Effie Gray


Effie Gray

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GIRL: 'Once, a beautiful young girl

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'lived in a very cold house in Scotland.

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'The house was cold

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'because someone's grandfather killed himself there.

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'One day, the grandson came to visit the house.

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'He thought the beautiful young girl was an angel come down to Earth.

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'The grandson worked very hard.

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'He read and thought and drew and wrote.

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'He wrote a fairy story just for her.

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'She was 12 years old.

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'Her mother and father were kind

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'but his were wicked.

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'When she grew up...

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'..he married her.'

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-You can't marry him!

-Why not, when I love him so much?

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-He's rich and famous and I'll never see you again.

-Oh, away with you!

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You'll come and stay in London. London, Sophie!

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I'm leaving dreary old Scotland at last and you'll follow.

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We'll go to parties in beautiful yellow dresses and we'll dance with

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musicians and poets and great artists

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-who will want to paint your picture.

-Really?

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Yes, really. It's going to be so exciting. Come on.

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-We need more leaves for our pillows.

-Can my dress be pink?

-Yes.

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-MAN:

-Nature must rule every stroke of your brush.

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Only by representing her as she truly is, selecting nothing,

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scorning nothing, will you reveal God's truth.

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To put it simply, gentlemen, paint what you see.

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Draw what you see.

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-MAN:

-Give thanks to the Lord for the gift of marriage.

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And we ask for God's grace that the marriage be enriched.

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And in the presence of God and before these witnesses,

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I now pronounce you man...

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..and wife.

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-Blessings to you both, sir.

-Thank you so much.

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My friends...

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..consider me a man who is not an artist

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but has nonetheless been granted a muse.

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Consider this man...

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the luckiest of mortals.

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Bound to you in spirit from this moment forth.

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Sophie!

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I shall see you in London.

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Goodbye.

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Do you know what has just occurred to me?

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This is the first time we've ever been entirely alone.

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Close your eyes.

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Perfect.

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HORSE WHINNIES

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-Here we are, sir.

-Thank you, Alfred.

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Welcome to Denmark Hill.

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No...

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Welcome home.

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Ah, George. There you are.

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Here is your new mistress.

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Don't be shy, take her by the hand.

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He is an excellent chap, full of wise saws.

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Tell her we're here, there's a good fellow.

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-My dearest boy!

-Congratulations!

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My darling boy, you're home at last.

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Welcome to the family.

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-How happy we are to see you wed at last.

-Thank you.

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I trust the journey was tolerable?

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The train journey was dreadfully long and draughty,

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but every discomfort forgot as soon as we got into your carriage.

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That is a most comfortable carriage, is it not? The best on the market.

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-Like a feather bed.

-Well, come through.

-John?

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Mrs Ruskin is just putting him into a bath.

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She's been aching to get her hands on him. Now, come through.

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-I should change.

-Yes, of course, but there's plenty of time for that.

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Now, come through and see this.

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Now, this was purchased in celebration of your nuptials.

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John's writing has made Mr Turner so celebrated.

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You know, this painting is already worth a great deal more.

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Bless, O Lord, this foison before us.

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Make us ever mindful of the wants and needs of others.

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Bless us all and keep us from harm, guide and direct us

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through all our days.

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And thank you, Lord,

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for delivering my heart's treasure safely back home.

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-Amen.

-Amen.

-Amen.

-Amen.

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You are well recovered, I hope, Mrs Ruskin.

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We missed you at the wedding.

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Yes, it was a shame you couldn't be there.

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Never mind, it's all over now.

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-You look a little thinner than last year, my dear.

-I've been ill.

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Father's difficulties have put a strain upon us all.

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Well, that strain has gone. You will never want for money again.

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You, however, my boy, are somewhat stouter than when you left.

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-The Scotch air must have done you good.

-Nonsense!

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One cannot be well in Scotland.

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Your cough will last you through the winter, will it not?

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I am much improved. And stronger.

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-I've even started painting again.

-John drew me constantly.

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He must have destroyed a fortune in paper and paint.

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Who would not with such a subject?

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For you, my dear, in welcome to our family.

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One of my favourite pieces.

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Which you may as well have now

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since it would in any case be left to you when I die.

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RUSKIN COUGHS

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There, there, there!

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Let HER.

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You know what mothers are like.

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-RUSKIN CLEARS HIS THROAT

-Take a sip.

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CROCKERY CLATTERS

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WOMAN: Good morning, madam.

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I trust you slept.

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What would you like?

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-Has everyone else already breakfasted?

-Oh, yes, madam.

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Seven o'clock every morning.

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I was not told.

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-I was so tired I did not hear John.

-Not to worry, madam.

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-Eggs?

-Thank you.

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-Oh, Anna?

-Yes, madam?

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Do you know where John...?

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..where Mr Ruskin is?

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Oh, he'll be working, madam.

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FOOTSTEPS APPROACH

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Effie... PENCIL FALLS

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John.

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I knew this must be where you work and I've...

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Sorry, I broke it.

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I can see. No matter.

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Did you sleep?

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I think you did.

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I watched you.

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Did you not sleep? You were so tired.

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I did.

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I did after a while.

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What shall we do?

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What do married people do?

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I have as little idea as you.

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But I think I must work, dearest.

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I shall sit with you and read, then.

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Dearest, you will be quite bored here.

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Why don't you go and find Mama?

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I think she needs help in the garden.

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CLIPPERS SNIPPING

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Good morning.

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Good morning, my child.

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I trust you slept?

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Well, thank you.

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And have you breakfasted?

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I have, thank you.

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-John said you needed help.

-Me? Oh, no, no, no.

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I never let anyone touch my roses, John knows that.

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Oh.

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Well, I shall go and help John.

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SHE SCOFFS

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Help him?!

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With his work.

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You cannot help him with his work.

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I can take notes.

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I can sharpen his pencils, I can...

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My dear...

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..you have married no ordinary man.

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And the best way, the only way,

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in which you can help him

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is by leaving him alone.

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Leaving him alone?

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But we're only just married.

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John being able to work undisturbed and unfettered

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affords him the best chance of establishing his name.

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And you, of course,

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want the best position in society that you can reach.

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Then what am I to do?

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Well, I've always found great comfort in my roses.

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And my Bible.

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'Sir, I believe these young artists to be

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'at a most critical period of their career, at a turning point

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'from which they may either sink into nothingness

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'or rise to very real greatness.

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'Their path will depend upon the character of the criticism

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'which their works have to sustain.'

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We'll be late.

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Marriage, dear boy, is all about learning how to wait.

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She's ready.

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Time for a little word, I think.

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MUFFLED DEBATE

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We're trying to find a...truth,

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and the simplicity from an earlier time...

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..an integrity that I think is lost now.

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MUFFLED CONVERSATION CONTINUES

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The general public...

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..we lead the Academy into disrepute.

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It must not and will not be allowed.

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There is no place, sir, no place for these offensive

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and deformed productions upon the hallowed walls

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-of this great institution.

-Gentlemen, please.

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If this most interesting discussion can continue at the table.

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Lady Eastlake.

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And I say that it is incumbent upon you, Sir Charles,

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as president of this academy, to protect us from this ugliness,

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the confusion.

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Take down the paintings before the opening, I implore you.

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Do not indulge them, sir.

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They are nothing more childish mountebanks and amateur...

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Remove them, sir. Remove them, they disgrace these walls.

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Gentlemen, please, please.

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Thank you.

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-Now...

-RUSKIN: What is the purpose of art?

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Well, really!

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What is the purpose of art?

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To idealise, to sentimentalise? No.

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-Of course not.

-The purpose of art is to reveal the truth.

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The purpose of art is to reveal God.

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And not through caricature.

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-Not through ugliness.

-Let him speak.

-There's the nub.

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-It should be through beauty.

-Let us hear what he has to say.

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If God is the creator of nature,

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then God is also the creator of decay, of disease, of ugliness.

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MURMURS OF DISAPPROVAL

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I-I cannot deny that Mr Hunt's Sylvia is not a person with whom Proteus

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or anyone else for that matter is likely to fall in love, but...

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LAUGHTER ..truthfulness, honesty,

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these are more important than mere conventional beauty.

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Do you understand? He was painting what he saw.

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But what do you see, Mr Ruskin?

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Tell us what you see.

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I see nothing less than eternal truths.

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I see God.

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And these men, these...

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..visionary men...

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..I see a school of art nobler than the world has produced in 300 years.

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SCOFFING AND MUTTERING Ridiculous!

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-They are imitators.

-Medieval copyists.

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-Mr Ruskin.

-..exactly what they are!

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Do you think their painting pleases God?

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All great art...

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..praises God.

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If his own nature pleases him, then it follows,

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so must we.

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I must confess to finding this addiction an antique style

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backward-looking.

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THEY CONTINUE TO ARGUE Well done, my dear.

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That was an interesting question and bravely spoken.

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Never mind God - what do you think of their daubs?

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I don't know what I think.

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-That's exactly what I see...

-I just like them.

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ARGUING CONTINUES

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-They make me feel happy.

-Do you know,

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I cannot remember the last time I felt happy in this place.

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Ghastly collection of self-congratulatory males.

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It was such a relief to hear an intelligent female voice.

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How do you do? I am Ef...

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-I mean, Mrs John Ruskin.

-I know who you are.

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But who are you when you are not Mrs John Ruskin? I am Elizabeth.

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I am Ef...

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-I mean, Euphemia.

-Sad business, isn't it?

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Having to lose your own name

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and then taking your husband's Christian name into the bargain.

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Fortunately, I do not have that cross to bear.

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Why is that?

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-Well...

-Lady Eastlake.

-Thank you.

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-Your husband is...

-President of the Academy, yes. Thank you.

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He absolutely hates the pictures, by the way,

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but he respects your husband's opinions, as I respect yours.

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You must have us to dine.

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Good, well, I shall hold you to it.

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It sounds as if it went well.

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As well as can be expected.

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-They have agreed to leave the paintings in place, at least.

-Oh!

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Lady Eastlake was so kind.

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And I didn't even know who she was at first.

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-Lady Eastlake?

-John, congratulations.

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You've won the fight.

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You must be proud, surely.

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I can scarcely tell.

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All I know for certain is it will take me three days to recover.

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There are so many demands on you from all sides, I'm sure.

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Everyone always wanting something.

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Intolerable for you, my darling.

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My heart's treasure. Come on.

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Oh, I forgot to say.

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Lady Eastlake has asked us to invite them to dine here.

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Dine here?

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The Eastlakes?

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John.

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Yes?

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We're not poor, are we?

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Poor?

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Not remotely.

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What on Earth made you ask?

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I'm just making sure of something.

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What's that mean?

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That we are not too poor to have children.

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You are but a child yourself yet.

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I am not.

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I am not a child.

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I am a married woman.

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-And when we live together as husband and wife...

-We are husband and wife.

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I know, but alone.

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I know I shall love to keep house for you,

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our own house,

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with a good-sized nursery,

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in town, to attain some hold of good society.

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I'll be in charge of all our domestic matters.

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I'll become the wife that you desire.

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FABRIC TEARS

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Can I help you, madam?

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Yes, Anna, thank you.

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I was looking for needle and thread for John's shirt.

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-It needs mending.

-Oh, I'm sorry, madam.

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I don't know how I could have missed that.

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-Leave it here, I'll do it right aways.

-I will do it.

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Madam, it has always been my job to do young Mr Ruskin's mending.

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Not any more.

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I am his wife.

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I shall look after his things.

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-I...

-Thank you, Anna.

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As you wish, madam.

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FOOTSTEPS APPROACH

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DOOR BANGS

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Ah, my dear.

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I'm quite an expert mender.

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John's shirt will be as good as new.

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If Mama ever needed anything mending, socks, baby's napkins,

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I was always the one she asked.

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John does not wear baby's napkins.

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No.

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I know that.

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-Of course not, I just meant...

-My dear, I'm sure you mean well...

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but do not insult us by suggesting

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that we would make our son wear darned socks.

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You forget where you are.

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No, of course not. Forgive me.

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And you forget who you are.

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Anna!

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Argh!

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John?

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Mrs Ruskin says you should take this.

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-What is it?

-Messes.

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She swears by it.

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What's in it?

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I do not know, madam.

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She means to poison me.

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I will not take it.

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Mrs Ruskin was most determined.

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Lady Eastlake, Sir Charles.

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You honour us.

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I have been trying unsuccessfully to congratulate your son

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on his wonderful new writings.

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Which are no more than a wretched rant.

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And of course, John,

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we're here to congratulate you on your fascinating new wife.

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Well, new to me at any rate. Where is she?

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Did I shock her so profoundly when we first met?

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Would you excuse me?

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Of course.

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Why is she not dressed?

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You will get up and dress - now!

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I'm ill. My head.

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You are not ill, you are just peevish.

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You've had your medicine, now get up.

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She will be dressed and downstairs in five minutes

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or I will want to know the reason why.

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DOOR SLAMS

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DISTANT CHATTER AND LAUGHTER

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Ah, Euphemia, there you are.

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My dear girl, what on Earth is the matter? You're white to the teeth.

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No.

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Indeed I am very well.

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Come, sit down.

0:30:450:30:47

Sir Charles was just telling us about the excellent response

0:30:490:30:52

to John's new book, Euphemia.

0:30:520:30:54

Do continue, Sir Charles.

0:30:540:30:56

Well, as I say, the reaction's been overwhelming.

0:30:560:30:59

It's been called the greatest teacher of our day.

0:30:590:31:02

Forgive me, Charles, but this girl does not need to hear about

0:31:020:31:06

her husband's triumph just now,

0:31:060:31:08

what she needs is a cup of beef tea and bed.

0:31:080:31:10

Do you think so?

0:31:100:31:12

Euphemia, dear, are you so very ill?

0:31:120:31:14

If you'll excuse me. Come, come. Come.

0:31:220:31:26

It's just a headache, your ladyship.

0:31:350:31:37

I'm so very sorry.

0:31:370:31:38

It is just the married life more like.

0:31:380:31:41

Tell me, Effie...

0:31:420:31:45

do you have anyone to talk to?

0:31:450:31:46

I keep thinking I've made a terrible mistake.

0:31:490:31:51

I thought so too at the beginning of my marriage.

0:31:550:31:58

Beginnings are always difficult, my dear.

0:32:000:32:03

But we have not yet begun.

0:32:030:32:05

They won't let us.

0:32:050:32:07

You will not always live here.

0:32:070:32:10

This is a temporary arrangement, surely.

0:32:100:32:12

They want him here, I'm sure of that.

0:32:120:32:15

They've always had him to themselves.

0:32:150:32:19

Did you know that they would not even let him play

0:32:190:32:21

with other children when he was little?

0:32:210:32:23

She took rooms near him at university

0:32:230:32:25

and they saw each other everyday.

0:32:250:32:28

She'll never let him away from her.

0:32:280:32:30

My dear child, it is unreasonable

0:32:310:32:34

for the pair of you not to have a home of your own.

0:32:340:32:37

-Thank you for being so kind to me.

-Oh, there, there now.

0:32:380:32:41

You are a strong, wise girl and you will bear up.

0:32:410:32:45

But I must ask you to banish all thoughts

0:32:450:32:48

of having made a mistake from your mind.

0:32:480:32:50

But what if I have?

0:32:500:32:52

Then I'm sorry to say, my dear,

0:32:530:32:54

it is a mistake you will have to live with, there is no going back.

0:32:540:32:59

No.

0:32:590:33:01

No, of course not.

0:33:010:33:03

Of course...

0:33:050:33:07

you know what will set everything to rights quite naturally.

0:33:070:33:11

Children.

0:33:110:33:13

They are the glue that binds all marriages.

0:33:130:33:16

-Can you ever forgive me?

-Of course.

0:33:250:33:29

But if you ever take me there again, I'll have you thrown in the Thames.

0:33:290:33:32

LADY EASTLAKE LAUGHS

0:33:320:33:36

Hup!

0:33:370:33:39

DOOR OPENS

0:33:520:33:54

Your poor mother is in floods!

0:34:010:34:03

There was nothing I could do.

0:34:030:34:05

God knows we have protected you with every sinew in our bodies

0:34:050:34:09

from childhood, from all the obstructions that

0:34:090:34:11

might've prevented your unique talent from emerging to the full!

0:34:110:34:14

And you succeeded.

0:34:140:34:16

And every talent, however unique, needs its patrons

0:34:160:34:19

and tonight, for the first time...

0:34:190:34:22

..the president of the academy himself,

0:34:240:34:26

the greatest patron any man of the arts could wish for,

0:34:260:34:30

graces our house...

0:34:300:34:32

Your wife is unable or unwilling to make the effort required

0:34:320:34:37

to make it a success.

0:34:370:34:39

Well, careers have foundered on less, John!

0:34:390:34:42

I'm sorry to be a disappointment to you both.

0:34:420:34:45

You were warned about that girl,

0:34:530:34:55

yet you chose to follow your own path.

0:34:550:34:58

Well, it's up to you to ensure that this does not lead to

0:34:580:35:01

the destruction of everything we have wished for you.

0:35:010:35:05

-You look sad. You didn't actually want coffee, did you?

-No!

0:35:120:35:16

No, no, it was just...

0:35:160:35:18

It's that poor child I was interested in seeing and she's not happy.

0:35:180:35:23

No more were you at the beginning.

0:35:230:35:26

That's exactly what I told her.

0:35:260:35:28

-Very grim you were.

-Well, you were pompous.

-True.

0:35:280:35:31

-And distant.

-Mm.

0:35:310:35:32

This is...something more complicated.

0:35:350:35:39

Somehow she has to get him away from their clutches.

0:35:390:35:44

-My heavens, you make them sound like dragons in a fairytale.

-Do I?

0:35:440:35:47

I don't mean to but...

0:35:470:35:49

perhaps that's not so far from the truth.

0:35:490:35:52

What was it he was saying to you about Venice?

0:35:520:35:55

Well, he's not taking his parents, I hope.

0:35:550:35:58

THEY LAUGH

0:35:580:36:01

John...

0:36:270:36:29

thank you for bringing us here.

0:36:290:36:31

Lady Eastlake told me I will answer to her for...

0:36:480:36:52

SHE SPEAKS ITALIAN

0:36:520:36:54

We are to look after you.

0:36:540:36:57

Essato.

0:36:570:36:58

-Grazie, thank you sir.

-You are most kind, Contessa.

0:36:580:37:01

Oh, not kind.

0:37:010:37:04

It's not often that you have new blood here.

0:37:040:37:07

I'm going to send letters.

0:37:070:37:10

You'd be invited to every party.

0:37:100:37:13

I can see...

0:37:140:37:17

you don't like party.

0:37:170:37:19

I am in Venice to work.

0:37:190:37:22

To write a new book.

0:37:220:37:24

I detest parties.

0:37:240:37:26

In fact, it is impossible for me to go into company without injury.

0:37:260:37:30

My wife will be the hostess for them.

0:37:310:37:34

-No.

-No?

0:37:430:37:44

Perfetto.

0:37:590:38:00

What? What's everyone saying?

0:38:000:38:02

They are saying that your husband disapproves of pleasure

0:38:040:38:07

but that you do not.

0:38:070:38:09

CHURCH BELLS RING

0:38:130:38:15

LAUGHTER

0:38:180:38:21

Say you would like to buy some cheese.

0:38:230:38:26

Vorrei comprare del formaggio.

0:38:260:38:28

Vorrei comprare del formaggio.

0:38:280:38:30

-Brava.

-Wonderful.

0:38:300:38:33

Your accent is divine. Say it again.

0:38:330:38:36

Vorrei comprare del formaggio.

0:38:360:38:39

Again, again.

0:38:390:38:40

Vorrei comprare del formaggio.

0:38:400:38:43

E meravigliosa, eh, mamma?

0:38:430:38:45

Grazie.

0:39:000:39:01

Eh? Ah, si.

0:39:030:39:05

Up you go.

0:39:330:39:34

Not one eye,

0:39:490:39:52

lifted to this splendour.

0:39:520:39:54

Look at this.

0:39:570:39:58

It is like the wind itself could have chiselled it.

0:39:590:40:03

Look how tenderly...

0:40:030:40:04

And that one...

0:40:050:40:06

..is utterly different to this one.

0:40:080:40:10

-The variety itself is joyful, is it not?

-Yes.

0:40:100:40:13

Well, look down there.

0:40:140:40:16

What do you see?

0:40:170:40:18

It's very beautiful...

0:40:200:40:21

..but in a regular way.

0:40:230:40:25

A uniform way.

0:40:260:40:28

It's like a world where all the trees are the same shape,

0:40:280:40:31

all the clouds the same size

0:40:310:40:33

and all the people say the same thing, over and over again.

0:40:330:40:36

It's perfectly executed, but...

0:40:380:40:40

..entirely devoid of this...

0:40:410:40:43

..beautiful imperfection.

0:40:440:40:46

If imperfection is your ideal...

0:40:480:40:49

..then you must think me very beautiful.

0:40:510:40:53

BELL TOLLS

0:40:550:40:58

DOOR OPENS

0:41:270:41:29

DOOR CREAKS

0:41:330:41:34

Look what I found.

0:42:010:42:02

Over half a life ago.

0:42:080:42:09

Do you remember?

0:42:110:42:12

'Why is she turning into a tree?'

0:42:200:42:22

She is the nymph, Daphne.

0:42:240:42:27

He is the god, Apollo.

0:42:270:42:30

He wants her, with an overwhelming desire.

0:42:300:42:33

He wants to possess her purity...

0:42:330:42:35

..but she does not want him...

0:42:360:42:38

..and turns herself into a laurel tree, in order to escape.

0:42:400:42:43

That's a clever trick.

0:42:430:42:46

It is. Nymphs are very clever.

0:42:460:42:48

VOICES CHATTER

0:43:090:43:12

LAUGHTER

0:43:160:43:18

It's much more difficult than it looks.

0:43:360:43:39

Help me.

0:43:440:43:45

No, don't.

0:43:450:43:46

You're already working?

0:44:090:44:10

Of course.

0:44:100:44:11

Did you enjoy the ball?

0:44:130:44:14

I did.

0:44:140:44:16

I danced and danced.

0:44:160:44:19

You bloom...

0:44:190:44:20

I would perish.

0:44:200:44:22

What will your book say?

0:44:300:44:32

It will say that Venice was once the most glorious...

0:44:360:44:40

truest...

0:44:400:44:42

most chaste pearl...

0:44:420:44:44

..like Adam's Eve.

0:44:450:44:47

But that now she has fallen from that grace

0:44:470:44:50

and her dissipation and corruption...

0:44:500:44:53

almost complete.

0:44:530:44:54

What do you mean?

0:44:570:44:58

I mean that once, she was a virgin...

0:44:590:45:02

..and now, she is a harlot,

0:45:030:45:05

addicted to nothing but pleasure and the voluptuousness.

0:45:050:45:09

A beautiful harlot...

0:45:090:45:11

..but a harlot, nonetheless.

0:45:120:45:14

You see that?

0:46:330:46:35

They are talking about us.

0:46:350:46:38

I call them "the whisperers".

0:46:380:46:39

Our dancing will be all the news on the Rialto this morning.

0:46:430:46:47

I hope your husband is prepared.

0:46:480:46:50

My husband cannot hear whispers -

0:46:500:46:53

he is so far above them.

0:46:530:46:55

And I never forget my duty to him, not for an instant.

0:46:550:46:59

Anyway...

0:46:590:47:01

I have no talent whatever for intrigue.

0:47:010:47:03

No...

0:47:310:47:33

Bien.

0:47:340:47:36

No.

0:47:490:47:51

No!

0:47:510:47:53

No, stop, stop...

0:47:530:47:55

HE BREATHES HEAVILY

0:47:580:48:00

THUD

0:48:120:48:13

SHE GASPS

0:48:130:48:15

Let's play.

0:48:190:48:21

Effie!

0:48:320:48:34

SHE PANTS

0:49:220:49:24

Are you back already?

0:49:400:49:41

Yes.

0:49:420:49:44

I was tired.

0:49:440:49:46

Why don't you lie down?

0:49:460:49:48

I will.

0:49:490:49:51

BELLS TOLL AND ECHO

0:50:020:50:05

EFFIE SCREAMS

0:50:300:50:31

Mr Ruskin?

0:50:530:50:56

Do you by any chance happen to know

0:50:560:50:57

what was in that treatment of your mother's?

0:50:570:51:00

I do not. She swears by them, always has done.

0:51:000:51:03

Mm-hmm. Well, I think there's laudanum in them -

0:51:030:51:06

it's a perfectly sensible treatment.

0:51:060:51:08

But in this case...

0:51:090:51:11

How long has she been unwell for?

0:51:160:51:19

Almost constantly.

0:51:190:51:21

A never-ending succession of minor ailments.

0:51:210:51:24

This particular one...

0:51:250:51:28

came to a head a few months ago.

0:51:280:51:31

Came to a head? And how was it manifested?

0:51:310:51:34

Hysteria, seeing things...

0:51:340:51:36

..growing upon her person.

0:51:380:51:40

Such as?

0:51:400:51:41

Mere phantasms of a disordered brain, doctor, I hardly think...

0:51:410:51:44

Nevertheless, such as?

0:51:440:51:45

Organic matter.

0:51:470:51:49

Bark.

0:51:500:51:52

Tree bark?

0:51:520:51:53

Just so.

0:51:530:51:54

Interesting.

0:51:540:51:56

Well, it's undoubtedly a nervous complaint.

0:51:570:52:01

That would account for the hair loss.

0:52:010:52:03

Hair loss?

0:52:030:52:05

Have you not noticed?

0:52:050:52:06

Here...

0:52:080:52:09

..and here.

0:52:120:52:13

I recommend the following -

0:52:180:52:19

fresh air, exercise,

0:52:190:52:21

a wholesome environment...

0:52:210:52:23

Perhaps away from the influence of the elder Mrs Ruskin.

0:52:230:52:27

She's Scottish by birth, I hear?

0:52:280:52:31

Aha. Well, perhaps sometime in her native land might be beneficial.

0:52:330:52:37

I prescribe...

0:52:380:52:40

An iron tonic for her...

0:52:400:52:43

-..and for you...

-There's nothing wrong with me.

0:52:430:52:45

For you,

0:52:450:52:46

I prescribe a sharper eye and a keener ear.

0:52:460:52:49

In my opinion, there's nothing wrong with your wife...

0:52:510:52:54

..that simple love and attention will not cure.

0:52:550:52:58

SHE GASPS

0:53:460:53:48

THUNDER ROLLS

0:53:590:54:03

What are you looking at?

0:54:390:54:41

Nothing.

0:54:430:54:44

What are you thinking of, then?

0:54:470:54:50

A great many things.

0:54:520:54:53

I was thinking of dancing...

0:54:580:55:02

and excitement.

0:55:020:55:04

And a great many things.

0:55:070:55:09

THUNDER ROLLS

0:55:110:55:14

Wh...?

0:55:390:55:40

SHE PANTS

0:55:400:55:42

Ooh, Mr Millais. Hello.

0:56:130:56:15

I've not seen you grace these halls for some time.

0:56:150:56:18

Are you well? You ought to be

0:56:180:56:20

and I feel great success for which may I congratulate you heartily?

0:56:200:56:25

Thank you, Your Ladyship. I am thriving.

0:56:250:56:28

-Thriving and painting?

-Oh, yes. In fact, I'm recently commissioned.

0:56:280:56:31

-Oh, good, that is good.

-It is.

0:56:310:56:34

I'm proud to say that I'm to paint our champion himself.

0:56:340:56:38

-I'm to paint Mr Ruskin.

-Mr Ruskin? Really?

0:56:380:56:41

I can hardly believe my luck.

0:56:410:56:43

-We are to depart for Scotland shortly.

-Scotland?

0:56:430:56:46

-Yes, his wife is from there, you know?

-I did know, I did know, yes.

0:56:460:56:50

-How is she?

-Well.

0:56:500:56:52

At least I do not know,

0:56:520:56:54

I believe we are to go there for the sake of her health.

0:56:540:56:57

Scotland?

0:56:590:57:01

Ah.

0:58:140:58:16

Get ready.

0:58:160:58:17

Oh, damn.

0:58:190:58:21

Fear not, brave companions. Breakfast is at hand.

0:58:250:58:31

-Don't move.

-What?

-No, no, I mean it, don't move.

0:58:320:58:37

That light. That's the light I want.

0:58:380:58:42

I'm not posing in the middle of a Scottish loch, Everett.

0:58:430:58:46

No, but that angle, exactly that angle and water

0:58:460:58:50

and exactly that light.

0:58:500:58:52

Excellent. Can I put my shoes on now?

0:58:530:58:57

You may.

0:58:570:58:58

It really is very good of you to come, Everett. You've no idea.

0:59:020:59:07

Perhaps you have. You can see.

0:59:090:59:12

Good of me?

0:59:150:59:17

But for your belief in me, I'd still be starving in my garret.

0:59:170:59:21

Added to which, your father is paying me handsomely for this.

0:59:210:59:25

THEY CHUCKLE

0:59:250:59:27

Euclid, Everett?

0:59:310:59:33

Essential.

0:59:340:59:36

You will start by reading him and then we will further your study.

0:59:360:59:39

KNOCK AT DOOR

0:59:390:59:41

-Ah, Mr McPhail.

-Heard you want this?

-Thank you. Everett.

0:59:470:59:50

-Let joy be unconfined.

-There's the post. Now lunch.

-Thank you.

0:59:520:59:57

Not as white as I'd hoped but...

1:00:071:00:10

it will do.

1:00:101:00:11

Shall we?

1:00:141:00:15

Lunch first. Aren't you hungry?

1:00:151:00:18

What is wrong?

1:00:371:00:38

You've had some bad news?

1:00:401:00:42

My poor mother.

1:00:451:00:47

She has lost a child.

1:00:491:00:51

Her seventh.

1:00:531:00:54

I do not know how she bears it.

1:00:571:00:59

I'm so sorry.

1:01:021:01:04

I need to lay out the lunch.

1:01:091:01:11

-How is Effie?

-I think she is improving.

1:01:271:01:31

The air and the exercise are doing her good.

1:01:311:01:34

-I mean has she recovered from the news?

-What news?

1:01:341:01:38

The loss of the child.

1:01:391:01:41

Child? What child?

1:01:411:01:42

Mrs Gray, her mother, the loss of her child.

1:01:421:01:46

She's lost another, then?

1:01:471:01:49

-What is that now? Five?

-Seven.

1:01:491:01:52

Seven? Dear me.

1:01:521:01:54

Did Effie not say?

1:01:591:02:00

Her mother loses children with such ghastly regularity,

1:02:001:02:03

I think she realises it would hardly register with me.

1:02:031:02:06

-That's a little harsh, surely?

-Not at all.

1:02:061:02:10

The woman is positively barnyard in her breeding habits,

1:02:101:02:13

she can hardly expect them all to survive.

1:02:131:02:15

Look at that exquisite leafage.

1:02:171:02:21

You'll need to be on your highest mettle, Everett, to capture that.

1:02:221:02:27

EVERETT CHUCKLES

1:02:341:02:37

What?

1:02:371:02:38

You realise I can open the window, close the curtain

1:02:381:02:41

and wash without getting out of bed?

1:02:411:02:44

It's like living in a snuffbox.

1:02:441:02:46

-Do you hear, John?

-Should we start out early, Everett?

1:02:471:02:51

Everett?

1:02:551:02:56

Yes. Yes, first thing.

1:02:581:03:00

I can't go on, my fingers are refusing to bend.

1:03:071:03:11

Come on. Let me help.

1:03:111:03:13

I've not done two inches of work.

1:03:151:03:17

DOOR OPENS

1:03:431:03:45

Where's Everett?

1:03:541:03:56

He was just behind me. He fell.

1:03:581:04:01

-What happened?

-I slipped off the boat.

1:04:261:04:29

Let's go and have a look.

1:04:291:04:31

I can't break my nose.

1:04:311:04:33

-Am I hurting you?

-No.

1:04:391:04:42

No, not at all.

1:04:421:04:43

-Why can't you have a broken nose?

-What?

1:04:481:04:52

You said, "I cannot have a broken nose" outside.

1:04:531:04:57

Did I?

1:04:571:04:59

How odd of me.

1:04:591:05:00

But it's only because I use my own face as a model all the time.

1:05:021:05:08

It's cheaper than hiring someone so...

1:05:081:05:11

my nose is quite useful.

1:05:111:05:15

And you need it to smell things with.

1:05:181:05:20

That too, of course.

1:05:241:05:25

SPLASHING

1:06:051:06:07

WIND HOWLS

1:06:571:07:00

There.

1:07:081:07:10

No more.

1:07:101:07:12

The secret is to know when to stop.

1:07:121:07:14

That is exquisite.

1:07:171:07:19

Don't tease.

1:07:191:07:22

I would resent such a talent if you were not so...

1:07:221:07:26

angelic.

1:07:261:07:27

Your nose is perfect again.

1:07:371:07:39

HE CHUCKLES

1:07:391:07:41

Please do not remind me of my inexcusable self-regard.

1:07:411:07:44

Finished.

1:08:071:08:08

My Edinburgh lectures.

1:08:111:08:13

She won't want to come, truly.

1:08:221:08:25

It would bore her.

1:08:261:08:28

Anyway, I'll only be gone for a few days.

1:08:281:08:30

Edinburgh is but a stone's throw.

1:08:301:08:32

But are you not anxious about leaving her alone?

1:08:321:08:34

Why, where are you going?

1:08:341:08:36

I'm not going anywhere.

1:08:361:08:38

Well, then she won't be alone.

1:08:381:08:39

John, you can't leave her on her own with me.

1:08:391:08:42

Yes, I realise it's a bore, Everett.

1:08:421:08:44

No, not at all. I'm talking about the impropriety.

1:08:441:08:47

Oh, for heaven's sake. Look, have Mrs McPhail to stay then,

1:08:471:08:50

if you're worried the locals will take offence.

1:08:501:08:52

I'm not worried about the locals!

1:08:521:08:55

John, you seem to pay no mind to the safety of your wife's reputation.

1:08:551:09:00

To leave her entirely alone with another man...

1:09:001:09:04

A single man.

1:09:041:09:05

I'd have loved this when I was little.

1:10:151:10:18

It was all so flat where I grew up.

1:10:181:10:21

Did you love it very much?

1:10:211:10:23

I did.

1:10:231:10:25

Do you see that little thorn tree?

1:10:271:10:29

Fairies live under those trees. My mother told me.

1:10:311:10:35

I believed her absolutely.

1:10:351:10:37

I'd take my breakfast out and leave it for them.

1:10:371:10:40

And of course in the morning it was always eaten,

1:10:401:10:43

by a fox or some such,

1:10:431:10:44

which only went to prove their existence further.

1:10:441:10:46

One Christmas my mother cooked a ham.

1:10:481:10:51

I felt the fairies should have some

1:10:511:10:53

so I went to the pantry to cut a slice and I couldn't manage it.

1:10:531:10:57

And so I just took the entire hock.

1:10:571:10:59

I was found out, of course and...

1:11:011:11:03

..that was the end of the fairies.

1:11:041:11:05

But happiness for the foxes.

1:11:051:11:07

Over 1,000 at every lecture.

1:12:051:12:07

It was a huge success.

1:12:071:12:09

But the price was crippling headaches.

1:12:091:12:12

I hope Effie was not too trying for you.

1:12:241:12:26

Of course not.

1:12:261:12:28

Women should depend on themselves for engrossing employment.

1:12:291:12:33

Rather than constantly craving companionship and attention.

1:12:331:12:37

EVERETT PUTS HIS CUTLERY DOWN

1:12:371:12:40

Excuse me.

1:12:421:12:43

DOOR OPENS AND WIND HOWLS

1:12:521:12:55

DOOR CLOSES

1:12:551:12:58

DOOR OPENS

1:13:021:13:05

Where have you been?

1:13:261:13:28

I ran.

1:13:281:13:30

Ran where?

1:13:301:13:32

Anywhere.

1:13:321:13:34

Wherever my feet took me.

1:13:341:13:35

For heaven's sake, you must change your clothes.

1:13:391:13:42

You will make yourself sick.

1:13:421:13:44

I am sick.

1:13:441:13:45

I'm sickened by him.

1:13:461:13:48

I don't... I don't know how you bear it.

1:13:481:13:51

I cannot bear to witness any more of your torture

1:13:541:13:56

when I cannot stop it, when I cannot do anything.

1:13:561:13:58

Tell me, Effie, what am I supposed to do?

1:13:581:14:00

What can I do?

1:14:001:14:01

Please.

1:14:041:14:05

There is nothing to be done.

1:14:081:14:09

JOHN SNORES LIGHTLY

1:14:181:14:21

We will return to London.

1:15:321:15:34

The Venice engravings for my book are ready.

1:15:341:15:37

I cannot go back.

1:15:381:15:40

We will leave on Monday.

1:15:401:15:41

I cannot go back.

1:15:431:15:45

The pains of eternal torment could be no worse

1:15:511:15:54

than returning to Denmark Hill with you.

1:15:541:15:57

I did not ask your opinion,

1:15:581:15:59

I merely informed you of our leaving.

1:15:591:16:01

I cannot go back.

1:16:031:16:05

Do not think for a moment that your behaviour here

1:16:051:16:08

has escaped my attention. It has not.

1:16:081:16:11

I have seen what you try to hide.

1:16:111:16:13

Do you really want to lose your reputation in the world?

1:16:141:16:17

You would make a great piece of work for your bankrupt father.

1:16:171:16:21

Do not push me any further, Euphemia,

1:16:231:16:27

for your own sake.

1:16:271:16:29

I hate you.

1:16:341:16:36

WHISPERING: He's been listening, he's been watching.

1:16:521:16:55

He knows.

1:16:551:16:56

Does he mean to ruin me? To compromise me?

1:16:561:17:00

I can never visit you in Denmark Hill.

1:17:021:17:04

You need to have someone with you.

1:17:071:17:10

Can you think of anyone?

1:17:101:17:11

I don't know.

1:17:121:17:14

Perhaps my sister, Sophie.

1:17:151:17:17

Her visit would not arouse suspicion.

1:17:181:17:20

Then you must arrange it.

1:17:201:17:22

Mr McPhail, we are ready.

1:17:281:17:30

Aye. Ready, sir.

1:17:301:17:31

Everett, would you help my wife?

1:17:381:17:39

THEY SLURP

1:18:131:18:16

Don't do that, dear.

1:18:261:18:29

Makes you sound like an imbecile.

1:18:301:18:32

Well, the New Year is upon us,

1:18:391:18:40

and we have yet to receive Mr Millais' portrait.

1:18:401:18:44

I think in January, I may find some time to sit for him.

1:18:441:18:48

All right, no matter, I am but truly eager to see it.

1:18:481:18:51

Perhaps, my dear, you can mention it next time you write to him.

1:18:511:18:56

I do not write to him.

1:19:001:19:02

Ah.

1:19:111:19:12

Aha.

1:19:141:19:15

This is a new addition to our cellar, my dear.

1:19:151:19:18

I thought we'd better start to educate our palettes

1:19:221:19:25

to the nuances of the German wines before our trip.

1:19:251:19:29

My boy.

1:19:291:19:30

We're going on a trip?

1:19:301:19:33

We are all going.

1:19:331:19:35

I am to come?

1:19:351:19:37

But no-one said...

1:19:371:19:39

Let us not start discussing something that was settled months ago.

1:19:391:19:42

I don't know why you feel Sophie needs to see the sights in town.

1:20:141:20:18

What on Earth's wrong with Peckham?

1:20:181:20:20

She said she wanted to see St Paul's.

1:20:201:20:22

-No, I didn't.

-Ssh!

1:20:241:20:26

She might hear you.

1:20:261:20:28

HORSEMAN: Ya!

1:20:281:20:30

We're going to see a friend of mine.

1:20:371:20:39

Everett?

1:20:401:20:42

What have they said of him?

1:20:431:20:45

Nothing.

1:20:451:20:46

John just said that you've made Everett unhappy.

1:20:461:20:50

Just as you've made him unhappy.

1:20:501:20:52

Who is Everett?

1:20:541:20:56

A friend.

1:20:571:20:58

-But not the friend we're going to see.

-Sophie...

1:20:581:21:01

please.

1:21:011:21:03

HORSES NEIGH

1:21:051:21:07

Yeah, I'll have one.

1:21:071:21:09

DISTANT BELL RINGING

1:21:091:21:12

Here, you too!

1:21:161:21:17

But John must have talked to you, surely, he must have...

1:21:291:21:33

Let me understand you, you are telling me that...

1:21:391:21:43

you still, to this day, do not...

1:21:431:21:47

understand the...

1:21:471:21:49

details of the most intimate relation within marriage?

1:21:491:21:52

-You have not experienced them?

-He has never so much as touched me.

1:21:521:21:57

Never made me his wife.

1:21:571:22:01

Because he was disgusted...

1:22:011:22:03

with my body that first evening.

1:22:031:22:06

After that, he said we should wait until I was 25.

1:22:091:22:12

By then, he said that I'd professed such a dislike for him that it would be a sin

1:22:121:22:17

and an even further sin to have children.

1:22:171:22:21

Because I was wicked.

1:22:211:22:23

And probably insane.

1:22:231:22:25

Oh...

1:22:261:22:27

LADY EASTLAKE SIGHS Um...

1:22:291:22:31

And he... LADY EASTLAKE CLEARS HER THROAT

1:22:321:22:34

..has never after that moment...

1:22:341:22:37

sought relations?

1:22:371:22:40

Never.

1:22:401:22:41

I have never, I've never heard of such cruelty. The man must be...

1:22:431:22:47

If he has not made you his wife physically, then I should think

1:22:551:23:00

that you are not his wife.

1:23:001:23:02

But I have no knowledge of such matters,

1:23:021:23:04

I will make enquiries, legal and social. Discreetly, of course.

1:23:041:23:09

I would implore you not to have a scene with him just yet.

1:23:091:23:13

I must have read all his books,

1:23:151:23:16

and I've always thought him quite the eccentric, but now...

1:23:161:23:19

Most peculiar.

1:23:221:23:23

I'm perfectly thunderstruck.

1:23:241:23:26

You may sit up, Mrs Ruskin.

1:23:281:23:31

He must be mad.

1:23:341:23:36

Oh.

1:23:391:23:40

Who's that from?

1:23:411:23:43

Effie.

1:23:461:23:47

My dear, there's nothing more you can do.

1:23:561:23:59

You must let events take their course now.

1:23:591:24:01

Do come in.

1:24:051:24:07

Please, sit down.

1:24:091:24:10

Forgive me.

1:24:131:24:14

I have Dr Lee's report here.

1:24:201:24:25

You say he told you he thinks your husband mad.

1:24:251:24:30

Interesting, but madness, unfortunately,

1:24:311:24:36

is not sufficient grounds for divorce.

1:24:361:24:39

If it were,

1:24:391:24:40

half the marriages in London would be in jeopardy.

1:24:401:24:44

But, the crux is this...

1:24:481:24:52

"We found the usual signs of virginity are perfect.

1:24:521:24:59

"And that she is naturally and properly formed."

1:24:591:25:05

So...

1:25:071:25:09

there we have it.

1:25:091:25:10

I must say, in all my years...

1:25:101:25:13

It is an unprecedented case, Mrs Ruskin,

1:25:151:25:18

but I'm certain we can receive an annulment of your marriage

1:25:181:25:22

on the grounds of non-consummation.

1:25:221:25:25

However, we must be circumspect.

1:25:251:25:30

Best to keep away from your husband as much as you can to prevent...

1:25:301:25:35

Prevent what?

1:25:351:25:37

Let us just say,

1:25:371:25:39

do not make more than a usual effort to encourage...

1:25:391:25:45

relations.

1:25:451:25:47

-You spend a great deal of time writing.

-I do, my angel, I do.

1:25:531:25:57

I have written two books about modern painting.

1:26:011:26:06

One about architecture.

1:26:061:26:08

And this one.

1:26:091:26:11

About Venice.

1:26:121:26:14

It's a very big book.

1:26:231:26:25

And then I shall write a book so big...

1:26:261:26:30

..and it will be all about your sister's conduct.

1:26:321:26:36

About her wickedness.

1:26:361:26:38

But don't tell her.

1:26:391:26:41

For then she would hate you.

1:26:411:26:43

Let it be our little secret.

1:26:451:26:47

Do not worry, lambkin.

1:27:101:27:12

It doesn't hurt.

1:27:121:27:14

Ah...

1:27:171:27:18

Thank you, George.

1:27:221:27:23

Um...

1:27:251:27:27

FOOTSTEPS

1:27:271:27:29

George!

1:27:291:27:30

What in God's name have you done?

1:27:451:27:47

I have done nothing.

1:27:471:27:49

Tidy yourself up this instant before my mother sees you.

1:27:501:27:54

I will not.

1:27:551:27:57

You disgust me.

1:28:011:28:02

I have had a letter.

1:28:041:28:05

From mother.

1:28:071:28:09

She misses Sophie too much and asks me to return her to Scotland.

1:28:101:28:15

Then I suggest you start packing.

1:28:151:28:17

What does Mama say?

1:28:241:28:25

It is not from Mama.

1:28:281:28:31

Now go have one last look in your room to make sure nothing is forgotten.

1:28:591:29:03

Thank you, George.

1:29:181:29:19

I wish you happiness, ma'am.

1:29:201:29:22

A great collection of bags for a short visit.

1:29:241:29:27

-George, you will not tell.

-It's John, actually.

1:29:291:29:33

FOOTSTEPS

1:29:331:29:34

-Where is Sophie?

-She's upstairs.

1:29:341:29:37

We can't have two Johns in the house,

1:29:391:29:41

so the master chose George for me.

1:29:411:29:44

I didn't mind.

1:29:441:29:46

You should have.

1:29:461:29:49

-He took away your name.

-Sophie! You will miss the train!

1:29:491:29:53

Look lively with those bags, George.

1:29:551:29:58

There is no point in you accompanying us.

1:30:131:30:16

Alfred can find me a porter and I know you have work to do.

1:30:161:30:20

Hm...

1:30:251:30:26

Will you be so kind as to hand me in, John?

1:30:341:30:37

HORSEMEN: Ha! Come on, boy!

1:30:481:30:51

What are you doing?

1:31:021:31:04

Put it here.

1:31:121:31:14

What are you going to do with that?

1:31:161:31:18

Leaving it there.

1:31:181:31:21

They'll find it when Alfred takes the carriage back.

1:31:211:31:24

Won't they be cross?

1:31:241:31:25

It's quite simply one of the remarkable pictures in the world.

1:31:411:31:47

-DOOR CLOSES

-You must be very proud.

1:31:471:31:50

Mr Ruskin, sir...

1:31:531:31:55

..there is a gentleman at the door for you.

1:31:561:31:59

Hm.

1:31:591:32:00

Where are we?

1:32:181:32:20

You'll have to help me, lambkin.

1:32:211:32:23

Mr John Ruskin?

1:32:231:32:26

Yes.

1:32:261:32:27

I have a citation to court.

1:32:271:32:30

-To court?

-From whom?

1:32:301:32:32

Mrs Euphemia Ruskin.

1:32:321:32:34

The defendant must receive the papers himself, sir.

1:32:361:32:40

It is a matter of law.

1:32:401:32:42

And this is concerning...?

1:32:481:32:50

It... It is a private matter, sir.

1:32:501:32:53

You may illuminate.

1:32:531:32:55

Very well.

1:32:551:32:57

Petitioning for the annulment of your marriage, sir.

1:32:571:33:01

On what grounds?

1:33:041:33:06

It is a very delicate matter, sir.

1:33:081:33:10

-I don't...

-My parents are privy to all my affairs.

1:33:101:33:14

Nonetheless...

1:33:141:33:15

I demand to know, on what grounds?

1:33:151:33:19

On the grounds of impotency, sir.

1:33:211:33:25

Hello!

1:33:521:33:54

Who are you?

1:33:541:33:56

I'm Sophie.

1:33:561:33:57

What's happened?

1:33:571:33:59

You're not to go to her.

1:34:081:34:10

She says you're forbidden.

1:34:101:34:13

She said it would ruin her, and you.

1:34:131:34:16

She said I was to tell you this...

1:34:251:34:27

She says she loves you very much,

1:34:301:34:33

but she says she's not fit to marry for a time,

1:34:331:34:36

without much deliberation.

1:34:361:34:38

Because... Wait...

1:34:381:34:40

Because it would never do to be wretched twice.

1:34:401:34:43

He said, "Tell her that I look forward to her..." No...

1:34:561:35:02

"..to making her very happy."

1:35:021:35:04

SHE SIGHS

1:36:001:36:01

Would you like a game of cards?

1:36:071:36:09

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