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This film contains strong language and some scenes of a sexual nature | 0:00:02 | 0:00:10 | |
So... | 0:02:33 | 0:02:35 | |
We think vortex generators should do the job. | 0:02:35 | 0:02:38 | |
But... Well, the quickest and the cheapest option would be, yes, | 0:02:38 | 0:02:42 | |
to add some modified vortex generators or even sub boundary layer VGs but... | 0:02:42 | 0:02:48 | |
-But? -Optimisation would still be severely limited. | 0:02:48 | 0:02:51 | |
Particularly for long endurance or low-speed operations. | 0:02:51 | 0:02:54 | |
So, what would you recommend? | 0:02:54 | 0:02:56 | |
Boundary layer suction. | 0:02:57 | 0:02:59 | |
Well, this is an existing UAV. The wing space is already utilised. | 0:03:00 | 0:03:03 | |
Yes, I know. | 0:03:03 | 0:03:05 | |
But if I can move the transitioned deturbulence further along the wing, | 0:03:05 | 0:03:08 | |
I can reduce the drag and more than offset the AUM. | 0:03:08 | 0:03:11 | |
Alternatively, you could rethink the increase and payload. | 0:03:14 | 0:03:16 | |
Does that drone need both bombs as well as missiles? | 0:03:16 | 0:03:19 | |
The Americans have both on the Reaper. | 0:03:19 | 0:03:22 | |
So, if the drone is to have both bomb... | 0:03:22 | 0:03:24 | |
Drone is a media term. | 0:03:24 | 0:03:26 | |
We prepare to use remotely piloted air systems. | 0:03:26 | 0:03:30 | |
If you want more than a second-rate alteration, | 0:03:31 | 0:03:33 | |
if you actually want to solve the problem, | 0:03:33 | 0:03:35 | |
this is the way you will have to go. | 0:03:35 | 0:03:37 | |
Boundary layer suction. | 0:03:37 | 0:03:38 | |
We need the redesign spec by the end of the year. | 0:03:38 | 0:03:41 | |
-You have eight weeks. -Eight weeks?! | 0:03:41 | 0:03:43 | |
Not a problem, gentlemen. | 0:03:43 | 0:03:45 | |
I'm part of the team, too, you know, remember? | 0:03:45 | 0:03:48 | |
Sorry. It's when they look at me like that. | 0:03:48 | 0:03:50 | |
-It gives my adrenaline a kick. -Yeah? Well, good for you. | 0:03:50 | 0:03:53 | |
-We made the last deadline, we'll make this one. -But eight weeks? | 0:03:53 | 0:03:57 | |
Did we have a choice? | 0:03:57 | 0:04:00 | |
I'd say there's room to wiggle. | 0:04:00 | 0:04:01 | |
I don't wiggle. Especially not for them. | 0:04:01 | 0:04:04 | |
-Any more questions? -If you're going to work in aerospace, | 0:04:10 | 0:04:14 | |
it seems you can't escape from the military. | 0:04:14 | 0:04:16 | |
I was wondering if that bothers you, ethically speaking. | 0:04:16 | 0:04:20 | |
No, not at all. None of us are outside the military industrial complex. | 0:04:20 | 0:04:22 | |
That is, you know, unless you don't use the internet. | 0:04:22 | 0:04:25 | |
The internet is as much part of the military RND as it is a promoter of | 0:04:25 | 0:04:28 | |
knowledge. | 0:04:28 | 0:04:29 | |
It also promotes porn. | 0:04:31 | 0:04:33 | |
What do you think about porn, Dr Lethbridge? | 0:04:33 | 0:04:36 | |
Well, I don't know if all this talk of suction and drag has overstimulated | 0:04:36 | 0:04:41 | |
your adolescent brain... | 0:04:41 | 0:04:44 | |
But yeah, go back to your question of ethics. | 0:04:44 | 0:04:46 | |
Yes, any aircraft can be adapted for military purposes, but I don't know, | 0:04:46 | 0:04:51 | |
I'm not a philosopher. I'm more interested in the beauty of flight | 0:04:51 | 0:04:54 | |
rather than our ability to fight. | 0:04:54 | 0:04:56 | |
Hi, Robert, I'm going to be here until about two, | 0:05:26 | 0:05:29 | |
so wait with the aerofoil test until I'm back. Thank you. | 0:05:29 | 0:05:32 | |
Do you need some help? | 0:05:35 | 0:05:36 | |
Oh, no, thanks. I've been a twit. | 0:05:38 | 0:05:41 | |
Lost my keys. | 0:05:41 | 0:05:44 | |
Do you want me to break into the car? | 0:05:44 | 0:05:46 | |
-Are you serious? -No! | 0:05:51 | 0:05:54 | |
My dad's got a spare set. He'll be here in a minute. | 0:05:57 | 0:06:00 | |
By the way, it was a good lecture. | 0:06:01 | 0:06:03 | |
Inspiring. | 0:06:05 | 0:06:06 | |
-Thank you. -Really. | 0:06:07 | 0:06:10 | |
But that edition's out of date. | 0:06:11 | 0:06:13 | |
Oh. | 0:06:15 | 0:06:16 | |
Bye. | 0:06:19 | 0:06:21 | |
Hello? | 0:06:38 | 0:06:40 | |
Alex, I've got the new data. | 0:06:41 | 0:06:42 | |
-And you want me to put it in now? -Please. | 0:06:43 | 0:06:45 | |
-Great. -Thank you. Thank you. | 0:06:46 | 0:06:48 | |
Frankie, you want to grab a drink? Frankie! | 0:06:56 | 0:07:01 | |
-Mmm? -Fancy a drink on the way home? | 0:07:01 | 0:07:04 | |
Oh, erm... | 0:07:04 | 0:07:05 | |
No, thanks. I can't. | 0:07:06 | 0:07:09 | |
Why? | 0:07:09 | 0:07:10 | |
You meeting whatshisname? | 0:07:10 | 0:07:13 | |
No. Whatshisname and I finished a couple of weeks ago. | 0:07:14 | 0:07:17 | |
He cried and said thank you after sex. | 0:07:19 | 0:07:22 | |
I'll make a note. | 0:07:22 | 0:07:24 | |
HEIGHTENED VOLUME OF FEET ON TREADMILL | 0:07:52 | 0:07:54 | |
MACHINE BEEPS | 0:07:56 | 0:08:00 | |
Hello. | 0:08:01 | 0:08:02 | |
What a coincidence! | 0:08:04 | 0:08:05 | |
-Yeah. It's nice to meet you again. -Yeah. | 0:08:05 | 0:08:08 | |
As long as you're not stalking me. | 0:08:10 | 0:08:12 | |
Excuse me. Excuse me. | 0:08:14 | 0:08:16 | |
-You forgot your money. -Oh, my God. | 0:08:16 | 0:08:19 | |
Thank you. Well, you must think I've got my head in the clouds. | 0:08:19 | 0:08:24 | |
Aeronaut. It's your job. | 0:08:24 | 0:08:26 | |
Did you get that new book? | 0:08:29 | 0:08:30 | |
-The new edition. -No, no, no. It's a little expensive. | 0:08:30 | 0:08:34 | |
Oh, well, I could lend you a copy. | 0:08:34 | 0:08:35 | |
Give you a lift? I'm just round the corner. | 0:08:37 | 0:08:40 | |
-No, thanks. That's too much trouble. -OK. OK. | 0:08:41 | 0:08:46 | |
OK. I accept. | 0:08:57 | 0:09:00 | |
-Oh, erm, I'll just be a minute. -OK. | 0:09:13 | 0:09:16 | |
Thanks. | 0:09:52 | 0:09:54 | |
-This is very kind of you. -Oh, God, it's nothing. | 0:09:54 | 0:09:56 | |
I get sent them for free. | 0:09:56 | 0:09:58 | |
I will buy you dinner. | 0:10:00 | 0:10:01 | |
To thank you. | 0:10:03 | 0:10:04 | |
You OK? | 0:10:39 | 0:10:41 | |
The duck says, "Have you got any bread?" | 0:10:56 | 0:10:59 | |
The man says, "Look, if you ask me again, I will nail your beak to the bar, understood?" | 0:10:59 | 0:11:04 | |
Duck says, "Have you got any nails?" The man shouts, "No!" | 0:11:04 | 0:11:08 | |
And the duck says, "Have you got any bread?" | 0:11:08 | 0:11:13 | |
Do you want a drink? Glass of wine? | 0:11:40 | 0:11:44 | |
No, thanks. I don't drink. | 0:11:44 | 0:11:46 | |
You're not a recovering alcoholic, are you? | 0:11:47 | 0:11:50 | |
-Yeah. -Shit. | 0:11:50 | 0:11:53 | |
-I'm Muslim. -I'm sorry! -What?! | 0:11:55 | 0:11:57 | |
-I mean about the drink. -It's OK, you didn't know. | 0:11:59 | 0:12:02 | |
Also, I'm a poor engineering student. | 0:12:08 | 0:12:10 | |
That you do know. Not very exotic. | 0:12:12 | 0:12:16 | |
Well... | 0:12:16 | 0:12:17 | |
I don't see you as exotic. | 0:12:17 | 0:12:20 | |
You don't? | 0:12:20 | 0:12:21 | |
Not in the slightest. | 0:12:23 | 0:12:25 | |
I can belly dance. | 0:12:27 | 0:12:28 | |
-Would you like to see? -No! | 0:12:29 | 0:12:32 | |
Where do you live? | 0:12:34 | 0:12:36 | |
East End. | 0:12:36 | 0:12:39 | |
Under the motorway. | 0:12:40 | 0:12:43 | |
We've got Bristol City flags instead of curtains. | 0:12:46 | 0:12:49 | |
And where are you from? | 0:12:53 | 0:12:55 | |
What? | 0:12:57 | 0:12:58 | |
Where are you from? | 0:13:00 | 0:13:01 | |
Lived in Bristol all my life. | 0:13:03 | 0:13:05 | |
Say something to me in Arabic. | 0:13:09 | 0:13:11 | |
Say something to me in Bristol-English first. | 0:13:14 | 0:13:16 | |
Take... | 0:13:24 | 0:13:25 | |
your shirt off. | 0:13:27 | 0:13:29 | |
HE SPEAKS ARABIC | 0:13:45 | 0:13:53 | |
Which means? | 0:13:55 | 0:13:57 | |
Is there anything you just said that would stop me from kissing you? | 0:14:04 | 0:14:09 | |
I'll be back in a minute. | 0:14:14 | 0:14:16 | |
Hello, yes. What can I do for you? | 0:15:04 | 0:15:06 | |
Excuse me, can you tell me what this says? | 0:15:06 | 0:15:09 | |
Let me have a look. It sounds a bit romantic and complicated. | 0:15:09 | 0:15:13 | |
HE SPEAKS ARABIC | 0:15:13 | 0:15:16 | |
-Do you know what it means? -It's classic Arabic poetry. | 0:15:19 | 0:15:22 | |
The hair is ripping. | 0:15:22 | 0:15:24 | |
No, no, his wings are broken. | 0:15:24 | 0:15:27 | |
-See here. -Oh, he lost everything. | 0:15:27 | 0:15:29 | |
Where do you see "wings"? | 0:15:29 | 0:15:32 | |
A sandstorm destroyed his tent and his wings. | 0:15:32 | 0:15:37 | |
That doesn't make sense. | 0:15:37 | 0:15:39 | |
The sandstorm is in the shape of a woman. | 0:15:39 | 0:15:42 | |
It refers to this woman. | 0:15:42 | 0:15:44 | |
She destroyed the wicked man's bed. | 0:15:44 | 0:15:46 | |
-Let's see. Let's try it. -Go ahead. | 0:15:46 | 0:15:49 | |
I cry remembering my home and my lover. | 0:15:49 | 0:15:54 | |
-Yeah. -Like a storm she broke my wings. | 0:15:54 | 0:15:57 | |
Yeah. Makes sense. | 0:15:57 | 0:15:59 | |
-Yeah. -Yeah. -That's good. | 0:15:59 | 0:16:01 | |
That's good translation. What it's mean, | 0:16:01 | 0:16:03 | |
"Damn, baby, you're too much for me." | 0:16:03 | 0:16:06 | |
THEY ALL LAUGH | 0:16:06 | 0:16:09 | |
HE SPEAKS IN ARABIC | 0:16:54 | 0:16:56 | |
-Can I help you? -Hi. Is Kahil in? | 0:17:00 | 0:17:02 | |
-Are you the police? -No. | 0:17:08 | 0:17:10 | |
Second door on the left. | 0:17:10 | 0:17:12 | |
It's open. | 0:17:14 | 0:17:16 | |
HE SPEAKS ARABIC | 0:17:18 | 0:17:21 | |
Kahil? | 0:17:32 | 0:17:33 | |
It's Frankie. | 0:17:35 | 0:17:37 | |
What happened? | 0:19:36 | 0:19:38 | |
Sorry, I didn't mean to pry. | 0:19:47 | 0:19:50 | |
It's fine. | 0:19:50 | 0:19:52 | |
How old are you, Kahil? | 0:20:02 | 0:20:04 | |
24. | 0:20:06 | 0:20:07 | |
You're not going to tell the other students | 0:20:10 | 0:20:12 | |
-you had a visiting lecturer, are you? -I wouldn't do that. | 0:20:12 | 0:20:16 | |
Unless you refuse to see me again. | 0:20:20 | 0:20:22 | |
Are you serious? | 0:20:26 | 0:20:28 | |
Yeah. | 0:20:28 | 0:20:29 | |
Well, that sounds like blackmail to me. | 0:20:32 | 0:20:35 | |
Yeah. It is. | 0:20:35 | 0:20:37 | |
I'll walk you home. | 0:20:38 | 0:20:40 | |
Hey, Kahil... | 0:20:45 | 0:20:47 | |
THEY SPEAK ARABIC | 0:20:47 | 0:20:50 | |
Oh, hi. | 0:20:53 | 0:20:56 | |
Hi. | 0:20:56 | 0:20:57 | |
Come watch the game. | 0:20:59 | 0:21:01 | |
-It's half-time. 3-2. -Erm... No, I've got a lot of work to do. | 0:21:01 | 0:21:04 | |
I should probably get back. | 0:21:04 | 0:21:06 | |
Work? Come on, it's weekend. | 0:21:06 | 0:21:08 | |
Kahil will play, you can cheer him on. | 0:21:08 | 0:21:10 | |
He doesn't play very well, he needs encouragement. | 0:21:10 | 0:21:13 | |
You want to come? | 0:21:13 | 0:21:15 | |
-Yeah. Do you want me to come? -I want you to come if you want to come. | 0:21:15 | 0:21:20 | |
LIVELY CHATTER | 0:21:20 | 0:21:23 | |
Stop showing off! | 0:21:44 | 0:21:46 | |
So, you're a professor, right? | 0:21:49 | 0:21:51 | |
No, I just give lectures now and then at the university. | 0:21:51 | 0:21:55 | |
Aeronautics? | 0:21:55 | 0:21:57 | |
-And you? -Me? | 0:22:01 | 0:22:03 | |
Well, this, that and the other. | 0:22:03 | 0:22:05 | |
Keeping it vague. | 0:22:07 | 0:22:09 | |
Mysterious. | 0:22:09 | 0:22:10 | |
I prefer mysterious. | 0:22:10 | 0:22:12 | |
Hey! Hey! | 0:22:14 | 0:22:16 | |
HE WHISTLES | 0:22:16 | 0:22:18 | |
CHEERING | 0:22:29 | 0:22:31 | |
INDISTINCT | 0:22:53 | 0:22:56 | |
PHONE RINGS | 0:23:24 | 0:23:27 | |
Shit! | 0:23:27 | 0:23:29 | |
Dad, I am so sorry, I completely forgot. | 0:23:30 | 0:23:33 | |
'Please tell me you're not up there still waiting, are you?' | 0:23:33 | 0:23:37 | |
No, no, don't worry about it. | 0:23:37 | 0:23:39 | |
We can do it another day. | 0:23:39 | 0:23:42 | |
'You sound tired.' | 0:23:42 | 0:23:44 | |
Yeah, I've been working all day. I just got caught up in it. | 0:23:44 | 0:23:46 | |
You know how it is. | 0:23:46 | 0:23:48 | |
'Are you at home now?' | 0:23:48 | 0:23:50 | |
Yes, yes. | 0:23:50 | 0:23:52 | |
Just watching the telly. | 0:23:52 | 0:23:54 | |
'Good.' | 0:23:54 | 0:23:55 | |
'OK, I love you, Dad. I'm going to get in the shower now. | 0:23:55 | 0:23:58 | |
'Bye.' | 0:23:58 | 0:24:00 | |
DIALLING TONE | 0:24:00 | 0:24:02 | |
OK. Well, let's go back to structural waste savings. | 0:24:12 | 0:24:16 | |
We could switch to high modulus brake tape. | 0:24:16 | 0:24:19 | |
We could alter steel hard points to co-forge titanium. | 0:24:19 | 0:24:23 | |
And we could consider... | 0:24:23 | 0:24:26 | |
Frankie. Frankie, what's wrong? | 0:24:26 | 0:24:28 | |
I've met someone. | 0:24:30 | 0:24:32 | |
Oh. | 0:24:36 | 0:24:37 | |
Well, that's, erm... | 0:24:37 | 0:24:39 | |
That's great. Isn't it? | 0:24:39 | 0:24:41 | |
I think so. | 0:24:42 | 0:24:44 | |
What does he do? | 0:24:44 | 0:24:46 | |
Erm, he's an engineer...ing student. | 0:24:46 | 0:24:49 | |
Wh-What? | 0:24:51 | 0:24:52 | |
Um... | 0:24:53 | 0:24:55 | |
Well, if he has any thoughts on how to improve this project, then... | 0:24:56 | 0:25:00 | |
SHE LAUGHS | 0:25:00 | 0:25:01 | |
Is this OK? | 0:25:11 | 0:25:13 | |
-Yeah. -Really? -Mm-hm. | 0:25:13 | 0:25:15 | |
Great. | 0:25:16 | 0:25:17 | |
-I've never had one of those before. -Shisha? -Mm-hm. | 0:25:19 | 0:25:22 | |
You want to try it? | 0:25:22 | 0:25:24 | |
-Yeah. -OK. | 0:25:24 | 0:25:27 | |
Hello? | 0:25:30 | 0:25:31 | |
Please could you bring us a shisha pipe? | 0:25:31 | 0:25:35 | |
Of course. | 0:25:35 | 0:25:36 | |
THEY SPEAK ARABIC | 0:25:36 | 0:25:39 | |
Thank you. | 0:25:41 | 0:25:42 | |
You should try this one. | 0:25:52 | 0:25:54 | |
-This is really good. -Oh, it's like a tomato soup? | 0:25:54 | 0:25:57 | |
Yeah. Try it. | 0:25:57 | 0:25:58 | |
You both will be using it? | 0:25:58 | 0:26:00 | |
-Yeah. -Mm-hm. | 0:26:00 | 0:26:02 | |
THEY SPEAK ARABIC | 0:26:02 | 0:26:05 | |
SHISHA BUBBLES | 0:26:08 | 0:26:11 | |
SHE SPEAKS ARABIC | 0:26:14 | 0:26:17 | |
-Enjoy. -Thank you. | 0:26:22 | 0:26:24 | |
Taste it. | 0:26:26 | 0:26:27 | |
SHE INHALES AND EXHALES | 0:26:29 | 0:26:34 | |
THUNDER RUMBLES | 0:26:34 | 0:26:37 | |
What were you talking about with the waitress tonight? | 0:26:44 | 0:26:47 | |
Well...I don't remember. | 0:26:47 | 0:26:49 | |
I didn't know she was working there. | 0:26:57 | 0:27:00 | |
Who's "she"? | 0:27:02 | 0:27:03 | |
Well, she used to be my girlfriend. | 0:27:05 | 0:27:08 | |
In Algeria. | 0:27:08 | 0:27:09 | |
Are you jealous? | 0:27:24 | 0:27:25 | |
Fuck you. | 0:27:28 | 0:27:29 | |
Yes. You are jealous. | 0:27:43 | 0:27:45 | |
I'm never fucking jealous. | 0:27:45 | 0:27:47 | |
Really? | 0:27:47 | 0:27:49 | |
Why do I want you so much? | 0:27:52 | 0:27:54 | |
Because I want you only. | 0:27:54 | 0:27:56 | |
Say it again. | 0:27:56 | 0:27:58 | |
PHONE VIBRATES | 0:28:40 | 0:28:42 | |
Could you pass me the phone? | 0:28:42 | 0:28:45 | |
Thank you. | 0:28:48 | 0:28:51 | |
HE SPEAKS ARABIC | 0:28:52 | 0:28:55 | |
Bye. | 0:29:17 | 0:29:19 | |
Sorry. | 0:29:22 | 0:29:23 | |
It was my Egyptian nagging wife. | 0:29:25 | 0:29:28 | |
SHE LAUGHS | 0:29:28 | 0:29:30 | |
-It was Mummy. -Isn't that Algerian? | 0:29:35 | 0:29:38 | |
No, Egyptian. | 0:29:38 | 0:29:40 | |
Are your family still in Algeria? | 0:29:41 | 0:29:43 | |
Some in Algeria, some in France. | 0:29:43 | 0:29:47 | |
I have a big family. | 0:29:47 | 0:29:49 | |
-Do you go home a lot? -No. | 0:29:52 | 0:29:54 | |
You must miss it. | 0:29:56 | 0:29:58 | |
No. | 0:29:59 | 0:30:01 | |
It's just me and my dad. | 0:30:07 | 0:30:08 | |
He worked on Concorde. | 0:30:13 | 0:30:15 | |
Long way before I can match that. | 0:30:18 | 0:30:21 | |
And your mother? | 0:30:25 | 0:30:27 | |
She died when I was young. | 0:30:27 | 0:30:29 | |
Car accident. | 0:30:29 | 0:30:30 | |
I can still remember her laugh. | 0:30:34 | 0:30:37 | |
Hey. | 0:31:00 | 0:31:02 | |
-Oh, you're not supposed to see this. -Come to bed. -No, I'm serious. | 0:31:02 | 0:31:05 | |
You're working on drones. | 0:31:06 | 0:31:08 | |
What type of payload is it? | 0:31:08 | 0:31:10 | |
-It's private. -Really? | 0:31:10 | 0:31:13 | |
Really. And my work takes precedence over everything and everybody. | 0:31:13 | 0:31:18 | |
Except for my body. | 0:31:18 | 0:31:20 | |
-One more thing. -Mm-hm. | 0:31:23 | 0:31:25 | |
Then I join you. | 0:31:25 | 0:31:27 | |
OK. | 0:31:27 | 0:31:29 | |
-Good night. -Good night. | 0:31:29 | 0:31:31 | |
Nice! | 0:32:03 | 0:32:04 | |
Yeah, you modified the wings. | 0:32:07 | 0:32:09 | |
Just tinkering. I wasn't happy with its manoeuvrability. | 0:32:09 | 0:32:12 | |
Ah, I know how you feel. | 0:32:12 | 0:32:14 | |
Don't give in to those vortex generators. | 0:32:16 | 0:32:19 | |
That Robert's a fool. | 0:32:19 | 0:32:20 | |
I won't. And he's not. | 0:32:20 | 0:32:22 | |
-It's still hard going. -It's meant to be hard going. | 0:32:23 | 0:32:26 | |
You're at the top of your game. | 0:32:26 | 0:32:28 | |
-Well, nearly there. -How's the new boyfriend? | 0:32:28 | 0:32:30 | |
-What?! -You have got a bit of colour in your cheeks. Sex must be good. | 0:32:30 | 0:32:34 | |
-Dad! -What's his name? | 0:32:34 | 0:32:36 | |
-Kahil. -Kahil what? | 0:32:36 | 0:32:38 | |
-What kind of name is that? -Erm, French-Algerian. | 0:32:40 | 0:32:43 | |
Engineering student. | 0:32:43 | 0:32:45 | |
-Bit young for you. -How do you know he's a bit young for me? | 0:32:45 | 0:32:48 | |
Just assumed. | 0:32:48 | 0:32:50 | |
Do you think it wise to have an Arab boyfriend? | 0:32:54 | 0:32:58 | |
-I mean, given the nature of your work. -Dad! Come on. | 0:32:58 | 0:33:01 | |
-Just cos he's... -No, hear me out, Frankie. | 0:33:01 | 0:33:04 | |
I'm just thinking of your career. | 0:33:04 | 0:33:06 | |
Am I only allowed to date white middle-aged men? | 0:33:06 | 0:33:08 | |
-What's wrong with white middle-aged men? -Oh, right, thank you. | 0:33:08 | 0:33:11 | |
This is a ridiculous conversation. | 0:33:11 | 0:33:13 | |
Frankie, you don't even know his surname. | 0:33:13 | 0:33:15 | |
-Ah... -I'm only looking out for you. | 0:33:15 | 0:33:17 | |
Wouldn't it be awful if this just crashed into the ground? | 0:33:17 | 0:33:21 | |
Hey! Hey, take care. Be careful. | 0:33:21 | 0:33:23 | |
SHE IMITATES AN EXPLOSION | 0:33:23 | 0:33:25 | |
DOORBELL RINGS | 0:33:28 | 0:33:31 | |
Hey. It's me. | 0:33:37 | 0:33:39 | |
Can I come up? | 0:33:39 | 0:33:41 | |
No. | 0:33:44 | 0:33:46 | |
-What? -No. | 0:33:46 | 0:33:47 | |
I don't know who you are. | 0:33:47 | 0:33:50 | |
What do you mean? | 0:33:50 | 0:33:51 | |
Tell me your name. | 0:33:51 | 0:33:53 | |
-Frankie... -Mr Kahil, | 0:33:56 | 0:33:58 | |
tell me your last name. | 0:33:58 | 0:34:00 | |
Hey, your neighbour just gave me a funny look. | 0:34:08 | 0:34:11 | |
-Let me in. -Tell me your last name. | 0:34:11 | 0:34:14 | |
Or else. | 0:34:16 | 0:34:18 | |
Do you refuse? | 0:34:23 | 0:34:25 | |
Othmani. | 0:34:25 | 0:34:27 | |
-Othmani? -Yeah. -Can I help you? | 0:34:27 | 0:34:29 | |
Shit. | 0:34:29 | 0:34:31 | |
ENTRY SYSTEM BUZZES | 0:34:32 | 0:34:34 | |
Kahil Othmani. | 0:34:39 | 0:34:41 | |
You're angry with me. | 0:35:00 | 0:35:02 | |
You're not going to show your anger. | 0:35:04 | 0:35:06 | |
Am I that intimidating, Mr Othmani? | 0:35:09 | 0:35:12 | |
Come on. | 0:35:15 | 0:35:17 | |
Mr Othmani. | 0:35:17 | 0:35:18 | |
Is that your anger? | 0:35:20 | 0:35:22 | |
SHE GASPS | 0:35:23 | 0:35:25 | |
INAUDIBLE | 0:36:13 | 0:36:16 | |
Fuck. | 0:36:29 | 0:36:31 | |
-Fuck! -Well, that's unanimous, then. | 0:36:31 | 0:36:33 | |
Let's call it a day. It's almost five. | 0:36:36 | 0:36:39 | |
We've got that meeting at 5.30, remember? | 0:36:39 | 0:36:41 | |
The team has a meeting. | 0:36:41 | 0:36:43 | |
Reschedule. I have to go. | 0:36:43 | 0:36:46 | |
You're the boss. | 0:36:48 | 0:36:50 | |
Had enough for one day, Dr Lethbridge? | 0:36:55 | 0:36:57 | |
First time for everything, Terry. | 0:36:57 | 0:36:59 | |
-Making your escape, eh? -See you tomorrow. | 0:36:59 | 0:37:01 | |
See ya! | 0:37:01 | 0:37:02 | |
'Welcome to the messaging service. | 0:37:43 | 0:37:45 | |
'Please leave your message after the tone.' | 0:37:45 | 0:37:48 | |
BEEP | 0:37:48 | 0:37:49 | |
Hi, I came over to your place to surprise you. | 0:37:49 | 0:37:52 | |
You're not here. I thought you said you worked at home on Tuesdays. | 0:37:52 | 0:37:56 | |
Erm... | 0:37:56 | 0:37:57 | |
No matter. Call me. | 0:37:58 | 0:38:00 | |
PHONE KEYPAD BEEPS | 0:38:46 | 0:38:49 | |
LINE RINGING | 0:38:52 | 0:38:54 | |
-'Hey, Frankie.' -Hi. | 0:38:57 | 0:39:00 | |
-What are you up to? -'Oh, nothing. Studying. | 0:39:00 | 0:39:05 | |
'Computational fluid dynamics. Things like that... | 0:39:05 | 0:39:08 | |
'Oh, Frankie, I'm sorry. | 0:39:08 | 0:39:10 | |
'Someone at the door. See you later, OK?' | 0:39:10 | 0:39:13 | |
Erm... Listen, I was wondering, could you do me a huge favour? | 0:39:27 | 0:39:31 | |
There's a student in the engineering department who I lent a book to. | 0:39:33 | 0:39:36 | |
Yeah, generosity herself. | 0:39:37 | 0:39:39 | |
Anyway, I've just realised I've got some notes in it | 0:39:39 | 0:39:42 | |
and I can't get in touch. | 0:39:42 | 0:39:44 | |
Kahil Othmani. | 0:39:44 | 0:39:46 | |
I don't even know what year he's in. | 0:39:46 | 0:39:49 | |
Nothing? | 0:39:54 | 0:39:56 | |
-Hi. -You've got a fucking nerve. | 0:40:32 | 0:40:34 | |
What do you mean? | 0:40:34 | 0:40:36 | |
You're not an engineering student, you're a taxi driver. | 0:40:37 | 0:40:40 | |
I saw you lying to me, Kahil. | 0:40:41 | 0:40:44 | |
I saw you in the taxi yesterday. | 0:40:44 | 0:40:46 | |
-Can we do this somewhere else? -No. | 0:40:48 | 0:40:51 | |
I was a student. | 0:40:57 | 0:40:59 | |
My uncle in Paris was paying my fees. | 0:41:02 | 0:41:04 | |
He died so I had to give up the course. | 0:41:04 | 0:41:07 | |
But I try to keep up with my studies so one day I can finish the degree. | 0:41:07 | 0:41:12 | |
It's not easy. I couldn't get my visa renewed so I'm here illegally, | 0:41:15 | 0:41:18 | |
-and Malik lets me drive his taxi. -Sorry, you're illegal? -Yeah. -Oh. | 0:41:18 | 0:41:22 | |
-It happens to many people. It's not a big deal. -It's not a big deal? | 0:41:24 | 0:41:27 | |
-Shit. I don't believe this. -Do you want me to go? | 0:41:27 | 0:41:31 | |
Yes. | 0:41:32 | 0:41:34 | |
Just don't ever lie again to me, Kahil. | 0:41:36 | 0:41:39 | |
Promise me. | 0:41:41 | 0:41:42 | |
HE SPEAKS ARABIC | 0:41:45 | 0:41:47 | |
Did you just tell me to piss off? | 0:41:53 | 0:41:56 | |
No. | 0:41:59 | 0:42:00 | |
I said, "I promise... | 0:42:02 | 0:42:04 | |
"..my love." | 0:42:06 | 0:42:08 | |
HE REPEATS THE PHRASE IN ARABIC | 0:42:21 | 0:42:24 | |
Kahil? | 0:42:52 | 0:42:54 | |
Mmm? | 0:42:54 | 0:42:55 | |
-Kahil? -What? -I want you to stop driving the taxi. | 0:42:57 | 0:43:02 | |
Huh? | 0:43:02 | 0:43:03 | |
I want you to stop driving the taxi. | 0:43:04 | 0:43:06 | |
I can't, I need the money. | 0:43:06 | 0:43:08 | |
Yeah, but if you get pulled over, you're going to be arrested. | 0:43:08 | 0:43:11 | |
It's so dangerous. | 0:43:11 | 0:43:13 | |
I'm used to it. | 0:43:13 | 0:43:15 | |
You could work for me. | 0:43:22 | 0:43:24 | |
Work for you? | 0:43:27 | 0:43:29 | |
You mean to research for you? | 0:43:35 | 0:43:37 | |
No, I meant repainting my flat. | 0:43:38 | 0:43:41 | |
No, I'm serious. I've been meaning to redo it for months. | 0:43:43 | 0:43:46 | |
It would be a huge favour for me. I've got paints. I've got brushes. | 0:43:46 | 0:43:49 | |
What? | 0:43:49 | 0:43:51 | |
Is this is how you see me, | 0:43:54 | 0:43:56 | |
as some kind of servant? | 0:43:56 | 0:43:58 | |
Oh, Jesus, no. Kahil... | 0:43:58 | 0:44:00 | |
I just want to help. It will be temporary. | 0:44:02 | 0:44:05 | |
Before we sort something out. | 0:44:05 | 0:44:07 | |
Morning, Dr Lethbridge. | 0:44:54 | 0:44:56 | |
Would you be so kind as to park on the other side? | 0:44:56 | 0:44:58 | |
-Right now? -Yes, right now, please. | 0:44:58 | 0:45:01 | |
-Thank you. -Sorry, could I know what this is about? | 0:45:01 | 0:45:04 | |
Drive on through, Doctor, and I'll meet you on the other side. | 0:45:04 | 0:45:08 | |
Dr Lethbridge, sorry about the wait. | 0:45:39 | 0:45:41 | |
Nina Simons. | 0:45:41 | 0:45:43 | |
Sorry, what's this about? | 0:45:50 | 0:45:52 | |
How long have you known Kahil Othmani? | 0:45:52 | 0:45:55 | |
-Why, what's going on? -Just answer the question, please. | 0:45:58 | 0:46:01 | |
How long have you known Mr Othmani? | 0:46:01 | 0:46:04 | |
Erm, three weeks. | 0:46:04 | 0:46:05 | |
He's a friend. | 0:46:08 | 0:46:09 | |
Right. He's 24 years old, Algerian, a part-time taxi driver. | 0:46:09 | 0:46:15 | |
Yes. | 0:46:18 | 0:46:20 | |
Are you aware that he's an illegal immigrant? | 0:46:20 | 0:46:23 | |
No. | 0:46:23 | 0:46:25 | |
We're concerned that you're putting yourself in an awkward position. | 0:46:29 | 0:46:32 | |
Are you...are you asking me to stop seeing him? | 0:46:38 | 0:46:41 | |
His immigration status is really neither here nor there to us. | 0:46:41 | 0:46:45 | |
That's more an issue for our colleagues in the Border Agency. | 0:46:45 | 0:46:48 | |
We're here just to make sure that no-one takes advantage. | 0:46:48 | 0:46:52 | |
I see. | 0:46:52 | 0:46:53 | |
Anything that seems out of the ordinary - a question, a phone call, | 0:46:56 | 0:47:01 | |
an acquaintance - please don't hesitate to call me. | 0:47:01 | 0:47:04 | |
Night, Frankie. | 0:47:10 | 0:47:11 | |
Frankie, are you OK? | 0:47:26 | 0:47:28 | |
Tired. | 0:47:28 | 0:47:30 | |
Are you staying on? | 0:47:31 | 0:47:32 | |
-Yeah, for a bit. -Are you sure you're all right? | 0:47:34 | 0:47:37 | |
Christ, you're not my father! | 0:47:37 | 0:47:39 | |
-See you tomorrow. -Night, boss. | 0:47:55 | 0:47:57 | |
CONVERSATION IN ARABIC | 0:48:01 | 0:48:04 | |
Oh, my God. | 0:48:23 | 0:48:25 | |
Erm, it looks worse than it is. | 0:48:27 | 0:48:30 | |
THEY SPEAK ARABIC | 0:48:30 | 0:48:32 | |
Frankie. | 0:48:38 | 0:48:40 | |
DOOR OPENS AND CLOSES | 0:48:43 | 0:48:46 | |
Hey, baby. | 0:48:49 | 0:48:50 | |
Now I look like a criminal, yeah? | 0:48:51 | 0:48:54 | |
-You like it? -What happened? | 0:48:54 | 0:48:56 | |
Well, I was happily painting your flat... | 0:48:56 | 0:48:59 | |
..thinking to myself how the rich sit with such junk... | 0:49:00 | 0:49:04 | |
Kahil, what happened? | 0:49:04 | 0:49:05 | |
Malik got into an argument with a couple of guys who live with us. | 0:49:07 | 0:49:11 | |
They wanted to kick Malik out of the house. | 0:49:11 | 0:49:14 | |
I went over and I got into a fight. | 0:49:14 | 0:49:16 | |
-That's it. -Well, I didn't see Malik with a black eye. | 0:49:16 | 0:49:19 | |
-Malik is like a brother to me. -Really? | 0:49:22 | 0:49:24 | |
Now he knows where I live. | 0:49:26 | 0:49:28 | |
What do you mean? | 0:49:32 | 0:49:34 | |
Well, yeah, I just don't... | 0:49:35 | 0:49:37 | |
I just don't want strangers in my flat. | 0:49:37 | 0:49:40 | |
Malik is not a stranger. | 0:49:44 | 0:49:46 | |
Yeah, well, you know, I don't know where he is or what he's up to. | 0:49:46 | 0:49:50 | |
What do you mean? You have what you want. | 0:49:51 | 0:49:54 | |
Yeah, I hardly know you, and now my flat is full... | 0:49:54 | 0:49:58 | |
What are you saying?! | 0:49:58 | 0:50:00 | |
Don't you find it all a bit strange? | 0:50:03 | 0:50:06 | |
What? | 0:50:09 | 0:50:10 | |
Us. | 0:50:11 | 0:50:13 | |
The two of us getting together. | 0:50:15 | 0:50:17 | |
You know, some people... | 0:50:23 | 0:50:25 | |
..might find it a bit, | 0:50:28 | 0:50:30 | |
you know, weird. | 0:50:30 | 0:50:32 | |
You know, perhaps you...do. | 0:50:36 | 0:50:39 | |
You know, after we've... | 0:50:39 | 0:50:41 | |
After we make love, I don't feel weird. | 0:50:50 | 0:50:53 | |
I feel... | 0:50:57 | 0:50:59 | |
..quiet... | 0:51:00 | 0:51:01 | |
..on every place in my body. | 0:51:07 | 0:51:10 | |
And for a while... | 0:51:14 | 0:51:16 | |
..OK, a little while... | 0:51:18 | 0:51:20 | |
..all the worries of my life are gone. | 0:51:22 | 0:51:24 | |
INDISTINCT VOICE ECHOES | 0:51:59 | 0:52:01 | |
HUSHED SPEECH IN ARABIC | 0:52:25 | 0:52:28 | |
SPEECH IS MUFFLED | 0:53:45 | 0:53:48 | |
Look, Frankie... | 0:53:57 | 0:53:59 | |
I don't know what's been happening with you lately... | 0:54:00 | 0:54:03 | |
-It is none of your business. -..but if we don't make this deadline, | 0:54:03 | 0:54:06 | |
and the way things are going, we haven't got a fucking prayer, | 0:54:06 | 0:54:09 | |
then we can kiss goodbye to this company's chances of ever getting | 0:54:09 | 0:54:12 | |
-another defence contract. -Are you telling me how to do my job? | 0:54:12 | 0:54:15 | |
I'm telling you that it's not just your career on the line. | 0:54:15 | 0:54:18 | |
His name is Nahim. | 0:54:52 | 0:54:53 | |
This one's Malik. | 0:54:55 | 0:54:57 | |
Malik's a friend of Kahil's. | 0:54:59 | 0:55:01 | |
Nahim, I've seen from a distance. | 0:55:01 | 0:55:04 | |
-Where? -Erm, in Easton in a football match. | 0:55:04 | 0:55:07 | |
Have they ever been to your flat? | 0:55:09 | 0:55:11 | |
No, I don't know them. I'm sorry, what is this about? | 0:55:11 | 0:55:13 | |
They have become persons of interest to us, along with your boyfriend. | 0:55:16 | 0:55:20 | |
A person of interest? | 0:55:20 | 0:55:22 | |
Has it never even crossed your mind? | 0:55:24 | 0:55:26 | |
A woman of your age in a sensitive industry? | 0:55:26 | 0:55:31 | |
MUSIC PLAYS | 0:55:38 | 0:55:40 | |
Hi. | 0:57:41 | 0:57:43 | |
Hi. | 0:57:44 | 0:57:45 | |
Are you OK? | 0:57:54 | 0:57:55 | |
We need to talk. | 0:57:59 | 0:58:01 | |
About what? | 0:58:03 | 0:58:04 | |
I'm behind on my work. I've got a deadline I'm not going to make. | 0:58:06 | 0:58:10 | |
You didn't tell me. | 0:58:17 | 0:58:19 | |
Why should I tell you? | 0:58:19 | 0:58:21 | |
Why should I tell you anything? | 0:58:22 | 0:58:24 | |
Hey. | 0:58:26 | 0:58:28 | |
The fact is, I can't work with you here. | 0:58:30 | 0:58:33 | |
I need to work without distraction. | 0:58:34 | 0:58:36 | |
Are you breaking up with me? | 0:58:38 | 0:58:40 | |
My work keeps me going. | 0:58:40 | 0:58:42 | |
It has to come first. | 0:58:43 | 0:58:46 | |
Your work... | 0:59:21 | 0:59:23 | |
What about it? | 0:59:24 | 0:59:26 | |
Do you know what your drones do? | 0:59:30 | 0:59:33 | |
Who they kill? | 0:59:35 | 0:59:37 | |
The UAVs are targeted at the enemy. | 0:59:38 | 0:59:41 | |
And the neighbours, | 0:59:41 | 0:59:43 | |
the wedding parties... | 0:59:43 | 0:59:45 | |
..the village elders. | 0:59:46 | 0:59:49 | |
Do you even know the ratio of civilians to enemy death? | 0:59:49 | 0:59:53 | |
It's 15 to 1. | 0:59:58 | 1:00:01 | |
15 civilians to 1 intended target. | 1:00:04 | 1:00:08 | |
This is not about your work. | 1:00:10 | 1:00:13 | |
This is about people like me, | 1:00:14 | 1:00:17 | |
who are there... | 1:00:17 | 1:00:18 | |
..down on the ground | 1:00:19 | 1:00:22 | |
below your drones. | 1:00:22 | 1:00:24 | |
This is your fucking sensitive work. | 1:00:24 | 1:00:27 | |
Then get out! Get the fuck out! | 1:00:38 | 1:00:40 | |
Get the fuck out! | 1:00:46 | 1:00:49 | |
-For the painting. -Fuck you. | 1:01:00 | 1:01:02 | |
INAUDIBLE | 1:02:07 | 1:02:10 | |
It's amazing what you've achieved, you know, | 1:02:50 | 1:02:54 | |
with those toerags at the MoD. | 1:02:54 | 1:02:58 | |
I always knew you'd crack it. | 1:02:58 | 1:03:01 | |
Where's that white vase? | 1:03:02 | 1:03:04 | |
Just use the other one. | 1:03:04 | 1:03:06 | |
How are things with Kahil? | 1:03:15 | 1:03:18 | |
We've broken up. | 1:03:20 | 1:03:21 | |
Who broke up with who? | 1:03:23 | 1:03:25 | |
I broke up with him. | 1:03:26 | 1:03:27 | |
I am sorry. | 1:03:29 | 1:03:31 | |
She'd have been so proud of you. | 1:03:57 | 1:04:00 | |
I can't remember enough of her. | 1:04:02 | 1:04:04 | |
-What did you love most about her, Dad? -Huh? | 1:04:09 | 1:04:12 | |
What did you love most about her? | 1:04:13 | 1:04:15 | |
Do you remember that song? | 1:04:15 | 1:04:18 | |
# I love the way you always treat me tenderly | 1:04:19 | 1:04:25 | |
# But, darling, most of all I love how you love me. # | 1:04:25 | 1:04:31 | |
Her love was total. | 1:04:32 | 1:04:34 | |
Full-on. | 1:04:34 | 1:04:36 | |
And you loved her back like that. | 1:04:38 | 1:04:40 | |
I don't know. | 1:04:42 | 1:04:44 | |
CAR ALARM BLARES | 1:04:58 | 1:05:01 | |
KNOCK ON DOOR | 1:05:09 | 1:05:12 | |
Is he in? | 1:05:17 | 1:05:19 | |
What if he is? | 1:05:20 | 1:05:23 | |
I need to see him. | 1:05:23 | 1:05:25 | |
Where have you been? | 1:06:26 | 1:06:28 | |
Missing you. | 1:06:34 | 1:06:36 | |
I should not forgive you. | 1:07:28 | 1:07:30 | |
I looked at your computer. | 1:09:05 | 1:09:07 | |
I saw the Islamic sites... | 1:09:13 | 1:09:16 | |
..and I thought... | 1:09:18 | 1:09:20 | |
HE LAUGHS | 1:09:30 | 1:09:32 | |
Erm... | 1:09:38 | 1:09:40 | |
I keep up with the news in Algeria... | 1:09:49 | 1:09:52 | |
..and the fundamentalist sites tell the truth about the government. | 1:09:55 | 1:09:58 | |
You have so many secrets. | 1:10:03 | 1:10:06 | |
Yeah. | 1:10:15 | 1:10:17 | |
But secrets are not the same as lies. | 1:10:18 | 1:10:21 | |
MUFFLED CONVERSATION | 1:10:37 | 1:10:39 | |
CLATTERING | 1:10:41 | 1:10:44 | |
RAISED VOICES OUTSIDE | 1:10:45 | 1:10:48 | |
KNOCK ON DOOR | 1:11:41 | 1:11:42 | |
Frankie, are you OK? | 1:11:42 | 1:11:44 | |
Yeah, I'm fine. | 1:11:44 | 1:11:46 | |
I'll be out in a minute. | 1:11:50 | 1:11:53 | |
Oh, my God, I've just noticed the time. | 1:12:11 | 1:12:15 | |
I need to go. | 1:12:15 | 1:12:16 | |
Why? | 1:12:18 | 1:12:20 | |
Stay. | 1:12:20 | 1:12:22 | |
-What's wrong? -Nothing. Really. | 1:12:24 | 1:12:27 | |
-Malik and I are always arguing. -I just need to work. You know me. | 1:12:29 | 1:12:33 | |
OK. | 1:12:39 | 1:12:41 | |
Frankie. | 1:12:53 | 1:12:55 | |
I can't remember anything else. | 1:13:02 | 1:13:04 | |
Sorry. | 1:13:04 | 1:13:06 | |
Thank you. | 1:13:08 | 1:13:10 | |
You've been very helpful. | 1:13:10 | 1:13:11 | |
Please, will you tell me what's going on? | 1:13:13 | 1:13:16 | |
Who is he? | 1:13:16 | 1:13:17 | |
Kahil Othmani spent 18 months in an Algerian prison. | 1:13:19 | 1:13:23 | |
Christ. | 1:13:27 | 1:13:29 | |
What did he do? | 1:13:31 | 1:13:32 | |
Can I have a word, sir? | 1:13:35 | 1:13:37 | |
INAUDIBLE | 1:13:59 | 1:14:01 | |
-Subversive activity, what does... -That's all I can tell you. | 1:14:07 | 1:14:10 | |
-They've gone. The house is empty. -What?! -Do you know where he is? | 1:14:10 | 1:14:14 | |
No. No, I've got no idea. | 1:14:14 | 1:14:17 | |
Sir, we should go. | 1:14:20 | 1:14:22 | |
You'll tell us if he contacts you. | 1:14:22 | 1:14:25 | |
Hey, if there's anything I can do, anything at all... | 1:15:08 | 1:15:11 | |
What do you mean? | 1:15:11 | 1:15:13 | |
Your... | 1:15:13 | 1:15:15 | |
Your dad phoned me. | 1:15:16 | 1:15:18 | |
-It's unbelievable. -Yeah. | 1:15:18 | 1:15:21 | |
But don't worry, OK? | 1:15:21 | 1:15:22 | |
They'll find him, and most likely they'll deport him, | 1:15:22 | 1:15:25 | |
let the Algerians deal with it. You're safe. | 1:15:25 | 1:15:28 | |
Sorry, excuse me. I don't know if you remember me from the restaurant? | 1:16:10 | 1:16:14 | |
It's about Kahil. | 1:16:14 | 1:16:16 | |
Look, I don't know you. | 1:16:16 | 1:16:19 | |
I'm sorry. | 1:16:19 | 1:16:20 | |
Look, I know there's no reason to talk to me, but would you tell me, | 1:16:25 | 1:16:29 | |
how did he get his scars? | 1:16:29 | 1:16:31 | |
He was tortured. | 1:16:43 | 1:16:45 | |
Why? | 1:16:45 | 1:16:47 | |
He was a student leader, a socialist. | 1:16:52 | 1:16:56 | |
Well, why are the police after him? Why is he hiding guns? | 1:16:57 | 1:17:00 | |
They weren't his guns. | 1:17:00 | 1:17:02 | |
How could you believe that? | 1:17:02 | 1:17:05 | |
KNOCK ON DOOR | 1:18:40 | 1:18:42 | |
-Listen to me. -What do you want? -It's important I talk to him. | 1:18:48 | 1:18:52 | |
DOOR OPENS | 1:18:52 | 1:18:54 | |
THEY SPEAK ARABIC | 1:19:00 | 1:19:02 | |
Erm... | 1:19:20 | 1:19:21 | |
I've brought you some money. | 1:19:28 | 1:19:30 | |
You could run. | 1:19:33 | 1:19:34 | |
I don't want your help. | 1:19:34 | 1:19:37 | |
-Look, I know that I... -You people always think you know | 1:19:40 | 1:19:44 | |
but you know nothing. | 1:19:44 | 1:19:46 | |
You're right. | 1:19:56 | 1:19:58 | |
BANGING ON DOOR | 1:19:59 | 1:20:01 | |
FRANTIC SHOUTING | 1:20:01 | 1:20:03 | |
SOBBING | 1:20:10 | 1:20:13 | |
We're very grateful to you, sir. | 1:20:24 | 1:20:26 | |
Well, I just thought it was for the best. | 1:20:26 | 1:20:30 | |
Here she is now, | 1:20:30 | 1:20:31 | |
alive and well. | 1:20:31 | 1:20:33 | |
-Fuck you. -Frankie... | 1:20:33 | 1:20:35 | |
Be very careful, Dr Lethbridge. | 1:20:35 | 1:20:37 | |
We could still charge you as an accessory. | 1:20:37 | 1:20:40 | |
You'd need real evidence for that. | 1:20:40 | 1:20:42 | |
You didn't contact us. | 1:20:42 | 1:20:44 | |
Look... Look, he's innocent. | 1:20:46 | 1:20:48 | |
We can hold him for up to 28 days, | 1:20:48 | 1:20:51 | |
then he'll be someone else's problem. | 1:20:51 | 1:20:53 | |
Why is she grateful to you, Dad? | 1:21:06 | 1:21:08 | |
Let's go. | 1:21:09 | 1:21:11 | |
-It's been... -Why is she grateful to you, Dad? What did you do? | 1:21:11 | 1:21:14 | |
I never felt... I never... | 1:21:17 | 1:21:20 | |
I did it to protect you. | 1:21:20 | 1:21:22 | |
-What? -I made a phone call... | 1:21:26 | 1:21:29 | |
..to alert security. | 1:21:31 | 1:21:33 | |
What? Why? | 1:21:33 | 1:21:35 | |
When? | 1:21:35 | 1:21:37 | |
At the very beginning. | 1:21:37 | 1:21:39 | |
Look, I had to do it. Frankie... | 1:21:39 | 1:21:41 | |
No, don't touch me! | 1:21:41 | 1:21:43 | |
Just get away from me, Dad. | 1:21:43 | 1:21:45 | |
You know, just leave me alone! | 1:21:45 | 1:21:46 | |
You just leave me alone! | 1:21:46 | 1:21:49 | |
DOOR CLOSES | 1:21:56 | 1:21:59 | |
POLICE RADIO BLEEPS | 1:22:19 | 1:22:22 | |
Erm, this one's to stay. | 1:22:31 | 1:22:33 | |
Dr Lethbridge. | 1:22:33 | 1:22:35 | |
Hello. | 1:22:41 | 1:22:43 | |
We just need to make sure we've got all our research. | 1:22:47 | 1:22:50 | |
Two minutes. | 1:23:11 | 1:23:13 | |
DOOR SYSTEM BUZZES | 1:23:19 | 1:23:21 | |
DOOR SYSTEM BUZZES | 1:23:48 | 1:23:51 | |
PLANE ENGINES ROAR OVERHEAD | 1:25:01 | 1:25:05 |