Browse content similar to Effie Gray. Check below for episodes and series from the same categories and more!
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GIRL: 'Once, a beautiful young girl | 0:00:53 | 0:00:55 | |
'lived in a very cold house in Scotland. | 0:00:55 | 0:00:58 | |
'The house was cold | 0:01:04 | 0:01:05 | |
'because someone's grandfather killed himself there. | 0:01:05 | 0:01:08 | |
'One day, the grandson came to visit the house. | 0:01:13 | 0:01:16 | |
'He thought the beautiful young girl was an angel come down to Earth. | 0:01:20 | 0:01:24 | |
'The grandson worked very hard. | 0:01:31 | 0:01:33 | |
'He read and thought and drew and wrote. | 0:01:38 | 0:01:42 | |
'He wrote a fairy story just for her. | 0:01:46 | 0:01:48 | |
'She was 12 years old. | 0:01:52 | 0:01:55 | |
'Her mother and father were kind | 0:01:57 | 0:02:00 | |
'but his were wicked. | 0:02:00 | 0:02:02 | |
'When she grew up... | 0:02:03 | 0:02:05 | |
'..he married her.' | 0:02:06 | 0:02:08 | |
-You can't marry him! -Why not, when I love him so much? | 0:02:20 | 0:02:25 | |
-He's rich and famous and I'll never see you again. -Oh, away with you! | 0:02:25 | 0:02:29 | |
You'll come and stay in London. London, Sophie! | 0:02:29 | 0:02:33 | |
I'm leaving dreary old Scotland at last and you'll follow. | 0:02:33 | 0:02:36 | |
We'll go to parties in beautiful yellow dresses and we'll dance with | 0:02:36 | 0:02:40 | |
musicians and poets and great artists | 0:02:40 | 0:02:42 | |
-who will want to paint your picture. -Really? | 0:02:42 | 0:02:44 | |
Yes, really. It's going to be so exciting. Come on. | 0:02:44 | 0:02:48 | |
-We need more leaves for our pillows. -Can my dress be pink? -Yes. | 0:02:48 | 0:02:53 | |
-MAN: -Nature must rule every stroke of your brush. | 0:02:55 | 0:02:58 | |
Only by representing her as she truly is, selecting nothing, | 0:02:58 | 0:03:02 | |
scorning nothing, will you reveal God's truth. | 0:03:02 | 0:03:06 | |
To put it simply, gentlemen, paint what you see. | 0:03:06 | 0:03:09 | |
Draw what you see. | 0:03:09 | 0:03:12 | |
-MAN: -Give thanks to the Lord for the gift of marriage. | 0:03:20 | 0:03:23 | |
And we ask for God's grace that the marriage be enriched. | 0:03:23 | 0:03:28 | |
And in the presence of God and before these witnesses, | 0:03:28 | 0:03:33 | |
I now pronounce you man... | 0:03:33 | 0:03:36 | |
..and wife. | 0:03:37 | 0:03:39 | |
-Blessings to you both, sir. -Thank you so much. | 0:03:48 | 0:03:50 | |
My friends... | 0:03:56 | 0:03:58 | |
..consider me a man who is not an artist | 0:03:59 | 0:04:02 | |
but has nonetheless been granted a muse. | 0:04:02 | 0:04:05 | |
Consider this man... | 0:04:06 | 0:04:09 | |
the luckiest of mortals. | 0:04:09 | 0:04:11 | |
Bound to you in spirit from this moment forth. | 0:04:11 | 0:04:15 | |
Sophie! | 0:04:19 | 0:04:21 | |
I shall see you in London. | 0:04:21 | 0:04:23 | |
Goodbye. | 0:04:23 | 0:04:25 | |
Do you know what has just occurred to me? | 0:04:44 | 0:04:46 | |
This is the first time we've ever been entirely alone. | 0:04:49 | 0:04:52 | |
Close your eyes. | 0:04:58 | 0:04:59 | |
Perfect. | 0:05:14 | 0:05:15 | |
HORSE WHINNIES | 0:05:39 | 0:05:41 | |
-Here we are, sir. -Thank you, Alfred. | 0:06:33 | 0:06:35 | |
Welcome to Denmark Hill. | 0:06:38 | 0:06:39 | |
No... | 0:06:40 | 0:06:41 | |
Welcome home. | 0:06:43 | 0:06:45 | |
Ah, George. There you are. | 0:06:46 | 0:06:48 | |
Here is your new mistress. | 0:06:51 | 0:06:53 | |
Don't be shy, take her by the hand. | 0:06:55 | 0:06:57 | |
He is an excellent chap, full of wise saws. | 0:06:59 | 0:07:02 | |
Tell her we're here, there's a good fellow. | 0:07:02 | 0:07:04 | |
-My dearest boy! -Congratulations! | 0:07:08 | 0:07:10 | |
My darling boy, you're home at last. | 0:07:10 | 0:07:13 | |
Welcome to the family. | 0:07:13 | 0:07:14 | |
-How happy we are to see you wed at last. -Thank you. | 0:07:14 | 0:07:17 | |
I trust the journey was tolerable? | 0:07:17 | 0:07:20 | |
The train journey was dreadfully long and draughty, | 0:07:20 | 0:07:22 | |
but every discomfort forgot as soon as we got into your carriage. | 0:07:22 | 0:07:25 | |
That is a most comfortable carriage, is it not? The best on the market. | 0:07:25 | 0:07:29 | |
-Like a feather bed. -Well, come through. -John? | 0:07:29 | 0:07:33 | |
Mrs Ruskin is just putting him into a bath. | 0:07:33 | 0:07:35 | |
She's been aching to get her hands on him. Now, come through. | 0:07:35 | 0:07:39 | |
-I should change. -Yes, of course, but there's plenty of time for that. | 0:07:39 | 0:07:44 | |
Now, come through and see this. | 0:07:44 | 0:07:46 | |
Now, this was purchased in celebration of your nuptials. | 0:07:48 | 0:07:52 | |
John's writing has made Mr Turner so celebrated. | 0:07:54 | 0:07:58 | |
You know, this painting is already worth a great deal more. | 0:07:58 | 0:08:01 | |
Bless, O Lord, this foison before us. | 0:08:06 | 0:08:09 | |
Make us ever mindful of the wants and needs of others. | 0:08:09 | 0:08:12 | |
Bless us all and keep us from harm, guide and direct us | 0:08:12 | 0:08:15 | |
through all our days. | 0:08:15 | 0:08:16 | |
And thank you, Lord, | 0:08:16 | 0:08:18 | |
for delivering my heart's treasure safely back home. | 0:08:18 | 0:08:23 | |
-Amen. -Amen. -Amen. -Amen. | 0:08:23 | 0:08:25 | |
You are well recovered, I hope, Mrs Ruskin. | 0:08:30 | 0:08:33 | |
We missed you at the wedding. | 0:08:33 | 0:08:35 | |
Yes, it was a shame you couldn't be there. | 0:08:35 | 0:08:37 | |
Never mind, it's all over now. | 0:08:37 | 0:08:39 | |
-You look a little thinner than last year, my dear. -I've been ill. | 0:08:42 | 0:08:47 | |
Father's difficulties have put a strain upon us all. | 0:08:47 | 0:08:50 | |
Well, that strain has gone. You will never want for money again. | 0:08:50 | 0:08:54 | |
You, however, my boy, are somewhat stouter than when you left. | 0:08:54 | 0:08:59 | |
-The Scotch air must have done you good. -Nonsense! | 0:08:59 | 0:09:01 | |
One cannot be well in Scotland. | 0:09:01 | 0:09:03 | |
Your cough will last you through the winter, will it not? | 0:09:03 | 0:09:06 | |
I am much improved. And stronger. | 0:09:06 | 0:09:10 | |
-I've even started painting again. -John drew me constantly. | 0:09:11 | 0:09:15 | |
He must have destroyed a fortune in paper and paint. | 0:09:15 | 0:09:19 | |
Who would not with such a subject? | 0:09:19 | 0:09:21 | |
For you, my dear, in welcome to our family. | 0:09:24 | 0:09:27 | |
One of my favourite pieces. | 0:09:29 | 0:09:31 | |
Which you may as well have now | 0:09:33 | 0:09:34 | |
since it would in any case be left to you when I die. | 0:09:34 | 0:09:37 | |
RUSKIN COUGHS | 0:09:48 | 0:09:51 | |
There, there, there! | 0:09:51 | 0:09:53 | |
Let HER. | 0:09:53 | 0:09:54 | |
You know what mothers are like. | 0:09:54 | 0:09:56 | |
-RUSKIN CLEARS HIS THROAT -Take a sip. | 0:09:58 | 0:10:01 | |
CROCKERY CLATTERS | 0:12:00 | 0:12:02 | |
WOMAN: Good morning, madam. | 0:12:02 | 0:12:04 | |
I trust you slept. | 0:12:04 | 0:12:06 | |
What would you like? | 0:12:08 | 0:12:09 | |
-Has everyone else already breakfasted? -Oh, yes, madam. | 0:12:09 | 0:12:12 | |
Seven o'clock every morning. | 0:12:12 | 0:12:15 | |
I was not told. | 0:12:16 | 0:12:19 | |
-I was so tired I did not hear John. -Not to worry, madam. | 0:12:19 | 0:12:23 | |
-Eggs? -Thank you. | 0:12:23 | 0:12:26 | |
-Oh, Anna? -Yes, madam? | 0:12:26 | 0:12:29 | |
Do you know where John...? | 0:12:29 | 0:12:31 | |
..where Mr Ruskin is? | 0:12:32 | 0:12:34 | |
Oh, he'll be working, madam. | 0:12:34 | 0:12:36 | |
FOOTSTEPS APPROACH | 0:13:28 | 0:13:30 | |
Effie... PENCIL FALLS | 0:13:37 | 0:13:39 | |
John. | 0:13:40 | 0:13:42 | |
I knew this must be where you work and I've... | 0:13:44 | 0:13:47 | |
Sorry, I broke it. | 0:13:50 | 0:13:51 | |
I can see. No matter. | 0:13:53 | 0:13:54 | |
Did you sleep? | 0:13:59 | 0:14:01 | |
I think you did. | 0:14:03 | 0:14:05 | |
I watched you. | 0:14:05 | 0:14:07 | |
Did you not sleep? You were so tired. | 0:14:07 | 0:14:09 | |
I did. | 0:14:09 | 0:14:11 | |
I did after a while. | 0:14:11 | 0:14:13 | |
What shall we do? | 0:14:15 | 0:14:16 | |
What do married people do? | 0:14:18 | 0:14:20 | |
I have as little idea as you. | 0:14:20 | 0:14:22 | |
But I think I must work, dearest. | 0:14:23 | 0:14:25 | |
I shall sit with you and read, then. | 0:14:44 | 0:14:46 | |
Dearest, you will be quite bored here. | 0:14:46 | 0:14:48 | |
Why don't you go and find Mama? | 0:14:50 | 0:14:52 | |
I think she needs help in the garden. | 0:14:52 | 0:14:54 | |
CLIPPERS SNIPPING | 0:14:57 | 0:14:59 | |
Good morning. | 0:15:05 | 0:15:07 | |
Good morning, my child. | 0:15:07 | 0:15:09 | |
I trust you slept? | 0:15:10 | 0:15:12 | |
Well, thank you. | 0:15:12 | 0:15:14 | |
And have you breakfasted? | 0:15:16 | 0:15:18 | |
I have, thank you. | 0:15:18 | 0:15:20 | |
-John said you needed help. -Me? Oh, no, no, no. | 0:15:21 | 0:15:24 | |
I never let anyone touch my roses, John knows that. | 0:15:24 | 0:15:27 | |
Oh. | 0:15:28 | 0:15:29 | |
Well, I shall go and help John. | 0:15:31 | 0:15:33 | |
SHE SCOFFS | 0:15:33 | 0:15:34 | |
Help him?! | 0:15:35 | 0:15:37 | |
With his work. | 0:15:37 | 0:15:39 | |
You cannot help him with his work. | 0:15:39 | 0:15:41 | |
I can take notes. | 0:15:42 | 0:15:44 | |
I can sharpen his pencils, I can... | 0:15:44 | 0:15:46 | |
My dear... | 0:15:46 | 0:15:47 | |
..you have married no ordinary man. | 0:15:48 | 0:15:51 | |
And the best way, the only way, | 0:15:53 | 0:15:56 | |
in which you can help him | 0:15:56 | 0:15:58 | |
is by leaving him alone. | 0:15:58 | 0:15:59 | |
Leaving him alone? | 0:16:00 | 0:16:02 | |
But we're only just married. | 0:16:03 | 0:16:05 | |
John being able to work undisturbed and unfettered | 0:16:05 | 0:16:09 | |
affords him the best chance of establishing his name. | 0:16:09 | 0:16:12 | |
And you, of course, | 0:16:12 | 0:16:13 | |
want the best position in society that you can reach. | 0:16:13 | 0:16:16 | |
Then what am I to do? | 0:16:18 | 0:16:19 | |
Well, I've always found great comfort in my roses. | 0:16:19 | 0:16:23 | |
And my Bible. | 0:16:24 | 0:16:26 | |
'Sir, I believe these young artists to be | 0:16:37 | 0:16:39 | |
'at a most critical period of their career, at a turning point | 0:16:39 | 0:16:42 | |
'from which they may either sink into nothingness | 0:16:42 | 0:16:45 | |
'or rise to very real greatness. | 0:16:45 | 0:16:47 | |
'Their path will depend upon the character of the criticism | 0:16:49 | 0:16:51 | |
'which their works have to sustain.' | 0:16:51 | 0:16:53 | |
We'll be late. | 0:16:56 | 0:16:58 | |
Marriage, dear boy, is all about learning how to wait. | 0:16:58 | 0:17:01 | |
She's ready. | 0:17:03 | 0:17:05 | |
Time for a little word, I think. | 0:17:22 | 0:17:24 | |
MUFFLED DEBATE | 0:17:50 | 0:17:53 | |
We're trying to find a...truth, | 0:17:58 | 0:18:01 | |
and the simplicity from an earlier time... | 0:18:01 | 0:18:04 | |
..an integrity that I think is lost now. | 0:18:06 | 0:18:09 | |
MUFFLED CONVERSATION CONTINUES | 0:18:12 | 0:18:14 | |
The general public... | 0:18:14 | 0:18:15 | |
..we lead the Academy into disrepute. | 0:18:16 | 0:18:19 | |
It must not and will not be allowed. | 0:18:19 | 0:18:21 | |
There is no place, sir, no place for these offensive | 0:18:21 | 0:18:25 | |
and deformed productions upon the hallowed walls | 0:18:25 | 0:18:28 | |
-of this great institution. -Gentlemen, please. | 0:18:28 | 0:18:31 | |
If this most interesting discussion can continue at the table. | 0:18:32 | 0:18:36 | |
Lady Eastlake. | 0:18:43 | 0:18:44 | |
And I say that it is incumbent upon you, Sir Charles, | 0:18:50 | 0:18:54 | |
as president of this academy, to protect us from this ugliness, | 0:18:54 | 0:18:59 | |
the confusion. | 0:18:59 | 0:19:00 | |
Take down the paintings before the opening, I implore you. | 0:19:00 | 0:19:03 | |
Do not indulge them, sir. | 0:19:03 | 0:19:05 | |
They are nothing more childish mountebanks and amateur... | 0:19:05 | 0:19:07 | |
Remove them, sir. Remove them, they disgrace these walls. | 0:19:07 | 0:19:11 | |
Gentlemen, please, please. | 0:19:11 | 0:19:13 | |
Thank you. | 0:19:14 | 0:19:16 | |
-Now... -RUSKIN: What is the purpose of art? | 0:19:16 | 0:19:18 | |
Well, really! | 0:19:18 | 0:19:19 | |
What is the purpose of art? | 0:19:23 | 0:19:24 | |
To idealise, to sentimentalise? No. | 0:19:25 | 0:19:30 | |
-Of course not. -The purpose of art is to reveal the truth. | 0:19:30 | 0:19:34 | |
The purpose of art is to reveal God. | 0:19:35 | 0:19:37 | |
And not through caricature. | 0:19:37 | 0:19:39 | |
-Not through ugliness. -Let him speak. -There's the nub. | 0:19:39 | 0:19:41 | |
-It should be through beauty. -Let us hear what he has to say. | 0:19:41 | 0:19:44 | |
If God is the creator of nature, | 0:19:44 | 0:19:46 | |
then God is also the creator of decay, of disease, of ugliness. | 0:19:46 | 0:19:50 | |
MURMURS OF DISAPPROVAL | 0:19:50 | 0:19:52 | |
I-I cannot deny that Mr Hunt's Sylvia is not a person with whom Proteus | 0:19:52 | 0:19:57 | |
or anyone else for that matter is likely to fall in love, but... | 0:19:57 | 0:20:00 | |
LAUGHTER ..truthfulness, honesty, | 0:20:00 | 0:20:03 | |
these are more important than mere conventional beauty. | 0:20:03 | 0:20:07 | |
Do you understand? He was painting what he saw. | 0:20:07 | 0:20:10 | |
But what do you see, Mr Ruskin? | 0:20:10 | 0:20:12 | |
Tell us what you see. | 0:20:12 | 0:20:14 | |
I see nothing less than eternal truths. | 0:20:16 | 0:20:18 | |
I see God. | 0:20:20 | 0:20:21 | |
And these men, these... | 0:20:23 | 0:20:24 | |
..visionary men... | 0:20:25 | 0:20:27 | |
..I see a school of art nobler than the world has produced in 300 years. | 0:20:28 | 0:20:33 | |
SCOFFING AND MUTTERING Ridiculous! | 0:20:33 | 0:20:35 | |
-They are imitators. -Medieval copyists. | 0:20:35 | 0:20:38 | |
-Mr Ruskin. -..exactly what they are! | 0:20:38 | 0:20:40 | |
Do you think their painting pleases God? | 0:20:42 | 0:20:45 | |
All great art... | 0:20:48 | 0:20:49 | |
..praises God. | 0:20:51 | 0:20:53 | |
If his own nature pleases him, then it follows, | 0:20:57 | 0:21:01 | |
so must we. | 0:21:01 | 0:21:02 | |
I must confess to finding this addiction an antique style | 0:21:04 | 0:21:07 | |
backward-looking. | 0:21:07 | 0:21:08 | |
THEY CONTINUE TO ARGUE Well done, my dear. | 0:21:08 | 0:21:10 | |
That was an interesting question and bravely spoken. | 0:21:10 | 0:21:14 | |
Never mind God - what do you think of their daubs? | 0:21:14 | 0:21:17 | |
I don't know what I think. | 0:21:18 | 0:21:20 | |
-That's exactly what I see... -I just like them. | 0:21:20 | 0:21:23 | |
ARGUING CONTINUES | 0:21:23 | 0:21:24 | |
-They make me feel happy. -Do you know, | 0:21:24 | 0:21:27 | |
I cannot remember the last time I felt happy in this place. | 0:21:27 | 0:21:31 | |
Ghastly collection of self-congratulatory males. | 0:21:31 | 0:21:34 | |
It was such a relief to hear an intelligent female voice. | 0:21:34 | 0:21:38 | |
How do you do? I am Ef... | 0:21:38 | 0:21:40 | |
-I mean, Mrs John Ruskin. -I know who you are. | 0:21:42 | 0:21:45 | |
But who are you when you are not Mrs John Ruskin? I am Elizabeth. | 0:21:45 | 0:21:48 | |
I am Ef... | 0:21:48 | 0:21:50 | |
-I mean, Euphemia. -Sad business, isn't it? | 0:21:50 | 0:21:52 | |
Having to lose your own name | 0:21:52 | 0:21:53 | |
and then taking your husband's Christian name into the bargain. | 0:21:53 | 0:21:56 | |
Fortunately, I do not have that cross to bear. | 0:21:56 | 0:21:58 | |
Why is that? | 0:21:58 | 0:22:00 | |
-Well... -Lady Eastlake. -Thank you. | 0:22:00 | 0:22:02 | |
-Your husband is... -President of the Academy, yes. Thank you. | 0:22:03 | 0:22:06 | |
He absolutely hates the pictures, by the way, | 0:22:06 | 0:22:09 | |
but he respects your husband's opinions, as I respect yours. | 0:22:09 | 0:22:13 | |
You must have us to dine. | 0:22:13 | 0:22:14 | |
Good, well, I shall hold you to it. | 0:22:17 | 0:22:18 | |
It sounds as if it went well. | 0:22:20 | 0:22:21 | |
As well as can be expected. | 0:22:21 | 0:22:24 | |
-They have agreed to leave the paintings in place, at least. -Oh! | 0:22:24 | 0:22:27 | |
Lady Eastlake was so kind. | 0:22:29 | 0:22:30 | |
And I didn't even know who she was at first. | 0:22:30 | 0:22:33 | |
-Lady Eastlake? -John, congratulations. | 0:22:33 | 0:22:35 | |
You've won the fight. | 0:22:35 | 0:22:37 | |
You must be proud, surely. | 0:22:37 | 0:22:39 | |
I can scarcely tell. | 0:22:39 | 0:22:41 | |
All I know for certain is it will take me three days to recover. | 0:22:41 | 0:22:44 | |
There are so many demands on you from all sides, I'm sure. | 0:22:44 | 0:22:49 | |
Everyone always wanting something. | 0:22:49 | 0:22:51 | |
Intolerable for you, my darling. | 0:22:51 | 0:22:53 | |
My heart's treasure. Come on. | 0:22:53 | 0:22:56 | |
Oh, I forgot to say. | 0:22:56 | 0:22:58 | |
Lady Eastlake has asked us to invite them to dine here. | 0:23:01 | 0:23:03 | |
Dine here? | 0:23:05 | 0:23:07 | |
The Eastlakes? | 0:23:07 | 0:23:08 | |
John. | 0:23:15 | 0:23:18 | |
Yes? | 0:23:18 | 0:23:19 | |
We're not poor, are we? | 0:23:20 | 0:23:23 | |
Poor? | 0:23:23 | 0:23:24 | |
Not remotely. | 0:23:25 | 0:23:27 | |
What on Earth made you ask? | 0:23:27 | 0:23:29 | |
I'm just making sure of something. | 0:23:29 | 0:23:32 | |
What's that mean? | 0:23:32 | 0:23:33 | |
That we are not too poor to have children. | 0:23:34 | 0:23:36 | |
You are but a child yourself yet. | 0:23:37 | 0:23:40 | |
I am not. | 0:23:40 | 0:23:41 | |
I am not a child. | 0:23:43 | 0:23:44 | |
I am a married woman. | 0:23:44 | 0:23:46 | |
-And when we live together as husband and wife... -We are husband and wife. | 0:23:48 | 0:23:52 | |
I know, but alone. | 0:23:52 | 0:23:54 | |
I know I shall love to keep house for you, | 0:23:54 | 0:23:56 | |
our own house, | 0:23:56 | 0:23:58 | |
with a good-sized nursery, | 0:23:58 | 0:24:00 | |
in town, to attain some hold of good society. | 0:24:00 | 0:24:03 | |
I'll be in charge of all our domestic matters. | 0:24:04 | 0:24:06 | |
I'll become the wife that you desire. | 0:24:11 | 0:24:13 | |
FABRIC TEARS | 0:24:48 | 0:24:50 | |
Can I help you, madam? | 0:25:06 | 0:25:08 | |
Yes, Anna, thank you. | 0:25:08 | 0:25:09 | |
I was looking for needle and thread for John's shirt. | 0:25:09 | 0:25:12 | |
-It needs mending. -Oh, I'm sorry, madam. | 0:25:12 | 0:25:16 | |
I don't know how I could have missed that. | 0:25:16 | 0:25:18 | |
-Leave it here, I'll do it right aways. -I will do it. | 0:25:18 | 0:25:21 | |
Madam, it has always been my job to do young Mr Ruskin's mending. | 0:25:22 | 0:25:26 | |
Not any more. | 0:25:26 | 0:25:28 | |
I am his wife. | 0:25:29 | 0:25:31 | |
I shall look after his things. | 0:25:31 | 0:25:33 | |
-I... -Thank you, Anna. | 0:25:34 | 0:25:35 | |
As you wish, madam. | 0:25:38 | 0:25:39 | |
FOOTSTEPS APPROACH | 0:25:43 | 0:25:46 | |
DOOR BANGS | 0:25:46 | 0:25:47 | |
Ah, my dear. | 0:25:47 | 0:25:49 | |
I'm quite an expert mender. | 0:25:51 | 0:25:53 | |
John's shirt will be as good as new. | 0:25:53 | 0:25:55 | |
If Mama ever needed anything mending, socks, baby's napkins, | 0:25:56 | 0:26:01 | |
I was always the one she asked. | 0:26:01 | 0:26:03 | |
John does not wear baby's napkins. | 0:26:03 | 0:26:05 | |
No. | 0:26:07 | 0:26:08 | |
I know that. | 0:26:08 | 0:26:10 | |
-Of course not, I just meant... -My dear, I'm sure you mean well... | 0:26:10 | 0:26:13 | |
but do not insult us by suggesting | 0:26:13 | 0:26:15 | |
that we would make our son wear darned socks. | 0:26:15 | 0:26:19 | |
You forget where you are. | 0:26:19 | 0:26:22 | |
No, of course not. Forgive me. | 0:26:22 | 0:26:24 | |
And you forget who you are. | 0:26:24 | 0:26:26 | |
Anna! | 0:26:31 | 0:26:33 | |
Argh! | 0:26:46 | 0:26:47 | |
John? | 0:27:24 | 0:27:26 | |
Mrs Ruskin says you should take this. | 0:28:27 | 0:28:29 | |
-What is it? -Messes. | 0:28:31 | 0:28:33 | |
She swears by it. | 0:28:34 | 0:28:36 | |
What's in it? | 0:28:36 | 0:28:38 | |
I do not know, madam. | 0:28:38 | 0:28:40 | |
She means to poison me. | 0:28:43 | 0:28:45 | |
I will not take it. | 0:28:45 | 0:28:47 | |
Mrs Ruskin was most determined. | 0:28:47 | 0:28:49 | |
Lady Eastlake, Sir Charles. | 0:29:18 | 0:29:21 | |
You honour us. | 0:29:23 | 0:29:24 | |
I have been trying unsuccessfully to congratulate your son | 0:29:24 | 0:29:28 | |
on his wonderful new writings. | 0:29:28 | 0:29:30 | |
Which are no more than a wretched rant. | 0:29:30 | 0:29:33 | |
And of course, John, | 0:29:33 | 0:29:34 | |
we're here to congratulate you on your fascinating new wife. | 0:29:34 | 0:29:38 | |
Well, new to me at any rate. Where is she? | 0:29:38 | 0:29:41 | |
Did I shock her so profoundly when we first met? | 0:29:44 | 0:29:47 | |
Would you excuse me? | 0:29:47 | 0:29:49 | |
Of course. | 0:29:51 | 0:29:53 | |
Why is she not dressed? | 0:29:58 | 0:30:00 | |
You will get up and dress - now! | 0:30:01 | 0:30:03 | |
I'm ill. My head. | 0:30:04 | 0:30:06 | |
You are not ill, you are just peevish. | 0:30:06 | 0:30:09 | |
You've had your medicine, now get up. | 0:30:09 | 0:30:11 | |
She will be dressed and downstairs in five minutes | 0:30:11 | 0:30:14 | |
or I will want to know the reason why. | 0:30:14 | 0:30:17 | |
DOOR SLAMS | 0:30:18 | 0:30:20 | |
DISTANT CHATTER AND LAUGHTER | 0:30:22 | 0:30:25 | |
Ah, Euphemia, there you are. | 0:30:33 | 0:30:36 | |
My dear girl, what on Earth is the matter? You're white to the teeth. | 0:30:36 | 0:30:40 | |
No. | 0:30:40 | 0:30:42 | |
Indeed I am very well. | 0:30:42 | 0:30:43 | |
Come, sit down. | 0:30:45 | 0:30:47 | |
Sir Charles was just telling us about the excellent response | 0:30:49 | 0:30:52 | |
to John's new book, Euphemia. | 0:30:52 | 0:30:54 | |
Do continue, Sir Charles. | 0:30:54 | 0:30:56 | |
Well, as I say, the reaction's been overwhelming. | 0:30:56 | 0:30:59 | |
It's been called the greatest teacher of our day. | 0:30:59 | 0:31:02 | |
Forgive me, Charles, but this girl does not need to hear about | 0:31:02 | 0:31:06 | |
her husband's triumph just now, | 0:31:06 | 0:31:08 | |
what she needs is a cup of beef tea and bed. | 0:31:08 | 0:31:10 | |
Do you think so? | 0:31:10 | 0:31:12 | |
Euphemia, dear, are you so very ill? | 0:31:12 | 0:31:14 | |
If you'll excuse me. Come, come. Come. | 0:31:22 | 0:31:26 | |
It's just a headache, your ladyship. | 0:31:35 | 0:31:37 | |
I'm so very sorry. | 0:31:37 | 0:31:38 | |
It is just the married life more like. | 0:31:38 | 0:31:41 | |
Tell me, Effie... | 0:31:42 | 0:31:45 | |
do you have anyone to talk to? | 0:31:45 | 0:31:46 | |
I keep thinking I've made a terrible mistake. | 0:31:49 | 0:31:51 | |
I thought so too at the beginning of my marriage. | 0:31:55 | 0:31:58 | |
Beginnings are always difficult, my dear. | 0:32:00 | 0:32:03 | |
But we have not yet begun. | 0:32:03 | 0:32:05 | |
They won't let us. | 0:32:05 | 0:32:07 | |
You will not always live here. | 0:32:07 | 0:32:10 | |
This is a temporary arrangement, surely. | 0:32:10 | 0:32:12 | |
They want him here, I'm sure of that. | 0:32:12 | 0:32:15 | |
They've always had him to themselves. | 0:32:15 | 0:32:19 | |
Did you know that they would not even let him play | 0:32:19 | 0:32:21 | |
with other children when he was little? | 0:32:21 | 0:32:23 | |
She took rooms near him at university | 0:32:23 | 0:32:25 | |
and they saw each other everyday. | 0:32:25 | 0:32:28 | |
She'll never let him away from her. | 0:32:28 | 0:32:30 | |
My dear child, it is unreasonable | 0:32:31 | 0:32:34 | |
for the pair of you not to have a home of your own. | 0:32:34 | 0:32:37 | |
-Thank you for being so kind to me. -Oh, there, there now. | 0:32:38 | 0:32:41 | |
You are a strong, wise girl and you will bear up. | 0:32:41 | 0:32:45 | |
But I must ask you to banish all thoughts | 0:32:45 | 0:32:48 | |
of having made a mistake from your mind. | 0:32:48 | 0:32:50 | |
But what if I have? | 0:32:50 | 0:32:52 | |
Then I'm sorry to say, my dear, | 0:32:53 | 0:32:54 | |
it is a mistake you will have to live with, there is no going back. | 0:32:54 | 0:32:59 | |
No. | 0:32:59 | 0:33:01 | |
No, of course not. | 0:33:01 | 0:33:03 | |
Of course... | 0:33:05 | 0:33:07 | |
you know what will set everything to rights quite naturally. | 0:33:07 | 0:33:11 | |
Children. | 0:33:11 | 0:33:13 | |
They are the glue that binds all marriages. | 0:33:13 | 0:33:16 | |
-Can you ever forgive me? -Of course. | 0:33:25 | 0:33:29 | |
But if you ever take me there again, I'll have you thrown in the Thames. | 0:33:29 | 0:33:32 | |
LADY EASTLAKE LAUGHS | 0:33:32 | 0:33:36 | |
Hup! | 0:33:37 | 0:33:39 | |
DOOR OPENS | 0:33:52 | 0:33:54 | |
Your poor mother is in floods! | 0:34:01 | 0:34:03 | |
There was nothing I could do. | 0:34:03 | 0:34:05 | |
God knows we have protected you with every sinew in our bodies | 0:34:05 | 0:34:09 | |
from childhood, from all the obstructions that | 0:34:09 | 0:34:11 | |
might've prevented your unique talent from emerging to the full! | 0:34:11 | 0:34:14 | |
And you succeeded. | 0:34:14 | 0:34:16 | |
And every talent, however unique, needs its patrons | 0:34:16 | 0:34:19 | |
and tonight, for the first time... | 0:34:19 | 0:34:22 | |
..the president of the academy himself, | 0:34:24 | 0:34:26 | |
the greatest patron any man of the arts could wish for, | 0:34:26 | 0:34:30 | |
graces our house... | 0:34:30 | 0:34:32 | |
Your wife is unable or unwilling to make the effort required | 0:34:32 | 0:34:37 | |
to make it a success. | 0:34:37 | 0:34:39 | |
Well, careers have foundered on less, John! | 0:34:39 | 0:34:42 | |
I'm sorry to be a disappointment to you both. | 0:34:42 | 0:34:45 | |
You were warned about that girl, | 0:34:53 | 0:34:55 | |
yet you chose to follow your own path. | 0:34:55 | 0:34:58 | |
Well, it's up to you to ensure that this does not lead to | 0:34:58 | 0:35:01 | |
the destruction of everything we have wished for you. | 0:35:01 | 0:35:05 | |
-You look sad. You didn't actually want coffee, did you? -No! | 0:35:12 | 0:35:16 | |
No, no, it was just... | 0:35:16 | 0:35:18 | |
It's that poor child I was interested in seeing and she's not happy. | 0:35:18 | 0:35:23 | |
No more were you at the beginning. | 0:35:23 | 0:35:26 | |
That's exactly what I told her. | 0:35:26 | 0:35:28 | |
-Very grim you were. -Well, you were pompous. -True. | 0:35:28 | 0:35:31 | |
-And distant. -Mm. | 0:35:31 | 0:35:32 | |
This is...something more complicated. | 0:35:35 | 0:35:39 | |
Somehow she has to get him away from their clutches. | 0:35:39 | 0:35:44 | |
-My heavens, you make them sound like dragons in a fairytale. -Do I? | 0:35:44 | 0:35:47 | |
I don't mean to but... | 0:35:47 | 0:35:49 | |
perhaps that's not so far from the truth. | 0:35:49 | 0:35:52 | |
What was it he was saying to you about Venice? | 0:35:52 | 0:35:55 | |
Well, he's not taking his parents, I hope. | 0:35:55 | 0:35:58 | |
THEY LAUGH | 0:35:58 | 0:36:01 | |
John... | 0:36:27 | 0:36:29 | |
thank you for bringing us here. | 0:36:29 | 0:36:31 | |
Lady Eastlake told me I will answer to her for... | 0:36:48 | 0:36:52 | |
SHE SPEAKS ITALIAN | 0:36:52 | 0:36:54 | |
We are to look after you. | 0:36:54 | 0:36:57 | |
Essato. | 0:36:57 | 0:36:58 | |
-Grazie, thank you sir. -You are most kind, Contessa. | 0:36:58 | 0:37:01 | |
Oh, not kind. | 0:37:01 | 0:37:04 | |
It's not often that you have new blood here. | 0:37:04 | 0:37:07 | |
I'm going to send letters. | 0:37:07 | 0:37:10 | |
You'd be invited to every party. | 0:37:10 | 0:37:13 | |
I can see... | 0:37:14 | 0:37:17 | |
you don't like party. | 0:37:17 | 0:37:19 | |
I am in Venice to work. | 0:37:19 | 0:37:22 | |
To write a new book. | 0:37:22 | 0:37:24 | |
I detest parties. | 0:37:24 | 0:37:26 | |
In fact, it is impossible for me to go into company without injury. | 0:37:26 | 0:37:30 | |
My wife will be the hostess for them. | 0:37:31 | 0:37:34 | |
-No. -No? | 0:37:43 | 0:37:44 | |
Perfetto. | 0:37:59 | 0:38:00 | |
What? What's everyone saying? | 0:38:00 | 0:38:02 | |
They are saying that your husband disapproves of pleasure | 0:38:04 | 0:38:07 | |
but that you do not. | 0:38:07 | 0:38:09 | |
CHURCH BELLS RING | 0:38:13 | 0:38:15 | |
LAUGHTER | 0:38:18 | 0:38:21 | |
Say you would like to buy some cheese. | 0:38:23 | 0:38:26 | |
Vorrei comprare del formaggio. | 0:38:26 | 0:38:28 | |
Vorrei comprare del formaggio. | 0:38:28 | 0:38:30 | |
-Brava. -Wonderful. | 0:38:30 | 0:38:33 | |
Your accent is divine. Say it again. | 0:38:33 | 0:38:36 | |
Vorrei comprare del formaggio. | 0:38:36 | 0:38:39 | |
Again, again. | 0:38:39 | 0:38:40 | |
Vorrei comprare del formaggio. | 0:38:40 | 0:38:43 | |
E meravigliosa, eh, mamma? | 0:38:43 | 0:38:45 | |
Grazie. | 0:39:00 | 0:39:01 | |
Eh? Ah, si. | 0:39:03 | 0:39:05 | |
Up you go. | 0:39:33 | 0:39:34 | |
Not one eye, | 0:39:49 | 0:39:52 | |
lifted to this splendour. | 0:39:52 | 0:39:54 | |
Look at this. | 0:39:57 | 0:39:58 | |
It is like the wind itself could have chiselled it. | 0:39:59 | 0:40:03 | |
Look how tenderly... | 0:40:03 | 0:40:04 | |
And that one... | 0:40:05 | 0:40:06 | |
..is utterly different to this one. | 0:40:08 | 0:40:10 | |
-The variety itself is joyful, is it not? -Yes. | 0:40:10 | 0:40:13 | |
Well, look down there. | 0:40:14 | 0:40:16 | |
What do you see? | 0:40:17 | 0:40:18 | |
It's very beautiful... | 0:40:20 | 0:40:21 | |
..but in a regular way. | 0:40:23 | 0:40:25 | |
A uniform way. | 0:40:26 | 0:40:28 | |
It's like a world where all the trees are the same shape, | 0:40:28 | 0:40:31 | |
all the clouds the same size | 0:40:31 | 0:40:33 | |
and all the people say the same thing, over and over again. | 0:40:33 | 0:40:36 | |
It's perfectly executed, but... | 0:40:38 | 0:40:40 | |
..entirely devoid of this... | 0:40:41 | 0:40:43 | |
..beautiful imperfection. | 0:40:44 | 0:40:46 | |
If imperfection is your ideal... | 0:40:48 | 0:40:49 | |
..then you must think me very beautiful. | 0:40:51 | 0:40:53 | |
BELL TOLLS | 0:40:55 | 0:40:58 | |
DOOR OPENS | 0:41:27 | 0:41:29 | |
DOOR CREAKS | 0:41:33 | 0:41:34 | |
Look what I found. | 0:42:01 | 0:42:02 | |
Over half a life ago. | 0:42:08 | 0:42:09 | |
Do you remember? | 0:42:11 | 0:42:12 | |
'Why is she turning into a tree?' | 0:42:20 | 0:42:22 | |
She is the nymph, Daphne. | 0:42:24 | 0:42:27 | |
He is the god, Apollo. | 0:42:27 | 0:42:30 | |
He wants her, with an overwhelming desire. | 0:42:30 | 0:42:33 | |
He wants to possess her purity... | 0:42:33 | 0:42:35 | |
..but she does not want him... | 0:42:36 | 0:42:38 | |
..and turns herself into a laurel tree, in order to escape. | 0:42:40 | 0:42:43 | |
That's a clever trick. | 0:42:43 | 0:42:46 | |
It is. Nymphs are very clever. | 0:42:46 | 0:42:48 | |
VOICES CHATTER | 0:43:09 | 0:43:12 | |
LAUGHTER | 0:43:16 | 0:43:18 | |
It's much more difficult than it looks. | 0:43:36 | 0:43:39 | |
Help me. | 0:43:44 | 0:43:45 | |
No, don't. | 0:43:45 | 0:43:46 | |
You're already working? | 0:44:09 | 0:44:10 | |
Of course. | 0:44:10 | 0:44:11 | |
Did you enjoy the ball? | 0:44:13 | 0:44:14 | |
I did. | 0:44:14 | 0:44:16 | |
I danced and danced. | 0:44:16 | 0:44:19 | |
You bloom... | 0:44:19 | 0:44:20 | |
I would perish. | 0:44:20 | 0:44:22 | |
What will your book say? | 0:44:30 | 0:44:32 | |
It will say that Venice was once the most glorious... | 0:44:36 | 0:44:40 | |
truest... | 0:44:40 | 0:44:42 | |
most chaste pearl... | 0:44:42 | 0:44:44 | |
..like Adam's Eve. | 0:44:45 | 0:44:47 | |
But that now she has fallen from that grace | 0:44:47 | 0:44:50 | |
and her dissipation and corruption... | 0:44:50 | 0:44:53 | |
almost complete. | 0:44:53 | 0:44:54 | |
What do you mean? | 0:44:57 | 0:44:58 | |
I mean that once, she was a virgin... | 0:44:59 | 0:45:02 | |
..and now, she is a harlot, | 0:45:03 | 0:45:05 | |
addicted to nothing but pleasure and the voluptuousness. | 0:45:05 | 0:45:09 | |
A beautiful harlot... | 0:45:09 | 0:45:11 | |
..but a harlot, nonetheless. | 0:45:12 | 0:45:14 | |
You see that? | 0:46:33 | 0:46:35 | |
They are talking about us. | 0:46:35 | 0:46:38 | |
I call them "the whisperers". | 0:46:38 | 0:46:39 | |
Our dancing will be all the news on the Rialto this morning. | 0:46:43 | 0:46:47 | |
I hope your husband is prepared. | 0:46:48 | 0:46:50 | |
My husband cannot hear whispers - | 0:46:50 | 0:46:53 | |
he is so far above them. | 0:46:53 | 0:46:55 | |
And I never forget my duty to him, not for an instant. | 0:46:55 | 0:46:59 | |
Anyway... | 0:46:59 | 0:47:01 | |
I have no talent whatever for intrigue. | 0:47:01 | 0:47:03 | |
No... | 0:47:31 | 0:47:33 | |
Bien. | 0:47:34 | 0:47:36 | |
No. | 0:47:49 | 0:47:51 | |
No! | 0:47:51 | 0:47:53 | |
No, stop, stop... | 0:47:53 | 0:47:55 | |
HE BREATHES HEAVILY | 0:47:58 | 0:48:00 | |
THUD | 0:48:12 | 0:48:13 | |
SHE GASPS | 0:48:13 | 0:48:15 | |
Let's play. | 0:48:19 | 0:48:21 | |
Effie! | 0:48:32 | 0:48:34 | |
SHE PANTS | 0:49:22 | 0:49:24 | |
Are you back already? | 0:49:40 | 0:49:41 | |
Yes. | 0:49:42 | 0:49:44 | |
I was tired. | 0:49:44 | 0:49:46 | |
Why don't you lie down? | 0:49:46 | 0:49:48 | |
I will. | 0:49:49 | 0:49:51 | |
BELLS TOLL AND ECHO | 0:50:02 | 0:50:05 | |
EFFIE SCREAMS | 0:50:30 | 0:50:31 | |
Mr Ruskin? | 0:50:53 | 0:50:56 | |
Do you by any chance happen to know | 0:50:56 | 0:50:57 | |
what was in that treatment of your mother's? | 0:50:57 | 0:51:00 | |
I do not. She swears by them, always has done. | 0:51:00 | 0:51:03 | |
Mm-hmm. Well, I think there's laudanum in them - | 0:51:03 | 0:51:06 | |
it's a perfectly sensible treatment. | 0:51:06 | 0:51:08 | |
But in this case... | 0:51:09 | 0:51:11 | |
How long has she been unwell for? | 0:51:16 | 0:51:19 | |
Almost constantly. | 0:51:19 | 0:51:21 | |
A never-ending succession of minor ailments. | 0:51:21 | 0:51:24 | |
This particular one... | 0:51:25 | 0:51:28 | |
came to a head a few months ago. | 0:51:28 | 0:51:31 | |
Came to a head? And how was it manifested? | 0:51:31 | 0:51:34 | |
Hysteria, seeing things... | 0:51:34 | 0:51:36 | |
..growing upon her person. | 0:51:38 | 0:51:40 | |
Such as? | 0:51:40 | 0:51:41 | |
Mere phantasms of a disordered brain, doctor, I hardly think... | 0:51:41 | 0:51:44 | |
Nevertheless, such as? | 0:51:44 | 0:51:45 | |
Organic matter. | 0:51:47 | 0:51:49 | |
Bark. | 0:51:50 | 0:51:52 | |
Tree bark? | 0:51:52 | 0:51:53 | |
Just so. | 0:51:53 | 0:51:54 | |
Interesting. | 0:51:54 | 0:51:56 | |
Well, it's undoubtedly a nervous complaint. | 0:51:57 | 0:52:01 | |
That would account for the hair loss. | 0:52:01 | 0:52:03 | |
Hair loss? | 0:52:03 | 0:52:05 | |
Have you not noticed? | 0:52:05 | 0:52:06 | |
Here... | 0:52:08 | 0:52:09 | |
..and here. | 0:52:12 | 0:52:13 | |
I recommend the following - | 0:52:18 | 0:52:19 | |
fresh air, exercise, | 0:52:19 | 0:52:21 | |
a wholesome environment... | 0:52:21 | 0:52:23 | |
Perhaps away from the influence of the elder Mrs Ruskin. | 0:52:23 | 0:52:27 | |
She's Scottish by birth, I hear? | 0:52:28 | 0:52:31 | |
Aha. Well, perhaps sometime in her native land might be beneficial. | 0:52:33 | 0:52:37 | |
I prescribe... | 0:52:38 | 0:52:40 | |
An iron tonic for her... | 0:52:40 | 0:52:43 | |
-..and for you... -There's nothing wrong with me. | 0:52:43 | 0:52:45 | |
For you, | 0:52:45 | 0:52:46 | |
I prescribe a sharper eye and a keener ear. | 0:52:46 | 0:52:49 | |
In my opinion, there's nothing wrong with your wife... | 0:52:51 | 0:52:54 | |
..that simple love and attention will not cure. | 0:52:55 | 0:52:58 | |
SHE GASPS | 0:53:46 | 0:53:48 | |
THUNDER ROLLS | 0:53:59 | 0:54:03 | |
What are you looking at? | 0:54:39 | 0:54:41 | |
Nothing. | 0:54:43 | 0:54:44 | |
What are you thinking of, then? | 0:54:47 | 0:54:50 | |
A great many things. | 0:54:52 | 0:54:53 | |
I was thinking of dancing... | 0:54:58 | 0:55:02 | |
and excitement. | 0:55:02 | 0:55:04 | |
And a great many things. | 0:55:07 | 0:55:09 | |
THUNDER ROLLS | 0:55:11 | 0:55:14 | |
Wh...? | 0:55:39 | 0:55:40 | |
SHE PANTS | 0:55:40 | 0:55:42 | |
Ooh, Mr Millais. Hello. | 0:56:13 | 0:56:15 | |
I've not seen you grace these halls for some time. | 0:56:15 | 0:56:18 | |
Are you well? You ought to be | 0:56:18 | 0:56:20 | |
and I feel great success for which may I congratulate you heartily? | 0:56:20 | 0:56:25 | |
Thank you, Your Ladyship. I am thriving. | 0:56:25 | 0:56:28 | |
-Thriving and painting? -Oh, yes. In fact, I'm recently commissioned. | 0:56:28 | 0:56:31 | |
-Oh, good, that is good. -It is. | 0:56:31 | 0:56:34 | |
I'm proud to say that I'm to paint our champion himself. | 0:56:34 | 0:56:38 | |
-I'm to paint Mr Ruskin. -Mr Ruskin? Really? | 0:56:38 | 0:56:41 | |
I can hardly believe my luck. | 0:56:41 | 0:56:43 | |
-We are to depart for Scotland shortly. -Scotland? | 0:56:43 | 0:56:46 | |
-Yes, his wife is from there, you know? -I did know, I did know, yes. | 0:56:46 | 0:56:50 | |
-How is she? -Well. | 0:56:50 | 0:56:52 | |
At least I do not know, | 0:56:52 | 0:56:54 | |
I believe we are to go there for the sake of her health. | 0:56:54 | 0:56:57 | |
Scotland? | 0:56:59 | 0:57:01 | |
Ah. | 0:58:14 | 0:58:16 | |
Get ready. | 0:58:16 | 0:58:17 | |
Oh, damn. | 0:58:19 | 0:58:21 | |
Fear not, brave companions. Breakfast is at hand. | 0:58:25 | 0:58:31 | |
-Don't move. -What? -No, no, I mean it, don't move. | 0:58:32 | 0:58:37 | |
That light. That's the light I want. | 0:58:38 | 0:58:42 | |
I'm not posing in the middle of a Scottish loch, Everett. | 0:58:43 | 0:58:46 | |
No, but that angle, exactly that angle and water | 0:58:46 | 0:58:50 | |
and exactly that light. | 0:58:50 | 0:58:52 | |
Excellent. Can I put my shoes on now? | 0:58:53 | 0:58:57 | |
You may. | 0:58:57 | 0:58:58 | |
It really is very good of you to come, Everett. You've no idea. | 0:59:02 | 0:59:07 | |
Perhaps you have. You can see. | 0:59:09 | 0:59:12 | |
Good of me? | 0:59:15 | 0:59:17 | |
But for your belief in me, I'd still be starving in my garret. | 0:59:17 | 0:59:21 | |
Added to which, your father is paying me handsomely for this. | 0:59:21 | 0:59:25 | |
THEY CHUCKLE | 0:59:25 | 0:59:27 | |
Euclid, Everett? | 0:59:31 | 0:59:33 | |
Essential. | 0:59:34 | 0:59:36 | |
You will start by reading him and then we will further your study. | 0:59:36 | 0:59:39 | |
KNOCK AT DOOR | 0:59:39 | 0:59:41 | |
-Ah, Mr McPhail. -Heard you want this? -Thank you. Everett. | 0:59:47 | 0:59:50 | |
-Let joy be unconfined. -There's the post. Now lunch. -Thank you. | 0:59:52 | 0:59:57 | |
Not as white as I'd hoped but... | 1:00:07 | 1:00:10 | |
it will do. | 1:00:10 | 1:00:11 | |
Shall we? | 1:00:14 | 1:00:15 | |
Lunch first. Aren't you hungry? | 1:00:15 | 1:00:18 | |
What is wrong? | 1:00:37 | 1:00:38 | |
You've had some bad news? | 1:00:40 | 1:00:42 | |
My poor mother. | 1:00:45 | 1:00:47 | |
She has lost a child. | 1:00:49 | 1:00:51 | |
Her seventh. | 1:00:53 | 1:00:54 | |
I do not know how she bears it. | 1:00:57 | 1:00:59 | |
I'm so sorry. | 1:01:02 | 1:01:04 | |
I need to lay out the lunch. | 1:01:09 | 1:01:11 | |
-How is Effie? -I think she is improving. | 1:01:27 | 1:01:31 | |
The air and the exercise are doing her good. | 1:01:31 | 1:01:34 | |
-I mean has she recovered from the news? -What news? | 1:01:34 | 1:01:38 | |
The loss of the child. | 1:01:39 | 1:01:41 | |
Child? What child? | 1:01:41 | 1:01:42 | |
Mrs Gray, her mother, the loss of her child. | 1:01:42 | 1:01:46 | |
She's lost another, then? | 1:01:47 | 1:01:49 | |
-What is that now? Five? -Seven. | 1:01:49 | 1:01:52 | |
Seven? Dear me. | 1:01:52 | 1:01:54 | |
Did Effie not say? | 1:01:59 | 1:02:00 | |
Her mother loses children with such ghastly regularity, | 1:02:00 | 1:02:03 | |
I think she realises it would hardly register with me. | 1:02:03 | 1:02:06 | |
-That's a little harsh, surely? -Not at all. | 1:02:06 | 1:02:10 | |
The woman is positively barnyard in her breeding habits, | 1:02:10 | 1:02:13 | |
she can hardly expect them all to survive. | 1:02:13 | 1:02:15 | |
Look at that exquisite leafage. | 1:02:17 | 1:02:21 | |
You'll need to be on your highest mettle, Everett, to capture that. | 1:02:22 | 1:02:27 | |
EVERETT CHUCKLES | 1:02:34 | 1:02:37 | |
What? | 1:02:37 | 1:02:38 | |
You realise I can open the window, close the curtain | 1:02:38 | 1:02:41 | |
and wash without getting out of bed? | 1:02:41 | 1:02:44 | |
It's like living in a snuffbox. | 1:02:44 | 1:02:46 | |
-Do you hear, John? -Should we start out early, Everett? | 1:02:47 | 1:02:51 | |
Everett? | 1:02:55 | 1:02:56 | |
Yes. Yes, first thing. | 1:02:58 | 1:03:00 | |
I can't go on, my fingers are refusing to bend. | 1:03:07 | 1:03:11 | |
Come on. Let me help. | 1:03:11 | 1:03:13 | |
I've not done two inches of work. | 1:03:15 | 1:03:17 | |
DOOR OPENS | 1:03:43 | 1:03:45 | |
Where's Everett? | 1:03:54 | 1:03:56 | |
He was just behind me. He fell. | 1:03:58 | 1:04:01 | |
-What happened? -I slipped off the boat. | 1:04:26 | 1:04:29 | |
Let's go and have a look. | 1:04:29 | 1:04:31 | |
I can't break my nose. | 1:04:31 | 1:04:33 | |
-Am I hurting you? -No. | 1:04:39 | 1:04:42 | |
No, not at all. | 1:04:42 | 1:04:43 | |
-Why can't you have a broken nose? -What? | 1:04:48 | 1:04:52 | |
You said, "I cannot have a broken nose" outside. | 1:04:53 | 1:04:57 | |
Did I? | 1:04:57 | 1:04:59 | |
How odd of me. | 1:04:59 | 1:05:00 | |
But it's only because I use my own face as a model all the time. | 1:05:02 | 1:05:08 | |
It's cheaper than hiring someone so... | 1:05:08 | 1:05:11 | |
my nose is quite useful. | 1:05:11 | 1:05:15 | |
And you need it to smell things with. | 1:05:18 | 1:05:20 | |
That too, of course. | 1:05:24 | 1:05:25 | |
SPLASHING | 1:06:05 | 1:06:07 | |
WIND HOWLS | 1:06:57 | 1:07:00 | |
There. | 1:07:08 | 1:07:10 | |
No more. | 1:07:10 | 1:07:12 | |
The secret is to know when to stop. | 1:07:12 | 1:07:14 | |
That is exquisite. | 1:07:17 | 1:07:19 | |
Don't tease. | 1:07:19 | 1:07:22 | |
I would resent such a talent if you were not so... | 1:07:22 | 1:07:26 | |
angelic. | 1:07:26 | 1:07:27 | |
Your nose is perfect again. | 1:07:37 | 1:07:39 | |
HE CHUCKLES | 1:07:39 | 1:07:41 | |
Please do not remind me of my inexcusable self-regard. | 1:07:41 | 1:07:44 | |
Finished. | 1:08:07 | 1:08:08 | |
My Edinburgh lectures. | 1:08:11 | 1:08:13 | |
She won't want to come, truly. | 1:08:22 | 1:08:25 | |
It would bore her. | 1:08:26 | 1:08:28 | |
Anyway, I'll only be gone for a few days. | 1:08:28 | 1:08:30 | |
Edinburgh is but a stone's throw. | 1:08:30 | 1:08:32 | |
But are you not anxious about leaving her alone? | 1:08:32 | 1:08:34 | |
Why, where are you going? | 1:08:34 | 1:08:36 | |
I'm not going anywhere. | 1:08:36 | 1:08:38 | |
Well, then she won't be alone. | 1:08:38 | 1:08:39 | |
John, you can't leave her on her own with me. | 1:08:39 | 1:08:42 | |
Yes, I realise it's a bore, Everett. | 1:08:42 | 1:08:44 | |
No, not at all. I'm talking about the impropriety. | 1:08:44 | 1:08:47 | |
Oh, for heaven's sake. Look, have Mrs McPhail to stay then, | 1:08:47 | 1:08:50 | |
if you're worried the locals will take offence. | 1:08:50 | 1:08:52 | |
I'm not worried about the locals! | 1:08:52 | 1:08:55 | |
John, you seem to pay no mind to the safety of your wife's reputation. | 1:08:55 | 1:09:00 | |
To leave her entirely alone with another man... | 1:09:00 | 1:09:04 | |
A single man. | 1:09:04 | 1:09:05 | |
I'd have loved this when I was little. | 1:10:15 | 1:10:18 | |
It was all so flat where I grew up. | 1:10:18 | 1:10:21 | |
Did you love it very much? | 1:10:21 | 1:10:23 | |
I did. | 1:10:23 | 1:10:25 | |
Do you see that little thorn tree? | 1:10:27 | 1:10:29 | |
Fairies live under those trees. My mother told me. | 1:10:31 | 1:10:35 | |
I believed her absolutely. | 1:10:35 | 1:10:37 | |
I'd take my breakfast out and leave it for them. | 1:10:37 | 1:10:40 | |
And of course in the morning it was always eaten, | 1:10:40 | 1:10:43 | |
by a fox or some such, | 1:10:43 | 1:10:44 | |
which only went to prove their existence further. | 1:10:44 | 1:10:46 | |
One Christmas my mother cooked a ham. | 1:10:48 | 1:10:51 | |
I felt the fairies should have some | 1:10:51 | 1:10:53 | |
so I went to the pantry to cut a slice and I couldn't manage it. | 1:10:53 | 1:10:57 | |
And so I just took the entire hock. | 1:10:57 | 1:10:59 | |
I was found out, of course and... | 1:11:01 | 1:11:03 | |
..that was the end of the fairies. | 1:11:04 | 1:11:05 | |
But happiness for the foxes. | 1:11:05 | 1:11:07 | |
Over 1,000 at every lecture. | 1:12:05 | 1:12:07 | |
It was a huge success. | 1:12:07 | 1:12:09 | |
But the price was crippling headaches. | 1:12:09 | 1:12:12 | |
I hope Effie was not too trying for you. | 1:12:24 | 1:12:26 | |
Of course not. | 1:12:26 | 1:12:28 | |
Women should depend on themselves for engrossing employment. | 1:12:29 | 1:12:33 | |
Rather than constantly craving companionship and attention. | 1:12:33 | 1:12:37 | |
EVERETT PUTS HIS CUTLERY DOWN | 1:12:37 | 1:12:40 | |
Excuse me. | 1:12:42 | 1:12:43 | |
DOOR OPENS AND WIND HOWLS | 1:12:52 | 1:12:55 | |
DOOR CLOSES | 1:12:55 | 1:12:58 | |
DOOR OPENS | 1:13:02 | 1:13:05 | |
Where have you been? | 1:13:26 | 1:13:28 | |
I ran. | 1:13:28 | 1:13:30 | |
Ran where? | 1:13:30 | 1:13:32 | |
Anywhere. | 1:13:32 | 1:13:34 | |
Wherever my feet took me. | 1:13:34 | 1:13:35 | |
For heaven's sake, you must change your clothes. | 1:13:39 | 1:13:42 | |
You will make yourself sick. | 1:13:42 | 1:13:44 | |
I am sick. | 1:13:44 | 1:13:45 | |
I'm sickened by him. | 1:13:46 | 1:13:48 | |
I don't... I don't know how you bear it. | 1:13:48 | 1:13:51 | |
I cannot bear to witness any more of your torture | 1:13:54 | 1:13:56 | |
when I cannot stop it, when I cannot do anything. | 1:13:56 | 1:13:58 | |
Tell me, Effie, what am I supposed to do? | 1:13:58 | 1:14:00 | |
What can I do? | 1:14:00 | 1:14:01 | |
Please. | 1:14:04 | 1:14:05 | |
There is nothing to be done. | 1:14:08 | 1:14:09 | |
JOHN SNORES LIGHTLY | 1:14:18 | 1:14:21 | |
We will return to London. | 1:15:32 | 1:15:34 | |
The Venice engravings for my book are ready. | 1:15:34 | 1:15:37 | |
I cannot go back. | 1:15:38 | 1:15:40 | |
We will leave on Monday. | 1:15:40 | 1:15:41 | |
I cannot go back. | 1:15:43 | 1:15:45 | |
The pains of eternal torment could be no worse | 1:15:51 | 1:15:54 | |
than returning to Denmark Hill with you. | 1:15:54 | 1:15:57 | |
I did not ask your opinion, | 1:15:58 | 1:15:59 | |
I merely informed you of our leaving. | 1:15:59 | 1:16:01 | |
I cannot go back. | 1:16:03 | 1:16:05 | |
Do not think for a moment that your behaviour here | 1:16:05 | 1:16:08 | |
has escaped my attention. It has not. | 1:16:08 | 1:16:11 | |
I have seen what you try to hide. | 1:16:11 | 1:16:13 | |
Do you really want to lose your reputation in the world? | 1:16:14 | 1:16:17 | |
You would make a great piece of work for your bankrupt father. | 1:16:17 | 1:16:21 | |
Do not push me any further, Euphemia, | 1:16:23 | 1:16:27 | |
for your own sake. | 1:16:27 | 1:16:29 | |
I hate you. | 1:16:34 | 1:16:36 | |
WHISPERING: He's been listening, he's been watching. | 1:16:52 | 1:16:55 | |
He knows. | 1:16:55 | 1:16:56 | |
Does he mean to ruin me? To compromise me? | 1:16:56 | 1:17:00 | |
I can never visit you in Denmark Hill. | 1:17:02 | 1:17:04 | |
You need to have someone with you. | 1:17:07 | 1:17:10 | |
Can you think of anyone? | 1:17:10 | 1:17:11 | |
I don't know. | 1:17:12 | 1:17:14 | |
Perhaps my sister, Sophie. | 1:17:15 | 1:17:17 | |
Her visit would not arouse suspicion. | 1:17:18 | 1:17:20 | |
Then you must arrange it. | 1:17:20 | 1:17:22 | |
Mr McPhail, we are ready. | 1:17:28 | 1:17:30 | |
Aye. Ready, sir. | 1:17:30 | 1:17:31 | |
Everett, would you help my wife? | 1:17:38 | 1:17:39 | |
THEY SLURP | 1:18:13 | 1:18:16 | |
Don't do that, dear. | 1:18:26 | 1:18:29 | |
Makes you sound like an imbecile. | 1:18:30 | 1:18:32 | |
Well, the New Year is upon us, | 1:18:39 | 1:18:40 | |
and we have yet to receive Mr Millais' portrait. | 1:18:40 | 1:18:44 | |
I think in January, I may find some time to sit for him. | 1:18:44 | 1:18:48 | |
All right, no matter, I am but truly eager to see it. | 1:18:48 | 1:18:51 | |
Perhaps, my dear, you can mention it next time you write to him. | 1:18:51 | 1:18:56 | |
I do not write to him. | 1:19:00 | 1:19:02 | |
Ah. | 1:19:11 | 1:19:12 | |
Aha. | 1:19:14 | 1:19:15 | |
This is a new addition to our cellar, my dear. | 1:19:15 | 1:19:18 | |
I thought we'd better start to educate our palettes | 1:19:22 | 1:19:25 | |
to the nuances of the German wines before our trip. | 1:19:25 | 1:19:29 | |
My boy. | 1:19:29 | 1:19:30 | |
We're going on a trip? | 1:19:30 | 1:19:33 | |
We are all going. | 1:19:33 | 1:19:35 | |
I am to come? | 1:19:35 | 1:19:37 | |
But no-one said... | 1:19:37 | 1:19:39 | |
Let us not start discussing something that was settled months ago. | 1:19:39 | 1:19:42 | |
I don't know why you feel Sophie needs to see the sights in town. | 1:20:14 | 1:20:18 | |
What on Earth's wrong with Peckham? | 1:20:18 | 1:20:20 | |
She said she wanted to see St Paul's. | 1:20:20 | 1:20:22 | |
-No, I didn't. -Ssh! | 1:20:24 | 1:20:26 | |
She might hear you. | 1:20:26 | 1:20:28 | |
HORSEMAN: Ya! | 1:20:28 | 1:20:30 | |
We're going to see a friend of mine. | 1:20:37 | 1:20:39 | |
Everett? | 1:20:40 | 1:20:42 | |
What have they said of him? | 1:20:43 | 1:20:45 | |
Nothing. | 1:20:45 | 1:20:46 | |
John just said that you've made Everett unhappy. | 1:20:46 | 1:20:50 | |
Just as you've made him unhappy. | 1:20:50 | 1:20:52 | |
Who is Everett? | 1:20:54 | 1:20:56 | |
A friend. | 1:20:57 | 1:20:58 | |
-But not the friend we're going to see. -Sophie... | 1:20:58 | 1:21:01 | |
please. | 1:21:01 | 1:21:03 | |
HORSES NEIGH | 1:21:05 | 1:21:07 | |
Yeah, I'll have one. | 1:21:07 | 1:21:09 | |
DISTANT BELL RINGING | 1:21:09 | 1:21:12 | |
Here, you too! | 1:21:16 | 1:21:17 | |
But John must have talked to you, surely, he must have... | 1:21:29 | 1:21:33 | |
Let me understand you, you are telling me that... | 1:21:39 | 1:21:43 | |
you still, to this day, do not... | 1:21:43 | 1:21:47 | |
understand the... | 1:21:47 | 1:21:49 | |
details of the most intimate relation within marriage? | 1:21:49 | 1:21:52 | |
-You have not experienced them? -He has never so much as touched me. | 1:21:52 | 1:21:57 | |
Never made me his wife. | 1:21:57 | 1:22:01 | |
Because he was disgusted... | 1:22:01 | 1:22:03 | |
with my body that first evening. | 1:22:03 | 1:22:06 | |
After that, he said we should wait until I was 25. | 1:22:09 | 1:22:12 | |
By then, he said that I'd professed such a dislike for him that it would be a sin | 1:22:12 | 1:22:17 | |
and an even further sin to have children. | 1:22:17 | 1:22:21 | |
Because I was wicked. | 1:22:21 | 1:22:23 | |
And probably insane. | 1:22:23 | 1:22:25 | |
Oh... | 1:22:26 | 1:22:27 | |
LADY EASTLAKE SIGHS Um... | 1:22:29 | 1:22:31 | |
And he... LADY EASTLAKE CLEARS HER THROAT | 1:22:32 | 1:22:34 | |
..has never after that moment... | 1:22:34 | 1:22:37 | |
sought relations? | 1:22:37 | 1:22:40 | |
Never. | 1:22:40 | 1:22:41 | |
I have never, I've never heard of such cruelty. The man must be... | 1:22:43 | 1:22:47 | |
If he has not made you his wife physically, then I should think | 1:22:55 | 1:23:00 | |
that you are not his wife. | 1:23:00 | 1:23:02 | |
But I have no knowledge of such matters, | 1:23:02 | 1:23:04 | |
I will make enquiries, legal and social. Discreetly, of course. | 1:23:04 | 1:23:09 | |
I would implore you not to have a scene with him just yet. | 1:23:09 | 1:23:13 | |
I must have read all his books, | 1:23:15 | 1:23:16 | |
and I've always thought him quite the eccentric, but now... | 1:23:16 | 1:23:19 | |
Most peculiar. | 1:23:22 | 1:23:23 | |
I'm perfectly thunderstruck. | 1:23:24 | 1:23:26 | |
You may sit up, Mrs Ruskin. | 1:23:28 | 1:23:31 | |
He must be mad. | 1:23:34 | 1:23:36 | |
Oh. | 1:23:39 | 1:23:40 | |
Who's that from? | 1:23:41 | 1:23:43 | |
Effie. | 1:23:46 | 1:23:47 | |
My dear, there's nothing more you can do. | 1:23:56 | 1:23:59 | |
You must let events take their course now. | 1:23:59 | 1:24:01 | |
Do come in. | 1:24:05 | 1:24:07 | |
Please, sit down. | 1:24:09 | 1:24:10 | |
Forgive me. | 1:24:13 | 1:24:14 | |
I have Dr Lee's report here. | 1:24:20 | 1:24:25 | |
You say he told you he thinks your husband mad. | 1:24:25 | 1:24:30 | |
Interesting, but madness, unfortunately, | 1:24:31 | 1:24:36 | |
is not sufficient grounds for divorce. | 1:24:36 | 1:24:39 | |
If it were, | 1:24:39 | 1:24:40 | |
half the marriages in London would be in jeopardy. | 1:24:40 | 1:24:44 | |
But, the crux is this... | 1:24:48 | 1:24:52 | |
"We found the usual signs of virginity are perfect. | 1:24:52 | 1:24:59 | |
"And that she is naturally and properly formed." | 1:24:59 | 1:25:05 | |
So... | 1:25:07 | 1:25:09 | |
there we have it. | 1:25:09 | 1:25:10 | |
I must say, in all my years... | 1:25:10 | 1:25:13 | |
It is an unprecedented case, Mrs Ruskin, | 1:25:15 | 1:25:18 | |
but I'm certain we can receive an annulment of your marriage | 1:25:18 | 1:25:22 | |
on the grounds of non-consummation. | 1:25:22 | 1:25:25 | |
However, we must be circumspect. | 1:25:25 | 1:25:30 | |
Best to keep away from your husband as much as you can to prevent... | 1:25:30 | 1:25:35 | |
Prevent what? | 1:25:35 | 1:25:37 | |
Let us just say, | 1:25:37 | 1:25:39 | |
do not make more than a usual effort to encourage... | 1:25:39 | 1:25:45 | |
relations. | 1:25:45 | 1:25:47 | |
-You spend a great deal of time writing. -I do, my angel, I do. | 1:25:53 | 1:25:57 | |
I have written two books about modern painting. | 1:26:01 | 1:26:06 | |
One about architecture. | 1:26:06 | 1:26:08 | |
And this one. | 1:26:09 | 1:26:11 | |
About Venice. | 1:26:12 | 1:26:14 | |
It's a very big book. | 1:26:23 | 1:26:25 | |
And then I shall write a book so big... | 1:26:26 | 1:26:30 | |
..and it will be all about your sister's conduct. | 1:26:32 | 1:26:36 | |
About her wickedness. | 1:26:36 | 1:26:38 | |
But don't tell her. | 1:26:39 | 1:26:41 | |
For then she would hate you. | 1:26:41 | 1:26:43 | |
Let it be our little secret. | 1:26:45 | 1:26:47 | |
Do not worry, lambkin. | 1:27:10 | 1:27:12 | |
It doesn't hurt. | 1:27:12 | 1:27:14 | |
Ah... | 1:27:17 | 1:27:18 | |
Thank you, George. | 1:27:22 | 1:27:23 | |
Um... | 1:27:25 | 1:27:27 | |
FOOTSTEPS | 1:27:27 | 1:27:29 | |
George! | 1:27:29 | 1:27:30 | |
What in God's name have you done? | 1:27:45 | 1:27:47 | |
I have done nothing. | 1:27:47 | 1:27:49 | |
Tidy yourself up this instant before my mother sees you. | 1:27:50 | 1:27:54 | |
I will not. | 1:27:55 | 1:27:57 | |
You disgust me. | 1:28:01 | 1:28:02 | |
I have had a letter. | 1:28:04 | 1:28:05 | |
From mother. | 1:28:07 | 1:28:09 | |
She misses Sophie too much and asks me to return her to Scotland. | 1:28:10 | 1:28:15 | |
Then I suggest you start packing. | 1:28:15 | 1:28:17 | |
What does Mama say? | 1:28:24 | 1:28:25 | |
It is not from Mama. | 1:28:28 | 1:28:31 | |
Now go have one last look in your room to make sure nothing is forgotten. | 1:28:59 | 1:29:03 | |
Thank you, George. | 1:29:18 | 1:29:19 | |
I wish you happiness, ma'am. | 1:29:20 | 1:29:22 | |
A great collection of bags for a short visit. | 1:29:24 | 1:29:27 | |
-George, you will not tell. -It's John, actually. | 1:29:29 | 1:29:33 | |
FOOTSTEPS | 1:29:33 | 1:29:34 | |
-Where is Sophie? -She's upstairs. | 1:29:34 | 1:29:37 | |
We can't have two Johns in the house, | 1:29:39 | 1:29:41 | |
so the master chose George for me. | 1:29:41 | 1:29:44 | |
I didn't mind. | 1:29:44 | 1:29:46 | |
You should have. | 1:29:46 | 1:29:49 | |
-He took away your name. -Sophie! You will miss the train! | 1:29:49 | 1:29:53 | |
Look lively with those bags, George. | 1:29:55 | 1:29:58 | |
There is no point in you accompanying us. | 1:30:13 | 1:30:16 | |
Alfred can find me a porter and I know you have work to do. | 1:30:16 | 1:30:20 | |
Hm... | 1:30:25 | 1:30:26 | |
Will you be so kind as to hand me in, John? | 1:30:34 | 1:30:37 | |
HORSEMEN: Ha! Come on, boy! | 1:30:48 | 1:30:51 | |
What are you doing? | 1:31:02 | 1:31:04 | |
Put it here. | 1:31:12 | 1:31:14 | |
What are you going to do with that? | 1:31:16 | 1:31:18 | |
Leaving it there. | 1:31:18 | 1:31:21 | |
They'll find it when Alfred takes the carriage back. | 1:31:21 | 1:31:24 | |
Won't they be cross? | 1:31:24 | 1:31:25 | |
It's quite simply one of the remarkable pictures in the world. | 1:31:41 | 1:31:47 | |
-DOOR CLOSES -You must be very proud. | 1:31:47 | 1:31:50 | |
Mr Ruskin, sir... | 1:31:53 | 1:31:55 | |
..there is a gentleman at the door for you. | 1:31:56 | 1:31:59 | |
Hm. | 1:31:59 | 1:32:00 | |
Where are we? | 1:32:18 | 1:32:20 | |
You'll have to help me, lambkin. | 1:32:21 | 1:32:23 | |
Mr John Ruskin? | 1:32:23 | 1:32:26 | |
Yes. | 1:32:26 | 1:32:27 | |
I have a citation to court. | 1:32:27 | 1:32:30 | |
-To court? -From whom? | 1:32:30 | 1:32:32 | |
Mrs Euphemia Ruskin. | 1:32:32 | 1:32:34 | |
The defendant must receive the papers himself, sir. | 1:32:36 | 1:32:40 | |
It is a matter of law. | 1:32:40 | 1:32:42 | |
And this is concerning...? | 1:32:48 | 1:32:50 | |
It... It is a private matter, sir. | 1:32:50 | 1:32:53 | |
You may illuminate. | 1:32:53 | 1:32:55 | |
Very well. | 1:32:55 | 1:32:57 | |
Petitioning for the annulment of your marriage, sir. | 1:32:57 | 1:33:01 | |
On what grounds? | 1:33:04 | 1:33:06 | |
It is a very delicate matter, sir. | 1:33:08 | 1:33:10 | |
-I don't... -My parents are privy to all my affairs. | 1:33:10 | 1:33:14 | |
Nonetheless... | 1:33:14 | 1:33:15 | |
I demand to know, on what grounds? | 1:33:15 | 1:33:19 | |
On the grounds of impotency, sir. | 1:33:21 | 1:33:25 | |
Hello! | 1:33:52 | 1:33:54 | |
Who are you? | 1:33:54 | 1:33:56 | |
I'm Sophie. | 1:33:56 | 1:33:57 | |
What's happened? | 1:33:57 | 1:33:59 | |
You're not to go to her. | 1:34:08 | 1:34:10 | |
She says you're forbidden. | 1:34:10 | 1:34:13 | |
She said it would ruin her, and you. | 1:34:13 | 1:34:16 | |
She said I was to tell you this... | 1:34:25 | 1:34:27 | |
She says she loves you very much, | 1:34:30 | 1:34:33 | |
but she says she's not fit to marry for a time, | 1:34:33 | 1:34:36 | |
without much deliberation. | 1:34:36 | 1:34:38 | |
Because... Wait... | 1:34:38 | 1:34:40 | |
Because it would never do to be wretched twice. | 1:34:40 | 1:34:43 | |
He said, "Tell her that I look forward to her..." No... | 1:34:56 | 1:35:02 | |
"..to making her very happy." | 1:35:02 | 1:35:04 | |
SHE SIGHS | 1:36:00 | 1:36:01 | |
Would you like a game of cards? | 1:36:07 | 1:36:09 |