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This film contains very strong language and some scenes of a sexual nature. | 0:00:02 | 0:00:09 | |
THEY SING | 0:00:58 | 0:01:01 | |
Well, I prefer movies that make me forget about the problems with the world. | 0:01:10 | 0:01:13 | |
Come on, Yaar. I mean, "Bol" is a brave movie. | 0:01:13 | 0:01:16 | |
It had to be made. | 0:01:16 | 0:01:17 | |
And you know all the students in the union | 0:01:17 | 0:01:19 | |
are just raving about it. | 0:01:19 | 0:01:21 | |
INAUDIBLE | 0:01:26 | 0:01:28 | |
Damn good bootlegger, yeah? | 0:02:11 | 0:02:13 | |
How many people are there? | 0:02:32 | 0:02:33 | |
INAUDIBLE | 0:02:50 | 0:02:53 | |
What are you doing?! | 0:03:02 | 0:03:03 | |
Get off me! | 0:03:07 | 0:03:09 | |
Don't hurt him! | 0:03:18 | 0:03:19 | |
SHE SCREAMS | 0:03:31 | 0:03:33 | |
Please, don't go. | 0:03:48 | 0:03:50 | |
Jamal, salaam. | 0:06:02 | 0:06:03 | |
Hello, Mr Bobby. | 0:06:03 | 0:06:04 | |
Alissa? | 0:06:22 | 0:06:24 | |
It's Bobby calling from Lahore. | 0:06:25 | 0:06:26 | |
Listen... | 0:06:28 | 0:06:29 | |
Something's happened. | 0:06:32 | 0:06:33 | |
Cooper... | 0:06:52 | 0:06:54 | |
We've got something. | 0:06:54 | 0:06:55 | |
We have sound? | 0:07:02 | 0:07:03 | |
THEY STRUGGLE AND GRUNT | 0:07:03 | 0:07:06 | |
I'm a professor. | 0:07:15 | 0:07:16 | |
I'm a professor. I didn't do anything. | 0:07:16 | 0:07:21 | |
Please... | 0:07:21 | 0:07:22 | |
Please, don't kill me. | 0:07:22 | 0:07:24 | |
Please, don't kill me. | 0:07:25 | 0:07:27 | |
I didn't do anything. | 0:07:27 | 0:07:28 | |
This won't help you. | 0:07:28 | 0:07:30 | |
Please, don't... | 0:07:33 | 0:07:34 | |
That's all. | 0:07:34 | 0:07:35 | |
Get CTC on the line, please. | 0:07:40 | 0:07:42 | |
They sent a tape. | 0:07:43 | 0:07:44 | |
This place has the best tea in Lahore. | 0:09:20 | 0:09:22 | |
And do you take sugar, Bobby? | 0:09:22 | 0:09:23 | |
No, thank you. | 0:09:23 | 0:09:24 | |
Well, you have waited a very long time for this interview, | 0:09:31 | 0:09:34 | |
and for that I must apologise. | 0:09:34 | 0:09:36 | |
Oh, I'm just glad we could finally do it. | 0:09:36 | 0:09:39 | |
I finally felt the time was right. | 0:09:39 | 0:09:41 | |
Do you mind if I record? | 0:09:43 | 0:09:44 | |
Let's enjoy our tea for a moment, please. | 0:09:44 | 0:09:47 | |
Oh, I loved your early work. | 0:09:50 | 0:09:52 | |
Your book on Massoud fighting the Taliban - great stuff. | 0:09:52 | 0:09:56 | |
I'm still trying to figure out who wrote the other two. | 0:09:56 | 0:09:58 | |
Oh, thank you. I'm flattered that you read them. | 0:09:58 | 0:10:01 | |
They seem a little edgy. | 0:10:30 | 0:10:31 | |
Our police become very animated | 0:10:31 | 0:10:33 | |
when it's an American that's been kidnapped. | 0:10:33 | 0:10:35 | |
-You teach at the same university as Anse Rainier. -I do. | 0:10:35 | 0:10:38 | |
Don't you think he's worth looking for? | 0:10:38 | 0:10:40 | |
By roughing up people who had nothing to do with it? | 0:10:40 | 0:10:42 | |
I've heard the group taking responsibility recruits here. | 0:10:42 | 0:10:45 | |
What makes you so sure they had nothing to do with it? | 0:10:45 | 0:10:47 | |
They're my students. | 0:10:47 | 0:10:49 | |
And they're innocent until proven otherwise. | 0:10:49 | 0:10:53 | |
I learned that from CSI: Miami. | 0:10:53 | 0:10:54 | |
Yeah. Hmm. | 0:10:57 | 0:10:59 | |
Do you think he's still alive? | 0:11:01 | 0:11:04 | |
So tell me, Bobby, what exactly is the article about? | 0:11:13 | 0:11:15 | |
Well, I'm still working on it, but so far the logline is, | 0:11:15 | 0:11:20 | |
"Pakistan's New Militant Academia." | 0:11:20 | 0:11:22 | |
Am I part of the new militant academia? | 0:11:22 | 0:11:25 | |
I don't know. Are you? | 0:11:25 | 0:11:28 | |
You know, the answer to that question may challenge | 0:11:31 | 0:11:35 | |
some of your preconceived notions. | 0:11:35 | 0:11:37 | |
Changez, I'm a journalist. | 0:11:37 | 0:11:39 | |
Generally, we try to avoid preconceived notions. | 0:11:39 | 0:11:41 | |
-But of course. -You mind if I... -Yes. I only ask one thing. | 0:11:41 | 0:11:45 | |
That you please listen to the whole story | 0:11:45 | 0:11:48 | |
from the very beginning, not just bits and pieces. | 0:11:48 | 0:11:51 | |
-Do I have your word? -You do. | 0:11:52 | 0:11:54 | |
Looks can be deceiving. | 0:11:59 | 0:12:00 | |
I am a lover of America. | 0:12:03 | 0:12:04 | |
Although I was raised to feel very Pakistani. | 0:12:06 | 0:12:09 | |
After all, the blood of princes runs in my veins. | 0:12:10 | 0:12:13 | |
Perhaps that's an exaggeration. | 0:12:14 | 0:12:16 | |
Let's say the princes and I moved in the same circles. | 0:12:16 | 0:12:19 | |
We attended the same schools... | 0:12:20 | 0:12:22 | |
Lived in the same neighbourhoods. | 0:12:23 | 0:12:25 | |
But all of a sudden, there were new princes in town. | 0:12:28 | 0:12:30 | |
'Yes, we still had the prestige of a Punjab Club membership...' | 0:12:38 | 0:12:42 | |
Abu, we need a new car. | 0:12:42 | 0:12:43 | |
'But our bank account was empty.' | 0:12:43 | 0:12:45 | |
And retire this magnificent chariot? | 0:12:45 | 0:12:48 | |
Nonsense. | 0:12:48 | 0:12:49 | |
These new-money scoundrels are ruining the place. | 0:12:49 | 0:12:52 | |
Madam's waiting. | 0:12:53 | 0:12:55 | |
GUNFIRE | 0:13:06 | 0:13:07 | |
Bond! | 0:13:08 | 0:13:10 | |
Ammi, please. | 0:13:17 | 0:13:18 | |
I'm the Bond girl. | 0:13:18 | 0:13:20 | |
It's no joke. | 0:13:20 | 0:13:21 | |
-Mm-mm. -He doesn't want to sing those songs anymore, Ajju. | 0:13:44 | 0:13:47 | |
He's an American now. | 0:13:47 | 0:13:49 | |
Va, va, va, va... | 0:13:49 | 0:13:50 | |
He fusses over you because he loves you. | 0:13:59 | 0:14:01 | |
You know that, right? | 0:14:01 | 0:14:03 | |
Cigarette? | 0:14:03 | 0:14:04 | |
Poems don't buy generators. | 0:14:05 | 0:14:07 | |
Somebody has to be where the money is. | 0:14:07 | 0:14:08 | |
Hey, Chingu, take me to New York with you. | 0:14:08 | 0:14:12 | |
I could be the dazzling new ethnic friend on Sex and the City or something. | 0:14:12 | 0:14:16 | |
But, Chan, what about your Mr Bond? | 0:14:16 | 0:14:17 | |
Oh, please. Bond? | 0:14:17 | 0:14:20 | |
I'd drop him in a second for Mr Big. | 0:14:20 | 0:14:22 | |
All I want is a loft in SoHo, | 0:14:22 | 0:14:25 | |
weekend in the Hamptons, | 0:14:25 | 0:14:26 | |
and a pair of big, fake American boobs. | 0:14:26 | 0:14:31 | |
What? Is that too much to ask? | 0:14:31 | 0:14:33 | |
Not at all. | 0:14:33 | 0:14:34 | |
God bless America. | 0:14:34 | 0:14:36 | |
'God bless America, indeed.' | 0:14:37 | 0:14:40 | |
'God bless its level playing fields.' | 0:14:43 | 0:14:45 | |
'God bless winning.' | 0:14:47 | 0:14:50 | |
See you next Friday. | 0:14:58 | 0:14:59 | |
Changes, take a seat. | 0:15:18 | 0:15:19 | |
You have 20 minutes to convince me that you belong at Underwood Samson. | 0:15:27 | 0:15:30 | |
Well, I've never gotten a B in my entire life. Touch wood. | 0:15:30 | 0:15:33 | |
And I'm about to graduate summa cum laude. | 0:15:33 | 0:15:35 | |
Good, although I've heard that line several times today. What else? | 0:15:35 | 0:15:39 | |
Well, I also played varsity soccer four years straight. | 0:15:39 | 0:15:42 | |
I'm glad you got some exercise. | 0:15:42 | 0:15:44 | |
Changes, a position at our firm as a financial analyst | 0:15:44 | 0:15:47 | |
is one the most sought-after jobs in the entire world. | 0:15:47 | 0:15:50 | |
Lift up the hood. | 0:15:50 | 0:15:52 | |
Show me what makes you run. | 0:15:52 | 0:15:54 | |
Where are you from? | 0:15:54 | 0:15:55 | |
Lahore in Pakistan. | 0:15:55 | 0:15:57 | |
Are you on financial aid? | 0:16:00 | 0:16:01 | |
Yes, I am. | 0:16:03 | 0:16:04 | |
It's more difficult for an international student to be accepted | 0:16:04 | 0:16:07 | |
at an Ivy League school if they apply for aid. | 0:16:07 | 0:16:09 | |
You must have really needed the money. | 0:16:09 | 0:16:12 | |
Yeah, I did. | 0:16:12 | 0:16:13 | |
The accent's great. | 0:16:13 | 0:16:14 | |
Makes you sound like royalty. | 0:16:14 | 0:16:17 | |
How did your rich-kid friends | 0:16:17 | 0:16:18 | |
at Princeton react to your Horatio Alger story? | 0:16:18 | 0:16:21 | |
Most of them don't even know where their bootstraps are. | 0:16:21 | 0:16:22 | |
You know what, Jim? We don't really discuss it. | 0:16:22 | 0:16:24 | |
-I know you're seeing a lot of people today, so... -Wait. | 0:16:26 | 0:16:29 | |
Your friends here don't even know, do they? | 0:16:32 | 0:16:35 | |
That's interesting. | 0:16:38 | 0:16:39 | |
That's lifting up the hood. | 0:16:39 | 0:16:42 | |
So tell me, Changes, why did you want to come to America? | 0:16:42 | 0:16:44 | |
For future reference, Jim, it's "Changez." | 0:16:44 | 0:16:47 | |
In America, I get an equal chance to win. | 0:16:48 | 0:16:52 | |
And whether or not you hire me, Jim, I am going to win. | 0:16:52 | 0:16:55 | |
Good fucking answer. | 0:16:57 | 0:16:59 | |
Thank you, God! | 0:17:01 | 0:17:02 | |
'I was a soldier in your economic army. | 0:17:11 | 0:17:14 | |
'I worshiped in those magnificent temples of money and steel | 0:17:14 | 0:17:18 | |
'where men in tailored suits control the fate | 0:17:18 | 0:17:20 | |
'of billion-dollar corporations... | 0:17:20 | 0:17:23 | |
'men like me.' | 0:17:23 | 0:17:25 | |
You got skylines like that back home? | 0:17:26 | 0:17:29 | |
You're all smart. | 0:17:29 | 0:17:31 | |
The game changer at this stage is will. | 0:17:31 | 0:17:33 | |
Do you want excellence more than the person sitting next to you? | 0:17:33 | 0:17:36 | |
At Underwood Samson, we do not get paid for hunches. | 0:17:36 | 0:17:39 | |
The reason why our fees are higher than any other firm | 0:17:39 | 0:17:41 | |
is because of our unparalleled ability to not only assess value | 0:17:41 | 0:17:45 | |
but to create it in our clients' businesses. | 0:17:45 | 0:17:47 | |
We do that by focusing on the fundamentals. | 0:17:47 | 0:17:51 | |
This is a hypothetical business. | 0:17:51 | 0:17:54 | |
Thanks to ground-breaking research, | 0:17:54 | 0:17:55 | |
BNUS Transportation, using 11-foot-tall cylinders, | 0:17:55 | 0:17:58 | |
can teleport travellers to any destination | 0:17:58 | 0:18:00 | |
in the world instantly. | 0:18:00 | 0:18:02 | |
Buenos Aires to Cairo in a second and a half. | 0:18:02 | 0:18:05 | |
I want you to tell me what the company is worth. | 0:18:05 | 0:18:07 | |
Information is in your binders. | 0:18:07 | 0:18:09 | |
You have one hour. | 0:18:09 | 0:18:10 | |
OK. | 0:18:14 | 0:18:15 | |
Is he serious? | 0:18:15 | 0:18:16 | |
So that's as per the third quarter. | 0:18:30 | 0:18:33 | |
Please, continue. | 0:18:33 | 0:18:35 | |
And because of these factors, | 0:18:35 | 0:18:36 | |
I project the total value of BNUS at 48 billion | 0:18:36 | 0:18:39 | |
with revenue growing at an average 52% per annum | 0:18:39 | 0:18:42 | |
for the first two years. | 0:18:42 | 0:18:43 | |
I'm not with you on the growth rate. | 0:18:43 | 0:18:45 | |
Changez, I've got a five-star safety rating from AB Townes. | 0:18:47 | 0:18:51 | |
My travel cylinders only cost 11 million bucks apiece. | 0:18:51 | 0:18:54 | |
What is your analysis? | 0:18:54 | 0:18:55 | |
Your company is worthless. | 0:18:55 | 0:18:57 | |
What? | 0:18:57 | 0:18:58 | |
Care to clarify? | 0:19:00 | 0:19:01 | |
Well, AB Townes is all well and good, but if your business | 0:19:01 | 0:19:05 | |
is convincing a mother that you can successfully disarticulate | 0:19:05 | 0:19:08 | |
and then reassemble all the molecules in her five-year-old thousands of miles away, | 0:19:08 | 0:19:11 | |
this technology is at least a generation away from practical, widespread usage. | 0:19:11 | 0:19:15 | |
Is that a hunch? Because you're not getting paid for hunches. | 0:19:15 | 0:19:17 | |
No. Page 68. | 0:19:17 | 0:19:18 | |
Your own market surveys show | 0:19:18 | 0:19:21 | |
72% of your potential travellers would never use the cylinders | 0:19:21 | 0:19:24 | |
no matter how safe you proved that they were. | 0:19:24 | 0:19:26 | |
So I should just pack up and go home? | 0:19:26 | 0:19:28 | |
No, I'm saying you should pack other people up and go into shipping. | 0:19:28 | 0:19:31 | |
The same... the same polling suggests that 94% of clients | 0:19:31 | 0:19:35 | |
would be OK with you teleporting their baggage. | 0:19:35 | 0:19:37 | |
So your business isn't travel, it's shipping. | 0:19:37 | 0:19:39 | |
Subcontainer-scale shipping. | 0:19:39 | 0:19:41 | |
Real-world assignments come in on Monday. | 0:19:46 | 0:19:48 | |
Nothing too exciting. Everybody will be disappointed. | 0:19:48 | 0:19:51 | |
Almost everybody. | 0:19:54 | 0:19:55 | |
Go, brother. | 0:20:01 | 0:20:02 | |
# Let's go | 0:20:02 | 0:20:04 | |
# Uh-huh, yeah, yeah Top-level philanderer | 0:20:04 | 0:20:06 | |
# My time in the camera Reason why she's smiling | 0:20:06 | 0:20:09 | |
# Cos I'm nice with the algebra | 0:20:09 | 0:20:10 | |
# President, I rose to the top of my class | 0:20:10 | 0:20:12 | |
# Model chick by my side Champagne in the glass | 0:20:12 | 0:20:15 | |
# And she telling me Papi far ahead in these lanes | 0:20:15 | 0:20:17 | |
# So such-and-such, should probably just stop speaking my name | 0:20:17 | 0:20:20 | |
# I'm the boss here The king would never... # | 0:20:20 | 0:20:21 | |
Toss it, Wainwright. | 0:20:21 | 0:20:23 | |
Ow! | 0:20:24 | 0:20:26 | |
Plays out like this. First, B-school. | 0:20:26 | 0:20:28 | |
Second, run my own hedge fund. | 0:20:28 | 0:20:29 | |
Third, philanthropy. | 0:20:29 | 0:20:31 | |
And in 25 years, I'm going to be devoted full-time | 0:20:31 | 0:20:33 | |
to wiping out malaria. | 0:20:33 | 0:20:35 | |
What if someone takes out malaria before you get there? | 0:20:35 | 0:20:37 | |
Well, I'll pick the next available disease and kick its ass too. | 0:20:37 | 0:20:40 | |
If that lazy fuck Posada would learn to slide like that, | 0:20:40 | 0:20:43 | |
we'll get another pennant this year. | 0:20:43 | 0:20:45 | |
Well, unlike you commoners, I have a law degree. | 0:20:45 | 0:20:48 | |
I'm going to run a Fortune 500 company until I hit ten digits. | 0:20:48 | 0:20:52 | |
What about you, Changeez? | 0:20:52 | 0:20:53 | |
Where do you see yourself in 25 years? | 0:20:53 | 0:20:55 | |
25 years... | 0:20:55 | 0:20:57 | |
I'm going to be the dictator of an Islamic republic | 0:20:57 | 0:20:59 | |
with nuclear capability. | 0:20:59 | 0:21:01 | |
Anyone want a soda? | 0:21:08 | 0:21:09 | |
No, I'm good... | 0:21:09 | 0:21:12 | |
Saddam. | 0:21:12 | 0:21:13 | |
He really scared me. | 0:21:13 | 0:21:14 | |
Thought he was for serious. Thank you. | 0:21:17 | 0:21:18 | |
Wow. | 0:21:22 | 0:21:23 | |
Ooh! Whoa! | 0:21:28 | 0:21:30 | |
What the hell was that? | 0:21:32 | 0:21:33 | |
That was Herman. He overshot his gap. | 0:21:35 | 0:21:38 | |
Herman, are you OK? | 0:21:38 | 0:21:39 | |
-Oh, man. Yeah, I'm good. -You all right? | 0:21:39 | 0:21:42 | |
Oh, I hope I got that. Your expression was amazing. | 0:21:42 | 0:21:45 | |
You're not hurt, are you? | 0:21:45 | 0:21:46 | |
No, lost a couple of inches of hair, but apart from that... | 0:21:46 | 0:21:50 | |
Oh, you know what? It's a little out of focus. Excuse me! | 0:21:50 | 0:21:54 | |
Could you do that again? | 0:21:54 | 0:21:55 | |
Do... do that again? | 0:21:56 | 0:21:58 | |
It looks great. | 0:21:58 | 0:21:59 | |
-Yeah, sure. -Oh, thanks. | 0:22:01 | 0:22:03 | |
All right. | 0:22:03 | 0:22:05 | |
Like, one or two feet higher. | 0:22:05 | 0:22:07 | |
Come on. Go fly, Herman. | 0:22:07 | 0:22:08 | |
I'll strap my wings on. | 0:22:08 | 0:22:11 | |
I'm sorry. Is this, like, a magazine shoot or something? | 0:22:11 | 0:22:13 | |
No, no, no. It's not that official. | 0:22:13 | 0:22:15 | |
I'm just photographing these guys for a new project. | 0:22:15 | 0:22:17 | |
I wasn't trying to kill you, so... And I won't kill you. I promise. | 0:22:17 | 0:22:20 | |
We'll see. In Lahore - in Pakistan, where I'm from - kids don't fly on skateboards, they fly kites. | 0:22:20 | 0:22:26 | |
Kites? Really? | 0:22:26 | 0:22:27 | |
I don't know your name. | 0:22:30 | 0:22:31 | |
-Oh, Changez. -Ah. Stay on your mark, Changez. | 0:22:31 | 0:22:35 | |
Changez. Changez... | 0:22:35 | 0:22:36 | |
That's right. Very good. | 0:22:36 | 0:22:38 | |
OK, Herman? | 0:22:38 | 0:22:40 | |
He's coming, isn't he? | 0:22:40 | 0:22:41 | |
He's coming. I can feel him. | 0:22:41 | 0:22:43 | |
Whoo! Sweet, Herman! | 0:22:46 | 0:22:47 | |
Great. OK. | 0:22:48 | 0:22:50 | |
-Right. -Sorry, got to run. | 0:22:50 | 0:22:51 | |
Is there a way I can... | 0:22:52 | 0:22:54 | |
Hey. You're my William Tell. | 0:22:54 | 0:22:56 | |
-You know, with the apple and the... -Right. | 0:22:56 | 0:22:59 | |
Shot it. Bye. | 0:22:59 | 0:23:01 | |
Wainwright. | 0:23:02 | 0:23:03 | |
Mm! Couldn't get the number, could you, Mobutu? | 0:23:03 | 0:23:08 | |
'He was right. | 0:23:08 | 0:23:09 | |
I'd missed my moment. | 0:23:09 | 0:23:10 | |
Here I am rambling on, and I haven't offered you anything to eat. | 0:23:13 | 0:23:15 | |
I'm sorry. | 0:23:15 | 0:23:16 | |
-Junaid! -Yes, Khan, sir. | 0:23:16 | 0:23:19 | |
I think I'm growing on him. | 0:23:30 | 0:23:31 | |
"The most transcendent poetry is, by definition, political." | 0:24:01 | 0:24:05 | |
You're always where the food is, no? | 0:24:12 | 0:24:15 | |
Why aren't you at home marking these exams? | 0:24:15 | 0:24:17 | |
Yeah, well... Ahmad and those guys wanted me to protest, | 0:24:17 | 0:24:21 | |
but you know me. I need lunch before I can protest. | 0:24:21 | 0:24:23 | |
Presenting the militant academic. | 0:24:24 | 0:24:26 | |
Bobby Lincoln, this is my teaching assistant, Sameer. | 0:24:27 | 0:24:29 | |
Watch out. He knows Urdu. | 0:24:29 | 0:24:31 | |
Peace be with you, brothers. | 0:24:35 | 0:24:36 | |
Ali, start your protest so I can go home! | 0:24:36 | 0:24:39 | |
So, Bobby, I must ask you. | 0:24:39 | 0:24:41 | |
Why do you think they'd be harassing my family? | 0:24:41 | 0:24:44 | |
I can't speak for the American authorities, | 0:24:46 | 0:24:48 | |
but I think it's safe to assume they consider you a person of interest. | 0:24:48 | 0:24:52 | |
And they make these decisions with what evidence? | 0:24:52 | 0:24:55 | |
So how do... how do I become uninteresting? | 0:24:55 | 0:24:58 | |
Look, Changez, | 0:25:01 | 0:25:05 | |
the kidnapping of an American citizen | 0:25:05 | 0:25:07 | |
is about as heavy as it gets for them. | 0:25:07 | 0:25:09 | |
And I'm sure if you were willing to go in and talk to them, | 0:25:09 | 0:25:12 | |
they'd probably be able to help you. | 0:25:12 | 0:25:13 | |
You think I had something to do with this kidnapping, Bobby? | 0:25:13 | 0:25:17 | |
I'm not the one you have to convince. | 0:25:17 | 0:25:19 | |
Is that the first lie you've told me today? | 0:25:19 | 0:25:20 | |
It seems things are heating up. | 0:25:28 | 0:25:30 | |
I must warn you, Bobby, I find it very difficult to confess all | 0:25:38 | 0:25:40 | |
to a man I know so little about. | 0:25:40 | 0:25:42 | |
Fair enough. What do you want to know? | 0:25:42 | 0:25:44 | |
Well, what drew you to our part of the world? | 0:25:44 | 0:25:46 | |
Well, for one thing, it's a hell of a lot more interesting | 0:25:48 | 0:25:51 | |
than Paterson, New Jersey. | 0:25:51 | 0:25:52 | |
So now Lahore is your nest. | 0:26:08 | 0:26:09 | |
Your Urdu is quite good. | 0:26:13 | 0:26:14 | |
I've picked some up. | 0:26:16 | 0:26:17 | |
Looks like you picked up a couple of weights too, huh? | 0:26:17 | 0:26:19 | |
-You look quite solid for a journalist. -Thank you. | 0:26:19 | 0:26:23 | |
Like somebody who could move very quickly in the event of an emergency. | 0:26:23 | 0:26:26 | |
I'm not anticipating any emergencies, are you? | 0:26:26 | 0:26:28 | |
The future is very hard to predict. | 0:26:28 | 0:26:30 | |
Oh, not if you're an analyst from Underwood Samson. | 0:26:30 | 0:26:33 | |
Yes. The Navy SEALs of finance, eh? | 0:26:33 | 0:26:36 | |
'You know, like the SEALs, our special talent set us apart. | 0:26:38 | 0:26:40 | |
'We were catapulted into privilege. | 0:26:40 | 0:26:42 | |
'I felt I was entering in New York exactly the same social class | 0:26:42 | 0:26:45 | |
'my parents were falling out of in Lahore.' | 0:26:45 | 0:26:48 | |
Hey, Underwood's worth it. | 0:26:48 | 0:26:50 | |
I hear his brownstone's worth 16 million. | 0:26:50 | 0:26:51 | |
Well, mozzarella stick, when I'm CEO and you're my butler, | 0:26:51 | 0:26:54 | |
you're going to wear tails. | 0:26:54 | 0:26:55 | |
-Gentlemen. -All right, all right. -So shall we, gentlemen? | 0:26:55 | 0:26:58 | |
-Thank you, good sir. -You're welcome. | 0:26:58 | 0:26:59 | |
I hear he has a Monet over the pisser in the master bathroom. | 0:27:09 | 0:27:13 | |
-Interesting piece, isn't it? -Hello, Mr Underwood. | 0:27:20 | 0:27:22 | |
-Thank you for having me. -Changez. | 0:27:22 | 0:27:25 | |
The artist is having her first solo show very soon. | 0:27:25 | 0:27:28 | |
I advise getting in early. | 0:27:28 | 0:27:30 | |
Yes, it's impressive. | 0:27:30 | 0:27:31 | |
Oh, my God. | 0:27:37 | 0:27:39 | |
You've got to be kidding me. | 0:27:39 | 0:27:40 | |
Actually, Erica, | 0:27:42 | 0:27:44 | |
this discerning young man was just admiring your work. | 0:27:44 | 0:27:46 | |
Oh. | 0:27:46 | 0:27:48 | |
You know him already. | 0:27:48 | 0:27:49 | |
My William Tell. | 0:27:50 | 0:27:51 | |
Yes. He's very courageous. | 0:27:51 | 0:27:53 | |
Well, if my niece is vouching for you, I think Jim Cross | 0:27:53 | 0:27:56 | |
better watch out for his corner office. | 0:27:56 | 0:27:59 | |
You drink, Changez? | 0:28:01 | 0:28:02 | |
-Yes, I do. -Good! | 0:28:02 | 0:28:04 | |
I had a Pakistani once. He didn't drink. | 0:28:04 | 0:28:07 | |
Oh, Jesus, Uncle Max... | 0:28:07 | 0:28:08 | |
What? You got something for this fellow? | 0:28:08 | 0:28:11 | |
Matter of fact, we do. I was just about to talk to him | 0:28:11 | 0:28:14 | |
about our project in the Philippines... | 0:28:14 | 0:28:16 | |
auto business. Interested? | 0:28:16 | 0:28:18 | |
-Yes, definitely. -Good. | 0:28:18 | 0:28:19 | |
-Well, let me know about Sunday at the Greenwich house, my darling. -OK. | 0:28:19 | 0:28:23 | |
-Bring your friend if you like. -Mm. | 0:28:25 | 0:28:27 | |
Can I borrow you for a moment? | 0:28:27 | 0:28:30 | |
-You clean up very nicely. -Thank you. | 0:28:30 | 0:28:33 | |
I'm sorry about being related to that knucklehead of an uncle. | 0:28:33 | 0:28:36 | |
Oh, go easy on him. It's not easy | 0:28:36 | 0:28:38 | |
-to grow up in the slums of Connecticut, right? -No. | 0:28:38 | 0:28:41 | |
-Erica, darling! -Oh! | 0:28:42 | 0:28:44 | |
You know, I knew a Pakistani once, | 0:28:44 | 0:28:47 | |
and he saved me from small talk at a Wall Street party. | 0:28:47 | 0:28:50 | |
Really? Did he drink, though? | 0:28:50 | 0:28:51 | |
Because I hear they don't drink. | 0:28:51 | 0:28:53 | |
# I want you to be | 0:28:58 | 0:29:02 | |
# I want you | 0:29:02 | 0:29:06 | |
# So this is... # | 0:29:08 | 0:29:10 | |
Your father is a poet. | 0:29:12 | 0:29:14 | |
-Yes. -I don't believe you. | 0:29:14 | 0:29:15 | |
-Why would I make that up? -Unbelievable. | 0:29:15 | 0:29:17 | |
You know how often I dream of having a family full of poets? | 0:29:17 | 0:29:20 | |
What? | 0:29:20 | 0:29:22 | |
No, I'm serious. Is he published? | 0:29:22 | 0:29:26 | |
Yeah. His laser-sharp words and his inadequate salary | 0:29:27 | 0:29:32 | |
-are well known throughout the Punjab. -Wow. | 0:29:32 | 0:29:35 | |
Who was that guy jumping in your painting? | 0:29:38 | 0:29:42 | |
My boyfriend, Chris. | 0:29:42 | 0:29:43 | |
Is he... is that your current boyfriend? | 0:29:48 | 0:29:50 | |
He died 23 weeks ago. | 0:29:52 | 0:29:54 | |
We grew up together. | 0:30:00 | 0:30:01 | |
Wow. I'm sorry. | 0:30:02 | 0:30:04 | |
My friends keep saying, you know, "Turn the page. | 0:30:05 | 0:30:08 | |
"Lift the black veil." And it's just... | 0:30:08 | 0:30:10 | |
I wish it was that easy. | 0:30:13 | 0:30:14 | |
People back home have this thing called iddat. | 0:30:16 | 0:30:19 | |
It's like, um... it's like the period | 0:30:19 | 0:30:22 | |
that a woman is allowed to mourn her husband. | 0:30:22 | 0:30:25 | |
But she's only allowed to mourn him | 0:30:25 | 0:30:27 | |
for four months and ten days. | 0:30:27 | 0:30:29 | |
-And then it's over? -Mm-hmm. | 0:30:29 | 0:30:33 | |
Right. | 0:30:33 | 0:30:35 | |
That'd be nice. | 0:30:35 | 0:30:36 | |
It's OK to turn the corner. | 0:30:40 | 0:30:43 | |
You're already two months into overtime. | 0:30:43 | 0:30:45 | |
-I don't mean to be flippant. -No, no, no, no, no. | 0:30:48 | 0:30:51 | |
It's good. It helps. | 0:30:51 | 0:30:52 | |
# I want you to be | 0:30:52 | 0:30:55 | |
# I want you | 0:30:56 | 0:31:00 | |
# Come on now, so sure | 0:31:00 | 0:31:03 | |
# I want you to be | 0:31:05 | 0:31:08 | |
# I want you to be | 0:31:09 | 0:31:13 | |
# I want you to be | 0:31:13 | 0:31:17 | |
# I want you to be | 0:31:17 | 0:31:22 | |
# I want you to be... # | 0:31:22 | 0:31:24 | |
No, no. | 0:32:07 | 0:32:09 | |
Blues originated in West Africa. | 0:32:09 | 0:32:10 | |
OK, you can say it as many times as you like... | 0:32:10 | 0:32:12 | |
The blues originated in West Africa. | 0:32:12 | 0:32:14 | |
Actually, I don't really know what I'm talking about. | 0:32:15 | 0:32:18 | |
Look at this. | 0:32:18 | 0:32:20 | |
OK, so all these pictures of me... | 0:32:20 | 0:32:22 | |
you've got to have a little crush on me. | 0:32:22 | 0:32:25 | |
You have a very healthy self-esteem. That's good to see. | 0:32:26 | 0:32:29 | |
You know what this says to me? This is saying, | 0:32:29 | 0:32:32 | |
"Changez, throw a burka on me | 0:32:32 | 0:32:34 | |
"and confiscate my college degree | 0:32:34 | 0:32:36 | |
"and take me home to Mama." | 0:32:36 | 0:32:39 | |
Would I have to wear a burka? | 0:32:39 | 0:32:40 | |
You look so serious. | 0:32:45 | 0:32:46 | |
Oh, my God. Get out. | 0:32:46 | 0:32:48 | |
-What? -Don't do that. | 0:32:48 | 0:32:49 | |
-Don't make fun of me. -"Do I have to wear a burka?" | 0:32:49 | 0:32:51 | |
How am I making fun of you? What? | 0:32:51 | 0:32:52 | |
You know... | 0:33:03 | 0:33:04 | |
After you told me stories about Lahore, | 0:33:07 | 0:33:11 | |
I kept hearing your voice afterwards. | 0:33:11 | 0:33:15 | |
You know, I don't recognise my own voice anymore. | 0:33:15 | 0:33:18 | |
It sounds all tinny and fake, | 0:33:20 | 0:33:23 | |
like someone who doesn't come from anywhere. | 0:33:23 | 0:33:25 | |
You sound real to me. | 0:33:28 | 0:33:30 | |
Oh, God... | 0:34:14 | 0:34:17 | |
I feel like I'm cheating. | 0:34:17 | 0:34:18 | |
Should we stop? | 0:34:28 | 0:34:29 | |
Oh, I want to. | 0:34:52 | 0:34:54 | |
I want to, but I can't. | 0:34:54 | 0:34:56 | |
Pretend I'm him. | 0:35:07 | 0:35:08 | |
Oh, Manila, Manila. | 0:36:01 | 0:36:03 | |
Hide your virgins | 0:36:03 | 0:36:04 | |
and your extra layers of middle management, | 0:36:04 | 0:36:06 | |
cos we're not here to play. | 0:36:06 | 0:36:08 | |
-Welcome. -Good morning. | 0:36:13 | 0:36:14 | |
Changez Khan from New York. | 0:36:14 | 0:36:16 | |
'We had one goal: | 0:36:25 | 0:36:26 | |
'to figure out how much profit this company could really throw off.' | 0:36:26 | 0:36:30 | |
How do you squeeze more productivity | 0:36:33 | 0:36:34 | |
out of a company that pays its workers five bucks a day? | 0:36:34 | 0:36:39 | |
I think the fat is there. | 0:36:39 | 0:36:40 | |
Let me get this straight. | 0:36:43 | 0:36:45 | |
You're saying that they can | 0:36:47 | 0:36:48 | |
effectively lose 1/4 of their workforce? | 0:36:48 | 0:36:50 | |
-1/3. -1/3 is a big chunk. | 0:36:50 | 0:36:52 | |
I'd feel more comfortable shooting for a 15% reduction. | 0:36:52 | 0:36:55 | |
May I? | 0:36:55 | 0:36:56 | |
Please. | 0:36:56 | 0:36:57 | |
OK, so this entire sector | 0:36:58 | 0:37:01 | |
is devoted to fixing mistakes that they make on the assembly line. | 0:37:01 | 0:37:04 | |
I say, let's get in a team from Japan and fix the line. | 0:37:04 | 0:37:07 | |
Then we can get the current error rate of 11% | 0:37:07 | 0:37:10 | |
down to industry standard, which is 4% to 5%. | 0:37:10 | 0:37:12 | |
Then this entire crew becomes completely superfluous. | 0:37:12 | 0:37:16 | |
Boy, that's brutal. | 0:37:20 | 0:37:21 | |
That's too aggressive. That line is already at capacity. | 0:37:21 | 0:37:25 | |
I want to put together a team of consultants... | 0:37:28 | 0:37:30 | |
the best, ex-Toyota maybe. | 0:37:30 | 0:37:32 | |
I want them here soon... like tomorrow. | 0:37:32 | 0:37:34 | |
Done. | 0:37:34 | 0:37:35 | |
You have a gift for this, | 0:37:39 | 0:37:41 | |
a very lucrative gift. | 0:37:41 | 0:37:44 | |
Please. | 0:37:44 | 0:37:45 | |
I have a theory about those who have the gift. | 0:37:48 | 0:37:51 | |
They're outsiders. | 0:37:51 | 0:37:53 | |
You and I have a lot more in common than you think. | 0:37:53 | 0:37:55 | |
I was the first in my family to go to college. | 0:37:55 | 0:37:57 | |
My father was a car salesman. | 0:37:57 | 0:38:01 | |
He would come visit me at Harvard | 0:38:01 | 0:38:04 | |
with his cheap haircut and his Payless shoes, | 0:38:04 | 0:38:07 | |
and it would make me hungry, | 0:38:07 | 0:38:10 | |
hungry to be the best. | 0:38:10 | 0:38:12 | |
You're hungry like that too. | 0:38:16 | 0:38:17 | |
So... | 0:38:19 | 0:38:20 | |
Where do you see yourself in the next ten years? | 0:38:20 | 0:38:22 | |
I'd like to be a managing director | 0:38:27 | 0:38:28 | |
at Underwood Samson by 30. | 0:38:28 | 0:38:32 | |
Why not 27? | 0:38:37 | 0:38:39 | |
The first step to becoming a managing director | 0:38:39 | 0:38:41 | |
is to be made an associate. | 0:38:41 | 0:38:43 | |
We'll start laying down the groundwork as soon as we get home. | 0:38:44 | 0:38:47 | |
Until then, | 0:38:48 | 0:38:50 | |
consider this a down payment. | 0:38:50 | 0:38:52 | |
You're a long way from Lahore, kid. | 0:38:52 | 0:38:54 | |
Let's eat. | 0:38:56 | 0:38:57 | |
-TV: -Um, I... I don't know which tower it hit, | 0:39:46 | 0:39:48 | |
but it hit directly in the middle | 0:39:48 | 0:39:50 | |
of one of the World Trade Centre towers. | 0:39:50 | 0:39:53 | |
Sean, what kind of plane? | 0:39:53 | 0:39:54 | |
Was it a small plane, a jet? | 0:39:54 | 0:39:56 | |
It was a jet. | 0:39:56 | 0:39:57 | |
It looked a two-engine jet, you know, maybe a 737. | 0:39:57 | 0:40:02 | |
We are talking about a large passenger jet. | 0:40:02 | 0:40:04 | |
A large passenger commercial jet, that's right. | 0:40:04 | 0:40:06 | |
-And where were... -Oh, my God! | 0:40:06 | 0:40:08 | |
Oh... Oh, my God. | 0:40:08 | 0:40:10 | |
That looks like a second plane. | 0:40:10 | 0:40:12 | |
Now it's obvious, I think... | 0:40:12 | 0:40:13 | |
Right now, we can recap and tell you that two planes have hit the towers. | 0:40:13 | 0:40:16 | |
It looks like there's a lot of smoke. | 0:40:16 | 0:40:17 | |
We're still trying to get information. | 0:40:17 | 0:40:19 | |
Police are telling us, if you're in the area, | 0:40:19 | 0:40:20 | |
please get out of the area ASAP. | 0:40:20 | 0:40:22 | |
Stay with us as we get more information. | 0:40:22 | 0:40:24 | |
There was a huge explosion. | 0:40:24 | 0:40:25 | |
I can't really see very well right now, | 0:40:25 | 0:40:27 | |
so what I'm trying to do is just head out... | 0:40:27 | 0:40:29 | |
head over to the Hudson River, so... | 0:40:29 | 0:40:31 | |
In that moment, I should have felt sorrow or anger, | 0:40:35 | 0:40:38 | |
but all I felt was awe. | 0:40:38 | 0:40:41 | |
What audacity. | 0:40:41 | 0:40:43 | |
The ruthlessness of the act | 0:40:43 | 0:40:44 | |
was surpassed only by its genius, | 0:40:44 | 0:40:48 | |
that David had struck Goliath. | 0:40:48 | 0:40:50 | |
I'm sorry if my reaction to the attacks has offended you, Bobby. | 0:40:56 | 0:40:59 | |
I hope you see that I'm not celebrating | 0:40:59 | 0:41:01 | |
the death of 3,000 innocents, | 0:41:01 | 0:41:03 | |
just as you would not celebrate the death of 100,000 | 0:41:03 | 0:41:06 | |
in Baghdad or Kabul, for that matter. | 0:41:06 | 0:41:08 | |
But before conscience kicks in, | 0:41:08 | 0:41:11 | |
have you never felt a split second of pleasure | 0:41:11 | 0:41:15 | |
at arrogance brought low? | 0:41:15 | 0:41:17 | |
And you ask me why they're harassing your family? | 0:41:25 | 0:41:28 | |
Let's just cut the bullshit, OK? | 0:41:29 | 0:41:31 | |
You believe in violence as a tool for social change. | 0:41:31 | 0:41:34 | |
You teach a course in violent revolution at Lahore University. | 0:41:34 | 0:41:37 | |
Your lectures are full of anti-American rhetoric. | 0:41:37 | 0:41:40 | |
We will wipe the blood of the invaders from our swords! | 0:41:40 | 0:41:43 | |
If that weren't enough, | 0:41:50 | 0:41:51 | |
you were spotted at an Asal Mujahideen meeting | 0:41:51 | 0:41:53 | |
with Mustafa Fazil, a known cell leader. | 0:41:53 | 0:41:56 | |
I think I can help. | 0:41:56 | 0:41:58 | |
I knew you would. | 0:41:58 | 0:42:00 | |
What are you doing? | 0:42:00 | 0:42:02 | |
Last night, Anse Rainier was kidnapped, | 0:42:02 | 0:42:05 | |
and this morning, your class was cancelled. | 0:42:05 | 0:42:08 | |
If you're just an innocent bystander, Changez, | 0:42:11 | 0:42:13 | |
why were you hiding? | 0:42:13 | 0:42:15 | |
Only guilty people hide. | 0:42:16 | 0:42:19 | |
Your candour is appreciated, Bobby, but your conclusions are wrong. | 0:42:19 | 0:42:22 | |
See, all this rhetoric such as, | 0:42:23 | 0:42:25 | |
"We will wipe the blood of the invaders from our sword," | 0:42:25 | 0:42:28 | |
this is like undercooked meat. | 0:42:28 | 0:42:29 | |
It's satisfying when times are lean, | 0:42:29 | 0:42:31 | |
but if you gorge yourself on it, you will get sick. | 0:42:31 | 0:42:34 | |
'Now, I may be an opponent of American interference in Pakistan | 0:42:35 | 0:42:38 | |
'but so are many of your own generals. | 0:42:38 | 0:42:40 | |
'Classes on revolution are taught at Duke. | 0:42:40 | 0:42:43 | |
'Are all those professors planning on blowing up federal buildings? | 0:42:43 | 0:42:46 | |
'I did attend a meeting at the Jamia Madrasah. | 0:42:48 | 0:42:50 | |
'A madrasah is a place of learning, Bobby, and I'm a teacher. | 0:42:50 | 0:42:53 | |
'My work takes me to all kinds of places, | 0:42:53 | 0:42:56 | |
'just as your work has brought you here.' | 0:42:56 | 0:42:57 | |
My thinking is that knowledge is power, | 0:42:57 | 0:42:59 | |
not just religious knowledge but... | 0:42:59 | 0:43:02 | |
You say guilty people hide. | 0:43:02 | 0:43:03 | |
So do people who feel hunted. | 0:43:03 | 0:43:06 | |
I missed my lectures for a much more direct reason. | 0:43:06 | 0:43:08 | |
What the hell is this? | 0:43:08 | 0:43:10 | |
They entered my home and attacked my family. | 0:43:10 | 0:43:12 | |
Bandy! | 0:43:15 | 0:43:16 | |
Who did this to you? | 0:43:18 | 0:43:19 | |
We have to get you to a hospital. | 0:43:22 | 0:43:23 | |
Changez, they attack your uncle. | 0:43:23 | 0:43:25 | |
They follow Ammi around in the Sabzi Mandi. | 0:43:25 | 0:43:27 | |
Why this massive campaign against you? | 0:43:27 | 0:43:29 | |
Ammi, this is all going to stop, OK? | 0:43:29 | 0:43:31 | |
I promise you. | 0:43:31 | 0:43:33 | |
Why do you have to keep giving these firebrand lectures? | 0:43:33 | 0:43:36 | |
And where are you going now? | 0:43:36 | 0:43:37 | |
Stay out of it. | 0:43:37 | 0:43:38 | |
-Keep an eye on him. -I'll be there. | 0:43:38 | 0:43:40 | |
'A few days after my house was raided... | 0:43:41 | 0:43:44 | |
'my uncle's shoulder shattered and his ribs broken... | 0:43:44 | 0:43:47 | |
my office was ransacked. | 0:43:47 | 0:43:49 | |
These are the people who tore my office apart. | 0:43:55 | 0:43:57 | |
But that shouldn't surprise you, should it, Bobby? | 0:44:07 | 0:44:09 | |
'You were there.' | 0:44:19 | 0:44:20 | |
I recognised you from your column. | 0:44:28 | 0:44:31 | |
So you're a spook. | 0:44:31 | 0:44:32 | |
Shit. | 0:44:48 | 0:44:49 | |
Fuck. | 0:44:50 | 0:44:51 | |
Is there someplace private we can talk? | 0:44:58 | 0:45:00 | |
Bobby! Bobby! | 0:45:27 | 0:45:31 | |
What the hell? | 0:45:31 | 0:45:32 | |
Lincoln! | 0:45:35 | 0:45:37 | |
Bobby! | 0:45:38 | 0:45:40 | |
Get me another frequency. | 0:45:41 | 0:45:43 | |
Bobby, I want you to exfil out of there now. | 0:45:43 | 0:45:45 | |
What the hell are you doing? | 0:45:45 | 0:45:46 | |
Fuck! | 0:46:17 | 0:46:18 | |
We got surveillance on the roof? | 0:46:59 | 0:47:01 | |
-Yes. -Cover the fucking roof! | 0:47:01 | 0:47:02 | |
Did you go to them, or did they come to you? | 0:47:12 | 0:47:14 | |
-Look, Changez... -Don't insult me. | 0:47:19 | 0:47:22 | |
You want to have a dialogue? Let's have a dialogue. | 0:47:22 | 0:47:24 | |
Did you go to them, or did they come to you? | 0:47:26 | 0:47:27 | |
They came to me. | 0:47:30 | 0:47:31 | |
How does that happen? How do you go from writing so passionately | 0:47:34 | 0:47:38 | |
against intervention in this region to this? | 0:47:38 | 0:47:40 | |
You want to know how it happened? I'll tell you. | 0:47:40 | 0:47:44 | |
In 2001, | 0:47:44 | 0:47:46 | |
while you were busy getting rich in New York City, | 0:47:46 | 0:47:49 | |
I was in Takhar Province, Afghanistan. | 0:47:49 | 0:47:51 | |
A friend introduced me to Ahmad Shah Massoud. | 0:47:51 | 0:47:55 | |
I spent a week interviewing him. | 0:47:55 | 0:47:58 | |
He was opening schools for girls, | 0:47:58 | 0:48:00 | |
talking about democracy, resisting the Taliban. | 0:48:00 | 0:48:03 | |
I know he had blood on his hands, but he stood for something, | 0:48:03 | 0:48:07 | |
meant something to people, | 0:48:07 | 0:48:08 | |
and that's why I thought we didn't need to be there. | 0:48:08 | 0:48:10 | |
Massoud never got the chance to read my book. | 0:48:10 | 0:48:13 | |
Six months after it came out, | 0:48:13 | 0:48:14 | |
he was killed by a bomb hidden in a video camera. | 0:48:14 | 0:48:17 | |
Two days after that, | 0:48:17 | 0:48:19 | |
the same guys that killed him took down the towers. | 0:48:19 | 0:48:21 | |
And that's when I realised I'd been wrong. | 0:48:23 | 0:48:26 | |
We did need to be here. | 0:48:27 | 0:48:28 | |
So I picked a side. | 0:48:30 | 0:48:31 | |
Look. | 0:48:34 | 0:48:37 | |
You obviously knew who I was coming into this, so... | 0:48:37 | 0:48:39 | |
So what? | 0:48:39 | 0:48:40 | |
Are we still having a conversation? | 0:48:43 | 0:48:45 | |
Are you still a writer? | 0:48:45 | 0:48:46 | |
You may be a spook. | 0:48:48 | 0:48:50 | |
But if anyone can help me, it's you. | 0:48:53 | 0:48:54 | |
You picked a side after 9/11. | 0:48:58 | 0:49:00 | |
I didn't have to. | 0:49:00 | 0:49:02 | |
It was picked for me. | 0:49:02 | 0:49:03 | |
All unattended bags will be removed by airport police | 0:49:06 | 0:49:09 | |
and immediately seized and destroyed. | 0:49:09 | 0:49:11 | |
Please do not leave bags unattended. | 0:49:11 | 0:49:14 | |
Note to self: | 0:49:17 | 0:49:19 | |
don't fuck with the United States military. | 0:49:19 | 0:49:21 | |
US citizen or foreign national? | 0:49:26 | 0:49:27 | |
Foreign national. | 0:49:27 | 0:49:28 | |
Could I see your passport, please? | 0:49:28 | 0:49:30 | |
-Step over here, sir. -Sorry, is there a problem? | 0:49:39 | 0:49:41 | |
-He's an employee of mine... -Follow me, please. | 0:49:41 | 0:49:43 | |
Don't worry about it, man. I'll catch up with you guys. | 0:49:43 | 0:49:46 | |
Come on. Let's go. | 0:49:49 | 0:49:50 | |
He's not what they're looking for. | 0:49:50 | 0:49:52 | |
Stand right there. | 0:50:04 | 0:50:05 | |
I'll take your belongings. | 0:50:07 | 0:50:08 | |
I need you to remove all of your outerwear | 0:50:11 | 0:50:12 | |
and place it on that chair. | 0:50:12 | 0:50:14 | |
So you want me to strip? | 0:50:17 | 0:50:19 | |
Remove your outerwear. | 0:50:19 | 0:50:20 | |
Who did you stay with? | 0:50:47 | 0:50:48 | |
Were you by yourself? | 0:50:48 | 0:50:50 | |
And if not, who did you travel with? | 0:50:50 | 0:50:52 | |
Arms out. Face this way. | 0:50:53 | 0:50:55 | |
Arms out to your side. | 0:50:55 | 0:50:56 | |
Arms down. | 0:51:07 | 0:51:09 | |
Step over here. | 0:51:09 | 0:51:10 | |
Remove your underwear, bend over, | 0:51:10 | 0:51:12 | |
place your hands right here, and spread your legs. | 0:51:12 | 0:51:14 | |
Put your clothes on. | 0:51:41 | 0:51:42 | |
So what happened? They actually made you strip? | 0:52:05 | 0:52:08 | |
Let's say they were very thorough. | 0:52:08 | 0:52:10 | |
This whole city's in a state of panic. | 0:52:10 | 0:52:13 | |
60 bomb scares yesterday. | 0:52:13 | 0:52:15 | |
I just found that my college roommate's father was | 0:52:15 | 0:52:17 | |
in the second tower when it fell. | 0:52:17 | 0:52:19 | |
It's just a nightmare. | 0:52:19 | 0:52:21 | |
Guess people circle the wagons after something like this. | 0:52:21 | 0:52:24 | |
Apparently they close the borders too. | 0:52:24 | 0:52:26 | |
Could you blame them? | 0:52:26 | 0:52:29 | |
Lunatics hijacked planes from two different states, | 0:52:29 | 0:52:32 | |
killing thousands of people, not to mention themselves. | 0:52:32 | 0:52:35 | |
It's beyond human comprehension. | 0:52:35 | 0:52:37 | |
How does that happen? | 0:52:39 | 0:52:41 | |
How does it happen like that? | 0:52:41 | 0:52:44 | |
What makes you think I'd know? | 0:52:45 | 0:52:46 | |
Nothing. You... | 0:52:52 | 0:52:54 | |
Sorry, Changez. | 0:53:01 | 0:53:02 | |
All I'm saying is, before I'd start a full F-16, tank-ass war | 0:53:05 | 0:53:08 | |
against the entire Muslim world, | 0:53:08 | 0:53:11 | |
I'd give the CIA, INTERPOL, whoever, | 0:53:11 | 0:53:12 | |
a chance to track these motherfuckers down. | 0:53:12 | 0:53:15 | |
We got hit first. It's Pearl Harbour all over again. | 0:53:15 | 0:53:17 | |
-It's common fucking sense. -I'm not saying you're wrong, | 0:53:17 | 0:53:19 | |
but what nation-state attacked us? | 0:53:19 | 0:53:21 | |
Nation-state, my ass! You're splitting hairs. | 0:53:21 | 0:53:23 | |
-Am I? -Yeah. | 0:53:23 | 0:53:24 | |
They believe God told them to blow us up. | 0:53:24 | 0:53:26 | |
It's in their book. | 0:53:26 | 0:53:28 | |
It's in their book? | 0:53:28 | 0:53:29 | |
Yeah. Whatever it's called. | 0:53:29 | 0:53:30 | |
'I watched as American patriotism took on different forms.' | 0:53:31 | 0:53:34 | |
American flags. God bless America. | 0:53:34 | 0:53:36 | |
Aha! You want? | 0:53:36 | 0:53:37 | |
'For some people, it provided comfort. | 0:53:37 | 0:53:41 | |
'For others, a profit.' | 0:53:41 | 0:53:42 | |
Hey, give me flag too. | 0:53:42 | 0:53:44 | |
Go! 10, 10. | 0:53:44 | 0:53:45 | |
'And for the vulnerable, it became a shield.' | 0:53:45 | 0:53:47 | |
-TV: -American-led military attacks continue tonight | 0:53:47 | 0:53:50 | |
against targets throughout Afghanistan. | 0:53:50 | 0:53:52 | |
Even as the first emergency... | 0:53:52 | 0:53:54 | |
It's bad times, man. | 0:54:00 | 0:54:01 | |
Seven more attacks in the last week. | 0:54:01 | 0:54:03 | |
Is this the line for chai? | 0:54:03 | 0:54:04 | |
You hear about Sodhi in Arizona? | 0:54:04 | 0:54:06 | |
They shot him right on the street. | 0:54:06 | 0:54:08 | |
It's really bad for the Sikhs. | 0:54:08 | 0:54:09 | |
Any beard or turban is a target. | 0:54:11 | 0:54:13 | |
Not a problem for you, eh? | 0:54:14 | 0:54:16 | |
Suited, booted. Good for you. | 0:54:16 | 0:54:21 | |
No plastic here. | 0:54:21 | 0:54:22 | |
-Give him his tea. -No, no, please. | 0:54:25 | 0:54:27 | |
Thanks. | 0:54:30 | 0:54:31 | |
'I might have been suited and booted, | 0:54:33 | 0:54:35 | |
'but I felt just as vulnerable as they did. | 0:54:35 | 0:54:38 | |
'There was only one place I felt safe... | 0:54:39 | 0:54:41 | |
'With her.' | 0:54:42 | 0:54:44 | |
-You want to learn how to say "love"? -Yeah. | 0:54:44 | 0:54:47 | |
There's not just one way of saying it. | 0:54:47 | 0:54:48 | |
-There's, like, two or three. -OK, OK. | 0:54:48 | 0:54:51 | |
OK, so there's ishq. | 0:54:53 | 0:54:55 | |
Ishq. | 0:54:55 | 0:54:57 | |
Ishq. | 0:54:57 | 0:54:58 | |
Ishq. | 0:55:00 | 0:55:00 | |
Mm. Well done. | 0:55:00 | 0:55:02 | |
And then there's pyaar. | 0:55:02 | 0:55:05 | |
Pyaar. | 0:55:05 | 0:55:07 | |
-That's quite good. -Yeah? | 0:55:07 | 0:55:09 | |
-You're good at this. -Pyaar. | 0:55:09 | 0:55:11 | |
You said these words before to someone? | 0:55:11 | 0:55:13 | |
-Ishq. -Pyaar. | 0:55:13 | 0:55:15 | |
This isn't your first time, is it? | 0:55:15 | 0:55:17 | |
Mohabbat. | 0:55:48 | 0:55:50 | |
Mohabbat. | 0:55:50 | 0:55:51 | |
I can't believe they're not there. | 0:55:55 | 0:55:57 | |
It's crazy. | 0:56:27 | 0:56:28 | |
'It was a time of uncertainty. | 0:56:30 | 0:56:32 | |
'For me, the only things certain | 0:56:32 | 0:56:34 | |
'were love and profit. | 0:56:34 | 0:56:35 | |
'It wasn't long before | 0:56:37 | 0:56:38 | |
'the economic laws of nature reasserted themselves. | 0:56:38 | 0:56:41 | |
'Small companies were again swallowed up by big ones. | 0:56:41 | 0:56:44 | |
'Those that didn't grow would die.' | 0:56:44 | 0:56:46 | |
Some stakeholders are obviously you people right here. | 0:56:47 | 0:56:50 | |
That's why need to revisit... | 0:56:50 | 0:56:51 | |
For the 25 years that I've worked here, per union rules, | 0:56:51 | 0:56:54 | |
we only take those requests in writing. | 0:56:54 | 0:56:56 | |
See, with due respect, | 0:56:56 | 0:56:57 | |
that is exactly the kind of bureaucratic mind-set | 0:56:57 | 0:56:59 | |
we're trying to challenge here. | 0:56:59 | 0:57:00 | |
I am not a bureaucrat. | 0:57:00 | 0:57:02 | |
We don't have to like each other. We just have to get the job done. | 0:57:02 | 0:57:05 | |
Now, pull out the union contracts. | 0:57:05 | 0:57:06 | |
We might need to cancel some of them. | 0:57:06 | 0:57:08 | |
-He's young. -I've worked here 25 years. | 0:57:10 | 0:57:11 | |
What the hell am I supposed to do? | 0:57:11 | 0:57:13 | |
ERICA: Hi, stranger. When are you coming back? | 0:57:36 | 0:57:39 | |
I miss you. | 0:57:39 | 0:57:40 | |
Fuck you, Osama. | 0:58:18 | 0:58:21 | |
'A tiny slice of violence | 0:58:32 | 0:58:33 | |
'had wormed its way into my life, | 0:58:33 | 0:58:35 | |
'and I didn't know how to remove it.' | 0:58:35 | 0:58:37 | |
'What was soft inside me fell away.' | 0:58:44 | 0:58:47 | |
What was hard became harder. | 0:58:47 | 0:58:50 | |
Talk to me, Bobby. What's going on? | 0:58:58 | 0:59:00 | |
I need more time. | 0:59:00 | 0:59:01 | |
You're exposed, and the clock is ticking on Rainier. | 0:59:01 | 0:59:04 | |
Turn your target now, or we're taking him to Peshawar | 0:59:04 | 0:59:07 | |
to put the screws on him. | 0:59:07 | 0:59:08 | |
OK. | 0:59:08 | 0:59:09 | |
What did Massoud do to members of his force that collaborated with the Taliban? | 0:59:14 | 0:59:18 | |
He slit their throats. | 0:59:19 | 0:59:20 | |
Yes, he did. | 0:59:20 | 0:59:22 | |
Do you want that to happen to me, Bobby? | 0:59:23 | 0:59:25 | |
Is there something you're not telling me? | 0:59:25 | 0:59:27 | |
Juniad, look at that. | 0:59:27 | 0:59:29 | |
Each moment is precious, Bobby. | 0:59:43 | 0:59:45 | |
Come. It's time to go inside. | 0:59:45 | 0:59:47 | |
I'll make one phone call to the caterers. | 1:00:17 | 1:00:19 | |
Baita, with the shortages, the prices have doubled up. | 1:00:21 | 1:00:23 | |
We just can't afford it. | 1:00:23 | 1:00:25 | |
No, what we can't afford is for you to collapse, | 1:00:25 | 1:00:27 | |
OK, because you're trying to organise your daughter's wedding singlehandedly. | 1:00:27 | 1:00:30 | |
Just let me do it. It's done. | 1:00:30 | 1:00:32 | |
One thing. | 1:00:39 | 1:00:40 | |
OK, I won't. | 1:00:41 | 1:00:43 | |
Love you, baita. | 1:00:45 | 1:00:46 | |
Uh-huh. OK. | 1:00:46 | 1:00:48 | |
Hello! Enough already! | 1:00:49 | 1:00:51 | |
-Just... just look at me. -Hello? | 1:00:51 | 1:00:52 | |
Just look at... OK, fine. Fine, fine, fine. | 1:00:52 | 1:00:54 | |
You're unbelievable. Do you know that? | 1:00:54 | 1:00:55 | |
I'm worried about my mom here. | 1:00:55 | 1:00:56 | |
She's going nuts because of the wedding. | 1:00:56 | 1:00:58 | |
A wedding gets her closer to grandchildren. | 1:00:58 | 1:01:00 | |
That's what she wants, right? | 1:01:00 | 1:01:03 | |
Yeah, I guess. | 1:01:03 | 1:01:04 | |
I made your mom and dad something for the wedding. | 1:01:07 | 1:01:09 | |
That's why you wanted the photos? | 1:01:14 | 1:01:15 | |
Your ma is so gorgeous. | 1:01:15 | 1:01:18 | |
Mm. | 1:01:18 | 1:01:20 | |
-You're gorgeous. Thank you. -Mm. | 1:01:20 | 1:01:22 | |
Do you ever think about kids? | 1:01:30 | 1:01:31 | |
Um... | 1:01:34 | 1:01:36 | |
I did before, but the world's a little scarier now, | 1:01:38 | 1:01:40 | |
so I'm not as sure as I used to be. | 1:01:40 | 1:01:42 | |
My parents never said it out loud, but I know they want two things in life. | 1:01:47 | 1:01:49 | |
They want security in their old age, | 1:01:49 | 1:01:52 | |
and they want grandchildren. | 1:01:52 | 1:01:55 | |
And you want to give that to them. | 1:01:55 | 1:01:57 | |
Yeah. They're my parents. | 1:01:57 | 1:01:59 | |
You have a sense of filial duty. | 1:02:00 | 1:02:01 | |
Yeah, I guess I'm old-fashioned like that. | 1:02:04 | 1:02:06 | |
It's nice. | 1:02:07 | 1:02:09 | |
So does that mean you're persuadable? | 1:02:10 | 1:02:12 | |
I don't know. | 1:02:17 | 1:02:19 | |
SOBBING | 1:02:45 | 1:02:48 | |
Hey. | 1:02:54 | 1:02:56 | |
Erica? | 1:02:57 | 1:02:59 | |
Hey, what is it? What's wrong? | 1:02:59 | 1:03:02 | |
Erica... | 1:03:06 | 1:03:07 | |
Ah. | 1:03:08 | 1:03:09 | |
I can't believe I'm talking about having kids with another man. | 1:03:11 | 1:03:14 | |
Honey, it was just talking. It was just fooling around. | 1:03:18 | 1:03:21 | |
And I'm not another man. | 1:03:21 | 1:03:22 | |
No, no, no. No, no. You are another man. | 1:03:22 | 1:03:25 | |
You are. | 1:03:29 | 1:03:30 | |
Chris... he didn't have any family. | 1:03:41 | 1:03:44 | |
Not like you. I was his family, OK? | 1:03:44 | 1:03:48 | |
I was his family, and I'm forgetting him. | 1:03:48 | 1:03:51 | |
Oh, God. | 1:03:54 | 1:03:56 | |
You know, I had been... I'd been drinking, | 1:03:56 | 1:03:59 | |
and Chris asked me if I was OK to drive, | 1:03:59 | 1:04:01 | |
and I said yes. | 1:04:01 | 1:04:03 | |
I killed him. | 1:04:06 | 1:04:09 | |
Oh, God. Sometimes I just wish | 1:04:13 | 1:04:16 | |
I could take a break from being myself. | 1:04:16 | 1:04:18 | |
Me too. | 1:04:29 | 1:04:30 | |
How many weddings have a bomb shelter contingency plan? | 1:04:47 | 1:04:49 | |
The world couldn't wait one more week before exploding itself? | 1:04:49 | 1:04:52 | |
Hello. Let's stick to happier subjects. How's the groom? | 1:04:52 | 1:04:56 | |
He's an actor, so... | 1:04:56 | 1:04:57 | |
A working actor but an actor nonetheless. | 1:04:57 | 1:05:00 | |
Poor Abu keeps his heart medication close at hand. | 1:05:00 | 1:05:03 | |
You know, if the war doesn't kill him... | 1:05:03 | 1:05:04 | |
The wedding costs will. | 1:05:04 | 1:05:05 | |
They never stop girls. | 1:05:11 | 1:05:13 | |
HE CHUCKLES | 1:05:13 | 1:05:15 | |
'Pakistan was born into violence 50 years ago. | 1:05:16 | 1:05:19 | |
'We knew how to cope. | 1:05:19 | 1:05:22 | |
'As the tensions became worse, the biryanis became more delicious, | 1:05:22 | 1:05:25 | |
'the bootleggers more frequent, and the celebrations more raucous.' | 1:05:25 | 1:05:30 | |
Really? | 1:05:59 | 1:06:01 | |
Girls, be on time to dress her for the wedding tomorrow, huh? | 1:06:01 | 1:06:04 | |
Did you make this? | 1:06:07 | 1:06:08 | |
Show me your ring. | 1:06:08 | 1:06:10 | |
What are you thinking about? | 1:06:16 | 1:06:19 | |
Just how much you must love all this attention, no? | 1:06:19 | 1:06:21 | |
Not about your girlfriend? | 1:06:22 | 1:06:24 | |
Your turn next, Nasreen, hmm? | 1:06:40 | 1:06:42 | |
Find me a guy now. | 1:06:43 | 1:06:45 | |
Lovely girl, and from a good family. | 1:06:47 | 1:06:50 | |
But you can't consider her | 1:06:51 | 1:06:54 | |
because you're an ocean away. | 1:06:54 | 1:06:56 | |
Luckily, Abu, they have women in New York too, you know. | 1:06:56 | 1:06:58 | |
I'm sure they do. | 1:06:58 | 1:07:00 | |
What exactly do you do at the Underwood? | 1:07:04 | 1:07:07 | |
It's Underwood Samson. | 1:07:07 | 1:07:08 | |
We help companies to figure out how much they're worth, | 1:07:10 | 1:07:12 | |
and then we make suggestions so that they can increase their value. | 1:07:12 | 1:07:15 | |
Hmm. | 1:07:15 | 1:07:17 | |
So... | 1:07:17 | 1:07:18 | |
..I'm a fruit seller. | 1:07:20 | 1:07:22 | |
You don't buy my guavas. | 1:07:22 | 1:07:24 | |
-You don't sell me guavas. -No. | 1:07:24 | 1:07:26 | |
I pay you to tell me, | 1:07:26 | 1:07:28 | |
"The price of the guava is eight rupees." | 1:07:28 | 1:07:32 | |
Yes, but I can also help you to increase the value | 1:07:32 | 1:07:34 | |
of your whole fruit stand. | 1:07:34 | 1:07:35 | |
With redundancies. | 1:07:35 | 1:07:37 | |
So two fruit sellers become one, and the money is saved. | 1:07:38 | 1:07:42 | |
I don't see the point. | 1:07:44 | 1:07:45 | |
Sorry, sir. | 1:07:49 | 1:07:50 | |
In the tent, the supervisor will fire him. | 1:07:53 | 1:07:56 | |
That young man drops one plate, | 1:07:56 | 1:07:58 | |
and his livelihood is gone. | 1:07:58 | 1:08:01 | |
I should talk to the supervisor. | 1:08:01 | 1:08:02 | |
No, no, no, no, no. | 1:08:02 | 1:08:04 | |
Come here. | 1:08:04 | 1:08:06 | |
Your empathy is aroused | 1:08:06 | 1:08:08 | |
because of this one man whose face you can see. | 1:08:08 | 1:08:11 | |
But with one line of your pen, | 1:08:11 | 1:08:13 | |
thousands of people lose their livelihoods. | 1:08:13 | 1:08:15 | |
Abu, you know what? A lot of people | 1:08:15 | 1:08:17 | |
- middle-class people, shareholders - they all benefit from what I do. | 1:08:17 | 1:08:20 | |
You tell yourself what you want to. | 1:08:21 | 1:08:23 | |
You see your mother's handiwork? | 1:08:33 | 1:08:34 | |
If I told you the amount your Ammi had to work with, | 1:08:36 | 1:08:39 | |
you wouldn't believe me. | 1:08:39 | 1:08:41 | |
HE SCOFFS | 1:08:41 | 1:08:42 | |
-What is it? -Nothing. | 1:08:42 | 1:08:44 | |
Well, she had some assistance. | 1:08:49 | 1:08:52 | |
What do you mean? | 1:08:52 | 1:08:53 | |
I mean that this job of mine that you don't see the point of | 1:08:53 | 1:08:55 | |
actually helped to create this celebration, all right? | 1:08:55 | 1:08:58 | |
-Excuse me. -No, no, Abu. I'm just trying to tell you | 1:08:59 | 1:09:01 | |
that this work of mine can be useful to us. | 1:09:01 | 1:09:05 | |
You've made your point very well. | 1:09:06 | 1:09:09 | |
Thank you. | 1:09:09 | 1:09:10 | |
INAUDIBLE | 1:09:18 | 1:09:21 | |
SINGING CONTINUES | 1:09:46 | 1:09:48 | |
My wisest ally, and I'd cut him to the quick. | 1:09:57 | 1:10:00 | |
Only his pride. | 1:10:00 | 1:10:02 | |
Please, Changez, don't let yours get in the way of doing the right thing. | 1:10:02 | 1:10:05 | |
-What would you have me do? -Help us find Rainier. | 1:10:05 | 1:10:08 | |
Changez... | 1:10:09 | 1:10:12 | |
Work with us. | 1:10:12 | 1:10:13 | |
The agency has discretionary funds for this kind of thing. | 1:10:15 | 1:10:17 | |
We can protect your family, relocate them. | 1:10:17 | 1:10:20 | |
Bobby, you promised to listen to me, didn't you? | 1:10:22 | 1:10:24 | |
Did you not hear a word I just said? | 1:10:25 | 1:10:28 | |
There are some things that money cannot fix. | 1:10:28 | 1:10:30 | |
'When I returned to America, I found that the life I was building | 1:10:32 | 1:10:35 | |
'had begun to slip out of reach.' | 1:10:35 | 1:10:37 | |
Should get this guy a razor. | 1:10:44 | 1:10:45 | |
Yeah, hi, Erica, it's me. Can you pick up, please? | 1:10:45 | 1:10:48 | |
I haven't heard from you in a few days now. | 1:10:48 | 1:10:50 | |
And I don't know what kind of magical artistic masterpieces | 1:10:50 | 1:10:54 | |
you're cooking up, but I miss you. | 1:10:54 | 1:10:56 | |
Hi. Hi, sweetie. | 1:10:56 | 1:10:58 | |
Ah, that is the sound I wanted to hear! | 1:10:58 | 1:11:01 | |
OK, listen. Hear me out. I know you're on a deadline... | 1:11:01 | 1:11:03 | |
My show's in three days. Look, I'm so under the gun right now. | 1:11:03 | 1:11:08 | |
I just... I can't talk. | 1:11:08 | 1:11:10 | |
OK, but dinner. Just dinner. I haven't even told you about the wedding. They loved your present. | 1:11:10 | 1:11:14 | |
Please don't make me feel guilty. | 1:11:14 | 1:11:16 | |
OK, your work is important to you. | 1:11:16 | 1:11:18 | |
OK, but I don't get to choose when to take time off - you do. | 1:11:18 | 1:11:21 | |
So, like, one hour is all I'm asking for. | 1:11:21 | 1:11:23 | |
I had a Pakistani once, | 1:11:23 | 1:11:25 | |
and he was very supportive. | 1:11:25 | 1:11:26 | |
Hey. | 1:11:37 | 1:11:38 | |
Hey yourself, werewolf. | 1:11:38 | 1:11:40 | |
Not sure what's going on with the beard situation, | 1:11:40 | 1:11:43 | |
but it's starting to freak some people out around here. | 1:11:43 | 1:11:47 | |
I don't understand. | 1:11:47 | 1:11:48 | |
But Dr Phil has a moustache. | 1:11:48 | 1:11:49 | |
What? It reminds me of where I come from. | 1:11:51 | 1:11:53 | |
Jerk chicken reminds me of where I come from, | 1:11:53 | 1:11:55 | |
but I'm not smearing it all over my face. | 1:11:55 | 1:11:58 | |
Maybe you should. | 1:11:58 | 1:11:59 | |
MACHINE: You have a message. | 1:12:20 | 1:12:22 | |
We'll eat in the dark tonight. | 1:12:28 | 1:12:30 | |
Thinking of you, baita. | 1:12:30 | 1:12:32 | |
Abu also. | 1:12:32 | 1:12:34 | |
Quite a beard. | 1:12:57 | 1:12:58 | |
That's getting to be some very serious mullah action. | 1:12:58 | 1:13:01 | |
I want you to get me two glasses of the crystal... | 1:13:02 | 1:13:04 | |
So we've got to evaluate a prestige publisher | 1:13:11 | 1:13:13 | |
in Istanbul for a conglomerate. | 1:13:13 | 1:13:15 | |
And guess what. You are the chosen one. | 1:13:15 | 1:13:17 | |
Thank you. | 1:13:17 | 1:13:19 | |
The directors agreed with me. | 1:13:19 | 1:13:21 | |
We're upping you. | 1:13:21 | 1:13:23 | |
You are the youngest associate in the history of Underwood Samson. | 1:13:23 | 1:13:26 | |
Although, I do believe appearances are important. | 1:13:30 | 1:13:34 | |
Success requires... | 1:13:34 | 1:13:37 | |
some adjustment in that department. | 1:13:37 | 1:13:39 | |
Underwood, Samson, | 1:13:42 | 1:13:45 | |
and The Mighty Khan. | 1:13:45 | 1:13:47 | |
Oh, no partners. | 1:13:47 | 1:13:48 | |
Just Khan. I'm a dictator, remember? | 1:13:48 | 1:13:50 | |
Mm. | 1:13:50 | 1:13:51 | |
Next time you want to see me, call my secretary, OK? | 1:13:54 | 1:13:57 | |
Up yours. | 1:13:57 | 1:13:58 | |
HE SPEAKS IN OWN LANGUAGE | 1:14:11 | 1:14:14 | |
I'm not going to take medication! | 1:14:22 | 1:14:24 | |
911. | 1:14:24 | 1:14:25 | |
No more medication. | 1:14:25 | 1:14:26 | |
There's a crazy Arab guy in midtown Manhattan. | 1:14:26 | 1:14:28 | |
Long-distance killer! Why he get all credit? | 1:14:28 | 1:14:31 | |
Yeah, 53rd and Lexington. | 1:14:31 | 1:14:33 | |
Home-grown! | 1:14:33 | 1:14:35 | |
We are home-grown bombers! | 1:14:35 | 1:14:36 | |
-Whoa, whoa, whoa, whoa. -We're home-grown bombers! | 1:14:36 | 1:14:38 | |
-Whoa, whoa, whoa, whoa, whoa. -We are home-grown bomb... | 1:14:38 | 1:14:40 | |
Bomb your children! | 1:14:40 | 1:14:41 | |
-You bastard! Hey! -He's crazy. | 1:14:41 | 1:14:44 | |
SIREN WAILS | 1:14:44 | 1:14:46 | |
Hey! Hold up! | 1:14:51 | 1:14:53 | |
You in the black coat, stop right there. | 1:14:53 | 1:14:55 | |
-I didn't do... -Hands on the car. | 1:14:55 | 1:14:56 | |
-I didn't do anything. -Put your hands on the car. | 1:14:56 | 1:14:58 | |
-The guy you're looking for is back there. -Yeah, we'll get him. | 1:14:58 | 1:15:00 | |
-I work on the 53rd floor... -Hands down. | 1:15:00 | 1:15:02 | |
Of that building, Underwood Samson. | 1:15:02 | 1:15:03 | |
Why don't you just check? | 1:15:03 | 1:15:05 | |
Why don't you just... | 1:15:05 | 1:15:07 | |
-Officer, please. -Spread your legs! You got any weapons on you? | 1:15:07 | 1:15:10 | |
Don't do this, man. | 1:15:10 | 1:15:12 | |
Ain't doing nothing but my job, little man. | 1:15:12 | 1:15:14 | |
Ow, man! | 1:15:19 | 1:15:20 | |
Uh-uh! Get your hands off me! | 1:15:20 | 1:15:23 | |
Uh! | 1:15:23 | 1:15:24 | |
Wait right here. | 1:15:27 | 1:15:28 | |
I'm Special Agent Ford. This is Special Agent Jackson. | 1:15:54 | 1:15:56 | |
This is inexcusable. I'd like to see my lawyer, please. | 1:15:56 | 1:15:59 | |
Are you refusing to talk to us? | 1:16:04 | 1:16:06 | |
No, you picked up the wrong guy, and I'm sick of this shit. | 1:16:06 | 1:16:09 | |
I want to see my lawyer. | 1:16:09 | 1:16:12 | |
You ever been to the Philippines? | 1:16:12 | 1:16:14 | |
I work at Underwood Samson. | 1:16:18 | 1:16:21 | |
I was inspecting a company there as a financial analyst. | 1:16:21 | 1:16:24 | |
You ever had any combat training in Afghanistan? | 1:16:25 | 1:16:29 | |
Of course I've never had combat training, and I've never set foot in Afghanistan! | 1:16:33 | 1:16:37 | |
Don't get upset. | 1:16:37 | 1:16:38 | |
I am upset. I'm upset about my treatment. I'm not a fucking terrorist. | 1:16:38 | 1:16:41 | |
Have you ever been a member of a terrorist organization? | 1:16:44 | 1:16:47 | |
OK, you know what? I'm sick of having to try and prove a negative, | 1:16:47 | 1:16:51 | |
so why don't you either charge me with something or let me go? | 1:16:51 | 1:16:54 | |
How do you feel about the United States of America? | 1:17:00 | 1:17:02 | |
Agent Ford, | 1:17:09 | 1:17:10 | |
I love the United States of America. | 1:17:10 | 1:17:13 | |
Hey, baby, I can't wait to see you at my opening tonight. | 1:17:16 | 1:17:20 | |
And the gallery's on the corner of Crosby and Prince. | 1:17:20 | 1:17:24 | |
OK, I'll see you. | 1:17:24 | 1:17:25 | |
Hey, Marina! | 1:17:28 | 1:17:29 | |
Hi, sugar. | 1:17:29 | 1:17:31 | |
-RECORDED VOICES: -I'm alone. | 1:17:40 | 1:17:42 | |
I'm very, very alone. | 1:17:42 | 1:17:46 | |
I want to forget. | 1:17:48 | 1:17:50 | |
Ladies and gentlemen, a reminder - | 1:17:52 | 1:17:54 | |
never accept a parcel or bag from a third party for any reason. | 1:17:54 | 1:17:58 | |
I want to forget. | 1:18:06 | 1:18:07 | |
Never leave your baggage unattended. | 1:18:08 | 1:18:11 | |
-Hors d'oeuvres? -Oh, no, I'm vegan. | 1:18:12 | 1:18:14 | |
ERICA'S RECORDED VOICE: I had a Pakistani once... | 1:18:20 | 1:18:22 | |
I'm glad... I'm glad you're enjoying it. | 1:18:30 | 1:18:32 | |
Good to see you. | 1:18:32 | 1:18:34 | |
-Hi. -Hi. | 1:18:34 | 1:18:35 | |
Good to see you. | 1:18:35 | 1:18:36 | |
-This is amazing. -Thank you. | 1:18:37 | 1:18:40 | |
Changez? Changez! | 1:18:40 | 1:18:43 | |
I'm so happy you're here. | 1:18:47 | 1:18:50 | |
I don't recognise my own voice anymore. | 1:18:50 | 1:18:53 | |
What have you done? | 1:18:53 | 1:18:54 | |
It's... what do you mean? This is us. | 1:18:54 | 1:18:58 | |
It's about us. | 1:18:59 | 1:19:01 | |
From you too now? | 1:19:01 | 1:19:02 | |
You're the one goddamn person I trusted in this city, | 1:19:05 | 1:19:07 | |
and now I get this shit, | 1:19:07 | 1:19:09 | |
this fucking shit from you too now? | 1:19:09 | 1:19:12 | |
-Hmm? -I don't... I thought... I thought... | 1:19:15 | 1:19:18 | |
I thought you'd be proud of me. | 1:19:18 | 1:19:20 | |
Why would I be proud? What? | 1:19:20 | 1:19:21 | |
Proud of being your own little pet artistic project? | 1:19:21 | 1:19:24 | |
Can we please take this outside? | 1:19:24 | 1:19:25 | |
No, what? Was that the idea? | 1:19:25 | 1:19:27 | |
Huh? How chic! How chic! | 1:19:27 | 1:19:29 | |
"I'm going to date a Pakistani after 9/11, | 1:19:29 | 1:19:31 | |
"and it's going to be great for my bohemian street cred." | 1:19:31 | 1:19:34 | |
-Is that the idea? -That's completely unfair. | 1:19:34 | 1:19:35 | |
"I fucked the 20th hijacker"? Huh? | 1:19:35 | 1:19:39 | |
I'm like the ultimate downtown status symbol right now. | 1:19:39 | 1:19:42 | |
Is that it? You're just going to walk away? That's all you got to say for yourself? | 1:19:43 | 1:19:46 | |
I mean, are your feelings so pure? | 1:19:46 | 1:19:49 | |
Would you have been interested in me if my uncle wasn't your CEO | 1:19:49 | 1:19:52 | |
or if my mother lived in Queens instead of Park and 85th? | 1:19:52 | 1:19:56 | |
Are you kidding me? You're a sick girl. | 1:19:56 | 1:19:58 | |
It was never about that for me! | 1:19:58 | 1:19:59 | |
You might not believe this, but that is an expression of love. | 1:19:59 | 1:20:02 | |
You know what it is? That... that is defamation. | 1:20:02 | 1:20:04 | |
-I want it taken down. -Changez, please. | 1:20:04 | 1:20:07 | |
Please, just take a breath. | 1:20:08 | 1:20:11 | |
I can't believe you're reacting this way. | 1:20:11 | 1:20:12 | |
-How do you want me to react? -Please take a breath. | 1:20:12 | 1:20:14 | |
-How could you do that? -Stop attacking me! | 1:20:14 | 1:20:17 | |
Stop attacking me for one minute! Please stop attacking me! Please! | 1:20:17 | 1:20:20 | |
Please stop attacking me! | 1:20:20 | 1:20:23 | |
You could do it because you're reckless. | 1:20:23 | 1:20:25 | |
You're reckless enough | 1:20:25 | 1:20:27 | |
to drive drunk with the person you supposedly love | 1:20:27 | 1:20:30 | |
sitting in the passenger seat. | 1:20:30 | 1:20:32 | |
Oh... | 1:20:32 | 1:20:33 | |
Oh, I didn't know... | 1:20:42 | 1:20:44 | |
I didn't know you could be capable of such cruelty. | 1:20:44 | 1:20:47 | |
Well... | 1:21:08 | 1:21:09 | |
HE SOBS | 1:21:20 | 1:21:22 | |
The holding company acquired Basak Yayimci Publishing nine years ago. | 1:21:51 | 1:21:54 | |
It used to be a classy press, but it's haemorrhaging money, | 1:21:54 | 1:21:56 | |
and we need to stop the bleeding. | 1:21:56 | 1:21:57 | |
Nazmi Kemal will not be happy to see us. | 1:22:04 | 1:22:07 | |
For 42 years, I've made books. | 1:22:12 | 1:22:16 | |
And through this press, | 1:22:18 | 1:22:21 | |
the greatest Middle Eastern writers | 1:22:21 | 1:22:23 | |
have given their stories to the world. | 1:22:23 | 1:22:25 | |
And you've come here to render me obsolete. | 1:22:27 | 1:22:29 | |
I have great respect for the work of publishers. | 1:22:31 | 1:22:34 | |
I've valued half a dozen or so over the last ten years. | 1:22:34 | 1:22:37 | |
Are you qualified to value me? | 1:22:41 | 1:22:43 | |
Well, no-one can put a value on what you've accomplished here. | 1:22:51 | 1:22:54 | |
My father is a poet. He's well known in the Punjab. | 1:22:57 | 1:22:59 | |
His greatest friend is his publisher. | 1:22:59 | 1:23:01 | |
You are a keeper of our culture in this part of the world. | 1:23:03 | 1:23:06 | |
Your father is a poet? | 1:23:07 | 1:23:09 | |
I think you should be ashamed of yourself, | 1:23:14 | 1:23:17 | |
doing what you're doing here. | 1:23:17 | 1:23:21 | |
Right. | 1:23:23 | 1:23:24 | |
If you'll excuse us, we need to use your office. | 1:23:24 | 1:23:27 | |
-The accounts you asked for. -Thank you. -Thank you. | 1:23:29 | 1:23:33 | |
-Last two years. -Right. | 1:23:37 | 1:23:39 | |
Take these figures, discount it to the net present value. | 1:23:47 | 1:23:50 | |
What's the ROA? | 1:23:50 | 1:23:52 | |
Zero. | 1:23:54 | 1:23:55 | |
I'll call London. | 1:23:58 | 1:24:00 | |
Changez. | 1:25:28 | 1:25:29 | |
Look what I found. | 1:25:31 | 1:25:32 | |
Part of an anthology of contemporary poets from the Punjab. | 1:25:35 | 1:25:39 | |
Your father is Ajmal Khan, correct? | 1:25:40 | 1:25:42 | |
I didn't realise he'd been translated into Turkish. | 1:25:49 | 1:25:52 | |
That's for you. | 1:25:52 | 1:25:53 | |
Thank you very much. | 1:25:54 | 1:25:56 | |
Would you care to join me for lunch? | 1:26:00 | 1:26:02 | |
Sure. | 1:26:04 | 1:26:05 | |
Have you heard of the Janissaries? | 1:26:16 | 1:26:18 | |
No. | 1:26:21 | 1:26:22 | |
They were Christian boys captured by the Ottomans | 1:26:25 | 1:26:30 | |
to be soldiers in the mighty Muslim army. | 1:26:30 | 1:26:32 | |
When they came of age, | 1:26:35 | 1:26:38 | |
they were sent to kill their former families | 1:26:38 | 1:26:41 | |
and destroy their former homes. | 1:26:41 | 1:26:43 | |
How old were you when you went to America? | 1:26:49 | 1:26:50 | |
I was 18. | 1:26:52 | 1:26:54 | |
Ah. Much older. | 1:26:54 | 1:26:56 | |
The Janissaries were always taken in childhood. | 1:27:01 | 1:27:03 | |
And when they became men, | 1:27:04 | 1:27:07 | |
they were devoted to their new caretakers | 1:27:07 | 1:27:10 | |
to serve their adopted empire. | 1:27:10 | 1:27:12 | |
I'm not devoted to the empire. | 1:27:12 | 1:27:14 | |
Hmm. | 1:27:14 | 1:27:15 | |
I apologise for my demeanour. | 1:27:23 | 1:27:25 | |
I'm working through some personal matters at the moment. | 1:27:25 | 1:27:27 | |
A woman. | 1:27:27 | 1:27:28 | |
Young men don't make good mercenaries. | 1:27:32 | 1:27:35 | |
They need a cause to fight. | 1:27:35 | 1:27:37 | |
May I? | 1:27:40 | 1:27:41 | |
Mm. | 1:27:45 | 1:27:47 | |
When you determine where you stand, | 1:27:52 | 1:27:55 | |
the colour will return to your world. | 1:27:55 | 1:27:57 | |
I'm not so hopeful about the colour returning to mine. | 1:27:58 | 1:28:01 | |
Hey. | 1:28:36 | 1:28:37 | |
Good news. | 1:28:37 | 1:28:38 | |
London gave us the green light to terminate Nazmi Kemal | 1:28:38 | 1:28:41 | |
and shutter the offices here. | 1:28:41 | 1:28:43 | |
They want us to take care of it because we're here in person. | 1:28:43 | 1:28:46 | |
So do you want the honours or should I? | 1:28:46 | 1:28:50 | |
I'll do it. | 1:28:51 | 1:28:53 | |
In the morning? | 1:28:53 | 1:28:54 | |
Good. | 1:28:54 | 1:28:55 | |
-Get back to me as soon as you're done. Get some rest. -OK. | 1:28:55 | 1:28:58 | |
'I imagined those Janissary boys, uprooted, | 1:29:04 | 1:29:07 | |
'landing in new homes with new fathers... | 1:29:07 | 1:29:10 | |
some of them good fathers... | 1:29:10 | 1:29:12 | |
their loyalties terribly divided. | 1:29:12 | 1:29:15 | |
You're deluding yourself that you have this role here. | 1:29:17 | 1:29:19 | |
You don't. | 1:29:19 | 1:29:20 | |
You don't. Go home, Bobby. | 1:29:20 | 1:29:22 | |
Go home? | 1:29:22 | 1:29:24 | |
Go home? | 1:29:25 | 1:29:27 | |
Do you have any fucking idea what happens to your family if I go home? | 1:29:27 | 1:29:30 | |
Huh? | 1:29:30 | 1:29:31 | |
Once they snatch you and drop your ass in a cell in Peshawar... | 1:29:31 | 1:29:36 | |
Sir, observing situation. Stand by. | 1:29:55 | 1:29:57 | |
Copy that. | 1:29:57 | 1:29:58 | |
You know, my capacity for evaluation hasn't diminished, Bobby. | 1:30:05 | 1:30:09 | |
You know what I see before me? | 1:30:09 | 1:30:11 | |
I see a man with hash under his fingernails | 1:30:11 | 1:30:14 | |
who likely smokes it alone. | 1:30:14 | 1:30:17 | |
I see the odd white man who lives in the old quarter | 1:30:17 | 1:30:21 | |
and only ventures out to buy local food and local girls... | 1:30:21 | 1:30:25 | |
Who's been here so long his own blood family have forgotten him. | 1:30:26 | 1:30:29 | |
And there's nobody here to replace them. | 1:30:29 | 1:30:31 | |
You're playing a dangerous game, Changez. | 1:30:33 | 1:30:34 | |
I'm sorry. I'm just... | 1:30:34 | 1:30:38 | |
I'm telling you something | 1:30:38 | 1:30:40 | |
that it took me a long time to realise. | 1:30:40 | 1:30:43 | |
Some truths take their time. | 1:30:44 | 1:30:46 | |
I was just coming to see you. | 1:30:51 | 1:30:53 | |
Interesting message you left me. | 1:30:53 | 1:30:55 | |
You're not letting him go? What the hell does that mean? | 1:30:55 | 1:30:57 | |
It means that I'm not going to fire Nazmi Kemal. | 1:30:57 | 1:31:00 | |
And, in fact, I'm not going to do any more evaluations. | 1:31:00 | 1:31:04 | |
I'm quitting the firm, Jim. | 1:31:04 | 1:31:05 | |
You accepted the position of associate less than three months ago. You leave now, | 1:31:05 | 1:31:08 | |
you'll be giving up all hope of ever doing this kind of work again anywhere. | 1:31:08 | 1:31:12 | |
You'd be committing professional suicide. | 1:31:12 | 1:31:14 | |
I know I've let you down, Jim, and I'm deeply sorry for that. | 1:31:15 | 1:31:19 | |
But I have to tell you that I'm through. | 1:31:19 | 1:31:21 | |
You're telling me? You don't tell me! | 1:31:21 | 1:31:23 | |
Can we be civil, Jim? | 1:31:23 | 1:31:24 | |
You think you're the only person who's experienced injustice first-hand? | 1:31:24 | 1:31:28 | |
Throw a rock out there anywhere in this city, | 1:31:28 | 1:31:30 | |
and it'll land on the grave of someone who's seen worse than you. | 1:31:30 | 1:31:33 | |
Now, maybe you're having some kind of a breakdown. | 1:31:33 | 1:31:36 | |
I will see to it that you will get some rest after this is done. | 1:31:36 | 1:31:39 | |
But you will treat my commitment to you with the respect that it deserves! | 1:31:39 | 1:31:43 | |
And to myself as well. | 1:31:43 | 1:31:46 | |
I have a commitment to myself. | 1:31:46 | 1:31:48 | |
Do you want to be an insurance salesman, Changez, with a mortgage and a migraine? | 1:31:50 | 1:31:53 | |
Is that the life you envision for yourself? | 1:31:53 | 1:31:55 | |
As opposed to what? I have to live in truth. | 1:31:55 | 1:31:58 | |
You taught me, Jim. | 1:31:58 | 1:31:59 | |
You put your fucking shoes on, and you go down to that office, | 1:31:59 | 1:32:02 | |
and you do the job you were hired to do! | 1:32:02 | 1:32:04 | |
It's not my job anymore. | 1:32:08 | 1:32:10 | |
What's he going to do? | 1:32:48 | 1:32:51 | |
About time. | 1:32:51 | 1:32:52 | |
Fidel. | 1:32:58 | 1:32:59 | |
Is this about me beating you in basketball? | 1:33:01 | 1:33:03 | |
You're going to be a great analyst, Wainwright. | 1:33:07 | 1:33:09 | |
What are you going to be? | 1:33:11 | 1:33:13 | |
Yes, I read the perspectives, and more importantly... | 1:33:16 | 1:33:19 | |
KNOCKING | 1:34:08 | 1:34:11 | |
-Hey. -Hi. | 1:34:33 | 1:34:34 | |
Ah, you're... you're moving. | 1:34:40 | 1:34:43 | |
Yeah. | 1:34:46 | 1:34:47 | |
I should have told you what I'd been working on. | 1:34:55 | 1:34:58 | |
I wanted to let you in more than I did. | 1:34:59 | 1:35:01 | |
It's just, everything about falling in love with you, | 1:35:01 | 1:35:04 | |
Changez, it hurt so much. | 1:35:04 | 1:35:06 | |
It's OK. I understand. | 1:35:10 | 1:35:12 | |
-I'm sorry about what I said. -Oh. | 1:35:14 | 1:35:17 | |
You're going back to Pakistan? | 1:35:27 | 1:35:30 | |
I have no job, no visa. | 1:35:30 | 1:35:31 | |
I have to leave the country within two weeks. | 1:35:31 | 1:35:33 | |
You wanna come? | 1:35:35 | 1:35:37 | |
Yes. | 1:35:45 | 1:35:47 | |
SONG CONTINUES | 1:36:18 | 1:36:20 | |
GLASS SMASHES | 1:36:48 | 1:36:50 | |
HE SOBS | 1:37:00 | 1:37:02 | |
Good to see you, Mr Khan. | 1:38:07 | 1:38:08 | |
And you, Professor Rainier. | 1:38:08 | 1:38:10 | |
We've experienced an exodus of foreign professors | 1:38:10 | 1:38:13 | |
from Lahore in the past several months. | 1:38:13 | 1:38:16 | |
I need an answer quickly. | 1:38:16 | 1:38:18 | |
So two months ago, I was sitting in my office | 1:38:19 | 1:38:24 | |
on the 53rd floor of a Manhattan skyscraper. | 1:38:24 | 1:38:26 | |
I was living my dream... | 1:38:26 | 1:38:28 | |
the American dream. | 1:38:28 | 1:38:30 | |
So now I'm back. | 1:38:31 | 1:38:33 | |
What I'd like your help with is, is there a Pakistani dream? | 1:38:33 | 1:38:38 | |
One that doesn't involve emigrating. | 1:38:44 | 1:38:46 | |
It seems we... | 1:38:50 | 1:38:53 | |
we put out our begging bowl to other countries. | 1:38:53 | 1:38:55 | |
We do exactly what they tell us to do, | 1:38:55 | 1:38:57 | |
and then we despise them for it. After a while, | 1:38:57 | 1:39:00 | |
we start to despise ourselves for it. I know I did. | 1:39:00 | 1:39:02 | |
We need to talk about taxes. | 1:39:05 | 1:39:07 | |
So you were talking about options. | 1:39:07 | 1:39:10 | |
What are the options for Pakistan right now? | 1:39:10 | 1:39:12 | |
Would you like to join us at one of our meetings? | 1:39:13 | 1:39:16 | |
If you look at the stats, we don't actually tax our population. | 1:39:18 | 1:39:21 | |
So let's start on the national level, and we'll break it down to personal. | 1:39:21 | 1:39:24 | |
-The only way the government... -Khan. | 1:39:27 | 1:39:28 | |
THEY SPEAK IN OWN LANGUAGE | 1:39:32 | 1:39:34 | |
I'd like to introduce Mustafa Fazil. | 1:39:36 | 1:39:38 | |
This is Professor Changez Khan. | 1:39:38 | 1:39:40 | |
PHONE VIBRATES | 1:39:40 | 1:39:42 | |
CHANTING OUTSIDE | 1:39:43 | 1:39:45 | |
Talk to me, Bobby. What's going on? | 1:39:59 | 1:40:01 | |
It's called progress. It takes time. | 1:40:01 | 1:40:03 | |
Time's up, pal. I've got to get you out of here. | 1:40:03 | 1:40:05 | |
I don't need a second American kidnapped today. | 1:40:05 | 1:40:07 | |
Sir, are you all right? | 1:40:18 | 1:40:20 | |
If you come busting in here now, you're going to blow everything. | 1:40:23 | 1:40:25 | |
He's going to lead us to Fazil. I know it. | 1:40:25 | 1:40:27 | |
If you don't have a location on Rainier, we're wasting time. I'm coming in. | 1:40:27 | 1:40:30 | |
I need you to go out there and keep them calm for me. | 1:40:30 | 1:40:32 | |
They don't listen to me. And your family is really worried about you. | 1:40:32 | 1:40:35 | |
Tell them I'm fine. | 1:40:35 | 1:40:36 | |
-Stay low. -Cooper, no. | 1:40:38 | 1:40:40 | |
Coop? | 1:40:40 | 1:40:42 | |
We're going in! | 1:40:42 | 1:40:43 | |
We need to talk... | 1:40:52 | 1:40:53 | |
Alone. | 1:40:55 | 1:40:56 | |
Are the police cooperating? | 1:41:10 | 1:41:12 | |
Don't count on it. | 1:41:12 | 1:41:13 | |
Go! Go! Go! | 1:41:15 | 1:41:17 | |
We need to talk about Anse Rainier. | 1:41:26 | 1:41:28 | |
OK, let's talk about him. | 1:41:28 | 1:41:29 | |
Have you seen all the rumours in the newspapers? Do you know what the students are saying about him? | 1:41:29 | 1:41:32 | |
Look, Changez, an extraction team is on their way here. | 1:41:32 | 1:41:35 | |
If you don't give me something... | 1:41:35 | 1:41:37 | |
Call it off! | 1:41:37 | 1:41:38 | |
Bobby, what do you think is going to happen when they get here? | 1:41:40 | 1:41:43 | |
Do you think all these young men are just going to stand idly by? | 1:41:43 | 1:41:46 | |
-ALL: -Out, police, out! Out, police, out! | 1:41:46 | 1:41:48 | |
Huh? You need to ask yourself if you think | 1:41:48 | 1:41:50 | |
all those lives are worth risking to save one. | 1:41:50 | 1:41:53 | |
Who is Anse Rainier? | 1:41:54 | 1:41:55 | |
HE SCOFFS | 1:41:55 | 1:41:57 | |
He's an academic. | 1:41:57 | 1:41:59 | |
He teaches English to orphans on his day off. | 1:41:59 | 1:42:01 | |
The guy doesn't have a violent bone in his body. | 1:42:01 | 1:42:04 | |
He read my galleys for the Massoud book. | 1:42:04 | 1:42:06 | |
He's a friend, a mentor, like Jim Cross was to you. | 1:42:06 | 1:42:09 | |
If that's true, Bobby, | 1:42:09 | 1:42:10 | |
you should think very carefully about who your friends are. | 1:42:10 | 1:42:13 | |
The only way the government... | 1:42:14 | 1:42:16 | |
HE SPEAKS IN OWN LANGUAGE | 1:42:16 | 1:42:17 | |
Salaam. | 1:42:20 | 1:42:21 | |
So you were in America when they attacked Afghanistan. | 1:42:22 | 1:42:25 | |
Yes. | 1:42:25 | 1:42:26 | |
How did you feel when you saw the bombs dropping | 1:42:26 | 1:42:30 | |
on your brothers and sisters? | 1:42:30 | 1:42:32 | |
I felt angry. | 1:42:33 | 1:42:34 | |
Yeah, Americans speak of equality, | 1:42:35 | 1:42:38 | |
then take 100 Muslim lives to avenge one life of their own. | 1:42:38 | 1:42:43 | |
They speak of democracy, | 1:42:43 | 1:42:46 | |
then support kings and dictators. | 1:42:46 | 1:42:49 | |
Changez... | 1:42:49 | 1:42:50 | |
You have an office in the faculty building. | 1:42:53 | 1:42:55 | |
-Yes, I do. -Changez... | 1:42:55 | 1:42:58 | |
Many Muslims can sympathise passively. | 1:43:01 | 1:43:06 | |
A mujahid acts. | 1:43:06 | 1:43:08 | |
There are items, | 1:43:11 | 1:43:13 | |
tools of resistance, | 1:43:13 | 1:43:15 | |
that we would like to store in your office. | 1:43:15 | 1:43:19 | |
Yeah? | 1:43:22 | 1:43:23 | |
A wise and effective mujahid | 1:43:24 | 1:43:29 | |
appears to the enemy as a negotiable man. | 1:43:29 | 1:43:32 | |
He hides behind masks. | 1:43:33 | 1:43:36 | |
Wear this mask for us, Changez. | 1:43:37 | 1:43:39 | |
I'm asking you to join the fight. | 1:43:41 | 1:43:44 | |
'I was his for the taking. | 1:43:49 | 1:43:51 | |
'I had seen first-hand the arrogant America he described - | 1:43:51 | 1:43:55 | |
'the blindness, the hypocrisy, the xenophobia. | 1:43:55 | 1:43:59 | |
'My anger had congealed, hardened by injustice and disappointment. | 1:43:59 | 1:44:03 | |
'Of course I would fight. Of course I would bleed the enemy. | 1:44:03 | 1:44:08 | |
'But then he used that word...' | 1:44:08 | 1:44:11 | |
Our only hope as a people are the fundamental truths | 1:44:11 | 1:44:15 | |
given to us in the Q'uran. | 1:44:15 | 1:44:17 | |
We do that by focusing on the fundamentals. | 1:44:20 | 1:44:25 | |
'These young men were engaged in their own valuation, | 1:44:40 | 1:44:43 | |
'just like Underwood Samson, | 1:44:43 | 1:44:44 | |
'moving human beings in and out of binary columns - | 1:44:44 | 1:44:48 | |
'worker, liability, American, Pakistani, | 1:44:48 | 1:44:52 | |
'martyr, infidel, alive, dead. | 1:44:52 | 1:44:57 | |
'I was tired of the reduction. | 1:44:57 | 1:45:00 | |
'I was tired of deciding from a distant perch | 1:45:00 | 1:45:02 | |
'the fate of people I did not know.' | 1:45:02 | 1:45:04 | |
Yes, I'm a Pakistani. Yes, I'm a Muslim. | 1:45:06 | 1:45:09 | |
Yes, I'm an opponent of your country's assault on mine. | 1:45:09 | 1:45:12 | |
But that's not all I am. | 1:45:12 | 1:45:14 | |
We're both more than these things, Bobby. | 1:45:14 | 1:45:16 | |
And I've never taken up arms, and I never will, | 1:45:18 | 1:45:20 | |
so please, tell them to leave my family alone. | 1:45:20 | 1:45:24 | |
GLASS SMASHES | 1:45:30 | 1:45:32 | |
Hey! | 1:45:33 | 1:45:34 | |
Wait a minute. | 1:45:35 | 1:45:36 | |
Where are you going? | 1:45:38 | 1:45:39 | |
Rainier's fate is not in my hands. | 1:45:39 | 1:45:41 | |
Changez. | 1:45:42 | 1:45:43 | |
Hey, Changez! Wait! | 1:45:43 | 1:45:46 | |
-Listen! -I've said all I had to say. | 1:45:57 | 1:45:59 | |
I heard you back there. I did. | 1:45:59 | 1:46:01 | |
I'm tired of taking sides too. I just want to bring my friend home. | 1:46:04 | 1:46:09 | |
When you picked a side after 9/11, you said they came to you. | 1:46:09 | 1:46:11 | |
So who invited you to join the fight? It was your friend, wasn't it? | 1:46:11 | 1:46:14 | |
Professor Rainier was in Afghanistan in 2001. | 1:46:14 | 1:46:17 | |
I remember him talking about it. | 1:46:17 | 1:46:18 | |
-Just tell me the truth! -You know the truth! | 1:46:19 | 1:46:21 | |
Rainier brought me in. He was a case officer. | 1:46:21 | 1:46:24 | |
No, wait! Wait, Changez. Wait. | 1:46:26 | 1:46:29 | |
We can stop this right now, you and me. | 1:46:29 | 1:46:31 | |
If that extraction team comes in here, all hell's going to break loose, and you know it. | 1:46:31 | 1:46:34 | |
Do you have any idea what it means for me to help the CIA in my own country? | 1:46:34 | 1:46:39 | |
Please, Changez. Try to see the man. | 1:46:39 | 1:46:43 | |
He has a wife. Her name's Alissa. | 1:46:43 | 1:46:46 | |
And two small girls, Sophie and Molly. | 1:46:46 | 1:46:48 | |
Let me call them, please. | 1:46:48 | 1:46:49 | |
Let me call them and tell them that he's safe. | 1:46:49 | 1:46:52 | |
I can't. I can't. | 1:46:52 | 1:46:53 | |
Then do it for your students, for their future, | 1:47:00 | 1:47:02 | |
because you and I both agree they deserve one. | 1:47:02 | 1:47:04 | |
There's a butcher's shop near Sheranwala Gate. | 1:47:21 | 1:47:23 | |
I've heard a student talk about it. There's a back room. | 1:47:23 | 1:47:27 | |
You can only get to it through the freezer. I heard Asal Mujahideen sometimes use it. | 1:47:27 | 1:47:30 | |
Now call them off. | 1:47:32 | 1:47:33 | |
Thank you. | 1:47:35 | 1:47:37 | |
You did the right thing. | 1:47:40 | 1:47:41 | |
I'm calling it in. Don't move. | 1:47:45 | 1:47:46 | |
Amreh, hello? | 1:48:04 | 1:48:05 | |
RADIO INTERFERENCE | 1:48:05 | 1:48:06 | |
Amreh, I know where Rainier is. | 1:48:06 | 1:48:09 | |
You're cutting out. | 1:48:09 | 1:48:10 | |
What? | 1:48:10 | 1:48:12 | |
-Bobby, can you hear me? -At Sheranwala... hello? | 1:48:12 | 1:48:15 | |
Bobby, can you... Police have been warned and will assist. | 1:48:15 | 1:48:18 | |
At Sheran... hello? | 1:48:20 | 1:48:22 | |
Fuck. | 1:48:22 | 1:48:24 | |
Did you call them off? | 1:48:38 | 1:48:39 | |
Who were you texting? | 1:49:14 | 1:49:16 | |
My sister. | 1:49:16 | 1:49:17 | |
Show me your phone, Changez. | 1:49:17 | 1:49:19 | |
What? | 1:49:19 | 1:49:20 | |
-Show me your phone. -Why? | 1:49:20 | 1:49:22 | |
Put your hands on the counter. | 1:49:25 | 1:49:28 | |
What are you doing? | 1:49:28 | 1:49:29 | |
THEY SHOUT IN OWN LANGUAGE | 1:49:29 | 1:49:32 | |
HE SHOUTS | 1:49:32 | 1:49:35 | |
What are you doing? | 1:49:35 | 1:49:36 | |
Put your fucking hands on the counter now. | 1:49:36 | 1:49:38 | |
HE SHOUTS | 1:49:42 | 1:49:44 | |
What the fuck are you doing, Bobby? | 1:49:51 | 1:49:53 | |
You texted your sister, huh? | 1:49:53 | 1:49:55 | |
Yes, I did. | 1:49:55 | 1:49:56 | |
-Yeah? -Yes. | 1:49:56 | 1:49:58 | |
Then what the fuck is this? | 1:49:58 | 1:49:59 | |
Why, Changez? | 1:50:02 | 1:50:04 | |
Why? | 1:50:04 | 1:50:05 | |
Kept us nice and busy while you gave your pals a head start, didn't you? | 1:50:08 | 1:50:11 | |
-Huh? -You're making a mistake that's going to get us both killed. | 1:50:11 | 1:50:15 | |
Just give me your phone. | 1:50:15 | 1:50:16 | |
HE SHOUTS | 1:50:18 | 1:50:19 | |
Let's go, real slow. | 1:50:24 | 1:50:26 | |
You're going to get us both killed, Bobby. | 1:50:44 | 1:50:45 | |
GUNSHOT | 1:50:54 | 1:50:56 | |
GUNSHOT | 1:51:10 | 1:51:11 | |
Argh! | 1:51:11 | 1:51:12 | |
Sameer! Sameer! | 1:51:17 | 1:51:19 | |
HE SHOUTS | 1:51:23 | 1:51:25 | |
Just secure Bobby and get the hell back here. Go, go, go! | 1:51:25 | 1:51:28 | |
GUNSHOT | 1:51:39 | 1:51:41 | |
We got you, Bobby! | 1:51:48 | 1:51:50 | |
Argh! | 1:51:51 | 1:51:52 | |
Go, go, go, go, go, go! | 1:51:55 | 1:51:57 | |
HE SOBS | 1:52:02 | 1:52:04 | |
Come on! | 1:52:23 | 1:52:24 | |
What the fuck happened? | 1:52:26 | 1:52:28 | |
He gave us away. I caught him texting when I went to get my phone. | 1:52:28 | 1:52:31 | |
That's why they killed Anse. | 1:52:31 | 1:52:33 | |
-When? -Argh! | 1:52:33 | 1:52:35 | |
15 minutes ago. | 1:52:35 | 1:52:36 | |
-No, we found Rainier. -I know. I know. | 1:52:36 | 1:52:38 | |
A butcher shop at Sheranwala Gate. | 1:52:38 | 1:52:39 | |
What are you talking about? | 1:52:39 | 1:52:41 | |
We found Rainier in a morgue in Karachi. | 1:52:41 | 1:52:43 | |
We got word 20 minutes ago, | 1:52:43 | 1:52:45 | |
but he was dumped there this morning. | 1:52:45 | 1:52:47 | |
This morning? Shit. | 1:52:47 | 1:52:50 | |
Local intelligence verified that Changez rejected Fazil. | 1:52:50 | 1:52:53 | |
We misread him. | 1:52:53 | 1:52:54 | |
Shit. | 1:53:00 | 1:53:01 | |
Fuck. | 1:53:05 | 1:53:07 | |
Would you please listen to the whole story, | 1:55:58 | 1:56:01 | |
not just bits and pieces? | 1:56:01 | 1:56:03 | |
-Do I have your word? -You do. | 1:56:03 | 1:56:06 | |
Looks can be deceiving. | 1:56:07 | 1:56:09 | |
I am a lover of America. | 1:56:11 | 1:56:13 | |
MUSIC: Bol by Peter Gabriel and Atif Aslam | 1:56:26 | 1:56:30 |