Browse content similar to Daddy Long Legs. Check below for episodes and series from the same categories and more!
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This is a Renoir. Actually it is a painting | 0:02:02 | 0:02:05 | |
of the daughter of the Marquis de Malineaux | 0:02:05 | 0:02:08 | |
and was said to have been done in 1894. | 0:02:08 | 0:02:09 | |
Renoir is famous for his paintings of children, | 0:02:09 | 0:02:12 | |
but this is one of his finest. | 0:02:12 | 0:02:14 | |
Here, we have a Corot. | 0:02:14 | 0:02:16 | |
In this painting the foliage, far more than any signature, | 0:02:16 | 0:02:19 | |
proclaims the painter. | 0:02:19 | 0:02:20 | |
Note the rich use of browns and yellows... | 0:02:20 | 0:02:22 | |
LOUD BLAST OF JAZZ MUSIC | 0:02:22 | 0:02:26 | |
..a truly fine example of Corot at his best. | 0:02:26 | 0:02:29 | |
And now, as is customary, we conclude the tour | 0:02:29 | 0:02:32 | |
with the Pendleton family portraits. | 0:02:32 | 0:02:34 | |
Here we have a portrait of the first Jervis Pendleton, | 0:02:38 | 0:02:41 | |
painted by James Abbott McNeill Whistler. | 0:02:41 | 0:02:44 | |
Jervis Pendleton II sat, | 0:02:46 | 0:02:48 | |
or STOOD, as you can see, for John Singer Sargent, | 0:02:48 | 0:02:53 | |
whose portraits hang world-wide. | 0:02:53 | 0:02:56 | |
Please, Madam! | 0:02:56 | 0:02:59 | |
I must INSIST that you stay with the group! | 0:02:59 | 0:03:01 | |
Oh, yes, of course. | 0:03:01 | 0:03:03 | |
But what IS in that room up there? | 0:03:03 | 0:03:07 | |
THAT, Madam, is Jervis Pendleton the Third, | 0:03:07 | 0:03:09 | |
who, as you can see, | 0:03:09 | 0:03:11 | |
has broken with the family tradition somewhat! | 0:03:11 | 0:03:13 | |
PHONE RINGS AS HE PLAYS A HOT JAZZ RIFF | 0:03:16 | 0:03:21 | |
-SHOUTS: -Griggs speaking! | 0:03:27 | 0:03:29 | |
Ballman Brothers 99... | 0:03:29 | 0:03:32 | |
..Dexter Chemicals 35... | 0:03:32 | 0:03:34 | |
Just a moment... | 0:03:34 | 0:03:36 | |
-Good. Buy both. -Both? | 0:03:40 | 0:03:43 | |
Mr Pendleton accepts both offers. | 0:03:45 | 0:03:47 | |
RINGS | 0:03:47 | 0:03:48 | |
Griggs speaking! | 0:03:48 | 0:03:50 | |
Native Boy, three eighths of a mile, 34 | 0:03:50 | 0:03:52 | |
and two fifths seconds. | 0:03:52 | 0:03:54 | |
Just a moment... | 0:03:54 | 0:03:56 | |
Your horse. | 0:03:58 | 0:03:59 | |
YOUR HORSE! | 0:03:59 | 0:04:00 | |
Mr Pendleton wants 2 across the board! | 0:04:05 | 0:04:08 | |
RINGS | 0:04:08 | 0:04:10 | |
Griggs speaking?! | 0:04:10 | 0:04:11 | |
Oh, yes, that matter will be attended to immediately, | 0:04:11 | 0:04:14 | |
I'll call you right back! | 0:04:14 | 0:04:17 | |
What shall I tell the man... | 0:04:17 | 0:04:20 | |
TURNS OFF THE BACKING RECORD | 0:04:34 | 0:04:37 | |
Hey! Hey...Oh, no! | 0:04:39 | 0:04:42 | |
Griggs, you can't do that to me. | 0:04:45 | 0:04:47 | |
THE STATE DEPART... | 0:04:47 | 0:04:49 | |
The State Department has been trying to reach you. | 0:04:51 | 0:04:53 | |
I don't care who's been trying to reach me. | 0:04:53 | 0:04:55 | |
I was in right in the middle of a... Thing. | 0:04:55 | 0:04:57 | |
It's about the Economic Mission to France. | 0:04:57 | 0:04:58 | |
The secretary must know your decision about going. | 0:04:58 | 0:05:01 | |
I was going great! I was... | 0:05:01 | 0:05:02 | |
Jervis, it's beyond my understanding how a man | 0:05:02 | 0:05:04 | |
who rules the controlling interest in 34 separate corporations | 0:05:04 | 0:05:07 | |
can sit all by himself wasting his time beating these silly tom toms?! | 0:05:07 | 0:05:11 | |
All by myself?! Listen, I have one | 0:05:11 | 0:05:12 | |
of the finest record collections in the country! | 0:05:12 | 0:05:14 | |
I play with the very best bands! | 0:05:14 | 0:05:17 | |
My father used to get up at six o' clock every morning | 0:05:17 | 0:05:19 | |
to train carrier pigeons, most of whom never came back. | 0:05:19 | 0:05:21 | |
Did you consider that childish nonsense? | 0:05:21 | 0:05:23 | |
Of course not. That was his hobby. | 0:05:23 | 0:05:25 | |
Hobby my foot. That's the way he got his kicks! | 0:05:25 | 0:05:26 | |
Now, if you don't mind, flip that record. | 0:05:26 | 0:05:28 | |
-I beg your pardon? -Flip it. Turn it. You know. Over. | 0:05:28 | 0:05:31 | |
Look, the Secretary must have your answer. | 0:05:31 | 0:05:33 | |
The Mission leaves tomorrow night from Idlewild Airport! | 0:05:33 | 0:05:36 | |
The seriousness of the problem... | 0:05:36 | 0:05:37 | |
I thoroughly understand the seriousness | 0:05:37 | 0:05:39 | |
of the French Economic situation. | 0:05:39 | 0:05:40 | |
Vital lag in industrial production, | 0:05:40 | 0:05:42 | |
coal-mining output can be stepped up, | 0:05:42 | 0:05:44 | |
electric Kilowatt hour consumption not up to its potential. | 0:05:44 | 0:05:46 | |
Even the agricultural programme, | 0:05:46 | 0:05:48 | |
of which France has always been the European leader, can be increased. | 0:05:48 | 0:05:51 | |
Now, flip that record. | 0:05:51 | 0:05:53 | |
Anything else? | 0:05:58 | 0:06:00 | |
Yes, just sit there and listen. | 0:06:00 | 0:06:03 | |
BIG BAND INTRO | 0:06:03 | 0:06:05 | |
# Griggs, because I hold you | 0:06:05 | 0:06:07 | |
# In affection and great esteem | 0:06:07 | 0:06:09 | |
# I shall now begin | 0:06:09 | 0:06:11 | |
# To instruct you in | 0:06:11 | 0:06:12 | |
# What the jazz elite | 0:06:12 | 0:06:13 | |
# Call the modern beat | 0:06:13 | 0:06:14 | |
# A complete anthology of "Well, all reet" | 0:06:14 | 0:06:16 | |
# And how I made the team! | 0:06:16 | 0:06:19 | |
SYNCOPATED DRUM BREAK | 0:06:19 | 0:06:24 | |
ARABIAN-STYLE BREAK | 0:06:35 | 0:06:37 | |
Well? | 0:07:32 | 0:07:35 | |
What shall I tell the State Department? | 0:07:35 | 0:07:37 | |
That we're going, of course! | 0:07:37 | 0:07:39 | |
Did you say "we"? | 0:07:43 | 0:07:45 | |
Certainly. | 0:07:45 | 0:07:46 | |
Everyone knows you make all my decisions for me. | 0:07:46 | 0:07:48 | |
DRUM STICKS HIT THE CYMBALS | 0:07:48 | 0:07:52 | |
Everybody but ME! | 0:07:52 | 0:07:54 | |
CAR HORN HONKS | 0:07:57 | 0:08:00 | |
CAR CONTINUES HONKING | 0:08:00 | 0:08:04 | |
SQUEAL OF BRAKES | 0:08:04 | 0:08:07 | |
-Now, a little more gravel under that wheel. -That's it. | 0:08:10 | 0:08:13 | |
Bring the pole over here. | 0:08:13 | 0:08:14 | |
That's it. Now give me some of those branches! | 0:08:14 | 0:08:17 | |
-May I make a suggestion? -Mr Pendleton, please! | 0:08:17 | 0:08:21 | |
Mr Bronson happens to be our expert on tractors and farm machinery! | 0:08:21 | 0:08:24 | |
And if he can't get us out of here, no-one can. | 0:08:24 | 0:08:26 | |
Thank you for that vote of confidence! | 0:08:26 | 0:08:29 | |
All ready, Sergeant. | 0:08:29 | 0:08:30 | |
Now, everybody get behind and push. | 0:08:30 | 0:08:33 | |
THEY MOUTH SILENTLY | 0:08:33 | 0:08:36 | |
Well, I think we've finally struck firm ground! | 0:08:40 | 0:08:44 | |
I think you've struck oil, but you can have my share! | 0:08:44 | 0:08:49 | |
Do you mind if I go up the road apiece to see | 0:08:49 | 0:08:51 | |
if I can find a farmhouse or a telephone or something? | 0:08:51 | 0:08:53 | |
Good, I knew you wouldn't. | 0:08:53 | 0:08:55 | |
Griggs, why don't you break out that last bottle of brandy. | 0:08:55 | 0:08:57 | |
Everybody could use a drink. Right, Mrs Carrington? | 0:08:57 | 0:09:00 | |
Well... | 0:09:00 | 0:09:02 | |
I don't know what the President could have been thinking of | 0:09:02 | 0:09:05 | |
when he appointed that man to this commission. | 0:09:05 | 0:09:07 | |
Oooh... | 0:09:10 | 0:09:11 | |
-Bonjour. -Bonjour, monsieur. | 0:09:31 | 0:09:33 | |
Est-ce que vous avez un telephone? | 0:09:33 | 0:09:36 | |
Un telephone? Allo? Allo? | 0:09:36 | 0:09:39 | |
Allo, Monsieur. | 0:09:39 | 0:09:41 | |
Est-ce qu'il y a quelqu'un ici? Le maitre, ou la maitresse? | 0:09:41 | 0:09:44 | |
Oui, la maitresse. | 0:09:44 | 0:09:46 | |
-Entrez, monsieur. -Merci. | 0:09:46 | 0:09:48 | |
-Attendez, Monsieur, s'il vous plait. -Merci. | 0:09:55 | 0:09:57 | |
WHISTLING | 0:10:03 | 0:10:06 | |
Mademoiselle Julie, la soupe! | 0:10:14 | 0:10:16 | |
Heureusement! J'ai faim, moi! Et la table, elle est mise? | 0:10:17 | 0:10:21 | |
Oui, mademoiselle! | 0:10:21 | 0:10:22 | |
Bon! Je vais sonner! | 0:10:22 | 0:10:25 | |
Allez tout le monde. A table! Dejeuner! | 0:10:25 | 0:10:30 | |
CHILDREN ALL SHOUT | 0:10:30 | 0:10:34 | |
A table! | 0:10:36 | 0:10:38 | |
EXCITED CHATTER | 0:10:43 | 0:10:47 | |
Aujourd'hui seulement anglais. | 0:10:47 | 0:10:49 | |
Today we speak only English. | 0:10:49 | 0:10:51 | |
But as a reward, you may have whatever you want for lunch! | 0:10:53 | 0:10:58 | |
-Marie? -Ice cream soda! | 0:10:58 | 0:11:01 | |
One ice cream soda. One. | 0:11:01 | 0:11:04 | |
-Paul? -A "hambuerjer"! | 0:11:04 | 0:11:07 | |
"Bur-ger", Paul. | 0:11:07 | 0:11:08 | |
A hamburger with chocolate sauce! | 0:11:08 | 0:11:11 | |
-Paul! -Please, Julie! | 0:11:11 | 0:11:15 | |
One hamburger... | 0:11:15 | 0:11:16 | |
..with chocolate sauce... | 0:11:16 | 0:11:17 | |
..and three onions! | 0:11:17 | 0:11:20 | |
Claudine, qu'est-ce que tu veux? | 0:11:20 | 0:11:22 | |
Bubble-gum! | 0:11:22 | 0:11:24 | |
BUBBLE-GUM. Bubble-gum. | 0:11:24 | 0:11:27 | |
Bubble-gum. | 0:11:27 | 0:11:28 | |
CHILDREN LAUGH | 0:11:28 | 0:11:30 | |
-Monsieur? -Oh, bonjour, Madame. | 0:11:35 | 0:11:38 | |
Je m'appelle Pendleton. | 0:11:38 | 0:11:40 | |
Oh, an American. How do you do, Mr Pendleton? I am Mme Savanne. | 0:11:40 | 0:11:44 | |
Well, that takes the strain off my French! | 0:11:44 | 0:11:46 | |
I wonder, have you a telephone? | 0:11:46 | 0:11:48 | |
Telephone? | 0:11:48 | 0:11:49 | |
Oh, no, Monsieur. | 0:11:49 | 0:11:51 | |
Why do you need one? | 0:11:51 | 0:11:52 | |
I'm with a group of people and | 0:11:52 | 0:11:54 | |
our car skidded off the road into a ditch. | 0:11:54 | 0:11:57 | |
No! | 0:11:57 | 0:11:58 | |
No-one's hurt, it's just that we can't get the car out. | 0:11:58 | 0:12:00 | |
Is there a garage nearby? | 0:12:00 | 0:12:04 | |
For whom? | 0:12:04 | 0:12:05 | |
The only car around here for miles | 0:12:05 | 0:12:07 | |
is the one that have belongs to our gardener. | 0:12:07 | 0:12:10 | |
That's wonderful! | 0:12:10 | 0:12:11 | |
Oh, you should see it! | 0:12:11 | 0:12:13 | |
It was left here after the war. | 0:12:13 | 0:12:14 | |
-A jeep? -No, not that war. | 0:12:14 | 0:12:17 | |
The one before it! | 0:12:17 | 0:12:19 | |
But still, it would be better than nothing. | 0:12:19 | 0:12:21 | |
I'd be very glad to pay for the use of it. | 0:12:21 | 0:12:23 | |
I think you'd better see it first. | 0:12:23 | 0:12:25 | |
-We'll push it round the front. -Push it? | 0:12:25 | 0:12:28 | |
Oh, only to start it. After that... | 0:12:28 | 0:12:30 | |
..it marches! | 0:12:30 | 0:12:33 | |
Julie! Julie! | 0:12:33 | 0:12:35 | |
Oui, Madame? | 0:12:35 | 0:12:37 | |
-As-tu vu Emile? -Il travaille dans les pommes de terre. | 0:12:37 | 0:12:41 | |
-Merci bien. -I was watching that girl. | 0:12:41 | 0:12:44 | |
She seems quite unusual. | 0:12:44 | 0:12:46 | |
She has a wonderful with children. | 0:12:46 | 0:12:47 | |
Perhaps that is because she is one of them. I myself found her. | 0:12:47 | 0:12:51 | |
And named her. | 0:12:51 | 0:12:52 | |
-She has lived her whole 18 years here. -Is that so? | 0:12:52 | 0:12:54 | |
But that is not getting your car out of the ditch. | 0:12:54 | 0:12:57 | |
I will fetch the gardener, | 0:12:57 | 0:12:58 | |
-he's working with the potatoes. -Thank you. | 0:12:58 | 0:13:00 | |
CHILDREN SHOUT EXCITEDLY | 0:13:00 | 0:13:05 | |
Prenez vous places! | 0:13:10 | 0:13:13 | |
Tu es sage, hein? Tu tournes la mainvelle! | 0:13:13 | 0:13:17 | |
# C-A-T spells cat | 0:13:22 | 0:13:25 | |
# R-A-T spells rat | 0:13:25 | 0:13:28 | |
# Although the cat can catch the rat | 0:13:28 | 0:13:32 | |
# The rat can't catch the cat! | 0:13:32 | 0:13:35 | |
# H-E-R spells her | 0:13:35 | 0:13:39 | |
# F-U-R spells fur | 0:13:39 | 0:13:42 | |
# Just pat her fur and listen to her... | 0:13:42 | 0:13:46 | |
# P-U-R-R purr! # | 0:13:46 | 0:13:49 | |
Prrrrrt! | 0:13:49 | 0:13:51 | |
CHILDREN MEOW | 0:13:51 | 0:13:53 | |
# Do you see the cow? | 0:13:53 | 0:13:55 | |
# She is eating hay... # | 0:13:55 | 0:13:58 | |
-I have spoken to the gard... -Sssh. | 0:14:00 | 0:14:05 | |
Oh, yes. | 0:14:06 | 0:14:07 | |
Every once in a while one meets a person | 0:14:07 | 0:14:09 | |
who has it in her to take life | 0:14:09 | 0:14:10 | |
and make something wonderful of it! | 0:14:10 | 0:14:13 | |
It seems a shame... | 0:14:13 | 0:14:15 | |
Oh, I don't mean that this | 0:14:15 | 0:14:16 | |
isn't a wonderful place or a good life. | 0:14:16 | 0:14:19 | |
Don't apologise. I do my job very well | 0:14:19 | 0:14:21 | |
and I know Julie will do it even better. | 0:14:21 | 0:14:22 | |
-Julie what? -Julie Andre. | 0:14:22 | 0:14:25 | |
But for a young woman to spend her life here...! | 0:14:25 | 0:14:28 | |
-She's so attractive. Surely there must be some young man? -Yes! | 0:14:28 | 0:14:32 | |
There is the widowed farmer who needs a wife. | 0:14:32 | 0:14:34 | |
He sells us our eggs every week. | 0:14:34 | 0:14:35 | |
Lately he gives us an extra dozen, | 0:14:35 | 0:14:37 | |
free of charge. | 0:14:37 | 0:14:39 | |
I am very, very nervous. You know, | 0:14:39 | 0:14:41 | |
we need eggs for the children, and yet... | 0:14:41 | 0:14:44 | |
Handkerchiefs too, eh? | 0:14:44 | 0:14:46 | |
Oh, you have noticed our gingham! | 0:14:46 | 0:14:49 | |
A little while back, we were notified we were going to receive | 0:14:49 | 0:14:52 | |
2,000 yards of cloth. | 0:14:52 | 0:14:54 | |
Oh, Monsieur, we were SO excited! | 0:14:54 | 0:14:57 | |
And then it came... | 0:14:57 | 0:15:00 | |
..ALL blue-and-white check! | 0:15:00 | 0:15:02 | |
Oh, sometimes I wish charity would | 0:15:02 | 0:15:04 | |
not be so mechanical, so cold, so... | 0:15:04 | 0:15:06 | |
..all blue-and-white? | 0:15:06 | 0:15:08 | |
Precisely! Oh, the car is waiting, Monsieur! | 0:15:08 | 0:15:11 | |
After all, that is what I came for, isn't it? | 0:15:11 | 0:15:13 | |
Yes, but this car is not very obedient. | 0:15:13 | 0:15:16 | |
You'd better think twice before you even get into it. | 0:15:16 | 0:15:19 | |
CAR SPLUTTERS AND POPS OMINOUSLY | 0:15:37 | 0:15:42 | |
CRASH! | 0:15:51 | 0:15:55 | |
THE CAR FINALLY GIVES UP THE GHOST AND DIES | 0:16:04 | 0:16:08 | |
Hi, Alec! | 0:16:10 | 0:16:11 | |
Stop making noises like an ambassador, Alec, | 0:16:18 | 0:16:20 | |
and answer the question. | 0:16:20 | 0:16:21 | |
How do I go about adopting a French orphan? | 0:16:21 | 0:16:24 | |
Now, look, Jerv. You stumbled into some orphanage, you're tired, | 0:16:24 | 0:16:28 | |
you've been cooped up with the same people for a couple of weeks now. | 0:16:28 | 0:16:31 | |
All of a sudden, you see the | 0:16:31 | 0:16:32 | |
bright, shining faces of these unwanted children | 0:16:32 | 0:16:34 | |
and you catch on fire! | 0:16:34 | 0:16:35 | |
Next thing I know, you arrive here | 0:16:35 | 0:16:37 | |
in a beat-up old jalopy, | 0:16:37 | 0:16:38 | |
you bang into my Cadillac... | 0:16:38 | 0:16:39 | |
That's the only way I could stop. | 0:16:39 | 0:16:41 | |
I told you that before, the car had no brakes. | 0:16:41 | 0:16:43 | |
Now, let's get to it. What red tape do we have to cut? | 0:16:43 | 0:16:45 | |
Jervis, even you can't go leaping about | 0:16:45 | 0:16:48 | |
from country to country adopting orphans. | 0:16:48 | 0:16:50 | |
I am not leaping about. It's only one country and one orphan! | 0:16:50 | 0:16:53 | |
Will you please stop stalling and get started?! | 0:16:53 | 0:16:55 | |
All right, Jervis. We can try. | 0:16:55 | 0:16:57 | |
Try?! Don't give me that. Any time the American Ambass... | 0:16:57 | 0:17:00 | |
OK, OK! What's the name of the orphanage? | 0:17:00 | 0:17:03 | |
Jeanne d'Arc, outside Soissons. | 0:17:03 | 0:17:07 | |
And the child's name? | 0:17:08 | 0:17:09 | |
Julie Andre, A-N-D-R-E. | 0:17:09 | 0:17:14 | |
Do you know how old she is? | 0:17:14 | 0:17:16 | |
Yes, 18. | 0:17:16 | 0:17:17 | |
Let's have another martini. | 0:17:21 | 0:17:24 | |
-Ohhh, Alec! -Ohhhhh, Jervis! | 0:17:24 | 0:17:26 | |
-If you take that attitude, we won't get any place. -Mmm-hmm. | 0:17:26 | 0:17:30 | |
Tell me, has she got a friend? | 0:17:30 | 0:17:32 | |
This girl has a gift for life. | 0:17:32 | 0:17:33 | |
I want to send her to America. | 0:17:33 | 0:17:35 | |
I want to educate her. | 0:17:35 | 0:17:37 | |
You can't adopt an 18-year-old girl! | 0:17:37 | 0:17:39 | |
You can't ask me... | 0:17:39 | 0:17:40 | |
They have a name for what you're asking me to do! | 0:17:40 | 0:17:43 | |
That is narrow-minded, bigoted and evil! | 0:17:43 | 0:17:46 | |
Jervis, have you any idea how easy it is to lose a job | 0:17:46 | 0:17:48 | |
at the State Department these days? | 0:17:48 | 0:17:50 | |
-But my motives are as pure as... -Just a moment, Jervis. | 0:17:50 | 0:17:53 | |
..I think the Ambassador fears | 0:17:53 | 0:17:55 | |
that if the Press hear about this, they might conceivably place | 0:17:55 | 0:17:58 | |
a different interpretation upon your motives. | 0:17:58 | 0:18:00 | |
However pure in fact they may be! | 0:18:00 | 0:18:02 | |
Thank you, Griggs! | 0:18:02 | 0:18:04 | |
A fair point. Er... | 0:18:04 | 0:18:07 | |
I have it! | 0:18:07 | 0:18:09 | |
The entire thing can be done anonymously. | 0:18:09 | 0:18:11 | |
Like a scholarship fund. | 0:18:11 | 0:18:12 | |
There'll be absolutely no contact | 0:18:12 | 0:18:14 | |
between the girl and myself, | 0:18:14 | 0:18:16 | |
she won't even know who I am. | 0:18:16 | 0:18:17 | |
The Pendleton Foundation gives lots of scholarships | 0:18:17 | 0:18:20 | |
to American boys and girls, why not to this girl? Why not? | 0:18:20 | 0:18:24 | |
I don't know why not. | 0:18:24 | 0:18:26 | |
Well? | 0:18:26 | 0:18:27 | |
Of course, you're not really adopting her. | 0:18:27 | 0:18:29 | |
In this case you're merely just sponsoring her. | 0:18:29 | 0:18:31 | |
-Right! -But you want to send her to college. | 0:18:31 | 0:18:33 | |
How do we know she'll qualify? | 0:18:33 | 0:18:35 | |
Qualify? Erm... | 0:18:35 | 0:18:37 | |
I'm on the Board of Trustees for some institution of | 0:18:37 | 0:18:40 | |
learning for young ladies. Which one is it, Griggs? | 0:18:40 | 0:18:42 | |
Walston College in Massachusetts. | 0:18:42 | 0:18:44 | |
What makes you think they'll take her? | 0:18:44 | 0:18:45 | |
What was our contribution last year? | 0:18:45 | 0:18:49 | |
Sizeable! | 0:18:49 | 0:18:51 | |
She is now an enrolled member of the freshman class | 0:18:51 | 0:18:54 | |
of Walston College in Massachusetts. Here, start writing. | 0:18:54 | 0:18:57 | |
Now, where were we? | 0:18:57 | 0:19:00 | |
18 years old...Ohhh! | 0:19:00 | 0:19:03 | |
Julie, everything is true! | 0:19:05 | 0:19:07 | |
Everything is happening. | 0:19:07 | 0:19:09 | |
Look, here is a letter from the American Ambassador. | 0:19:09 | 0:19:11 | |
Your name. Julie Andre. | 0:19:11 | 0:19:13 | |
You are going to America to college! | 0:19:13 | 0:19:17 | |
-How do I go? -By aeroplane! | 0:19:21 | 0:19:24 | |
Everything has been arranged. | 0:19:24 | 0:19:25 | |
Travelling expenses, college, clothes to wear... | 0:19:25 | 0:19:28 | |
And the food too? | 0:19:28 | 0:19:29 | |
All that you desire! | 0:19:29 | 0:19:31 | |
-Hamburger? -Hamburger! | 0:19:31 | 0:19:33 | |
-Ice cream? -Three times a day! | 0:19:33 | 0:19:37 | |
I'll send some back for the children! | 0:19:39 | 0:19:41 | |
And pictures of Indians and cowboys! | 0:19:41 | 0:19:44 | |
Where you are going there won't be cowboys. | 0:19:44 | 0:19:46 | |
Indians, maybe, but no cowboys! | 0:19:46 | 0:19:47 | |
Oh, la-la. | 0:19:47 | 0:19:48 | |
Madame, is not possible, it is like a dream! | 0:19:48 | 0:19:51 | |
It is...it is too... | 0:19:51 | 0:19:54 | |
Who is it that would do that for me? | 0:19:54 | 0:19:56 | |
What's his name, where is he? | 0:19:56 | 0:19:58 | |
I cannot tell you his name. He does not wish you to know it. | 0:19:58 | 0:20:00 | |
But...I want to thank him! | 0:20:00 | 0:20:03 | |
He doesn't want any thanks. He doesn't want any gratitude. | 0:20:03 | 0:20:06 | |
His only wish is that you write him once a month, | 0:20:06 | 0:20:09 | |
just like he would be your father, | 0:20:09 | 0:20:11 | |
and tell him the progress you are making in school. | 0:20:11 | 0:20:13 | |
And this is the address... | 0:20:13 | 0:20:17 | |
Mr John Smith, Post Office Box 3642, New York City. | 0:20:17 | 0:20:23 | |
It is all written out here. | 0:20:23 | 0:20:24 | |
Of course, John Smith is not his real name. | 0:20:24 | 0:20:27 | |
Oh, la-la, Madame. | 0:20:27 | 0:20:29 | |
-It has really happened, huh? -Uh-huh. | 0:20:30 | 0:20:33 | |
It is really true? | 0:20:33 | 0:20:34 | |
Everything is true. | 0:20:34 | 0:20:36 | |
Come on, Julie, you go to sleep | 0:20:36 | 0:20:39 | |
and say a nice prayer of thanks. | 0:20:39 | 0:20:42 | |
-Bless you, Madame! -Il n'y a pas de quoi, ma choute! -Bonsoir, Madame. | 0:20:45 | 0:20:50 | |
Oh, how beautiful it is! | 0:20:51 | 0:20:53 | |
It is American automobile. | 0:20:53 | 0:20:55 | |
No, no, it is Italian. | 0:20:55 | 0:20:56 | |
No, it is a Cadillac! | 0:20:56 | 0:20:58 | |
-I saw one in the cinema. -What are you doing there? | 0:20:58 | 0:21:02 | |
An American car and a man. He has been talking to... | 0:21:02 | 0:21:05 | |
Where? Let me see! | 0:21:05 | 0:21:06 | |
Oh, zut! | 0:21:12 | 0:21:13 | |
Did you see him? Did you see his face? | 0:21:15 | 0:21:17 | |
-YES! -You did? What did he look like? | 0:21:17 | 0:21:19 | |
Was he old? | 0:21:21 | 0:21:22 | |
Yes, very old! | 0:21:22 | 0:21:24 | |
How old? | 0:21:24 | 0:21:25 | |
Older than him! | 0:21:25 | 0:21:27 | |
Did you see his hair? What kind of hair did he have? | 0:21:27 | 0:21:29 | |
-He had no hair. -Bald? -He had a hat. | 0:21:29 | 0:21:32 | |
We saw only his shadow. | 0:21:32 | 0:21:34 | |
He was very tall with long legs... | 0:21:34 | 0:21:37 | |
..comme un faucheur. | 0:21:37 | 0:21:39 | |
-Un faucheur? -Yes, a Daddy Longlegs. | 0:21:39 | 0:21:42 | |
Oh, a Daddy Longlegs! | 0:21:42 | 0:21:44 | |
Yes! A Daddy Longlegs! | 0:21:44 | 0:21:46 | |
Ssh! Now, off to bed, quickly. | 0:21:46 | 0:21:49 | |
Quiet, don't wake the others. | 0:21:49 | 0:21:52 | |
Daddy Longlegs! | 0:22:47 | 0:22:50 | |
Papa Faucheur! | 0:22:53 | 0:22:55 | |
# Daddy Longlegs... Longlegs... | 0:22:58 | 0:23:03 | |
# Daddy Longlegs... Longlegs... | 0:23:03 | 0:23:07 | |
# Please, please make one little dream come true | 0:23:07 | 0:23:14 | |
# If Cinderella's Godmama could make a coach-and-four | 0:23:17 | 0:23:24 | |
# I'm sure a real, live Godpapa | 0:23:24 | 0:23:29 | |
# Could do a whole lot more | 0:23:29 | 0:23:34 | |
# Make me pretty... pretty... | 0:23:34 | 0:23:39 | |
# Make me witty... witty... | 0:23:39 | 0:23:43 | |
# Make me just as nice as a girl can be | 0:23:43 | 0:23:49 | |
# I don't know how I'll find a way | 0:23:51 | 0:23:57 | |
# But I'll pay you back some day | 0:23:57 | 0:24:04 | |
# Daddy Longlegs | 0:24:04 | 0:24:09 | |
# Wait and see. # | 0:24:09 | 0:24:15 | |
Julie! Julie! | 0:24:24 | 0:24:26 | |
# Daddy Longlegs | 0:25:14 | 0:25:19 | |
-# Wait and see. -# | 0:25:19 | 0:25:25 | |
That'll be a dollar and a half. | 0:26:14 | 0:26:16 | |
Keep the change, please. | 0:26:27 | 0:26:29 | |
Thank you. | 0:26:29 | 0:26:30 | |
-Hi! -Hi! | 0:26:40 | 0:26:43 | |
Through those portals, sister! | 0:26:45 | 0:26:48 | |
-See ya! -...See ya! | 0:26:48 | 0:26:51 | |
-Frosh? -Pardon? | 0:27:00 | 0:27:03 | |
Are you a freshman? | 0:27:03 | 0:27:05 | |
Oui...yes, I'm a freshman. | 0:27:05 | 0:27:07 | |
Well, you must be our French girl, Julie Andre. | 0:27:07 | 0:27:11 | |
Oh, you know about me, huh? | 0:27:11 | 0:27:14 | |
Yes, I have a list of everybody. | 0:27:14 | 0:27:17 | |
I'm Pat Withers, Senior. | 0:27:17 | 0:27:19 | |
Welcome to Walston College. | 0:27:19 | 0:27:22 | |
Thank you! | 0:27:22 | 0:27:23 | |
You're in Room 205, with Linda Pendleton and Sally McBride. | 0:27:23 | 0:27:28 | |
Upstairs and down to your left. | 0:27:28 | 0:27:30 | |
Thank you, Miss Senior. | 0:27:30 | 0:27:33 | |
Egghead! Egghead! Egghead! | 0:27:35 | 0:27:40 | |
# Welcome, Egghead! Wipe that smile off your face! | 0:27:44 | 0:27:49 | |
# Never speak until you're spoken to! | 0:27:49 | 0:27:52 | |
# What an Egghead! You're an Egghead! | 0:27:52 | 0:27:56 | |
# But you're soon gonna be hard-boiled! | 0:27:56 | 0:28:00 | |
# Blow your nose! Dry your ears! | 0:28:00 | 0:28:02 | |
#Get up and salute when a senior appears! | 0:28:02 | 0:28:04 | |
# Move your feet! Get out the lead! Cover the point in your head! | 0:28:04 | 0:28:08 | |
# Tummy in! Sweater out! Eliminate that supercilious pout! | 0:28:08 | 0:28:12 | |
# But since you are a lady, dear, you are welcome here! | 0:28:12 | 0:28:16 | |
# Welcome Egghead! You're an Egghead! | 0:28:16 | 0:28:19 | |
# But you're soon gonna be hard-boiled! # | 0:28:19 | 0:28:23 | |
-Oh, pardon! -Hi! I'm Sally McBride, | 0:28:23 | 0:28:26 | |
this is Linda Pendleton! | 0:28:26 | 0:28:28 | |
-Hi! -Hi, Miss Pendleton, I am Julie Andre. | 0:28:28 | 0:28:32 | |
We've heard about you. | 0:28:32 | 0:28:33 | |
We've both signed up for French and expect to get A's! | 0:28:33 | 0:28:36 | |
I'd help you with English, | 0:28:36 | 0:28:37 | |
but I'm a total loss at it myself! I smell! | 0:28:37 | 0:28:41 | |
-You do? -At English! -Oh! | 0:28:41 | 0:28:44 | |
But I have got a brother at Harvard, who's real smooth, | 0:28:44 | 0:28:48 | |
so if I were you, I'd cultivate me! | 0:28:48 | 0:28:50 | |
Cultivate Linda, too. | 0:28:50 | 0:28:52 | |
Her folks are big muck around here! | 0:28:52 | 0:28:53 | |
Every time they need a new building or something, | 0:28:53 | 0:28:55 | |
her uncle coughs up for everything! | 0:28:55 | 0:28:57 | |
Pipe down, Sally. Have we said anything you understand yet? | 0:28:57 | 0:29:00 | |
The words, yes, but the meaning... | 0:29:00 | 0:29:05 | |
-I thought so! -Don't worry, you'll get with it. | 0:29:05 | 0:29:08 | |
One of us has to sleep alone. | 0:29:08 | 0:29:10 | |
Would that bother you? | 0:29:10 | 0:29:12 | |
Alone? A room for myself? | 0:29:12 | 0:29:14 | |
-Oh, no, that would not bother me at all! -Good! Then that's settled. | 0:29:14 | 0:29:18 | |
-Now. Where's your trunk? -Er...I don't know. | 0:29:18 | 0:29:23 | |
What do you mean? Didn't you pack? | 0:29:23 | 0:29:25 | |
Oh, yes...but all I packed was...this! | 0:29:25 | 0:29:29 | |
She believes in travelling light! | 0:29:29 | 0:29:31 | |
But surely those aren't all the clothes you have for a whole year?! | 0:29:31 | 0:29:35 | |
I don't know. | 0:29:35 | 0:29:37 | |
-KNOCK -Come in! | 0:29:37 | 0:29:39 | |
-Miss Julie Andre? -Yes, that's me. | 0:29:41 | 0:29:44 | |
I have a couple of trunks for you. | 0:29:44 | 0:29:47 | |
Oh, look at the size of it! | 0:29:51 | 0:29:54 | |
Goodnight! Why, I've never seen anything so big! | 0:29:55 | 0:29:59 | |
-Miss Andre? -Yes? -Sign here, please. | 0:30:01 | 0:30:05 | |
And you were the girl who didn't have any trunks! | 0:30:05 | 0:30:08 | |
Yeah, she believes in travelling light! | 0:30:08 | 0:30:11 | |
And TWO of them, too! | 0:30:11 | 0:30:13 | |
Thank you. | 0:30:13 | 0:30:15 | |
Come on, aren't you gonna open them?! | 0:30:17 | 0:30:19 | |
-Oh...yes, yes... -Hurry! | 0:30:19 | 0:30:23 | |
-Er...they are locked. -Of course they are! | 0:30:23 | 0:30:26 | |
-Where are the keys? -Oh...the keys... | 0:30:26 | 0:30:31 | |
Well, I am tired of saying, "I do not know" but... | 0:30:31 | 0:30:35 | |
I do not know! | 0:30:35 | 0:30:37 | |
Well, my nail file works on my sister's diary! | 0:30:37 | 0:30:41 | |
-Julie? -Yes? -This just arrived. | 0:30:41 | 0:30:43 | |
Special delivery and don't get used to this kind of service, | 0:30:43 | 0:30:45 | |
it's only the first day! | 0:30:45 | 0:30:48 | |
The keys! I think it's the keys! | 0:30:48 | 0:30:50 | |
-There they are! -Hurry! -I am! | 0:30:52 | 0:30:55 | |
I think I'm going to be the best-dressed girl on campus! | 0:30:55 | 0:31:00 | |
Heavens! LOOK at them! | 0:31:00 | 0:31:03 | |
-Oh, wow! -Wow! -...Wow! | 0:31:05 | 0:31:09 | |
Get a load of these labels! | 0:31:12 | 0:31:15 | |
It's from my guardian. | 0:31:15 | 0:31:16 | |
Are you sure he's your guardian? | 0:31:16 | 0:31:17 | |
Oh, yes, that I do know! | 0:31:17 | 0:31:19 | |
-There's so many of them! -Oh, let me see! -They're lovely! | 0:31:19 | 0:31:24 | |
-Oh, this is the one that I want! -Here's a beauty! | 0:31:24 | 0:31:29 | |
I'll be right back! | 0:31:29 | 0:31:30 | |
If I lose about 5 pounds... | 0:31:31 | 0:31:34 | |
-I can step into this one now! -Oh, that's beautiful. | 0:31:34 | 0:31:37 | |
How did he know my eyes were blue?! | 0:31:37 | 0:31:39 | |
Julie, I'll swap you a date with my brother | 0:31:39 | 0:31:42 | |
for a chance to wear this dress! | 0:31:42 | 0:31:44 | |
-Huh? -Swell, it's a deal! | 0:31:44 | 0:31:46 | |
Heavens, LOOK at all this! I've never seen so many! | 0:31:46 | 0:31:51 | |
Sally, Sally. Think he's really her guardian? | 0:31:51 | 0:31:53 | |
I don't care what his intentions are. His taste is divine! | 0:31:53 | 0:31:58 | |
-Julie! Julie! -Coming! | 0:31:58 | 0:32:01 | |
Hey! Behold... | 0:32:02 | 0:32:05 | |
An American freshman! | 0:32:05 | 0:32:06 | |
Look! | 0:32:10 | 0:32:13 | |
"Dear Daddy Longlegs, or perhaps I should say, | 0:32:21 | 0:32:25 | |
"'Dear kind person who sends orphans to college.' | 0:32:25 | 0:32:29 | |
"Yesterday morning... | 0:32:33 | 0:32:37 | |
"..I was in France... | 0:32:37 | 0:32:40 | |
"..and tonight... I am sleeping in... | 0:32:43 | 0:32:50 | |
"Massa-ch... | 0:32:50 | 0:32:55 | |
"..Walston." | 0:33:00 | 0:33:03 | |
"It is strange to be writing letters to someone you don't know. | 0:33:03 | 0:33:07 | |
"It's strange for me to write letters at all. | 0:33:07 | 0:33:10 | |
"Never before had I anyone to write to, | 0:33:10 | 0:33:16 | |
"but now I belong to somebody | 0:33:16 | 0:33:18 | |
"and it is a very comfortable sensation. | 0:33:18 | 0:33:22 | |
"I will try to make you proud of me. | 0:33:22 | 0:33:25 | |
"Yours very respectfully, Julie. " | 0:33:25 | 0:33:29 | |
Is Mr Pendleton to see this? | 0:33:31 | 0:33:34 | |
No, Miss Prichard, just start a new file. Andre, Julie Andre. | 0:33:34 | 0:33:39 | |
Yes, Mr Griggs. | 0:33:39 | 0:33:41 | |
"Dear Daddy Longlegs. I doubt that it will interest you, | 0:35:04 | 0:35:07 | |
"but this semester I have moved up two places. | 0:35:07 | 0:35:10 | |
"I am now 12th in my class. My average is just above a B..." | 0:35:10 | 0:35:14 | |
BUZZ | 0:35:14 | 0:35:16 | |
Griggs speaking...Yes... | 0:35:18 | 0:35:21 | |
Oh, she is? Er...just a moment. | 0:35:21 | 0:35:24 | |
PRESSES BUZZER | 0:35:24 | 0:35:26 | |
Yes, Griggs, old boy? | 0:35:26 | 0:35:27 | |
Jervis, your sister-in-law Gertrude is on the phone. | 0:35:27 | 0:35:30 | |
I just left for Alaska! | 0:35:30 | 0:35:32 | |
She's called 5 times. | 0:35:32 | 0:35:34 | |
It's about your house in Murray Bay. | 0:35:34 | 0:35:36 | |
She's decided to spend the summer there with Linda. | 0:35:36 | 0:35:38 | |
She wants you to have it redecorated. | 0:35:38 | 0:35:40 | |
French provincial. | 0:35:40 | 0:35:42 | |
She wants me to have my house redecorated | 0:35:42 | 0:35:44 | |
so she can use it for her vacation?! | 0:35:44 | 0:35:46 | |
For Gertrude, that's reasonable! | 0:35:46 | 0:35:49 | |
-Tell her to... -CLICK | 0:35:49 | 0:35:51 | |
Tell Mrs Pendleton, | 0:35:53 | 0:35:55 | |
Jervis is happy for her to use the house. | 0:35:55 | 0:35:57 | |
He agrees with her that French provincial is most attractive. | 0:35:57 | 0:36:02 | |
He wonders why he didn't think of it himself! | 0:36:02 | 0:36:04 | |
Now, where was I ? "My average is just above a B..." | 0:36:07 | 0:36:12 | |
-What? -The Andre letter. | 0:36:12 | 0:36:15 | |
Oh...er...file it! | 0:36:15 | 0:36:19 | |
You didn't finish reading it! | 0:36:19 | 0:36:22 | |
"It is very hard to go on writing to a...a thing! | 0:36:23 | 0:36:27 | |
"You never ask any questions. | 0:36:27 | 0:36:30 | |
"You never show the slightest interest in me or anything I do. | 0:36:30 | 0:36:32 | |
"You don't praise and you don't scold. | 0:36:32 | 0:36:35 | |
"It's like having a machine for a father. | 0:36:35 | 0:36:38 | |
"I love college and I love you for sending me here, | 0:36:38 | 0:36:41 | |
"but couldn't you write just one letter?! | 0:36:41 | 0:36:44 | |
"Not too respectfully yours, | 0:36:44 | 0:36:46 | |
-"Julie." -File it, Miss Prichard. | 0:36:46 | 0:36:50 | |
Isn't somebody, someday going to answer that poor child?! | 0:36:50 | 0:36:54 | |
All right, all right. | 0:36:54 | 0:36:56 | |
"Dear Miss Andre, your letter of the 23rd received. | 0:36:58 | 0:37:02 | |
"I'm sure Mr Smith will be pleased with your progress." | 0:37:02 | 0:37:07 | |
That's a breezy, cheerful little note. | 0:37:07 | 0:37:09 | |
I'm sure that will warm her up! | 0:37:09 | 0:37:11 | |
What do I know about writing to a young girl? | 0:37:11 | 0:37:13 | |
All right! Destroy my letter, continue as before! File it! | 0:37:13 | 0:37:16 | |
Yes, Mr Griggs! | 0:37:16 | 0:37:20 | |
Mr Griggs, a person is not a corporation! | 0:37:21 | 0:37:26 | |
A person is flesh and... | 0:37:26 | 0:37:29 | |
..and blood... | 0:37:29 | 0:37:31 | |
..and feelings! | 0:37:31 | 0:37:33 | |
On slide three, I don't like the word "coach". | 0:38:00 | 0:38:02 | |
Pendleton Airways is selling something better than coach travel. | 0:38:02 | 0:38:05 | |
We must find a new phrase. | 0:38:05 | 0:38:07 | |
-Yes, Griggs? -Jervis, a person is not a corporation! | 0:38:07 | 0:38:10 | |
Really? "Cabin Clipper" just occurred to me. | 0:38:10 | 0:38:12 | |
How does that strike you? | 0:38:12 | 0:38:13 | |
A person is flesh and blood and feelings! | 0:38:13 | 0:38:15 | |
And has to be treated as such! | 0:38:15 | 0:38:16 | |
I'll vote for that! Where do I register? | 0:38:16 | 0:38:19 | |
Your treatment of her has been absolutely shameful! | 0:38:19 | 0:38:21 | |
She's a monster! Sometimes I think my poor brother | 0:38:21 | 0:38:23 | |
gave up the ghost just to get away from her. | 0:38:23 | 0:38:25 | |
Not your sister-in-law. | 0:38:25 | 0:38:27 | |
I am referring to Miss Julie Andre! | 0:38:27 | 0:38:29 | |
-Miss Julie Andre? -I'm not in the least surprised! | 0:38:29 | 0:38:32 | |
Yes, sir? | 0:38:32 | 0:38:33 | |
Miss Prichard bring in that file! | 0:38:33 | 0:38:35 | |
Which file, Mr Griggs? | 0:38:35 | 0:38:36 | |
The one you're crying over! | 0:38:36 | 0:38:38 | |
Crying in the file? Not only does it sound inefficient, | 0:38:38 | 0:38:41 | |
it sounds like a tune on the hit parade. | 0:38:41 | 0:38:43 | |
What's going on around here? | 0:38:43 | 0:38:44 | |
Nothing is going on around here and it's all your fault! | 0:38:44 | 0:38:47 | |
Over two years ago, you, impulsively, capriciously, | 0:38:47 | 0:38:50 | |
against the better judgment of the American Ambassador and myself, | 0:38:50 | 0:38:53 | |
picked a young girl out of a French orphanage | 0:38:53 | 0:38:56 | |
and deposited her in Walston College. | 0:38:56 | 0:38:59 | |
Oh, that Julie Andre. | 0:38:59 | 0:39:01 | |
Yes, THAT Julie Andre! | 0:39:01 | 0:39:03 | |
She's been kicked out! Griggs, | 0:39:03 | 0:39:05 | |
how could you let them do that after all we do for that college?! | 0:39:05 | 0:39:07 | |
She has not been kicked out! | 0:39:07 | 0:39:09 | |
She stands 12th in her class! | 0:39:09 | 0:39:10 | |
She's a lovely, sensitive, marvellous girl. | 0:39:10 | 0:39:12 | |
Any parent would be proud of her! | 0:39:12 | 0:39:14 | |
And yet, no-one pays the slightest bit of attention to her! | 0:39:14 | 0:39:19 | |
Thank you, Miss Prichard. | 0:39:21 | 0:39:23 | |
Thank you, Mr Griggs. | 0:39:23 | 0:39:24 | |
I was afraid there was going to be a baby in there! | 0:39:35 | 0:39:38 | |
What kind of performance was that? | 0:39:38 | 0:39:40 | |
For more than two years that poor girl has been pouring her heart | 0:39:40 | 0:39:43 | |
out to you in those letters, and you haven't answered one of them. | 0:39:43 | 0:39:45 | |
You haven't even bothered to read one! | 0:39:45 | 0:39:49 | |
Wait a minute, that was the arrangement, | 0:39:49 | 0:39:51 | |
it had to be done anonymously. Remember? Alec insisted on that. | 0:39:51 | 0:39:54 | |
At least you could've asked about her! | 0:39:54 | 0:39:56 | |
Shown some compassion, some humanity! | 0:39:56 | 0:40:00 | |
Oh, I see. I see. | 0:40:00 | 0:40:02 | |
You're in love with her. | 0:40:02 | 0:40:05 | |
No, Jervis, it's worse that that. She's in love with you! | 0:40:05 | 0:40:08 | |
-What? -Although you don't know it, | 0:40:08 | 0:40:10 | |
you've been a thoughtful and considerate guardian. | 0:40:10 | 0:40:12 | |
She's spent the last two summers on your farm in Nova Scotia, | 0:40:12 | 0:40:15 | |
although she thinks Linda is responsible for that. | 0:40:15 | 0:40:17 | |
Linda? | 0:40:18 | 0:40:19 | |
Your niece. Gertrude's daughter. | 0:40:19 | 0:40:21 | |
The one you haven't seen since she was born. | 0:40:21 | 0:40:23 | |
Oh, yes. Horrible looking baby. | 0:40:23 | 0:40:25 | |
Well, she's no longer a horrible looking baby. | 0:40:25 | 0:40:27 | |
-She's Julie's roommate. -Who put them together? | 0:40:27 | 0:40:30 | |
You did. It was the only way to arrange Miss Andre's vacations. | 0:40:30 | 0:40:35 | |
-You sent her a Christmas present. -I did? What? | 0:40:35 | 0:40:39 | |
Three pairs of silk pyjamas. | 0:40:39 | 0:40:41 | |
-Griggs! -It's OK, Miss Prichard selected them! | 0:40:41 | 0:40:45 | |
All in all, Miss Andre has a lot to thank you for | 0:40:45 | 0:40:47 | |
and is very devoted to you. | 0:40:47 | 0:40:49 | |
She calls you her 'Dear Daddy Longlegs'. | 0:40:49 | 0:40:52 | |
Dear Daddy WHAT-legs? | 0:40:52 | 0:40:54 | |
Well, it has something to do with | 0:40:54 | 0:40:56 | |
your shadow on the wall, or a spider... | 0:40:56 | 0:40:58 | |
Jervis, I think you should read these letters! | 0:40:59 | 0:41:02 | |
I think I'd better read them, too. | 0:41:02 | 0:41:03 | |
"Dear Daddy Longlegs..." | 0:41:08 | 0:41:11 | |
She's a prolific little thing, isn't she? | 0:41:11 | 0:41:14 | |
Griggs, would you tell Miss Prichard | 0:41:18 | 0:41:20 | |
to hold all my calls until she hears from me? | 0:41:20 | 0:41:23 | |
"Dear Daddy Longlegs, | 0:41:40 | 0:41:42 | |
"you never answered my questions, and they were important. | 0:41:42 | 0:41:46 | |
"Are you very bald? | 0:41:46 | 0:41:49 | |
"Or just a little bald? | 0:41:49 | 0:41:51 | |
"Are you very old... | 0:41:51 | 0:41:54 | |
"..or just a little old? | 0:41:54 | 0:41:56 | |
"On second thoughts, don't answer, not that you will! | 0:41:56 | 0:42:01 | |
"It is just as fun not knowing anything about you. | 0:42:01 | 0:42:04 | |
"It leaves me free to imagine whatever I want. | 0:42:04 | 0:42:07 | |
"You could be anything. | 0:42:07 | 0:42:10 | |
"Sometimes I think that you are a Texas millionaire! | 0:42:10 | 0:42:15 | |
"And you are so rich, | 0:42:15 | 0:42:17 | |
"there is a special department in the United States treasury | 0:42:17 | 0:42:22 | |
"which works only on your tax..." | 0:42:22 | 0:42:25 | |
# Down in Texas where the stars are bright | 0:43:13 | 0:43:16 | |
# Down in Texas where they treat you right | 0:43:16 | 0:43:20 | |
# Everybody sings this little song | 0:43:20 | 0:43:23 | |
# Daddy, daddy, why's your legs so long? | 0:43:23 | 0:43:27 | |
# Love your figure cos it's so corn fed | 0:43:27 | 0:43:30 | |
# Love that hair upon your pumpkin head | 0:43:30 | 0:43:34 | |
# Though you're richer than the Vanderbilts | 0:43:34 | 0:43:37 | |
# Daddy, daddy, where'd you get them stilts? | 0:43:37 | 0:43:40 | |
# Pick out your hen and pick out your rooster | 0:43:40 | 0:43:43 | |
# First prize, a block of stocks, 2nd prize, Fort Knox! | 0:43:43 | 0:43:47 | |
# It's long-leg Tex with the big fat wallet | 0:43:47 | 0:43:50 | |
# When he walks the dog, your eyes'll bug like a frog! | 0:43:50 | 0:43:54 | |
# Parlez-vous and Frere Jacques | 0:43:54 | 0:43:57 | |
# Big foot up and down, make a hole in the ground | 0:43:57 | 0:44:00 | |
# Grab your gal and swing her like thunder | 0:44:00 | 0:44:03 | |
# Kiss her and jump for joy | 0:44:03 | 0:44:05 | |
# Kiss again and promenade all! # | 0:44:05 | 0:44:08 | |
"Well, maybe not. | 0:44:08 | 0:44:10 | |
"You're probably an international playboy..." | 0:44:10 | 0:44:14 | |
"No, no, no! I don't like you like this. | 0:45:27 | 0:45:31 | |
"I prefer to think of you as my guardian angel..." | 0:45:31 | 0:45:36 | |
"Oh, it's very confusing! I wish I knew who you really are. | 0:49:45 | 0:49:51 | |
"I wish...I wish one day you would write and tell me. | 0:49:51 | 0:49:56 | |
"Your lonesome Julie." | 0:49:56 | 0:49:59 | |
Would you get my sister-in-law on the phone, please? | 0:50:12 | 0:50:15 | |
-Who, sir? -My sister-in-law, | 0:50:15 | 0:50:16 | |
Gertrude Pendleton. | 0:50:16 | 0:50:18 | |
BUZZ | 0:50:25 | 0:50:28 | |
Hello? Hello, Gertrude. | 0:50:32 | 0:50:34 | |
Tell me, how's Linda? | 0:50:34 | 0:50:35 | |
Who is this? | 0:50:35 | 0:50:37 | |
Jervis? | 0:50:37 | 0:50:39 | |
I don't believe it! You've been drinking! | 0:50:39 | 0:50:42 | |
Not a drop. I merely phoned up to find out about my niece. | 0:50:42 | 0:50:46 | |
Tell me. How is she enjoying college? | 0:50:46 | 0:50:48 | |
Jervis, this is very peculiar! | 0:50:48 | 0:50:51 | |
Linda is 20 and you have not seen her for 19½ years! | 0:50:51 | 0:50:55 | |
Oh, you're so right! I've been the worst of uncles. I'm sorry. | 0:50:55 | 0:51:00 | |
Why don't we go up and see her? | 0:51:00 | 0:51:03 | |
This is insane. All I wanted was for you to write Julie a letter! | 0:51:03 | 0:51:06 | |
Keep quiet! | 0:51:06 | 0:51:07 | |
No, no...not you, Gertrude! | 0:51:07 | 0:51:09 | |
There's a mechanical device here producing strange noises. | 0:51:09 | 0:51:13 | |
The Spring Dance? Saturday? ..Sounds charming! | 0:51:13 | 0:51:19 | |
Fine, fine, we'll drive up together. | 0:51:19 | 0:51:22 | |
Wonderful...see you then! Goodbye! | 0:51:22 | 0:51:25 | |
You can't do this! You can't go to the school | 0:51:25 | 0:51:28 | |
and reveal yourself to Julie! It's violating your promise to Alec! | 0:51:28 | 0:51:31 | |
Griggs, how you do carry on. | 0:51:31 | 0:51:32 | |
I have no intention of revealing myself. | 0:51:32 | 0:51:34 | |
I am simply going up there to visit my niece and | 0:51:34 | 0:51:36 | |
while I'm there, I'll get a look at my orphan! | 0:51:36 | 0:51:39 | |
BUZZ | 0:51:39 | 0:51:40 | |
Mrs Gertrude Pendleton on the line. Put her on. | 0:51:40 | 0:51:44 | |
Yes, Gertie? | 0:51:44 | 0:51:45 | |
Yes, of course it was me you were talking to a moment ago! | 0:51:45 | 0:51:50 | |
Who else? Who else but Linda's Uncle Jervis? | 0:51:50 | 0:51:54 | |
BLUESY DANCE MUSIC | 0:52:00 | 0:52:04 | |
Excuse me. | 0:52:38 | 0:52:40 | |
Jervis, remember you're with me and don't leer! | 0:52:43 | 0:52:47 | |
I was just looking around! | 0:52:48 | 0:52:50 | |
I hope you remember, they are very young. | 0:52:50 | 0:52:52 | |
Time cannot wither, nor custom stale your charm, Gertrude! | 0:52:52 | 0:52:56 | |
I don't know what plans you have Jervis, but I don't propose to... | 0:52:56 | 0:52:59 | |
Oh, here's Linda! | 0:52:59 | 0:53:00 | |
Linda, darling, can you ever forgive your Uncle Jervis? | 0:53:00 | 0:53:04 | |
-For Heaven's sake, Jervis, that's not Linda! -Oh, I am sorry! | 0:53:04 | 0:53:07 | |
What in the world are you doing here anyway? | 0:53:07 | 0:53:08 | |
Linda, I don't suppose you remember your Uncle Jervis, | 0:53:08 | 0:53:12 | |
but then he doesn't remember you either! | 0:53:12 | 0:53:14 | |
-Hello, Uncle Jervis. -Linda, I've been foolish not coming to see you. | 0:53:14 | 0:53:19 | |
You're lovely! | 0:53:19 | 0:53:20 | |
-Thank you. Mmm...I guess I haven't made a mistake. -What? | 0:53:20 | 0:53:26 | |
The girls insisted that I fill out a dance card for you. | 0:53:26 | 0:53:30 | |
Sounds charming. | 0:53:30 | 0:53:31 | |
Stand under your initial and you'll be claimed like lost luggage! | 0:53:31 | 0:53:35 | |
Well-travelled luggage! | 0:53:35 | 0:53:36 | |
Linda, dear, do I have a pleasure of a dance with your mother? | 0:53:36 | 0:53:40 | |
No, I didn't... | 0:53:40 | 0:53:42 | |
What a shame! Well, here I go! | 0:53:42 | 0:53:45 | |
Come off it, McBride! | 0:53:46 | 0:53:48 | |
No, I gave up one dance to someone's uncle, but that's it! | 0:53:48 | 0:53:52 | |
-Sorry, Professor! -That's all right, but I'm not... | 0:53:52 | 0:53:56 | |
..Professor. | 0:53:56 | 0:53:58 | |
-Mr McBride? -Yes, Miss Andre? | 0:54:02 | 0:54:03 | |
-I believe this is our dance! -Pardon us, Professor. | 0:54:03 | 0:54:07 | |
I told you, I was not a... | 0:54:07 | 0:54:09 | |
-You must be Uncle Jervis. -Yes. -I'm Sally McBride, Linda's roommate. | 0:54:09 | 0:54:13 | |
But I thought... | 0:54:13 | 0:54:14 | |
Oh, the vision that just left with my brother? | 0:54:14 | 0:54:18 | |
That's Julie Andre, the 3rd cellmate. | 0:54:18 | 0:54:20 | |
-Oh, I see. -Well, shall we have a go at it? | 0:54:20 | 0:54:25 | |
-If... -If this is too bluesy, we could sit it out. | 0:54:25 | 0:54:28 | |
-I'll do my best. -All right. | 0:54:28 | 0:54:31 | |
-I...I can do the box step. -Oh. | 0:54:33 | 0:54:35 | |
One...two...one...two... | 0:54:35 | 0:54:38 | |
Well... You're quite good! | 0:54:42 | 0:54:44 | |
Thank you. I'm glad those lessons weren't wasted! | 0:54:44 | 0:54:47 | |
Last week I did Spanish rhythms. | 0:54:47 | 0:54:49 | |
Mr McBride seems taken with Miss Andre. | 0:55:07 | 0:55:10 | |
Taken? He's Georgia and she's Sherman marching through! | 0:55:10 | 0:55:13 | |
Is she the same way about him? | 0:55:13 | 0:55:15 | |
She'd be a darned fool if she weren't! | 0:55:15 | 0:55:17 | |
Am I leading? | 0:55:28 | 0:55:30 | |
Up to now I think it's a tie! | 0:55:30 | 0:55:32 | |
That's a fault of mine. | 0:55:32 | 0:55:33 | |
It comes of going to a girls' school! | 0:55:33 | 0:55:36 | |
-That's that! -Thanks a lot. | 0:55:41 | 0:55:43 | |
Don't forget, tomorrow we play Vassar. Do come! | 0:55:43 | 0:55:47 | |
-I'm sure you can beat Yale. -Thanks! | 0:55:47 | 0:55:49 | |
Mr Pendleton? I am Julie Andre. | 0:56:04 | 0:56:06 | |
-How do you do? Is this our dance? -Yes. | 0:56:06 | 0:56:09 | |
If you'd rather not dance, we can talk. | 0:56:09 | 0:56:12 | |
I'd like that. | 0:56:12 | 0:56:13 | |
Isn't there some place we could go, in the garden perhaps? | 0:56:13 | 0:56:16 | |
Or maybe would that be bad for your reputation? | 0:56:16 | 0:56:19 | |
Er...it would. | 0:56:19 | 0:56:21 | |
Come on, let's destroy my reputation! | 0:56:21 | 0:56:24 | |
Spring is in the air, isn't it? | 0:56:29 | 0:56:32 | |
Yes, isn't it? | 0:56:32 | 0:56:33 | |
Where do you suggest we have our flirtation? | 0:56:42 | 0:56:45 | |
Well, one usually goes that way. | 0:56:45 | 0:56:47 | |
Haven't we met somewhere before? | 0:56:51 | 0:56:54 | |
No! | 0:56:54 | 0:56:55 | |
It sounds like what the boys say, but haven't we? | 0:56:55 | 0:56:58 | |
No, I'm sure I would've remembered. | 0:56:58 | 0:57:01 | |
I have the funniest feeling. | 0:57:01 | 0:57:04 | |
Of course! I know. Come on. | 0:57:04 | 0:57:07 | |
-Where? -You'll see. | 0:57:07 | 0:57:09 | |
Oh, I'm sorry! I beg your pardon. I was just... | 0:57:09 | 0:57:13 | |
-Miss Andre, where are you taking me? -You'll see! | 0:57:13 | 0:57:18 | |
There you are! | 0:57:18 | 0:57:20 | |
Grandfather! | 0:57:20 | 0:57:22 | |
What a wonderful way to end his days - in the middle of a girls' school! | 0:57:22 | 0:57:27 | |
Ah, did he have a weakness for ladies? | 0:57:27 | 0:57:29 | |
No, a great strength! | 0:57:29 | 0:57:32 | |
Did you inherit that tendency? | 0:57:32 | 0:57:35 | |
THAT is a very direct question. | 0:57:35 | 0:57:37 | |
I suppose it is, but, I've never talked to an uncle before. | 0:57:37 | 0:57:43 | |
How do I talk to an uncle? | 0:57:43 | 0:57:45 | |
Very respectfully. And you don't ask questions, you answer them! | 0:57:45 | 0:57:49 | |
Now, sit down and do just that! | 0:57:49 | 0:57:51 | |
-Yes, sir! -Not quite that respectful. | 0:57:52 | 0:57:55 | |
-Yes, Uncle Jervis. -That's better. | 0:57:55 | 0:57:59 | |
You have no uncles of your own? | 0:57:59 | 0:58:01 | |
No uncles, no aunts, no brothers, no sisters, no anything! | 0:58:01 | 0:58:06 | |
Isn't there anyone...? | 0:58:06 | 0:58:08 | |
It's a sad story. | 0:58:08 | 0:58:10 | |
My parents were a Duke and Duchess, | 0:58:10 | 0:58:12 | |
and they both died before I was born! | 0:58:12 | 0:58:15 | |
-Both? -Yes. | 0:58:15 | 0:58:17 | |
Our yacht overturned in a typhoon in the Sargasso Sea. | 0:58:17 | 0:58:21 | |
I was the only survivor. | 0:58:21 | 0:58:24 | |
If you don't believe my story, | 0:58:27 | 0:58:29 | |
I have several others which are much more interesting! | 0:58:29 | 0:58:34 | |
I'm sure you have. | 0:58:34 | 0:58:36 | |
I only tell the stories because nobody believes the truth. | 0:58:40 | 0:58:45 | |
Would you like to dance now? | 0:58:45 | 0:58:47 | |
Er...yes, I...I would. | 0:58:47 | 0:58:51 | |
DREAMY ROMANTIC MUSIC | 0:58:51 | 0:58:55 | |
Er...would you tell me what the truth is? | 0:58:59 | 0:59:03 | |
-Yes. I have a guardian. -I see. | 0:59:03 | 0:59:06 | |
-What sort of man is he? -Oh, he's tall and very skinny. | 0:59:06 | 0:59:12 | |
He walks with a cane and he's bald up here. | 0:59:12 | 0:59:15 | |
-But he has a fringe of hair all around. -All around? | 0:59:15 | 0:59:19 | |
Sounds perfectly stunning! | 0:59:19 | 0:59:22 | |
Don't make fun of him! I love him. | 0:59:22 | 0:59:25 | |
-When I finish college, I will live with him! -You will?! | 0:59:25 | 0:59:28 | |
Yes, but it's a surprise and he doesn't know it yet! | 0:59:28 | 0:59:31 | |
I have it all planned. | 0:59:31 | 0:59:34 | |
I'll read to him, plump his pillows and warm up his slippers | 0:59:34 | 0:59:39 | |
and make him wear galoshes when he goes out! | 0:59:39 | 0:59:43 | |
From your description, he won't go out often! | 0:59:43 | 0:59:47 | |
-Well, he's not a boy any more. -That's probably true! | 0:59:47 | 0:59:52 | |
Does he ever come to see you? | 0:59:52 | 0:59:55 | |
-No. -Why not? -Well, he doesn't care anything about me really. | 0:59:57 | 1:00:03 | |
Oh, now, I'm sure he does! | 1:00:03 | 1:00:06 | |
Oh, I just pretend. | 1:00:06 | 1:00:07 | |
One must have somebody to love, you know. | 1:00:07 | 1:00:10 | |
So I pretend that he really cares. | 1:00:10 | 1:00:12 | |
Maybe he cares more than you think. | 1:00:12 | 1:00:14 | |
Oh, he DOES, huh?! | 1:00:14 | 1:00:16 | |
I write all the time. He doesn't even READ my letters! | 1:00:16 | 1:00:20 | |
How do you know? | 1:00:20 | 1:00:22 | |
-He throws them away! -He does no such thing! | 1:00:22 | 1:00:24 | |
I mean, I don't think he does. | 1:00:24 | 1:00:27 | |
Then why doesn't he answer? | 1:00:27 | 1:00:29 | |
...Dropsy! Probably can't hold a pencil! | 1:00:29 | 1:00:33 | |
Oh, la-la! | 1:00:33 | 1:00:36 | |
Hey, you! | 1:00:37 | 1:00:39 | |
Oh, it's you, Professor. I was going to punch somebody on the nose! | 1:00:40 | 1:00:43 | |
-We missed a dance. -Sorry, Jimmy. | 1:00:43 | 1:00:45 | |
Jimmy, this is Mr Pendleton. Mr Pendleton Jimmy McBride. | 1:00:45 | 1:00:50 | |
-How do you do? -How do you do, sir? | 1:00:50 | 1:00:51 | |
-Natural mistake, of course. -Of course. | 1:00:51 | 1:00:53 | |
C'mon Julie, they're doing Sluefoot! | 1:00:53 | 1:00:55 | |
Good! Excuse us. | 1:00:55 | 1:00:57 | |
Thanks for keeping Red Riding Hood away from the wolves! | 1:00:57 | 1:01:01 | |
# Now hear this! | 1:01:14 | 1:01:18 | |
# Now hear this! | 1:01:18 | 1:01:21 | |
# Everybody, everybody, everybody, get ready for Sluefoot! | 1:01:21 | 1:01:26 | |
# GO! | 1:01:26 | 1:01:28 | |
# You want a dance that's easy to do? | 1:01:33 | 1:01:36 | |
# Then dig the one I'm hipping you to | 1:01:36 | 1:01:39 | |
# I'm going teach you what they're calling the Sluefoot! | 1:01:39 | 1:01:44 | |
# You make your right foot point to the north | 1:01:45 | 1:01:49 | |
# Make your left foot point to the south | 1:01:49 | 1:01:52 | |
# Then you stroll westerly, slow and siestally Sluefoot! | 1:01:52 | 1:01:57 | |
# Don't be an oddball and don't be a fig | 1:01:58 | 1:02:04 | |
# Try - why be shy? | 1:02:04 | 1:02:06 | |
# After all, it's even better if your feet's too big! | 1:02:06 | 1:02:10 | |
# You put the old posterior out | 1:02:10 | 1:02:13 | |
# Then manipulates it about! | 1:02:13 | 1:02:16 | |
# It's the most lack-a-daisiest, I mean the craziest - Sluefoot! | 1:02:16 | 1:02:21 | |
# You gotta rock like a rocking-chair | 1:02:22 | 1:02:25 | |
# The step is clock-like, but slightly square | 1:02:25 | 1:02:29 | |
# You count to one, two, three, four... | 1:02:29 | 1:02:31 | |
# And then you holler SLUEFOOT ! | 1:02:31 | 1:02:34 | |
# You put your toe out and drag it back | 1:02:34 | 1:02:38 | |
# You really go out, you ball the jack | 1:02:38 | 1:02:41 | |
# Do what you done done before when you holler SLUEFOOT ! # | 1:02:41 | 1:02:45 | |
Well! | 1:02:45 | 1:02:46 | |
SLUEFOOT! LAUGHTER | 1:02:56 | 1:02:59 | |
STORM RAGES OUTSIDE | 1:05:47 | 1:05:50 | |
-Good morning, sir. -'Morning. | 1:05:51 | 1:05:53 | |
RECORD PLAYS: # ..As they seem, | 1:06:10 | 1:06:13 | |
# So, dream, dream, dream... | 1:06:13 | 1:06:21 | |
# Dream when you're feeling blue | 1:06:21 | 1:06:27 | |
# Dream. That's the thing to do... # | 1:06:30 | 1:06:35 | |
Hello, Jervis! | 1:06:35 | 1:06:37 | |
Hello, Griggs. | 1:06:37 | 1:06:39 | |
Wonderful day, isn't it? | 1:06:39 | 1:06:42 | |
-Yes, the market opened strong. -Get the mail? -Did I ever FAIL to? | 1:06:42 | 1:06:47 | |
No. | 1:06:50 | 1:06:52 | |
My dear fellow, what are you in such a foul mood about? | 1:07:00 | 1:07:05 | |
-The first days of Spring always affect me this way! -Oh. | 1:07:05 | 1:07:10 | |
-Griggs, please send this record to Miss Andre. -Who's sending it? | 1:07:10 | 1:07:15 | |
I am, of course! | 1:07:15 | 1:07:16 | |
I know, but in which incarnation? Jekyll or Hyde? | 1:07:16 | 1:07:21 | |
Uncle Jervis or Daddy Longlegs? | 1:07:21 | 1:07:23 | |
Jervis Pendleton. Leave off the uncle, if you don't mind. | 1:07:23 | 1:07:28 | |
-What you're looking for is in the PERSONAL file. -Thanks. | 1:07:28 | 1:07:33 | |
"Dear Daddy Longlegs... | 1:07:37 | 1:07:39 | |
"I met Linda's Uncle Jervis. He seemed very nice..." | 1:07:40 | 1:07:45 | |
He SEEMED very nice... | 1:07:45 | 1:07:48 | |
He seemed VERY NICE... | 1:07:48 | 1:07:50 | |
"But an awful thing has happened to Jimmy McBride. | 1:07:53 | 1:07:57 | |
"He was all set to go to South Africa as a mining engineer | 1:07:57 | 1:08:01 | |
"when the project blew up. | 1:08:01 | 1:08:02 | |
"Imagine, only a month before graduation | 1:08:04 | 1:08:06 | |
"and he considers himself a failure. | 1:08:06 | 1:08:08 | |
"I advised him to stay and work in his father's overalls factory. | 1:08:08 | 1:08:14 | |
"But he hates it. | 1:08:14 | 1:08:16 | |
"I feel so miserable for him!" | 1:08:16 | 1:08:20 | |
-Griggs, will you come here, please? -I'll be right there. | 1:08:20 | 1:08:26 | |
"He was set to go to Africa when the project blew up..." | 1:08:26 | 1:08:32 | |
I'd like to do something for a young chap I know, McBride. | 1:08:33 | 1:08:37 | |
Brilliant young mining engineer. | 1:08:37 | 1:08:39 | |
Do we have an opening for him? | 1:08:39 | 1:08:40 | |
Our New Jersey lab can always use a bright young man. | 1:08:40 | 1:08:44 | |
No, not New Jersey. | 1:08:44 | 1:08:46 | |
He's the adventurous type. | 1:08:46 | 1:08:48 | |
He'd want to go far away. | 1:08:48 | 1:08:51 | |
Some place out of the country, eh? | 1:08:51 | 1:08:53 | |
-He'll sign a year's contract. He's highly recommended. -By whom? | 1:08:53 | 1:08:58 | |
By me. I met him at that college dance. He's a friend of Linda's. | 1:08:58 | 1:09:04 | |
I was impressed. | 1:09:04 | 1:09:05 | |
I have an eye for young people who are going places. | 1:09:05 | 1:09:10 | |
Going places! How about our tin mines in Bolivia? | 1:09:10 | 1:09:14 | |
-Bolivia? -Far enough away for you? | 1:09:14 | 1:09:17 | |
It's not for me, it's for him. | 1:09:17 | 1:09:19 | |
Of course! What WAS I thinking? | 1:09:19 | 1:09:22 | |
Our mines in Bolivia sound ideal. | 1:09:22 | 1:09:24 | |
They are! Take two days to reach after you get off a burro's back! | 1:09:24 | 1:09:29 | |
Fine. Send Miss Prichard in. | 1:09:29 | 1:09:32 | |
Miss Prichard? | 1:09:32 | 1:09:34 | |
I want to dictate a letter. | 1:09:34 | 1:09:36 | |
I thought perhaps you want to teach her the Sluefoot? | 1:09:36 | 1:09:38 | |
Hi, Jervis! | 1:10:19 | 1:10:21 | |
-Hello, Larry. How are you? -Fine. -Good, good. | 1:10:22 | 1:10:25 | |
-Meeting someone? -My niece and her roommate from college. | 1:10:25 | 1:10:30 | |
I wish I knew she was on the plane. | 1:10:30 | 1:10:33 | |
-Jervis! -Julie! How was the flight? -Oh, just wonderful! | 1:10:33 | 1:10:37 | |
-Jervis... -Sorry. Mr Hamilton Miss Andre. | 1:10:37 | 1:10:41 | |
-How do you do? -Where's Linda? -She couldn't come. | 1:10:41 | 1:10:45 | |
Well, Jervis, I'll buzz along. Three's a...you know what. | 1:10:45 | 1:10:50 | |
-Pleased to meet you. -Goodbye. | 1:10:50 | 1:10:52 | |
-What happened to Linda? -She woke up with the sniffles. | 1:10:52 | 1:10:56 | |
She said her colds always get worse, so I... | 1:10:56 | 1:11:00 | |
Shouldn't I have come alone? | 1:11:00 | 1:11:03 | |
Oh, yes...I'd have been upset if you hadn't. | 1:11:03 | 1:11:07 | |
-Are these your baggage checks? -Yes. -John, handle these. | 1:11:07 | 1:11:12 | |
This way, please, Mr Pendleton. | 1:11:39 | 1:11:41 | |
Oh, Jervis, you know it's... it's beautiful! | 1:12:07 | 1:12:11 | |
Count 4 towers over and 9 towers right. | 1:12:11 | 1:12:15 | |
There's a restaurant where we'll have dinner. | 1:12:15 | 1:12:18 | |
Why don't we have it here, so we can see the city? | 1:12:18 | 1:12:23 | |
Don't they teach you anything? You know what they'll be thinking? | 1:12:23 | 1:12:28 | |
-It's ridiculous! What time would you like to dine? -Any time. | 1:12:29 | 1:12:34 | |
-I'll be back at 7. Black tie? -But of course! | 1:12:34 | 1:12:39 | |
You know, Jervis, I've worked out your whole past. | 1:13:03 | 1:13:06 | |
That doesn't surprise me in the least! | 1:13:06 | 1:13:08 | |
There was someone years ago. | 1:13:08 | 1:13:11 | |
She was tall, slender, blonde, very beautiful... | 1:13:11 | 1:13:15 | |
..and you loved her madly. | 1:13:15 | 1:13:18 | |
-But she married someone else. She was foolish. -Thank you. | 1:13:18 | 1:13:23 | |
And you never loved anyone else. Is that right? | 1:13:23 | 1:13:27 | |
No, there never was a tall, slender blonde | 1:13:28 | 1:13:32 | |
..but there was a short redhead. | 1:13:32 | 1:13:34 | |
Then there was a large brunette. | 1:13:34 | 1:13:36 | |
And then there was someone I met in Switzerland, and... | 1:13:36 | 1:13:40 | |
Oh, la, la! And you loved them all? | 1:13:40 | 1:13:42 | |
Madly. | 1:13:42 | 1:13:44 | |
They why did you never marry? | 1:13:44 | 1:13:46 | |
I didn't love them THAT madly! | 1:13:46 | 1:13:49 | |
I don't think you ever will. | 1:13:49 | 1:13:52 | |
Marry? | 1:13:53 | 1:13:56 | |
That all depends. | 1:13:59 | 1:14:01 | |
You know, there's an old theory. | 1:14:02 | 1:14:05 | |
I mean... | 1:14:05 | 1:14:06 | |
# When an irresistible force, such as you | 1:14:08 | 1:14:15 | |
# Meets an old immoveable object, like me | 1:14:16 | 1:14:24 | |
# You can bet, as sure as you live | 1:14:24 | 1:14:31 | |
# Something's gotta give, | 1:14:32 | 1:14:34 | |
# Something's gotta give, something's gotta give | 1:14:34 | 1:14:38 | |
# When an irrepressible smile, such as yours | 1:14:40 | 1:14:48 | |
# Warms an old implacable heart, such as mine | 1:14:48 | 1:14:56 | |
# Don't say no, because I insist | 1:14:56 | 1:15:02 | |
# Somewhere, somehow, someone's gonna be kissed | 1:15:04 | 1:15:10 | |
# So en garde who knows what the fates have in store | 1:15:10 | 1:15:16 | |
# From their vast, mysterious sky? | 1:15:19 | 1:15:26 | |
# I'll try hard, ignoring those lips I adore | 1:15:26 | 1:15:33 | |
# But how long can anyone try? | 1:15:34 | 1:15:41 | |
# Fight, fight, fight, fight it with all of our might | 1:15:42 | 1:15:48 | |
# Chances are, some heavenly star-spangled night | 1:15:50 | 1:15:56 | |
# We'll find out, as sure as we live | 1:15:58 | 1:16:04 | |
# Something's gotta give, | 1:16:05 | 1:16:07 | |
# Something's gotta give, something's gotta give. # | 1:16:07 | 1:16:10 | |
# When an irresistible force, such as you... | 1:19:31 | 1:19:38 | |
# Meets an old immoveable object, like you... # | 1:19:40 | 1:19:47 | |
Your morning paper. | 1:20:12 | 1:20:14 | |
Oh... Uh...did anything happen yesterday? | 1:20:14 | 1:20:19 | |
-A man got robbed. -What a shame. | 1:20:24 | 1:20:27 | |
A girl got married. | 1:20:28 | 1:20:30 | |
That's nice. Whom did she marry? | 1:20:31 | 1:20:35 | |
-A man. -Oh... | 1:20:35 | 1:20:37 | |
They've been in love for a long time. | 1:20:37 | 1:20:40 | |
Oh. | 1:20:40 | 1:20:43 | |
Anything else happen? | 1:20:44 | 1:20:46 | |
Yes, but it's not in the paper. | 1:20:49 | 1:20:52 | |
Goodnight, Julie. | 1:20:55 | 1:20:56 | |
Goodnight, Jervis. | 1:20:56 | 1:20:58 | |
Excuse me, Mr Ambassador. | 1:21:49 | 1:21:51 | |
Right this way, Mr Ambassador. | 1:21:58 | 1:22:01 | |
I think you'll like this. This wing is very quiet. | 1:22:05 | 1:22:08 | |
MUMBLES Did you say something, Griggs? | 1:22:14 | 1:22:18 | |
I was merely asking the price. | 1:22:18 | 1:22:21 | |
Mmm. Have you something simpler? Larger, but simpler? | 1:22:21 | 1:22:25 | |
Yes, I think we have the very thing. | 1:22:25 | 1:22:28 | |
I think that's kind of cute, don't you? | 1:22:34 | 1:22:36 | |
Very cute! | 1:22:39 | 1:22:41 | |
Oh, VERY cute! | 1:22:41 | 1:22:43 | |
I'm glad we all agree. Excuse me, I have a breakfast appointment. Bye! | 1:22:43 | 1:22:49 | |
-You understand that this is subject to the lady's approval? -Of course. | 1:22:49 | 1:22:54 | |
But in our experience, Mr Griggs, | 1:22:54 | 1:22:56 | |
a diamond of that quality never comes back! | 1:22:56 | 1:23:01 | |
Never! | 1:23:01 | 1:23:02 | |
-Coffee, Jervis? -Yes, please. | 1:23:36 | 1:23:38 | |
Last night was the best night in my life! | 1:23:44 | 1:23:48 | |
I'll drink to that! | 1:23:48 | 1:23:51 | |
And let's drink to today. Look how beautiful it is! | 1:23:54 | 1:23:59 | |
I ordered it especially for you! | 1:23:59 | 1:24:02 | |
I suppose if you're a Pendleton you can make anything happen? | 1:24:02 | 1:24:07 | |
No, some things are in the lap of the gods. | 1:24:07 | 1:24:11 | |
You know, when I arrived from college | 1:24:13 | 1:24:17 | |
and you looked so stern because I'd come alone? | 1:24:17 | 1:24:20 | |
Well, I have a confession to make. | 1:24:20 | 1:24:23 | |
I was really terribly afraid and unsure. | 1:24:23 | 1:24:27 | |
But it has been wonderful! | 1:24:27 | 1:24:30 | |
Last time I was at that airport | 1:24:30 | 1:24:32 | |
was when I arrived from France only 3 years ago! | 1:24:32 | 1:24:37 | |
Oh, it seems like forever! | 1:24:37 | 1:24:41 | |
Let's drink to France, for having sent you here! | 1:24:41 | 1:24:44 | |
To America, for letting me come! | 1:24:44 | 1:24:46 | |
LA MARSEILLAISE PLAYS | 1:24:52 | 1:24:56 | |
Connect me with 3203, please. | 1:25:19 | 1:25:21 | |
RING | 1:25:22 | 1:25:26 | |
-Hello? -May I speak to Mr Pendleton? | 1:25:26 | 1:25:29 | |
Oh, just a minute... Jervis, it's for you. | 1:25:29 | 1:25:34 | |
-Hello? -Jervis, you are the most contemptible, deceitful character | 1:25:38 | 1:25:43 | |
it's ever been my misfortune to know! | 1:25:43 | 1:25:46 | |
Who is this? ...WHO ? | 1:25:46 | 1:25:49 | |
Oh, er...yeah, I think so, Alec. Well, all right, I will... | 1:25:49 | 1:25:54 | |
Right away. | 1:25:54 | 1:25:55 | |
-Julie, I'll be back in a minute. -Where are you going? | 1:26:03 | 1:26:08 | |
Some friend of mine wants to see me. | 1:26:08 | 1:26:10 | |
You finish breakfast, dear. I won't be long. | 1:26:10 | 1:26:12 | |
Hi. | 1:26:28 | 1:26:30 | |
-Well, I'm waiting, say something. -All right. Why aren't you in France? | 1:26:33 | 1:26:39 | |
-I'm to see the Secretary of State. -Then why aren't you in Washington? | 1:26:39 | 1:26:43 | |
I'll be there tonight. Now, answer MY questions! | 1:26:43 | 1:26:47 | |
What are you doing in that next suite? | 1:26:47 | 1:26:50 | |
Why you evil... | 1:26:50 | 1:26:51 | |
The last time you called me that was | 1:26:51 | 1:26:53 | |
when you wanted to bring that girl over here to "educate" her... | 1:26:53 | 1:26:57 | |
-Alec... -Never mind what the papers would say, | 1:26:57 | 1:27:00 | |
or how you got Government help, | 1:27:00 | 1:27:02 | |
or the part I played in it... | 1:27:02 | 1:27:04 | |
The girl's here on a student's visa, | 1:27:04 | 1:27:07 | |
her behaviour is under scrutiny. | 1:27:07 | 1:27:10 | |
-She can be expelled... -Wait, Alec! It is NOTHING like THAT! | 1:27:10 | 1:27:14 | |
I was on the terrace. I'd have to be | 1:27:14 | 1:27:17 | |
deaf not to hear your conversation over breakfast! | 1:27:17 | 1:27:21 | |
-Like what? -"Jervis, last night was the best night of my life!" | 1:27:21 | 1:27:26 | |
Even the most generous interpretation | 1:27:26 | 1:27:28 | |
of that is horrifying. | 1:27:28 | 1:27:30 | |
And serving cocktails at this hour! | 1:27:30 | 1:27:32 | |
-Are you nuts? -I heard the glasses clink. | 1:27:32 | 1:27:36 | |
It was orange juice. | 1:27:36 | 1:27:38 | |
Nobody toasts with juice! I haven't been away THAT long! | 1:27:38 | 1:27:42 | |
You're wrong. I'm in love with the girl. | 1:27:42 | 1:27:45 | |
-And she with you? -I was about to ask that when YOU rang! | 1:27:45 | 1:27:49 | |
-What could she say but "Yes"? -She could say "No"! | 1:27:49 | 1:27:53 | |
Don't be stupid! | 1:27:53 | 1:27:55 | |
You're older than her, you're rich, both attractions, | 1:27:55 | 1:27:59 | |
you've changed her life, for which she's grateful! | 1:27:59 | 1:28:04 | |
She doesn't know anything about that! | 1:28:04 | 1:28:07 | |
She doesn't know I'm Daddy... | 1:28:07 | 1:28:10 | |
Daddy what? Daddy SUGAR? | 1:28:10 | 1:28:12 | |
Shut up! She only knows me as the uncle of her roommate! | 1:28:12 | 1:28:17 | |
UNCLE of her roommate... | 1:28:17 | 1:28:19 | |
Doesn't THAT give you pause? | 1:28:19 | 1:28:22 | |
No. I'm not the only man she knows! There's also a Harvard graduate! | 1:28:22 | 1:28:27 | |
Can he afford to bring her to New York and entertain her like this? | 1:28:27 | 1:28:30 | |
-No... -He's probably out looking for a job! | 1:28:30 | 1:28:33 | |
He is not! He's working in Bolivia, in a tin mine! | 1:28:33 | 1:28:37 | |
It wouldn't happen to be the Pendleton tin mine? | 1:28:37 | 1:28:41 | |
Well...er...he needed a job... | 1:28:41 | 1:28:44 | |
What's the matter with helping young people ?! | 1:28:44 | 1:28:48 | |
It's a hobby you seem to have embraced vigorously. | 1:28:48 | 1:28:52 | |
His project in Africa blew up and I had an opening in Bolivia. | 1:28:52 | 1:28:58 | |
King David. | 1:29:00 | 1:29:03 | |
-What?! -David sent Uriah to battle because he coveted Bathsheba. | 1:29:03 | 1:29:09 | |
Oh, no! Oh, NO! | 1:29:09 | 1:29:12 | |
I've had enough! Listen, Alec, there's nothing deceitful in this! | 1:29:12 | 1:29:16 | |
It's true I sent that young man... | 1:29:16 | 1:29:19 | |
He was going away anyway... | 1:29:19 | 1:29:22 | |
He needed a job and I sent him. | 1:29:22 | 1:29:24 | |
Sure, the girl is much younger than me and I'm rich. | 1:29:24 | 1:29:29 | |
Certainly, I tried to sweep her off her feet, | 1:29:29 | 1:29:33 | |
but doesn't every man in love... | 1:29:33 | 1:29:35 | |
Oh, you're absolutely right. It's insane. | 1:29:41 | 1:29:46 | |
-What was I thinking of? -I don't know. | 1:29:46 | 1:29:50 | |
-Have you got a cigarette here? -Mmm. | 1:29:50 | 1:29:53 | |
-She must be very attractive, Jervis. -Very. | 1:29:57 | 1:30:01 | |
I'll...er...I'll bring that boy back from Bolivia. | 1:30:01 | 1:30:07 | |
-Alec, have you any idea how many hotels there are in New York? -No. | 1:30:12 | 1:30:18 | |
There are hundreds...THOUSANDS ! | 1:30:18 | 1:30:21 | |
But, Jervis, I always stop here! | 1:30:21 | 1:30:24 | |
3203, please. | 1:31:07 | 1:31:10 | |
RING | 1:31:11 | 1:31:15 | |
Jervis, what are you doing? | 1:31:16 | 1:31:19 | |
I'm downstairs in the lobby. | 1:31:19 | 1:31:21 | |
Er...listen, something important has just come up. | 1:31:21 | 1:31:26 | |
I won't be able to get back there to see you. | 1:31:26 | 1:31:29 | |
I'm all right, it's just State Department business. | 1:31:29 | 1:31:34 | |
It's a bit hard to explain. | 1:31:35 | 1:31:38 | |
There are things I'm not at liberty to discuss. | 1:31:38 | 1:31:42 | |
Do you understand that? | 1:31:42 | 1:31:44 | |
Of course. When shall I see you? | 1:31:44 | 1:31:47 | |
Well...er...they may want me to go abroad. | 1:31:47 | 1:31:52 | |
In which case, I won't see you for quite some time. | 1:31:52 | 1:31:56 | |
Oh. | 1:32:00 | 1:32:03 | |
Oh. | 1:32:03 | 1:32:05 | |
-I...I see. -I see. | 1:32:06 | 1:32:09 | |
Well... | 1:32:09 | 1:32:11 | |
No, I'm not upset... just disappointed. | 1:32:13 | 1:32:18 | |
I want you to see New York. I'll send you anything you want. | 1:32:18 | 1:32:24 | |
Thank you very much. | 1:32:24 | 1:32:27 | |
Did you say something? | 1:32:30 | 1:32:33 | |
Well... Bon voyage. | 1:32:34 | 1:32:39 | |
Thank you... Take care of yourself, Julie. | 1:32:41 | 1:32:45 | |
Goodbye. | 1:32:45 | 1:32:47 | |
Hey, Linda... Catch! Are you sure this is mine ?! | 1:33:23 | 1:33:27 | |
How did we ever accumulate so much junk in just 4 years ?! | 1:33:27 | 1:33:33 | |
-Linda, is this yours? -No. -Whose is it? Anyone own this? | 1:33:33 | 1:33:38 | |
-Hi. -Hi. -Last time anyone belong to this? -Oh, Sally, it's mine. | 1:33:38 | 1:33:43 | |
-I never saw you wear it. -I know, but it's mine. | 1:33:43 | 1:33:48 | |
Julie, aren't you going to pack? | 1:33:48 | 1:33:50 | |
Oh, we have time. There's a whole week until graduation. | 1:33:50 | 1:33:56 | |
Don't you want your things to get there before you do? | 1:33:56 | 1:34:01 | |
I guess so. | 1:34:01 | 1:34:02 | |
You know something, I don't think she knows where to send her trunks. | 1:34:05 | 1:34:11 | |
It's not that. It's Uncle Jervis! | 1:34:11 | 1:34:13 | |
They were having a wonderful time, | 1:34:13 | 1:34:17 | |
then he calls her up and says he has to go away. | 1:34:17 | 1:34:21 | |
-Last I heard, he was in Madrid. -Not Calcutta? | 1:34:21 | 1:34:25 | |
-THAT was three cities ago! Last week he was in Hong Kong. -The beast! | 1:34:25 | 1:34:30 | |
Still, look how nice he's been | 1:34:30 | 1:34:33 | |
to Jimmy brought him back, raised his salary. | 1:34:33 | 1:34:37 | |
And Jimmy's hardly been a success. He almost blew up the lab last week! | 1:34:37 | 1:34:43 | |
-I know. My Uncle Jervis is very strange. -Very! | 1:34:43 | 1:34:49 | |
FAINT MUSIC | 1:34:49 | 1:34:51 | |
RECORD PLAYS: # Dream, while you're feeling blue. | 1:34:51 | 1:34:57 | |
# Dream. That's the thing to do | 1:34:57 | 1:35:04 | |
# Dream, while the smoke rings... # | 1:35:07 | 1:35:14 | |
Rio Jervis Pendleton in Rio. | 1:35:14 | 1:35:17 | |
"Personality of the Week... In India... | 1:35:18 | 1:35:24 | |
"..In Lisbon... | 1:35:24 | 1:35:26 | |
"..In Spain." | 1:35:29 | 1:35:31 | |
The Opera of Paris! | 1:35:37 | 1:35:39 | |
Oh, zut! | 1:35:41 | 1:35:44 | |
"Dear Daddy Longlegs... | 1:35:58 | 1:36:02 | |
"..May I please come to see you? | 1:36:05 | 1:36:08 | |
"I am desperately in need of advice... | 1:36:12 | 1:36:17 | |
"..and there is no-one I can turn to but you..." | 1:36:22 | 1:36:28 | |
# ..Things can be just as real as they seem | 1:36:30 | 1:36:38 | |
# So dream, dream, dream... # | 1:36:39 | 1:36:46 | |
-Julie! Julie! -Uh? Oui? | 1:48:30 | 1:48:35 | |
-Oh, Linda! -I'm going to the Post Office. | 1:48:37 | 1:48:41 | |
-Want me to mail that for you? -Oh... | 1:48:41 | 1:48:44 | |
-Yes, please. Can you wait a minute? -Sure, take your time. | 1:48:44 | 1:48:49 | |
-Mr Griggs, you are critically ill. -I am? -The doctors have no hope. | 1:49:08 | 1:49:13 | |
-We must cable Mr Pendleton to return. -That girl again! | 1:49:13 | 1:49:17 | |
You can't hand someone the world and then take it away! | 1:49:17 | 1:49:22 | |
I'm about to draft her a letter. | 1:49:22 | 1:49:25 | |
I've been told she's soon to be married. | 1:49:25 | 1:49:28 | |
If she doesn't, a trust fund is being set up. | 1:49:28 | 1:49:33 | |
She'll have security all her life. | 1:49:33 | 1:49:36 | |
Security! I have security! It's NOTHING! | 1:49:36 | 1:49:41 | |
You've security, and a duller life nobody ever led! | 1:49:41 | 1:49:44 | |
You may be about to lose YOUR security! | 1:49:44 | 1:49:47 | |
I CAN'T, because I qualified for my pension last month. | 1:49:47 | 1:49:52 | |
If you won't co-operate with me, I'll send the cable myself! | 1:49:52 | 1:49:57 | |
Well, if you've qualified for your pension, how about a drink? | 1:49:59 | 1:50:01 | |
Bourbon on the rocks! | 1:50:01 | 1:50:04 | |
What do you plan to say in that cable? | 1:50:07 | 1:50:10 | |
"Griggs critically ill. Come home at once. Doctors have no hope." | 1:50:10 | 1:50:15 | |
Oh, that's fine. Thank you! | 1:50:15 | 1:50:17 | |
If I'd offered you a drink 25 years ago, you'd have slapped me. | 1:50:18 | 1:50:22 | |
How do you know? You never asked me. | 1:50:22 | 1:50:26 | |
Helen Adams. | 1:50:33 | 1:50:35 | |
Julie Andre. | 1:50:39 | 1:50:42 | |
ONE PERSON CLAPS | 1:50:42 | 1:50:44 | |
DEAN CONTINUES CALLING THE ROLL | 1:50:50 | 1:50:53 | |
KNOCK AT DOOR | 1:51:37 | 1:51:39 | |
Come in. | 1:51:39 | 1:51:42 | |
-Congratulations, my dear! -Oh, thank you. | 1:51:42 | 1:51:48 | |
I had a lovely cry. This is my first graduation since my own! | 1:51:48 | 1:51:53 | |
I don't want to be impolite, but should I know you? | 1:51:53 | 1:51:56 | |
I don't see why? I'm Alicia Prichard. | 1:51:56 | 1:51:59 | |
I've come to take you to John Smith. | 1:51:59 | 1:52:01 | |
-Oh, John Smith? -Daddy Longlegs! | 1:52:01 | 1:52:04 | |
-Oh! He wants to see me? -Let's say, he's GOING to see you! | 1:52:05 | 1:52:11 | |
-Who is he? -He should tell you that himself. | 1:52:14 | 1:52:18 | |
Now, hurry and change. We're going to New York! | 1:52:18 | 1:52:21 | |
-We go to New York today? -Today! | 1:52:21 | 1:52:25 | |
-She's bringing her TODAY?! -Shortly. | 1:52:25 | 1:52:28 | |
That cablegram was right. | 1:52:28 | 1:52:30 | |
You are sick sick in the head! | 1:52:30 | 1:52:32 | |
Don't you know about that girl and Jimmy McBride? | 1:52:32 | 1:52:37 | |
They'll get married, have kids. | 1:52:37 | 1:52:40 | |
If Julie learns I did everything | 1:52:40 | 1:52:43 | |
she'd fling herself at me out of gratitude. | 1:52:43 | 1:52:46 | |
THAT'S the reason I went away! | 1:52:46 | 1:52:50 | |
Jervis, if I were you, I'd pull yourself together. | 1:52:50 | 1:52:52 | |
Miss Andre will come through that door soon. | 1:52:52 | 1:52:55 | |
Know who she'll find here? You. | 1:52:55 | 1:52:58 | |
-ME?! -Yes. You started all this. YOU are Daddy Longlegs. | 1:52:58 | 1:53:03 | |
You fit her description of me better than I do, fuddy duddy! | 1:53:03 | 1:53:09 | |
It's ridiculous! What will I say? | 1:53:09 | 1:53:11 | |
You can propose marriage for all I care! | 1:53:11 | 1:53:15 | |
Keep this robe round you. Look down. | 1:53:15 | 1:53:18 | |
You haven't the strength to keep your chin up. You've been ill! | 1:53:18 | 1:53:22 | |
That's good! | 1:53:22 | 1:53:24 | |
Ah, Whistler's Father! | 1:53:25 | 1:53:28 | |
You may accept my resignation! Effective as of this moment! | 1:53:28 | 1:53:31 | |
-It's too late now! -Mr Pendleton? -Fine! Have her come right up! | 1:53:31 | 1:53:36 | |
Jervis, don't be a fool! | 1:53:36 | 1:53:38 | |
I'm an expert fool, but I'm not being one now! | 1:53:38 | 1:53:42 | |
Come in, my dear. | 1:53:49 | 1:53:52 | |
Sit down, my dear. | 1:53:52 | 1:53:55 | |
The time has come to tell you. I am John Smith! | 1:53:55 | 1:53:59 | |
I am not Pocahontas! | 1:53:59 | 1:54:02 | |
I'm Linda Pendleton and I want to see my uncle! | 1:54:02 | 1:54:06 | |
Hello, my dear! | 1:54:06 | 1:54:09 | |
-How did you know I was back? -I've a nice spy who works for you. | 1:54:09 | 1:54:12 | |
Seems I'm SURROUNDED by spies! | 1:54:12 | 1:54:15 | |
-Uncle Jervis, I must talk to you! -Go right ahead. | 1:54:15 | 1:54:19 | |
-I have no secrets from Griggs. -Well, I have! | 1:54:19 | 1:54:23 | |
Thank you! I am so glad to be out of something! | 1:54:23 | 1:54:28 | |
Don't go far! | 1:54:28 | 1:54:29 | |
Sit down, honey. What's on your mind? | 1:54:29 | 1:54:34 | |
Uncle Jervis, I'm in love and I want to get married! | 1:54:34 | 1:54:39 | |
That's no problem. It's very natural. | 1:54:39 | 1:54:42 | |
Mother doesn't approve of him. | 1:54:42 | 1:54:45 | |
That means you've probably made an excellent choice! | 1:54:45 | 1:54:49 | |
-Is eloping too old-fashioned? -No... | 1:54:49 | 1:54:51 | |
..but I'd like a big wedding. I only plan on marrying once! | 1:54:51 | 1:54:56 | |
That IS old-fashioned! | 1:54:56 | 1:54:58 | |
If YOU told mother how well he was doing at the lab, | 1:54:58 | 1:55:02 | |
she might forget that his father makes overalls! | 1:55:02 | 1:55:06 | |
She thinks the whole family will get married in overalls! | 1:55:06 | 1:55:12 | |
Linda, you couldn't by any chance be speaking of one Jimmy McBride? | 1:55:12 | 1:55:17 | |
The one and only! | 1:55:17 | 1:55:18 | |
Jimmy McBride and YOU?! How perfectly WONDERFUL! | 1:55:18 | 1:55:24 | |
It's sensational! But, how? | 1:55:24 | 1:55:26 | |
I got him on the rebound, but I GOT him and that's what counts! | 1:55:26 | 1:55:32 | |
Congratulations! You mother will give you the best wedding | 1:55:32 | 1:55:35 | |
this town has ever known! | 1:55:35 | 1:55:36 | |
-You think so? -I KNOW so! I am going to pay for it! -Thank you! | 1:55:36 | 1:55:42 | |
Make a long, long list of the presents you want! Don't stint! | 1:55:42 | 1:55:47 | |
-Uncle Jervis, I LOVE you! -And I you. Now, I'm sorry, I'm expecting... | 1:55:47 | 1:55:52 | |
-Oh...Listen, honey...how is Julie? -Julie Andre? -Mmm. | 1:55:52 | 1:55:57 | |
She's having a dreadful time. She's so unhappy. | 1:55:57 | 1:56:02 | |
-Is she? -I thought you'd be glad to hear that. Goodbye, Uncle Jervis. | 1:56:02 | 1:56:07 | |
-Goodbye. -Thank you! -Thank you. | 1:56:07 | 1:56:10 | |
-Griggs? -Yes! | 1:56:15 | 1:56:18 | |
-Have I been rude to you? -Most! | 1:56:18 | 1:56:21 | |
Forgive me. You're utterly charming. | 1:56:21 | 1:56:24 | |
You're a little fat boy with wings and a bow and I'm very fond of you! | 1:56:24 | 1:56:29 | |
Here we are. This is where he lives. | 1:56:35 | 1:56:38 | |
-Who shall I ask for? -Don't worry. You're expected. | 1:56:38 | 1:56:43 | |
Thank you, Miss Pritchard. | 1:56:43 | 1:56:45 | |
Thank you for everything. | 1:56:45 | 1:56:48 | |
-Miss Andre? -Yes. -May I take your coat? | 1:57:07 | 1:57:09 | |
Wait just a moment, please. | 1:57:11 | 1:57:13 | |
..now, we have the Impressionists, a controversial group of painters. | 1:57:19 | 1:57:24 | |
This is a Renoir. It is of | 1:57:32 | 1:57:34 | |
the Marquis de Malineaux's daughter and was said to date from 1894. | 1:57:34 | 1:57:39 | |
-Please stay with the group, Miss! -Me? | 1:57:39 | 1:57:44 | |
We cannot have people wandering off by themselves! | 1:57:44 | 1:57:48 | |
I must insist that you stay with the rest of us. | 1:57:48 | 1:57:50 | |
Renoir is famous for his paintings | 1:57:50 | 1:57:51 | |
of children, but this is one of his finest. | 1:57:51 | 1:57:55 | |
Now we have a Corot... | 1:57:55 | 1:57:58 | |
# Dream, when you're feeling blue... # | 1:57:58 | 1:58:06 | |
..note the rich use of colour... | 1:58:06 | 1:58:10 | |
# Dream, that's the thing to do... # | 1:58:10 | 1:58:18 | |
-Hello, Julie. -Hello. What are you doing here? | 1:58:22 | 1:58:26 | |
Ssh! Quiet, please! | 1:58:27 | 1:58:30 | |
Do you know my guardian? | 1:58:30 | 1:58:33 | |
Yes. Very well. | 1:58:33 | 1:58:36 | |
-You never told me. -He asked me not to. | 1:58:36 | 1:58:39 | |
But I knew you were coming today | 1:58:39 | 1:58:41 | |
and I had to see him first because | 1:58:41 | 1:58:42 | |
..there was something important I wanted to ask him. | 1:58:42 | 1:58:47 | |
I'm so happy to see you. | 1:58:47 | 1:58:50 | |
We conclude with the Pendleton family portraits. | 1:58:50 | 1:58:54 | |
The first Jervis Pendleton, painted by Whistler. | 1:58:54 | 1:58:59 | |
Jervis Pendleton II sat, or stood, for John Singer Sargent. | 1:59:02 | 1:59:08 | |
# Dreams can be just as real as they seem... # | 1:59:11 | 1:59:18 | |
This is Jervis Pendleton III, | 1:59:21 | 1:59:23 | |
who, as you can see, has broken with family tradition somewhat. | 1:59:23 | 1:59:29 | |
And that concludes our tour. | 1:59:29 | 1:59:32 | |
Miss, the tour is... Oh, I'm sorry! | 1:59:38 | 1:59:41 | |
Oh, course, sir! Good day, sir! | 1:59:41 | 1:59:44 | |
Tell me, when you saw John Smith, what did you ask him? | 1:59:48 | 1:59:54 | |
Since he's your guardian, | 1:59:54 | 1:59:55 | |
I thought I should ask his permission | 1:59:55 | 1:59:57 | |
before asking you to marry me. | 1:59:57 | 1:59:59 | |
Oh. What did he say? | 1:59:59 | 2:00:02 | |
He said I'd have to wait my turn. | 2:00:02 | 2:00:04 | |
He wants to ask you himself. | 2:00:04 | 2:00:06 | |
Why don't you? | 2:00:07 | 2:00:10 | |
# Dream, that's the thing to do | 2:00:32 | 2:00:39 | |
# Dreams can be just as real as they seem | 2:00:43 | 2:00:50 | |
# So dream... | 2:00:51 | 2:00:57 | |
# Dream... | 2:00:57 | 2:01:01 | |
# Dream! # | 2:01:02 | 2:01:05 |