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This film contains some strong language | 0:00:02 | 0:00:05 | |
Blood glucose fine. Liver function, kidney function, normal. | 0:00:14 | 0:00:17 | |
Platelet count's normal. Haemoglobin levels normal. | 0:00:17 | 0:00:19 | |
Blood pressure, 131 over 92. | 0:00:19 | 0:00:23 | |
Isn't that a little high? | 0:00:23 | 0:00:24 | |
Weight's fine. Could do with losing a centimetre or two off your waist. | 0:00:24 | 0:00:28 | |
-Oh. Stool sample outstanding. -Oh. | 0:00:28 | 0:00:31 | |
No, that means you haven't provided one yet. | 0:00:31 | 0:00:33 | |
Yes, of course. No, I'd remember. | 0:00:33 | 0:00:36 | |
You think it didn't stink or something? | 0:00:36 | 0:00:38 | |
There's nothing wrong with you, Martin. | 0:00:38 | 0:00:41 | |
Uh, your wife tells me you think you're mildly depressed? | 0:00:41 | 0:00:44 | |
Well, I got the sack. I'm unemployed. | 0:00:44 | 0:00:46 | |
-Yes. But it wasn't your fault, was it? -That's why I'm depressed. | 0:00:46 | 0:00:49 | |
I got sacked for saying something I didn't say. | 0:00:49 | 0:00:51 | |
Try running. | 0:00:51 | 0:00:52 | |
I said the opposite of what I was sacked for. | 0:00:52 | 0:00:54 | |
What are you working on at the moment? | 0:00:54 | 0:00:56 | |
Uh, thinking of writing a book. | 0:00:56 | 0:00:58 | |
Oh! Well, that's good. What's it about? | 0:00:58 | 0:01:00 | |
Russian history. | 0:01:00 | 0:01:03 | |
Try running. | 0:01:03 | 0:01:04 | |
'The Whitehall feud between the transport secretary Stephen Byers | 0:01:04 | 0:01:07 | |
'and his former press secretary Martin Sixsmith | 0:01:07 | 0:01:10 | |
'continues to grow. | 0:01:10 | 0:01:11 | |
'Mr Sixsmith has been putting his side of the argument. | 0:01:11 | 0:01:14 | |
'Downing Street described the affair as a soap opera.' | 0:01:14 | 0:01:16 | |
-REPORTER: -'There was no sign of Mr Sixsmith at his home today, | 0:01:16 | 0:01:19 | |
'but after a week of trying to clear his name in private, | 0:01:19 | 0:01:23 | |
'he's now gone public. | 0:01:23 | 0:01:24 | |
'He told the Sunday Times that senior figures | 0:01:24 | 0:01:26 | |
'in government had offered him support. | 0:01:26 | 0:01:28 | |
'"They assured me they accepted | 0:01:28 | 0:01:30 | |
'"there was no suspicion of misconduct against me. | 0:01:30 | 0:01:32 | |
"'I was therefore amazed they had unilaterally 'resigned' me."' | 0:01:32 | 0:01:36 | |
CHOIR: # ..this icon of your radiant brightness | 0:01:36 | 0:01:47 | |
# Not praying to be saved... # | 0:01:49 | 0:01:56 | |
'I would like to make a statement regarding the circumstances | 0:01:56 | 0:02:00 | |
'of Mr Martin Sixsmith's resignation.' | 0:02:00 | 0:02:02 | |
'The question here, though, is - how long can Mr Blair | 0:02:02 | 0:02:04 | |
'stand by his man and not himself be damaged?' | 0:02:04 | 0:02:07 | |
'There's no doubt that there's been yet another embarrassment for the government. | 0:02:07 | 0:02:11 | |
'They've not only had to eat fantastic quantities of humble pie, | 0:02:11 | 0:02:15 | |
'indeed humble pie, I would say, with a side order of grovel sauce. | 0:02:15 | 0:02:19 | |
'And so far as Mr Sixsmith is concerned...' | 0:02:19 | 0:02:22 | |
There you are. Well, that was embarrassing. | 0:02:33 | 0:02:36 | |
Father Tierney just asked me where you disappeared to. | 0:02:36 | 0:02:39 | |
Well... I don't believe in God. | 0:02:39 | 0:02:42 | |
And I think he can tell. | 0:02:42 | 0:02:44 | |
Come on. | 0:02:44 | 0:02:47 | |
-I'm worried about you, Martin. -I did that. | 0:02:47 | 0:02:49 | |
I wish you had. You need to get back to work. | 0:02:49 | 0:02:52 | |
What happened to that book on Russian history? | 0:02:52 | 0:02:54 | |
No-one's interested in Russian bloody history. | 0:02:54 | 0:02:56 | |
FAINT VOICES | 0:03:15 | 0:03:17 | |
CHILDREN SQUEALING IN BACKGROUND | 0:03:20 | 0:03:22 | |
GIRL GIGGLING | 0:03:25 | 0:03:27 | |
I haven't seen you any place. Where are you from? | 0:03:52 | 0:03:55 | |
Are you from Limerick, then? | 0:04:00 | 0:04:02 | |
FOOTSTEPS | 0:04:06 | 0:04:08 | |
-Hello, Philomena. -Father. | 0:04:08 | 0:04:09 | |
How have you been? How's your new hip? | 0:04:09 | 0:04:13 | |
Oh, it's very good. It's titanium. | 0:04:13 | 0:04:16 | |
-I haven't seen you for a while. -I just came in to light a candle. | 0:04:19 | 0:04:22 | |
Someone special? | 0:04:22 | 0:04:23 | |
Yes. | 0:04:25 | 0:04:27 | |
FAIRGROUND MUSIC | 0:04:28 | 0:04:29 | |
I like your dress. | 0:04:29 | 0:04:31 | |
Did you make it yourself? | 0:04:31 | 0:04:33 | |
No. I bought it in a shop. | 0:04:33 | 0:04:37 | |
And anyways, me auntie told me | 0:04:37 | 0:04:39 | |
I wasn't supposed to speak to strange men like you. | 0:04:39 | 0:04:41 | |
-WOMAN: -'Did you let him put his hands on you? | 0:05:02 | 0:05:05 | |
-ANOTHER WOMAN: -'Did you enjoy your sin?' | 0:05:05 | 0:05:08 | |
Did you take your knickers down? | 0:05:08 | 0:05:10 | |
Answer Sister Hildegarde. Did you take them down? | 0:05:11 | 0:05:15 | |
Yes. | 0:05:16 | 0:05:17 | |
Oh, Reverend Mother, | 0:05:19 | 0:05:21 | |
at school, the sisters never taught us about babies. | 0:05:21 | 0:05:23 | |
Did your mother not tell you? | 0:05:23 | 0:05:25 | |
-Her mother died ten years ago. -Oh. | 0:05:25 | 0:05:27 | |
God rest her soul. | 0:05:27 | 0:05:29 | |
-REVEREND MOTHER: -'Don't dare blame the sisters for this. | 0:05:33 | 0:05:35 | |
'You are the cause of this shame. You and your indecency.' | 0:05:35 | 0:05:39 | |
DOORBELL RINGS | 0:05:39 | 0:05:41 | |
SCREAMS AND SOBS | 0:05:41 | 0:05:44 | |
I don't know what to do! | 0:05:51 | 0:05:53 | |
We must get a doctor. The baby's the wrong way round. It's breech! | 0:05:53 | 0:05:56 | |
It's in God's hands now. The pain is her penance. | 0:05:56 | 0:05:59 | |
Hail, holy Queen, Mother of Mercy! | 0:05:59 | 0:06:02 | |
Hail, holy Queen, Mother of Mercy! | 0:06:02 | 0:06:04 | |
REVEREND MOTHER CONTINUES PRAYING | 0:06:04 | 0:06:06 | |
Don't let her put my baby in the ground! | 0:06:08 | 0:06:10 | |
It's cold in there. It's dark in there. | 0:06:10 | 0:06:13 | |
TV IN BACKGROUND | 0:06:13 | 0:06:15 | |
Just go up and turn their lights out in half an hour. OK? | 0:06:18 | 0:06:21 | |
Doesn't she know you have a proper job? | 0:06:21 | 0:06:24 | |
She's short staffed. I'm just filling in. | 0:06:24 | 0:06:27 | |
I'll be home before midnight. | 0:06:28 | 0:06:31 | |
Mother? | 0:06:33 | 0:06:36 | |
What is it? Are you all right? | 0:06:36 | 0:06:39 | |
Who is it? | 0:06:53 | 0:06:55 | |
It's his birthday. | 0:06:58 | 0:07:00 | |
He'll be 50 today. | 0:07:01 | 0:07:03 | |
SCREAMS | 0:07:08 | 0:07:09 | |
Breathe. | 0:07:09 | 0:07:11 | |
It's a boy. | 0:07:14 | 0:07:16 | |
BABY CRIES | 0:07:16 | 0:07:18 | |
Oh, Martin! | 0:07:43 | 0:07:45 | |
-Hello, David. -Hello. | 0:07:45 | 0:07:47 | |
-Keith you know. -Yes, hello again. | 0:07:47 | 0:07:49 | |
And Sally Mitchell, this is Martin Sixsmith, | 0:07:49 | 0:07:51 | |
used to be the BBC's man in Moscow. | 0:07:51 | 0:07:53 | |
-And Washington. -Hello. | 0:07:53 | 0:07:55 | |
Then he became a spin doctor for the Government, and it all went a bit tits-up. | 0:07:55 | 0:07:58 | |
Is that a fair summation, Martin? | 0:07:58 | 0:08:00 | |
That's fair enough. I always say, "If you shovel shit for long enough, | 0:08:00 | 0:08:04 | |
"eventually you'll get some on your shoes." | 0:08:04 | 0:08:06 | |
Yes, you got it on your head. How did you manage that? | 0:08:06 | 0:08:08 | |
What are you up to at the moment? | 0:08:09 | 0:08:10 | |
I'm thinking of writing a book on Russian history. | 0:08:10 | 0:08:13 | |
Or something else. Maybe get back into journalism. | 0:08:13 | 0:08:16 | |
I remember you! | 0:08:16 | 0:08:18 | |
You're the one who sent that terrible e-mail | 0:08:18 | 0:08:20 | |
saying it was a good day to bury bad news on 9/11. | 0:08:20 | 0:08:24 | |
-No, that was someone else. -Well, I thought it was you. | 0:08:24 | 0:08:26 | |
No, it's a common mistake. On the day of Princess Margaret's funeral, | 0:08:26 | 0:08:30 | |
I sent an e-mail saying let's make sure the only thing we "bury", | 0:08:30 | 0:08:33 | |
-today, is Princess Margaret. -Which is slightly different. | 0:08:33 | 0:08:36 | |
It's very different, actually... But... | 0:08:36 | 0:08:38 | |
If you want to get back into journalism, you should talk to Sally. | 0:08:38 | 0:08:41 | |
I just do sob stories, human interest. It's not really your cup of tea, is it? | 0:08:41 | 0:08:45 | |
Well... | 0:08:45 | 0:08:46 | |
But I'll be happy to have a look if you want to push any ideas my way. | 0:08:46 | 0:08:49 | |
Yes... Please. | 0:08:49 | 0:08:51 | |
Excuse me. Do you have a glass of Pinot Grigio? | 0:08:58 | 0:09:02 | |
It's just red or white. | 0:09:03 | 0:09:05 | |
I'll have white, please. | 0:09:05 | 0:09:07 | |
I couldn't help overhearing you're a journalist. | 0:09:09 | 0:09:12 | |
I know this woman, she had a baby when she was a teenager | 0:09:12 | 0:09:14 | |
and she's kept it secret for 50 years. | 0:09:14 | 0:09:17 | |
-I only found out today. -Um... | 0:09:17 | 0:09:19 | |
Sorry. The baby was taken from her by these nuns. | 0:09:19 | 0:09:24 | |
-They made her have him adopted. -Mm. | 0:09:24 | 0:09:27 | |
And she's kept it a secret all this time. | 0:09:27 | 0:09:30 | |
Well, the thing is, I'm working on a book at the moment about Russian history. | 0:09:30 | 0:09:34 | |
That's my thing. | 0:09:34 | 0:09:36 | |
And what you're talking about would be what they call a human interest story. | 0:09:36 | 0:09:40 | |
I don't do those. | 0:09:40 | 0:09:41 | |
Why not? | 0:09:41 | 0:09:43 | |
Because "human interest story" is a euphemism for stories about | 0:09:43 | 0:09:48 | |
weak-minded, vulnerable, ignorant people, | 0:09:48 | 0:09:50 | |
to put in newspapers read by vulnerable, weak-minded, ignorant people. | 0:09:50 | 0:09:55 | |
Not that you are. And, yeah, anyway, I hope you find him. | 0:09:55 | 0:09:59 | |
Do you think I should do a human interest story? | 0:10:06 | 0:10:08 | |
Hello, you must be Philomena. I'm Martin. | 0:10:24 | 0:10:26 | |
-Hello, Martin. -Hello again. | 0:10:26 | 0:10:28 | |
Hello. | 0:10:28 | 0:10:30 | |
We've got a table through here. After you. | 0:10:30 | 0:10:32 | |
Just to the left. | 0:10:33 | 0:10:35 | |
I must apologise for the other night. | 0:10:35 | 0:10:38 | |
Afraid I was a bit... Caught me at a bad moment. | 0:10:38 | 0:10:40 | |
That's all right. I'm just glad you managed to track me down. | 0:10:40 | 0:10:43 | |
I hope you don't mind coming here. It's Mum's favourite. | 0:10:43 | 0:10:46 | |
No, no, it's...it's very nice. | 0:10:46 | 0:10:49 | |
Um, just... | 0:10:49 | 0:10:50 | |
So, Philomena, how are you? | 0:10:55 | 0:10:58 | |
I'm all right. | 0:10:58 | 0:11:00 | |
I had a hip replacement last year, Martin. | 0:11:00 | 0:11:02 | |
Right. | 0:11:02 | 0:11:04 | |
It's much better than the bone one I had before. | 0:11:04 | 0:11:07 | |
And it's titanium, so it won't rust. | 0:11:07 | 0:11:09 | |
Oh. That's good, otherwise they'd have to oil you like the Tin Man. | 0:11:09 | 0:11:12 | |
Is that right? | 0:11:12 | 0:11:14 | |
No, I mean, you know, like The Wizard Of Oz. | 0:11:14 | 0:11:17 | |
-He's just joking, Mum. -No, no, I'm just joking. No... | 0:11:19 | 0:11:23 | |
My mother has advanced osteoarthritis in both her knees. | 0:11:23 | 0:11:25 | |
Oh. | 0:11:25 | 0:11:27 | |
-Shall we get some salad? -Salad, yes. | 0:11:31 | 0:11:34 | |
Yes. | 0:11:34 | 0:11:35 | |
Jane's the clever one in our family. | 0:11:38 | 0:11:40 | |
She went to university as a mature student. | 0:11:40 | 0:11:42 | |
You know, when you're quite old. | 0:11:42 | 0:11:44 | |
Where did you go, Martin? Oxbridge, I bet. | 0:11:44 | 0:11:47 | |
You've rumbled me. Oxford, yes. | 0:11:47 | 0:11:49 | |
I knew you weren't a duffer. | 0:11:49 | 0:11:51 | |
I don't think I've been in a Harvester before. | 0:11:51 | 0:11:53 | |
-Do they not have them in London? -No, I tend to go to a little local place, near where I live. | 0:11:53 | 0:11:57 | |
-And where's that? -Knightsbridge. | 0:11:57 | 0:11:59 | |
Oh. Well, that must be very expensive. | 0:11:59 | 0:12:02 | |
I love these little bits of toast on mine... | 0:12:03 | 0:12:06 | |
And are you married, Martin? | 0:12:08 | 0:12:10 | |
-Yes, I am. To Kate. 20 years. -That's good. That's grand. | 0:12:10 | 0:12:14 | |
I did love him, you know. | 0:12:16 | 0:12:17 | |
'I've kept what happened to me buried away for 50 years. | 0:12:21 | 0:12:24 | |
'My father just left me with the nuns, he was so ashamed. | 0:12:26 | 0:12:30 | |
'He told everyone I was dead. | 0:12:30 | 0:12:32 | |
'My family never visited me. | 0:12:32 | 0:12:34 | |
'After you'd had your baby, you had to stay in the abbey for four years. | 0:12:36 | 0:12:40 | |
'In order to repay the sisters for taking you in, you had to work. | 0:12:40 | 0:12:44 | |
'The worst jobs were in the laundry. That's where they put me. | 0:12:47 | 0:12:50 | |
'I worked there seven days a week, the whole time I was there. | 0:12:50 | 0:12:54 | |
'I worked there with my best friend, Kathleen.' | 0:12:54 | 0:12:57 | |
'We were allowed to see our children for an hour a day.' | 0:13:08 | 0:13:11 | |
-Come on. -'That was all.' | 0:13:11 | 0:13:13 | |
Walk, don't run! | 0:13:16 | 0:13:18 | |
-Mary! -Mummy. | 0:13:28 | 0:13:30 | |
'Anthony was best friends with Kathleen's daughter, Mary. | 0:13:47 | 0:13:50 | |
'The two of them were inseparable.' | 0:13:50 | 0:13:52 | |
Look at that. He won't let her out of his sight. | 0:13:56 | 0:13:58 | |
What's the matter? | 0:14:01 | 0:14:03 | |
The girls in the kitchen said that | 0:14:03 | 0:14:04 | |
Mother Barbara had Mary up at the house. | 0:14:04 | 0:14:07 | |
What do you think they wanted with her? | 0:14:07 | 0:14:09 | |
-WHISPERS: -Phil. -> -I'm sure it's nothing to worry about. | 0:14:09 | 0:14:12 | |
I won't be a minute. | 0:14:12 | 0:14:14 | |
-Phil, I've got something for you. -Kathleen's worried sick. | 0:14:17 | 0:14:21 | |
She thinks they'll take Mary from her. I told her they'd tell her first for sure. | 0:14:21 | 0:14:25 | |
Look. | 0:14:25 | 0:14:27 | |
You can't tell anyone you've got it. | 0:14:27 | 0:14:30 | |
-I bet the father was handsome. -He was. How did you get this? | 0:14:32 | 0:14:35 | |
I borrowed a Box Brownie and took it when Reverend Mother wasn't looking. | 0:14:35 | 0:14:38 | |
Thank you. | 0:14:41 | 0:14:42 | |
Whenever I look at that photo of Anthony, I say a little prayer for Anunciata, | 0:14:46 | 0:14:50 | |
who saved his life when I gave birth to him. | 0:14:50 | 0:14:53 | |
She died a long time ago now... | 0:14:53 | 0:14:57 | |
But if she hadn't taken that, I'd have nothing. | 0:14:57 | 0:15:00 | |
So, were you just trapped there the whole time? | 0:15:00 | 0:15:04 | |
You could only leave if you paid them £100. | 0:15:04 | 0:15:07 | |
But where would I get that kind of money? | 0:15:09 | 0:15:11 | |
And where would I go? | 0:15:13 | 0:15:15 | |
'I remember that day so clearly. | 0:15:19 | 0:15:21 | |
'We all knew what it meant when a big car arrived. | 0:15:23 | 0:15:27 | |
'Kathleen was inconsolable. | 0:15:27 | 0:15:29 | |
'She knew this time they'd come for Mary.' | 0:15:29 | 0:15:32 | |
No, no, no, no. | 0:15:32 | 0:15:33 | |
INDISTINCT CONVERSATION | 0:15:53 | 0:15:55 | |
Come away from there! | 0:16:00 | 0:16:02 | |
What are you doing out here? | 0:16:03 | 0:16:05 | |
I had a stomach-ache, Sister Hildegarde. | 0:16:05 | 0:16:09 | |
It's my time of the month. | 0:16:09 | 0:16:11 | |
You're not unique in that regard. | 0:16:11 | 0:16:13 | |
Put your mind to your work and it will pass. | 0:16:13 | 0:16:16 | |
CHILD CRYING IN BACKGROUND | 0:16:24 | 0:16:26 | |
DOOR OPENS | 0:16:44 | 0:16:45 | |
Phil, it's choir practice. | 0:16:45 | 0:16:48 | |
You'll be in trouble if you don't go. | 0:16:54 | 0:16:56 | |
'Normally, I loved to sing. | 0:17:18 | 0:17:20 | |
'It was one of the only things I enjoyed in that place. | 0:17:20 | 0:17:23 | |
'But all I could think about was poor Kathleen.' | 0:17:25 | 0:17:28 | |
DOOR OPENS AND CLOSES | 0:17:30 | 0:17:32 | |
-Philomena, they're taking Anthony. -No, no. | 0:17:41 | 0:17:45 | |
-They're taking him away. -No. | 0:17:45 | 0:17:46 | |
-Where is he? -BABY CRYING | 0:17:51 | 0:17:53 | |
CRYING | 0:18:04 | 0:18:06 | |
Anthony! | 0:18:09 | 0:18:10 | |
Anthony! | 0:18:12 | 0:18:13 | |
ENGINE STARTS | 0:18:25 | 0:18:26 | |
Anthony! | 0:18:39 | 0:18:41 | |
Anthony! | 0:18:43 | 0:18:45 | |
Anthony! | 0:18:47 | 0:18:48 | |
Anthony! | 0:18:49 | 0:18:52 | |
Anthony! | 0:18:52 | 0:18:53 | |
Anthony! | 0:18:58 | 0:18:59 | |
'They'd only come for Mary, but Anthony wouldn't let her out of his sight.' | 0:19:06 | 0:19:11 | |
-They were inseparable. -I think what they did to you was evil. | 0:19:11 | 0:19:14 | |
No, no, no, I don't like that word. | 0:19:14 | 0:19:16 | |
No, no. Evil's good. | 0:19:16 | 0:19:18 | |
Story-wise, I mean. | 0:19:20 | 0:19:21 | |
Some of the nuns were very nice. | 0:19:25 | 0:19:28 | |
It was a breech birth. They wouldn't even give her any painkillers. | 0:19:28 | 0:19:30 | |
Excellent. | 0:19:30 | 0:19:32 | |
Again, story-wise. | 0:19:32 | 0:19:34 | |
So, can we go and talk to these nuns? | 0:19:35 | 0:19:38 | |
Uh, yes, well, you could try. Maybe you'll have more luck than Mum's had. | 0:19:38 | 0:19:41 | |
I've been several times over the years to ask where he was. | 0:19:41 | 0:19:44 | |
And they're very helpful, they're not like they used to be. | 0:19:44 | 0:19:47 | |
They said they'd try and trace him for me. | 0:19:47 | 0:19:49 | |
-But they haven't? -No. | 0:19:49 | 0:19:50 | |
Can you help me find him, Martin? | 0:19:55 | 0:19:57 | |
Well, it's a very interesting story. | 0:19:57 | 0:19:59 | |
You know, Martin, I'm taking Mum to Ireland for a few days next week. | 0:19:59 | 0:20:02 | |
Why don't you come with us? You could visit Roscrea with her. | 0:20:02 | 0:20:05 | |
Yes, there's plenty of room. It's a Vauxhall Cavalier. | 0:20:05 | 0:20:08 | |
Oh, no. I mean, thank you. But... | 0:20:08 | 0:20:11 | |
I like to fly. | 0:20:11 | 0:20:13 | |
BIRDSONG | 0:20:18 | 0:20:20 | |
Hello. Sorry I'm late. | 0:20:42 | 0:20:44 | |
-Hello, Martin. -Hi, Martin. | 0:20:44 | 0:20:45 | |
I had a bit of trouble with the hire car. | 0:20:45 | 0:20:47 | |
-Well, this is lovely, isn't it, Jane? -There you go. | 0:20:47 | 0:20:50 | |
I see why you wouldn't want to squash up with us in the Cavalier. | 0:20:50 | 0:20:52 | |
No, no. It wasn't that. It was... I just had a few things to do. | 0:20:52 | 0:20:55 | |
-Sure you don't want me to come, Mum? -You're not coming? | 0:20:55 | 0:20:58 | |
No, I told Jane we'll be fine on our own, just the two of us. | 0:20:58 | 0:21:01 | |
-Isn't that right, Martin? -Yeah. That's fine. | 0:21:01 | 0:21:04 | |
I've put a few things in your bag. I'll see you tonight. | 0:21:04 | 0:21:07 | |
-Thanks, Martin. -OK. | 0:21:08 | 0:21:10 | |
STARTS ENGINE | 0:21:16 | 0:21:17 | |
-What kind of a car is this? -A BMW. | 0:21:23 | 0:21:26 | |
-That's German. -Mm-hm. | 0:21:26 | 0:21:28 | |
Would you like a Tune, Martin? | 0:21:28 | 0:21:30 | |
If I hum it, will you play it? | 0:21:30 | 0:21:33 | |
No, would you like a Tune? | 0:21:33 | 0:21:34 | |
Yes. I'm just... | 0:21:34 | 0:21:36 | |
Thanks. | 0:21:37 | 0:21:39 | |
Ooh. | 0:21:39 | 0:21:41 | |
That's for good luck. | 0:21:44 | 0:21:46 | |
I've always thought that Saint Christopher was a bit of a Mickey Mouse saint. | 0:21:48 | 0:21:53 | |
I used to be an altar boy. | 0:21:53 | 0:21:54 | |
Do you believe in God, Martin? | 0:21:54 | 0:21:57 | |
Well, where do you start? | 0:21:57 | 0:21:59 | |
I've always thought that was a very difficult question to... | 0:22:00 | 0:22:04 | |
give a simple answer to. | 0:22:04 | 0:22:06 | |
-Do you? -Yes. | 0:22:06 | 0:22:08 | |
HE CHUCKLES | 0:22:08 | 0:22:10 | |
BIRDSONG | 0:22:12 | 0:22:14 | |
-You all right? -I'm fine. | 0:23:01 | 0:23:03 | |
BUZZER | 0:23:06 | 0:23:07 | |
I'm one of the lucky ones, Martin. | 0:23:08 | 0:23:11 | |
Some of the mothers and babies didn't even survive the childbirth. | 0:23:11 | 0:23:14 | |
Gosh. | 0:23:14 | 0:23:16 | |
-Can I help you? -I'm Philomena Lee. | 0:23:17 | 0:23:20 | |
-I made an appointment. -Yes. Come in, Philomena. | 0:23:20 | 0:23:23 | |
This is my friend Martin Sixsmith, News At Ten. | 0:23:23 | 0:23:25 | |
Well, it's BBC News, actually, but not any more. | 0:23:25 | 0:23:28 | |
-Oh, hello. -Hello. | 0:23:28 | 0:23:30 | |
-Sister Claire will be with you shortly. -Thank you. | 0:23:35 | 0:23:38 | |
May I use the bathroom? | 0:23:39 | 0:23:41 | |
-It's downstairs on... -I know where it is. | 0:23:41 | 0:23:43 | |
Will I get you both some tea? | 0:23:46 | 0:23:48 | |
Yes, thank you. | 0:23:48 | 0:23:49 | |
CRYING | 0:24:46 | 0:24:48 | |
'Anthony!' | 0:24:49 | 0:24:51 | |
'Anthony! | 0:24:58 | 0:25:00 | |
'Anthony!' | 0:25:01 | 0:25:03 | |
Anthony! | 0:25:04 | 0:25:06 | |
-SOBBING: -Anthony! | 0:25:08 | 0:25:09 | |
Anth...ony! | 0:25:11 | 0:25:15 | |
DOOR OPENS | 0:25:31 | 0:25:33 | |
-Hello. -Oh, hello. | 0:25:33 | 0:25:35 | |
-I'm Sister Claire. -Yes, hello. | 0:25:35 | 0:25:38 | |
I was just admiring your picture of Jayne Mansfield there. | 0:25:38 | 0:25:41 | |
No, that's Jane Russell. Jayne Mansfield was the blonde one. | 0:25:41 | 0:25:45 | |
Yes, of course, yes. But they were both very big. | 0:25:45 | 0:25:47 | |
I mean the two of them, they were huge. Their careers. | 0:25:47 | 0:25:52 | |
-Which one of them died in a car crash? -Jayne Mansfield, yes. | 0:25:52 | 0:25:56 | |
-And why is she on the wall? -Sorry, I didn't catch your name. | 0:25:56 | 0:25:58 | |
-Martin Sixsmith. -Martin Sixsmith, News At Ten. | 0:25:58 | 0:26:01 | |
Well, I was with the BBC, but not any more. | 0:26:01 | 0:26:04 | |
Hello, Philomena. Very nice to meet you. | 0:26:04 | 0:26:07 | |
-I'm Sister Claire. -Sister Claire. | 0:26:07 | 0:26:09 | |
Now, when was the last time you came to see us, Philomena? | 0:26:09 | 0:26:12 | |
It was well before your time, Sister Claire. | 0:26:12 | 0:26:15 | |
I spoke to Sister Hildegarde on the telephone | 0:26:15 | 0:26:18 | |
and when I came here she wasn't well enough to see me. | 0:26:18 | 0:26:21 | |
She's still with us, but she's very frail now. | 0:26:21 | 0:26:25 | |
Oh, Martin, have some buttered brack. | 0:26:25 | 0:26:27 | |
Wouldn't mind. | 0:26:27 | 0:26:29 | |
Mm. That's very nice. It's like a sort of pan dulce? | 0:26:31 | 0:26:35 | |
-It's fruit bread, Martin. -Yes. No, I know. It's lovely. | 0:26:35 | 0:26:39 | |
Well, now, I don't know if they told you last time, Philomena, | 0:26:39 | 0:26:43 | |
but most of our records were destroyed in the big fire. | 0:26:43 | 0:26:45 | |
-Oh? -Fire? | 0:26:45 | 0:26:47 | |
Well, it was before my time. So I'm afraid I have no news of Anthony. | 0:26:47 | 0:26:53 | |
I still go to Mass and... | 0:27:05 | 0:27:08 | |
I don't want to cause any fuss or point the finger at anybody, | 0:27:09 | 0:27:14 | |
or blame the Church in any way. | 0:27:14 | 0:27:16 | |
I only want to know if he's all right. I don't even need to see him. | 0:27:18 | 0:27:21 | |
I have visions of him and he's homeless and nobody loves him. | 0:27:23 | 0:27:30 | |
Philomena, we can't take away your pain... | 0:27:30 | 0:27:34 | |
..but we can walk through it with you, hand in hand. | 0:27:36 | 0:27:40 | |
Um... | 0:27:41 | 0:27:43 | |
These older nuns... Sorry to interrupt. | 0:27:43 | 0:27:46 | |
These older nuns, perhaps they could help us with some of the details? | 0:27:46 | 0:27:49 | |
Most of them have passed away. | 0:27:49 | 0:27:51 | |
Right. What about the ones that haven't? | 0:27:51 | 0:27:54 | |
I don't think you're going to get much sense out of them. | 0:27:54 | 0:27:56 | |
But can we try? | 0:27:56 | 0:27:58 | |
I don't think that's going to be possible. | 0:27:59 | 0:28:02 | |
Why not? | 0:28:02 | 0:28:04 | |
I'm happy to answer any questions Philomena has. | 0:28:04 | 0:28:07 | |
-Well, I'm asking you a question. -You're a journalist. | 0:28:07 | 0:28:11 | |
Yes, I am. Well, I used to be. | 0:28:11 | 0:28:12 | |
-Martin's a Roman Catholic. -Yes... Well, no, I used to be. | 0:28:12 | 0:28:16 | |
I'd feel more comfortable if I could speak to Philomena in private. | 0:28:16 | 0:28:20 | |
DISTANT CHORAL SINGING | 0:28:22 | 0:28:24 | |
DOOR SHUTS | 0:28:32 | 0:28:33 | |
-Hello. -> | 0:28:47 | 0:28:49 | |
Can I help? | 0:28:49 | 0:28:50 | |
-Oh, sorry. I was just... -Are you looking for something? | 0:28:50 | 0:28:53 | |
What's down here? | 0:28:53 | 0:28:55 | |
-Those are private quarters. -Oh. OK. | 0:28:55 | 0:28:58 | |
DOOR CLOSES | 0:28:58 | 0:28:59 | |
I'll wait outside. | 0:29:01 | 0:29:02 | |
BELL TOLLING | 0:29:36 | 0:29:38 | |
Sorry, I was just having a look round. | 0:29:41 | 0:29:44 | |
What did she say to you? | 0:29:53 | 0:29:55 | |
Oh, she said you were a journalist and that... | 0:29:55 | 0:29:59 | |
you were trying to manipulate me and that... | 0:29:59 | 0:30:01 | |
I should be careful what I say to you. | 0:30:01 | 0:30:04 | |
She also gave me this. | 0:30:04 | 0:30:06 | |
-Do you want me to open it? -Mm-hm. | 0:30:08 | 0:30:11 | |
Well, it's a contract, signed by you in 1955. | 0:30:15 | 0:30:19 | |
It says, "I hereby relinquish full claim forever to my said child Anthony Lee. | 0:30:19 | 0:30:24 | |
"I further undertake..." | 0:30:24 | 0:30:25 | |
"..never to attempt to see, interfere with | 0:30:25 | 0:30:28 | |
"or make any claim to the said child at any future time." | 0:30:28 | 0:30:32 | |
I'll never find him. | 0:30:34 | 0:30:36 | |
If they coerced you in any way to sign this, | 0:30:36 | 0:30:38 | |
we can challenge them legally. | 0:30:38 | 0:30:40 | |
Martin, no-one coerced me. | 0:30:40 | 0:30:42 | |
I signed of my own free will. | 0:30:42 | 0:30:44 | |
It's funny, isn't it? | 0:30:50 | 0:30:52 | |
All the pieces of paper designed to... | 0:30:52 | 0:30:54 | |
help you find him have been destroyed. | 0:30:54 | 0:30:57 | |
But guess what? The one piece of paper | 0:30:57 | 0:30:59 | |
designed to stop you finding him | 0:30:59 | 0:31:00 | |
has been lovingly preserved. | 0:31:00 | 0:31:03 | |
God in His infinite wisdom decided to spare that from the flames. | 0:31:03 | 0:31:07 | |
I signed it because I believed I'd committed | 0:31:07 | 0:31:09 | |
a terrible sin and had to be punished. | 0:31:09 | 0:31:11 | |
But what made it so much worse was that I enjoyed it. | 0:31:12 | 0:31:17 | |
-What? -The sex. | 0:31:17 | 0:31:20 | |
Oh... | 0:31:20 | 0:31:21 | |
It was wonderful, Martin. I thought I was floating on air. | 0:31:21 | 0:31:25 | |
He was so handsome... and the way he held me in his arms. | 0:31:26 | 0:31:29 | |
The thing is, I didn't even know I had a clitoris, Martin. | 0:31:31 | 0:31:34 | |
Right? | 0:31:34 | 0:31:36 | |
And after the sex was over, I thought | 0:31:36 | 0:31:38 | |
anything that feels so lovely must be wrong. | 0:31:38 | 0:31:40 | |
Fucking Catholics. | 0:31:41 | 0:31:43 | |
Sorry. | 0:31:45 | 0:31:47 | |
I spent 30 years as a nurse. I've heard worse than that. | 0:31:47 | 0:31:51 | |
It's just, why would God bestow upon us | 0:31:51 | 0:31:54 | |
a sexual desire that he then wants us to resist? | 0:31:54 | 0:31:57 | |
Is it some weird game he's invented | 0:31:57 | 0:31:59 | |
to alleviate the boredom of being omnipotent? | 0:31:59 | 0:32:03 | |
It baffles me. | 0:32:03 | 0:32:04 | |
And I think I'm pretty clever. | 0:32:04 | 0:32:07 | |
Well, maybe you're not. | 0:32:07 | 0:32:08 | |
-How'd it go? -What, from the Sisters of Little Mercy? | 0:32:12 | 0:32:16 | |
Right, so just tea and cake, then? | 0:32:16 | 0:32:18 | |
That's all they've ever given you, isn't it, Mum? | 0:32:20 | 0:32:23 | |
It's not their fault, Jane. | 0:32:24 | 0:32:26 | |
They had a fire and all the records were lost. | 0:32:26 | 0:32:29 | |
-No, thank you. It's past your bedtime. -Thank you. | 0:32:29 | 0:32:31 | |
Now, he's just poured it now. Slainte. | 0:32:31 | 0:32:34 | |
Mother. | 0:32:34 | 0:32:35 | |
-Right. Night, Martin. -Night, Jane. | 0:32:40 | 0:32:43 | |
-Night-night, Martin. -Night, Philomena. Sleep well. | 0:32:43 | 0:32:47 | |
Cheers. | 0:32:50 | 0:32:51 | |
-Been up to the Abbey? -Mm. | 0:32:51 | 0:32:54 | |
Yes. Yes, it's um... | 0:32:54 | 0:32:56 | |
Things obviously very different now. The nuns are different. | 0:32:56 | 0:32:59 | |
Not the same ones they had when the Magdalen girls were there. | 0:32:59 | 0:33:01 | |
-WOMAN: -Sure. They're all gone now! | 0:33:01 | 0:33:04 | |
We've had a few staying here, looking to find | 0:33:04 | 0:33:06 | |
what happened to their sons or daughters. | 0:33:06 | 0:33:08 | |
Not many of them get any joy from there. | 0:33:08 | 0:33:10 | |
And the big fire that destroyed everything. Do you know how that started? | 0:33:10 | 0:33:13 | |
-I should think they put a match to it. -Who? | 0:33:13 | 0:33:16 | |
The sisters. Sure they had a great fire on the field out the back. | 0:33:16 | 0:33:20 | |
What, so the Abbey wasn't on fire? | 0:33:20 | 0:33:22 | |
They had a bloody big bonfire. Burnt all the records. Thousands of 'em. | 0:33:22 | 0:33:25 | |
-Why? I mean... -This is years ago. | 0:33:25 | 0:33:28 | |
I suppose they were embarrassed about selling babies to America. | 0:33:28 | 0:33:31 | |
And they don't want people telling tales. | 0:33:31 | 0:33:33 | |
-That's me mother. -You say they sold babies to Americans? | 0:33:33 | 0:33:36 | |
A lot of the Yanks came over to Ireland to look for babies. | 0:33:36 | 0:33:39 | |
They were the only ones who could afford them. | 0:33:39 | 0:33:41 | |
£1,000. | 0:33:41 | 0:33:43 | |
Jane Russell bought a baby from Derry in 1952...the film star. | 0:33:43 | 0:33:47 | |
I can't believe they sold babies. | 0:33:47 | 0:33:49 | |
She came in here looking for bourbon, | 0:33:49 | 0:33:50 | |
but they had to give her a glass of Paddy instead. | 0:33:50 | 0:33:53 | |
If you were a Catholic with £1,000, you could buy a baby. | 0:33:53 | 0:33:56 | |
Jane Russell bought one to take home with her. | 0:33:56 | 0:33:59 | |
But I'm not one to repeat gossip. | 0:33:59 | 0:34:01 | |
No, no, I can see that. | 0:34:01 | 0:34:03 | |
-Slainte. -Yes, cheers. | 0:34:03 | 0:34:06 | |
MARTIN: 'Sally, you told me to call you if I came up with something | 0:34:21 | 0:34:24 | |
'and this fell into my lap.' | 0:34:24 | 0:34:26 | |
-Go on. -It's quite interesting, actually. | 0:34:26 | 0:34:28 | |
I think there are themes about people searching for their family trees | 0:34:28 | 0:34:32 | |
and the whole Irish diaspora... | 0:34:32 | 0:34:35 | |
Don't use words like diaspora, Martin. | 0:34:35 | 0:34:37 | |
I can't spell it and people don't know what it means. | 0:34:37 | 0:34:40 | |
'The exodus that followed the Irish famine.' | 0:34:40 | 0:34:42 | |
No, no, no. I'm genuinely not interested in what it means. | 0:34:42 | 0:34:45 | |
OK. | 0:34:45 | 0:34:47 | |
Who are the goodies? Who are the baddies? | 0:34:47 | 0:34:49 | |
Well, it's about a little old Irish lady, | 0:34:49 | 0:34:52 | |
a retired nurse, who is searching for her long-lost son who was taken, | 0:34:52 | 0:34:57 | |
snatched from her at birth by...evil nuns. | 0:34:57 | 0:35:02 | |
So how does it end? And it's got to be really happy or really sad. | 0:35:02 | 0:35:06 | |
Either he's chairman of IBM or a hobo, it doesn't matter. | 0:35:06 | 0:35:09 | |
The years melted away as a 50-year silence was | 0:35:09 | 0:35:13 | |
broken by two simple words, "Hello, Mum." | 0:35:13 | 0:35:17 | |
I could write it now. | 0:35:17 | 0:35:18 | |
I didn't know you were so cynical. | 0:35:20 | 0:35:22 | |
My guess is that Anthony was adopted and sent to America. | 0:35:22 | 0:35:25 | |
The Abbey dealt almost exclusively with American customers. | 0:35:25 | 0:35:29 | |
I can't believe they sold babies. | 0:35:29 | 0:35:30 | |
They were trying to give him a better life. | 0:35:30 | 0:35:32 | |
-They tried to make money out of him! -There's a problem. | 0:35:32 | 0:35:35 | |
I got through to the Sacred Heart Adoption Society in Cork this morning. | 0:35:35 | 0:35:39 | |
They referred me to the Irish Adoption Board, | 0:35:39 | 0:35:42 | |
who referred me back to the Sacred Heart Adoption Society. | 0:35:42 | 0:35:44 | |
-Sending you round in circles. -They won't help us. | 0:35:44 | 0:35:46 | |
But I spoke to some contacts from my Washington days last night, | 0:35:46 | 0:35:50 | |
and there are avenues we can pursue in America. | 0:35:50 | 0:35:52 | |
The stumbling block is I can only get so far speaking on your behalf, Philomena. | 0:35:52 | 0:35:57 | |
But as his mother, they would be legally bound to provide you with the information. | 0:35:57 | 0:36:01 | |
Are you suggesting you take my mother to America with you? | 0:36:01 | 0:36:04 | |
If you want. My editor's agreed to foot the bill. | 0:36:04 | 0:36:09 | |
How would you feel about going to America with Martin? | 0:36:09 | 0:36:12 | |
Uh... I... I don't know. | 0:36:12 | 0:36:14 | |
I could come with you if you like. | 0:36:14 | 0:36:15 | |
No, no, no, you have your work. | 0:36:15 | 0:36:17 | |
I'm worried that Martin will have to go all that way with a daft old woman like me. | 0:36:17 | 0:36:21 | |
-I don't think you're daft. -Go away, would you? | 0:36:21 | 0:36:23 | |
Or old. | 0:36:23 | 0:36:25 | |
I think I would like to go. | 0:36:29 | 0:36:31 | |
I'd like to know if Anthony ever thought of me... | 0:36:33 | 0:36:36 | |
..cos I've thought of him every day. | 0:36:38 | 0:36:40 | |
Ooh, Washington. Lovely. | 0:36:48 | 0:36:51 | |
-Did you pack your baggage yourself? -Yes. My daughter helped me. | 0:36:51 | 0:36:55 | |
I'm getting the royal treatment, Martin. I feel like the Pope. | 0:36:55 | 0:36:58 | |
HE CHUCKLES | 0:36:58 | 0:36:59 | |
Well, it'll save your hip. | 0:36:59 | 0:37:01 | |
Is that an interesting book? I've just finished mine. | 0:37:02 | 0:37:05 | |
Uh... Yeah, no, mine's rather dull. It's about the October Revolution. | 0:37:05 | 0:37:09 | |
-Political horse-trading... -Oh, mine's about horses. | 0:37:09 | 0:37:12 | |
It's about this fellow, Robert, and he's engaged to this duchess. | 0:37:12 | 0:37:15 | |
And he's only the son of a doctor, so he's done very well for himself. | 0:37:15 | 0:37:19 | |
But this woman, this duchess, she's terrible. | 0:37:19 | 0:37:21 | |
She's as vain as you like, and she's always looking at herself in the mirror | 0:37:21 | 0:37:24 | |
and all that sort of thing. | 0:37:24 | 0:37:26 | |
Anyway, she thinks he's as dull as ditch-water | 0:37:26 | 0:37:28 | |
so he takes up an interest in the horses so he can get in with the upper classes. | 0:37:28 | 0:37:32 | |
And, of course, he meets this girl down at the stables. | 0:37:32 | 0:37:35 | |
And she's not even a doctor's daughter. | 0:37:35 | 0:37:37 | |
Her father's a farm hand and he only has the one foot. | 0:37:37 | 0:37:40 | |
-Oh, dear. -But of course they fall in love. | 0:37:40 | 0:37:43 | |
And now he's torn between becoming a duke - | 0:37:43 | 0:37:45 | |
if he marries the duchess, he'll become lord of the manor and all that... | 0:37:45 | 0:37:49 | |
-OK. -..and the stable girl who he loves, | 0:37:49 | 0:37:51 | |
but she hasn't a penny to her name. | 0:37:51 | 0:37:53 | |
Well, the big day's coming, the wedding, and this girl... | 0:37:53 | 0:37:55 | |
This girl, she's lovely. She says Robert has to do his duty. | 0:37:55 | 0:38:00 | |
He's already spoken for. And he's being measured for a suit. | 0:38:00 | 0:38:04 | |
You can tell his heart's not in it cos all the while he's thinking about | 0:38:04 | 0:38:07 | |
the horses and the stable girl. | 0:38:07 | 0:38:09 | |
So they're all waiting for him at the church, all the hoi polloi, | 0:38:09 | 0:38:12 | |
but the thing is, Martin, this duchess, | 0:38:12 | 0:38:14 | |
she only wants Robert to spite the fella she's really after. | 0:38:14 | 0:38:17 | |
And then towards the end she finds out that the stable girl has designs on Robert. | 0:38:17 | 0:38:22 | |
But before that, the father with the one foot dies | 0:38:22 | 0:38:24 | |
and he says to Robert, "Follow your heart." | 0:38:24 | 0:38:27 | |
The duchess gives the stable girl her marching orders and she packs her things. | 0:38:27 | 0:38:30 | |
There's a pony and trap waiting outside and she gets in, she says, | 0:38:30 | 0:38:34 | |
"Do you know where we're going?" | 0:38:34 | 0:38:35 | |
And the driver turns round, and if it isn't your man Robert! | 0:38:35 | 0:38:38 | |
And he says, "I'm taking you to a place where no-one can hurt you any more." | 0:38:38 | 0:38:41 | |
Well, I didn't see that coming, Martin, not in a million years. | 0:38:41 | 0:38:44 | |
It's nice when there's a surprise. | 0:38:44 | 0:38:46 | |
-Sounds like a real page-turner. -You can borrow it. | 0:38:46 | 0:38:49 | |
-That's OK. -No, no. I've just finished it now. | 0:38:49 | 0:38:51 | |
Well, I feel like I've almost read it. | 0:38:51 | 0:38:54 | |
The Slipper And The Horse Shoe. | 0:38:55 | 0:38:57 | |
Oh, there's a series of them. | 0:38:59 | 0:39:02 | |
ANNOUNCEMENT IN BACKGROUND | 0:39:02 | 0:39:03 | |
Champagne or Buck's Fizz? | 0:39:06 | 0:39:07 | |
-No, thank you. -Oh. No, thank you. | 0:39:07 | 0:39:10 | |
-It's free. -Oh. | 0:39:11 | 0:39:14 | |
I say! | 0:39:14 | 0:39:15 | |
I'll have a Buck's Fizz. | 0:39:15 | 0:39:17 | |
Thank you. This is lovely, Martin. | 0:39:21 | 0:39:24 | |
You have to pay for everything on Ryanair. | 0:39:26 | 0:39:27 | |
-Well, they don't have club class. -Slainte. | 0:39:27 | 0:39:30 | |
Martin! | 0:39:32 | 0:39:34 | |
-Alex, how are you? -Not seen you since you... | 0:39:34 | 0:39:36 | |
left the department. I was going to call you, actually. | 0:39:36 | 0:39:39 | |
-Still friends? -Absolutely. | 0:39:39 | 0:39:41 | |
I hope you didn't think I dropped you in it. | 0:39:41 | 0:39:43 | |
Don't worry about it. The fog of war. | 0:39:43 | 0:39:44 | |
Yeah, collateral damage. | 0:39:44 | 0:39:47 | |
So, what are you up to? Off to the primaries? | 0:39:47 | 0:39:49 | |
-Yes, yes. -No. He's helping me look... | 0:39:49 | 0:39:51 | |
I'm just... We're just here... It's a human interest story. Journalism. | 0:39:51 | 0:39:55 | |
Well, good luck with it. Listen, I better scoot back. | 0:39:56 | 0:39:58 | |
OK. | 0:39:58 | 0:40:01 | |
I'm sorry, Martin. Should we pretend we don't know each other? | 0:40:01 | 0:40:03 | |
No. No, no, no, it's... It's just someone I used to work with. | 0:40:03 | 0:40:06 | |
A spin doctor. I'm trying to avoid them. | 0:40:06 | 0:40:08 | |
-Is that first class in there? -It's just a perk of the job. | 0:40:09 | 0:40:13 | |
Just cos you're in first class, | 0:40:14 | 0:40:16 | |
it doesn't make you a first-class person. | 0:40:16 | 0:40:18 | |
He's all right. | 0:40:18 | 0:40:21 | |
I think he needs a good swipe of shite. | 0:40:22 | 0:40:26 | |
Yes, you're probably right. | 0:40:28 | 0:40:30 | |
'Ladies and gentlemen, welcome to Washington Dulles Airport...' | 0:41:07 | 0:41:10 | |
Martin, did you have a little chocolate on your pillow? | 0:41:28 | 0:41:31 | |
Yes, I did, yes. | 0:41:31 | 0:41:32 | |
-How the other half lives, eh? -Yes. | 0:41:32 | 0:41:34 | |
-Would you look at the view! -Wow. Yeah. | 0:41:34 | 0:41:37 | |
Mine's of an air conditioning duct. | 0:41:37 | 0:41:40 | |
PHONE RINGS | 0:41:40 | 0:41:42 | |
Ah. It's Caroline from the records office. Better get this. Hello. | 0:41:42 | 0:41:46 | |
Well, that's conjecture, guesswork. | 0:41:46 | 0:41:48 | |
Good guesswork. Send over the long list, then I can sort of... | 0:41:48 | 0:41:52 | |
-TV: -'Martin Lawrence is going undercover.' | 0:41:52 | 0:41:55 | |
Great. Fabulous. I'll talk to you in the morning. | 0:41:55 | 0:41:57 | |
OK. Bye-bye. | 0:41:57 | 0:41:59 | |
Shall we go for a walk, get rid of the jet lag? | 0:42:02 | 0:42:04 | |
You said you wanted to visit the Lincoln Memorial? | 0:42:04 | 0:42:07 | |
We could go and see Mr Lincoln. Or... | 0:42:07 | 0:42:10 | |
we could watch, on television, Big Momma's House. | 0:42:10 | 0:42:13 | |
It's about a little black man pretending to be a fat black lady. | 0:42:13 | 0:42:16 | |
They've just showed some of it on the television. | 0:42:16 | 0:42:19 | |
And they're all chasing after him. | 0:42:19 | 0:42:22 | |
It looked hilarious, Martin. | 0:42:22 | 0:42:24 | |
Isn't he wonderful? | 0:42:28 | 0:42:30 | |
I've always wanted to see him in his big chair. | 0:42:30 | 0:42:33 | |
Well, he was a big man. | 0:42:33 | 0:42:35 | |
Literally - six foot four. Tallest American President. | 0:42:37 | 0:42:40 | |
Well, you can see that. He's tall even sitting down. | 0:42:40 | 0:42:44 | |
I had a friend whose daughter paid for her | 0:42:44 | 0:42:46 | |
to go to Florida for her 70th birthday. | 0:42:46 | 0:42:48 | |
She said to me, "Phil, the size of the portions, you wouldn't believe." | 0:42:48 | 0:42:51 | |
If you just go... Let's just take a quick picture, see. | 0:42:51 | 0:42:54 | |
You go stand by the line. | 0:42:54 | 0:42:55 | |
-Is this for the article? -It is. Just go back further. | 0:42:55 | 0:42:58 | |
Only I'm a little bit worried, because if we find him, | 0:42:58 | 0:43:00 | |
he might be very disapproving of talking to the papers. | 0:43:00 | 0:43:03 | |
Families are private things. | 0:43:03 | 0:43:05 | |
I know. Go and stand back there. That's true, they are private, | 0:43:05 | 0:43:08 | |
but tracking him down's an expensive business, | 0:43:08 | 0:43:10 | |
and so it's sort of like a quid pro quo, isn't it? | 0:43:10 | 0:43:12 | |
-What does that mean? -Well, it literally means this for that. | 0:43:12 | 0:43:16 | |
Don't worry. I won't write anything you're unhappy with. I want to tell the truth. | 0:43:16 | 0:43:20 | |
Yes. That's the thing I'm worried about. | 0:43:20 | 0:43:22 | |
Should I smile or should I be serious? | 0:43:22 | 0:43:24 | |
Erm... Let's do one happy, one not so happy. | 0:43:24 | 0:43:29 | |
I'm getting scared, now we're getting closer. | 0:43:34 | 0:43:38 | |
All these years, wondering whether Anthony was in trouble or in... prison, | 0:43:38 | 0:43:42 | |
or goodness knows where. | 0:43:42 | 0:43:44 | |
As long as I didn't know, I could always tell myself he was happy somewhere | 0:43:44 | 0:43:48 | |
and that he was doing all right. | 0:43:48 | 0:43:50 | |
But what if he died in Vietnam? | 0:43:50 | 0:43:52 | |
Or came back with no legs, or lived on the street... | 0:43:52 | 0:43:55 | |
Don't upset yourself. Hm? | 0:43:58 | 0:44:00 | |
We don't know what we don't know. We'll deal with that when we get to it. | 0:44:00 | 0:44:04 | |
Well, what if he was a drug addict, Martin? | 0:44:04 | 0:44:07 | |
Or what if he was obese? | 0:44:07 | 0:44:09 | |
Obese? | 0:44:11 | 0:44:12 | |
I watched this documentary that says a lot of Americans are huge. | 0:44:12 | 0:44:17 | |
What if that's happened to him? | 0:44:17 | 0:44:19 | |
What on earth makes you think he'd be obese? | 0:44:19 | 0:44:21 | |
Because of the size of the portions. | 0:44:21 | 0:44:24 | |
TV ON | 0:44:24 | 0:44:26 | |
PHONE RINGS | 0:44:26 | 0:44:28 | |
Hello? | 0:44:31 | 0:44:32 | |
No, I've got a bathrobe, Philomena. | 0:44:33 | 0:44:36 | |
Yes, there are two in every room. | 0:44:37 | 0:44:40 | |
And slippers. | 0:44:40 | 0:44:42 | |
OK, you've just got a bit of jet lag. | 0:44:43 | 0:44:45 | |
Just try and get your head down. | 0:44:45 | 0:44:47 | |
All right, night-night. | 0:44:47 | 0:44:49 | |
-How is everyone? KATE: -'Yeah. We're all good. | 0:44:50 | 0:44:52 | |
'Danny won his rugby match today, nearly scored a try.' | 0:44:52 | 0:44:54 | |
-That's fantastic. -'How's Philomena?' | 0:44:54 | 0:44:56 | |
Well, I've finally seen, first hand, what a lifetime's diet of the Reader's Digest, | 0:44:56 | 0:45:01 | |
the Daily Mail and romantic fiction can do to a person's brain. | 0:45:01 | 0:45:05 | |
KATE LAUGHS | 0:45:05 | 0:45:06 | |
She keeps telling the hotel staff how kind they are. | 0:45:06 | 0:45:09 | |
She must think they're volunteers. | 0:45:09 | 0:45:11 | |
She told four people today they were one in a million. | 0:45:11 | 0:45:14 | |
What are the chances of that? | 0:45:14 | 0:45:15 | |
'Come on, she's just a little old Irish lady.' | 0:45:15 | 0:45:18 | |
KNOCK AT DOOR | 0:45:21 | 0:45:22 | |
KNOCKING CONTINUES | 0:45:26 | 0:45:28 | |
CLEARS HIS THROAT | 0:45:34 | 0:45:36 | |
Hi. Is everything all right? | 0:45:38 | 0:45:39 | |
Martin, I just wanted to tell you something earlier but it slipped my mind. | 0:45:39 | 0:45:45 | |
And then I thought I'd tell you on the phone but I forgot the number. | 0:45:45 | 0:45:49 | |
OK. | 0:45:49 | 0:45:51 | |
Well, what I want to say, Martin, is thank you for helping me look for my son. | 0:45:51 | 0:45:55 | |
Oh... | 0:45:55 | 0:45:56 | |
I know you got the sack from your job... | 0:45:56 | 0:45:58 | |
I mean, not the News At Ten one, but that other one. | 0:45:58 | 0:46:01 | |
Well, their loss is my gain. | 0:46:01 | 0:46:03 | |
Thank you. | 0:46:05 | 0:46:07 | |
-Well, goodnight, Martin. -Goodnight, Philomena. | 0:46:07 | 0:46:10 | |
PANTING | 0:46:48 | 0:46:50 | |
'Hello, Caroline, it's Martin Sixsmith.' | 0:46:54 | 0:46:58 | |
I just wanted to check... Yeah, the file with the immigration cuttings? | 0:46:58 | 0:47:02 | |
I know you checked it. Could you send that through? | 0:47:03 | 0:47:05 | |
We don't really have Mexicans in England. | 0:47:05 | 0:47:08 | |
We have Indians instead, and everyone loves curry. | 0:47:08 | 0:47:11 | |
Martin. Martin. | 0:47:12 | 0:47:14 | |
They've got omelettes over there. | 0:47:15 | 0:47:17 | |
-Thank you. -Pancakes, and waffles, any filling. | 0:47:17 | 0:47:20 | |
-Cereal, bacon and sausage. -I know. | 0:47:20 | 0:47:21 | |
-Anything you want. -I saw. I saw. | 0:47:21 | 0:47:23 | |
-Breakfast is included, isn't it? -It is. | 0:47:23 | 0:47:25 | |
It's just it's too early for me. My stomach hasn't woken up yet. | 0:47:25 | 0:47:28 | |
Mine wakes up before I do. I'm having a ham and Swiss cheese omelette. | 0:47:28 | 0:47:32 | |
-Will I get you one? -No, I... I'm not hungry. | 0:47:32 | 0:47:34 | |
-What about blueberries? -Coffee? | 0:47:34 | 0:47:36 | |
No, thank you. | 0:47:36 | 0:47:37 | |
If you want to help yourself to breakfast, we have two buffets, hot and cold. | 0:47:37 | 0:47:41 | |
-I know. She's just told me. -Fresh fruit, cereal, | 0:47:41 | 0:47:43 | |
omelettes with your choice of filling. | 0:47:43 | 0:47:45 | |
-I know what's on display. -We also have fresh pancakes. | 0:47:45 | 0:47:47 | |
Thank you. Trying to have a private conversation. | 0:47:47 | 0:47:50 | |
My apologies, sir. | 0:47:50 | 0:47:52 | |
There's no need to be rude. She's a very nice person. | 0:47:54 | 0:47:57 | |
I know. I'm sure she's one in a million, or one in a hundred thousand. | 0:47:57 | 0:48:01 | |
-What do you mean? -You've said it to about ten people, | 0:48:01 | 0:48:03 | |
so that's just maths. | 0:48:03 | 0:48:05 | |
You should be nice to the people on the way up | 0:48:05 | 0:48:07 | |
cos you might meet them again on the way down. | 0:48:07 | 0:48:09 | |
Now, you of all people should understand that. | 0:48:09 | 0:48:13 | |
I'd rather you were rude to me than the nice people who work here. | 0:48:13 | 0:48:16 | |
Well, I'm sorry. I'm just trying to help you find your son. | 0:48:16 | 0:48:18 | |
That's why we're here. So... | 0:48:18 | 0:48:20 | |
Can I have some quiet time? | 0:48:22 | 0:48:24 | |
-Were you born in Mexico? -I'm from Chihuahua. | 0:48:33 | 0:48:36 | |
You must like nachos. My granddaughter Natalie got me into them. | 0:48:36 | 0:48:40 | |
I've never been to Mexico, but I believe it's lovely, apart from the kidnappings. | 0:48:41 | 0:48:46 | |
-GASPS: -Oh! | 0:48:46 | 0:48:47 | |
SHE CHUCKLES | 0:48:47 | 0:48:50 | |
MESSAGE ALERT | 0:48:50 | 0:48:52 | |
Oh. Er... | 0:49:06 | 0:49:08 | |
-There you go. -Thank you. | 0:50:15 | 0:50:17 | |
They've run out of blueberries so I got you raspberries instead. | 0:50:20 | 0:50:23 | |
I'm sorry. Is it a quiet time? | 0:50:25 | 0:50:26 | |
That's my Anthony. | 0:50:37 | 0:50:38 | |
He's dead, isn't he? | 0:50:46 | 0:50:48 | |
Yes. I'm sorry. | 0:50:48 | 0:50:50 | |
SHE SOBS | 0:50:51 | 0:50:53 | |
No. | 0:50:55 | 0:50:57 | |
I'm sorry. | 0:50:59 | 0:51:01 | |
I'm so sorry. | 0:51:01 | 0:51:03 | |
WHOOPING AND LAUGHTER | 0:51:23 | 0:51:25 | |
-He's dead. -'Who's dead?' | 0:51:40 | 0:51:42 | |
The son. He died eight years ago. | 0:51:42 | 0:51:44 | |
Oh, dear. | 0:51:44 | 0:51:45 | |
And what did he die of? | 0:51:47 | 0:51:48 | |
I don't know. I didn't find out. | 0:51:48 | 0:51:49 | |
-I'm at the airport. -'You're at the airport?' | 0:51:49 | 0:51:51 | |
Well, she just wants to get back, be with her daughter. | 0:51:51 | 0:51:54 | |
-'What about the story?' -Well, he's dead. | 0:51:54 | 0:51:58 | |
Dead or alive, happy or sad. | 0:51:58 | 0:52:00 | |
'They're both good. Spin it. Find a story.' | 0:52:00 | 0:52:03 | |
Look, if I stay here and she goes home, no-one's going to answer my questions. | 0:52:03 | 0:52:07 | |
Then keep her there. | 0:52:07 | 0:52:09 | |
What? | 0:52:09 | 0:52:11 | |
Come on, she's in bits. It's like she's lost him all over again. | 0:52:11 | 0:52:14 | |
That's great. Write that line down. | 0:52:14 | 0:52:16 | |
-'You signed a contract.' -You serious? | 0:52:31 | 0:52:33 | |
'Yes. Call me when you've got something.' | 0:52:33 | 0:52:35 | |
HE SIGHS | 0:52:40 | 0:52:42 | |
Sorry, that was my editor. | 0:52:47 | 0:52:49 | |
I suppose you'll have to use the not-so-happy-photo now? | 0:52:49 | 0:52:53 | |
Yes. I suppose so. | 0:52:54 | 0:52:56 | |
I remember that day at the fair. | 0:53:02 | 0:53:05 | |
His father made me laugh by pretending to be an old man. | 0:53:05 | 0:53:09 | |
And I made him laugh by pretending to be an old woman. | 0:53:09 | 0:53:12 | |
And now I am one. | 0:53:14 | 0:53:16 | |
I'll never know if Anthony ever even thought about me. | 0:53:16 | 0:53:20 | |
And I'll never be able to say sorry. | 0:53:20 | 0:53:23 | |
We start boarding in about an hour. | 0:53:29 | 0:53:31 | |
Tell me, Martin, do we have what they call flexible tickets? | 0:53:35 | 0:53:39 | |
-Yes, I think so. -Where you can change your flight if you change your plans? | 0:53:39 | 0:53:42 | |
Yes, but... | 0:53:42 | 0:53:44 | |
Supposing we didn't get on the aeroplane tonight? | 0:53:44 | 0:53:47 | |
Because I've been sitting here waiting for a sign, and I haven't had one. | 0:53:49 | 0:53:52 | |
And so I've made the decision myself | 0:53:52 | 0:53:54 | |
and I'd like to stay a little longer. | 0:53:54 | 0:53:56 | |
Well, if that's what you want to do? | 0:53:58 | 0:54:01 | |
It is. | 0:54:01 | 0:54:02 | |
I'd like to talk to someone who actually met him. | 0:54:04 | 0:54:07 | |
All right, then we'll stay. | 0:54:09 | 0:54:11 | |
TV ON | 0:54:12 | 0:54:14 | |
I've been sent a picture of Anthony, if you want to see it. | 0:54:17 | 0:54:20 | |
Oh. | 0:54:20 | 0:54:21 | |
-Yes, please. -With President Reagan. | 0:54:21 | 0:54:24 | |
It's from a woman we could meet tomorrow... | 0:54:27 | 0:54:30 | |
called Marcia Weller. | 0:54:30 | 0:54:33 | |
-She's an ex-colleague of Anthony's. -He looks very smart. | 0:54:33 | 0:54:37 | |
Now, would you like a drink? Brandy, isn't it? | 0:54:37 | 0:54:41 | |
They're all gone. | 0:54:41 | 0:54:43 | |
Martin. This man looks just like you. | 0:54:43 | 0:54:47 | |
It is me. | 0:55:00 | 0:55:01 | |
Michael Hess. | 0:55:03 | 0:55:05 | |
-I met him. -Where? | 0:55:07 | 0:55:08 | |
-At the White House. -Dear God! | 0:55:08 | 0:55:10 | |
About ten years ago when I was with the BBC. | 0:55:10 | 0:55:12 | |
-What was he like? -I can't remember. | 0:55:12 | 0:55:13 | |
-It was a Republican thing. -You must remember something. | 0:55:13 | 0:55:17 | |
He was by the door when we went... I shook hands with him. | 0:55:17 | 0:55:19 | |
Well, what kind of a handshake did he have? | 0:55:19 | 0:55:22 | |
It was firm. I mean, I would remember if he'd had a weak handshake. | 0:55:22 | 0:55:25 | |
You don't get to that position with a weak handshake. | 0:55:25 | 0:55:28 | |
So he had a firm handshake, what else? | 0:55:28 | 0:55:30 | |
-He was smart. -I always kept him smart. | 0:55:30 | 0:55:34 | |
And did you remember anything he said? | 0:55:34 | 0:55:36 | |
-"Hello." -"Hello. Hello." | 0:55:38 | 0:55:39 | |
Might've been "hi". | 0:55:39 | 0:55:41 | |
-"Hello." -He was polite. | 0:55:41 | 0:55:42 | |
Well... Now, well, he was smart, and he had a firm handshake. | 0:55:42 | 0:55:46 | |
-He said hello, which was nice. -He said hello. Hello. | 0:55:46 | 0:55:49 | |
-He was polite. -Oh, Martin! | 0:55:49 | 0:55:52 | |
I...knew your son for about ten years. | 0:55:58 | 0:56:02 | |
He was senior legal counsel to both the Reagan and Bush administrations. | 0:56:04 | 0:56:09 | |
He didn't do too badly, did he, Philomena? | 0:56:09 | 0:56:12 | |
He'd never have got a job like that if he'd stayed with me. | 0:56:14 | 0:56:19 | |
I think he'd have worked at McEverleys. | 0:56:19 | 0:56:21 | |
That's a firm of solicitors in Castlebar. | 0:56:21 | 0:56:25 | |
Did he ever mention Ireland, Marcia? | 0:56:25 | 0:56:27 | |
I don't think so. | 0:56:27 | 0:56:29 | |
Although I do have a number for his sister, Mary, | 0:56:29 | 0:56:31 | |
-who came over from Ireland with him. -Great. | 0:56:31 | 0:56:33 | |
-I can put you in touch. -Great, that's excellent. | 0:56:33 | 0:56:36 | |
He looks very happy here. | 0:56:36 | 0:56:38 | |
Who's this fella? | 0:56:40 | 0:56:43 | |
That's his friend Pete. | 0:56:43 | 0:56:45 | |
And were you his girlfriend, Marcia? | 0:56:48 | 0:56:51 | |
Oh... | 0:56:51 | 0:56:52 | |
No. | 0:56:52 | 0:56:55 | |
I don't know if you knew, but he was gay. | 0:56:55 | 0:56:57 | |
I used to accompany him when he'd go to official functions | 0:56:58 | 0:57:02 | |
because being gay was frowned on in the Republican Party. | 0:57:02 | 0:57:05 | |
But he was very charming and charismatic. | 0:57:10 | 0:57:12 | |
Tell me, did he father any children? | 0:57:13 | 0:57:16 | |
Philomena, Marcia's just told us that Anthony was gay. | 0:57:16 | 0:57:19 | |
Well, I always knew that. But I just wondered if he might be bi-curious. | 0:57:19 | 0:57:23 | |
-Bi-curious? -A lot of nurses I worked with were gay | 0:57:23 | 0:57:26 | |
but one of them, called Brendan, told me he was bi-curious. | 0:57:26 | 0:57:29 | |
I don't think he could make up his mind, Marcia. | 0:57:29 | 0:57:32 | |
He didn't have any children. I'm sorry. | 0:57:32 | 0:57:35 | |
Did Pete love him? | 0:57:38 | 0:57:40 | |
Yes, he did. | 0:57:40 | 0:57:43 | |
Phil, how did you know he was gay? | 0:57:43 | 0:57:46 | |
Well, he was a very sensitive little boy. | 0:57:46 | 0:57:49 | |
And as the years rolled on, I always wondered whether he might be. | 0:57:49 | 0:57:54 | |
When I saw the photograph of him in the dungarees, there was no doubt in my mind. | 0:57:54 | 0:57:58 | |
DOG BARKING | 0:58:14 | 0:58:16 | |
Peter, what do you think? | 0:58:20 | 0:58:22 | |
I think she's in a bad mood. She's kind of got crabby today, huh? | 0:58:22 | 0:58:25 | |
Unlike you. | 0:58:25 | 0:58:26 | |
Why did you keep this a secret for 50 years? | 0:58:32 | 0:58:35 | |
What I'd done was a sin and I kept it all hidden away. | 0:58:35 | 0:58:40 | |
And then I thought to myself that keeping it all hidden away | 0:58:40 | 0:58:44 | |
was also a sin because I was lying to everybody. | 0:58:44 | 0:58:47 | |
And as it went on I tied myself up in knots, | 0:58:49 | 0:58:52 | |
worrying which was the worse sin of the two, having the baby, or... | 0:58:52 | 0:58:56 | |
or the lying. | 0:58:56 | 0:58:57 | |
Oh, in the end, I couldn't make up my mind, Martin. | 0:58:57 | 0:59:00 | |
I was going to ask you, Martin, if it'd be possible not to use my real name | 0:59:01 | 0:59:05 | |
when you write the story? | 0:59:05 | 0:59:07 | |
Perhaps you could call me Nancy? I've always loved that name, Nancy. | 0:59:07 | 0:59:10 | |
I have a niece called Nancy. | 0:59:10 | 0:59:12 | |
Oh, no, maybe they'd think it's her. | 0:59:12 | 0:59:14 | |
-What about Anne? Anne Boleyn? -Anne Boleyn? | 0:59:14 | 0:59:18 | |
That's a lovely name. Somebody had that... | 0:59:18 | 0:59:20 | |
We'll have to use your real name, Philomena. | 0:59:20 | 0:59:22 | |
That's the way these things work. | 0:59:22 | 0:59:24 | |
-Mary? -Yes. | 0:59:35 | 0:59:37 | |
Hello, it's Martin. This is Philomena Lee. Anthony's mother. | 0:59:37 | 0:59:41 | |
Well, Michael's mother. | 0:59:41 | 0:59:43 | |
OK. | 0:59:46 | 0:59:47 | |
That's our mother. | 0:59:49 | 0:59:50 | |
I mean, our adopted mother. | 0:59:50 | 0:59:52 | |
Was she a nice lady, Mary? She looks a nice lady. | 0:59:53 | 0:59:56 | |
You know, I'm not going to lie to you. We didn't have the happiest childhood. | 0:59:56 | 1:00:00 | |
Marge was OK, but our father, Doc, he could be a very hard man. | 1:00:00 | 1:00:04 | |
CHILDREN SHOUTING | 1:00:04 | 1:00:06 | |
Stop torturing her! | 1:00:07 | 1:00:09 | |
And that's him with Pete Olsson. | 1:00:11 | 1:00:13 | |
Mike and Pete were... | 1:00:15 | 1:00:17 | |
That's all right, Mary. I know Anthony was a gay homosexual. | 1:00:17 | 1:00:21 | |
And we met Marcia, who I believe was his beard. Is that right, Martin? | 1:00:21 | 1:00:26 | |
Yes, that's about right. | 1:00:26 | 1:00:27 | |
It must have been terrible, having to keep it a secret his whole life. | 1:00:27 | 1:00:32 | |
-I assume my son died from AIDS. -Yes. | 1:00:34 | 1:00:37 | |
He wasn't too happy the last couple of years of his life | 1:00:37 | 1:00:40 | |
working for Reagan. | 1:00:40 | 1:00:42 | |
He was pretty messed up about it. | 1:00:42 | 1:00:43 | |
The Republicans withdrew funding for AIDS research | 1:00:43 | 1:00:46 | |
because they blamed the epidemic on gay lifestyles. | 1:00:46 | 1:00:49 | |
Right, because some of them wouldn't wear condoms | 1:00:49 | 1:00:52 | |
because they said it spoilt the feeling. | 1:00:52 | 1:00:54 | |
Where is he buried, Mary? | 1:00:57 | 1:00:59 | |
Dad wanted him buried in the family plot in St Louis, | 1:00:59 | 1:01:02 | |
but Pete wouldn't allow it. | 1:01:02 | 1:01:03 | |
There was a huge fight. | 1:01:03 | 1:01:05 | |
I didn't go in the end. I didn't want to get involved. | 1:01:05 | 1:01:08 | |
-You can talk to Pete about it. -Yes, we have Pete's number. | 1:01:08 | 1:01:12 | |
I think we're going to pay him a visit, aren't we, Philomena? | 1:01:12 | 1:01:15 | |
Mm... | 1:01:18 | 1:01:19 | |
Can I just ask you one thing, Mary? There's something I need to know. | 1:01:20 | 1:01:24 | |
Did Anthony ever mention Ireland, or where he'd come from? | 1:01:24 | 1:01:28 | |
Not really, no. We didn't really talk about that. | 1:01:31 | 1:01:35 | |
No. Why would you? | 1:01:36 | 1:01:38 | |
-Do you want some sugar, or some milk? -If you wouldn't mind. | 1:01:42 | 1:01:45 | |
Thank you very much for your hospitality. | 1:01:45 | 1:01:48 | |
CHILDREN'S VOICES ECHOING | 1:01:50 | 1:01:52 | |
It seems odd that she was in the same room as someone who knew her mother, | 1:02:05 | 1:02:09 | |
and yet she asked you no questions about her. | 1:02:09 | 1:02:11 | |
I don't think it's odd. | 1:02:13 | 1:02:14 | |
She'd just be asking questions about someone she didn't know. | 1:02:14 | 1:02:18 | |
I'd like to go to confession. We passed a church on the way here. | 1:02:21 | 1:02:24 | |
Why do you want to go to confession? | 1:02:24 | 1:02:27 | |
To confess my sins, of course. | 1:02:27 | 1:02:29 | |
What sins? | 1:02:29 | 1:02:31 | |
The Catholic Church should go to confession, not you. | 1:02:31 | 1:02:34 | |
"Forgive me, Father, for I have sinned. | 1:02:34 | 1:02:36 | |
"I incarcerated a load of young women against their will, | 1:02:36 | 1:02:39 | |
"used them as slave labour, then sold their babies to the highest bidder." | 1:02:39 | 1:02:42 | |
I hope God isn't listening to you. | 1:02:42 | 1:02:44 | |
Well, I don't believe in God. So, look, no thunderbolt. | 1:02:44 | 1:02:46 | |
What are you trying to prove? | 1:02:46 | 1:02:48 | |
Nothing, just that you don't need religion to lead a happy and balanced life. | 1:02:48 | 1:02:51 | |
And you're happy and balanced, are you? | 1:02:51 | 1:02:53 | |
I'm a journalist, Philomena. We ask questions. | 1:02:53 | 1:02:56 | |
We don't believe something just because we're told it's the truth. | 1:02:56 | 1:02:59 | |
Yet what does the Bible say? "Happy are those who do not see, yet believe." | 1:02:59 | 1:03:02 | |
Hooray for blind faith and ignorance. | 1:03:02 | 1:03:05 | |
And what do you believe in? Picking holes in everyone else and being a smart aleck? | 1:03:05 | 1:03:08 | |
Taking photos whenever you like? | 1:03:08 | 1:03:11 | |
I read a very funny headline in a satirical newspaper the other day, | 1:03:13 | 1:03:16 | |
about the earthquake in Turkey. | 1:03:16 | 1:03:18 | |
It said, "God outdoes terrorists yet again." | 1:03:18 | 1:03:20 | |
Why God feels the need to suddenly wipe out | 1:03:20 | 1:03:22 | |
hundreds of thousands of innocent people escapes me. | 1:03:22 | 1:03:25 | |
You should ask Him about that while you're in there. | 1:03:25 | 1:03:27 | |
He'll probably say He moves in mysterious ways. | 1:03:27 | 1:03:29 | |
No, I think He'd say you we're a feckin' eejit. | 1:03:29 | 1:03:32 | |
Hello. | 1:03:46 | 1:03:47 | |
Hello? | 1:03:50 | 1:03:52 | |
-'Oh, hello.' -Hi, Sally. | 1:03:52 | 1:03:53 | |
-'What have you got?' -Guess what. | 1:03:53 | 1:03:54 | |
He was a big-shot lawyer for both the Reagan and Bush administrations. | 1:03:54 | 1:03:58 | |
'You're kidding. That's amazing!' | 1:03:58 | 1:04:00 | |
And at the same time he was a closet homosexual who died of AIDS. | 1:04:00 | 1:04:05 | |
'Oh... This is perfect for the weekend section.' | 1:04:05 | 1:04:08 | |
And... I met him. | 1:04:08 | 1:04:10 | |
-You knew him? -'Yeah.' | 1:04:10 | 1:04:11 | |
-So there's a personal angle? -'Yeah, that's one of the angles.' | 1:04:11 | 1:04:15 | |
But people need to know what happened to him. There's a real injustice here. | 1:04:15 | 1:04:18 | |
'What about the evil nuns? What's happening with them?' | 1:04:18 | 1:04:21 | |
Still there. They haven't gone away. If anything, they're a bit more evil. | 1:04:21 | 1:04:25 | |
'It's great, Martin.' | 1:04:25 | 1:04:26 | |
I'll call you back in a bit. | 1:04:26 | 1:04:29 | |
Speak up now, dear. Don't be afraid. | 1:04:29 | 1:04:31 | |
SHE SOBS | 1:04:36 | 1:04:38 | |
Have faith, my dear. | 1:04:54 | 1:04:56 | |
God will forgive you. | 1:04:56 | 1:04:58 | |
Phil? Phil, you were right. I was being a feckin' eejit. | 1:05:40 | 1:05:44 | |
-And I'm sorry... -I was doing some thinking in there. | 1:05:44 | 1:05:46 | |
I'm going to get a loan from the Bradford and Bigley, Martin. | 1:05:46 | 1:05:50 | |
-Bingley. -Because I don't have a mortgage. | 1:05:50 | 1:05:52 | |
And you can get an extension for £10,000. | 1:05:52 | 1:05:54 | |
My friend Renee did that. She had a conservatory built. | 1:05:54 | 1:05:58 | |
Well, I don't need a conservatory. | 1:05:58 | 1:06:00 | |
So I can give you all the money and then... | 1:06:00 | 1:06:03 | |
And then that'll cover the costs of the hotels | 1:06:03 | 1:06:06 | |
and all the flights and everything and you won't be out-of-pocket, | 1:06:06 | 1:06:09 | |
and you won't have to publish the story cos I don't want it published. | 1:06:09 | 1:06:12 | |
I don't want anyone to know about this, ever. | 1:06:12 | 1:06:14 | |
Phil, you've done nothing wrong. | 1:06:14 | 1:06:17 | |
You're entitled to know who your son was. | 1:06:17 | 1:06:19 | |
Well, you heard what Mary said. | 1:06:19 | 1:06:21 | |
She said he never gave me a second thought. | 1:06:21 | 1:06:23 | |
He wasn't my Anthony, he was somebody else's Michael. | 1:06:23 | 1:06:26 | |
-He probably hated the thought of me. -You don't know that. | 1:06:26 | 1:06:29 | |
I should never have let him out of my sight. | 1:06:29 | 1:06:31 | |
We just need to talk to Pete Olsson. | 1:06:31 | 1:06:33 | |
RINGING TONE | 1:06:40 | 1:06:41 | |
'Can I help you?' | 1:06:41 | 1:06:42 | |
Hello. I'm trying to set up a meeting with Pete Olsson. | 1:06:42 | 1:06:45 | |
-'I believe you've called before, sir.' -Yes. I've called a couple of times | 1:06:45 | 1:06:48 | |
and no-one's calling me back. | 1:06:48 | 1:06:49 | |
I feel like I'm hitting my head against a brick wall. | 1:06:49 | 1:06:52 | |
'We have explained Mr Olsson is too busy to deal with this matter.' | 1:06:52 | 1:06:54 | |
-Yes, yes. -'So, I am unable to put you through...' | 1:06:54 | 1:06:56 | |
Right, but I think if you give me his personal number, | 1:06:56 | 1:06:59 | |
I think he'll be OK with that, I do. | 1:06:59 | 1:07:01 | |
-'I can't give out personal numbers.' -I know. | 1:07:01 | 1:07:03 | |
But I don't understand why he won't meet with Philomena for just an hour. | 1:07:03 | 1:07:07 | |
-'Thank you. Goodbye.' -I mean, it's not a... | 1:07:07 | 1:07:09 | |
HANGS UP | 1:07:09 | 1:07:10 | |
Philomena? You all right? | 1:07:26 | 1:07:28 | |
RINGING TONE | 1:07:34 | 1:07:36 | |
I'm sorry, sir, there's no answer. | 1:07:38 | 1:07:41 | |
Well, she wouldn't have gone anywhere by herself. | 1:07:41 | 1:07:44 | |
It's probably nothing, but she's very old and Irish. | 1:07:45 | 1:07:49 | |
And she's a relative? I can't let you in unless she's a relative. | 1:07:49 | 1:07:52 | |
Yes, she's my mother. | 1:07:52 | 1:07:53 | |
Concierge! | 1:07:54 | 1:07:55 | |
Phil? Mum? | 1:07:59 | 1:08:01 | |
Hello? | 1:08:06 | 1:08:08 | |
Mum? | 1:08:09 | 1:08:11 | |
-There you are! -What's the matter? | 1:08:14 | 1:08:16 | |
-I wondered where you were. -Is your mother OK now? | 1:08:16 | 1:08:18 | |
-Yes, thank you. -OK, sir. | 1:08:18 | 1:08:20 | |
I had to say that to get him to let me in. | 1:08:22 | 1:08:24 | |
You shouldn't have the balcony door shut if you can't hear the door to your room. | 1:08:24 | 1:08:29 | |
I was just having a little cry, that's all. | 1:08:29 | 1:08:31 | |
Right. | 1:08:31 | 1:08:33 | |
Are you going to come back inside? | 1:08:33 | 1:08:35 | |
You didn't think I was going to jump off the balcony? | 1:08:35 | 1:08:37 | |
No, of course not. | 1:08:37 | 1:08:39 | |
Did you get through to Pete Olsson? | 1:08:40 | 1:08:42 | |
Just to his office. He wasn't there. | 1:08:42 | 1:08:45 | |
He doesn't want to see me, does he? | 1:08:48 | 1:08:50 | |
Some people have a problem dealing with the past. | 1:08:50 | 1:08:53 | |
Not you, though. But I'm sure he'll come round. | 1:08:53 | 1:08:56 | |
Your chariot awaits. | 1:09:02 | 1:09:04 | |
I got it in yellow. | 1:09:06 | 1:09:08 | |
Now, Martin, there's something I want to say to you. | 1:09:58 | 1:10:02 | |
Now, I've made a decision and my mind's made up. | 1:10:02 | 1:10:04 | |
Nothing you can say is going to change it. | 1:10:04 | 1:10:06 | |
I appreciate everything you've done for me, and thank you for looking after me. | 1:10:06 | 1:10:10 | |
And I've loved the hotels, the food and everything, | 1:10:10 | 1:10:12 | |
but this isn't working out the way I wanted it to. | 1:10:12 | 1:10:15 | |
So, tomorrow I think we ought to get on a plane and go back to England. | 1:10:15 | 1:10:18 | |
There it is. Now that's an end to it. | 1:10:18 | 1:10:20 | |
Don't try and change my mind by saying clever things about this and that | 1:10:20 | 1:10:24 | |
-just cos you went to Oxbridge and I didn't. -PHONE RINGS | 1:10:24 | 1:10:26 | |
I went to Oxford. Oxford. | 1:10:29 | 1:10:31 | |
Oxbridge is a portmanteau of Oxford and Cambridge, | 1:10:31 | 1:10:34 | |
-where two words are joined together. -I don't give a... shiny shoe about that. | 1:10:34 | 1:10:37 | |
-It's all the same to me! -We should go and visit Pete Olsson. | 1:10:37 | 1:10:40 | |
You can go on your own! I'm not prepared to go all that way | 1:10:40 | 1:10:43 | |
to hear someone else tell me I didn't give two hoots about Anthony | 1:10:43 | 1:10:46 | |
and that I abandoned my child and all the rest of it. | 1:10:46 | 1:10:49 | |
What's that? | 1:10:49 | 1:10:50 | |
-What? -On the side of the glass there. | 1:10:50 | 1:10:52 | |
-What? What's... -There. This. | 1:10:52 | 1:10:54 | |
It's a Celtic harp. | 1:10:55 | 1:10:57 | |
So we should go home. I'll mind my own business. | 1:10:57 | 1:11:00 | |
I want to watch David Attenborough on television and I'll be happy with that. | 1:11:00 | 1:11:04 | |
And what's that? | 1:11:04 | 1:11:06 | |
That's a Celtic harp. | 1:11:08 | 1:11:10 | |
Why would someone who cared so little about where he came from wear something so Irish? | 1:11:10 | 1:11:15 | |
Well, perhaps he played the harp. He was gay. | 1:11:16 | 1:11:20 | |
He didn't play the harp. | 1:11:21 | 1:11:22 | |
Well, there it is. | 1:12:20 | 1:12:22 | |
SHE GASPS | 1:12:22 | 1:12:24 | |
I could never have given him a life like this. | 1:12:27 | 1:12:30 | |
Oh, look, Martin, a little red Mazda. | 1:12:31 | 1:12:34 | |
Bye. | 1:12:42 | 1:12:44 | |
That's him. | 1:12:44 | 1:12:46 | |
That's Pete Olsson. | 1:12:46 | 1:12:48 | |
See you. | 1:12:48 | 1:12:49 | |
What do we do now? | 1:12:53 | 1:12:56 | |
-We doorstep him. -What's that? | 1:12:56 | 1:12:59 | |
It's what nasty journalists do when they want to speak to someone | 1:12:59 | 1:13:02 | |
who doesn't want to speak to them. | 1:13:02 | 1:13:04 | |
This shouldn't take long. | 1:13:24 | 1:13:26 | |
M... | 1:13:33 | 1:13:35 | |
-Peter Olsson. -Yes? | 1:13:48 | 1:13:50 | |
I'm Martin Sixsmith. I'm here with Philomena Lee, | 1:13:50 | 1:13:53 | |
the mother of your late partner, Michael Hess. | 1:13:53 | 1:13:55 | |
Wait. | 1:13:58 | 1:14:00 | |
Can I just ask you one question? | 1:14:02 | 1:14:03 | |
Can you get your foot out of my door? | 1:14:03 | 1:14:06 | |
Come on. | 1:14:11 | 1:14:12 | |
Hello. Hello? | 1:14:14 | 1:14:17 | |
Sir, you can leave or I'm calling the police. | 1:14:17 | 1:14:20 | |
HE SIGHS | 1:14:37 | 1:14:39 | |
I'm sorry, I haven't been very helpful. | 1:14:43 | 1:14:45 | |
Never mind. | 1:14:47 | 1:14:49 | |
At least you tried. | 1:14:49 | 1:14:50 | |
What are you doing? | 1:14:59 | 1:15:01 | |
Wait here. | 1:15:01 | 1:15:03 | |
CAR DOOR OPENS | 1:15:07 | 1:15:09 | |
DOOR UNLOCKING | 1:15:20 | 1:15:22 | |
Yeah, get off my property or I'm... | 1:15:22 | 1:15:24 | |
I just want to talk to you about my son. | 1:15:26 | 1:15:29 | |
He was taken from me. And I've been looking for him ever since. | 1:15:29 | 1:15:33 | |
GENTLE PIANO MUSIC | 1:15:40 | 1:15:42 | |
'Whoa...' | 1:16:50 | 1:16:52 | |
INDISTINCT CONVERSATION | 1:16:57 | 1:16:59 | |
INDISTINCT CONVERSATION | 1:17:04 | 1:17:06 | |
Would you look at him, Martin. | 1:17:23 | 1:17:25 | |
-Wait. -What? | 1:17:29 | 1:17:31 | |
SHE GASPS | 1:17:32 | 1:17:33 | |
What? What's wrong? | 1:17:33 | 1:17:35 | |
You went to Ireland? | 1:17:35 | 1:17:36 | |
You went to Roscrea? | 1:17:36 | 1:17:38 | |
Yeah. Yeah, I took him. | 1:17:38 | 1:17:40 | |
He was looking for you, Philomena. | 1:17:42 | 1:17:44 | |
-That nun, I saw her at Roscrea. -Sister Hildegarde. | 1:17:46 | 1:17:49 | |
She's older now but that was definitely her. | 1:17:49 | 1:17:52 | |
They always told me they didn't know where Anthony was. | 1:17:52 | 1:17:55 | |
But... they...they told us that they couldn't find you. | 1:17:57 | 1:18:00 | |
They said that you had er... abandoned him as a baby. | 1:18:02 | 1:18:07 | |
She's been looking for him! She's spent her whole life trying to find him. | 1:18:07 | 1:18:10 | |
I did not abandon my child. | 1:18:10 | 1:18:12 | |
He's er... He's there now. | 1:18:17 | 1:18:19 | |
What do you mean? | 1:18:21 | 1:18:23 | |
I had this huge standoff with his... father. | 1:18:23 | 1:18:25 | |
He wanted him buried in the US, but it was your son's dying wish. | 1:18:25 | 1:18:30 | |
He said he wanted to go home. | 1:18:32 | 1:18:33 | |
He's buried at Roscrea. | 1:18:36 | 1:18:38 | |
SHE SIGHS | 1:18:49 | 1:18:51 | |
We've come full circle. | 1:19:33 | 1:19:34 | |
Yes. | 1:19:36 | 1:19:38 | |
The end of all our exploring will be to arrive where we started | 1:19:38 | 1:19:42 | |
and know the place for the first time. | 1:19:42 | 1:19:44 | |
That's lovely, Martin. Did you just think of that? | 1:19:44 | 1:19:48 | |
No, it's TS Eliot. | 1:19:48 | 1:19:50 | |
Well, never mind. It's still very nice. | 1:19:50 | 1:19:52 | |
Shall we go in? | 1:19:55 | 1:19:56 | |
You're not going to make a scene in there, are you? | 1:19:56 | 1:19:59 | |
I just want to ask a few questions. | 1:20:01 | 1:20:03 | |
I don't want any tea, and I don't want any cake. | 1:20:03 | 1:20:06 | |
BUZZER | 1:20:15 | 1:20:17 | |
-Do come in, Philomena. -Thank you. | 1:20:23 | 1:20:26 | |
Sister Claire's asked if you can wait in here for her. | 1:20:33 | 1:20:36 | |
Now remember, Martin. It's not their fault. | 1:20:45 | 1:20:48 | |
They didn't know Anthony had a different name. | 1:20:48 | 1:20:50 | |
HE SIGHS | 1:20:56 | 1:20:58 | |
One of them did. | 1:21:01 | 1:21:03 | |
Martin! | 1:21:03 | 1:21:05 | |
Goodbye, Sister. See you at Mass, bright and early. | 1:21:23 | 1:21:25 | |
Excuse me. What are you doing? You're not allowed in here. | 1:21:25 | 1:21:28 | |
He just walked straight in. | 1:21:28 | 1:21:30 | |
This is completely inappropriate behaviour! | 1:21:30 | 1:21:32 | |
Sister Hildegarde, it's OK, I'm not going to hurt you. | 1:21:33 | 1:21:36 | |
I just want to ask you a question. I'm a friend of Philomena Lee. | 1:21:36 | 1:21:39 | |
I saw you on a video with her son. | 1:21:39 | 1:21:41 | |
Now, when you knew they were looking for each other, | 1:21:41 | 1:21:44 | |
why did you keep them apart? | 1:21:44 | 1:21:46 | |
We'll call the guards unless you leave now. | 1:21:46 | 1:21:48 | |
I'm not leaving until she answers me. | 1:21:48 | 1:21:50 | |
I'm sorry, I think your whole manner is absolutely disgusting. | 1:21:50 | 1:21:53 | |
I'll tell you what's disgusting, is lying to a dying man. | 1:21:53 | 1:21:56 | |
You could have given him a few moments with his mother before he passed away | 1:21:56 | 1:22:00 | |
but you chose not to. | 1:22:00 | 1:22:01 | |
-That's disgusting. -Come on, Sister. | 1:22:01 | 1:22:02 | |
You don't have to listen to this. | 1:22:02 | 1:22:04 | |
-Not very Christian, is it? -Wait! | 1:22:04 | 1:22:07 | |
Let me tell you something. | 1:22:12 | 1:22:14 | |
I have kept my vow of chastity my whole life. | 1:22:15 | 1:22:20 | |
Self-denial and mortification of the flesh... | 1:22:21 | 1:22:24 | |
that's what brings us closer to God. | 1:22:24 | 1:22:27 | |
Sister Hildegarde... | 1:22:27 | 1:22:28 | |
Those girls have nobody to blame but themselves, | 1:22:28 | 1:22:31 | |
and their own carnal incontinence. | 1:22:31 | 1:22:34 | |
Sister Hildegarde, please! | 1:22:34 | 1:22:36 | |
You mean they had sex? | 1:22:36 | 1:22:38 | |
What's done is done. What do you expect us to do about it now? | 1:22:38 | 1:22:42 | |
Nothing. | 1:22:42 | 1:22:43 | |
There's nothing to be done or said. | 1:22:45 | 1:22:47 | |
I've found my son. That's what I came here for. | 1:22:48 | 1:22:51 | |
-Martin. -Hang on. I'll tell you what you can do. | 1:22:51 | 1:22:54 | |
Say sorry. How about that? Apologise. Stop trying to cover things up. | 1:22:54 | 1:22:57 | |
Get out there and clear all the weeds and crap | 1:22:57 | 1:22:59 | |
off the graves of the mothers and babies that died in childbirth. | 1:22:59 | 1:23:02 | |
Their suffering was atonement for their sins. | 1:23:02 | 1:23:05 | |
-One of the mothers was 14 years old! -Martin, that's enough. | 1:23:05 | 1:23:08 | |
The Lord Jesus Christ will be my judge, not the likes of you. | 1:23:08 | 1:23:12 | |
Really? I think if Jesus was here, | 1:23:12 | 1:23:14 | |
he'd tip you out of that fucking wheelchair | 1:23:14 | 1:23:16 | |
-and you wouldn't get up and walk. -Stop! Stop! I'm sorry. | 1:23:16 | 1:23:19 | |
I didn't want to bring him in here to make a scene. | 1:23:20 | 1:23:22 | |
Why are you apologising? Anthony was dying and she still wouldn't tell him about you. | 1:23:22 | 1:23:26 | |
But it happened to me. Not you. | 1:23:26 | 1:23:28 | |
It's up to me what I do about it. It's my choice. | 1:23:28 | 1:23:31 | |
So, what? You're just going to do nothing? | 1:23:31 | 1:23:33 | |
No. | 1:23:37 | 1:23:38 | |
Sister Hildegarde... | 1:23:42 | 1:23:43 | |
I want you to know... | 1:23:46 | 1:23:48 | |
that I forgive you. | 1:23:48 | 1:23:50 | |
What? Just like that? | 1:23:54 | 1:23:56 | |
It's not just like that. That's hard. That's hard for me. | 1:23:56 | 1:23:59 | |
But I don't want to hate people. | 1:24:01 | 1:24:03 | |
I don't want to be like you. | 1:24:04 | 1:24:06 | |
Look at you. | 1:24:08 | 1:24:09 | |
I'm angry. | 1:24:11 | 1:24:12 | |
It must be exhausting. | 1:24:14 | 1:24:16 | |
Sister Claire, I wonder would you be | 1:24:19 | 1:24:21 | |
so kind as to take me to my son's grave? | 1:24:21 | 1:24:23 | |
Well... | 1:24:40 | 1:24:41 | |
I couldn't forgive you. | 1:24:43 | 1:24:45 | |
DOOR OPENS | 1:25:08 | 1:25:10 | |
It's all right. I've calmed down. | 1:25:11 | 1:25:13 | |
I just want to buy something. | 1:25:14 | 1:25:15 | |
He knew I'd find him here. | 1:26:05 | 1:26:07 | |
I'm not going to publish the story. | 1:26:14 | 1:26:16 | |
It's between you and him. | 1:26:19 | 1:26:21 | |
I got you something. | 1:26:25 | 1:26:26 | |
Oh, Martin. | 1:26:29 | 1:26:31 | |
Thank you. | 1:26:32 | 1:26:34 | |
You know, I just decided... I did want you to tell my story after all. | 1:26:51 | 1:26:57 | |
People should know what happened here. | 1:26:57 | 1:27:00 | |
Did I tell you, Martin, I've finished that book? The Saddle And The Loom. | 1:27:28 | 1:27:32 | |
-Would you like to read it? -Erm... | 1:27:32 | 1:27:35 | |
Why don't you tell me about it? | 1:27:37 | 1:27:39 | |
-ENGINE STARTS -Well...there's this weaver. | 1:27:39 | 1:27:42 | |
She's quite plain, really. Well, she's pretty but she's plain. | 1:27:43 | 1:27:47 | |
I like plain girls. | 1:27:47 | 1:27:48 | |
Yes, well, and she's been told that she has to work all through the night, | 1:27:48 | 1:27:52 | |
to weave a beautiful cloak, | 1:27:52 | 1:27:54 | |
of the finest silk for the master to wear on his wedding day. | 1:27:54 | 1:27:58 | |
So in the morning she shows him the cloak and | 1:27:58 | 1:28:01 | |
she asks him, "What do you think, kind sir?" | 1:28:01 | 1:28:04 | |
And he says, "It's beautiful." | 1:28:04 | 1:28:06 | |
"I've never seen anything more beautiful in my whole life." | 1:28:06 | 1:28:10 | |
But guess what? He's not even looking at the cloak. | 1:28:10 | 1:28:12 | |
-He's looking at her! -SHE CHUCKLES | 1:28:12 | 1:28:15 | |
Well, I didn't see that coming, Martin. Not in a million years. | 1:28:15 | 1:28:18 |