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BOMBS EXPLODE IN DISTANCE | 0:00:08 | 0:00:11 | |
GUNFIRE | 0:00:13 | 0:00:15 | |
This field general court martial finds the accused, Private Peaceful, | 0:00:22 | 0:00:25 | |
guilty as charged in accordance with Section 4 of the Army Act. | 0:00:25 | 0:00:30 | |
You will remain in custody until sentenced. | 0:00:30 | 0:00:33 | |
These proceedings are now terminated, take away the prisoner. | 0:00:33 | 0:00:36 | |
Sir, prisoner and escort, left turn. | 0:00:36 | 0:00:40 | |
Left, right, left, right, left. | 0:00:40 | 0:00:43 | |
Left, right, left, right, left, right, left. | 0:00:43 | 0:00:46 | |
Left, right, left, right, left, right... | 0:00:46 | 0:00:49 | |
Ten to midnight. | 0:01:00 | 0:01:02 | |
I shan't sleep. | 0:01:02 | 0:01:04 | |
I won't dream it away. | 0:01:05 | 0:01:06 | |
Tonight, more than any other night of my life... | 0:01:07 | 0:01:10 | |
..I want to feel alive. | 0:01:11 | 0:01:12 | |
Let's go. Before we get caught. | 0:01:29 | 0:01:31 | |
12 pheasants. | 0:01:37 | 0:01:39 | |
-12? -Yeah. | 0:01:39 | 0:01:41 | |
My land, my pheasants. | 0:01:41 | 0:01:43 | |
We should be out, working in the fields. | 0:01:53 | 0:01:56 | |
We'll learn more at school. It's not so bad. | 0:01:56 | 0:01:58 | |
Honest. | 0:01:58 | 0:02:00 | |
Whenever you say honest, Charlie, | 0:02:00 | 0:02:02 | |
I know it's not true. | 0:02:02 | 0:02:04 | |
Hey. | 0:02:04 | 0:02:05 | |
Yep. | 0:02:08 | 0:02:09 | |
CHILDREN GIGGLE | 0:02:11 | 0:02:12 | |
Fred. All right, Pete. | 0:02:21 | 0:02:23 | |
-Hello. -Hello. | 0:02:25 | 0:02:27 | |
Watch where you're going, Peaceful. | 0:02:31 | 0:02:33 | |
BELL RINGS KID: Mr Munnings is coming! | 0:02:33 | 0:02:35 | |
You do not come to school in bare feet. | 0:02:40 | 0:02:44 | |
You do not lie. | 0:02:44 | 0:02:46 | |
You do not cheat. | 0:02:46 | 0:02:48 | |
These are my commandments. | 0:02:48 | 0:02:51 | |
Do I make myself clear? | 0:02:52 | 0:02:55 | |
ALL: Yes, sir. | 0:02:55 | 0:02:56 | |
Admiral Nelson. | 0:03:00 | 0:03:03 | |
General Baden-Powell. | 0:03:03 | 0:03:05 | |
Great British heroes. | 0:03:07 | 0:03:10 | |
Fighting for king and country. | 0:03:11 | 0:03:15 | |
From Waterloo... | 0:03:16 | 0:03:18 | |
"Wee, sleekit, cowrin, tim'rous beastie, | 0:03:18 | 0:03:20 | |
"O, what a panic's in thy breastie!" | 0:03:20 | 0:03:22 | |
"Still thou are blest, compared wi' me!" | 0:03:22 | 0:03:25 | |
"The present only toucheth thee." | 0:03:25 | 0:03:27 | |
Yes, Nipper? | 0:03:27 | 0:03:29 | |
Why you be talking foreign, miss? | 0:03:29 | 0:03:31 | |
It's not foreign, it's about a mouse. | 0:03:31 | 0:03:34 | |
It's Scottish. | 0:03:34 | 0:03:35 | |
And where is Scotland? | 0:03:35 | 0:03:37 | |
England, miss? | 0:03:38 | 0:03:40 | |
LAUGHTER | 0:03:40 | 0:03:41 | |
I can do it, Charlie. | 0:03:43 | 0:03:44 | |
Double knot, so it will never come undone. | 0:03:46 | 0:03:48 | |
Is he your brother? | 0:03:50 | 0:03:52 | |
What does your dad do? | 0:03:53 | 0:03:55 | |
-Gamekeeper. -My dad's a rat catcher. | 0:03:55 | 0:03:58 | |
Like the Pied Piper? | 0:03:59 | 0:04:00 | |
Yes. Only he don't like children. | 0:04:00 | 0:04:04 | |
Tommo. | 0:04:04 | 0:04:06 | |
Hello, Joe. | 0:04:06 | 0:04:07 | |
That's lovely, Joe. | 0:04:08 | 0:04:10 | |
Oranges and lemons... | 0:04:14 | 0:04:16 | |
-He's got a loony for a brother. -What did you say, Jimmy Parsons? | 0:04:17 | 0:04:20 | |
Your brother's a loony, your brother's a loony. | 0:04:20 | 0:04:23 | |
-No, he's not. -Yes, he is. | 0:04:23 | 0:04:25 | |
THUD | 0:04:25 | 0:04:27 | |
CHILDREN SCREAM | 0:04:30 | 0:04:33 | |
HE GROANS | 0:04:35 | 0:04:38 | |
CHILDREN CHANT | 0:04:38 | 0:04:39 | |
What the blo...?! | 0:04:39 | 0:04:41 | |
Ow. | 0:04:45 | 0:04:46 | |
Ow! | 0:04:47 | 0:04:49 | |
Ow! | 0:04:49 | 0:04:51 | |
LAUGHTER | 0:04:53 | 0:04:55 | |
WHIPPING | 0:04:55 | 0:04:56 | |
HE SNIFFS | 0:04:59 | 0:05:00 | |
CHEERING | 0:05:06 | 0:05:08 | |
Jimmy Parsons won't be doing that again, Tommo. | 0:05:13 | 0:05:15 | |
Got him in the goolies. | 0:05:15 | 0:05:17 | |
Your wife, sir. | 0:05:28 | 0:05:29 | |
Can't we stay outside in the fresh air a little longer? | 0:05:36 | 0:05:40 | |
It's far too cold. | 0:05:40 | 0:05:42 | |
Thank you. | 0:05:42 | 0:05:43 | |
And what did you boys get up to at school today? | 0:05:51 | 0:05:53 | |
Oh, this and that. | 0:05:53 | 0:05:55 | |
What have you done to your face, Tommo? | 0:05:56 | 0:05:58 | |
Bread and butter pudding, my favourite. | 0:06:10 | 0:06:13 | |
Tommo. | 0:06:14 | 0:06:16 | |
My favourite. | 0:06:21 | 0:06:23 | |
-Hello, Joe. -Father. | 0:06:29 | 0:06:31 | |
How was the shoot, James? | 0:06:33 | 0:06:35 | |
Ask the boys. | 0:06:35 | 0:06:37 | |
We were at school. Honest. | 0:06:37 | 0:06:39 | |
Colonel saw the best of it. | 0:06:39 | 0:06:42 | |
He's a silly old fart. | 0:06:42 | 0:06:44 | |
Mad old duffer. | 0:06:45 | 0:06:47 | |
He may well be a silly old fart, | 0:06:47 | 0:06:49 | |
but it's the Colonel who pays your wage | 0:06:49 | 0:06:51 | |
and puts the roof above your head. | 0:06:51 | 0:06:53 | |
It's not his money, he married into it. | 0:06:53 | 0:06:55 | |
-Now, now... -He's a silly old bugger. | 0:06:55 | 0:06:59 | |
You must show more respect. | 0:06:59 | 0:07:01 | |
Well, I show my respect where respect's due, my love. | 0:07:01 | 0:07:05 | |
BOYS: Bleurgh. | 0:07:05 | 0:07:07 | |
"'What big eyes you have, Grandma,' | 0:07:07 | 0:07:09 | |
"said Little Red Riding Hood. | 0:07:09 | 0:07:11 | |
"'All the better to see with,' said the wolf. | 0:07:11 | 0:07:14 | |
"'What big teeth you have, Grandma. | 0:07:14 | 0:07:16 | |
"'All the better | 0:07:16 | 0:07:18 | |
"'to gobble you up.'" | 0:07:18 | 0:07:20 | |
WOLF WHISTLES | 0:07:20 | 0:07:23 | |
We're too old for this. | 0:07:24 | 0:07:25 | |
Big Joe don't get stories like you do at school. | 0:07:25 | 0:07:28 | |
School. | 0:07:28 | 0:07:29 | |
Will you come up to the woods with me on Saturday, Tommo? | 0:07:29 | 0:07:32 | |
We'll clear the dead trees. | 0:07:32 | 0:07:33 | |
The only dead wood around here needs clearing's in Tommo's head. | 0:07:33 | 0:07:36 | |
Ow. | 0:07:36 | 0:07:38 | |
I thought you were putting the boys to bed? | 0:07:38 | 0:07:40 | |
What are all you men looking at? | 0:07:42 | 0:07:44 | |
ALL SHOUT AT ONCE | 0:07:48 | 0:07:51 | |
Seems sad to chop down the old trees. | 0:07:54 | 0:07:57 | |
Well, it clears space for the walnuts. | 0:07:57 | 0:07:59 | |
I don't like walnuts. | 0:07:59 | 0:08:01 | |
Walnut trees are special. | 0:08:01 | 0:08:03 | |
-Why? -It's the grain of the wood. | 0:08:03 | 0:08:05 | |
It makes fine furniture. | 0:08:06 | 0:08:08 | |
Come on, Biddy, these ladies haven't got all day. | 0:08:11 | 0:08:13 | |
Yes, Miss Far. | 0:08:13 | 0:08:15 | |
Some may not even have that long. | 0:08:15 | 0:08:17 | |
Morning, Auntie. | 0:08:19 | 0:08:21 | |
And what might you be after, Hazel Peaceful? | 0:08:21 | 0:08:23 | |
More blacking for the stove. | 0:08:23 | 0:08:25 | |
Well, you'll have to take your turn like everyone else. | 0:08:25 | 0:08:27 | |
Come on, Joe. | 0:08:32 | 0:08:34 | |
Morning, madam. | 0:08:37 | 0:08:39 | |
The Colonel's usual, if you please. | 0:08:39 | 0:08:42 | |
I'll deliver it myself. | 0:08:42 | 0:08:43 | |
There you go. | 0:08:46 | 0:08:47 | |
Ah. My deliverer. | 0:08:57 | 0:09:00 | |
Your pinch of snuff, Colonel. | 0:09:00 | 0:09:02 | |
I'd like to pinch you, Miss Far. | 0:09:02 | 0:09:05 | |
Colonel. | 0:09:05 | 0:09:06 | |
Don't mind him, he's the soul of discretion. | 0:09:07 | 0:09:10 | |
How is your good wife? | 0:09:11 | 0:09:13 | |
Poorly. | 0:09:13 | 0:09:14 | |
Still? | 0:09:14 | 0:09:17 | |
Not long to go, I fear. | 0:09:17 | 0:09:20 | |
HE SNIFFS | 0:09:20 | 0:09:22 | |
THUDS | 0:09:22 | 0:09:25 | |
I love it here. | 0:09:25 | 0:09:27 | |
Just the two of us. | 0:09:27 | 0:09:28 | |
It's a damn sight more peaceful, just the one of you. | 0:09:30 | 0:09:33 | |
-Which one of us do you love the most? -Eh? | 0:09:36 | 0:09:39 | |
Me or Charlie? | 0:09:39 | 0:09:40 | |
Or Big Joe? | 0:09:40 | 0:09:42 | |
-Or Big Joe. -Well, you know, Big Joe is special. | 0:09:42 | 0:09:46 | |
You know, I've had three sons, Tommo. | 0:09:47 | 0:09:50 | |
And each one I've loved so much that when the next one's come along, | 0:09:50 | 0:09:53 | |
I didn't fathom how I had any more love in me. | 0:09:53 | 0:09:55 | |
But since you ask... | 0:09:57 | 0:09:59 | |
..I love my heir apparent, Charlie, the most. | 0:10:02 | 0:10:04 | |
I hate you. I hate you! | 0:10:06 | 0:10:08 | |
I'm teasing, Tommo! | 0:10:08 | 0:10:10 | |
"Wee, sleekit, cowrin... | 0:10:29 | 0:10:31 | |
"..tim'rous beastie." | 0:10:33 | 0:10:34 | |
TEACHER'S VOICE: "Sleekit, cowrin, tim'rous beastie, | 0:10:34 | 0:10:37 | |
"O, what a panic's in thy breastie! | 0:10:37 | 0:10:39 | |
"Still thou are blest, compared wi' me! | 0:10:39 | 0:10:41 | |
"The present only toucheth thee." | 0:10:41 | 0:10:44 | |
I'm sorry. | 0:10:52 | 0:10:54 | |
WOOD CREAKS | 0:10:56 | 0:10:59 | |
Stay back! Run! | 0:10:59 | 0:11:01 | |
Run! Tommo, run! | 0:11:04 | 0:11:07 | |
Run! | 0:11:08 | 0:11:10 | |
He should wear his Sunday best. | 0:11:37 | 0:11:39 | |
Needs pressing. | 0:11:40 | 0:11:42 | |
And there's a button missing. | 0:11:42 | 0:11:44 | |
Very James Peaceful, I must say. | 0:11:44 | 0:11:47 | |
CHURCH CONGREGATION SINGS | 0:12:03 | 0:12:05 | |
ALL: # ..lie with thee. # | 0:12:05 | 0:12:10 | |
James Peaceful was a good man. | 0:12:23 | 0:12:26 | |
One of the finest workers I have known. | 0:12:26 | 0:12:30 | |
Always cheerful as he went about his work. | 0:12:30 | 0:12:32 | |
The Peaceful family have been employed by my family, | 0:12:34 | 0:12:39 | |
by my wife's family... | 0:12:39 | 0:12:41 | |
..five generations. | 0:12:43 | 0:12:45 | |
And in all the 20 years, | 0:12:45 | 0:12:48 | |
he worked as gamekeeper and forester on the estate... | 0:12:48 | 0:12:54 | |
..James Peaceful was a credit | 0:12:55 | 0:12:59 | |
to his family and his village. | 0:12:59 | 0:13:03 | |
We shall remember him. | 0:13:05 | 0:13:07 | |
-VICAR: -We now commit his body to the ground. | 0:13:08 | 0:13:11 | |
Earth to earth. Ashes to ashes. | 0:13:11 | 0:13:15 | |
Dust to dust. | 0:13:15 | 0:13:17 | |
In the sure and certain hope of the resurrection to eternal life... | 0:13:17 | 0:13:21 | |
..through our Lord Jesus Christ, amen. | 0:13:22 | 0:13:25 | |
ALL: Amen. | 0:13:25 | 0:13:26 | |
I have no wish to intrude upon your grief, Mrs Peaceful, | 0:13:38 | 0:13:42 | |
and forgive me if this seems a little indelicate. | 0:13:42 | 0:13:47 | |
But there is the matter of the cottage. | 0:13:47 | 0:13:50 | |
Our cottage? | 0:13:50 | 0:13:51 | |
Strictly speaking, it's a tied cottage. | 0:13:51 | 0:13:54 | |
Tied to your husband's employment on the estate. | 0:13:54 | 0:13:57 | |
-Now, of course, that he's gone... -You want us out? | 0:13:57 | 0:14:00 | |
Well, not if we can come to an arrangement. | 0:14:00 | 0:14:03 | |
There's a position up at the house that might suit you. | 0:14:04 | 0:14:07 | |
Lady's maid to my dear wife. | 0:14:07 | 0:14:09 | |
That's very good of you, Colonel, but I have my children. | 0:14:09 | 0:14:13 | |
I have considered that. | 0:14:13 | 0:14:16 | |
And I'm pleased to offer Charles employment in my hunt kennels. | 0:14:16 | 0:14:20 | |
Thomas, of course, is still at school. | 0:14:20 | 0:14:23 | |
As for the other one, | 0:14:23 | 0:14:25 | |
well, there's always the lunatic asylum. | 0:14:25 | 0:14:30 | |
I could never do that, Colonel, never. | 0:14:30 | 0:14:33 | |
You do understand the position you're in, Mrs Peaceful? | 0:14:34 | 0:14:37 | |
Yes, I do. | 0:14:37 | 0:14:38 | |
My condolences, Mrs Peaceful. | 0:14:40 | 0:14:43 | |
Miss Far, good day. | 0:14:43 | 0:14:45 | |
You married the first man that turned your head. | 0:14:51 | 0:14:54 | |
Nothing but a forester. | 0:14:54 | 0:14:56 | |
He couldn't even do that properly. | 0:14:56 | 0:14:58 | |
I'll need your help, Auntie. | 0:14:58 | 0:15:00 | |
-No, Hazel. -Please. | 0:15:00 | 0:15:03 | |
How beautiful. | 0:15:24 | 0:15:27 | |
Where has she got to? | 0:15:34 | 0:15:35 | |
-Come along now, eat up. -I'm not hungry. | 0:15:37 | 0:15:39 | |
-Waste not, want not. -I want bread and butter pudding. | 0:15:39 | 0:15:41 | |
Potatoes is all you'll be getting from now on. | 0:15:41 | 0:15:44 | |
Coarse and vulgar, and no manners. | 0:15:46 | 0:15:49 | |
-Mother. -Not now, Joe. | 0:15:51 | 0:15:53 | |
I don't know what the Colonel was thinking of. | 0:15:53 | 0:15:56 | |
A lady's maid at your age. | 0:15:56 | 0:15:58 | |
-Please don't go yet. -I have no time, Hazel. | 0:16:00 | 0:16:03 | |
I have a business to run, you know that. | 0:16:03 | 0:16:06 | |
DOOR CLOSES | 0:16:09 | 0:16:10 | |
One day, the woodcutter's sons spied the evil old Colonel | 0:16:12 | 0:16:17 | |
pushing his harmless, dear little wife into the lake | 0:16:17 | 0:16:21 | |
-to drown her. -Charlie... | 0:16:21 | 0:16:24 | |
And so the nasty Colonel and horrible Grandma Wolf | 0:16:24 | 0:16:28 | |
lived unhappily ever after. | 0:16:28 | 0:16:30 | |
And had lots of monster children | 0:16:30 | 0:16:31 | |
with hairy whiskers coming out of their nostrils. | 0:16:31 | 0:16:34 | |
Charlie? | 0:16:36 | 0:16:37 | |
I've been thinking about Father? | 0:16:39 | 0:16:41 | |
How he died. | 0:16:42 | 0:16:43 | |
What are we going to do? | 0:16:45 | 0:16:46 | |
About what? | 0:16:48 | 0:16:50 | |
About Mother. | 0:16:50 | 0:16:52 | |
About Grandma Wolf, being hungry all the time. | 0:16:52 | 0:16:56 | |
We'll scavenge in the forest. | 0:16:57 | 0:16:58 | |
We can tickle for trout in the river. | 0:16:58 | 0:17:01 | |
It's the Colonel's river. His land. | 0:17:01 | 0:17:04 | |
You work for him. | 0:17:04 | 0:17:05 | |
No-one owns the wildlife, Tommo. | 0:17:05 | 0:17:08 | |
GENTLE MUSIC PLAYS | 0:17:14 | 0:17:15 | |
-Come here, Tommo. -Come on, Charlie. | 0:17:15 | 0:17:17 | |
Empire Day. | 0:17:21 | 0:17:24 | |
The late Queen's birthday. | 0:17:24 | 0:17:25 | |
God bless her. | 0:17:25 | 0:17:27 | |
Today, we remember the warriors | 0:17:27 | 0:17:30 | |
who died with honour fighting for their country overseas. | 0:17:30 | 0:17:34 | |
And God bless the British Empire | 0:17:34 | 0:17:37 | |
and the taming of the natives to the greater glory of civilisation. | 0:17:37 | 0:17:41 | |
But whilst we must cherish our past... | 0:17:42 | 0:17:44 | |
..we must all look forward to the future | 0:17:45 | 0:17:48 | |
and the greatness that lies therein. | 0:17:48 | 0:17:51 | |
And with that, I now declare | 0:17:51 | 0:17:54 | |
the Empire Garden Fete well and truly open. | 0:17:54 | 0:17:58 | |
Thank you. | 0:17:58 | 0:18:00 | |
CHEERING / SHOUTS OF ENCOURAGEMENT | 0:18:04 | 0:18:07 | |
Who are you? | 0:18:25 | 0:18:27 | |
Queen of the Amazons. | 0:18:27 | 0:18:28 | |
Eh? | 0:18:28 | 0:18:30 | |
Molly Monks, my father's the Colonel's new gamekeeper. | 0:18:30 | 0:18:32 | |
-Where are you from? -Peru. | 0:18:35 | 0:18:38 | |
What? | 0:18:38 | 0:18:40 | |
This is my little brother, Tommo. | 0:18:40 | 0:18:42 | |
-I'm nearly 11. -Hello, Tommo. | 0:18:42 | 0:18:45 | |
-She's called Molly, and she's from Peru. -Where? | 0:18:45 | 0:18:48 | |
And I'm Charlie Peaceful. | 0:18:48 | 0:18:50 | |
Age 13. | 0:18:50 | 0:18:52 | |
Meet Charlie in the barley for a parley? | 0:18:52 | 0:18:54 | |
This is my older brother, Big Joe. | 0:18:55 | 0:18:57 | |
-Little Joe. -Pleased to meet you, Peaceful brothers. | 0:18:57 | 0:19:00 | |
-What does your father do? -He was the Colonel's gamekeeper. | 0:19:00 | 0:19:04 | |
I see. | 0:19:04 | 0:19:05 | |
-He's dead. -Dad's dead. | 0:19:05 | 0:19:08 | |
I'm sorry. | 0:19:08 | 0:19:10 | |
Have you got brothers and sisters? | 0:19:10 | 0:19:12 | |
No, I haven't even got a mother. | 0:19:12 | 0:19:14 | |
Hey, no secrets, Tommy Peaceful. | 0:19:16 | 0:19:19 | |
Tommo. I'm Tommo. | 0:19:19 | 0:19:21 | |
-Come on, Charlie. -Where are you off to? | 0:19:22 | 0:19:24 | |
BOTH: Nowhere. | 0:19:24 | 0:19:26 | |
Honest. | 0:19:26 | 0:19:28 | |
CHEERING | 0:19:30 | 0:19:32 | |
Shite and onions. | 0:19:42 | 0:19:44 | |
-That was your fault. -What did I do? | 0:19:44 | 0:19:46 | |
WHISTLES | 0:19:46 | 0:19:48 | |
This way. | 0:19:48 | 0:19:50 | |
Monks, the gamekeeper. | 0:19:50 | 0:19:51 | |
DOG BARKS | 0:19:51 | 0:19:53 | |
Run, Tommo. | 0:19:53 | 0:19:55 | |
No, Charlie, if one goes, we both go. | 0:19:55 | 0:19:58 | |
You best stay put then. cos I'm going nowhere. | 0:19:58 | 0:20:01 | |
Be careful. | 0:20:16 | 0:20:18 | |
What do you think of Molly? | 0:20:24 | 0:20:26 | |
She's all right for a girl. | 0:20:26 | 0:20:28 | |
MAN SPEAKING IN DISTANCE: Morning. | 0:20:51 | 0:20:53 | |
-MUM: -Mr Monks. | 0:20:53 | 0:20:54 | |
I'm the bearer of sad news. | 0:20:54 | 0:20:56 | |
It's the lady of the house, she passed away. | 0:20:57 | 0:21:00 | |
-Oh, no. -She's been unwell, you know. | 0:21:00 | 0:21:04 | |
INDISTINCT CONVERSATION | 0:21:04 | 0:21:06 | |
Oh! | 0:21:06 | 0:21:09 | |
The Colonel wishes you to do the linen and the laundry. | 0:21:09 | 0:21:12 | |
INDISTINCT CONVERSATION | 0:21:12 | 0:21:17 | |
Goodbye, Mr Monks. | 0:21:19 | 0:21:20 | |
What is it, Mother? | 0:21:26 | 0:21:28 | |
The Colonel's wife has passed away. | 0:21:29 | 0:21:32 | |
-I don't believe it. -The Colonel killed her. | 0:21:32 | 0:21:34 | |
No, of course he didn't. | 0:21:34 | 0:21:36 | |
What a terrible thing to say, Tommo. | 0:21:36 | 0:21:38 | |
She's been frail for a long while now. | 0:21:39 | 0:21:41 | |
She died peacefully in her sleep. | 0:21:41 | 0:21:43 | |
So, that's it then. | 0:21:44 | 0:21:46 | |
You lost your job, the Colonel's throwing us out. | 0:21:46 | 0:21:48 | |
-No. You're to stay on in his hunt kennels. -Oh, good. | 0:21:48 | 0:21:51 | |
And I'm to take in the Colonel's laundry, here. | 0:21:51 | 0:21:54 | |
So I can look after Big Joe again. | 0:21:54 | 0:21:56 | |
And what about Grandma Wolf? | 0:21:56 | 0:21:57 | |
-Now, don't call her that. -Why not? | 0:21:57 | 0:22:00 | |
She prowls around in sheep's clothing | 0:22:00 | 0:22:02 | |
whenever the Colonel's watching. | 0:22:02 | 0:22:04 | |
What will she get up to now? | 0:22:04 | 0:22:06 | |
What did you do that for, Jimmy Parsons? | 0:22:20 | 0:22:23 | |
Go on, then, Peaceful. | 0:22:23 | 0:22:24 | |
-You're not worth it. -Need your big brother to fight for you? | 0:22:24 | 0:22:27 | |
Form a scab and drop off, dung breath. | 0:22:27 | 0:22:29 | |
There, you keep it. | 0:22:51 | 0:22:53 | |
Keep it forever. | 0:22:53 | 0:22:55 | |
I will. Till the day I die. | 0:22:55 | 0:22:58 | |
You'll need to wash it before then. | 0:22:58 | 0:23:00 | |
How did your mother die, Molly? | 0:23:02 | 0:23:04 | |
She died as I was born. | 0:23:04 | 0:23:05 | |
She gave me life, Tommo. | 0:23:09 | 0:23:11 | |
Don't you feel bad that you... | 0:23:12 | 0:23:15 | |
I feel sad that she isn't here to love me. | 0:23:16 | 0:23:19 | |
I still love her. | 0:23:19 | 0:23:21 | |
Like you still love your father. | 0:23:21 | 0:23:22 | |
I suppose. | 0:23:24 | 0:23:25 | |
DOGS BARK | 0:23:34 | 0:23:37 | |
Can I tell you something, Molly? | 0:23:45 | 0:23:47 | |
Tell me what? | 0:23:47 | 0:23:49 | |
-I think you're... -Boo! Race to the river! | 0:23:49 | 0:23:52 | |
Hey! | 0:23:52 | 0:23:54 | |
Wait for me. | 0:23:54 | 0:23:55 | |
Hey. | 0:23:58 | 0:24:00 | |
MOLLY AND CHARLIE GIGGLE | 0:24:00 | 0:24:02 | |
Hold on. | 0:24:02 | 0:24:04 | |
DUCKS QUACK | 0:24:09 | 0:24:10 | |
I dare you to take off all your clothes. | 0:24:16 | 0:24:18 | |
-No! -Go on. | 0:24:18 | 0:24:20 | |
-No! -I will if you will. | 0:24:20 | 0:24:22 | |
BOTH: No! | 0:24:22 | 0:24:23 | |
Come on in, the water's lovely. | 0:24:46 | 0:24:47 | |
Come on. | 0:24:49 | 0:24:50 | |
Come on, boys, be a man. | 0:24:57 | 0:25:00 | |
See, it's not that cold. | 0:25:04 | 0:25:06 | |
Come on in, Tommo, the water's lovely. | 0:25:14 | 0:25:16 | |
Don't worry, Tommo, the fish won't nibble your bits. | 0:25:18 | 0:25:21 | |
See, it's not that bad. | 0:25:23 | 0:25:25 | |
It's freezing, I'm turning blue. | 0:25:29 | 0:25:32 | |
No peeping... | 0:25:32 | 0:25:33 | |
I said no peeping. | 0:25:41 | 0:25:42 | |
I want to die. | 0:25:46 | 0:25:48 | |
Right here and now. | 0:25:48 | 0:25:50 | |
Because no tomorrow could ever be as good as today. | 0:25:50 | 0:25:53 | |
I'm going to tell the future. I've seen gypsies do it. | 0:25:53 | 0:25:56 | |
The stones say that as long as we stick together, | 0:26:09 | 0:26:11 | |
we'll be lucky and happy till the day we die. | 0:26:11 | 0:26:13 | |
Do the stones say who you'll marry? | 0:26:15 | 0:26:17 | |
Yes. | 0:26:17 | 0:26:19 | |
Mr Peaceful. | 0:26:20 | 0:26:21 | |
-OLDER TOMMO: -Crossed fingers, Molly's stones. | 0:26:23 | 0:26:26 | |
They're just as reliable or unreliable as praying to God. | 0:26:27 | 0:26:31 | |
Well... | 0:26:32 | 0:26:34 | |
I want to see my brother. | 0:26:41 | 0:26:44 | |
I don't think so. | 0:26:44 | 0:26:46 | |
I want to see Charlie. | 0:26:46 | 0:26:47 | |
I didn't hate my father. | 0:26:52 | 0:26:54 | |
He died trying to save me. | 0:26:55 | 0:26:57 | |
Fathers and sons. | 0:27:00 | 0:27:01 | |
Fathers and sons. | 0:27:04 | 0:27:06 | |
Father? | 0:27:06 | 0:27:07 | |
Your father is in God's hands now. | 0:27:10 | 0:27:12 | |
As we're all destined to be, my son. | 0:27:12 | 0:27:14 | |
I don't believe in heaven. | 0:27:14 | 0:27:15 | |
I'm not sure I've ever really believed in God. | 0:27:18 | 0:27:20 | |
At church, I'd look up at Jesus hanging on the cross... | 0:27:22 | 0:27:26 | |
..and wonder why God... | 0:27:28 | 0:27:30 | |
..who is supposed to be his father... | 0:27:32 | 0:27:34 | |
..almighty and powerful... | 0:27:35 | 0:27:39 | |
..would let them do that to him. | 0:27:41 | 0:27:43 | |
Would let him suffer so much. | 0:27:45 | 0:27:47 | |
If there is a God, why was my father killed? | 0:27:48 | 0:27:52 | |
Why does this war happen? | 0:27:55 | 0:27:57 | |
Why won't morning come? | 0:28:00 | 0:28:02 | |
MAN WHISTLES | 0:28:09 | 0:28:11 | |
Happy in your work, Thomas Peaceful? | 0:28:14 | 0:28:16 | |
Afternoon, Tommo. | 0:28:23 | 0:28:24 | |
Afternoon, Molly. | 0:28:24 | 0:28:26 | |
Mind out, you clot. | 0:28:26 | 0:28:28 | |
-Sorry, Grandma. -Don't you call me that around here, Thomas. | 0:28:28 | 0:28:32 | |
Makes me sound old and crotchety. | 0:28:32 | 0:28:33 | |
When really you are young and kind-hearted. | 0:28:33 | 0:28:35 | |
I can hear you, Thomas Peaceful. | 0:28:35 | 0:28:38 | |
The Colonel wants tea for two. | 0:28:38 | 0:28:40 | |
-At 3.00. -Yes, ma'am. | 0:28:40 | 0:28:43 | |
And how do I take my tea? | 0:28:43 | 0:28:45 | |
Same as yesterday, ma'am. | 0:28:45 | 0:28:47 | |
Precisely. | 0:28:47 | 0:28:49 | |
-Same as the day before... -Stop muttering, Molly Monks. | 0:28:49 | 0:28:52 | |
Well, he's old and slow. He's no use for hunting. | 0:28:57 | 0:29:00 | |
-No, sir. -No use to anyone. -No, sir. | 0:29:00 | 0:29:03 | |
Well, you know what to do. | 0:29:03 | 0:29:04 | |
-Sir. -Charlie? | 0:29:04 | 0:29:06 | |
What is it, lad? | 0:29:06 | 0:29:08 | |
He's done you no harm. | 0:29:09 | 0:29:10 | |
The hounds are my property, I decide whether they live or die. | 0:29:10 | 0:29:13 | |
Yes, you do, sir. | 0:29:13 | 0:29:14 | |
-But he's Molly's favourite. -That's sentimental rot. | 0:29:14 | 0:29:18 | |
He's a useless old beast. | 0:29:18 | 0:29:19 | |
-I got him, sir. -Good man. | 0:29:20 | 0:29:22 | |
Take care of it. | 0:29:23 | 0:29:25 | |
Charlie. | 0:29:28 | 0:29:29 | |
DOGS WHIMPER | 0:29:33 | 0:29:34 | |
GUNSHOT | 0:29:43 | 0:29:45 | |
Bring the car out! | 0:29:58 | 0:30:00 | |
Go on now, go on now, boy! | 0:30:01 | 0:30:03 | |
He had no idea, Charlie, we did it. | 0:30:03 | 0:30:06 | |
That's it, run! Run! | 0:30:06 | 0:30:08 | |
A proper job, Tommo. | 0:30:08 | 0:30:10 | |
I'll make an apple pie to go with the stew. | 0:30:11 | 0:30:14 | |
Here, boy, in here, in here. | 0:30:14 | 0:30:15 | |
Get out of my way! | 0:30:17 | 0:30:19 | |
Get him inside, get him inside. | 0:30:21 | 0:30:23 | |
The Colonel's following. | 0:30:23 | 0:30:24 | |
He's not just following you, Charlie Peaceful, | 0:30:24 | 0:30:26 | |
he's right behind you. | 0:30:26 | 0:30:27 | |
I've got the sheets ready for you now, Colonel. | 0:30:27 | 0:30:30 | |
I'm not here for the blasted linen. | 0:30:30 | 0:30:32 | |
-Thomas? -Sir? | 0:30:35 | 0:30:37 | |
-Charles. -This dog had run away, sir, honest. | 0:30:37 | 0:30:40 | |
Liars as well as thieves. | 0:30:40 | 0:30:42 | |
-I beg your pardon, Colonel. -I had to do it, Mother. | 0:30:42 | 0:30:44 | |
-Do what, Charlie? -He told me to shoot him. | 0:30:44 | 0:30:46 | |
-Shoot who? -I can do as I like with him. | 0:30:46 | 0:30:48 | |
-With who? -He stole one of my hounds, Mrs Peaceful. | 0:30:48 | 0:30:52 | |
And as magistrate of this village... | 0:30:52 | 0:30:54 | |
So, am I to understand, Colonel, | 0:30:54 | 0:30:56 | |
that if you were to shoot this hound, | 0:30:56 | 0:30:58 | |
then he was of no use to you at all? | 0:30:58 | 0:30:59 | |
No, no use. | 0:30:59 | 0:31:01 | |
Joe, would you fetch the money mug from the mantelpiece, please? | 0:31:03 | 0:31:06 | |
JOE: Money mug. | 0:31:06 | 0:31:07 | |
-Money, Mother. -Thank you, Joe. | 0:31:09 | 0:31:10 | |
There you are, Colonel. Six pence. | 0:31:12 | 0:31:15 | |
Not a bad price for a useless old dog. | 0:31:15 | 0:31:18 | |
So now he's not stolen, is he? | 0:31:18 | 0:31:20 | |
You're both fired. | 0:31:23 | 0:31:24 | |
I don't know what you're so pleased about. | 0:31:28 | 0:31:31 | |
You've both just lost your jobs. | 0:31:31 | 0:31:33 | |
-Thomas Brass, sir. -Hello, lad. | 0:31:47 | 0:31:49 | |
Morning. | 0:31:49 | 0:31:51 | |
Any work for a young labourer? | 0:31:51 | 0:31:53 | |
No, I've got no work for you here, lad. | 0:31:53 | 0:31:55 | |
-Nothing? -No, I've got my men, I don't need no more. Sorry, lad. | 0:31:55 | 0:31:59 | |
And another pint then, please. | 0:32:08 | 0:32:10 | |
Hang on. | 0:32:10 | 0:32:12 | |
No. You better make that a half. | 0:32:12 | 0:32:14 | |
To your health. | 0:32:15 | 0:32:17 | |
Nice one, Jimmy. | 0:32:28 | 0:32:30 | |
-I did it for you, Fred. We're a team. -Buck up, Nipper. | 0:32:30 | 0:32:33 | |
Nice one, Freddo. | 0:32:40 | 0:32:42 | |
-All right, Tommo? -Nipper. -Out of a job, is it? | 0:32:43 | 0:32:46 | |
Well, you know, Pete. | 0:32:46 | 0:32:48 | |
There's a card game Friday fortnight against the King's Arms. | 0:32:48 | 0:32:51 | |
We could do with a reserve. | 0:32:51 | 0:32:52 | |
Old enough now to play with the lads, are you? | 0:32:52 | 0:32:54 | |
Young Peaceful. | 0:32:54 | 0:32:56 | |
I'll have a go. | 0:32:57 | 0:32:59 | |
-What's trumps? -Hearts. | 0:33:02 | 0:33:04 | |
-Sod it. -What'd you play that for? | 0:33:20 | 0:33:21 | |
You're supposed to be counting the cards. | 0:33:21 | 0:33:23 | |
Looks like someone's lost their place on the card team, Jimmy. | 0:33:23 | 0:33:26 | |
Better luck next time there, Jimmy. | 0:33:26 | 0:33:28 | |
Well done, Tommo. | 0:33:29 | 0:33:30 | |
So, how is the farm? Hard on your own? | 0:33:30 | 0:33:33 | |
I'll get by. | 0:33:33 | 0:33:34 | |
-There's always help at harvest. -It's a lot of work, though. | 0:33:34 | 0:33:37 | |
-And you're not getting any younger, mind you. -Hey, cheeky. | 0:33:37 | 0:33:40 | |
Well... | 0:33:42 | 0:33:43 | |
Well, what? | 0:33:44 | 0:33:45 | |
How about I come and work for you? | 0:33:47 | 0:33:48 | |
I suppose that'd serve the Colonel right, | 0:33:52 | 0:33:55 | |
if I did take you on. | 0:33:55 | 0:33:57 | |
-Both of you. -Both of us? | 0:33:58 | 0:34:00 | |
But one wage, mind. | 0:34:00 | 0:34:02 | |
THUNDER CRACKS | 0:34:06 | 0:34:08 | |
HE WHISTLES | 0:34:35 | 0:34:36 | |
We brought our hound to see you, look. | 0:34:47 | 0:34:49 | |
Hello, Billy old boy. | 0:34:49 | 0:34:51 | |
You smell sweet. | 0:34:51 | 0:34:53 | |
That pong's not Billy, it's you. | 0:34:57 | 0:35:00 | |
That's horse poo. | 0:35:00 | 0:35:01 | |
-It's better than dog shite, mind. -Hey! | 0:35:01 | 0:35:03 | |
We don't want you Peacefuls here. | 0:35:03 | 0:35:05 | |
Bothering our Molly. | 0:35:05 | 0:35:07 | |
She don't want to see you. Go on. | 0:35:07 | 0:35:10 | |
Go on. | 0:35:12 | 0:35:13 | |
Come on, Billy. | 0:35:16 | 0:35:17 | |
Charlie? | 0:35:28 | 0:35:29 | |
-Charlie? -Hm. | 0:35:32 | 0:35:33 | |
How are we going to see Molly again? | 0:35:35 | 0:35:37 | |
We're not. | 0:35:41 | 0:35:42 | |
No. | 0:35:43 | 0:35:44 | |
It's good to have women out of your hair. | 0:35:46 | 0:35:49 | |
-I'll walk. -All right. | 0:36:06 | 0:36:08 | |
-Don't be late, though, Tommo lad. -I won't. | 0:36:08 | 0:36:11 | |
Get up there, boys. | 0:36:47 | 0:36:49 | |
-I think Molly might meet us later. -Huh? -In secret. | 0:36:51 | 0:36:55 | |
Play your little daft games without me, Tommo, all right? | 0:36:56 | 0:36:59 | |
Work, Tommo! | 0:37:01 | 0:37:03 | |
Thank you. | 0:37:09 | 0:37:10 | |
Oh, damned Hun. | 0:37:13 | 0:37:16 | |
Call in the cavalry. | 0:37:16 | 0:37:17 | |
We shall be fighting with the Frenchies against the Bosch. | 0:37:17 | 0:37:21 | |
-DOG BARKS -Molly. | 0:37:31 | 0:37:34 | |
Molly? | 0:37:35 | 0:37:36 | |
-Make yourself scarce. -Hey, come here. | 0:37:40 | 0:37:42 | |
I miss you, both. | 0:37:43 | 0:37:45 | |
Come here. Come here! | 0:37:47 | 0:37:49 | |
Come on, girls. That's right. | 0:37:56 | 0:37:58 | |
There's one. | 0:37:58 | 0:38:00 | |
There's one. There's one. | 0:38:00 | 0:38:02 | |
There's two, there's two. | 0:38:03 | 0:38:05 | |
Come on in, girl. | 0:38:06 | 0:38:08 | |
Bring us another one. Bring us another one. That's it. | 0:38:08 | 0:38:10 | |
-Come on, girl. -There she is. | 0:38:10 | 0:38:13 | |
Ooh er, look at this at one. | 0:38:15 | 0:38:17 | |
-I think I'm in love. -Pardon? | 0:38:21 | 0:38:23 | |
I think I'm in love. | 0:38:25 | 0:38:27 | |
Well, which one? Her? | 0:38:27 | 0:38:29 | |
You're far too young to be in love, Tommo. | 0:38:36 | 0:38:39 | |
All right, boy? | 0:38:41 | 0:38:42 | |
Come on, girls. | 0:38:51 | 0:38:52 | |
HE BREATHES LOUDLY | 0:38:56 | 0:38:58 | |
Thanks, Charlie. | 0:39:18 | 0:39:20 | |
MOLLY YELPS | 0:39:24 | 0:39:26 | |
CHARLIE LAUGHS | 0:39:26 | 0:39:28 | |
SHE SCREAMS | 0:39:31 | 0:39:33 | |
MOLLY ECHOING: I dare you to take off all your clothes. | 0:40:13 | 0:40:16 | |
No! | 0:40:16 | 0:40:17 | |
Come on, boys, be a man. | 0:40:17 | 0:40:19 | |
BELL TOLLS | 0:40:26 | 0:40:32 | |
That's strange, Joe. | 0:40:32 | 0:40:34 | |
It's war. | 0:40:50 | 0:40:52 | |
Horses and guns. | 0:40:57 | 0:40:59 | |
That's how we beat the Boer in the Cape | 0:40:59 | 0:41:01 | |
and how we knocked the stuffing out of the Zulu in Natal. | 0:41:01 | 0:41:05 | |
Horses and guns. | 0:41:05 | 0:41:07 | |
But we work with cart horses, you daft old bug... | 0:41:07 | 0:41:10 | |
You'll need hunters, not ploughers. | 0:41:12 | 0:41:15 | |
Our horses will no sooner charge into battle | 0:41:15 | 0:41:17 | |
than I skip home before last orders. | 0:41:17 | 0:41:20 | |
LAUGHTER | 0:41:20 | 0:41:22 | |
It's not just the cavalry. | 0:41:22 | 0:41:24 | |
How do you move the great guns, | 0:41:24 | 0:41:26 | |
the ammunition trains, the supply magazines? | 0:41:26 | 0:41:29 | |
The army needs all the horses it can get. | 0:41:29 | 0:41:32 | |
And all the men. | 0:41:32 | 0:41:33 | |
Fit, able-bodied young men, ready to fulfil their patriotic duty. | 0:41:33 | 0:41:38 | |
(The old fart.) | 0:41:39 | 0:41:41 | |
Up the revolution! | 0:41:42 | 0:41:44 | |
YOUNG MEN LAUGH | 0:41:44 | 0:41:47 | |
SHE RETCHES | 0:41:55 | 0:41:57 | |
-They've thrown her out. -Eh? | 0:42:05 | 0:42:07 | |
Her father and the Colonel have thrown her out. | 0:42:07 | 0:42:10 | |
-It's your fault, Charlie. -Why? What's going on? | 0:42:11 | 0:42:13 | |
What's going on is that she's going to have your baby. | 0:42:13 | 0:42:17 | |
That's what's going on. | 0:42:17 | 0:42:19 | |
THUNDER RUMBLES | 0:42:25 | 0:42:28 | |
WIND HOWLS | 0:42:32 | 0:42:35 | |
I didn't want to hide it from you, Tommo. | 0:42:47 | 0:42:49 | |
-But you did hide it from me. -She didn't want to hurt you. | 0:42:49 | 0:42:52 | |
Cos you love her, don't you? | 0:42:54 | 0:42:56 | |
But I love her, Tommo. | 0:42:58 | 0:43:01 | |
She loves me. | 0:43:01 | 0:43:02 | |
She's not a girl any more. | 0:43:05 | 0:43:07 | |
-I hate you. -No, you don't, Tommo. | 0:43:10 | 0:43:13 | |
And besides, who'll be my best man? | 0:43:17 | 0:43:19 | |
Jimmy Parsons? | 0:43:19 | 0:43:21 | |
-You're getting married? -Of course. | 0:43:21 | 0:43:23 | |
But not to Jimmy Parsons. | 0:43:23 | 0:43:25 | |
Friends? | 0:43:30 | 0:43:32 | |
Well, James... | 0:43:51 | 0:43:53 | |
he left school sooner than you wanted. | 0:43:53 | 0:43:56 | |
And now he's gone and got a nice girl pregnant. | 0:43:56 | 0:43:59 | |
Who does that remind you of? | 0:44:00 | 0:44:02 | |
Thank you. | 0:44:12 | 0:44:13 | |
No wedding bells? | 0:44:51 | 0:44:52 | |
No bells. | 0:44:54 | 0:44:55 | |
INDISTINCT CHATTER IN OTHER ROOM | 0:45:13 | 0:45:17 | |
Like triplets. | 0:45:27 | 0:45:30 | |
DISTANT LAUGHTER | 0:45:36 | 0:45:38 | |
Joe? | 0:45:38 | 0:45:39 | |
Are you awake? | 0:45:40 | 0:45:41 | |
Father died because of me, Joe. | 0:45:44 | 0:45:46 | |
It was my fault. | 0:45:47 | 0:45:49 | |
SLEEPILY HUMS: # Oranges and lemons... | 0:45:49 | 0:45:51 | |
# ..say the bells of... # | 0:45:53 | 0:45:55 | |
-SINGS WITH VOICE BREAKING: -# You owe me five farthings, say the bells of St Martin's. | 0:45:58 | 0:46:02 | |
# "When will you pay me?" | 0:46:03 | 0:46:06 | |
# Say the bells of Old Bailey. # | 0:46:06 | 0:46:08 | |
OMINOUS MUSIC | 0:46:08 | 0:46:11 | |
Who would shoot their own soldiers? | 0:46:13 | 0:46:15 | |
-Itchy sods, lice. -Could be worse. | 0:46:18 | 0:46:21 | |
Could be crabs. | 0:46:21 | 0:46:22 | |
I see the French | 0:46:23 | 0:46:25 | |
and they shoot their lot for cowardice all the time. | 0:46:25 | 0:46:27 | |
What good's that do? | 0:46:27 | 0:46:29 | |
And the generals and the politicians... | 0:46:30 | 0:46:33 | |
..they think it stops us | 0:46:34 | 0:46:35 | |
from asking what we're doing out here in the first place. | 0:46:35 | 0:46:38 | |
Well, it bloody doesn't. | 0:46:38 | 0:46:40 | |
Why don't you just let him off? | 0:46:41 | 0:46:44 | |
Let him sit out the war behind bars? | 0:46:44 | 0:46:46 | |
Anything. | 0:46:48 | 0:46:49 | |
No. | 0:46:49 | 0:46:50 | |
# Here comes a candle | 0:46:54 | 0:46:56 | |
# To light you to bed | 0:46:56 | 0:46:58 | |
# And here comes a chopper | 0:46:59 | 0:47:02 | |
# To chop off your head. # | 0:47:02 | 0:47:04 | |
KIDS SINGING: # Chip chop chip chop | 0:47:04 | 0:47:07 | |
# The last man's dead! # | 0:47:07 | 0:47:08 | |
Oh, Tommo! | 0:47:14 | 0:47:15 | |
Don't sweep up where I just cleaned then. | 0:47:17 | 0:47:19 | |
Well, do it yourself then. | 0:47:19 | 0:47:21 | |
All right. | 0:47:22 | 0:47:24 | |
Come on, Tommo, go on and punch me. | 0:47:34 | 0:47:36 | |
Come on, yourself. | 0:47:36 | 0:47:39 | |
Come on. Come on, then, Tommo. | 0:47:39 | 0:47:42 | |
Come on, Tommo. | 0:47:42 | 0:47:44 | |
-Come on, then, boy. -I'm not a boy. | 0:47:46 | 0:47:48 | |
Break it up, lads. Break it up! | 0:47:48 | 0:47:50 | |
It's official. War Office, they want my horses. | 0:47:55 | 0:47:59 | |
That's stupid. | 0:47:59 | 0:48:01 | |
You can't argue with them, Charlie. | 0:48:01 | 0:48:04 | |
We dance to their tune. | 0:48:04 | 0:48:06 | |
"Calling all horse herders." | 0:48:07 | 0:48:09 | |
I need you to deliver them to market. | 0:48:09 | 0:48:11 | |
I'll do it. | 0:48:11 | 0:48:13 | |
MILITARY MUSIC PLAYS | 0:48:23 | 0:48:25 | |
-Here, sir. -That's quite all right. Thank you. | 0:48:48 | 0:48:51 | |
Look after 'em, won't you? | 0:48:52 | 0:48:54 | |
MAN: Ladies and gentlemen, boys and girls. | 0:48:57 | 0:49:01 | |
I shan't beat about the bush. | 0:49:01 | 0:49:03 | |
I shan't tell you it's all tickety-boo out there in France. | 0:49:03 | 0:49:06 | |
It's an 'ard slog. | 0:49:06 | 0:49:09 | |
There's only one question you need to ask yourselves about this war. | 0:49:09 | 0:49:12 | |
Who would you rather see marching through your streets? | 0:49:12 | 0:49:15 | |
Us lot? Or the Hun? | 0:49:15 | 0:49:18 | |
Because if we don't beat them over there, | 0:49:18 | 0:49:20 | |
they'll come marching through right here, | 0:49:20 | 0:49:22 | |
burning your houses, violating your women, killing your children. | 0:49:22 | 0:49:27 | |
They've not only beaten brave little Belgium, | 0:49:27 | 0:49:29 | |
but now they've taken a fair slice of France, too. | 0:49:29 | 0:49:32 | |
If we don't beat them at their own game, | 0:49:32 | 0:49:35 | |
they'll gobble us up as well. | 0:49:35 | 0:49:37 | |
Well, do you want the Hun here? | 0:49:37 | 0:49:40 | |
-ALL: -No! | 0:49:40 | 0:49:41 | |
-Do you? ALL: -No! | 0:49:41 | 0:49:42 | |
-Shall we blast them to kingdom come? ALL: -Yes! | 0:49:42 | 0:49:46 | |
Then we shall need you. | 0:49:46 | 0:49:48 | |
And all the brave lads out in France need you, too. | 0:49:49 | 0:49:52 | |
And remember one thing, lads, and I can vouch for this... | 0:49:52 | 0:49:55 | |
..all the ladies love a soldier. | 0:49:56 | 0:49:59 | |
Come on! | 0:49:59 | 0:50:01 | |
Now, who'll be the first brave lad | 0:50:01 | 0:50:03 | |
to come and take the King's shilling? | 0:50:03 | 0:50:05 | |
I'm looking for boys with hearts of oak, | 0:50:05 | 0:50:08 | |
lads who love their king and country, | 0:50:08 | 0:50:10 | |
men what hates the lousy Hun. | 0:50:10 | 0:50:14 | |
Go on, son. Go and fight. | 0:50:14 | 0:50:18 | |
It's every man's duty to fight when his country calls. | 0:50:18 | 0:50:21 | |
Go on! | 0:50:21 | 0:50:24 | |
You're not a man. | 0:50:24 | 0:50:25 | |
Coward! Coward! | 0:50:25 | 0:50:29 | |
Coward! | 0:50:30 | 0:50:32 | |
Farmer Cox sent me to market. The army was there recruiting. | 0:50:37 | 0:50:40 | |
Jimmy Parsons joined up, and Pete, Fred. | 0:50:40 | 0:50:42 | |
Don't worry about it, Tommo. They can't make you go. | 0:50:42 | 0:50:46 | |
You're too young, anyway. | 0:50:46 | 0:50:48 | |
I'm nearly 16. | 0:50:48 | 0:50:49 | |
You gotta be 19 to serve overseas, Tommo. They don't want boys. | 0:50:49 | 0:50:52 | |
I'm not a boy. | 0:50:52 | 0:50:53 | |
-JOE: -Baby boy, baby boy... -Stop it now, Joe. | 0:50:53 | 0:50:56 | |
Anyway, that's what the professional army's for. | 0:50:57 | 0:51:00 | |
They're a brave lot, though, the volunteers. | 0:51:01 | 0:51:04 | |
If women had their say, there wouldn't be war in the first place. | 0:51:04 | 0:51:07 | |
-Charlie, you wouldn't go, would you? -No, don't be daft. | 0:51:08 | 0:51:12 | |
I'd shoot a rat, because it might bite me. | 0:51:14 | 0:51:17 | |
I'd shoot a rabbit, cos I could eat that. | 0:51:19 | 0:51:22 | |
But why would I want to shoot a German? | 0:51:22 | 0:51:24 | |
I never met a German. | 0:51:24 | 0:51:26 | |
You've seen the lists, Tommo? All the killed and wounded? | 0:51:27 | 0:51:31 | |
What's it for? | 0:51:31 | 0:51:33 | |
So a few little rich men can hang on to power a little while longer | 0:51:33 | 0:51:36 | |
while they bleed us dry? | 0:51:36 | 0:51:37 | |
-I don't know about that, Charlie. -No, it ain't right. | 0:51:37 | 0:51:41 | |
I couldn't bare the loss. Not with James gone. | 0:51:41 | 0:51:43 | |
It's better than shovelling shit. | 0:51:43 | 0:51:44 | |
It's better than breaking your back all your life working someone else's land. | 0:51:44 | 0:51:48 | |
-It's better pay, too. -It's not a job that lasts forever, though, is it? | 0:51:48 | 0:51:51 | |
-Who wants to get stuck here forever? -Here is home, Tommo. | 0:51:51 | 0:51:53 | |
-This is where you're from. -Who would you rather see walking through the streets? | 0:51:53 | 0:51:57 | |
-Us lot or the Hun? -Grow up, Tommo, please. | 0:51:57 | 0:51:59 | |
You're a coward, Charlie Peaceful. | 0:51:59 | 0:52:01 | |
And you're tired, Tommo. | 0:52:02 | 0:52:04 | |
So don't say anything you'll regret in the morning. | 0:52:04 | 0:52:07 | |
-RECRUITING OFFICER: -Name? -Thomas Peaceful. | 0:52:12 | 0:52:15 | |
-Occupation? -Farm labourer. | 0:52:15 | 0:52:19 | |
-Date of birth? -Fifth of October. | 0:52:19 | 0:52:22 | |
Year? | 0:52:23 | 0:52:24 | |
Year, lad? | 0:52:28 | 0:52:30 | |
Fifth of October, 1895. | 0:52:31 | 0:52:33 | |
Sign this. | 0:52:38 | 0:52:40 | |
Now report to the doctor. | 0:52:42 | 0:52:44 | |
Next. | 0:52:45 | 0:52:47 | |
-Name? -John Moody. | 0:52:47 | 0:52:49 | |
-Occupation? -Labourer. | 0:52:49 | 0:52:51 | |
Date of birth? | 0:52:52 | 0:52:53 | |
Cough. | 0:52:55 | 0:52:57 | |
Fit as a fiddle. | 0:52:57 | 0:52:58 | |
Stand up straight, lad. | 0:52:59 | 0:53:01 | |
There you are. 5'10". | 0:53:01 | 0:53:03 | |
Breathe in. | 0:53:04 | 0:53:06 | |
MUM: Come along, Tommo! | 0:53:19 | 0:53:21 | |
FIDDLE PLAYS | 0:53:24 | 0:53:27 | |
Watch me. | 0:54:04 | 0:54:06 | |
Louise. | 0:54:09 | 0:54:10 | |
-Nipper. -Tommo. | 0:54:54 | 0:54:57 | |
I love you, Molly. | 0:55:04 | 0:55:06 | |
What, you're not embarrassed to kiss me in front of your pals? | 0:55:26 | 0:55:29 | |
No. | 0:55:29 | 0:55:30 | |
No, why should I be? | 0:55:30 | 0:55:32 | |
Charlie, what's bothering you? | 0:55:33 | 0:55:35 | |
All the lads are going off to war, and I'm staying here. | 0:55:39 | 0:55:42 | |
Charlie, they're not about to become fathers! | 0:55:42 | 0:55:45 | |
My little boy. | 0:56:02 | 0:56:05 | |
What have you done? | 0:56:05 | 0:56:06 | |
It's what Father would've wanted. | 0:56:06 | 0:56:09 | |
I'm not so sure, Tommo. | 0:56:09 | 0:56:11 | |
There. Your father wanted you to have it... | 0:56:15 | 0:56:18 | |
..when you were grown up. | 0:56:19 | 0:56:21 | |
I don't smoke. | 0:56:23 | 0:56:24 | |
MISSILE APPROACHES | 0:56:37 | 0:56:39 | |
Put that bloody fag out! You want your head blown off? | 0:56:44 | 0:56:48 | |
Sergeant? | 0:56:48 | 0:56:49 | |
No smoking in the trenches at night! | 0:56:49 | 0:56:52 | |
Why not? | 0:56:52 | 0:56:54 | |
Because Fritz will snipe your cobblers off, you berk! | 0:56:54 | 0:56:58 | |
But we're not in the trenches, Sergeant, and it's daytime. | 0:56:58 | 0:57:01 | |
Stand still! Chest out! | 0:57:01 | 0:57:04 | |
Stomach in! Look to the front! | 0:57:04 | 0:57:07 | |
Jesus Christ. | 0:57:14 | 0:57:16 | |
Are you the best they can send us these days? | 0:57:17 | 0:57:20 | |
And I'm supposed to make bloody soldiers out of you. | 0:57:22 | 0:57:25 | |
Name! | 0:57:33 | 0:57:35 | |
Peaceful, Sergeant. Private Tommo Peaceful. | 0:57:35 | 0:57:38 | |
-You want your head blown off, Peaceful? -No, Sergeant. | 0:57:38 | 0:57:41 | |
-You want your nuts blown off, Peaceful? -No, Sergeant. | 0:57:41 | 0:57:44 | |
-You want your arse blown off, Peaceful? -No, Sergeant. | 0:57:44 | 0:57:48 | |
-Then you do what I say, when I say it. -Yes, Sergeant. | 0:57:48 | 0:57:52 | |
-Thank you, Sergeant Hanley. -Captain Wilkins, sir! | 0:57:52 | 0:57:55 | |
At ease. | 0:57:59 | 0:58:00 | |
You've all had a long voyage, men. | 0:58:05 | 0:58:07 | |
A hard march. | 0:58:07 | 0:58:09 | |
You have leave to visit the local estaminet. | 0:58:11 | 0:58:15 | |
-The what, sir? -The pub, and the first round's on you. | 0:58:15 | 0:58:19 | |
Sir! | 0:58:19 | 0:58:20 | |
MEN SINGING INDISTINCTLY | 0:58:24 | 0:58:28 | |
Who are they? | 0:58:28 | 0:58:29 | |
Indians, Tommo. Soldiers like you and me. | 0:58:29 | 0:58:32 | |
-Are those fellows singing foreign? -Foreign. | 0:58:32 | 0:58:34 | |
No, I don't understand a word they're saying anyway. | 0:58:37 | 0:58:40 | |
Who's that? | 0:58:42 | 0:58:44 | |
-Hey, Tommo lad! -Charlie! | 0:58:44 | 0:58:46 | |
-What the hell are you doing here? -Someone had to look after this one. | 0:58:48 | 0:58:51 | |
-I can look after myself. -And what took you so long, mate? | 0:58:51 | 0:58:54 | |
Parsons. Better late than never. | 0:58:54 | 0:58:56 | |
If you'd left it much longer, the war would've been over. | 0:58:56 | 0:58:59 | |
-Where'd you get that? -Mother. It's the best watch in the world. | 0:59:01 | 0:59:04 | |
It's Father's watch. | 0:59:04 | 0:59:06 | |
-Heir apparent. -Grub's up! | 0:59:07 | 0:59:09 | |
And she is the hors d'oeuvres. | 0:59:09 | 0:59:13 | |
DUTCH ACCENT: You are a fighting boy, Tommy? | 0:59:13 | 0:59:16 | |
Not Tommy. Tommo. | 0:59:16 | 0:59:18 | |
I do not understand. | 0:59:19 | 0:59:22 | |
But I think you are too young to be in a war. | 0:59:22 | 0:59:24 | |
I'm old enough. I'm fighting here with my pals and my brother. | 0:59:24 | 0:59:27 | |
Go home, Tommy. | 0:59:27 | 0:59:29 | |
No likey, Monsieur Bum Fluff. | 0:59:29 | 0:59:32 | |
Vous likey un tumble dans the hay avec moi. | 0:59:32 | 0:59:38 | |
You're just boys. | 0:59:38 | 0:59:40 | |
-Anna, where is the...? -Yeah. | 0:59:43 | 0:59:46 | |
- Here! More beers. | 0:59:46 | 0:59:48 | |
That is my daughter. | 0:59:51 | 0:59:53 | |
I'd rather have a cider. | 0:59:55 | 0:59:58 | |
Five beers, one cider. | 0:59:58 | 1:00:00 | |
- And what are you laughing at, baby face? | 1:00:02 | 1:00:05 | |
Parsons, you've got a face like an old whore's arse. | 1:00:05 | 1:00:08 | |
Stuff a sock in it. | 1:00:08 | 1:00:09 | |
Hey, here's to home. | 1:00:09 | 1:00:11 | |
And Mr Munnings. | 1:00:11 | 1:00:13 | |
-Grandma Wolf. -Cheers. | 1:00:13 | 1:00:14 | |
And the Colonel. May they all suffer the misery they so richly deserve. | 1:00:14 | 1:00:18 | |
-Fair enough. -Yeah, I'll fetch the beers. | 1:00:18 | 1:00:20 | |
What's your name, Private? | 1:00:25 | 1:00:27 | |
Peaceful. Private Peaceful. | 1:00:28 | 1:00:30 | |
Are you being funny? | 1:00:30 | 1:00:33 | |
You know what these three stripes are, boy? | 1:00:33 | 1:00:36 | |
That makes you a sergeant, which means you'll never make an officer. | 1:00:36 | 1:00:39 | |
Which makes you one of the lads. | 1:00:40 | 1:00:42 | |
Thank you. | 1:00:45 | 1:00:46 | |
Good luck, Sergeant. | 1:00:48 | 1:00:49 | |
Here he is. | 1:00:51 | 1:00:53 | |
CHEERING | 1:00:53 | 1:00:55 | |
Right, to Molly. | 1:00:59 | 1:01:01 | |
That's for me to say. To Molly. | 1:01:01 | 1:01:03 | |
-Molly. -Molly. | 1:01:03 | 1:01:06 | |
-To Molly. -To Molly. | 1:01:06 | 1:01:08 | |
SOLDIERS SING: # Pack up your troubles | 1:01:18 | 1:01:20 | |
# In your old kit bag | 1:01:20 | 1:01:21 | |
# And smile smile smile | 1:01:21 | 1:01:25 | |
# While you've a Lucifer | 1:01:26 | 1:01:27 | |
# To light your fag | 1:01:27 | 1:01:29 | |
# Smile, boys, that's the style | 1:01:29 | 1:01:33 | |
# What's the use of worrying? # | 1:01:33 | 1:01:36 | |
-CHARLIE: -Off home, lads? | 1:01:41 | 1:01:43 | |
England's that way, boys. Do send our love. | 1:01:43 | 1:01:46 | |
SERGEANT: Platoon, halt! | 1:01:46 | 1:01:48 | |
Private Peaceful. | 1:01:51 | 1:01:52 | |
-CHARLIE AND TOMMO: -Sergeant? | 1:01:52 | 1:01:54 | |
Sentry duty. Both of you. | 1:01:54 | 1:01:57 | |
Well, what do we do then? | 1:01:57 | 1:01:59 | |
If you nod off, it'll be a court martial | 1:02:01 | 1:02:03 | |
if Fritz doesn't shoot you up the arse first. | 1:02:03 | 1:02:07 | |
Quick march! | 1:02:12 | 1:02:14 | |
OMINOUS MUSIC PLAYS | 1:02:15 | 1:02:18 | |
Fine night for poaching, Tommo. | 1:02:26 | 1:02:29 | |
What happened to all the trees? | 1:02:31 | 1:02:33 | |
RUMBLING | 1:02:39 | 1:02:41 | |
Whoa! | 1:02:59 | 1:03:01 | |
What's the matter, Peaceful? Scared of mice? | 1:03:01 | 1:03:04 | |
Parsons, save that for them, all right? | 1:03:04 | 1:03:07 | |
Big man, Private? | 1:03:07 | 1:03:09 | |
Not exactly, Sergeant. | 1:03:11 | 1:03:13 | |
I'm just a country boy, like yourself. | 1:03:13 | 1:03:16 | |
Message received. | 1:03:23 | 1:03:25 | |
-HE SIGHS -Why are we here? | 1:03:32 | 1:03:34 | |
SOLDIER: I'm sure it's important. | 1:03:34 | 1:03:36 | |
As you were. | 1:03:36 | 1:03:37 | |
We have orders to send out a patrol into the trench opposite | 1:03:38 | 1:03:41 | |
to bring back a prisoner for questioning. | 1:03:41 | 1:03:43 | |
HQ need to know what enemy regiments have been deployed. | 1:03:43 | 1:03:46 | |
Righto. Volunteers. | 1:03:47 | 1:03:50 | |
There's a double rum ration in it for anyone who does. | 1:03:52 | 1:03:55 | |
-I'm in then, hell. -I'm in. -SOLDIER: Me, too. | 1:03:55 | 1:03:57 | |
The old village card team, eh? | 1:03:57 | 1:03:59 | |
EXPLOSION | 1:04:01 | 1:04:03 | |
Jimmy, Fred, with the Sergeant. | 1:04:06 | 1:04:08 | |
Pete! Pete! | 1:04:08 | 1:04:09 | |
Fetch the stretcher bearers on the double. Keep your heads down, lads. | 1:04:09 | 1:04:12 | |
Keep your head down, Sergeant. | 1:04:12 | 1:04:14 | |
-SOLDIER: -Stretcher bearers! -Come on, Sarge! I've got you. | 1:04:14 | 1:04:17 | |
Up you get. On your feet, sir. | 1:04:17 | 1:04:19 | |
Come on, Sergeant. Come on up, Sergeant. | 1:04:19 | 1:04:21 | |
Leave me, get yourselves out. | 1:04:21 | 1:04:24 | |
One goes down, we all go down. Ain't that right, Sergeant? | 1:04:24 | 1:04:26 | |
Come on, come on! | 1:04:26 | 1:04:28 | |
Keep his head down, fellas. Keep it down. Come on, come on. | 1:04:28 | 1:04:31 | |
-Thank you, Peaceful. -Anything for an officer. | 1:04:40 | 1:04:44 | |
WIND RUSTLES | 1:05:07 | 1:05:10 | |
BUZZING | 1:05:14 | 1:05:16 | |
DISTANT EXPLOSIONS | 1:05:22 | 1:05:25 | |
HISSING | 1:05:27 | 1:05:28 | |
HISSING | 1:05:33 | 1:05:35 | |
Gas! Gas! Gas! | 1:05:37 | 1:05:40 | |
-Gas! Gas! -Gas! Gas! | 1:05:40 | 1:05:43 | |
Follow the drill! | 1:05:43 | 1:05:45 | |
Don't panic, Tommo. | 1:05:45 | 1:05:46 | |
Gas drill! | 1:05:46 | 1:05:48 | |
SHOUTING | 1:05:51 | 1:05:52 | |
Tommo, listen. Listen! Stick with me, all right? Come on! | 1:05:54 | 1:05:59 | |
PANICKED BREATHING | 1:05:59 | 1:06:01 | |
Charlie! Charlie! Charlie! | 1:06:01 | 1:06:04 | |
HE PANTS | 1:06:06 | 1:06:07 | |
SHOUTING | 1:06:08 | 1:06:11 | |
Don't shoot me, mister, please! | 1:06:11 | 1:06:12 | |
-GERMAN ACCENT: -I don't shoot boys. Go, boy. | 1:06:12 | 1:06:15 | |
Go, Tommy, go. Go! | 1:06:15 | 1:06:17 | |
-GUNSHOT: -I'll kill you. | 1:06:17 | 1:06:20 | |
I'll kill you, you German bastard! | 1:06:20 | 1:06:22 | |
HE COUGHS | 1:06:22 | 1:06:24 | |
MAN: All clear! | 1:06:34 | 1:06:36 | |
SERGEANT: Prepare for counterattack! | 1:06:36 | 1:06:39 | |
BLOWS WHISTLE | 1:06:39 | 1:06:41 | |
SOLDIERS ROAR | 1:06:41 | 1:06:42 | |
SHOUTING | 1:06:55 | 1:06:57 | |
-CHARLIE: -Aaargh! | 1:06:59 | 1:07:01 | |
-DISTORTED: -Stretcher bearers. Stretcher bearers. | 1:07:03 | 1:07:07 | |
You'll be all right, Charlie Peaceful. | 1:07:08 | 1:07:10 | |
All right, good luck, Fred. | 1:07:10 | 1:07:11 | |
MAN: Next. | 1:07:20 | 1:07:21 | |
Private Peaceful, Doctor. I was in the gas attack. | 1:07:26 | 1:07:29 | |
Let's take a look at you. | 1:07:30 | 1:07:32 | |
Mouth. | 1:07:35 | 1:07:36 | |
Breathe in and out. | 1:07:43 | 1:07:45 | |
You didn't catch a whiff of it. Next! | 1:07:48 | 1:07:50 | |
I can't see straight. I can't breathe. | 1:07:50 | 1:07:52 | |
Calm down, man. You were lucky. Take a look outside. | 1:07:52 | 1:07:55 | |
-Next. -All right, come on. | 1:07:55 | 1:07:58 | |
Tommo! | 1:08:14 | 1:08:16 | |
Charlie! What happened? | 1:08:16 | 1:08:18 | |
Bullet, shrapnel. | 1:08:19 | 1:08:21 | |
Bled like a pig, boy. They're sending me back. | 1:08:22 | 1:08:25 | |
-Back? -Congratulations, Peaceful. Your ticket home. | 1:08:25 | 1:08:29 | |
I'll be sure to send your love, Sergeant. | 1:08:29 | 1:08:32 | |
They're not taking you now, Charlie? | 1:08:34 | 1:08:36 | |
-MAN: -Together. | 1:08:36 | 1:08:38 | |
Tommo, you'll be all right. | 1:08:38 | 1:08:41 | |
Hey, Tommo, keep your chin up. I'll write to you. | 1:08:41 | 1:08:45 | |
Better still, you write to me. | 1:08:45 | 1:08:46 | |
Well, we'll see you soon, Charlie. | 1:08:46 | 1:08:49 | |
Cheerio, lads. | 1:08:49 | 1:08:50 | |
Don't any of you other yellow bastards | 1:08:50 | 1:08:52 | |
go shooting yourselves in the foot. | 1:08:52 | 1:08:55 | |
Hey, hey, hey! | 1:08:55 | 1:08:56 | |
All right, don't you worry, Sergeant, we won't. | 1:08:56 | 1:08:59 | |
All right, come on. Come on, Tommo. | 1:08:59 | 1:09:01 | |
All that fighting, no gain on either side. | 1:09:05 | 1:09:08 | |
Have another beer. | 1:09:08 | 1:09:10 | |
-Here's to a horrible bloody Hanley. -All right. | 1:09:10 | 1:09:12 | |
I'm going after Charlie. | 1:09:17 | 1:09:19 | |
And how will you get there? Swim? | 1:09:19 | 1:09:21 | |
I'll find a way. I'll get back somehow. | 1:09:21 | 1:09:23 | |
But that's desertion, Tommo. They shoot deserters. | 1:09:23 | 1:09:26 | |
Hang on! Tommo! | 1:09:26 | 1:09:28 | |
-Forget him. -Tommo! | 1:09:28 | 1:09:31 | |
-Tommo! -Well, he won't have gone far. | 1:09:33 | 1:09:36 | |
Bonjour, Mademoiselle. | 1:09:39 | 1:09:41 | |
-Excuse moi. -You gave me a fright. What are you doing here? | 1:09:46 | 1:09:50 | |
Er... You are ill? | 1:09:51 | 1:09:53 | |
Hiding from your friends? | 1:09:55 | 1:09:57 | |
I've seen you before, I think. | 1:09:58 | 1:10:00 | |
My name is Anna. | 1:10:01 | 1:10:02 | |
I'm Tommo. | 1:10:04 | 1:10:05 | |
So, it's true then. Every English soldier is called Tommy. | 1:10:05 | 1:10:10 | |
No, not Tommy. I'm Tommo. | 1:10:10 | 1:10:13 | |
And what do you do when you're at home, Tommy-Tommo, | 1:10:13 | 1:10:17 | |
when you're not playing soldiers? | 1:10:17 | 1:10:19 | |
-I work on a farm. -You're a farmer? | 1:10:19 | 1:10:22 | |
No, I'm not really. I work on Farmer Cox's farm. | 1:10:22 | 1:10:26 | |
In the fields. Sheep, horses. | 1:10:26 | 1:10:28 | |
-Horses? -Yes. | 1:10:28 | 1:10:30 | |
He's magnificent. | 1:10:37 | 1:10:38 | |
ROMANTIC SCORE PLAYS | 1:10:46 | 1:10:49 | |
-BARMAN: -Anna! | 1:11:03 | 1:11:04 | |
HE SPEAKS DUTCH | 1:11:08 | 1:11:09 | |
SHE SPEAKS DUTCH | 1:11:09 | 1:11:11 | |
You promise you return? Yes? | 1:11:12 | 1:11:15 | |
I promise. | 1:11:15 | 1:11:17 | |
Charlie. | 1:11:44 | 1:11:46 | |
SHOUTING / WHISTLE BLOWS | 1:11:52 | 1:11:55 | |
"They brought young children to Christ, that he should touch them. | 1:12:01 | 1:12:05 | |
"And his disciples rebuked those that brought them. | 1:12:05 | 1:12:08 | |
"But when Jesus saw it, he was displeased, | 1:12:08 | 1:12:12 | |
"and said unto them, 'Suffer the little children to come unto me, | 1:12:12 | 1:12:16 | |
"'for of such is the kingdom of God.'" | 1:12:16 | 1:12:19 | |
"And he took them up in his arms" | 1:12:19 | 1:12:22 | |
"and blessed them." | 1:12:22 | 1:12:23 | |
THE COLONEL: And who's left to make the ammunition? | 1:12:28 | 1:12:31 | |
Bloody women. | 1:12:31 | 1:12:32 | |
See, the problem with Kitchener's army is they're all amateurs. | 1:12:32 | 1:12:37 | |
In my day, we were a regular army. Professionals. | 1:12:37 | 1:12:41 | |
Well, the Hun would be on the run now | 1:12:41 | 1:12:44 | |
if these young scamps were as brave as we were then. | 1:12:44 | 1:12:47 | |
Just one big push. | 1:12:47 | 1:12:49 | |
You're a silly old fart, Colonel. | 1:12:49 | 1:12:52 | |
I beg your pardon. | 1:12:52 | 1:12:53 | |
The world's changing, old man. | 1:12:53 | 1:12:56 | |
When you lot stop ruling our bloody lives, England will change, too. | 1:12:56 | 1:13:00 | |
There'll be no more empire. | 1:13:00 | 1:13:01 | |
No more landowners exploiting the labour of the masses. | 1:13:01 | 1:13:04 | |
And there'll be no more bloody war! | 1:13:04 | 1:13:06 | |
You anarchist! | 1:13:06 | 1:13:07 | |
Call me what you like, Colonel. | 1:13:07 | 1:13:10 | |
You can blast us to smithereens out there on the front line, | 1:13:10 | 1:13:12 | |
but you'll not stop us. | 1:13:12 | 1:13:14 | |
We're fighting the Germans, | 1:13:15 | 1:13:17 | |
but we're at war with your kind, too. | 1:13:17 | 1:13:20 | |
And the whole world's about to be ripped apart by the likes of me! | 1:13:20 | 1:13:23 | |
DOOR CLOSES | 1:13:29 | 1:13:30 | |
Mr Monks. | 1:13:50 | 1:13:52 | |
-You're a grandfather. -I heard. | 1:13:54 | 1:13:57 | |
-MOLLY READS: -"One day, when this war is over, we shall all be together again, | 1:14:03 | 1:14:07 | |
"and young Tommo will see his uncle for the first time and smile. | 1:14:07 | 1:14:11 | |
"Big Joe already smiles at him. | 1:14:12 | 1:14:15 | |
"And little Tommo has Big Joe's great grin, | 1:14:15 | 1:14:17 | |
"and Charlie's nose and your blue eyes. | 1:14:17 | 1:14:21 | |
"Because of all this, I love him more than I can say. | 1:14:21 | 1:14:25 | |
"Your Molly." | 1:14:25 | 1:14:26 | |
-All right, Tommo? -All right, boys. | 1:14:35 | 1:14:37 | |
Where's Anna? | 1:14:42 | 1:14:44 | |
Anna? The girl that works here? | 1:14:44 | 1:14:45 | |
We had a rendezvous. | 1:14:47 | 1:14:48 | |
She's with her other gentlemen friends, lover boy. | 1:14:52 | 1:14:54 | |
Monsieur. Anna? Where's Anna? | 1:14:59 | 1:15:02 | |
HE SPEAKS DUTCH | 1:15:04 | 1:15:05 | |
HE SPEAKS DUTCH | 1:15:07 | 1:15:09 | |
-Pardon? -Gone. | 1:15:09 | 1:15:12 | |
Gone? Gone where? | 1:15:12 | 1:15:13 | |
God. Anna's dead. | 1:15:13 | 1:15:16 | |
I don't understand. | 1:15:17 | 1:15:19 | |
Dead? Dead! My daughter is dead! | 1:15:19 | 1:15:22 | |
How? What happened? She can't be dead. | 1:15:22 | 1:15:25 | |
Fetching eggs from the next village. | 1:15:25 | 1:15:28 | |
For you soldiers. For your supper. | 1:15:28 | 1:15:31 | |
One big bomb shell. Boom, and she's dead. | 1:15:31 | 1:15:35 | |
-I'm sorry. -Go to hell, Tommy. | 1:15:40 | 1:15:43 | |
Go to hell, you English, you Germans, you French. | 1:15:43 | 1:15:46 | |
And take your war with you. The hell... | 1:15:46 | 1:15:50 | |
HE SOBS | 1:15:50 | 1:15:52 | |
-MOLLY: -Silly man! You know I do... | 1:15:59 | 1:16:01 | |
They won't want you back. You were injured. | 1:16:03 | 1:16:06 | |
And Tommo? | 1:16:06 | 1:16:08 | |
And little Tommo? | 1:16:08 | 1:16:10 | |
LITTLE TOMMO CRIES | 1:16:10 | 1:16:12 | |
You think I should just stay here and let them fight without me? | 1:16:12 | 1:16:15 | |
-That'll make our son proud? -I just want everything to be as it was. | 1:16:15 | 1:16:18 | |
And then you'll love me? | 1:16:18 | 1:16:19 | |
I do love you, you silly man. You know I do. | 1:16:19 | 1:16:22 | |
Well, be more loving then, Mol. | 1:16:22 | 1:16:24 | |
Christ's sake, there's a bloody war on. | 1:16:26 | 1:16:29 | |
LITTLE TOMMO CRIES | 1:16:32 | 1:16:34 | |
You've upset little Tommo with your bickering. | 1:16:40 | 1:16:43 | |
No, we're not bickering, Mum. Honest. | 1:16:43 | 1:16:45 | |
Charlie, being married is hard, | 1:16:45 | 1:16:48 | |
but not having a husband and a father for your children | 1:16:48 | 1:16:51 | |
is the hardest of all. | 1:16:51 | 1:16:53 | |
So listen to what your wife has to say | 1:16:53 | 1:16:54 | |
before making promises to yourself and your pals. | 1:16:54 | 1:16:57 | |
-SERGEANT: -You curse the filthy Hun! | 1:17:02 | 1:17:04 | |
You insert your bayonet, | 1:17:04 | 1:17:06 | |
you twist it, you pull it out clean again. | 1:17:06 | 1:17:10 | |
SHOUTING | 1:17:10 | 1:17:14 | |
Twist it! | 1:17:14 | 1:17:16 | |
I'm the best bloody teacher you lads will ever have. | 1:17:16 | 1:17:19 | |
Stand down. | 1:17:20 | 1:17:22 | |
All right, now. | 1:17:23 | 1:17:24 | |
These old lads will now show you the ropes. | 1:17:25 | 1:17:28 | |
Which am I then, Sergeant? | 1:17:28 | 1:17:30 | |
A new lad or an old clown? | 1:17:31 | 1:17:33 | |
Well, well, well, Private Peaceful. | 1:17:33 | 1:17:36 | |
Back for second helpings? | 1:17:38 | 1:17:40 | |
Well, I wasn't going to miss this, Sergeant. | 1:17:40 | 1:17:42 | |
I'm warning you. | 1:17:42 | 1:17:44 | |
I've got my eye on you. | 1:17:44 | 1:17:46 | |
One step out of line... | 1:17:46 | 1:17:48 | |
Don't you worry about me, Sergeant. | 1:17:48 | 1:17:51 | |
I'll be good as gold. | 1:17:51 | 1:17:52 | |
Cross my heart and hope to die. | 1:17:52 | 1:17:54 | |
-Get to the end of the line, soldier. -Sergeant. | 1:17:58 | 1:18:01 | |
High port! | 1:18:04 | 1:18:06 | |
-How's Molly? Little Tommo? -Don't ask me about them. | 1:18:08 | 1:18:12 | |
Why not? | 1:18:12 | 1:18:14 | |
I can tell you plenty about home. | 1:18:14 | 1:18:17 | |
Hedgerows are untrimmed, fields lie fallow. | 1:18:17 | 1:18:20 | |
There's no-one to plough the fields, is there? There's no lads. | 1:18:21 | 1:18:25 | |
Just don't ask me about them, Tommo. | 1:18:25 | 1:18:27 | |
Not out here. | 1:18:30 | 1:18:31 | |
They don't belong here. | 1:18:34 | 1:18:35 | |
They belong back there at home. | 1:18:36 | 1:18:39 | |
Do you understand? | 1:18:39 | 1:18:40 | |
SERGEANT: Port arms! | 1:18:43 | 1:18:45 | |
Clear. | 1:18:54 | 1:18:55 | |
Clear. | 1:18:59 | 1:19:00 | |
Filthy. | 1:19:02 | 1:19:03 | |
Private Peaceful, rifle above your head, now! | 1:19:05 | 1:19:11 | |
About turn! | 1:19:11 | 1:19:13 | |
Doubling at the double! | 1:19:14 | 1:19:16 | |
Double! Double! | 1:19:16 | 1:19:19 | |
Double! Double! Double! | 1:19:19 | 1:19:22 | |
Double! Double! At the double! | 1:19:22 | 1:19:26 | |
Get up! Get up! Get up! | 1:19:26 | 1:19:29 | |
You move. | 1:19:31 | 1:19:33 | |
You drop that rifle, Private Peaceful, | 1:19:34 | 1:19:36 | |
you begin the punishment again. | 1:19:36 | 1:19:38 | |
-Do you hear me? -Yes, Sergeant. | 1:19:38 | 1:19:40 | |
-I didn't hear you! -Yes, Sergeant! | 1:19:40 | 1:19:43 | |
Now move your feet! | 1:19:43 | 1:19:45 | |
Move! | 1:19:49 | 1:19:50 | |
You get up. | 1:19:52 | 1:19:53 | |
Get up. Get up! | 1:19:53 | 1:19:55 | |
You want to try it, Sergeant? You want to pick on someone? Leave him be! | 1:19:56 | 1:20:00 | |
Go on! | 1:20:00 | 1:20:01 | |
Leave it, Charlie. | 1:20:03 | 1:20:04 | |
You were saying, huh? | 1:20:04 | 1:20:06 | |
-Leave it, Charlie. -The rest of you men, fall out! | 1:20:06 | 1:20:09 | |
Charlie. | 1:20:09 | 1:20:11 | |
Steady up there. | 1:20:24 | 1:20:25 | |
Lieutenant Buckland. | 1:20:28 | 1:20:29 | |
Attention! | 1:20:29 | 1:20:31 | |
Insubordination in a time of war is mutiny. | 1:20:32 | 1:20:36 | |
And mutiny is punishable by death by firing squad. | 1:20:36 | 1:20:40 | |
Now, this time, Peaceful's been let off lightly. | 1:20:40 | 1:20:43 | |
Field punishment number one. | 1:20:43 | 1:20:45 | |
Fall the men out, Sergeant. | 1:20:45 | 1:20:47 | |
Fall out! | 1:20:47 | 1:20:49 | |
Not so cocky now, are you? | 1:20:55 | 1:20:57 | |
Soldier. | 1:21:02 | 1:21:03 | |
Don't outdo me now. | 1:21:03 | 1:21:06 | |
He seemed to like you. Thank you. | 1:21:06 | 1:21:08 | |
Thank you very much indeed. Cheers. | 1:21:08 | 1:21:10 | |
MISSILE APPROACHES | 1:21:12 | 1:21:14 | |
WHISTLE BLOWS Move! Move, soldier! | 1:21:14 | 1:21:18 | |
SHOUTING | 1:21:18 | 1:21:20 | |
Move it, Parsons! | 1:21:28 | 1:21:30 | |
Come on, boys. | 1:21:41 | 1:21:42 | |
Keep going! Come on, boys! | 1:21:43 | 1:21:45 | |
GUNSHOT | 1:21:45 | 1:21:47 | |
Nipper! | 1:21:47 | 1:21:48 | |
Come on, boys! | 1:21:49 | 1:21:50 | |
SHOUTS | 1:21:52 | 1:21:54 | |
GUNSHOT / APPROACHING MISSILE | 1:21:57 | 1:21:58 | |
Fred! Fred! Pete! | 1:22:03 | 1:22:06 | |
Dig, men! Dig! | 1:22:06 | 1:22:08 | |
Tommo! Tommo! | 1:22:09 | 1:22:11 | |
Tommo! | 1:22:15 | 1:22:17 | |
Tommo! Tommo! Come here, lad. | 1:22:17 | 1:22:19 | |
Come on. Come on. Come on, boy! | 1:22:21 | 1:22:24 | |
All right, come on! | 1:22:25 | 1:22:27 | |
Hold the line! | 1:22:27 | 1:22:28 | |
All right. All right, all right. It's all right, Tommo. | 1:22:30 | 1:22:33 | |
We thought we lost you, Tommo lad. | 1:22:35 | 1:22:36 | |
We're in the middle of bloody no-man's land. | 1:22:36 | 1:22:39 | |
We'll get you home, Tommo. | 1:22:40 | 1:22:42 | |
Home? We're on a bloody holiday. | 1:22:42 | 1:22:45 | |
We've gotta get out of this, lads! | 1:22:45 | 1:22:48 | |
-No, we can't move. -Well, then we better stay put then, hadn't we? | 1:22:48 | 1:22:50 | |
Stay put? We're only 50 yards from the German trenches. | 1:22:52 | 1:22:58 | |
I want all of you on your feet, now! | 1:22:58 | 1:23:00 | |
What the hell is the matter with you lot? | 1:23:00 | 1:23:03 | |
You send us out there, Sergeant, | 1:23:03 | 1:23:04 | |
watch the machine guns mow us all down. | 1:23:04 | 1:23:07 | |
On your feet! Are you disobeying my order, Private Peaceful? | 1:23:07 | 1:23:11 | |
Are you disobeying my order? | 1:23:11 | 1:23:14 | |
He can't walk, Sergeant, let alone run. He's wounded! | 1:23:14 | 1:23:18 | |
I want all you men on your feet now, | 1:23:18 | 1:23:21 | |
or it's a court martial, Peaceful. | 1:23:21 | 1:23:23 | |
Do you hear me? | 1:23:23 | 1:23:25 | |
Let's go! Go! Go! | 1:23:25 | 1:23:29 | |
I want you over the top! | 1:23:29 | 1:23:31 | |
Let's go! | 1:23:31 | 1:23:33 | |
MACHINE GUN FIRE | 1:23:34 | 1:23:37 | |
Fix bayonets! | 1:23:41 | 1:23:44 | |
Charge! | 1:23:46 | 1:23:48 | |
SHOUTING | 1:23:48 | 1:23:52 | |
Fred! | 1:23:56 | 1:23:58 | |
SHOUTING | 1:23:59 | 1:24:00 | |
SCREAMING | 1:24:02 | 1:24:04 | |
Charlie, I have to tell you. | 1:24:12 | 1:24:14 | |
I heard about the girl. | 1:24:17 | 1:24:19 | |
I'm sorry. | 1:24:20 | 1:24:22 | |
Her name was Anna. | 1:24:22 | 1:24:24 | |
She was lovely. | 1:24:25 | 1:24:26 | |
But it's not her. | 1:24:28 | 1:24:30 | |
I know. | 1:24:31 | 1:24:32 | |
You still have feelings for Molly. | 1:24:33 | 1:24:35 | |
-I'll love her till the day I die. -Ah, Tommo. -Listen. | 1:24:37 | 1:24:40 | |
I am. | 1:24:43 | 1:24:45 | |
Father needn't have died. | 1:24:45 | 1:24:46 | |
He was trying to save me. | 1:24:49 | 1:24:51 | |
If only I'd have ran when he called out to me, | 1:24:53 | 1:24:57 | |
the tree wouldn't have fallen on him. | 1:24:57 | 1:24:59 | |
He'd have lived. | 1:25:00 | 1:25:02 | |
It was that tree that killed him, Tommo. | 1:25:03 | 1:25:06 | |
Not you. | 1:25:08 | 1:25:09 | |
Here. | 1:25:17 | 1:25:19 | |
I want you to have this. | 1:25:21 | 1:25:23 | |
It's such a wonderful watch. | 1:25:23 | 1:25:26 | |
You wind it regular and time will never stop. | 1:25:28 | 1:25:32 | |
You have to promise to look after it, though, Tommo. | 1:25:34 | 1:25:37 | |
I promise. | 1:25:37 | 1:25:39 | |
HE PANTS | 1:25:47 | 1:25:50 | |
Fred? | 1:25:50 | 1:25:51 | |
-Keep going, Tommo. -Come on, Charlie. | 1:26:05 | 1:26:08 | |
DISTANT SHELLING | 1:26:13 | 1:26:16 | |
HE EXHALES | 1:26:20 | 1:26:22 | |
EXPLOSIONS | 1:26:22 | 1:26:23 | |
RUMBLING | 1:26:27 | 1:26:29 | |
RUSTLING | 1:26:32 | 1:26:33 | |
Hanley. | 1:26:40 | 1:26:42 | |
Shoot him. Kill the bastard! | 1:26:57 | 1:26:59 | |
He'll put Tommo on charge. | 1:26:59 | 1:27:00 | |
Go on! | 1:27:00 | 1:27:01 | |
DISTANT EXPLOSION | 1:27:29 | 1:27:31 | |
SOLDIERS MARCHING Left, right, left, right, left! | 1:27:38 | 1:27:41 | |
Left, right, left, right! | 1:27:41 | 1:27:43 | |
Halt! | 1:27:43 | 1:27:45 | |
Escort, two paces to the rear. March! | 1:27:45 | 1:27:48 | |
I, Major Fitzpatrick, convene this field general court martial | 1:27:51 | 1:27:54 | |
to try the case of cowardice in the face of the enemy | 1:27:54 | 1:27:58 | |
against Private Peaceful. | 1:27:58 | 1:28:00 | |
He disobeyed my orders, sir, | 1:28:00 | 1:28:02 | |
the order from High Command, to press home the attack. | 1:28:02 | 1:28:05 | |
Peaceful, you're a worthless man. | 1:28:08 | 1:28:12 | |
Worthless. | 1:28:12 | 1:28:13 | |
This field general court martial | 1:28:15 | 1:28:16 | |
finds the accused, Private Peaceful, guilty as charged. | 1:28:16 | 1:28:19 | |
-Take away the prisoner. -Sir! | 1:28:19 | 1:28:21 | |
Escort, attention! | 1:28:21 | 1:28:23 | |
RUSTLING / CLANKING | 1:28:34 | 1:28:36 | |
Charlie. | 1:28:46 | 1:28:47 | |
I can't stop thinking of home. | 1:28:53 | 1:28:55 | |
Mother, Big Joe. | 1:28:57 | 1:28:59 | |
-Molly. -Molly. | 1:28:59 | 1:29:02 | |
Little Tommo. | 1:29:02 | 1:29:03 | |
Will they know? | 1:29:09 | 1:29:11 | |
They'll know. | 1:29:11 | 1:29:12 | |
They'll know. | 1:29:14 | 1:29:15 | |
No tears, Tommo lad. | 1:29:17 | 1:29:19 | |
No tears. | 1:29:23 | 1:29:25 | |
Both brothers were charged, both were imprisoned. | 1:29:40 | 1:29:42 | |
So why bring only one of them to trial, sir? | 1:29:42 | 1:29:45 | |
Shouldn't both cases be dismissed? | 1:29:45 | 1:29:47 | |
We cannot have soldiers disobeying orders in the face of the enemy. | 1:29:47 | 1:29:51 | |
I must pass the maximum sentence, | 1:29:51 | 1:29:52 | |
then the final decision is for the General. | 1:29:52 | 1:29:54 | |
And Haig could show mercy. | 1:29:54 | 1:29:56 | |
Then why bother to recommend the firing squad, sir? | 1:29:56 | 1:29:59 | |
I'm not recommending it, I'm bound by the Army Act, | 1:29:59 | 1:30:01 | |
you blame the government. | 1:30:01 | 1:30:03 | |
This army runs on strict discipline. | 1:30:03 | 1:30:05 | |
But we're not inhuman. | 1:30:05 | 1:30:07 | |
Carry on. | 1:30:52 | 1:30:54 | |
An hour is all we give him? | 1:31:02 | 1:31:04 | |
One hour for a man's life? | 1:31:04 | 1:31:06 | |
CLOCK TICKS | 1:31:12 | 1:31:14 | |
CLOCK TICKS | 1:31:21 | 1:31:23 | |
General Haig has confirmed the sentence. | 1:31:46 | 1:31:48 | |
"Private Peaceful will be shot for cowardice in the face of the enemy" | 1:31:48 | 1:31:53 | |
"at 6.00 on the morning of the 25th of June, 1916." | 1:31:53 | 1:31:56 | |
Firing party! | 1:32:06 | 1:32:08 | |
Attention! | 1:32:08 | 1:32:10 | |
Present! | 1:32:14 | 1:32:16 | |
Ready! | 1:32:19 | 1:32:20 | |
Aim! | 1:32:22 | 1:32:24 | |
Fire! | 1:32:30 | 1:32:32 | |
Parade... | 1:33:02 | 1:33:03 | |
..fall out! | 1:33:05 | 1:33:07 | |
I said fall out. | 1:33:28 | 1:33:31 | |
LITTLE TOMMO COOS | 1:34:05 | 1:34:07 | |
Tommo, wait for us. | 1:34:12 | 1:34:14 | |
They say there's going to be an almighty push. | 1:34:22 | 1:34:25 | |
We'll push them away from the Somme all the way back to Berlin. | 1:34:25 | 1:34:29 | |
I will survive somehow, Charlie. | 1:34:30 | 1:34:32 | |
I must. | 1:34:32 | 1:34:33 | |
I have promises to keep. | 1:34:35 | 1:34:37 |