Browse content similar to Memento. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This film contains very strong language and some violent scenes | 0:00:02 | 0:00:09 | |
'So, where are you? You're in some motel room. | 0:02:20 | 0:02:24 | |
'You just wake up and you're in... In a motel room. There's the key. | 0:02:24 | 0:02:28 | |
'It feels like maybe the first time you've been there, but... | 0:02:28 | 0:02:31 | |
'perhaps you've been there for a week, three months, it's... | 0:02:31 | 0:02:36 | |
'It's kind of hard to say, I... I don't know. | 0:02:36 | 0:02:39 | |
'It's just an anonymous room.' | 0:02:39 | 0:02:41 | |
This guy. He's here already. | 0:02:43 | 0:02:46 | |
Lenny! | 0:02:48 | 0:02:50 | |
It's Leonard. | 0:02:50 | 0:02:52 | |
-Like I told you before. -Did you? I must have forgot. | 0:02:53 | 0:02:56 | |
I guess I've already told you about my condition. | 0:02:58 | 0:03:00 | |
Oh, well, only every time I see you. | 0:03:00 | 0:03:02 | |
-My car. -This is your car. | 0:03:11 | 0:03:13 | |
Oh, you're in a playful mood. | 0:03:13 | 0:03:15 | |
It's not good to make fun of a handicap. | 0:03:16 | 0:03:19 | |
Just trying to have a little fun. | 0:03:19 | 0:03:21 | |
ENGINE STARTS | 0:03:24 | 0:03:27 | |
-Roll up your window. -Hm? | 0:03:27 | 0:03:30 | |
-It's broken. -I can get that fixed for you. | 0:03:35 | 0:03:38 | |
So, where to, Sherlock? | 0:03:38 | 0:03:40 | |
I got a lead on a place. | 0:03:40 | 0:03:42 | |
-What the hell you wanna go there for? -You know it? | 0:03:42 | 0:03:44 | |
Yeah, it's just this fucked up building. Why do you wanna go there? | 0:03:44 | 0:03:48 | |
Don't remember. | 0:03:48 | 0:03:49 | |
Looks like somebody's home. | 0:04:09 | 0:04:10 | |
That thing's been here for years. | 0:04:10 | 0:04:12 | |
What are you talking about? These tracks are only a few days old. | 0:04:16 | 0:04:18 | |
Tracks? What are you, Pocahontas? | 0:04:18 | 0:04:20 | |
Come on! | 0:04:23 | 0:04:24 | |
Let's take a look inside. | 0:04:31 | 0:04:33 | |
' "Teddy. | 0:04:51 | 0:04:52 | |
' "Don't believe his lies. He is the one. Kill him." | 0:04:52 | 0:04:56 | |
'I've finally found him. How long have I been looking?' | 0:04:56 | 0:05:00 | |
Find anything? | 0:05:01 | 0:05:03 | |
Didn't think so. | 0:05:04 | 0:05:06 | |
Let's go, huh? Oh, fuck this. | 0:05:06 | 0:05:09 | |
You're gonna pay for what you did. Beg forgiveness, and then you pay. | 0:05:11 | 0:05:15 | |
You don't have a clue, you freak! | 0:05:19 | 0:05:22 | |
Beg my wife's forgiveness before I blow your brains out. | 0:05:22 | 0:05:26 | |
Leonard, you don't know what's going on. You don't even know my name. | 0:05:26 | 0:05:31 | |
-Teddy. -You read it off a fucking picture. | 0:05:31 | 0:05:34 | |
You don't know who you are. | 0:05:34 | 0:05:37 | |
I'm Leonard Shelby, I'm from San Francisco. | 0:05:37 | 0:05:39 | |
That's who you were. That's not... | 0:05:39 | 0:05:42 | |
what you've become. | 0:05:42 | 0:05:43 | |
Shut your mouth. | 0:05:43 | 0:05:45 | |
You want to know, Lenny? Come on. | 0:05:45 | 0:05:47 | |
Let's go down to the basement. Let's go, you and me together. | 0:05:47 | 0:05:51 | |
Then you'll know who you really are. | 0:05:51 | 0:05:53 | |
-No! -GUNSHOT | 0:05:58 | 0:06:00 | |
'It's an anonymous room. Nothing in the drawers, but you look anyway. | 0:06:01 | 0:06:05 | |
'Nothing except the Gideon Bible, | 0:06:05 | 0:06:08 | |
'which I, of course, read religiously. | 0:06:08 | 0:06:10 | |
'LAUGHING: Hm... | 0:06:10 | 0:06:12 | |
'You know who you are and you know kind of all about yourself, | 0:06:12 | 0:06:16 | |
'but, just for day-to-day stuff, notes are really useful. | 0:06:16 | 0:06:22 | |
'Sammy Jankis had the same problem, but he really had no system. | 0:06:22 | 0:06:26 | |
'He wrote himself a ridiculous amount of notes, | 0:06:26 | 0:06:29 | |
'but he'd mix them up. | 0:06:29 | 0:06:31 | |
'You really do need a system if... If you're gonna make it work.' | 0:06:31 | 0:06:35 | |
BELL RINGS | 0:07:24 | 0:07:26 | |
-Hi. -Hi. | 0:07:28 | 0:07:30 | |
I'm Mr Shelby from 304. | 0:07:30 | 0:07:31 | |
-What can I do for you, Leonard? -Um... -Burt. | 0:07:31 | 0:07:35 | |
Burt. I'm not sure, I think I may have asked you to hold my calls. | 0:07:35 | 0:07:38 | |
You don't know? | 0:07:38 | 0:07:39 | |
I'm not too good on the phone. | 0:07:39 | 0:07:41 | |
You said you like to look people in the eye when you talk to them. | 0:07:41 | 0:07:44 | |
Yeah, yeah. | 0:07:44 | 0:07:45 | |
You don't remember that. | 0:07:45 | 0:07:46 | |
I have this condition. | 0:07:46 | 0:07:49 | |
Condition? | 0:07:49 | 0:07:50 | |
It's my memory. | 0:07:50 | 0:07:51 | |
Amnesia? | 0:07:51 | 0:07:52 | |
No, it's different from that. | 0:07:52 | 0:07:54 | |
I have no short-term memory. I know who I am, I just... | 0:07:54 | 0:07:57 | |
Since my injury, I can't make new memories. Everything fades. | 0:07:57 | 0:08:01 | |
If we talk for too long, I'll forget how we started, | 0:08:01 | 0:08:05 | |
and, next time I see you, I won't remember this conversation. | 0:08:05 | 0:08:08 | |
I don't even know if I've met you before. | 0:08:08 | 0:08:10 | |
So if I seem a little strange or rude, or something, uh... | 0:08:10 | 0:08:14 | |
I've told you this before, haven't I? | 0:08:16 | 0:08:18 | |
I don't mean to mess with you, but it's so weird. | 0:08:18 | 0:08:21 | |
You don't remember me at all? | 0:08:21 | 0:08:23 | |
No. | 0:08:23 | 0:08:24 | |
We've talked a bunch of times. | 0:08:24 | 0:08:25 | |
I'm sure we have. | 0:08:25 | 0:08:27 | |
What's the last thing you remember? | 0:08:27 | 0:08:30 | |
My wife. | 0:08:30 | 0:08:32 | |
What's it like? | 0:08:32 | 0:08:33 | |
It's like waking. | 0:08:38 | 0:08:40 | |
It's like you just woke up. | 0:08:40 | 0:08:41 | |
That must suck. | 0:08:43 | 0:08:45 | |
It's all backwards. | 0:08:45 | 0:08:47 | |
Like, you got an idea what you want to do next, but you don't remember what you just did. | 0:08:47 | 0:08:52 | |
I mean, I'm exactly the opposite... | 0:08:52 | 0:08:54 | |
How long have I been staying here? | 0:08:54 | 0:08:56 | |
-Couple of days. -And you're holding my calls? | 0:08:56 | 0:08:58 | |
Like you said. | 0:08:58 | 0:08:59 | |
OK, but this guy's an exception. | 0:08:59 | 0:09:02 | |
You know this guy? | 0:09:02 | 0:09:03 | |
Yeah, it's your friend, right? | 0:09:04 | 0:09:06 | |
What makes you think that? | 0:09:06 | 0:09:08 | |
I saw you together, that's all. | 0:09:08 | 0:09:09 | |
He's not my friend. | 0:09:09 | 0:09:11 | |
OK. | 0:09:11 | 0:09:12 | |
If he calls or shows up here, give me a call in my room, OK? | 0:09:12 | 0:09:15 | |
What, his name's Teddy? | 0:09:15 | 0:09:17 | |
Teddy, yeah. | 0:09:17 | 0:09:18 | |
Look, I hope my condition's not gonna be a problem for you. | 0:09:20 | 0:09:23 | |
Not as long as you remember to pay the bill. | 0:09:23 | 0:09:26 | |
Yeah. OK. | 0:09:26 | 0:09:28 | |
40. | 0:09:28 | 0:09:29 | |
This guy. | 0:09:31 | 0:09:32 | |
He's here already. | 0:09:34 | 0:09:35 | |
Lenny! | 0:09:37 | 0:09:39 | |
'You really need a system if you're gonna make it work. | 0:09:40 | 0:09:43 | |
'You kinda learn to trust your own handwriting - | 0:09:43 | 0:09:46 | |
'that becomes an important part of your life. | 0:09:46 | 0:09:48 | |
'You write yourself notes. | 0:09:48 | 0:09:50 | |
'Where you put them is really important. | 0:09:50 | 0:09:52 | |
'You need a jacket with, like, six pockets, | 0:09:52 | 0:09:54 | |
'particular pockets for particular things.' | 0:09:54 | 0:09:57 | |
'You just kinda learn to know where things go and how the system works. | 0:09:57 | 0:10:01 | |
'You have to be wary of other people writing stuff for you | 0:10:01 | 0:10:04 | |
'that is not going to make sense or is gonna lead you astray. | 0:10:04 | 0:10:07 | |
'I don't know, I guess people try and take advantage | 0:10:07 | 0:10:09 | |
'of somebody with this condition. | 0:10:09 | 0:10:11 | |
'If you have a piece of information which...is...vital, | 0:10:11 | 0:10:15 | |
'writing on your body instead of on a piece of paper can be the answer. | 0:10:15 | 0:10:19 | |
'It's a permanent way of keeping a note.' | 0:10:19 | 0:10:21 | |
PHONE RINGS | 0:10:21 | 0:10:23 | |
Who is this? | 0:10:28 | 0:10:30 | |
'Remember Sammy Jankis.' | 0:10:37 | 0:10:39 | |
DOOR CREAKS | 0:10:51 | 0:10:54 | |
Sir, you left these at your table. | 0:11:08 | 0:11:10 | |
Thanks. | 0:11:10 | 0:11:11 | |
Ah, Lincoln Street? | 0:11:11 | 0:11:13 | |
Go straight out on Sixth Street, east through town... | 0:11:13 | 0:11:16 | |
I'm just gonna write this down. | 0:11:16 | 0:11:18 | |
-Oh, it's easy. Go... -Trust me, I need to write this down. | 0:11:18 | 0:11:21 | |
'The Discount Inn.' | 0:11:27 | 0:11:29 | |
'Discount Inn... | 0:11:52 | 0:11:55 | |
'Natalie...' | 0:11:55 | 0:11:56 | |
'My car...' | 0:11:59 | 0:12:00 | |
'Teddy.' | 0:12:02 | 0:12:04 | |
'John Edward Gammell.' | 0:12:16 | 0:12:18 | |
'This guy told me his name was Teddy.' | 0:12:20 | 0:12:22 | |
' "Don't believe his lies." ' | 0:12:26 | 0:12:28 | |
Huh. | 0:12:29 | 0:12:30 | |
TAPS NUMBER | 0:12:35 | 0:12:37 | |
RINGING TONE | 0:12:37 | 0:12:39 | |
'Yeah?' | 0:12:42 | 0:12:44 | |
-Mr Gammell? -'Lenny, is that you?' | 0:12:44 | 0:12:46 | |
John Gammell? | 0:12:46 | 0:12:47 | |
'Lenny, it's Teddy. Stay there. I'll be right over.' | 0:12:47 | 0:12:49 | |
OK. I'll be waiting. | 0:12:49 | 0:12:51 | |
"White male. | 0:13:48 | 0:13:50 | |
"First name, John. | 0:13:50 | 0:13:53 | |
"Last name G..." for Gammell. | 0:13:53 | 0:13:57 | |
"Drugs. | 0:14:01 | 0:14:03 | |
"Licence plate..." | 0:14:03 | 0:14:04 | |
"SG13..." | 0:14:06 | 0:14:08 | |
"..7IU." | 0:14:09 | 0:14:12 | |
It's him. | 0:14:16 | 0:14:17 | |
I've found you, you fuck. | 0:14:23 | 0:14:26 | |
You said we talked before. I don't remember that. | 0:15:24 | 0:15:27 | |
Yeah, but it's not amnesia. | 0:15:27 | 0:15:29 | |
I remember everything till my injury - | 0:15:29 | 0:15:30 | |
I just can't make new memories. | 0:15:30 | 0:15:32 | |
So I can't remember talking to you. What did we talk about? | 0:15:32 | 0:15:35 | |
Oh, Sammy Jankis. | 0:15:35 | 0:15:36 | |
I guess I tell people about Sammy to help them understand. | 0:15:36 | 0:15:38 | |
Sammy's story helps me understand my own situation. | 0:15:38 | 0:15:42 | |
Sammy wrote himself endless amounts of notes. | 0:15:42 | 0:15:44 | |
But he got mixed up. | 0:15:44 | 0:15:46 | |
I have a more graceful solution to the memory problem. | 0:15:46 | 0:15:50 | |
I'm disciplined and organised. | 0:15:52 | 0:15:55 | |
I use habit and routine to make my life possible. | 0:15:55 | 0:15:58 | |
Sammy had no drive, no reason to make it work. | 0:15:58 | 0:16:01 | |
Me? | 0:16:02 | 0:16:04 | |
Yeah... | 0:16:04 | 0:16:05 | |
I got a reason. | 0:16:05 | 0:16:07 | |
CAR LOCK BEEPS | 0:16:18 | 0:16:20 | |
' "Today, 1pm, meet Natalie for info." ' | 0:16:24 | 0:16:26 | |
' "She has also lost someone. She will help you out of pity." ' | 0:16:28 | 0:16:31 | |
-Natalie. -You don't remember me. | 0:16:48 | 0:16:50 | |
I'm sorry, I should've explained. I have this con... | 0:16:50 | 0:16:52 | |
You did explain, Lenny. | 0:16:52 | 0:16:54 | |
Please call me Leonard. My wife called me Lenny. | 0:16:54 | 0:16:57 | |
-I know, you told me. -Then I probably said I hated it. | 0:16:57 | 0:17:00 | |
Yeah. | 0:17:00 | 0:17:02 | |
Do you mind taking your glasses off? It's hard for me to... | 0:17:02 | 0:17:06 | |
Thanks. So, you have information for me? | 0:17:06 | 0:17:10 | |
Is that what your little note says? | 0:17:10 | 0:17:11 | |
Yeah. | 0:17:11 | 0:17:13 | |
Must be tough living according to a couple of scraps of paper. | 0:17:13 | 0:17:15 | |
Mix your laundry and grocery lists | 0:17:15 | 0:17:17 | |
and you'll end up eating your underwear for breakfast. | 0:17:17 | 0:17:20 | |
I guess that's why you have those freaky tattoos. | 0:17:20 | 0:17:23 | |
Yeah, it's tough. It's almost impossible. | 0:17:23 | 0:17:27 | |
Look, I'm sorry I don't remember you. It's nothing personal. | 0:17:27 | 0:17:30 | |
I do have information for you. | 0:17:33 | 0:17:34 | |
You gave me a licence-plate number. | 0:17:36 | 0:17:38 | |
Had my friend at DMV trace it. | 0:17:39 | 0:17:41 | |
Guess what name came up? | 0:17:41 | 0:17:43 | |
John Edward Gammell. John G. | 0:17:45 | 0:17:48 | |
Do you know him? | 0:17:48 | 0:17:49 | |
No. But his face on his driver's licence looked really familiar. | 0:17:49 | 0:17:52 | |
I think he's been in the bar, maybe. | 0:17:52 | 0:17:55 | |
Here's a copy of his licence, his registration, photo and all. | 0:17:55 | 0:17:59 | |
Are you sure you want this? | 0:17:59 | 0:18:01 | |
Have I told you what this man did? | 0:18:01 | 0:18:02 | |
Yeah. | 0:18:02 | 0:18:03 | |
Well, then, you shouldn't have to ask. | 0:18:03 | 0:18:06 | |
Even if you get revenge, you won't remember it. | 0:18:06 | 0:18:08 | |
You won't even know it happened. | 0:18:08 | 0:18:10 | |
My wife deserves vengeance. | 0:18:10 | 0:18:11 | |
It doesn't matter if I know about it. | 0:18:11 | 0:18:13 | |
Just cos there are things I don't remember | 0:18:13 | 0:18:16 | |
doesn't make my actions meaningless. | 0:18:16 | 0:18:18 | |
The world doesn't just disappear when you close your eyes, does it? | 0:18:18 | 0:18:21 | |
Anyway, maybe I'll take a photograph to remind myself. | 0:18:21 | 0:18:25 | |
Get another freaky tattoo. | 0:18:25 | 0:18:27 | |
Tell me about her again. | 0:18:31 | 0:18:33 | |
Why? | 0:18:35 | 0:18:36 | |
Because you like to remember her. | 0:18:36 | 0:18:37 | |
She was beautiful. | 0:18:40 | 0:18:41 | |
-To me, she was perfect. -No. | 0:18:44 | 0:18:46 | |
Don't just recite the words. | 0:18:46 | 0:18:48 | |
Close your eyes, and remember her. | 0:18:49 | 0:18:53 | |
You can just feel the details. | 0:19:03 | 0:19:06 | |
The bits and pieces you never bothered to put into words. | 0:19:08 | 0:19:11 | |
And you can feel these extreme moments... | 0:19:15 | 0:19:18 | |
even if you don't want to. | 0:19:18 | 0:19:20 | |
'You put these together and you get the feel of a person.' | 0:19:23 | 0:19:26 | |
Enough to know how much you miss them. | 0:19:28 | 0:19:31 | |
'And how much you hate the person who took them away.' | 0:19:35 | 0:19:38 | |
I, um, I added an address in here. | 0:19:48 | 0:19:51 | |
It might be useful. It's an abandoned place outside of town. | 0:19:51 | 0:19:55 | |
Um, I guy I knew used to do bigger deals there. | 0:19:55 | 0:19:58 | |
It's isolated. | 0:20:00 | 0:20:02 | |
Sounds perfect. | 0:20:02 | 0:20:03 | |
Do I owe you any...? | 0:20:06 | 0:20:07 | |
I wasn't helping you for money. | 0:20:07 | 0:20:09 | |
-I'm sorry. -It's OK. See, you have this "condition." | 0:20:09 | 0:20:13 | |
You still staying at the Discount Inn? Room 304? | 0:20:15 | 0:20:18 | |
Left it at my place. | 0:20:18 | 0:20:19 | |
Yeah. | 0:20:24 | 0:20:26 | |
-They treating you OK? -I don't remember. | 0:20:28 | 0:20:31 | |
You know what we have in common? | 0:20:34 | 0:20:35 | |
We are both survivors. | 0:20:37 | 0:20:39 | |
You take care, Leonard. | 0:20:42 | 0:20:44 | |
' "Remember Sammy Jankis." ' | 0:21:11 | 0:21:13 | |
I met Sammy through work. Insurance. I was an investigator. | 0:21:14 | 0:21:18 | |
I'd investigate claims to see which were phoney. | 0:21:18 | 0:21:20 | |
I had to see through people's bullshit. | 0:21:20 | 0:21:23 | |
It was useful experience cos now it's my life. | 0:21:23 | 0:21:25 | |
When I meet someone, I don't know if I've met them before. | 0:21:25 | 0:21:28 | |
I have to look in their eyes and try and figure them out. | 0:21:28 | 0:21:31 | |
'My job taught me the best way to find out what someone knew was to let them talk, | 0:21:31 | 0:21:34 | |
'watch the eyes and the body language. | 0:21:34 | 0:21:36 | |
'If someone scratches their nose, experts say it means they're lying - | 0:21:36 | 0:21:40 | |
'it really means they're nervous. | 0:21:40 | 0:21:42 | |
'People get nervous for all sorts of reasons. It's all about context.' | 0:21:42 | 0:21:45 | |
Yeah, I was good. | 0:21:45 | 0:21:47 | |
Sammy was my first real challenge. | 0:21:47 | 0:21:50 | |
ENGINE STARTS | 0:21:51 | 0:21:53 | |
Yo, Lenny! I thought you'd split for good. | 0:21:55 | 0:21:59 | |
-Well, things change. -So I see. | 0:21:59 | 0:22:02 | |
My name's Teddy. | 0:22:02 | 0:22:03 | |
I guess I've told you about my condition? | 0:22:03 | 0:22:05 | |
Only every time I see ya. | 0:22:05 | 0:22:06 | |
Come on, I'll buy you lunch. | 0:22:06 | 0:22:09 | |
-Have I told you about Sammy Jankis? -Mmm. Yeah. | 0:22:14 | 0:22:16 | |
I'm sick of hearing about the guy. | 0:22:16 | 0:22:18 | |
What about John G? You think he's still here? | 0:22:18 | 0:22:20 | |
-Who? -Johnny G - guy you're looking for. | 0:22:20 | 0:22:23 | |
-That's why you haven't left town, am I right? -Maybe. | 0:22:23 | 0:22:26 | |
-Leonard, you have to be very careful. -Why? | 0:22:26 | 0:22:29 | |
The other day, you mentioned that | 0:22:29 | 0:22:30 | |
maybe somebody was trying to set you up. | 0:22:30 | 0:22:32 | |
Get you to kill the wrong guy. | 0:22:32 | 0:22:34 | |
I go on facts, not recommendations, but thank you. | 0:22:34 | 0:22:36 | |
Lenny, you can't trust a man's life to your little notes and pictures. | 0:22:36 | 0:22:40 | |
-Why not? -Your notes could be unreliable. | 0:22:40 | 0:22:43 | |
-Memory's unreliable. -Oh, please. | 0:22:43 | 0:22:44 | |
Really. Memory's not perfect, it's not that good. Ask the police. | 0:22:44 | 0:22:47 | |
Eyewitness testimony is unreliable. | 0:22:47 | 0:22:49 | |
The cops don't catch a killer by sitting around remembering stuff. | 0:22:49 | 0:22:52 | |
-They collect facts... -That's not what I'm saying. | 0:22:52 | 0:22:54 | |
..make notes, draw conclusions. Facts, not memories. | 0:22:54 | 0:22:58 | |
That's how you investigate. I know, it's what I used to do. | 0:22:58 | 0:23:00 | |
Memory can change the shape of a room, the colour of a car. | 0:23:00 | 0:23:03 | |
And memories can be distorted. | 0:23:03 | 0:23:06 | |
They're an interpretation, not a record. | 0:23:06 | 0:23:08 | |
They're irrelevant if you have the facts. | 0:23:08 | 0:23:11 | |
You really want to get this guy, don't you? | 0:23:11 | 0:23:13 | |
He killed my wife. He took away my fucking memory. | 0:23:13 | 0:23:16 | |
He destroyed my ability to live. | 0:23:19 | 0:23:21 | |
You're living. | 0:23:25 | 0:23:26 | |
Only for revenge. | 0:23:27 | 0:23:29 | |
Well, then, we'll get the bastard. | 0:23:29 | 0:23:30 | |
Where are you staying? | 0:23:30 | 0:23:32 | |
The Discount Inn. I don't know what room, I haven't got my key. | 0:23:35 | 0:23:39 | |
Probably left it in your room. | 0:23:39 | 0:23:41 | |
RINGS BELL | 0:23:53 | 0:23:55 | |
Hi. I'm checked in here, but I think I've misplaced my key. | 0:23:55 | 0:23:59 | |
How you doing, Leonard? Probably in the room, right? | 0:23:59 | 0:24:02 | |
-I don't see my key. -Oh, shit. This is the wrong room. | 0:24:20 | 0:24:23 | |
You're in 304 now. I'm sorry. I fucked up. | 0:24:23 | 0:24:25 | |
-This is not my room? -No. Come on, let's go. | 0:24:25 | 0:24:28 | |
Then why is this my handwriting? | 0:24:28 | 0:24:30 | |
Well...this was your room, but now you're in 304. | 0:24:33 | 0:24:37 | |
When was I in here? | 0:24:37 | 0:24:38 | |
Last week. Then I rented you another room on top. | 0:24:38 | 0:24:41 | |
Why? | 0:24:41 | 0:24:43 | |
Business is slow. I told my boss about your condition and stuff, | 0:24:43 | 0:24:46 | |
he said try and rent him another room. | 0:24:46 | 0:24:49 | |
So how many rooms am I checked into in this shithole? | 0:24:49 | 0:24:51 | |
Just two. So far. | 0:24:51 | 0:24:53 | |
Well, at least you're being honest about ripping me off. | 0:24:53 | 0:24:56 | |
You're not going to remember anyway. | 0:24:56 | 0:24:59 | |
You don't have to be that honest, Burt. | 0:24:59 | 0:25:01 | |
Leonard. Always get a receipt. | 0:25:01 | 0:25:05 | |
Oh, yeah. I'll write that down. | 0:25:05 | 0:25:07 | |
Hey, what time is it? | 0:25:09 | 0:25:11 | |
Quarter to one. | 0:25:11 | 0:25:13 | |
Your room's... | 0:25:15 | 0:25:16 | |
-Natalie. -You don't remember me. | 0:25:28 | 0:25:30 | |
I'd just become an investigator when I came across Sammy. | 0:25:30 | 0:25:34 | |
Mr Samuel R Jankis, strangest case ever. | 0:25:34 | 0:25:37 | |
The guy's a 58-year-old, semi-retired accountant. | 0:25:37 | 0:25:40 | |
He and his wife were in this car accident - nothing serious. | 0:25:40 | 0:25:43 | |
'But he's acting funny, he can't get a handle on what's going on.' | 0:25:43 | 0:25:46 | |
'The doctors find possible damage to the hippocampus, nothing conclusive. | 0:25:47 | 0:25:51 | |
'Sammy can't remember anything for more than a couple of minutes. | 0:25:51 | 0:25:54 | |
'Can't work, can't do shit. The medical bills pile up, | 0:25:54 | 0:25:57 | |
'his wife calls the insurance company, and I get sent in. | 0:25:57 | 0:26:00 | |
'It's my first big claims investigation, | 0:26:00 | 0:26:03 | |
'so I really check into it. | 0:26:03 | 0:26:05 | |
'Sammy can think just fine, but he can't make new memories. | 0:26:05 | 0:26:09 | |
'He can only remember things for a couple of minutes.' | 0:26:09 | 0:26:11 | |
'He'd watch TV but anything longer than a few minutes was too confusing, | 0:26:13 | 0:26:16 | |
'he couldn't remember how it began. | 0:26:16 | 0:26:18 | |
'He liked commercials. They were short.' | 0:26:18 | 0:26:20 | |
Sammy. It's time for my shot. | 0:26:20 | 0:26:22 | |
'The crazy part was that this guy, | 0:26:22 | 0:26:25 | |
'who couldn't follow the plot of Green Acres any more, | 0:26:25 | 0:26:28 | |
'could do the most complicated things | 0:26:28 | 0:26:30 | |
'as long as he learned them before the accident..' | 0:26:30 | 0:26:32 | |
'..and as long as he kept his mind on what he was doing. | 0:26:34 | 0:26:38 | |
'The doctors assure me there's a real condition - | 0:26:38 | 0:26:41 | |
'anterograde memory loss, or short-term memory loss. | 0:26:41 | 0:26:45 | |
'It's rare, but legit.' | 0:26:45 | 0:26:47 | |
'But every time I see him...' | 0:26:48 | 0:26:49 | |
'..I catch this look, | 0:26:51 | 0:26:53 | |
'this...slight look of recognition. | 0:26:53 | 0:26:56 | |
'But he says he can't remember me at all.' | 0:26:56 | 0:27:00 | |
Sammy, it's OK. I got it. | 0:27:00 | 0:27:02 | |
-Hi, Mr Shelby. -Hi, Mrs Jankis. | 0:27:02 | 0:27:04 | |
'Now, I can read people, and I'm thinking "bad actor".' | 0:27:04 | 0:27:09 | |
So now I'm suspicious and I order more tests. | 0:27:09 | 0:27:11 | |
'Awake.' | 0:27:14 | 0:27:16 | |
'But where am I?' | 0:27:17 | 0:27:19 | |
'Somebody's bedroom.' | 0:27:22 | 0:27:25 | |
'Oh, it must be her room.' | 0:27:26 | 0:27:28 | |
'But who is she?' | 0:27:29 | 0:27:31 | |
It's only me. | 0:27:39 | 0:27:41 | |
Did you sleep OK? | 0:27:43 | 0:27:44 | |
Yeah. You? | 0:27:44 | 0:27:46 | |
Oh, shit. Shit. | 0:27:47 | 0:27:50 | |
I've got to be someplace. | 0:27:50 | 0:27:51 | |
It's pretty weird. | 0:27:55 | 0:27:57 | |
It's useful. You never write a phone number on your hand? | 0:27:57 | 0:28:01 | |
I... I should be able to talk to my friend today | 0:28:01 | 0:28:04 | |
about the licence plate. | 0:28:04 | 0:28:06 | |
Yeah, the licence plate. | 0:28:06 | 0:28:08 | |
John G's licence plate. | 0:28:08 | 0:28:10 | |
You have it tattooed on your thigh. | 0:28:14 | 0:28:16 | |
' "Natalie." ' | 0:28:33 | 0:28:34 | |
' "She has also lost someone. She will help you out of pity." ' | 0:28:37 | 0:28:41 | |
Mm. If it's registered in this state, | 0:28:45 | 0:28:47 | |
it should only take two seconds to pull up his registration. | 0:28:47 | 0:28:50 | |
I'll call you as soon as I talk to him. | 0:28:50 | 0:28:52 | |
Could we arrange a meeting now? I'm not too good on the phone. | 0:28:52 | 0:28:55 | |
You know, it's great that you... | 0:29:04 | 0:29:06 | |
Well, that you're... | 0:29:08 | 0:29:10 | |
helping me like this. | 0:29:10 | 0:29:12 | |
I'm helping you because you helped me. | 0:29:12 | 0:29:15 | |
So, next time you see me... | 0:29:27 | 0:29:29 | |
will you remember me? | 0:29:29 | 0:29:31 | |
-SOFTLY: -I think you will. | 0:29:47 | 0:29:48 | |
SOFTLY: I'm sorry. | 0:29:50 | 0:29:52 | |
Lenny, before you go, could I have my shirt back, please? | 0:29:55 | 0:29:58 | |
ENGINE STARTS | 0:30:09 | 0:30:10 | |
Yo, Lenny! I thought you'd split for good. | 0:30:13 | 0:30:16 | |
Sammy couldn't pick up any new skills at all. | 0:30:16 | 0:30:19 | |
But I find something in my research. | 0:30:19 | 0:30:22 | |
Conditioning. | 0:30:22 | 0:30:23 | |
Sammy should still be able to learn through repetition. | 0:30:23 | 0:30:26 | |
It's how you learn to ride a bike - you get better through practice. | 0:30:26 | 0:30:29 | |
It's a different part of the brain from the short-term memory. | 0:30:29 | 0:30:31 | |
So I had the doctors test Sammy's response to conditioning. | 0:30:31 | 0:30:34 | |
Pick up any three objects. | 0:30:34 | 0:30:37 | |
That's a test? | 0:30:37 | 0:30:38 | |
Where were you guys when I did my CPA? | 0:30:38 | 0:30:42 | |
Sorry. | 0:30:42 | 0:30:43 | |
Ta-da(!) | 0:30:45 | 0:30:47 | |
-BUZZING -Ow! What the fuck? | 0:30:47 | 0:30:49 | |
-It's a test, Sammy. -Test this, you fucking quack. | 0:30:49 | 0:30:53 | |
'Some of the objects were electrified. | 0:30:53 | 0:30:55 | |
'They'd give him a small shock. | 0:30:55 | 0:30:57 | |
'They kept repeating the test, always with the same objects electrified.' | 0:30:57 | 0:31:00 | |
The point was to see if Sammy could learn to avoid | 0:31:00 | 0:31:02 | |
the electrified objects, | 0:31:02 | 0:31:04 | |
not by memory, but by instinct. | 0:31:04 | 0:31:06 | |
KNOCKS ON DOOR | 0:31:21 | 0:31:22 | |
Natalie, right? Who the fuck is Dodd? | 0:31:26 | 0:31:28 | |
Guess I don't have to worry about him any more. | 0:31:32 | 0:31:34 | |
-What the fuck have you got me into? -Shhh. Come inside. | 0:31:34 | 0:31:36 | |
-Who is he? -Calm down. OK? | 0:31:39 | 0:31:42 | |
It's my problem. You offered to help. It's nothing to do with your investigation. | 0:31:42 | 0:31:46 | |
-How did you get me into this? -You offered to help me when you saw what he did to my face. | 0:31:46 | 0:31:49 | |
-How do I know he did that? -I came straight to you afterwards. | 0:31:49 | 0:31:52 | |
I showed you what he did and I asked you to help me. | 0:31:52 | 0:31:55 | |
-Oh, and I just take your word? -Yeah. | 0:31:55 | 0:31:58 | |
Something doesn't feel right. | 0:31:58 | 0:32:00 | |
I think someone's fucking with me, | 0:32:00 | 0:32:02 | |
-trying to get me to kill the wrong guy. -Did you? | 0:32:02 | 0:32:04 | |
-What? -Kill him? -Of course not! | 0:32:04 | 0:32:06 | |
Hey. Sit down, OK? Sit. | 0:32:06 | 0:32:10 | |
This has nothing to do with you. | 0:32:10 | 0:32:13 | |
You helped me out and I'm grateful. | 0:32:13 | 0:32:16 | |
You have to burn them. | 0:32:16 | 0:32:17 | |
Leonard, you decided to help me. Trust your own judgment. | 0:32:21 | 0:32:25 | |
You can question everything, you can never know anything for sure. | 0:32:25 | 0:32:28 | |
There are things you know for sure. | 0:32:28 | 0:32:29 | |
Such as? | 0:32:29 | 0:32:31 | |
I know what that's gonna sound like when I knock on it. HE TAPS TABLE | 0:32:32 | 0:32:35 | |
I know what that's gonna feel like when I pick it up. See? | 0:32:35 | 0:32:38 | |
Certainties. It's the kind of memory you take for granted. | 0:32:38 | 0:32:41 | |
You know, I can remember so much. | 0:32:42 | 0:32:45 | |
The feel of the world... | 0:32:47 | 0:32:49 | |
and her. | 0:32:49 | 0:32:50 | |
She's gone. | 0:32:57 | 0:32:58 | |
And the present is trivia, which I scribble down as fucking notes. | 0:32:58 | 0:33:02 | |
Hey, come on. Try and relax. Come on. | 0:33:02 | 0:33:05 | |
-It's not easy for me to relax. -Shhh. Shhh. | 0:33:05 | 0:33:08 | |
Come on, take your jacket off. | 0:33:08 | 0:33:10 | |
-SOFTLY: -Here. Come on. | 0:33:10 | 0:33:12 | |
-SOFTLY: -Hey. | 0:33:14 | 0:33:16 | |
Didn't think you were the type. | 0:33:17 | 0:33:19 | |
It's backwards. | 0:33:27 | 0:33:28 | |
Come here. Come here. | 0:33:30 | 0:33:32 | |
What about here? | 0:33:53 | 0:33:55 | |
Maybe it's...for when I find him. | 0:33:57 | 0:33:59 | |
I've lost somebody too. | 0:34:01 | 0:34:03 | |
I'm sorry. | 0:34:06 | 0:34:07 | |
His name was Jimmy. | 0:34:07 | 0:34:09 | |
What happened to him? | 0:34:09 | 0:34:11 | |
He went to meet somebody. He never came back. | 0:34:11 | 0:34:14 | |
Who did he go to meet? | 0:34:15 | 0:34:16 | |
Guy called Teddy. | 0:34:16 | 0:34:18 | |
What do the police think? | 0:34:20 | 0:34:21 | |
They don't look too hard for guys like Jimmy. | 0:34:21 | 0:34:24 | |
When you find this guy, this... | 0:34:26 | 0:34:28 | |
John G, what are you gonna do? | 0:34:28 | 0:34:32 | |
I'm gonna kill him. | 0:34:34 | 0:34:35 | |
Maybe I can help you find him. | 0:34:37 | 0:34:39 | |
I don't even know how long she's been gone. | 0:34:44 | 0:34:47 | |
It's like I've woken up in bed and she's not here... | 0:34:51 | 0:34:54 | |
..because she's gone to the bathroom or something. | 0:34:56 | 0:34:58 | |
But somehow I just... | 0:35:03 | 0:35:04 | |
I just know she's never gonna come back to bed. | 0:35:06 | 0:35:09 | |
If I could just... | 0:35:14 | 0:35:16 | |
reach over and touch her side of the bed... | 0:35:16 | 0:35:19 | |
..I would know that it was cold. | 0:35:21 | 0:35:23 | |
But I can't. | 0:35:26 | 0:35:27 | |
I know I can't have her back. | 0:35:32 | 0:35:34 | |
But I don't want to wake up in the morning thinking she's still here. | 0:35:35 | 0:35:39 | |
I lie here not knowing how long I've been alone. | 0:35:41 | 0:35:44 | |
So how... | 0:35:50 | 0:35:52 | |
How can I heal? | 0:35:53 | 0:35:55 | |
How am I supposed to heal if I can't... | 0:35:57 | 0:36:00 | |
..feel time? | 0:36:01 | 0:36:02 | |
"She has also lost someone. She will help you out of pity." | 0:37:13 | 0:37:17 | |
They kept testing Sammy for months. | 0:37:41 | 0:37:44 | |
Always with the same objects carrying the electrical charge. | 0:37:44 | 0:37:47 | |
-BUZZING -Ow! What the fuck? | 0:37:47 | 0:37:49 | |
-It's a test, Sammy. -Test this, you fucking quack! | 0:37:49 | 0:37:51 | |
Even with total short-term memory loss, | 0:37:51 | 0:37:53 | |
'Sammy should have learned to stop picking up the wrong objects. | 0:37:53 | 0:37:57 | |
'All the previous cases responded to conditioning, | 0:37:57 | 0:37:59 | |
'Sammy didn't respond at all. | 0:37:59 | 0:38:01 | |
'It suggested that his condition was psychological, not physical.' | 0:38:01 | 0:38:04 | |
We turned down his claim on the grounds | 0:38:04 | 0:38:06 | |
that he wasn't covered for mental illness. | 0:38:06 | 0:38:08 | |
His wife got stuck with the bills and I got a big promotion. | 0:38:08 | 0:38:11 | |
Conditioning didn't work for Sammy, so he became helpless. | 0:38:13 | 0:38:16 | |
But it works for me. | 0:38:16 | 0:38:18 | |
I live the way Sammy couldn't. | 0:38:19 | 0:38:21 | |
Habit and routine make my life possible. | 0:38:21 | 0:38:23 | |
Conditioning. Acting on instinct. | 0:38:23 | 0:38:26 | |
MUFFLED CRIES | 0:38:28 | 0:38:31 | |
SMASH | 0:38:33 | 0:38:34 | |
'Awake.' | 0:38:34 | 0:38:35 | |
'Where am I?' | 0:38:37 | 0:38:38 | |
'Motel room.' | 0:38:40 | 0:38:41 | |
Oh. | 0:38:42 | 0:38:44 | |
'Some anonymous motel room.' | 0:38:48 | 0:38:50 | |
'Nothing in the drawers, but I'll take a look anyway. | 0:38:54 | 0:38:58 | |
'Nothing except the Gideon Bi... | 0:38:58 | 0:39:00 | |
'Bible.' | 0:39:00 | 0:39:01 | |
KNOCKS ON DOOR | 0:39:14 | 0:39:15 | |
Lenny! Open up! | 0:39:15 | 0:39:16 | |
Just a minute. | 0:39:18 | 0:39:19 | |
Open the door! | 0:39:19 | 0:39:21 | |
MUFFLED CRIES FROM CUPBOARD | 0:39:21 | 0:39:23 | |
Lenny? | 0:39:23 | 0:39:25 | |
KNOCKING CONTINUES | 0:39:25 | 0:39:27 | |
Open the door! | 0:39:27 | 0:39:29 | |
Come on! | 0:39:33 | 0:39:34 | |
-Hi, Teddy. -Finished playing with yourself? | 0:39:36 | 0:39:39 | |
Oh! | 0:39:39 | 0:39:41 | |
MUFFLED CRIES | 0:39:41 | 0:39:43 | |
HE SIGHS | 0:39:47 | 0:39:49 | |
-MUFFLED CRIES -Oh, I get it. | 0:39:50 | 0:39:52 | |
-Amorous neighbours. -What are you doing here? | 0:39:54 | 0:39:56 | |
You called me. You said you needed my help. | 0:39:56 | 0:40:00 | |
You know, I've had more rewarding friendships than this one. | 0:40:00 | 0:40:03 | |
Although I do get to keep telling the same jokes. | 0:40:03 | 0:40:07 | |
What the fuck is that? | 0:40:07 | 0:40:08 | |
-Who the fuck is that? -You don't know him? -No! Should I? | 0:40:14 | 0:40:18 | |
Wait a minute. Is that John G? | 0:40:18 | 0:40:21 | |
-I don't think so. -You didn't write it down? | 0:40:21 | 0:40:24 | |
-I might have fallen asleep before I did. -For Christ sakes! | 0:40:24 | 0:40:27 | |
-THUDDING -Ask him. | 0:40:27 | 0:40:30 | |
What's your name? Your name? | 0:40:34 | 0:40:37 | |
-Dodd. -And who did this to you? -What? | 0:40:37 | 0:40:40 | |
Who did this to you? | 0:40:40 | 0:40:42 | |
You did. | 0:40:42 | 0:40:43 | |
Look, I'm not going to help you kill that guy. | 0:40:46 | 0:40:48 | |
No, no. Just let me think. | 0:40:48 | 0:40:49 | |
MUFFLED CRIES | 0:40:52 | 0:40:54 | |
OK, Natalie. Who's Natalie? Natalie who? | 0:40:54 | 0:40:58 | |
-Why? -Maybe I know her. | 0:40:58 | 0:41:00 | |
Look, we gotta get him out of here. | 0:41:00 | 0:41:02 | |
All right, all right, all right. | 0:41:02 | 0:41:04 | |
He's got to have a car, right? | 0:41:05 | 0:41:07 | |
We take him to his car, tell him to get the fuck out of town or we'll kill him. | 0:41:07 | 0:41:10 | |
We can't walk him out of here tied up and bleeding. | 0:41:10 | 0:41:12 | |
-How the fuck did you get him up here? -I don't know! | 0:41:12 | 0:41:15 | |
You don't know. | 0:41:15 | 0:41:17 | |
MUFFLED BANGING | 0:41:17 | 0:41:19 | |
Yes, I do. This is not my room. It must be his room. Great. Let's go. | 0:41:19 | 0:41:22 | |
No, no, no. We can't just leave him. | 0:41:22 | 0:41:24 | |
-Why not? -Because the maid's gonna walk in. | 0:41:24 | 0:41:27 | |
She'll see him, call the cops. He can ID us. | 0:41:27 | 0:41:29 | |
OK. We untie him, we clean him up... | 0:41:31 | 0:41:33 | |
and we march him out of here with a gun in his back. | 0:41:33 | 0:41:36 | |
A gun. Why would I have a gun? | 0:41:36 | 0:41:37 | |
It must be his. I don't think they'd let someone like me carry a gun. | 0:41:39 | 0:41:42 | |
Fucking hope not. | 0:41:44 | 0:41:45 | |
Which one? | 0:41:52 | 0:41:53 | |
We should probably steal his car. You know, teach him a lesson. | 0:41:56 | 0:41:59 | |
-Shut up! -It's all right for you, you've got a Jag. | 0:41:59 | 0:42:02 | |
All right, get in. I'm gonna ride with him, you follow us. | 0:42:02 | 0:42:05 | |
Give me your keys. | 0:42:05 | 0:42:06 | |
Take your own car. | 0:42:06 | 0:42:08 | |
So, was he scared? | 0:42:35 | 0:42:37 | |
Yeah, I think it was your sinister moustache. | 0:42:37 | 0:42:39 | |
Fuck you. Should have stolen his car. | 0:42:39 | 0:42:41 | |
Why? What's wrong with this one? | 0:42:41 | 0:42:43 | |
Nothing. You want to trade? | 0:42:43 | 0:42:45 | |
So what do you do now? | 0:42:48 | 0:42:50 | |
I'm gonna find out what the fuck that was all about. | 0:42:50 | 0:42:53 | |
KNOCK ON DOOR | 0:42:56 | 0:42:58 | |
Natalie, right? Who the fuck is Dodd? | 0:42:59 | 0:43:02 | |
Sammy's wife was crippled by the cost of supporting him, | 0:43:03 | 0:43:07 | |
and fighting the company's decision. | 0:43:07 | 0:43:09 | |
But it wasn't the money that got to her. | 0:43:10 | 0:43:13 | |
'I never said that Sammy was faking.' | 0:43:13 | 0:43:15 | |
Sammy, I have an idea. | 0:43:15 | 0:43:17 | |
'Just that his problem was mental, not physical.' | 0:43:17 | 0:43:20 | |
You're gonna have a pen in your pocket. | 0:43:20 | 0:43:23 | |
'She couldn't understand.' | 0:43:23 | 0:43:25 | |
-I did something wrong? -You something wrong. | 0:43:25 | 0:43:28 | |
Now, we're gonna deal with it. We're gonna try a little harder. | 0:43:28 | 0:43:31 | |
'She looks into his eyes and sees the same person, | 0:43:31 | 0:43:33 | |
'and if it's not a physical problem, he should snap out of it.' | 0:43:33 | 0:43:37 | |
-Ellen called! -Ellen called. | 0:43:37 | 0:43:38 | |
Ellen called. Ellen... Ellen can't come today! | 0:43:38 | 0:43:41 | |
-Ellen can't come! -I'm so sorry! I'm sorry! | 0:43:41 | 0:43:43 | |
-I'm trying! I'm sorry! -SHE SOBS | 0:43:43 | 0:43:46 | |
So Leonard Shelby from the insurance company gives her the seed of doubt, | 0:43:49 | 0:43:53 | |
just like he gave it to the doctors. | 0:43:53 | 0:43:56 | |
But I never said that he was faking. | 0:43:56 | 0:43:58 | |
I never said that. | 0:43:58 | 0:44:00 | |
'Hm. I don't FEEL drunk.' | 0:44:05 | 0:44:07 | |
DOOR OPENS | 0:44:36 | 0:44:38 | |
DOOR CLOSES | 0:44:40 | 0:44:41 | |
SOUND OF SOMEONE URINATING | 0:44:44 | 0:44:46 | |
TOILET FLUSHES | 0:44:49 | 0:44:52 | |
-KNOCKS ON DOOR -'Hello? Housekeeping.' -Oh, shit! | 0:45:17 | 0:45:19 | |
-Not right now! -'Oh, I'm sorry.' | 0:45:19 | 0:45:22 | |
"Dodd. Put him onto Teddy or just get rid of him for Natalie." | 0:45:49 | 0:45:53 | |
'Dodd.' | 0:45:58 | 0:46:00 | |
'Get rid of him. Ask Natalie.' | 0:46:05 | 0:46:09 | |
'Teddy, Teddy...' | 0:46:10 | 0:46:12 | |
DIALLING TONES | 0:46:15 | 0:46:16 | |
RINGING | 0:46:18 | 0:46:20 | |
-'Yeah, leave your number, you know what to do.' -ANSWER MACHINE BEEPS | 0:46:22 | 0:46:25 | |
Yeah. This is a message for Teddy. | 0:46:25 | 0:46:27 | |
I'm at the Mount Crest Inn on 5th Street, room six. | 0:46:27 | 0:46:29 | |
I need you to come over as soon as you get this. It's important. | 0:46:29 | 0:46:32 | |
Oh, this is Leonard. Thanks. Bye. | 0:46:32 | 0:46:34 | |
Phew! | 0:46:36 | 0:46:38 | |
Fuck. | 0:46:38 | 0:46:39 | |
Mrs Jankis didn't see that you can't bully someone into remembering. | 0:46:48 | 0:46:53 | |
The more pressure you're under, the harder it gets. | 0:46:53 | 0:46:56 | |
Ah. Well, then, call me back? | 0:46:56 | 0:46:59 | |
CAR ALARM BLARES | 0:47:15 | 0:47:17 | |
'OK. So what am I doing?' | 0:47:20 | 0:47:22 | |
'Oh, I'm chasing this guy.' | 0:47:24 | 0:47:25 | |
'No. He's chasing me.' | 0:47:28 | 0:47:31 | |
GUNSHOT | 0:47:31 | 0:47:33 | |
CAR ALARM BLARES | 0:47:34 | 0:47:36 | |
ALARM BEEPS OFF | 0:47:39 | 0:47:40 | |
TYRES SQUEAL | 0:47:47 | 0:47:49 | |
Ah! Fuck! | 0:47:51 | 0:47:53 | |
' "Dodd, white guy, Mount Crest Inn on 5th Street." ' | 0:47:57 | 0:48:01 | |
'I'll get the jump on you, you fucker.' | 0:48:02 | 0:48:04 | |
Oh, fuck! | 0:48:40 | 0:48:41 | |
Sorry. | 0:48:44 | 0:48:45 | |
'I need a weapon.' | 0:49:18 | 0:49:19 | |
'This'll do.' | 0:49:22 | 0:49:24 | |
'Hm. I don't FEEL drunk.' | 0:49:46 | 0:49:49 | |
HORN BLARES | 0:50:24 | 0:50:26 | |
'Do I know this guy?' | 0:50:29 | 0:50:30 | |
'He seems to know me.' | 0:50:32 | 0:50:34 | |
What the fuck? | 0:50:38 | 0:50:40 | |
TYRES SQUEAL | 0:50:40 | 0:50:42 | |
-I like your car. -Thank you. | 0:50:52 | 0:50:55 | |
-Where'd you get it? -Interested in buying one? | 0:50:55 | 0:50:57 | |
Haven't I made a strong enough impression on you? | 0:50:57 | 0:50:59 | |
I wouldn't be too hard on yourself. | 0:50:59 | 0:51:01 | |
GUNSHOT | 0:51:05 | 0:51:06 | |
CAR ALARM BLARES | 0:51:06 | 0:51:08 | |
'OK. So what am I doing?' | 0:51:11 | 0:51:13 | |
PHONE RINGS | 0:51:21 | 0:51:23 | |
Who is this? | 0:51:23 | 0:51:24 | |
Ouch! Cut it out. | 0:52:41 | 0:52:43 | |
How can you read that again? | 0:53:13 | 0:53:15 | |
It's good. | 0:53:15 | 0:53:16 | |
Yeah, but you've read it like 1,000 times. | 0:53:16 | 0:53:19 | |
I enjoy it. | 0:53:19 | 0:53:20 | |
I thought the pleasure of a book | 0:53:20 | 0:53:22 | |
was in wanting to know what happens next. | 0:53:22 | 0:53:24 | |
Don't be a prick. I'm not reading it to annoy you. I enjoy it. | 0:53:24 | 0:53:28 | |
Just let me read. Please? | 0:53:29 | 0:53:32 | |
'Probably tried this before.' | 0:53:42 | 0:53:44 | |
'Probably burned truckloads of your stuff.' | 0:53:46 | 0:53:49 | |
'Can't remember to forget you.' | 0:53:52 | 0:53:53 | |
Yeah. Uh-huh. | 0:54:12 | 0:54:14 | |
Well, sir, that'd be in keeping with some of my own discoveries. | 0:54:16 | 0:54:19 | |
I was hoping for more on the drugs angle. Will you hang on a sec? | 0:54:19 | 0:54:22 | |
The police report mentioned the drugs found in the car | 0:54:30 | 0:54:33 | |
outside my house. | 0:54:33 | 0:54:34 | |
The car was stolen but his prints were all over it. | 0:54:34 | 0:54:36 | |
Friends in the department gave me a copy. | 0:54:36 | 0:54:38 | |
I dealt with the police a lot in my insurance job. | 0:54:38 | 0:54:41 | |
With my condition, it's really tough. | 0:54:41 | 0:54:43 | |
I can't...keep it all in mind at once. | 0:54:43 | 0:54:46 | |
I have to summarise the sections. | 0:54:46 | 0:54:47 | |
There's pages missing. I guess I've been trying to log them all. | 0:54:47 | 0:54:50 | |
I don't know why these are crossed out. | 0:54:50 | 0:54:53 | |
They weren't even looking for John G. | 0:54:53 | 0:54:55 | |
The stuff they found in the car | 0:54:55 | 0:54:56 | |
fitted what they believed had happened, so they didn't chase it up. | 0:54:56 | 0:55:00 | |
DOOR CLOSES | 0:55:01 | 0:55:03 | |
Honey? | 0:55:34 | 0:55:35 | |
Honey, it's late. | 0:55:37 | 0:55:39 | |
Everything OK? | 0:56:00 | 0:56:02 | |
MUFFLED CRY | 0:56:02 | 0:56:04 | |
HE TAPS ON DOOR | 0:56:13 | 0:56:15 | |
MUFFLED CRY | 0:56:18 | 0:56:19 | |
You OK in there? | 0:56:19 | 0:56:20 | |
Was it good for you? | 0:56:24 | 0:56:26 | |
SHE LAUGHS SOFTLY | 0:56:26 | 0:56:28 | |
What? Was I supposed to lock the door? | 0:56:28 | 0:56:30 | |
SOFTLY: No. | 0:56:32 | 0:56:33 | |
I'd like you to leave now. | 0:56:35 | 0:56:37 | |
There's something about the drugs | 0:56:56 | 0:56:58 | |
stashed in the car that doesn't ring true. | 0:56:58 | 0:57:00 | |
The police say the guy was an addict | 0:57:00 | 0:57:02 | |
needing money to score. It's bullshit. | 0:57:02 | 0:57:04 | |
He's not gonna break into places | 0:57:04 | 0:57:06 | |
while he's still got a stash that big. | 0:57:06 | 0:57:08 | |
Well, I think John G left it there. Or planted it there. | 0:57:08 | 0:57:11 | |
How do you know that? | 0:57:12 | 0:57:14 | |
Oh, shit, that's true. It fits. | 0:57:16 | 0:57:18 | |
So he's a dealer? | 0:57:18 | 0:57:20 | |
Hang on a sec. | 0:57:20 | 0:57:22 | |
Now we're getting somewhere. | 0:57:32 | 0:57:35 | |
'Discount Inn.' | 0:57:35 | 0:57:36 | |
Yeah, OK. Blonde's fine. | 0:58:28 | 0:58:30 | |
Well, that's what they say. | 0:58:31 | 0:58:34 | |
The Discount Inn. 304. | 0:58:34 | 0:58:37 | |
Leonard. | 0:58:37 | 0:58:38 | |
Well, what then? | 0:58:40 | 0:58:41 | |
We just go to bed. You wait for me to fall asleep. | 0:58:41 | 0:58:44 | |
You go into the bathroom and slam the door. | 0:58:44 | 0:58:46 | |
-Slam it? -Yeah. Loud enough to wake me up. | 0:58:46 | 0:58:49 | |
-And that's it? -That's it. | 0:58:49 | 0:58:51 | |
Ah... | 0:58:51 | 0:58:52 | |
Yeah, first, I just need you to put these things around the room. | 0:58:52 | 0:58:56 | |
Pretend they're your things and this is your bedroom. | 0:58:59 | 0:59:02 | |
-Should I wear it? -No, no, no. Uh, just like you took it off. | 0:59:14 | 0:59:17 | |
I don't want you to use it. I'm sorry. | 0:59:21 | 0:59:24 | |
I just mean put them around the room, | 0:59:25 | 0:59:27 | |
as if they were your... Your things. | 0:59:27 | 0:59:29 | |
Whatever gets you off. | 0:59:34 | 0:59:35 | |
DOOR SLAMS | 0:59:55 | 0:59:56 | |
I can't blame the cops for not taking me seriously. | 0:59:59 | 1:00:02 | |
This is a difficult condition to understand. Look at Sammy Jankis. | 1:00:02 | 1:00:05 | |
His own wife couldn't deal with it. | 1:00:05 | 1:00:07 | |
I told you how she tried to get him to snap out of it. | 1:00:07 | 1:00:10 | |
She came to see me, I found out all kinds of shit. | 1:00:10 | 1:00:12 | |
'She told me about life with Sammy. How she treated him.' | 1:00:12 | 1:00:15 | |
Thank you for seeing me. | 1:00:15 | 1:00:17 | |
She'd get Sammy to hide food around the house, | 1:00:17 | 1:00:19 | |
then she'd stop feeding him to see | 1:00:19 | 1:00:21 | |
if his hunger would make him remember. | 1:00:21 | 1:00:22 | |
I've taken him to a parking lot and, um... | 1:00:22 | 1:00:25 | |
'She wasn't a cruel person. She just wanted her old Sammy back.' | 1:00:25 | 1:00:29 | |
You know all about Sammy and you've decided he's faking. | 1:00:29 | 1:00:32 | |
The company's position isn't that Sammy's faking anything, | 1:00:32 | 1:00:35 | |
just that his condition can't be shown to be... | 1:00:35 | 1:00:37 | |
I just want to know your honest opinion about Sammy. | 1:00:37 | 1:00:40 | |
We shouldn't talk like this while the case is still open to appeal. | 1:00:40 | 1:00:43 | |
I'm not appealing the decision. | 1:00:43 | 1:00:44 | |
Then why are you here? | 1:00:44 | 1:00:46 | |
Try to understand, when I look at Sammy, | 1:00:46 | 1:00:48 | |
I don't see some...vegetable. | 1:00:48 | 1:00:52 | |
I see my same old Sammy. | 1:00:52 | 1:00:53 | |
What do you think that's like for me, | 1:00:55 | 1:00:57 | |
to suspect that he might be imagining this whole problem? | 1:00:57 | 1:01:00 | |
That if I just could say the right thing he'd snap out of it | 1:01:00 | 1:01:03 | |
and go back to being normal. | 1:01:03 | 1:01:05 | |
If I... | 1:01:06 | 1:01:07 | |
If I knew that my old Sammy were truly gone... | 1:01:10 | 1:01:13 | |
then I could say goodbye and start loving this new Sammy. | 1:01:13 | 1:01:18 | |
As long as I have doubt, I can't say goodbye and move on. | 1:01:20 | 1:01:23 | |
What do you want from me? | 1:01:23 | 1:01:24 | |
I want you to forget the company you work for for 30 seconds | 1:01:24 | 1:01:27 | |
and tell me if you really believe that Sammy's faking his condition. | 1:01:27 | 1:01:31 | |
I need to know... | 1:01:32 | 1:01:34 | |
what you honestly believe. | 1:01:34 | 1:01:36 | |
I believe Sammy should be physically capable of making new memories. | 1:01:41 | 1:01:45 | |
Thank you. | 1:01:52 | 1:01:54 | |
'I thought I helped her.' | 1:01:56 | 1:01:57 | |
I thought she just needed an answer. | 1:01:57 | 1:01:59 | |
I didn't think it was important what it was, | 1:01:59 | 1:02:01 | |
just that she had one to believe. | 1:02:01 | 1:02:03 | |
A car this nice you should lock. | 1:02:18 | 1:02:20 | |
-Who the fuck are you?! -Teddy, your buddy. | 1:02:20 | 1:02:22 | |
Prove it! | 1:02:22 | 1:02:23 | |
Remember Sammy? You told me about Sammy! | 1:02:23 | 1:02:26 | |
-Jeez! -What the fuck are you doing in my car? | 1:02:28 | 1:02:31 | |
Did your sense of humour go with the memory? D'you know why you're here? | 1:02:31 | 1:02:35 | |
Unfinished business. | 1:02:35 | 1:02:36 | |
Lenny, let me inform you, your business here is very much finished. | 1:02:36 | 1:02:41 | |
-You're still here because of Natalie. -Who's Natalie? | 1:02:41 | 1:02:44 | |
Schmuck! Whose house do you think you just walked out of? | 1:02:44 | 1:02:47 | |
That's right, take a look at your pictures - I bet you got one of her. | 1:02:49 | 1:02:53 | |
Oh, nice shot, Leibovitz(!) | 1:02:53 | 1:02:57 | |
You'll want to make a note. You can't trust her. | 1:02:57 | 1:03:00 | |
Why's that? | 1:03:00 | 1:03:02 | |
Because by now she's taken a look at the suit and the car | 1:03:02 | 1:03:05 | |
and she's figuring out ways to turn the situation to her advantage. | 1:03:05 | 1:03:09 | |
She's already got you staying with her for Christ sakes. | 1:03:09 | 1:03:12 | |
You can't go back in there. | 1:03:12 | 1:03:14 | |
Let me give you the name of a motel. | 1:03:14 | 1:03:16 | |
You're lucky I ran into you. That broad's bad news. | 1:03:16 | 1:03:18 | |
What do you mean "bad news"? | 1:03:18 | 1:03:20 | |
She's involved with drugs. | 1:03:20 | 1:03:22 | |
Look. See these? | 1:03:22 | 1:03:24 | |
This is the bar where she works. Her boyfriend's a drug dealer. | 1:03:24 | 1:03:28 | |
She takes orders for him, arranges meets. | 1:03:28 | 1:03:31 | |
He writes messages on the back of these, | 1:03:31 | 1:03:33 | |
then she slips him the answers when she serves him. | 1:03:33 | 1:03:36 | |
-Why should I care? -Because when she gets jammed up, | 1:03:36 | 1:03:40 | |
she'll use you to protect herself. | 1:03:40 | 1:03:42 | |
From who? | 1:03:42 | 1:03:44 | |
Guys are gonna wanna know what happened to her boyfriend. | 1:03:44 | 1:03:47 | |
Guys are gonna come after her. | 1:03:47 | 1:03:49 | |
Somebody's got to pay, Lenny. Somebody always pays. | 1:03:49 | 1:03:51 | |
Maybe she'll make it you. | 1:03:51 | 1:03:53 | |
Oh, yeah? Well, maybe she'll make it you. Is that it? | 1:03:53 | 1:03:56 | |
You worried she's gonna use me against you? | 1:03:56 | 1:03:59 | |
-No. -Why not? | 1:03:59 | 1:04:01 | |
Because she doesn't know who I am. | 1:04:01 | 1:04:04 | |
Why are you following me? | 1:04:04 | 1:04:06 | |
Maybe I wanna help. | 1:04:06 | 1:04:07 | |
She doesn't know anything about your investigation. OK, Einstein? | 1:04:07 | 1:04:11 | |
So write this down. | 1:04:11 | 1:04:13 | |
When she offers to help, it'll be for her own reasons. | 1:04:13 | 1:04:18 | |
I'm not lying. Take my pen, write this down. | 1:04:18 | 1:04:23 | |
Do not trust her. | 1:04:23 | 1:04:25 | |
There. You happy now? | 1:04:32 | 1:04:34 | |
-I won't be happy until you leave town. -Why not? | 1:04:34 | 1:04:37 | |
You ever wonder how long you can hang around | 1:04:37 | 1:04:39 | |
before people start asking questions? | 1:04:39 | 1:04:41 | |
What sort of questions? | 1:04:41 | 1:04:42 | |
The sort you should be asking yourself. | 1:04:42 | 1:04:44 | |
-Like what? -Like how did you get this suit, the car? | 1:04:44 | 1:04:47 | |
-I have money. -From what? | 1:04:47 | 1:04:48 | |
My wife's death. I used to work in insurance. We were well covered. | 1:04:48 | 1:04:51 | |
Oh! | 1:04:51 | 1:04:53 | |
So in your grief you wandered into a Jaguar dealership? | 1:04:53 | 1:04:57 | |
You don't have a clue, do you? You don't even know who you are. | 1:04:59 | 1:05:03 | |
Yes, I do. | 1:05:03 | 1:05:04 | |
I don't have amnesia. I remember everything right up to the incident. | 1:05:04 | 1:05:07 | |
I am Leonard Shelby, I am from San Francisco... | 1:05:07 | 1:05:10 | |
That's who you WERE. | 1:05:10 | 1:05:11 | |
You do not know who you ARE. What you've become since... | 1:05:11 | 1:05:15 | |
..the incident. | 1:05:16 | 1:05:17 | |
You wander around playing detective. | 1:05:17 | 1:05:19 | |
You don't even know how long ago it was. | 1:05:19 | 1:05:22 | |
Let me put it this way... | 1:05:24 | 1:05:25 | |
Were you wearing designer suits when you sold insurance? | 1:05:25 | 1:05:28 | |
I didn't sell insurance, I investigated. | 1:05:28 | 1:05:30 | |
Right, right. You're an investigator. | 1:05:30 | 1:05:32 | |
Maybe you should investigate yourself. | 1:05:32 | 1:05:35 | |
Oh, thank you for the advice. | 1:05:35 | 1:05:37 | |
Look, do me a favour, don't go back in there. | 1:05:39 | 1:05:42 | |
Will you take the motel out of town? | 1:05:42 | 1:05:44 | |
It's been fun, Lenny. | 1:05:48 | 1:05:49 | |
"Do not trust her." | 1:05:57 | 1:05:58 | |
"Don't believe his lies." | 1:06:00 | 1:06:02 | |
Oh, fuck it, I need my own place. | 1:06:15 | 1:06:17 | |
STARTS ENGINE | 1:06:18 | 1:06:20 | |
No. She shouldn't have given me that responsibility. | 1:06:24 | 1:06:27 | |
I'm a claims investigator, not a doctor. | 1:06:27 | 1:06:29 | |
Yeah, yeah, I guess. | 1:06:31 | 1:06:33 | |
I've got all sorts of other considerations. | 1:06:33 | 1:06:36 | |
Legal responsibility, large finance... | 1:06:36 | 1:06:38 | |
Who is this? | 1:06:43 | 1:06:44 | |
LINE GOES DEAD | 1:06:44 | 1:06:46 | |
Write this down. Write down what happened. | 1:06:56 | 1:06:58 | |
Write it down. Come on, concentrate. Keep it in mind. Find a p... | 1:06:58 | 1:07:02 | |
What happened? | 1:07:08 | 1:07:09 | |
What does it look like? He beat the shit out of me. | 1:07:09 | 1:07:11 | |
-Who? -"Who"? | 1:07:11 | 1:07:13 | |
Fuck, Leonard, Dodd! Dodd beat the shit out of me. | 1:07:13 | 1:07:16 | |
Why? | 1:07:16 | 1:07:17 | |
Because of you! Because I did what you told me to do, reason with him, | 1:07:17 | 1:07:20 | |
tell him about Teddy. Great fucking idea(!) | 1:07:20 | 1:07:22 | |
Calm down. Calm down, take it easy. You're safe. It's OK. | 1:07:22 | 1:07:26 | |
Come on. Just sit down. Sit down. | 1:07:27 | 1:07:30 | |
Here, sit down. | 1:07:31 | 1:07:33 | |
OK. You're OK. | 1:07:34 | 1:07:36 | |
I'll just get some ice for your face. | 1:07:36 | 1:07:38 | |
Here. | 1:07:46 | 1:07:48 | |
I did exactly what you told me to do. | 1:07:53 | 1:07:55 | |
I went to Dodd... | 1:07:57 | 1:07:58 | |
..and I told him that I didn't have any of Jimmy's money | 1:07:59 | 1:08:03 | |
or the drugs. | 1:08:03 | 1:08:05 | |
And that this Teddy must have taken everything. | 1:08:06 | 1:08:10 | |
And what did he say? | 1:08:10 | 1:08:12 | |
He didn't believe me. | 1:08:13 | 1:08:14 | |
He said if I don't have the drugs by tomorrow, he's gonna kill me. | 1:08:17 | 1:08:20 | |
And then he just... He just started hitting me. | 1:08:20 | 1:08:23 | |
Where is he? | 1:08:25 | 1:08:27 | |
Why? | 1:08:27 | 1:08:28 | |
I'll go see him. | 1:08:28 | 1:08:30 | |
-And? -I'll give him some bruises of his own | 1:08:30 | 1:08:32 | |
and tell him to look for a guy called Teddy. | 1:08:32 | 1:08:34 | |
Oh, he'll kill you, Lenny. | 1:08:34 | 1:08:36 | |
My wife used to call me Lenny. | 1:08:38 | 1:08:40 | |
Yeah? | 1:08:40 | 1:08:41 | |
Yeah, I hated it. | 1:08:43 | 1:08:44 | |
Oh, this guy is so dangerous. | 1:08:46 | 1:08:47 | |
Let's just think of something else, OK? | 1:08:47 | 1:08:50 | |
No, no, no. You just tell me what he looks like. | 1:08:50 | 1:08:54 | |
And where I can find him. Have you got a pen? | 1:08:54 | 1:08:57 | |
In my purse. | 1:08:57 | 1:08:59 | |
He'll, um... He'll probably find YOU. | 1:09:08 | 1:09:11 | |
What do you mean? | 1:09:11 | 1:09:12 | |
I told him about your car. | 1:09:12 | 1:09:14 | |
Why? | 1:09:14 | 1:09:16 | |
He was beating the shit out of me, I had to tell him something. | 1:09:17 | 1:09:20 | |
Just write it all down. | 1:09:22 | 1:09:24 | |
Be careful. | 1:09:38 | 1:09:40 | |
I'll be fine. | 1:09:40 | 1:09:42 | |
A car this nice you should lock. | 1:09:49 | 1:09:51 | |
Who the fuck are you?! | 1:09:51 | 1:09:52 | |
PHONE RINGS | 1:09:54 | 1:09:56 | |
PHONE RINGS | 1:09:57 | 1:09:59 | |
Front desk? Burt, right. This is Mr Shelby in room 21. | 1:10:07 | 1:10:11 | |
Yeah, that's it, I don't want any calls. | 1:10:12 | 1:10:14 | |
No, none at all. | 1:10:14 | 1:10:15 | |
DOOR CREAKS OPEN | 1:10:22 | 1:10:23 | |
-What's wrong? -Somebody's come already. | 1:10:26 | 1:10:28 | |
-Who? -Calls himself Dodd. | 1:10:28 | 1:10:31 | |
What does he want? | 1:10:31 | 1:10:32 | |
To know what happened to Jimmy and his money. He thinks I took it. | 1:10:32 | 1:10:35 | |
Did you? | 1:10:35 | 1:10:37 | |
No. | 1:10:37 | 1:10:38 | |
-What's this all about? -Argh! | 1:10:42 | 1:10:44 | |
You don't have a fucking clue, do you? | 1:10:44 | 1:10:46 | |
You're just blissfully ignorant. | 1:10:46 | 1:10:48 | |
Look, I have this condition. | 1:10:48 | 1:10:49 | |
I know all about your fucking condition. | 1:10:49 | 1:10:51 | |
I probably know more about it than you do. You don't have a fucking clue about anything else. | 1:10:51 | 1:10:55 | |
-What happened? -Jimmy went to meet a guy named Teddy. | 1:10:55 | 1:10:58 | |
He took a lot of money with him and never came back. | 1:10:58 | 1:11:01 | |
Jimmy's partners think I set him up. | 1:11:01 | 1:11:03 | |
-I don't know if you know this Teddy or how well. -Neither do I. | 1:11:03 | 1:11:06 | |
-Don't protect him! -I'm not. -Help me. | 1:11:06 | 1:11:08 | |
How? | 1:11:08 | 1:11:09 | |
Get rid of Dodd for me. | 1:11:09 | 1:11:10 | |
-What? -Kill him. I'll pay you. | 1:11:10 | 1:11:13 | |
What do you think I am? | 1:11:13 | 1:11:14 | |
I'm not gonna kill someone for money. | 1:11:14 | 1:11:16 | |
What, then? Love? What would you kill for? | 1:11:16 | 1:11:19 | |
-You'd kill for your wife, wouldn't you? -That's different. | 1:11:19 | 1:11:22 | |
Not to me, I wasn't fucking married to her! | 1:11:22 | 1:11:24 | |
Hey, don't talk about my wife. | 1:11:24 | 1:11:26 | |
I can talk about whoever the fuck I want! | 1:11:26 | 1:11:28 | |
I can say whatever I want and you won't remember! | 1:11:28 | 1:11:30 | |
I can call your wife a fucking whore and we'll still be friends. | 1:11:30 | 1:11:33 | |
-Calm down. -Easy for you to say. | 1:11:33 | 1:11:34 | |
You can't GET scared! You don't know how, you fucking idiot! | 1:11:34 | 1:11:37 | |
This has nothing to do with me. | 1:11:37 | 1:11:39 | |
How the fuck would you know? You don't know a fucking thing! | 1:11:39 | 1:11:42 | |
-You can't get scared, but, hey, can you get angry? -Yes. | 1:11:43 | 1:11:46 | |
You pathetic piece of shit! | 1:11:46 | 1:11:48 | |
I can say whatever the fuck I want | 1:11:48 | 1:11:50 | |
and you won't have a fucking clue, you fucking retard! | 1:11:50 | 1:11:53 | |
-Shut your mouth. -You know what? I'm gonna use you. | 1:11:53 | 1:11:55 | |
I'm telling you now because I'll enjoy it much more | 1:11:55 | 1:11:57 | |
if I know that you could stop me if you weren't such a fucking freak. | 1:11:57 | 1:12:01 | |
Did you lose your pen? Too bad, freak. | 1:12:01 | 1:12:04 | |
Otherwise you could write yourself a note | 1:12:04 | 1:12:06 | |
about how much Natalie hates your retarded guts | 1:12:06 | 1:12:08 | |
and that I called your wife a fucking whore! | 1:12:08 | 1:12:10 | |
-Don't say another fucking word! -About your whore of a wife? | 1:12:10 | 1:12:13 | |
I read about your condition, Leonard. | 1:12:16 | 1:12:18 | |
You know one of the causes of short-term memory loss? | 1:12:18 | 1:12:22 | |
Venereal disease. | 1:12:22 | 1:12:23 | |
Maybe your cunt of a fucking wife sucked one too many diseased cocks | 1:12:23 | 1:12:27 | |
and turned you into a fucking retard! | 1:12:27 | 1:12:29 | |
-SOFTLY: -You sad, sad freak. | 1:12:31 | 1:12:34 | |
I can say whatever the fuck I want and you won't remember. | 1:12:36 | 1:12:39 | |
We'll still be best friends. | 1:12:41 | 1:12:43 | |
Or maybe even lovers. | 1:12:45 | 1:12:47 | |
Fuck! | 1:12:50 | 1:12:51 | |
I'll see you soon. | 1:12:56 | 1:12:57 | |
DOOR OPENS AND CLOSES | 1:13:04 | 1:13:06 | |
'Stay focused. Find a pen. | 1:13:06 | 1:13:08 | |
'I'm gonna write this down. I'm gonna write it down.' | 1:13:08 | 1:13:11 | |
'Concentrate, concentrate, concentrate. | 1:13:12 | 1:13:15 | |
'Keep it in mind, keep it in mind, keep it in mind.' | 1:13:15 | 1:13:18 | |
'I've got to find a pen. I've got to find a pen. | 1:13:21 | 1:13:23 | |
'Now, write this down, write this down. Exactly what happened. | 1:13:23 | 1:13:27 | |
'I'm gonna write down what happened. Come on! I've got to find a pen. | 1:13:27 | 1:13:30 | |
'Jeez! Come on, keep focused. Keep focused. | 1:13:30 | 1:13:34 | |
'Keep... Keep it in mind. Come on, find a pen. | 1:13:34 | 1:13:36 | |
'Write this note. Write down what happened. Write it down. | 1:13:36 | 1:13:39 | |
'Come on, concentrate. Keep it in mind. Find a...' | 1:13:39 | 1:13:42 | |
What happened? | 1:13:50 | 1:13:52 | |
What does it look like? He beat the shit out of me. | 1:13:52 | 1:13:54 | |
Who? | 1:13:54 | 1:13:55 | |
Who? Fuck, Leonard, Dodd! Dodd beat the shit out of me. | 1:13:55 | 1:13:59 | |
-KNOCKS ON DOOR -'Hello?' | 1:14:07 | 1:14:09 | |
'It's Burt, from the front desk.' | 1:14:13 | 1:14:14 | |
Yeah? | 1:14:16 | 1:14:18 | |
I know you said you didn't want any calls, but this guy says he's a cop. | 1:14:18 | 1:14:22 | |
-A cop? -Yeah. | 1:14:22 | 1:14:24 | |
He says you're really gonna wanna know what he has to say. | 1:14:24 | 1:14:27 | |
I'm not too good on the phone. I need to look people in the eye. | 1:14:27 | 1:14:30 | |
Well, what...? | 1:14:30 | 1:14:32 | |
You can... You can crash on the couch. | 1:14:36 | 1:14:38 | |
It's comfortable. Just have a seat. | 1:14:38 | 1:14:41 | |
Thanks. | 1:14:41 | 1:14:43 | |
So, how long do you think it's gonna take you? | 1:14:47 | 1:14:50 | |
Hm? | 1:14:50 | 1:14:52 | |
You told me you were looking for the guy who killed your wife. | 1:14:52 | 1:14:55 | |
Oh, it depends on if he's here in town or if he's moved on. | 1:14:55 | 1:14:59 | |
I have my...file here. | 1:14:59 | 1:15:01 | |
Can I ask you something? | 1:15:04 | 1:15:05 | |
If you have all that information, | 1:15:05 | 1:15:08 | |
why haven't the police found him for you? | 1:15:08 | 1:15:11 | |
-They're not looking for him. -Why not? -They don't think he exists. | 1:15:11 | 1:15:15 | |
You see, I told them what I remembered. | 1:15:15 | 1:15:18 | |
I was asleep. Something woke me up. | 1:15:18 | 1:15:22 | |
SMASHING | 1:15:22 | 1:15:24 | |
CLOCK TICKS | 1:15:26 | 1:15:27 | |
Her side of the bed was cold. She'd obviously been gone for a while. | 1:15:27 | 1:15:31 | |
CLATTERING | 1:15:31 | 1:15:34 | |
MUFFLED CRIES | 1:15:41 | 1:15:43 | |
MUFFLED CRY | 1:15:59 | 1:16:01 | |
GUNSHOT | 1:16:03 | 1:16:04 | |
CRASH | 1:16:06 | 1:16:07 | |
There had to be a second man. | 1:16:27 | 1:16:30 | |
Somebody hit me from behind. I remember. | 1:16:30 | 1:16:32 | |
It's the last thing I do remember. | 1:16:32 | 1:16:34 | |
Look, the police didn't believe me. If we check... | 1:16:34 | 1:16:36 | |
How did they explain what you do remember? The gun and stuff? | 1:16:36 | 1:16:40 | |
John G was clever. | 1:16:43 | 1:16:45 | |
He was clever. | 1:16:45 | 1:16:47 | |
He took the dead man's gun | 1:16:47 | 1:16:49 | |
and replaced it with the sap that he hit me with. | 1:16:49 | 1:16:52 | |
He left my gun and the getaway car, gave the police a complete package. | 1:16:52 | 1:16:56 | |
They found the sap with my blood on it in the dead man's hand. | 1:16:56 | 1:17:00 | |
And they only found my gun. | 1:17:00 | 1:17:03 | |
They didn't need to look for anybody else. | 1:17:03 | 1:17:05 | |
I was the only guy who disagreed with the facts | 1:17:06 | 1:17:08 | |
and I had brain damage. | 1:17:08 | 1:17:10 | |
The cops are not gonna believe someone in my con... | 1:17:10 | 1:17:12 | |
Leonard. You can stay here for a couple of days if it will help you. | 1:17:12 | 1:17:15 | |
Oh, thanks. | 1:17:17 | 1:17:19 | |
I have to go back to work, so, um, just make yourself at home. | 1:17:19 | 1:17:24 | |
You can watch TV or have some food. | 1:17:24 | 1:17:26 | |
Whatever you want, OK? Make yourself at home. | 1:17:26 | 1:17:29 | |
One thing. | 1:17:29 | 1:17:31 | |
Something to remember you by. | 1:17:33 | 1:17:35 | |
My name is Natalie. | 1:17:35 | 1:17:37 | |
Natalie... | 1:17:39 | 1:17:40 | |
DOOR OPENS | 1:18:08 | 1:18:09 | |
-What's wrong? -Somebody's come already. | 1:18:12 | 1:18:14 | |
PHONE RINGS | 1:18:14 | 1:18:17 | |
PHONE RINGS | 1:18:20 | 1:18:22 | |
PHONE STOPS RINGING | 1:18:24 | 1:18:26 | |
PHONE RINGS | 1:18:57 | 1:18:59 | |
-On the house. -Thanks. | 1:19:01 | 1:19:03 | |
MAN LAUGHS | 1:19:05 | 1:19:07 | |
My, you really do have a problem. Just like that cop said. | 1:19:08 | 1:19:12 | |
Hm? | 1:19:12 | 1:19:14 | |
Your condition. | 1:19:14 | 1:19:16 | |
Well, nobody's perfect. | 1:19:16 | 1:19:19 | |
What's the last thing... | 1:19:19 | 1:19:21 | |
that you do remember? | 1:19:21 | 1:19:23 | |
-My wife. -That's sweet. | 1:19:26 | 1:19:28 | |
Dying. | 1:19:28 | 1:19:30 | |
I remember my wife dying. | 1:19:30 | 1:19:32 | |
Let me, um, get you another one. I think this one's dusty. | 1:19:37 | 1:19:41 | |
Why are you calling me? What do you want? | 1:19:45 | 1:19:48 | |
I know you're a cop. What do you want? Have I done something wrong? | 1:19:48 | 1:19:51 | |
I don't know, something bad, maybe. | 1:19:51 | 1:19:53 | |
Look, why are you asking me? I can't remember what I've done. | 1:19:55 | 1:19:58 | |
You wouldn't believe me anyway. | 1:19:58 | 1:19:59 | |
Because of my condition. You don't believe someone with this. | 1:19:59 | 1:20:03 | |
Nobody believed Sammy! I didn't even fucking believe Sammy! | 1:20:03 | 1:20:06 | |
"Ferdy's Bar." | 1:20:06 | 1:20:08 | |
"Come by after. Natalie." | 1:20:10 | 1:20:13 | |
-A beer, please. -What do you want? -A beer, please. | 1:20:27 | 1:20:30 | |
You can't waltz in dressed like that and ask for a beer. | 1:20:30 | 1:20:33 | |
-Is there a dress code? -Why are you here? | 1:20:33 | 1:20:35 | |
I'm meeting someone called Natalie. | 1:20:35 | 1:20:36 | |
Well, that's me. | 1:20:36 | 1:20:38 | |
Yeah, we met before, right? | 1:20:38 | 1:20:40 | |
-Then why am I here? -I don't know, why don't you tell me? | 1:20:41 | 1:20:43 | |
I don't remember. I have no short-term memory. | 1:20:43 | 1:20:46 | |
Oh, you're the memory guy. | 1:20:46 | 1:20:47 | |
How do you know about me? | 1:20:47 | 1:20:49 | |
My boyfriend told me about you. | 1:20:49 | 1:20:51 | |
Oh, yeah? Who's your boyfriend? | 1:20:51 | 1:20:53 | |
Jimmy Grants. Do you know him? | 1:20:53 | 1:20:55 | |
No. | 1:20:56 | 1:20:57 | |
He knows you. He told me about you. | 1:20:57 | 1:21:00 | |
He said you were staying at the Discount. | 1:21:00 | 1:21:03 | |
In fact, a cop came by earlier and was looking for you. | 1:21:03 | 1:21:06 | |
Said he was looking for a guy who can't remember anything, | 1:21:06 | 1:21:08 | |
wouldn't know how he'd got here. | 1:21:08 | 1:21:10 | |
I said, "I get a lot of guys like that." | 1:21:10 | 1:21:12 | |
Chronic alcoholism is one cause of short-term memory loss. | 1:21:12 | 1:21:16 | |
Are you Teddy? | 1:21:18 | 1:21:19 | |
No, my name's Leonard. | 1:21:19 | 1:21:21 | |
-Did Teddy send you? -I don't know. | 1:21:21 | 1:21:23 | |
What's happened to Jimmy? | 1:21:24 | 1:21:26 | |
I don't know that, either. Sorry. | 1:21:26 | 1:21:28 | |
You don't remember anything, | 1:21:28 | 1:21:29 | |
where you've been or what you've just done? | 1:21:29 | 1:21:33 | |
I can't make new memories. Everything just fades. | 1:21:33 | 1:21:36 | |
Then why did you come here? | 1:21:36 | 1:21:38 | |
I found this in my pocket. | 1:21:38 | 1:21:39 | |
Your pocket? | 1:21:42 | 1:21:43 | |
MAN HAWKS | 1:21:59 | 1:22:01 | |
Bar bet. Care to contribute? | 1:22:07 | 1:22:10 | |
-No, thanks. -It's for a lot of money. | 1:22:10 | 1:22:13 | |
Come on. Proceeds are going to charity. Help me out. | 1:22:13 | 1:22:16 | |
SHE HAWKS | 1:22:21 | 1:22:24 | |
Thank you. | 1:22:27 | 1:22:28 | |
-On the house. -Thanks. | 1:22:45 | 1:22:47 | |
MAN AT BAR LAUGHS | 1:22:49 | 1:22:50 | |
It's completely fucked because nobody believes you. | 1:22:52 | 1:22:56 | |
It's amazing what a little brain damage will do for your credibility. | 1:22:56 | 1:22:59 | |
I guess it's poetic justice for not believing Sammy. | 1:22:59 | 1:23:02 | |
You know the truth about my condition, officer? | 1:23:02 | 1:23:05 | |
You don't know anything. | 1:23:05 | 1:23:06 | |
You feel angry, you don't know why. | 1:23:06 | 1:23:08 | |
You feel guilty, you have no idea why. | 1:23:08 | 1:23:11 | |
You could do anything and not have the faintest idea ten minutes later. | 1:23:11 | 1:23:15 | |
Like Sammy. What if I'd done something like Sammy? | 1:23:15 | 1:23:18 | |
I didn't tell you? What happened to Sammy and his wife? | 1:23:18 | 1:23:21 | |
She came to see me at my office. | 1:23:21 | 1:23:24 | |
'I thought she was trying to catch me off guard, | 1:23:24 | 1:23:26 | |
'so I didn't say what I really thought, but I never said he was faking, | 1:23:26 | 1:23:29 | |
'just that his condition was mental, not physical. | 1:23:29 | 1:23:31 | |
'I found out later she went home and gave Sammy his final exam.' | 1:23:31 | 1:23:33 | |
Sammy? It's time for my shot. | 1:23:35 | 1:23:38 | |
'She knew beyond a doubt that he loved her, | 1:23:53 | 1:23:55 | |
'so she found a way to test him.' | 1:23:55 | 1:23:58 | |
Sammy? | 1:24:10 | 1:24:11 | |
It's time for my shot. | 1:24:12 | 1:24:14 | |
Hm. | 1:24:14 | 1:24:15 | |
'She really thought she'd call his bluff.' | 1:24:23 | 1:24:25 | |
There you go. | 1:24:25 | 1:24:27 | |
'Or she just didn't want to live with the things she'd put him through.' | 1:24:27 | 1:24:30 | |
Sammy? | 1:24:40 | 1:24:42 | |
It's time for my shot. | 1:24:43 | 1:24:45 | |
It won't hurt. | 1:24:51 | 1:24:53 | |
'She went into a coma and never recovered. | 1:25:35 | 1:25:37 | |
'Sammy couldn't understand or explain what happened.' | 1:25:37 | 1:25:41 | |
Oh! | 1:25:41 | 1:25:42 | |
He's been in a home ever since. | 1:25:42 | 1:25:44 | |
'He doesn't even know his wife is dead.' | 1:25:44 | 1:25:46 | |
I was wrong about Sammy and I was wrong about his wife. | 1:25:47 | 1:25:51 | |
She wasn't interested in the money. | 1:25:51 | 1:25:53 | |
She needed to understand his problem. | 1:25:53 | 1:25:55 | |
'His brain didn't respond to conditioning, but he was no conman. | 1:25:55 | 1:25:58 | |
'When she looked into his eyes, she thought he could be the same person.' | 1:25:58 | 1:26:01 | |
'When I looked into his eyes, I thought I saw recognition.' | 1:26:01 | 1:26:04 | |
Now I know you fake it. | 1:26:04 | 1:26:06 | |
If you think you're supposed to recognise somebody, you pretend to. | 1:26:06 | 1:26:09 | |
'You bluff it to get a pat on the head from the doctors.' | 1:26:09 | 1:26:12 | |
You bluff it to seem less of a freak. | 1:26:12 | 1:26:15 | |
What drug dealer? | 1:26:17 | 1:26:19 | |
TYRES SQUEAL | 1:26:19 | 1:26:22 | |
-Hey, Lenny, how are you doing? -It's private back here. | 1:26:44 | 1:26:47 | |
It's OK, we know each other. | 1:26:47 | 1:26:48 | |
How did you know I was in here? | 1:26:48 | 1:26:49 | |
The Jag's out front. Should've put her round back. | 1:26:49 | 1:26:52 | |
Why are you still here, Lenny? Plenty of tattoo parlours up north. | 1:26:52 | 1:26:55 | |
I guess I wanted to get something down before it slipped my mind. | 1:26:55 | 1:26:58 | |
-Give me the keys, I'll move it. -It'll be OK. | 1:26:58 | 1:27:00 | |
-Wait out there. -Oh, for Christ... | 1:27:00 | 1:27:02 | |
Give me a minute, I've got to get something for you. | 1:27:02 | 1:27:04 | |
'Fact six: Car licence SG13 7IU.' | 1:27:08 | 1:27:12 | |
Look, wait a minute, will ya? | 1:27:18 | 1:27:21 | |
-We've got to get you out of here. -Why? | 1:27:23 | 1:27:26 | |
Come on, Leonard, how many times I gotta tell you? | 1:27:26 | 1:27:29 | |
-It's not safe for you to hang around here any more. -Why not? | 1:27:29 | 1:27:31 | |
Because that cop's looking for you. I gotta get you a new identity, | 1:27:31 | 1:27:34 | |
new clothes... A different car would do for now. Put these on. | 1:27:34 | 1:27:38 | |
Whoa, whoa. What cop? | 1:27:38 | 1:27:40 | |
He's a bad cop. He's the one that checked you into the Discount Inn. | 1:27:40 | 1:27:43 | |
He's been calling you for days, telling you shit, | 1:27:43 | 1:27:45 | |
slipping envelopes under your door, shit like that. | 1:27:45 | 1:27:47 | |
-How do you know this? -He told me. | 1:27:47 | 1:27:49 | |
He thinks it's funny. He's been laughing at you. | 1:27:49 | 1:27:51 | |
-You're full of shit. -No, I'm not. | 1:27:51 | 1:27:53 | |
He knows you're no good on the phone so he calls. | 1:27:53 | 1:27:55 | |
Sometimes you don't answer, | 1:27:55 | 1:27:56 | |
so he slips shit under your door to scare you into answering it... | 1:27:56 | 1:27:59 | |
giving you a line of crap about John G being a local drug dealer. | 1:27:59 | 1:28:02 | |
Jimmy Grants. | 1:28:02 | 1:28:04 | |
-Who's Jimmy Grants? -Leonard, Jimmy's the drug dealer. | 1:28:04 | 1:28:07 | |
The cop wants to know about his operation. He's got a score in mind. | 1:28:07 | 1:28:10 | |
-Somehow you're involved. -How do you know him? | 1:28:10 | 1:28:14 | |
I'm a snitch. | 1:28:14 | 1:28:15 | |
He's a cop from out of town. The local boys put us together. | 1:28:15 | 1:28:19 | |
If he knew I was helping you, he'd fucking kill me. | 1:28:19 | 1:28:21 | |
So take these clothes, put them on and get the fuck out of here. | 1:28:21 | 1:28:25 | |
Come on, Leonard, just go. | 1:28:25 | 1:28:27 | |
You are full of shit. | 1:28:47 | 1:28:48 | |
"Come by after. Natalie." | 1:28:51 | 1:28:53 | |
'Ferdy's Bar.' | 1:28:53 | 1:28:55 | |
KNOCKS ON WINDOW | 1:29:34 | 1:29:35 | |
Hey, Jimmy. | 1:29:35 | 1:29:37 | |
I'm sorry, I, uh, thought you were somebody else. | 1:29:39 | 1:29:42 | |
Sorry. | 1:29:42 | 1:29:45 | |
That's OK. | 1:29:45 | 1:29:46 | |
This Jimmy Grants deals drugs out of the bar his girlfriend works in? | 1:29:59 | 1:30:03 | |
But he's not going to bring her along? He'll come by himself, right? | 1:30:03 | 1:30:07 | |
I always figured the drugs angle would be the best way to get him. | 1:30:07 | 1:30:11 | |
No, officer. I'm as ready as I'll ever be. | 1:30:11 | 1:30:14 | |
You're in the lobby? What do you look like? | 1:30:14 | 1:30:17 | |
I'll be right there. | 1:30:19 | 1:30:20 | |
Lenny! | 1:31:01 | 1:31:02 | |
Officer Gammell? | 1:31:05 | 1:31:06 | |
Yeah. Come on. | 1:31:09 | 1:31:11 | |
-Hey, smile. -Oh, don't, uh... Not here. | 1:31:27 | 1:31:30 | |
Over here. | 1:31:30 | 1:31:32 | |
Is it Officer or Lieutenant Gammell? | 1:31:37 | 1:31:40 | |
You know what? Don't write Gammell, just Teddy. | 1:31:40 | 1:31:43 | |
-Why? -I'm undercover. | 1:31:43 | 1:31:45 | |
This is the directions, where he's going. | 1:31:48 | 1:31:50 | |
-My number's on the bottom if you... -You're not coming? | 1:31:50 | 1:31:53 | |
Nah, it wouldn't be appropriate. | 1:31:53 | 1:31:55 | |
Nice picture. I look thin. | 1:31:59 | 1:32:02 | |
Hey, Lenny! | 1:32:06 | 1:32:08 | |
Make him beg. | 1:32:08 | 1:32:09 | |
Teddy! | 1:33:28 | 1:33:30 | |
Hey, Teddy! | 1:33:32 | 1:33:34 | |
Teddy! | 1:33:37 | 1:33:38 | |
Jimmy. | 1:33:41 | 1:33:42 | |
-What the fuck are you doing here? -Are you Jimmy Grants? | 1:33:44 | 1:33:46 | |
Expect any other Jimmys out here, memory man? | 1:33:46 | 1:33:49 | |
Do you remember me? | 1:33:49 | 1:33:51 | |
Yeah, I remember you. Where the fuck's Teddy? | 1:33:51 | 1:33:55 | |
Well? | 1:33:55 | 1:33:56 | |
Motherfuck...! | 1:33:59 | 1:34:01 | |
What are you doing?! | 1:34:01 | 1:34:03 | |
Strip. | 1:34:04 | 1:34:06 | |
You're making a big fucking mistake! | 1:34:06 | 1:34:07 | |
Strip! | 1:34:07 | 1:34:10 | |
My associates are not the kind of people you wanna piss off. | 1:34:10 | 1:34:13 | |
Don't say anything else. | 1:34:13 | 1:34:14 | |
I knew I couldn't trust that fuck! | 1:34:14 | 1:34:16 | |
Take it off. | 1:34:16 | 1:34:17 | |
Your pants, too. | 1:34:22 | 1:34:25 | |
-Why? -I don't wanna get blood on them. | 1:34:25 | 1:34:27 | |
Whoa, whoa, whoa! Wait! Did he tell you what I was bringing? | 1:34:27 | 1:34:31 | |
Take your fuckin' pants off! | 1:34:31 | 1:34:32 | |
I've got 200 grand in the car. Just take it! | 1:34:32 | 1:34:36 | |
-You think you can bargain with me? -Just take the money and walk away. | 1:34:36 | 1:34:38 | |
-I don't want your fucking money. -Then what? | 1:34:38 | 1:34:42 | |
What do you want from me? | 1:34:42 | 1:34:44 | |
I want my fucking life back! | 1:34:44 | 1:34:46 | |
-SOFTLY: -Sammy. | 1:36:13 | 1:36:14 | |
'He said Sammy. How does he know about Sammy?' | 1:36:20 | 1:36:22 | |
Oh, fuck. | 1:36:22 | 1:36:24 | |
CAR PULLS UP OUTSIDE | 1:36:26 | 1:36:29 | |
'What have I done?' | 1:36:44 | 1:36:45 | |
Hey, mister! I need help! | 1:36:47 | 1:36:48 | |
There's a guy in here, he's hurt bad. We gotta get him to a doctor. | 1:36:48 | 1:36:51 | |
All right. | 1:36:51 | 1:36:53 | |
I don't know what happened. I've got this memory thing. | 1:36:54 | 1:36:56 | |
-Do I know you? -No. Don't worry, I'm a cop. | 1:36:56 | 1:36:59 | |
-Is he still breathing? -Well, I don't know. Maybe. | 1:36:59 | 1:37:02 | |
What the hell were you guys doing? | 1:37:02 | 1:37:05 | |
I don't remember, I have this condition. | 1:37:05 | 1:37:07 | |
I hope it's not as serious as his, cos this guy's dead. | 1:37:07 | 1:37:10 | |
Ow! Lenny! That shit kills! | 1:37:10 | 1:37:13 | |
So you remember me now, huh? | 1:37:13 | 1:37:15 | |
-You are a fucking cop! -Yeah! | 1:37:15 | 1:37:17 | |
And I'm the guy that helped you find him. | 1:37:17 | 1:37:19 | |
Get up! Get up! | 1:37:19 | 1:37:21 | |
Lenny, you've got the wrong idea! | 1:37:21 | 1:37:23 | |
Who is that? He knew me. | 1:37:26 | 1:37:28 | |
Of course he did, he raped your wife, he fucked up your brain. | 1:37:28 | 1:37:31 | |
Bullshit! He's not the guy. | 1:37:31 | 1:37:33 | |
His name is James F Grants. John G. Check your tattoos. | 1:37:33 | 1:37:36 | |
-Why did he bring 200 grand? -What? | 1:37:36 | 1:37:39 | |
-What was it for? -Amphetamines I told him I had. | 1:37:41 | 1:37:43 | |
-Is this a drug deal? -No. Yeah, that and your thing. | 1:37:43 | 1:37:47 | |
Look, Jimmy's your guy. I figured we'd make a few dollars on the side. | 1:37:47 | 1:37:50 | |
-How did he know me? -The Discount Inn. | 1:37:50 | 1:37:53 | |
He dealt out of there. | 1:37:53 | 1:37:54 | |
The guy at the desk let him know if anybody came snooping around. | 1:37:54 | 1:37:57 | |
He called Jimmy the minute he saw you taking a picture of the dump. | 1:37:57 | 1:38:00 | |
-You're fucking using me. -No! You get half. | 1:38:00 | 1:38:02 | |
He knew about Sammy! Why would I tell him about fucking Sammy?! | 1:38:02 | 1:38:04 | |
You tell everybody about Sammy! Everybody who'll listen! | 1:38:04 | 1:38:08 | |
"Remember Sammy Jankis? Remember Sammy Jankis?" | 1:38:08 | 1:38:10 | |
Great story, gets better every time you tell it. | 1:38:10 | 1:38:14 | |
So you lie to yourself to be happy. There's nothing wrong with that. | 1:38:14 | 1:38:17 | |
We all do it. | 1:38:17 | 1:38:18 | |
Who cares if there's a few little details you'd rather not remember? | 1:38:18 | 1:38:21 | |
What the fuck are you talking about? | 1:38:23 | 1:38:24 | |
I don't know. | 1:38:24 | 1:38:26 | |
Your wife surviving the assault, her not believing your condition. | 1:38:26 | 1:38:30 | |
The torment and pain and anguish tearing her up inside. | 1:38:30 | 1:38:35 | |
The insulin. | 1:38:35 | 1:38:36 | |
That's Sammy, not me. I told you about Sammy. | 1:38:38 | 1:38:40 | |
Yeah, right. Like you tell yourself over and over again. | 1:38:40 | 1:38:43 | |
Conditioning yourself to remember, learning through repetition. | 1:38:43 | 1:38:46 | |
Sammy let his wife kill herself. Sammy ended up in an institution. | 1:38:46 | 1:38:49 | |
Sammy was a conman. A faker. | 1:38:49 | 1:38:53 | |
I never said that Sammy was faking. | 1:38:53 | 1:38:55 | |
You exposed him for what he was. A fraud. | 1:38:55 | 1:38:58 | |
I was wrong. That's the whole point. | 1:38:58 | 1:39:00 | |
-See, Sammy's wife came to me... -Sammy didn't have a wife. | 1:39:01 | 1:39:04 | |
It was your wife who had diabetes. | 1:39:06 | 1:39:09 | |
Ouch! | 1:39:15 | 1:39:16 | |
My wife wasn't diabetic. | 1:39:19 | 1:39:21 | |
Are you sure? | 1:39:21 | 1:39:22 | |
Ouch! Cut it out! | 1:39:27 | 1:39:29 | |
She wasn't diabetic. | 1:39:29 | 1:39:31 | |
You think I don't know my own wife? What the fuck is wrong with you? | 1:39:31 | 1:39:34 | |
I guess I can only make you remember the things you want to be true. | 1:39:34 | 1:39:38 | |
-Like old Jimmy down there. -He's not the right guy. | 1:39:38 | 1:39:40 | |
He was to you. | 1:39:40 | 1:39:42 | |
Come on, you got your revenge. Enjoy it while you still remember. | 1:39:42 | 1:39:46 | |
What difference does it make whether he was your guy or not? | 1:39:46 | 1:39:48 | |
It makes all the difference. | 1:39:48 | 1:39:50 | |
-Why? You're never gonna know. -Yes, I will. -You won't. | 1:39:50 | 1:39:52 | |
-Somehow I'll know. -You won't remember! | 1:39:52 | 1:39:54 | |
When it's done, I'll know. It'll be different | 1:39:54 | 1:39:56 | |
I thought so too, I was sure of it, but you didn't! | 1:39:56 | 1:40:00 | |
That's right. The real John G. | 1:40:02 | 1:40:06 | |
I helped you find him over a year ago. | 1:40:06 | 1:40:08 | |
He's already dead. | 1:40:08 | 1:40:09 | |
-Don't lie to me any more. -Look, Lenny... | 1:40:09 | 1:40:13 | |
I was the cop assigned to your wife's case, I believed you. | 1:40:13 | 1:40:15 | |
I thought you deserved a chance for revenge. | 1:40:15 | 1:40:18 | |
I helped you find the other guy in your bathroom that night. | 1:40:18 | 1:40:21 | |
The guy that cracked your skull and fucked your wife. | 1:40:21 | 1:40:23 | |
We found him, you killed him. | 1:40:23 | 1:40:26 | |
But you didn't remember. | 1:40:27 | 1:40:30 | |
So I helped you start looking again, for the guy you already killed. | 1:40:30 | 1:40:35 | |
Oh, yeah? So who was he? | 1:40:35 | 1:40:37 | |
Just some guy. Does it matter who? | 1:40:37 | 1:40:40 | |
No reason, Lenny, no conspiracy, just bad fucking luck. | 1:40:40 | 1:40:44 | |
Couple of junkies too strung out to realise your wife didn't live alone. | 1:40:44 | 1:40:49 | |
But when you killed him I was so convinced that you'd remember. | 1:40:49 | 1:40:54 | |
But it didn't stick. | 1:40:54 | 1:40:56 | |
Like nothing ever sticks, like this won't stick. | 1:40:56 | 1:40:59 | |
I took that picture. | 1:41:03 | 1:41:05 | |
Just when you did it. | 1:41:06 | 1:41:07 | |
Look how happy you are. | 1:41:09 | 1:41:11 | |
I wanted to see that face again. | 1:41:12 | 1:41:14 | |
-Oh, gee, thanks(!) -Fuck you. | 1:41:14 | 1:41:17 | |
I gave you a reason to live, and you were more than happy to help. | 1:41:17 | 1:41:21 | |
You don't want the truth. | 1:41:21 | 1:41:23 | |
You make up your own truth, like your police file. | 1:41:23 | 1:41:27 | |
It was complete when I gave it to you. Who took out the 12 pages? | 1:41:27 | 1:41:30 | |
You, probably. | 1:41:30 | 1:41:31 | |
-No, it wasn't me, see, it was you. -Why would I do that? | 1:41:31 | 1:41:34 | |
To create a puzzle you could never solve. | 1:41:34 | 1:41:36 | |
Do you know how many towns, | 1:41:36 | 1:41:38 | |
how many John Gs or James Gs...? | 1:41:38 | 1:41:40 | |
I mean, shit, Lenny, I'm a fucking John G. | 1:41:40 | 1:41:43 | |
-Your name's Teddy. -My mother calls me Teddy. | 1:41:43 | 1:41:46 | |
My name's John Edward Gammell. | 1:41:46 | 1:41:49 | |
Cheer up. There's plenty of John Gs for us to find. | 1:41:49 | 1:41:52 | |
All you do is moan! I'm the one that has to live with what you've done. | 1:41:56 | 1:42:00 | |
I'm the one that put it all together. | 1:42:00 | 1:42:02 | |
You, you wander around, you're playing detective. | 1:42:02 | 1:42:05 | |
You're living a dream, kid. | 1:42:05 | 1:42:07 | |
A dead wife to pine for, a sense of purpose to your life - | 1:42:07 | 1:42:10 | |
a romantic quest that you wouldn't end even if I wasn't in the picture. | 1:42:10 | 1:42:14 | |
I should kill you. | 1:42:15 | 1:42:17 | |
Quit it! Lenny, come on. | 1:42:17 | 1:42:18 | |
You're not a killer. That's why you're so good at it. | 1:42:18 | 1:42:21 | |
Come on, what are you doing? | 1:42:24 | 1:42:26 | |
You know what time it is? It's beer o'clock, I'm buying. | 1:42:26 | 1:42:29 | |
Fuck! | 1:42:31 | 1:42:33 | |
'I'm not a killer. | 1:42:42 | 1:42:44 | |
'I'm just someone who wanted to make things right. | 1:42:44 | 1:42:47 | |
'Can I just let myself forget what you've told me? | 1:42:52 | 1:42:55 | |
'Can I just let myself forget what you've made me do? | 1:43:11 | 1:43:14 | |
'You think I just want another puzzle to solve? | 1:43:28 | 1:43:30 | |
'Another John G to look for? | 1:43:30 | 1:43:34 | |
'You're a John G. | 1:43:34 | 1:43:35 | |
'So you can be my John G. | 1:43:37 | 1:43:39 | |
'Do I lie to myself to be happy? | 1:43:47 | 1:43:50 | |
'In your case, Teddy... | 1:43:50 | 1:43:52 | |
'..yes, I will.' | 1:43:53 | 1:43:55 | |
Hey! Hey, that's not your car! | 1:44:07 | 1:44:09 | |
-It is now. -Jesus Christ, you can't take it! | 1:44:09 | 1:44:13 | |
-Why not? -The guy you just killed owns it. | 1:44:13 | 1:44:15 | |
Somebody'll recognise it. | 1:44:15 | 1:44:17 | |
You know, I'd rather be mistaken for a dead guy than a killer. | 1:44:18 | 1:44:22 | |
I might hang on to this for a while. | 1:44:22 | 1:44:26 | |
Lenny. | 1:44:26 | 1:44:27 | |
Look, don't... Will you help me find the keys? | 1:44:27 | 1:44:30 | |
Help me find my keys! | 1:44:31 | 1:44:33 | |
Lenny! | 1:44:33 | 1:44:35 | |
Lenny! | 1:44:41 | 1:44:42 | |
'I have to believe in a world outside my own mind.' | 1:44:54 | 1:44:57 | |
'I have to believe that my actions still have meaning. | 1:44:57 | 1:45:00 | |
'Even if I can't remember them.' | 1:45:00 | 1:45:03 | |
'I have to believe that, when my eyes are closed, | 1:45:03 | 1:45:06 | |
'the world's still here. | 1:45:06 | 1:45:08 | |
'Do I believe the world's still here? | 1:45:09 | 1:45:12 | |
'Is it still out there? | 1:45:14 | 1:45:16 | |
'Yeah. | 1:45:19 | 1:45:21 | |
'We all need mirrors to remind ourselves who we are. | 1:45:23 | 1:45:26 | |
'I'm no different.' | 1:45:28 | 1:45:30 | |
TYRES SCREECH | 1:45:32 | 1:45:36 | |
'Now, where was I?' | 1:45:42 | 1:45:43 | |
MUSIC: Something In The Air By David Bowie | 1:45:47 | 1:45:50 | |
# We lay in each other's arms | 1:45:52 | 1:45:55 | |
# But the room is just an empty space | 1:45:57 | 1:46:01 | |
# I guess we lived it out | 1:46:01 | 1:46:05 | |
# Something in the air | 1:46:05 | 1:46:06 | |
# We smile too fast | 1:46:08 | 1:46:10 | |
# Then can't think of a thing to say | 1:46:10 | 1:46:13 | |
# Lived with the best times | 1:46:15 | 1:46:17 | |
# Left with the worst | 1:46:20 | 1:46:22 | |
# I've danced with you too long | 1:46:25 | 1:46:28 | |
# Nothing left to say | 1:46:31 | 1:46:34 | |
# There's something in the air | 1:46:34 | 1:46:39 | |
# Something in my eye | 1:46:39 | 1:46:43 | |
# I've danced with you too long | 1:46:43 | 1:46:48 | |
# Something in the air | 1:46:51 | 1:46:54 | |
# Something in my eye. # | 1:46:55 | 1:47:00 |