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This film contains some violent scenes, very strong language, | 0:00:02 | 0:00:09 | |
and some scenes which some viewers may find upsetting. | 0:00:09 | 0:00:16 | |
I first tasted semen when I was seven years old. | 0:00:58 | 0:01:02 | |
Nothing to say? | 0:01:07 | 0:01:08 | |
It's certainly a startling opening line. | 0:01:11 | 0:01:14 | |
What is that, irony? | 0:01:14 | 0:01:16 | |
I'm sorry. Let's start again. | 0:01:17 | 0:01:19 | |
What do you want to say to me? | 0:01:27 | 0:01:30 | |
I'm here to listen to whatever you have to say. | 0:01:30 | 0:01:33 | |
I was raped by a priest when I was seven years old. | 0:01:33 | 0:01:37 | |
Orally and anally, as they say in the court reports. | 0:01:37 | 0:01:42 | |
This went on for five years - every other day for five years. | 0:01:42 | 0:01:46 | |
I bled a lot, as you can imagine. | 0:01:49 | 0:01:52 | |
I bled a terrible amount. | 0:01:52 | 0:01:54 | |
Have you spoken to anyone about this? | 0:01:59 | 0:02:00 | |
I'm speaking to you, now! | 0:02:00 | 0:02:02 | |
I mean, have you sought professional help? | 0:02:04 | 0:02:07 | |
Why? So I could learn how to cope? | 0:02:07 | 0:02:09 | |
So I could learn how to live with it? Maybe I don't want to cope. | 0:02:09 | 0:02:12 | |
Maybe I don't want to learn how to live with it. | 0:02:12 | 0:02:15 | |
Why don't you make a formal complaint? You can testify. | 0:02:22 | 0:02:26 | |
The man's dead. | 0:02:26 | 0:02:27 | |
I don't know what to say to you. | 0:02:33 | 0:02:35 | |
I have no answer for you, I'm sorry. | 0:02:37 | 0:02:39 | |
What good would it do anyway, if he were still alive? | 0:02:40 | 0:02:45 | |
What would be the point of killing the bastard? | 0:02:45 | 0:02:48 | |
That would be no news. There's no point in killing a bad priest. | 0:02:48 | 0:02:53 | |
But killing a good one? That would be a shock, now! | 0:02:53 | 0:02:57 | |
They wouldn't know what to make of that. | 0:02:57 | 0:02:59 | |
I'm going to kill you, Father. | 0:03:02 | 0:03:04 | |
I'm going to kill you cos you've done nothing wrong. | 0:03:04 | 0:03:07 | |
I'm going to kill you because you're innocent. | 0:03:07 | 0:03:10 | |
Not right now, though. | 0:03:13 | 0:03:15 | |
I'll give you enough time to put your house in order. | 0:03:16 | 0:03:19 | |
Make your peace with God. | 0:03:19 | 0:03:20 | |
Sunday week, let's say. | 0:03:24 | 0:03:27 | |
I'll meet you down on the beach, down by the water there. | 0:03:27 | 0:03:30 | |
MAN CHUCKLES | 0:03:34 | 0:03:35 | |
Killing a priest on a Sunday! That'll be a good one. | 0:03:35 | 0:03:39 | |
Do you not have anything to say to me, Father? | 0:03:42 | 0:03:45 | |
Not right now, no. | 0:03:48 | 0:03:50 | |
But I'm sure I'll think of something by Sunday week. | 0:03:50 | 0:03:53 | |
MAN EXITS | 0:03:56 | 0:04:00 | |
-Body of Christ. -Amen. | 0:04:53 | 0:04:55 | |
-Body of Christ. -Amen. | 0:04:59 | 0:05:01 | |
-Body of Christ. -Amen. | 0:05:04 | 0:05:06 | |
-Body of Christ. -Amen. | 0:05:07 | 0:05:09 | |
-Body of Christ. -Amen. | 0:05:10 | 0:05:12 | |
A little too much wine in the chalice again there, Micheal. | 0:05:21 | 0:05:24 | |
Sorry, Father. | 0:05:24 | 0:05:26 | |
I'm wondering, is this some kind of ploy on your behalf? | 0:05:26 | 0:05:29 | |
-A ploy, Father? -I've noticed my stocks of booze appear to be... | 0:05:29 | 0:05:32 | |
somewhat diminished of late. | 0:05:32 | 0:05:35 | |
I'm wondering, is this some kind of ploy you're working? | 0:05:35 | 0:05:38 | |
Cover up for the wine you've been imbibing on the QT. | 0:05:38 | 0:05:40 | |
I have no idea what you're talking about. | 0:05:40 | 0:05:43 | |
Father Leary noticed nothing amiss. | 0:05:43 | 0:05:45 | |
Father Leary does not know you as well as I do, Micheal. | 0:05:45 | 0:05:48 | |
He may well underestimate the depths of your Machiavellian chicanery. | 0:05:48 | 0:05:52 | |
Can I go now, Father? | 0:05:52 | 0:05:53 | |
What's the hurry? | 0:05:53 | 0:05:55 | |
Have they called a meeting at Mafia Headquarters? | 0:05:55 | 0:05:58 | |
On your way! | 0:06:03 | 0:06:04 | |
Things you hear in confession these days! | 0:06:11 | 0:06:15 | |
-It's depressing. -You have to detach yourself from it. | 0:06:15 | 0:06:18 | |
We're here to provide solace. | 0:06:20 | 0:06:21 | |
Your personal feelings don't come into it. | 0:06:21 | 0:06:23 | |
I know that! What do you take me for? | 0:06:23 | 0:06:25 | |
It's difficult, though. The mess people make of their lives. | 0:06:27 | 0:06:31 | |
What's the problem? Without going into details, obviously. | 0:06:31 | 0:06:34 | |
Your woman with the big black eye on her. Have you seen her? | 0:06:34 | 0:06:36 | |
-Veronica Brennan. Yeah. -She's an odd one. | 0:06:36 | 0:06:39 | |
Things she comes out with. | 0:06:39 | 0:06:41 | |
It's like she's trying to drag you down into the muck. | 0:06:41 | 0:06:44 | |
Do you know what "felching" is? | 0:06:44 | 0:06:46 | |
I do know what "felching" is, yeah. | 0:06:46 | 0:06:48 | |
-I had to look it up. -This is you not going into details, is it? | 0:06:48 | 0:06:52 | |
Sorry. Anyway, whatever is going on with her, | 0:06:52 | 0:06:55 | |
it's obviously all gotten out of hand. | 0:06:55 | 0:06:57 | |
She's getting knocked around now. | 0:06:57 | 0:06:59 | |
Well, if you say anything to her she'll raise holy hell. | 0:06:59 | 0:07:01 | |
She'll say it's on the basis of what she said during confession. | 0:07:01 | 0:07:04 | |
I know, I know, we can't have that. | 0:07:04 | 0:07:07 | |
She'll get me excommunicated, the cow. | 0:07:07 | 0:07:09 | |
I'll have a word with her. Jack, as well. | 0:07:11 | 0:07:13 | |
Part of my pastor duties, and what have you. | 0:07:13 | 0:07:16 | |
Nothing to do with her confession or anything. See what's going on. | 0:07:16 | 0:07:19 | |
FATHER LEARY GRUNTS | 0:07:19 | 0:07:20 | |
That coloured fellow, the...Ugandan. He's one of her lovers, I think. | 0:07:20 | 0:07:25 | |
Simon's from the Ivory Coast. | 0:07:25 | 0:07:27 | |
Right. I knew it was that or Guyana, one of those African countries. | 0:07:27 | 0:07:31 | |
Guyana is in South America. | 0:07:33 | 0:07:35 | |
Don't think so now, Father. | 0:07:37 | 0:07:39 | |
I was always pretty good at the old geography. | 0:07:39 | 0:07:42 | |
Not bad! | 0:08:04 | 0:08:07 | |
Surprisingly. | 0:08:07 | 0:08:08 | |
I was expecting a daub. | 0:08:09 | 0:08:11 | |
Who are these two lads? | 0:08:15 | 0:08:17 | |
Don't know. I've been reading these ghost stories. | 0:08:19 | 0:08:22 | |
Maybe it's got something to do with that. | 0:08:22 | 0:08:25 | |
Spooky. | 0:08:25 | 0:08:27 | |
So, do you know who it was? | 0:09:08 | 0:09:10 | |
Yes, I know who it was. | 0:09:10 | 0:09:12 | |
Do you know him well? | 0:09:12 | 0:09:14 | |
Well enough. | 0:09:14 | 0:09:16 | |
Knowing this man as you do, do you think it was an idle threat? | 0:09:16 | 0:09:19 | |
I don't know. I'm not sure. | 0:09:21 | 0:09:23 | |
If you're not sure, it means it's possible. | 0:09:23 | 0:09:26 | |
Yes, I suppose. | 0:09:26 | 0:09:28 | |
You didn't grant him absolution, obviously? | 0:09:30 | 0:09:32 | |
He didn't ask for it. | 0:09:32 | 0:09:33 | |
Well, there you have it. The man is not penitent. There's no contrition. | 0:09:35 | 0:09:41 | |
He's threatening to commit a crime, not asking for forgiveness for one. | 0:09:41 | 0:09:46 | |
The inviolability of the sacramental seal does not apply. | 0:09:47 | 0:09:50 | |
You're saying I should go to the police? | 0:09:50 | 0:09:52 | |
I'm not saying anything, James. | 0:09:54 | 0:09:56 | |
The choice is yours. | 0:09:58 | 0:10:00 | |
Don't tell me - you made the classic error. | 0:10:18 | 0:10:20 | |
You're supposed to cut down, not across. | 0:10:21 | 0:10:24 | |
This is Bruno. | 0:10:35 | 0:10:37 | |
And I always wanted a fast car, a red one. | 0:10:37 | 0:10:39 | |
I thought you'd already had your midlife crisis? | 0:10:39 | 0:10:42 | |
# This old road may never change | 0:10:47 | 0:10:50 | |
# The way it's been | 0:10:53 | 0:10:56 | |
# And all the ways of war can't change it back again... # | 0:10:59 | 0:11:06 | |
You're a very nice-looking young woman. | 0:11:06 | 0:11:09 | |
Thank you. | 0:11:10 | 0:11:12 | |
I like your bow tie. | 0:11:12 | 0:11:14 | |
It's got polka dots. | 0:11:14 | 0:11:16 | |
This is my daughter Fiona, Milo. She's over from London. | 0:11:16 | 0:11:20 | |
You're having me on. | 0:11:20 | 0:11:21 | |
I'm not having you on. What are you on about? | 0:11:21 | 0:11:23 | |
But you're a priest. | 0:11:23 | 0:11:24 | |
I was married before I became a priest. | 0:11:24 | 0:11:27 | |
My wife and I had a child - Fiona. | 0:11:27 | 0:11:29 | |
My wife died, | 0:11:29 | 0:11:30 | |
and after that, I joined the priesthood. | 0:11:30 | 0:11:32 | |
-You can do that, can you? -It would appear so. | 0:11:34 | 0:11:37 | |
Don't tell me - you made the classic error. | 0:11:38 | 0:11:41 | |
-I've already done that gag, Frank. -You're supposed to cut down... | 0:11:41 | 0:11:44 | |
-I said I've already done it! -Now, now! | 0:11:44 | 0:11:47 | |
Drop of the hard stuff for yourself, | 0:11:48 | 0:11:51 | |
and a generous serving of the old water of life | 0:11:51 | 0:11:53 | |
for this beautiful, yet troubled... | 0:11:53 | 0:11:55 | |
Oh, fuck off! | 0:11:55 | 0:11:57 | |
An exceedingly dirty mouth. I like that in a whore. | 0:11:57 | 0:12:00 | |
Brendan, now's not the time. | 0:12:00 | 0:12:01 | |
Whatever you say, Father. You're the boss. | 0:12:05 | 0:12:07 | |
How's that working out for you? | 0:12:10 | 0:12:13 | |
-Oh, I haven't been out on the tear in a good while. -So you say. | 0:12:13 | 0:12:16 | |
No, no. I've been a very good lad. And don't change the subject. | 0:12:16 | 0:12:20 | |
What was the subject? | 0:12:20 | 0:12:22 | |
-You know what the subject was. -Oh, Daddy, a man. A man, what else? | 0:12:22 | 0:12:27 | |
It's getting to be a habit, honey. | 0:12:27 | 0:12:29 | |
I know. It's pathetic, I can't do anything right. | 0:12:29 | 0:12:32 | |
Nice shades. | 0:13:13 | 0:13:15 | |
Do they make me look like Jackie O? | 0:13:15 | 0:13:18 | |
Not really, no. SHE CHUCKLES | 0:13:18 | 0:13:20 | |
This what you came to gawp at? Nasty, huh? | 0:13:23 | 0:13:27 | |
Interesting colour. | 0:13:27 | 0:13:29 | |
They say you can find beauty in everything, if you look hard enough. | 0:13:29 | 0:13:32 | |
And I'd say you can find beauty in most things. | 0:13:32 | 0:13:36 | |
Not everything. That's nonsense. | 0:13:36 | 0:13:39 | |
Sure, what would I know? I'm just an old washer woman. | 0:13:39 | 0:13:43 | |
Listen, if you don't want to talk to me, that's fine. | 0:13:43 | 0:13:45 | |
I'm not here to compel you to do anything. | 0:13:45 | 0:13:47 | |
You never know, Father. Maybe I'd like to be compelled. | 0:13:47 | 0:13:50 | |
Maybe I'd enjoy it. | 0:13:50 | 0:13:52 | |
I'll have a word with Jack. See what he has to say for himself. | 0:13:54 | 0:13:58 | |
Grand Inquisitor, huh? Go on ahead for yourself, so. | 0:13:58 | 0:14:00 | |
I'm sure he'll be only too pleased to have someone else | 0:14:00 | 0:14:03 | |
to bore the ears off. | 0:14:03 | 0:14:04 | |
I stopped listening to his old shite a long time ago. | 0:14:04 | 0:14:07 | |
That's how it is, is it? I'm sorry, I didn't realise. | 0:14:07 | 0:14:10 | |
You thought we were another Grace Kelly and Prince Rainier? | 0:14:10 | 0:14:14 | |
Well, now, that wasn't a very happy marriage, | 0:14:14 | 0:14:16 | |
so it's not a great analogy. | 0:14:16 | 0:14:17 | |
You know, that's what I've always liked about you, Father. | 0:14:20 | 0:14:23 | |
You're just a little too sharp for this parish. | 0:14:23 | 0:14:25 | |
Mad fellow altogether, he was. Decapitated the two of them. | 0:14:25 | 0:14:28 | |
There was blood all over the place. | 0:14:28 | 0:14:30 | |
-Hi, Father. -Jack. | 0:14:30 | 0:14:32 | |
Could I have a word? In private. | 0:14:35 | 0:14:38 | |
Sounds ominous. | 0:14:39 | 0:14:40 | |
Where's Johnnie Cochran when you need him, huh? | 0:14:42 | 0:14:44 | |
I hope we don't get locked in here. We'd have to make love to keep warm. | 0:14:50 | 0:14:53 | |
I had a word with Veronica, Jack. | 0:14:56 | 0:14:58 | |
You were out at the house, were you? Is everything all right? | 0:15:00 | 0:15:03 | |
Everything's fine. | 0:15:03 | 0:15:04 | |
I mean, no, everything's not fine. | 0:15:04 | 0:15:08 | |
Mass on Sunday? With the shades and everything. | 0:15:08 | 0:15:10 | |
-Oh, that. -Yes, that. | 0:15:10 | 0:15:13 | |
Are you laying into her, or what's going on? | 0:15:13 | 0:15:15 | |
That wasn't me, now. No. That's that black fellow that she's been seeing. | 0:15:15 | 0:15:18 | |
I mean, the coloured fellow she's been seeing. Sorry, I didn't mean | 0:15:18 | 0:15:21 | |
to be racist there, that was a slip of the tongue. | 0:15:21 | 0:15:23 | |
-You're saying he beats her up? -Don't quote me on it, | 0:15:23 | 0:15:25 | |
but that's what I'm assuming. Yeah. | 0:15:25 | 0:15:27 | |
She speaks in riddles half the time. I can't make any sense out of her. | 0:15:28 | 0:15:33 | |
I think she's bipolar. | 0:15:33 | 0:15:34 | |
Or lactose intolerant, one of the two. | 0:15:34 | 0:15:36 | |
I don't know where I am with her any more, Father. | 0:15:38 | 0:15:40 | |
And if I'm honest with you, I'm kind of glad to have her off my hands. | 0:15:40 | 0:15:43 | |
Even if this new fellow is knocking her about? | 0:15:43 | 0:15:45 | |
-Sure, what's that to do with me? -What? | 0:15:45 | 0:15:49 | |
Not everyone can carry the weight of the world! | 0:15:49 | 0:15:52 | |
What about your marriage? The oaths you took? | 0:15:52 | 0:15:55 | |
The oaths I took! | 0:15:55 | 0:15:57 | |
Listen... | 0:15:57 | 0:15:59 | |
she's happier, now that she's seeing him. A lot more settled down. | 0:15:59 | 0:16:04 | |
Like, a lot calmer. And I'm not under surveillance any more. | 0:16:04 | 0:16:08 | |
I can just reel in at whatever time I like. | 0:16:08 | 0:16:11 | |
So everybody's happy! Where's the harm in that? | 0:16:11 | 0:16:14 | |
Shall I cut you a side of beef to take home with you? | 0:16:18 | 0:16:21 | |
It's freshly slaughtered. | 0:16:21 | 0:16:22 | |
-Simon. -Hello, Father. | 0:16:25 | 0:16:27 | |
I'm really busy today. | 0:16:30 | 0:16:32 | |
It's not about my car. | 0:16:32 | 0:16:35 | |
It's about Mrs Brennan. You're her boyfriend? | 0:16:35 | 0:16:37 | |
I fuck her from time to time. Does that make me her boyfriend? | 0:16:40 | 0:16:43 | |
Does around here. | 0:16:43 | 0:16:44 | |
She has a lot of boyfriends, I've heard. | 0:16:44 | 0:16:48 | |
Is that right? | 0:16:48 | 0:16:50 | |
Do you want me to confess to adultery? Is that why you're here? | 0:16:50 | 0:16:53 | |
Somebody beat her up. | 0:16:53 | 0:16:55 | |
-Did she tell you I beat her up? -No, she didn't. | 0:16:55 | 0:16:57 | |
Then why are you here? | 0:16:57 | 0:16:59 | |
Somebody beat her up. | 0:16:59 | 0:17:01 | |
LIGHTER CLICKS It's either you or the husband. | 0:17:01 | 0:17:04 | |
I do not think Jack would beat her up. He's not the type. | 0:17:05 | 0:17:08 | |
What is the type? | 0:17:08 | 0:17:10 | |
DOG BARKS | 0:17:10 | 0:17:12 | |
Some of them like to be hit, you know? | 0:17:13 | 0:17:15 | |
Who? | 0:17:15 | 0:17:16 | |
White women, Irish women. Do not ask me why. | 0:17:16 | 0:17:20 | |
-You would have to be a psychiatrist. -That's nonsense. | 0:17:20 | 0:17:23 | |
No, no. | 0:17:23 | 0:17:24 | |
They like to be hit. | 0:17:24 | 0:17:26 | |
In certain situations, they beg for it, in fact. | 0:17:26 | 0:17:29 | |
So she got what was coming to her, did she? | 0:17:29 | 0:17:31 | |
-I was speaking generally. -Oh, you were speaking generally. | 0:17:31 | 0:17:35 | |
Well, I'm speaking specifically. | 0:17:35 | 0:17:37 | |
-Don't do it again. -You cannot tell me what to do! | 0:17:39 | 0:17:42 | |
-We're not in the missions now. -Oh, the missions! Right. | 0:17:42 | 0:17:44 | |
Are you going to chop off my hand if I disobey you? | 0:17:44 | 0:17:47 | |
You know your history. That's grand. | 0:17:47 | 0:17:49 | |
I like to read. | 0:17:49 | 0:17:50 | |
You probably think that black people cannot... | 0:17:50 | 0:17:52 | |
Yeah, yeah, yeah. Black people, white people. Blah, blah, blah. | 0:17:52 | 0:17:58 | |
Run along now, Father. Your sermon is finished. | 0:17:58 | 0:18:02 | |
Better watch your step there. | 0:18:06 | 0:18:08 | |
Why is that? | 0:18:08 | 0:18:09 | |
Well, if he was him who was laying into her, | 0:18:09 | 0:18:11 | |
you'll have to tread very carefully there. | 0:18:11 | 0:18:13 | |
It's a very sensitive area. | 0:18:15 | 0:18:18 | |
You'll have to explain this to me, now, Father. | 0:18:18 | 0:18:20 | |
I'm afraid you've lost me completely. | 0:18:20 | 0:18:22 | |
The Church can't be seen to be getting involved | 0:18:22 | 0:18:24 | |
in matters of diversity and the like. | 0:18:24 | 0:18:27 | |
Do you know? | 0:18:27 | 0:18:28 | |
You mean, like, if he's beating her up as one of | 0:18:28 | 0:18:30 | |
those ethnic rituals or something? | 0:18:30 | 0:18:32 | |
Like when they do that thing when they shake hands(!) | 0:18:32 | 0:18:35 | |
-You're mocking me now, I can tell! -For fuck's sake... | 0:18:37 | 0:18:40 | |
We have to be very circumspect in those areas. That's all I'm saying. | 0:18:40 | 0:18:44 | |
I'll be very circumspect, Father. Don't you worry about that. | 0:18:44 | 0:18:47 | |
# That's what he said | 0:18:47 | 0:18:51 | |
# I need someone to love me | 0:18:51 | 0:18:54 | |
# Need somebody to carry me home | 0:18:56 | 0:19:00 | |
# To San Francisco... # | 0:19:00 | 0:19:04 | |
MOTOR HUMS | 0:19:04 | 0:19:06 | |
How's all? | 0:19:08 | 0:19:10 | |
At death's door. You? | 0:19:10 | 0:19:12 | |
Same. Still using the old typewriter, I see. | 0:19:12 | 0:19:16 | |
That's a bit of an affectation. | 0:19:16 | 0:19:18 | |
My whole life has been an affectation. | 0:19:18 | 0:19:21 | |
That's one of those lines that sounds witty | 0:19:21 | 0:19:23 | |
and doesn't actually make much sense. | 0:19:23 | 0:19:25 | |
Caught out again. | 0:19:25 | 0:19:27 | |
How's the latest masterpiece coming? | 0:19:27 | 0:19:29 | |
Better than "Cecelia Ahern" but not as good as "Banville". | 0:19:29 | 0:19:33 | |
Wish I could say that about everybody. | 0:19:33 | 0:19:35 | |
What have you got for me? | 0:19:35 | 0:19:37 | |
Ooh. | 0:19:37 | 0:19:39 | |
Oh. | 0:19:40 | 0:19:41 | |
Need anything else? | 0:19:48 | 0:19:49 | |
A gun. | 0:19:51 | 0:19:53 | |
Yeah? | 0:19:53 | 0:19:54 | |
A Walther PPK should suffice. | 0:19:54 | 0:19:57 | |
James Bond's weapon of choice. | 0:19:57 | 0:20:00 | |
Old Adolf killed himself with one in the bunker. | 0:20:00 | 0:20:03 | |
That's the plan, is it? | 0:20:03 | 0:20:04 | |
I've no intention of writhing around in agony for hours on end | 0:20:04 | 0:20:08 | |
when the time comes, | 0:20:08 | 0:20:09 | |
not knowing who I am or where I am. | 0:20:09 | 0:20:12 | |
That's nonsense. | 0:20:12 | 0:20:13 | |
Pragmatism. | 0:20:13 | 0:20:14 | |
Where would I get a gun from? | 0:20:16 | 0:20:17 | |
-Oh, come on, now. -Give me a break. | 0:20:17 | 0:20:19 | |
You've never been short of guns in this country, have you? | 0:20:19 | 0:20:22 | |
God, you're awful maudlin today, I must say. | 0:20:24 | 0:20:26 | |
DOG WHINES | 0:20:29 | 0:20:31 | |
You don't have any photographs. | 0:20:42 | 0:20:44 | |
No. | 0:20:46 | 0:20:47 | |
I'm in agreement with the Apaches on that score. | 0:20:49 | 0:20:52 | |
The Apaches? | 0:20:52 | 0:20:53 | |
The Apaches, the Arapaho... | 0:20:53 | 0:20:56 | |
The Hunkpapa Sioux. | 0:20:56 | 0:20:59 | |
Not even one of Mum? | 0:21:06 | 0:21:08 | |
I don't need a photograph to remember your mother. | 0:21:10 | 0:21:13 | |
Memories fade. | 0:21:17 | 0:21:20 | |
That's what's so terrible about them. | 0:21:20 | 0:21:22 | |
No, they don't. | 0:21:25 | 0:21:28 | |
Not really. | 0:21:28 | 0:21:29 | |
I should buy a cane. | 0:21:33 | 0:21:36 | |
It'd suit you. You're old beyond your years. | 0:21:36 | 0:21:39 | |
Yeah. | 0:21:39 | 0:21:40 | |
It'd give me a feeling of imperiousness. | 0:21:40 | 0:21:43 | |
-And you could lean on it. -I could lean on it, reflectively. | 0:21:43 | 0:21:49 | |
Point things out. | 0:21:49 | 0:21:51 | |
Club someone to death with it. | 0:21:51 | 0:21:53 | |
A blunt instrument, yeah. Who, though? | 0:21:53 | 0:21:57 | |
A certain young man from Rathmines. | 0:21:57 | 0:21:59 | |
Aren't all instruments blunt? | 0:22:03 | 0:22:06 | |
Flugelhorns? | 0:22:07 | 0:22:09 | |
Who's this, now? | 0:22:14 | 0:22:16 | |
This is my daughter, Fiona. | 0:22:16 | 0:22:18 | |
Oh, right! Like a French novel or something. | 0:22:18 | 0:22:20 | |
What was the fellow's name? Bernanos? | 0:22:20 | 0:22:23 | |
Michael Fitzgerald. | 0:22:23 | 0:22:24 | |
I bought the big house up the road a ways beyond there. | 0:22:24 | 0:22:27 | |
-Haven't seen you at mass recently. -I've been too busy. | 0:22:27 | 0:22:30 | |
I was thinking of getting a chapel built on the grounds, actually. | 0:22:30 | 0:22:33 | |
You know, like Brideshead Revisited. | 0:22:33 | 0:22:34 | |
Then you could pop in, freelance, like, and save me the trouble. | 0:22:34 | 0:22:38 | |
Lovely creature. | 0:22:38 | 0:22:39 | |
Really expensive too. Prime horseflesh, this is. | 0:22:39 | 0:22:43 | |
-Interesting man, your father. -Is that right? | 0:22:43 | 0:22:45 | |
A good man. A fine man. | 0:22:45 | 0:22:47 | |
Nobody around here has a bad word to say about him. | 0:22:47 | 0:22:49 | |
It makes you wonder what he's hiding. | 0:22:49 | 0:22:51 | |
God, you're a fucking prick! | 0:22:51 | 0:22:52 | |
-Oh, feisty! -Fiona... | 0:22:52 | 0:22:54 | |
I'm only codding. No offence meant, as they say. | 0:22:54 | 0:22:57 | |
Do me a favour, though, Father, will you? | 0:22:57 | 0:22:58 | |
Swing by the house one afternoon. | 0:22:58 | 0:23:00 | |
-I've a proposition that might interest you. -Really? | 0:23:00 | 0:23:02 | |
Yes, really. | 0:23:02 | 0:23:03 | |
A financial proposition. That interests you, doesn't it? | 0:23:03 | 0:23:06 | |
It should be a black day altogether, the day the Catholic Church | 0:23:06 | 0:23:09 | |
is no longer interested in money. | 0:23:09 | 0:23:11 | |
Huh? | 0:23:11 | 0:23:12 | |
Inspector Stanton. | 0:23:15 | 0:23:17 | |
The clergy, at this time of the night, | 0:23:17 | 0:23:19 | |
when we could be getting up to all sorts... | 0:23:19 | 0:23:21 | |
Well, hey, Father! What do you hear? What do you say? | 0:23:23 | 0:23:26 | |
I'm sorry, I didn't realise you had company. | 0:23:26 | 0:23:28 | |
Aye, sure. It's only little Leo. | 0:23:28 | 0:23:31 | |
MUSIC: Run Rabbit Run by Flanagan & Allen | 0:23:33 | 0:23:35 | |
Are you checking out my ass, Father? | 0:23:35 | 0:23:38 | |
Huh? No. | 0:23:38 | 0:23:39 | |
He's only messing with you, Father. What can I do for you? | 0:23:39 | 0:23:44 | |
There's nothing to hide from Leo. Right, Leo? | 0:23:44 | 0:23:47 | |
He likes an open book, Jerry. Like your ass. | 0:23:47 | 0:23:49 | |
Is this a police matter, Father? | 0:23:52 | 0:23:54 | |
No, it's a personal... | 0:23:54 | 0:23:56 | |
a personal thing. | 0:23:56 | 0:23:57 | |
It's a personal...personal thing. | 0:23:57 | 0:24:00 | |
You look worried, Father. | 0:24:00 | 0:24:01 | |
My advice - take it on the lamister, huh? | 0:24:01 | 0:24:04 | |
You don't want to drop in for the phonus bolonus, | 0:24:04 | 0:24:06 | |
and wind up with a sock in the kisser. Get me? | 0:24:06 | 0:24:08 | |
He's not in the mood, Leo. | 0:24:08 | 0:24:10 | |
Maybe I can cheer up the old sourpuss. | 0:24:10 | 0:24:13 | |
I'll show you a good time, Father. | 0:24:13 | 0:24:14 | |
Good-Time Leo, that's me. | 0:24:14 | 0:24:17 | |
Although it'll be extra if I let you wear that cassock. | 0:24:17 | 0:24:19 | |
See, I know what you holy rollers are like | 0:24:19 | 0:24:21 | |
when you're getting golden hairs. | 0:24:21 | 0:24:22 | |
# Mama! # | 0:24:22 | 0:24:24 | |
I'm out of here. | 0:24:27 | 0:24:28 | |
# Run, rabbit, run, rabbit Run, run, run | 0:24:28 | 0:24:31 | |
# Don't give the farmer his fun, fun, fun... # | 0:24:31 | 0:24:35 | |
DOOR CLOSES | 0:24:35 | 0:24:36 | |
He's a character, huh? | 0:24:36 | 0:24:38 | |
What's troubling you, Father? You seem agitated. | 0:24:40 | 0:24:43 | |
I need a favour. | 0:24:43 | 0:24:45 | |
My great grandfather's. | 0:24:45 | 0:24:48 | |
He said he took it off one of the Cairo Gang | 0:24:48 | 0:24:50 | |
when he shot them all on Bloody Sunday. | 0:24:50 | 0:24:53 | |
The first Bloody Sunday, obviously. | 0:24:53 | 0:24:55 | |
Ever had call to use it? | 0:24:58 | 0:25:00 | |
Yeah. | 0:25:00 | 0:25:02 | |
I killed a man with it once in the Wicklow Mountains. | 0:25:02 | 0:25:05 | |
What case was that? | 0:25:07 | 0:25:09 | |
He was just pissing me off, like. | 0:25:09 | 0:25:11 | |
Has somebody been threatening you, Father? | 0:25:16 | 0:25:19 | |
What have you been up to now? | 0:25:19 | 0:25:21 | |
Not you as well, huh? | 0:25:22 | 0:25:24 | |
GUN CLICKS | 0:25:25 | 0:25:27 | |
-What did you say you wanted it for, Father? -I didn't say. | 0:25:30 | 0:25:33 | |
I'd say you wanted it for your dog. | 0:25:33 | 0:25:36 | |
The dog's dying. It's in pain. | 0:25:36 | 0:25:38 | |
You're worried you might have to put it out of its misery | 0:25:38 | 0:25:41 | |
one of these days. Isn't that right? | 0:25:41 | 0:25:43 | |
My dog's dying. It's in pain. | 0:25:43 | 0:25:44 | |
I'm worried I might have to put it out of its misery one of these days. | 0:25:44 | 0:25:47 | |
An act of compassion, huh? | 0:25:47 | 0:25:49 | |
Well, I can't argue with that. I'm a compassionate man myself. | 0:25:49 | 0:25:53 | |
I had one of those, you know, early on. | 0:25:53 | 0:25:55 | |
-One of what? -A paedophile priest. | 0:25:55 | 0:25:58 | |
20 years ago, now, this was, in Dublin. | 0:25:58 | 0:26:00 | |
A young girl made a complaint of rape. | 0:26:00 | 0:26:03 | |
-What happened? -What do you think happened? | 0:26:03 | 0:26:05 | |
I arrested the bastard, | 0:26:05 | 0:26:06 | |
and 48 hours later I was packing my bags and making my way out west. | 0:26:06 | 0:26:09 | |
-They moved you out? -Reassigned, yeah. | 0:26:09 | 0:26:12 | |
What happened to him? | 0:26:12 | 0:26:14 | |
I was told they were sending him to one of | 0:26:14 | 0:26:15 | |
the missions overseas - Africa. | 0:26:15 | 0:26:17 | |
He could do whatever he wanted over there, I suppose. | 0:26:17 | 0:26:21 | |
Thanks, anyway. | 0:26:21 | 0:26:22 | |
Like the man says, Father, | 0:26:22 | 0:26:24 | |
"Protect yourself at all times!" | 0:26:24 | 0:26:27 | |
ENGINE RUMBLES | 0:26:27 | 0:26:29 | |
SHE BREATHES DEEPLY | 0:26:38 | 0:26:40 | |
DOG BARKS | 0:26:49 | 0:26:51 | |
How long have you been in this crap? | 0:27:15 | 0:27:18 | |
Last couple of years. | 0:27:18 | 0:27:21 | |
It's supposed to be therapeutic. | 0:27:21 | 0:27:23 | |
-Maybe I should take it up. -Maybe you should. | 0:27:23 | 0:27:27 | |
Are you seeing someone in London? | 0:27:27 | 0:27:28 | |
I assume you mean professionally, rather than... | 0:27:28 | 0:27:30 | |
Let's just stop all this carry-on. | 0:27:30 | 0:27:32 | |
If you can't talk to me, you should talk to someone. | 0:27:32 | 0:27:35 | |
I suppose I should. | 0:27:35 | 0:27:36 | |
Enjoying yourself? | 0:27:38 | 0:27:40 | |
LINE SWOOSHES | 0:27:40 | 0:27:41 | |
Yeah, we are, yeah. | 0:27:41 | 0:27:43 | |
Lovely day! | 0:27:44 | 0:27:46 | |
It is indeed, yeah. | 0:27:46 | 0:27:48 | |
Stamps! | 0:27:48 | 0:27:49 | |
That's the future of the priesthood? | 0:27:55 | 0:27:57 | |
Milo. | 0:28:09 | 0:28:11 | |
I need to speak to you, Father. | 0:28:11 | 0:28:13 | |
Take a pew, literally. | 0:28:13 | 0:28:15 | |
Why do people kill themselves, Father? | 0:28:22 | 0:28:25 | |
"Why do people kill themselves?" | 0:28:25 | 0:28:27 | |
That's jumping in the deep end. | 0:28:27 | 0:28:29 | |
Lots of reasons, I suppose. Why do you think yourself? | 0:28:29 | 0:28:33 | |
I don't know. The drink, depression... | 0:28:33 | 0:28:38 | |
Lack of sex, maybe. | 0:28:38 | 0:28:39 | |
You're a presentable young man. | 0:28:39 | 0:28:40 | |
I wouldn't have thought you'd have trouble in that area. | 0:28:40 | 0:28:43 | |
I don't have the gift of the gab. Never had it. | 0:28:43 | 0:28:45 | |
That's making you feel suicidal? | 0:28:45 | 0:28:46 | |
More bored than anything else. | 0:28:46 | 0:28:48 | |
It's either committing suicide or joining the army. | 0:28:48 | 0:28:51 | |
Those are pretty drastic choices either way. | 0:28:51 | 0:28:53 | |
You can learn a trade if you join the army. | 0:28:53 | 0:28:55 | |
You can learn a trade if you don't join the army. | 0:28:55 | 0:28:57 | |
You can experience more of life. | 0:28:57 | 0:28:58 | |
You think you can become a more authentic person | 0:28:58 | 0:29:00 | |
by fighting in a war? | 0:29:00 | 0:29:02 | |
By killing people? | 0:29:02 | 0:29:04 | |
You're against me joining is what I'm sensing. | 0:29:04 | 0:29:06 | |
Let's put it this way - | 0:29:06 | 0:29:08 | |
I've always felt there's something inherently psychopathic | 0:29:08 | 0:29:10 | |
about someone who joins the army in peacetime. | 0:29:10 | 0:29:13 | |
As far as I'm concerned, people join the army | 0:29:13 | 0:29:15 | |
because they want to find out what it's like to kill someone. | 0:29:15 | 0:29:18 | |
I hardly think that's an inclination that should be | 0:29:18 | 0:29:20 | |
encouraged in modern society, do you? | 0:29:20 | 0:29:22 | |
Jesus Christ didn't think so either, | 0:29:24 | 0:29:27 | |
and the Commandment "thou shalt not kill" | 0:29:27 | 0:29:31 | |
does not have an asterisk beside it, | 0:29:31 | 0:29:33 | |
referring you to the bottom of the page, | 0:29:33 | 0:29:35 | |
where you find a list of instances where it's OK to kill people. | 0:29:35 | 0:29:38 | |
What about self-defence? | 0:29:38 | 0:29:40 | |
It's a tricky one, all right. | 0:29:43 | 0:29:45 | |
We're hardly being invaded, though, are we? | 0:29:45 | 0:29:48 | |
The war on terror has no borders. | 0:29:48 | 0:29:50 | |
I don't think Sligo's too high on Al-Qaeda's agenda, Milo, do you? | 0:29:50 | 0:29:54 | |
Who knows what goes on in the Muslim mind? | 0:29:54 | 0:29:57 | |
I have had murderous feelings, though, I have to admit. | 0:29:57 | 0:30:01 | |
Not getting laid - | 0:30:01 | 0:30:02 | |
it's starting to make me feel really angry towards women. | 0:30:02 | 0:30:06 | |
And so I thought, well, if I join the Army, | 0:30:06 | 0:30:08 | |
those inclinations, as you call them, would be seen as a plus. | 0:30:08 | 0:30:10 | |
On your application, like, I mean, they don't come right out | 0:30:10 | 0:30:13 | |
and say that's what they're looking for. | 0:30:13 | 0:30:15 | |
In the advertisements it's all about seeing the world and all that shite. | 0:30:15 | 0:30:18 | |
But I would assume wanting to murder someone would be | 0:30:18 | 0:30:20 | |
like having a degree in engineering or something, you know? | 0:30:20 | 0:30:22 | |
It would outweigh my lack of qualifications. | 0:30:22 | 0:30:25 | |
Right. | 0:30:25 | 0:30:27 | |
Do you use pornography at all? | 0:30:29 | 0:30:31 | |
I feel I've exhausted all the possibilities of pornography. | 0:30:31 | 0:30:33 | |
-All of them? -Well, nearly all of them. | 0:30:33 | 0:30:36 | |
I'm on to transsexual pornography at the moment. | 0:30:36 | 0:30:38 | |
Chicks with dicks, you know? | 0:30:39 | 0:30:41 | |
Maybe there's a simpler solution. | 0:30:44 | 0:30:46 | |
Leave home. | 0:30:46 | 0:30:49 | |
Go somewhere where your chances of meeting available young women | 0:30:49 | 0:30:51 | |
with loose morals are increased proportionately. | 0:30:51 | 0:30:54 | |
Sligo town, do you mean? | 0:30:54 | 0:30:56 | |
No, I was thinking more Dublin, London, New York? | 0:30:57 | 0:31:01 | |
New York? | 0:31:01 | 0:31:03 | |
I'd only end up getting the AIDS, knowing my luck. | 0:31:03 | 0:31:05 | |
Thanks for taking the time to talk to me, Father. | 0:31:05 | 0:31:08 | |
I can't say it's been of much help, | 0:31:08 | 0:31:09 | |
but it's good to get these things out in the open, I suppose. | 0:31:09 | 0:31:14 | |
ENGINE RUMBLES | 0:31:14 | 0:31:16 | |
GUN CLICKS | 0:31:24 | 0:31:27 | |
Pull! | 0:31:27 | 0:31:28 | |
GUNSHOT | 0:31:28 | 0:31:29 | |
Pull! | 0:31:34 | 0:31:36 | |
GUNSHOT | 0:31:36 | 0:31:37 | |
Pull! | 0:31:42 | 0:31:44 | |
GUNSHOT | 0:31:44 | 0:31:45 | |
They've all left me, you know. That's why the place is so empty. | 0:31:53 | 0:31:58 | |
It's like a tomb. | 0:31:58 | 0:32:00 | |
Who's left you? | 0:32:00 | 0:32:03 | |
The wife, the kids... | 0:32:03 | 0:32:04 | |
Even Consuela, and she's from Ecuador, | 0:32:04 | 0:32:07 | |
so you'd think she wouldn't have that many options, | 0:32:07 | 0:32:09 | |
but apparently not. | 0:32:09 | 0:32:11 | |
I'm sorry to hear that. | 0:32:11 | 0:32:13 | |
You mentioned a financial proposition. | 0:32:15 | 0:32:18 | |
I'd like to make amends. Do penance for past sins. | 0:32:18 | 0:32:24 | |
Although, I suppose all sins are past, | 0:32:24 | 0:32:27 | |
otherwise they wouldn't be sins. | 0:32:27 | 0:32:29 | |
They'd just be... | 0:32:29 | 0:32:31 | |
evil thoughts, floating around in your mind. | 0:32:31 | 0:32:34 | |
Why do you wear the old soutane, by the way? | 0:32:37 | 0:32:40 | |
Are you trying to make a statement or something? | 0:32:40 | 0:32:42 | |
I mean, look. This watch, here - that's making a statement. | 0:32:42 | 0:32:46 | |
That's a TAG Heuer. It's very expensive. | 0:32:46 | 0:32:48 | |
Yeah, are you going to get to the point, Mr Fitzgerald, | 0:32:48 | 0:32:50 | |
-or are you going to ramble on? -Let me ask you a question. | 0:32:50 | 0:32:53 | |
What do you see when you look at me? | 0:32:53 | 0:32:57 | |
I'll tell you what you see. | 0:32:57 | 0:32:59 | |
You see a handsome, sophisticated, | 0:32:59 | 0:33:02 | |
eminent man in the prime of his life. | 0:33:02 | 0:33:04 | |
A colossus, let's say. | 0:33:04 | 0:33:06 | |
A colossus who once bestrode the world of high finance | 0:33:06 | 0:33:11 | |
and became profoundly influential in certain spheres. | 0:33:11 | 0:33:15 | |
Not to say inordinately wealthy. Not to say sickeningly wealthy. | 0:33:15 | 0:33:19 | |
Let's face it... | 0:33:19 | 0:33:21 | |
Are you sure I can't tempt you? | 0:33:22 | 0:33:24 | |
I'll stick to the water. | 0:33:24 | 0:33:26 | |
I heard you liked to drink. | 0:33:26 | 0:33:28 | |
I liked it too much. | 0:33:28 | 0:33:30 | |
There's no such thing as too much. | 0:33:30 | 0:33:34 | |
There's only not enough! | 0:33:34 | 0:33:36 | |
Where was I? | 0:33:37 | 0:33:39 | |
Talking about money, what else? | 0:33:39 | 0:33:41 | |
Now, now... | 0:33:41 | 0:33:43 | |
Got out in time, did you, before it all came crashing down? | 0:33:43 | 0:33:46 | |
It was the perfect getaway, Father. | 0:33:46 | 0:33:48 | |
They say charges are going to be filed against me, | 0:33:48 | 0:33:51 | |
for various so-called irregularities, | 0:33:51 | 0:33:53 | |
but they're always threatening guff like that. | 0:33:53 | 0:33:56 | |
They'd have to charge half the financiers in Ireland, | 0:33:56 | 0:33:58 | |
and the bank managers along with them, | 0:33:58 | 0:34:00 | |
and then troop into government and charge those cunts as well, | 0:34:00 | 0:34:03 | |
and we all know full well that's not going to happen. | 0:34:03 | 0:34:06 | |
No, there'll be no punishment forthcoming | 0:34:06 | 0:34:08 | |
for a man such as myself. | 0:34:08 | 0:34:11 | |
There never is. | 0:34:11 | 0:34:14 | |
Still, I feel a...modicum of guilt about the whole thing. | 0:34:14 | 0:34:18 | |
A modicum? Do you? | 0:34:18 | 0:34:21 | |
Well... | 0:34:21 | 0:34:22 | |
I feel like I ought to feel guilty. | 0:34:22 | 0:34:26 | |
I'm sure it's not the same thing. | 0:34:26 | 0:34:29 | |
I love this one. Really expensive. | 0:34:29 | 0:34:32 | |
I'm not quite sure what it's supposed to mean, though. | 0:34:32 | 0:34:35 | |
Why does it have to mean anything? | 0:34:35 | 0:34:37 | |
Everything has to mean something - otherwise, what's the point? | 0:34:37 | 0:34:40 | |
Of course, I don't have to know what it means. | 0:34:40 | 0:34:43 | |
I own it - that's enough. | 0:34:43 | 0:34:45 | |
That's all that matters? Ownership? Possession? | 0:34:45 | 0:34:49 | |
How much land does the Church own? How much gold? | 0:34:49 | 0:34:52 | |
That's the Church. It's not me. | 0:34:52 | 0:34:54 | |
You are a representative of the Church, are you not? | 0:34:54 | 0:34:57 | |
-If you say so. -I do say so, yeah. | 0:34:57 | 0:34:59 | |
I think you're a very judgmental man, Father. | 0:34:59 | 0:35:01 | |
Yes, I am, but I try not to be. | 0:35:01 | 0:35:04 | |
You think I don't have feelings? You think I don't care about... | 0:35:04 | 0:35:07 | |
I think you don't want to do penance at all! | 0:35:07 | 0:35:08 | |
I think you asked me here to make fun of me. | 0:35:08 | 0:35:11 | |
But when you want to do penance sincerely, | 0:35:11 | 0:35:14 | |
you can give me a call, at any time, | 0:35:14 | 0:35:16 | |
and I'll try my best to help you! | 0:35:16 | 0:35:18 | |
I could piss on this, you know. | 0:35:20 | 0:35:22 | |
I said I love it - I don't. It doesn't mean anything to me. | 0:35:24 | 0:35:27 | |
I could take it down right now and piss on it. | 0:35:27 | 0:35:28 | |
Do you want me to do that? Do you? | 0:35:28 | 0:35:30 | |
-Why would I want you to do that? -I don't know. | 0:35:30 | 0:35:33 | |
So I can have some sort of spiritual revelation. | 0:35:33 | 0:35:37 | |
Some sort of fucking epiphany, huh? | 0:35:37 | 0:35:40 | |
OK, let's go. | 0:35:40 | 0:35:42 | |
-HE GRUNTS -All right, here... | 0:35:42 | 0:35:45 | |
Now... | 0:35:45 | 0:35:46 | |
I'll give you an epiphany. | 0:35:48 | 0:35:50 | |
Well, I don't know, now. | 0:35:50 | 0:35:51 | |
ZIP SQUEAKS | 0:35:51 | 0:35:53 | |
People like you have pissed on everything else, I suppose, | 0:35:53 | 0:35:55 | |
so why not that too? | 0:35:55 | 0:35:57 | |
You have your totems, I see. | 0:36:17 | 0:36:20 | |
Who is it? | 0:36:20 | 0:36:21 | |
French couple, head-on. | 0:36:21 | 0:36:24 | |
She was totally unscathed. He got fucked. | 0:36:24 | 0:36:28 | |
Wrong side of the road? | 0:36:28 | 0:36:29 | |
The careful young ones hit them drunk, of course. | 0:36:29 | 0:36:33 | |
-How many? -Five, and I'm including the Frenchman. | 0:36:33 | 0:36:37 | |
Dear God! | 0:36:37 | 0:36:38 | |
Marine biologist he was. | 0:36:38 | 0:36:41 | |
That's where I'd like to be - under the sea. | 0:36:41 | 0:36:44 | |
-Where are the young ones? -The morgue. Best place for them. | 0:36:45 | 0:36:49 | |
Every life is sacred, Frank. For God's sake... | 0:36:49 | 0:36:52 | |
Ah, no - some are less sacred than others. | 0:36:52 | 0:36:56 | |
MACHINE BEEPS | 0:36:56 | 0:36:58 | |
Through this holy anointing, may the Lord in his love and mercy... | 0:37:07 | 0:37:10 | |
help you... | 0:37:10 | 0:37:11 | |
with the grace of the Holy Spirit. | 0:37:11 | 0:37:13 | |
Amen. | 0:37:13 | 0:37:14 | |
May the Lord who frees you from sin save you... | 0:37:22 | 0:37:26 | |
and raise you up. | 0:37:26 | 0:37:27 | |
Amen. | 0:37:27 | 0:37:28 | |
HEAVY BREATHING | 0:37:30 | 0:37:32 | |
Have you performed the last rites many times? | 0:37:34 | 0:37:38 | |
Yes. | 0:37:38 | 0:37:40 | |
Usually with older people, of course. | 0:37:40 | 0:37:42 | |
They have time to prepare for it. | 0:37:44 | 0:37:46 | |
Everybody knows it's coming. | 0:37:48 | 0:37:50 | |
It is easier? | 0:37:52 | 0:37:55 | |
It's never easy. | 0:37:55 | 0:37:58 | |
More understandable, I'd say. | 0:37:58 | 0:38:01 | |
Less unfair. | 0:38:01 | 0:38:03 | |
In situations like this one, | 0:38:03 | 0:38:06 | |
people are shocked at the randomness of it. | 0:38:06 | 0:38:10 | |
They curse God. | 0:38:12 | 0:38:14 | |
They curse their fellow man. | 0:38:14 | 0:38:16 | |
They lose their faith, in some cases. | 0:38:16 | 0:38:18 | |
They lose their faith? | 0:38:20 | 0:38:23 | |
It must not have been much of a faith to begin with, | 0:38:25 | 0:38:28 | |
if it is so easy for them to lose it. | 0:38:28 | 0:38:30 | |
Yes, but what is faith? | 0:38:30 | 0:38:33 | |
For most people, it's the fear of death and nothing more than that. | 0:38:33 | 0:38:37 | |
But if that's all it is, it's very easy to lose. | 0:38:39 | 0:38:43 | |
He was a good man, your husband? | 0:38:43 | 0:38:47 | |
Yes. | 0:38:48 | 0:38:49 | |
He was a good man. | 0:38:52 | 0:38:54 | |
We had a very good life together. | 0:38:57 | 0:38:59 | |
We loved each other very much, | 0:38:59 | 0:39:02 | |
and now... | 0:39:02 | 0:39:05 | |
he has gone. | 0:39:05 | 0:39:07 | |
And that is not unfair. | 0:39:09 | 0:39:13 | |
That is just what happened. | 0:39:13 | 0:39:15 | |
But many people don't live good lives. | 0:39:19 | 0:39:23 | |
They don't feel love. | 0:39:26 | 0:39:28 | |
That is what is unfair. | 0:39:31 | 0:39:33 | |
I feel sorry for them. | 0:39:36 | 0:39:38 | |
Will you say a prayer with me, Teresa? | 0:39:42 | 0:39:44 | |
Hail Mary, full of Grace, the Lord is with Thee. | 0:39:48 | 0:39:51 | |
Blessed art thou among women, | 0:39:51 | 0:39:54 | |
and blessed is the fruit of thy womb, Jesus. | 0:39:54 | 0:39:57 | |
Holy Mary, Mother of God, pray for us sinners now, | 0:39:57 | 0:40:01 | |
and at the hour of death. Amen. | 0:40:01 | 0:40:03 | |
WIND HOWLS | 0:40:05 | 0:40:07 | |
THUNDER RUMBLES | 0:40:10 | 0:40:13 | |
BELL TOLLS | 0:40:13 | 0:40:16 | |
Finished with all of your gobbledygook? | 0:40:16 | 0:40:18 | |
How's she holding up? | 0:40:20 | 0:40:23 | |
She's a strong woman. | 0:40:23 | 0:40:25 | |
Good-looking, too! | 0:40:25 | 0:40:26 | |
I could be in there. | 0:40:26 | 0:40:28 | |
I have a thing for widowers. | 0:40:28 | 0:40:31 | |
Did I ever tell you? | 0:40:31 | 0:40:33 | |
I think you might have done. | 0:40:33 | 0:40:35 | |
Your material is getting a little stale, after all. | 0:40:35 | 0:40:37 | |
Ah, sure. The atheistic doctor, it's a cliched part to play. | 0:40:37 | 0:40:42 | |
There aren't that many good lines. | 0:40:42 | 0:40:45 | |
One part humanism to nine parts gallows humour. | 0:40:45 | 0:40:50 | |
Playing you, though? Now, that might be interesting. | 0:40:50 | 0:40:55 | |
Playing me. Who's me? | 0:40:55 | 0:40:57 | |
The good priest. | 0:40:57 | 0:40:58 | |
SIREN WAILS | 0:40:58 | 0:41:00 | |
Excuse me, won't you? | 0:41:03 | 0:41:06 | |
I have to go kill somebody. | 0:41:06 | 0:41:08 | |
GUNSHOT ECHOES | 0:41:23 | 0:41:25 | |
How long was I out? | 0:41:27 | 0:41:30 | |
Ages. Aeons. | 0:41:30 | 0:41:33 | |
Did I ever tell you the story about Fionn Mac Cumhaill, | 0:41:33 | 0:41:36 | |
and another big strong lad called Cicsatoin? | 0:41:36 | 0:41:38 | |
They were at the top of the Ox Mountains... | 0:41:38 | 0:41:40 | |
They were at the top of the Ox Mountains. | 0:41:40 | 0:41:41 | |
Cicsatoin challenged Fionn to throw a boulder into the sea at Easkey, | 0:41:41 | 0:41:44 | |
claiming that he couldn't do it. | 0:41:44 | 0:41:46 | |
Fionn accepted the challenge. | 0:41:46 | 0:41:48 | |
Cicsatoin's boulder landed on the shore, | 0:41:48 | 0:41:50 | |
creating such waves that the sea has not been the same since, | 0:41:50 | 0:41:52 | |
which is why the Easkey coastline is internationally | 0:41:52 | 0:41:55 | |
renowned for its surfing. | 0:41:55 | 0:41:57 | |
Fionn's boulder landed short, landed here, | 0:41:57 | 0:42:00 | |
he drew his sword, split the rock in two and said, | 0:42:00 | 0:42:03 | |
"Should someone foolhardy enough to pass through the rock three times, | 0:42:03 | 0:42:06 | |
"they will be squished into tiny little lumps, unceremoniously." | 0:42:06 | 0:42:10 | |
Not a lot of poetry in that recital. Not a lot of romance. | 0:42:11 | 0:42:16 | |
I'm sick to death of romance. | 0:42:16 | 0:42:18 | |
There was a Japanese writer who committed suicide. | 0:42:20 | 0:42:23 | |
He wrote out a list beforehand of | 0:42:25 | 0:42:27 | |
all the famous suicides throughout history. | 0:42:27 | 0:42:31 | |
He included Christ. | 0:42:31 | 0:42:33 | |
Sounds like a smart-arse. | 0:42:33 | 0:42:36 | |
In the Middle Ages, they would have just said | 0:42:36 | 0:42:38 | |
I was possessed by demons. | 0:42:38 | 0:42:39 | |
Maybe you were. | 0:42:39 | 0:42:42 | |
Maybe they were nearer the mark back then. | 0:42:42 | 0:42:44 | |
You think what happened was unimportant - | 0:42:44 | 0:42:48 | |
insignificant in the great scheme of things, to provoke such a reaction. | 0:42:48 | 0:42:54 | |
But what may... | 0:42:55 | 0:42:57 | |
But what may mean nothing to you may be very important to me. | 0:43:01 | 0:43:06 | |
I'd never say it was unimportant. | 0:43:06 | 0:43:08 | |
I'd just say the choices you make when you're 30... | 0:43:10 | 0:43:14 | |
are not the same choices you make when you're 60. | 0:43:14 | 0:43:16 | |
That's irrelevant. | 0:43:16 | 0:43:19 | |
Every moment of living has its own logic, its own meaning... | 0:43:19 | 0:43:23 | |
Maybe so. | 0:43:23 | 0:43:26 | |
Maybe you're right, there. I'll have to think about that. | 0:43:26 | 0:43:28 | |
It's a tired old argument, I suppose, | 0:43:32 | 0:43:36 | |
but what about those you leave behind? | 0:43:36 | 0:43:39 | |
I belong to myself, not to anybody else. | 0:43:39 | 0:43:42 | |
True. | 0:43:42 | 0:43:43 | |
False. | 0:43:46 | 0:43:47 | |
You'll tell me it would have been a mortal sin, I suppose? | 0:43:49 | 0:43:54 | |
Would I have suffered eternal damnation, Father? | 0:43:57 | 0:44:00 | |
God is great. | 0:44:05 | 0:44:08 | |
The limits of His mercy have not been set. | 0:44:08 | 0:44:11 | |
Is this is where you want to be buried? | 0:44:17 | 0:44:19 | |
Why in hell would I want to be buried | 0:44:19 | 0:44:21 | |
in a God-forsaken place like this? | 0:44:21 | 0:44:24 | |
Where, then? Pere Lachaise? | 0:44:24 | 0:44:27 | |
Next to dear old Oscar? | 0:44:27 | 0:44:29 | |
No, next to Apollinaire and Max Ophuls. | 0:44:29 | 0:44:32 | |
Oh, very fancy, I must say. | 0:44:32 | 0:44:35 | |
-I have your gun for you, by the way. -Yeah, right. | 0:44:35 | 0:44:37 | |
I do so! | 0:44:37 | 0:44:39 | |
Webley, circa 1920. | 0:44:39 | 0:44:41 | |
Still in good working order, though, | 0:44:41 | 0:44:43 | |
or so I've been told by a man who would know. | 0:44:43 | 0:44:45 | |
Well, hand it over, then. | 0:44:45 | 0:44:47 | |
I don't have it on me. | 0:44:47 | 0:44:48 | |
I knew it. | 0:44:48 | 0:44:49 | |
Worried I might follow through with it, huh? | 0:44:49 | 0:44:51 | |
You might take a pot shot at me, for all I know. | 0:44:51 | 0:44:54 | |
Why would I do that? What have you ever done to me except talk garbage? | 0:44:54 | 0:44:58 | |
That doesn't mean anything. | 0:44:58 | 0:45:00 | |
Bloody idiots can't even be bothered with a reason for murder these days. | 0:45:00 | 0:45:04 | |
Wake up in a foul mood and it's bang, bang, bang. | 0:45:04 | 0:45:06 | |
Ah, I don't know about that. Some people have very good reasons. | 0:45:06 | 0:45:10 | |
Which of the lads are you here to see, Father? | 0:45:16 | 0:45:18 | |
Freddie Joyce. | 0:45:18 | 0:45:19 | |
-Freddie Joyce, the murderer... -I know who he is. | 0:45:21 | 0:45:25 | |
What the hell do you want to see him for? | 0:45:25 | 0:45:26 | |
He's an old pupil of mine. He asked to see me. | 0:45:26 | 0:45:28 | |
You know, I've asked them to hang me. | 0:45:36 | 0:45:39 | |
There's no capital punishment in Ireland, Freddie, as you well know. | 0:45:39 | 0:45:42 | |
-Why do you want them to hang you? -Cos that's the way Leslie Ryan died. | 0:45:42 | 0:45:45 | |
You're saying you feel remorse? | 0:45:45 | 0:45:47 | |
I'm not a monster. Do I look like a monster? | 0:45:47 | 0:45:51 | |
What do monsters look like? | 0:45:51 | 0:45:54 | |
I had the cops in here the other day. | 0:45:54 | 0:45:57 | |
The third degree. | 0:45:58 | 0:46:00 | |
Wanting to go over all the gory details. | 0:46:00 | 0:46:02 | |
Which I'm sure you were only too happy to provide. | 0:46:02 | 0:46:06 | |
They're obsessed with cannibalism. | 0:46:06 | 0:46:08 | |
"What did it taste like?" | 0:46:08 | 0:46:11 | |
I told them it tasted like pheasant - | 0:46:11 | 0:46:13 | |
a bit gamey. | 0:46:13 | 0:46:16 | |
Good for you. Make a joke about it. | 0:46:16 | 0:46:18 | |
-Why were they...? -It's the same as always. | 0:46:22 | 0:46:24 | |
They want to know where the last one is. | 0:46:24 | 0:46:26 | |
The one they never found. | 0:46:26 | 0:46:28 | |
The one I connected up. | 0:46:28 | 0:46:30 | |
Why can't you tell them, Freddie? | 0:46:34 | 0:46:37 | |
Give the family some kind of peace. | 0:46:37 | 0:46:40 | |
I wanted to, Father, but, for the life of me, | 0:46:40 | 0:46:43 | |
I cannot remember where I put it. | 0:46:43 | 0:46:47 | |
I mean, I know it was in the woods somewhere. | 0:46:47 | 0:46:49 | |
"Where did I leave my keys?" | 0:46:49 | 0:46:50 | |
No! I wasn't in my right mind. You know? | 0:46:50 | 0:46:54 | |
-The LSD...it was like a fairy tale. -Yeah, you know... | 0:46:54 | 0:46:56 | |
You said all that at the trial, Freddie. | 0:46:56 | 0:46:58 | |
It's getting kind of tiresome now. | 0:46:58 | 0:47:00 | |
She was a lovely... | 0:47:03 | 0:47:05 | |
She was a lovely girl. | 0:47:07 | 0:47:10 | |
You know, she told me that she'd been abused before, | 0:47:10 | 0:47:13 | |
so I says, "Well, once more won't make any difference, then." | 0:47:13 | 0:47:15 | |
HE GIGGLES | 0:47:15 | 0:47:17 | |
You see the light go out in their eyes... | 0:47:24 | 0:47:27 | |
and you become God! | 0:47:27 | 0:47:29 | |
No, you don't! | 0:47:29 | 0:47:30 | |
No, you don't. | 0:47:33 | 0:47:35 | |
Why am I here? | 0:47:38 | 0:47:40 | |
I just wanted someone to talk to. | 0:47:43 | 0:47:45 | |
I don't think you feel any guilt whatsoever... | 0:47:47 | 0:47:51 | |
about anything that you've done. | 0:47:51 | 0:47:53 | |
No, I do. I do, Father. | 0:47:53 | 0:47:55 | |
I believe what the Bible teaches. | 0:47:58 | 0:48:01 | |
I believe that if I repent my sins, then I'll be forgiven, | 0:48:01 | 0:48:04 | |
and I'll be able to go up to heaven, | 0:48:04 | 0:48:06 | |
and I'll see those girls and I'll tell them how sorry I am. | 0:48:06 | 0:48:09 | |
And I'll hug them and I'll kiss them, | 0:48:09 | 0:48:11 | |
and I'll love them with a real, true love, | 0:48:11 | 0:48:14 | |
and I'll have no desire to hurt them in any way. | 0:48:14 | 0:48:17 | |
God made me, didn't he? | 0:48:22 | 0:48:25 | |
I mean, didn't he? | 0:48:27 | 0:48:29 | |
So he understands me. | 0:48:31 | 0:48:33 | |
He must do. | 0:48:33 | 0:48:35 | |
Don't you think? | 0:48:40 | 0:48:41 | |
I think if God can't understand you, Freddie... | 0:48:44 | 0:48:49 | |
no-one can. | 0:48:49 | 0:48:51 | |
You know they're foreclosing on me? | 0:49:00 | 0:49:02 | |
-Who? -Who? The banks, who else? | 0:49:02 | 0:49:05 | |
I'm sorry to hear that. | 0:49:05 | 0:49:07 | |
How come I never hear your mob preaching about that? | 0:49:07 | 0:49:10 | |
About what? | 0:49:10 | 0:49:11 | |
About all these bankers that have brought this country to its knees. | 0:49:11 | 0:49:15 | |
Still throwing people out of their homes, though, | 0:49:15 | 0:49:17 | |
for not making their payments. | 0:49:17 | 0:49:20 | |
I never hear your mob talking about that. | 0:49:20 | 0:49:22 | |
Those are sins too, aren't they? | 0:49:22 | 0:49:24 | |
Yes, they are. | 0:49:24 | 0:49:25 | |
That's right. | 0:49:25 | 0:49:27 | |
I suppose when you have a history of | 0:49:27 | 0:49:29 | |
screwing the Jews out of their money, | 0:49:29 | 0:49:31 | |
and collaborating with the Nazis, | 0:49:31 | 0:49:33 | |
it's like the pot calling the kettle black, huh? | 0:49:33 | 0:49:36 | |
I suppose it is. | 0:49:36 | 0:49:38 | |
Getting full use out of your library card, there, Brendan. | 0:49:38 | 0:49:40 | |
The library's been shut down. Did you not hear? Cutbacks. | 0:49:40 | 0:49:45 | |
FIDDLE MUSIC PLAYS | 0:49:49 | 0:49:51 | |
MUSIC DROWNS OUT SPEECH | 0:50:03 | 0:50:05 | |
Are you not dancing, Milo? | 0:50:09 | 0:50:11 | |
I don't like this music. | 0:50:11 | 0:50:14 | |
What music do you like? | 0:50:14 | 0:50:16 | |
Dolly Parton. | 0:50:16 | 0:50:18 | |
Dolly Parton's good, yeah. | 0:50:18 | 0:50:20 | |
HE SNORTS | 0:50:20 | 0:50:22 | |
Great cocaine! | 0:50:27 | 0:50:28 | |
SHE SNORTS | 0:50:28 | 0:50:30 | |
Very moreish! | 0:50:30 | 0:50:31 | |
Purely medicinal, Father. | 0:50:37 | 0:50:39 | |
FIDDLE MUSIC PLAYS | 0:50:44 | 0:50:46 | |
How was your man, Joyce? | 0:50:48 | 0:50:51 | |
It's been a tough day, let's put it that way. | 0:50:51 | 0:50:55 | |
How can you hope to connect with someone like that? | 0:50:55 | 0:50:57 | |
What are you talking about? Not Freddie Joyce! | 0:50:57 | 0:51:00 | |
I visited him in prison today. | 0:51:00 | 0:51:02 | |
Why? | 0:51:02 | 0:51:03 | |
A prisoner deserves spiritual guidance as much as anyone else. | 0:51:03 | 0:51:07 | |
-Maybe more so. -Is that right? | 0:51:07 | 0:51:09 | |
So they can find God, | 0:51:09 | 0:51:12 | |
and then say God has absolved them of all their sins, | 0:51:12 | 0:51:15 | |
and what they did didn't really matter anyways, | 0:51:15 | 0:51:18 | |
cos now they're saved(!) | 0:51:18 | 0:51:19 | |
Something like that, yeah. | 0:51:19 | 0:51:20 | |
Calm down. You don't know what you're talking about. | 0:51:20 | 0:51:23 | |
HE SCREAMS, GLASS BREAKS | 0:51:24 | 0:51:27 | |
Jesus! Would you mind the drinks?! | 0:51:27 | 0:51:30 | |
For Christ's sake! | 0:51:30 | 0:51:31 | |
He had that coming a long time, you know yourself. | 0:51:34 | 0:51:37 | |
MUSIC SPEEDS UP | 0:51:37 | 0:51:39 | |
He's a fine-looking man. | 0:51:48 | 0:51:50 | |
I'd watch yourself around him. | 0:51:50 | 0:51:52 | |
I gave up cocaine a long time ago. | 0:51:52 | 0:51:56 | |
You took cocaine? | 0:51:56 | 0:51:58 | |
Come on, let's dance. | 0:51:58 | 0:52:00 | |
No, no, no... | 0:52:00 | 0:52:02 | |
What did they call it in your day, a jive? | 0:52:02 | 0:52:04 | |
-No, no... -Oh, come on! | 0:52:04 | 0:52:06 | |
Forgive me, Father, for I have sinned. | 0:52:36 | 0:52:39 | |
Say one Our Father and ten Hail Marys. | 0:52:39 | 0:52:42 | |
I've sinned more than that. | 0:52:42 | 0:52:44 | |
Make an ascent to Croagh Patrick, then, on your knees. | 0:52:44 | 0:52:48 | |
On my knees, is it? What made you say that? | 0:52:48 | 0:52:52 | |
SHE LAUGHS | 0:52:54 | 0:52:56 | |
Your church is on fire. | 0:53:00 | 0:53:02 | |
Oh, fuck off, Brendan. I'm not in the mood. | 0:53:02 | 0:53:04 | |
Your church is on fire! | 0:53:04 | 0:53:05 | |
Jesus Christ! | 0:53:11 | 0:53:12 | |
I called the fire brigade, Father, | 0:53:17 | 0:53:20 | |
for all the good it'll do. | 0:53:20 | 0:53:22 | |
Sure, they'll never get here in time. | 0:53:22 | 0:53:24 | |
-Why didn't anybody see? -Daddy, stay away. | 0:53:28 | 0:53:30 | |
FLAMES ROAR | 0:53:30 | 0:53:32 | |
Daddy! Come away. | 0:53:32 | 0:53:34 | |
Why didn't anybody see?! | 0:53:36 | 0:53:38 | |
They're probably going to blame you for this. | 0:53:44 | 0:53:47 | |
FLAMES ROAR, BUILDING CRASHES | 0:53:50 | 0:53:52 | |
Professional job, I'll say that for them. | 0:53:54 | 0:53:56 | |
Any fool can start a fire, for fuck's sake. | 0:53:56 | 0:53:58 | |
Who'd do a thing like this? | 0:54:17 | 0:54:20 | |
Somebody with a grudge against the Church, obviously. | 0:54:20 | 0:54:22 | |
That could be half the country, | 0:54:22 | 0:54:24 | |
unless there's a personal angle. | 0:54:24 | 0:54:26 | |
How do you mean? | 0:54:26 | 0:54:27 | |
Nobody with a grudge against your father, no? | 0:54:27 | 0:54:30 | |
Who'd have a grudge against you? | 0:54:32 | 0:54:34 | |
Maybe this is the future, huh? | 0:54:34 | 0:54:37 | |
Maybe it'll all be ruins one day. | 0:54:37 | 0:54:40 | |
Maybe one day kids will say to their parents in amazement, | 0:54:40 | 0:54:42 | |
"They used to believe in what?" | 0:54:42 | 0:54:44 | |
And all that up in the sky, | 0:54:44 | 0:54:46 | |
and if we're good we'll go to heaven, | 0:54:46 | 0:54:48 | |
and if we're bad we'll go to hell. | 0:54:48 | 0:54:50 | |
You know, for a policeman, | 0:54:51 | 0:54:52 | |
you seem to know very little about human nature. | 0:54:52 | 0:54:55 | |
Maybe you're right, | 0:54:55 | 0:54:56 | |
so you'll know more than me. | 0:54:56 | 0:54:59 | |
Now, don't touch anything now. | 0:54:59 | 0:55:01 | |
I'll have to get the forensic boys down, | 0:55:01 | 0:55:03 | |
the supercilious pricks! | 0:55:03 | 0:55:05 | |
What do we do now? | 0:55:13 | 0:55:16 | |
We'll have to rebuild it, I suppose. | 0:55:16 | 0:55:19 | |
Maybe use bricks next time - | 0:55:19 | 0:55:22 | |
might be a good idea. | 0:55:22 | 0:55:23 | |
Oh, God, Father. | 0:55:36 | 0:55:37 | |
Is this about the coke? | 0:55:41 | 0:55:43 | |
I can take it or leave it. | 0:55:43 | 0:55:45 | |
Really? | 0:55:45 | 0:55:47 | |
Yeah. Most people can. | 0:55:47 | 0:55:49 | |
The only ones who can't had problems to begin with. | 0:55:49 | 0:55:52 | |
We shouldn't write them off, though, | 0:55:52 | 0:55:54 | |
the ones who had problems to begin with. | 0:55:54 | 0:55:56 | |
What do you want to do with your life, Veronica? | 0:55:59 | 0:56:01 | |
SHE EXHALES | 0:56:01 | 0:56:04 | |
Nothing. | 0:56:04 | 0:56:06 | |
"Consider the lilies of the field, how they grow: | 0:56:06 | 0:56:09 | |
"they toil not, neither do they spin." | 0:56:09 | 0:56:11 | |
Very nice quotation. | 0:56:11 | 0:56:13 | |
Ah, sure. Everybody knows that one. | 0:56:13 | 0:56:15 | |
It's hackneyed, yeah. | 0:56:15 | 0:56:17 | |
It's like "turn the other cheek" or "judge not lest ye be judged". | 0:56:17 | 0:56:20 | |
I'd like to be an actress, maybe. | 0:56:23 | 0:56:25 | |
I have an absent father and a domineering mother. | 0:56:25 | 0:56:27 | |
That's a start. | 0:56:27 | 0:56:30 | |
When did your dad leave? | 0:56:30 | 0:56:32 | |
He didn't leave, he was killed. | 0:56:32 | 0:56:34 | |
He was murdered? | 0:56:36 | 0:56:37 | |
Hunting accident. | 0:56:37 | 0:56:39 | |
Completely random. | 0:56:39 | 0:56:42 | |
So there's no use persevering, Father. | 0:56:42 | 0:56:44 | |
I'm a lost cause. | 0:56:44 | 0:56:45 | |
No-one is a lost cause, Veronica. | 0:56:48 | 0:56:50 | |
HE SNIFFS | 0:56:53 | 0:56:55 | |
Who is it? | 0:56:55 | 0:56:56 | |
I don't know who it is. | 0:56:58 | 0:57:00 | |
You said you did. | 0:57:03 | 0:57:05 | |
I have no evidence it's the same man. | 0:57:05 | 0:57:07 | |
It's the same man. | 0:57:07 | 0:57:09 | |
It takes a lot of nerve to burn down a church. | 0:57:09 | 0:57:12 | |
It helps if you have a burning sense of grievance, | 0:57:13 | 0:57:16 | |
if you'll pardon the... | 0:57:16 | 0:57:18 | |
We have to ask ourselves, "What does this man want?" | 0:57:18 | 0:57:23 | |
Well, he wants to be loved, of course. We all want to be loved. | 0:57:23 | 0:57:27 | |
Failing that, he wants to be admired. | 0:57:27 | 0:57:32 | |
Failing that, he wants to be feared. | 0:57:32 | 0:57:35 | |
Failing that, he wants to be hated and despised. | 0:57:35 | 0:57:39 | |
We should beware the man who wants to be hated and despised. | 0:57:39 | 0:57:41 | |
Don't you think? | 0:57:41 | 0:57:43 | |
I think you read that in a book, Your Excellency. | 0:57:45 | 0:57:48 | |
I think he wants to stir up some sort of feelings in others. | 0:57:51 | 0:57:54 | |
That's true. | 0:57:54 | 0:57:56 | |
He doesn't want to be ignored any more. | 0:57:56 | 0:58:00 | |
He wants to make contact. | 0:58:00 | 0:58:03 | |
He made contact, all right. | 0:58:03 | 0:58:05 | |
Who is it? | 0:58:07 | 0:58:09 | |
HE SIGHS | 0:58:12 | 0:58:14 | |
Dreadful business, I must say. | 0:58:16 | 0:58:17 | |
Some little blaggard running riot, I wouldn't wonder. | 0:58:17 | 0:58:20 | |
What can you do in this day and age? | 0:58:20 | 0:58:22 | |
True, that. | 0:58:22 | 0:58:23 | |
Thanks. Goodbye. | 0:58:23 | 0:58:25 | |
-PHONE BELL CHIMES -Sorry about the other day, Father. | 0:58:25 | 0:58:28 | |
That was the drink talking. | 0:58:28 | 0:58:31 | |
What can we do for you? | 0:58:31 | 0:58:32 | |
Well, it's off the back of what I was saying, | 0:58:32 | 0:58:34 | |
and it seems more necessary now than ever - | 0:58:34 | 0:58:37 | |
I'd like to make a donation. | 0:58:37 | 0:58:39 | |
Oh, that'd be grand. | 0:58:39 | 0:58:43 | |
To salve your conscience? | 0:58:43 | 0:58:45 | |
Well, surely that's in the nature of all philanthropy - | 0:58:45 | 0:58:47 | |
the expiation of guilt. | 0:58:47 | 0:58:49 | |
I'm sure you've nothing major to feel guilty about, Mr Fitzgerald. | 0:58:49 | 0:58:54 | |
Well, you'd be surprised, Father. | 0:58:54 | 0:58:56 | |
Call me Michael. | 0:58:56 | 0:58:57 | |
Michael it is. | 0:58:59 | 0:59:01 | |
Any charity is always gratefully received. | 0:59:01 | 0:59:03 | |
I know. | 0:59:03 | 0:59:04 | |
I believe that's Church doctrine, | 0:59:04 | 0:59:07 | |
and we all know the Church needs all the help it can get, | 0:59:07 | 0:59:10 | |
especially these days. | 0:59:10 | 0:59:12 | |
Why would you say that? | 0:59:12 | 0:59:13 | |
Well, with all the compensation that's been paid out | 0:59:13 | 0:59:15 | |
over the last few years. | 0:59:15 | 0:59:17 | |
And that's only the Yanks, and we all know they weren't the worst. | 0:59:19 | 0:59:22 | |
I don't know about that, now. | 0:59:22 | 0:59:24 | |
Most of those cases were 40 or 50 years ago. | 0:59:24 | 0:59:27 | |
Raking up old ground, it always seemed to me. | 0:59:27 | 0:59:30 | |
-Time to forgive and forget. -I agree. I agree. | 0:59:30 | 0:59:34 | |
What's past is past. Time to move on. | 0:59:34 | 0:59:38 | |
Et cetera, et cetera... | 0:59:38 | 0:59:39 | |
Would you like a cup of tea, Michael, | 0:59:42 | 0:59:44 | |
or maybe something stronger? | 0:59:44 | 0:59:46 | |
Do you have any crystal meth? | 0:59:46 | 0:59:48 | |
No, no. I can't stop. | 0:59:48 | 0:59:50 | |
So what are we talking about? Ten? 20? | 0:59:50 | 0:59:54 | |
20,000? | 0:59:54 | 0:59:57 | |
20,000 Euros, yeah. | 0:59:57 | 1:00:00 | |
Well, that would be grand. | 1:00:00 | 1:00:03 | |
That would help with getting the initial building work | 1:00:03 | 1:00:05 | |
off the ground. | 1:00:05 | 1:00:06 | |
20 it is, then. | 1:00:06 | 1:00:08 | |
This is a David Oscarson pen. | 1:00:08 | 1:00:11 | |
It's really expensive. | 1:00:11 | 1:00:13 | |
Oh, it's lovely. | 1:00:13 | 1:00:15 | |
Why not make it 50? | 1:00:15 | 1:00:17 | |
Ah, now, Father... | 1:00:17 | 1:00:19 | |
If money's no object, make it 50. | 1:00:21 | 1:00:23 | |
Why not make it 100? It means nothing to me. | 1:00:26 | 1:00:29 | |
I know it doesn't. | 1:00:30 | 1:00:32 | |
100,000 Euros for your pet project, Father. What do you say to that? | 1:00:33 | 1:00:37 | |
I say, "Thank you, Mr Fitzgerald." | 1:00:37 | 1:00:39 | |
What was Stanton getting at? | 1:00:41 | 1:00:44 | |
If I could tell you, I would. You know that. | 1:00:44 | 1:00:47 | |
I thought I was the one who's supposed to be in trouble, not you. | 1:00:47 | 1:00:50 | |
How's the fish? | 1:00:52 | 1:00:55 | |
Too many little bones. | 1:00:55 | 1:00:56 | |
Isn't that always the way? | 1:00:56 | 1:00:58 | |
I'm not stopping. | 1:00:58 | 1:01:00 | |
Meeting the fella. | 1:01:00 | 1:01:02 | |
You're informing me of your adultery in advance. | 1:01:02 | 1:01:05 | |
Isn't that more honest than in the confessional, | 1:01:05 | 1:01:08 | |
when it's all done and dusted, and there's nothing you can do about it? | 1:01:08 | 1:01:11 | |
What are you expecting him to do about it? | 1:01:11 | 1:01:12 | |
Stop me from committing a mortal sin. | 1:01:12 | 1:01:14 | |
You have to stop yourself. I can't stop you. | 1:01:14 | 1:01:17 | |
Then what good are you at all? | 1:01:17 | 1:01:20 | |
There's my ride, as it were. | 1:01:20 | 1:01:22 | |
Let's do this again some time. | 1:01:24 | 1:01:26 | |
BIRDS SQUAWK | 1:01:30 | 1:01:32 | |
Do you have to put up with that kind of shit on a regular basis? | 1:01:34 | 1:01:38 | |
There's a lot of it going around, let's put it that way. | 1:01:38 | 1:01:41 | |
We really should talk, you know. | 1:01:46 | 1:01:49 | |
Let it all out. | 1:01:49 | 1:01:51 | |
Like in one of those shit plays at the abbey. | 1:01:51 | 1:01:55 | |
I don't know what the third-act revelation would be, though. | 1:01:55 | 1:01:59 | |
Neither do I. | 1:01:59 | 1:02:00 | |
Your mother dying killed a little something in both of us, | 1:02:03 | 1:02:05 | |
I know that. | 1:02:05 | 1:02:08 | |
It was a long goodbye, if ever there was one. | 1:02:08 | 1:02:11 | |
Sometimes I wish she hadn't have hung on as long as she did. | 1:02:11 | 1:02:15 | |
She was stubborn, all right. | 1:02:15 | 1:02:18 | |
Brave too, though. | 1:02:18 | 1:02:20 | |
I wonder if I'll be as brave when the time comes. | 1:02:20 | 1:02:23 | |
It wasn't just her dying. | 1:02:23 | 1:02:26 | |
You were missing in action a long time, before and after, | 1:02:26 | 1:02:31 | |
when I needed you the most. | 1:02:31 | 1:02:33 | |
I was never neglectful, I don't think. | 1:02:35 | 1:02:37 | |
I never hit you or anything. | 1:02:39 | 1:02:41 | |
There are other forms of violence. | 1:02:41 | 1:02:43 | |
I know there are! Attempting suicide, for one. | 1:02:43 | 1:02:47 | |
Jesus! I walked into that one. | 1:02:47 | 1:02:49 | |
It's not only violence against yourself, either. | 1:02:49 | 1:02:51 | |
It wasn't intended that way. | 1:02:51 | 1:02:53 | |
I never meant to hurt you. | 1:02:53 | 1:02:55 | |
How could it not hurt me? I love you! | 1:02:55 | 1:02:59 | |
I love you, too. | 1:02:59 | 1:03:01 | |
Don't ever doubt that. | 1:03:01 | 1:03:03 | |
Here, Dad... | 1:03:08 | 1:03:11 | |
Dad, just when I thought I had you back, | 1:03:11 | 1:03:14 | |
and you were ship-shape and raring to go, go you did. | 1:03:14 | 1:03:18 | |
I thought it would be another woman. | 1:03:21 | 1:03:23 | |
I have a vocation. I wasn't trying to escape! | 1:03:23 | 1:03:26 | |
I know that! I know you're sincere. | 1:03:26 | 1:03:28 | |
But, Dad, the fact remains - | 1:03:30 | 1:03:33 | |
first Mum went away, | 1:03:33 | 1:03:36 | |
and then you went away. | 1:03:36 | 1:03:39 | |
I lost two parents for the price of one. | 1:03:39 | 1:03:42 | |
I never went anywhere. I stayed here. | 1:03:45 | 1:03:48 | |
I think you're being a bit naive, there, Father. | 1:03:48 | 1:03:50 | |
I'm still here. | 1:03:50 | 1:03:52 | |
I'll always be here. | 1:03:52 | 1:03:54 | |
Will you? | 1:03:57 | 1:03:58 | |
You promise? | 1:03:59 | 1:04:01 | |
I'll always be here, | 1:04:05 | 1:04:07 | |
and you'll always be here. | 1:04:07 | 1:04:09 | |
SHE SOBS | 1:04:13 | 1:04:15 | |
How was that for a third-act revelation? | 1:04:22 | 1:04:24 | |
Yeah, it's corny... | 1:04:24 | 1:04:28 | |
but I like it. | 1:04:28 | 1:04:29 | |
PILLS RATTLE | 1:04:36 | 1:04:38 | |
Here. | 1:04:40 | 1:04:41 | |
Here's to mud in your eye! | 1:04:50 | 1:04:53 | |
HE SLURPS | 1:04:53 | 1:04:55 | |
Great stuff! | 1:04:55 | 1:04:57 | |
HEAVY BREATHING | 1:04:58 | 1:05:00 | |
You know how you can tell when you're really getting old? | 1:05:02 | 1:05:08 | |
How? | 1:05:08 | 1:05:09 | |
No-one ever says the word "death" around you any more. | 1:05:09 | 1:05:15 | |
Bruno! Bruno! | 1:05:19 | 1:05:24 | |
HE WHISTLES | 1:05:24 | 1:05:26 | |
Oh, Bruno! | 1:05:39 | 1:05:41 | |
What has he done to Bruno? | 1:05:43 | 1:05:46 | |
HE SOBS | 1:05:46 | 1:05:48 | |
Oh, I forgot to say goodbye to Bruno! | 1:06:06 | 1:06:09 | |
-I'll give him a big kiss from you. -Oh, do! | 1:06:09 | 1:06:12 | |
-I'll be fine from here. -Will you? | 1:06:12 | 1:06:15 | |
Well, let's just say today I'm fine. | 1:06:16 | 1:06:19 | |
So you say. | 1:06:19 | 1:06:20 | |
Hello! Where are you off to? | 1:06:47 | 1:06:50 | |
The beach. | 1:06:50 | 1:06:51 | |
-It's nice at the beach, isn't it? -Yeah. | 1:06:51 | 1:06:54 | |
You surf? | 1:06:54 | 1:06:55 | |
No, my dad won't let me. Says it's too dangerous. | 1:06:55 | 1:06:58 | |
What does he know? Big meany! | 1:06:58 | 1:07:01 | |
You're here on holidays? | 1:07:03 | 1:07:05 | |
-Where are you from? Wicklow! -Yeah. | 1:07:05 | 1:07:07 | |
Never mind. We won't hold it against you. | 1:07:07 | 1:07:09 | |
Jeanine! Get in the car. | 1:07:09 | 1:07:13 | |
-What were you saying to her? -I wasn't saying anything to her. | 1:07:15 | 1:07:17 | |
Oh, really? You looked deep in fucking conversation to me. | 1:07:17 | 1:07:20 | |
Where the hell did you get to, honey? | 1:07:24 | 1:07:26 | |
I've been looking all over for you. | 1:07:26 | 1:07:28 | |
Large one. | 1:07:40 | 1:07:41 | |
You sure about that? | 1:07:44 | 1:07:45 | |
Whiskey, I said. | 1:07:45 | 1:07:46 | |
Who burnt down your church, Father? If you don't mind me asking. | 1:07:52 | 1:07:55 | |
It's not my church. | 1:07:55 | 1:07:57 | |
-It's our church. -I'd say it was the Romanians. | 1:07:58 | 1:08:01 | |
They're awful heathens. The Romanians. | 1:08:01 | 1:08:04 | |
What Romanians do we have around here? | 1:08:05 | 1:08:07 | |
They're always hanging around. Romanians. | 1:08:07 | 1:08:10 | |
Getting up to no good. | 1:08:11 | 1:08:12 | |
Must be someone who doesn't like you, Father. | 1:08:12 | 1:08:15 | |
I think it must be one of the good people in this town. | 1:08:15 | 1:08:18 | |
You should join the Garda, Simon. With your powers of deduction. | 1:08:18 | 1:08:23 | |
These measures, huh, Father? | 1:08:34 | 1:08:36 | |
Like a buttercup in the mouth of a cow. | 1:08:36 | 1:08:38 | |
Pint there, please, Brendan. | 1:08:40 | 1:08:42 | |
So you're sure there's a God then, Father, yeah? | 1:08:44 | 1:08:47 | |
I'm not kidding. | 1:08:53 | 1:08:55 | |
I'm being serious. | 1:08:56 | 1:08:57 | |
I'm asking because I'm having doubts myself, like. | 1:08:57 | 1:09:00 | |
I'm having a crisis of faith. | 1:09:02 | 1:09:03 | |
BARMAN CHUCKLES | 1:09:06 | 1:09:07 | |
Ah, don't be getting offended. | 1:09:07 | 1:09:09 | |
Fa... | 1:09:09 | 1:09:11 | |
I'm sorry! Really I am! | 1:09:11 | 1:09:14 | |
As sure as there's a hole in the... | 1:09:14 | 1:09:16 | |
Don't be going away mad! | 1:09:16 | 1:09:18 | |
I'm an awful messer. | 1:09:22 | 1:09:24 | |
Hey, Father! What do you hear? What do you say? | 1:09:29 | 1:09:31 | |
You're back, so? | 1:09:31 | 1:09:33 | |
I've got a lot of clients in this town, Father. | 1:09:33 | 1:09:35 | |
From the Hoi polloi to the masses of society. | 1:09:35 | 1:09:37 | |
I've got to keep my ass lubricated at all times. | 1:09:37 | 1:09:40 | |
The Hoi polloi ARE the masses of society. | 1:09:42 | 1:09:45 | |
You're using the phrase incorrectly. | 1:09:45 | 1:09:47 | |
You know that may be so, Father. I didn't get no education, see? | 1:09:47 | 1:09:50 | |
I was getting fucked in the ass and fucked in the face all the livelong day. | 1:09:50 | 1:09:54 | |
Wasn't no time for any of that there book learning. | 1:09:54 | 1:09:56 | |
I was sucking the prick of a bishop and his bishop prick on a regular basis, you get me? | 1:09:56 | 1:10:01 | |
How do you like that play on words, smart ass? | 1:10:01 | 1:10:04 | |
You need help. | 1:10:04 | 1:10:06 | |
You're starting to sound a little screwy. | 1:10:06 | 1:10:09 | |
Now, Father, Maybe you need to see a head-shrinker yourself. | 1:10:09 | 1:10:11 | |
Do you need help? Are you OK? | 1:10:11 | 1:10:13 | |
Hey! Father... | 1:10:13 | 1:10:16 | |
There's nothing wrong with me, Father. All right? | 1:10:16 | 1:10:19 | |
Feeling fine. | 1:10:21 | 1:10:23 | |
You know... | 1:10:32 | 1:10:33 | |
..when I first started out working up in Dublin, | 1:10:34 | 1:10:38 | |
there was this three-year-old boy. | 1:10:38 | 1:10:40 | |
Parents brought him into the hospital. A routine operation, like. | 1:10:42 | 1:10:45 | |
But the anaesthetist made a mistake. | 1:10:47 | 1:10:50 | |
Little boy ended up deaf, dumb, blind... | 1:10:51 | 1:10:58 | |
..and paralysed. | 1:10:59 | 1:11:01 | |
For good, like. | 1:11:01 | 1:11:02 | |
Think of it! | 1:11:05 | 1:11:06 | |
Think when that little boy first regained consciousness. | 1:11:07 | 1:11:10 | |
In the dark. You'd be frightened, wouldn't you? | 1:11:12 | 1:11:15 | |
You'd be frightened | 1:11:17 | 1:11:19 | |
in the kind of a way that you know that the fear is going to end. | 1:11:19 | 1:11:22 | |
Has to. | 1:11:24 | 1:11:25 | |
Must. | 1:11:27 | 1:11:28 | |
Your parents couldn't be too far away. | 1:11:28 | 1:11:30 | |
They'll come to your rescue. | 1:11:31 | 1:11:33 | |
They'll turn the light on. They'll talk to you. | 1:11:34 | 1:11:37 | |
But... think of it. | 1:11:39 | 1:11:41 | |
Nobody comes to rescue you. No light is turned on. | 1:11:43 | 1:11:47 | |
You are in the dark. | 1:11:49 | 1:11:50 | |
You try to speak... | 1:11:52 | 1:11:54 | |
but you can't. | 1:11:54 | 1:11:56 | |
You try to move... | 1:11:56 | 1:11:59 | |
but you can't. | 1:11:59 | 1:12:01 | |
You try to cry out... | 1:12:01 | 1:12:04 | |
but you are unable to hear your own screams. | 1:12:04 | 1:12:07 | |
You are entombed within your own body. | 1:12:08 | 1:12:11 | |
Howling with terror. | 1:12:12 | 1:12:15 | |
What the fuck? | 1:12:24 | 1:12:26 | |
Why the fuck would you tell me a story like that? | 1:12:27 | 1:12:30 | |
No reason. | 1:12:32 | 1:12:33 | |
Some people are awfully touchy. | 1:12:43 | 1:12:45 | |
Good luck, now! | 1:12:47 | 1:12:48 | |
DOOR CLOSES | 1:12:54 | 1:12:56 | |
Time to go. Come on. | 1:13:34 | 1:13:37 | |
You're still drinking. Same again. | 1:13:37 | 1:13:41 | |
Time to go, I said. | 1:13:41 | 1:13:43 | |
Is that an order? | 1:13:45 | 1:13:46 | |
You don't like taking orders, Father? | 1:13:46 | 1:13:49 | |
You do not mind giving them. | 1:13:49 | 1:13:51 | |
These kinds are all alike. | 1:13:51 | 1:13:53 | |
-My "kind". -Yeah, your "kind". | 1:13:53 | 1:13:58 | |
Your time is gone and you don't even fucking realise it. | 1:13:58 | 1:14:00 | |
My time will never be gone. | 1:14:00 | 1:14:02 | |
Did you hear that? The arrogance of the man. | 1:14:02 | 1:14:05 | |
You need to be a little more humble, Father. | 1:14:05 | 1:14:07 | |
Needs to be taken down a peg or two. That's what he needs. | 1:14:07 | 1:14:11 | |
Take me down, then. | 1:14:17 | 1:14:19 | |
Go on, I fucking dare you. | 1:14:19 | 1:14:23 | |
COCKS GUN | 1:14:23 | 1:14:25 | |
GUNSHOTS, GLASS SHATTERS | 1:14:26 | 1:14:28 | |
GUNSHOTS, GLASS SHATTERS | 1:14:30 | 1:14:34 | |
EMPTY CHAMBER CLICKS | 1:14:35 | 1:14:38 | |
WATER TRICKLES | 1:14:50 | 1:14:53 | |
Jesus Christ! | 1:14:57 | 1:14:59 | |
-What happened to you? -Brendan Lynch. | 1:14:59 | 1:15:02 | |
Brendan Lynch? He's a Buddhist! | 1:15:02 | 1:15:04 | |
So what if he's a fucking Buddhist? | 1:15:04 | 1:15:06 | |
You think Buddhists don't beat people up? | 1:15:06 | 1:15:08 | |
You think Buddhists don't fuck their kids like everyone else? | 1:15:08 | 1:15:11 | |
You're obviously very upset! | 1:15:11 | 1:15:13 | |
Tibetans spit on blind people in the street! | 1:15:13 | 1:15:15 | |
They're killing albinos in Africa! | 1:15:15 | 1:15:17 | |
-You're so fucking naive. -Please don't curse at me, Father! | 1:15:17 | 1:15:20 | |
I think It would be best to continue this conversation in the morning, sober. | 1:15:20 | 1:15:23 | |
Why are you a fucking priest at all? | 1:15:23 | 1:15:26 | |
You should be a fucking accountant in a fucking insurance firm! | 1:15:26 | 1:15:30 | |
WATER SPLASHES | 1:15:33 | 1:15:35 | |
Ugh, dirty thing. | 1:15:45 | 1:15:47 | |
Let's go home. | 1:15:50 | 1:15:51 | |
What is it? | 1:15:53 | 1:15:54 | |
Nothing. | 1:15:54 | 1:15:56 | |
BIRDSONG | 1:16:01 | 1:16:03 | |
You're leaving? | 1:16:16 | 1:16:18 | |
I think it's for the best. | 1:16:21 | 1:16:22 | |
Because of last night? | 1:16:22 | 1:16:24 | |
Because of a lot of things. | 1:16:24 | 1:16:26 | |
Not just last night. Or what's happened here. | 1:16:27 | 1:16:30 | |
I've been having doubts, if you must know. | 1:16:33 | 1:16:36 | |
Listen, I'm sorry about what I said last night. | 1:16:36 | 1:16:38 | |
You said what you said with such venom! | 1:16:38 | 1:16:41 | |
-I didn't realise you hated me that much. -I don't hate you at all. | 1:16:41 | 1:16:44 | |
Then why? | 1:16:44 | 1:16:46 | |
It's just you have no integrity. | 1:16:46 | 1:16:48 | |
That's the worst I could say about anybody. | 1:16:48 | 1:16:51 | |
HE SCOFFS | 1:16:51 | 1:16:53 | |
Well, that's... | 1:16:53 | 1:16:55 | |
-That's just... -Hope you find what you're looking for. Good luck. | 1:16:57 | 1:17:02 | |
MUSIC: New World In The Morning by Roger Whittaker | 1:17:11 | 1:17:14 | |
Father? | 1:18:04 | 1:18:06 | |
Hello. | 1:18:06 | 1:18:08 | |
You're going to Dublin? | 1:18:10 | 1:18:12 | |
Yeah. | 1:18:14 | 1:18:15 | |
Just getting away for a while, you know? | 1:18:17 | 1:18:20 | |
I heard about your church. Terrible thing. | 1:18:21 | 1:18:24 | |
Yes. | 1:18:25 | 1:18:27 | |
You must be very upset. | 1:18:27 | 1:18:29 | |
Yes, I am. | 1:18:34 | 1:18:35 | |
I'm bringing him home. | 1:18:43 | 1:18:44 | |
To his family in Italy. | 1:18:45 | 1:18:47 | |
Dublin and then...Rome. | 1:18:49 | 1:18:52 | |
How have you been? | 1:18:55 | 1:18:56 | |
People here have been very kind to me. | 1:18:56 | 1:18:59 | |
No, I mean... | 1:18:59 | 1:19:01 | |
You know, sometimes I think I cannot go on. | 1:19:06 | 1:19:09 | |
But... | 1:19:11 | 1:19:12 | |
I will go on. | 1:19:14 | 1:19:16 | |
BEEPING | 1:19:24 | 1:19:27 | |
Father! | 1:21:40 | 1:21:42 | |
Little early for mass. | 1:21:42 | 1:21:44 | |
Dr Hart was out fishing at the crack of dawn. | 1:21:44 | 1:21:48 | |
He begrudgingly gave me a ride. | 1:21:48 | 1:21:50 | |
Where are you heading? | 1:21:50 | 1:21:51 | |
-Just down the beach there. -Can I come along? | 1:21:53 | 1:21:56 | |
Not really, no. | 1:21:56 | 1:21:58 | |
-Maybe later? -That's fine, yeah. Don't let me keep you. | 1:21:58 | 1:22:01 | |
-Did you finish your book? -Yes, I did. I don't know how good it is. | 1:22:03 | 1:22:07 | |
I'm sure it'll be extraordinary. You're a very fine writer. | 1:22:07 | 1:22:11 | |
Oh... Thank you, James! | 1:22:13 | 1:22:15 | |
'You know you changed the subject the other day when we were talking.' | 1:22:18 | 1:22:21 | |
What was the subject? | 1:22:21 | 1:22:23 | |
You know what the subject was. | 1:22:23 | 1:22:25 | |
I think you committed a sin of omission there, truth be told. | 1:22:25 | 1:22:28 | |
I'm sure there are worse sins than sins of omission. | 1:22:28 | 1:22:31 | |
I'll let you be the expert in that department, Father. | 1:22:31 | 1:22:34 | |
I think there's too much talk about sins, to be honest. | 1:22:34 | 1:22:37 | |
Not enough talk about virtues. | 1:22:37 | 1:22:40 | |
You might be right. | 1:22:40 | 1:22:41 | |
What would be your number one? | 1:22:44 | 1:22:46 | |
I think forgiveness has been highly underrated. | 1:22:46 | 1:22:49 | |
I forgive you. | 1:22:52 | 1:22:53 | |
Do you forgive me? | 1:22:55 | 1:22:57 | |
Always. | 1:22:58 | 1:23:00 | |
Thinking of throwing yourself in? They say that's the easy way out. | 1:23:20 | 1:23:24 | |
Nothing easy about it, I wouldn't have thought. | 1:23:24 | 1:23:27 | |
I'm in a bad way, Father. | 1:23:31 | 1:23:33 | |
No, I'm not putting you on. | 1:23:36 | 1:23:37 | |
The truth is I've been in a bad way for... | 1:23:39 | 1:23:41 | |
..a long time. | 1:23:43 | 1:23:44 | |
No will to do anything. | 1:23:46 | 1:23:49 | |
Feeling of nothing being worthwhile... | 1:23:49 | 1:23:53 | |
A sense of disassociation. | 1:23:53 | 1:23:56 | |
Detachment. | 1:23:58 | 1:23:59 | |
I had a wife and kids. | 1:23:59 | 1:24:01 | |
They meant nothing to me. | 1:24:03 | 1:24:05 | |
I have money. It means nothing to me. | 1:24:09 | 1:24:11 | |
I have life... | 1:24:13 | 1:24:15 | |
..and it means nothing to me. | 1:24:17 | 1:24:19 | |
Where do you think it comes from? | 1:24:24 | 1:24:26 | |
The sense of detachment. | 1:24:26 | 1:24:28 | |
From nowhere. | 1:24:32 | 1:24:34 | |
From nowhere. | 1:24:37 | 1:24:39 | |
Listen, I have to meet someone now. | 1:24:45 | 1:24:48 | |
I'll call up to the house after. | 1:24:48 | 1:24:50 | |
We'll talk. | 1:24:52 | 1:24:54 | |
Get you back on track. OK? | 1:24:56 | 1:24:59 | |
-OK? -Thank you. | 1:25:04 | 1:25:06 | |
Thank you, Father. | 1:25:08 | 1:25:10 | |
-Thank you. -Yeah. | 1:25:10 | 1:25:12 | |
-You all right? -Yeah. | 1:25:14 | 1:25:16 | |
Take your hands out of your pockets. Slowly. | 1:26:11 | 1:26:14 | |
Why? | 1:26:14 | 1:26:16 | |
I heard you had a gun. | 1:26:16 | 1:26:17 | |
I have to say I'm surprised. | 1:26:22 | 1:26:24 | |
-Thought I'd have to go looking for you. -Just cos I'm here | 1:26:24 | 1:26:26 | |
-doesn't mean you have to go through with it. -Yes, it does! | 1:26:26 | 1:26:29 | |
It's one of those self-fulfilling prophecies. | 1:26:31 | 1:26:33 | |
Did you ever think it would come to this, though, huh? | 1:26:35 | 1:26:37 | |
I was hoping it wouldn't. I thought you were a friend of mine. | 1:26:37 | 1:26:40 | |
Sure, a friend is just an enemy you haven't made yet. | 1:26:40 | 1:26:43 | |
-Cheap cynicism. -Not cheap, now, no. | 1:26:44 | 1:26:47 | |
It's a cynicism that's been hard won! | 1:26:48 | 1:26:52 | |
It's a cynicism that's been earned... | 1:26:52 | 1:26:54 | |
after a hell of a lot of physical and psychological torture. | 1:26:54 | 1:26:57 | |
I take it back, then. But it's cynicism nonetheless. | 1:26:58 | 1:27:01 | |
Maybe that's the difference between us. | 1:27:03 | 1:27:05 | |
Oh, that's not the only difference. | 1:27:05 | 1:27:06 | |
Any regrets? | 1:27:09 | 1:27:10 | |
I have, yeah! Never got to finish Moby Dick. | 1:27:10 | 1:27:14 | |
-The whale kills Ahab. -Is that right? | 1:27:14 | 1:27:16 | |
Then he destroys the rest of the ship and the crew along with it. | 1:27:16 | 1:27:18 | |
All except for Ishmael. | 1:27:20 | 1:27:21 | |
He alone escapes. To tell thee. | 1:27:22 | 1:27:25 | |
The burning of the church I can understand. | 1:27:29 | 1:27:31 | |
You didn't have to kill my dog. | 1:27:34 | 1:27:36 | |
I didn't kill your dog. I love dogs. Why would I do a thing like that? | 1:27:37 | 1:27:40 | |
I found him with his throat cut. | 1:27:40 | 1:27:42 | |
Why would I fucking kill a dog? I didn't...! | 1:27:42 | 1:27:45 | |
That was nothing to do with me. | 1:27:45 | 1:27:46 | |
I'm wholly innocent of that crime. | 1:27:48 | 1:27:49 | |
I did give Veronica a bit of a shove that one time, though. | 1:27:54 | 1:27:57 | |
I do admit that and I'm sorry for it. | 1:27:57 | 1:28:00 | |
Did it upset you, the dog? | 1:28:05 | 1:28:07 | |
Yes, it did. | 1:28:07 | 1:28:09 | |
Did you cry? | 1:28:09 | 1:28:11 | |
Yes, I did. | 1:28:11 | 1:28:12 | |
That's nice. | 1:28:12 | 1:28:14 | |
And when you read what your fellow priests | 1:28:16 | 1:28:19 | |
did to all those poor children down all those years, did you cry then? | 1:28:19 | 1:28:22 | |
I asked you a question - did you cry then? | 1:28:26 | 1:28:28 | |
No. | 1:28:30 | 1:28:31 | |
That's right! | 1:28:31 | 1:28:33 | |
-I suppose... -What? | 1:28:35 | 1:28:38 | |
-I suppose I felt detachment. -Yeah. | 1:28:41 | 1:28:43 | |
-When you read... -Yeah, yeah. -Something in a newspaper... | 1:28:43 | 1:28:46 | |
GUNSHOT | 1:28:46 | 1:28:47 | |
Detach yourself from that! | 1:28:53 | 1:28:55 | |
We were the lucky ones! | 1:28:59 | 1:29:00 | |
There's bodies burning back there! | 1:29:02 | 1:29:04 | |
Burning like dogs! | 1:29:04 | 1:29:05 | |
Don't look at me. | 1:29:09 | 1:29:11 | |
Turn your face away, don't look at me! | 1:29:13 | 1:29:15 | |
No! Run! Micheal, run! | 1:29:19 | 1:29:22 | |
I'll get Stanton, Father! | 1:29:22 | 1:29:23 | |
He reminds me of me. | 1:29:28 | 1:29:30 | |
It's not too late, Jack. | 1:29:35 | 1:29:37 | |
Yes, it is. | 1:29:38 | 1:29:40 | |
Yes, it is. | 1:29:43 | 1:29:45 | |
Say your prayers, Father. | 1:29:46 | 1:29:48 | |
I've already said them. | 1:29:51 | 1:29:52 | |
GUNSHOT | 1:30:08 | 1:30:09 | |
INAUDIBLE | 1:31:20 | 1:31:22 | |
MUSIC: Subo by Los Chiriguanos | 1:32:35 | 1:32:38 |