Browse content similar to Far from the Madding Crowd. Check below for episodes and series from the same categories and more!
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Shh. Hey. | 0:01:12 | 0:01:14 | |
Bathsheba Everdene. | 0:01:18 | 0:01:20 | |
Bathsheba... | 0:01:21 | 0:01:22 | |
The name has always sounded strange to me. | 0:01:24 | 0:01:26 | |
I don't like to hear it said out loud. | 0:01:26 | 0:01:28 | |
My parents died when I was very young | 0:01:30 | 0:01:32 | |
so there's no-one to ask where it came from. | 0:01:32 | 0:01:34 | |
I've grown accustomed to being on my own. | 0:01:36 | 0:01:39 | |
Some say...too accustomed. | 0:01:39 | 0:01:41 | |
Too independent. | 0:01:43 | 0:01:45 | |
Ya! | 0:02:24 | 0:02:25 | |
DOG BARKS | 0:03:00 | 0:03:02 | |
Miss! | 0:03:14 | 0:03:15 | |
Miss! | 0:03:19 | 0:03:20 | |
My scarf. | 0:03:35 | 0:03:36 | |
I lost it. | 0:03:37 | 0:03:38 | |
-You must be Farmer Oak? -Gabriel, yes. | 0:03:40 | 0:03:43 | |
My aunt's told me about you. | 0:03:43 | 0:03:45 | |
I'm working on her farm for the winter. | 0:03:45 | 0:03:47 | |
This is your land. | 0:03:50 | 0:03:51 | |
I'm trespassing. | 0:03:53 | 0:03:55 | |
You're welcome here. | 0:03:55 | 0:03:56 | |
-Good afternoon, Farmer Oak. -Good afternoon, miss. | 0:04:09 | 0:04:13 | |
HE WHISTLES, SHEEP BLEAT | 0:04:32 | 0:04:34 | |
Come by, George. | 0:04:42 | 0:04:44 | |
George, away! Enough, George! | 0:04:44 | 0:04:46 | |
Enough! | 0:04:47 | 0:04:49 | |
Stand. Stand. | 0:04:49 | 0:04:52 | |
George, stand. | 0:04:52 | 0:04:55 | |
Away! | 0:04:55 | 0:04:56 | |
Away! | 0:04:56 | 0:04:58 | |
George, away! | 0:04:58 | 0:05:00 | |
He doesn't know when to stop, Young George. | 0:05:02 | 0:05:05 | |
-What's this one called? -Old George. | 0:05:05 | 0:05:08 | |
SHE LAUGHS | 0:05:08 | 0:05:10 | |
Old George! | 0:05:10 | 0:05:11 | |
So you find me amusing, do you? | 0:05:11 | 0:05:13 | |
OLD GEORGE WHIMPERS | 0:05:18 | 0:05:19 | |
HORSE WHINNIES | 0:05:24 | 0:05:26 | |
Goodness, it's Mr Oak. | 0:06:01 | 0:06:03 | |
..and after that she was going to be a governess. | 0:06:13 | 0:06:15 | |
But she was far too wild. Always has been. | 0:06:15 | 0:06:19 | |
Oh! | 0:06:19 | 0:06:20 | |
Miss Bathsheba Everdene... | 0:06:27 | 0:06:29 | |
..I've brought you a lamb. | 0:06:31 | 0:06:32 | |
Oh! | 0:06:33 | 0:06:35 | |
Thank you, Mr Oak. | 0:06:36 | 0:06:38 | |
He's such a dear thing. | 0:06:38 | 0:06:41 | |
He's come too soon and won't last the winter, | 0:06:41 | 0:06:43 | |
so I thought you'd like to rear it instead. | 0:06:43 | 0:06:46 | |
Thank you, that's very kind. | 0:06:46 | 0:06:48 | |
I'll make some tea. | 0:06:48 | 0:06:50 | |
-The lamb is not why I came. -Go on. | 0:06:53 | 0:06:56 | |
Well, Miss Everdene, I wanted to ask... | 0:06:59 | 0:07:03 | |
would you like to marry me? | 0:07:03 | 0:07:04 | |
I've never asked anyone before. | 0:07:07 | 0:07:09 | |
No. | 0:07:11 | 0:07:13 | |
I should hope not. | 0:07:13 | 0:07:14 | |
Well... | 0:07:16 | 0:07:18 | |
Perhaps I... I should... | 0:07:18 | 0:07:21 | |
-Perhaps I should leave. -Mr Oak, there are things to consider. | 0:07:22 | 0:07:25 | |
Is someone waiting for you? | 0:07:27 | 0:07:29 | |
No. But that doesn't mean I'll marry you. | 0:07:29 | 0:07:32 | |
Good day to you, then. | 0:07:33 | 0:07:34 | |
Mr Oak! | 0:07:43 | 0:07:45 | |
Mr Oak! | 0:07:45 | 0:07:47 | |
Wait! | 0:07:47 | 0:07:48 | |
I didn't say I wouldn't marry you either. | 0:07:51 | 0:07:54 | |
I haven't ever really thought about it. | 0:07:56 | 0:07:58 | |
I have 100 acres and 200 sheep. | 0:07:58 | 0:08:00 | |
If I pay off the money, the farm is ours. | 0:08:03 | 0:08:05 | |
You could have a piano in a year or two. | 0:08:07 | 0:08:09 | |
Flowers and birds and a frame for cucumbers. | 0:08:09 | 0:08:13 | |
A baby or two. | 0:08:13 | 0:08:14 | |
-Mr Oak... -Or more. | 0:08:14 | 0:08:15 | |
I will always be there for you. | 0:08:17 | 0:08:18 | |
Mr Oak, I don't want a husband. | 0:08:20 | 0:08:23 | |
I'd hate to be some man's property. | 0:08:23 | 0:08:25 | |
I shouldn't mind being a bride at a wedding | 0:08:26 | 0:08:28 | |
if I could be one without getting a husband. | 0:08:28 | 0:08:30 | |
That's stupid talk. | 0:08:30 | 0:08:32 | |
You are better off than I, Mr Oak. | 0:08:34 | 0:08:36 | |
I have an education and nothing more. | 0:08:36 | 0:08:39 | |
-You could do much, much better than me. -That's not the reason. | 0:08:39 | 0:08:42 | |
I'm too independent for you. | 0:08:47 | 0:08:49 | |
If I ever were to marry, I'd want somebody to tame me | 0:08:49 | 0:08:52 | |
and you'd never be able to do it. | 0:08:52 | 0:08:53 | |
You'd grow to despise me. | 0:08:55 | 0:08:57 | |
I would not. | 0:09:00 | 0:09:01 | |
Ever. | 0:09:03 | 0:09:05 | |
Goodbye, Miss Everdene. | 0:09:09 | 0:09:10 | |
DOG WHIMPERS | 0:09:37 | 0:09:39 | |
DOG WHINES | 0:09:43 | 0:09:45 | |
DOG BARKS | 0:09:53 | 0:09:55 | |
SHEEP BLEAT, DOG GROWLS | 0:09:59 | 0:10:01 | |
-DOG BARKS -What is it, old boy? | 0:10:09 | 0:10:11 | |
Stay here. | 0:10:13 | 0:10:14 | |
Stay here, Old George. Stay here. | 0:10:18 | 0:10:21 | |
George! | 0:10:30 | 0:10:32 | |
DOG BARKS IN THE DISTANCE | 0:10:32 | 0:10:35 | |
George! | 0:10:44 | 0:10:45 | |
DISTANT BARKING | 0:10:52 | 0:10:54 | |
SHEEP BLEAT | 0:11:01 | 0:11:04 | |
DOG BARKS, GROWLS | 0:11:05 | 0:11:07 | |
HE PANTS | 0:11:11 | 0:11:14 | |
DOG BARKS | 0:11:17 | 0:11:18 | |
BARKING CONTINUES | 0:11:21 | 0:11:24 | |
No! | 0:11:30 | 0:11:32 | |
HE SCREAMS | 0:11:59 | 0:12:01 | |
HE SOBS | 0:12:02 | 0:12:04 | |
GUNSHOT BLASTS | 0:12:15 | 0:12:16 | |
It's all yours. | 0:12:36 | 0:12:38 | |
We take no pleasure in this. | 0:12:48 | 0:12:50 | |
We wish you well, Mr Oak. | 0:12:52 | 0:12:54 | |
Bathsheba! | 0:13:09 | 0:13:10 | |
What is it? | 0:13:15 | 0:13:17 | |
My love! It's your poor uncle's will. | 0:13:17 | 0:13:21 | |
What does it say? | 0:13:21 | 0:13:23 | |
Read it. | 0:13:24 | 0:13:26 | |
Read! | 0:13:27 | 0:13:28 | |
He's left you everything. It's all yours! | 0:13:30 | 0:13:33 | |
Oh! | 0:13:35 | 0:13:36 | |
Oh, my goodness. | 0:13:36 | 0:13:39 | |
Take care, you hear? | 0:13:40 | 0:13:42 | |
Walk on. | 0:13:50 | 0:13:51 | |
Bye! | 0:13:56 | 0:13:58 | |
So who will join us, lads? | 0:14:17 | 0:14:20 | |
Which one of you fine boys will put on the scarlet uniform | 0:14:20 | 0:14:23 | |
and proudly serve his Queen and country? | 0:14:23 | 0:14:27 | |
See the world. | 0:14:27 | 0:14:30 | |
Form an orderly line, gentlemen, at the front. | 0:14:30 | 0:14:33 | |
This gentleman in the straw hat, step forward, sir. | 0:14:33 | 0:14:35 | |
That's my sweetheart, right there. | 0:14:35 | 0:14:37 | |
You, sir, next to the pretty lady. | 0:14:37 | 0:14:41 | |
There's a good strong figure of a man. Join us, sir. | 0:14:41 | 0:14:44 | |
Go on. You'd make a fine soldier. | 0:14:44 | 0:14:47 | |
Always room in the ranks for a gentleman of your calibre. | 0:14:47 | 0:14:49 | |
It's a roof over your head. Food. | 0:14:49 | 0:14:51 | |
Who wants a fine wage? | 0:14:53 | 0:14:55 | |
Excuse me. | 0:14:55 | 0:14:56 | |
You might try Weatherbury. If you're looking for work, | 0:14:56 | 0:14:59 | |
there's a farm there, needs all the help they can get. | 0:14:59 | 0:15:01 | |
Yes. The young lad, there. | 0:15:01 | 0:15:03 | |
I will. Thank you. | 0:15:03 | 0:15:05 | |
And your friend as well. | 0:15:05 | 0:15:06 | |
You should have a cloak for a day like this. | 0:15:06 | 0:15:08 | |
Francis will take care of me. | 0:15:09 | 0:15:11 | |
We are to be married soon. | 0:15:13 | 0:15:15 | |
-Goodbye. -Come on, a decent wage. | 0:15:16 | 0:15:19 | |
Make your family proud. Food, shelter. Who will join us? | 0:15:19 | 0:15:23 | |
DISTANT SHOUTING | 0:16:02 | 0:16:05 | |
Go and wake up the other farms! | 0:16:14 | 0:16:17 | |
-Get them down here! -We need more hands! | 0:16:17 | 0:16:19 | |
We need more men now! Wake them up! | 0:16:19 | 0:16:22 | |
Go and get the Smith brothers first. | 0:16:22 | 0:16:24 | |
Protect yourself, the fire's spreading! | 0:16:24 | 0:16:27 | |
Who's in charge here? | 0:16:28 | 0:16:30 | |
-We're losing the ricks! -The rick is lost. | 0:16:30 | 0:16:33 | |
We need to save the barn. Come on, help me! | 0:16:33 | 0:16:35 | |
Come on, get some more water! Get some more water! | 0:16:35 | 0:16:40 | |
We need to push this out. Come on! | 0:16:40 | 0:16:42 | |
Heave! | 0:16:42 | 0:16:44 | |
ALL: Heave! | 0:16:45 | 0:16:47 | |
Heave! | 0:16:47 | 0:16:50 | |
Come on, push! | 0:16:50 | 0:16:52 | |
BANGING, POPPING | 0:17:00 | 0:17:02 | |
Everybody out! Everybody out! | 0:17:14 | 0:17:17 | |
Water! More over here! | 0:17:21 | 0:17:23 | |
Get the sacks out, the roof's about to go! | 0:17:24 | 0:17:26 | |
What's he doing up there? | 0:17:42 | 0:17:44 | |
We lose the barn, we lose everything. | 0:17:44 | 0:17:46 | |
GENERAL CHATTER | 0:18:17 | 0:18:18 | |
Joseph, bring those brooms over and let's get this sorted out. | 0:18:25 | 0:18:30 | |
Look sharp, men, the farmer's here. | 0:18:30 | 0:18:32 | |
Mr Oak, is that you? | 0:18:46 | 0:18:48 | |
Perhaps you want a shepherd, ma'am? | 0:18:52 | 0:18:54 | |
I owe you an immense debt, Mr Oak. | 0:18:58 | 0:19:01 | |
If I'd have lost all of this, I'd have lost my farm. | 0:19:01 | 0:19:04 | |
-Your farm? -My inheritance. | 0:19:04 | 0:19:06 | |
My home, too, for a while when my parents died. | 0:19:06 | 0:19:09 | |
When my uncle passed away, he left it to me. | 0:19:11 | 0:19:13 | |
Of course, it's a little ragged now, | 0:19:14 | 0:19:18 | |
but this once used to be the finest farm for miles. | 0:19:18 | 0:19:20 | |
And I intend to make it so again. | 0:19:20 | 0:19:22 | |
Perhaps you find the idea preposterous. | 0:19:24 | 0:19:27 | |
I no longer have that luxury. | 0:19:27 | 0:19:28 | |
I'm truly sorry to hear of your loss, Mr Oak, | 0:19:30 | 0:19:33 | |
but if our reversal of fortune causes you any embarrassment... | 0:19:33 | 0:19:36 | |
Not at all, ma'am. | 0:19:36 | 0:19:38 | |
Billy Smallbury? 9 and 8 pence. | 0:19:43 | 0:19:45 | |
Joseph Poorgrass? | 0:19:47 | 0:19:49 | |
-Go on, Joseph. -Go on, lad. | 0:19:49 | 0:19:52 | |
(Hat off!) | 0:19:52 | 0:19:54 | |
-And what do you do, Joseph? -I does general things. | 0:19:55 | 0:19:58 | |
And in spring, I shoot the rooks and help at pig killing, sir. | 0:19:58 | 0:20:01 | |
I mean, ma'am. | 0:20:01 | 0:20:02 | |
7 and 9 pence. | 0:20:04 | 0:20:05 | |
And another 9 because I'm new. | 0:20:05 | 0:20:07 | |
Thank you, ma'am. | 0:20:07 | 0:20:09 | |
Now, Fanny Robbin? | 0:20:13 | 0:20:14 | |
Where is Fanny Robbin? | 0:20:17 | 0:20:20 | |
Where is she? | 0:20:20 | 0:20:21 | |
She's run away, ma'am. | 0:20:22 | 0:20:25 | |
-She's gone off with a soldier, ma'am. -Not a soldier, a sergeant. | 0:20:25 | 0:20:29 | |
Bailiff Pennyways? | 0:20:33 | 0:20:34 | |
Here is 10 shillings and a further 10. | 0:20:39 | 0:20:42 | |
Why? | 0:20:42 | 0:20:43 | |
This ends our association. You are dismissed. | 0:20:44 | 0:20:47 | |
I beg your pardon, miss? | 0:20:47 | 0:20:49 | |
When my uncle was alive, this was a fine, productive farm. | 0:20:49 | 0:20:52 | |
Since his death, it has fallen into ruin. | 0:20:52 | 0:20:55 | |
-I can only assume... -Now, see here, miss. You can't get rid of people... | 0:20:55 | 0:20:58 | |
I have resolved to have no bailiff. | 0:20:58 | 0:21:00 | |
-I've decided to manage everything. -You can't just... | 0:21:00 | 0:21:02 | |
-If you'll listen to me for a moment. -You need... | 0:21:02 | 0:21:04 | |
Mr Pennyways, a fire threatened to destroy the barn | 0:21:04 | 0:21:07 | |
and you are nowhere to be found. | 0:21:07 | 0:21:08 | |
I have no use for a man like you, Mr Pennyways. | 0:21:13 | 0:21:16 | |
You are dismissed. | 0:21:16 | 0:21:18 | |
Get out while you can, if I were you. | 0:21:27 | 0:21:29 | |
Now, you've all met our new shepherd, Mr Oak. | 0:21:39 | 0:21:43 | |
You understand your duties, Mr Oak? | 0:21:43 | 0:21:45 | |
If I don't, I'll ask, ma'am. | 0:21:46 | 0:21:48 | |
From now on, you have a mistress, not a master. | 0:21:53 | 0:21:57 | |
I don't yet know my talents in farming, but I shall do my best. | 0:21:57 | 0:22:01 | |
Don't suppose, because I'm a woman, I don't know the difference between | 0:22:01 | 0:22:04 | |
bad goings-on and good. I shall be up before you're awake. | 0:22:04 | 0:22:08 | |
I shall be a-field before you are up. | 0:22:08 | 0:22:09 | |
It is my intention to astonish you all. | 0:22:11 | 0:22:13 | |
Back to work, please. | 0:22:16 | 0:22:17 | |
-Perhaps I should wait here? -No. | 0:22:36 | 0:22:38 | |
Nonsense, Liddy. You're my companion. | 0:22:40 | 0:22:43 | |
-All of these? -All of them. | 0:22:43 | 0:22:45 | |
Head high, Liddy. If they stare, do not hesitate. | 0:22:47 | 0:22:50 | |
Remember, we have as much right to be here as anyone. | 0:22:57 | 0:23:00 | |
Good morning. | 0:23:03 | 0:23:05 | |
CHATTER | 0:23:05 | 0:23:09 | |
CHATTER DIES | 0:23:11 | 0:23:14 | |
-Liddy, if you lay things out. -Yes, miss. | 0:23:21 | 0:23:24 | |
Gentlemen, shall we get back to business? | 0:23:25 | 0:23:28 | |
There you go, sir. If you feel it, you can feel the quality. | 0:23:38 | 0:23:42 | |
-This is fine grain, miss. -Thank you. | 0:23:42 | 0:23:44 | |
Perhaps we should leave, miss. | 0:23:46 | 0:23:48 | |
-But none of it as good as this lot. -It's good stuff, | 0:23:51 | 0:23:54 | |
I'll grant you that. | 0:23:54 | 0:23:55 | |
-Well, it's up to you. -If you want to go elsewhere... | 0:23:55 | 0:23:57 | |
Farmer Stone? | 0:23:57 | 0:23:59 | |
It's Miss Everdene - Farmer Everdene's niece. | 0:23:59 | 0:24:01 | |
He talked about you with such great admiration. | 0:24:03 | 0:24:06 | |
Of course, you're welcome to try elsewhere, | 0:24:08 | 0:24:10 | |
but I think you'll find the grain as good as it's ever been. | 0:24:10 | 0:24:13 | |
-Mr Stone? -How much? | 0:24:18 | 0:24:19 | |
-£5 a quarter. -£3, 10 shillings. | 0:24:19 | 0:24:23 | |
It's the same grain, Mr Stone. You paid my uncle £5. | 0:24:23 | 0:24:26 | |
£3, 10. | 0:24:26 | 0:24:28 | |
This gentleman will pay me the proper price. | 0:24:30 | 0:24:32 | |
Apparently not, no. | 0:24:35 | 0:24:37 | |
-£4. -£4, 10. | 0:24:37 | 0:24:39 | |
£4, 5. | 0:24:39 | 0:24:41 | |
Perhaps I should move on. | 0:24:42 | 0:24:44 | |
-Liddy. -Yes? -Would you help me with this gentleman? -Of course. | 0:24:44 | 0:24:48 | |
Perhaps you'd like a sample? | 0:24:48 | 0:24:51 | |
-How much? -£5 a quarter. | 0:24:51 | 0:24:53 | |
Very well. | 0:24:53 | 0:24:55 | |
£4, 10. | 0:24:57 | 0:24:58 | |
APPLAUSE | 0:25:00 | 0:25:03 | |
# Jerusalem the golden | 0:25:09 | 0:25:12 | |
# With milk and honey blest | 0:25:12 | 0:25:18 | |
# Beneath thy contemplation | 0:25:18 | 0:25:23 | |
# Sink heart and voice oppressed... # | 0:25:23 | 0:25:28 | |
He's rich, he's handsome. He sends the local girls mad. | 0:25:29 | 0:25:35 | |
The Taylor sisters worked on him for two years. | 0:25:35 | 0:25:38 | |
Jane Perkins spent £20 on new clothes | 0:25:38 | 0:25:40 | |
and might as well have thrown the money out the window. | 0:25:40 | 0:25:43 | |
It's said, when he was young, his sweetheart jilted him. | 0:25:45 | 0:25:49 | |
People always say that. | 0:25:51 | 0:25:53 | |
Women don't jilt men. Men jilt us. | 0:25:53 | 0:25:57 | |
Did someone jilt you, miss? | 0:25:57 | 0:25:59 | |
Certainly not. | 0:25:59 | 0:26:01 | |
A man did ask to marry me once. Some time ago. | 0:26:04 | 0:26:08 | |
But I was too restless to be tied down. | 0:26:08 | 0:26:11 | |
What a luxury, to have a choice. | 0:26:11 | 0:26:14 | |
"Kiss my foot, sir, my face is for mouths of consequence." | 0:26:15 | 0:26:19 | |
It wasn't like that at all. | 0:26:19 | 0:26:20 | |
Why? | 0:26:22 | 0:26:24 | |
Did you love him? | 0:26:24 | 0:26:26 | |
No, but I rather liked him. | 0:26:26 | 0:26:29 | |
Anyway, it's impossible now. | 0:26:29 | 0:26:31 | |
GUNSHOT | 0:26:38 | 0:26:39 | |
-Mr Boldwood. -Don't shoot me, please. | 0:26:45 | 0:26:48 | |
I had no intention of shooting you. | 0:26:48 | 0:26:50 | |
It's Miss Everdene. Your neighbour. | 0:26:52 | 0:26:55 | |
Farmer Everdene's niece. | 0:26:56 | 0:26:58 | |
I'm managing the farm alone now. Perhaps you've heard? | 0:27:01 | 0:27:04 | |
Yes, I'm sure you'll do very well. | 0:27:04 | 0:27:06 | |
In the circumstances. | 0:27:08 | 0:27:09 | |
Well...as you say, we're neighbours. | 0:27:12 | 0:27:16 | |
HORSE GALLOPS | 0:27:16 | 0:27:19 | |
Look what I've got here. | 0:27:28 | 0:27:31 | |
-What is it? -Listen to this... | 0:27:31 | 0:27:33 | |
"The rose is red, The violet blue, | 0:27:33 | 0:27:35 | |
"Carnation's sweet, And so are you." | 0:27:35 | 0:27:37 | |
It's a Valentine's card. | 0:27:39 | 0:27:41 | |
I'm going to send it to Joseph Poorgrass, | 0:27:41 | 0:27:43 | |
just to see the look of panic on his stupid face. | 0:27:43 | 0:27:46 | |
Poor boy. It's a little bit far-fetched, isn't it? | 0:27:46 | 0:27:49 | |
What about...Mr Oak, then? | 0:27:49 | 0:27:52 | |
No. Not Mr Oak. | 0:27:52 | 0:27:54 | |
Imagine if we sent it to Mr Boldwood. | 0:27:56 | 0:27:58 | |
Ignoring you like that, all high and mighty. | 0:27:59 | 0:28:02 | |
Mr Boldwood? | 0:28:02 | 0:28:03 | |
-Perhaps not. -Why not? | 0:28:06 | 0:28:08 | |
Cos I don't think he'll see the humour. | 0:28:08 | 0:28:11 | |
Perhaps he wouldn't, perhaps it's too much. | 0:28:12 | 0:28:14 | |
-Mr Boldwood. -You're right. Perhaps it is. | 0:28:14 | 0:28:18 | |
-So we're going to toss for it. -Liddy! | 0:28:20 | 0:28:22 | |
Come on. | 0:28:22 | 0:28:23 | |
-Open...Joseph. -No, Jan Coggan. | 0:28:26 | 0:28:30 | |
Open, Jan Coggan. Closed, Boldwood. | 0:28:30 | 0:28:33 | |
-Sergeant Troy, 11 o'clock. -Yes, Sergeant Troy. And? | 0:29:40 | 0:29:44 | |
-Miss Fanny Robbin. -Welcome. Step down the front. | 0:29:44 | 0:29:47 | |
-WHISPERING: -Where is she? -I don't know. | 0:30:20 | 0:30:23 | |
DOOR SLAMS SHUT | 0:30:23 | 0:30:25 | |
(Here she comes.) | 0:30:25 | 0:30:27 | |
HURRIED FOOTSTEPS | 0:30:27 | 0:30:31 | |
Oh... | 0:30:31 | 0:30:32 | |
Sorry I'm late, old boy. | 0:30:41 | 0:30:43 | |
Not long now. | 0:30:44 | 0:30:46 | |
Dearly beloved, we are gathered here in the sight... | 0:31:06 | 0:31:09 | |
I can only wait a few more minutes. | 0:31:14 | 0:31:16 | |
She'll be here. | 0:31:16 | 0:31:17 | |
(What do you think is happening?) | 0:31:43 | 0:31:46 | |
(I don't think she's coming, old boy.) | 0:31:46 | 0:31:48 | |
Come on. Go on, off you go. That's it. Go on. | 0:32:17 | 0:32:20 | |
-Morning, my love. -Come on. | 0:32:20 | 0:32:22 | |
Jump in that! | 0:32:22 | 0:32:24 | |
Bring them in, John. | 0:32:26 | 0:32:27 | |
-Grab this one. -Miss Everdene's here now, | 0:32:32 | 0:32:34 | |
so you better do your best work. I'm looking at you, Coggan. | 0:32:34 | 0:32:37 | |
Yeah, you keep quiet, Liddy! | 0:32:37 | 0:32:40 | |
MAN YELLS | 0:32:40 | 0:32:42 | |
What you doing?! | 0:32:47 | 0:32:48 | |
Perhaps you'd care to lend a hand? | 0:32:51 | 0:32:53 | |
-You don't think I would? -No, you wouldn't. | 0:32:54 | 0:32:56 | |
Come here. | 0:32:58 | 0:32:59 | |
There, she's getting in! | 0:33:03 | 0:33:05 | |
CHEERING AND APPLAUSE | 0:33:05 | 0:33:07 | |
Well done, ma'am. | 0:33:07 | 0:33:09 | |
-Coming your way. Coming your way. -Keep moving! | 0:33:09 | 0:33:12 | |
I'll get it. | 0:33:17 | 0:33:18 | |
Gangway through. Hey, Joseph. Joseph, look. Gangway. | 0:33:30 | 0:33:33 | |
INDISTINCT CHATTER | 0:33:44 | 0:33:47 | |
THEY LAUGH AND SHOUT | 0:33:55 | 0:33:58 | |
Good morning, Mr Boldwood. | 0:34:09 | 0:34:11 | |
Miss Everdene! | 0:34:14 | 0:34:16 | |
Mr Boldwood wondered if he might have a word with you. | 0:34:16 | 0:34:19 | |
Mr Boldwood. | 0:34:23 | 0:34:25 | |
Of course. | 0:34:25 | 0:34:26 | |
One thousand acres. A mix of arable and livestock. | 0:34:27 | 0:34:32 | |
Adjacent to Everdene. | 0:34:32 | 0:34:34 | |
An orchard. A glasshouse. | 0:34:34 | 0:34:36 | |
I have some interesting pigs. | 0:34:38 | 0:34:40 | |
Some other time, perhaps. | 0:34:42 | 0:34:44 | |
Thank you. | 0:34:49 | 0:34:51 | |
You have a very beautiful house. | 0:35:01 | 0:35:03 | |
Mr Boldwood? | 0:35:09 | 0:35:10 | |
Miss Everdene. | 0:35:13 | 0:35:15 | |
I want... | 0:35:16 | 0:35:19 | |
very much, more than anything... | 0:35:19 | 0:35:21 | |
..to have you as my wife. | 0:35:23 | 0:35:25 | |
Miss Everdene, marry me. | 0:35:25 | 0:35:28 | |
I... I feel... | 0:35:32 | 0:35:36 | |
Though I respect you very much... | 0:35:40 | 0:35:42 | |
..I do not feel what would justify me... | 0:35:45 | 0:35:47 | |
..in accepting your offer. | 0:35:51 | 0:35:52 | |
I have known disappointments before... | 0:35:57 | 0:36:00 | |
..but I would never have asked in this instance had I not been... | 0:36:02 | 0:36:05 | |
..led to believe... | 0:36:07 | 0:36:08 | |
Unless... Unless I am, er...mistaken. | 0:36:10 | 0:36:13 | |
The Valentine. | 0:36:15 | 0:36:16 | |
No, you're not mistaken, but I should never have sent it. | 0:36:18 | 0:36:20 | |
Forgive me, it was thoughtless to disturb your peace of mind. | 0:36:22 | 0:36:25 | |
-So you meant it as a joke? -No! No, not as a joke. | 0:36:25 | 0:36:29 | |
Not exactly. It was...impetuous. | 0:36:31 | 0:36:35 | |
I see. | 0:36:35 | 0:36:37 | |
Perhaps you think I am too old. | 0:36:37 | 0:36:39 | |
But I will care for you more than anyone your own age. | 0:36:39 | 0:36:42 | |
-I'm sure you would... -I will protect you. | 0:36:42 | 0:36:45 | |
You shall have dresses, | 0:36:45 | 0:36:48 | |
a gig. A piano. | 0:36:48 | 0:36:51 | |
I amuse you? | 0:36:55 | 0:36:56 | |
No. | 0:36:58 | 0:37:00 | |
It's only... | 0:37:00 | 0:37:03 | |
I have a piano. | 0:37:03 | 0:37:04 | |
And I have my own farm. | 0:37:06 | 0:37:08 | |
And I have no need for a husband, | 0:37:10 | 0:37:12 | |
no matter how honoured I am by the offer. | 0:37:12 | 0:37:14 | |
I think I'd like to return home. | 0:37:21 | 0:37:23 | |
Yes. I'll, er... | 0:37:23 | 0:37:25 | |
I'll get someone to drive you. | 0:37:26 | 0:37:29 | |
Mr Boldwood, I've made you miserable. | 0:37:29 | 0:37:32 | |
-It was very wicked of me. -Will you reconsider? | 0:37:32 | 0:37:34 | |
Let me think. | 0:37:37 | 0:37:39 | |
Yes. | 0:37:42 | 0:37:43 | |
Yes, I'll give you time. | 0:37:44 | 0:37:46 | |
I will wait. | 0:37:47 | 0:37:49 | |
You're working late, Mr Oak. | 0:38:13 | 0:38:16 | |
Will you teach me? | 0:38:20 | 0:38:21 | |
Here. | 0:38:23 | 0:38:24 | |
Spin the wheel. | 0:38:26 | 0:38:28 | |
Incline it, like that. | 0:38:28 | 0:38:29 | |
And slide it gently. Spin the wheel. | 0:38:31 | 0:38:33 | |
Bit faster. | 0:38:35 | 0:38:37 | |
Like that. Very good. | 0:38:37 | 0:38:40 | |
-Now, slide it. -I... It's... | 0:38:40 | 0:38:42 | |
..getting stuck. | 0:38:44 | 0:38:46 | |
I wanted to ask, did the men say anything today about Mr Boldwood? | 0:38:53 | 0:38:57 | |
-They did. -What did they say? | 0:38:57 | 0:39:00 | |
That you'd be married before the end of the year. | 0:39:00 | 0:39:03 | |
Go on. | 0:39:03 | 0:39:05 | |
Well, I'd like you to contradict it, to the men. | 0:39:07 | 0:39:09 | |
-Well, Bathsheba... -Miss Everdene, please. | 0:39:09 | 0:39:13 | |
If Mr Boldwood did really speak of marriage, | 0:39:15 | 0:39:17 | |
I'm not going to tell stories, just to please you. | 0:39:17 | 0:39:20 | |
I just said I wanted you to mention to the men | 0:39:21 | 0:39:24 | |
that it might not be true I was going to marry him. | 0:39:24 | 0:39:26 | |
I could say that, if you wish. | 0:39:26 | 0:39:28 | |
But I could also give you an opinion on what you've done. | 0:39:28 | 0:39:30 | |
I dare say, but I don't want your opinion, Mr Oak. | 0:39:30 | 0:39:33 | |
I suppose not. | 0:39:35 | 0:39:36 | |
HE SHARPENS A BLADE | 0:39:40 | 0:39:42 | |
Well, what is your opinion? | 0:39:48 | 0:39:51 | |
That you're greatly to blame | 0:39:51 | 0:39:52 | |
for playing pranks on a man like Mr Boldwood. | 0:39:52 | 0:39:54 | |
-Your actions were unworthy of you. -Unworthy? | 0:39:56 | 0:40:00 | |
May I ask where my unworthiness lies? | 0:40:01 | 0:40:04 | |
-In rejecting you, perhaps? -I've long given up thinking of that. | 0:40:04 | 0:40:09 | |
Or wishing it, either. | 0:40:09 | 0:40:10 | |
But I will say this. | 0:40:13 | 0:40:14 | |
Leading on a man you don't care for is beneath you. | 0:40:14 | 0:40:17 | |
I cannot allow a man to criticise my private conduct. | 0:40:20 | 0:40:23 | |
You will please leave the farm at the end of the week. | 0:40:23 | 0:40:25 | |
I'd prefer to go at once. | 0:40:33 | 0:40:35 | |
Then, go. I never want to see your face again. | 0:40:35 | 0:40:38 | |
Very well, Miss Everdene. | 0:40:39 | 0:40:41 | |
DOOR SLAMS | 0:40:47 | 0:40:49 | |
There we are. There. | 0:41:17 | 0:41:19 | |
What's wrong with them? | 0:41:23 | 0:41:25 | |
They broke fence and ate the young clover. | 0:41:25 | 0:41:26 | |
Makes their stomachs swell. | 0:41:26 | 0:41:28 | |
-What do we do now? -Nothing. The whole flock is blasted. | 0:41:30 | 0:41:33 | |
-You mean they're all going to die? -Most probably. | 0:41:33 | 0:41:36 | |
-Another one gone here, ma'am. -Only one way of saving them. | 0:41:36 | 0:41:39 | |
You must pierce their side with a tool. | 0:41:39 | 0:41:42 | |
A hollow tube. Prick her inside. | 0:41:42 | 0:41:45 | |
Well, can you do it? | 0:41:45 | 0:41:46 | |
-This one's still alive. -No. | 0:41:46 | 0:41:49 | |
-Can I? -Oh, good Lord, no. | 0:41:49 | 0:41:52 | |
One inch to the right or the left, and you kill the ewe for sure. | 0:41:52 | 0:41:55 | |
Not even a shepherd can do it, as a rule. | 0:41:55 | 0:41:58 | |
Well, who, then? | 0:41:59 | 0:42:01 | |
Gabriel! | 0:42:16 | 0:42:18 | |
Gabriel! | 0:42:19 | 0:42:21 | |
Gabriel Oak, wait! | 0:42:21 | 0:42:23 | |
Miss Everdene needs you. | 0:42:24 | 0:42:26 | |
Why are you alone? Did you find him? | 0:42:31 | 0:42:34 | |
Yes, miss. | 0:42:34 | 0:42:37 | |
So what did he say? | 0:42:37 | 0:42:40 | |
He said... | 0:42:40 | 0:42:42 | |
Joseph? | 0:42:42 | 0:42:44 | |
He said you're to go in person and request him civilly, | 0:42:45 | 0:42:47 | |
in a proper manner. | 0:42:47 | 0:42:50 | |
Where does he get his airs? I'll do no such thing. | 0:42:50 | 0:42:53 | |
He said you'd say that. He said to reply, "Beggars can't be choosers." | 0:42:53 | 0:42:58 | |
GALLOPING HOOVES | 0:43:03 | 0:43:05 | |
Mr Oak. | 0:43:18 | 0:43:19 | |
Gabriel. | 0:43:22 | 0:43:24 | |
Gabriel. | 0:43:25 | 0:43:27 | |
Please don't desert me, Gabriel. | 0:43:29 | 0:43:31 | |
I need your help. | 0:43:33 | 0:43:34 | |
Make room for me! | 0:43:54 | 0:43:55 | |
-I want to see. -No, you don't, Liddy. Be quiet. -Find the spot... | 0:44:23 | 0:44:28 | |
..between the ribs. | 0:44:30 | 0:44:31 | |
-Oh, Lord! -No, no, no, no, no. | 0:44:34 | 0:44:35 | |
Now... | 0:44:35 | 0:44:37 | |
I can see his heart beating. | 0:44:37 | 0:44:39 | |
AIR HISSES | 0:44:41 | 0:44:43 | |
-Come on. -Come on, girl. | 0:44:44 | 0:44:46 | |
-Come on. -She'll be all right. She'll be all right. | 0:44:46 | 0:44:48 | |
-You all right? You all right, Pixie? -Yeah, come on. | 0:44:48 | 0:44:51 | |
All right, Pixie! Pixie! | 0:44:51 | 0:44:54 | |
THEY LAUGH | 0:44:54 | 0:44:55 | |
Hey! Come here! | 0:44:55 | 0:44:56 | |
Hey, hey, hey. Hey, hey, hey! | 0:45:03 | 0:45:05 | |
MAN WHISTLES | 0:45:05 | 0:45:07 | |
# Lay me low | 0:45:25 | 0:45:29 | |
# Lay me low | 0:45:29 | 0:45:32 | |
# Where no-one can see me | 0:45:32 | 0:45:35 | |
# Where no-one can find me | 0:45:36 | 0:45:40 | |
# Where no-one can hurt me. # | 0:45:40 | 0:45:45 | |
THEY CHEER | 0:45:45 | 0:45:48 | |
Get out. | 0:45:54 | 0:45:55 | |
Please, quiet. | 0:45:55 | 0:45:57 | |
# Oh, early one morning as I was a-walking | 0:45:59 | 0:46:05 | |
# The fields and the meadows, they looked so green and gay | 0:46:07 | 0:46:13 | |
# The birds sang so sweetly | 0:46:13 | 0:46:16 | |
# So pleasant and so charming | 0:46:16 | 0:46:19 | |
# So early in the morning, at the break of day... # | 0:46:19 | 0:46:23 | |
Miss. Mr Boldwood is here. | 0:46:23 | 0:46:26 | |
Thank you. Thank you, Jan. Jan, thank you. | 0:46:26 | 0:46:30 | |
THEY APPLAUD | 0:46:30 | 0:46:32 | |
Mr Boldwood. What a pleasant surprise. Will you join us? | 0:46:33 | 0:46:37 | |
THEY TALK AMONGST THEMSELVES | 0:46:37 | 0:46:41 | |
Nice to have you, sir. | 0:46:52 | 0:46:54 | |
-A song, ma'am. -I have no voice. | 0:46:57 | 0:47:00 | |
Sing for us, miss! | 0:47:00 | 0:47:02 | |
Come on, ma'am, you've got a lovely voice. | 0:47:02 | 0:47:05 | |
THEY CHEER | 0:47:05 | 0:47:06 | |
# Come all you fair and tender girls | 0:47:16 | 0:47:21 | |
# That flourish in your prime | 0:47:21 | 0:47:27 | |
# Beware, beware, keep your garden fair | 0:47:27 | 0:47:33 | |
# Let no man steal your thyme | 0:47:33 | 0:47:38 | |
# Let no man steal your thyme | 0:47:38 | 0:47:43 | |
# For when your thyme, it is past and gone | 0:47:44 | 0:47:50 | |
# He'll care no more for you | 0:47:50 | 0:47:56 | |
# And every place where your thyme was waste | 0:47:56 | 0:48:02 | |
# Will all spread o'er with rue | 0:48:02 | 0:48:06 | |
# Will all spread o'er with rue | 0:48:07 | 0:48:12 | |
# The gardener's son was standing by | 0:48:13 | 0:48:19 | |
# Three flowers he gave to me | 0:48:19 | 0:48:23 | |
-TOGETHER: -# The pink, the blue and the violet true | 0:48:25 | 0:48:30 | |
# And the red, red rosy tree | 0:48:30 | 0:48:35 | |
# And the red, red rosy tree | 0:48:36 | 0:48:40 | |
# But I refused the red rose bush | 0:48:42 | 0:48:48 | |
# And gained the willow tree | 0:48:48 | 0:48:52 | |
# That all the world may plainly see | 0:48:53 | 0:48:58 | |
# How my love slighted me | 0:48:59 | 0:49:04 | |
# How my love slighted me... # | 0:49:05 | 0:49:11 | |
I thought we were rather good together. | 0:49:15 | 0:49:18 | |
-So did I. -We would make a fine duo. | 0:49:18 | 0:49:21 | |
I wanted to thank you | 0:49:22 | 0:49:23 | |
for not approaching me on that subject again. | 0:49:23 | 0:49:25 | |
Well, it has not been easy. | 0:49:27 | 0:49:30 | |
Do you wish me to...accompany you back to the house? | 0:49:38 | 0:49:42 | |
No, I like to walk around the farm every night | 0:49:43 | 0:49:45 | |
to make sure all is safe. | 0:49:45 | 0:49:48 | |
Then I...I can walk with you. | 0:49:48 | 0:49:51 | |
I've done it many times alone. | 0:49:51 | 0:49:54 | |
Goodnight, Mr Boldwood. You've been very kind. | 0:49:54 | 0:49:57 | |
A pleasure to see you. | 0:49:57 | 0:49:59 | |
SHE GASPS | 0:50:30 | 0:50:32 | |
-Who are you? -I'm sorry. I seem to be lost. | 0:50:32 | 0:50:36 | |
We're entangled. Are you hurt? | 0:50:36 | 0:50:39 | |
-No. -I'm looking for Weatherbury. | 0:50:39 | 0:50:41 | |
-I hope I didn't startle you. -We've got hitched together somehow. | 0:50:41 | 0:50:44 | |
Here, allow me. | 0:50:44 | 0:50:46 | |
No. No. Please, let me do it myself. | 0:50:46 | 0:50:50 | |
If you lift your foot for a moment... | 0:50:50 | 0:50:52 | |
Please don't stare. | 0:51:06 | 0:51:07 | |
I don't think I've ever seen a face as beautiful as yours. | 0:51:07 | 0:51:10 | |
You shouldn't be here. Please, let me have the lamp. | 0:51:14 | 0:51:18 | |
-MAN: -A mighty impressive harvest this looks like! | 0:51:28 | 0:51:31 | |
Miss... | 0:51:42 | 0:51:44 | |
Look. | 0:51:44 | 0:51:46 | |
-Who is he, Liddy? -Sergeant Francis Troy. | 0:51:49 | 0:51:53 | |
Noble blood, full of promise. Very sharp and trim. | 0:51:53 | 0:51:56 | |
Well-educated. There was good things expected of him. | 0:51:57 | 0:52:01 | |
He threw it all in to be a soldier. | 0:52:01 | 0:52:03 | |
Well, I won't have it. | 0:52:05 | 0:52:07 | |
-What are you doing, miss? -I'm going to tell him to leave. | 0:52:07 | 0:52:10 | |
Sergeant Troy, I must absolutely insist | 0:52:15 | 0:52:17 | |
that you leave at this very moment. | 0:52:17 | 0:52:19 | |
-I can't. -Will you follow me, please? | 0:52:19 | 0:52:22 | |
What angers you, exactly? | 0:52:42 | 0:52:43 | |
-Please... -What I said or the way I said it? | 0:52:45 | 0:52:47 | |
You must know. | 0:52:47 | 0:52:49 | |
There must be some man who tells you that you're beautiful. | 0:52:49 | 0:52:53 | |
-Not to my face, not... -But there is someone who kisses you? | 0:52:53 | 0:52:56 | |
I've never been kissed. | 0:52:56 | 0:52:57 | |
Why couldn't you have just passed by and said nothing? | 0:53:03 | 0:53:07 | |
Do you forgive me? | 0:53:08 | 0:53:09 | |
-I do not. -Why? | 0:53:11 | 0:53:13 | |
Because...the things you say... | 0:53:13 | 0:53:16 | |
I said that you were beautiful. | 0:53:16 | 0:53:17 | |
I wonder if you fight as well as you speak. | 0:53:22 | 0:53:24 | |
Better. | 0:53:24 | 0:53:26 | |
Meet me. | 0:53:31 | 0:53:33 | |
Tomorrow. | 0:53:33 | 0:53:36 | |
I can't. | 0:53:36 | 0:53:38 | |
-You don't want to? -Yes, but... | 0:53:38 | 0:53:40 | |
-Then you must. -I mustn't. | 0:53:40 | 0:53:42 | |
(Nobody would know.) | 0:53:42 | 0:53:43 | |
Please go now. | 0:53:46 | 0:53:49 | |
Tomorrow. | 0:53:49 | 0:53:50 | |
Eight o'clock. | 0:53:50 | 0:53:53 | |
The hollow in the ferns. | 0:53:53 | 0:53:55 | |
SHE SIGHS | 0:54:04 | 0:54:05 | |
Do you trust me? | 0:55:50 | 0:55:51 | |
I do. | 0:55:53 | 0:55:54 | |
I give you my word, as a soldier, I will not harm you. | 0:56:00 | 0:56:03 | |
The sword is blunt, | 0:56:03 | 0:56:06 | |
but you must not flinch. | 0:56:06 | 0:56:08 | |
I'll try not to. | 0:56:08 | 0:56:10 | |
You cut my hair. | 0:56:55 | 0:56:56 | |
This sword could skin you alive. | 0:56:59 | 0:57:01 | |
-But you told me I was safe. -And you were. | 0:57:01 | 0:57:03 | |
Entirely safe. | 0:57:05 | 0:57:06 | |
I gave you my word. | 0:57:06 | 0:57:08 | |
Now I will take this. | 0:57:11 | 0:57:12 | |
SHE WHIMPERS | 0:57:21 | 0:57:23 | |
Miss Everdene. | 0:58:27 | 0:58:28 | |
Perhaps I could walk with you? | 0:58:30 | 0:58:32 | |
I'm quite happy to walk by myself. | 0:58:32 | 0:58:34 | |
You should have nothing to do with him. | 0:58:36 | 0:58:39 | |
He's not good enough for you. | 0:58:39 | 0:58:41 | |
He's a perfectly decent man. | 0:58:41 | 0:58:44 | |
-That's not what I believe. -Why? What have you heard? | 0:58:44 | 0:58:48 | |
You don't know him at all. It's all rumours. | 0:58:50 | 0:58:53 | |
Prejudice, simply because he's a soldier. | 0:58:53 | 0:58:56 | |
I like soldiers. But not this one. | 0:58:56 | 0:58:57 | |
I believe him to have no conscience at all. | 0:58:57 | 0:59:01 | |
Stay clear. Don't listen to him. Don't believe him. | 0:59:01 | 0:59:04 | |
-Get rid of him. -And what is it to you? | 0:59:05 | 0:59:08 | |
I'm not such a fool as to imagine I might stand a chance | 0:59:11 | 0:59:14 | |
now that you are so above me. | 0:59:14 | 0:59:16 | |
But don't suppose I'm content to stay a nobody all my life. | 0:59:16 | 0:59:20 | |
One day, I will leave you. You can be sure of that. | 0:59:20 | 0:59:23 | |
But for now, I care for you too much | 0:59:23 | 0:59:25 | |
to see you go to ruin because of him. | 0:59:25 | 0:59:27 | |
So if you don't mind, I'll... | 0:59:29 | 0:59:31 | |
..I'll stay by your side. | 0:59:34 | 0:59:35 | |
Good evening. | 0:59:38 | 0:59:40 | |
"Mr Boldwood... | 0:59:57 | 0:59:59 | |
"You have been a dear friend to me these past months. | 0:59:59 | 1:00:02 | |
"And it is because I value our friendship so greatly | 1:00:02 | 1:00:05 | |
"that I am writing. | 1:00:05 | 1:00:07 | |
"I am honoured by your proposal | 1:00:07 | 1:00:10 | |
"and have given it much thought, | 1:00:10 | 1:00:13 | |
"but I must tell you that... to my own surprise, | 1:00:13 | 1:00:15 | |
"I have undergone what can only be described as a change of heart | 1:00:15 | 1:00:19 | |
"and I'm afraid I cannot accept your offer." | 1:00:19 | 1:00:22 | |
I wasn't sure you'd be here. | 1:00:44 | 1:00:47 | |
Where else would I be? | 1:00:47 | 1:00:49 | |
You ready? | 1:00:52 | 1:00:53 | |
Are you sure? | 1:00:55 | 1:00:57 | |
How does this sound? | 1:01:01 | 1:01:03 | |
Mrs Bathsheba Troy. | 1:01:04 | 1:01:07 | |
(All right?) | 1:01:22 | 1:01:24 | |
Walk on. | 1:02:17 | 1:02:19 | |
DOG BARKS, WIND WHISTLES | 1:02:39 | 1:02:43 | |
WIND PICKS UP SPEED | 1:02:56 | 1:02:58 | |
DOOR SLAMS | 1:02:58 | 1:03:00 | |
HORSES WHINNY | 1:03:03 | 1:03:04 | |
THUNDER RUMBLES | 1:03:10 | 1:03:12 | |
JIG PLAYS | 1:03:18 | 1:03:21 | |
Gentlemen! Ladies and gentlemen. | 1:04:02 | 1:04:06 | |
A short time ago, I had the privilege | 1:04:07 | 1:04:12 | |
and the simple fortune of meeting this angel. | 1:04:12 | 1:04:18 | |
Your mistress. | 1:04:18 | 1:04:19 | |
And now I stand before you her husband, | 1:04:19 | 1:04:24 | |
your master, | 1:04:24 | 1:04:26 | |
and the proudest man you will ever see. | 1:04:26 | 1:04:29 | |
So, please, charge your glasses | 1:04:29 | 1:04:33 | |
and sing out to my most beautiful wife, | 1:04:33 | 1:04:39 | |
Mrs Bathsheba Troy. | 1:04:39 | 1:04:43 | |
THEY CHEER | 1:04:43 | 1:04:46 | |
Miss Everdene, there's going to be a storm. | 1:04:48 | 1:04:51 | |
Oak, you big lump. To me. | 1:04:51 | 1:04:55 | |
There's going to be a storm. | 1:04:55 | 1:04:57 | |
We need to protect the ricks or we'll lose the harvest. | 1:04:57 | 1:05:00 | |
I need five to six men for an hour, no more. | 1:05:00 | 1:05:03 | |
Frank, perhaps we ought to... | 1:05:03 | 1:05:04 | |
No. Darling, it's our wedding celebration. | 1:05:04 | 1:05:06 | |
It will not rain tonight. | 1:05:07 | 1:05:09 | |
My wife forbids it. | 1:05:09 | 1:05:12 | |
Now, if you'll excuse me. | 1:05:12 | 1:05:15 | |
Friends! | 1:05:15 | 1:05:16 | |
One more thing. | 1:05:17 | 1:05:19 | |
I may no longer be Sergeant Troy, | 1:05:19 | 1:05:24 | |
but I remain a soldier in this one respect! | 1:05:24 | 1:05:29 | |
The finest bottles of French brandy, | 1:05:29 | 1:05:33 | |
a triple-strength dose for every man. | 1:05:33 | 1:05:37 | |
Cheers! To your health! | 1:05:37 | 1:05:39 | |
JIG STARTS PLAYING | 1:05:39 | 1:05:42 | |
THUNDER CLAPS | 1:06:06 | 1:06:08 | |
CHEERING | 1:06:12 | 1:06:14 | |
# Pretty Polly, Pretty Polly it's I've come a-wooin' | 1:06:17 | 1:06:21 | |
# Pretty Polly, Pretty Polly it's I've come a-wooin' | 1:06:22 | 1:06:27 | |
# She says creep and crawl through the window, then | 1:06:28 | 1:06:31 | |
# And let's get doin' | 1:06:31 | 1:06:32 | |
# And lay your leg over me, over me, do | 1:06:32 | 1:06:38 | |
# Oh, me britches is tight and I cannot undo 'em | 1:06:38 | 1:06:43 | |
# Oh, me britches is tight and I cannot undo 'em | 1:06:43 | 1:06:48 | |
# There's a knife on the windowsill, love, take it to 'em | 1:06:48 | 1:06:52 | |
# And lay your leg over me... # | 1:06:52 | 1:06:55 | |
GABRIEL GASPS | 1:06:56 | 1:06:59 | |
WIND BELLOWS | 1:07:07 | 1:07:08 | |
# About 40 weeks after, the fine baby come bawling | 1:07:13 | 1:07:19 | |
# Never regretted that creepin' and crawlin' | 1:07:19 | 1:07:23 | |
# Lay your leg over me, over me... # | 1:07:23 | 1:07:26 | |
THUNDER CLAPS | 1:07:26 | 1:07:29 | |
WIND WHISTLES | 1:07:47 | 1:07:48 | |
THUNDER | 1:07:56 | 1:07:59 | |
THUNDER BELLOWS | 1:08:10 | 1:08:12 | |
Gabriel! | 1:08:12 | 1:08:13 | |
Gabriel! | 1:08:16 | 1:08:18 | |
-What can I do? -It's too dangerous! | 1:08:19 | 1:08:22 | |
I'm coming up! | 1:08:22 | 1:08:24 | |
Hold it down. | 1:08:34 | 1:08:36 | |
Still no rain. | 1:08:36 | 1:08:38 | |
It'll come. | 1:08:38 | 1:08:40 | |
THUNDER CLAPS, SHE SCREAMS | 1:08:51 | 1:08:53 | |
Come on, hold me! Come here. Come here. | 1:08:53 | 1:08:57 | |
Come here. Come on. | 1:09:02 | 1:09:05 | |
Gabriel, I've been a fool. | 1:09:24 | 1:09:27 | |
I've always had contempt for silly girls | 1:09:27 | 1:09:30 | |
dazzled by flattery in a scarlet uniform and... | 1:09:30 | 1:09:34 | |
and now I've done what I swore I would never do. | 1:09:34 | 1:09:37 | |
But he told me about another woman, | 1:09:39 | 1:09:42 | |
a woman more beautiful that he'd loved before, | 1:09:42 | 1:09:44 | |
and I couldn't bear it. | 1:09:44 | 1:09:46 | |
So somewhere between jealousy and distraction, I married him. | 1:09:48 | 1:09:51 | |
I don't want an opinion on the subject, I just... | 1:09:51 | 1:09:55 | |
In fact, I forbid it. | 1:09:55 | 1:09:56 | |
Go to bed. | 1:10:02 | 1:10:04 | |
I'll finish it on my own. | 1:10:04 | 1:10:05 | |
Gabriel... | 1:10:07 | 1:10:09 | |
Thank you. | 1:10:12 | 1:10:13 | |
Sir? | 1:10:38 | 1:10:40 | |
Mr Boldwood, sir! | 1:10:43 | 1:10:45 | |
I wanted to ensure your mistress' crops were safe. | 1:10:45 | 1:10:49 | |
Good work, Gabriel. She's lucky to have you. | 1:10:49 | 1:10:51 | |
Wait a moment, sir. | 1:10:52 | 1:10:54 | |
You seem unwell, sir. | 1:11:02 | 1:11:04 | |
You should go home. | 1:11:04 | 1:11:05 | |
Yes. | 1:11:07 | 1:11:08 | |
Yes, I...I will. | 1:11:11 | 1:11:12 | |
Oak... | 1:11:18 | 1:11:19 | |
You know that things have not gone well with me, lately. | 1:11:21 | 1:11:26 | |
I was going to get a little settled in life. | 1:11:26 | 1:11:29 | |
But, er... | 1:11:29 | 1:11:31 | |
..it was not to be. | 1:11:34 | 1:11:36 | |
I dare say I'm something of a... | 1:11:38 | 1:11:41 | |
..a joke about the parish. | 1:11:41 | 1:11:44 | |
But I do want to make one thing clear. | 1:11:44 | 1:11:48 | |
There was no jilting on her part. | 1:11:48 | 1:11:50 | |
We were never engaged. | 1:11:52 | 1:11:54 | |
No matter what people say. | 1:11:54 | 1:11:56 | |
She promised me nothing. | 1:11:58 | 1:12:00 | |
And yet, | 1:12:05 | 1:12:08 | |
Gabriel... | 1:12:08 | 1:12:09 | |
..I feel the most... the most terrible grief. | 1:12:12 | 1:12:15 | |
Not a word to her. | 1:12:21 | 1:12:23 | |
We understand each other, yes? | 1:12:24 | 1:12:26 | |
Yes, sir. | 1:12:30 | 1:12:32 | |
Damn and blast it! | 1:13:20 | 1:13:22 | |
Sit. | 1:13:25 | 1:13:26 | |
Stay. Now, turn around. | 1:13:26 | 1:13:28 | |
-Can you spare a coin, please? -No, no. | 1:13:35 | 1:13:37 | |
Hit him! | 1:13:41 | 1:13:43 | |
Come on! | 1:13:43 | 1:13:44 | |
Knock him out! | 1:13:45 | 1:13:47 | |
Hit him! | 1:13:48 | 1:13:50 | |
Pay up. Pay up, Mr Troy. | 1:13:54 | 1:13:57 | |
Just take it. | 1:13:57 | 1:13:58 | |
Sir, excuse me. Could you spare a coin, please? | 1:14:04 | 1:14:08 | |
No. | 1:14:08 | 1:14:09 | |
Fanny? | 1:14:11 | 1:14:12 | |
Hello, Frank. | 1:14:20 | 1:14:21 | |
Hello. | 1:14:23 | 1:14:25 | |
-You're so pale. -Oh, Frank. | 1:14:27 | 1:14:30 | |
Darling, your hands are shaking. | 1:14:30 | 1:14:33 | |
I thought you said All Souls, not All Saints. | 1:14:33 | 1:14:36 | |
I went to the wrong church. | 1:14:36 | 1:14:39 | |
When I got there, you'd gone. And I don't blame you, | 1:14:39 | 1:14:42 | |
but it's been very hard, Frank. I... | 1:14:42 | 1:14:45 | |
Not now. | 1:14:45 | 1:14:46 | |
My wife mustn't see you. | 1:14:48 | 1:14:50 | |
Your wife? | 1:14:50 | 1:14:51 | |
Mrs Troy is very beautiful. | 1:15:02 | 1:15:04 | |
SHE CRIES | 1:15:04 | 1:15:06 | |
No more than you. | 1:15:06 | 1:15:07 | |
Frank, I must tell you, I'm carrying your child. | 1:15:10 | 1:15:14 | |
What? | 1:15:14 | 1:15:16 | |
What if I told you that I'd made a terrible mistake... | 1:15:28 | 1:15:30 | |
..but that I will make amends? | 1:15:32 | 1:15:34 | |
I swear, on my life, I will find a home for you and our baby. | 1:15:35 | 1:15:39 | |
-You've sworn before, Frank. -No, this time...this time... | 1:15:39 | 1:15:43 | |
Go to Budmouth. Stay at the Union. | 1:15:51 | 1:15:53 | |
-The workhouse, Frank? -Tonight, just tonight. One night. | 1:15:53 | 1:15:57 | |
And then meet me tomorrow at 10 o'clock on the bridge. | 1:15:57 | 1:16:00 | |
I'll bring you all the money I have and I'll find a home for you. | 1:16:00 | 1:16:04 | |
You'll be safe, my darling. And I promise you... | 1:16:04 | 1:16:07 | |
I promise you, I will make amends. | 1:16:07 | 1:16:11 | |
Get back in the carriage. | 1:16:16 | 1:16:18 | |
-Do you know who that woman is? -I do. | 1:16:18 | 1:16:22 | |
-Who is she? -She's nothing. | 1:16:22 | 1:16:25 | |
Get back in the carriage. | 1:16:25 | 1:16:28 | |
Frank... | 1:16:28 | 1:16:29 | |
BIRDS TWITTER | 1:16:34 | 1:16:37 | |
SHE PANTS | 1:16:59 | 1:17:02 | |
SHE GASPS IN PAIN | 1:17:25 | 1:17:28 | |
Could you let me have £20? | 1:17:36 | 1:17:38 | |
What for? | 1:17:41 | 1:17:43 | |
I need it. | 1:17:43 | 1:17:44 | |
If you continue to gamble, we will lose the farm. | 1:17:46 | 1:17:49 | |
-It's not for gambling. -What's it for? | 1:17:49 | 1:17:52 | |
Why should it matter what it's for? It's my money. | 1:17:52 | 1:17:54 | |
I work for it, don't I? | 1:17:54 | 1:17:57 | |
No. You don't. | 1:17:57 | 1:18:00 | |
Not proper farm work. | 1:18:00 | 1:18:02 | |
Don't do something you'll regret. | 1:18:04 | 1:18:06 | |
The money is required for farm expenses. | 1:18:08 | 1:18:11 | |
No mistake, Mr Oak. This was Miss Robbin's last known abode. | 1:18:57 | 1:19:00 | |
Fanny was my uncle's servant and we shall treat her with respect. | 1:19:00 | 1:19:03 | |
Perhaps we should take her to the church, just for tonight. | 1:19:05 | 1:19:08 | |
No, bring her inside, please. | 1:19:08 | 1:19:10 | |
What did she die of, Liddy? | 1:19:30 | 1:19:32 | |
I don't know, miss. | 1:19:33 | 1:19:35 | |
There were rumours, but... | 1:19:38 | 1:19:40 | |
Fanny had a sweetheart, didn't she? | 1:19:40 | 1:19:42 | |
Yes, miss. | 1:19:42 | 1:19:44 | |
A soldier. | 1:19:46 | 1:19:47 | |
Please, come and sit upstairs with me. | 1:19:51 | 1:19:53 | |
I seem to cry a great deal these days. | 1:20:11 | 1:20:14 | |
I never used to cry at all. | 1:20:16 | 1:20:17 | |
Goodnight, Liddy. | 1:20:28 | 1:20:29 | |
Night, miss. | 1:20:29 | 1:20:31 | |
SHE GASPS | 1:21:17 | 1:21:18 | |
What? | 1:21:25 | 1:21:27 | |
-Who is it? -I can't say... | 1:21:27 | 1:21:29 | |
Stay, stay. Stay. | 1:21:29 | 1:21:31 | |
Don't kiss them, Frank. | 1:21:50 | 1:21:52 | |
I'm still your wife. | 1:21:52 | 1:21:54 | |
This woman, dead as she is, | 1:22:02 | 1:22:05 | |
is more to me than you ever were, | 1:22:05 | 1:22:08 | |
or are, or can be. | 1:22:08 | 1:22:10 | |
You are nothing to me now. | 1:22:13 | 1:22:14 | |
Nothing. | 1:22:17 | 1:22:18 | |
INDISTINCT CHATTER | 1:24:04 | 1:24:07 | |
Mrs Troy? | 1:24:22 | 1:24:23 | |
I'm afraid... | 1:24:27 | 1:24:29 | |
I'm afraid your husband has drowned. | 1:24:29 | 1:24:31 | |
-That's a great responsibility, sir. -Nonsense. | 1:26:01 | 1:26:03 | |
No reason why a man of your ability | 1:26:03 | 1:26:05 | |
shouldn't be able to superintend two farms. | 1:26:05 | 1:26:07 | |
And why shouldn't there be stronger links between our establishments? | 1:26:07 | 1:26:10 | |
Think of it. 2,000 acres under your sole charge. | 1:26:10 | 1:26:14 | |
A share of my profits. | 1:26:14 | 1:26:15 | |
-Miss Everdene needs me here. -And her farm will have priority. | 1:26:15 | 1:26:18 | |
-I'd still need Miss Everdene's permission. -But, of course. | 1:26:18 | 1:26:21 | |
Of course, I wouldn't dare do anything without her blessing. | 1:26:21 | 1:26:23 | |
And if it'll help sway your decision... | 1:26:23 | 1:26:26 | |
..there's an old comrade of yours here. | 1:26:30 | 1:26:33 | |
-Georgie! -Had to go all the way to Norcombe Hill | 1:26:35 | 1:26:37 | |
to find this old fella. | 1:26:37 | 1:26:38 | |
-Are you pleased? -Yes, sir, very much. | 1:26:38 | 1:26:41 | |
And I'll have your decision soon, yes? | 1:26:41 | 1:26:45 | |
You will, sir. | 1:26:45 | 1:26:46 | |
Hey, Georgie. | 1:26:46 | 1:26:48 | |
Come on. Come on. Come on. | 1:26:50 | 1:26:52 | |
DOG BARKS | 1:26:54 | 1:26:57 | |
Come on! Come on! | 1:27:02 | 1:27:03 | |
Gabriel, you're getting on in the world. | 1:27:05 | 1:27:08 | |
Of course you must accept the offer. | 1:27:08 | 1:27:10 | |
Only with your approval. | 1:27:10 | 1:27:12 | |
If I lose the farm, there may be no future for any of us here. | 1:27:12 | 1:27:16 | |
You know where my loyalty lies. | 1:27:16 | 1:27:18 | |
You're a man of great talent. | 1:27:21 | 1:27:23 | |
It's only natural that you should rise, | 1:27:23 | 1:27:25 | |
I've no desire to hold you back. | 1:27:25 | 1:27:26 | |
Thank you. | 1:27:38 | 1:27:39 | |
Come on, Georgie. Come on. | 1:27:44 | 1:27:46 | |
Forgive me. I understand there are debts. | 1:27:50 | 1:27:55 | |
Your late husband. | 1:27:56 | 1:27:58 | |
Perhaps... Perhaps we should change the subject. | 1:27:58 | 1:28:01 | |
Perhaps I can help. | 1:28:01 | 1:28:03 | |
Mr Boldwood, that's a very kind offer, | 1:28:07 | 1:28:10 | |
but I would never dream of accepting any money. | 1:28:10 | 1:28:13 | |
I am a middle-aged man... | 1:28:17 | 1:28:18 | |
..willing to protect you for the rest of your life. | 1:28:20 | 1:28:23 | |
You may run your farm, if you wish, without risk. | 1:28:26 | 1:28:29 | |
I'll pay your... | 1:28:32 | 1:28:34 | |
departed husband's debts | 1:28:34 | 1:28:36 | |
and guarantee its financial stability. | 1:28:36 | 1:28:38 | |
It can be your pastime. | 1:28:40 | 1:28:41 | |
Of course, we'd...need to wait, | 1:28:44 | 1:28:47 | |
for propriety's sake. | 1:28:47 | 1:28:50 | |
But when you're ready, | 1:28:50 | 1:28:52 | |
I'm offering you shelter. | 1:28:52 | 1:28:53 | |
Comfort. | 1:28:55 | 1:28:57 | |
A safe harbour. | 1:28:57 | 1:28:58 | |
As my wife. | 1:29:02 | 1:29:03 | |
You must at least admire my persistence. | 1:29:08 | 1:29:10 | |
I do. | 1:29:13 | 1:29:14 | |
-And like me? -Yes. | 1:29:14 | 1:29:16 | |
And...respect me? | 1:29:18 | 1:29:20 | |
-Yes. Very much. -Which is it? Like or respect? | 1:29:20 | 1:29:23 | |
It is difficult for a woman to define her feelings | 1:29:28 | 1:29:30 | |
in a language chiefly made by men to express theirs. | 1:29:30 | 1:29:33 | |
If you worry about a lack of passion on your part, | 1:29:33 | 1:29:36 | |
a lack of, er... | 1:29:36 | 1:29:37 | |
..desire, | 1:29:40 | 1:29:42 | |
if you worry about marrying me merely out of guilt... | 1:29:42 | 1:29:47 | |
..and, er... | 1:29:48 | 1:29:49 | |
..pity... | 1:29:51 | 1:29:53 | |
and compromise, well... | 1:29:53 | 1:29:56 | |
I don't mind. | 1:29:56 | 1:29:57 | |
-When must you give your answer? -By Christmas. | 1:30:01 | 1:30:04 | |
It's a terrible responsibility. | 1:30:07 | 1:30:08 | |
I hold that man's future in my hands. | 1:30:11 | 1:30:14 | |
His sanity, too, perhaps. | 1:30:14 | 1:30:16 | |
-Could you care for him? -You may suppose love is wanting. | 1:30:16 | 1:30:19 | |
But love's a worn-out, miserable thing for me now. | 1:30:21 | 1:30:24 | |
Why are you asking me? | 1:30:24 | 1:30:26 | |
I need someone who's objective. | 1:30:30 | 1:30:33 | |
Indifferent. | 1:30:33 | 1:30:34 | |
Then I'm afraid you're asking the wrong man. | 1:30:36 | 1:30:39 | |
Good evening, Mr Oak. | 1:30:56 | 1:30:58 | |
Good evening. | 1:30:59 | 1:31:01 | |
That's it. | 1:31:18 | 1:31:20 | |
# Rejoice | 1:31:30 | 1:31:33 | |
# Rejoice | 1:31:33 | 1:31:36 | |
# Emmanuel | 1:31:36 | 1:31:40 | |
# Shall come to thee | 1:31:40 | 1:31:42 | |
# O, Israel | 1:31:42 | 1:31:48 | |
# O, come, Thou Rod of Jesse... # | 1:31:50 | 1:31:55 | |
I appreciate you coming along, Oak. | 1:31:55 | 1:31:57 | |
Yes, very good. Well done. | 1:31:58 | 1:32:00 | |
-Just more...more things. -Yes, sir. | 1:32:00 | 1:32:03 | |
So...what do you think? | 1:32:07 | 1:32:10 | |
I'm not in the habit of organising parties. | 1:32:10 | 1:32:13 | |
Perhaps we should make it an annual event. | 1:32:13 | 1:32:16 | |
Every Christmas Eve. | 1:32:16 | 1:32:17 | |
I've invited the whole village. Do you think they'll come? | 1:32:17 | 1:32:20 | |
Do you think Miss Everdene will come? | 1:32:20 | 1:32:22 | |
I'm sure she will. | 1:32:22 | 1:32:23 | |
Yes. | 1:32:25 | 1:32:26 | |
And you'll come too, I hope? | 1:32:26 | 1:32:29 | |
I know Miss Everdene would like you to be here. | 1:32:29 | 1:32:32 | |
Perhaps, for an hour or so. | 1:32:32 | 1:32:33 | |
Look, I'm shaking. I'm so nervous. | 1:32:38 | 1:32:41 | |
Gabriel, will you...? | 1:32:42 | 1:32:45 | |
-As well as you can, please. -I'll try. | 1:32:45 | 1:32:47 | |
Is there a knot that's particularly fashionable? | 1:32:47 | 1:32:50 | |
You're asking the wrong man. | 1:32:52 | 1:32:54 | |
What about women? | 1:32:56 | 1:32:58 | |
Does a woman keep her promise? | 1:32:58 | 1:33:00 | |
She has promised? | 1:33:01 | 1:33:03 | |
An implied promise. | 1:33:03 | 1:33:05 | |
-Once again, I'm... -Will she do what's right? | 1:33:07 | 1:33:10 | |
If it's not inconvenient to her. | 1:33:13 | 1:33:15 | |
Oak, you've become quite cynical lately. | 1:33:16 | 1:33:18 | |
She never promised that first time. | 1:33:19 | 1:33:21 | |
Therefore she has never broken her promise. | 1:33:21 | 1:33:24 | |
She hasn't promised this time either. | 1:33:24 | 1:33:26 | |
But she will. | 1:33:27 | 1:33:30 | |
Tonight. I know she will. | 1:33:30 | 1:33:32 | |
And when she does... | 1:33:34 | 1:33:36 | |
I wanted to tell you in advance, Gabriel... | 1:33:41 | 1:33:45 | |
..because I...I believe I know your secret. | 1:33:46 | 1:33:49 | |
I've seen you together. | 1:33:52 | 1:33:54 | |
The way you speak to her. | 1:33:56 | 1:33:58 | |
And watch her. | 1:34:00 | 1:34:01 | |
And look after her. | 1:34:02 | 1:34:03 | |
And I know her... | 1:34:05 | 1:34:06 | |
..profound affection for you. | 1:34:08 | 1:34:11 | |
You've behaved like a man, | 1:34:12 | 1:34:15 | |
and as the successful rival, successful through your kindness, | 1:34:15 | 1:34:20 | |
I wish to tell you... | 1:34:20 | 1:34:21 | |
..I am profoundly grateful. | 1:34:23 | 1:34:25 | |
The cook would like a word, sir. | 1:34:30 | 1:34:31 | |
INDISTINCT CHATTER | 1:34:58 | 1:35:02 | |
MUSIC PLAYS | 1:35:21 | 1:35:24 | |
-With me, Joseph. -No, please don't. Liddy, don't. | 1:35:37 | 1:35:41 | |
MUSIC DROWNS CONVERSATION | 1:35:47 | 1:35:50 | |
Would you excuse me? | 1:36:04 | 1:36:05 | |
I've come to say goodnight. | 1:36:11 | 1:36:13 | |
Go back and talk to the poor things. You've broken their hearts. | 1:36:13 | 1:36:17 | |
I don't suit this kind of affair. | 1:36:18 | 1:36:20 | |
No. Nor do I. | 1:36:21 | 1:36:23 | |
I wish I could go too. | 1:36:24 | 1:36:25 | |
MUSIC STOPS | 1:36:28 | 1:36:30 | |
APPLAUSE | 1:36:30 | 1:36:31 | |
-I must go. -Not before you've danced. | 1:36:35 | 1:36:38 | |
Both of you. I insist. | 1:36:38 | 1:36:40 | |
Mr Oak? | 1:36:44 | 1:36:45 | |
Thank you. | 1:36:48 | 1:36:49 | |
MUSIC STARTS UP | 1:36:51 | 1:36:53 | |
Tell me what to do. | 1:37:17 | 1:37:18 | |
Gabriel? | 1:37:24 | 1:37:25 | |
Do what is right. | 1:37:32 | 1:37:33 | |
Sorry, excuse me. | 1:37:37 | 1:37:39 | |
Frank. | 1:38:23 | 1:38:24 | |
Black suits you. | 1:38:26 | 1:38:27 | |
Although a little premature. | 1:38:29 | 1:38:31 | |
You're alive. | 1:38:36 | 1:38:39 | |
And here I am. Pulled from the sea. | 1:38:39 | 1:38:42 | |
Some fishermen found me and brought me to shore. | 1:38:42 | 1:38:46 | |
Then I discovered I was dead and found I preferred it. | 1:38:46 | 1:38:50 | |
For a while, anyway. | 1:38:51 | 1:38:53 | |
-Why have you come back? -The strangest thing. | 1:38:53 | 1:38:57 | |
I missed you. | 1:38:57 | 1:38:58 | |
You don't seem very happy to see me. | 1:39:00 | 1:39:03 | |
You said I was nothing to you. | 1:39:03 | 1:39:05 | |
Did I? | 1:39:05 | 1:39:07 | |
Well, then. | 1:39:09 | 1:39:11 | |
Honesty at all times. | 1:39:11 | 1:39:14 | |
I find myself in need of money. | 1:39:14 | 1:39:15 | |
I gave up my profession for you, and it seems a little harsh | 1:39:17 | 1:39:20 | |
that you have a farm and a house while I'm living off nothing. | 1:39:20 | 1:39:24 | |
-There is no money. -Then, sell the farm. | 1:39:24 | 1:39:27 | |
Come home. | 1:39:38 | 1:39:39 | |
No. | 1:39:44 | 1:39:45 | |
I said, come home. | 1:39:47 | 1:39:51 | |
I'm your husband and you'll obey me! | 1:39:53 | 1:39:55 | |
GUNSHOT | 1:39:55 | 1:39:56 | |
SHE GASPS | 1:39:57 | 1:40:00 | |
HE PANTS | 1:40:05 | 1:40:07 | |
(Oh, my God...) | 1:40:11 | 1:40:13 | |
DOOR CLANGS SHUT | 1:40:53 | 1:40:55 | |
Let me see. | 1:41:38 | 1:41:39 | |
If it's any consolation, his life will be spared. | 1:41:42 | 1:41:45 | |
Crime of passion. | 1:41:47 | 1:41:49 | |
Morning, Liddy. | 1:42:15 | 1:42:16 | |
It's a fine harvest, ma'am. Best we've had in years. | 1:42:18 | 1:42:22 | |
Will we have it all over before the dew? | 1:42:22 | 1:42:23 | |
We will indeed, ma'am. Luck's been on our side. | 1:42:23 | 1:42:26 | |
Come, Liddy, give me a hand. | 1:42:32 | 1:42:34 | |
HE SHOUTS INSTRUCTIONS | 1:42:41 | 1:42:42 | |
I'm sorry I startled you. | 1:43:00 | 1:43:01 | |
I wanted to tidy up for them. I haven't been here for so long. | 1:43:03 | 1:43:07 | |
Are you going in? | 1:43:10 | 1:43:12 | |
Rehearsals. I sing bass in the choir. | 1:43:12 | 1:43:15 | |
Yes, I've heard you. | 1:43:15 | 1:43:16 | |
Then I apologise. | 1:43:18 | 1:43:20 | |
I've been hoping to get a chance to talk to you. | 1:43:23 | 1:43:27 | |
We've...we've not spoken as much as I'd have liked. | 1:43:27 | 1:43:30 | |
No. | 1:43:32 | 1:43:33 | |
I'm leaving England. | 1:43:41 | 1:43:43 | |
Leaving? | 1:43:47 | 1:43:48 | |
Going to America. | 1:43:50 | 1:43:51 | |
There's a boat leaving Bristol in four days' time. I'll be on it. | 1:43:53 | 1:43:57 | |
Now that the farm is secure. | 1:43:57 | 1:44:00 | |
I understand I should give you notice. | 1:44:00 | 1:44:03 | |
No. | 1:44:05 | 1:44:07 | |
You must go when you want. | 1:44:07 | 1:44:08 | |
I'll leave first thing tomorrow. No fuss. | 1:44:12 | 1:44:15 | |
I think that's best. | 1:44:17 | 1:44:19 | |
GEORGE WHIMPERS | 1:45:02 | 1:45:04 | |
SHE SIGHS | 1:45:09 | 1:45:10 | |
GEORGE YELPS | 1:45:15 | 1:45:16 | |
Gabriel! | 1:46:02 | 1:46:03 | |
Gabriel. | 1:46:08 | 1:46:09 | |
Wait. | 1:46:10 | 1:46:11 | |
You'll think I'm strange, but... | 1:46:28 | 1:46:30 | |
..I've been worried. Have I offended you somehow? | 1:46:32 | 1:46:34 | |
No, not at all. | 1:46:34 | 1:46:36 | |
Is it money? | 1:46:37 | 1:46:39 | |
I'll pay you whatever you want. | 1:46:39 | 1:46:41 | |
I don't need money now. | 1:46:41 | 1:46:44 | |
A formal partnership, then? | 1:46:44 | 1:46:45 | |
Nor a partnership. | 1:46:45 | 1:46:48 | |
The farm belongs to you alone. | 1:46:48 | 1:46:49 | |
It's the finest farm for miles around. | 1:46:49 | 1:46:52 | |
Then why else are you leaving? | 1:46:52 | 1:46:54 | |
I said I'd leave you one day. | 1:46:54 | 1:46:56 | |
Well, you must not go. | 1:47:00 | 1:47:01 | |
-You forbid me? -Yes, if you like. | 1:47:03 | 1:47:06 | |
I forbid you. | 1:47:06 | 1:47:08 | |
It's time for you to fight your own battles. | 1:47:10 | 1:47:14 | |
And win them, too. | 1:47:14 | 1:47:15 | |
So we should say goodbye, then? | 1:47:18 | 1:47:20 | |
I suppose so. | 1:47:22 | 1:47:23 | |
Gabriel, wait. | 1:47:34 | 1:47:35 | |
Thank you, Gabriel. | 1:47:39 | 1:47:41 | |
You've believed in me and fought for me... | 1:47:43 | 1:47:46 | |
and stood by my side when all the rest of the world is against me. | 1:47:46 | 1:47:49 | |
And we've been through so much together. | 1:47:51 | 1:47:54 | |
Wasn't I your first sweetheart? | 1:47:58 | 1:48:00 | |
Weren't you mine? | 1:48:03 | 1:48:04 | |
And now I'd have to go on without you. | 1:48:10 | 1:48:13 | |
If I knew... | 1:48:17 | 1:48:19 | |
If I knew that you would let me love you and marry you... | 1:48:24 | 1:48:28 | |
But you will never know. | 1:48:28 | 1:48:30 | |
Why not? | 1:48:32 | 1:48:33 | |
Because you never ask! | 1:48:34 | 1:48:37 | |
Would you say no again? | 1:48:37 | 1:48:39 | |
I don't know. | 1:48:41 | 1:48:42 | |
Probably. | 1:48:44 | 1:48:46 | |
THEY LAUGH | 1:48:46 | 1:48:48 | |
So why don't you? | 1:48:52 | 1:48:53 | |
Ask me. | 1:48:56 | 1:48:57 | |
Ask me. | 1:49:01 | 1:49:02 | |
Ask me, Gabriel. | 1:49:07 | 1:49:09 | |
# Come all you fair and tender girls | 1:51:49 | 1:51:54 | |
# That flourish in your prime | 1:51:55 | 1:52:00 | |
# Beware, beware | 1:52:01 | 1:52:03 | |
# Keep your garden fair | 1:52:03 | 1:52:05 | |
# Let no man steal your thyme | 1:52:06 | 1:52:11 | |
# Let no man steal your thyme. # | 1:52:12 | 1:52:17 |