Browse content similar to Spike Island. Check below for episodes and series from the same categories and more!
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This film contains very strong language from the start | 0:00:10 | 0:00:18 | |
-GLASS SHATTERS -Fuck! Pen! | 0:01:51 | 0:01:54 | |
ALL LAUGHING | 0:01:59 | 0:02:01 | |
Come on! | 0:02:01 | 0:02:02 | |
ALL CHEERING AND LAUGHING | 0:02:14 | 0:02:16 | |
MUSIC: She Bangs The Drums by The Stone Roses | 0:02:24 | 0:02:27 | |
Come on then, lads! | 0:02:41 | 0:02:43 | |
# Have you seen her? | 0:02:43 | 0:02:45 | |
# Have you heard? | 0:02:45 | 0:02:46 | |
# The way she plays | 0:02:46 | 0:02:48 | |
# There are no words | 0:02:48 | 0:02:49 | |
# To describe the way I feel | 0:02:49 | 0:02:55 | |
# How could it ever come to pass? | 0:02:55 | 0:02:59 | |
# She'll be the first | 0:02:59 | 0:03:00 | |
# She'll be the last | 0:03:00 | 0:03:02 | |
# To describe the way I feel | 0:03:02 | 0:03:07 | |
# The way I feel | 0:03:07 | 0:03:11 | |
# Have you seen her? | 0:03:11 | 0:03:13 | |
# Have you heard? | 0:03:13 | 0:03:14 | |
# The way she plays | 0:03:14 | 0:03:16 | |
# There are no words | 0:03:16 | 0:03:18 | |
# To describe the way I feel | 0:03:18 | 0:03:23 | |
# How could it ever come to pass? | 0:03:23 | 0:03:27 | |
# She'll be the first | 0:03:27 | 0:03:29 | |
# She'll be the last | 0:03:29 | 0:03:30 | |
# To describe the way I feel | 0:03:30 | 0:03:35 | |
# The way I feel... # | 0:03:35 | 0:03:38 | |
'You all right? | 0:03:38 | 0:03:39 | |
'My name's Gary Titchfield, but everyone's always called me "Tits." | 0:03:39 | 0:03:43 | |
'It's not the best nickname in the world, but, you know, it's mine. | 0:03:43 | 0:03:46 | |
'And I like to think I make it work for me. | 0:03:46 | 0:03:48 | |
'The kid next to me is me best mate, Dodge. | 0:03:48 | 0:03:51 | |
'And the rest of the lads are me group. | 0:03:51 | 0:03:53 | |
'We was a gang before we were a band, | 0:03:53 | 0:03:55 | |
'and we were a band before we picked up any instruments. | 0:03:55 | 0:03:57 | |
'Know what I mean? | 0:03:57 | 0:03:59 | |
'We were Shadow Caster and this is our story. | 0:03:59 | 0:04:02 | |
'Top one!' | 0:04:02 | 0:04:03 | |
MUSIC: This Is The One by The Stone Roses | 0:04:03 | 0:04:07 | |
# For a month of Sundays | 0:04:07 | 0:04:11 | |
# Burn the town where I was born | 0:04:11 | 0:04:16 | |
# If only she'd believe me | 0:04:18 | 0:04:21 | |
# Bell on a belladonna | 0:04:21 | 0:04:25 | |
# Burn me out or bring me home | 0:04:25 | 0:04:30 | |
# And this is the one | 0:04:30 | 0:04:32 | |
# This is the one... # | 0:04:32 | 0:04:35 | |
ALARM CLOCK BUZZES | 0:04:35 | 0:04:38 | |
'Friday 25th May, 1990. | 0:04:38 | 0:04:41 | |
'Two days before Ian Brown, John Squire, Alan "Reni" Wren, | 0:04:41 | 0:04:44 | |
'and Gary "Mani" Mounfield define an era | 0:04:44 | 0:04:47 | |
'on the chemical banks of the dirty Mersey. | 0:04:47 | 0:04:50 | |
'To us, the Stone Roses were the most important band | 0:04:50 | 0:04:53 | |
'on the face of the planet.' | 0:04:53 | 0:04:55 | |
Will you use the fucking stairs?! | 0:04:55 | 0:04:57 | |
Get a fucking house! | 0:04:57 | 0:04:58 | |
Put some clothes on, you're already late. | 0:04:58 | 0:05:00 | |
Right, right, I'm on it, I'm on it... | 0:05:00 | 0:05:02 | |
Fuck! | 0:05:02 | 0:05:03 | |
'We already knew that Spike Island | 0:05:03 | 0:05:05 | |
'was going to be the most important gig in the history of the world.' | 0:05:05 | 0:05:09 | |
Oi! Stop playing with yourself! | 0:05:16 | 0:05:18 | |
You need to copy that shit out. | 0:05:22 | 0:05:24 | |
-What is it? -Chemistry. Double important. | 0:05:25 | 0:05:28 | |
Come on, then - we're gonna be late. | 0:05:28 | 0:05:31 | |
'The Stone Roses smacked me in the dial like a fucking prize fighter, | 0:05:33 | 0:05:36 | |
'and, even though they looked like they could have come right off our estate, | 0:05:36 | 0:05:39 | |
'The Red Bricks, | 0:05:39 | 0:05:40 | |
'there was just something different about 'em.' | 0:05:40 | 0:05:43 | |
'I mean, they were just like everyone else, | 0:05:44 | 0:05:46 | |
'except fucking cooler. | 0:05:46 | 0:05:49 | |
'We walked like them, we talked like them, we felt like them | 0:05:49 | 0:05:52 | |
'and we thought like them. | 0:05:52 | 0:05:54 | |
'They had double top hair and we wanted to be them, | 0:05:54 | 0:05:56 | |
'wanted them to lift us out of the shit and the grime | 0:05:56 | 0:05:59 | |
'and take us to their planet.' | 0:05:59 | 0:06:01 | |
No-one say fuck all. Stay cool. | 0:06:01 | 0:06:04 | |
Oh! | 0:06:17 | 0:06:19 | |
Fuck! | 0:06:19 | 0:06:20 | |
So...what is Manchester? | 0:06:22 | 0:06:24 | |
JB Priestley said that "Manchester is the home of living causes" | 0:06:24 | 0:06:27 | |
and "What Manchester thinks today, England thinks tomorrow." | 0:06:27 | 0:06:33 | |
Mind-blowingly brilliant observations, | 0:06:33 | 0:06:35 | |
I'm sure you'll all agree. | 0:06:35 | 0:06:37 | |
However, clearly nowhere near as fascinating | 0:06:37 | 0:06:40 | |
as what's going on outside the window. | 0:06:40 | 0:06:43 | |
CLASS LAUGHS | 0:06:43 | 0:06:45 | |
What are your thoughts, boys? | 0:06:45 | 0:06:46 | |
No idea who it was, Mr Milligan. | 0:06:46 | 0:06:48 | |
-We was nowhere near the school gym last night. -Really? | 0:06:48 | 0:06:51 | |
Methinks he doth protest too much. | 0:06:51 | 0:06:54 | |
CLASS LAUGHS | 0:06:54 | 0:06:56 | |
You look nervous, lads. | 0:07:00 | 0:07:02 | |
I can't think why. | 0:07:02 | 0:07:04 | |
I was only talking about Priestley's Manchester. | 0:07:04 | 0:07:07 | |
It ain't Priestley's Manchester, sir. It's ours. | 0:07:07 | 0:07:11 | |
It's the cock of the north, man. | 0:07:11 | 0:07:12 | |
-MIMICKING: -Yeah...top one, nice one. You're twisting my melon, man. | 0:07:12 | 0:07:17 | |
And in the context of "English Journey"? | 0:07:17 | 0:07:19 | |
It weren't any journey, sir. | 0:07:19 | 0:07:20 | |
It ain't where you're from, it's where you're at. | 0:07:20 | 0:07:22 | |
And is that your philosophy? | 0:07:22 | 0:07:24 | |
No, sir, it's a quote. From somebody relevant. | 0:07:24 | 0:07:26 | |
Yeah, the greatest writer of this generation. | 0:07:26 | 0:07:28 | |
Really? And who is that? | 0:07:28 | 0:07:30 | |
Just a singer in a band. | 0:07:30 | 0:07:32 | |
Well, may I remind you, this isn't a music lesson. | 0:07:32 | 0:07:35 | |
This, in case you're unaware, is English...history. | 0:07:35 | 0:07:39 | |
Yeah, and The Stone Roses are England NOW, sir. | 0:07:39 | 0:07:43 | |
See, the past is yours, but the future's mine. | 0:07:43 | 0:07:45 | |
# Manchester, la la la | 0:07:47 | 0:07:48 | |
-CLASS: -# Manchester, la la la | 0:07:48 | 0:07:50 | |
# Manchester, la la la... # | 0:07:50 | 0:07:51 | |
Oi! Chuckle Brothers. Sit down. | 0:07:51 | 0:07:54 | |
Sit down! Sit down! | 0:07:54 | 0:07:56 | |
All right! Stop! | 0:07:58 | 0:08:00 | |
-ALL: -Hammer time! | 0:08:00 | 0:08:01 | |
THEY LAUGH | 0:08:01 | 0:08:03 | |
Gary Titchfield and his band of merry men, please. | 0:08:03 | 0:08:06 | |
CLASS OOHS | 0:08:06 | 0:08:09 | |
Settle down, settle down. | 0:08:12 | 0:08:15 | |
I have never seen such mindless, wilful destruction before. | 0:08:17 | 0:08:22 | |
Well? | 0:08:23 | 0:08:25 | |
I can't wait to hear what you've got to say for yourselves. | 0:08:25 | 0:08:29 | |
Everyone knows you did it. | 0:08:29 | 0:08:31 | |
No, we never. | 0:08:31 | 0:08:33 | |
Someone read that for me. | 0:08:34 | 0:08:36 | |
Shadow cast..."re." | 0:08:36 | 0:08:38 | |
Which, unless I'm much mistaken, is the name of your pop group. | 0:08:38 | 0:08:41 | |
Nah. We're Shadow Cast-ER. | 0:08:41 | 0:08:43 | |
So who was it then? | 0:08:43 | 0:08:45 | |
Fans? | 0:08:46 | 0:08:47 | |
Fans? You haven't got any fans. You're not The Palaver. | 0:08:47 | 0:08:51 | |
The Palaver are bobbins, sir. | 0:08:51 | 0:08:53 | |
We have got fans. | 0:08:53 | 0:08:55 | |
Classrooms! Fast! | 0:08:55 | 0:08:57 | |
Come on, lads, I'm not a dickhead. | 0:08:58 | 0:09:00 | |
There's only one bunch of boys in the school daft enough | 0:09:02 | 0:09:05 | |
to write their own band name on the wall | 0:09:05 | 0:09:06 | |
and there's only one young man just plain stupid enough | 0:09:06 | 0:09:09 | |
to spell it wrong. | 0:09:09 | 0:09:10 | |
Dodge ain't stupid, sir. He's a straight-up musical genius. | 0:09:10 | 0:09:13 | |
And Tits was at the hospital last night. | 0:09:13 | 0:09:16 | |
Your loyalty to each other is actually quite admirable. | 0:09:16 | 0:09:20 | |
Your lack of loyalty to the school, on the other hand, disgusts me. | 0:09:20 | 0:09:25 | |
Do you really want to end up like your brothers? | 0:09:25 | 0:09:28 | |
Where are they now?! | 0:09:28 | 0:09:30 | |
Ibiza. Having it right off. | 0:09:30 | 0:09:32 | |
Last chance. | 0:09:34 | 0:09:36 | |
No more shenanigans. | 0:09:36 | 0:09:38 | |
Any more nonsense from any one of you and "bang!" | 0:09:38 | 0:09:41 | |
Gone. The lot of you. | 0:09:41 | 0:09:42 | |
One out, all out. | 0:09:42 | 0:09:44 | |
Now go! I'm sick of looking at you! | 0:09:44 | 0:09:47 | |
Gary. Not you. | 0:09:51 | 0:09:53 | |
How's your dad doing? | 0:09:57 | 0:09:59 | |
Yeah, he's all right. Getting better. | 0:09:59 | 0:10:02 | |
Good. | 0:10:02 | 0:10:04 | |
Listen, Gary, unlike the others, you're a bright lad | 0:10:04 | 0:10:07 | |
so you don't need me to spell it out for you. | 0:10:07 | 0:10:09 | |
This was criminal damage and the only reason | 0:10:09 | 0:10:12 | |
I haven't involved the police is out of respect for your family. | 0:10:12 | 0:10:15 | |
I know how easy it is to get led astray | 0:10:15 | 0:10:17 | |
and I know things must be difficult at home at the moment... | 0:10:17 | 0:10:20 | |
No. You don't, Mr Jackson. | 0:10:20 | 0:10:22 | |
You don't know nish about me or me mates. | 0:10:22 | 0:10:24 | |
Or my family. So just leave it. | 0:10:24 | 0:10:26 | |
SCHOOL BELL RINGS | 0:10:28 | 0:10:31 | |
Fuck's sake, boys! Wait up! | 0:10:34 | 0:10:36 | |
-What did Wacko Jacko want? -Nowt, it's right. | 0:10:36 | 0:10:38 | |
Can't believe we just fucking got away with that. | 0:10:38 | 0:10:40 | |
Can't believe I've got to rely on you tools to not get expelled. | 0:10:40 | 0:10:43 | |
Fuck that. I can't believe we still haven't got tickets for Sunday. | 0:10:43 | 0:10:45 | |
-We should have just bought them. -With what? Oh, aye, I forgot. | 0:10:45 | 0:10:47 | |
Your mam had a result on the pools. | 0:10:47 | 0:10:49 | |
-Did she? -Did she fuck. It's your mam. | 0:10:49 | 0:10:51 | |
-Look, it'll be right. -Yeah. You keep saying that. | 0:10:51 | 0:10:53 | |
-Because it will. Trust me. -I do. It's Keith Teeth that's the problem. | 0:10:53 | 0:10:56 | |
The guy's a pure tube. | 0:10:56 | 0:10:57 | |
I don't reckon he could get us tickets for the 135, man. | 0:10:57 | 0:11:00 | |
He could, however, eat an apple through a tennis racquet. | 0:11:00 | 0:11:02 | |
He's got them, right? Swore on his mum's life. | 0:11:02 | 0:11:04 | |
See, listen to Tits. He knows everything. | 0:11:04 | 0:11:06 | |
-Anyway, he's fucking all right, Keith Teeth. -He's fucking all wrong. | 0:11:06 | 0:11:09 | |
Zippy, look me in the eyes, man. | 0:11:09 | 0:11:10 | |
When have I ever let you down? | 0:11:10 | 0:11:13 | |
Oi! I said look me in the eyes. | 0:11:13 | 0:11:15 | |
Sally Harris. | 0:11:15 | 0:11:16 | |
Lisa Hughes! | 0:11:16 | 0:11:18 | |
For fuck's sake. Nobody jizz their pants. | 0:11:18 | 0:11:20 | |
BUS ENGINE RUNNING | 0:11:20 | 0:11:22 | |
Here you are, lads. Get in there, man. | 0:11:26 | 0:11:28 | |
-Upstairs, man, sharpish! -We fucking are. | 0:11:28 | 0:11:30 | |
Oh, shit! | 0:11:31 | 0:11:32 | |
Where did you get them? | 0:11:37 | 0:11:38 | |
Piccadilly Records. What about you? | 0:11:38 | 0:11:40 | |
I bet you haven't even got tickets. | 0:11:40 | 0:11:42 | |
We'll be backstage. VIP. | 0:11:42 | 0:11:44 | |
-How come? Is your brother back or something, Tits? -No. | 0:11:44 | 0:11:47 | |
It's where they lob all the acid casualties. | 0:11:47 | 0:11:50 | |
No. It's where the cool kids get sucked off. | 0:11:50 | 0:11:52 | |
You're jibbing it, aren't you? You little scally twats. | 0:11:52 | 0:11:55 | |
No, we're getting them tomorrow. | 0:11:55 | 0:11:57 | |
Serious? You lot are paying for something? | 0:11:57 | 0:11:59 | |
Where you getting them? | 0:11:59 | 0:12:01 | |
-Keith Teeth. -Keith Teeth? | 0:12:01 | 0:12:03 | |
Yeah, right, like that'll happen. | 0:12:03 | 0:12:05 | |
Keith Teeth's a mong. It's been sold out for time. You're goosed. | 0:12:05 | 0:12:09 | |
How's your dad? | 0:12:10 | 0:12:11 | |
Yeah, he's not bad. | 0:12:11 | 0:12:13 | |
Buzzing. | 0:12:13 | 0:12:14 | |
Little Gaz, is it true you're selling weed? | 0:12:18 | 0:12:20 | |
-What're you after? -Fivers. Can you change that? | 0:12:20 | 0:12:22 | |
-Yeah. I can change it into a bigger lump of draw. -Oh, come on. | 0:12:22 | 0:12:24 | |
-I've got no change. -Fuck's sake...go on. | 0:12:24 | 0:12:26 | |
Greetings, Earthlings! | 0:12:26 | 0:12:29 | |
What time's praccy tonight? Are we recording? | 0:12:29 | 0:12:31 | |
-Recording what? -Demo. | 0:12:31 | 0:12:33 | |
What of? How to be spackers? | 0:12:33 | 0:12:35 | |
Demo tape. | 0:12:35 | 0:12:36 | |
-Is it any good? -Of course. | 0:12:36 | 0:12:38 | |
We're the second best band in the world. | 0:12:38 | 0:12:39 | |
-No-one's heard it. -Dodge has been a proper tape Nazi. | 0:12:39 | 0:12:42 | |
He won't play it to no-one. | 0:12:42 | 0:12:43 | |
Yeah, he will, when it's finished. And, when it is, it'll be smart. | 0:12:43 | 0:12:45 | |
You should take it to Spike Island, give it to the Roses, | 0:12:45 | 0:12:48 | |
when you're backstage...! | 0:12:48 | 0:12:50 | |
Laters! | 0:12:52 | 0:12:53 | |
# Until Sally, I was never happy | 0:12:55 | 0:12:59 | |
# I needed so much more | 0:12:59 | 0:13:01 | |
# Rain clouds, oh, they used to chase me | 0:13:01 | 0:13:05 | |
# Down they would pour | 0:13:05 | 0:13:08 | |
# Sent to me from heaven | 0:13:08 | 0:13:11 | |
# Sally Cinnamon, you're my world... # | 0:13:11 | 0:13:15 | |
MUSIC: Sally Cinnamon by The Stone Roses | 0:13:15 | 0:13:19 | |
You do know you're never going to bang Sally, don't you, Dodge? | 0:13:30 | 0:13:33 | |
He'd have to talk to her first, or at least finger her. | 0:13:33 | 0:13:35 | |
You don't know what you're talking about. None of you understand. | 0:13:35 | 0:13:38 | |
I do! Get her juiced up and that. | 0:13:38 | 0:13:40 | |
Oi, don't be snide. Leave him alone. | 0:13:40 | 0:13:41 | |
It's different with Sally. She makes me feel like... | 0:13:41 | 0:13:44 | |
She makes me feel like writing tunes. | 0:13:44 | 0:13:46 | |
That is the gayest thing I've ever heard. | 0:13:46 | 0:13:48 | |
She makes me feel like bumming her. | 0:13:48 | 0:13:49 | |
No, wait, that's the gayest thing I've ever heard. | 0:13:49 | 0:13:51 | |
-See you in a bit, boys. -See you later. | 0:13:51 | 0:13:54 | |
Oi, it's not that bad of an idea, you know. | 0:13:54 | 0:13:56 | |
-What ain't? -What Sally said. | 0:13:56 | 0:13:58 | |
If we get on it now and we record praccy tonight and tomoz, | 0:13:58 | 0:14:01 | |
we'll get the tape finished for Sunday, take it to Spike Island. | 0:14:01 | 0:14:03 | |
Yeah? No point in always banging on about summat | 0:14:03 | 0:14:06 | |
if you're going to do fuck all about it, is there? | 0:14:06 | 0:14:08 | |
We are going to get in, aren't we? | 0:14:08 | 0:14:10 | |
Yeah, of course, it'll be right. | 0:14:10 | 0:14:12 | |
Wish your Ste was here. | 0:14:12 | 0:14:14 | |
Yeah, well, he's not. | 0:14:14 | 0:14:15 | |
GUITAR FEEDBACK | 0:14:53 | 0:14:54 | |
HE PLAYS QUICK, CHOPPY MELODY | 0:14:56 | 0:14:59 | |
What's up with you? | 0:15:07 | 0:15:08 | |
It's too fast and choppy and there's not really a proper melody to it. | 0:15:08 | 0:15:11 | |
It sounds like the fucking Fall. | 0:15:11 | 0:15:12 | |
-It's not that bad! -It's not perfect. | 0:15:12 | 0:15:14 | |
We ain't got time to dick about. It don't matter. | 0:15:14 | 0:15:17 | |
Of course it fucking matters. | 0:15:17 | 0:15:18 | |
It's the only thing that does matter. | 0:15:18 | 0:15:21 | |
I've got to get off. | 0:15:21 | 0:15:23 | |
Part-timer. | 0:15:23 | 0:15:24 | |
What? | 0:15:24 | 0:15:26 | |
Nowt. | 0:15:27 | 0:15:28 | |
I'll have it bang off by the time you get back, right? | 0:15:28 | 0:15:31 | |
PLAYS SLOW, BRIGHT MELODY | 0:15:36 | 0:15:40 | |
HARSH COUGHING | 0:16:25 | 0:16:28 | |
Jesus wept. | 0:16:28 | 0:16:30 | |
I sound like that bloody Vauxhall Viva | 0:16:30 | 0:16:32 | |
that we had to leave in Aberystwyth. | 0:16:32 | 0:16:34 | |
THEY LAUGH | 0:16:34 | 0:16:35 | |
It's not right, you know, the two of you laughing like this. | 0:16:35 | 0:16:37 | |
You're sick. It's not bloody funny. | 0:16:37 | 0:16:39 | |
No. No, it's not. | 0:16:39 | 0:16:42 | |
And I wouldn't wish it on anyone. | 0:16:42 | 0:16:45 | |
Well, maybe Maggie Thatcher. | 0:16:45 | 0:16:47 | |
So, how're you feeling? | 0:16:48 | 0:16:50 | |
Like I've swallowed a blowtorch and it's stuck here. | 0:16:51 | 0:16:55 | |
Well, you look better. | 0:16:55 | 0:16:57 | |
Take us to the TV room, will you, son? | 0:17:00 | 0:17:02 | |
-I'm dying for a fag. -He'll meet you there. | 0:17:02 | 0:17:04 | |
-Oh, come on. -No, he'll...he'll meet you there. | 0:17:04 | 0:17:07 | |
You won't remember this, but he used to sing to you. | 0:17:13 | 0:17:17 | |
Ewan MacColl. | 0:17:17 | 0:17:18 | |
"Father's Song." | 0:17:18 | 0:17:20 | |
Big filthy hands all over you, | 0:17:20 | 0:17:22 | |
just after I'd bathed you in the sink. | 0:17:22 | 0:17:24 | |
He was tone bloody deaf. | 0:17:24 | 0:17:27 | |
Mum... | 0:17:27 | 0:17:28 | |
Is Dad...is he... | 0:17:28 | 0:17:30 | |
Is he all right? | 0:17:30 | 0:17:31 | |
He's very poorly, Gary. | 0:17:33 | 0:17:36 | |
Things need to be talked about, you know, with you and the stall. | 0:17:37 | 0:17:41 | |
When he's... | 0:17:43 | 0:17:45 | |
He's been working out how to tell you this for weeks. | 0:17:47 | 0:17:50 | |
TV PRESENTER: 'Excitement is building across the country | 0:17:59 | 0:18:01 | |
'with only two days to go before Manchester band The Stone Roses | 0:18:01 | 0:18:04 | |
'take to the stage at Spike Island | 0:18:04 | 0:18:07 | |
'in what promises to be the most important gig of their careers. | 0:18:07 | 0:18:11 | |
'How big do you think the Stone Roses will get? | 0:18:11 | 0:18:13 | |
I think we could be the biggest band ever. | 0:18:13 | 0:18:16 | |
-Really? -Yeah. | 0:18:16 | 0:18:18 | |
'The event will take place in the industrial town of Widnes | 0:18:20 | 0:18:23 | |
'where preparations are already well under way. | 0:18:23 | 0:18:25 | |
'The concert sold out over a month ago | 0:18:25 | 0:18:27 | |
'and tickets are now like gold dust...' | 0:18:27 | 0:18:29 | |
Mam? Do you want owt? | 0:18:29 | 0:18:31 | |
'It's already being touted as a Woodstock | 0:18:31 | 0:18:33 | |
'for the Manchester generation.' | 0:18:33 | 0:18:35 | |
Eat it quick. If Godzuki wakes up, she'll have it away. | 0:18:38 | 0:18:41 | |
'Over 30,000 fans are expected to convene on the banks | 0:18:41 | 0:18:44 | |
'of the Mersey this Sunday at the gig's controversial venue - | 0:18:44 | 0:18:48 | |
'an unlikely spot in the shadow of a chemical and power plant. | 0:18:48 | 0:18:51 | |
'Police are warning fans without tickets to stay away from the event, | 0:18:51 | 0:18:54 | |
'promising to deal forcibly with any attempts to gain entry illegally. | 0:18:54 | 0:18:59 | |
'The group provoked more controversy earlier this year | 0:18:59 | 0:19:02 | |
'after a fierce dispute with their old record label boss | 0:19:02 | 0:19:04 | |
'who accuses the band of attacking him with paint.' | 0:19:04 | 0:19:08 | |
Don't want to talk about it any more. | 0:19:08 | 0:19:10 | |
It's just one day out. | 0:19:10 | 0:19:12 | |
Common criminals. You want to be like them? | 0:19:12 | 0:19:15 | |
I did what you wanted. | 0:19:15 | 0:19:17 | |
-I signed the forms. -Good. | 0:19:17 | 0:19:19 | |
Army's best place for you. | 0:19:19 | 0:19:22 | |
Or do you think you're better than me? | 0:19:22 | 0:19:24 | |
Please. | 0:19:24 | 0:19:25 | |
Don't make me get upset. | 0:19:27 | 0:19:28 | |
If anyone had have told me at your age | 0:19:32 | 0:19:35 | |
that I was going to be a florist, | 0:19:35 | 0:19:38 | |
I'd have had their bumps felt. | 0:19:38 | 0:19:39 | |
But it's a job. | 0:19:40 | 0:19:42 | |
And you'd learn to love flowers. | 0:19:43 | 0:19:46 | |
And your Uncle Hairy. | 0:19:46 | 0:19:48 | |
Eventually. | 0:19:48 | 0:19:49 | |
Do I get to choose? | 0:19:50 | 0:19:53 | |
About the stall? | 0:19:53 | 0:19:54 | |
Yeah. | 0:19:55 | 0:19:57 | |
Of course. | 0:19:57 | 0:19:59 | |
You've always got a choice, lad. | 0:19:59 | 0:20:01 | |
I can't force you to do anything that you don't want to do. | 0:20:02 | 0:20:06 | |
And don't ever let anyone tell you that they can. Ever. | 0:20:06 | 0:20:10 | |
Then I can't do it, Dad. | 0:20:11 | 0:20:13 | |
I want to be someone. I want to make something of my life. | 0:20:14 | 0:20:18 | |
-All right, Tits? -All right, Jay? | 0:20:38 | 0:20:40 | |
-All right? -Yeah, yeah, sorted. | 0:20:47 | 0:20:49 | |
What do this team of remmies want? | 0:20:49 | 0:20:51 | |
Just having a listen and that. | 0:20:51 | 0:20:52 | |
Who cut your fringe? Mr Magoo? | 0:20:52 | 0:20:54 | |
No, me mam. | 0:20:54 | 0:20:55 | |
And what the fuck are them kicks? | 0:20:55 | 0:20:57 | |
Adidas four stripe? | 0:20:57 | 0:20:58 | |
Whatever they are, get them off our path. Fast. | 0:20:58 | 0:21:01 | |
-You all right, Voodoo Ray? -All right, boys? | 0:21:04 | 0:21:06 | |
Voodoo, Voodoo, Ray, Ray! | 0:21:06 | 0:21:07 | |
# Hey, hey! Aha! Ah, ah, ah, yeah! # | 0:21:07 | 0:21:13 | |
How's your kid, Tits? | 0:21:13 | 0:21:14 | |
What? Yeah, sound. Still in Ibiza. | 0:21:14 | 0:21:16 | |
No, he's on the Red Bricks, drove past him tea time. | 0:21:16 | 0:21:18 | |
-He was going in the Dark Side. Going to bounce on down there now. In a bit, yeah? -In a bit. | 0:21:18 | 0:21:22 | |
That's our tickets sorted! | 0:21:22 | 0:21:23 | |
-Yeah, what about the tape? -What about you stop being gay? | 0:21:23 | 0:21:25 | |
Come on then, bum chums! | 0:21:25 | 0:21:27 | |
What's he done to you this time? You all right? | 0:21:28 | 0:21:31 | |
Yeah. Are you? | 0:21:31 | 0:21:34 | |
Yeah. | 0:21:34 | 0:21:35 | |
He's a dick. | 0:21:37 | 0:21:39 | |
He's me dad. | 0:21:39 | 0:21:40 | |
And you want to be just like him? | 0:21:40 | 0:21:42 | |
It's done. | 0:21:42 | 0:21:43 | |
I'm going. | 0:21:43 | 0:21:45 | |
Don't tell the others. | 0:21:45 | 0:21:47 | |
Are you two fucking getting off with each other over there or what? | 0:21:47 | 0:21:50 | |
Someone buy us a drink? | 0:21:50 | 0:21:51 | |
Ey-up, Skids! | 0:22:14 | 0:22:16 | |
-All right, Ste? -Look at you, man! Come here. | 0:22:18 | 0:22:22 | |
-You all right? -Yeah, man, I'm good. | 0:22:22 | 0:22:24 | |
Look at you, all fucking grown up. | 0:22:31 | 0:22:34 | |
What're you drinking? Baby Bio? | 0:22:34 | 0:22:36 | |
When did you get back? | 0:22:36 | 0:22:37 | |
Landed about half two. | 0:22:37 | 0:22:38 | |
Here you are, budgie boy, best little fellows in Europe, these. | 0:22:38 | 0:22:41 | |
What about me mum and dad? | 0:22:41 | 0:22:42 | |
I'll sort them out with a pill each when I see them. | 0:22:42 | 0:22:44 | |
What are you on about, you ball bag? | 0:22:44 | 0:22:46 | |
I mean...have you been to the hospital? | 0:22:46 | 0:22:49 | |
No, not yet. | 0:22:49 | 0:22:50 | |
Visiting hours are over now, aren't they? | 0:22:50 | 0:22:52 | |
I'll go up there tomorrow. | 0:22:52 | 0:22:54 | |
He's not good, Ste. | 0:22:58 | 0:23:00 | |
Really not good. | 0:23:00 | 0:23:02 | |
Mum rang you? | 0:23:03 | 0:23:05 | |
-Couple of weeks ago. -Is that why you're back? | 0:23:05 | 0:23:08 | |
And to see you. | 0:23:09 | 0:23:11 | |
And the 'Roses, man. Do you think I'd miss that? | 0:23:11 | 0:23:13 | |
Nah, of course not. You got a ticket? | 0:23:13 | 0:23:16 | |
Have I bollocks. Guest listed up to fuck, aren't I? | 0:23:16 | 0:23:18 | |
What about yous? | 0:23:18 | 0:23:19 | |
You need me to sort out a jib or are you right? | 0:23:19 | 0:23:21 | |
No, we're right. Getting them tomoz, off Keith Teeth. | 0:23:21 | 0:23:25 | |
Keith Teeth? | 0:23:25 | 0:23:26 | |
Yeah. What? | 0:23:26 | 0:23:27 | |
No, he's all right, Keith Teeth. | 0:23:27 | 0:23:30 | |
Got a set of Newton's like a fucked fence, but he's a good lad. | 0:23:30 | 0:23:33 | |
Here you are. Show them what you can do. | 0:23:35 | 0:23:37 | |
-I'll play you a little bit of intro, yeah? -Top one, bro. | 0:23:37 | 0:23:40 | |
What's this? Amateur night? | 0:23:46 | 0:23:47 | |
No, I was fucking playing that, Dave Famous. | 0:23:47 | 0:23:49 | |
You can have it back when you've been signed. | 0:23:49 | 0:23:51 | |
Like we just have. | 0:23:51 | 0:23:53 | |
What a massive bell end! | 0:23:58 | 0:24:01 | |
BAND WARMS UP | 0:24:04 | 0:24:06 | |
Listen, our kid. | 0:24:10 | 0:24:12 | |
I know things have been a proper nightmare for you, but I'm here now. | 0:24:12 | 0:24:15 | |
So I don't want you worrying about fuck all, right? | 0:24:15 | 0:24:18 | |
Here you are. | 0:24:19 | 0:24:20 | |
DAVE FAMOUS: 'Right, you pricks, shut up and dance!' | 0:24:20 | 0:24:23 | |
Now, let's go bananas! | 0:24:23 | 0:24:25 | |
BAND START ROCK SONG | 0:24:25 | 0:24:28 | |
What's up with you? | 0:24:41 | 0:24:42 | |
Guess who's just got a record deal? | 0:24:42 | 0:24:44 | |
Are you taking the piss? | 0:24:45 | 0:24:47 | |
-Who are these cunts? -The Palaver. | 0:24:49 | 0:24:51 | |
They're all right, aren't they? | 0:24:51 | 0:24:52 | |
No! Fucking placcy Manc band. | 0:24:52 | 0:24:55 | |
Guitarist only knows three chords. Basic ones. No barre chords. | 0:24:55 | 0:24:58 | |
Every tune has the same progression. He couldn't pick his fucking nose. | 0:24:58 | 0:25:01 | |
Right. | 0:25:01 | 0:25:03 | |
Do you want a pill? | 0:25:03 | 0:25:04 | |
Yeah. | 0:25:06 | 0:25:08 | |
Now then, Nimrod. What news from the continent? | 0:25:15 | 0:25:18 | |
Sound, mate. Sound. | 0:25:18 | 0:25:20 | |
# It's time to go | 0:25:20 | 0:25:23 | |
# Why won't you leave me alone... # | 0:25:26 | 0:25:29 | |
Oi, don't let them see that you're arsed, man. | 0:25:29 | 0:25:32 | |
Hey, come up. | 0:25:32 | 0:25:34 | |
All right, fuck it! | 0:25:35 | 0:25:37 | |
# Oh, you always let me down | 0:25:55 | 0:25:59 | |
# It's time to go | 0:26:02 | 0:26:05 | |
# Why won't you leave me alone? | 0:26:08 | 0:26:12 | |
# Oh, I'm better off without you | 0:26:12 | 0:26:15 | |
# Better on my own | 0:26:15 | 0:26:18 | |
# Oh. # | 0:26:18 | 0:26:20 | |
CROWD CHEERS | 0:26:34 | 0:26:37 | |
You still at it? | 0:26:58 | 0:27:00 | |
Don't forget Keith Teeth. | 0:27:00 | 0:27:01 | |
Three o'clock, yeah? | 0:27:01 | 0:27:03 | |
HEAVY PANTING | 0:27:06 | 0:27:09 | |
-UNCLE HAIRY IN VAN: -Here, don't stop. I nearly had it then. | 0:27:14 | 0:27:16 | |
-TRACY: -It's like an hour-old mouse. | 0:27:16 | 0:27:18 | |
Just give us a minute, will you, lad? | 0:27:21 | 0:27:23 | |
Ah, no. Fuck's sake. | 0:27:23 | 0:27:25 | |
It's gone. It's gone. | 0:27:25 | 0:27:26 | |
Nice one, Tits. | 0:27:28 | 0:27:29 | |
Right, you'd better get dressed, I've got to go to work. | 0:27:30 | 0:27:33 | |
MUSIC: Cranked Up Really High by Slaughter and the Dogs | 0:27:33 | 0:27:37 | |
# Gamble my life away, a real bum loser | 0:27:42 | 0:27:45 | |
# Made love on dope, just a pig skin loser... # | 0:27:45 | 0:27:47 | |
Are you as fucked as I am? | 0:27:47 | 0:27:49 | |
You do know that tomorrow's massive, don't you, eh? | 0:27:51 | 0:27:54 | |
It's history in the making, isn't it? I've had a pathetic vision. | 0:27:54 | 0:27:57 | |
-So, are you going? -Course I fucking am! | 0:27:57 | 0:27:59 | |
I was dragged up on punk, son. | 0:27:59 | 0:28:00 | |
It's not punk! It's baggy. Scallydelia. | 0:28:00 | 0:28:03 | |
Right, for a start, are you a backward? | 0:28:03 | 0:28:05 | |
Them are made-up words. I'm talking about attitude. | 0:28:05 | 0:28:08 | |
Ian Brown is John Lydon times ten. | 0:28:08 | 0:28:10 | |
-Have you got a ticket? -Have I bollocks! | 0:28:10 | 0:28:12 | |
Have you been up the hozzy? | 0:28:13 | 0:28:14 | |
Not fair, is it? | 0:28:17 | 0:28:19 | |
Your dad's a shining diamond, man. | 0:28:19 | 0:28:21 | |
And I know I can still be a bit of a mither and all that, but.. | 0:28:21 | 0:28:24 | |
I'll work hard for you | 0:28:24 | 0:28:26 | |
No, you won't. | 0:28:26 | 0:28:27 | |
I'll give it a fucking good go. | 0:28:27 | 0:28:29 | |
Nah, I mean you won't be working for me. | 0:28:29 | 0:28:31 | |
BOTTLE SHATTERS | 0:28:51 | 0:28:53 | |
Fuck! | 0:28:53 | 0:28:54 | |
Fuck! | 0:28:54 | 0:28:56 | |
Keith Teeth! The tickets! | 0:28:56 | 0:28:58 | |
All right...Gary? | 0:29:25 | 0:29:27 | |
Aye, aye... We're up. | 0:29:27 | 0:29:29 | |
I'll do one. | 0:29:29 | 0:29:30 | |
Where you going? | 0:29:30 | 0:29:32 | |
"Gary"?! | 0:29:38 | 0:29:39 | |
I just think "Tits" doesn't sound all that...sophisticated. | 0:29:39 | 0:29:42 | |
It's not the best nickname in the world, but, you know, it is mine. | 0:29:42 | 0:29:45 | |
Like to think I make it work for me. | 0:29:45 | 0:29:47 | |
Anyway, "Gary" just sounds...weird now. | 0:29:47 | 0:29:51 | |
Are you with your mam? | 0:29:51 | 0:29:52 | |
Yeah, she's just looking at stuff over there. | 0:29:52 | 0:29:56 | |
Top one. | 0:29:56 | 0:29:57 | |
Might as well have some flowers, seeing as I'm here and all that. | 0:30:08 | 0:30:11 | |
-Who are they for? -Wouldn't you like to know? | 0:30:11 | 0:30:14 | |
-I'll chuck in a few good ones. -Lovely. -It will be. | 0:30:14 | 0:30:17 | |
Have you got your tickets yet? | 0:30:19 | 0:30:22 | |
What time is it? | 0:30:22 | 0:30:23 | |
It's just gone three. | 0:30:23 | 0:30:26 | |
Should be meeting Keith Teeth now. | 0:30:26 | 0:30:28 | |
It'll be right. He's all right, Keith Teeth. | 0:30:29 | 0:30:31 | |
It suits you, you know, the whole market trader vibe. | 0:30:34 | 0:30:37 | |
What? Like St Eric of Salford? | 0:30:37 | 0:30:39 | |
You think that's all I want to be - my dad?! | 0:30:39 | 0:30:41 | |
-Soz. -No, I should probably head off. | 0:30:42 | 0:30:45 | |
What do I owe you for the flowers? | 0:30:45 | 0:30:48 | |
Nish. You can have them for fuck all. | 0:30:48 | 0:30:50 | |
Just don't ever let anyone tell you I'm a tight arse. | 0:30:50 | 0:30:52 | |
I never hear a bad word said. | 0:30:52 | 0:30:54 | |
Here you are! | 0:31:11 | 0:31:13 | |
-BOYS: -All right there, girls? -GIRLS: -All right, lads? | 0:31:28 | 0:31:30 | |
-Have you seen Keith Teeth? -No, soz. | 0:31:30 | 0:31:32 | |
What? He's not let you down, has he? No way, didn't see that coming(!) | 0:31:32 | 0:31:37 | |
Spike Island outfit! | 0:31:37 | 0:31:38 | |
Do you want to buy any sunglasses? | 0:31:42 | 0:31:44 | |
Do you want to buy any squidgy black? | 0:31:44 | 0:31:46 | |
-Have you heard about the trains? -I think so. | 0:31:46 | 0:31:48 | |
Are they the big noisy things that run along tracks? | 0:31:48 | 0:31:50 | |
You can't get into the station or through the turnstiles | 0:31:50 | 0:31:52 | |
to the platforms without a ticket for the gig. | 0:31:52 | 0:31:54 | |
Security are going to be checking them on station approach. | 0:31:54 | 0:31:57 | |
And they're closing the roads four mile square of Widnes. | 0:31:57 | 0:31:59 | |
You can't even get on to the site without crossing the Mersey. | 0:31:59 | 0:32:02 | |
Only way in is on the official coaches. | 0:32:02 | 0:32:04 | |
You lot look caned to fuck. | 0:32:04 | 0:32:06 | |
We got pilled up last night in the Dark Side | 0:32:06 | 0:32:08 | |
with Ibiza Ste and all the older heads. It was banging. | 0:32:08 | 0:32:11 | |
I'd give you a proper banging. | 0:32:11 | 0:32:12 | |
-So, what, is Ibiza Ste back, then? -Yeah. | 0:32:12 | 0:32:15 | |
-Is he going to Spike Island? -Yeah. | 0:32:15 | 0:32:17 | |
-Are all the big boys going? -Yeah. And we're going with them. | 0:32:19 | 0:32:22 | |
Fuck me! It speaks! | 0:32:22 | 0:32:24 | |
So are you going to find me in Widnes then or what? | 0:32:25 | 0:32:28 | |
Yeah, all right, yeah. | 0:32:29 | 0:32:31 | |
When you get inside, find the sound desk. | 0:32:31 | 0:32:34 | |
Be on the left-hand side facing the stage. | 0:32:34 | 0:32:36 | |
-Right. -No, left! | 0:32:36 | 0:32:38 | |
Be there by seven, yeah? | 0:32:41 | 0:32:42 | |
Yeah. | 0:32:42 | 0:32:43 | |
Nice one. | 0:32:45 | 0:32:47 | |
I mean, I'll be with Dodge and that lot, so... | 0:32:47 | 0:32:49 | |
Yeah. I know. Course you will. | 0:32:49 | 0:32:50 | |
And I'll be with the girls. | 0:32:50 | 0:32:52 | |
-Is Sally not about? -No. | 0:32:54 | 0:32:56 | |
-Is she still going tomorrow though? -Yeah, of course. What about Tits? | 0:32:56 | 0:32:59 | |
-Yeah, of course. -Sound. | 0:32:59 | 0:33:01 | |
So...we should meet up or something? | 0:33:01 | 0:33:03 | |
You fucking know that, Sugar Tits. | 0:33:03 | 0:33:05 | |
Sugar Tits? | 0:33:05 | 0:33:07 | |
-How will you find us? -You'll find us. We'll stand out. | 0:33:07 | 0:33:11 | |
-Mega. -Be at the main gate. -Buzzing! | 0:33:11 | 0:33:14 | |
Oh, look, there's Keith Teeth. | 0:33:14 | 0:33:16 | |
Quality! You actually think he's coming, don't you? | 0:33:16 | 0:33:19 | |
Yeah, he said he swore on his mam's life and all that. | 0:33:19 | 0:33:21 | |
His mam's dead! | 0:33:21 | 0:33:22 | |
-Why didn't Tits just get Ste to sort you out? -Hey! | 0:33:22 | 0:33:24 | |
-Quick! -Come here! -Come on! | 0:33:24 | 0:33:26 | |
Right, I'll see you, Gary Titchfield. | 0:33:31 | 0:33:33 | |
See you, Sally Cinnamon. | 0:33:33 | 0:33:35 | |
You do know that's a love song? | 0:33:36 | 0:33:38 | |
Yeah. About a lesbian. | 0:33:38 | 0:33:41 | |
Yeah. | 0:33:42 | 0:33:43 | |
-You fucking naused that right up. -What? | 0:33:48 | 0:33:51 | |
She's bang into you. And she's fit. | 0:33:51 | 0:33:53 | |
-No, she ain't. -Yeah, she is. | 0:33:53 | 0:33:55 | |
All right, ladies? | 0:33:55 | 0:33:57 | |
Have you been to see Dad yet? | 0:33:57 | 0:33:58 | |
I'm on my way up there now. | 0:33:58 | 0:34:00 | |
I just need a word with Hairy Bollocks about a few things first. | 0:34:00 | 0:34:02 | |
Yeah, sound. | 0:34:02 | 0:34:04 | |
CLOCK TICKS LOUDLY | 0:34:16 | 0:34:19 | |
Keith Teeth ain't coming, is he? | 0:34:19 | 0:34:21 | |
I told you Keith Teeth was a knob. | 0:34:26 | 0:34:28 | |
-Fuck! -Yeah, fuck, goofy prick. | 0:34:28 | 0:34:31 | |
Listen, go back to the Red Bricks, right? | 0:34:31 | 0:34:34 | |
See if you can find the cunt. | 0:34:34 | 0:34:35 | |
I'll bell our Ste, see if he can sort something. It'll be right. | 0:34:35 | 0:34:38 | |
Ste? It's me. You're probably in the hospital. | 0:34:44 | 0:34:47 | |
Listen... | 0:34:47 | 0:34:49 | |
Keith Teeth's let us down, mate. We're fucked. | 0:34:49 | 0:34:52 | |
I've never asked you for owt before | 0:34:52 | 0:34:54 | |
but you asked me if we needed an in and we do now, so... | 0:34:54 | 0:34:58 | |
I don't know, just come and see me at the stall or stick your head in the garage later... | 0:34:58 | 0:35:02 | |
PHONE BEEPS | 0:35:02 | 0:35:03 | |
Fuck! Shit! Mate, the pips have gone... | 0:35:03 | 0:35:05 | |
PHONE BEEPS / LINE DISCONNECTS | 0:35:05 | 0:35:07 | |
Gates, fences, dibble, security guards, | 0:35:09 | 0:35:12 | |
fucking rivers that soppy Scousers sing soppy songs about - | 0:35:12 | 0:35:16 | |
none of whom are going to stop us from getting in. | 0:35:16 | 0:35:19 | |
Nothing is. | 0:35:19 | 0:35:20 | |
We blag, we lie, we climb, we rush the barrier, we fucking swim. | 0:35:20 | 0:35:25 | |
All we got to do is make sure | 0:35:25 | 0:35:26 | |
that we get inside somewhere we ain't supposed to be. | 0:35:26 | 0:35:29 | |
When has that ever been a problem for us? | 0:35:29 | 0:35:30 | |
Christmas Eve when Zippy fingered that 12-year-old. | 0:35:30 | 0:35:33 | |
-She was 14. -Yeah, 14 times too fucking young to be fingered. | 0:35:33 | 0:35:36 | |
-Do you think it'll come to that? -What? Fingering 12-year-olds? | 0:35:36 | 0:35:38 | |
No, I don't. I think our Ste will come through with tickets. | 0:35:38 | 0:35:40 | |
Or put our names on the gate. | 0:35:40 | 0:35:42 | |
So, it'll be right, Tits, yeah? | 0:35:42 | 0:35:43 | |
We'll go to the gate anyway to meet the girls for our date. | 0:35:43 | 0:35:46 | |
-He hasn't got a date. -I have! | 0:35:46 | 0:35:47 | |
-Who with? -Me and Dodge. -Pardon? | 0:35:47 | 0:35:49 | |
We've got a double date with Lisa and Sally. | 0:35:49 | 0:35:51 | |
-Sally Harris? -Yeah. -Since when? -Since this afternoon. | 0:35:51 | 0:35:55 | |
We seen Rachel Stone and Lisa Hughes in Afflecks. | 0:35:55 | 0:35:57 | |
We said we'd meet them at the gate...with Sally. | 0:35:57 | 0:36:00 | |
No, it's just Sally said she's going to be at the sound desk at seven. | 0:36:00 | 0:36:03 | |
Left-hand side, facing the stage. | 0:36:03 | 0:36:04 | |
-When did she say that? -Today. At the stall. | 0:36:04 | 0:36:07 | |
-She come to see you? -Yeah. Well, no... | 0:36:07 | 0:36:09 | |
She was shopping with her mam, we arranged to meet up. | 0:36:09 | 0:36:12 | |
All of us. Don't have to, just thought you'd be into it. | 0:36:12 | 0:36:15 | |
Tit-ular, you are a fucking genius! | 0:36:17 | 0:36:20 | |
Quality! He properly thinks he might get off with her. | 0:36:20 | 0:36:23 | |
I'm definitely going to finger someone. You know what? | 0:36:23 | 0:36:25 | |
I'm not all that fucking arsed, | 0:36:25 | 0:36:27 | |
even if I've got to settle for Rachel. | 0:36:27 | 0:36:28 | |
Dodge, you could always play her one of your 85 fucking love songs. | 0:36:28 | 0:36:31 | |
Every new tune he's working on, he's written for her. | 0:36:31 | 0:36:33 | |
I think Rachel's lovely. | 0:36:33 | 0:36:34 | |
Fuck's sake, boys, let's not lose focus at the first sight of fanny. | 0:36:34 | 0:36:37 | |
The most important thing is seeing the band. | 0:36:37 | 0:36:39 | |
And trying to give them the demo. | 0:36:39 | 0:36:41 | |
One last take each to box me and Tits off on Ten-Mile Smile, yeah? | 0:36:41 | 0:36:44 | |
You know what? Can we just play it together, then, for once? | 0:36:44 | 0:36:46 | |
-I'm forgetting what it's like to actually be in a band. -Yeah, but... | 0:36:46 | 0:36:49 | |
The Roses recorded Resurrection in one take, for fuck's sake. | 0:36:49 | 0:36:51 | |
Come on! | 0:36:51 | 0:36:53 | |
Oh, another tune about Sally Harris! | 0:36:53 | 0:36:55 | |
-No, it ain't. -Ten-Mile Smile? It's obvious! | 0:36:55 | 0:36:58 | |
It's not. Tits wrote these lyrics. | 0:36:58 | 0:37:00 | |
BAND WARM UP | 0:37:02 | 0:37:05 | |
One, two... | 0:37:05 | 0:37:07 | |
Hearing this? One, two. | 0:37:07 | 0:37:09 | |
Hello? Fucking hell! | 0:37:14 | 0:37:15 | |
I don't do requests. | 0:37:17 | 0:37:19 | |
One, two, three, four... | 0:37:19 | 0:37:21 | |
HE PLAYS BRIGHT MELODY | 0:37:21 | 0:37:24 | |
# Sending me some distant place | 0:37:47 | 0:37:52 | |
# On nights when I lie wide awake | 0:37:54 | 0:37:58 | |
# Nights when I dream of escape | 0:38:01 | 0:38:05 | |
# At times when I'm stunned and I feel so amazed | 0:38:07 | 0:38:14 | |
# She's someone so pure | 0:38:14 | 0:38:18 | |
# Something so sure | 0:38:18 | 0:38:21 | |
# And I will take my chance | 0:38:21 | 0:38:27 | |
# She's got a ten-mile smile | 0:38:27 | 0:38:31 | |
# Passion running wild | 0:38:31 | 0:38:34 | |
# And I can transcend this whole world | 0:38:34 | 0:38:38 | |
# Looking in her eyes | 0:38:38 | 0:38:41 | |
# I know that you see what I see | 0:38:45 | 0:38:49 | |
# And I'll bring this work and this world to its knees | 0:38:51 | 0:38:58 | |
# Someone so pure | 0:38:58 | 0:39:01 | |
# Something so sure | 0:39:01 | 0:39:05 | |
# And I will take my chance | 0:39:05 | 0:39:11 | |
# She's got a ten-mile smile | 0:39:11 | 0:39:15 | |
# Passion running wild | 0:39:15 | 0:39:18 | |
# And I can transcend this whole world | 0:39:18 | 0:39:22 | |
# Looking in her eyes... # | 0:39:22 | 0:39:25 | |
'Fucking check us out. Top bricks on the chimney. | 0:39:25 | 0:39:29 | |
'Ten-mile high on Ten-Mile Smile there. | 0:39:29 | 0:39:32 | |
'It was one of them pure moments, you know what I mean? | 0:39:32 | 0:39:35 | |
'It felt like me and me four mates could take on the world | 0:39:35 | 0:39:38 | |
'in a straight one-on-one fist fight and spark it out.' | 0:39:38 | 0:39:40 | |
# She's got a ten-mile smile | 0:39:45 | 0:39:48 | |
# A ten-mile smile | 0:39:48 | 0:39:52 | |
# A ten-mile smile | 0:39:52 | 0:39:55 | |
# A ten-mile smile. # | 0:39:55 | 0:39:58 | |
HE COUGHS | 0:40:05 | 0:40:07 | |
Shit! | 0:40:07 | 0:40:08 | |
Soz! | 0:40:08 | 0:40:09 | |
THEY LAUGH | 0:40:09 | 0:40:12 | |
Fuck me, that was special! | 0:40:13 | 0:40:15 | |
Play the fucker back then! All of it! The whole demo! | 0:40:15 | 0:40:18 | |
Whoo! | 0:40:18 | 0:40:19 | |
That was fucking ace, man! | 0:40:21 | 0:40:23 | |
-Sounds like a real band. -Zips, we are a real band! | 0:40:23 | 0:40:25 | |
Got to tell you, Penfold, mate, you sound fucking sorted on it. | 0:40:25 | 0:40:28 | |
-What are you on about? You can't even hear me. -Bingo! | 0:40:28 | 0:40:30 | |
It's not perfect, though. | 0:40:30 | 0:40:31 | |
BOTH: Yeah, it is. | 0:40:31 | 0:40:33 | |
See! Nice one, lads. | 0:40:33 | 0:40:34 | |
What the fuck do these two know anyway? | 0:40:34 | 0:40:36 | |
We know you're the best band on the Red Bricks. | 0:40:36 | 0:40:38 | |
What about The Palaver? | 0:40:38 | 0:40:39 | |
Don't rate them. They think they're the Mondays but they're wank. | 0:40:39 | 0:40:42 | |
-Tell them what we call them, Jay. -The Baggy Undies. | 0:40:42 | 0:40:44 | |
Anyway, what kind of a name is The Palaver? | 0:40:44 | 0:40:46 | |
Who names a group after a fruit meringue? | 0:40:46 | 0:40:48 | |
The guitarist's shit and all. He only knows three chords. | 0:40:48 | 0:40:52 | |
Right then, we're taking it with us. | 0:40:52 | 0:40:53 | |
Do you seriously think we can give it to The Roses? | 0:40:53 | 0:40:55 | |
I seriously think we can try, yeah. | 0:40:55 | 0:40:57 | |
-Where is Spike Island anyway? -It's near Widnes, isn't it? | 0:40:57 | 0:40:59 | |
-Where's that? -Near Liverpool, isn't it? | 0:40:59 | 0:41:01 | |
-Where's that? -About 30 odd miles up the East Lancs Road. | 0:41:01 | 0:41:04 | |
-Where's the East Lancs Road? -Right, this could easily go on all night. | 0:41:04 | 0:41:06 | |
-How are we going to get there? -I could drive. -Drive what? | 0:41:06 | 0:41:08 | |
Herd of cattle! A fucking car, you bell-end! | 0:41:08 | 0:41:10 | |
I've got a better idea. Follow me. | 0:41:10 | 0:41:14 | |
SNORING FROM INSIDE VAN | 0:41:14 | 0:41:16 | |
-I'm not driving that. -Yeah, you are. It's perfect. | 0:41:16 | 0:41:19 | |
It's so cognito, it's incognito. | 0:41:19 | 0:41:21 | |
It's what? | 0:41:21 | 0:41:22 | |
Gary! Look sharp! | 0:41:22 | 0:41:25 | |
What's up, Mum? | 0:41:30 | 0:41:32 | |
-The hospital. -At this time?! | 0:41:32 | 0:41:34 | |
Come with me, he'll want you. | 0:41:34 | 0:41:36 | |
But Mum...! | 0:41:36 | 0:41:38 | |
Is Ste there? | 0:41:38 | 0:41:39 | |
-Our Steven? -Yeah. | 0:41:39 | 0:41:41 | |
No, of course not, why? | 0:41:41 | 0:41:42 | |
Didn't even know he was in the country. | 0:41:44 | 0:41:46 | |
He got back yesterday. | 0:41:46 | 0:41:48 | |
-Where is he now? -Don't know. | 0:41:48 | 0:41:51 | |
-Find him and bring him to me, I want you both close. -For how long? | 0:41:51 | 0:41:54 | |
What do you mean "for how long"? | 0:41:54 | 0:41:56 | |
It's just, you know, Spike Island. | 0:41:56 | 0:41:58 | |
What, the Guns 'n Roses concert? No, you can't go! | 0:41:58 | 0:42:00 | |
-I've been waiting months to go... -Things change! | 0:42:00 | 0:42:02 | |
-But you said that I could go! -It doesn't matter what I said! | 0:42:02 | 0:42:05 | |
-That was before. -Before what? | 0:42:08 | 0:42:11 | |
Just find your brother. | 0:42:13 | 0:42:15 | |
Soon! | 0:42:15 | 0:42:16 | |
All right, Tits? | 0:42:28 | 0:42:29 | |
All right, Carlos? | 0:42:29 | 0:42:31 | |
What the fuck, Ste? | 0:42:31 | 0:42:33 | |
What? I got your message. I'm on it. | 0:42:35 | 0:42:38 | |
I was coming to see you. | 0:42:38 | 0:42:39 | |
-I meant about my dad? -Yeah, I know. | 0:42:39 | 0:42:41 | |
It's just, I've been running round like a dick all day | 0:42:41 | 0:42:44 | |
trying to sort you a guest list out. | 0:42:44 | 0:42:45 | |
Anyway, I think I've boxed it off. | 0:42:45 | 0:42:47 | |
Worse comes to worse, I'll just word up security when I get there, | 0:42:47 | 0:42:49 | |
but you're defo in. | 0:42:49 | 0:42:51 | |
What're you fucking staring at? | 0:42:55 | 0:42:57 | |
Over here. | 0:43:00 | 0:43:02 | |
I can't do it. All right? | 0:43:10 | 0:43:12 | |
Fucking hospitals and that... | 0:43:13 | 0:43:15 | |
I can't see him like that, Tits. | 0:43:15 | 0:43:17 | |
It's too hard, mate. | 0:43:17 | 0:43:18 | |
What, you think it's easy for me? | 0:43:18 | 0:43:20 | |
Going up there every day, watching it eat him? | 0:43:20 | 0:43:23 | |
It's not, mate. It's the hardest thing in the world. | 0:43:23 | 0:43:26 | |
But you need to get down there now. | 0:43:26 | 0:43:28 | |
Right. | 0:43:30 | 0:43:32 | |
How long you staying, Ste? | 0:43:35 | 0:43:36 | |
I'll just bang this pint down. | 0:43:36 | 0:43:38 | |
No, I mean in Manchester. Are you back? | 0:43:38 | 0:43:42 | |
ALARM CLOCK BUZZES | 0:43:56 | 0:43:59 | |
MUSIC: Waterfall by The Stone Roses | 0:44:20 | 0:44:25 | |
# Chimes sing Sunday morn | 0:44:33 | 0:44:37 | |
# Today's the day she's sworn | 0:44:37 | 0:44:42 | |
# To steal what she never could own | 0:44:42 | 0:44:46 | |
# And race from this hole she calls home | 0:44:46 | 0:44:51 | |
# She'll carry on through it all | 0:44:55 | 0:44:59 | |
# She's a waterfall | 0:44:59 | 0:45:02 | |
# She'll carry on through it all... # | 0:45:04 | 0:45:08 | |
Here you are, girls. For food and that. | 0:45:08 | 0:45:10 | |
Be good. Try not to wind her up, yeah? | 0:45:12 | 0:45:15 | |
I love you both. | 0:45:17 | 0:45:18 | |
What's going on? | 0:45:28 | 0:45:29 | |
Never mind that, come on. Out the way, knobhead! | 0:45:29 | 0:45:32 | |
Where is it? | 0:45:38 | 0:45:40 | |
Dad? | 0:45:40 | 0:45:42 | |
I left it to dry on the radiator. | 0:45:42 | 0:45:44 | |
I need my T-shirt. | 0:45:45 | 0:45:47 | |
I'm going to Spike Island. | 0:45:48 | 0:45:50 | |
SMOKE DETECTOR BEEPS | 0:45:51 | 0:45:53 | |
-No. -I'm going to be taking orders from twats for the rest of my life. | 0:46:19 | 0:46:22 | |
I'm not taking any more from you. | 0:46:22 | 0:46:24 | |
-I don't want you to go. -Dad... | 0:46:24 | 0:46:27 | |
I know you're not well, and I love you and all, | 0:46:27 | 0:46:30 | |
but if you don't get out my way now | 0:46:30 | 0:46:31 | |
I swear to God, I'll bite your fucking nose off. | 0:46:31 | 0:46:34 | |
MUSIC: Waterfall by The Stone Roses | 0:46:51 | 0:46:54 | |
MUSIC FADES | 0:47:26 | 0:47:28 | |
I'm sorry, Dad. | 0:47:57 | 0:47:59 | |
Why? What've you done? | 0:47:59 | 0:48:00 | |
Nowt. Just... | 0:48:00 | 0:48:02 | |
Getting off? Don't worry about me. | 0:48:02 | 0:48:05 | |
-But... -Your mam still here? | 0:48:05 | 0:48:06 | |
Yeah, she's asleep. | 0:48:09 | 0:48:10 | |
I'll be all right then. | 0:48:10 | 0:48:11 | |
Go on. | 0:48:13 | 0:48:15 | |
Have a good day. | 0:48:15 | 0:48:16 | |
-I don't have to... -Yeah, you do. | 0:48:17 | 0:48:20 | |
-Dad... -Don't say it, son. | 0:48:23 | 0:48:24 | |
There's no need. | 0:48:26 | 0:48:27 | |
I'm going nowhere. | 0:48:27 | 0:48:29 | |
Promise. | 0:48:30 | 0:48:31 | |
I love you, Dad. | 0:48:42 | 0:48:43 | |
-Here he is. -I overslept. -You're a knob. | 0:49:02 | 0:49:05 | |
No, I'm not. Fuck you. | 0:49:05 | 0:49:07 | |
Where the fuck have you been? | 0:49:09 | 0:49:11 | |
I met with our Ste. Had a bit of a mad night. Soz. | 0:49:11 | 0:49:13 | |
-You absolute fucking wanker. -But he's got us on the guest list. | 0:49:13 | 0:49:16 | |
You absolute fucking diamond. | 0:49:16 | 0:49:18 | |
Come on. | 0:49:19 | 0:49:21 | |
Where's your Roses T? | 0:49:21 | 0:49:22 | |
It was still wet. | 0:49:22 | 0:49:23 | |
DODGE: Mate, look, you've got dog shit all over your trousers, like. | 0:49:26 | 0:49:29 | |
-You have! -Zip. | 0:49:29 | 0:49:31 | |
Come on, then. | 0:49:31 | 0:49:32 | |
Stick that on, man. | 0:49:35 | 0:49:36 | |
-Fucking... Are you sure? -Mm. | 0:49:36 | 0:49:38 | |
-ZIPPY: -Shit, he's in there, I can hear him. | 0:49:38 | 0:49:40 | |
I can fucking smell him. | 0:49:40 | 0:49:41 | |
SNORING | 0:49:41 | 0:49:43 | |
What the fuck do we do now? | 0:49:46 | 0:49:48 | |
Has anyone seen ET? | 0:49:48 | 0:49:50 | |
SNORING | 0:49:50 | 0:49:52 | |
Fuck off! | 0:49:56 | 0:49:58 | |
Look at the pants. | 0:50:33 | 0:50:35 | |
Shhh! | 0:50:35 | 0:50:36 | |
HE LAUGHS | 0:50:40 | 0:50:41 | |
-HE LAUGHS -Shh. | 0:50:50 | 0:50:52 | |
(Ready?) | 0:50:55 | 0:50:57 | |
(Go!) | 0:50:57 | 0:50:58 | |
Zip, you know where we're going? | 0:51:03 | 0:51:04 | |
Been there with my dad on a bit of work. It's fuck all away. | 0:51:04 | 0:51:07 | |
-Shall we get out of this shit hole then or what? -Go, go, go, go! | 0:51:07 | 0:51:11 | |
HE SHOUTS | 0:51:13 | 0:51:14 | |
THEY LAUGH | 0:51:17 | 0:51:18 | |
Oi! | 0:51:20 | 0:51:21 | |
Oi! | 0:51:23 | 0:51:24 | |
Go, go, go! | 0:51:24 | 0:51:25 | |
Burn rubber, Zips! | 0:51:29 | 0:51:31 | |
Hey, check his manky box. | 0:51:31 | 0:51:33 | |
DODGE: What is it? Fucking methadone! | 0:51:33 | 0:51:35 | |
Oh, he's a wrong one, him, a wrong one, mate. | 0:51:35 | 0:51:37 | |
It fucking stinks in here. | 0:51:37 | 0:51:38 | |
SHE SCREAMS | 0:51:38 | 0:51:39 | |
THEY SCREAM | 0:51:39 | 0:51:42 | |
Where's Harold? | 0:51:42 | 0:51:43 | |
Who the fuck's Harold? | 0:51:43 | 0:51:44 | |
It's his van. LAUGHTER | 0:51:44 | 0:51:46 | |
Pull over, Zippy. | 0:51:46 | 0:51:47 | |
I am! Take a chill pill! | 0:51:47 | 0:51:49 | |
I thought she was all right. | 0:51:51 | 0:51:52 | |
I think you're quite unwell. | 0:51:52 | 0:51:54 | |
-Go, go, go, go, go! -Sorry, love! | 0:51:54 | 0:51:56 | |
-Here you are, stick that on, Tits. -Is that the demo? | 0:52:00 | 0:52:02 | |
No. | 0:52:02 | 0:52:03 | |
This is the demo. | 0:52:03 | 0:52:05 | |
But it's not coming out again | 0:52:05 | 0:52:06 | |
until I'm banging it in the hands of a Stone Rose. | 0:52:06 | 0:52:09 | |
Actually, fuck that, Tits. You take it. | 0:52:10 | 0:52:12 | |
Guard it with your life. | 0:52:12 | 0:52:13 | |
Nice one. | 0:52:13 | 0:52:14 | |
MUSIC: Bye-Bye Badman by The Stone Roses | 0:52:21 | 0:52:25 | |
THEY SING: # Soak me to my skin | 0:52:25 | 0:52:29 | |
# Will you drown me in your sea | 0:52:29 | 0:52:32 | |
# Submission ends | 0:52:32 | 0:52:35 | |
# And I begin | 0:52:35 | 0:52:39 | |
# Choke me smoke the air | 0:52:43 | 0:52:47 | |
# In this citron sucking sunshine | 0:52:47 | 0:52:50 | |
# I don't care | 0:52:50 | 0:52:53 | |
# You're not all there | 0:52:53 | 0:52:57 | |
# Every backbone and heart you break | 0:53:00 | 0:53:04 | |
# Will still come back for more | 0:53:04 | 0:53:09 | |
# Submission ends it all... # | 0:53:09 | 0:53:16 | |
'We come flying out the Red Bricks and hit the road out of town, | 0:53:20 | 0:53:23 | |
'with a cockpit full of weed smoke and pocketfuls of E's and speed. | 0:53:23 | 0:53:26 | |
'Absolutely buzzing our nuts off. | 0:53:26 | 0:53:28 | |
'We were leaving Manchester and a world of shite behind. | 0:53:28 | 0:53:31 | |
'We all were. Just for one day, anyway. | 0:53:31 | 0:53:34 | |
'You know what? | 0:53:34 | 0:53:35 | |
'Despite everything, it felt fucking all right, man.' | 0:53:35 | 0:53:38 | |
# Bye-bye badman | 0:53:38 | 0:53:40 | |
# Bye-bye. # | 0:53:41 | 0:53:43 | |
Ooh, look! | 0:53:48 | 0:53:49 | |
Wow. How fucking camp was that? | 0:53:49 | 0:53:51 | |
-Look at what? -Warrington. | 0:53:51 | 0:53:53 | |
Ace. What about it? | 0:53:53 | 0:53:54 | |
Ian Brown's birth place. They should erect a statue. | 0:53:54 | 0:53:57 | |
I'd like to erect a statue | 0:53:57 | 0:53:59 | |
in Lisa Hughes's fanny! | 0:53:59 | 0:54:01 | |
HE LAUGHS | 0:54:01 | 0:54:02 | |
What exactly are you doing there? | 0:54:02 | 0:54:04 | |
-Slipping her one. -Slipping a fucking disc. | 0:54:04 | 0:54:06 | |
We should take a detour. | 0:54:06 | 0:54:08 | |
I'd like to take a detour... | 0:54:08 | 0:54:09 | |
to Lisa Hughes's fanny! | 0:54:09 | 0:54:11 | |
Yeah, he's never even seen a fanny, | 0:54:11 | 0:54:14 | |
except when he looks in the mirror! | 0:54:14 | 0:54:15 | |
CHEERING | 0:54:15 | 0:54:18 | |
Hit him, Little Gaz. | 0:54:18 | 0:54:20 | |
We're nearly there now anyway. | 0:54:20 | 0:54:22 | |
What? How? | 0:54:22 | 0:54:23 | |
I ain't even seen a sign for Widnes yet. | 0:54:23 | 0:54:25 | |
Widnes?! | 0:54:25 | 0:54:27 | |
GROANING | 0:54:27 | 0:54:29 | |
TYRES SQUEAL | 0:54:29 | 0:54:31 | |
They sound the same. | 0:54:32 | 0:54:33 | |
What? Like "you dick" and "you prick"? | 0:54:33 | 0:54:35 | |
CHEERING | 0:54:35 | 0:54:37 | |
Who's the driver? | 0:54:42 | 0:54:43 | |
This goon. | 0:54:43 | 0:54:45 | |
Right. Did you not bring a map? | 0:54:45 | 0:54:48 | |
-No. -Did you not look at a map? | 0:54:48 | 0:54:50 | |
No. | 0:54:50 | 0:54:51 | |
Right. | 0:54:51 | 0:54:52 | |
Well, this is you. | 0:54:52 | 0:54:54 | |
This is Widnes. And this is the M6. It's going to be your little friend. | 0:54:55 | 0:54:59 | |
You want to take him south to junction 21A, | 0:54:59 | 0:55:02 | |
get on the M62 towards Liverpool, junction 10. | 0:55:02 | 0:55:05 | |
Follow the signs from there, Bob's your uncle, | 0:55:05 | 0:55:08 | |
Fanny's a rude word. | 0:55:08 | 0:55:09 | |
Thanks, Suzanne. | 0:55:09 | 0:55:11 | |
Pleasure. Going to Spike Island? | 0:55:11 | 0:55:12 | |
Yeah. | 0:55:12 | 0:55:13 | |
I'll keep my eyes peeled for you. | 0:55:13 | 0:55:15 | |
Especially for you. | 0:55:15 | 0:55:16 | |
Oh, and do us a favour, will you? | 0:55:18 | 0:55:19 | |
Tell your thieving little bastard mates to put everything back, | 0:55:19 | 0:55:22 | |
else I'll lock the door and get the Dobermans in. | 0:55:22 | 0:55:25 | |
That was your fault, Dodge. | 0:55:28 | 0:55:29 | |
How did you work that one out? | 0:55:29 | 0:55:31 | |
She'd seen the box fall out of your trackie top. | 0:55:31 | 0:55:33 | |
What was you robbing Tampax for anyway? | 0:55:33 | 0:55:34 | |
I didn't know what they were, I couldn't read it. | 0:55:34 | 0:55:36 | |
I thought they were individually wrapped biscuits. | 0:55:36 | 0:55:38 | |
CAR HORNS BLARE | 0:55:47 | 0:55:49 | |
Have it! | 0:55:49 | 0:55:50 | |
CHEERING | 0:55:50 | 0:55:52 | |
CAR HORNS BLARE | 0:55:56 | 0:55:58 | |
-LITTLE GAZ: -Hey, hey, Spike Island! | 0:55:58 | 0:56:00 | |
-ZIPPY: -We'll be there shortly! | 0:56:00 | 0:56:01 | |
-Hey, Zippy - turn it in. -What're you on about? | 0:56:05 | 0:56:08 | |
-You can't tap your feet while they're on the pedals. -I'm not! | 0:56:08 | 0:56:10 | |
-What the fuck are you doing? -Nothing. | 0:56:10 | 0:56:12 | |
-Why's the van spazzing out? -I don't know. | 0:56:12 | 0:56:14 | |
Shut it. Turn the tunes off. It doesn't sound well. | 0:56:14 | 0:56:18 | |
This might be a daft question. But have we got juice in it? | 0:56:18 | 0:56:20 | |
Yeah. It was full this morning. | 0:56:20 | 0:56:22 | |
What?! THEY GROAN | 0:56:25 | 0:56:27 | |
Fuck! | 0:56:27 | 0:56:29 | |
You're joking me! | 0:56:29 | 0:56:30 | |
CAR HORNS BLARE | 0:56:34 | 0:56:36 | |
-Fuck! -Fuck! -Fucking fuck! | 0:56:42 | 0:56:45 | |
Word! | 0:56:45 | 0:56:46 | |
-We can't hang about here. -ZIPPY: What the fuck is he doing? | 0:56:48 | 0:56:51 | |
-Climbing the van, clearly. -Why? | 0:56:51 | 0:56:53 | |
-Reconnaissance. -DODGE: What?! | 0:56:53 | 0:56:55 | |
If we walk six fields north west... | 0:56:55 | 0:56:57 | |
there's a motorway running perpendicular. | 0:56:57 | 0:56:59 | |
I think it has to be the M6. | 0:56:59 | 0:57:01 | |
Come on! | 0:57:03 | 0:57:05 | |
Are we really following this retard? What about the van? | 0:57:05 | 0:57:08 | |
I've remembered its position. | 0:57:08 | 0:57:10 | |
I'll watch your van...for a tenner! | 0:57:12 | 0:57:15 | |
You can watch my arse disappear for fuck all, you cheeky twat. | 0:57:15 | 0:57:18 | |
MUSIC: Fools Gold by The Stone Roses | 0:57:21 | 0:57:23 | |
# The gold road's sure a long road | 0:57:47 | 0:57:50 | |
# Winds up through the hills for 15 days... # | 0:57:51 | 0:57:54 | |
CAR HORN BEEPS | 0:57:59 | 0:58:00 | |
MAN: Right, come on, back on the bus. | 0:58:00 | 0:58:02 | |
Come on. | 0:58:05 | 0:58:06 | |
CAR HORN BLARES CHEERING | 0:58:06 | 0:58:08 | |
ENGINE DRONES | 0:58:27 | 0:58:29 | |
-LAUGHTER -Shh! | 0:58:37 | 0:58:39 | |
(Spike Island!) | 0:58:41 | 0:58:43 | |
HE FARTS | 0:58:46 | 0:58:47 | |
GROANING | 0:58:47 | 0:58:49 | |
Dirty bastard! | 0:58:49 | 0:58:50 | |
Zippy... | 0:58:57 | 0:58:58 | |
Please tell me that's not your cock digging in my back. | 0:58:58 | 0:59:01 | |
I can't help it, it's the vibrations! | 0:59:01 | 0:59:03 | |
Fuck's sake! | 0:59:03 | 0:59:04 | |
They're slowing down. | 0:59:15 | 0:59:16 | |
We must be nearly there. | 0:59:16 | 0:59:18 | |
Thank fuck for that. I think I've broke my arse. | 0:59:18 | 0:59:20 | |
Someone's arse defo ain't working right or they've been eating rats. | 0:59:20 | 0:59:23 | |
T-shirts! | 0:59:23 | 0:59:25 | |
# Give me joy in my heart | 0:59:26 | 0:59:29 | |
# Keep me burning | 0:59:29 | 0:59:31 | |
# Keep me burning till the end of day... # | 0:59:31 | 0:59:34 | |
-Have we stopped? -Yeah. | 0:59:34 | 0:59:35 | |
Whatever happens, we stay together. | 0:59:35 | 0:59:38 | |
Three...two...one... | 0:59:38 | 0:59:40 | |
Shit! Where's Penfold? | 1:00:11 | 1:00:12 | |
-Fucks knows! -Pen...?! | 1:00:12 | 1:00:14 | |
He couldn't have gone far, man, just look for his sunhat. | 1:00:14 | 1:00:18 | |
Pen! Penfold! | 1:00:18 | 1:00:20 | |
-Penfold! LITTLE GAZ: -Pen! | 1:00:20 | 1:00:23 | |
Penfold! | 1:00:23 | 1:00:24 | |
FAN: Ah, steady! | 1:00:24 | 1:00:25 | |
-Penfold! -Pen! | 1:00:25 | 1:00:27 | |
-Penfold! ZIPPY: -Pen! | 1:00:27 | 1:00:29 | |
Pen-is, where are you? | 1:00:29 | 1:00:30 | |
Ah, fuck that, man. Let's head down to the main gate. | 1:00:30 | 1:00:33 | |
MAN: Reni hats! Get your Reni hats here! | 1:00:38 | 1:00:39 | |
Get your fucking Reni hat here! | 1:00:39 | 1:00:41 | |
Go on, Manchester! | 1:00:41 | 1:00:42 | |
Stone Roses souvenirs! Posters - two for a tenner. | 1:00:47 | 1:00:50 | |
He's got no shirt on! | 1:00:50 | 1:00:51 | |
Hot dogs! Free ketchup over here, or Ian Brown sauce. | 1:00:54 | 1:00:58 | |
You can see the gate from here. | 1:01:00 | 1:01:02 | |
Here we go, lads! Fucking Mersey paradise! | 1:01:05 | 1:01:08 | |
MUSIC: Mersey Paradise by The Stone Roses | 1:01:08 | 1:01:10 | |
# In my Mersey paradise | 1:01:10 | 1:01:13 | |
# I want to be | 1:01:27 | 1:01:28 | |
# I want to be | 1:01:28 | 1:01:30 | |
# Where the drownings are | 1:01:30 | 1:01:32 | |
# Drownings are | 1:01:32 | 1:01:33 | |
# You see it in this heat | 1:01:33 | 1:01:36 | |
# River cool's where I belong | 1:01:36 | 1:01:40 | |
# Oh, yeah... # | 1:01:40 | 1:01:41 | |
Right, boys, let's have it! | 1:01:41 | 1:01:43 | |
Right, tickets up, please. | 1:01:45 | 1:01:47 | |
Go ahead, Bananarama, straight in! | 1:01:47 | 1:01:49 | |
Here we are, Sweet Cheeks, get in there! | 1:01:49 | 1:01:51 | |
-It's Bez! -Do the dance! -Go ahead, lad, do it... | 1:01:51 | 1:01:53 | |
-Oh! You're in, you're in! -Mate, hang on, how old are you? | 1:01:53 | 1:01:56 | |
-18. -18? I've got porn mags older than you! | 1:01:56 | 1:01:58 | |
Cheese and Marmite, together? On the same butty? | 1:01:58 | 1:02:00 | |
That's fucking repellent. | 1:02:00 | 1:02:01 | |
Can I have it back then? | 1:02:01 | 1:02:03 | |
No. Get the fuck, go on. | 1:02:03 | 1:02:04 | |
-You all right, mate? -I'm not your mate. Tickets. | 1:02:04 | 1:02:07 | |
Should be on the guest list. | 1:02:07 | 1:02:08 | |
Yeah, and I should be on the telly, lad. | 1:02:08 | 1:02:10 | |
-Here you are, Sid, get on these. -Go ahead, whose list? -Ibiza Ste's. | 1:02:10 | 1:02:13 | |
Who the fuck is Ibiza Ste? | 1:02:13 | 1:02:14 | |
-My brother. -Why do you call him that? | 1:02:14 | 1:02:17 | |
-Because we've got the same Mam and Dad. -I mean Ibiza Ste? | 1:02:17 | 1:02:19 | |
All right, because he lives in Ibiza. His name's Ste. | 1:02:19 | 1:02:22 | |
Oh, yeah, got it, nice one, yeah. Boss name. | 1:02:22 | 1:02:24 | |
Yeah, he's a Manc legend! | 1:02:24 | 1:02:25 | |
A Manchester leg-end no less. | 1:02:25 | 1:02:27 | |
Well, welcome to fucking Merseyside, son. We don't know no Ibiza Ste | 1:02:27 | 1:02:30 | |
-and he hasn't got no fucking guest list. -Try Red Bricks Ste? | 1:02:30 | 1:02:32 | |
He used to live there before he moved to Ibiza. | 1:02:32 | 1:02:34 | |
Stop it - you'll ruin it for me when his autobiography comes out. | 1:02:34 | 1:02:36 | |
Try the Roses. Mani. I sort him out with hair gel. | 1:02:36 | 1:02:39 | |
Go ahead, what's your names? | 1:02:39 | 1:02:41 | |
Gary Titchfield, Darren Hodge, Chris Weeks, Gareth Barry and Andrew Peach. | 1:02:41 | 1:02:43 | |
No. You're not down. | 1:02:43 | 1:02:45 | |
-Try Shadow Caster - we're a band. -Fuck off! | 1:02:45 | 1:02:47 | |
-Mate, we're a support band. -Oh, the support band. | 1:02:47 | 1:02:49 | |
Oh, sorry, lads, in that case... | 1:02:49 | 1:02:51 | |
BOTH: Fuck off! | 1:02:51 | 1:02:52 | |
No tickets, no guest list, no entry, no chance. | 1:02:52 | 1:02:55 | |
Now fucking yabba dabba do one, dickheads! | 1:02:55 | 1:02:58 | |
Go ahead, move! Do one, you beaut! | 1:02:58 | 1:03:01 | |
Well, that went well... | 1:03:01 | 1:03:02 | |
Can't believe he's never heard of Ibiza Ste. | 1:03:02 | 1:03:04 | |
-I can. -Nah, it's got to be a fuck up. | 1:03:04 | 1:03:05 | |
Yeah, there is, it's called Ste. | 1:03:05 | 1:03:07 | |
Hands in the air, put your tickets up. | 1:03:07 | 1:03:09 | |
-So what are we going to do now then, Tits? -Get in. | 1:03:09 | 1:03:12 | |
Let's just fucking rush him, man. | 1:03:12 | 1:03:14 | |
Yeah? On my count, right... | 1:03:14 | 1:03:16 | |
One...two... | 1:03:17 | 1:03:19 | |
Three. For fuck's sake, who runs on two? | 1:03:19 | 1:03:22 | |
No-one runs on two. | 1:03:22 | 1:03:24 | |
Whoa, whoa, whoa! | 1:03:24 | 1:03:25 | |
SID: They're charging, Dave! | 1:03:25 | 1:03:27 | |
FOG HORN BLARES | 1:03:28 | 1:03:30 | |
Get out! Go on, and you! | 1:03:34 | 1:03:36 | |
And you, Grandad, get off! | 1:03:38 | 1:03:40 | |
Get back! | 1:03:43 | 1:03:44 | |
-This is our bridge. -Fucking hippies! | 1:03:44 | 1:03:46 | |
Let that be a lesson to all of you. | 1:03:46 | 1:03:49 | |
-Yes! -Here we go! | 1:03:49 | 1:03:51 | |
-Liverpool 2, Man U... -Nil! | 1:03:51 | 1:03:53 | |
Have it! | 1:03:56 | 1:03:58 | |
-DODGE: -What do you reckon? | 1:04:00 | 1:04:01 | |
I'm not fucking swimming in that. No. | 1:04:01 | 1:04:04 | |
-ZIPPY: -I wonder what time it is. We've got to meet the girls. | 1:04:04 | 1:04:06 | |
Nearly 3:45. | 1:04:06 | 1:04:08 | |
-What the fuck was that? -Some sort of animal? | 1:04:09 | 1:04:11 | |
SCOUSE ACCENT: Here you are, lads, do you want to buy a dinghy ride? | 1:04:11 | 1:04:14 | |
-What did he just say? -Fuck knows. | 1:04:14 | 1:04:16 | |
-LITTLE GAZ: -Dez-a-by-diggy-bat?! -Do you want to buy a dinghy ride? | 1:04:16 | 1:04:19 | |
-I'm still not getting it. -Soz, mate, it's just white noise. | 1:04:19 | 1:04:22 | |
Oh, for fuck's sake. | 1:04:22 | 1:04:23 | |
Oh! Do we want to buy a dinghy?! | 1:04:27 | 1:04:30 | |
A dinghy ride! I row yous! | 1:04:30 | 1:04:32 | |
-Where's your oars? -Side of my head! | 1:04:32 | 1:04:34 | |
-No, you're all right, mate. -Do one. | 1:04:34 | 1:04:37 | |
-Do yous want to buy a dinghy ride? -What? | 1:04:37 | 1:04:38 | |
He'll row you. For cash. With no oars. | 1:04:38 | 1:04:41 | |
-Sound! -How much? -Fiver each. | 1:04:41 | 1:04:43 | |
Oh, mate, I'm watching this. | 1:04:46 | 1:04:47 | |
Come on, come on, hurry up! Hurry up! | 1:04:48 | 1:04:50 | |
-ZIPPY: -Would you get in a boat with this prick? -Easy! Easy! | 1:04:50 | 1:04:52 | |
Wouldn't even get in a lift with him. | 1:04:52 | 1:04:55 | |
I'm the captain on this ship. | 1:04:55 | 1:04:57 | |
Just don't do nothing. Leave it to me. | 1:04:57 | 1:04:59 | |
Ah! It's going to tip if you do that. | 1:05:01 | 1:05:03 | |
GIRLS SCREAM Can't swim! | 1:05:03 | 1:05:05 | |
THEY LAUGH | 1:05:05 | 1:05:07 | |
We should probably head back to the main gate, you know. | 1:05:10 | 1:05:12 | |
Penfold might be waiting for us. | 1:05:12 | 1:05:14 | |
-Might even see the girls turn up. -Or Ibiza Ste. | 1:05:14 | 1:05:16 | |
Oh, here we go, look who it is. | 1:05:18 | 1:05:20 | |
All right, Tits? | 1:05:24 | 1:05:25 | |
All right, Dave Famous? | 1:05:25 | 1:05:26 | |
Got tickets? | 1:05:28 | 1:05:29 | |
-Have you? -Have you? | 1:05:29 | 1:05:31 | |
-No, neither have we. -Supposed to be on the list, but... | 1:05:33 | 1:05:35 | |
So were we, but... | 1:05:35 | 1:05:37 | |
Listen, Dave, let's cut the bollocks, yeah? | 1:05:38 | 1:05:40 | |
We all know you think we're shit dickheads, yeah? | 1:05:40 | 1:05:43 | |
But we think you're double shit dickheads, | 1:05:43 | 1:05:45 | |
but we're all bang into the Roses, so... | 1:05:45 | 1:05:48 | |
I thought if one of us spots a jib, | 1:05:48 | 1:05:50 | |
we should probably give each other a shout or something. | 1:05:50 | 1:05:52 | |
All right, sound. | 1:05:52 | 1:05:54 | |
Sound. In a bit... | 1:05:54 | 1:05:55 | |
In bits. | 1:05:55 | 1:05:56 | |
State of that tracksuit. He looks like a fucking Smurf! | 1:05:59 | 1:06:02 | |
HE LAUGHS | 1:06:09 | 1:06:10 | |
I could see right up her skirt then. | 1:06:10 | 1:06:12 | |
Do you know what I wish? | 1:06:12 | 1:06:13 | |
We had a Motorola and then we could ring Ste. | 1:06:13 | 1:06:15 | |
Or the girls, but they'd have to have one too. | 1:06:15 | 1:06:18 | |
Do you know what I wish? | 1:06:18 | 1:06:20 | |
Go on, it's getting good, this game. | 1:06:20 | 1:06:21 | |
You'd sorted it out with your kid properly last night, Tits. | 1:06:21 | 1:06:24 | |
Instead of getting fucking caned or whatever you did. | 1:06:24 | 1:06:27 | |
-Shall I tell you what I done last night, Dodge? -What? | 1:06:27 | 1:06:30 | |
I sat with my mam, waiting for my dad to die. | 1:06:30 | 1:06:32 | |
Yeah, I sat with my mam | 1:06:32 | 1:06:33 | |
and waited for my useless prick of a brother | 1:06:33 | 1:06:35 | |
to sort out leaving a fucking pub and come to the hospital. | 1:06:35 | 1:06:37 | |
He never managed that. So shut the fuck up about him sorting us out. | 1:06:37 | 1:06:40 | |
The guy's a dick and you're doing my fucking head in. | 1:06:40 | 1:06:42 | |
You told me he was all right... | 1:06:42 | 1:06:43 | |
-This isn't fucking about you. -What's that supposed to mean? | 1:06:43 | 1:06:46 | |
Nothing...I... | 1:06:46 | 1:06:48 | |
I just mean that we come here for one fucking reason, right? | 1:06:48 | 1:06:51 | |
To see The Stone Roses, | 1:06:51 | 1:06:52 | |
so can we please stop pissing and moaning | 1:06:52 | 1:06:54 | |
and get on with trying to get in. | 1:06:54 | 1:06:56 | |
DODGE: Oi, Tits! | 1:07:00 | 1:07:01 | |
Tits! Listen, man! | 1:07:03 | 1:07:04 | |
Tits! | 1:07:16 | 1:07:17 | |
-Are you all right? -No, not really. | 1:07:24 | 1:07:26 | |
I've just been wandering on my own like a lemon. | 1:07:26 | 1:07:28 | |
I lost the girls coming over the bridge. | 1:07:28 | 1:07:31 | |
Why didn't you just go in? | 1:07:32 | 1:07:33 | |
What? I don't know? | 1:07:33 | 1:07:35 | |
There's like 20-odd thousand heads in there and... | 1:07:35 | 1:07:38 | |
I had a quarter of an acid on the train and I got a bit para. | 1:07:38 | 1:07:42 | |
You said you'd be there - left-hand side of the stage. | 1:07:42 | 1:07:44 | |
Yeah, but it doesn't matter anyway, I can just come in with yous lot. | 1:07:44 | 1:07:48 | |
If that's all right? | 1:07:48 | 1:07:49 | |
We still haven't got tickets. | 1:07:49 | 1:07:51 | |
Oh, shit! | 1:07:51 | 1:07:53 | |
Yeah. Shit. | 1:07:53 | 1:07:54 | |
Well, I am not going in there on my own. | 1:07:54 | 1:07:57 | |
What? You'll miss the Roses. | 1:07:57 | 1:07:59 | |
Well...one of yous lot could have my ticket. | 1:07:59 | 1:08:02 | |
I'll have it. | 1:08:04 | 1:08:05 | |
-Behave. -What? I said it first. | 1:08:05 | 1:08:08 | |
Shouldn't we toss a coin or have an arm wrestle or something? | 1:08:08 | 1:08:10 | |
No, it's about the music, isn't it? | 1:08:10 | 1:08:12 | |
I'm the only one that understands it. | 1:08:12 | 1:08:13 | |
Come on, Tits, you know how much this means to me, man. | 1:08:13 | 1:08:17 | |
Yeah...yeah, I do. | 1:08:17 | 1:08:20 | |
There you are. | 1:08:23 | 1:08:24 | |
Nice one. | 1:08:24 | 1:08:26 | |
Right then, see you after, here, yeah? | 1:08:27 | 1:08:29 | |
Mate! Dodge! | 1:08:31 | 1:08:34 | |
Take this with you. | 1:08:34 | 1:08:36 | |
What? Why? You said you'd do it. | 1:08:36 | 1:08:38 | |
You're the one who's going in, aren't you? | 1:08:38 | 1:08:40 | |
I'm not going to get in backstage on my own, without you. | 1:08:40 | 1:08:42 | |
Get down the front then, Dodge. Just lob it at Ian or John. | 1:08:42 | 1:08:45 | |
I'd throw it into the mud. You're a miles better thrower than me. | 1:08:45 | 1:08:48 | |
-I'm not going to hit the fucking stage from out here. -It'll be right. | 1:08:48 | 1:08:51 | |
You'll get in. You keep it. | 1:08:51 | 1:08:53 | |
You know I'd fuck it up. | 1:08:53 | 1:08:55 | |
Listen, if you do get in, meet me at the sound desk. | 1:08:57 | 1:09:00 | |
If not, I'll see back after, here, yeah? | 1:09:00 | 1:09:02 | |
Yeah. | 1:09:02 | 1:09:03 | |
Don't go fucking off without me. | 1:09:05 | 1:09:07 | |
Nah, mate. | 1:09:08 | 1:09:09 | |
Sorted. | 1:09:11 | 1:09:12 | |
Yeah, mate, sorted as fuck. | 1:09:12 | 1:09:14 | |
Is...? Is my make-up ran? | 1:09:24 | 1:09:26 | |
Just a smidge. | 1:09:26 | 1:09:28 | |
Oh, I must look like a right dog. | 1:09:28 | 1:09:30 | |
No, you don't. | 1:09:30 | 1:09:31 | |
Like a really pretty panda. | 1:09:31 | 1:09:33 | |
-Oi, Dave Famous! What are you saying? -What are you saying? | 1:09:34 | 1:09:37 | |
Let's not do this again. I can't be arsed. | 1:09:37 | 1:09:40 | |
Some kid said a mob have flattened the vehicle gate. | 1:09:40 | 1:09:42 | |
You can get across the bridge to them fields next to the fence. In a bit! | 1:09:42 | 1:09:45 | |
MAN: Hey, up you get! | 1:09:47 | 1:09:48 | |
-ZIPPY: -Tell you what? I need a massive disco shit, me, you know. | 1:09:48 | 1:09:51 | |
-SALLY: -Oh, that's hanging. | 1:09:51 | 1:09:52 | |
Soz, but it's all the whizz and excitement. | 1:09:52 | 1:09:54 | |
Whoa! Watch your three stripes there. | 1:09:54 | 1:09:56 | |
It's probably radioactive. | 1:09:56 | 1:09:57 | |
-All right? -Yeah. -Go on. | 1:10:01 | 1:10:02 | |
Is that your butt? | 1:10:04 | 1:10:05 | |
Yeah. | 1:10:05 | 1:10:06 | |
-Fuck! -Shit! | 1:10:41 | 1:10:43 | |
-ZIPPY: -How thick do you think it is? | 1:10:49 | 1:10:51 | |
Don't know. | 1:10:51 | 1:10:52 | |
What are we going to do now? | 1:10:56 | 1:10:57 | |
Fuck's sake. I don't have a clue. | 1:11:00 | 1:11:02 | |
Little cock knockers! | 1:11:18 | 1:11:19 | |
What? Can you see out? | 1:11:20 | 1:11:22 | |
Nah. | 1:11:22 | 1:11:24 | |
We'll still be able to hear it, though, won't we? | 1:11:24 | 1:11:26 | |
It's a fucking nightmare, isn't it? | 1:11:26 | 1:11:29 | |
LAUGHTER AND CHEERING | 1:11:29 | 1:11:31 | |
'And as the sun went down over the chemical plant, | 1:11:40 | 1:11:42 | |
'the wind was blowing the sound from inside the site in waves, | 1:11:42 | 1:11:46 | |
'washing over us, then fucking off down the estuary.' | 1:11:46 | 1:11:49 | |
'With Penfold missing in action, and Dodge doing what he'd done, | 1:11:49 | 1:11:52 | |
'we were suddenly two men down. | 1:11:52 | 1:11:54 | |
'But we were one girl up. | 1:11:54 | 1:11:55 | |
'And it was funny, man, | 1:11:56 | 1:11:57 | |
'cos it had always been about me and Dodge.' | 1:11:57 | 1:11:59 | |
'We'd always been on our own journey, | 1:11:59 | 1:12:01 | |
'ever since we were nippers - | 1:12:01 | 1:12:03 | |
'fucking Batman and Robin, you know what I mean? | 1:12:03 | 1:12:06 | |
'But it wasn't just a massive fuck off metal green fence | 1:12:06 | 1:12:09 | |
'that had come between us. | 1:12:09 | 1:12:10 | |
'I was on a different trip now.' | 1:12:10 | 1:12:11 | |
'The night was beautiful, special. | 1:12:20 | 1:12:24 | |
'So was Sally Harris.' | 1:12:24 | 1:12:25 | |
'And then we heard it. | 1:12:29 | 1:12:30 | |
'The roar of cheers that told us that Roses had walked on stage | 1:12:30 | 1:12:33 | |
'and the rumble of Mani's bass. | 1:12:33 | 1:12:35 | |
'The greatest party in the history of the world | 1:12:35 | 1:12:38 | |
'and we weren't invited.' | 1:12:38 | 1:12:39 | |
The Stone Roses are on the other side of that wall. | 1:12:41 | 1:12:44 | |
Wish I were ten feet taller. | 1:12:44 | 1:12:46 | |
-ZIPPY: -Look, Gaz, give us a peg up | 1:12:46 | 1:12:47 | |
MUSIC: I Wanna Be Adored by The Stone Roses | 1:13:02 | 1:13:04 | |
Yeah! | 1:13:17 | 1:13:19 | |
Can you see? | 1:13:20 | 1:13:22 | |
Yeah, mate! | 1:13:22 | 1:13:24 | |
Is it top? | 1:13:24 | 1:13:25 | |
Yeah, mate! | 1:13:25 | 1:13:26 | |
# I wanna be adored | 1:13:29 | 1:13:33 | |
# You adore me | 1:13:34 | 1:13:36 | |
# You adore me | 1:13:38 | 1:13:40 | |
-# You adore me...# -Can we swap? -No, mate. | 1:13:42 | 1:13:45 | |
Hell, mate. | 1:13:45 | 1:13:46 | |
Keep still! | 1:13:46 | 1:13:47 | |
I can't! I'm off me tits! | 1:13:47 | 1:13:49 | |
Come here, you clown! | 1:13:54 | 1:13:55 | |
You mad bastard. | 1:13:58 | 1:13:59 | |
Yeah, mate! | 1:14:05 | 1:14:06 | |
HE CHEERS | 1:14:08 | 1:14:09 | |
I'm going to say something. He's taking the piss. | 1:14:17 | 1:14:19 | |
Out of who? | 1:14:19 | 1:14:21 | |
Dodge. | 1:14:21 | 1:14:23 | |
Are you being serious? | 1:14:23 | 1:14:24 | |
Yeah. He's supposed to be his best mate. | 1:14:24 | 1:14:26 | |
He is. Why, do you think he's never done it before, you clown? | 1:14:26 | 1:14:29 | |
-What? -You must be fucking blind. | 1:14:29 | 1:14:31 | |
What's the matter? | 1:14:38 | 1:14:39 | |
Nothing. | 1:14:39 | 1:14:41 | |
Dodge. | 1:14:42 | 1:14:43 | |
You do know you just called me Dodge. | 1:14:45 | 1:14:47 | |
That explains everything. | 1:14:47 | 1:14:48 | |
No, I mean... | 1:14:48 | 1:14:50 | |
..Dodge is into you. | 1:14:51 | 1:14:53 | |
What? | 1:14:55 | 1:14:56 | |
-He's never even spoke to me till tonight. -Yeah, I know. | 1:14:57 | 1:15:00 | |
But I'm being serious. | 1:15:00 | 1:15:02 | |
He has been since we were little kids. | 1:15:02 | 1:15:04 | |
Right. | 1:15:04 | 1:15:06 | |
Shit. OK. | 1:15:07 | 1:15:09 | |
What? And you haven't? | 1:15:09 | 1:15:11 | |
Zippy, Tits and Sally was always going to happen. | 1:15:12 | 1:15:16 | |
It's only right that it's here, now. | 1:15:16 | 1:15:18 | |
Straight up? | 1:15:18 | 1:15:20 | |
Straight back down again. | 1:15:20 | 1:15:21 | |
I remember you kissed me in the playground at Grey Bank Primary. | 1:15:23 | 1:15:25 | |
It made me feel double sick. | 1:15:25 | 1:15:27 | |
I never even noticed your hair then. | 1:15:28 | 1:15:30 | |
I had no idea then that I'd end up...dancing with you. | 1:15:32 | 1:15:36 | |
No-one fucking told me | 1:15:37 | 1:15:38 | |
that your hand would be made just spot-on to fit in mine. | 1:15:38 | 1:15:41 | |
SHE LAUGHS | 1:15:41 | 1:15:42 | |
Your laugh used to really annoy me. | 1:15:42 | 1:15:45 | |
Now it makes me feel like skinning up. | 1:15:45 | 1:15:47 | |
I should've kissed you back then. Would've made all this miles easier. | 1:15:48 | 1:15:51 | |
All what? | 1:15:54 | 1:15:55 | |
I'm fucking bananas about you. | 1:15:57 | 1:15:59 | |
LOUD CHEERING | 1:16:05 | 1:16:07 | |
-What's happening? -The wind's changed direction. | 1:16:10 | 1:16:13 | |
MUSIC: I Am The Resurrection by The Stone Roses | 1:16:13 | 1:16:15 | |
-Fuck me! -Get on that! | 1:16:15 | 1:16:17 | |
# ..and I can't sleep at night... # | 1:16:18 | 1:16:22 | |
ALL: # Your face, it has no place | 1:16:23 | 1:16:27 | |
# No room for you inside my house | 1:16:27 | 1:16:30 | |
# I need to be alone | 1:16:30 | 1:16:33 | |
# Don't waste your words | 1:16:36 | 1:16:38 | |
# I don't need anything from you | 1:16:38 | 1:16:41 | |
# I don't care where you've been | 1:16:43 | 1:16:46 | |
# Or what you plan to do | 1:16:46 | 1:16:50 | |
# Turn, turn, I wish you'd learn | 1:16:52 | 1:16:55 | |
# There's a time and place for everything | 1:16:55 | 1:16:59 | |
# I've got to get it through | 1:16:59 | 1:17:01 | |
# Don't waste your words | 1:17:04 | 1:17:06 | |
# I don't need anything from you | 1:17:06 | 1:17:09 | |
# I don't care where you've been | 1:17:11 | 1:17:13 | |
# Or what you plan to do | 1:17:13 | 1:17:18 | |
# I am the resurrection | 1:17:20 | 1:17:22 | |
# And I am the light | 1:17:22 | 1:17:25 | |
# I couldn't ever bring myself | 1:17:25 | 1:17:29 | |
# To hate you as I'd like...# | 1:17:29 | 1:17:36 | |
FIREWORKS BANG | 1:17:40 | 1:17:42 | |
The sound was shite. It just kept blowing away in the wind. | 1:18:42 | 1:18:45 | |
-ZIPPY: -It was blowing it in here, you should've heard "Resurrection." | 1:18:45 | 1:18:48 | |
I did. I was here for all of it. | 1:18:48 | 1:18:50 | |
Aye, aye! | 1:18:54 | 1:18:56 | |
-Uncle Hairy? -The very same. | 1:18:56 | 1:18:58 | |
You all right? | 1:18:58 | 1:19:00 | |
-Literally never felt better. -But you're covered in blood. | 1:19:03 | 1:19:06 | |
Yeah, I know. It's not mine... | 1:19:06 | 1:19:07 | |
Got booted out, early doors, for fighting. | 1:19:08 | 1:19:11 | |
-Best night of my life. -Are they my clothes? | 1:19:12 | 1:19:14 | |
Yeah. You getting in the van? | 1:19:14 | 1:19:17 | |
What van? | 1:19:17 | 1:19:18 | |
That fucker. | 1:19:18 | 1:19:21 | |
Some cunt nicked mine. | 1:19:21 | 1:19:23 | |
CAR HORN BLARES | 1:19:23 | 1:19:25 | |
STE: All right, Space Travellers! How fucking good was that? | 1:19:25 | 1:19:30 | |
Yeah. Top. Never got in. | 1:19:30 | 1:19:32 | |
Did you go to the VIP gate? | 1:19:32 | 1:19:34 | |
You was down on the VIP gate. | 1:19:34 | 1:19:36 | |
How's my dad? | 1:19:36 | 1:19:37 | |
That Penfold kid tell you to meet us here, or what? | 1:19:37 | 1:19:40 | |
Penfold? We lost him hours ago. | 1:19:40 | 1:19:41 | |
He was bowling round back stage, piss wet through - | 1:19:41 | 1:19:44 | |
he'd only swum the fucking Mersey. | 1:19:44 | 1:19:46 | |
The kid's a legend. All aboard! | 1:19:46 | 1:19:49 | |
CAR HORN BEEPS | 1:19:49 | 1:19:50 | |
CAR HORN BEEPS | 1:20:51 | 1:20:53 | |
# Manchester, la, la, la! | 1:20:57 | 1:20:59 | |
CHEERING | 1:21:04 | 1:21:06 | |
CHEERING | 1:21:08 | 1:21:10 | |
-CHEERING -Over here. | 1:21:12 | 1:21:14 | |
Nice one, mate. | 1:21:22 | 1:21:24 | |
Don't worry about him. | 1:21:28 | 1:21:30 | |
The guy's a fucking dick. | 1:21:30 | 1:21:31 | |
HE PLAYS SWEEPING MELODY | 1:21:42 | 1:21:46 | |
Yeah... | 1:22:04 | 1:22:06 | |
FAST HAMMERING NOTES | 1:22:10 | 1:22:12 | |
CLAPPING | 1:22:17 | 1:22:19 | |
Go on, Dodge! Shadow Caster! | 1:22:19 | 1:22:21 | |
MAN: Go on, Dodge, give it some! | 1:22:26 | 1:22:28 | |
CHEERING | 1:22:38 | 1:22:40 | |
BOOING | 1:22:49 | 1:22:51 | |
Come on then! | 1:22:54 | 1:22:56 | |
-Oh, fucking here he is. -All right lads? What's shaking? | 1:22:56 | 1:22:58 | |
All right? What the fuck happened to you, Keith Teeth? | 1:22:58 | 1:23:01 | |
I done a sicky burp. | 1:23:01 | 1:23:02 | |
No, I mean with the tickets, you massive Joey Deacon. | 1:23:02 | 1:23:04 | |
-What you on about? I give them to him for yous. -Who? | 1:23:04 | 1:23:07 | |
Him. Fucking Harry Handsome. | 1:23:07 | 1:23:09 | |
What's up with you? You having some sort of seizure or something? | 1:23:09 | 1:23:12 | |
-Gary, I... -Don't fucking bother. Cunt. | 1:23:12 | 1:23:16 | |
-What did you just call me? -You heard me. I called you a cunt. | 1:23:16 | 1:23:18 | |
-Oops. Major buzz kill. -Here, lads, leave it out. | 1:23:18 | 1:23:20 | |
Fuck's sake, know what I mean? | 1:23:20 | 1:23:22 | |
If our Eric could see yous both now... | 1:23:22 | 1:23:24 | |
-Does anyone fancy double dropping? -Yeah, all right. | 1:23:24 | 1:23:26 | |
-Don't do this, not now. -Stay out of it, Carlos. | 1:23:26 | 1:23:28 | |
Listen to him if I were you, before I bend your bones. | 1:23:28 | 1:23:30 | |
Haven't you hurt him enough? You're his brother. | 1:23:30 | 1:23:32 | |
-Wind your neck in. -Lads, serious. Look, Tits. | 1:23:32 | 1:23:35 | |
-See that straight goer over there with the shite hair? -What about him? | 1:23:35 | 1:23:38 | |
-He's the Roses manager. -That's the Roses manager? -Yeah. | 1:23:38 | 1:23:40 | |
-He looks like a fucking hairdresser. -He looks like a dick. | 1:23:40 | 1:23:43 | |
-STE: -He is. Both. -Shut up, Ste. | 1:23:43 | 1:23:45 | |
Mover's on guitars, Ballbag keys, | 1:23:45 | 1:23:49 | |
Two Socks drums. | 1:23:49 | 1:23:50 | |
Give him the tape, Tits. Give him the fucking tape, Tits. Demo him up. | 1:23:50 | 1:23:54 | |
Excuse me. | 1:23:54 | 1:23:56 | |
-So what did you say you were called again? -The Palaver. | 1:23:58 | 1:24:00 | |
-Cool name. -Yeah. | 1:24:00 | 1:24:03 | |
Really cool. | 1:24:03 | 1:24:04 | |
Yeah. I thought of it myself. | 1:24:04 | 1:24:06 | |
-So, when are you on tour? -Couple of weeks. | 1:24:06 | 1:24:08 | |
Tits, if this is a wind-up, it's not funny. | 1:24:12 | 1:24:14 | |
-Check all your pockets again. -I have. 20 times. | 1:24:15 | 1:24:18 | |
-It's got to be somewhere. -Somewhere on Spike Island. | 1:24:18 | 1:24:20 | |
-When did you last see it? -When I tried giving it Dodge. | 1:24:20 | 1:24:22 | |
-When you fucked off with Sally. -Don't be a dick. -I'm not a dick. | 1:24:22 | 1:24:25 | |
-I'm not the one who's lost the tape. -Fuck's sake, Dodge, calm down. | 1:24:25 | 1:24:27 | |
It don't matter. It's not the only fucking copy. | 1:24:27 | 1:24:31 | |
Is it? | 1:24:31 | 1:24:32 | |
Are you taking the piss? | 1:24:32 | 1:24:34 | |
Happy days! Nice one! | 1:24:34 | 1:24:36 | |
-Knobhead. -Fuck's sake, Dodge. | 1:24:36 | 1:24:37 | |
Hang on, how come I'm suddenly the twat? Tits lost the tape. | 1:24:37 | 1:24:40 | |
-He's the one that's naused it all up for us. -Fuck off, Dodge. | 1:24:40 | 1:24:43 | |
No, you fuck off. The lot of you. | 1:24:43 | 1:24:45 | |
I am Shadow Caster. | 1:24:45 | 1:24:46 | |
If it weren't for me, there wouldn't be a tape, | 1:24:46 | 1:24:48 | |
if it weren't for me, you'd still be learning your first chords. | 1:24:48 | 1:24:52 | |
Sorry, lads. | 1:24:52 | 1:24:54 | |
Fucking say sorry to me. | 1:24:54 | 1:24:56 | |
Apologise to me, Tits. | 1:24:56 | 1:24:57 | |
Cos that tape, the band... You know I can't do fuck all else. | 1:24:57 | 1:25:00 | |
Well, yeah, because you're thick as pig shit, aren't you? | 1:25:00 | 1:25:02 | |
Just born stupid? No, I'm sick of wiping your arse. | 1:25:02 | 1:25:05 | |
And yours! And yours! | 1:25:05 | 1:25:08 | |
Mate, you could even have taken it into the fucking gig. | 1:25:08 | 1:25:10 | |
You could have tried to get it to the band. But you never. | 1:25:10 | 1:25:13 | |
You put it all on me, like you have done all our lives. | 1:25:13 | 1:25:15 | |
Even when you knew the score with my old man, | 1:25:15 | 1:25:17 | |
you shot off into that gig without a thought for any twat other than you. | 1:25:17 | 1:25:21 | |
Next to him, you're the most selfish prick I've ever fucking met. | 1:25:21 | 1:25:24 | |
What? You going to snap my jaw now? | 1:25:24 | 1:25:27 | |
Go on, Tits... | 1:25:27 | 1:25:28 | |
No. Am I fuck. | 1:25:28 | 1:25:29 | |
Oh, fuck! | 1:25:36 | 1:25:37 | |
Steady on! | 1:25:38 | 1:25:39 | |
Greetings, Earthlings! | 1:25:59 | 1:26:00 | |
It's what ears were invented for, man. | 1:26:23 | 1:26:25 | |
It's the most beautiful 12-inch of vinyl ever produced. | 1:26:26 | 1:26:29 | |
It shimmers and jangles, like...sunshine and rain. | 1:26:30 | 1:26:35 | |
Sends shivers up your spine. | 1:26:36 | 1:26:37 | |
It's like... | 1:26:39 | 1:26:40 | |
It's like the Roses wrote that album just for me. | 1:26:42 | 1:26:45 | |
Bollocks. | 1:26:47 | 1:26:48 | |
They wrote it just for me. | 1:26:49 | 1:26:51 | |
No, they wrote it for us. | 1:26:52 | 1:26:53 | |
Are you all right? | 1:27:01 | 1:27:02 | |
Yeah. | 1:27:05 | 1:27:06 | |
Yeah, I am. | 1:27:08 | 1:27:09 | |
Do you want to go back to mine? | 1:27:13 | 1:27:15 | |
Yeah. | 1:27:17 | 1:27:18 | |
Gary...? | 1:29:41 | 1:29:43 | |
'It's funny what makes people different, | 1:30:27 | 1:30:29 | |
'makes 'em special. | 1:30:29 | 1:30:32 | |
'Legends.' | 1:30:32 | 1:30:33 | |
'I suppose some people are just born to stand out.' | 1:30:36 | 1:30:39 | |
'You don't have to be stood on a stage singing tunes to be a hero. | 1:30:43 | 1:30:47 | |
'My old man done it grafting on a market every day but Sunday.' | 1:30:47 | 1:30:51 | |
# Stop your crying now, laddie. | 1:31:14 | 1:31:17 | |
# Dry your tears | 1:31:17 | 1:31:18 | |
# There's no bogeyman to get you | 1:31:21 | 1:31:24 | |
# Never fear | 1:31:24 | 1:31:26 | |
# There's no ogres, wicked witches | 1:31:28 | 1:31:32 | |
# Only greedy sons of bitches | 1:31:32 | 1:31:36 | |
# Who are waiting to exploit your life away | 1:31:36 | 1:31:41 | |
# No more talking now | 1:31:44 | 1:31:46 | |
# It's time to go to sleep | 1:31:46 | 1:31:50 | |
# There are answers to your questions | 1:31:52 | 1:31:55 | |
# But they'll keep | 1:31:55 | 1:31:57 | |
# Go on asking while you grow, son | 1:31:59 | 1:32:03 | |
# Go on asking till you know, son | 1:32:03 | 1:32:06 | |
# Then send the answers ringing through the world. # | 1:32:07 | 1:32:12 | |
So when do you want to get off? | 1:32:46 | 1:32:49 | |
Who says I'm going? | 1:32:49 | 1:32:51 | |
Me. | 1:32:51 | 1:32:52 | |
Don't have to be full-time you know. | 1:32:55 | 1:32:58 | |
With The Palaver, I could just do the tour | 1:32:58 | 1:33:00 | |
and then we could do it again. | 1:33:00 | 1:33:02 | |
Make a new tape. | 1:33:02 | 1:33:04 | |
Nah. | 1:33:04 | 1:33:06 | |
It was only right at that moment in time. | 1:33:06 | 1:33:09 | |
You said it yourself, it was special, weren't it? | 1:33:09 | 1:33:11 | |
It was perfect. | 1:33:11 | 1:33:13 | |
Just wouldn't be the same. | 1:33:14 | 1:33:15 | |
We can do anything we want. | 1:33:17 | 1:33:18 | |
We're Shadow Caster. | 1:33:20 | 1:33:22 | |
From Manchester. | 1:33:22 | 1:33:23 | |
It ain't where you're from, Dodge. | 1:33:27 | 1:33:28 | |
It's where you're at. | 1:33:28 | 1:33:30 | |
'Just for a bit, in a time and a place, | 1:33:49 | 1:33:53 | |
'The Stone Roses made everything right. | 1:33:53 | 1:33:56 | |
'Not just for me, but for all of us - | 1:33:56 | 1:33:59 | |
'my generation, or whatever. | 1:33:59 | 1:34:01 | |
'That night at Spike Island was the night when it all came together.' | 1:34:03 | 1:34:07 | |
'It was also pretty much the beginning of an end... | 1:34:09 | 1:34:11 | |
'for everything.' | 1:34:11 | 1:34:13 | |
MUSIC: Fools Gold by The Stone Roses | 1:35:21 | 1:35:23 | |
# The gold road's sure a long road | 1:35:42 | 1:35:45 | |
# Winds on through the hills for 15 days | 1:35:46 | 1:35:49 | |
# The pack on my back is aching | 1:35:58 | 1:36:02 | |
# The straps seem to cut me like a knife | 1:36:02 | 1:36:05 | |
# The gold road's sure a long road | 1:36:21 | 1:36:23 | |
# Winds on through the hills for 15 days | 1:36:25 | 1:36:28 | |
# The pack on my back is aching | 1:36:37 | 1:36:40 | |
# The straps seem to cut me like a knife | 1:36:41 | 1:36:44 | |
# I'm no clown I won't back down | 1:37:00 | 1:37:02 | |
# I don't need you to tell me what's going down | 1:37:02 | 1:37:05 | |
# Down, down, down, down, da down, down, down | 1:37:08 | 1:37:14 | |
# Down, down, down, down, da down, down, down | 1:37:16 | 1:37:22 | |
# I'm standing alone | 1:37:33 | 1:37:35 | |
# I'm watching you all | 1:37:35 | 1:37:37 | |
# I'm seeing you sinking | 1:37:37 | 1:37:39 | |
# I'm standing alone | 1:37:41 | 1:37:43 | |
# You're weighing the gold | 1:37:43 | 1:37:45 | |
# I'm watching you sinking | 1:37:45 | 1:37:49 | |
# Fool's gold... # | 1:37:49 | 1:37:53 |