
Browse content similar to Finishing School. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
BUZZING | 0:02:17 | 0:02:18 | |
-Yes? -'Mrs Radcliff and Miss Virginia are here.' | 0:02:20 | 0:02:22 | |
Ask them to come in, please. | 0:02:22 | 0:02:23 | |
How do you do, Mrs Radcliff? Or rather, Helen, if I may. | 0:02:27 | 0:02:30 | |
Of course, of course, please, do, you must, in fact. | 0:02:30 | 0:02:34 | |
Imagine you at the head of Crockett Hall. | 0:02:34 | 0:02:36 | |
You were teaching when I was here. | 0:02:36 | 0:02:38 | |
Literature, wasn't it? | 0:02:38 | 0:02:39 | |
-Latin, I believe. -Latin? | 0:02:39 | 0:02:41 | |
Oh, imagine, darling, Mother spoke Latin! | 0:02:41 | 0:02:44 | |
Oh, Miss Van Alstyne, this is my daughter, Virginia. | 0:02:44 | 0:02:47 | |
Utterly ridiculous, isn't it? | 0:02:47 | 0:02:48 | |
-How do you do, Virginia? -How do you do? | 0:02:48 | 0:02:50 | |
She looks like some painting by, uh...some painter, doesn't she? | 0:02:50 | 0:02:54 | |
Won't you sit down? | 0:02:55 | 0:02:57 | |
Tell me, Virginia, how do you think you're going to like it here? | 0:02:58 | 0:03:01 | |
Oh, she'll be mad, utterly mad about it. | 0:03:01 | 0:03:04 | |
We've ordered her such a darling wardrobe. Sending four horses down. | 0:03:04 | 0:03:07 | |
I'm sorry to disappoint you, Virginia, but we wear uniforms here. | 0:03:07 | 0:03:11 | |
Uniforms? | 0:03:13 | 0:03:14 | |
Oh, yes, I'd forgotten. Perfectly hideous things. | 0:03:14 | 0:03:16 | |
You'll love them, darling, so smart and proper! | 0:03:18 | 0:03:21 | |
And I'm afraid you can have only two horses. | 0:03:23 | 0:03:25 | |
I don't mind at all, if that's the rule. | 0:03:25 | 0:03:28 | |
You'll find we have quite a few rules, my dear, | 0:03:28 | 0:03:30 | |
and when you're a little older, | 0:03:30 | 0:03:32 | |
you'll understand how necessary they all are. | 0:03:32 | 0:03:35 | |
Oh, you understand about weekends? | 0:03:35 | 0:03:37 | |
Weekends? Is Virginia coming home weekends? | 0:03:38 | 0:03:41 | |
Well, only when convenient for you. | 0:03:41 | 0:03:43 | |
A teacher will take Virginia to the Pennsylvania Station, | 0:03:44 | 0:03:47 | |
where she will be met by some member of your family. | 0:03:47 | 0:03:49 | |
And then, on Sunday afternoons, | 0:03:49 | 0:03:51 | |
she'll be met again and returned here. | 0:03:51 | 0:03:52 | |
Oh, about visitors - | 0:03:53 | 0:03:55 | |
their names must be on a list approved by you. | 0:03:55 | 0:03:58 | |
Perfect. Frankly, that's why I'm entrusting Virginia to your care. | 0:03:58 | 0:04:01 | |
A girl must be protected from people who don't belong. | 0:04:01 | 0:04:05 | |
Especially nowadays, when the purchase of a dress suit | 0:04:05 | 0:04:07 | |
automatically makes a man a gentleman. | 0:04:07 | 0:04:09 | |
We appreciate that fact. | 0:04:09 | 0:04:10 | |
Do you know what time it is? | 0:04:10 | 0:04:12 | |
-It's 4.30. -Precisely 4.30. | 0:04:12 | 0:04:13 | |
One hour to New York and a date for cocktails. | 0:04:13 | 0:04:16 | |
I must run. You will forgive me. | 0:04:16 | 0:04:18 | |
Take good care of my little girl, won't you? But you will. | 0:04:18 | 0:04:20 | |
I'm always late. | 0:04:20 | 0:04:22 | |
Goodbye, Miss Van Alstyne, I must run. | 0:04:22 | 0:04:24 | |
Mother. | 0:04:24 | 0:04:25 | |
I hadn't really gone, darling. | 0:04:28 | 0:04:30 | |
Mother's going to miss you dreadfully. | 0:04:30 | 0:04:31 | |
You will write, won't you, dear? | 0:04:31 | 0:04:33 | |
You are going to be happy, aren't you, darling? Of course you are. | 0:04:33 | 0:04:36 | |
-Goodbye, dear. -Goodbye, Mother. | 0:04:36 | 0:04:37 | |
Shall we go up and meet your roommate? | 0:04:42 | 0:04:44 | |
After you're all settled, you won't feel so lonely. | 0:04:48 | 0:04:51 | |
I'm sure I won't. | 0:04:51 | 0:04:52 | |
You see, I've wanted to come here ever since I was a little girl. | 0:04:52 | 0:04:55 | |
And now you're here. | 0:04:55 | 0:04:57 | |
You'll find that we do everything we can to make you happy. | 0:04:57 | 0:05:00 | |
-Miss Van Alstyne! -How do you do, girls? | 0:05:00 | 0:05:02 | |
From time to time, we take you into New York for the concerts, | 0:05:02 | 0:05:05 | |
for the art galleries, for the opera and the better plays. | 0:05:05 | 0:05:09 | |
-Good afternoon, Miss Van Alstyne. -How do you do, Betty? | 0:05:09 | 0:05:11 | |
There's a chaperone, on whose good taste you can always depend. | 0:05:11 | 0:05:15 | |
You see, dear, we try to do all the worthwhile things. | 0:05:15 | 0:05:19 | |
The aim of our school, and, we like to believe, the achievement, | 0:05:21 | 0:05:24 | |
is to prepare young ladies to meet, graciously, all social demands. | 0:05:24 | 0:05:28 | |
You have a sweet smile, dear, | 0:05:28 | 0:05:31 | |
but another one of our pesky rules, we don't allow lipstick. | 0:05:31 | 0:05:34 | |
-All right. -And we don't smoke, and, naturally, we don't drink. | 0:05:34 | 0:05:38 | |
We only mention this once, Virginia, | 0:05:38 | 0:05:40 | |
because we're on the honour system here. | 0:05:40 | 0:05:42 | |
I know I can trust you. | 0:05:42 | 0:05:43 | |
Oh, yes, Miss Van Alstyne. | 0:05:43 | 0:05:45 | |
You'll like Miss Ferris, she comes from a fine, old family. | 0:05:45 | 0:05:48 | |
KNOCKING | 0:05:48 | 0:05:49 | |
LOUDER KNOCKING | 0:05:51 | 0:05:52 | |
'Hey, what are you doing? Posting bills, or do you want to come in?' | 0:05:52 | 0:05:55 | |
Cecilia. | 0:05:55 | 0:05:57 | |
'Oh...' | 0:05:57 | 0:05:58 | |
THUDDING AND STOMPING | 0:05:58 | 0:06:01 | |
Cecilia, you know our rule. | 0:06:04 | 0:06:06 | |
Why is this door locked? | 0:06:06 | 0:06:07 | |
Oh, it wasn't locked, Miss Van Alstyne, | 0:06:07 | 0:06:09 | |
uh, the trunk just happened to be against it. | 0:06:09 | 0:06:11 | |
And how did the trunk just happen to be against it? | 0:06:11 | 0:06:14 | |
Well, you know how it is with a trunk. | 0:06:14 | 0:06:16 | |
It's either here or there with a trunk. | 0:06:16 | 0:06:19 | |
I see. Well, this is Virginia Radcliff, your new roommate. | 0:06:19 | 0:06:22 | |
-And this is Cecilia Ferris. -Hello. | 0:06:22 | 0:06:24 | |
How do you do? | 0:06:24 | 0:06:26 | |
You will acquaint Virginia with our routine, won't you, Cecilia? | 0:06:26 | 0:06:29 | |
And how. I mean, I surely will, Miss Van Alstyne. | 0:06:29 | 0:06:31 | |
My name's Pony. Come on in. | 0:06:33 | 0:06:34 | |
It may smell like it, but the horse isn't under the bed. | 0:06:53 | 0:06:56 | |
-Oh... -What's the matter? | 0:06:58 | 0:07:01 | |
Sister, I've got a new pony that's had ten years' wear | 0:07:01 | 0:07:03 | |
out of a certain part of my anatomy in the past two days. | 0:07:03 | 0:07:05 | |
-Does he throw you? -Throw me? He flips with me. Today I was tails. | 0:07:05 | 0:07:09 | |
Cigarette? | 0:07:10 | 0:07:11 | |
Oh, no, thank you. | 0:07:12 | 0:07:14 | |
Oh, it's all right, nobody can come in. | 0:07:14 | 0:07:15 | |
The maid just put the chair against the door. | 0:07:15 | 0:07:17 | |
Yes, but Miss Van Alstyne said we're not supposed to smoke or drink or... | 0:07:18 | 0:07:21 | |
Oh, they just make those prissy rules to please our parents. | 0:07:21 | 0:07:24 | |
-Really? -Sure, so the old folks won't mind | 0:07:24 | 0:07:26 | |
the genteel racketeering that goes on. | 0:07:26 | 0:07:28 | |
Racketeering? | 0:07:28 | 0:07:30 | |
Uh-huh. Gimme your keys. | 0:07:30 | 0:07:31 | |
They charge you 4 an hour to ride your own horse, | 0:07:32 | 0:07:35 | |
and 60 a month to feed him. | 0:07:35 | 0:07:36 | |
60 bucks' worth of hay's enough to give an elephant the gout. | 0:07:38 | 0:07:41 | |
Not to mention what they knock down | 0:07:42 | 0:07:44 | |
on uniforms and chaperones and theatre tickets. | 0:07:44 | 0:07:46 | |
Yes, but... | 0:07:46 | 0:07:49 | |
But if they have those rules, and we're on our honour, I think we... | 0:07:49 | 0:07:52 | |
Honour? You're supposed to do exactly as you please in | 0:07:52 | 0:07:54 | |
this old lady's home for nice young gals. | 0:07:54 | 0:07:56 | |
Just don't get caught, that's all. | 0:07:56 | 0:07:58 | |
I still don't want one. | 0:07:58 | 0:08:00 | |
-KNOCKING -Oh... | 0:08:00 | 0:08:01 | |
Just a minute. | 0:08:02 | 0:08:04 | |
Oh, it's you. Come on in. | 0:08:08 | 0:08:10 | |
Phew! Smells like a pool hall in here! | 0:08:10 | 0:08:12 | |
Pool hall over a stable. | 0:08:12 | 0:08:14 | |
-It's Virginia. -Has she got a last name? -It's Radcliff. | 0:08:16 | 0:08:19 | |
Virginia, this is Ruth Wallace. | 0:08:19 | 0:08:20 | |
Hello. | 0:08:20 | 0:08:22 | |
The girl with a smile like a birdcage. | 0:08:22 | 0:08:23 | |
-Can I help? -Thanks. | 0:08:24 | 0:08:27 | |
And this, Virginia, | 0:08:27 | 0:08:28 | |
is Maggie. | 0:08:28 | 0:08:30 | |
Maggie Kelly. | 0:08:30 | 0:08:31 | |
You know very well my name is Madeleine. | 0:08:31 | 0:08:33 | |
Yeah, I know. | 0:08:33 | 0:08:34 | |
But, somehow, you look just like a Maggie to me. | 0:08:35 | 0:08:37 | |
Delighted. Of the New York Radcliffs, of course. | 0:08:41 | 0:08:43 | |
I guess so, I live in New York. | 0:08:43 | 0:08:45 | |
Maggie's awfully impressed by society. | 0:08:45 | 0:08:47 | |
Her family made the social register this year. | 0:08:47 | 0:08:49 | |
Even now, when her grandfather crosses the railroad tracks | 0:08:49 | 0:08:52 | |
he thinks he's going to work. | 0:08:52 | 0:08:53 | |
-He was a construction engineer! -Construction's right, | 0:08:53 | 0:08:55 | |
he can't pick up a golf club to this day without spitting on his hand. | 0:08:55 | 0:08:58 | |
Ha-ha! Say, I could do with a drink. | 0:08:58 | 0:09:01 | |
Me... I mean, I, too. | 0:09:01 | 0:09:03 | |
Two days in here, this is going to smell like a horse blanket. | 0:09:03 | 0:09:06 | |
She is pretty goofy about horses, isn't she? | 0:09:06 | 0:09:08 | |
She'd pass up a day with Clark Gable to stay home and curry a horse. | 0:09:08 | 0:09:11 | |
Look, what's this? | 0:09:12 | 0:09:14 | |
-Swedish punch. Mother brought it. -Gimme! | 0:09:15 | 0:09:17 | |
Place your bets, ladies and gentlemen! 20/1 on Kelly! | 0:09:18 | 0:09:21 | |
Got a corkscrew, Pony? | 0:09:23 | 0:09:24 | |
Sooner be caught without a toothbrush! | 0:09:24 | 0:09:26 | |
Your refinement certainly comes out when you see a bottle. | 0:09:27 | 0:09:30 | |
-Gee, it's a cute bottle. -Never mind the bottle, let's get inside. | 0:09:30 | 0:09:34 | |
Please, don't open it. | 0:09:34 | 0:09:35 | |
Oh, oh, it isn't what you think. | 0:09:49 | 0:09:50 | |
It's just that...that I promised Miss Van Alstyne I wouldn't. | 0:09:51 | 0:09:54 | |
And... | 0:09:54 | 0:09:55 | |
Well, it just doesn't seem right, that's all. | 0:09:55 | 0:09:58 | |
Don't you believe me it isn't the liquor I care about? | 0:10:00 | 0:10:03 | |
There's a towel in the bathroom, if you want to clean that up. | 0:10:21 | 0:10:24 | |
Pony... | 0:10:24 | 0:10:25 | |
DOOR CLOSES | 0:10:25 | 0:10:26 | |
LAUGHTER AND CHATTER | 0:10:29 | 0:10:31 | |
Dinner is served. | 0:10:33 | 0:10:35 | |
Too tight. Two notches out. | 0:10:50 | 0:10:52 | |
Shoulders up. | 0:10:58 | 0:10:59 | |
One, two, three, four, attitudinise. | 0:11:05 | 0:11:08 | |
Be-au-ti-ful, attitudinise. | 0:11:08 | 0:11:11 | |
One, two, three, four, attitudinise. | 0:11:11 | 0:11:15 | |
Grace is power, attitudinise. | 0:11:15 | 0:11:18 | |
One, two, three, four, attitudinise. | 0:11:18 | 0:11:21 | |
Good morning, young ladies. | 0:11:27 | 0:11:28 | |
-ALL: -Good morning, teacher. | 0:11:28 | 0:11:29 | |
(The old crow.) | 0:11:29 | 0:11:31 | |
Sit down, young ladies. | 0:11:32 | 0:11:33 | |
Now, this morning we will review yesterday's lesson | 0:11:37 | 0:11:41 | |
on the etiquette of the formal call, the reception and the tea. | 0:11:41 | 0:11:45 | |
After all, girls, it isn't so much what you do as | 0:11:45 | 0:11:49 | |
do you do it correctly? | 0:11:49 | 0:11:50 | |
Uh, Madeleine Kelly. | 0:11:53 | 0:11:54 | |
Please, tell us how many cards one leaves | 0:11:55 | 0:11:57 | |
when one makes a call and finds no-one at home. | 0:11:57 | 0:12:00 | |
One leaves, when one is calling, | 0:12:00 | 0:12:03 | |
one leaves, um... | 0:12:03 | 0:12:05 | |
52, if the house is honest. | 0:12:05 | 0:12:06 | |
Fifty-tw... | 0:12:06 | 0:12:07 | |
Well, it all depends. | 0:12:11 | 0:12:12 | |
Yes, that's right. | 0:12:12 | 0:12:13 | |
One leaves a card of her own | 0:12:13 | 0:12:15 | |
and one of her daughter's for each lady in the house, | 0:12:15 | 0:12:18 | |
and a card of her husband's and of her son's | 0:12:18 | 0:12:20 | |
for each lady and gentleman. | 0:12:20 | 0:12:23 | |
Now, is that clear, Madeleine? | 0:12:23 | 0:12:24 | |
Oh, yes, Miss Fisher. | 0:12:24 | 0:12:26 | |
Ruth Wallace, what is the greatest number ever left of any one card? | 0:12:27 | 0:12:31 | |
Well, um, I don't remember the exact figures... | 0:12:31 | 0:12:35 | |
Well, now, let me ask it another way. | 0:12:35 | 0:12:37 | |
In calling on Mrs Lesley, who has three grown daughters | 0:12:37 | 0:12:40 | |
and a mother living in the house, | 0:12:40 | 0:12:42 | |
and a Mrs Powers visiting... | 0:12:42 | 0:12:44 | |
..you'd leave how many, Ruth? | 0:12:45 | 0:12:47 | |
Well, let's see. There'd be two for Mrs Lesley, | 0:12:47 | 0:12:49 | |
-and two apiece for each of her three daughters. -INAUDIBLE WHISPER | 0:12:49 | 0:12:52 | |
That makes six and two is eight | 0:12:52 | 0:12:56 | |
and two for her mother, that makes ten, | 0:12:56 | 0:12:59 | |
-and two for... -Virginia Radcliff. | 0:12:59 | 0:13:01 | |
Please, bring me what you have in your hand. | 0:13:02 | 0:13:04 | |
(There goes my weekend.) | 0:13:04 | 0:13:06 | |
I said to bring me that note, Virginia. I presume it is a note. | 0:13:06 | 0:13:09 | |
I don't know. You see, I don't read things | 0:13:10 | 0:13:12 | |
that are addressed to other people. | 0:13:12 | 0:13:13 | |
Please, don't make a scene, Virginia. Bring me the note. | 0:13:13 | 0:13:16 | |
I'm sorry, Miss Fisher. | 0:13:18 | 0:13:19 | |
GASPING | 0:13:19 | 0:13:21 | |
You will, please, go to Miss Van Alstyne's office | 0:13:25 | 0:13:28 | |
and report this matter to her at once. | 0:13:28 | 0:13:29 | |
Yes, Miss Fisher. | 0:13:29 | 0:13:31 | |
Erma Schmidt, what is the difference between a reception and a tea? | 0:13:31 | 0:13:35 | |
At a tea, only tea... | 0:13:35 | 0:13:37 | |
BELL RINGS | 0:13:38 | 0:13:40 | |
CHATTER AND FOOTSTEPS | 0:13:44 | 0:13:48 | |
Got to hand it to the kid, she certainly rode us out of that one, | 0:13:53 | 0:13:55 | |
and didn't pull leather once. | 0:13:55 | 0:13:57 | |
Breeding certainly tells, doesn't it? | 0:13:57 | 0:13:59 | |
That's what I think every time | 0:13:59 | 0:14:01 | |
I hear you call a piece of wood a two-by-four. | 0:14:01 | 0:14:03 | |
I tell you, my grandfather was a famous engineer! | 0:14:04 | 0:14:07 | |
Why, he built the Erie Canal! | 0:14:07 | 0:14:09 | |
Yeah, shovel-full at a time. | 0:14:09 | 0:14:11 | |
I wonder what Van Alstyne will do to Virgie. | 0:14:13 | 0:14:15 | |
Probably take away her weekend. | 0:14:15 | 0:14:16 | |
Well, if she does, I certainly owe that gal | 0:14:17 | 0:14:19 | |
a swell party on her next one. | 0:14:19 | 0:14:20 | |
There she is. | 0:14:20 | 0:14:22 | |
Oh, Virgie. | 0:14:22 | 0:14:24 | |
You sure saved me from a cropper, Virgie. Thanks. | 0:14:27 | 0:14:29 | |
You'd have done the same for me. | 0:14:29 | 0:14:31 | |
-Apple? -Crackers? What happened? -What'd she say? | 0:14:31 | 0:14:33 | |
She was grand, she told me just to forget it. | 0:14:33 | 0:14:35 | |
She'd forget anything just to save an argument. | 0:14:35 | 0:14:37 | |
No, really, Pony, she was awfully nice about it. | 0:14:37 | 0:14:39 | |
I know, I know. Listen, I'm planning a weekend with a future, | 0:14:39 | 0:14:42 | |
and I'd love to have you come along. | 0:14:42 | 0:14:43 | |
Do you think Miss Van Alstyne would let me? | 0:14:43 | 0:14:45 | |
If you tell her that my Aunt Jessica Page is going to meet us | 0:14:45 | 0:14:48 | |
-at the Penn Station... -There she is now! -Go ask her, go on! | 0:14:48 | 0:14:50 | |
Just act like a poor little boid in a gilded cage | 0:14:50 | 0:14:52 | |
and she'll let you out, go on! | 0:14:52 | 0:14:54 | |
Do you think we ought to tell Virgie how we're going to | 0:14:55 | 0:14:58 | |
get out of this asylum for pick-ups? | 0:14:58 | 0:14:59 | |
What's the use? When you know a person's got | 0:14:59 | 0:15:01 | |
an ingrowing conscience, why pick on it? | 0:15:01 | 0:15:03 | |
What's an ingrowing conscience? | 0:15:03 | 0:15:05 | |
-She's in again. -Can't you leave us alone? | 0:15:05 | 0:15:07 | |
Oh, I've had warts that were easier to get rid of. | 0:15:07 | 0:15:10 | |
-Going on a weekend party? -ALL: -Yes. | 0:15:10 | 0:15:13 | |
-Going with fellas? -ALL: -Yes. | 0:15:13 | 0:15:14 | |
-Can I go? -ALL: -No! | 0:15:14 | 0:15:16 | |
Aw, gee, the way I get treated around here, | 0:15:16 | 0:15:18 | |
I've got a good chance of dying an old maid! | 0:15:18 | 0:15:21 | |
BELL RINGS | 0:15:21 | 0:15:22 | |
Gosh, I get awful tired bumping into you. | 0:15:23 | 0:15:25 | |
Gee, Pony, I could be a real friend to you, | 0:15:25 | 0:15:28 | |
if you'd only let me. | 0:15:28 | 0:15:29 | |
Drink it. It'll save you from having the rickets. | 0:15:30 | 0:15:32 | |
I bet there isn't a calf in this county that gets a square meal... | 0:15:35 | 0:15:38 | |
..on account of me! | 0:15:39 | 0:15:40 | |
I wonder where she is. | 0:15:50 | 0:15:52 | |
Oh, Aunt Jessica! | 0:15:52 | 0:15:53 | |
Oh, Cecilia, my dear! | 0:15:55 | 0:15:57 | |
-And Madeleine and Ruth. -BOTH: -Hello, Mrs Page. | 0:15:57 | 0:15:59 | |
I'm so glad you and your friends could come. | 0:15:59 | 0:16:01 | |
Aunt Jessica, I want you to know Virginia Radcliff. | 0:16:01 | 0:16:03 | |
-How do you do, Virginia? -How do you do? It's so nice of you to have me. | 0:16:03 | 0:16:06 | |
So glad to see you again, Mrs Page. | 0:16:06 | 0:16:08 | |
Oh, it's awfully nice of you to take such good care of the girls. | 0:16:08 | 0:16:10 | |
It's a great satisfaction to know one is doing one small... | 0:16:10 | 0:16:13 | |
Come on, let's get the... | 0:16:13 | 0:16:14 | |
Don't you think we better be going, Aunt Jessica? | 0:16:14 | 0:16:16 | |
Yes, I'm afraid we must hurry. I'm taking the girls to a matinee. | 0:16:16 | 0:16:19 | |
You'd better be off, then. You'll have them back here | 0:16:19 | 0:16:22 | |
at five o'clock, Sunday afternoon. | 0:16:22 | 0:16:24 | |
I'll see that they shan't keep you waiting. | 0:16:24 | 0:16:26 | |
-Come along, girls. -Goodbye, girls. | 0:16:26 | 0:16:28 | |
-ALL: -Goodbye, Miss Fisher. | 0:16:28 | 0:16:29 | |
HORN | 0:16:30 | 0:16:32 | |
Tell him to drop us at the Waldorf. | 0:16:35 | 0:16:37 | |
We're meeting Spec and George there. | 0:16:37 | 0:16:39 | |
-Where can we drop you? -At 42nd Street. | 0:16:39 | 0:16:42 | |
Oh, cabbie, hesitate at 42nd, | 0:16:43 | 0:16:44 | |
stop at the Waldorf and carry on to 40 and a half West 60th. | 0:16:44 | 0:16:47 | |
Yes, ma'am. | 0:16:47 | 0:16:49 | |
"Ma'am." Did you hear that? | 0:16:49 | 0:16:50 | |
I'm maturing. | 0:16:50 | 0:16:52 | |
LAUGHTER | 0:16:52 | 0:16:53 | |
Here, here's your five, and you're certainly worth it. | 0:16:53 | 0:16:56 | |
Worth it? I should hope so. | 0:16:56 | 0:16:57 | |
You know whom I have played with? | 0:16:57 | 0:16:59 | |
Hackett, Sothern, Maurice Barrymore. | 0:16:59 | 0:17:01 | |
That's the sort of talent you're getting. | 0:17:01 | 0:17:02 | |
One step lower and I'll be in the movies. | 0:17:04 | 0:17:06 | |
You'll be sure to meet us Sunday afternoon, won't you? | 0:17:06 | 0:17:08 | |
To collect your other five. | 0:17:08 | 0:17:10 | |
For 10 I'd keep a date with an acrobat. | 0:17:10 | 0:17:12 | |
Isn't she really your aunt? | 0:17:13 | 0:17:14 | |
Well, not as far as my uncle knows. | 0:17:14 | 0:17:16 | |
-What's it all about? -Forget it. | 0:17:17 | 0:17:19 | |
-I won't do it. -Won't do what? | 0:17:24 | 0:17:26 | |
I won't go through another weekend with this band in my teeth. | 0:17:26 | 0:17:29 | |
I'm getting a cauliflower lip! | 0:17:29 | 0:17:30 | |
I'm going to take it off. | 0:17:30 | 0:17:32 | |
It's cemented on, isn't it? | 0:17:32 | 0:17:34 | |
This end is loose. Madeleine, see if you can get it off. | 0:17:34 | 0:17:36 | |
Open wide. | 0:17:36 | 0:17:37 | |
Say, "Aaah." | 0:17:37 | 0:17:39 | |
I've lived in houses that had less closet room. | 0:17:40 | 0:17:42 | |
If you could brace your feet against her lowers, | 0:17:44 | 0:17:46 | |
you could get more leverage. | 0:17:46 | 0:17:48 | |
Maybe if one of us climbed inside and helped! | 0:17:48 | 0:17:50 | |
Take it easy. | 0:17:50 | 0:17:51 | |
There she comes! | 0:17:53 | 0:17:55 | |
Oh, jeeper, any bigger and we'd run a trolley on it. | 0:17:57 | 0:18:00 | |
Get the other end off. | 0:18:00 | 0:18:01 | |
Why don't you work it back and forth? | 0:18:01 | 0:18:04 | |
It makes my lower plate rattle. | 0:18:04 | 0:18:06 | |
Oh, it's getting hot! | 0:18:06 | 0:18:08 | |
Can't get it off that way. | 0:18:08 | 0:18:10 | |
-Guess we'll just have to leave it. -Leave it? You will not. | 0:18:10 | 0:18:12 | |
You think I'm going to keep a date | 0:18:12 | 0:18:14 | |
with a girder sticking out of my mouth? | 0:18:14 | 0:18:16 | |
I've got an idea. | 0:18:16 | 0:18:18 | |
Pull the tooth out. | 0:18:18 | 0:18:19 | |
-No, file it off. -That's it! | 0:18:19 | 0:18:20 | |
-Hold your face up. -Be careful of her lip. | 0:18:20 | 0:18:23 | |
Here, I'll keep it cool. | 0:18:23 | 0:18:24 | |
-Good afternoon. -Did you get my telegram? | 0:18:29 | 0:18:31 | |
-Oh, yes, Miss Ferris, your rooms are ready for you. -Any messages? | 0:18:31 | 0:18:33 | |
No phone calls, but two gentlemen from New Haven are here to see you. | 0:18:33 | 0:18:36 | |
They're waiting upstairs in your sitting room. | 0:18:36 | 0:18:38 | |
-Thank you. Would you send up some ice and seltzer? -Right away. | 0:18:38 | 0:18:41 | |
Number four. | 0:18:41 | 0:18:42 | |
-Hi, Chuck! -Pony! | 0:18:44 | 0:18:46 | |
Oh, when you kiss me like that, the beast in me comes out on all fours. | 0:18:49 | 0:18:53 | |
Oh, the brown one goes in there and the striped one goes in there. | 0:18:55 | 0:18:58 | |
Oh, Virginia. This is mine, and it's name is Chuck. | 0:18:58 | 0:19:01 | |
-Hello, Virginia. -How do you do? | 0:19:01 | 0:19:03 | |
And this is Bill Martin, an all-American. | 0:19:03 | 0:19:05 | |
An all-American what you'll have to find out for yourself. | 0:19:05 | 0:19:08 | |
Well, to look at you, nobody would think you were a blind date. | 0:19:08 | 0:19:11 | |
-KNOCKING -Gee, you're cute. Oh, come in. | 0:19:11 | 0:19:13 | |
Put them down over here. | 0:19:13 | 0:19:15 | |
-Hey, where are you all taking us for dinner? -How about Harlem? | 0:19:15 | 0:19:18 | |
Oh, that's swell. Oh, Virgie, would you like to, um, powder your nose? | 0:19:18 | 0:19:21 | |
Mm-hm. Pardon. | 0:19:21 | 0:19:23 | |
Chuck's a swell guy, isn't he? | 0:19:23 | 0:19:25 | |
He doesn't look so hot, and he's not so terribly bright, | 0:19:25 | 0:19:27 | |
but he's a swell guy just the same. | 0:19:27 | 0:19:30 | |
Bill's cute, too, isn't he? | 0:19:30 | 0:19:31 | |
Of course, if the swelling ever went out of his head, | 0:19:31 | 0:19:33 | |
it'd slip down his throat and choke him to death. | 0:19:33 | 0:19:36 | |
Pony, why did we come to this place? | 0:19:36 | 0:19:38 | |
We won't meet anyone we know here. | 0:19:38 | 0:19:40 | |
You can't be seen around New York, it's a cinch. | 0:19:40 | 0:19:43 | |
I don't like the idea very well. | 0:19:44 | 0:19:45 | |
I know you don't, but after you've spent | 0:19:45 | 0:19:47 | |
four years behind the bars of Crockett Hall, you will. | 0:19:47 | 0:19:50 | |
Don't be so serious, you're supposed to be having a good time! | 0:19:50 | 0:19:53 | |
I don't think this Bill and I have the same idea of a good time. | 0:19:53 | 0:19:56 | |
Well, what do you think Bill is, Virgie, a thug? | 0:19:57 | 0:20:00 | |
You make the rules and he'll play by them. | 0:20:00 | 0:20:03 | |
I suppose that's right, isn't it? | 0:20:03 | 0:20:05 | |
Sure. You're like the old maid worrying about the man under the bed | 0:20:05 | 0:20:08 | |
that ain't there. | 0:20:08 | 0:20:09 | |
Come on and have yourself some good, clean fun, | 0:20:09 | 0:20:11 | |
while I lead my dissipated life. | 0:20:11 | 0:20:14 | |
-You know something, Pony? -What? | 0:20:17 | 0:20:19 | |
I've always wanted to get tight. | 0:20:19 | 0:20:21 | |
You? | 0:20:21 | 0:20:22 | |
You know, just to see how it feels. | 0:20:22 | 0:20:24 | |
Yeah, I remember. | 0:20:24 | 0:20:26 | |
-This would be a good opportunity, wouldn't it? -Opportunity? | 0:20:26 | 0:20:30 | |
It's an obligation. Come, little one. | 0:20:30 | 0:20:32 | |
Boys, there's something you really ought to know. | 0:20:34 | 0:20:36 | |
-Virginia's going to get fried. -Virginia's going to get fried? | 0:20:36 | 0:20:39 | |
Virginia's going to get fried. | 0:20:39 | 0:20:41 | |
# Virginia's going to get fried Virginia's going to get fried | 0:20:41 | 0:20:43 | |
# Hi-ho, the merry-oh Virginia's going to get fried | 0:20:43 | 0:20:46 | |
# Virginia's going to get fried Virginia's going to get fried | 0:20:46 | 0:20:49 | |
# Hi-ho, the merry-oh Virginia's going to get fried | 0:20:49 | 0:20:51 | |
# Virginia's going to get fried Virginia's going to get fried | 0:20:51 | 0:20:54 | |
# Hi-ho, the merry-oh Virginia's going to get fried. # | 0:20:54 | 0:20:56 | |
LAUGHTER | 0:20:56 | 0:20:59 | |
Looks like Virginia's going to get fried. | 0:21:01 | 0:21:03 | |
Wouldn't you like to hear about my dear old grey-haired mother? | 0:21:22 | 0:21:25 | |
No, sir. | 0:21:25 | 0:21:26 | |
-So many people don't. -Take care of him, will you, Bill? | 0:21:26 | 0:21:29 | |
-See that he gets in. -OK, Mac. | 0:21:29 | 0:21:30 | |
-Goodnight. -Goodnight. | 0:21:30 | 0:21:32 | |
Well, Joe, another night, another dollar. | 0:21:32 | 0:21:34 | |
Right you are. | 0:21:34 | 0:21:36 | |
Can you imagine that? | 0:21:36 | 0:21:38 | |
People staying up all night when they don't have to? | 0:21:38 | 0:21:40 | |
-Mac. -What? -Will you take this up to number four? | 0:21:40 | 0:21:42 | |
-They ordered them when they came in an hour ago. -OK. -Attaboy. | 0:21:42 | 0:21:46 | |
FAINT CONVERSATION FROM NEXT ROOM | 0:22:16 | 0:22:19 | |
Come on... | 0:22:19 | 0:22:20 | |
Hey, Chuck! | 0:22:31 | 0:22:33 | |
-Chuck! Come here and get still. -MAN LAUGHS | 0:22:33 | 0:22:35 | |
-Will you get out of here? -Oh, come on, doll. | 0:22:36 | 0:22:39 | |
Oh, Bill, don't! | 0:22:39 | 0:22:41 | |
What is it? | 0:22:41 | 0:22:42 | |
Stop that! You hear me? Stop it! | 0:22:42 | 0:22:44 | |
Ah... | 0:22:44 | 0:22:46 | |
-Leave me alone! Leave me alone! -Yeah... | 0:22:46 | 0:22:50 | |
Stop that! You hear me? Stop it. Leave me alone. | 0:22:50 | 0:22:53 | |
Leave me alone! | 0:22:53 | 0:22:55 | |
Boy, get me a taxi. Hurry, please. | 0:22:56 | 0:22:59 | |
There you are, running out on me. | 0:22:59 | 0:23:01 | |
Don't paw me! | 0:23:01 | 0:23:02 | |
Take it easy, bud. Take it easy. | 0:23:02 | 0:23:03 | |
-Oh, you keep out of this. -It's none of my business | 0:23:03 | 0:23:05 | |
but you can't start a brawl out here, that's all. | 0:23:05 | 0:23:08 | |
Listen, I'll start a brawl anyplace I like, see? And you can't stop me. | 0:23:08 | 0:23:12 | |
The whole Harvard line couldn't stop me. You know who I am? | 0:23:12 | 0:23:16 | |
I'm Bill Martin, see? Nobody stops me. | 0:23:16 | 0:23:19 | |
Sure, Mr Martin, nobody can stop you | 0:23:19 | 0:23:21 | |
but, just as a favour to me, will you go back in your room? | 0:23:21 | 0:23:24 | |
Just because I'm drunk, you think you can push me around. | 0:23:24 | 0:23:27 | |
Well, you can't, see? Why, I could break you in two. | 0:23:27 | 0:23:30 | |
What's the sense of that, Mr Martin? | 0:23:30 | 0:23:32 | |
And all I need is one hand to do it, see? | 0:23:32 | 0:23:34 | |
Well, of course you can, you're a football player. | 0:23:34 | 0:23:37 | |
-I'm only... -Yeah, I'm a football player. | 0:23:37 | 0:23:38 | |
I think I'll teach you a lesson. | 0:23:38 | 0:23:41 | |
-This is kind of silly, isn't it, Mr Martin? -I'll show you... | 0:23:41 | 0:23:44 | |
Do you suppose he's hurt? | 0:23:48 | 0:23:49 | |
No, you see, he's Bill Martin(!) | 0:23:49 | 0:23:52 | |
Look, you'd better get your coat and get out of here | 0:23:52 | 0:23:54 | |
before he comes to and gets nasty. | 0:23:54 | 0:23:56 | |
GLASSES CRASH | 0:23:56 | 0:23:58 | |
HORSES TROT | 0:24:00 | 0:24:02 | |
Hello, Gertrude. | 0:24:07 | 0:24:08 | |
Have you had breakfast? | 0:24:09 | 0:24:11 | |
No? | 0:24:11 | 0:24:13 | |
All right, we'll fix that. | 0:24:13 | 0:24:14 | |
Here you are, Gertrude. | 0:24:14 | 0:24:17 | |
Here you are. | 0:24:17 | 0:24:19 | |
There you go. | 0:24:19 | 0:24:21 | |
Do you feel all right? | 0:24:50 | 0:24:52 | |
Well, look, don't you think you'd better get home? | 0:24:58 | 0:25:01 | |
I've got to... | 0:25:04 | 0:25:05 | |
ENGINE RUMBLES | 0:25:14 | 0:25:17 | |
RUMBLING CONTINUES | 0:25:28 | 0:25:30 | |
Where did I meet you? | 0:25:44 | 0:25:46 | |
You didn't meet me. I'm a waiter at the hotel. | 0:25:46 | 0:25:49 | |
I didn't hold my liquor very well, did I? | 0:25:54 | 0:25:57 | |
Well, not very long. | 0:25:57 | 0:25:59 | |
What's your name? | 0:26:04 | 0:26:05 | |
Ralph McFarland. | 0:26:05 | 0:26:07 | |
Are you in the habit of picking up girls at night? | 0:26:13 | 0:26:15 | |
I should say not, or you're the first... | 0:26:15 | 0:26:19 | |
-Kidding, huh? -HE COUGHS | 0:26:19 | 0:26:21 | |
-You're catching cold. -I'm all right. | 0:26:21 | 0:26:23 | |
You shouldn't leave the window down. | 0:26:23 | 0:26:25 | |
Well, you needed the air. | 0:26:25 | 0:26:27 | |
Here, I'll fix that. | 0:26:27 | 0:26:29 | |
-Are you sure this is your coat? -Certainly. Why? | 0:26:34 | 0:26:37 | |
Cos it doesn't fit you. | 0:26:37 | 0:26:39 | |
Funny, it did when I was a freshman. | 0:26:39 | 0:26:42 | |
-Where were you a freshman? -McGill. | 0:26:42 | 0:26:44 | |
-Where do you want to go? -Crockett Hall. | 0:26:44 | 0:26:46 | |
-What did you study? -Medicine. | 0:26:46 | 0:26:48 | |
-Do you go to Crockett Hall? -Uh-huh. | 0:26:48 | 0:26:51 | |
You can't practise medicine while waiting on tables, can you? | 0:26:51 | 0:26:55 | |
No, but you can eat that way while you're interning. | 0:26:55 | 0:26:58 | |
Oh, don't they pay interns? | 0:26:58 | 0:26:59 | |
Some hospitals do, but not Beaudline. | 0:26:59 | 0:27:02 | |
Beaudline? That's a children's hospital, isn't it? | 0:27:02 | 0:27:05 | |
Uh-huh. | 0:27:05 | 0:27:06 | |
ENGINE RUMBLES | 0:27:06 | 0:27:08 | |
As a doctor, you realise that a growing girl needs nourishment, | 0:27:18 | 0:27:21 | |
don't you? | 0:27:21 | 0:27:23 | |
OK, I'll give you my favourite prescription. | 0:27:24 | 0:27:26 | |
What do you mean? | 0:27:26 | 0:27:28 | |
You'll find out. | 0:27:28 | 0:27:29 | |
Oh. | 0:27:30 | 0:27:31 | |
Hey, bud, are you selling that milk? | 0:27:33 | 0:27:35 | |
No, I'm carrying it around for the cow(!) | 0:27:35 | 0:27:38 | |
You don't think she'd miss a quart, do you? | 0:27:38 | 0:27:41 | |
It's 12 cents. | 0:27:43 | 0:27:45 | |
Thank you, cow. | 0:27:45 | 0:27:47 | |
ENGINE RUMBLES | 0:27:47 | 0:27:49 | |
So, finally, the day came to take the cast off the kid's leg. | 0:27:53 | 0:27:56 | |
You know, that little cuss had all the confidence in the world | 0:27:56 | 0:27:58 | |
he was going to be all right, | 0:27:58 | 0:28:00 | |
but none of us were so sure. | 0:28:00 | 0:28:02 | |
Wipe off your mouth. | 0:28:02 | 0:28:04 | |
Anyway, we went in and removed the cast. | 0:28:04 | 0:28:07 | |
And do you know, today, that little kid's walking? | 0:28:07 | 0:28:10 | |
Yes, in a couple of months, he'll be riding a bicycle. | 0:28:10 | 0:28:13 | |
When I think what it's costing my father to send me to Crockett Hall, | 0:28:15 | 0:28:19 | |
-and you had to work your way through school. -That's all right, | 0:28:19 | 0:28:22 | |
I probably couldn't have gotten in Crockett Hall. | 0:28:22 | 0:28:24 | |
CAR HORN HONKS | 0:28:28 | 0:28:30 | |
ENGINE REVS | 0:28:33 | 0:28:36 | |
Goodbye and thanks. | 0:28:52 | 0:28:54 | |
-Hey, hey, what's your name? -Virginia Radcliff. | 0:28:55 | 0:28:58 | |
Why, there's Virginia. | 0:29:03 | 0:29:05 | |
Why, I thought she went to New York with Pony. | 0:29:05 | 0:29:07 | |
Look at that car. | 0:29:07 | 0:29:10 | |
This is a strange time to be coming back. | 0:29:10 | 0:29:12 | |
Good morning, Miss Van Alstyne. | 0:29:17 | 0:29:19 | |
Will you follow me into my office, Virginia? | 0:29:19 | 0:29:21 | |
Who's that man she was with? | 0:29:28 | 0:29:30 | |
That's probably just what Miss Van Alstyne wants to know. | 0:29:30 | 0:29:33 | |
Virginia, I don't know what to say to you. | 0:29:35 | 0:29:37 | |
Please let me explain, Miss Van Alstyne. | 0:29:37 | 0:29:41 | |
You see, I didn't go to Pony's aunt's. | 0:29:41 | 0:29:44 | |
I cut out of that to go on this party. | 0:29:44 | 0:29:46 | |
Well, it was a mistake, | 0:29:46 | 0:29:47 | |
so I thought the best thing to do was come right back here. | 0:29:47 | 0:29:50 | |
I can't imagine a girl cheapening herself so completely. | 0:29:50 | 0:29:53 | |
I can't either, now, but I didn't know it then. | 0:29:53 | 0:29:56 | |
You surely knew enough not to drive up in front of the school | 0:29:56 | 0:29:59 | |
at this hour in the morning. | 0:29:59 | 0:30:00 | |
The least one expects of a lady is the nicety to | 0:30:00 | 0:30:02 | |
cover her indiscretions. | 0:30:02 | 0:30:03 | |
But I didn't realise what I was getting into. | 0:30:03 | 0:30:05 | |
That isn't the question at all. | 0:30:05 | 0:30:07 | |
You have certain obligations as a student in the school, | 0:30:07 | 0:30:11 | |
and the most important of these is to maintain appearances. | 0:30:11 | 0:30:14 | |
In other words, you don't care what I do, | 0:30:14 | 0:30:16 | |
so long as I'm not caught doing it? | 0:30:16 | 0:30:17 | |
Virginia, you are deliberately misconstruing what I say. | 0:30:17 | 0:30:21 | |
This is never to happen again. | 0:30:21 | 0:30:23 | |
Do you understand? Never. | 0:30:23 | 0:30:25 | |
TRAFFIC RUMBLES | 0:30:30 | 0:30:32 | |
KNOCK AT DOOR | 0:30:42 | 0:30:44 | |
Come in. | 0:30:44 | 0:30:45 | |
Are you busy? | 0:30:47 | 0:30:49 | |
No, but I'm going to be. | 0:30:49 | 0:30:52 | |
Gee, I'm glad to see you. Come on in and sit down. | 0:30:52 | 0:30:56 | |
Is this your office? | 0:30:56 | 0:30:57 | |
Yeah, mine and five other interns'. | 0:30:57 | 0:30:59 | |
What do you think of it? | 0:30:59 | 0:31:01 | |
It's nice. | 0:31:01 | 0:31:03 | |
Well, are you out on parole? | 0:31:03 | 0:31:05 | |
No, I just ducked away from the others. | 0:31:05 | 0:31:07 | |
They brought us up to hear the opera and... | 0:31:07 | 0:31:10 | |
Have you ever been to a grand opera? | 0:31:10 | 0:31:12 | |
Did you like it? | 0:31:13 | 0:31:15 | |
That's good. | 0:31:18 | 0:31:20 | |
Well, now that we understand each other, how are you? | 0:31:20 | 0:31:23 | |
-I'm mad at you. -Hmm? | 0:31:23 | 0:31:25 | |
Well, I stood on the street corner for three hours and a half | 0:31:25 | 0:31:28 | |
last Saturday, waiting for you. | 0:31:28 | 0:31:29 | |
Oh, Mac, I'm sorry, but it wasn't my fault, honestly. They... | 0:31:29 | 0:31:32 | |
They took us to the museum, | 0:31:32 | 0:31:34 | |
and what I thought was a mummy when I sneaked past it | 0:31:34 | 0:31:36 | |
turned out to be Van Alstyne. | 0:31:36 | 0:31:38 | |
Don't you really think it's kind of silly you're having to sneak out | 0:31:41 | 0:31:45 | |
-to see me this way? -What difference does it make? | 0:31:45 | 0:31:47 | |
Oh, it makes a lot of difference. | 0:31:47 | 0:31:49 | |
It makes us look cheap and underhanded. | 0:31:49 | 0:31:51 | |
I don't know what we can do about it. | 0:31:53 | 0:31:55 | |
Well... | 0:31:56 | 0:31:58 | |
Couldn't I see you at the school? | 0:31:58 | 0:32:00 | |
Yes, but... | 0:32:00 | 0:32:02 | |
Sure, next Sunday for tea. | 0:32:04 | 0:32:06 | |
-Sandwiches? -Sandwiches. | 0:32:06 | 0:32:07 | |
I'll be there. | 0:32:07 | 0:32:10 | |
Say, I forgot, I haven't eaten yet. | 0:32:10 | 0:32:13 | |
Do you want to have lunch with me? | 0:32:13 | 0:32:14 | |
I'd love to. | 0:32:14 | 0:32:16 | |
Wait a minute. Wait a minute, lunch is right here. | 0:32:16 | 0:32:19 | |
There you are. That's lunch. | 0:32:19 | 0:32:21 | |
SHOWER RUNS | 0:32:21 | 0:32:24 | |
# Never hit your grandma with a shovel | 0:32:24 | 0:32:26 | |
# For even though in fun would prove a shock | 0:32:26 | 0:32:29 | |
# So respect her aged head | 0:32:29 | 0:32:31 | |
# Save the shovel and instead | 0:32:31 | 0:32:34 | |
# Paste your dear old, sweet old grandmaw with a rock. # | 0:32:34 | 0:32:39 | |
SHOWER STOPS | 0:32:39 | 0:32:41 | |
Thank you! Bye! | 0:32:44 | 0:32:46 | |
THEY GIGGLE AND SQUEAL | 0:32:46 | 0:32:49 | |
VIRGINIA SQUEALS | 0:32:54 | 0:32:57 | |
Stop! | 0:32:57 | 0:32:58 | |
That's for nothing. Thank you. | 0:32:58 | 0:33:01 | |
Look out! That's for you and that's for you! You... | 0:33:01 | 0:33:04 | |
Say, we've got to hurry. | 0:33:11 | 0:33:14 | |
What dress are you going to wear? | 0:33:14 | 0:33:16 | |
My flowered velvet. | 0:33:16 | 0:33:18 | |
Gee, Pony, Mac's a grand person. | 0:33:18 | 0:33:22 | |
Well, he's going to be awfully out of place among | 0:33:22 | 0:33:24 | |
those Little Lord Fauntleroys they drag in here every Sunday. | 0:33:24 | 0:33:27 | |
If you took all the hair off of their combined chests, | 0:33:31 | 0:33:33 | |
you wouldn't have enough to make a wig for a grape. | 0:33:33 | 0:33:36 | |
Where are my socks? | 0:33:36 | 0:33:38 | |
I hope he can come. | 0:33:38 | 0:33:40 | |
Well, why the devil shouldn't he? | 0:33:40 | 0:33:41 | |
Well, Mac's a very busy person. | 0:33:41 | 0:33:42 | |
He can't waste time fooling around with girls like us. | 0:33:42 | 0:33:45 | |
And what's the matter with us? | 0:33:45 | 0:33:47 | |
Well, we're not very worthwhile. | 0:33:47 | 0:33:49 | |
Well, it's just talk like that that started the Russian Revolution. | 0:33:49 | 0:33:52 | |
ENGINE RUMBLES | 0:33:52 | 0:33:54 | |
It's Mac. | 0:34:00 | 0:34:02 | |
Where's my dress? | 0:34:05 | 0:34:06 | |
Hey, wait a minute. Hey, hey, what's the idea? | 0:34:11 | 0:34:14 | |
Hey, where do you think you are? | 0:34:14 | 0:34:15 | |
Say, does he always go around dressed up in that garbage can? | 0:34:15 | 0:34:19 | |
CLASSICAL PIANO MUSIC PLAYS | 0:34:22 | 0:34:24 | |
You look very gracious, there, girls. | 0:34:26 | 0:34:28 | |
-BOTH: -Thank you, Miss Van Alstyne. | 0:34:28 | 0:34:30 | |
-How are you? I'm so glad to see you. -GIRLS GIGGLE | 0:34:32 | 0:34:35 | |
Modulate your voices, girls. | 0:34:35 | 0:34:37 | |
-BOTH: -Yes, Miss Van Alstyne. | 0:34:37 | 0:34:39 | |
Tsk, tsk. Pimples. | 0:34:39 | 0:34:42 | |
Billie, will you bring us some cakes, please? | 0:34:50 | 0:34:53 | |
-Edith. -Yes, Miss Van Alstyne? | 0:35:11 | 0:35:14 | |
We are not at home to that person. | 0:35:14 | 0:35:16 | |
Yes, Miss Van Alstyne. | 0:35:16 | 0:35:18 | |
Pardon me, is Miss Radcliff in? | 0:35:20 | 0:35:22 | |
I'm sorry, sir, but we're not receiving today. | 0:35:22 | 0:35:25 | |
-Well, this is Sunday, isn't it? -Yes, sir, but... | 0:35:25 | 0:35:28 | |
Well, we're not receiving today. | 0:35:29 | 0:35:32 | |
I understand. | 0:35:32 | 0:35:33 | |
That's all right, because I'm not much of a tea hound anyway. | 0:35:34 | 0:35:37 | |
-Yes, sir. -GIRLS GIGGLE | 0:35:37 | 0:35:39 | |
Where's Mr McFarland? | 0:35:47 | 0:35:48 | |
Miss Van Alstyne... | 0:35:48 | 0:35:49 | |
Oh, I'm sorry, but we're not at home to him. | 0:35:49 | 0:35:52 | |
-But I invited him. -But Miss Van Alstyne said... | 0:35:52 | 0:35:54 | |
Mac! Mac! ENGINE RUMBLES | 0:35:54 | 0:35:57 | |
Mac, I'm here! | 0:35:57 | 0:35:59 | |
SOMBRE PIANO MUSIC PLAYS | 0:36:13 | 0:36:16 | |
Where is he? | 0:36:31 | 0:36:33 | |
You will remember me to your mother, won't you? | 0:36:33 | 0:36:35 | |
Yes, I will. | 0:36:35 | 0:36:36 | |
Oh, Virginia, I want you to meet Mr Elswyth Marler. | 0:36:36 | 0:36:39 | |
Delighted, Miss Radcliff. | 0:36:39 | 0:36:41 | |
Oh, how interesting to meet you. | 0:36:41 | 0:36:44 | |
I've been reading about the Senate's investigation of your father. | 0:36:45 | 0:36:49 | |
Tell me, did they make him give back all the money | 0:36:49 | 0:36:51 | |
he stole from the depositors? | 0:36:51 | 0:36:53 | |
Virginia, how dare you? | 0:36:53 | 0:36:54 | |
-How dare you turn Mac away? -Go to your room. | 0:36:54 | 0:36:57 | |
Gee, kid, you shouldn't have done that. | 0:37:00 | 0:37:02 | |
I know. | 0:37:02 | 0:37:04 | |
I know I shouldn't, but they're so sneaky. | 0:37:04 | 0:37:06 | |
They cheat and lie to you until you can't keep from doing something. | 0:37:06 | 0:37:10 | |
I hate them. | 0:37:10 | 0:37:11 | |
I hate myself! | 0:37:11 | 0:37:12 | |
Pony. Pony. | 0:37:24 | 0:37:27 | |
What? | 0:37:29 | 0:37:30 | |
How do you spell "embarrassment"? | 0:37:30 | 0:37:32 | |
H-U-M-I-L-I-A-T-I-O-N. | 0:37:32 | 0:37:35 | |
That's not "embarrassment"! | 0:37:35 | 0:37:37 | |
I know, but it's easier to spell. | 0:37:37 | 0:37:39 | |
CROWD CHATTERS AND GIGGLES | 0:38:34 | 0:38:38 | |
SHE WHISTLES A TUNE | 0:38:39 | 0:38:41 | |
Off with it. | 0:38:45 | 0:38:47 | |
Got the horses in? | 0:38:47 | 0:38:48 | |
PONY SIGHS | 0:38:50 | 0:38:52 | |
Say, Chuck and I are giving a swell Christmas party. | 0:38:52 | 0:38:55 | |
No mistletoe, no Santa Claus, no games, no nothing - | 0:38:55 | 0:38:58 | |
just a good party. | 0:38:58 | 0:38:59 | |
You and Mac have got to come. | 0:38:59 | 0:39:02 | |
I don't know, Pony. Mac's a mighty busy man. | 0:39:02 | 0:39:05 | |
Besides, I don't think he has a tuxedo. | 0:39:05 | 0:39:07 | |
Easy, we'll make it informal. | 0:39:07 | 0:39:10 | |
Well, what if he has to work that night? | 0:39:10 | 0:39:12 | |
Easier still. We'll have it at the hotel. | 0:39:12 | 0:39:14 | |
Pony. | 0:39:14 | 0:39:16 | |
Go away, Snapper. | 0:39:16 | 0:39:18 | |
Oh, listen, Pony. | 0:39:18 | 0:39:19 | |
Would you do something for me? Would you? | 0:39:19 | 0:39:21 | |
No! | 0:39:21 | 0:39:23 | |
What? | 0:39:25 | 0:39:26 | |
Would you loan me one of your brassieres? | 0:39:26 | 0:39:28 | |
What for? | 0:39:32 | 0:39:33 | |
Well, you see, I haven't gotten one, | 0:39:33 | 0:39:35 | |
and I thought, seeing as it's Christmas and everything | 0:39:35 | 0:39:37 | |
and I'm going on a house party | 0:39:37 | 0:39:39 | |
and, well, when the maid unpacks my bag and finds I haven't gotten one, | 0:39:39 | 0:39:42 | |
how do you think I'm going to feel? | 0:39:42 | 0:39:44 | |
It's like putting a saddle on a Pekinese, but here it is. | 0:39:48 | 0:39:51 | |
-Gee, thanks, Pony! -KNOCK AT DOOR | 0:39:51 | 0:39:53 | |
Ooh, a telegram. Maybe there's a death in the family! | 0:39:55 | 0:39:59 | |
It's for you, Miss Radcliff. | 0:39:59 | 0:40:00 | |
Maybe it's from Mac. | 0:40:00 | 0:40:02 | |
Is he your boyfriend, Virginia? | 0:40:02 | 0:40:04 | |
Will you keep your nose out of other people's business | 0:40:04 | 0:40:06 | |
and take it into your own room and wipe it? | 0:40:06 | 0:40:08 | |
What's the matter? | 0:40:14 | 0:40:16 | |
Who's it from? | 0:40:18 | 0:40:19 | |
Clannish family, you have(!) | 0:40:33 | 0:40:37 | |
What a swell set-up. You can stay at my house for Christmas. | 0:40:37 | 0:40:39 | |
-Oh, Pony, can I? -Sure. Pop down and tell Old Pussyboots | 0:40:39 | 0:40:42 | |
you're stopping at our shack over the holidays. Go on. | 0:40:42 | 0:40:44 | |
I'll be right back! | 0:40:44 | 0:40:46 | |
And so I'm going home with Pony, Miss Van Alstyne. | 0:40:49 | 0:40:52 | |
I'm sorry, Virginia, but you're not. | 0:40:52 | 0:40:54 | |
You aren't going to keep me here, are you? | 0:40:54 | 0:40:57 | |
Your conduct these last few weeks has left me no alternative. | 0:40:57 | 0:41:00 | |
But, honestly, Miss Van Alstyne, I... | 0:41:00 | 0:41:02 | |
I won't do anything you wouldn't approve of. | 0:41:02 | 0:41:04 | |
No, Virginia, you simply are not to be trusted. | 0:41:04 | 0:41:07 | |
But...but I've been looking forward to Christmas. | 0:41:08 | 0:41:11 | |
I've made all my plans and... | 0:41:11 | 0:41:13 | |
And I haven't been to town for weeks, not even to a concert. | 0:41:13 | 0:41:16 | |
Don't you think I've... I've been punished enough? | 0:41:16 | 0:41:18 | |
Why, it's certainly no punishment to stay here for Christmas. | 0:41:18 | 0:41:21 | |
You're just disappointed, Virginia, that's all. | 0:41:21 | 0:41:24 | |
The spirit of Christmas permeates everywhere, | 0:41:24 | 0:41:27 | |
and if you'll just adapt yourself to the situation | 0:41:27 | 0:41:29 | |
and enter into the spirit of things, | 0:41:29 | 0:41:31 | |
I think you'll find you get just as much out of it as you put in. | 0:41:31 | 0:41:35 | |
-Merry Christmas. -Merry Christmas. | 0:41:35 | 0:41:36 | |
-Mother's giving me a new... -Tell me what happens. | 0:41:36 | 0:41:39 | |
-Imagine staying here over the holidays. -Merry Christmas. | 0:41:39 | 0:41:41 | |
-Happy New Year. -Bye. -Bye. | 0:41:41 | 0:41:43 | |
BELLS CHIME: Silent Night | 0:41:45 | 0:41:48 | |
BELLS STOP CHIMING | 0:42:25 | 0:42:27 | |
BOOT THUDS | 0:43:56 | 0:43:58 | |
# Jingle bells Jingle bells | 0:44:05 | 0:44:06 | |
# Jingle all the way. # | 0:44:06 | 0:44:08 | |
KNOCK AT WINDOW | 0:45:27 | 0:45:29 | |
Who is it? | 0:45:29 | 0:45:31 | |
KNOCKING CONTINUES | 0:45:31 | 0:45:33 | |
Mac! | 0:45:39 | 0:45:40 | |
HE IS INAUDIBLE THROUGH THE WINDOW | 0:45:40 | 0:45:44 | |
What? HE MOUTHS | 0:45:44 | 0:45:46 | |
Oh. | 0:45:46 | 0:45:48 | |
The boathouse. The boathouse. | 0:45:48 | 0:45:51 | |
HE MOUTHS | 0:45:51 | 0:45:53 | |
Three. | 0:45:53 | 0:45:55 | |
SHE GIGGLES | 0:45:57 | 0:45:59 | |
I'm here. | 0:46:17 | 0:46:18 | |
Hello. | 0:46:19 | 0:46:21 | |
How did you know I had to stay at school? | 0:46:22 | 0:46:24 | |
-Well, Pony had a party at the hotel last night and told me. -Oh. | 0:46:24 | 0:46:28 | |
Look, look, I've got a fire going. | 0:46:28 | 0:46:32 | |
Let me take your coat. | 0:46:32 | 0:46:34 | |
How did you ever get away? | 0:46:34 | 0:46:35 | |
-MAC LAUGHS -I hired a fellow to take my place. | 0:46:35 | 0:46:38 | |
-Oh, Mac, you shouldn't have done that. -Why not? | 0:46:38 | 0:46:41 | |
Well, you'd have gotten a lot of tips if you'd stayed - | 0:46:41 | 0:46:44 | |
enough to buy a new overcoat, maybe. | 0:46:44 | 0:46:46 | |
Will you lay off that overcoat? | 0:46:46 | 0:46:48 | |
Merry Christmas, Mac. | 0:46:58 | 0:47:01 | |
Is this Christmas? | 0:47:01 | 0:47:02 | |
Well, of course it's Christmas. | 0:47:02 | 0:47:05 | |
Well, then, you ought to have a Christmas present, don't you think? | 0:47:05 | 0:47:08 | |
Oh. | 0:47:17 | 0:47:18 | |
Oh, Mac, they're sweet. | 0:47:56 | 0:48:00 | |
Did you see your name on them? | 0:48:04 | 0:48:06 | |
Mm-hmm. | 0:48:06 | 0:48:07 | |
SHE SOBS | 0:48:10 | 0:48:12 | |
What's the matter? Don't you like them? | 0:48:12 | 0:48:15 | |
SHE SNIFFS | 0:48:16 | 0:48:18 | |
Honey, what's the matter? | 0:48:18 | 0:48:20 | |
Erm... | 0:48:20 | 0:48:22 | |
Mac, you're so nice. It's... | 0:48:22 | 0:48:24 | |
Everything's so muddled up here. | 0:48:24 | 0:48:27 | |
Tell me all about it. | 0:48:27 | 0:48:29 | |
They... | 0:48:29 | 0:48:30 | |
They said I'm not to be trusted. SHE SOBS | 0:48:30 | 0:48:32 | |
Ah. | 0:48:32 | 0:48:34 | |
You trust me, don't you, Mac? | 0:48:34 | 0:48:36 | |
Of course I do. | 0:48:36 | 0:48:37 | |
I... | 0:48:39 | 0:48:40 | |
I'm not all wrong, am I? | 0:48:40 | 0:48:42 | |
No. | 0:48:42 | 0:48:43 | |
I am good, don't you think? | 0:48:45 | 0:48:48 | |
Well, of course you're good, | 0:48:48 | 0:48:51 | |
and you're beautiful... | 0:48:51 | 0:48:54 | |
and sweet. | 0:48:54 | 0:48:56 | |
Imagine them sending me a purple dress for a Valentine party. | 0:49:36 | 0:49:39 | |
One has to be so careful about purple at my age. | 0:49:39 | 0:49:42 | |
You can never tell when someone might mistake it for a lavender, | 0:49:42 | 0:49:45 | |
-especially with lace on the collar. -Yessum. | 0:49:45 | 0:49:47 | |
I haven't made up my mind about the green one. | 0:49:47 | 0:49:50 | |
Of course, Mrs Farrow has one almost like it. | 0:49:50 | 0:49:52 | |
But then, see, she's so huge, she looks like a... | 0:49:52 | 0:49:55 | |
like a lawn in hers. | 0:49:55 | 0:49:57 | |
I wouldn't look like that, would I? | 0:49:57 | 0:49:59 | |
Yessum. | 0:49:59 | 0:50:00 | |
Oh, I'd look like a lawn, would I? | 0:50:00 | 0:50:02 | |
Ma'am? | 0:50:02 | 0:50:03 | |
I wish you'd pay attention when I'm talking. | 0:50:03 | 0:50:05 | |
After all, that's what you're paid for. | 0:50:05 | 0:50:07 | |
PHONE RINGS | 0:50:07 | 0:50:10 | |
Hello. | 0:50:10 | 0:50:11 | |
Oh, hello, Miss Virginia. It's agreeable to hear your voice. | 0:50:11 | 0:50:15 | |
Yes, miss, she's right here. | 0:50:15 | 0:50:17 | |
It's Miss Virginia. | 0:50:17 | 0:50:19 | |
Hello, dear. | 0:50:19 | 0:50:21 | |
How strange, I was just thinking about you. | 0:50:21 | 0:50:23 | |
How are you, dear? | 0:50:23 | 0:50:25 | |
Oh, I'm grand. I feel fine. | 0:50:25 | 0:50:26 | |
Mother, may I come in town for the weekend? | 0:50:28 | 0:50:30 | |
Make it next weekend, dear. | 0:50:30 | 0:50:32 | |
We're dining out tonight, | 0:50:32 | 0:50:33 | |
and we're going over to Long Island on Sunday. | 0:50:33 | 0:50:35 | |
But, Mother, I'm... I'm out of everything. | 0:50:35 | 0:50:38 | |
I have simply got to do some shopping. | 0:50:38 | 0:50:40 | |
You know, I haven't been in for weeks, not since before Christmas. | 0:50:40 | 0:50:44 | |
Well... | 0:50:44 | 0:50:45 | |
Well, I'll take the seven o'clock train back tonight. | 0:50:45 | 0:50:48 | |
Well, thanks, Mother. | 0:50:49 | 0:50:51 | |
Listen, will you speak to Miss Van Alstyne and tell her I can go? | 0:50:51 | 0:50:56 | |
All right, hold on just a minute. | 0:50:56 | 0:50:58 | |
Oh, Miss Weber, | 0:51:03 | 0:51:05 | |
I wondered if you would ask Miss Van Alstyne | 0:51:05 | 0:51:07 | |
if she'd speak to my mother on the phone? | 0:51:07 | 0:51:09 | |
Of course, dear. | 0:51:09 | 0:51:10 | |
Thank you. | 0:51:10 | 0:51:11 | |
No, I won't change the bandages on 809 for you. | 0:51:25 | 0:51:28 | |
Look, Maude, I've got a date. | 0:51:28 | 0:51:30 | |
Yes, sir, to change the bandages on 809. | 0:51:30 | 0:51:32 | |
I'm sick and tired of you interns trying to | 0:51:32 | 0:51:34 | |
-palm off your work on the nurses around this hospital. -Oh... | 0:51:34 | 0:51:37 | |
And say, look in on 840. She's squawking again. | 0:51:37 | 0:51:41 | |
With a bedside manner like yours, Maude, | 0:51:41 | 0:51:43 | |
you ought to be an undertaker. | 0:51:43 | 0:51:45 | |
Squirt! | 0:51:45 | 0:51:46 | |
Pardon me. | 0:51:50 | 0:51:52 | |
Yes? | 0:51:52 | 0:51:53 | |
I wonder if you will tell me where I can find Dr McFarland. | 0:51:53 | 0:51:56 | |
He's busy. | 0:51:56 | 0:51:58 | |
Well, if he won't be long, I'd like to wait. | 0:51:58 | 0:52:01 | |
He's on duty and he WILL be long. | 0:52:01 | 0:52:03 | |
Could I leave a note? | 0:52:05 | 0:52:07 | |
-Would you mind giving this to Dr McFarland? -I will. | 0:52:42 | 0:52:45 | |
Thank you. | 0:52:45 | 0:52:47 | |
It doesn't look so good for that kid, Maude. | 0:52:52 | 0:52:55 | |
What are you doing? Working on a crossword puzzle? | 0:52:57 | 0:52:59 | |
That isn't funny. | 0:52:59 | 0:53:01 | |
Well, is anything ever funny to you, Maude? | 0:53:01 | 0:53:03 | |
Yes, interns! | 0:53:03 | 0:53:06 | |
There's a note for you. | 0:53:06 | 0:53:08 | |
Thanks. | 0:53:08 | 0:53:09 | |
Oh, Maude, I'm just as tired as you look. | 0:53:15 | 0:53:17 | |
Uh-huh. | 0:53:17 | 0:53:18 | |
How long ago was she here, Maude? | 0:53:46 | 0:53:47 | |
She just went down in the elevator. | 0:53:47 | 0:53:49 | |
I wanted to see her, too. | 0:53:49 | 0:53:52 | |
The trouble with you interns is | 0:53:52 | 0:53:54 | |
you've got your mind on osteopathy instead of medicine. | 0:53:54 | 0:53:56 | |
Maude, you're just a carnal old woman. You know that, don't you? | 0:53:56 | 0:53:59 | |
Ah. | 0:53:59 | 0:54:00 | |
Let me know the next time she comes, will you? | 0:54:00 | 0:54:03 | |
No. | 0:54:03 | 0:54:04 | |
Thanks. | 0:54:04 | 0:54:06 | |
So I turned to the sales girl and I said, | 0:54:25 | 0:54:27 | |
"Really, my good woman, this is too excessive. | 0:54:27 | 0:54:30 | |
-"Enough is enough. You are going to extremes." -Yessum. | 0:54:30 | 0:54:33 | |
And, with that, I motioned to the manager | 0:54:33 | 0:54:35 | |
and reported the whole affair, | 0:54:35 | 0:54:36 | |
ver...bottom. | 0:54:36 | 0:54:39 | |
I mean, -batum, -batim... | 0:54:39 | 0:54:41 | |
-Oh, well. -Yessum. | 0:54:41 | 0:54:43 | |
He was utterly horrified to the point of being aghast, | 0:54:43 | 0:54:47 | |
and assured me that... | 0:54:47 | 0:54:48 | |
Hello, Virginia. | 0:54:48 | 0:54:50 | |
Are you leaving already? | 0:54:50 | 0:54:51 | |
In a few minutes. | 0:54:51 | 0:54:54 | |
May I talk to you, Mother? | 0:54:54 | 0:54:55 | |
Well, of course, darling. | 0:54:55 | 0:54:57 | |
That'll be all, Evelyn. | 0:54:57 | 0:54:58 | |
-Well... -Hand me my case, darling. | 0:54:58 | 0:55:01 | |
This dress need something more. | 0:55:01 | 0:55:03 | |
The neck's all wrong. | 0:55:03 | 0:55:04 | |
Really, these dressmakers, they're too stupid. | 0:55:04 | 0:55:07 | |
You pay them a large fortune, | 0:55:07 | 0:55:09 | |
and you practically design your clothes yourself. | 0:55:09 | 0:55:12 | |
Mother, I came to you because I thought that... | 0:55:12 | 0:55:15 | |
You're perfectly right, dear. | 0:55:15 | 0:55:17 | |
I said that to Mrs Baker today. | 0:55:17 | 0:55:19 | |
She's having a terrible time with Geraldine. | 0:55:19 | 0:55:21 | |
Really, that girl is... | 0:55:21 | 0:55:23 | |
That girl is... | 0:55:23 | 0:55:24 | |
Look, darling, don't you think that's very original? | 0:55:24 | 0:55:27 | |
You mustn't frown like that, dear, | 0:55:27 | 0:55:29 | |
or when you are my age, you'll have to go through | 0:55:29 | 0:55:32 | |
the excruciating agony of ironing those wrinkles out. | 0:55:32 | 0:55:34 | |
But, Mother, you've just got to listen to me. | 0:55:34 | 0:55:36 | |
Well, of course, darling. | 0:55:36 | 0:55:38 | |
Who else is there for you to bring your little worries to but Mother? | 0:55:38 | 0:55:41 | |
Well... | 0:55:44 | 0:55:46 | |
The first thing is, I want to leave Crockett Hall. | 0:55:46 | 0:55:49 | |
-You see, I... -I know. I know all about it. | 0:55:49 | 0:55:51 | |
Miss Van Alstyne wrote me. | 0:55:51 | 0:55:52 | |
Oh, Virginia, how can you forget what you are, | 0:55:52 | 0:55:55 | |
and for what you stand, | 0:55:55 | 0:55:56 | |
so far as to fall in love with a waiter? | 0:55:56 | 0:55:58 | |
A common waiter! | 0:55:58 | 0:56:00 | |
He isn't a waiter. He's an intern in a hospital. | 0:56:00 | 0:56:02 | |
He waits in a hotel, doesn't he? | 0:56:02 | 0:56:03 | |
Well, yes, but that's just... | 0:56:03 | 0:56:05 | |
Oh, well, then, he's a waiter. | 0:56:05 | 0:56:07 | |
I was going to ignore the entire matter, | 0:56:07 | 0:56:09 | |
but you'd drag it into our home and force an issue? | 0:56:09 | 0:56:11 | |
Very well, Virginia. | 0:56:11 | 0:56:12 | |
I'm going to turn the whole thing over to Miss Van Alstyne, | 0:56:12 | 0:56:15 | |
and I'm not going to let you come to town any more. | 0:56:15 | 0:56:18 | |
You'll see if your father doesn't say I'm right. | 0:56:18 | 0:56:21 | |
Frank. Frank. | 0:56:23 | 0:56:25 | |
What? | 0:56:25 | 0:56:27 | |
Come in here a minute, please. | 0:56:27 | 0:56:28 | |
Well, what's the matter? | 0:56:32 | 0:56:33 | |
Virginia's in love with a waiter. | 0:56:33 | 0:56:35 | |
So, is he a good waiter, Virginia? | 0:56:35 | 0:56:38 | |
Oh, Frank! | 0:56:38 | 0:56:40 | |
Are you going to take this thing seriously or not? | 0:56:40 | 0:56:42 | |
Why should I? I'm not in love with him. | 0:56:42 | 0:56:44 | |
Doesn't your own flesh and blood mean anything to you? | 0:56:44 | 0:56:47 | |
Suppose she should elope with this...this... | 0:56:47 | 0:56:49 | |
-Waiter. -..waiter. | 0:56:49 | 0:56:51 | |
Oh, Mother, he hasn't even asked me to marry him. | 0:56:51 | 0:56:54 | |
It's no wonder you always have bronchitis, | 0:56:54 | 0:56:56 | |
yelling about things that have no intention of ever happening. | 0:56:56 | 0:56:59 | |
Frank, just a minute. | 0:56:59 | 0:57:01 | |
-Well? -You haven't heard all of this, not by any means. | 0:57:01 | 0:57:03 | |
-No? -She refuses to go back to Crockett Hall. | 0:57:03 | 0:57:05 | |
Well, supposing she does, you were the one who wanted her to | 0:57:05 | 0:57:08 | |
go there in the first place. | 0:57:08 | 0:57:09 | |
Why, I'm sure I do not know, | 0:57:09 | 0:57:11 | |
when there are schools and colleges that'd give her a decent education, | 0:57:11 | 0:57:14 | |
but you insisted, so it's up to you to talk her into going back again. | 0:57:14 | 0:57:18 | |
You can't put the responsibility of our daughter's entire future on me. | 0:57:18 | 0:57:21 | |
Now, look here, Helen, the only responsibility you have in the world | 0:57:21 | 0:57:24 | |
is to be a reasonably good mother to that kid | 0:57:24 | 0:57:25 | |
during the few months when she's home from school. | 0:57:25 | 0:57:29 | |
And let me tell you something else, if you don't stop hectoring me | 0:57:29 | 0:57:32 | |
about every unimportant detail in this household, | 0:57:32 | 0:57:34 | |
from the butler's halitosis to Virginia's school, | 0:57:34 | 0:57:37 | |
there's going to be a waiter in this family all right, | 0:57:37 | 0:57:40 | |
and it's going to be me, | 0:57:40 | 0:57:41 | |
and you'll be out in the kitchen rustling pots and pans, | 0:57:41 | 0:57:43 | |
for the market's in such shape that a man can't even go out to... | 0:57:43 | 0:57:46 | |
Frank! | 0:57:46 | 0:57:47 | |
..eat! | 0:57:47 | 0:57:49 | |
Without losing his shirt. | 0:57:50 | 0:57:52 | |
FABRIC RIPS | 0:57:54 | 0:57:56 | |
And my advice to you, Ginny, is to do as you jolly well please. | 0:57:57 | 0:58:01 | |
-I mustn't cry. I mustn't. -HELEN SOBS | 0:58:09 | 0:58:12 | |
-My make-up. -SHE SNIFFS | 0:58:12 | 0:58:14 | |
I won't cry. | 0:58:14 | 0:58:16 | |
I won't cry. | 0:58:16 | 0:58:18 | |
Love is everywhere. | 0:58:18 | 0:58:20 | |
-HELEN SOBS -Peace and contentment. | 0:58:20 | 0:58:23 | |
Oh, Miss Weber, | 0:58:54 | 0:58:55 | |
send Virginia Radcliff to me as soon as breakfast is over. | 0:58:55 | 0:58:58 | |
I'll have my coffee now. | 0:59:01 | 0:59:03 | |
BELL RINGS | 0:59:03 | 0:59:05 | |
-Miss Weber. Oh. -Miss Weber, is there any mail? | 0:59:08 | 0:59:11 | |
-Miss Weber, have you got something for me? -Miss Weber... | 0:59:11 | 0:59:14 | |
Don't snatch, girls. Be quiet. | 0:59:14 | 0:59:18 | |
-Ruth. -Yes. | 0:59:18 | 0:59:20 | |
Is there anything for me, Miss Weber? | 0:59:20 | 0:59:22 | |
Nothing today, dear. | 0:59:24 | 0:59:26 | |
Florence, | 0:59:26 | 0:59:28 | |
Elizabeth, | 0:59:28 | 0:59:29 | |
Gertrude... | 0:59:29 | 0:59:30 | |
I wonder if you'd look again. I'm sure there must be something. | 0:59:30 | 0:59:33 | |
No, there's nothing. | 0:59:33 | 0:59:35 | |
Oh, Virginia, | 0:59:36 | 0:59:37 | |
Miss Van Alstyne wishes to see you in her office immediately. | 0:59:37 | 0:59:41 | |
Oh, yes, Miss Weber. | 0:59:42 | 0:59:43 | |
Ruth, | 0:59:46 | 0:59:48 | |
Myrtle, | 0:59:48 | 0:59:51 | |
Madeleine, | 0:59:51 | 0:59:53 | |
Irma... | 0:59:53 | 0:59:55 | |
Virginia, come in. | 0:59:57 | 0:59:59 | |
Sit down and let me pour you a cup of coffee. | 1:00:04 | 1:00:07 | |
Oh, no, thank you, Miss Van Alstyne. | 1:00:07 | 1:00:09 | |
Now, tell me, dear, what's troubling you? | 1:00:15 | 1:00:17 | |
Why, nothing. I'm all right. It's nothing. | 1:00:17 | 1:00:20 | |
Oh, yes, it is. | 1:00:20 | 1:00:22 | |
I've seen it and I've wanted to help you, | 1:00:22 | 1:00:24 | |
but I was afraid you'd resent me. | 1:00:24 | 1:00:27 | |
Let me help you. | 1:00:27 | 1:00:29 | |
I'm sure I can understand. | 1:00:29 | 1:00:30 | |
Well, I... | 1:00:33 | 1:00:36 | |
It's nothing. | 1:00:40 | 1:00:42 | |
-It's that Ralph McFarland, isn't it? -Oh, no. | 1:00:42 | 1:00:44 | |
Has he been annoying you, dear? | 1:00:44 | 1:00:47 | |
Why, no, I'm... | 1:00:47 | 1:00:49 | |
On the contrary, I haven't heard from him for some time. | 1:00:49 | 1:00:52 | |
Oh, so that explains the little heartaches. | 1:00:52 | 1:00:56 | |
Well, you see, dear, | 1:00:56 | 1:00:57 | |
no doubt he realises the impossibility of the whole thing, | 1:00:57 | 1:01:01 | |
and he's taken the easiest way to tell you, | 1:01:01 | 1:01:04 | |
and it's very fortunate, | 1:01:04 | 1:01:05 | |
because in a few months your own good taste | 1:01:05 | 1:01:07 | |
would have dominated over this infatuation. | 1:01:07 | 1:01:10 | |
It'll probably be a little difficult for you, at first, to get over this, | 1:01:11 | 1:01:16 | |
but I'm going to help you all I can. | 1:01:16 | 1:01:19 | |
Thank you, Miss Van Alstyne. | 1:01:19 | 1:01:21 | |
May I go now? | 1:01:21 | 1:01:22 | |
Why, certainly. | 1:01:22 | 1:01:24 | |
Oh, just a moment, Virginia. | 1:01:26 | 1:01:28 | |
There is something I want you to do for me. | 1:01:32 | 1:01:34 | |
I want you to go up and see Dr Hewitt. | 1:01:34 | 1:01:36 | |
You've been looking badly of late and it's worried me. | 1:01:36 | 1:01:40 | |
Oh, Miss Van Alstyne, I... | 1:01:40 | 1:01:41 | |
Perhaps it's nothing at all. | 1:01:41 | 1:01:43 | |
'Yes, Miss Van Alstyne?' | 1:01:43 | 1:01:44 | |
Dr Hewitt, I'm sending Virginia Radcliff up to see you. | 1:01:44 | 1:01:47 | |
'I'm sorry, Dr Hewitt went into the village. | 1:01:47 | 1:01:49 | |
'She'll be back in about an hour.' | 1:01:49 | 1:01:50 | |
Have her report to me immediately. | 1:01:50 | 1:01:53 | |
You may go to your classes, Virginia. I'll send for you later. | 1:01:53 | 1:01:56 | |
Yes, Miss Van Alstyne. | 1:01:56 | 1:01:58 | |
Miss Weber, get Mrs Radcliff for me on the phone, | 1:02:07 | 1:02:09 | |
and if you can't reach her, | 1:02:09 | 1:02:11 | |
I'll talk to Mr Radcliff at his office. | 1:02:11 | 1:02:13 | |
Oh, and, Miss Weber, keep your eye on Virginia. | 1:02:13 | 1:02:15 | |
I may want to see her again in about an hour. | 1:02:15 | 1:02:18 | |
Hi, Virgie! Where'd you go after breakfast? | 1:02:18 | 1:02:20 | |
I was up at the room and... | 1:02:20 | 1:02:21 | |
What's the matter? | 1:02:22 | 1:02:24 | |
SHE SOBS Pony, I'm frightened. | 1:02:24 | 1:02:27 | |
Tell me. Maybe I can help. | 1:02:28 | 1:02:30 | |
Nobody can help. Nobody but... | 1:02:30 | 1:02:33 | |
but Mac and... | 1:02:33 | 1:02:34 | |
but he wouldn't see me. | 1:02:34 | 1:02:36 | |
He hasn't even answered my letters and now they... | 1:02:36 | 1:02:38 | |
Steady. Weber's watching. | 1:02:38 | 1:02:40 | |
Snap out of it, kid. | 1:02:42 | 1:02:43 | |
VIRGINIA INHALES | 1:02:43 | 1:02:45 | |
Attagirl. | 1:02:45 | 1:02:47 | |
Here comes Ruth and Madeleine. You go on to classes with them. | 1:02:47 | 1:02:51 | |
I'll see you later. | 1:02:51 | 1:02:52 | |
-Hello. -Hello. | 1:02:52 | 1:02:53 | |
-What's the matter? -Oh, nothing, nothing. | 1:02:53 | 1:02:55 | |
-Are you coming? -Yeah. | 1:02:55 | 1:02:57 | |
Hello, may I speak to Dr McFarland, please? | 1:03:08 | 1:03:11 | |
Hello, Mac, this is Pony. | 1:03:13 | 1:03:15 | |
I'm calling about Virginia. | 1:03:15 | 1:03:17 | |
What about Virginia? | 1:03:17 | 1:03:18 | |
It isn't any of my business, but I thought you ought to know... | 1:03:18 | 1:03:22 | |
What's that? | 1:03:23 | 1:03:24 | |
What? | 1:03:24 | 1:03:26 | |
I'm coming right out. | 1:03:26 | 1:03:27 | |
And now I will dispose of Tolstoy and his works in a few brief words. | 1:03:28 | 1:03:33 | |
If you will take notes on this, | 1:03:33 | 1:03:34 | |
it will be sufficient for all conversational purposes. | 1:03:34 | 1:03:38 | |
It will also save you the time and effort of | 1:03:38 | 1:03:40 | |
reading the books yourselves. | 1:03:40 | 1:03:42 | |
Anna Karenina is not only Tolstoy's best-known work, | 1:03:42 | 1:03:47 | |
-it is also his most famous character portrayal... -(Virginia.) | 1:03:47 | 1:03:50 | |
..that of a woman who abandoned herself to passion, | 1:03:50 | 1:03:53 | |
defied convention, | 1:03:53 | 1:03:56 | |
came face-to-face with her own soul, | 1:03:56 | 1:03:59 | |
which mocked her with the harm she had brought upon herself and others, | 1:03:59 | 1:04:03 | |
sought for a solution and found only one - suicide. | 1:04:03 | 1:04:09 | |
Self-destruction was the only way out. | 1:04:09 | 1:04:13 | |
Although the story does not advocate doing away with oneself, | 1:04:13 | 1:04:16 | |
it does show, by taking the easiest way out, | 1:04:16 | 1:04:19 | |
one often finds peace in death. | 1:04:19 | 1:04:23 | |
Now, in War And Peace, we find... | 1:04:23 | 1:04:25 | |
-We find... -Virginia's to come with me. | 1:04:25 | 1:04:27 | |
-SHE MOUTHS -Certainly, Miss Weber. | 1:04:27 | 1:04:29 | |
Virginia, you are excused to go with Miss Weber. | 1:04:29 | 1:04:32 | |
Virginia. | 1:04:33 | 1:04:35 | |
Virginia Radcliff! | 1:04:35 | 1:04:37 | |
Oh. | 1:04:37 | 1:04:39 | |
I beg your pardon, Miss Fisher? | 1:04:39 | 1:04:41 | |
I said, Virginia, you are excused to go with Miss Weber. | 1:04:41 | 1:04:44 | |
Oh. Oh, yes. | 1:04:45 | 1:04:47 | |
Well, there you are, Virginia. | 1:04:54 | 1:04:56 | |
That's all, Miss Weber. Thank you. | 1:04:56 | 1:04:58 | |
You'll find a robe in here, my dear. Come along. | 1:05:02 | 1:05:05 | |
We'll get this over in short order. | 1:05:05 | 1:05:07 | |
Come on, there's nothing to be afraid of. | 1:05:07 | 1:05:10 | |
-Stop this nonsense. Into the other room with you. -No. | 1:05:10 | 1:05:12 | |
-It'll be over in a moment. -No. | 1:05:12 | 1:05:13 | |
No, let me alone. I won't, I tell you! You can't make me! | 1:05:13 | 1:05:16 | |
-I won't. -Stop it. -Get your hands off me. | 1:05:16 | 1:05:18 | |
-Let me alone! I won't have it! -What's the matter? | 1:05:18 | 1:05:21 | |
What are you afraid of? | 1:05:21 | 1:05:23 | |
-Let me alone. -You'll do exactly as I say. | 1:05:23 | 1:05:25 | |
-But, Miss Van Alstyne... -Dr Hewitt. | 1:05:25 | 1:05:27 | |
Since the day you entered this school, | 1:05:32 | 1:05:34 | |
you thought yourself too clever, | 1:05:34 | 1:05:35 | |
too different to be bound by any responsibilities to society. | 1:05:35 | 1:05:38 | |
Now you're afraid that we'll discover that you weren't clever - | 1:05:38 | 1:05:41 | |
that you aren't different, merely cheap and vulgar. | 1:05:41 | 1:05:44 | |
You can't talk like this to me. | 1:05:44 | 1:05:46 | |
It wasn't cheap! It wasn't vulgar! I'm not ashamed. | 1:05:46 | 1:05:50 | |
You're not ashamed? | 1:05:50 | 1:05:51 | |
Of what? | 1:05:51 | 1:05:53 | |
So that's it. | 1:05:53 | 1:05:55 | |
You don't care that you've brought disgrace on this school | 1:05:55 | 1:05:58 | |
for the first time in all its long history? | 1:05:58 | 1:06:00 | |
School? This school? | 1:06:00 | 1:06:02 | |
What? What, we don't matter, just the school? | 1:06:02 | 1:06:05 | |
We're supposed to have nice manners so that... | 1:06:05 | 1:06:08 | |
so that the school will be praised. | 1:06:08 | 1:06:09 | |
We're put on our own just so the school won't be blamed. | 1:06:09 | 1:06:12 | |
And if something should happen to us, why, I suppose... | 1:06:12 | 1:06:16 | |
I suppose we should die rather than disgrace this precious school. | 1:06:16 | 1:06:19 | |
Well, I don't care, do you hear? | 1:06:19 | 1:06:21 | |
I'm glad I disgraced it! I'm glad! | 1:06:21 | 1:06:23 | |
Perhaps you won't be so glad | 1:06:23 | 1:06:25 | |
when you're turned out of here like a servant girl - | 1:06:25 | 1:06:27 | |
when you hear that this McFarland boasts of an easy conquest... | 1:06:27 | 1:06:30 | |
-Oh, stop, stop! -..when others are whispering behind your back. | 1:06:30 | 1:06:33 | |
Oh, please. Please, you've said all there is to say. | 1:06:33 | 1:06:35 | |
Oh, no, there's much more to say. | 1:06:35 | 1:06:38 | |
Miss Van Alstyne. | 1:06:38 | 1:06:39 | |
-Mother! -Oh, Virginia, what have you done? How could you? | 1:06:41 | 1:06:43 | |
-Oh, Mother. -Think what it means. | 1:06:43 | 1:06:45 | |
Miss Van Alstyne, what is there to do? The disgrace! | 1:06:45 | 1:06:47 | |
-I'm thinking of it. -What have I done to deserve this? | 1:06:47 | 1:06:49 | |
-What can I say to the others? -My friends, how can I face them? | 1:06:49 | 1:06:52 | |
-My school! -Oh, you've got to stop. | 1:06:52 | 1:06:54 | |
You've got to. I can't hear those things again. | 1:06:54 | 1:06:57 | |
I can't! I won't. | 1:06:57 | 1:06:58 | |
Can't. I can't. | 1:06:58 | 1:07:00 | |
I won't! They can't talk like that. | 1:07:00 | 1:07:02 | |
ENGINE RUMBLES | 1:07:02 | 1:07:05 | |
Mac. | 1:07:08 | 1:07:09 | |
Mac! | 1:07:12 | 1:07:13 | |
Mac! Mac! | 1:07:24 | 1:07:28 | |
Honey. | 1:07:29 | 1:07:31 | |
SHE SOBS | 1:07:31 | 1:07:33 | |
Oh, Mac. | 1:07:35 | 1:07:37 | |
You do love me, don't you? | 1:07:38 | 1:07:39 | |
You bet your life I do. | 1:07:39 | 1:07:41 | |
But you don't know about what... | 1:07:43 | 1:07:45 | |
Yes, I do, I know all about it, | 1:07:45 | 1:07:46 | |
and we're going to have a great time, too. | 1:07:46 | 1:07:49 | |
HE CHUCKLES | 1:07:49 | 1:07:51 | |
Oh, I'm so glad you're here. | 1:07:53 | 1:07:55 | |
SHE SOBS | 1:07:55 | 1:07:57 | |
Sweetheart, what are you shaking like that for? | 1:07:57 | 1:07:59 | |
Mac... | 1:07:59 | 1:08:00 | |
I almost jumped off that balcony. | 1:08:02 | 1:08:04 | |
You... You almost...? | 1:08:04 | 1:08:06 | |
What for? | 1:08:06 | 1:08:07 | |
Well, they were saying that... | 1:08:07 | 1:08:09 | |
FOOTSTEPS APPROACH | 1:08:09 | 1:08:11 | |
How dare you come here? The effrontery! | 1:08:13 | 1:08:15 | |
Miss Van Alstyne, what are we going to do? | 1:08:15 | 1:08:17 | |
Those two? | 1:08:17 | 1:08:19 | |
You mean those two old flaps could make you want to | 1:08:19 | 1:08:21 | |
jump out of a window? | 1:08:21 | 1:08:23 | |
Ah! | 1:08:23 | 1:08:24 | |
Honey, where's your sense of humour? | 1:08:24 | 1:08:26 | |
Young man, I shan't be spoken to this way. | 1:08:26 | 1:08:29 | |
No kidding. | 1:08:29 | 1:08:30 | |
You really take this dump seriously, don't you? | 1:08:30 | 1:08:33 | |
Maybe you don't realise the world's too busy earning | 1:08:33 | 1:08:35 | |
its three squares a day to worry about what fork to eat them with. | 1:08:35 | 1:08:39 | |
Stick around, sister, | 1:08:39 | 1:08:40 | |
because it won't be long before this is an old ladies' home. | 1:08:40 | 1:08:43 | |
Come on, honey. | 1:08:45 | 1:08:46 | |
Hello, Ginny. | 1:08:50 | 1:08:51 | |
And just why was I called out of a conference? | 1:08:51 | 1:08:54 | |
Are you Mr Radcliff? | 1:08:54 | 1:08:55 | |
Uh-huh. | 1:08:55 | 1:08:57 | |
Well, I'm marrying your daughter today. | 1:08:57 | 1:09:00 | |
So... | 1:09:00 | 1:09:02 | |
Well, what have you got to say about it? | 1:09:02 | 1:09:05 | |
Have a cigar. | 1:09:06 | 1:09:09 | |
-Thanks. -Oh, Daddy. | 1:09:09 | 1:09:11 | |
Oh... | 1:09:12 | 1:09:13 |