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NARRATOR: What could be more symbolic of America | 0:01:06 | 0:01:08 | |
than today's schoolgirl? | 0:01:08 | 0:01:10 | |
Intelligent, restrained, dignified... | 0:01:10 | 0:01:13 | |
BIG BAND MUSIC PLAYS | 0:01:13 | 0:01:15 | |
Oh... | 0:01:20 | 0:01:21 | |
We still haven't gone back far enough. | 0:01:21 | 0:01:25 | |
Let's look at the girl of 1913. | 0:01:25 | 0:01:27 | |
HORN HOOTS | 0:01:27 | 0:01:28 | |
ENGINE BACKFIRES | 0:01:31 | 0:01:33 | |
Let's go further back, shall we? The girl of 1905. | 0:01:33 | 0:01:38 | |
Now, there WAS a girl. | 0:01:38 | 0:01:40 | |
Demure, sedate, obedient. | 0:01:40 | 0:01:43 | |
I'm sure we can do better than this if we just put our minds to it. | 0:01:44 | 0:01:48 | |
-It isn't very good, is it? -A good artist isn't made overnight. | 0:01:48 | 0:01:52 | |
You've only been with us a short time. | 0:01:52 | 0:01:55 | |
I'll help you when we begin soup plates. | 0:01:55 | 0:01:58 | |
Miss Ingram, can't I start my REAL art classes? | 0:01:58 | 0:02:01 | |
There's no nicer accomplishment or better foundation for a woman than china painting. | 0:02:01 | 0:02:07 | |
I've got a foundation. I've been painting at home for years. | 0:02:07 | 0:02:11 | |
Let me see, now. I don't know where else I'd put you. | 0:02:11 | 0:02:15 | |
What about the life class? | 0:02:15 | 0:02:17 | |
Oh, that's too advanced. Next year, perhaps. | 0:02:17 | 0:02:20 | |
I take the girls out in the country and we all do a landscape. | 0:02:20 | 0:02:25 | |
Cows, trees, some charming sycamores not far away. | 0:02:25 | 0:02:29 | |
Miss Ingram, we don't understand each other. | 0:02:29 | 0:02:33 | |
I mean a life class. The human figure. | 0:02:33 | 0:02:35 | |
Rembrandt says it's the basis of all design. | 0:02:35 | 0:02:39 | |
That's what I need. My anatomy's terrible. | 0:02:39 | 0:02:42 | |
The human figure? | 0:02:42 | 0:02:44 | |
You mean...unclothed? | 0:02:44 | 0:02:47 | |
-Certainly. -Uh! Miss Sheldon! | 0:02:47 | 0:02:50 | |
Oh... | 0:02:51 | 0:02:53 | |
Miss Sheldon, I want to have a talk with you. | 0:02:55 | 0:02:59 | |
Go into my office. | 0:02:59 | 0:03:00 | |
TRAIN WHISTLE HOOTS | 0:03:00 | 0:03:02 | |
-Good morning, Dr Sheldon. -Good morning. | 0:03:02 | 0:03:04 | |
TRAIN APPROACHES | 0:03:04 | 0:03:06 | |
-Hello, Papa. -Hello, Dinah. | 0:03:17 | 0:03:19 | |
I'm glad you're here, dear, but your telegram didn't make it clear | 0:03:20 | 0:03:25 | |
why you're home ten days before your vacation. | 0:03:25 | 0:03:27 | |
Anything wrong? | 0:03:28 | 0:03:30 | |
Well, sort of. | 0:03:30 | 0:03:32 | |
Suspended? | 0:03:34 | 0:03:35 | |
-Expelled. -TRAIN WHISTLE BLOWS | 0:03:37 | 0:03:40 | |
How's Momma? | 0:03:50 | 0:03:51 | |
Fine. | 0:03:52 | 0:03:53 | |
And Gene? | 0:03:54 | 0:03:56 | |
He's fine, too. | 0:03:56 | 0:03:58 | |
So are Mark and Sis. So is Ada. | 0:03:58 | 0:04:00 | |
So am I. | 0:04:00 | 0:04:01 | |
How are the neighbours? | 0:04:03 | 0:04:05 | |
Tom's fine. | 0:04:06 | 0:04:08 | |
How are YOU? | 0:04:09 | 0:04:10 | |
Fine. | 0:04:12 | 0:04:13 | |
Papa, if this was the first time I'd had trouble, | 0:04:15 | 0:04:18 | |
you wouldn't think it was my fault. | 0:04:18 | 0:04:20 | |
I don't think so now, dear, unless you say it is. | 0:04:20 | 0:04:24 | |
-She called me immoral. -Who did? | 0:04:24 | 0:04:27 | |
Miss Ingram. Merely because I wanted to paint the human figure. | 0:04:27 | 0:04:30 | |
If I can't be a good painter, | 0:04:30 | 0:04:33 | |
there's nothing in life worth going on for. | 0:04:33 | 0:04:35 | |
Any other basis for this charge of immorality? | 0:04:36 | 0:04:40 | |
Yes. I said two petticoats were enough. | 0:04:40 | 0:04:43 | |
She said no respectable woman wears less than five. | 0:04:43 | 0:04:46 | |
And that I shouldn't have gone to a political meeting. | 0:04:46 | 0:04:50 | |
I said, "How can women be intelligent if they don't know about politics and economics?" | 0:04:50 | 0:04:57 | |
She said I wasn't there to be intelligent, but to be a lady. | 0:04:57 | 0:05:00 | |
I said I didn't have to learn that... | 0:05:00 | 0:05:02 | |
SHE CONTINUES TALKING | 0:05:02 | 0:05:05 | |
HORSE NEIGHS | 0:05:12 | 0:05:14 | |
..Then she called the debate off, after I'd spent DAYS writing my speech! | 0:05:14 | 0:05:19 | |
It was about votes for women. | 0:05:19 | 0:05:21 | |
She said I was immoral, | 0:05:21 | 0:05:23 | |
merely because I went to a political meeting alone. | 0:05:23 | 0:05:27 | |
She said I was to write her a letter of apology and stay in my room on Sundays. | 0:05:27 | 0:05:33 | |
I said I wasn't immoral, and I couldn't write the apology, | 0:05:33 | 0:05:36 | |
and she said I was and I must, so...here I am. | 0:05:36 | 0:05:40 | |
I don't see how anyone could have expelled you, Di. | 0:05:43 | 0:05:46 | |
I don't see how they could have gotten a word in edgeways to do it! | 0:05:46 | 0:05:49 | |
No, Papa. | 0:05:49 | 0:05:50 | |
Dinah, I... don't like you being expelled. | 0:05:53 | 0:05:57 | |
Miss Ingram's right. Immorality takes many forms. | 0:05:58 | 0:06:01 | |
Yes, Papa. | 0:06:01 | 0:06:03 | |
But I don't believe anyone should be punished or expelled | 0:06:03 | 0:06:05 | |
because of the difference between two petticoats and five. | 0:06:05 | 0:06:08 | |
Nor for going to a political meeting. | 0:06:08 | 0:06:10 | |
But I would prefer you not to go alone to them. | 0:06:12 | 0:06:14 | |
Yes, Papa. | 0:06:18 | 0:06:20 | |
-Hello, Momma! -Hello, dear! | 0:06:25 | 0:06:27 | |
Well, you look all right. | 0:06:29 | 0:06:32 | |
Is anything wrong at school, dear? | 0:06:32 | 0:06:34 | |
I was...expelled. | 0:06:34 | 0:06:36 | |
Expelled? Dinah...but what for? | 0:06:36 | 0:06:39 | |
For er...three petticoats, Lily. | 0:06:39 | 0:06:42 | |
-Why do you think she's home before vacation? -Shhh! | 0:06:47 | 0:06:50 | |
Children... Andrew... Sit down. | 0:06:50 | 0:06:53 | |
Everything's ready. | 0:06:53 | 0:06:55 | |
Gene... Mark... | 0:07:10 | 0:07:12 | |
Sis... | 0:07:12 | 0:07:13 | |
In order to save you from a severe case of indigestion | 0:07:15 | 0:07:18 | |
caused by prolonged curiosity... | 0:07:18 | 0:07:21 | |
..your sister Dinah has been expelled. | 0:07:22 | 0:07:25 | |
-CHILDREN ALL TALK AT ONCE -Grace. | 0:07:25 | 0:07:26 | |
HALTING TROMBONE PLAYING | 0:07:30 | 0:07:32 | |
TROMBONE: "My Bonnie Lies Over The Ocean" | 0:07:33 | 0:07:36 | |
Gene, can't you play anything else? | 0:07:49 | 0:07:53 | |
Oh...ishkabibble. | 0:07:53 | 0:07:55 | |
SUDDEN BURST OF TROMBONE | 0:07:58 | 0:08:00 | |
Come on, Miss Dinah. | 0:08:04 | 0:08:06 | |
Your momma ain't paying me 50 cents a day to sit still. | 0:08:06 | 0:08:09 | |
-I'll be done in a minute, Ada. -The washing won't be. | 0:08:09 | 0:08:12 | |
Do you mean to say we only pay you 50 cents a day? | 0:08:12 | 0:08:15 | |
Why, that's wage slavery. | 0:08:15 | 0:08:18 | |
Things will change when we women can vote. You'll be emancipated. | 0:08:18 | 0:08:23 | |
Been emancipated. | 0:08:23 | 0:08:25 | |
Dinah! | 0:08:26 | 0:08:28 | |
-Haven't I asked you? -I need models and I can't afford to pay them. | 0:08:30 | 0:08:33 | |
-Can't you find someone who will sit still for nothing? -Only if they're unconscious! | 0:08:33 | 0:08:38 | |
When I unpacked for you, I found... | 0:08:39 | 0:08:41 | |
Where did these things come from? | 0:08:42 | 0:08:44 | |
-Boxing gloves, Momma. -Yes, I know. | 0:08:44 | 0:08:48 | |
A man on the train helped me with my case. | 0:08:48 | 0:08:51 | |
I started talking to him and he turned out to be James J Jeffries. | 0:08:51 | 0:08:55 | |
He gave me the gloves as a souvenir. | 0:08:57 | 0:08:59 | |
He even showed me his special punch he used on Bill O'Brien. | 0:08:59 | 0:09:04 | |
Dinah, nice girls don't speak to strange men. | 0:09:04 | 0:09:07 | |
Ada... I think we need more starch in these shirts. | 0:09:07 | 0:09:10 | |
Yes! > | 0:09:10 | 0:09:11 | |
Momma, didn't you hear what I said? I met James J Jeffries. | 0:09:11 | 0:09:15 | |
Yes, I heard you. And I want you to remember not to talk to strangers. | 0:09:15 | 0:09:20 | |
Momma, a man like that isn't a stranger. | 0:09:20 | 0:09:23 | |
He's the world's champion. | 0:09:23 | 0:09:26 | |
When a man reaches that eminence, he's not a stranger. | 0:09:26 | 0:09:29 | |
He belongs to his public. | 0:09:29 | 0:09:30 | |
When I'm a famous painter, I'll belong to my public. | 0:09:30 | 0:09:35 | |
Great artists never lose touch with the little people. | 0:09:35 | 0:09:38 | |
It would comfort me if you didn't lose touch | 0:09:38 | 0:09:40 | |
with the dustpan and broom. | 0:09:40 | 0:09:42 | |
Start with the back porch, dear. | 0:09:42 | 0:09:44 | |
Go and put these hideous leather paws in the hall closet. | 0:09:44 | 0:09:48 | |
Yes, Momma. | 0:09:48 | 0:09:49 | |
Oh! | 0:10:27 | 0:10:28 | |
I thought your school vacation didn't start for some time yet. | 0:10:32 | 0:10:36 | |
Well, it... It doesn't. I... | 0:10:36 | 0:10:39 | |
I came home early. | 0:10:39 | 0:10:40 | |
Any difficulties? | 0:10:40 | 0:10:42 | |
Well, er...in a way. | 0:10:42 | 0:10:44 | |
Well, er...in what way? | 0:10:44 | 0:10:47 | |
I was...expelled. | 0:10:47 | 0:10:49 | |
Hm. | 0:10:49 | 0:10:51 | |
Is there a connection between your expulsion | 0:10:51 | 0:10:54 | |
and those instruments of fisticuffs? | 0:10:54 | 0:10:56 | |
Oh, these? Oh, no. A friend of mine gave them to me. | 0:10:56 | 0:11:01 | |
Ah, a friend. | 0:11:01 | 0:11:03 | |
James J Jeffries, no doubt? | 0:11:03 | 0:11:05 | |
Why, yes. How did you know? | 0:11:05 | 0:11:07 | |
I have my ways. I hav...! | 0:11:07 | 0:11:10 | |
Di! What are you doing home? | 0:11:28 | 0:11:30 | |
Hello, Tom. | 0:11:30 | 0:11:32 | |
Did they close school early or something? | 0:11:33 | 0:11:35 | |
No, I...grew dissatisfied with certain things | 0:11:35 | 0:11:39 | |
at Miss Ingram's seminary and terminated my stay there. | 0:11:39 | 0:11:43 | |
Oh? What things? | 0:11:43 | 0:11:44 | |
The artistic temperament | 0:11:44 | 0:11:47 | |
doesn't need mundane reasons for decisions, Tom. | 0:11:47 | 0:11:50 | |
-No, I guess not. -How's your aunt? | 0:11:50 | 0:11:53 | |
Fine. She doesn't like me working at Steuben's after class, | 0:11:53 | 0:11:57 | |
but I need the money. | 0:11:57 | 0:11:59 | |
I didn't think you liked working with horses. | 0:11:59 | 0:12:02 | |
Not in the stable. The garage. | 0:12:02 | 0:12:04 | |
Well, I'd better go. | 0:12:04 | 0:12:07 | |
-I'll see you at choir practice. -Yeah. | 0:12:07 | 0:12:09 | |
I'll meet you at Steuben's. | 0:12:09 | 0:12:10 | |
No, Di. I'm walking Bernice Eckert over. | 0:12:11 | 0:12:15 | |
-Who? -Bernice Eckert. They moved into Dean Street. | 0:12:15 | 0:12:19 | |
I'll introduce you. She's really keen. You'll like her. | 0:12:19 | 0:12:24 | |
I'm sure I will. | 0:12:24 | 0:12:26 | |
She's so...continental, sort of. | 0:12:26 | 0:12:29 | |
She's got that way, even when she just walks. | 0:12:29 | 0:12:32 | |
I'm anxious to see if you agree. | 0:12:32 | 0:12:34 | |
Well, I gotta go to work. See you later. Bye. | 0:12:34 | 0:12:38 | |
Bye, Tom. | 0:12:38 | 0:12:40 | |
Continental! | 0:12:52 | 0:12:54 | |
THEY SING A SLOW HYMN | 0:12:54 | 0:12:57 | |
# ..the lamb of God | 0:12:57 | 0:13:01 | |
# Before our father's throne... # | 0:13:01 | 0:13:06 | |
No, no, no, children. No. | 0:13:06 | 0:13:08 | |
When you sing that line, you mustn't just say words. | 0:13:08 | 0:13:11 | |
You must really stand before the throne. | 0:13:11 | 0:13:14 | |
You must be up there. Give me that up-there feel. | 0:13:14 | 0:13:19 | |
Now, then. Once again. | 0:13:19 | 0:13:21 | |
Make me feel transported to a place in the heavenly cloud. | 0:13:21 | 0:13:25 | |
# Before our father's throne | 0:13:25 | 0:13:31 | |
# We poor unite in prayer | 0:13:31 | 0:13:36 | |
# Our fears, our hopes | 0:13:36 | 0:13:39 | |
# Our aims are one | 0:13:39 | 0:13:43 | |
# Our comfort and our cares | 0:13:43 | 0:13:50 | |
# We share our mutual woes | 0:13:50 | 0:13:56 | |
# Our mutual burdens bear | 0:13:56 | 0:14:01 | |
# And offer for each other's woes | 0:14:01 | 0:14:08 | |
# A sympathising tear. # | 0:14:08 | 0:14:15 | |
Well? Don't you agree with me? | 0:14:17 | 0:14:19 | |
She's very attractive. I understand why you feel as you do. | 0:14:19 | 0:14:22 | |
You know, Bernice is very deep. | 0:14:23 | 0:14:26 | |
She has moods, I mean. | 0:14:26 | 0:14:28 | |
Sometimes I don't understand her. | 0:14:28 | 0:14:31 | |
Like not letting me walk home with her now and not telling me why. | 0:14:31 | 0:14:34 | |
If a person has anything to say, they should say it. | 0:14:34 | 0:14:37 | |
Yes, but you're different. | 0:14:37 | 0:14:39 | |
I don't see why. | 0:14:41 | 0:14:43 | |
Well, you come to the point. | 0:14:43 | 0:14:44 | |
I merely don't believe in stooping to subterfuge. | 0:14:44 | 0:14:48 | |
You always say what's on your mind. | 0:14:48 | 0:14:51 | |
-I'll bet that's what happened at school. -Partly. | 0:14:51 | 0:14:54 | |
That's what I thought. Well, are you going to paint here? | 0:14:54 | 0:14:58 | |
Heavens, no. There's only one place to study true art Paris. | 0:14:58 | 0:15:03 | |
-Paris? -Of course. | 0:15:03 | 0:15:05 | |
I think your family would rather have you marry a nice fella | 0:15:07 | 0:15:10 | |
and settle right down here in Baltimore. | 0:15:10 | 0:15:14 | |
I'd rather commit suicide. | 0:15:14 | 0:15:16 | |
You've certainly changed since you've been away at school. | 0:15:26 | 0:15:30 | |
You have to know what you want in this world. | 0:15:30 | 0:15:33 | |
-Yeah. Well, I think I know what -I -want, | 0:15:33 | 0:15:35 | |
but...I don't know how Bernice feels about it. | 0:15:35 | 0:15:39 | |
We're very lucky, really. | 0:15:39 | 0:15:41 | |
-Why? -Knowing what we want. | 0:15:41 | 0:15:44 | |
Most people don't. | 0:15:44 | 0:15:45 | |
But I have a long, arduous road ahead of me. | 0:15:45 | 0:15:49 | |
Painting is what you want. You stick with it. | 0:15:49 | 0:15:52 | |
If I can help you, just say the word. | 0:15:52 | 0:15:54 | |
Thanks, Tom. If I can help you get what YOU want, | 0:15:54 | 0:15:57 | |
I'll be only too glad. | 0:15:57 | 0:15:58 | |
Well, thanks. | 0:15:58 | 0:16:00 | |
You know, I've always felt like you were my best friend. | 0:16:06 | 0:16:09 | |
Talking to you is just like talking to another man. | 0:16:09 | 0:16:12 | |
I'm certainly glad. | 0:16:12 | 0:16:14 | |
-Well, goodbye. -Bye. | 0:16:14 | 0:16:16 | |
Making flutter eyes... | 0:16:17 | 0:16:19 | |
Dropping hymn books... | 0:16:19 | 0:16:21 | |
- -Come in. | 0:16:28 | 0:16:29 | |
Oh, you're still busy. | 0:16:30 | 0:16:32 | |
It's all right, Dan. | 0:16:32 | 0:16:34 | |
-Mr Fletcher, our senior warden. Mrs Warford. -How do you do? | 0:16:34 | 0:16:39 | |
Joined the parish, Mrs Warford? Well, that's fine. | 0:16:39 | 0:16:43 | |
I like nothing better than to see a prosperous couple come in. | 0:16:43 | 0:16:47 | |
Yes. Mrs... | 0:16:47 | 0:16:49 | |
There's nothing finer for a family | 0:16:49 | 0:16:51 | |
than their own permanent pew with brass plate attached. | 0:16:51 | 0:16:56 | |
The contributions go to our mortgage fund, | 0:16:56 | 0:16:58 | |
which can always bear up to welcome additions. | 0:16:58 | 0:17:03 | |
Well, some day, of course, we'd like to, but...right now... | 0:17:03 | 0:17:08 | |
Aye. | 0:17:08 | 0:17:10 | |
Go ahead, Andrew. I'll sit and wait till you're finished. | 0:17:11 | 0:17:15 | |
I won't take long, Dr Sheldon. | 0:17:15 | 0:17:17 | |
They say a tale of woe is soon told. | 0:17:17 | 0:17:20 | |
Though I don't know why it falls so much harder on some than others. | 0:17:20 | 0:17:24 | |
-Didn't your husband get the job? -Yes, but now he can't start. | 0:17:24 | 0:17:29 | |
-Why? -The tool kit you had the machine shop lend him? | 0:17:29 | 0:17:32 | |
-Gone. -You mean...stolen? | 0:17:32 | 0:17:35 | |
The whole box. And he can't work without them. | 0:17:35 | 0:17:40 | |
And a new set will cost 20. | 0:17:40 | 0:17:42 | |
DAN CLEARS THROAT | 0:17:42 | 0:17:44 | |
We just haven't got the money, Dr Sheldon. | 0:17:44 | 0:17:46 | |
And if he can't work, he can't get paid, | 0:17:46 | 0:17:49 | |
and then what about the children? | 0:17:49 | 0:17:50 | |
-Oh, I don't know how these things... -Yes, yes... -Ahem! | 0:17:50 | 0:17:55 | |
There they sat, on the porch. | 0:17:55 | 0:17:58 | |
The next morning, gone. Every hammer and saw. | 0:17:58 | 0:18:02 | |
A new set is...20. | 0:18:02 | 0:18:04 | |
We'll pay you back in no time, Dr Sheldon. | 0:18:06 | 0:18:08 | |
Ah...hem(!) | 0:18:08 | 0:18:10 | |
Out of Ed's first pay cheque. | 0:18:10 | 0:18:12 | |
We don't like to be spongers, Dr Sheldon. | 0:18:12 | 0:18:15 | |
DAN SPLUTTERS | 0:18:15 | 0:18:17 | |
You just wouldn't believe the things that happen to us. | 0:18:18 | 0:18:22 | |
First, my cousin got sick... | 0:18:22 | 0:18:24 | |
Let's pray heaven favours you more these next months. | 0:18:24 | 0:18:28 | |
Oh, thank you, Dr Sheldon. | 0:18:31 | 0:18:33 | |
< And you'll never regret it. Never. | 0:18:33 | 0:18:36 | |
And thank YOU, Mr Fletcher. | 0:18:36 | 0:18:39 | |
And er...goodbye. | 0:18:39 | 0:18:42 | |
Goodbye. | 0:18:42 | 0:18:43 | |
DAN CLEARS THROAT | 0:18:43 | 0:18:46 | |
Aye, 'tis a blessed emotion, charity. | 0:18:46 | 0:18:50 | |
But sometimes, your generosity puzzles me. | 0:18:50 | 0:18:53 | |
The cheque can't be covered. | 0:18:54 | 0:18:56 | |
It's not drawn on the charity account, Dan. | 0:18:56 | 0:19:00 | |
It's from the Van Laden Memorial Fund. | 0:19:00 | 0:19:02 | |
But Mrs Van Laden left the money | 0:19:02 | 0:19:04 | |
to buy a stained glass window to her husband's memory. | 0:19:04 | 0:19:07 | |
We'll pay it back from the Easter offerings. | 0:19:07 | 0:19:10 | |
It's practically malfeasance. | 0:19:10 | 0:19:13 | |
I doubt the vestrymen will like it. | 0:19:13 | 0:19:17 | |
These things didnae happen in Dr Reed's time here. | 0:19:17 | 0:19:19 | |
I know, Dan. I'll never be the man he was. | 0:19:19 | 0:19:22 | |
I'm not denying you've done some nice work. | 0:19:22 | 0:19:26 | |
Many's the time I said those very words to my wife. | 0:19:26 | 0:19:29 | |
"The pastor," I says to Mary, "is a good man." | 0:19:31 | 0:19:34 | |
-But with faults. -Aye. | 0:19:34 | 0:19:36 | |
Well, now, as to the books... | 0:19:38 | 0:19:39 | |
Start here on the pew holders' reference. | 0:19:41 | 0:19:44 | |
Gift from a parishioner. Very nice. | 0:19:47 | 0:19:50 | |
No, Dinah painted it. | 0:19:50 | 0:19:51 | |
Er...she's home early, isn't she? | 0:19:53 | 0:19:55 | |
Yes, she is. | 0:19:55 | 0:19:57 | |
Hm. Well, 'tis nice to have a lass with talent and spirit. | 0:19:57 | 0:20:02 | |
Especially if the spirit's guided and restrained | 0:20:02 | 0:20:05 | |
in its proper channels. | 0:20:05 | 0:20:07 | |
-Yes. -'Tis a matter for thought, all right, these days. | 0:20:07 | 0:20:11 | |
Young girls traipse around with all manner of people. | 0:20:11 | 0:20:16 | |
Even pugilists. | 0:20:16 | 0:20:18 | |
Now, that's a thought, all right. | 0:20:18 | 0:20:19 | |
The important thing is recognising the danger signals | 0:20:21 | 0:20:24 | |
in their changing the route of the train. | 0:20:24 | 0:20:27 | |
-Do you not agree? -Oh, I do indeed, Dan. | 0:20:29 | 0:20:31 | |
As long as one does not derail the train | 0:20:31 | 0:20:34 | |
so it never gets to its destination. | 0:20:34 | 0:20:36 | |
Hm. Oh, aye. | 0:20:36 | 0:20:38 | |
Ahem. | 0:20:38 | 0:20:40 | |
No, no. Stand up straight. Take advantage of your height. | 0:20:41 | 0:20:44 | |
Yes, Pa. | 0:20:44 | 0:20:45 | |
Keep your guard high. | 0:20:46 | 0:20:48 | |
I wish certain people would leave my paints alone | 0:20:51 | 0:20:53 | |
and stick with the trombone. | 0:20:53 | 0:20:55 | |
-I haven't touched your paints. -Keep your guard up. | 0:20:55 | 0:20:58 | |
Where to this morning, dear? | 0:21:02 | 0:21:04 | |
Oh, just anywhere. | 0:21:04 | 0:21:07 | |
It's wonderful going out to paint, with no problems. | 0:21:07 | 0:21:10 | |
-I hope things stay that way. -Why shouldn't they? | 0:21:12 | 0:21:15 | |
I can't get in any problems just painting. | 0:21:15 | 0:21:18 | |
Bye. | 0:21:18 | 0:21:19 | |
Well...prepare to defend yourself, Gene. | 0:21:22 | 0:21:24 | |
Hey, hey. Stay on your feet. | 0:21:28 | 0:21:30 | |
HE SNORES | 0:21:53 | 0:21:55 | |
HE SNORES | 0:22:09 | 0:22:12 | |
Not bad. Not bad at all, for a woman. | 0:22:12 | 0:22:16 | |
Needs a mite more red, though. | 0:22:16 | 0:22:19 | |
-Thank you very much. -No trouble at all, little lady. | 0:22:19 | 0:22:22 | |
Now, would you please go away? | 0:22:22 | 0:22:24 | |
There's no question. You need red there, in the middle, on the nose. | 0:22:24 | 0:22:28 | |
That nose is OK. | 0:22:30 | 0:22:32 | |
I don't wish to disagree, but I've seen lots of paintings, | 0:22:32 | 0:22:35 | |
and, that way, it ain't no good. | 0:22:35 | 0:22:37 | |
-Looks good to me. Ain't that right? -That's right. | 0:22:37 | 0:22:40 | |
Looks like you're wrong. | 0:22:40 | 0:22:42 | |
When I'm wrong, I'll let you know. | 0:22:42 | 0:22:45 | |
That nose ain't no good without more red. | 0:22:45 | 0:22:48 | |
-Here. Is that enough red for you? -MEN ALL LAUGH | 0:22:52 | 0:22:56 | |
-Gentlemen, now, please! -Sit down, darling, will you? | 0:22:59 | 0:23:03 | |
Stop that, please, gentlemen. | 0:23:03 | 0:23:06 | |
MEN ALL SHOUT | 0:23:06 | 0:23:08 | |
Gentlemen, please! | 0:23:09 | 0:23:11 | |
-Oh, you've ruined my painting! -Gentlemen! | 0:23:11 | 0:23:15 | |
WHISTLE TRILLS | 0:23:15 | 0:23:16 | |
HE SNORTS | 0:23:16 | 0:23:18 | |
POLICEMAN BLOWS WHISTLE < Gentlemen! | 0:23:18 | 0:23:21 | |
TELEPHONE RINGS | 0:23:23 | 0:23:25 | |
Hello? | 0:23:31 | 0:23:32 | |
Who? Mr Wade? | 0:23:32 | 0:23:35 | |
No. | 0:23:35 | 0:23:36 | |
Oh, yeah, I'm Tom Wade. | 0:23:36 | 0:23:39 | |
Do I know a WHO? | 0:23:39 | 0:23:41 | |
A Miss Smith? | 0:23:42 | 0:23:43 | |
No, I don't. | 0:23:43 | 0:23:45 | |
Say, who's this calling? | 0:23:45 | 0:23:46 | |
Oh. Oh, I see. | 0:23:47 | 0:23:50 | |
No, Sergeant, I don't. | 0:23:50 | 0:23:52 | |
What? A painter? | 0:23:52 | 0:23:53 | |
A Miss Smith, huh? | 0:23:55 | 0:23:57 | |
No, I never heard of her before. | 0:23:57 | 0:23:59 | |
Yeah, must be some mistake. | 0:24:00 | 0:24:01 | |
Yes, sir. Bye. | 0:24:03 | 0:24:05 | |
What was it, Tom? | 0:24:08 | 0:24:09 | |
Nothing, Mr Steuben. Police station. | 0:24:09 | 0:24:13 | |
What did they want, Tom? | 0:24:13 | 0:24:15 | |
Wrong number, Mr Steuben. | 0:24:15 | 0:24:16 | |
-Who did they ask for, Tom? -Me, Mr Steuben. | 0:24:17 | 0:24:21 | |
Then, how could it be a wrong number, Tom? | 0:24:22 | 0:24:25 | |
They must have got my name by mistake, Mr Steuben. | 0:24:26 | 0:24:29 | |
What did they say, Tom? | 0:24:29 | 0:24:31 | |
Wanted me to put up 50 bail, Mr Steuben. | 0:24:32 | 0:24:35 | |
What for, Tom? | 0:24:35 | 0:24:38 | |
Some woman they arrested, Mr Steuben. | 0:24:38 | 0:24:40 | |
What did they arrest her for, Tom? | 0:24:40 | 0:24:42 | |
For causing a riot, Mr Steuben. | 0:24:43 | 0:24:46 | |
How did she do that, Tom? | 0:24:46 | 0:24:48 | |
She was painting, Mr Steuben. | 0:24:48 | 0:24:51 | |
Fainting? Ah, women are always fainting. | 0:24:51 | 0:24:55 | |
No, not fainting. Painting. | 0:24:55 | 0:24:58 | |
She's a painter, Mr Steuben. | 0:24:58 | 0:25:00 | |
METAL CLANGS | 0:25:02 | 0:25:05 | |
What took you so long getting here? | 0:25:10 | 0:25:13 | |
I don't just go around carrying 50, you know. | 0:25:13 | 0:25:15 | |
I had to go to the bank first. | 0:25:15 | 0:25:17 | |
-Why did they fine you so much? -They didn't. It's bail. | 0:25:17 | 0:25:21 | |
I won't appear, and the money will be forfeited. | 0:25:21 | 0:25:24 | |
As they don't have my right name, that'll be the end of it. | 0:25:24 | 0:25:28 | |
-50 bail? -10 apiece. For five of us. | 0:25:28 | 0:25:32 | |
Good day, sir. | 0:25:34 | 0:25:35 | |
You bailed THEM out with MY money? | 0:25:37 | 0:25:39 | |
Yes. If it wasn't for my painting, they wouldn't have fought. | 0:25:39 | 0:25:43 | |
I couldn't leave them. That would be selfish. | 0:25:43 | 0:25:46 | |
My deepest gratitude, young lady. | 0:25:50 | 0:25:54 | |
Mighty nice of you to get us out. | 0:25:54 | 0:25:55 | |
-Oh, that's all right. -Yeah. Glad to do it. | 0:25:55 | 0:25:58 | |
-It was a nice picture just the way it was. -With a bit more red. | 0:25:58 | 0:26:03 | |
< Oh, I wouldn't say that. | 0:26:03 | 0:26:05 | |
< You wouldn't? | 0:26:05 | 0:26:07 | |
< No, I wouldn't. | 0:26:07 | 0:26:08 | |
I say it was great just the way it was. | 0:26:08 | 0:26:11 | |
< I still think it needed more red. | 0:26:11 | 0:26:14 | |
Wait a minute. There was enough red in it. | 0:26:14 | 0:26:17 | |
ALL CLAMOUR AT ONCE | 0:26:17 | 0:26:20 | |
MEN CONTINUE TO ARGUE | 0:26:20 | 0:26:22 | |
Why do you have to act as if you were my keeper? | 0:26:27 | 0:26:30 | |
Because I only have three dollars left. | 0:26:30 | 0:26:33 | |
Let us not inconvenience the law. | 0:26:37 | 0:26:40 | |
I'll pay you back the money, Tom. | 0:26:43 | 0:26:46 | |
-Yeah. -It may not be right away, but I will. | 0:26:46 | 0:26:49 | |
Oh, sure. I know that. | 0:26:49 | 0:26:51 | |
What are you so worried about, then? | 0:26:51 | 0:26:53 | |
What am I worried about?! Work. | 0:26:53 | 0:26:55 | |
A chain, a crankshaft and a broken axle to fix by tonight. | 0:26:55 | 0:27:01 | |
Plus studying, plus writing a speech for the Forum Society. | 0:27:01 | 0:27:04 | |
And you drag me down to jail. | 0:27:04 | 0:27:06 | |
-I'm sorry. -Doesn't help. | 0:27:06 | 0:27:08 | |
No. | 0:27:08 | 0:27:09 | |
Tom, that speech you have to write. | 0:27:15 | 0:27:19 | |
-What's it about? -Equality. | 0:27:19 | 0:27:21 | |
Equality? What kind? | 0:27:21 | 0:27:24 | |
Any old kind of equality. | 0:27:24 | 0:27:26 | |
Oh. | 0:27:26 | 0:27:27 | |
Tom, I have a marvellous idea. | 0:27:28 | 0:27:31 | |
I have a wonderful speech on that, all written, | 0:27:31 | 0:27:33 | |
for a debate we were meant to have at school. | 0:27:33 | 0:27:35 | |
You can use it. | 0:27:35 | 0:27:38 | |
No, Di, I couldn't do that. | 0:27:38 | 0:27:40 | |
Please do. I feel so badly about the trouble I've caused you. | 0:27:41 | 0:27:45 | |
It'll make me feel I've done something to show my gratitude. | 0:27:46 | 0:27:50 | |
Please. | 0:27:50 | 0:27:51 | |
Well... | 0:27:52 | 0:27:54 | |
Well, all right, if it'll make you feel better. | 0:27:54 | 0:27:56 | |
Oh, it will. | 0:27:56 | 0:27:58 | |
If I could have it any time before tomorrow night. | 0:27:58 | 0:28:02 | |
And make it nice and logical. Bye. | 0:28:02 | 0:28:05 | |
Tom, you're going to have a speech people will never forget. | 0:28:06 | 0:28:10 | |
Bye. | 0:28:10 | 0:28:11 | |
Tom! | 0:28:16 | 0:28:17 | |
Thanks so very much for helping me. | 0:28:18 | 0:28:21 | |
Oh, that's all right, Di. | 0:28:21 | 0:28:23 | |
"Members of the Forum Society and other guests, | 0:28:26 | 0:28:30 | |
"equality is that precious state guaranteed to all citizens by the constitution. | 0:28:30 | 0:28:34 | |
"It is what we cherish above all, along with freedom." | 0:28:34 | 0:28:38 | |
Dinah... | 0:28:46 | 0:28:47 | |
Will you come here a minute, please? | 0:28:49 | 0:28:50 | |
Mr Fletcher's just told us about some... | 0:29:01 | 0:29:04 | |
happenings yesterday, that er...sound...fantastic. | 0:29:04 | 0:29:10 | |
He just wanted you to tell us what you can about them. | 0:29:10 | 0:29:13 | |
They're true. | 0:29:16 | 0:29:17 | |
But why didn't you come and tell us? | 0:29:17 | 0:29:19 | |
I just didn't want anybody to know. | 0:29:19 | 0:29:22 | |
Coming on top of all the other troubles I've caused... | 0:29:22 | 0:29:25 | |
..well, I couldn't tell you. | 0:29:26 | 0:29:27 | |
-But you know you can always talk to us about anything. -I'm so sorry. | 0:29:27 | 0:29:33 | |
Being sorry will not help. | 0:29:33 | 0:29:35 | |
You don't realise what damage you've done to your father. | 0:29:35 | 0:29:39 | |
Just a minute. Now's not the time to mention... | 0:29:39 | 0:29:42 | |
It IS time she got a sense of responsibility. | 0:29:42 | 0:29:46 | |
-She SHOULD know. -Know what, Momma? | 0:29:46 | 0:29:48 | |
Well, dear, the bishop's retiring. | 0:29:48 | 0:29:52 | |
And your father was mentioned to succeed him. | 0:29:52 | 0:29:55 | |
Before their meeting last night, | 0:29:55 | 0:29:56 | |
George Weil's cousin, who works at the City Clerk's Office... | 0:29:56 | 0:30:00 | |
-Well... -She saw you and Wade come out of the police station | 0:30:00 | 0:30:05 | |
with several suspicious characters. | 0:30:05 | 0:30:08 | |
Because of something I did, you won't nominate Papa for bishop? | 0:30:08 | 0:30:12 | |
That's not within my powers. | 0:30:12 | 0:30:15 | |
The others feel it's a bad reflection on your father. | 0:30:15 | 0:30:19 | |
They postponed the nominations. | 0:30:19 | 0:30:21 | |
Oh, Papa, I feel so awful. | 0:30:21 | 0:30:23 | |
-You'd make such a wonderful bishop. -That he would. > | 0:30:23 | 0:30:27 | |
I'm very happy just being pastor of St Edmunds. | 0:30:27 | 0:30:30 | |
-I don't know if I'm fitted to be bishop. -You are. | 0:30:30 | 0:30:33 | |
-SOBBING: -Oh, you are. | 0:30:33 | 0:30:34 | |
If you ask my opinion, the young lady should be punished. | 0:30:39 | 0:30:42 | |
Aye. Properly punished. | 0:30:42 | 0:30:44 | |
What would you suggest, Dan? | 0:30:46 | 0:30:48 | |
It should not be light. I warn you. | 0:30:48 | 0:30:50 | |
Mm... How about flogging in the public square? | 0:30:50 | 0:30:54 | |
Or ducking in the ducking stool? | 0:30:54 | 0:30:56 | |
Andrew, I counsel ye. Ye cannae take this matter lightly. | 0:30:56 | 0:31:00 | |
I don't, Dan. | 0:31:00 | 0:31:02 | |
But as far as I can see, she hasn't done anything to merit punishment. | 0:31:02 | 0:31:05 | |
The others will take no such-like view of it. | 0:31:06 | 0:31:09 | |
It's your future I'm concerned with, Andrew. | 0:31:09 | 0:31:12 | |
I let the Lord take care of that. He does a better job of it. | 0:31:13 | 0:31:17 | |
Well, if you'll not work for your own advancement, I cannae help you. | 0:31:17 | 0:31:23 | |
Good day, Andrew. | 0:31:23 | 0:31:24 | |
Goodbye, Dan. | 0:31:24 | 0:31:26 | |
Dinah... | 0:31:39 | 0:31:41 | |
She's on the porch. | 0:31:41 | 0:31:43 | |
Oh, Papa, I feel so awful about what I've done to you. | 0:32:00 | 0:32:04 | |
You haven't done anything to me. | 0:32:04 | 0:32:06 | |
Yes, I have. I'm always causing things like this, somehow. | 0:32:06 | 0:32:10 | |
And other people get hurt. And now you. | 0:32:10 | 0:32:13 | |
I heard what Mr Fletcher said. | 0:32:17 | 0:32:19 | |
He's right. I should be punished. | 0:32:19 | 0:32:22 | |
-For what? -Well, for... | 0:32:22 | 0:32:25 | |
For being eager to paint? | 0:32:25 | 0:32:27 | |
Maybe it was unwise to wander into that particular district, | 0:32:28 | 0:32:31 | |
but then, art has no geography. | 0:32:31 | 0:32:34 | |
But some people think I did wrong. | 0:32:34 | 0:32:36 | |
I'm all mixed up. | 0:32:38 | 0:32:40 | |
Yes, I know you are. | 0:32:40 | 0:32:41 | |
HE CHUCKLES | 0:32:44 | 0:32:46 | |
It's a curious thing, but something like this happened to me once. | 0:32:46 | 0:32:50 | |
I didn't do anything wrong either, though many thought I did. | 0:32:50 | 0:32:54 | |
-But I learned something from it. -What happened to you? | 0:32:54 | 0:32:58 | |
Well, when I was quite young, I had an ambition. | 0:33:00 | 0:33:03 | |
It...may sound a little odd to you now, but... | 0:33:03 | 0:33:07 | |
I was very sincere about it. | 0:33:07 | 0:33:09 | |
I wanted to be a... | 0:33:09 | 0:33:11 | |
..ballroom dancer. | 0:33:12 | 0:33:14 | |
-Papa, you didn't?! -Yes, I did. | 0:33:14 | 0:33:16 | |
And I was pretty good, too, if I do say so. | 0:33:16 | 0:33:19 | |
Of course, your grandpa and grandma were unalterably opposed. | 0:33:19 | 0:33:23 | |
Said it was unbecoming and unconventional | 0:33:23 | 0:33:27 | |
and forbade me to do it. | 0:33:27 | 0:33:29 | |
Grandpa was running for County Recorder, but I didn't know that, | 0:33:30 | 0:33:34 | |
and I ran off to join a touring act. | 0:33:34 | 0:33:36 | |
Only the nicest hotels, of course, and an occasional theatre. | 0:33:36 | 0:33:40 | |
-How old were you? -18. | 0:33:40 | 0:33:45 | |
I thought at the time it was my destined vocation. | 0:33:45 | 0:33:48 | |
It seemed to me that anything I wanted that badly was meant to be. | 0:33:48 | 0:33:52 | |
Then you DO understand. | 0:33:52 | 0:33:54 | |
Indeed I do. | 0:33:55 | 0:33:56 | |
Well, what happened then? | 0:33:56 | 0:33:58 | |
Oh, I lasted three weeks. | 0:33:58 | 0:34:01 | |
The act... How do they say it? ..folded up, and I went home. | 0:34:01 | 0:34:05 | |
For weeks, I was overwhelmed with guilt, | 0:34:06 | 0:34:09 | |
because Grandpa lost the election. | 0:34:09 | 0:34:12 | |
And I thought it was due to my...escapade. | 0:34:12 | 0:34:16 | |
But it wasn't. | 0:34:16 | 0:34:17 | |
He had lost it, anyway. | 0:34:17 | 0:34:20 | |
You know... | 0:34:20 | 0:34:21 | |
I don't think even your mother knows about my brief career as a dancer. | 0:34:21 | 0:34:27 | |
I think it was wonderful of you to go out and do what you wanted, | 0:34:27 | 0:34:31 | |
no matter what people thought. | 0:34:31 | 0:34:34 | |
Perhaps it explains where you get some of your...unconventionality. | 0:34:34 | 0:34:38 | |
Now, let's go inside | 0:34:40 | 0:34:42 | |
and have breakfast, shall we? | 0:34:42 | 0:34:44 | |
I only wish I were more like the kind of daughter you deserve. | 0:34:44 | 0:34:48 | |
I've never been quite sure what kind of a daughter I deserve, | 0:34:50 | 0:34:54 | |
but I do know you're exactly the kind of daughter I WANT. | 0:34:54 | 0:34:57 | |
Tom, sorry I'm late. | 0:35:12 | 0:35:14 | |
I just had an idea for another paragraph at the last minute. | 0:35:14 | 0:35:17 | |
I wish I could have read it at least once. | 0:35:17 | 0:35:20 | |
-Well, good evening, Miss Sheldon. -Good evening. -Hello, Beehouse. | 0:35:20 | 0:35:24 | |
-Hey, Tom, come on. You're late. You're on first. -Coming. | 0:35:26 | 0:35:30 | |
Is my tie straight? | 0:35:30 | 0:35:32 | |
Yes. | 0:35:32 | 0:35:33 | |
-I'm sitting with my parents. -I'll help you find them. | 0:35:36 | 0:35:39 | |
AUDIENCE MEMBERS CHATTER | 0:35:39 | 0:35:42 | |
And now our first speaker, Mr Thomas Wade of the senior class. | 0:35:48 | 0:35:52 | |
TOM CLEARS THROAT | 0:35:56 | 0:35:58 | |
"Members of the Forum Society and honoured guests, | 0:35:59 | 0:36:03 | |
"equality is that precious state guaranteed to all citizens by the constitution. | 0:36:03 | 0:36:10 | |
"But now I ask you do we have equality? | 0:36:10 | 0:36:14 | |
"And I answer we do not." | 0:36:14 | 0:36:16 | |
"I invite you, ladies and gentlemen, to look carefully at one citizen. | 0:36:17 | 0:36:22 | |
"That uncomplaining, faithful servant who gets no wage. | 0:36:22 | 0:36:26 | |
"That helpless creature without rights. | 0:36:26 | 0:36:29 | |
"The American wife." | 0:36:29 | 0:36:31 | |
-The American wife? -LAUGHTER | 0:36:31 | 0:36:33 | |
SPORADIC LAUGHTER | 0:36:37 | 0:36:40 | |
"A-A-And... | 0:36:40 | 0:36:41 | |
"And when she is not grudging, what then? | 0:36:41 | 0:36:45 | |
" 'What then?' I say to you." | 0:36:45 | 0:36:47 | |
That mush don't sound like Tom. | 0:36:47 | 0:36:49 | |
I beg your pardon, Mr Beehouse. | 0:36:49 | 0:36:51 | |
Don't get mad. I just can't believe Tom ever thought junk like that. | 0:36:51 | 0:36:56 | |
That's merely because you don't know the real Tom. | 0:36:56 | 0:36:59 | |
"..It is her lord and master who decrees..." | 0:37:00 | 0:37:03 | |
"Members of the Forum Society and..." No. | 0:37:04 | 0:37:07 | |
LAUGHTER | 0:37:07 | 0:37:10 | |
"..how she shall spend that leisure. | 0:37:11 | 0:37:14 | |
"As his vassal. Not a human being with equal rights, | 0:37:14 | 0:37:17 | |
"but a mere plaything of man." | 0:37:17 | 0:37:20 | |
LAUGHTER | 0:37:20 | 0:37:23 | |
Shhh! Shhh! | 0:37:24 | 0:37:26 | |
Some people have no manners at all. | 0:37:26 | 0:37:29 | |
"Equality. | 0:37:29 | 0:37:32 | |
"Ladies and gentlemen... | 0:37:32 | 0:37:33 | |
"I laugh." | 0:37:33 | 0:37:35 | |
LAUGHTER | 0:37:35 | 0:37:37 | |
"Pray, do not take MY word for it. | 0:37:37 | 0:37:40 | |
"Who am I but a humble...woman?" | 0:37:40 | 0:37:43 | |
-I mean, man. -LAUGHTER CONTINUES | 0:37:44 | 0:37:46 | |
RIPPLES OF LAUGHTER | 0:37:49 | 0:37:52 | |
"Let's go to a truly great human being. | 0:37:52 | 0:37:55 | |
"Let me give you his exact words." | 0:37:55 | 0:37:58 | |
HE CLEARS THROAT | 0:37:58 | 0:38:00 | |
"The words of the bard Alfred Lord Tennyson | 0:38:01 | 0:38:05 | |
"on the subject of woman's place in marriage. | 0:38:05 | 0:38:07 | |
" 'He will hold thee when his passion shall have spent its novel force. | 0:38:07 | 0:38:12 | |
" 'Something better than his dog. A little dearer than his horse.' " | 0:38:12 | 0:38:17 | |
Bravo! Bravo! | 0:38:17 | 0:38:20 | |
-Bravo! Bravo! -"There are two choices open to us. | 0:38:20 | 0:38:25 | |
"Either this evil is ended, or woman herself will arise, | 0:38:25 | 0:38:29 | |
"in just wrath, to claim her rights. | 0:38:29 | 0:38:31 | |
"Another declaration of independence will be written." | 0:38:31 | 0:38:35 | |
"And... And I do not have to... | 0:38:36 | 0:38:39 | |
"to be a prophet to tell you... | 0:38:39 | 0:38:40 | |
"that the first words in that new declaration will be..." | 0:38:40 | 0:38:43 | |
SPORADIC LAUGHTER | 0:38:45 | 0:38:48 | |
" 'Until we...' " | 0:38:49 | 0:38:51 | |
" '..women...stand side by side with men in equal freedom...' " | 0:38:52 | 0:38:56 | |
LAUGHTER | 0:38:56 | 0:38:57 | |
-" '..we will not...' " -LAUGHTER | 0:38:57 | 0:39:01 | |
" '..share his home or... | 0:39:01 | 0:39:05 | |
-" 'bear his children.' " -GALES OF LAUGHTER | 0:39:05 | 0:39:08 | |
LAUGHTER AND APPLAUSE | 0:39:09 | 0:39:11 | |
ORGANISER: Just put the chairs against the wall | 0:39:14 | 0:39:17 | |
so the old folks can sit down and you young folks can dance. | 0:39:17 | 0:39:21 | |
What did you do it for? That's all I want to know. | 0:39:27 | 0:39:30 | |
I'm sorry. I forgot to change some of the words. | 0:39:30 | 0:39:34 | |
Forgot? Well, it made me look like a jackass. | 0:39:34 | 0:39:37 | |
You heard them laughing. Everybody thinks I'm a fool. | 0:39:37 | 0:39:41 | |
-Well done, young man. Congratulations. -Thanks. | 0:39:41 | 0:39:45 | |
I'm Helen Hatley Hamilton, chairman of the Woman's Suffrage Party. | 0:39:45 | 0:39:49 | |
We could use you. Right spirt and the right words. | 0:39:49 | 0:39:53 | |
Too bad you're not a woman. | 0:39:53 | 0:39:54 | |
-You see? -Congratulations, Tom. Great speech. | 0:39:56 | 0:40:00 | |
-Thanks. -Yes, sir. Right spirit and the right words. | 0:40:00 | 0:40:03 | |
Too bad you aren't a man. ..May I have this dance? | 0:40:03 | 0:40:07 | |
I'd be delighted, Mr Beehouse. | 0:40:07 | 0:40:09 | |
Hm. I suppose he thought that was funny. | 0:40:13 | 0:40:15 | |
Don't pay any attention. He's merely uncouth. | 0:40:15 | 0:40:19 | |
It's wonderful, the way you delivered it. | 0:40:19 | 0:40:22 | |
You're still angry? Doesn't it make any difference that I liked it? | 0:40:23 | 0:40:28 | |
Of course. All the difference in the world. | 0:40:29 | 0:40:32 | |
THE BAND PLAYS A ONE-STEP | 0:40:32 | 0:40:34 | |
-Would you like some punch? -Yes. | 0:41:02 | 0:41:04 | |
I've got to say good night to Aunt Lou and Uncle Emery. I'll be right back. | 0:41:04 | 0:41:09 | |
Can't be too soon for me. | 0:41:09 | 0:41:10 | |
Would you care for a glass of punch? | 0:41:16 | 0:41:19 | |
-Thanks. -I'll get you one. | 0:41:19 | 0:41:21 | |
Di, I'd like to speak to you. | 0:41:24 | 0:41:26 | |
-Why, of course, Tom. -Privately. Let's go outside for a minute. | 0:41:27 | 0:41:31 | |
Isn't it beautiful out here tonight? | 0:41:47 | 0:41:50 | |
As a matter of fact, it's rather chilly. | 0:41:50 | 0:41:52 | |
We'll skip that. | 0:41:52 | 0:41:53 | |
Right here's as good a place to talk as any. | 0:41:54 | 0:41:56 | |
Yes, Tom. | 0:41:58 | 0:41:59 | |
What is it? | 0:42:02 | 0:42:03 | |
It's about you and me, Di. | 0:42:04 | 0:42:05 | |
Yes, Tom? | 0:42:07 | 0:42:09 | |
I'm not satisfied with this relationship. | 0:42:10 | 0:42:13 | |
It's got to change. | 0:42:13 | 0:42:15 | |
How, Tom? | 0:42:16 | 0:42:17 | |
I just don't want to be seen with you any more. | 0:42:20 | 0:42:22 | |
It isn't only tonight's speech. It's everything. | 0:42:24 | 0:42:28 | |
The time in grammar school and I got in a fight and lost two teeth. | 0:42:28 | 0:42:33 | |
The time I lost my chance to be on the football team when you got me into a row with the coach's sister. | 0:42:33 | 0:42:39 | |
-The time you talked me into buying a course... -But, Tom, I... | 0:42:39 | 0:42:43 | |
And the time you lost me my job. | 0:42:43 | 0:42:46 | |
And all your other ideas. | 0:42:46 | 0:42:47 | |
Let's just call it quits, | 0:42:47 | 0:42:49 | |
because I don't want anything more to happen. | 0:42:49 | 0:42:53 | |
Especially now, with Bernice and everything. | 0:42:53 | 0:42:56 | |
Please remember that, will you? | 0:42:56 | 0:42:58 | |
Yes, Tom. | 0:42:59 | 0:43:00 | |
Thank you. | 0:43:00 | 0:43:02 | |
-Excuse me. -Certainly, Tom. | 0:43:05 | 0:43:08 | |
MUSIC: "Artist's Life" by Johann Strauss | 0:43:08 | 0:43:11 | |
Di. | 0:43:35 | 0:43:36 | |
Hello, Papa. | 0:43:38 | 0:43:40 | |
Isn't it a little cold out here, dear? | 0:43:40 | 0:43:42 | |
Yes. That's what Tom said. | 0:43:44 | 0:43:46 | |
The moon's certainly pretty, shining on the water. | 0:43:50 | 0:43:52 | |
It only hides the sadness underneath. | 0:43:53 | 0:43:56 | |
Life can be like that sometimes. | 0:43:56 | 0:43:59 | |
Beautiful and bright on the surface, still and cold underneath. | 0:43:59 | 0:44:03 | |
Yes, it can. | 0:44:05 | 0:44:06 | |
That's a lovely waltz they're playing. So gay. | 0:44:08 | 0:44:11 | |
Yes, gay if one's gay... sad if one's sad. | 0:44:12 | 0:44:15 | |
Strauss, isn't it? | 0:44:18 | 0:44:19 | |
That's why it's sad. | 0:44:21 | 0:44:22 | |
Why is that, dear? | 0:44:24 | 0:44:26 | |
It was written long ago, about something that's lost for ever. | 0:44:26 | 0:44:30 | |
Something rare and beautiful, that can never be again. | 0:44:30 | 0:44:33 | |
Just a deep pain at the memory of the lost past. | 0:44:34 | 0:44:38 | |
We should never mourn for the past. | 0:44:39 | 0:44:42 | |
Sometimes, it's more beautiful than the future. | 0:44:42 | 0:44:45 | |
ORGANISER: Ladies and gentlemen, the Grand Waltz Contest! | 0:44:45 | 0:44:50 | |
WALTZ BEGINS | 0:44:53 | 0:44:55 | |
You know, I haven't danced in ten years. | 0:44:55 | 0:44:58 | |
But I'll bet I can still manage to stay off my partner's toes. | 0:45:00 | 0:45:03 | |
Would you come inside and dance this one with me? | 0:45:05 | 0:45:08 | |
Of course, Papa. | 0:45:11 | 0:45:12 | |
Papa, how do you get to be a missionary? | 0:45:18 | 0:45:20 | |
I, er... | 0:45:23 | 0:45:24 | |
I'll tell you inside. | 0:45:24 | 0:45:26 | |
MUSIC: "Gold And Silver Waltz" by Lehar | 0:45:44 | 0:45:47 | |
Gee, Pa's a good dancer! | 0:46:29 | 0:46:31 | |
Yes. Oh, yes! | 0:46:31 | 0:46:34 | |
Papa, we've won! | 0:47:45 | 0:47:47 | |
What I wonder is, why would Tom be mad at me? | 0:48:01 | 0:48:04 | |
-I -can't explain the vagaries of Mr Wade's disposition. | 0:48:04 | 0:48:08 | |
Gee whiz, don't get your dander up! | 0:48:08 | 0:48:10 | |
I'm not perturbed, if that's what you mean by that vulgar slang. | 0:48:10 | 0:48:14 | |
-No! Put him here! He'll choke! -That's just silly. | 0:48:15 | 0:48:19 | |
You want to kill the guppy? | 0:48:19 | 0:48:21 | |
-He's my guppy. -He is not! | 0:48:21 | 0:48:23 | |
-You don't know beans about guppies. -I do! I'll hold him if I want. | 0:48:23 | 0:48:28 | |
He'll die if you hold him. | 0:48:28 | 0:48:30 | |
-There! See? -He will not. | 0:48:30 | 0:48:32 | |
He knows me... > | 0:48:32 | 0:48:34 | |
He will so! > | 0:48:34 | 0:48:35 | |
-Children, please. -FABRIC RIPS | 0:48:35 | 0:48:37 | |
< He's different from a fish. | 0:48:38 | 0:48:40 | |
-A guppy IS a fish. -I told you... -Let go of my guppy! | 0:48:40 | 0:48:44 | |
All right. | 0:48:44 | 0:48:46 | |
< All right. But you wait. Just you wait. | 0:48:46 | 0:48:50 | |
Sorry. Is my working on my sermon in any way disturbing any of you? | 0:48:51 | 0:48:57 | |
-LILY: -We're sorry, Andrew, dear. | 0:48:57 | 0:48:58 | |
What's the sermon about, Pa? | 0:49:00 | 0:49:02 | |
The power of silence. | 0:49:02 | 0:49:04 | |
Proverbs 17, verse 28. | 0:49:06 | 0:49:08 | |
"Even a fool, when he holdeth his peace, is counted wise | 0:49:09 | 0:49:14 | |
"and he that shutteth his lips is esteemed a man of understanding." | 0:49:14 | 0:49:19 | |
TROMBONE BURPS | 0:49:22 | 0:49:24 | |
Momma, I'm going out for a little walk. | 0:49:27 | 0:49:30 | |
Fresh air's good for a person before bedtime. I'll sleep better. | 0:49:30 | 0:49:33 | |
Get your hands off that... | 0:49:46 | 0:49:48 | |
-LILY: -Let's please have no more talking. | 0:49:48 | 0:49:50 | |
Quiet in the court! The monkey's going to speak! | 0:49:50 | 0:49:53 | |
Speak, monkey! Speak! | 0:49:53 | 0:49:55 | |
-ANDREW: -Ahem. -BOTH CHILDREN: -You're the monkey! | 0:49:58 | 0:50:01 | |
I was clearing my throat! | 0:50:01 | 0:50:04 | |
Oh, it's you. | 0:50:12 | 0:50:14 | |
Mr Wade, it's very important that I speak with you privately. | 0:50:14 | 0:50:17 | |
Look, Dinah, I'm very busy. | 0:50:19 | 0:50:21 | |
There's nothing to stop you from talking. | 0:50:21 | 0:50:23 | |
Mr Steuben doesn't allow employees to talk during working hours. | 0:50:25 | 0:50:29 | |
Mr Steuben, may I talk to Tom? It's very urgent. | 0:50:31 | 0:50:34 | |
-Why, sure. Oh, Tom? -Yes, Mr Steuben? | 0:50:34 | 0:50:38 | |
This young lady wants to talk to you. | 0:50:38 | 0:50:41 | |
I won't get this automobile done if I do, Mr Steuben. | 0:50:41 | 0:50:44 | |
You let me worry about that, Tom. | 0:50:44 | 0:50:46 | |
-Yes, Mr Steuben. -Thank you. | 0:50:46 | 0:50:49 | |
-Well? -Mr Wade, since you desire to terminate our relationship, | 0:50:52 | 0:50:56 | |
I feel the need to clear up the 50 I owe you. | 0:50:56 | 0:51:00 | |
I don't have to have that. | 0:51:00 | 0:51:01 | |
I feel the sooner it's settled, the happier we'll be. | 0:51:01 | 0:51:05 | |
After all, 50 is a lot of money. | 0:51:05 | 0:51:08 | |
Well, now that you mention it, I could use it. | 0:51:08 | 0:51:12 | |
Say, I...I certainly could. | 0:51:12 | 0:51:14 | |
Bernice's birthday is coming up, you know. | 0:51:14 | 0:51:16 | |
You'll certainly have your money. | 0:51:16 | 0:51:19 | |
-Have you got it? -I...have a way to get it. | 0:51:19 | 0:51:22 | |
Unfortunately, I need your co-operation. | 0:51:22 | 0:51:25 | |
But you will have funds to lavish gifts upon your continental friend. | 0:51:25 | 0:51:30 | |
-Where are you going to get 50? -Painting. | 0:51:30 | 0:51:34 | |
-Huh! -If you'll deign to read it, you'll see it's a competition. | 0:51:34 | 0:51:38 | |
There are three prizes of 50. | 0:51:38 | 0:51:41 | |
I intend to win one of them with a portrait of you | 0:51:41 | 0:51:44 | |
as The Spirit Of Labor. | 0:51:44 | 0:51:46 | |
Are you bats?! | 0:51:47 | 0:51:48 | |
You want to get Bernice that gift, don't you? | 0:51:50 | 0:51:52 | |
Not that way, I don't. | 0:51:52 | 0:51:54 | |
I think that's foolish, Tom, since I'm doing this for you. | 0:51:54 | 0:51:58 | |
-You can forget it. I won't be a laughing stock again. -All I need you for is to pose. | 0:51:58 | 0:52:03 | |
The face won't look like you, if that's what you're afraid of. | 0:52:03 | 0:52:06 | |
It won't? | 0:52:08 | 0:52:09 | |
Heavens, no! | 0:52:09 | 0:52:10 | |
A person would be vain to imagine their face personifying all labour! | 0:52:10 | 0:52:15 | |
I'm going to paint in the face of an ideal man | 0:52:15 | 0:52:17 | |
half angel, half Hercules. | 0:52:17 | 0:52:21 | |
No. | 0:52:22 | 0:52:23 | |
Oh, Tom... | 0:52:23 | 0:52:25 | |
Papa's lending me the greenhouse as a studio. It's completely secluded. | 0:52:25 | 0:52:29 | |
-So nobody would see me pose? -No! You can put on your costume... | 0:52:31 | 0:52:35 | |
Costume? | 0:52:35 | 0:52:37 | |
..and go right over without a soul seeing. | 0:52:37 | 0:52:39 | |
What kind of a costume? | 0:52:39 | 0:52:41 | |
Well, I... I haven't decided exactly what. | 0:52:41 | 0:52:45 | |
After all, you have to typify labour in an idealised way. | 0:52:45 | 0:52:50 | |
Atlas holding the world up... Giants trampling wine from grapes... | 0:52:50 | 0:52:54 | |
Gulliver... Goliath... | 0:52:54 | 0:52:56 | |
It has to be filled with strength. | 0:52:56 | 0:52:59 | |
HEN CLUCKS | 0:53:01 | 0:53:03 | |
"Velocity of a point is the... | 0:53:09 | 0:53:11 | |
"time arc at which it is traversing distance." | 0:53:11 | 0:53:15 | |
Phew. This hammer isn't exactly made of feathers, Di. | 0:53:17 | 0:53:21 | |
I'll be done in a few minutes. | 0:53:21 | 0:53:23 | |
HENS CLUCK | 0:53:23 | 0:53:25 | |
Shoo! Go away! Get off there! Go on! | 0:53:25 | 0:53:29 | |
All you need is a little patience. | 0:53:31 | 0:53:33 | |
Patience? In this pose and costume? | 0:53:33 | 0:53:36 | |
-Why, if anybody saw me like this... -Oh, Tom, don't be a prude. | 0:53:36 | 0:53:40 | |
An artist is above that. I'm not aware of you as a person. | 0:53:40 | 0:53:45 | |
To me, you're merely light and shadow. | 0:53:45 | 0:53:47 | |
-How does a swimsuit fit in with Hercules? -Wait till it's finished. | 0:53:47 | 0:53:52 | |
MR STEUBEN: Tom! Oh, Tom! | 0:53:52 | 0:53:55 | |
I have to go, Di. Mr Steuben wants me in the garage. | 0:53:55 | 0:53:57 | |
Tom, two more minutes and I'll be finished for the day. Please, Tom. | 0:53:57 | 0:54:01 | |
-I haven't got all day to waste. -He'll be here in a minute. TOM! | 0:54:03 | 0:54:08 | |
Coming. I've got to go, Di. | 0:54:09 | 0:54:11 | |
Just one more minute. | 0:54:11 | 0:54:12 | |
-Hello, Mrs Sheldon! -Bernice, dear! How are you? | 0:54:14 | 0:54:17 | |
Is that the new frock your mother told me about? | 0:54:17 | 0:54:20 | |
Just a little thing Momma made up. | 0:54:20 | 0:54:23 | |
It's darling. Did you come to show Dinah? She's in the greenhouse. | 0:54:23 | 0:54:28 | |
I know she'll be pleased you came to show it to her. | 0:54:28 | 0:54:32 | |
When do I get to see the painting? | 0:54:34 | 0:54:36 | |
It would be very bad luck for you to see it before I exhibit it. | 0:54:36 | 0:54:39 | |
-< Dinah? -It's Bernice! | 0:54:40 | 0:54:43 | |
If she sees me in here like this... | 0:54:43 | 0:54:46 | |
-< Dinah? -Uh...just a minute, Bernice. | 0:54:46 | 0:54:48 | |
Hide! Not there. Over there. | 0:54:48 | 0:54:51 | |
-< Dinah? -HENS CLUCK | 0:54:52 | 0:54:55 | |
What are you doing in this...? Oh, painting! | 0:54:55 | 0:55:00 | |
Just dabbing. Papa lets me use it for a studio. It's so secluded. | 0:55:00 | 0:55:04 | |
Who can paint with all that racket? | 0:55:04 | 0:55:07 | |
-WILD CLUCKING -Oh, my mind's on higher things. Isn't that a new dress? | 0:55:07 | 0:55:11 | |
Yes! Don't you love the neckline? They're two inches lower in Paris. | 0:55:11 | 0:55:16 | |
-You know Paris. Tout a la mode. -Oh, yes. | 0:55:16 | 0:55:21 | |
Tom will like it. | 0:55:21 | 0:55:22 | |
A girl shouldn't wear anything her fiance doesn't care for. | 0:55:22 | 0:55:26 | |
Tom has very decided ideas. But I don't mind him being strait-laced. | 0:55:26 | 0:55:31 | |
No... I mean, yes. Why should you? | 0:55:31 | 0:55:35 | |
Bernice, I've been wanting to ask, | 0:55:35 | 0:55:38 | |
can you show me how you do that French hairstyle? | 0:55:38 | 0:55:41 | |
-I don't mind. -There's a double mirror upstairs. | 0:55:41 | 0:55:44 | |
-I'm not sure you've got the face. -It's awfully sweet of you, anyway. | 0:55:44 | 0:55:49 | |
All right. Now you can squawk. | 0:55:50 | 0:55:52 | |
OFFENDED CLUCKING | 0:55:52 | 0:55:55 | |
..in a French roll. Then you take the sides... | 0:55:57 | 0:56:00 | |
Oh, you've finished already? How did the painting go? | 0:56:01 | 0:56:05 | |
Oh, er...just splendidly, Momma. | 0:56:06 | 0:56:09 | |
Lily? May I see you a moment? | 0:56:10 | 0:56:13 | |
DOOR CLOSES | 0:56:13 | 0:56:15 | |
Of course, Andrew. | 0:56:16 | 0:56:18 | |
Lily, Mr Fletcher was just here... | 0:56:30 | 0:56:31 | |
..on a matter of great importance. | 0:56:33 | 0:56:35 | |
-Has Dinah done something again? -No. | 0:56:35 | 0:56:37 | |
Oh, thank goodness. | 0:56:37 | 0:56:39 | |
No, it's... more important than that. | 0:56:40 | 0:56:44 | |
What is it? | 0:56:44 | 0:56:46 | |
It's something...as you know, Lily...I've never sought. | 0:56:46 | 0:56:51 | |
Andrew! | 0:56:51 | 0:56:52 | |
Dan told me I'm to be nominated for bishop. | 0:56:52 | 0:56:56 | |
That's wonderful! | 0:56:56 | 0:56:58 | |
Oh, I'm so glad, Andrew dear! | 0:56:58 | 0:57:00 | |
I know I should be very happy, but... | 0:57:02 | 0:57:04 | |
Aren't you? | 0:57:06 | 0:57:07 | |
-Yes, of course, but... -But what, dear? | 0:57:07 | 0:57:10 | |
I... | 0:57:11 | 0:57:12 | |
I'm not sure I'm worthy of it. | 0:57:14 | 0:57:17 | |
Why, of course you are! | 0:57:17 | 0:57:19 | |
I feel very humble, Lily, touched, | 0:57:20 | 0:57:23 | |
that the people of St Edmunds think I am. | 0:57:23 | 0:57:25 | |
But I'm not sure that my calling is to be a bishop. | 0:57:26 | 0:57:29 | |
Before I told you, I went over to the church to pray. | 0:57:30 | 0:57:34 | |
I wanted guidance | 0:57:34 | 0:57:36 | |
to be told whether I had a right to be nominated. | 0:57:36 | 0:57:38 | |
I knew, of course, that as in all things, | 0:57:40 | 0:57:43 | |
that guidance would come from above. | 0:57:43 | 0:57:44 | |
It's because you do think this that you're right for it. | 0:57:46 | 0:57:50 | |
Oh, there'll be other nominees. Dr Bristow, for one. | 0:57:50 | 0:57:54 | |
I have great affection and respect for him. He's a truly fine man. | 0:57:54 | 0:57:58 | |
And so are YOU, Andrew. | 0:57:58 | 0:58:00 | |
And I'm a very lucky man. I know that. | 0:58:02 | 0:58:05 | |
-May I tell the children? -I'm not elected yet. | 0:58:05 | 0:58:08 | |
Oh, nonsense! | 0:58:08 | 0:58:10 | |
Children! Oh, children? | 0:58:11 | 0:58:15 | |
Come downstairs! Your father's got news for you! | 0:58:15 | 0:58:18 | |
What's up, Momma? | 0:58:18 | 0:58:21 | |
Momma, what is it? | 0:58:22 | 0:58:23 | |
Your father's been nominated for bishop of the diocese of Maryland! | 0:58:23 | 0:58:27 | |
Pa, this is a very important day to us. Congratulations, sir. | 0:58:34 | 0:58:39 | |
I'm sure we'll all behave as a bishop's family should behave. | 0:58:40 | 0:58:43 | |
And I know the Bishop of Maryland will have the best left hook in the US. | 0:58:45 | 0:58:49 | |
Now, wait a minute... | 0:58:49 | 0:58:50 | |
I'm not even nominated, let alone elected. | 0:58:50 | 0:58:54 | |
-There are other candidates. -Oh, Papa. They can't elect anyone but you. | 0:58:54 | 0:58:58 | |
I'm not so sure. Lily, are ice cream and cake in order? | 0:58:58 | 0:59:03 | |
-Definitely! -Let's go get them! | 0:59:03 | 0:59:04 | |
-MARK: -Pa, I'd like to ask a question. | 0:59:04 | 0:59:07 | |
What is it? | 0:59:07 | 0:59:09 | |
-Does a bishop make more money? -Mark! | 0:59:09 | 0:59:11 | |
ALL LAUGH | 0:59:11 | 0:59:13 | |
-Yes? -I'd like to enter a painting in the exhibition. | 0:59:26 | 0:59:30 | |
-For whom are you delivering? Mr...? -Not Mister. Miss. | 0:59:30 | 0:59:33 | |
-Miss? -Yes. Miss Dinah Sheldon. I'm not delivering it. I'm entering it. | 0:59:33 | 0:59:39 | |
Entering it? We've never had a female entrant. | 0:59:39 | 0:59:43 | |
-The rules don't say women can't enter. -My dear young lady, | 0:59:43 | 0:59:47 | |
no woman wrote a great opera, | 0:59:47 | 0:59:49 | |
built a great building or painted a great painting. | 0:59:49 | 0:59:53 | |
No woman ever voted, but we will. | 0:59:53 | 0:59:55 | |
You have no right to bar my work. | 0:59:55 | 0:59:57 | |
The rules admit everybody. As you'd know if you'd read them. | 0:59:57 | 1:00:00 | |
Page seven. | 1:00:08 | 1:00:09 | |
Thank you. | 1:00:09 | 1:00:11 | |
You're right! | 1:00:13 | 1:00:15 | |
Then, here's my entry. | 1:00:15 | 1:00:17 | |
Well! Quite good! | 1:00:32 | 1:00:35 | |
Thank you. There's just one thing. | 1:00:35 | 1:00:38 | |
-The painter's name is secret, isn't it? -Oh, yes, indeed. | 1:00:38 | 1:00:41 | |
Each painting is unsigned, with a number fixed to the frame. | 1:00:41 | 1:00:45 | |
We keep the names separately, so the judges aren't influenced. | 1:00:45 | 1:00:50 | |
Your number is 87. Your name will be undisclosed. | 1:00:50 | 1:00:54 | |
I'd like to remain anonymous after judging, too. | 1:00:54 | 1:00:57 | |
-Even if you should win? -Yes, even if I should win. | 1:00:57 | 1:01:00 | |
Yes, I...think I see what you mean, Miss Sheldon. | 1:01:03 | 1:01:07 | |
87! | 1:01:14 | 1:01:15 | |
-Bernice! Come and see 87! -What for? | 1:01:19 | 1:01:22 | |
I hate to say anything, | 1:01:22 | 1:01:24 | |
but it may change your mind about some things. | 1:01:24 | 1:01:28 | |
What things, child? | 1:01:28 | 1:01:29 | |
Come and see, Mrs Eckert! If you have smelling salts, lend them to Bernice! | 1:01:29 | 1:01:35 | |
SHE GASPS | 1:01:39 | 1:01:41 | |
-It's Tom! Your Tom! -Yes, it's Tom! | 1:01:41 | 1:01:44 | |
He must have posed for it. | 1:01:44 | 1:01:46 | |
-WOMAN: -Why, that's Tom Wade! | 1:01:46 | 1:01:48 | |
In THAT costume! | 1:01:48 | 1:01:50 | |
-I wonder who painted it. -I'll tell you! Dinah Sheldon! | 1:01:50 | 1:01:55 | |
-Dr Sheldon's daughter! -Oh, how dreadful! | 1:01:55 | 1:01:59 | |
Your fiance posed like that before a woman? | 1:01:59 | 1:02:02 | |
So that's what she was doing in that secret studio! | 1:02:02 | 1:02:06 | |
That's why she was so odd about it. | 1:02:06 | 1:02:08 | |
She liked it because it was SECLUDED, she said. | 1:02:08 | 1:02:11 | |
Too secluded, I'd say. | 1:02:11 | 1:02:14 | |
I wonder what else went on. | 1:02:14 | 1:02:16 | |
-I've heard about artists. -I knew one once. | 1:02:16 | 1:02:19 | |
Where did you know an artist? You never told me. | 1:02:19 | 1:02:22 | |
I must get this poor child home. You speak to Tom Wade. | 1:02:22 | 1:02:26 | |
Dinah Sheldon, the hussy! | 1:02:26 | 1:02:28 | |
HECTIC MUSIC | 1:02:31 | 1:02:34 | |
-Hello. -Good afternoon, Dinah. | 1:02:45 | 1:02:48 | |
YELLING: Dinah! | 1:02:52 | 1:02:54 | |
How's Tom Wade? | 1:02:54 | 1:02:56 | |
-Shhh! Stop it! -Poor Dr Sheldon. | 1:02:56 | 1:02:59 | |
Why did you do it? That's all I want to know. | 1:03:09 | 1:03:12 | |
-Why did you put my face on it? You said you wouldn't. -I know. | 1:03:12 | 1:03:16 | |
I tried all kinds of things, but they were wrong. | 1:03:16 | 1:03:20 | |
I painted and painted, and suddenly I saw that without meaning to, | 1:03:20 | 1:03:25 | |
I'd put in your face. | 1:03:25 | 1:03:27 | |
And then it WAS right. | 1:03:27 | 1:03:29 | |
-I didn't try to do it. It just happened. -It sure did. | 1:03:29 | 1:03:33 | |
They...gave me a prize. I can pay you back the 50 now. | 1:03:33 | 1:03:39 | |
Thanks. | 1:03:41 | 1:03:42 | |
I'll need it. | 1:03:43 | 1:03:45 | |
I just lost my job on account of...things. | 1:03:45 | 1:03:48 | |
-Oh, Tom! -Bernice is mad at me. So's my Aunt Ella. | 1:03:48 | 1:03:52 | |
I wish I could change things. | 1:03:52 | 1:03:54 | |
It's too late now. | 1:03:54 | 1:03:55 | |
I don't know why, but taking this makes me feel like Benedict Arnold or somebody. | 1:03:57 | 1:04:03 | |
-If you'd disciplined her, it wouldn't have happened. -Perhaps, Dan. | 1:04:09 | 1:04:13 | |
But the damage is done. Good day. | 1:04:13 | 1:04:17 | |
-Afternoon, Miss Wade. -Afternoon, Mr Fletcher. | 1:04:17 | 1:04:19 | |
Glad to see you, Ella. Come on in. | 1:04:19 | 1:04:21 | |
-Dr Sheldon, this whole thing is just terrible. -Let's sit down and talk about it. | 1:04:22 | 1:04:27 | |
Talking won't do a smidgen of good. | 1:04:28 | 1:04:31 | |
I feel something just has to be done about it, that's all. | 1:04:31 | 1:04:34 | |
Goodness knows what. | 1:04:34 | 1:04:35 | |
-How's Tom? -He's very upset. You know what they're saying. | 1:04:38 | 1:04:42 | |
-Yes. -He had to hit two of his friends this afternoon. | 1:04:43 | 1:04:48 | |
Oh, yes, it's come to that. | 1:04:48 | 1:04:49 | |
Breaking up his friendships, on top of everything. | 1:04:49 | 1:04:52 | |
I'm sorry to hear that. | 1:04:53 | 1:04:55 | |
You'd be a mite sorrier to hear what they say about YOU. | 1:04:55 | 1:04:58 | |
And your wife. And how Dinah was raised. | 1:04:58 | 1:05:01 | |
Not that I'd listen, but I could tell you who's saying those mean things. | 1:05:01 | 1:05:06 | |
Ella, I don't want to know. They don't know what they're doing. | 1:05:06 | 1:05:11 | |
KNOCK AT DOOR Andrew, dear... Excuse me, Ella. ..may I see you a moment? | 1:05:11 | 1:05:16 | |
Certainly, dear. I'll be right back, Ella. | 1:05:16 | 1:05:18 | |
Come in here a minute, dear. | 1:05:20 | 1:05:22 | |
Andrew, there are two more people to see you. | 1:05:28 | 1:05:31 | |
-Same thing? -Yes, Mr Eckert and a man from the Post for a picture of Dinah. | 1:05:31 | 1:05:36 | |
-That's out of the question. -You'll have to talk to him. | 1:05:36 | 1:05:39 | |
It's a tempest in a teapot. | 1:05:39 | 1:05:42 | |
-I'll get rid of them. -DOORBELL | 1:05:42 | 1:05:45 | |
Now there's someone else. | 1:05:45 | 1:05:47 | |
Andrew, she can go to your sister Carrie in Pittsburgh for a few months. | 1:05:47 | 1:05:52 | |
-What good would it do? -She'd have a chance to think, and we can sort things out. | 1:05:52 | 1:05:57 | |
If anything's to be sorted out, the place is here. | 1:05:57 | 1:06:01 | |
They'll be dreadful to her. | 1:06:01 | 1:06:03 | |
I'm afraid you're right, Lily. | 1:06:03 | 1:06:06 | |
But what affects Dinah affects us too. | 1:06:06 | 1:06:09 | |
-I'd rather face it here than send her away. It isn't Dinah's fault. -I don't know, Andrew. | 1:06:09 | 1:06:15 | |
I can't help feeling it must be partly her fault. | 1:06:15 | 1:06:18 | |
-Ordinary well-mannered people don't get into things like this. -Lily. | 1:06:18 | 1:06:24 | |
Ordinary well-mannered people get into all kinds of trouble. | 1:06:24 | 1:06:27 | |
Oh! | 1:06:31 | 1:06:33 | |
Bernice? I've been looking for you. | 1:06:35 | 1:06:38 | |
You'd no need to hang up the phone. | 1:06:38 | 1:06:40 | |
There's no point you talking to me, Tom Wade. | 1:06:40 | 1:06:43 | |
-Won't you let me explain? -Some things explain themselves, Mr Wade. | 1:06:43 | 1:06:48 | |
I love this new flavour, Fred. | 1:06:48 | 1:06:50 | |
Have another! Two sodas, please. Pistachio. | 1:06:50 | 1:06:54 | |
Bernice, you're mistaken about this. | 1:06:54 | 1:06:57 | |
If that's so, you wouldn't be seen talking with Dinah Sheldon. | 1:06:57 | 1:07:01 | |
Mrs Weir told Momma she was hanging out washing, | 1:07:01 | 1:07:04 | |
and you walked right back into that greenhouse | 1:07:04 | 1:07:08 | |
and talked to her, as big as life! | 1:07:08 | 1:07:11 | |
What's wrong with that? | 1:07:11 | 1:07:12 | |
After what she did?! That creature! | 1:07:12 | 1:07:14 | |
She is not a creature. You're taking a wrong attitude. | 1:07:14 | 1:07:18 | |
Mr Wade, to whom do you think you're speaking to? | 1:07:18 | 1:07:22 | |
-I'm telling you, Di did nothing wrong. -She's nothing but a...a... | 1:07:22 | 1:07:27 | |
things everybody's saying. | 1:07:27 | 1:07:29 | |
-Do you believe them? -Where there's smoke there's fire, Mother says. | 1:07:29 | 1:07:32 | |
-That's the most unfair thing I ever heard. -Everyone can't be wrong. | 1:07:33 | 1:07:38 | |
If I were willing not to ask questions, | 1:07:38 | 1:07:41 | |
the least you can do is promise not to speak to that hussy again. | 1:07:41 | 1:07:46 | |
Bernice, if you were a man I'd punch you in the nose. | 1:07:46 | 1:07:50 | |
Fred! | 1:07:50 | 1:07:51 | |
Uh...I'M a man. | 1:07:52 | 1:07:54 | |
Man, huh? | 1:07:57 | 1:07:59 | |
He's fainted! | 1:08:01 | 1:08:03 | |
-Lily? -Yes? | 1:08:03 | 1:08:05 | |
Lily, where are you? | 1:08:07 | 1:08:09 | |
I'm up here, dear. What is it? | 1:08:09 | 1:08:12 | |
You'll have to change your Young People's Meeting to another day. | 1:08:12 | 1:08:16 | |
The furnace man's working in the hall on Tuesday. | 1:08:17 | 1:08:20 | |
Monday, then. | 1:08:20 | 1:08:21 | |
Hey, what's going on here? | 1:08:23 | 1:08:25 | |
Dinah's going to visit your sister Carrie till summer. | 1:08:25 | 1:08:29 | |
-I told you how I feel about that. -Papa, please. | 1:08:29 | 1:08:32 | |
We talked it over, and Momma's right. | 1:08:32 | 1:08:35 | |
It's best for me to go away for a few months. | 1:08:35 | 1:08:38 | |
I've done nothing but cause trouble for you. | 1:08:38 | 1:08:40 | |
I said before, it's a family responsibility. We'll fight it out. | 1:08:44 | 1:08:48 | |
There's nothing to fight. | 1:08:48 | 1:08:50 | |
It's a matter of getting people to forget. They won't if Dinah's here. | 1:08:50 | 1:08:55 | |
-Forget what? The evil their own minds invented? -No, dear. | 1:08:55 | 1:08:58 | |
The situation that could affect your whole future. | 1:08:58 | 1:09:02 | |
Lily dear, if God wants me to be bishop, I will be. | 1:09:05 | 1:09:08 | |
It's more urgent to recognise gossip for what it is. | 1:09:08 | 1:09:12 | |
Andrew, dear, you know how much good you could do. | 1:09:12 | 1:09:15 | |
It means so much to everyone. | 1:09:15 | 1:09:18 | |
PHONE RINGS | 1:09:18 | 1:09:20 | |
I talked with Mr Fletcher and some of the vestrymen. | 1:09:21 | 1:09:24 | |
We agree it's the wisest thing. | 1:09:24 | 1:09:26 | |
-GENE: -Call for Pa, about the job for Hank Miller. | 1:09:26 | 1:09:29 | |
Right, Gene. | 1:09:29 | 1:09:31 | |
-Lily... -Answer that and leave this to me, dear. | 1:09:31 | 1:09:34 | |
I know I'm right, Andrew. | 1:09:34 | 1:09:36 | |
I won't stand still while you lose the chance to be bishop of this diocese. | 1:09:36 | 1:09:42 | |
- -Pa, are you coming? -Please, dear. | 1:09:42 | 1:09:45 | |
- -Shall I hang up, Pa? | 1:09:45 | 1:09:47 | |
No, I'm coming. | 1:09:47 | 1:09:48 | |
HE CLEARS THROAT | 1:09:53 | 1:09:55 | |
-MARK: I wish -I -was going away! | 1:09:59 | 1:10:01 | |
-SIS: -I don't. | 1:10:01 | 1:10:03 | |
Tom? | 1:10:11 | 1:10:13 | |
I just want to say goodbye. | 1:10:23 | 1:10:24 | |
I thought it all over, Di, and I know it wasn't your fault. | 1:10:27 | 1:10:30 | |
Thank you. | 1:10:30 | 1:10:32 | |
I'm sorry they're sending you away. | 1:10:32 | 1:10:35 | |
Perhaps it's as well if we don't see each other. I've caused you enough grief. | 1:10:35 | 1:10:40 | |
I don't hold anything against you, Di. | 1:10:41 | 1:10:44 | |
-Dinah! Come on, dear. We're ready. -All right, Momma. I'm coming. | 1:10:44 | 1:10:48 | |
Perhaps we should say goodbye here... | 1:10:50 | 1:10:52 | |
..in the darkness. | 1:10:53 | 1:10:55 | |
It would be best for you not to be seen with me now. | 1:10:55 | 1:10:58 | |
I don't feel that way. I'm not ashamed to be seen with you. | 1:10:58 | 1:11:03 | |
No, it...it's better this way. | 1:11:03 | 1:11:06 | |
You know what they're saying. | 1:11:06 | 1:11:08 | |
The world can be very unkind to a woman alone. | 1:11:10 | 1:11:13 | |
Well, we'll just show them. | 1:11:13 | 1:11:15 | |
I'll ride to the station with you. We'll let everybody see us. | 1:11:15 | 1:11:19 | |
You behave, and mind your father. | 1:11:20 | 1:11:23 | |
-Yes, Momma. -MARK: Yes, Momma. | 1:11:23 | 1:11:24 | |
Tom's going to see me off. | 1:11:26 | 1:11:28 | |
Oh? Well, dear, I wonder if... | 1:11:28 | 1:11:32 | |
Mrs Sheldon, I want you to know, I'd be proud to ride in your buggy. | 1:11:32 | 1:11:36 | |
-Well, yes, but it might not... -Good idea, Lily. Go along, Tom. | 1:11:36 | 1:11:41 | |
Yes, sir. I'll put your bag in the buggy. | 1:11:41 | 1:11:43 | |
-Take care, dear. I'll be back tomorrow. -I don't like you travelling alone. | 1:11:45 | 1:11:50 | |
-You can't leave, with a service tomorrow and meetings tonight. -No, I can't. | 1:11:50 | 1:11:54 | |
-Goodbye, dear. -Goodbye. | 1:11:56 | 1:11:57 | |
Papa, I've been thinking. | 1:12:04 | 1:12:08 | |
It's my ambition that's caused all the trouble for everybody. | 1:12:08 | 1:12:12 | |
So I've come to a decision. I'm giving up painting. | 1:12:12 | 1:12:16 | |
Odd you should say that. | 1:12:19 | 1:12:21 | |
Why, Papa? | 1:12:21 | 1:12:22 | |
I wondered, when you're in Pittsburgh, | 1:12:23 | 1:12:26 | |
I've never had a picture of your Aunt Carrie. | 1:12:26 | 1:12:29 | |
I, er... had Jean put your paints in the buggy. | 1:12:29 | 1:12:33 | |
I thought if you didn't mind, you could do that for me. | 1:12:33 | 1:12:38 | |
If YOU want me to. | 1:12:38 | 1:12:40 | |
-Just see that it's a good one. -Oh, I will! | 1:12:40 | 1:12:43 | |
Goodbye, dear. | 1:12:44 | 1:12:45 | |
Bye, Papa. | 1:12:48 | 1:12:49 | |
-Bye, Momma! Bye! -Bye, Dinah! | 1:13:00 | 1:13:03 | |
-Bye, Dinah! -Bye, Momma! Bye! | 1:13:03 | 1:13:06 | |
BRASS BAND PLAYS STIRRING MARCH | 1:13:10 | 1:13:12 | |
SHOUTING | 1:13:27 | 1:13:29 | |
Out of our way! Out of our way! | 1:13:29 | 1:13:31 | |
-Ha, ha! You're not going anywhere! -On to City Hall! Teddy Roosevelt's speaking tonight! We'll tell him! | 1:13:31 | 1:13:39 | |
-You'll never get to City Hall. -Go on home, you silly hens. | 1:13:39 | 1:13:44 | |
-Why don't they let them through? They can see the President. -It's not our business. | 1:13:44 | 1:13:49 | |
Some among you must want to hear the voice of justice for women. | 1:13:49 | 1:13:53 | |
To you I say... DERISIVE SHOUTS | 1:13:53 | 1:13:57 | |
Oh, that's mean! They SHOULD let them through! | 1:13:57 | 1:14:00 | |
Momma, you're right. | 1:14:00 | 1:14:02 | |
Somebody's got to make a path for them. Giddy-up, George. | 1:14:02 | 1:14:06 | |
SHOUTS AND SCREAMS | 1:14:13 | 1:14:15 | |
-HORSE NEIGHS -You all right? -Where are we? | 1:14:44 | 1:14:48 | |
Wait! That's my new parasol! | 1:14:51 | 1:14:53 | |
HORSE NEIGHS | 1:14:53 | 1:14:56 | |
CRASH! | 1:15:00 | 1:15:02 | |
I'm sick and tired of submitting to this gossip, | 1:15:06 | 1:15:10 | |
allowing it to grow and disrupt my parish, my work and my family. | 1:15:10 | 1:15:15 | |
I don't intend to let it go on happening. | 1:15:15 | 1:15:18 | |
I should never have allowed Lily and Dinah to leave. | 1:15:18 | 1:15:20 | |
I'm not going to let this break up my family. | 1:15:21 | 1:15:24 | |
I'm going down to the station, and pray they haven't left. | 1:15:25 | 1:15:29 | |
No daughter of mine is being sent away because of lying tongues. | 1:15:29 | 1:15:33 | |
PHONE RINGS | 1:15:33 | 1:15:35 | |
Hello? | 1:15:40 | 1:15:41 | |
Yes. Yes. | 1:15:41 | 1:15:43 | |
It... | 1:15:45 | 1:15:46 | |
Yes! Yes, I'll be right down! | 1:15:48 | 1:15:50 | |
Fortunately, they...haven't left yet. | 1:15:52 | 1:15:54 | |
-Andrew...your family? -Yes, Dan. They were arrested. | 1:15:56 | 1:15:59 | |
Over there, Reverend. If they're yours, we'll release them. | 1:15:59 | 1:16:03 | |
Yes, they're mine. | 1:16:05 | 1:16:07 | |
-Lily, dear, are you all right? -Yes, dear. Perfectly. We all are. | 1:16:10 | 1:16:15 | |
Er...what about your eye? | 1:16:16 | 1:16:18 | |
It's nothing. | 1:16:18 | 1:16:20 | |
Someone hit me, that's all. | 1:16:20 | 1:16:22 | |
It's a beauty, isn't it? Well, let's go home. | 1:16:22 | 1:16:26 | |
We'll want to get something on these bruises. | 1:16:26 | 1:16:28 | |
Keep your guard up? | 1:16:32 | 1:16:35 | |
Andrew, I want you to know we did nothing wrong. It wasn't our fault. | 1:16:35 | 1:16:40 | |
Yes, I know, dear. Ordinary, well-mannered people just... | 1:16:40 | 1:16:44 | |
don't get into things like this. | 1:16:44 | 1:16:46 | |
ORGAN PLAYS | 1:16:57 | 1:17:00 | |
Andrew, I know you've changed your subject for the sermon. | 1:17:46 | 1:17:50 | |
Have you prepared another? | 1:17:50 | 1:17:51 | |
No. But... | 1:17:53 | 1:17:56 | |
I HAVE been thinking about it for quite a while. | 1:17:56 | 1:17:59 | |
Andrew, concerning your, er, ruminations, | 1:17:59 | 1:18:02 | |
my advice would be to make no mention of the matter last week. | 1:18:02 | 1:18:06 | |
You're all very certain that if I forget it, everyone will. | 1:18:06 | 1:18:10 | |
Time takes care of everything. | 1:18:10 | 1:18:13 | |
-The less I make of this, the more I protect my opportunity to be bishop. -Aye! | 1:18:13 | 1:18:18 | |
Let's not be ashamed of mentioning | 1:18:18 | 1:18:21 | |
that it's something of concern to you and to your friends here. | 1:18:21 | 1:18:25 | |
I appreciate that, too. | 1:18:25 | 1:18:27 | |
Perhaps, Andrew, you'd give us some information | 1:18:30 | 1:18:33 | |
concerning your, er...ruminations? | 1:18:33 | 1:18:36 | |
Well, of course, if I weren't concerned about becoming bishop... | 1:18:38 | 1:18:44 | |
and if I weren't willing to just forget the whole thing... | 1:18:44 | 1:18:48 | |
..I would have a few things to say. A few points to make. | 1:18:49 | 1:18:53 | |
To begin with, I would proudly contend | 1:18:53 | 1:18:56 | |
that my family fought for the rights of individuals. | 1:18:56 | 1:19:00 | |
I'd point out that with elections... | 1:19:00 | 1:19:02 | |
I might add it's shameful for members of my own congregation to indulge in petty gossip... | 1:19:02 | 1:19:09 | |
about my daughter and the young man, both of whom are above reproach. | 1:19:09 | 1:19:15 | |
Andrew, I implore you ... | 1:19:15 | 1:19:16 | |
Just a moment. I am not finished... | 1:19:16 | 1:19:19 | |
with my ruminations. | 1:19:19 | 1:19:21 | |
I would also say that I, too, am in error. | 1:19:22 | 1:19:25 | |
I have not taught my people well | 1:19:26 | 1:19:29 | |
if this sort of thing can happen in my parish. | 1:19:29 | 1:19:31 | |
I would also confess I was willing to submit to this gossip | 1:19:32 | 1:19:36 | |
by agreeing to let my daughter leave town. | 1:19:36 | 1:19:38 | |
I was willing to submit because I was concerned about my possible election as bishop. | 1:19:40 | 1:19:47 | |
Andrew, you cannae dare say such things! | 1:19:47 | 1:19:49 | |
You know, as I divulge these ruminations to you, | 1:19:49 | 1:19:55 | |
I am more and more convinced that I shall speak of these things. | 1:19:55 | 1:19:59 | |
-Don't you realise...? -If what my family and I did is wrong, | 1:19:59 | 1:20:03 | |
I do not deserve to be bishop. | 1:20:03 | 1:20:06 | |
The only important thing is, I must serve my congregation. | 1:20:06 | 1:20:10 | |
The first obligation of a minister is to serve. | 1:20:10 | 1:20:14 | |
I can only serve by speaking the truth. | 1:20:14 | 1:20:16 | |
You cannae mean to say this in the pulpit?! | 1:20:16 | 1:20:19 | |
-Yes, Dan. -< You can't possibly! | 1:20:19 | 1:20:20 | |
I may even think of more. | 1:20:20 | 1:20:23 | |
I shall probably say something about how we use words | 1:20:23 | 1:20:27 | |
like meanness, intolerance and bigotry, | 1:20:27 | 1:20:30 | |
but somehow always in connection with others, never with ourselves. | 1:20:30 | 1:20:34 | |
What's happened in the last few days, this gossip, | 1:20:34 | 1:20:38 | |
is mean, intolerant and bigoted. | 1:20:38 | 1:20:41 | |
If it isn't pointed out and recognised for what it is, | 1:20:41 | 1:20:45 | |
who can say what cruel thing it may lead to tomorrow? | 1:20:45 | 1:20:48 | |
There's no measure of a lie. | 1:20:49 | 1:20:51 | |
It's...neither little nor big. | 1:20:51 | 1:20:54 | |
It's always a lie. | 1:20:54 | 1:20:56 | |
I don't want to see any man judge his neighbour. | 1:20:56 | 1:21:00 | |
That we must always leave to God. | 1:21:00 | 1:21:02 | |
You may be more comfortable, Dan, in here. | 1:21:05 | 1:21:08 | |
No. I'll go. Right or wrong, Andrew, | 1:21:08 | 1:21:11 | |
I want to be in wi' you at the finish. | 1:21:11 | 1:21:13 | |
Instead of starting with hymn 127, which was posted for today, | 1:21:24 | 1:21:28 | |
we will sing hymn 493. | 1:21:28 | 1:21:31 | |
It begins, "O brother man, | 1:21:32 | 1:21:35 | |
"hold to thy heart thy brother." | 1:21:35 | 1:21:37 | |
ORGAN PLAYS | 1:21:37 | 1:21:40 | |
Well, has no-one in this family anything to say? | 1:21:55 | 1:21:58 | |
Why the unusual silence? | 1:21:58 | 1:22:00 | |
It's your sermon, Andrew. | 1:22:00 | 1:22:02 | |
It made us so proud. | 1:22:02 | 1:22:04 | |
I want you to know that I... | 1:22:05 | 1:22:07 | |
I... | 1:22:07 | 1:22:08 | |
SHE SOBS | 1:22:09 | 1:22:11 | |
Papa? | 1:22:15 | 1:22:16 | |
That was the finest... | 1:22:16 | 1:22:17 | |
That really was the finest... | 1:22:19 | 1:22:21 | |
SHE SOBS | 1:22:23 | 1:22:25 | |
What they wanted to tell you, Father, was... | 1:22:28 | 1:22:30 | |
Well, you were so... | 1:22:30 | 1:22:32 | |
So... I mean... | 1:22:32 | 1:22:35 | |
What have you got to say? | 1:22:41 | 1:22:43 | |
-I'm hungry. -And so am I. | 1:22:43 | 1:22:45 | |
Sensible people. | 1:22:45 | 1:22:47 | |
Can I help? | 1:23:04 | 1:23:06 | |
No. | 1:23:06 | 1:23:08 | |
Oh, Tom, thanks for everything you've done. You've been wonderful. | 1:23:09 | 1:23:14 | |
No. YOU'RE wonderful. | 1:23:15 | 1:23:19 | |
I didn't have sense enough to see it till now, but, Di... | 1:23:19 | 1:23:23 | |
Yes, Tom? | 1:23:23 | 1:23:25 | |
I do know it now. You are. | 1:23:25 | 1:23:28 | |
I... | 1:23:31 | 1:23:32 | |
I...I guess I'd better go back. | 1:23:34 | 1:23:37 | |
Please come in with me. | 1:23:37 | 1:23:39 | |
-Sure, Di. -Let me help you. | 1:23:40 | 1:23:43 | |
Oh, no. | 1:23:51 | 1:23:53 | |
Di, there's just one thing I want to ask of you. | 1:23:53 | 1:23:56 | |
Please, don't ever help me! | 1:23:56 | 1:23:58 | |
< WILD CRY | 1:24:03 | 1:24:06 | |
Andrew! I've got something... | 1:24:09 | 1:24:12 | |
Tom, do you suppose...? | 1:24:12 | 1:24:14 | |
Must a man wait all the day when he has important news? | 1:24:14 | 1:24:17 | |
Andrew, they've elected you bishop. | 1:24:19 | 1:24:22 | |
ALL GASP I'm very proud and very happy to be the first to congratulate you. | 1:24:22 | 1:24:27 | |
Hae you no word for us, Andrew, when I bring you such good tidings? | 1:24:29 | 1:24:32 | |
Hae you nothing to say? | 1:24:38 | 1:24:40 | |
Will ye hae white meat or dark, Dan? | 1:24:44 | 1:24:47 | |
Sit down. Sit down. Bring up another chair. | 1:24:47 | 1:24:51 |