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This film contains strong language, some violent scenes and some scenes of a sexual nature | 0:00:02 | 0:00:10 | |
BIRDS CHIRP | 0:00:13 | 0:00:15 | |
BABY GURGLES | 0:02:21 | 0:02:23 | |
VOICES CHATTER | 0:02:26 | 0:02:28 | |
Charlotte? Come and see Jen's baby. | 0:03:02 | 0:03:05 | |
-Hello. -Hi. | 0:03:18 | 0:03:19 | |
How are you? | 0:03:19 | 0:03:21 | |
I'm good. | 0:03:21 | 0:03:23 | |
We're having a little nap. | 0:03:23 | 0:03:25 | |
So, how are you finding it? | 0:03:26 | 0:03:27 | |
Great. She is a little joy, honestly. | 0:03:27 | 0:03:30 | |
-Do you want a hold? -Oh, no, I couldn't. | 0:03:31 | 0:03:33 | |
Yeah, go on. Come on. | 0:03:33 | 0:03:36 | |
There we go. | 0:03:36 | 0:03:39 | |
There. | 0:03:39 | 0:03:41 | |
There, that's it. | 0:03:41 | 0:03:44 | |
Yeah. | 0:03:44 | 0:03:45 | |
Aawww. She likes you. | 0:03:45 | 0:03:48 | |
-Really? -She's not normally this good with strangers, honestly. | 0:03:48 | 0:03:51 | |
Oh, she can be a right madam sometimes. | 0:03:51 | 0:03:55 | |
I bet you're looking forward to getting back to work. | 0:03:55 | 0:03:57 | |
Yeah, yeah. | 0:03:57 | 0:03:59 | |
I'm back in June. | 0:03:59 | 0:04:00 | |
Erm... | 0:04:00 | 0:04:02 | |
But you know what, I think I might just stay at home, | 0:04:02 | 0:04:04 | |
do the whole mum thing instead, you know? | 0:04:04 | 0:04:07 | |
What about your career? | 0:04:07 | 0:04:09 | |
Of course. Yeah, I know, but, erm... | 0:04:09 | 0:04:11 | |
Well, now Tom's been made partner, I can kind of relax a bit. | 0:04:11 | 0:04:16 | |
Tom's been made a partner? | 0:04:16 | 0:04:18 | |
Has it... Has it not been announced yet? | 0:04:19 | 0:04:21 | |
Oh, sorry. | 0:04:22 | 0:04:23 | |
Hmm. | 0:04:23 | 0:04:25 | |
Oh, bigmouth strikes again, eh? | 0:04:25 | 0:04:29 | |
OK. | 0:04:29 | 0:04:31 | |
Oh. | 0:04:31 | 0:04:32 | |
Oh, sweetie. | 0:04:32 | 0:04:35 | |
Come back to Mummy. | 0:04:35 | 0:04:37 | |
Oh! | 0:04:37 | 0:04:39 | |
I'm so, so sorry, Charlotte. | 0:04:39 | 0:04:41 | |
Please, send me the dry-cleaning bill. | 0:04:41 | 0:04:43 | |
-It's fine. -Charlotte, do you have a minute? | 0:04:43 | 0:04:45 | |
Sure. | 0:04:45 | 0:04:47 | |
Bye, Charlotte, nice to see you. | 0:04:48 | 0:04:50 | |
You too. | 0:04:50 | 0:04:52 | |
Yes. Yeah, that's better. | 0:04:52 | 0:04:57 | |
-Has she got any teeth yet? -Yeah, she's got two. | 0:04:58 | 0:05:00 | |
Come on, baby. Yes. Show us your little teeth. | 0:05:02 | 0:05:05 | |
-Oh, lovely little smile. -Yeah. | 0:05:05 | 0:05:08 | |
She's a happy little girl, isn't she? | 0:05:08 | 0:05:09 | |
This is shit! | 0:05:09 | 0:05:11 | |
Of course I can walk out of a meeting, I just did. | 0:05:13 | 0:05:15 | |
Well, then stop trying to feed me such utter bullshit. | 0:05:18 | 0:05:21 | |
Well, what's the procedure? It's not a procedure, | 0:05:25 | 0:05:28 | |
it's constructive dismissal, that's what it is, Simon. | 0:05:28 | 0:05:31 | |
I was promised equity in the merger | 0:05:35 | 0:05:37 | |
and now you're trying to get rid of me. | 0:05:37 | 0:05:40 | |
I've been here three years longer than Tom. | 0:05:43 | 0:05:46 | |
Look, he wouldn't even be in a position to sell the agency | 0:05:46 | 0:05:48 | |
if it wasn't for my input. | 0:05:48 | 0:05:51 | |
Why are you doing this to me? | 0:05:55 | 0:05:58 | |
This is my world. | 0:05:58 | 0:06:00 | |
Plea... | 0:06:05 | 0:06:06 | |
Right. | 0:06:09 | 0:06:10 | |
Fuck. | 0:06:22 | 0:06:23 | |
VACUUM STOPS | 0:07:35 | 0:07:37 | |
I don't expect you. | 0:07:41 | 0:07:42 | |
I can see that. | 0:07:42 | 0:07:43 | |
What have I told you about smoking in my home? | 0:07:45 | 0:07:49 | |
I'm sorry. | 0:07:49 | 0:07:50 | |
I said smoking was unacceptable. | 0:07:50 | 0:07:52 | |
Do you remember me saying that? | 0:07:54 | 0:07:55 | |
Yes. | 0:07:55 | 0:07:56 | |
OK. | 0:07:56 | 0:07:58 | |
Well, as I've warned you before, | 0:07:58 | 0:08:00 | |
I don't want you to clean for me any more. | 0:08:00 | 0:08:02 | |
OK, I not charge you this week. | 0:08:02 | 0:08:03 | |
It's not about the money, Maya, it's about trust. | 0:08:03 | 0:08:06 | |
I really need this job. | 0:08:16 | 0:08:18 | |
You should've thought about that before you polluted my apartment. | 0:08:19 | 0:08:23 | |
I want you to leave, now, please. | 0:08:28 | 0:08:31 | |
SHE SPEAKS OWN LANGUAGE | 0:08:36 | 0:08:38 | |
Maya. | 0:09:12 | 0:09:14 | |
Maya, hold on. | 0:09:14 | 0:09:15 | |
Look... | 0:09:17 | 0:09:18 | |
You do a good job. | 0:09:20 | 0:09:22 | |
Just... | 0:09:22 | 0:09:23 | |
please use the terrace if you want to smoke. | 0:09:23 | 0:09:26 | |
What's that? | 0:09:31 | 0:09:32 | |
Is mine. | 0:09:34 | 0:09:36 | |
Well, it's not, is it? | 0:09:36 | 0:09:38 | |
It's mine... | 0:09:38 | 0:09:40 | |
-and you're going to give it back to me. -No! | 0:09:40 | 0:09:42 | |
I knew it was a mistake not going through an agency! | 0:09:44 | 0:09:47 | |
SHE SPEAKS OWN LANGUAGE | 0:09:47 | 0:09:51 | |
-LIFT: -Doors opening. | 0:10:16 | 0:10:18 | |
OK, Miss, I'll see you next week. | 0:10:22 | 0:10:24 | |
Maya, Maya, Maya, hold on, hold on, hold on... | 0:10:24 | 0:10:28 | |
I have a headache, that's all. | 0:10:28 | 0:10:29 | |
OK, well, well... Let's go inside and sit down for a while. | 0:10:29 | 0:10:34 | |
You've had an accident. | 0:10:34 | 0:10:35 | |
It was not accident. | 0:10:35 | 0:10:37 | |
You give me pills and then I need to go. | 0:10:40 | 0:10:43 | |
You, uh... You can keep the champagne. | 0:11:07 | 0:11:10 | |
Is very kind. | 0:11:13 | 0:11:15 | |
SHE LAUGHS | 0:11:25 | 0:11:26 | |
Are you all right? | 0:11:28 | 0:11:29 | |
You... | 0:11:29 | 0:11:31 | |
are so unhappy. | 0:11:31 | 0:11:33 | |
I have to go now. | 0:11:39 | 0:11:41 | |
I think you should sit and rest a while longer. | 0:11:41 | 0:11:43 | |
I not stay here so you feel better. | 0:11:43 | 0:11:46 | |
SHE SPEAKS OWN LANGUAGE | 0:11:48 | 0:11:51 | |
I think you... | 0:11:53 | 0:11:55 | |
Maya. Maya! | 0:11:55 | 0:11:57 | |
Maya! Maya. | 0:11:57 | 0:11:58 | |
Maya. | 0:11:58 | 0:12:00 | |
May... | 0:12:00 | 0:12:01 | |
Oh, bloody shit. | 0:12:01 | 0:12:03 | |
Maya! Maya, come on, Maya! | 0:12:03 | 0:12:05 | |
Oh, no. | 0:12:10 | 0:12:11 | |
Oh, God. | 0:12:11 | 0:12:13 | |
SHE SOBS | 0:12:52 | 0:12:54 | |
-LIFT: -Going down. | 0:15:53 | 0:15:56 | |
Doors closing. | 0:15:56 | 0:15:58 | |
CENTRAL LOCKING BEEPS | 0:16:28 | 0:16:30 | |
Shit. | 0:16:40 | 0:16:42 | |
LIFT ACTIVATES | 0:16:55 | 0:16:57 | |
(Fuck.) | 0:17:08 | 0:17:10 | |
SHE GRUNTS | 0:20:00 | 0:20:02 | |
CENTRAL LOCKING BEEPS | 0:22:59 | 0:23:02 | |
NURSERY RHYME ON RADIO | 0:23:25 | 0:23:28 | |
SOFT CRY | 0:23:30 | 0:23:31 | |
# Row, row, row your boat gently down the stream | 0:23:34 | 0:23:37 | |
# Merrily, merrily, merrily merrily, life is but a dream. # | 0:23:37 | 0:23:41 | |
BABY CRIES | 0:25:54 | 0:25:57 | |
That's it... | 0:30:26 | 0:30:28 | |
Come on. | 0:30:34 | 0:30:36 | |
Have some more? | 0:30:42 | 0:30:44 | |
Have some more. | 0:30:55 | 0:30:56 | |
Have some more. | 0:30:56 | 0:30:57 | |
Yeah... | 0:30:57 | 0:30:59 | |
DOORBELL BUZZES | 0:31:55 | 0:31:57 | |
BUZZ | 0:32:01 | 0:32:03 | |
BUZZ | 0:32:06 | 0:32:07 | |
WHISPERS: OK, OK, OK. | 0:32:23 | 0:32:26 | |
Shh. | 0:32:26 | 0:32:27 | |
DOORBELL BUZZES | 0:32:33 | 0:32:34 | |
Yes? | 0:33:08 | 0:33:09 | |
There you are. I've been calling you from the cab. | 0:33:09 | 0:33:12 | |
-'Well, then, let me in.' -Look, Tom... | 0:33:14 | 0:33:16 | |
..now's not a good time, OK? | 0:33:17 | 0:33:19 | |
'Come on. | 0:33:20 | 0:33:22 | |
-'We can talk about it.' -I'm sorry. | 0:33:22 | 0:33:23 | |
I'll call you. | 0:33:23 | 0:33:25 | |
'Charlotte...' | 0:33:25 | 0:33:26 | |
BUZZER | 0:33:31 | 0:33:33 | |
Please, can you stop doing that? | 0:33:34 | 0:33:36 | |
'Not until you let me in.' | 0:33:36 | 0:33:39 | |
Look... I can't. | 0:33:40 | 0:33:42 | |
'Why not? It's freezing out here.' | 0:33:42 | 0:33:43 | |
BUZZER | 0:33:46 | 0:33:47 | |
KNOCK ON DOOR | 0:33:53 | 0:33:55 | |
Hey. | 0:33:59 | 0:34:00 | |
I told you. Now isn't a good time. | 0:34:14 | 0:34:17 | |
I feel terrible. | 0:34:18 | 0:34:19 | |
I've been at a client lunch all afternoon, | 0:34:20 | 0:34:24 | |
and all I could think about was getting over here. | 0:34:24 | 0:34:26 | |
I'm on your side. | 0:34:27 | 0:34:28 | |
I swear, I thought they were going to make you partner as well. | 0:34:30 | 0:34:33 | |
It was only when... | 0:34:33 | 0:34:35 | |
..David asked me to take over your accounts that... | 0:34:36 | 0:34:38 | |
Look, you know, I did as much as I could do, but... | 0:34:40 | 0:34:45 | |
But I want you to know... | 0:34:45 | 0:34:47 | |
..that I am with you with this, all the way. | 0:34:49 | 0:34:51 | |
I'll do anything. I don't care what it is, I'll do it. | 0:34:53 | 0:34:56 | |
-Really? -Mm-hmm. | 0:34:58 | 0:35:00 | |
First thing tomorrow morning, I'm going to hook you up with Sally, | 0:35:02 | 0:35:06 | |
my head-hunter. She's brilliant. | 0:35:06 | 0:35:08 | |
There's nothing you can do, Tom. | 0:35:12 | 0:35:15 | |
Yes, I can. I really can. | 0:35:15 | 0:35:17 | |
Look, Sally will get you a brilliant job, she's... | 0:35:17 | 0:35:20 | |
I couldn't care less. | 0:35:20 | 0:35:21 | |
It's about the baby. | 0:35:27 | 0:35:28 | |
What? | 0:35:30 | 0:35:31 | |
I know how horrible it must have been for you, and... | 0:35:33 | 0:35:37 | |
You know, especially on top of everything else that happened yesterday, but... | 0:35:39 | 0:35:43 | |
I'm sorry. I'm really sorry, | 0:35:43 | 0:35:46 | |
but I swear to you on little Grace's life that I had no idea Jen was | 0:35:46 | 0:35:49 | |
going to bring her into the office yesterday. | 0:35:49 | 0:35:51 | |
-She did it on the spur of the moment. -I need you to leave, now, Tom. | 0:35:51 | 0:35:54 | |
No. | 0:35:55 | 0:35:57 | |
No... | 0:35:57 | 0:35:58 | |
We need to work through this. | 0:36:00 | 0:36:02 | |
The last thing I want is for all of this to get in the way of us. | 0:36:03 | 0:36:07 | |
And... | 0:36:09 | 0:36:10 | |
I've got a free pass for the whole night. | 0:36:10 | 0:36:12 | |
Come on. | 0:36:14 | 0:36:16 | |
What are you doing? | 0:36:18 | 0:36:20 | |
If you don't leave now, I'm going to call your wife. | 0:36:20 | 0:36:23 | |
Right. I tried. | 0:36:29 | 0:36:32 | |
What a waste of time. | 0:36:33 | 0:36:34 | |
DOOR CLOSES | 0:36:40 | 0:36:42 | |
SHE CRIES | 0:37:14 | 0:37:15 | |
OK. | 0:37:18 | 0:37:19 | |
Mmmm. | 0:37:22 | 0:37:23 | |
Oh, what's this? Healthy... | 0:37:33 | 0:37:36 | |
OK, what...? | 0:37:42 | 0:37:44 | |
Hang on. Mmm. | 0:37:44 | 0:37:46 | |
Softer, softer. | 0:37:48 | 0:37:50 | |
Softer, softer. | 0:37:50 | 0:37:52 | |
Softer, softer. | 0:37:52 | 0:37:54 | |
OK, bye. Thank you. | 0:40:14 | 0:40:16 | |
-LIFT: -'Going up. Doors closing.' | 0:40:42 | 0:40:45 | |
'Doors opening.' | 0:41:25 | 0:41:26 | |
Shit. | 0:42:00 | 0:42:02 | |
BABY MURMURS | 0:42:08 | 0:42:10 | |
BABY CRIES | 0:42:20 | 0:42:21 | |
Shh, shh, shh. | 0:42:22 | 0:42:23 | |
Shh, shh, shh, shh. | 0:42:23 | 0:42:25 | |
I'm sorry. | 0:42:25 | 0:42:27 | |
I know. I know. | 0:42:27 | 0:42:29 | |
Ssshhhh. | 0:42:31 | 0:42:32 | |
Shh, shh, ssshhhh. | 0:42:47 | 0:42:48 | |
Sorry. | 0:42:56 | 0:42:57 | |
I'm so sorry. | 0:43:04 | 0:43:05 | |
And we've got a pink rose. | 0:43:14 | 0:43:16 | |
And rose rhymes with no-o-o-ose. | 0:43:16 | 0:43:21 | |
And pebbles. Clip-clop, clippety-clop, clip-clop, clippety-clop. | 0:43:21 | 0:43:25 | |
It's like a horse's hooves. | 0:43:26 | 0:43:29 | |
Clip-clop, clippety-clop. | 0:43:29 | 0:43:30 | |
Shh, shh, shh, what's the matter? | 0:43:30 | 0:43:32 | |
Hmm? What's the matter? | 0:43:32 | 0:43:34 | |
What else should we look at? Shall we look at the river? | 0:43:34 | 0:43:37 | |
See the river. Can you see any boats? | 0:43:37 | 0:43:40 | |
Can we see any boats? | 0:43:40 | 0:43:41 | |
Oh! BABY BURPS | 0:43:41 | 0:43:43 | |
Oh, oh, oh, dear. | 0:43:43 | 0:43:44 | |
Dear, dear. | 0:43:44 | 0:43:46 | |
Oh, dear, dear. | 0:43:46 | 0:43:47 | |
Oh, what a lovely baby! | 0:43:49 | 0:43:52 | |
Oh, I startled you there. | 0:43:52 | 0:43:54 | |
So sorry about that. | 0:43:54 | 0:43:56 | |
Oh, aren't you a beautiful little girl? | 0:43:56 | 0:43:59 | |
Just like your mummy, eh? | 0:43:59 | 0:44:01 | |
-Thank you. -What's her name? | 0:44:01 | 0:44:03 | |
Um... Rosy. | 0:44:03 | 0:44:05 | |
Oh, that's a lovely name. | 0:44:05 | 0:44:08 | |
-Agnes. -I'm just saying hello to the new neighbours. | 0:44:08 | 0:44:11 | |
We're moving in next week. | 0:44:11 | 0:44:13 | |
So, hope to see you again soon. | 0:44:13 | 0:44:16 | |
Bye-bye, Rosy. | 0:44:16 | 0:44:17 | |
Rosy. | 0:44:31 | 0:44:32 | |
Rosy. | 0:44:36 | 0:44:37 | |
Yeah. | 0:44:39 | 0:44:41 | |
Given the circumstances, I want nine months gross | 0:44:41 | 0:44:43 | |
and I'm keeping the car. | 0:44:43 | 0:44:45 | |
OK. | 0:44:51 | 0:44:53 | |
Six months plus bonus. | 0:44:53 | 0:44:54 | |
And I want this resolved as soon as possible, Simon. | 0:44:57 | 0:44:59 | |
Thank you. Bye. | 0:45:00 | 0:45:02 | |
BABY CRIES | 0:45:57 | 0:45:58 | |
What's the matter? Eh? | 0:46:11 | 0:46:13 | |
'Good evening, you're through to the NHS 111 service. | 0:46:18 | 0:46:20 | |
'Can I take the number you're dialling from, please?' | 0:46:20 | 0:46:23 | |
I've got a baby here and she's really burning up. | 0:46:23 | 0:46:25 | |
'OK, if you could just let me have that number you're calling from.' | 0:46:25 | 0:46:29 | |
-Can you not help me? She's really sick. -'I'm afraid I must have that number first.' | 0:46:29 | 0:46:33 | |
BABY WAILS | 0:46:33 | 0:46:35 | |
God. Shh, shh, shh, sshhh. | 0:46:35 | 0:46:37 | |
It's OK. | 0:46:37 | 0:46:39 | |
-Hi. -All right? | 0:47:03 | 0:47:04 | |
You remember your Auntie Charlotte, don't you? | 0:47:06 | 0:47:08 | |
Oh, two kisses now, eh? | 0:47:10 | 0:47:12 | |
You look fucking terrible, you do. | 0:47:12 | 0:47:14 | |
A nice pad, though, eh, Char? | 0:47:16 | 0:47:18 | |
Oh, my God, look at that view! | 0:47:18 | 0:47:20 | |
Come on, love, let's have a look. | 0:47:20 | 0:47:22 | |
Are we all right going out, Char? | 0:47:25 | 0:47:26 | |
-Yeah. -Come on, kid, let's have a look. | 0:47:26 | 0:47:28 | |
Oh, my God! | 0:47:30 | 0:47:32 | |
It's gorgeous, isn't it? | 0:47:33 | 0:47:35 | |
Whooooo! | 0:47:35 | 0:47:37 | |
We're in London for the weekend. | 0:47:37 | 0:47:39 | |
Ah. | 0:47:44 | 0:47:45 | |
Let's have a look. | 0:47:47 | 0:47:48 | |
Well, she's all right. | 0:47:51 | 0:47:52 | |
I don't understand. | 0:47:52 | 0:47:55 | |
She was burning up before. | 0:47:55 | 0:47:56 | |
Yeah, well, babies get temperatures all the time, it's no big deal. | 0:47:56 | 0:47:59 | |
I'm sorry, I didn't know what else to do. | 0:48:01 | 0:48:04 | |
Well, even know-it-alls like you can't know everything, eh, Char? | 0:48:04 | 0:48:08 | |
She's beautiful, isn't she? | 0:48:11 | 0:48:13 | |
She is, yeah. | 0:48:13 | 0:48:15 | |
Ah. | 0:48:15 | 0:48:16 | |
Little pudding. | 0:48:17 | 0:48:18 | |
There you go. | 0:48:25 | 0:48:26 | |
Ta. | 0:48:26 | 0:48:27 | |
So, she... She had cancer? | 0:48:35 | 0:48:37 | |
Yeah, breast cancer. | 0:48:39 | 0:48:40 | |
How old was she? | 0:48:40 | 0:48:41 | |
-32. -What, and she had no other family? | 0:48:42 | 0:48:45 | |
No, not that I know of. | 0:48:45 | 0:48:46 | |
So, you've decided to take the kid on? | 0:48:48 | 0:48:50 | |
Well, it was the least I could do. | 0:48:52 | 0:48:54 | |
I wish you'd contacted me sooner. | 0:48:57 | 0:49:00 | |
It just happened so quick, | 0:49:00 | 0:49:01 | |
we didn't even have time to tell the authorities and whatnot. | 0:49:01 | 0:49:04 | |
I was worried she'd get taken into care. | 0:49:04 | 0:49:06 | |
Right. | 0:49:06 | 0:49:07 | |
You want to stay clear of the Social. | 0:49:13 | 0:49:15 | |
Be careful, yeah? | 0:49:15 | 0:49:16 | |
Thanks for the clothes. | 0:49:24 | 0:49:26 | |
That's all right, they were just, you know, sitting in a cupboard, doing nothing. | 0:49:27 | 0:49:30 | |
It's a great help. | 0:49:32 | 0:49:33 | |
And it means a lot. | 0:49:37 | 0:49:38 | |
Um...I stink, can I borrow your shower? | 0:49:40 | 0:49:43 | |
Yeah, but don't go using all the hot water, young lady. | 0:49:43 | 0:49:47 | |
Yeah. You girls think money grows on the bloody trees. | 0:49:47 | 0:49:50 | |
-What are you up to? -I'm playing with my sister. | 0:50:02 | 0:50:05 | |
She's not your sister, she's your cousin. | 0:50:05 | 0:50:08 | |
I want her to be my sister. | 0:50:09 | 0:50:11 | |
-Why's that? -So I can play with her every day. | 0:50:11 | 0:50:15 | |
I think Rosy would like that. | 0:50:15 | 0:50:17 | |
Shit. | 0:50:52 | 0:50:53 | |
-Hi. Hiya. -I saw you drop your box. | 0:51:17 | 0:51:19 | |
-What? -You know, on telly. | 0:51:21 | 0:51:23 | |
The old CCTV. | 0:51:23 | 0:51:24 | |
Can't tell you how much I love this flat, Char. | 0:51:25 | 0:51:27 | |
It's amazing. | 0:51:27 | 0:51:28 | |
Are you all right? | 0:51:30 | 0:51:31 | |
Um... Yeah, yeah. | 0:51:33 | 0:51:35 | |
I've, um... | 0:51:35 | 0:51:36 | |
I've, I've left something at work, I've come all this way home. | 0:51:37 | 0:51:40 | |
Can you just mind Rosy for a bit longer while I go and sort it? | 0:51:40 | 0:51:43 | |
Oh, you are joking, aren't you? We've come all this way to see you. | 0:51:43 | 0:51:46 | |
-I'll be really quick. -Oh, it's fine. It's not like I'm not used to you running off, eh? | 0:51:46 | 0:51:49 | |
Look, OK, tonight, when we get back, | 0:51:49 | 0:51:51 | |
I promise we'll sit down and we'll have a good drink and a natter. | 0:51:51 | 0:51:55 | |
Right. | 0:51:55 | 0:51:56 | |
-Stop by the chippy on the way back, yeah? -Yeah! | 0:51:56 | 0:51:59 | |
DOOR SHUTS | 0:51:59 | 0:52:00 | |
PHONE BEEPS | 0:52:38 | 0:52:39 | |
PHONE RINGS INSIDE | 0:52:44 | 0:52:45 | |
RINGING CONTINUES | 0:52:59 | 0:53:01 | |
RINGING STOPS | 0:53:08 | 0:53:09 | |
DOOR OPENS | 0:53:48 | 0:53:49 | |
-Can I help you? -I didn't mean to barge in, I'm... | 0:53:53 | 0:53:56 | |
I live in the new apartments and... | 0:53:56 | 0:53:57 | |
I've been having trouble with vandals. | 0:53:57 | 0:53:59 | |
-Right. -Well, I thought you might have the CCTV footage. | 0:53:59 | 0:54:04 | |
What building would that be? | 0:54:07 | 0:54:09 | |
-Westhill Tower. -OK, let's take a look. | 0:54:10 | 0:54:13 | |
Sorry about this place, eh? Throw these flats up, | 0:54:19 | 0:54:22 | |
don't bother sorting out security. | 0:54:22 | 0:54:23 | |
They haven't even built us an office yet. | 0:54:23 | 0:54:25 | |
I can't give out footage to anyone except the police. | 0:54:29 | 0:54:31 | |
-Oh. -But I tell you what, you report it to them, | 0:54:31 | 0:54:34 | |
and I'll see if I can get a picture of the little bastards. | 0:54:34 | 0:54:36 | |
Great. I'll do that. Thank you. | 0:54:36 | 0:54:38 | |
CAR LOCK BLEEPS | 0:54:52 | 0:54:53 | |
-RADIO: -'..naturally in middle age. | 0:55:03 | 0:55:04 | |
'Described as revolutionary, | 0:55:04 | 0:55:06 | |
'it can help thousands of women in their 40s and 50s who are currently | 0:55:06 | 0:55:10 | |
'unable to have children. | 0:55:10 | 0:55:12 | |
'River police have recovered the body of a young woman found floating in the Thames at Erith. | 0:55:12 | 0:55:16 | |
-VOLUME INCREASES -'The unidentified woman is believed to be Eastern European, | 0:55:16 | 0:55:19 | |
'and officers suspect her death may be linked to illegal sex trafficking in the capital. | 0:55:19 | 0:55:24 | |
'In other news, | 0:55:24 | 0:55:25 | |
'a Metropolitan Police spokesman has admitted that it acted unlawfully by failing...' | 0:55:25 | 0:55:30 | |
RADIO OFF | 0:55:30 | 0:55:31 | |
PHONE RINGS | 0:56:49 | 0:56:50 | |
ENGINE STARTS | 0:58:03 | 0:58:05 | |
-LIFT: -'Doors closing.' | 0:58:07 | 0:58:08 | |
'Going down.' | 0:58:13 | 0:58:14 | |
-Cor, about time. -Roger's been waiting ages, | 0:58:36 | 0:58:38 | |
he's found your vandals on the CCTV. | 0:58:38 | 0:58:40 | |
She's beautiful. | 0:58:41 | 0:58:43 | |
-Just like her mother. -I need to put her down. | 0:58:43 | 0:58:46 | |
Hey, good girl. Hey, there's a good girl. | 0:58:48 | 0:58:51 | |
LAUGHTER IN OTHER ROOM | 0:59:36 | 0:59:37 | |
Yeah. I suppose you were born a stone's throw away | 0:59:48 | 0:59:51 | |
from the Stretford End. | 0:59:51 | 0:59:52 | |
My old man supported them, didn't he? | 0:59:52 | 0:59:55 | |
Here you are, sit down, Char. | 0:59:56 | 0:59:58 | |
Roger's having Stacy's. | 1:00:05 | 1:00:06 | |
You were so long, I had to give her a sandwich and put her to bed. | 1:00:06 | 1:00:10 | |
It's only fishcakes. | 1:00:11 | 1:00:12 | |
Oh, don't bother me, I am Hank Marvin. | 1:00:12 | 1:00:14 | |
One fish is bigger than the other, so I'll give you more chips, right? | 1:00:15 | 1:00:18 | |
Is this the only vinegar you've got, Char? | 1:00:18 | 1:00:20 | |
Yes, sorry. | 1:00:20 | 1:00:21 | |
-And you forgot the gravy. -No, actually, down here in civilisation, | 1:00:25 | 1:00:28 | |
we don't do gravy on chips. | 1:00:28 | 1:00:31 | |
Oh, right. | 1:00:31 | 1:00:33 | |
Well, in that case, I better get us a drink to wash it down with, eh? | 1:00:33 | 1:00:36 | |
Nice try with Westhill Tower. | 1:00:43 | 1:00:46 | |
Unfortunately, I spent a year manning a checkpoint in Basra. | 1:00:46 | 1:00:49 | |
Kind of teaches you to remember where you've seen a car before. | 1:00:49 | 1:00:53 | |
So, then, seeing as it's so posh down here, | 1:01:01 | 1:01:04 | |
I thought we better make it champagne. | 1:01:04 | 1:01:07 | |
What's this? Drinking the evidence? | 1:01:07 | 1:01:09 | |
-What? -Nothing. | 1:01:09 | 1:01:11 | |
Here, give it here. You'll do someone an injury. | 1:01:11 | 1:01:14 | |
You don't mind, do you, Char? | 1:01:14 | 1:01:16 | |
There's loads of bottles in the fridge. | 1:01:16 | 1:01:18 | |
No, it's... I just don't want any. | 1:01:18 | 1:01:20 | |
Oh, come on, sis. | 1:01:20 | 1:01:21 | |
-No, really, I'm fine. -Right, Rog, pour Char a glass, will you? | 1:01:21 | 1:01:24 | |
Come on, you should be celebrating, you've had a payoff. | 1:01:24 | 1:01:26 | |
Wow. | 1:01:26 | 1:01:28 | |
That really is something to celebrate. | 1:01:28 | 1:01:30 | |
INAUDIBLE | 1:01:33 | 1:01:35 | |
I was out with this mate of mine, terrible he is, | 1:02:00 | 1:02:02 | |
can't handle his drink at all. | 1:02:02 | 1:02:04 | |
We've had, what, seven, eight pints, | 1:02:04 | 1:02:06 | |
and he has thrown up all over himself. | 1:02:06 | 1:02:09 | |
-Jesus! -Seriously, right there in the middle of the pub, | 1:02:09 | 1:02:12 | |
he is all over the place. | 1:02:12 | 1:02:13 | |
He's going, "Oh, my wife's going to kick me out," you know, | 1:02:13 | 1:02:15 | |
"She said if I come home like this one more time we're finished." | 1:02:15 | 1:02:18 | |
I said to him, "Chill out, pal. | 1:02:18 | 1:02:20 | |
"When you go home, have a £20 note in your hand and say some geezer | 1:02:20 | 1:02:23 | |
"threw up on you and gave it to you for the dry-cleaning." | 1:02:23 | 1:02:26 | |
So, he goes home, wife takes one look at him, tries to chuck him out, | 1:02:26 | 1:02:31 | |
he goes, "No, no, no, no, no. | 1:02:31 | 1:02:32 | |
"When I was on the train home, some geezer threw up on me, | 1:02:32 | 1:02:35 | |
"gave me a score for the dry-cleaning." | 1:02:35 | 1:02:37 | |
She goes, "But you've got 40 quid in your hand." | 1:02:37 | 1:02:40 | |
He goes, "Yeah. The other 20 quid is from the geezer that shat in my pants." | 1:02:40 | 1:02:43 | |
You... You're full of shit. | 1:02:54 | 1:02:58 | |
No, straight up. | 1:02:58 | 1:03:00 | |
So, um... | 1:03:08 | 1:03:10 | |
So, what's the deal with these vandals then, Char? | 1:03:11 | 1:03:14 | |
-What? -You know, the vandals. | 1:03:15 | 1:03:17 | |
What's been going on? | 1:03:17 | 1:03:18 | |
Oh, something went on in the car park a few days back, | 1:03:21 | 1:03:23 | |
but I found it all on CCTV. | 1:03:23 | 1:03:25 | |
Oh, here you are, let's have a look, then. | 1:03:25 | 1:03:27 | |
We can do if you want. What do you reckon, Charlotte? | 1:03:27 | 1:03:30 | |
-No. -No? | 1:03:30 | 1:03:31 | |
No, you're right. Save it for the police. | 1:03:33 | 1:03:35 | |
Let's have some more of this. | 1:03:39 | 1:03:41 | |
I know what you dodgy southerners are like, eh? | 1:03:41 | 1:03:43 | |
Trying to take advantage of young defenceless women. | 1:03:43 | 1:03:46 | |
No, no, you can trust me. | 1:03:46 | 1:03:47 | |
-Yeah, right. -No, seriously, in a bad situation, | 1:03:47 | 1:03:51 | |
I'm the kind of guy you can rely on. | 1:03:51 | 1:03:52 | |
What do you want? | 1:03:55 | 1:03:56 | |
What do I want? | 1:03:57 | 1:03:59 | |
I want the toilet. | 1:04:05 | 1:04:06 | |
It's down the hall, you nutter. | 1:04:08 | 1:04:11 | |
Lovely. | 1:04:11 | 1:04:13 | |
What's the matter with you? | 1:04:24 | 1:04:25 | |
I want him out of here. | 1:04:28 | 1:04:30 | |
Oh, I knew it. You're jealous, aren't you? | 1:04:30 | 1:04:32 | |
You don't know what you're getting yourself into. | 1:04:32 | 1:04:34 | |
Don't you give me that concerned sister bollocks. | 1:04:34 | 1:04:37 | |
Look, listen! | 1:04:37 | 1:04:39 | |
-He is trouble. -Oh, Jesus. | 1:04:39 | 1:04:41 | |
You can't handle a bloke liking me instead of you, can you, eh? | 1:04:41 | 1:04:44 | |
He's trying to intimidate me. | 1:04:44 | 1:04:45 | |
-You don't half rate yourself, Char, always have done. You think you're too good for the rest of us. -No! | 1:04:45 | 1:04:49 | |
You called me once in two years and I come running down like a twat. You're a stuck-up, self-centred cow. | 1:04:49 | 1:04:54 | |
You didn't even care when your own dad died. | 1:04:54 | 1:04:56 | |
I paid for the funeral. | 1:04:57 | 1:04:59 | |
-You didn't turn up for it, though, did you? -I was in Cape Town! | 1:04:59 | 1:05:01 | |
You didn't show up for the whole two years that he was ill, either, Char. | 1:05:01 | 1:05:04 | |
OK. OK, I accept there are issues... | 1:05:04 | 1:05:07 | |
You're too fucking right there's issues... | 1:05:07 | 1:05:09 | |
But, please! | 1:05:09 | 1:05:10 | |
Please... | 1:05:10 | 1:05:12 | |
Listen to me. | 1:05:12 | 1:05:13 | |
We have got to get him out of here. | 1:05:14 | 1:05:16 | |
And then we're going to pack our stuff, we're going to go back up North... | 1:05:16 | 1:05:20 | |
..and we're going to see each other all the time, I promise. | 1:05:22 | 1:05:25 | |
What, you want to move back home? | 1:05:25 | 1:05:26 | |
-Yes! -Piss off. | 1:05:26 | 1:05:27 | |
Look, I'll explain everything... DOOR OPENS | 1:05:27 | 1:05:31 | |
Everything all right, ladies? | 1:05:31 | 1:05:32 | |
Yeah, sound, Rog, yeah. | 1:05:32 | 1:05:34 | |
I was just negotiating getting us another bottle of champers. | 1:05:34 | 1:05:39 | |
-Ah, splendid. -Well, come on then, give us a hand clearing this lot up. | 1:05:39 | 1:05:43 | |
-Oh, no problemo. -Good boy. | 1:05:43 | 1:05:46 | |
Done with yours, Char? | 1:05:50 | 1:05:51 | |
Here. | 1:05:56 | 1:05:57 | |
Ta. Did you wash your hands? | 1:05:57 | 1:05:59 | |
I'm proper house-trained, I'll have you know. | 1:05:59 | 1:06:01 | |
Yeah, right. I'll bet you're a right dirty bastard. | 1:06:01 | 1:06:04 | |
Well, I can be if you want me to be. | 1:06:04 | 1:06:06 | |
DANCE MUSIC PLAYS | 1:06:06 | 1:06:07 | |
Here, open this then for us. | 1:06:10 | 1:06:12 | |
Coming up... | 1:06:17 | 1:06:18 | |
BOTH: It's Dare. | 1:06:18 | 1:06:19 | |
# Never did no harm, never did no harm... # | 1:06:19 | 1:06:24 | |
Come on then, Rog, hurry up. | 1:06:26 | 1:06:28 | |
CORK POPS | 1:06:28 | 1:06:30 | |
-Bloody hell, that went nearly right in my face! -Get it down you. | 1:06:31 | 1:06:35 | |
-Go on. -Here you are. | 1:06:46 | 1:06:48 | |
-Tune! -Ooh-ooh! Ooh-ooh! | 1:06:49 | 1:06:52 | |
Yeah! | 1:06:56 | 1:06:57 | |
Not in my home! Not in my house! | 1:07:05 | 1:07:08 | |
All right, Char. Jesus, I'll smoke outside. | 1:07:12 | 1:07:15 | |
Mummy, it's noisy. | 1:07:16 | 1:07:18 | |
Oh, sorry, sweetheart. | 1:07:19 | 1:07:22 | |
Me and your Auntie Char, we were just having a little bit of fun, eh? | 1:07:22 | 1:07:26 | |
Come on, let's get you back to bed. Come on, darling. | 1:07:28 | 1:07:31 | |
That kind of anger could get a person into trouble. | 1:07:36 | 1:07:39 | |
KNIFE GRATES | 1:07:53 | 1:07:54 | |
MUFFLED CONVERSATION AND LAUGHTER | 1:07:57 | 1:07:59 | |
GLASS CLANKS, LAUGHTER | 1:09:04 | 1:09:05 | |
MOANS AND GASPS | 1:09:37 | 1:09:38 | |
You looking for this? | 1:10:16 | 1:10:17 | |
You don't need it, you know. I'm here to help you. | 1:10:20 | 1:10:22 | |
Get the fuck out of here. | 1:10:22 | 1:10:23 | |
Ssshhhh. You'll wake the baby. | 1:10:23 | 1:10:24 | |
Look, I'm not being judgmental. | 1:10:26 | 1:10:29 | |
I'd hate for the police to get hold of the CCTV footage | 1:10:30 | 1:10:33 | |
and spoil everything for you. | 1:10:33 | 1:10:35 | |
What's in it for you? | 1:10:36 | 1:10:37 | |
30 grand. | 1:10:41 | 1:10:42 | |
Well, I'll need time to get it together. | 1:10:43 | 1:10:45 | |
-No, you've just had a payoff. -Yeah, but it'll take a few days to get into my account. | 1:10:45 | 1:10:49 | |
Bring the money to the office, Thursday morning. | 1:10:53 | 1:10:56 | |
I'll delete the footage right in front of you. | 1:10:56 | 1:10:58 | |
-What about the memory stick? -Yeah, yeah, that as well. | 1:10:58 | 1:11:01 | |
Don't do that. | 1:11:01 | 1:11:02 | |
I'm just giving myself another option. | 1:11:03 | 1:11:06 | |
CAMERA PHONE BEEPS AND CLICKS | 1:11:06 | 1:11:07 | |
What do you mean? | 1:11:07 | 1:11:08 | |
Well, if you dick me about, | 1:11:09 | 1:11:11 | |
I could always take the kid as well. | 1:11:11 | 1:11:13 | |
Right. | 1:11:14 | 1:11:16 | |
Thanks for the chips. Fishcake wasn't great, but hey-ho. | 1:11:16 | 1:11:19 | |
Oh, yeah. Your car. | 1:11:23 | 1:11:25 | |
-What? -I'm having your car as well. Give me the keys. | 1:11:25 | 1:11:27 | |
Um... | 1:11:35 | 1:11:36 | |
Well, I'll need it on Thursday to come to your office. | 1:11:36 | 1:11:38 | |
Fuck me, you've got an answer for everything, haven't you? | 1:11:38 | 1:11:41 | |
All right. | 1:11:45 | 1:11:46 | |
But bring the paperwork with you. | 1:11:47 | 1:11:49 | |
Money. Give me some money. | 1:11:52 | 1:11:54 | |
-I haven't got much on me. -But you're minted. Give me your wallet. | 1:11:54 | 1:11:57 | |
For fuck's sake! | 1:12:04 | 1:12:05 | |
MUSIC PLAYS | 1:12:10 | 1:12:12 | |
Ah, this is epitome, this. | 1:12:12 | 1:12:13 | |
This is banging, man! What is it, Blaupunkt or something? | 1:12:13 | 1:12:16 | |
I don't know. | 1:12:16 | 1:12:18 | |
Yeah, that's the thing, they don't badge them no more. | 1:12:18 | 1:12:20 | |
Can't nick 'em no more, either. | 1:12:20 | 1:12:22 | |
Off you go. | 1:12:32 | 1:12:33 | |
VOLUME INCREASES | 1:12:47 | 1:12:48 | |
CASH MACHINE BEEPS | 1:12:58 | 1:12:59 | |
MACHINE WHIRS | 1:13:03 | 1:13:05 | |
MUSIC STOPS | 1:13:15 | 1:13:17 | |
DOOR OPENS | 1:13:18 | 1:13:19 | |
That's all I could get. | 1:13:25 | 1:13:26 | |
-All three cards? -The corporate one's blocked. | 1:13:28 | 1:13:31 | |
-Fair dos. -Give me the stick first. | 1:13:33 | 1:13:36 | |
Still got it all on the hard drive, remember. | 1:13:42 | 1:13:44 | |
Yeah. | 1:13:44 | 1:13:46 | |
'Can I help you?' | 1:14:00 | 1:14:01 | |
Hello, boss. Has your breakfast menu started yet? | 1:14:01 | 1:14:04 | |
'Breakfast starts at 6.30, sir.' | 1:14:04 | 1:14:05 | |
All right, I'll get a... | 1:14:05 | 1:14:07 | |
..Chicken Royale and a chocolate shake. | 1:14:08 | 1:14:10 | |
'Any fries with that, sir?' | 1:14:10 | 1:14:12 | |
Sure you don't want anything? | 1:14:12 | 1:14:13 | |
My treat. | 1:14:15 | 1:14:16 | |
-That's it, boss-man. -'Thank you.' | 1:14:19 | 1:14:21 | |
What did you do with it, then? | 1:14:34 | 1:14:36 | |
-What? -The body. | 1:14:41 | 1:14:44 | |
What did you do with it? | 1:14:44 | 1:14:45 | |
Dump it somewhere? Burn it? | 1:14:46 | 1:14:48 | |
No. | 1:14:48 | 1:14:49 | |
What, then? | 1:14:53 | 1:14:55 | |
The river. | 1:14:57 | 1:14:58 | |
So, it will turn up, then. | 1:14:59 | 1:15:01 | |
It already has. | 1:15:04 | 1:15:05 | |
Yeah, they always do. | 1:15:07 | 1:15:08 | |
It's something to do with the currents, you know, they never quite make it out to sea. | 1:15:09 | 1:15:13 | |
My uncle used to work on a Woolwich Ferry, you see. | 1:15:16 | 1:15:19 | |
Uncle Frank. | 1:15:20 | 1:15:22 | |
Lovely bloke. | 1:15:24 | 1:15:25 | |
Committed suicide. | 1:15:27 | 1:15:28 | |
HE SLURPS | 1:15:28 | 1:15:30 | |
Of course, you know the funny thing, don't you? | 1:15:42 | 1:15:44 | |
I never would have found that footage if you hadn't come sniffing round the office. | 1:15:44 | 1:15:48 | |
We never bother checking anything unless it gets reported. | 1:15:48 | 1:15:51 | |
HE LAUGHS | 1:15:51 | 1:15:52 | |
Hey, this is nice, this, isn't it? | 1:15:55 | 1:15:57 | |
I need to go home, now. | 1:15:59 | 1:16:00 | |
Don't be like that. | 1:16:02 | 1:16:03 | |
Look, you've had your money. | 1:16:04 | 1:16:05 | |
Take me home. | 1:16:05 | 1:16:07 | |
Just trying to be friendly. | 1:16:09 | 1:16:10 | |
You're going the wrong way. | 1:16:26 | 1:16:28 | |
I'm going straight to work. You can drive yourself home from there. | 1:16:28 | 1:16:31 | |
You don't want to do that. | 1:16:33 | 1:16:35 | |
I'm going to have to. My shift finishes in 15 minutes, | 1:16:35 | 1:16:37 | |
and if I ain't there when Ravi gets in, he'll grass me up. | 1:16:37 | 1:16:40 | |
Well, what about your bike? | 1:16:42 | 1:16:43 | |
It's well over 20 minutes from your place on a bike. | 1:16:43 | 1:16:46 | |
I'll pick it up later. | 1:16:46 | 1:16:47 | |
Well, I need to get back to see to Rosy. | 1:16:49 | 1:16:51 | |
Sarah's there. What's the biff? | 1:16:51 | 1:16:54 | |
Look, why don't you forget about work? | 1:16:54 | 1:16:55 | |
We can... | 1:16:55 | 1:16:57 | |
We can hang out. | 1:16:58 | 1:16:59 | |
I can go back to the bank and get some more money out. | 1:17:01 | 1:17:04 | |
Look, I'd love to, | 1:17:07 | 1:17:08 | |
but if I don't show up, they'll know something's wrong. | 1:17:08 | 1:17:11 | |
And this could get very messy if we're not careful, babe. | 1:17:11 | 1:17:13 | |
No, the best thing we can do is act normal. | 1:17:13 | 1:17:16 | |
I mean, all right, you've made a mistake, | 1:17:16 | 1:17:19 | |
you're trying to put it right. | 1:17:19 | 1:17:22 | |
It's all good. But not everyone's going to see it like that, are they? | 1:17:22 | 1:17:25 | |
So, it's very important that we don't attract any attention to ourselves. | 1:17:25 | 1:17:30 | |
What the fuck?! | 1:17:49 | 1:17:50 | |
Fuck. | 1:18:00 | 1:18:01 | |
Open this door. | 1:18:04 | 1:18:05 | |
Open this fucking door! | 1:18:05 | 1:18:06 | |
Open this fucking door! | 1:18:06 | 1:18:08 | |
Shit. | 1:18:14 | 1:18:15 | |
Fucking loser... | 1:18:18 | 1:18:19 | |
Come on, you. Get up! | 1:18:26 | 1:18:28 | |
-What? -Now, did you tell him where you're from last night? | 1:18:28 | 1:18:31 | |
-What? -Did you tell him where you're from? | 1:18:31 | 1:18:33 | |
Oh, for God's sake, Char, just leave it, will you? | 1:18:33 | 1:18:35 | |
Look, it's important nobody knows I'm moving back up North. | 1:18:35 | 1:18:38 | |
Now, look, I'm being serious. | 1:18:38 | 1:18:40 | |
We are leaving in 15 minutes, so get up! | 1:18:40 | 1:18:43 | |
What, you want to move back today? | 1:18:45 | 1:18:46 | |
-Yes! -I can't put you up, you know. | 1:18:46 | 1:18:48 | |
Well, I'll book a hotel! | 1:18:48 | 1:18:49 | |
Stacy. Stace. | 1:19:15 | 1:19:17 | |
Stacy, love. All right, trouble? | 1:19:17 | 1:19:19 | |
Eh? | 1:19:19 | 1:19:20 | |
How do you work this thing, Char? | 1:19:26 | 1:19:28 | |
Have you not got any instant? | 1:19:28 | 1:19:30 | |
Look, we haven't got time for this. | 1:19:30 | 1:19:32 | |
I can't go anywhere until I've had my coffee. | 1:19:32 | 1:19:34 | |
I will buy you a Starbucks. | 1:19:34 | 1:19:35 | |
-BANGING -Open the door! Open this fucking door! | 1:19:35 | 1:19:39 | |
-Let me in! -Is that Roger? | 1:19:39 | 1:19:40 | |
Right, I'm not having this. | 1:19:40 | 1:19:42 | |
-Sarah, no! No! -Roger, mate... -Don't, don't, don't! | 1:19:42 | 1:19:45 | |
Roger... | 1:19:45 | 1:19:46 | |
Get over here! Get here! | 1:19:48 | 1:19:49 | |
Fucking bitch! | 1:19:49 | 1:19:51 | |
Did you think you could just burn it down and it would go away? Did you?! | 1:19:51 | 1:19:54 | |
-I don't know! -Did you?! | 1:19:54 | 1:19:56 | |
You fucking bitch, trying to mug me off, you fuck! | 1:19:56 | 1:19:58 | |
Where's that memory stick? Where's the stick?! | 1:19:58 | 1:20:00 | |
You don't know who you're dealing with, you stuck-up Tampax mug! | 1:20:00 | 1:20:04 | |
Try and burn me out, try and make me disappear like your cleaner? | 1:20:04 | 1:20:07 | |
Fucking bitch, get off me! You fucking touch me?! | 1:20:07 | 1:20:10 | |
You fucking bitch! | 1:20:10 | 1:20:11 | |
You are fucking... You are fucked! | 1:20:11 | 1:20:14 | |
Where are you going?! Where are you going?! | 1:20:14 | 1:20:16 | |
You're going nowhere! Give me that stick! | 1:20:16 | 1:20:19 | |
-I want it now! -I threw... I threw it away. -Bollocks you did! | 1:20:19 | 1:20:22 | |
SHE SCREAMS | 1:20:22 | 1:20:23 | |
It's in my coat! It's in my coat. | 1:20:25 | 1:20:28 | |
What pocket? Fuck! | 1:20:30 | 1:20:32 | |
Give me that stick! | 1:20:34 | 1:20:36 | |
What difference does it make? You can still have the money! | 1:20:45 | 1:20:48 | |
It makes a lot of difference now. I'm taking the baby. | 1:20:48 | 1:20:50 | |
-What? -I know people, and that is 50 large in my pocket. | 1:20:50 | 1:20:53 | |
-I will give you 50... -I'm having all your money! | 1:20:53 | 1:20:55 | |
I'm having the motor, I'm having the baby! | 1:20:55 | 1:20:57 | |
So, just do as you're told and you can go back to your nice shiny life. | 1:20:57 | 1:21:00 | |
There's nothing you can do. It was never your kid in the first place. | 1:21:02 | 1:21:05 | |
It's mine now. | 1:21:05 | 1:21:06 | |
We... | 1:21:12 | 1:21:13 | |
We can work this out. Yeah? | 1:21:16 | 1:21:19 | |
The first time I saw him was when he burst in this morning. | 1:21:55 | 1:21:58 | |
And you've never met him before? | 1:21:58 | 1:22:00 | |
No. | 1:22:00 | 1:22:02 | |
Never heard her talk about him? | 1:22:02 | 1:22:04 | |
No, I don't think so, no. | 1:22:04 | 1:22:05 | |
Did you notice anything else out of the ordinary about your sister when | 1:22:06 | 1:22:10 | |
you came to stay? | 1:22:10 | 1:22:11 | |
ROSY GURGLES | 1:22:14 | 1:22:15 | |
Who's this? | 1:22:15 | 1:22:16 | |
It's my sister, Rosy. | 1:22:20 | 1:22:21 | |
Hello. | 1:22:23 | 1:22:24 | |
You want your mummy? | 1:22:27 | 1:22:28 | |
Here's Mummy. | 1:22:32 | 1:22:33 | |
Thank you. | 1:22:36 | 1:22:37 | |
Thank you. | 1:22:41 | 1:22:43 | |
It's OK. | 1:22:48 | 1:22:49 | |
Ssshhhh. | 1:22:54 | 1:22:57 | |
It's OK. | 1:22:57 | 1:22:58 | |
It's OK. | 1:23:00 | 1:23:01 |