In a pub? You can't smoke in a fucking pub? -Bad for your health. | 0:08:59 | 0:09:03 | |
Being a cunt is bad for your health. I'm just smoking a fag. | 0:09:03 | 0:09:06 | |
Got one for me, while you're at it? | 0:09:06 | 0:09:08 | |
GIRLS LAUGH | 0:09:20 | 0:09:22 | |
He's expecting you in France, you know? Mr Fontaine. | 0:09:25 | 0:09:29 | |
He knows what you did for him. | 0:09:30 | 0:09:31 | |
Mr Fontaine's a man who doesn't forget his friends. | 0:09:33 | 0:09:36 | |
I'm his friend now. | 0:09:36 | 0:09:37 | |
You did right by him. | 0:09:37 | 0:09:38 | |
You'll get your due. | 0:09:38 | 0:09:40 | |
12 years, Dickie. | 0:09:40 | 0:09:42 | |
12 years of my life. | 0:09:42 | 0:09:43 | |
I missed a lot doing right by him. | 0:09:45 | 0:09:47 | |
I missed Keefie's funeral. | 0:09:48 | 0:09:50 | |
I missed out on my Evelyn's childhood. | 0:09:50 | 0:09:53 | |
My daughter. | 0:09:53 | 0:09:54 | |
You go to see her yet? | 0:10:01 | 0:10:02 | |
Working up the marbles. | 0:10:04 | 0:10:06 | |
You've had 12 years to work up the marbles. | 0:10:06 | 0:10:08 | |
I just made Bolognese out of her stepfather's face. | 0:10:08 | 0:10:11 | |
As if she didn't hate me enough. | 0:10:12 | 0:10:14 | |
Mr Fontaine. He bought them for you. | 0:10:18 | 0:10:20 | |
A little welcome home present if you're interested. | 0:10:20 | 0:10:23 | |
For me? | 0:10:36 | 0:10:37 | |
For you. | 0:10:37 | 0:10:39 | |
MUSIC: Rocks by Primal Scream | 0:10:41 | 0:10:43 | |
I love this fucking song! | 0:10:43 | 0:10:45 | |
-VOLUME INCREASES -You hear that, Dickie? -Yes, Dom. | 0:10:48 | 0:10:50 | |
You hear that? You know what that is? | 0:10:50 | 0:10:52 | |
What, Dom? What is it? | 0:10:52 | 0:10:54 | |
That's the sound of fucking freedom! | 0:10:54 | 0:10:56 | |
Innit it, Jeanie? Eh? Oh, my love. Innit?! | 0:10:56 | 0:10:59 | |
HE LAUGHS | 0:10:59 | 0:11:00 | |
Hello, ladies. | 0:11:04 | 0:11:05 | |
-SHE SCREAMS -Come on, then. | 0:11:07 | 0:11:09 | |
No-one call me for three days. | 0:11:13 | 0:11:14 | |
HORN SOUNDS | 0:11:23 | 0:11:24 | |
-GROANING: -Ugh, my head's throbbing. | 0:11:28 | 0:11:31 | |
Fucking throbbing, Dickie. | 0:11:32 | 0:11:34 | |
Like a disco in my head. | 0:11:35 | 0:11:36 | |
Like a fucking Manila disco full of transvestites and suckling pigs. | 0:11:36 | 0:11:41 | |
I've got a seizure in my brain. | 0:11:41 | 0:11:43 | |
Diabolical seizure, fucking and sucking coke. I did too much. | 0:11:43 | 0:11:46 | |
I tried to make up for too much lost time. | 0:11:46 | 0:11:48 | |
I fucked myself to death. | 0:11:53 | 0:11:55 | |
My head's going to explode. Bits of my brain is going to go everywhere. | 0:11:55 | 0:12:00 | |
I'm going to ruin your blazer. | 0:12:00 | 0:12:02 | |
-You're going to be all right, Dom. -Fuck you. You don't know my head. | 0:12:02 | 0:12:05 | |
You don't know the revolution going on... | 0:12:05 | 0:12:07 | |
-HE BELCHES -..inside of it. | 0:12:07 | 0:12:09 | |
Fucking insurgents inside my brain. | 0:12:09 | 0:12:12 | |
Cossacks sodimising my cranium. | 0:12:12 | 0:12:14 | |
-Yeah. -What's that, a hand grenade? | 0:12:16 | 0:12:18 | |
-Hair of the dog. -That dog shat on my soul. | 0:12:18 | 0:12:21 | |
Drink it. It's mother's little helper. | 0:12:21 | 0:12:23 | |
My mother left me when I was three. Fuck my mother. | 0:12:23 | 0:12:26 | |
Fuck, I'm dying. | 0:12:37 | 0:12:38 | |
I'm dying. I'm going to die on this train. | 0:12:39 | 0:12:41 | |
If dying on this train will shut you up, I'm all for it. | 0:12:41 | 0:12:44 | |
Some fucking friend you are. | 0:12:44 | 0:12:46 | |
You can't make up for 12 years in three days, Dom. | 0:12:48 | 0:12:51 | |
Well, I tried. | 0:12:51 | 0:12:52 | |
I fucking tried. | 0:13:00 | 0:13:01 | |
HE LAUGHS | 0:13:07 | 0:13:08 | |
-Mr Hemingway? Mr Dom Hemingway? -What? | 0:13:16 | 0:13:20 | |
I have been sent by Monsieur Fontaine. | 0:13:20 | 0:13:22 | |
Follow me. | 0:13:22 | 0:13:24 | |
Oi, Lardo. If you were sent by Mr Fontaine | 0:13:24 | 0:13:26 | |
then carry my fucking bag. | 0:13:26 | 0:13:28 | |
Someone's feeling his old self again. | 0:13:30 | 0:13:32 | |
Damn right. Now let's go get my fucking money. | 0:13:33 | 0:13:36 | |
It's interesting, the French countryside. | 0:13:45 | 0:13:48 | |
Looks like a barmaid's snatch after a cup final weekend. | 0:13:48 | 0:13:51 | |
Fontaine better have a well-stocked bar. | 0:13:56 | 0:13:58 | |
He was raised in a Russian orphanage and kills people for a living. | 0:13:58 | 0:14:02 | |
Of course he has a well-stocked bar. | 0:14:02 | 0:14:04 | |
South of France. | 0:14:33 | 0:14:35 | |
Afternoon. | 0:14:50 | 0:14:52 | |
Dom, don't think what you're thinking. | 0:15:01 | 0:15:03 | |
That's Mr Fontaine's property. | 0:15:03 | 0:15:06 | |
-Property's a relative term for a thief. -Still. | 0:15:06 | 0:15:09 | |
I'm just looking. | 0:15:09 | 0:15:10 | |
Admiring. | 0:15:12 | 0:15:13 | |
-She's rather fit. -Not her. Not Paolina. -Fit to fiddle, I'd say. | 0:15:13 | 0:15:17 | |
Dom! | 0:15:17 | 0:15:18 | |
-You don't admire that. -Bugger off, Dickie. | 0:15:18 | 0:15:20 | |
I'll admire what I want to admire. | 0:15:20 | 0:15:22 | |
Think what I want to think. | 0:15:22 | 0:15:24 | |
Fiddle who I want to fiddle. | 0:15:26 | 0:15:28 | |
GUNSHOT | 0:15:29 | 0:15:30 | |
Domingo Hemingway... | 0:15:33 | 0:15:35 | |
..as I live and breathe. | 0:15:37 | 0:15:40 | |
The ghost of Christmas past. | 0:15:40 | 0:15:43 | |
Mr Fontaine. | 0:15:43 | 0:15:45 | |
Call me Ivan. Are you crazy? | 0:15:45 | 0:15:46 | |
Ivan Anatolivich Fontanov like the old days. | 0:15:46 | 0:15:49 | |
I never called you Ivan Anatoli in the old days. | 0:15:49 | 0:15:53 | |
Well...you will now. | 0:15:53 | 0:15:55 | |
Do you hunt, Dom? | 0:15:58 | 0:16:00 | |
No, I don't, | 0:16:00 | 0:16:01 | |
Ivan. | 0:16:01 | 0:16:03 | |
I only use a gun to hold up a place. | 0:16:03 | 0:16:05 | |
Or threaten someone. | 0:16:05 | 0:16:06 | |
Or rob them. | 0:16:06 | 0:16:08 | |
Or pistol whip them. | 0:16:08 | 0:16:09 | |
Or scare them. But no, no hunting. | 0:16:09 | 0:16:11 | |
Shame. | 0:16:11 | 0:16:12 | |
It is the sport of princes. | 0:16:12 | 0:16:15 | |
Well, I'm a peasant at heart. A petty serf... | 0:16:15 | 0:16:19 | |
with nice hair... | 0:16:19 | 0:16:21 | |
and a strong liver. | 0:16:21 | 0:16:22 | |
I'll eat what you hunt unless it's rabbit. | 0:16:25 | 0:16:28 | |
Rabbits are pets, I don't eat pets. | 0:16:28 | 0:16:31 | |
These French rabbits are something else though, Dom. | 0:16:31 | 0:16:33 | |
I think you'll like them. They taste like a revolution. | 0:16:33 | 0:16:36 | |
If that's an advert, I'm not sure it's working. | 0:16:36 | 0:16:38 | |
It is good to see you, Dom. | 0:16:40 | 0:16:42 | |
GUN FIRES | 0:16:48 | 0:16:49 | |
Dom Hemmingway is free! Dom Hemmingway is free! | 0:16:49 | 0:16:53 | |
GUN FIRES | 0:16:53 | 0:16:54 | |
Dom Hemmingway is free! | 0:16:54 | 0:16:56 | |
GUN FIRES | 0:16:56 | 0:16:58 | |
You look good, Dom. | 0:17:14 | 0:17:16 | |
You really do. | 0:17:16 | 0:17:17 | |
Well, what can I say? I'm a handsome fucker. | 0:17:17 | 0:17:20 | |
FONTAINE LAUGHS | 0:17:20 | 0:17:21 | |
I see you've retained your vanity and your sense of humour. | 0:17:23 | 0:17:26 | |
-Lefty was right. -Lefty? | 0:17:28 | 0:17:32 | |
Yeah, Lefty, he was right. | 0:17:32 | 0:17:33 | |
-Who's Lefty? -Who's Lefty? | 0:17:35 | 0:17:38 | |
Are you serious, Dom? | 0:17:38 | 0:17:40 | |
Are you blind? | 0:17:40 | 0:17:41 | |
-Have you lost your eyesight in prison? -What? | 0:17:41 | 0:17:44 | |
Lefty. Lefty, your best friend Dickie with one fucking hand. | 0:17:44 | 0:17:48 | |
You lost your hand? | 0:17:51 | 0:17:52 | |
Yeah. Course. | 0:17:53 | 0:17:55 | |
You lost your bloody hand? | 0:17:55 | 0:17:57 | |
Yes, Dom. | 0:17:57 | 0:17:58 | |
Why do you think I'm wearing this black glove all the time? | 0:17:58 | 0:18:02 | |
-I thought it was a fashion statement or something. -Fashion statement? | 0:18:02 | 0:18:06 | |
I've been in fucking prison 12 years. I missed a few things. | 0:18:06 | 0:18:09 | |
I thought it was the latest fashion. I don't know. | 0:18:09 | 0:18:11 | |
You always were a bit of a clothes fan. You lost your fucking hand! | 0:18:11 | 0:18:15 | |
It was shot off three years ago during a job. | 0:18:15 | 0:18:18 | |
How do I not know that? | 0:18:18 | 0:18:20 | |
They found his fingers strewn all over High Street. | 0:18:20 | 0:18:23 | |
Fucking hell, Dickie, I'm sorry. | 0:18:23 | 0:18:26 | |
-I'm good, Dom. It's all good. -Yeah. | 0:18:26 | 0:18:29 | |
Dickie's a good soldier. | 0:18:29 | 0:18:30 | |
Tough guy. | 0:18:32 | 0:18:33 | |
Stand up man. | 0:18:34 | 0:18:35 | |
So are you, Dom. | 0:18:36 | 0:18:38 | |
Most stand up man I've ever met. | 0:18:38 | 0:18:40 | |
Dom is that. | 0:18:42 | 0:18:44 | |
Well, a rat is a rat and a teet is a tit. | 0:18:44 | 0:18:47 | |
Still... | 0:18:47 | 0:18:49 | |
others would have broken. | 0:18:49 | 0:18:51 | |
Those are others. | 0:18:51 | 0:18:52 | |
-Not Dom Hemingway. -Nope, not you. | 0:18:52 | 0:18:55 | |
Not me. | 0:18:55 | 0:18:56 | |
You've done all right for yourself the last 12 years, Mr Fontaine. | 0:19:06 | 0:19:10 | |
-Ivan, please. -Ivan. | 0:19:10 | 0:19:13 | |
Done all right for yourself. | 0:19:13 | 0:19:15 | |
The art. The house. | 0:19:15 | 0:19:19 | |
Or estate, this is an estate. | 0:19:19 | 0:19:20 | |
Right, that's what they call it. It's very nice. | 0:19:20 | 0:19:22 | |
It's a villa, Dom. | 0:19:22 | 0:19:24 | |
A holiday home. | 0:19:24 | 0:19:26 | |
But thank you. Thank you. I appreciate. | 0:19:26 | 0:19:28 | |
Is Ivan short for Ivana? | 0:19:30 | 0:19:32 | |
No. | 0:19:36 | 0:19:37 | |
Just Ivan. | 0:19:37 | 0:19:40 | |
Could be Ivana though, right? | 0:19:40 | 0:19:42 | |
It's Ivan. | 0:19:44 | 0:19:45 | |
Ivan Anatolivich Fontanov. | 0:19:45 | 0:19:47 | |
Ivan. Sorry, Ivan. | 0:19:49 | 0:19:50 | |
Sorry. | 0:19:52 | 0:19:53 | |
It's OK. | 0:19:53 | 0:19:54 | |
I could have ratted. | 0:19:55 | 0:19:57 | |
I could have mentioned your name. | 0:19:58 | 0:19:59 | |
I could have said Ivana Anatoli Fontaine was | 0:19:59 | 0:20:02 | |
-the leader of the group. -Maybe you are tired from your trip, Dom? | 0:20:02 | 0:20:06 | |
I kept my mouth shut and I sat in that tiny cell | 0:20:06 | 0:20:08 | |
when my wife died of cancer in the arms of some other fucking bloke. | 0:20:08 | 0:20:12 | |
I've heard about that and I'm sorry. | 0:20:12 | 0:20:14 | |
-Sorry? -I'm sorry. -Try 12 years. -I'm sorry. -12 fucking years. | 0:20:14 | 0:20:18 | |
-Missed my Evelyn growing up. -I said I'm sorry. | 0:20:18 | 0:20:22 | |
-Words are easy. -And it's all I have. | 0:20:22 | 0:20:25 | |
-You have something else. -You are due and you will be paid. | 0:20:25 | 0:20:27 | |
-Plus interest. -Plus interest? -Plus a present. | 0:20:27 | 0:20:30 | |
-Present? -For being so quiet. | 0:20:31 | 0:20:33 | |
Those girls were a present. Did you like them, Dom? Huh? | 0:20:33 | 0:20:36 | |
The coke and the girls. That was a present. | 0:20:36 | 0:20:38 | |
Do you really think two birds | 0:20:38 | 0:20:40 | |
and a bit of blow are a worthy present after what I done for you? | 0:20:40 | 0:20:45 | |
-I was... -Cos that don't even come close to a present. Not even close. | 0:20:45 | 0:20:48 | |
It's not even a stocking stuffer. Barely an opening act. | 0:20:48 | 0:20:51 | |
Barely a fucking appetiser. Barely an amuse-bouche! | 0:20:51 | 0:20:54 | |
It's nothing. | 0:20:54 | 0:20:56 | |
Nothing but a bit of confetti in my ticker tape parade, | 0:20:56 | 0:20:58 | |
and I want the full fucking parade. | 0:20:58 | 0:21:00 | |
My ticker tape parade! | 0:21:00 | 0:21:02 | |
Ivan, I want the fucking band. I want the fucking float. | 0:21:02 | 0:21:05 | |
I want the parade, the float, the band and what you owe me. | 0:21:05 | 0:21:08 | |
What you owe me is what I fucking want! | 0:21:08 | 0:21:10 | |
I said you'll get what is yours. | 0:21:13 | 0:21:16 | |
Plus a fucking present! | 0:21:16 | 0:21:19 | |
A real present! | 0:21:19 | 0:21:20 | |
-OK, Dom. -Let's say your girlfriend. | 0:21:20 | 0:21:23 | |
The one with the bicycle. What's her name? | 0:21:25 | 0:21:27 | |
Paolina? | 0:21:27 | 0:21:29 | |
I want her. | 0:21:29 | 0:21:30 | |
Don't be crazy, Dom. | 0:21:30 | 0:21:32 | |
THEY LAUGH | 0:21:32 | 0:21:34 | |
I'm not crazy. | 0:21:35 | 0:21:37 | |
I want her naked like she likes it, with a little red bow on her | 0:21:37 | 0:21:40 | |
clitoris for me to untie with my teeth. | 0:21:40 | 0:21:42 | |
Enough. The joke is over. | 0:21:42 | 0:21:43 | |
-I think... -The joke's on you, Ivana. -Go rest. We'll see you at dinner. | 0:21:43 | 0:21:48 | |
Ivana Anal-toli. | 0:21:48 | 0:21:50 | |
-I have been nothing but polite. -Polite. Polite. | 0:21:54 | 0:21:58 | |
Aren't you the bee's knees? | 0:21:58 | 0:21:59 | |
Cunt! | 0:21:59 | 0:22:01 | |
Fucker. | 0:22:01 | 0:22:03 | |
Cunt! | 0:22:03 | 0:22:05 | |
You don't want me to get rough. Trust me, don't go there. | 0:22:13 | 0:22:16 | |
Don't presuppose to know what I want. | 0:22:16 | 0:22:18 | |
You don't threaten me, not with that girl's name. | 0:22:18 | 0:22:20 | |
Not with that little girl's name, Ivana. Ivana. Ivana? | 0:22:20 | 0:22:24 | |
Ivana? You don't scare me. You don't fucking scare me, Anal-toli. | 0:22:24 | 0:22:27 | |
I've seen death, I've seen evil. | 0:22:27 | 0:22:30 | |
I've seen fire, I've seen rain, | 0:22:30 | 0:22:32 | |
I've seen lonely days I thought would never end. | 0:22:32 | 0:22:34 | |
You don't fucking scare me. I eye fuck you. I throat fuck you. | 0:22:34 | 0:22:38 | |
-Dom! -Shut it, Dickie! | 0:22:38 | 0:22:40 | |
You one-armed fuck. You freak. | 0:22:40 | 0:22:42 | |
You one-armed fucking fuck freak. | 0:22:42 | 0:22:44 | |
No-one's talking to you. No-one's ever talking to you! | 0:22:44 | 0:22:47 | |
I'm fucking bored. | 0:23:08 | 0:23:09 | |
-HE BELCHES -Oh, I'm fucking drunk. | 0:23:11 | 0:23:13 | |
I'm fucking drunk and I'm fucking bored. | 0:23:16 | 0:23:18 | |
I said what I wanted to say. I said it and you heard it. | 0:23:20 | 0:23:23 | |
Now I'm going to take a nap. | 0:23:23 | 0:23:25 | |
I'll see you wanks at dinner. | 0:23:27 | 0:23:29 | |
And no fucking rabbit! | 0:23:33 | 0:23:35 | |
GUNSHOT | 0:23:45 | 0:23:46 | |
Dom? You up? | 0:23:56 | 0:23:57 | |
It's 6:30, it's dinner. | 0:24:00 | 0:24:02 | |
Dom, mate. | 0:24:04 | 0:24:06 | |
Dom? | 0:24:11 | 0:24:13 | |
Jesus Christ. | 0:24:22 | 0:24:24 | |
Dom! Dom! | 0:24:28 | 0:24:31 | |
-Are you fucking mad? -I screwed it up. I screwed everything up. -Really? | 0:24:31 | 0:24:34 | |
I thought you were just mentally retarded. Like those boys with | 0:24:34 | 0:24:37 | |
-the bowl cuts on the telethons. -Dickie, I'm a mess. Look at me. | 0:24:37 | 0:24:41 | |
-I'm trying not to. -I'm pathetic. I don't belong here. I'm a monster. | 0:24:41 | 0:24:43 | |
-I'm a dinosaur. -Don't forget nudist, Dom. Don't forget that. | 0:24:43 | 0:24:46 | |
I've ought to be thrown away. | 0:24:46 | 0:24:47 | |
Sent to a leper colony, forgot about. | 0:24:47 | 0:24:49 | |
Left to rot with the maggots. | 0:24:49 | 0:24:50 | |
Jesus, Dom, you've got to get control of yourself. | 0:24:50 | 0:24:53 | |
You've got to beg forgiveness of him. | 0:24:53 | 0:24:54 | |
-You've got to put on trousers. -I've been locked up for so long, Dickie. | 0:24:54 | 0:24:58 | |
I see the light, the air. | 0:24:58 | 0:24:59 | |
It's been so long since I've breathed clean air. | 0:24:59 | 0:25:02 | |
I look at the clouds, I go nuts. | 0:25:02 | 0:25:04 | |
You mix in the whiskey, you mix in the pussy, I go crazy. | 0:25:04 | 0:25:07 | |
I'm a crazy man. I'm a fucking nutter. | 0:25:07 | 0:25:09 | |
-I'm afraid to see my own daughter. -Really? | 0:25:09 | 0:25:11 | |
But not too afraid to insult one of the most dangerous men in all of Europe! | 0:25:11 | 0:25:15 | |
Unfortunately, you have the brass for that one. | 0:25:15 | 0:25:17 | |
He's going to kill me. I insulted him in his own villa. | 0:25:23 | 0:25:26 | |
-He'll forgive you. -He's going to fucking kill me, Dickie. | 0:25:26 | 0:25:28 | |
He's going to make blinis out of me balls and no-one will care. | 0:25:28 | 0:25:31 | |
-He's not going to kill you. -He could. No-one would give a toss. | 0:25:31 | 0:25:34 | |
-Not even me own daughter. -I would give a toss. She would too. | 0:25:34 | 0:25:38 | |
12 years, Dickie. 12 years for that money and I just blew it. | 0:25:38 | 0:25:42 | |
You apologise to him. | 0:25:42 | 0:25:43 | |
You be a gentleman and he'll be a gentleman. | 0:25:43 | 0:25:46 | |
It'll be all right. | 0:25:46 | 0:25:47 | |
Yeah? You promise? | 0:25:49 | 0:25:51 | |
Yes. | 0:25:51 | 0:25:53 | |
But you don't insult his girl! | 0:25:53 | 0:25:54 | |
You don't call him fucking Ivana, you don't call him Anal-toli | 0:25:54 | 0:25:57 | |
and you don't let him see your pecker! | 0:25:57 | 0:25:59 | |
Thank your goddamn lucky stars this is a kind and gracious man. | 0:25:59 | 0:26:02 | |
Do you understand? Do you understand?! I ain't burying your body out here. | 0:26:02 | 0:26:07 | |
I'm too fucking old and I didn't bring the right shoes. | 0:26:07 | 0:26:10 | |
Sorry I'm late. | 0:26:33 | 0:26:35 | |
And sorry I was such a cunt. | 0:26:37 | 0:26:39 | |
You must be Ivan's ladyfriend. | 0:26:44 | 0:26:47 | |
You're a vision. | 0:26:52 | 0:26:54 | |
You're an angel. | 0:26:54 | 0:26:55 | |
Again, Ivan, Mr Fontaine, sorry. | 0:26:58 | 0:27:02 | |
Me and drink don't always dance well together. I acted up. | 0:27:02 | 0:27:07 | |
I acted outrageous. | 0:27:07 | 0:27:09 | |
Sorry. Sorry I'm late for your dinner. And sorry about before. | 0:27:09 | 0:27:13 | |
When you were a cunt? | 0:27:13 | 0:27:15 | |
Yeah, when I was a cunt. | 0:27:17 | 0:27:19 | |
Dom, it is water under the bridge. | 0:27:27 | 0:27:31 | |
You are forgiven. | 0:27:31 | 0:27:33 | |
-Thank you. -Now, sit, sit. | 0:27:34 | 0:27:36 | |
Dinner is ready. The rabbit is getting cold. | 0:27:39 | 0:27:42 | |
Fantastic. I'm starving. | 0:27:50 | 0:27:54 | |
Everyone, sit. Get comfortable, please. | 0:28:04 | 0:28:08 | |
Because you so enjoyed the rabbit, Dom, I have a real treat for you. | 0:28:08 | 0:28:14 | |
GENTLE MOODY MUSIC PLAYS | 0:28:17 | 0:28:21 | |
# We were two friends in love | 0:28:25 | 0:28:27 | |
# Fanette and I | 0:28:27 | 0:28:31 | |
# The empty beach was warm and sleepy in July. # | 0:28:33 | 0:28:41 | |
Isn't she great, Dom? | 0:28:43 | 0:28:45 | |
She likes singing almost as much as she likes my money. | 0:28:47 | 0:28:52 | |
# Fanette each day. # | 0:28:52 | 0:28:59 | |
You know I could have killed you for saying what you did today? | 0:28:59 | 0:29:02 | |
Yeah, I do. | 0:29:04 | 0:29:05 | |
# She was | 0:29:05 | 0:29:09 | |
# She was as beautiful as rainbows in the sky, she was so beautiful. # | 0:29:09 | 0:29:15 | |
When I was 14, my very best friend in the world was riding his bicycle | 0:29:17 | 0:29:23 | |
and he accidentally crashed into this girl I liked. | 0:29:23 | 0:29:27 | |
Her name was Tatiana. | 0:29:29 | 0:29:32 | |
We went to school together. | 0:29:32 | 0:29:34 | |
Though we had never talked. I liked her from afar. | 0:29:34 | 0:29:39 | |
Anyway, my best friend accidentally crashed into her. | 0:29:39 | 0:29:44 | |
She got banged up and got a black eye, crying, the whole thing. | 0:29:44 | 0:29:50 | |
I went over to my friend, took the bike from him, | 0:29:51 | 0:29:54 | |
lifted it up and smashed it over his head. | 0:29:54 | 0:29:57 | |
Then I stomped on his hand with my boot. | 0:29:59 | 0:30:03 | |
Until every bone was broken. | 0:30:03 | 0:30:05 | |
Then I took a rock and smashed it so hard into his face | 0:30:05 | 0:30:11 | |
he not only lost most of his teeth but most of his jaw as well. | 0:30:11 | 0:30:16 | |
This, Dom, is what I did to my best friend | 0:30:18 | 0:30:22 | |
for having a fucking accident | 0:30:22 | 0:30:24 | |
involving a girl I hadn't even ever talked to. | 0:30:24 | 0:30:27 | |
Now... Do you know why I didn't do anything to you today, Dom? | 0:30:32 | 0:30:39 | |
Do you? | 0:30:40 | 0:30:42 | |
Cos...you're a kind and gracious man. | 0:30:43 | 0:30:48 | |
Yes, but really because, after everything has been said and done... | 0:30:49 | 0:30:57 | |
..I do owe you, Dom. | 0:31:01 | 0:31:03 | |
HE MOUTHS | 0:31:06 | 0:31:08 | |
I'm going to make right by you, Dom. | 0:31:20 | 0:31:23 | |
-Would you turn around? -What? | 0:31:30 | 0:31:32 | |
In order to make it right, I need you to turn around. | 0:31:34 | 0:31:36 | |
Oh, yeah. Course. | 0:31:36 | 0:31:38 | |
I know telling a safe cracker to turn around is kind of a funny thing when you're opening a safe. | 0:31:40 | 0:31:46 | |
SAFE DIAL CLICKS | 0:31:46 | 0:31:47 | |
OK, Dom. | 0:31:53 | 0:31:55 | |
Your share, plus interest. | 0:31:58 | 0:32:01 | |
This is a quarter million pounds. | 0:32:01 | 0:32:04 | |
And this... | 0:32:07 | 0:32:08 | |
..is another half a million. | 0:32:10 | 0:32:12 | |
This, Dom, is your present. | 0:32:15 | 0:32:18 | |
Take it. Go on, take it. It is yours. | 0:32:20 | 0:32:23 | |
DOM LAUGHS | 0:32:27 | 0:32:29 | |
Whoa! Watch out. | 0:32:44 | 0:32:46 | |
Ladies! | 0:32:52 | 0:32:54 | |
Here, jump on. | 0:32:57 | 0:32:58 | |
Go, Dom! | 0:33:16 | 0:33:17 | |
SHE SCREAMS | 0:33:42 | 0:33:43 | |
You've got a noble chin. | 0:34:05 | 0:34:07 | |
Some people have weak chins or sad chins. | 0:34:09 | 0:34:13 | |
You have a very sturdy, very noble chin. | 0:34:13 | 0:34:16 | |
I know it's kind of a weird thing to say. To just say out loud. | 0:34:19 | 0:34:24 | |
But my mother told me there's no better time for a compliment | 0:34:24 | 0:34:27 | |
than the moment you think it. | 0:34:27 | 0:34:29 | |
Well, you have very noble breasts. | 0:34:29 | 0:34:32 | |
My name's Melody. Though I've been told I can't keep a melody. | 0:34:33 | 0:34:39 | |
I want to call you Lisa, if that's OK with you? | 0:34:39 | 0:34:42 | |
Lisa's the name of my cousin. She's an actress. | 0:34:42 | 0:34:46 | |
-I think she did a commercial. -I acted once. | 0:34:46 | 0:34:48 | |
Played the Apothecary in Romeo and Juliet at reform school. | 0:34:48 | 0:34:51 | |
I was pretty good but didn't have the stomach for it. | 0:34:51 | 0:34:54 | |
What was needed to get the good parts. | 0:34:56 | 0:34:58 | |
I didn't want to have to service the drama teacher, | 0:34:58 | 0:35:01 | |
if you know what I mean? | 0:35:01 | 0:35:03 | |
The poor bastard who played Romeo was being tossed since he was 13. | 0:35:03 | 0:35:07 | |
Perv gave him all the good parts even thought he couldn't act a damn. | 0:35:07 | 0:35:11 | |
-His skin was volcanic with pus and pimples. -I hate bad skin. | 0:35:11 | 0:35:17 | |
-What's your name, anyway? -I told you. Melody. | 0:35:20 | 0:35:24 | |
Melody, Melody with a face so heavenly. What about you? | 0:35:24 | 0:35:31 | |
-What's your name? -Me? | 0:35:31 | 0:35:34 | |
I'm Dom. | 0:35:34 | 0:35:36 | |
Didn't you know? | 0:35:36 | 0:35:37 | |
-I'm Dom Hemingway. -Dom Hemingway. | 0:35:39 | 0:35:42 | |
I am DOM HEMINGWAY! | 0:35:42 | 0:35:46 | |
MUSIC: Ace Of Spades by Motorhead | 0:35:46 | 0:35:49 | |
Oh! Listen up, you owls and bears! | 0:35:59 | 0:36:04 | |
You cocksuckers, plebeians and moral cowards! | 0:36:04 | 0:36:08 | |
You foxes, lions and paedophiles! | 0:36:08 | 0:36:11 | |
Listen up, you freaks, Philistines and otters! | 0:36:11 | 0:36:17 | |
You queens, queers and little-girl tears! | 0:36:17 | 0:36:20 | |
I am Dom Hemingway! | 0:36:20 | 0:36:24 | |
Dom Hemingway! | 0:36:24 | 0:36:26 | |
And, for my years of silence, | 0:36:26 | 0:36:29 | |
I have been granted lordship over everyone on the planet...! | 0:36:29 | 0:36:33 | |
HORN BLARES | 0:36:33 | 0:36:35 | |
OPERA MUSIC PLAYS | 0:36:35 | 0:36:39 | |
-DOM, DREAMLIKE: -12 fucking years I kept my mouth shut. | 0:36:58 | 0:37:02 | |
-FONTAINE: -Most stand up man... | 0:37:02 | 0:37:03 | |
And I sat in that tiny cell while my wife died of cancer. | 0:37:03 | 0:37:06 | |
-FONTAINE: -I do owe you... | 0:37:06 | 0:37:08 | |
Missed my Evelyn growing up. | 0:37:08 | 0:37:09 | |
12 fucking years. Missed my Evelyn growing up. | 0:37:09 | 0:37:12 | |
Dom! Can you wake up? | 0:37:12 | 0:37:16 | |
Dom! | 0:37:16 | 0:37:18 | |
Dom! | 0:37:18 | 0:37:20 | |
Were you sleeping? | 0:37:21 | 0:37:24 | |
Dom, where is the money? | 0:37:24 | 0:37:27 | |
-ECHOING: -I want the money! | 0:37:28 | 0:37:30 | |
THUNDER ROARS | 0:37:30 | 0:37:31 | |
The money. | 0:37:33 | 0:37:34 | |
Ah! | 0:37:36 | 0:37:37 | |
Oh, fuck. | 0:37:39 | 0:37:41 | |
Oh, the money. | 0:37:43 | 0:37:45 | |
Dom! Dom! | 0:37:47 | 0:37:48 | |
My hand. I've lost my hand. | 0:37:50 | 0:37:53 | |
It would be good to find my hand. | 0:37:53 | 0:37:55 | |
FONTAINE GROANS | 0:37:55 | 0:37:58 | |
I think I have a splinter. | 0:38:00 | 0:38:02 | |
-What? -I think I have a splinter in me. | 0:38:04 | 0:38:08 | |
Do you know where Paolina is? Lina! | 0:38:09 | 0:38:12 | |
I think she might have some tweezers. Lina? | 0:38:14 | 0:38:18 | |
Lina! | 0:38:22 | 0:38:24 | |
I think I'm just going to wait here and rest for a minute. | 0:38:24 | 0:38:27 | |
All right, Ivan. Just rest. Just rest. | 0:38:27 | 0:38:30 | |
THUNDER ROARS | 0:38:34 | 0:38:36 | |
HE GRUNTS | 0:38:39 | 0:38:42 | |
Oh! | 0:38:42 | 0:38:43 | |
Ah! | 0:38:48 | 0:38:49 | |
Girl? | 0:38:53 | 0:38:54 | |
Girl? | 0:38:58 | 0:38:59 | |
Girl? | 0:39:02 | 0:39:03 | |
Come on. | 0:39:06 | 0:39:08 | |
Fucking... | 0:39:21 | 0:39:23 | |
Fuck! | 0:39:24 | 0:39:25 | |
THUNDER RUMBLES | 0:39:33 | 0:39:35 | |
Come on, girl. | 0:39:38 | 0:39:40 | |
Come on. Girl! | 0:39:40 | 0:39:41 | |
HE DOES MOUTH-TO-MOUTH | 0:39:46 | 0:39:48 | |
Come on, girl. | 0:39:49 | 0:39:51 | |
Come on! | 0:39:51 | 0:39:53 | |
-Come on, girl! -HE DOES MOUTH-TO-MOUTH | 0:39:53 | 0:39:56 | |
Come on! | 0:39:58 | 0:39:59 | |
Come on. Come on, my love. | 0:40:04 | 0:40:06 | |
Come on. Come on, love. | 0:40:06 | 0:40:08 | |
Come on, love. Come on, my love! | 0:40:08 | 0:40:10 | |
Come on! Come on! | 0:40:10 | 0:40:14 | |
-Come on! Live! -THUNDER CRACKS | 0:40:17 | 0:40:20 | |
SHE COUGHS | 0:40:20 | 0:40:22 | |
I found it, Dom. I found my hand. | 0:40:24 | 0:40:27 | |
It was hiding underneath one of the cars. | 0:40:27 | 0:40:29 | |
-SHE COUGHS -Good on ya, Dickie! Good on ya! | 0:40:30 | 0:40:33 | |
-You saved my life! -What? | 0:40:33 | 0:40:36 | |
-You saved me. -Nah. | 0:40:37 | 0:40:40 | |
When you save a person's life, it means good luck will | 0:40:41 | 0:40:45 | |
smile down on you when you least expect it and most need it. | 0:40:45 | 0:40:50 | |
I think everybody else is dead! | 0:40:56 | 0:40:58 | |
-But I did see Paolina before, heading towards the road. -Road? | 0:40:58 | 0:41:03 | |
-Towards the villa. -My money! -What about it? | 0:41:03 | 0:41:07 | |
You wait here...for the police and the medics. | 0:41:07 | 0:41:10 | |
We weren't here! | 0:41:11 | 0:41:12 | |
You didn't fucking see us. | 0:41:12 | 0:41:14 | |
My money's at the villa. | 0:41:16 | 0:41:18 | |
Fuck me with a javelin! | 0:41:26 | 0:41:28 | |
-Do you have a key? -Why would I have a key? | 0:41:28 | 0:41:30 | |
You could have asked Mr Fontaine. | 0:41:30 | 0:41:32 | |
Mr Fontaine, with a fender in his stomach? | 0:41:32 | 0:41:35 | |
Poor man's key. | 0:41:38 | 0:41:40 | |
-Where you going? -To get some dry clothes. Where are you going? | 0:41:46 | 0:41:49 | |
To get my money! | 0:41:49 | 0:41:50 | |
LOUD SCREAM | 0:41:56 | 0:42:00 | |
Fucking harlot. | 0:42:00 | 0:42:02 | |
THUNDER CRACKS | 0:42:02 | 0:42:05 | |
Fucking Romanian fucking harlot. | 0:42:06 | 0:42:09 | |
What are you talking about, Dom? You're frothing at the mouth. | 0:42:09 | 0:42:12 | |
She come back and she took my bag with the money - my fucking money. | 0:42:12 | 0:42:17 | |
Paolina! Paolina! | 0:42:18 | 0:42:22 | |
That was my money you took! | 0:42:22 | 0:42:25 | |
My money! | 0:42:25 | 0:42:26 | |
Paolina...! | 0:42:26 | 0:42:30 | |
THUNDER CRACKS | 0:42:30 | 0:42:32 | |
That was my money! | 0:42:32 | 0:42:34 | |
Mine. That was mine. | 0:42:34 | 0:42:35 | |
HE SOBS | 0:42:36 | 0:42:39 | |
I bled for that money. | 0:42:44 | 0:42:45 | |
I bled for that money. | 0:42:47 | 0:42:50 | |
HE SOBS | 0:42:52 | 0:42:54 | |
Dom! | 0:42:56 | 0:42:58 | |
Paolina! | 0:42:58 | 0:43:00 | |
Shit. Paolina! | 0:43:04 | 0:43:07 | |
Paolina! | 0:43:11 | 0:43:13 | |
TYRES SCREECH | 0:43:36 | 0:43:38 | |
What? | 0:44:15 | 0:44:16 | |
THUNDER CRACKS | 0:44:18 | 0:44:21 | |
Why? | 0:44:23 | 0:44:25 | |
Do I strike you as the type of woman who wants to be poor? | 0:44:26 | 0:44:29 | |
HE LAUGHS | 0:44:35 | 0:44:38 | |
BANGING | 0:44:55 | 0:44:58 | |
HE COUGHS | 0:45:05 | 0:45:06 | |
You've got to be fucking kidding me? | 0:45:14 | 0:45:16 | |
MEN SPEAK THEIR OWN LANGUAGE | 0:45:25 | 0:45:32 | |
MEN SPEAK THEIR OWN LANGUAGE | 0:45:39 | 0:45:42 | |
What you talking about? | 0:45:43 | 0:45:45 | |
He says that wound on your head is going to leave scar. | 0:45:45 | 0:45:48 | |
He a doctor, is he? | 0:45:48 | 0:45:50 | |
-He washes dishes at the restaurant I work at. -Oh, fucking hell. | 0:45:50 | 0:45:53 | |
MAN SPEAKS IN OWN LANGUAGE | 0:45:53 | 0:45:55 | |
But he was a doctor in Senegal. | 0:45:55 | 0:45:58 | |
MAN SPEAKS IN OWN LANGUAGE | 0:45:58 | 0:46:01 | |
He also says you are one ugly bastard! | 0:46:05 | 0:46:07 | |
Well, he's right there, isn't he? | 0:46:07 | 0:46:09 | |
I'm not sure what happened to you, but it wasn't pretty. | 0:46:10 | 0:46:13 | |
Misfortune. | 0:46:13 | 0:46:14 | |
Misfortune befell me. | 0:46:17 | 0:46:18 | |
You need to rest now, Dom. | 0:46:25 | 0:46:28 | |
MEN SPEAK IN OWN LANGUAGE | 0:46:32 | 0:46:34 | |
URINE SPLASHES | 0:46:55 | 0:46:57 | |
Evelyn said that, as soon as you could pee on two legs, | 0:47:01 | 0:47:04 | |
you'd have to go. | 0:47:04 | 0:47:06 | |
By the look of you, I'd say that's today. | 0:47:08 | 0:47:11 | |
So she's not talking to me? | 0:47:11 | 0:47:13 | |
She's at work. | 0:47:13 | 0:47:14 | |
She's just throwing me out? Judge, jury and executioner. | 0:47:14 | 0:47:17 | |
Just like that. | 0:47:19 | 0:47:20 | |
She hates me. | 0:47:25 | 0:47:26 | |
She's mad at you. | 0:47:26 | 0:47:27 | |
A lot of years of hurt. That doesn't just go away like that. | 0:47:27 | 0:47:30 | |
If anyone has the right to be mad at life, it's me. | 0:47:30 | 0:47:34 | |
I've had the shittiest luck in the history of shitty luck. | 0:47:34 | 0:47:37 | |
Oh, look at me! | 0:47:38 | 0:47:40 | |
I'm a mess. | 0:47:40 | 0:47:41 | |
Face like an abortion. | 0:47:44 | 0:47:46 | |
Broke as a teenager, pissing next to Afrika Bambaataa. | 0:47:46 | 0:47:49 | |
You going there, Dom? | 0:47:49 | 0:47:51 | |
All right. Sorry. | 0:47:51 | 0:47:52 | |
That my grandson? | 0:48:01 | 0:48:03 | |
I see your gene's a bit more prominent, if you know what I mean. | 0:48:06 | 0:48:09 | |
His name's Jawara. | 0:48:09 | 0:48:11 | |
You're kidding?! | 0:48:11 | 0:48:13 | |
He's Senegalese. | 0:48:13 | 0:48:14 | |
Diggle me with a voodoo doll. | 0:48:14 | 0:48:16 | |
It means "peace-loving". | 0:48:16 | 0:48:18 | |
I'm Dom. | 0:48:21 | 0:48:23 | |
Dom's English for "unlucky son-of-a-bitch". | 0:48:23 | 0:48:25 | |
We're playing music tonight... | 0:48:27 | 0:48:29 | |
at Cargo. You know it? | 0:48:29 | 0:48:31 | |
I can't guarantee anything, but Evelyn will be there, | 0:48:31 | 0:48:34 | |
-so maybe she'll talk with you then. -You think? | 0:48:34 | 0:48:37 | |
I don't really. | 0:48:37 | 0:48:39 | |
But it's worth a try. | 0:48:39 | 0:48:40 | |
I'm scared. | 0:48:43 | 0:48:44 | |
I would be too. | 0:48:46 | 0:48:47 | |
She's a tough one. | 0:48:49 | 0:48:50 | |
MUSIC IN STYLE OF: Fisherman's Blues by The Waterboys | 0:49:18 | 0:49:22 | |
# I wish I was a fisherman | 0:49:45 | 0:49:48 | |
# Tumbling on the seas | 0:49:48 | 0:49:52 | |
# Far away from dry land | 0:49:52 | 0:49:54 | |
# And its bitter memories | 0:49:54 | 0:49:58 | |
# Casting out my sweet line | 0:49:58 | 0:50:01 | |
# With abandonment and love | 0:50:01 | 0:50:04 | |
# No ceiling bearing down on me | 0:50:04 | 0:50:07 | |
# Save the starry sky above | 0:50:07 | 0:50:10 | |
# With light in my head | 0:50:10 | 0:50:14 | |
# You in my arms | 0:50:14 | 0:50:16 | |
# Ah... # | 0:50:18 | 0:50:19 | |
DIEGETIC MUSIC FADES OUT | 0:50:29 | 0:50:32 | |
DOOR RATTLES | 0:51:07 | 0:51:08 | |
DOOR OPENS | 0:51:10 | 0:51:12 | |
DOOR CLOSES | 0:51:14 | 0:51:15 | |
-BANGING -Bloody fuck. | 0:51:15 | 0:51:19 | |
-You all right, Dom? -Fucking table. | 0:51:19 | 0:51:20 | |
What's a fucking table doing there? Anyone can knock into it. | 0:51:20 | 0:51:24 | |
I'm going to fucking burn that table, I swear it. | 0:51:24 | 0:51:27 | |
I take it it didn't go as planned tonight? | 0:51:37 | 0:51:40 | |
Just peachy, just peachy(!) | 0:51:40 | 0:51:42 | |
Like one of them TV shows where everybody's all huggy | 0:51:42 | 0:51:45 | |
and kissy in the end. | 0:51:45 | 0:51:46 | |
You didn't even say hello, then? | 0:51:48 | 0:51:49 | |
-God, I'm a shit. -But you're her shit. | 0:51:51 | 0:51:54 | |
I called her boyfriend Afrika Bambaataa. | 0:51:54 | 0:51:57 | |
That was smart(!) | 0:51:57 | 0:51:59 | |
She doesn't want me, Dickie. | 0:51:59 | 0:52:01 | |
Who can fucking blame her? | 0:52:01 | 0:52:04 | |
Get near me, you're likely to die. | 0:52:04 | 0:52:07 | |
Or at least lose all your money. | 0:52:07 | 0:52:08 | |
Oh, yeah. Sorry. | 0:52:12 | 0:52:14 | |
This wasn't how it was supposed to be. | 0:52:20 | 0:52:23 | |
I know. | 0:52:23 | 0:52:24 | |
What are you going to do, then? | 0:52:27 | 0:52:30 | |
The man with no options suddenly has all the options in the world. | 0:52:30 | 0:52:34 | |
-What the hell does that mean? -Don't know. | 0:52:35 | 0:52:39 | |
THEY LAUGH | 0:52:41 | 0:52:43 | |
Doomsday plan. | 0:52:49 | 0:52:51 | |
I've got to see Lestor Jnr. | 0:52:51 | 0:52:52 | |
-No. -Yeah. -Bugger. | 0:52:52 | 0:52:55 | |
-Fucker. -Shit, Dom. | 0:52:55 | 0:52:57 | |
Son's worse than the father. | 0:52:57 | 0:52:59 | |
Yeah, shit, Dickie. | 0:52:59 | 0:53:01 | |
Fontaine ain't exactly hiring, is he? | 0:53:01 | 0:53:03 | |
All right, son. | 0:53:33 | 0:53:34 | |
Dom... Dom Hemingway. | 0:53:39 | 0:53:42 | |
I didn't think I'd recognise you! | 0:53:42 | 0:53:44 | |
-Seeing as I was barely a teenager and everything. -That's right. | 0:53:44 | 0:53:47 | |
But I did! I'm proud of myself. | 0:53:47 | 0:53:49 | |
Oh, fucking hell! | 0:53:49 | 0:53:51 | |
Why did you kill my cat, Dom? | 0:53:51 | 0:53:52 | |
HE COUGHS | 0:53:52 | 0:53:54 | |
You going to bring that up?! | 0:53:56 | 0:53:58 | |
After all these years? | 0:53:58 | 0:54:00 | |
I am. What that cat ever do to you? | 0:54:00 | 0:54:03 | |
It was your father's cat, your father's cat. | 0:54:03 | 0:54:05 | |
He was competition. | 0:54:05 | 0:54:06 | |
No matter. I loved that cat. | 0:54:06 | 0:54:08 | |
That cat was MY friend. | 0:54:08 | 0:54:10 | |
Sorry. OK? I'm sorry. | 0:54:10 | 0:54:13 | |
I bet you are. | 0:54:13 | 0:54:14 | |
You disrespected my cat, and I can't forgive that. | 0:54:14 | 0:54:17 | |
I was just a little boy, you know. | 0:54:17 | 0:54:19 | |
Well, I'm ready to put the past to rest. | 0:54:19 | 0:54:22 | |
Huh? Let bygones be bygones. | 0:54:22 | 0:54:24 | |
Thought maybe we could do some business together. | 0:54:24 | 0:54:27 | |
You're a killer of cats, Dom, and I want nothing to do with you. | 0:54:27 | 0:54:30 | |
I said I was sorry! | 0:54:34 | 0:54:35 | |
I know you're sorry, but that don't bring Bernard back to life. | 0:54:35 | 0:54:39 | |
See, that's what I'm talking about - who calls their cat Bernard? | 0:54:39 | 0:54:43 | |
Course I killed your fucking cat! | 0:54:43 | 0:54:45 | |
Come on. | 0:54:53 | 0:54:55 | |
Dammit! Come on! | 0:54:56 | 0:54:58 | |
You know I'm good at what I do. | 0:55:03 | 0:55:04 | |
Your father wanted me to work for him. | 0:55:05 | 0:55:07 | |
But you never said yes, Dom. | 0:55:07 | 0:55:09 | |
You never said yes. | 0:55:09 | 0:55:10 | |
I worked for Mr Fontaine. I couldn't say yes. | 0:55:10 | 0:55:12 | |
You could have, but you didn't. | 0:55:12 | 0:55:14 | |
-I didn't cos I couldn't. -You couldn't cos you wouldn't. | 0:55:14 | 0:55:16 | |
-I wouldn't cos I couldn't, that's why I didn't. -Fuck you! | 0:55:16 | 0:55:19 | |
Coulda, woulda, shoulda! | 0:55:19 | 0:55:20 | |
I got the magic fingers. | 0:55:23 | 0:55:25 | |
You know that, I always did. | 0:55:25 | 0:55:27 | |
You must remember that. | 0:55:27 | 0:55:29 | |
Magic fingers, Lestor. | 0:55:29 | 0:55:30 | |
You could use that. Your business could use that. | 0:55:30 | 0:55:33 | |
I run clubs, Dom. DOM LAUGHS | 0:55:33 | 0:55:35 | |
Bullshit! Lestor, you know what you do - | 0:55:37 | 0:55:39 | |
it's no secret, it's your family business. | 0:55:39 | 0:55:42 | |
See, there's a part of me | 0:55:42 | 0:55:44 | |
that wants to put you in the trunk of my sister's Prius, drive you | 0:55:44 | 0:55:47 | |
up to Canvey Island and bury you up to your thick fucking neck, | 0:55:47 | 0:55:50 | |
cover your fat fucking face in hamburger patties | 0:55:50 | 0:55:53 | |
and let the creatures of the night eat you to death, while I watch. | 0:55:53 | 0:55:56 | |
That's what I want. | 0:55:56 | 0:55:57 | |
You, eaten to death, bite by fucking bite, peck by fucking peck | 0:55:57 | 0:56:01 | |
and fang by mother-fucking fang. | 0:56:01 | 0:56:04 | |
See, I heard Belly retired and his replacement's disappointing. | 0:56:07 | 0:56:11 | |
So you come to the son of the man you was at war with? | 0:56:11 | 0:56:14 | |
He was competition. | 0:56:14 | 0:56:15 | |
You come to the little boy whose pussycat you murdered? | 0:56:15 | 0:56:18 | |
You need me, Lestor. | 0:56:18 | 0:56:20 | |
You're an old man, Dom. | 0:56:20 | 0:56:22 | |
You should retire too. | 0:56:22 | 0:56:23 | |
-I meant to! -Yeah, I bet you did! | 0:56:29 | 0:56:32 | |
It's not like the old days, Dom. | 0:57:08 | 0:57:10 | |
They've got electronics now. | 0:57:10 | 0:57:12 | |
A safe's a safe. | 0:57:15 | 0:57:17 | |
Until you can't open it. | 0:57:17 | 0:57:19 | |
Come by my club tonight at 11. | 0:57:19 | 0:57:22 | |
Sugar Fix. | 0:57:22 | 0:57:23 | |
I have a new electronic safe there. | 0:57:23 | 0:57:26 | |
If you can open it in ten minutes, you can come and work for me - | 0:57:26 | 0:57:29 | |
bygones be bygones. | 0:57:29 | 0:57:30 | |
I'll have plenty of solid business for you. | 0:57:30 | 0:57:33 | |
However, if you can't open it, | 0:57:33 | 0:57:35 | |
I'm going to chop off your tiny dick and use it as a door jamb. | 0:57:35 | 0:57:38 | |
Your call, Dom. Show up or not. | 0:57:41 | 0:57:44 | |
Open the safe or not. | 0:57:44 | 0:57:46 | |
Piss standing up again or not. | 0:57:46 | 0:57:49 | |
Those are your options. | 0:57:49 | 0:57:51 | |
Those are your choices. | 0:57:51 | 0:57:52 | |
Ugh! | 0:57:52 | 0:57:53 | |
And that was for Bernard! | 0:57:53 | 0:57:55 | |
Thought that was what the last one was for. | 0:57:57 | 0:57:59 | |
No, no, no - that was for my daddy. | 0:57:59 | 0:58:01 | |
This one is for Bernard, who was a good fucking cat | 0:58:01 | 0:58:04 | |
and didn't deserve your ugly face to be the last thing he saw. | 0:58:04 | 0:58:08 | |
Thanks, Jeanie. | 0:58:24 | 0:58:26 | |
Are you sure you should be drinking like this, Dom? | 0:58:28 | 0:58:31 | |
I'm good...Mum. | 0:58:31 | 0:58:33 | |
I'm serious. | 0:58:33 | 0:58:34 | |
You've got to open a safe later, and you haven't opened one in 12 years. | 0:58:34 | 0:58:37 | |
I'm steady as a trapeze artist's cunt. | 0:58:37 | 0:58:41 | |
Let me see your hand. | 0:58:41 | 0:58:42 | |
-What? -Your hand. | 0:58:42 | 0:58:44 | |
I want to see if you're really steady. | 0:58:44 | 0:58:46 | |
Look at your own hand, Dickie. If you haven't lost it again! | 0:58:46 | 0:58:50 | |
Seriously... | 0:58:51 | 0:58:53 | |
put out your hand, Dom. Let me see it. | 0:58:53 | 0:58:55 | |
Fucker. | 0:58:58 | 0:59:00 | |
Could do surgery with this hand. | 0:59:00 | 0:59:01 | |
Operate on your caper-sized brain. | 0:59:01 | 0:59:03 | |
Finger a nun from five feet away. | 0:59:03 | 0:59:06 | |
That safe don't scare me, Lestor McGreavy don't scare me, | 0:59:06 | 0:59:11 | |
nothing scares me! | 0:59:11 | 0:59:12 | |
Well, you're scaring me. That much is true. | 0:59:12 | 0:59:15 | |
I'm good. | 0:59:15 | 0:59:18 | |
You're penniless, homeless, you're fast on your way to being pissed, | 0:59:18 | 0:59:22 | |
your wank's on the line, and you haven't opened a safe in 12 years. | 0:59:22 | 0:59:26 | |
And not an electronic one. Not ever! | 0:59:26 | 0:59:29 | |
Aren't you the Easter Bunny, | 0:59:29 | 0:59:30 | |
hopping around, spreading good cheer wherever you go?! | 0:59:30 | 0:59:33 | |
I'm just stating what I'm stating. | 0:59:33 | 0:59:36 | |
-Stop stating what you're stating. -I'm not going to stop stating it. | 0:59:36 | 0:59:39 | |
I'll state what I want to state, in whatever state I want to. | 0:59:39 | 0:59:41 | |
State it again, I'll knock your teeth out. | 0:59:41 | 0:59:43 | |
Knock my teeth out? I'll cut your ear off. | 0:59:43 | 0:59:45 | |
Cut me ear off? I'll carve your eye out with my big toe. | 0:59:45 | 0:59:47 | |
-Fuck you. -Fuck you. -Fuck you. | 0:59:47 | 0:59:49 | |
Think I ain't going to be able to do this? | 0:59:50 | 0:59:53 | |
Me, Dom Hemingway? | 0:59:53 | 0:59:55 | |
There hasn't been a safe I haven't been able to open, ever. | 0:59:55 | 0:59:58 | |
When I was four months old, I could open a safe from my fucking pram. | 0:59:58 | 1:00:02 | |
I'm just saying. | 1:00:02 | 1:00:04 | |
Don't say nothing. | 1:00:04 | 1:00:06 | |
I'm going to do this, Dickie. I'm going to do this. | 1:00:11 | 1:00:13 | |
Got no other choice. | 1:00:16 | 1:00:18 | |
HARDCORE ELECTRO MUSIC PLAYS | 1:00:26 | 1:00:29 | |
State of the art. I had it installed four months ago. | 1:00:47 | 1:00:50 | |
Made in Japan. | 1:00:50 | 1:00:51 | |
I'm big in Japan. | 1:00:51 | 1:00:53 | |
You have ten minutes. | 1:00:53 | 1:00:55 | |
Do you want me to start the timing now, | 1:00:55 | 1:00:57 | |
or do you want to say a little prayer for your friend Tiny first? | 1:00:57 | 1:01:01 | |
I just want another pint. Is that OK? | 1:01:01 | 1:01:03 | |
Another drink before we start. | 1:01:03 | 1:01:05 | |
Have all the beer you want, Dom. | 1:01:07 | 1:01:08 | |
PING-PONG BALL BOUNCES | 1:01:14 | 1:01:18 | |
Right, let's get started. | 1:02:03 | 1:02:04 | |
Clock says 11:35. Means you have until 11:45. | 1:02:06 | 1:02:10 | |
Easy-peasy, lemon-squeezy. | 1:02:10 | 1:02:13 | |
What the fuck is that? | 1:02:20 | 1:02:22 | |
Equipment. | 1:02:22 | 1:02:23 | |
Bloody hell. | 1:02:26 | 1:02:28 | |
Fuck you! | 1:02:28 | 1:02:30 | |
And fuck your cat! | 1:02:30 | 1:02:31 | |
I said...open my safe, not destroy my office. | 1:02:31 | 1:02:36 | |
Fuck your office! | 1:02:36 | 1:02:37 | |
Fuck you! Fuck your father! | 1:02:37 | 1:02:39 | |
And fuck your cat! | 1:02:39 | 1:02:41 | |
In nine minutes, your balls are becoming trinkets. | 1:02:41 | 1:02:44 | |
Fuck your trinkets. | 1:02:44 | 1:02:46 | |
Fuck your cat. | 1:02:46 | 1:02:48 | |
Fuck your father! | 1:02:48 | 1:02:49 | |
Fuck your office and fuck you! | 1:02:49 | 1:02:52 | |
HE BREATHES HEAVILY | 1:03:03 | 1:03:06 | |
I'm not sure what you can do in the time you have left, | 1:03:06 | 1:03:08 | |
-except maybe have a heart attack. -I've got to do a piss. | 1:03:08 | 1:03:12 | |
-What? -Piss! | 1:03:12 | 1:03:14 | |
-I've got to. -I'm not stopping the clock. | 1:03:14 | 1:03:16 | |
Course you aren't, you're pond scum, Lestor. | 1:03:16 | 1:03:19 | |
Garbage, refuse. | 1:03:19 | 1:03:22 | |
Your father was a class-act compared to you. | 1:03:22 | 1:03:24 | |
You're shit on my shoe. | 1:03:24 | 1:03:26 | |
You're a cunt in gold chains. A misery in size 10 Adidas. | 1:03:26 | 1:03:30 | |
Now where's your fucking toilet?! | 1:03:30 | 1:03:32 | |
Who designed this place anyway? | 1:03:38 | 1:03:40 | |
I did, actually. | 1:03:40 | 1:03:42 | |
It's like a brothel, by way of Elton John. | 1:03:42 | 1:03:44 | |
Stick to thieving and nepotism. | 1:03:44 | 1:03:47 | |
What you looking at? | 1:03:53 | 1:03:54 | |
TOILET FLUSHES Five minutes left, Dom. | 1:03:57 | 1:04:00 | |
Might be the last time you piss standing up. | 1:04:00 | 1:04:02 | |
I assume the cables in the back of the safe are attached | 1:04:02 | 1:04:06 | |
to some security company. | 1:04:06 | 1:04:09 | |
Yes, they promised a five-minute response. | 1:04:09 | 1:04:11 | |
I promised not to cum in your sister's mouth - | 1:04:11 | 1:04:13 | |
we all make promises we can't keep. | 1:04:13 | 1:04:15 | |
DOM AND DICKIE LAUGH | 1:04:15 | 1:04:17 | |
CHAINSAW ROARS | 1:04:23 | 1:04:25 | |
Don't worry, I'm not going to do anything to Lestor, | 1:04:27 | 1:04:30 | |
as tempting as that may be. | 1:04:30 | 1:04:32 | |
Four minutes. | 1:04:52 | 1:04:53 | |
Or less, if security comes. | 1:04:53 | 1:04:55 | |
The fastest fingers guy I ever saw took 10/12 minutes | 1:04:55 | 1:04:58 | |
with a safe like this, | 1:04:58 | 1:04:59 | |
and he had state-of-the-art equipment with him. | 1:04:59 | 1:05:02 | |
I ain't like most finger guys. | 1:05:02 | 1:05:04 | |
No, you're not. | 1:05:04 | 1:05:05 | |
-You're old. -I'm old-school. | 1:05:05 | 1:05:08 | |
Old... Old-school... Same thing. | 1:05:08 | 1:05:10 | |
I got magic fingers, Lestor. | 1:05:10 | 1:05:12 | |
I told you. | 1:05:12 | 1:05:13 | |
So? | 1:05:14 | 1:05:15 | |
So... | 1:05:17 | 1:05:18 | |
HE GRUNTS | 1:05:26 | 1:05:28 | |
What the hell are you doing, man?! | 1:05:30 | 1:05:32 | |
Fuck you. | 1:05:32 | 1:05:33 | |
You trying to screw the safe, Dom, or are you trying to impregnate it? | 1:05:33 | 1:05:37 | |
Do you want me to get you guys a room? | 1:05:37 | 1:05:40 | |
Seriously, what the hell are you doing, man? | 1:05:40 | 1:05:42 | |
I'm winning a bet. | 1:05:42 | 1:05:44 | |
The Japs sold you a cheap safe and he's going to win because of it. | 1:05:44 | 1:05:47 | |
-It wasn't fucking cheap. -Then you got ripped off, Lestor. | 1:05:47 | 1:05:50 | |
-THEY LAUGH -Fucking ripped off! | 1:05:50 | 1:05:54 | |
So what's he trying to do, Dickie? | 1:05:54 | 1:05:56 | |
Most safes, the cheap ones at least, like yours, | 1:05:56 | 1:05:58 | |
if you bounce them enough, there's a moment | 1:05:58 | 1:06:00 | |
when the pins are shaken and not lined up - even the electronic ones. | 1:06:00 | 1:06:03 | |
If you're pulling the handle at that moment, it opens. | 1:06:03 | 1:06:06 | |
Well, nothing's happening here except Dom getting a fucking hernia. | 1:06:06 | 1:06:09 | |
And you've only got two... | 1:06:09 | 1:06:10 | |
No, one minute and 55 seconds left. | 1:06:10 | 1:06:13 | |
# God save the Queen...! # | 1:06:13 | 1:06:20 | |
Pints are on me! | 1:06:27 | 1:06:29 | |
And that, my friends, is how you open a safe! | 1:06:30 | 1:06:35 | |
You did it, Dom! | 1:06:35 | 1:06:37 | |
-You right did it! -I knew I would! | 1:06:37 | 1:06:39 | |
I told you I would. I knew I'd beat this arsehole at his own game | 1:06:39 | 1:06:44 | |
and prove to him what the world already knows - | 1:06:44 | 1:06:46 | |
that Dom Hemingway is the greatest safe-cracker known to mankind. | 1:06:46 | 1:06:51 | |
And I am a legend, a myth, | 1:06:51 | 1:06:54 | |
a glorious tale to be handed down from generation to generation. | 1:06:54 | 1:06:59 | |
I am impressed, Dom, I must say. | 1:06:59 | 1:07:02 | |
Fucking right, Lestor-Chester... | 1:07:02 | 1:07:05 | |
Chester the Molester. | 1:07:05 | 1:07:08 | |
Uncle Fester. | 1:07:08 | 1:07:09 | |
-Only 52 seconds left. -Exactly, Fester the fucking court jester. | 1:07:09 | 1:07:14 | |
I won the bet. | 1:07:14 | 1:07:16 | |
You owe me work, big-paying work. | 1:07:16 | 1:07:19 | |
Actually, you didn't win the bet. | 1:07:19 | 1:07:22 | |
What you talking about? | 1:07:26 | 1:07:28 | |
I'm saying...in 30 seconds I'm cutting little Dom off. | 1:07:28 | 1:07:33 | |
I opened your safe. | 1:07:33 | 1:07:35 | |
You opened A safe. | 1:07:35 | 1:07:37 | |
But my safe, my safe is this and you have eight seconds to open it. | 1:07:37 | 1:07:42 | |
-Seven... -That ain't fair. -Fuck fair, it's the bet. | 1:07:42 | 1:07:45 | |
Five, four, three, two, one. | 1:07:45 | 1:07:49 | |
Poor Dom Hemingway. | 1:07:56 | 1:07:58 | |
Poor, poor Dom Hemingway. | 1:07:59 | 1:08:01 | |
All that time in prison, only to come out | 1:08:02 | 1:08:05 | |
and be humiliated by the son of the man he always hated. | 1:08:05 | 1:08:09 | |
You're not really going to do what you're saying. | 1:08:14 | 1:08:16 | |
If I were you, I'd keep quiet, Dickie, cos I'll kill you too | 1:08:16 | 1:08:19 | |
and no-one will give a shit. Now take off your trousers. | 1:08:19 | 1:08:22 | |
Come on. Lestor... | 1:08:22 | 1:08:25 | |
I'm serious. | 1:08:25 | 1:08:26 | |
Oh, fuck! | 1:08:28 | 1:08:31 | |
A deal's a deal, a bet's a bet and a dick doorstop is a dick doorstop. | 1:08:34 | 1:08:40 | |
Lestor, come on. | 1:08:40 | 1:08:42 | |
I hate you, Dom, I always have - you killed Bernard. | 1:08:42 | 1:08:45 | |
You can't cut off my dick because of a fucking cat! | 1:08:45 | 1:08:48 | |
-Yes, I can. -No, you can't. | 1:08:48 | 1:08:51 | |
OK. No, I can't, you're right. | 1:08:51 | 1:08:53 | |
But I can cut it off cos you said you could | 1:08:53 | 1:08:55 | |
open my safe in ten minutes, and you didn't. | 1:08:55 | 1:08:58 | |
-You rigged the bet. -Semantics. | 1:08:58 | 1:08:59 | |
I played by the rules. | 1:08:59 | 1:09:01 | |
People are dirty, Dom, you should know that. | 1:09:01 | 1:09:03 | |
But I played by the rules. | 1:09:03 | 1:09:05 | |
That's your problem. | 1:09:05 | 1:09:07 | |
You're a fucking criminal. | 1:09:07 | 1:09:08 | |
Criminals don't have rules. | 1:09:08 | 1:09:10 | |
There's a code of ethics. | 1:09:10 | 1:09:12 | |
There is! | 1:09:12 | 1:09:13 | |
And where did that code get you? | 1:09:13 | 1:09:15 | |
12 years alone, a dead wife and a daughter who hates you. | 1:09:15 | 1:09:20 | |
You don't know! | 1:09:20 | 1:09:22 | |
Everyone knows. | 1:09:23 | 1:09:24 | |
You played by the rules in jail | 1:09:27 | 1:09:29 | |
and you got screwed when you got out. | 1:09:29 | 1:09:31 | |
You played by the rules here, and you got screwed here. | 1:09:31 | 1:09:35 | |
You're a dumb criminal, Dom. | 1:09:36 | 1:09:38 | |
A dumb man. | 1:09:38 | 1:09:40 | |
KNIFE FLICKS | 1:09:40 | 1:09:41 | |
Now take off your trousers. | 1:09:41 | 1:09:43 | |
Lestor... | 1:09:46 | 1:09:48 | |
Now. | 1:09:48 | 1:09:49 | |
PING-PONG BALL BOUNCES | 1:10:02 | 1:10:07 | |
NOW! | 1:10:08 | 1:10:09 | |
Safe security! | 1:10:26 | 1:10:27 | |
-I'll meet you at the place near the place. -Right! | 1:10:51 | 1:10:55 | |
MUSIC: Comin' Back by Citizen Cope | 1:10:55 | 1:10:57 | |
# He was down on his luck | 1:11:01 | 1:11:02 | |
# Put his bag in the back of his black Cadillac Coupe de Ville... # | 1:11:02 | 1:11:07 | |
You can't fucking catch me! | 1:11:11 | 1:11:13 | |
HE LAUGHS | 1:11:13 | 1:11:18 | |
Fu...! | 1:11:33 | 1:11:34 | |
THEY LAUGH | 1:12:01 | 1:12:03 | |
Hey, if you lot need a backup singer, I am available. | 1:12:19 | 1:12:22 | |
What do you want, then? | 1:12:35 | 1:12:37 | |
What? Nothing. | 1:12:37 | 1:12:38 | |
I just want to say hello. | 1:12:38 | 1:12:40 | |
You look like shit, but at least you're standing up. | 1:12:40 | 1:12:42 | |
That's an improvement. | 1:12:42 | 1:12:44 | |
Yeah, got that going. | 1:12:44 | 1:12:45 | |
Tell me something, Dom. You know how old I was when you went away? | 1:12:47 | 1:12:50 | |
Can your fogged-up, whisky-soaked brain go back that far? | 1:12:50 | 1:12:53 | |
Yeah, of course. | 1:12:53 | 1:12:55 | |
I remember being in my room and hearing Mum yelling at you | 1:12:55 | 1:12:58 | |
when you left. Do you remember that? | 1:12:58 | 1:13:01 | |
She was just pleading, begging with you to strike a deal. | 1:13:01 | 1:13:06 | |
If you'd have testified, | 1:13:06 | 1:13:08 | |
you'd have got two, maybe three years. | 1:13:08 | 1:13:10 | |
You'd have been out before I was 13. | 1:13:10 | 1:13:12 | |
Before Mum got sick. | 1:13:12 | 1:13:14 | |
Before Mum died. | 1:13:14 | 1:13:15 | |
-I wanna make up for lost time, that's why I'm here. -I don't. | 1:13:15 | 1:13:19 | |
Come on now... | 1:13:21 | 1:13:22 | |
I made a mistake. I'm a fucker. | 1:13:22 | 1:13:26 | |
-And I'm a failure. -Oh, Dom, I'm leaving. | 1:13:26 | 1:13:29 | |
I have to go, I... | 1:13:29 | 1:13:30 | |
I don't want you coming round here any more. | 1:13:30 | 1:13:33 | |
I don't want you coming round my house or my son, OK? | 1:13:33 | 1:13:37 | |
I don't want to see you. | 1:13:37 | 1:13:40 | |
You have done very little for me in my life, Dom. | 1:13:45 | 1:13:47 | |
Please, just do that. | 1:13:47 | 1:13:49 | |
It's "Dad". | 1:13:51 | 1:13:52 | |
It's "Dad", it's not Dom. | 1:13:52 | 1:13:54 | |
Evie... | 1:14:04 | 1:14:05 | |
What...Dom? | 1:14:10 | 1:14:12 | |
I'm gonna go and see your mum's grave tomorrow morning. | 1:14:12 | 1:14:15 | |
I wondered if you wanted to come. | 1:14:15 | 1:14:16 | |
I ain't seen it yet. | 1:14:16 | 1:14:18 | |
What, the grave Sandy Butterfield paid for? | 1:14:22 | 1:14:24 | |
The guy you beat the shit out of? | 1:14:24 | 1:14:26 | |
Yeah, that one. | 1:14:28 | 1:14:31 | |
I thought it'd be nice if we went together. | 1:14:31 | 1:14:34 | |
You could bring your boy... | 1:14:34 | 1:14:36 | |
You know what would've been nice? Having a real father. | 1:14:36 | 1:14:40 | |
But I didn't get one, Dom. | 1:14:40 | 1:14:43 | |
I only got you. | 1:14:43 | 1:14:44 | |
Melody. | 1:15:21 | 1:15:23 | |
-Wait! -HORN HONKS | 1:15:26 | 1:15:28 | |
Wait! | 1:15:31 | 1:15:32 | |
Melody! | 1:15:34 | 1:15:36 | |
Melody! | 1:15:38 | 1:15:39 | |
You said I'd have good luck. | 1:15:44 | 1:15:45 | |
Dom Hemingway! I was so worried about you! | 1:15:45 | 1:15:50 | |
-But you're OK! -No, I'm... I'm not doing very well, actually. | 1:15:50 | 1:15:53 | |
You said I'd have good luck. I've had nothing but shitty luck. | 1:15:53 | 1:15:57 | |
So sorry to hear that, Dom. | 1:15:57 | 1:15:59 | |
If I hadn't stopped and helped you, | 1:15:59 | 1:16:00 | |
I would've had time to save my money from being stolen. | 1:16:00 | 1:16:03 | |
But you saved my life! You stopped to save my life. | 1:16:03 | 1:16:06 | |
-I know... -You did the right thing. | 1:16:06 | 1:16:08 | |
Not everyone would, but you did. | 1:16:08 | 1:16:11 | |
I told you, the good luck would come when you really need it. | 1:16:11 | 1:16:15 | |
Well, I REALLY need it! | 1:16:15 | 1:16:17 | |
-Then it will be. -How? | 1:16:17 | 1:16:20 | |
What do you want most in the world? | 1:16:20 | 1:16:22 | |
My fucking money! | 1:16:22 | 1:16:25 | |
-That's what you want most? -Yes. | 1:16:25 | 1:16:28 | |
-You sure? -YES! | 1:16:28 | 1:16:30 | |
-Really? -Yes! | 1:16:31 | 1:16:33 | |
No. | 1:16:36 | 1:16:37 | |
I want her to talk to me. | 1:16:44 | 1:16:45 | |
Forgive me. | 1:16:47 | 1:16:49 | |
My daughter. | 1:16:51 | 1:16:52 | |
That seems a little better. | 1:16:54 | 1:16:56 | |
Yeah, well... | 1:16:56 | 1:16:58 | |
Just by picking her, you've already shown | 1:16:58 | 1:17:01 | |
that the pendulum of luck is swinging your way. | 1:17:01 | 1:17:04 | |
What the hell does that mean? | 1:17:04 | 1:17:05 | |
Love is what you make, Dom. | 1:17:05 | 1:17:08 | |
Oh, Keefie. | 1:17:24 | 1:17:25 | |
I fucked up, didn't I? | 1:17:30 | 1:17:32 | |
And not one of my minor Dom fuck-ups. | 1:17:35 | 1:17:37 | |
Like spending all our money down the pub with Dickie. | 1:17:38 | 1:17:41 | |
Or going out to a football match and staying away a week. | 1:17:43 | 1:17:46 | |
Burning down that housing estate in Leeds by accident... | 1:17:48 | 1:17:51 | |
No... | 1:17:54 | 1:17:55 | |
I fucked up royally. | 1:17:58 | 1:17:59 | |
I didn't get to say goodbye to you. | 1:18:02 | 1:18:04 | |
I never got to say goodbye, and kiss you goodbye, my sweet girl. | 1:18:07 | 1:18:11 | |
Now all I got is this dirt. | 1:18:14 | 1:18:16 | |
Fucking grass and dirt in me hands, and not your sweet face. | 1:18:16 | 1:18:20 | |
Your sweet, beautiful face. | 1:18:22 | 1:18:24 | |
I was a stupid fool. | 1:18:32 | 1:18:34 | |
I lost you. | 1:18:36 | 1:18:37 | |
I lost out on our Evelyn's childhood. | 1:18:39 | 1:18:42 | |
I lost the two most important things in my life. | 1:18:44 | 1:18:47 | |
And now you're gone. | 1:18:48 | 1:18:50 | |
And our Evie... | 1:18:52 | 1:18:53 | |
..she hates me. | 1:18:56 | 1:18:58 | |
Oh, Keefie. | 1:19:02 | 1:19:04 | |
Beautiful, sweet Keefie. | 1:19:05 | 1:19:08 | |
My life! | 1:19:08 | 1:19:09 | |
And my heart. | 1:19:12 | 1:19:13 | |
I'm gonna try and make things better with Evelyn. | 1:19:27 | 1:19:30 | |
I really am. | 1:19:30 | 1:19:31 | |
She hates me now... | 1:19:33 | 1:19:35 | |
..but I'll wear her down. | 1:19:37 | 1:19:39 | |
Bit by bit... | 1:19:39 | 1:19:41 | |
..day by day... | 1:19:43 | 1:19:45 | |
hour by hour, I'll seduce her with my kindness. | 1:19:45 | 1:19:49 | |
I'll blanket her in warmth and security. | 1:19:50 | 1:19:54 | |
I'll confound her with my decency. | 1:19:57 | 1:19:59 | |
She'll resist my charms for only so long. | 1:20:01 | 1:20:04 | |
After all, I'm Dom Hemingway. | 1:20:06 | 1:20:08 | |
I'm Dom Hemingway. | 1:20:11 | 1:20:12 | |
I'm your Dom. | 1:20:16 | 1:20:17 | |
Come here. | 1:20:28 | 1:20:29 | |
Sit down. | 1:20:29 | 1:20:31 | |
Give us your hand. | 1:20:33 | 1:20:34 | |
That's your grandmother. | 1:20:37 | 1:20:39 | |
Keefie, or Catherine. | 1:20:39 | 1:20:41 | |
She never much liked the dark ones, | 1:20:45 | 1:20:47 | |
but I think she'd have really liked you. | 1:20:47 | 1:20:49 | |
I didn't think you'd come. | 1:21:15 | 1:21:17 | |
Couldn't well take the bus himself, could he? | 1:21:17 | 1:21:19 | |
DOM CHUCKLES | 1:21:19 | 1:21:22 | |
Can I walk with you a bit? | 1:21:22 | 1:21:24 | |
In silence, I promise. | 1:21:24 | 1:21:26 | |
Total silence, like... Like a mime. | 1:21:26 | 1:21:29 | |
Like an old lady who lives in an attic on her own. | 1:21:29 | 1:21:32 | |
Stuffs her cats after they've died. | 1:21:32 | 1:21:34 | |
Not today. | 1:21:41 | 1:21:43 | |
Someday, then, eh? Maybe? | 1:21:50 | 1:21:52 | |
You can walk Jawara to school on Monday morning if you like... | 1:21:58 | 1:22:01 | |
if you can wake up that early... | 1:22:01 | 1:22:04 | |
and don't get too pissed the night before. | 1:22:04 | 1:22:06 | |
Right, then. | 1:22:12 | 1:22:14 | |
Well, I'll be the Vatican's cunt. | 1:23:05 | 1:23:08 | |
MUFFLED CHATTER | 1:23:12 | 1:23:15 | |
Paolina. | 1:23:35 | 1:23:37 | |
Hello, darlin'. | 1:23:37 | 1:23:38 | |
Fancy seeing you here in London. | 1:23:40 | 1:23:41 | |
Why didn't you call me? We could've gone out for a drink. | 1:23:41 | 1:23:44 | |
Had a tone deaf sing-along to some old records. | 1:23:44 | 1:23:47 | |
Paolina, who is this? | 1:23:47 | 1:23:49 | |
I don't know who this man is. | 1:23:49 | 1:23:51 | |
-Ohh! -HE CHUCKLES | 1:23:51 | 1:23:53 | |
I'll tell you who I am. | 1:23:53 | 1:23:56 | |
I'm the fucker who'll tear your nose off with my teeth. | 1:23:56 | 1:23:59 | |
I'm the fucker who will gut you with a dull cheese knife | 1:23:59 | 1:24:02 | |
and sing Gilbert and Sullivan while I do it. | 1:24:02 | 1:24:05 | |
I'm the fucker who will dump your dead body in a freezing cold lake | 1:24:05 | 1:24:09 | |
and watch you sink to the bottom like so much shit. | 1:24:09 | 1:24:12 | |
I am that fucker. | 1:24:13 | 1:24:15 | |
That's the fucker who I am. | 1:24:15 | 1:24:17 | |
And if you say one word when I remove my hand... | 1:24:19 | 1:24:22 | |
I'll do all that to you right now. | 1:24:22 | 1:24:24 | |
You say one word and you'll be as useless | 1:24:24 | 1:24:26 | |
as a dried-up fetid condom | 1:24:26 | 1:24:28 | |
after bad sex. Do I make myself clear? | 1:24:28 | 1:24:30 | |
Do my words translate to you? If you understand my words, nod. | 1:24:30 | 1:24:34 | |
That's good. | 1:24:36 | 1:24:38 | |
After much heartbreak... | 1:24:39 | 1:24:42 | |
and ruin... | 1:24:42 | 1:24:45 | |
the pendulum of luck has finally swung back to Dom Hemingway. | 1:24:45 | 1:24:48 | |
And I intend to enjoy each moment of its fickle pleasure. | 1:24:50 | 1:24:54 | |
Whether it lasts for a minute, a day or a lifetime. | 1:24:54 | 1:24:58 | |
MUSIC: Debaser by Pixies | 1:25:00 | 1:25:04 | |
# Got me a movie | 1:25:19 | 1:25:20 | |
# I want you to know | 1:25:20 | 1:25:22 | |
# Slicing up eyeballs | 1:25:22 | 1:25:24 | |
# I want you to know | 1:25:24 | 1:25:26 | |
# Girlie so groovy | 1:25:26 | 1:25:27 | |
# I want you to know | 1:25:27 | 1:25:29 | |
# Don't know about you | 1:25:29 | 1:25:31 | |
# But I am un chien andalusia | 1:25:31 | 1:25:34 | |
# I am un chien andalusia | 1:25:34 | 1:25:37 | |
# I am un chien andalusia | 1:25:37 | 1:25:40 | |
# Wanna grow up to be | 1:25:40 | 1:25:43 | |
-# Be a debaser -Debaser | 1:25:43 | 1:25:47 | |
-# Debaser -Debaser | 1:25:47 | 1:25:50 | |
-# Debaser -Debaser | 1:25:50 | 1:25:54 | |
-# Debaser -Debaser | 1:25:54 | 1:25:58 | |
-# Debaser -Debaser | 1:25:58 | 1:26:01 | |
-# Debaser -Debaser | 1:26:01 | 1:26:03 | |
# Got me a movie Ha ha ha ho | 1:26:05 | 1:26:09 | |
# Slicing up eyeballs Ha ha ha ho | 1:26:09 | 1:26:12 | |
# Girlie so groovie Ha ha ha ho | 1:26:12 | 1:26:16 | |
# Don't know about you | 1:26:16 | 1:26:18 | |
# But I am un chien andalusia | 1:26:18 | 1:26:21 | |
# I am un chien andalusia. # | 1:26:21 | 1:26:25 |