Finishing School


Finishing School

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BUZZING

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-Yes?

-'Mrs Radcliff and Miss Virginia are here.'

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Ask them to come in, please.

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How do you do, Mrs Radcliff? Or rather, Helen, if I may.

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Of course, of course, please, do, you must, in fact.

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Imagine you at the head of Crockett Hall.

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You were teaching when I was here.

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Literature, wasn't it?

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-Latin, I believe.

-Latin?

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Oh, imagine, darling, Mother spoke Latin!

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Oh, Miss Van Alstyne, this is my daughter, Virginia.

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Utterly ridiculous, isn't it?

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-How do you do, Virginia?

-How do you do?

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She looks like some painting by, uh...some painter, doesn't she?

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Won't you sit down?

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Tell me, Virginia, how do you think you're going to like it here?

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Oh, she'll be mad, utterly mad about it.

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We've ordered her such a darling wardrobe. Sending four horses down.

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I'm sorry to disappoint you, Virginia, but we wear uniforms here.

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Uniforms?

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Oh, yes, I'd forgotten. Perfectly hideous things.

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You'll love them, darling, so smart and proper!

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And I'm afraid you can have only two horses.

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I don't mind at all, if that's the rule.

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You'll find we have quite a few rules, my dear,

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and when you're a little older,

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you'll understand how necessary they all are.

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Oh, you understand about weekends?

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Weekends? Is Virginia coming home weekends?

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Well, only when convenient for you.

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A teacher will take Virginia to the Pennsylvania Station,

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where she will be met by some member of your family.

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And then, on Sunday afternoons,

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she'll be met again and returned here.

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Oh, about visitors -

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their names must be on a list approved by you.

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Perfect. Frankly, that's why I'm entrusting Virginia to your care.

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A girl must be protected from people who don't belong.

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Especially nowadays, when the purchase of a dress suit

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automatically makes a man a gentleman.

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We appreciate that fact.

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Do you know what time it is?

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-It's 4.30.

-Precisely 4.30.

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One hour to New York and a date for cocktails.

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I must run. You will forgive me.

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Take good care of my little girl, won't you? But you will.

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I'm always late.

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Goodbye, Miss Van Alstyne, I must run.

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Mother.

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I hadn't really gone, darling.

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Mother's going to miss you dreadfully.

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You will write, won't you, dear?

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You are going to be happy, aren't you, darling? Of course you are.

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-Goodbye, dear.

-Goodbye, Mother.

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Shall we go up and meet your roommate?

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After you're all settled, you won't feel so lonely.

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I'm sure I won't.

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You see, I've wanted to come here ever since I was a little girl.

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And now you're here.

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You'll find that we do everything we can to make you happy.

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-Miss Van Alstyne!

-How do you do, girls?

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From time to time, we take you into New York for the concerts,

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for the art galleries, for the opera and the better plays.

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-Good afternoon, Miss Van Alstyne.

-How do you do, Betty?

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There's a chaperone, on whose good taste you can always depend.

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You see, dear, we try to do all the worthwhile things.

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The aim of our school, and, we like to believe, the achievement,

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is to prepare young ladies to meet, graciously, all social demands.

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You have a sweet smile, dear,

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but another one of our pesky rules, we don't allow lipstick.

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-All right.

-And we don't smoke, and, naturally, we don't drink.

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We only mention this once, Virginia,

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because we're on the honour system here.

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I know I can trust you.

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Oh, yes, Miss Van Alstyne.

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You'll like Miss Ferris, she comes from a fine, old family.

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KNOCKING

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LOUDER KNOCKING

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'Hey, what are you doing? Posting bills, or do you want to come in?'

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Cecilia.

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'Oh...'

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THUDDING AND STOMPING

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Cecilia, you know our rule.

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Why is this door locked?

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Oh, it wasn't locked, Miss Van Alstyne,

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uh, the trunk just happened to be against it.

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And how did the trunk just happen to be against it?

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Well, you know how it is with a trunk.

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It's either here or there with a trunk.

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I see. Well, this is Virginia Radcliff, your new roommate.

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-And this is Cecilia Ferris.

-Hello.

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How do you do?

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You will acquaint Virginia with our routine, won't you, Cecilia?

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And how. I mean, I surely will, Miss Van Alstyne.

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My name's Pony. Come on in.

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It may smell like it, but the horse isn't under the bed.

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-Oh...

-What's the matter?

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Sister, I've got a new pony that's had ten years' wear

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out of a certain part of my anatomy in the past two days.

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-Does he throw you?

-Throw me? He flips with me. Today I was tails.

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Cigarette?

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Oh, no, thank you.

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Oh, it's all right, nobody can come in.

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The maid just put the chair against the door.

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Yes, but Miss Van Alstyne said we're not supposed to smoke or drink or...

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Oh, they just make those prissy rules to please our parents.

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-Really?

-Sure, so the old folks won't mind

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the genteel racketeering that goes on.

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Racketeering?

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Uh-huh. Gimme your keys.

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They charge you 4 an hour to ride your own horse,

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and 60 a month to feed him.

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60 bucks' worth of hay's enough to give an elephant the gout.

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Not to mention what they knock down

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on uniforms and chaperones and theatre tickets.

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Yes, but...

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But if they have those rules, and we're on our honour, I think we...

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Honour? You're supposed to do exactly as you please in

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this old lady's home for nice young gals.

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Just don't get caught, that's all.

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I still don't want one.

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-KNOCKING

-Oh...

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Just a minute.

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Oh, it's you. Come on in.

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Phew! Smells like a pool hall in here!

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Pool hall over a stable.

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-It's Virginia.

-Has she got a last name?

-It's Radcliff.

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Virginia, this is Ruth Wallace.

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Hello.

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The girl with a smile like a birdcage.

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-Can I help?

-Thanks.

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And this, Virginia,

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is Maggie.

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Maggie Kelly.

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You know very well my name is Madeleine.

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Yeah, I know.

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But, somehow, you look just like a Maggie to me.

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Delighted. Of the New York Radcliffs, of course.

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I guess so, I live in New York.

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Maggie's awfully impressed by society.

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Her family made the social register this year.

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Even now, when her grandfather crosses the railroad tracks

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he thinks he's going to work.

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-He was a construction engineer!

-Construction's right,

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he can't pick up a golf club to this day without spitting on his hand.

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Ha-ha! Say, I could do with a drink.

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Me... I mean, I, too.

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Two days in here, this is going to smell like a horse blanket.

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She is pretty goofy about horses, isn't she?

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She'd pass up a day with Clark Gable to stay home and curry a horse.

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Look, what's this?

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-Swedish punch. Mother brought it.

-Gimme!

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Place your bets, ladies and gentlemen! 20/1 on Kelly!

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Got a corkscrew, Pony?

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Sooner be caught without a toothbrush!

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Your refinement certainly comes out when you see a bottle.

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-Gee, it's a cute bottle.

-Never mind the bottle, let's get inside.

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Please, don't open it.

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Oh, oh, it isn't what you think.

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It's just that...that I promised Miss Van Alstyne I wouldn't.

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And...

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Well, it just doesn't seem right, that's all.

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Don't you believe me it isn't the liquor I care about?

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There's a towel in the bathroom, if you want to clean that up.

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Pony...

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DOOR CLOSES

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LAUGHTER AND CHATTER

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Dinner is served.

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Too tight. Two notches out.

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Shoulders up.

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One, two, three, four, attitudinise.

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Be-au-ti-ful, attitudinise.

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One, two, three, four, attitudinise.

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Grace is power, attitudinise.

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One, two, three, four, attitudinise.

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Good morning, young ladies.

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-ALL:

-Good morning, teacher.

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(The old crow.)

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Sit down, young ladies.

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Now, this morning we will review yesterday's lesson

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on the etiquette of the formal call, the reception and the tea.

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After all, girls, it isn't so much what you do as

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do you do it correctly?

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Uh, Madeleine Kelly.

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Please, tell us how many cards one leaves

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when one makes a call and finds no-one at home.

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One leaves, when one is calling,

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one leaves, um...

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52, if the house is honest.

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Fifty-tw...

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Well, it all depends.

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Yes, that's right.

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One leaves a card of her own

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and one of her daughter's for each lady in the house,

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and a card of her husband's and of her son's

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for each lady and gentleman.

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Now, is that clear, Madeleine?

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Oh, yes, Miss Fisher.

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Ruth Wallace, what is the greatest number ever left of any one card?

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Well, um, I don't remember the exact figures...

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Well, now, let me ask it another way.

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In calling on Mrs Lesley, who has three grown daughters

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and a mother living in the house,

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and a Mrs Powers visiting...

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..you'd leave how many, Ruth?

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Well, let's see. There'd be two for Mrs Lesley,

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-and two apiece for each of her three daughters.

-INAUDIBLE WHISPER

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That makes six and two is eight

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and two for her mother, that makes ten,

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-and two for...

-Virginia Radcliff.

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Please, bring me what you have in your hand.

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(There goes my weekend.)

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I said to bring me that note, Virginia. I presume it is a note.

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I don't know. You see, I don't read things

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that are addressed to other people.

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Please, don't make a scene, Virginia. Bring me the note.

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I'm sorry, Miss Fisher.

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GASPING

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You will, please, go to Miss Van Alstyne's office

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and report this matter to her at once.

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Yes, Miss Fisher.

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Erma Schmidt, what is the difference between a reception and a tea?

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At a tea, only tea...

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BELL RINGS

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CHATTER AND FOOTSTEPS

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Got to hand it to the kid, she certainly rode us out of that one,

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and didn't pull leather once.

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Breeding certainly tells, doesn't it?

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That's what I think every time

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I hear you call a piece of wood a two-by-four.

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I tell you, my grandfather was a famous engineer!

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Why, he built the Erie Canal!

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Yeah, shovel-full at a time.

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I wonder what Van Alstyne will do to Virgie.

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Probably take away her weekend.

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Well, if she does, I certainly owe that gal

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a swell party on her next one.

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There she is.

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Oh, Virgie.

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You sure saved me from a cropper, Virgie. Thanks.

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You'd have done the same for me.

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-Apple?

-Crackers? What happened?

-What'd she say?

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She was grand, she told me just to forget it.

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She'd forget anything just to save an argument.

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No, really, Pony, she was awfully nice about it.

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I know, I know. Listen, I'm planning a weekend with a future,

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and I'd love to have you come along.

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Do you think Miss Van Alstyne would let me?

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If you tell her that my Aunt Jessica Page is going to meet us

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-at the Penn Station...

-There she is now!

-Go ask her, go on!

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Just act like a poor little boid in a gilded cage

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and she'll let you out, go on!

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Do you think we ought to tell Virgie how we're going to

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get out of this asylum for pick-ups?

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What's the use? When you know a person's got

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an ingrowing conscience, why pick on it?

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What's an ingrowing conscience?

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-She's in again.

-Can't you leave us alone?

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Oh, I've had warts that were easier to get rid of.

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-Going on a weekend party?

-ALL:

-Yes.

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-Going with fellas?

-ALL:

-Yes.

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-Can I go?

-ALL:

-No!

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Aw, gee, the way I get treated around here,

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I've got a good chance of dying an old maid!

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BELL RINGS

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Gosh, I get awful tired bumping into you.

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Gee, Pony, I could be a real friend to you,

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if you'd only let me.

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Drink it. It'll save you from having the rickets.

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I bet there isn't a calf in this county that gets a square meal...

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..on account of me!

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I wonder where she is.

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Oh, Aunt Jessica!

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Oh, Cecilia, my dear!

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-And Madeleine and Ruth.

-BOTH:

-Hello, Mrs Page.

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I'm so glad you and your friends could come.

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Aunt Jessica, I want you to know Virginia Radcliff.

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-How do you do, Virginia?

-How do you do? It's so nice of you to have me.

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So glad to see you again, Mrs Page.

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Oh, it's awfully nice of you to take such good care of the girls.

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It's a great satisfaction to know one is doing one small...

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Come on, let's get the...

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Don't you think we better be going, Aunt Jessica?

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Yes, I'm afraid we must hurry. I'm taking the girls to a matinee.

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You'd better be off, then. You'll have them back here

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at five o'clock, Sunday afternoon.

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I'll see that they shan't keep you waiting.

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-Come along, girls.

-Goodbye, girls.

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-ALL:

-Goodbye, Miss Fisher.

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HORN

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Tell him to drop us at the Waldorf.

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We're meeting Spec and George there.

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-Where can we drop you?

-At 42nd Street.

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Oh, cabbie, hesitate at 42nd,

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stop at the Waldorf and carry on to 40 and a half West 60th.

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Yes, ma'am.

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"Ma'am." Did you hear that?

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I'm maturing.

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LAUGHTER

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Here, here's your five, and you're certainly worth it.

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Worth it? I should hope so.

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You know whom I have played with?

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Hackett, Sothern, Maurice Barrymore.

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That's the sort of talent you're getting.

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One step lower and I'll be in the movies.

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You'll be sure to meet us Sunday afternoon, won't you?

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To collect your other five.

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For 10 I'd keep a date with an acrobat.

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Isn't she really your aunt?

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Well, not as far as my uncle knows.

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-What's it all about?

-Forget it.

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-I won't do it.

-Won't do what?

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I won't go through another weekend with this band in my teeth.

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I'm getting a cauliflower lip!

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I'm going to take it off.

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It's cemented on, isn't it?

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This end is loose. Madeleine, see if you can get it off.

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Open wide.

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Say, "Aaah."

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I've lived in houses that had less closet room.

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If you could brace your feet against her lowers,

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you could get more leverage.

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Maybe if one of us climbed inside and helped!

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Take it easy.

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There she comes!

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Oh, jeeper, any bigger and we'd run a trolley on it.

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Get the other end off.

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Why don't you work it back and forth?

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It makes my lower plate rattle.

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Oh, it's getting hot!

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Can't get it off that way.

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-Guess we'll just have to leave it.

-Leave it? You will not.

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You think I'm going to keep a date

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with a girder sticking out of my mouth?

0:18:140:18:16

I've got an idea.

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Pull the tooth out.

0:18:180:18:19

-No, file it off.

-That's it!

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-Hold your face up.

-Be careful of her lip.

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Here, I'll keep it cool.

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-Good afternoon.

-Did you get my telegram?

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-Oh, yes, Miss Ferris, your rooms are ready for you.

-Any messages?

0:18:310:18:33

No phone calls, but two gentlemen from New Haven are here to see you.

0:18:330:18:36

They're waiting upstairs in your sitting room.

0:18:360:18:38

-Thank you. Would you send up some ice and seltzer?

-Right away.

0:18:380:18:41

Number four.

0:18:410:18:42

-Hi, Chuck!

-Pony!

0:18:440:18:46

Oh, when you kiss me like that, the beast in me comes out on all fours.

0:18:490:18:53

Oh, the brown one goes in there and the striped one goes in there.

0:18:550:18:58

Oh, Virginia. This is mine, and it's name is Chuck.

0:18:580:19:01

-Hello, Virginia.

-How do you do?

0:19:010:19:03

And this is Bill Martin, an all-American.

0:19:030:19:05

An all-American what you'll have to find out for yourself.

0:19:050:19:08

Well, to look at you, nobody would think you were a blind date.

0:19:080:19:11

-KNOCKING

-Gee, you're cute. Oh, come in.

0:19:110:19:13

Put them down over here.

0:19:130:19:15

-Hey, where are you all taking us for dinner?

-How about Harlem?

0:19:150:19:18

Oh, that's swell. Oh, Virgie, would you like to, um, powder your nose?

0:19:180:19:21

Mm-hm. Pardon.

0:19:210:19:23

Chuck's a swell guy, isn't he?

0:19:230:19:25

He doesn't look so hot, and he's not so terribly bright,

0:19:250:19:27

but he's a swell guy just the same.

0:19:270:19:30

Bill's cute, too, isn't he?

0:19:300:19:31

Of course, if the swelling ever went out of his head,

0:19:310:19:33

it'd slip down his throat and choke him to death.

0:19:330:19:36

Pony, why did we come to this place?

0:19:360:19:38

We won't meet anyone we know here.

0:19:380:19:40

You can't be seen around New York, it's a cinch.

0:19:400:19:43

I don't like the idea very well.

0:19:440:19:45

I know you don't, but after you've spent

0:19:450:19:47

four years behind the bars of Crockett Hall, you will.

0:19:470:19:50

Don't be so serious, you're supposed to be having a good time!

0:19:500:19:53

I don't think this Bill and I have the same idea of a good time.

0:19:530:19:56

Well, what do you think Bill is, Virgie, a thug?

0:19:570:20:00

You make the rules and he'll play by them.

0:20:000:20:03

I suppose that's right, isn't it?

0:20:030:20:05

Sure. You're like the old maid worrying about the man under the bed

0:20:050:20:08

that ain't there.

0:20:080:20:09

Come on and have yourself some good, clean fun,

0:20:090:20:11

while I lead my dissipated life.

0:20:110:20:14

-You know something, Pony?

-What?

0:20:170:20:19

I've always wanted to get tight.

0:20:190:20:21

You?

0:20:210:20:22

You know, just to see how it feels.

0:20:220:20:24

Yeah, I remember.

0:20:240:20:26

-This would be a good opportunity, wouldn't it?

-Opportunity?

0:20:260:20:30

It's an obligation. Come, little one.

0:20:300:20:32

Boys, there's something you really ought to know.

0:20:340:20:36

-Virginia's going to get fried.

-Virginia's going to get fried?

0:20:360:20:39

Virginia's going to get fried.

0:20:390:20:41

# Virginia's going to get fried Virginia's going to get fried

0:20:410:20:43

# Hi-ho, the merry-oh Virginia's going to get fried

0:20:430:20:46

# Virginia's going to get fried Virginia's going to get fried

0:20:460:20:49

# Hi-ho, the merry-oh Virginia's going to get fried

0:20:490:20:51

# Virginia's going to get fried Virginia's going to get fried

0:20:510:20:54

# Hi-ho, the merry-oh Virginia's going to get fried. #

0:20:540:20:56

LAUGHTER

0:20:560:20:59

Looks like Virginia's going to get fried.

0:21:010:21:03

Wouldn't you like to hear about my dear old grey-haired mother?

0:21:220:21:25

No, sir.

0:21:250:21:26

-So many people don't.

-Take care of him, will you, Bill?

0:21:260:21:29

-See that he gets in.

-OK, Mac.

0:21:290:21:30

-Goodnight.

-Goodnight.

0:21:300:21:32

Well, Joe, another night, another dollar.

0:21:320:21:34

Right you are.

0:21:340:21:36

Can you imagine that?

0:21:360:21:38

People staying up all night when they don't have to?

0:21:380:21:40

-Mac.

-What?

-Will you take this up to number four?

0:21:400:21:42

-They ordered them when they came in an hour ago.

-OK.

-Attaboy.

0:21:420:21:46

FAINT CONVERSATION FROM NEXT ROOM

0:22:160:22:19

Come on...

0:22:190:22:20

Hey, Chuck!

0:22:310:22:33

-Chuck! Come here and get still.

-MAN LAUGHS

0:22:330:22:35

-Will you get out of here?

-Oh, come on, doll.

0:22:360:22:39

Oh, Bill, don't!

0:22:390:22:41

What is it?

0:22:410:22:42

Stop that! You hear me? Stop it!

0:22:420:22:44

Ah...

0:22:440:22:46

-Leave me alone! Leave me alone!

-Yeah...

0:22:460:22:50

Stop that! You hear me? Stop it. Leave me alone.

0:22:500:22:53

Leave me alone!

0:22:530:22:55

Boy, get me a taxi. Hurry, please.

0:22:560:22:59

There you are, running out on me.

0:22:590:23:01

Don't paw me!

0:23:010:23:02

Take it easy, bud. Take it easy.

0:23:020:23:03

-Oh, you keep out of this.

-It's none of my business

0:23:030:23:05

but you can't start a brawl out here, that's all.

0:23:050:23:08

Listen, I'll start a brawl anyplace I like, see? And you can't stop me.

0:23:080:23:12

The whole Harvard line couldn't stop me. You know who I am?

0:23:120:23:16

I'm Bill Martin, see? Nobody stops me.

0:23:160:23:19

Sure, Mr Martin, nobody can stop you

0:23:190:23:21

but, just as a favour to me, will you go back in your room?

0:23:210:23:24

Just because I'm drunk, you think you can push me around.

0:23:240:23:27

Well, you can't, see? Why, I could break you in two.

0:23:270:23:30

What's the sense of that, Mr Martin?

0:23:300:23:32

And all I need is one hand to do it, see?

0:23:320:23:34

Well, of course you can, you're a football player.

0:23:340:23:37

-I'm only...

-Yeah, I'm a football player.

0:23:370:23:38

I think I'll teach you a lesson.

0:23:380:23:41

-This is kind of silly, isn't it, Mr Martin?

-I'll show you...

0:23:410:23:44

Do you suppose he's hurt?

0:23:480:23:49

No, you see, he's Bill Martin(!)

0:23:490:23:52

Look, you'd better get your coat and get out of here

0:23:520:23:54

before he comes to and gets nasty.

0:23:540:23:56

GLASSES CRASH

0:23:560:23:58

HORSES TROT

0:24:000:24:02

Hello, Gertrude.

0:24:070:24:08

Have you had breakfast?

0:24:090:24:11

No?

0:24:110:24:13

All right, we'll fix that.

0:24:130:24:14

Here you are, Gertrude.

0:24:140:24:17

Here you are.

0:24:170:24:19

There you go.

0:24:190:24:21

Do you feel all right?

0:24:500:24:52

Well, look, don't you think you'd better get home?

0:24:580:25:01

I've got to...

0:25:040:25:05

ENGINE RUMBLES

0:25:140:25:17

RUMBLING CONTINUES

0:25:280:25:30

Where did I meet you?

0:25:440:25:46

You didn't meet me. I'm a waiter at the hotel.

0:25:460:25:49

I didn't hold my liquor very well, did I?

0:25:540:25:57

Well, not very long.

0:25:570:25:59

What's your name?

0:26:040:26:05

Ralph McFarland.

0:26:050:26:07

Are you in the habit of picking up girls at night?

0:26:130:26:15

I should say not, or you're the first...

0:26:150:26:19

-Kidding, huh?

-HE COUGHS

0:26:190:26:21

-You're catching cold.

-I'm all right.

0:26:210:26:23

You shouldn't leave the window down.

0:26:230:26:25

Well, you needed the air.

0:26:250:26:27

Here, I'll fix that.

0:26:270:26:29

-Are you sure this is your coat?

-Certainly. Why?

0:26:340:26:37

Cos it doesn't fit you.

0:26:370:26:39

Funny, it did when I was a freshman.

0:26:390:26:42

-Where were you a freshman?

-McGill.

0:26:420:26:44

-Where do you want to go?

-Crockett Hall.

0:26:440:26:46

-What did you study?

-Medicine.

0:26:460:26:48

-Do you go to Crockett Hall?

-Uh-huh.

0:26:480:26:51

You can't practise medicine while waiting on tables, can you?

0:26:510:26:55

No, but you can eat that way while you're interning.

0:26:550:26:58

Oh, don't they pay interns?

0:26:580:26:59

Some hospitals do, but not Beaudline.

0:26:590:27:02

Beaudline? That's a children's hospital, isn't it?

0:27:020:27:05

Uh-huh.

0:27:050:27:06

ENGINE RUMBLES

0:27:060:27:08

As a doctor, you realise that a growing girl needs nourishment,

0:27:180:27:21

don't you?

0:27:210:27:23

OK, I'll give you my favourite prescription.

0:27:240:27:26

What do you mean?

0:27:260:27:28

You'll find out.

0:27:280:27:29

Oh.

0:27:300:27:31

Hey, bud, are you selling that milk?

0:27:330:27:35

No, I'm carrying it around for the cow(!)

0:27:350:27:38

You don't think she'd miss a quart, do you?

0:27:380:27:41

It's 12 cents.

0:27:430:27:45

Thank you, cow.

0:27:450:27:47

ENGINE RUMBLES

0:27:470:27:49

So, finally, the day came to take the cast off the kid's leg.

0:27:530:27:56

You know, that little cuss had all the confidence in the world

0:27:560:27:58

he was going to be all right,

0:27:580:28:00

but none of us were so sure.

0:28:000:28:02

Wipe off your mouth.

0:28:020:28:04

Anyway, we went in and removed the cast.

0:28:040:28:07

And do you know, today, that little kid's walking?

0:28:070:28:10

Yes, in a couple of months, he'll be riding a bicycle.

0:28:100:28:13

When I think what it's costing my father to send me to Crockett Hall,

0:28:150:28:19

-and you had to work your way through school.

-That's all right,

0:28:190:28:22

I probably couldn't have gotten in Crockett Hall.

0:28:220:28:24

CAR HORN HONKS

0:28:280:28:30

ENGINE REVS

0:28:330:28:36

Goodbye and thanks.

0:28:520:28:54

-Hey, hey, what's your name?

-Virginia Radcliff.

0:28:550:28:58

Why, there's Virginia.

0:29:030:29:05

Why, I thought she went to New York with Pony.

0:29:050:29:07

Look at that car.

0:29:070:29:10

This is a strange time to be coming back.

0:29:100:29:12

Good morning, Miss Van Alstyne.

0:29:170:29:19

Will you follow me into my office, Virginia?

0:29:190:29:21

Who's that man she was with?

0:29:280:29:30

That's probably just what Miss Van Alstyne wants to know.

0:29:300:29:33

Virginia, I don't know what to say to you.

0:29:350:29:37

Please let me explain, Miss Van Alstyne.

0:29:370:29:41

You see, I didn't go to Pony's aunt's.

0:29:410:29:44

I cut out of that to go on this party.

0:29:440:29:46

Well, it was a mistake,

0:29:460:29:47

so I thought the best thing to do was come right back here.

0:29:470:29:50

I can't imagine a girl cheapening herself so completely.

0:29:500:29:53

I can't either, now, but I didn't know it then.

0:29:530:29:56

You surely knew enough not to drive up in front of the school

0:29:560:29:59

at this hour in the morning.

0:29:590:30:00

The least one expects of a lady is the nicety to

0:30:000:30:02

cover her indiscretions.

0:30:020:30:03

But I didn't realise what I was getting into.

0:30:030:30:05

That isn't the question at all.

0:30:050:30:07

You have certain obligations as a student in the school,

0:30:070:30:11

and the most important of these is to maintain appearances.

0:30:110:30:14

In other words, you don't care what I do,

0:30:140:30:16

so long as I'm not caught doing it?

0:30:160:30:17

Virginia, you are deliberately misconstruing what I say.

0:30:170:30:21

This is never to happen again.

0:30:210:30:23

Do you understand? Never.

0:30:230:30:25

TRAFFIC RUMBLES

0:30:300:30:32

KNOCK AT DOOR

0:30:420:30:44

Come in.

0:30:440:30:45

Are you busy?

0:30:470:30:49

No, but I'm going to be.

0:30:490:30:52

Gee, I'm glad to see you. Come on in and sit down.

0:30:520:30:56

Is this your office?

0:30:560:30:57

Yeah, mine and five other interns'.

0:30:570:30:59

What do you think of it?

0:30:590:31:01

It's nice.

0:31:010:31:03

Well, are you out on parole?

0:31:030:31:05

No, I just ducked away from the others.

0:31:050:31:07

They brought us up to hear the opera and...

0:31:070:31:10

Have you ever been to a grand opera?

0:31:100:31:12

Did you like it?

0:31:130:31:15

That's good.

0:31:180:31:20

Well, now that we understand each other, how are you?

0:31:200:31:23

-I'm mad at you.

-Hmm?

0:31:230:31:25

Well, I stood on the street corner for three hours and a half

0:31:250:31:28

last Saturday, waiting for you.

0:31:280:31:29

Oh, Mac, I'm sorry, but it wasn't my fault, honestly. They...

0:31:290:31:32

They took us to the museum,

0:31:320:31:34

and what I thought was a mummy when I sneaked past it

0:31:340:31:36

turned out to be Van Alstyne.

0:31:360:31:38

Don't you really think it's kind of silly you're having to sneak out

0:31:410:31:45

-to see me this way?

-What difference does it make?

0:31:450:31:47

Oh, it makes a lot of difference.

0:31:470:31:49

It makes us look cheap and underhanded.

0:31:490:31:51

I don't know what we can do about it.

0:31:530:31:55

Well...

0:31:560:31:58

Couldn't I see you at the school?

0:31:580:32:00

Yes, but...

0:32:000:32:02

Sure, next Sunday for tea.

0:32:040:32:06

-Sandwiches?

-Sandwiches.

0:32:060:32:07

I'll be there.

0:32:070:32:10

Say, I forgot, I haven't eaten yet.

0:32:100:32:13

Do you want to have lunch with me?

0:32:130:32:14

I'd love to.

0:32:140:32:16

Wait a minute. Wait a minute, lunch is right here.

0:32:160:32:19

There you are. That's lunch.

0:32:190:32:21

SHOWER RUNS

0:32:210:32:24

# Never hit your grandma with a shovel

0:32:240:32:26

# For even though in fun would prove a shock

0:32:260:32:29

# So respect her aged head

0:32:290:32:31

# Save the shovel and instead

0:32:310:32:34

# Paste your dear old, sweet old grandmaw with a rock. #

0:32:340:32:39

SHOWER STOPS

0:32:390:32:41

Thank you! Bye!

0:32:440:32:46

THEY GIGGLE AND SQUEAL

0:32:460:32:49

VIRGINIA SQUEALS

0:32:540:32:57

Stop!

0:32:570:32:58

That's for nothing. Thank you.

0:32:580:33:01

Look out! That's for you and that's for you! You...

0:33:010:33:04

Say, we've got to hurry.

0:33:110:33:14

What dress are you going to wear?

0:33:140:33:16

My flowered velvet.

0:33:160:33:18

Gee, Pony, Mac's a grand person.

0:33:180:33:22

Well, he's going to be awfully out of place among

0:33:220:33:24

those Little Lord Fauntleroys they drag in here every Sunday.

0:33:240:33:27

If you took all the hair off of their combined chests,

0:33:310:33:33

you wouldn't have enough to make a wig for a grape.

0:33:330:33:36

Where are my socks?

0:33:360:33:38

I hope he can come.

0:33:380:33:40

Well, why the devil shouldn't he?

0:33:400:33:41

Well, Mac's a very busy person.

0:33:410:33:42

He can't waste time fooling around with girls like us.

0:33:420:33:45

And what's the matter with us?

0:33:450:33:47

Well, we're not very worthwhile.

0:33:470:33:49

Well, it's just talk like that that started the Russian Revolution.

0:33:490:33:52

ENGINE RUMBLES

0:33:520:33:54

It's Mac.

0:34:000:34:02

Where's my dress?

0:34:050:34:06

Hey, wait a minute. Hey, hey, what's the idea?

0:34:110:34:14

Hey, where do you think you are?

0:34:140:34:15

Say, does he always go around dressed up in that garbage can?

0:34:150:34:19

CLASSICAL PIANO MUSIC PLAYS

0:34:220:34:24

You look very gracious, there, girls.

0:34:260:34:28

-BOTH:

-Thank you, Miss Van Alstyne.

0:34:280:34:30

-How are you? I'm so glad to see you.

-GIRLS GIGGLE

0:34:320:34:35

Modulate your voices, girls.

0:34:350:34:37

-BOTH:

-Yes, Miss Van Alstyne.

0:34:370:34:39

Tsk, tsk. Pimples.

0:34:390:34:42

Billie, will you bring us some cakes, please?

0:34:500:34:53

-Edith.

-Yes, Miss Van Alstyne?

0:35:110:35:14

We are not at home to that person.

0:35:140:35:16

Yes, Miss Van Alstyne.

0:35:160:35:18

Pardon me, is Miss Radcliff in?

0:35:200:35:22

I'm sorry, sir, but we're not receiving today.

0:35:220:35:25

-Well, this is Sunday, isn't it?

-Yes, sir, but...

0:35:250:35:28

Well, we're not receiving today.

0:35:290:35:32

I understand.

0:35:320:35:33

That's all right, because I'm not much of a tea hound anyway.

0:35:340:35:37

-Yes, sir.

-GIRLS GIGGLE

0:35:370:35:39

Where's Mr McFarland?

0:35:470:35:48

Miss Van Alstyne...

0:35:480:35:49

Oh, I'm sorry, but we're not at home to him.

0:35:490:35:52

-But I invited him.

-But Miss Van Alstyne said...

0:35:520:35:54

Mac! Mac! ENGINE RUMBLES

0:35:540:35:57

Mac, I'm here!

0:35:570:35:59

SOMBRE PIANO MUSIC PLAYS

0:36:130:36:16

Where is he?

0:36:310:36:33

You will remember me to your mother, won't you?

0:36:330:36:35

Yes, I will.

0:36:350:36:36

Oh, Virginia, I want you to meet Mr Elswyth Marler.

0:36:360:36:39

Delighted, Miss Radcliff.

0:36:390:36:41

Oh, how interesting to meet you.

0:36:410:36:44

I've been reading about the Senate's investigation of your father.

0:36:450:36:49

Tell me, did they make him give back all the money

0:36:490:36:51

he stole from the depositors?

0:36:510:36:53

Virginia, how dare you?

0:36:530:36:54

-How dare you turn Mac away?

-Go to your room.

0:36:540:36:57

Gee, kid, you shouldn't have done that.

0:37:000:37:02

I know.

0:37:020:37:04

I know I shouldn't, but they're so sneaky.

0:37:040:37:06

They cheat and lie to you until you can't keep from doing something.

0:37:060:37:10

I hate them.

0:37:100:37:11

I hate myself!

0:37:110:37:12

Pony. Pony.

0:37:240:37:27

What?

0:37:290:37:30

How do you spell "embarrassment"?

0:37:300:37:32

H-U-M-I-L-I-A-T-I-O-N.

0:37:320:37:35

That's not "embarrassment"!

0:37:350:37:37

I know, but it's easier to spell.

0:37:370:37:39

CROWD CHATTERS AND GIGGLES

0:38:340:38:38

SHE WHISTLES A TUNE

0:38:390:38:41

Off with it.

0:38:450:38:47

Got the horses in?

0:38:470:38:48

PONY SIGHS

0:38:500:38:52

Say, Chuck and I are giving a swell Christmas party.

0:38:520:38:55

No mistletoe, no Santa Claus, no games, no nothing -

0:38:550:38:58

just a good party.

0:38:580:38:59

You and Mac have got to come.

0:38:590:39:02

I don't know, Pony. Mac's a mighty busy man.

0:39:020:39:05

Besides, I don't think he has a tuxedo.

0:39:050:39:07

Easy, we'll make it informal.

0:39:070:39:10

Well, what if he has to work that night?

0:39:100:39:12

Easier still. We'll have it at the hotel.

0:39:120:39:14

Pony.

0:39:140:39:16

Go away, Snapper.

0:39:160:39:18

Oh, listen, Pony.

0:39:180:39:19

Would you do something for me? Would you?

0:39:190:39:21

No!

0:39:210:39:23

What?

0:39:250:39:26

Would you loan me one of your brassieres?

0:39:260:39:28

What for?

0:39:320:39:33

Well, you see, I haven't gotten one,

0:39:330:39:35

and I thought, seeing as it's Christmas and everything

0:39:350:39:37

and I'm going on a house party

0:39:370:39:39

and, well, when the maid unpacks my bag and finds I haven't gotten one,

0:39:390:39:42

how do you think I'm going to feel?

0:39:420:39:44

It's like putting a saddle on a Pekinese, but here it is.

0:39:480:39:51

-Gee, thanks, Pony!

-KNOCK AT DOOR

0:39:510:39:53

Ooh, a telegram. Maybe there's a death in the family!

0:39:550:39:59

It's for you, Miss Radcliff.

0:39:590:40:00

Maybe it's from Mac.

0:40:000:40:02

Is he your boyfriend, Virginia?

0:40:020:40:04

Will you keep your nose out of other people's business

0:40:040:40:06

and take it into your own room and wipe it?

0:40:060:40:08

What's the matter?

0:40:140:40:16

Who's it from?

0:40:180:40:19

Clannish family, you have(!)

0:40:330:40:37

What a swell set-up. You can stay at my house for Christmas.

0:40:370:40:39

-Oh, Pony, can I?

-Sure. Pop down and tell Old Pussyboots

0:40:390:40:42

you're stopping at our shack over the holidays. Go on.

0:40:420:40:44

I'll be right back!

0:40:440:40:46

And so I'm going home with Pony, Miss Van Alstyne.

0:40:490:40:52

I'm sorry, Virginia, but you're not.

0:40:520:40:54

You aren't going to keep me here, are you?

0:40:540:40:57

Your conduct these last few weeks has left me no alternative.

0:40:570:41:00

But, honestly, Miss Van Alstyne, I...

0:41:000:41:02

I won't do anything you wouldn't approve of.

0:41:020:41:04

No, Virginia, you simply are not to be trusted.

0:41:040:41:07

But...but I've been looking forward to Christmas.

0:41:080:41:11

I've made all my plans and...

0:41:110:41:13

And I haven't been to town for weeks, not even to a concert.

0:41:130:41:16

Don't you think I've... I've been punished enough?

0:41:160:41:18

Why, it's certainly no punishment to stay here for Christmas.

0:41:180:41:21

You're just disappointed, Virginia, that's all.

0:41:210:41:24

The spirit of Christmas permeates everywhere,

0:41:240:41:27

and if you'll just adapt yourself to the situation

0:41:270:41:29

and enter into the spirit of things,

0:41:290:41:31

I think you'll find you get just as much out of it as you put in.

0:41:310:41:35

-Merry Christmas.

-Merry Christmas.

0:41:350:41:36

-Mother's giving me a new...

-Tell me what happens.

0:41:360:41:39

-Imagine staying here over the holidays.

-Merry Christmas.

0:41:390:41:41

-Happy New Year.

-Bye.

-Bye.

0:41:410:41:43

BELLS CHIME: Silent Night

0:41:450:41:48

BELLS STOP CHIMING

0:42:250:42:27

BOOT THUDS

0:43:560:43:58

# Jingle bells Jingle bells

0:44:050:44:06

# Jingle all the way. #

0:44:060:44:08

KNOCK AT WINDOW

0:45:270:45:29

Who is it?

0:45:290:45:31

KNOCKING CONTINUES

0:45:310:45:33

Mac!

0:45:390:45:40

HE IS INAUDIBLE THROUGH THE WINDOW

0:45:400:45:44

What? HE MOUTHS

0:45:440:45:46

Oh.

0:45:460:45:48

The boathouse. The boathouse.

0:45:480:45:51

HE MOUTHS

0:45:510:45:53

Three.

0:45:530:45:55

SHE GIGGLES

0:45:570:45:59

I'm here.

0:46:170:46:18

Hello.

0:46:190:46:21

How did you know I had to stay at school?

0:46:220:46:24

-Well, Pony had a party at the hotel last night and told me.

-Oh.

0:46:240:46:28

Look, look, I've got a fire going.

0:46:280:46:32

Let me take your coat.

0:46:320:46:34

How did you ever get away?

0:46:340:46:35

-MAC LAUGHS

-I hired a fellow to take my place.

0:46:350:46:38

-Oh, Mac, you shouldn't have done that.

-Why not?

0:46:380:46:41

Well, you'd have gotten a lot of tips if you'd stayed -

0:46:410:46:44

enough to buy a new overcoat, maybe.

0:46:440:46:46

Will you lay off that overcoat?

0:46:460:46:48

Merry Christmas, Mac.

0:46:580:47:01

Is this Christmas?

0:47:010:47:02

Well, of course it's Christmas.

0:47:020:47:05

Well, then, you ought to have a Christmas present, don't you think?

0:47:050:47:08

Oh.

0:47:170:47:18

Oh, Mac, they're sweet.

0:47:560:48:00

Did you see your name on them?

0:48:040:48:06

Mm-hmm.

0:48:060:48:07

SHE SOBS

0:48:100:48:12

What's the matter? Don't you like them?

0:48:120:48:15

SHE SNIFFS

0:48:160:48:18

Honey, what's the matter?

0:48:180:48:20

Erm...

0:48:200:48:22

Mac, you're so nice. It's...

0:48:220:48:24

Everything's so muddled up here.

0:48:240:48:27

Tell me all about it.

0:48:270:48:29

They...

0:48:290:48:30

They said I'm not to be trusted. SHE SOBS

0:48:300:48:32

Ah.

0:48:320:48:34

You trust me, don't you, Mac?

0:48:340:48:36

Of course I do.

0:48:360:48:37

I...

0:48:390:48:40

I'm not all wrong, am I?

0:48:400:48:42

No.

0:48:420:48:43

I am good, don't you think?

0:48:450:48:48

Well, of course you're good,

0:48:480:48:51

and you're beautiful...

0:48:510:48:54

and sweet.

0:48:540:48:56

Imagine them sending me a purple dress for a Valentine party.

0:49:360:49:39

One has to be so careful about purple at my age.

0:49:390:49:42

You can never tell when someone might mistake it for a lavender,

0:49:420:49:45

-especially with lace on the collar.

-Yessum.

0:49:450:49:47

I haven't made up my mind about the green one.

0:49:470:49:50

Of course, Mrs Farrow has one almost like it.

0:49:500:49:52

But then, see, she's so huge, she looks like a...

0:49:520:49:55

like a lawn in hers.

0:49:550:49:57

I wouldn't look like that, would I?

0:49:570:49:59

Yessum.

0:49:590:50:00

Oh, I'd look like a lawn, would I?

0:50:000:50:02

Ma'am?

0:50:020:50:03

I wish you'd pay attention when I'm talking.

0:50:030:50:05

After all, that's what you're paid for.

0:50:050:50:07

PHONE RINGS

0:50:070:50:10

Hello.

0:50:100:50:11

Oh, hello, Miss Virginia. It's agreeable to hear your voice.

0:50:110:50:15

Yes, miss, she's right here.

0:50:150:50:17

It's Miss Virginia.

0:50:170:50:19

Hello, dear.

0:50:190:50:21

How strange, I was just thinking about you.

0:50:210:50:23

How are you, dear?

0:50:230:50:25

Oh, I'm grand. I feel fine.

0:50:250:50:26

Mother, may I come in town for the weekend?

0:50:280:50:30

Make it next weekend, dear.

0:50:300:50:32

We're dining out tonight,

0:50:320:50:33

and we're going over to Long Island on Sunday.

0:50:330:50:35

But, Mother, I'm... I'm out of everything.

0:50:350:50:38

I have simply got to do some shopping.

0:50:380:50:40

You know, I haven't been in for weeks, not since before Christmas.

0:50:400:50:44

Well...

0:50:440:50:45

Well, I'll take the seven o'clock train back tonight.

0:50:450:50:48

Well, thanks, Mother.

0:50:490:50:51

Listen, will you speak to Miss Van Alstyne and tell her I can go?

0:50:510:50:56

All right, hold on just a minute.

0:50:560:50:58

Oh, Miss Weber,

0:51:030:51:05

I wondered if you would ask Miss Van Alstyne

0:51:050:51:07

if she'd speak to my mother on the phone?

0:51:070:51:09

Of course, dear.

0:51:090:51:10

Thank you.

0:51:100:51:11

No, I won't change the bandages on 809 for you.

0:51:250:51:28

Look, Maude, I've got a date.

0:51:280:51:30

Yes, sir, to change the bandages on 809.

0:51:300:51:32

I'm sick and tired of you interns trying to

0:51:320:51:34

-palm off your work on the nurses around this hospital.

-Oh...

0:51:340:51:37

And say, look in on 840. She's squawking again.

0:51:370:51:41

With a bedside manner like yours, Maude,

0:51:410:51:43

you ought to be an undertaker.

0:51:430:51:45

Squirt!

0:51:450:51:46

Pardon me.

0:51:500:51:52

Yes?

0:51:520:51:53

I wonder if you will tell me where I can find Dr McFarland.

0:51:530:51:56

He's busy.

0:51:560:51:58

Well, if he won't be long, I'd like to wait.

0:51:580:52:01

He's on duty and he WILL be long.

0:52:010:52:03

Could I leave a note?

0:52:050:52:07

-Would you mind giving this to Dr McFarland?

-I will.

0:52:420:52:45

Thank you.

0:52:450:52:47

It doesn't look so good for that kid, Maude.

0:52:520:52:55

What are you doing? Working on a crossword puzzle?

0:52:570:52:59

That isn't funny.

0:52:590:53:01

Well, is anything ever funny to you, Maude?

0:53:010:53:03

Yes, interns!

0:53:030:53:06

There's a note for you.

0:53:060:53:08

Thanks.

0:53:080:53:09

Oh, Maude, I'm just as tired as you look.

0:53:150:53:17

Uh-huh.

0:53:170:53:18

How long ago was she here, Maude?

0:53:460:53:47

She just went down in the elevator.

0:53:470:53:49

I wanted to see her, too.

0:53:490:53:52

The trouble with you interns is

0:53:520:53:54

you've got your mind on osteopathy instead of medicine.

0:53:540:53:56

Maude, you're just a carnal old woman. You know that, don't you?

0:53:560:53:59

Ah.

0:53:590:54:00

Let me know the next time she comes, will you?

0:54:000:54:03

No.

0:54:030:54:04

Thanks.

0:54:040:54:06

So I turned to the sales girl and I said,

0:54:250:54:27

"Really, my good woman, this is too excessive.

0:54:270:54:30

-"Enough is enough. You are going to extremes."

-Yessum.

0:54:300:54:33

And, with that, I motioned to the manager

0:54:330:54:35

and reported the whole affair,

0:54:350:54:36

ver...bottom.

0:54:360:54:39

I mean, -batum, -batim...

0:54:390:54:41

-Oh, well.

-Yessum.

0:54:410:54:43

He was utterly horrified to the point of being aghast,

0:54:430:54:47

and assured me that...

0:54:470:54:48

Hello, Virginia.

0:54:480:54:50

Are you leaving already?

0:54:500:54:51

In a few minutes.

0:54:510:54:54

May I talk to you, Mother?

0:54:540:54:55

Well, of course, darling.

0:54:550:54:57

That'll be all, Evelyn.

0:54:570:54:58

-Well...

-Hand me my case, darling.

0:54:580:55:01

This dress need something more.

0:55:010:55:03

The neck's all wrong.

0:55:030:55:04

Really, these dressmakers, they're too stupid.

0:55:040:55:07

You pay them a large fortune,

0:55:070:55:09

and you practically design your clothes yourself.

0:55:090:55:12

Mother, I came to you because I thought that...

0:55:120:55:15

You're perfectly right, dear.

0:55:150:55:17

I said that to Mrs Baker today.

0:55:170:55:19

She's having a terrible time with Geraldine.

0:55:190:55:21

Really, that girl is...

0:55:210:55:23

That girl is...

0:55:230:55:24

Look, darling, don't you think that's very original?

0:55:240:55:27

You mustn't frown like that, dear,

0:55:270:55:29

or when you are my age, you'll have to go through

0:55:290:55:32

the excruciating agony of ironing those wrinkles out.

0:55:320:55:34

But, Mother, you've just got to listen to me.

0:55:340:55:36

Well, of course, darling.

0:55:360:55:38

Who else is there for you to bring your little worries to but Mother?

0:55:380:55:41

Well...

0:55:440:55:46

The first thing is, I want to leave Crockett Hall.

0:55:460:55:49

-You see, I...

-I know. I know all about it.

0:55:490:55:51

Miss Van Alstyne wrote me.

0:55:510:55:52

Oh, Virginia, how can you forget what you are,

0:55:520:55:55

and for what you stand,

0:55:550:55:56

so far as to fall in love with a waiter?

0:55:560:55:58

A common waiter!

0:55:580:56:00

He isn't a waiter. He's an intern in a hospital.

0:56:000:56:02

He waits in a hotel, doesn't he?

0:56:020:56:03

Well, yes, but that's just...

0:56:030:56:05

Oh, well, then, he's a waiter.

0:56:050:56:07

I was going to ignore the entire matter,

0:56:070:56:09

but you'd drag it into our home and force an issue?

0:56:090:56:11

Very well, Virginia.

0:56:110:56:12

I'm going to turn the whole thing over to Miss Van Alstyne,

0:56:120:56:15

and I'm not going to let you come to town any more.

0:56:150:56:18

You'll see if your father doesn't say I'm right.

0:56:180:56:21

Frank. Frank.

0:56:230:56:25

What?

0:56:250:56:27

Come in here a minute, please.

0:56:270:56:28

Well, what's the matter?

0:56:320:56:33

Virginia's in love with a waiter.

0:56:330:56:35

So, is he a good waiter, Virginia?

0:56:350:56:38

Oh, Frank!

0:56:380:56:40

Are you going to take this thing seriously or not?

0:56:400:56:42

Why should I? I'm not in love with him.

0:56:420:56:44

Doesn't your own flesh and blood mean anything to you?

0:56:440:56:47

Suppose she should elope with this...this...

0:56:470:56:49

-Waiter.

-..waiter.

0:56:490:56:51

Oh, Mother, he hasn't even asked me to marry him.

0:56:510:56:54

It's no wonder you always have bronchitis,

0:56:540:56:56

yelling about things that have no intention of ever happening.

0:56:560:56:59

Frank, just a minute.

0:56:590:57:01

-Well?

-You haven't heard all of this, not by any means.

0:57:010:57:03

-No?

-She refuses to go back to Crockett Hall.

0:57:030:57:05

Well, supposing she does, you were the one who wanted her to

0:57:050:57:08

go there in the first place.

0:57:080:57:09

Why, I'm sure I do not know,

0:57:090:57:11

when there are schools and colleges that'd give her a decent education,

0:57:110:57:14

but you insisted, so it's up to you to talk her into going back again.

0:57:140:57:18

You can't put the responsibility of our daughter's entire future on me.

0:57:180:57:21

Now, look here, Helen, the only responsibility you have in the world

0:57:210:57:24

is to be a reasonably good mother to that kid

0:57:240:57:25

during the few months when she's home from school.

0:57:250:57:29

And let me tell you something else, if you don't stop hectoring me

0:57:290:57:32

about every unimportant detail in this household,

0:57:320:57:34

from the butler's halitosis to Virginia's school,

0:57:340:57:37

there's going to be a waiter in this family all right,

0:57:370:57:40

and it's going to be me,

0:57:400:57:41

and you'll be out in the kitchen rustling pots and pans,

0:57:410:57:43

for the market's in such shape that a man can't even go out to...

0:57:430:57:46

Frank!

0:57:460:57:47

..eat!

0:57:470:57:49

Without losing his shirt.

0:57:500:57:52

FABRIC RIPS

0:57:540:57:56

And my advice to you, Ginny, is to do as you jolly well please.

0:57:570:58:01

-I mustn't cry. I mustn't.

-HELEN SOBS

0:58:090:58:12

-My make-up.

-SHE SNIFFS

0:58:120:58:14

I won't cry.

0:58:140:58:16

I won't cry.

0:58:160:58:18

Love is everywhere.

0:58:180:58:20

-HELEN SOBS

-Peace and contentment.

0:58:200:58:23

Oh, Miss Weber,

0:58:540:58:55

send Virginia Radcliff to me as soon as breakfast is over.

0:58:550:58:58

I'll have my coffee now.

0:59:010:59:03

BELL RINGS

0:59:030:59:05

-Miss Weber. Oh.

-Miss Weber, is there any mail?

0:59:080:59:11

-Miss Weber, have you got something for me?

-Miss Weber...

0:59:110:59:14

Don't snatch, girls. Be quiet.

0:59:140:59:18

-Ruth.

-Yes.

0:59:180:59:20

Is there anything for me, Miss Weber?

0:59:200:59:22

Nothing today, dear.

0:59:240:59:26

Florence,

0:59:260:59:28

Elizabeth,

0:59:280:59:29

Gertrude...

0:59:290:59:30

I wonder if you'd look again. I'm sure there must be something.

0:59:300:59:33

No, there's nothing.

0:59:330:59:35

Oh, Virginia,

0:59:360:59:37

Miss Van Alstyne wishes to see you in her office immediately.

0:59:370:59:41

Oh, yes, Miss Weber.

0:59:420:59:43

Ruth,

0:59:460:59:48

Myrtle,

0:59:480:59:51

Madeleine,

0:59:510:59:53

Irma...

0:59:530:59:55

Virginia, come in.

0:59:570:59:59

Sit down and let me pour you a cup of coffee.

1:00:041:00:07

Oh, no, thank you, Miss Van Alstyne.

1:00:071:00:09

Now, tell me, dear, what's troubling you?

1:00:151:00:17

Why, nothing. I'm all right. It's nothing.

1:00:171:00:20

Oh, yes, it is.

1:00:201:00:22

I've seen it and I've wanted to help you,

1:00:221:00:24

but I was afraid you'd resent me.

1:00:241:00:27

Let me help you.

1:00:271:00:29

I'm sure I can understand.

1:00:291:00:30

Well, I...

1:00:331:00:36

It's nothing.

1:00:401:00:42

-It's that Ralph McFarland, isn't it?

-Oh, no.

1:00:421:00:44

Has he been annoying you, dear?

1:00:441:00:47

Why, no, I'm...

1:00:471:00:49

On the contrary, I haven't heard from him for some time.

1:00:491:00:52

Oh, so that explains the little heartaches.

1:00:521:00:56

Well, you see, dear,

1:00:561:00:57

no doubt he realises the impossibility of the whole thing,

1:00:571:01:01

and he's taken the easiest way to tell you,

1:01:011:01:04

and it's very fortunate,

1:01:041:01:05

because in a few months your own good taste

1:01:051:01:07

would have dominated over this infatuation.

1:01:071:01:10

It'll probably be a little difficult for you, at first, to get over this,

1:01:111:01:16

but I'm going to help you all I can.

1:01:161:01:19

Thank you, Miss Van Alstyne.

1:01:191:01:21

May I go now?

1:01:211:01:22

Why, certainly.

1:01:221:01:24

Oh, just a moment, Virginia.

1:01:261:01:28

There is something I want you to do for me.

1:01:321:01:34

I want you to go up and see Dr Hewitt.

1:01:341:01:36

You've been looking badly of late and it's worried me.

1:01:361:01:40

Oh, Miss Van Alstyne, I...

1:01:401:01:41

Perhaps it's nothing at all.

1:01:411:01:43

'Yes, Miss Van Alstyne?'

1:01:431:01:44

Dr Hewitt, I'm sending Virginia Radcliff up to see you.

1:01:441:01:47

'I'm sorry, Dr Hewitt went into the village.

1:01:471:01:49

'She'll be back in about an hour.'

1:01:491:01:50

Have her report to me immediately.

1:01:501:01:53

You may go to your classes, Virginia. I'll send for you later.

1:01:531:01:56

Yes, Miss Van Alstyne.

1:01:561:01:58

Miss Weber, get Mrs Radcliff for me on the phone,

1:02:071:02:09

and if you can't reach her,

1:02:091:02:11

I'll talk to Mr Radcliff at his office.

1:02:111:02:13

Oh, and, Miss Weber, keep your eye on Virginia.

1:02:131:02:15

I may want to see her again in about an hour.

1:02:151:02:18

Hi, Virgie! Where'd you go after breakfast?

1:02:181:02:20

I was up at the room and...

1:02:201:02:21

What's the matter?

1:02:221:02:24

SHE SOBS Pony, I'm frightened.

1:02:241:02:27

Tell me. Maybe I can help.

1:02:281:02:30

Nobody can help. Nobody but...

1:02:301:02:33

but Mac and...

1:02:331:02:34

but he wouldn't see me.

1:02:341:02:36

He hasn't even answered my letters and now they...

1:02:361:02:38

Steady. Weber's watching.

1:02:381:02:40

Snap out of it, kid.

1:02:421:02:43

VIRGINIA INHALES

1:02:431:02:45

Attagirl.

1:02:451:02:47

Here comes Ruth and Madeleine. You go on to classes with them.

1:02:471:02:51

I'll see you later.

1:02:511:02:52

-Hello.

-Hello.

1:02:521:02:53

-What's the matter?

-Oh, nothing, nothing.

1:02:531:02:55

-Are you coming?

-Yeah.

1:02:551:02:57

Hello, may I speak to Dr McFarland, please?

1:03:081:03:11

Hello, Mac, this is Pony.

1:03:131:03:15

I'm calling about Virginia.

1:03:151:03:17

What about Virginia?

1:03:171:03:18

It isn't any of my business, but I thought you ought to know...

1:03:181:03:22

What's that?

1:03:231:03:24

What?

1:03:241:03:26

I'm coming right out.

1:03:261:03:27

And now I will dispose of Tolstoy and his works in a few brief words.

1:03:281:03:33

If you will take notes on this,

1:03:331:03:34

it will be sufficient for all conversational purposes.

1:03:341:03:38

It will also save you the time and effort of

1:03:381:03:40

reading the books yourselves.

1:03:401:03:42

Anna Karenina is not only Tolstoy's best-known work,

1:03:421:03:47

-it is also his most famous character portrayal...

-(Virginia.)

1:03:471:03:50

..that of a woman who abandoned herself to passion,

1:03:501:03:53

defied convention,

1:03:531:03:56

came face-to-face with her own soul,

1:03:561:03:59

which mocked her with the harm she had brought upon herself and others,

1:03:591:04:03

sought for a solution and found only one - suicide.

1:04:031:04:09

Self-destruction was the only way out.

1:04:091:04:13

Although the story does not advocate doing away with oneself,

1:04:131:04:16

it does show, by taking the easiest way out,

1:04:161:04:19

one often finds peace in death.

1:04:191:04:23

Now, in War And Peace, we find...

1:04:231:04:25

-We find...

-Virginia's to come with me.

1:04:251:04:27

-SHE MOUTHS

-Certainly, Miss Weber.

1:04:271:04:29

Virginia, you are excused to go with Miss Weber.

1:04:291:04:32

Virginia.

1:04:331:04:35

Virginia Radcliff!

1:04:351:04:37

Oh.

1:04:371:04:39

I beg your pardon, Miss Fisher?

1:04:391:04:41

I said, Virginia, you are excused to go with Miss Weber.

1:04:411:04:44

Oh. Oh, yes.

1:04:451:04:47

Well, there you are, Virginia.

1:04:541:04:56

That's all, Miss Weber. Thank you.

1:04:561:04:58

You'll find a robe in here, my dear. Come along.

1:05:021:05:05

We'll get this over in short order.

1:05:051:05:07

Come on, there's nothing to be afraid of.

1:05:071:05:10

-Stop this nonsense. Into the other room with you.

-No.

1:05:101:05:12

-It'll be over in a moment.

-No.

1:05:121:05:13

No, let me alone. I won't, I tell you! You can't make me!

1:05:131:05:16

-I won't.

-Stop it.

-Get your hands off me.

1:05:161:05:18

-Let me alone! I won't have it!

-What's the matter?

1:05:181:05:21

What are you afraid of?

1:05:211:05:23

-Let me alone.

-You'll do exactly as I say.

1:05:231:05:25

-But, Miss Van Alstyne...

-Dr Hewitt.

1:05:251:05:27

Since the day you entered this school,

1:05:321:05:34

you thought yourself too clever,

1:05:341:05:35

too different to be bound by any responsibilities to society.

1:05:351:05:38

Now you're afraid that we'll discover that you weren't clever -

1:05:381:05:41

that you aren't different, merely cheap and vulgar.

1:05:411:05:44

You can't talk like this to me.

1:05:441:05:46

It wasn't cheap! It wasn't vulgar! I'm not ashamed.

1:05:461:05:50

You're not ashamed?

1:05:501:05:51

Of what?

1:05:511:05:53

So that's it.

1:05:531:05:55

You don't care that you've brought disgrace on this school

1:05:551:05:58

for the first time in all its long history?

1:05:581:06:00

School? This school?

1:06:001:06:02

What? What, we don't matter, just the school?

1:06:021:06:05

We're supposed to have nice manners so that...

1:06:051:06:08

so that the school will be praised.

1:06:081:06:09

We're put on our own just so the school won't be blamed.

1:06:091:06:12

And if something should happen to us, why, I suppose...

1:06:121:06:16

I suppose we should die rather than disgrace this precious school.

1:06:161:06:19

Well, I don't care, do you hear?

1:06:191:06:21

I'm glad I disgraced it! I'm glad!

1:06:211:06:23

Perhaps you won't be so glad

1:06:231:06:25

when you're turned out of here like a servant girl -

1:06:251:06:27

when you hear that this McFarland boasts of an easy conquest...

1:06:271:06:30

-Oh, stop, stop!

-..when others are whispering behind your back.

1:06:301:06:33

Oh, please. Please, you've said all there is to say.

1:06:331:06:35

Oh, no, there's much more to say.

1:06:351:06:38

Miss Van Alstyne.

1:06:381:06:39

-Mother!

-Oh, Virginia, what have you done? How could you?

1:06:411:06:43

-Oh, Mother.

-Think what it means.

1:06:431:06:45

Miss Van Alstyne, what is there to do? The disgrace!

1:06:451:06:47

-I'm thinking of it.

-What have I done to deserve this?

1:06:471:06:49

-What can I say to the others?

-My friends, how can I face them?

1:06:491:06:52

-My school!

-Oh, you've got to stop.

1:06:521:06:54

You've got to. I can't hear those things again.

1:06:541:06:57

I can't! I won't.

1:06:571:06:58

Can't. I can't.

1:06:581:07:00

I won't! They can't talk like that.

1:07:001:07:02

ENGINE RUMBLES

1:07:021:07:05

Mac.

1:07:081:07:09

Mac!

1:07:121:07:13

Mac! Mac!

1:07:241:07:28

Honey.

1:07:291:07:31

SHE SOBS

1:07:311:07:33

Oh, Mac.

1:07:351:07:37

You do love me, don't you?

1:07:381:07:39

You bet your life I do.

1:07:391:07:41

But you don't know about what...

1:07:431:07:45

Yes, I do, I know all about it,

1:07:451:07:46

and we're going to have a great time, too.

1:07:461:07:49

HE CHUCKLES

1:07:491:07:51

Oh, I'm so glad you're here.

1:07:531:07:55

SHE SOBS

1:07:551:07:57

Sweetheart, what are you shaking like that for?

1:07:571:07:59

Mac...

1:07:591:08:00

I almost jumped off that balcony.

1:08:021:08:04

You... You almost...?

1:08:041:08:06

What for?

1:08:061:08:07

Well, they were saying that...

1:08:071:08:09

FOOTSTEPS APPROACH

1:08:091:08:11

How dare you come here? The effrontery!

1:08:131:08:15

Miss Van Alstyne, what are we going to do?

1:08:151:08:17

Those two?

1:08:171:08:19

You mean those two old flaps could make you want to

1:08:191:08:21

jump out of a window?

1:08:211:08:23

Ah!

1:08:231:08:24

Honey, where's your sense of humour?

1:08:241:08:26

Young man, I shan't be spoken to this way.

1:08:261:08:29

No kidding.

1:08:291:08:30

You really take this dump seriously, don't you?

1:08:301:08:33

Maybe you don't realise the world's too busy earning

1:08:331:08:35

its three squares a day to worry about what fork to eat them with.

1:08:351:08:39

Stick around, sister,

1:08:391:08:40

because it won't be long before this is an old ladies' home.

1:08:401:08:43

Come on, honey.

1:08:451:08:46

Hello, Ginny.

1:08:501:08:51

And just why was I called out of a conference?

1:08:511:08:54

Are you Mr Radcliff?

1:08:541:08:55

Uh-huh.

1:08:551:08:57

Well, I'm marrying your daughter today.

1:08:571:09:00

So...

1:09:001:09:02

Well, what have you got to say about it?

1:09:021:09:05

Have a cigar.

1:09:061:09:09

-Thanks.

-Oh, Daddy.

1:09:091:09:11

Oh...

1:09:121:09:13

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