Far from the Madding Crowd


Far from the Madding Crowd

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Transcript


LineFromTo

Shh. Hey.

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Bathsheba Everdene.

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Bathsheba...

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The name has always sounded strange to me.

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I don't like to hear it said out loud.

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My parents died when I was very young

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so there's no-one to ask where it came from.

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I've grown accustomed to being on my own.

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Some say...too accustomed.

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Too independent.

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Ya!

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DOG BARKS

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Miss!

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Miss!

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My scarf.

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I lost it.

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-You must be Farmer Oak?

-Gabriel, yes.

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My aunt's told me about you.

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I'm working on her farm for the winter.

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This is your land.

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I'm trespassing.

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You're welcome here.

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-Good afternoon, Farmer Oak.

-Good afternoon, miss.

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HE WHISTLES, SHEEP BLEAT

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Come by, George.

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George, away! Enough, George!

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Enough!

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Stand. Stand.

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George, stand.

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Away!

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Away!

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George, away!

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He doesn't know when to stop, Young George.

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-What's this one called?

-Old George.

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SHE LAUGHS

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Old George!

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So you find me amusing, do you?

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OLD GEORGE WHIMPERS

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HORSE WHINNIES

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Goodness, it's Mr Oak.

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..and after that she was going to be a governess.

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But she was far too wild. Always has been.

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Oh!

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Miss Bathsheba Everdene...

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..I've brought you a lamb.

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Oh!

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Thank you, Mr Oak.

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He's such a dear thing.

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He's come too soon and won't last the winter,

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so I thought you'd like to rear it instead.

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Thank you, that's very kind.

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I'll make some tea.

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-The lamb is not why I came.

-Go on.

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Well, Miss Everdene, I wanted to ask...

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would you like to marry me?

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I've never asked anyone before.

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No.

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I should hope not.

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Well...

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Perhaps I... I should...

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-Perhaps I should leave.

-Mr Oak, there are things to consider.

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Is someone waiting for you?

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No. But that doesn't mean I'll marry you.

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Good day to you, then.

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Mr Oak!

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Mr Oak!

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Wait!

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I didn't say I wouldn't marry you either.

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I haven't ever really thought about it.

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I have 100 acres and 200 sheep.

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If I pay off the money, the farm is ours.

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You could have a piano in a year or two.

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Flowers and birds and a frame for cucumbers.

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A baby or two.

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-Mr Oak...

-Or more.

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I will always be there for you.

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Mr Oak, I don't want a husband.

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I'd hate to be some man's property.

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I shouldn't mind being a bride at a wedding

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if I could be one without getting a husband.

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That's stupid talk.

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You are better off than I, Mr Oak.

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I have an education and nothing more.

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-You could do much, much better than me.

-That's not the reason.

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I'm too independent for you.

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If I ever were to marry, I'd want somebody to tame me

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and you'd never be able to do it.

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You'd grow to despise me.

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I would not.

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Ever.

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Goodbye, Miss Everdene.

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DOG WHIMPERS

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DOG WHINES

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DOG BARKS

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SHEEP BLEAT, DOG GROWLS

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-DOG BARKS

-What is it, old boy?

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Stay here.

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Stay here, Old George. Stay here.

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George!

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DOG BARKS IN THE DISTANCE

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George!

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DISTANT BARKING

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SHEEP BLEAT

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DOG BARKS, GROWLS

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HE PANTS

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DOG BARKS

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BARKING CONTINUES

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No!

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HE SCREAMS

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HE SOBS

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GUNSHOT BLASTS

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It's all yours.

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We take no pleasure in this.

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We wish you well, Mr Oak.

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Bathsheba!

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What is it?

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My love! It's your poor uncle's will.

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What does it say?

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Read it.

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Read!

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He's left you everything. It's all yours!

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Oh!

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Oh, my goodness.

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Take care, you hear?

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Walk on.

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Bye!

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So who will join us, lads?

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Which one of you fine boys will put on the scarlet uniform

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and proudly serve his Queen and country?

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See the world.

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Form an orderly line, gentlemen, at the front.

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This gentleman in the straw hat, step forward, sir.

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That's my sweetheart, right there.

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You, sir, next to the pretty lady.

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There's a good strong figure of a man. Join us, sir.

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Go on. You'd make a fine soldier.

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Always room in the ranks for a gentleman of your calibre.

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It's a roof over your head. Food.

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Who wants a fine wage?

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Excuse me.

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You might try Weatherbury. If you're looking for work,

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there's a farm there, needs all the help they can get.

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Yes. The young lad, there.

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I will. Thank you.

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And your friend as well.

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You should have a cloak for a day like this.

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Francis will take care of me.

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We are to be married soon.

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-Goodbye.

-Come on, a decent wage.

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Make your family proud. Food, shelter. Who will join us?

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DISTANT SHOUTING

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Go and wake up the other farms!

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-Get them down here!

-We need more hands!

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We need more men now! Wake them up!

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Go and get the Smith brothers first.

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Protect yourself, the fire's spreading!

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Who's in charge here?

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-We're losing the ricks!

-The rick is lost.

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We need to save the barn. Come on, help me!

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Come on, get some more water! Get some more water!

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We need to push this out. Come on!

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Heave!

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ALL: Heave!

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Heave!

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Come on, push!

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BANGING, POPPING

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Everybody out! Everybody out!

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Water! More over here!

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Get the sacks out, the roof's about to go!

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What's he doing up there?

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We lose the barn, we lose everything.

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GENERAL CHATTER

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Joseph, bring those brooms over and let's get this sorted out.

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Look sharp, men, the farmer's here.

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Mr Oak, is that you?

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Perhaps you want a shepherd, ma'am?

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I owe you an immense debt, Mr Oak.

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If I'd have lost all of this, I'd have lost my farm.

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-Your farm?

-My inheritance.

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My home, too, for a while when my parents died.

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When my uncle passed away, he left it to me.

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Of course, it's a little ragged now,

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but this once used to be the finest farm for miles.

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And I intend to make it so again.

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Perhaps you find the idea preposterous.

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I no longer have that luxury.

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I'm truly sorry to hear of your loss, Mr Oak,

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but if our reversal of fortune causes you any embarrassment...

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Not at all, ma'am.

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Billy Smallbury? 9 and 8 pence.

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Joseph Poorgrass?

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-Go on, Joseph.

-Go on, lad.

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(Hat off!)

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-And what do you do, Joseph?

-I does general things.

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And in spring, I shoot the rooks and help at pig killing, sir.

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I mean, ma'am.

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7 and 9 pence.

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And another 9 because I'm new.

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Thank you, ma'am.

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Now, Fanny Robbin?

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Where is Fanny Robbin?

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Where is she?

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She's run away, ma'am.

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-She's gone off with a soldier, ma'am.

-Not a soldier, a sergeant.

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Bailiff Pennyways?

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Here is 10 shillings and a further 10.

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Why?

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This ends our association. You are dismissed.

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I beg your pardon, miss?

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When my uncle was alive, this was a fine, productive farm.

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Since his death, it has fallen into ruin.

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-I can only assume...

-Now, see here, miss. You can't get rid of people...

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I have resolved to have no bailiff.

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-I've decided to manage everything.

-You can't just...

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-If you'll listen to me for a moment.

-You need...

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Mr Pennyways, a fire threatened to destroy the barn

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and you are nowhere to be found.

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I have no use for a man like you, Mr Pennyways.

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You are dismissed.

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Get out while you can, if I were you.

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Now, you've all met our new shepherd, Mr Oak.

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You understand your duties, Mr Oak?

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If I don't, I'll ask, ma'am.

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From now on, you have a mistress, not a master.

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I don't yet know my talents in farming, but I shall do my best.

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Don't suppose, because I'm a woman, I don't know the difference between

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bad goings-on and good. I shall be up before you're awake.

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I shall be a-field before you are up.

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It is my intention to astonish you all.

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Back to work, please.

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-Perhaps I should wait here?

-No.

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Nonsense, Liddy. You're my companion.

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-All of these?

-All of them.

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Head high, Liddy. If they stare, do not hesitate.

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Remember, we have as much right to be here as anyone.

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Good morning.

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CHATTER

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CHATTER DIES

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-Liddy, if you lay things out.

-Yes, miss.

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Gentlemen, shall we get back to business?

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There you go, sir. If you feel it, you can feel the quality.

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-This is fine grain, miss.

-Thank you.

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Perhaps we should leave, miss.

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-But none of it as good as this lot.

-It's good stuff,

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I'll grant you that.

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-Well, it's up to you.

-If you want to go elsewhere...

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Farmer Stone?

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It's Miss Everdene - Farmer Everdene's niece.

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He talked about you with such great admiration.

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Of course, you're welcome to try elsewhere,

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but I think you'll find the grain as good as it's ever been.

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-Mr Stone?

-How much?

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-£5 a quarter.

-£3, 10 shillings.

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It's the same grain, Mr Stone. You paid my uncle £5.

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£3, 10.

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This gentleman will pay me the proper price.

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Apparently not, no.

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-£4.

-£4, 10.

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£4, 5.

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Perhaps I should move on.

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-Liddy.

-Yes?

-Would you help me with this gentleman?

-Of course.

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Perhaps you'd like a sample?

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-How much?

-£5 a quarter.

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Very well.

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£4, 10.

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APPLAUSE

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# Jerusalem the golden

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# With milk and honey blest

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# Beneath thy contemplation

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# Sink heart and voice oppressed... #

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He's rich, he's handsome. He sends the local girls mad.

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The Taylor sisters worked on him for two years.

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Jane Perkins spent £20 on new clothes

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and might as well have thrown the money out the window.

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It's said, when he was young, his sweetheart jilted him.

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People always say that.

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Women don't jilt men. Men jilt us.

0:25:530:25:57

Did someone jilt you, miss?

0:25:570:25:59

Certainly not.

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A man did ask to marry me once. Some time ago.

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But I was too restless to be tied down.

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What a luxury, to have a choice.

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"Kiss my foot, sir, my face is for mouths of consequence."

0:26:150:26:19

It wasn't like that at all.

0:26:190:26:20

Why?

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Did you love him?

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No, but I rather liked him.

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Anyway, it's impossible now.

0:26:290:26:31

GUNSHOT

0:26:380:26:39

-Mr Boldwood.

-Don't shoot me, please.

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I had no intention of shooting you.

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It's Miss Everdene. Your neighbour.

0:26:520:26:55

Farmer Everdene's niece.

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I'm managing the farm alone now. Perhaps you've heard?

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Yes, I'm sure you'll do very well.

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In the circumstances.

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Well...as you say, we're neighbours.

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HORSE GALLOPS

0:27:160:27:19

Look what I've got here.

0:27:280:27:31

-What is it?

-Listen to this...

0:27:310:27:33

"The rose is red, The violet blue,

0:27:330:27:35

"Carnation's sweet, And so are you."

0:27:350:27:37

It's a Valentine's card.

0:27:390:27:41

I'm going to send it to Joseph Poorgrass,

0:27:410:27:43

just to see the look of panic on his stupid face.

0:27:430:27:46

Poor boy. It's a little bit far-fetched, isn't it?

0:27:460:27:49

What about...Mr Oak, then?

0:27:490:27:52

No. Not Mr Oak.

0:27:520:27:54

Imagine if we sent it to Mr Boldwood.

0:27:560:27:58

Ignoring you like that, all high and mighty.

0:27:590:28:02

Mr Boldwood?

0:28:020:28:03

-Perhaps not.

-Why not?

0:28:060:28:08

Cos I don't think he'll see the humour.

0:28:080:28:11

Perhaps he wouldn't, perhaps it's too much.

0:28:120:28:14

-Mr Boldwood.

-You're right. Perhaps it is.

0:28:140:28:18

-So we're going to toss for it.

-Liddy!

0:28:200:28:22

Come on.

0:28:220:28:23

-Open...Joseph.

-No, Jan Coggan.

0:28:260:28:30

Open, Jan Coggan. Closed, Boldwood.

0:28:300:28:33

-Sergeant Troy, 11 o'clock.

-Yes, Sergeant Troy. And?

0:29:400:29:44

-Miss Fanny Robbin.

-Welcome. Step down the front.

0:29:440:29:47

-WHISPERING:

-Where is she?

-I don't know.

0:30:200:30:23

DOOR SLAMS SHUT

0:30:230:30:25

(Here she comes.)

0:30:250:30:27

HURRIED FOOTSTEPS

0:30:270:30:31

Oh...

0:30:310:30:32

Sorry I'm late, old boy.

0:30:410:30:43

Not long now.

0:30:440:30:46

Dearly beloved, we are gathered here in the sight...

0:31:060:31:09

I can only wait a few more minutes.

0:31:140:31:16

She'll be here.

0:31:160:31:17

(What do you think is happening?)

0:31:430:31:46

(I don't think she's coming, old boy.)

0:31:460:31:48

Come on. Go on, off you go. That's it. Go on.

0:32:170:32:20

-Morning, my love.

-Come on.

0:32:200:32:22

Jump in that!

0:32:220:32:24

Bring them in, John.

0:32:260:32:27

-Grab this one.

-Miss Everdene's here now,

0:32:320:32:34

so you better do your best work. I'm looking at you, Coggan.

0:32:340:32:37

Yeah, you keep quiet, Liddy!

0:32:370:32:40

MAN YELLS

0:32:400:32:42

What you doing?!

0:32:470:32:48

Perhaps you'd care to lend a hand?

0:32:510:32:53

-You don't think I would?

-No, you wouldn't.

0:32:540:32:56

Come here.

0:32:580:32:59

There, she's getting in!

0:33:030:33:05

CHEERING AND APPLAUSE

0:33:050:33:07

Well done, ma'am.

0:33:070:33:09

-Coming your way. Coming your way.

-Keep moving!

0:33:090:33:12

I'll get it.

0:33:170:33:18

Gangway through. Hey, Joseph. Joseph, look. Gangway.

0:33:300:33:33

INDISTINCT CHATTER

0:33:440:33:47

THEY LAUGH AND SHOUT

0:33:550:33:58

Good morning, Mr Boldwood.

0:34:090:34:11

Miss Everdene!

0:34:140:34:16

Mr Boldwood wondered if he might have a word with you.

0:34:160:34:19

Mr Boldwood.

0:34:230:34:25

Of course.

0:34:250:34:26

One thousand acres. A mix of arable and livestock.

0:34:270:34:32

Adjacent to Everdene.

0:34:320:34:34

An orchard. A glasshouse.

0:34:340:34:36

I have some interesting pigs.

0:34:380:34:40

Some other time, perhaps.

0:34:420:34:44

Thank you.

0:34:490:34:51

You have a very beautiful house.

0:35:010:35:03

Mr Boldwood?

0:35:090:35:10

Miss Everdene.

0:35:130:35:15

I want...

0:35:160:35:19

very much, more than anything...

0:35:190:35:21

..to have you as my wife.

0:35:230:35:25

Miss Everdene, marry me.

0:35:250:35:28

I... I feel...

0:35:320:35:36

Though I respect you very much...

0:35:400:35:42

..I do not feel what would justify me...

0:35:450:35:47

..in accepting your offer.

0:35:510:35:52

I have known disappointments before...

0:35:570:36:00

..but I would never have asked in this instance had I not been...

0:36:020:36:05

..led to believe...

0:36:070:36:08

Unless... Unless I am, er...mistaken.

0:36:100:36:13

The Valentine.

0:36:150:36:16

No, you're not mistaken, but I should never have sent it.

0:36:180:36:20

Forgive me, it was thoughtless to disturb your peace of mind.

0:36:220:36:25

-So you meant it as a joke?

-No! No, not as a joke.

0:36:250:36:29

Not exactly. It was...impetuous.

0:36:310:36:35

I see.

0:36:350:36:37

Perhaps you think I am too old.

0:36:370:36:39

But I will care for you more than anyone your own age.

0:36:390:36:42

-I'm sure you would...

-I will protect you.

0:36:420:36:45

You shall have dresses,

0:36:450:36:48

a gig. A piano.

0:36:480:36:51

I amuse you?

0:36:550:36:56

No.

0:36:580:37:00

It's only...

0:37:000:37:03

I have a piano.

0:37:030:37:04

And I have my own farm.

0:37:060:37:08

And I have no need for a husband,

0:37:100:37:12

no matter how honoured I am by the offer.

0:37:120:37:14

I think I'd like to return home.

0:37:210:37:23

Yes. I'll, er...

0:37:230:37:25

I'll get someone to drive you.

0:37:260:37:29

Mr Boldwood, I've made you miserable.

0:37:290:37:32

-It was very wicked of me.

-Will you reconsider?

0:37:320:37:34

Let me think.

0:37:370:37:39

Yes.

0:37:420:37:43

Yes, I'll give you time.

0:37:440:37:46

I will wait.

0:37:470:37:49

You're working late, Mr Oak.

0:38:130:38:16

Will you teach me?

0:38:200:38:21

Here.

0:38:230:38:24

Spin the wheel.

0:38:260:38:28

Incline it, like that.

0:38:280:38:29

And slide it gently. Spin the wheel.

0:38:310:38:33

Bit faster.

0:38:350:38:37

Like that. Very good.

0:38:370:38:40

-Now, slide it.

-I... It's...

0:38:400:38:42

..getting stuck.

0:38:440:38:46

I wanted to ask, did the men say anything today about Mr Boldwood?

0:38:530:38:57

-They did.

-What did they say?

0:38:570:39:00

That you'd be married before the end of the year.

0:39:000:39:03

Go on.

0:39:030:39:05

Well, I'd like you to contradict it, to the men.

0:39:070:39:09

-Well, Bathsheba...

-Miss Everdene, please.

0:39:090:39:13

If Mr Boldwood did really speak of marriage,

0:39:150:39:17

I'm not going to tell stories, just to please you.

0:39:170:39:20

I just said I wanted you to mention to the men

0:39:210:39:24

that it might not be true I was going to marry him.

0:39:240:39:26

I could say that, if you wish.

0:39:260:39:28

But I could also give you an opinion on what you've done.

0:39:280:39:30

I dare say, but I don't want your opinion, Mr Oak.

0:39:300:39:33

I suppose not.

0:39:350:39:36

HE SHARPENS A BLADE

0:39:400:39:42

Well, what is your opinion?

0:39:480:39:51

That you're greatly to blame

0:39:510:39:52

for playing pranks on a man like Mr Boldwood.

0:39:520:39:54

-Your actions were unworthy of you.

-Unworthy?

0:39:560:40:00

May I ask where my unworthiness lies?

0:40:010:40:04

-In rejecting you, perhaps?

-I've long given up thinking of that.

0:40:040:40:09

Or wishing it, either.

0:40:090:40:10

But I will say this.

0:40:130:40:14

Leading on a man you don't care for is beneath you.

0:40:140:40:17

I cannot allow a man to criticise my private conduct.

0:40:200:40:23

You will please leave the farm at the end of the week.

0:40:230:40:25

I'd prefer to go at once.

0:40:330:40:35

Then, go. I never want to see your face again.

0:40:350:40:38

Very well, Miss Everdene.

0:40:390:40:41

DOOR SLAMS

0:40:470:40:49

There we are. There.

0:41:170:41:19

What's wrong with them?

0:41:230:41:25

They broke fence and ate the young clover.

0:41:250:41:26

Makes their stomachs swell.

0:41:260:41:28

-What do we do now?

-Nothing. The whole flock is blasted.

0:41:300:41:33

-You mean they're all going to die?

-Most probably.

0:41:330:41:36

-Another one gone here, ma'am.

-Only one way of saving them.

0:41:360:41:39

You must pierce their side with a tool.

0:41:390:41:42

A hollow tube. Prick her inside.

0:41:420:41:45

Well, can you do it?

0:41:450:41:46

-This one's still alive.

-No.

0:41:460:41:49

-Can I?

-Oh, good Lord, no.

0:41:490:41:52

One inch to the right or the left, and you kill the ewe for sure.

0:41:520:41:55

Not even a shepherd can do it, as a rule.

0:41:550:41:58

Well, who, then?

0:41:590:42:01

Gabriel!

0:42:160:42:18

Gabriel!

0:42:190:42:21

Gabriel Oak, wait!

0:42:210:42:23

Miss Everdene needs you.

0:42:240:42:26

Why are you alone? Did you find him?

0:42:310:42:34

Yes, miss.

0:42:340:42:37

So what did he say?

0:42:370:42:40

He said...

0:42:400:42:42

Joseph?

0:42:420:42:44

He said you're to go in person and request him civilly,

0:42:450:42:47

in a proper manner.

0:42:470:42:50

Where does he get his airs? I'll do no such thing.

0:42:500:42:53

He said you'd say that. He said to reply, "Beggars can't be choosers."

0:42:530:42:58

GALLOPING HOOVES

0:43:030:43:05

Mr Oak.

0:43:180:43:19

Gabriel.

0:43:220:43:24

Gabriel.

0:43:250:43:27

Please don't desert me, Gabriel.

0:43:290:43:31

I need your help.

0:43:330:43:34

Make room for me!

0:43:540:43:55

-I want to see.

-No, you don't, Liddy. Be quiet.

-Find the spot...

0:44:230:44:28

..between the ribs.

0:44:300:44:31

-Oh, Lord!

-No, no, no, no, no.

0:44:340:44:35

Now...

0:44:350:44:37

I can see his heart beating.

0:44:370:44:39

AIR HISSES

0:44:410:44:43

-Come on.

-Come on, girl.

0:44:440:44:46

-Come on.

-She'll be all right. She'll be all right.

0:44:460:44:48

-You all right? You all right, Pixie?

-Yeah, come on.

0:44:480:44:51

All right, Pixie! Pixie!

0:44:510:44:54

THEY LAUGH

0:44:540:44:55

Hey! Come here!

0:44:550:44:56

Hey, hey, hey. Hey, hey, hey!

0:45:030:45:05

MAN WHISTLES

0:45:050:45:07

# Lay me low

0:45:250:45:29

# Lay me low

0:45:290:45:32

# Where no-one can see me

0:45:320:45:35

# Where no-one can find me

0:45:360:45:40

# Where no-one can hurt me. #

0:45:400:45:45

THEY CHEER

0:45:450:45:48

Get out.

0:45:540:45:55

Please, quiet.

0:45:550:45:57

# Oh, early one morning as I was a-walking

0:45:590:46:05

# The fields and the meadows, they looked so green and gay

0:46:070:46:13

# The birds sang so sweetly

0:46:130:46:16

# So pleasant and so charming

0:46:160:46:19

# So early in the morning, at the break of day... #

0:46:190:46:23

Miss. Mr Boldwood is here.

0:46:230:46:26

Thank you. Thank you, Jan. Jan, thank you.

0:46:260:46:30

THEY APPLAUD

0:46:300:46:32

Mr Boldwood. What a pleasant surprise. Will you join us?

0:46:330:46:37

THEY TALK AMONGST THEMSELVES

0:46:370:46:41

Nice to have you, sir.

0:46:520:46:54

-A song, ma'am.

-I have no voice.

0:46:570:47:00

Sing for us, miss!

0:47:000:47:02

Come on, ma'am, you've got a lovely voice.

0:47:020:47:05

THEY CHEER

0:47:050:47:06

# Come all you fair and tender girls

0:47:160:47:21

# That flourish in your prime

0:47:210:47:27

# Beware, beware, keep your garden fair

0:47:270:47:33

# Let no man steal your thyme

0:47:330:47:38

# Let no man steal your thyme

0:47:380:47:43

# For when your thyme, it is past and gone

0:47:440:47:50

# He'll care no more for you

0:47:500:47:56

# And every place where your thyme was waste

0:47:560:48:02

# Will all spread o'er with rue

0:48:020:48:06

# Will all spread o'er with rue

0:48:070:48:12

# The gardener's son was standing by

0:48:130:48:19

# Three flowers he gave to me

0:48:190:48:23

-TOGETHER:

-# The pink, the blue and the violet true

0:48:250:48:30

# And the red, red rosy tree

0:48:300:48:35

# And the red, red rosy tree

0:48:360:48:40

# But I refused the red rose bush

0:48:420:48:48

# And gained the willow tree

0:48:480:48:52

# That all the world may plainly see

0:48:530:48:58

# How my love slighted me

0:48:590:49:04

# How my love slighted me... #

0:49:050:49:11

I thought we were rather good together.

0:49:150:49:18

-So did I.

-We would make a fine duo.

0:49:180:49:21

I wanted to thank you

0:49:220:49:23

for not approaching me on that subject again.

0:49:230:49:25

Well, it has not been easy.

0:49:270:49:30

Do you wish me to...accompany you back to the house?

0:49:380:49:42

No, I like to walk around the farm every night

0:49:430:49:45

to make sure all is safe.

0:49:450:49:48

Then I...I can walk with you.

0:49:480:49:51

I've done it many times alone.

0:49:510:49:54

Goodnight, Mr Boldwood. You've been very kind.

0:49:540:49:57

A pleasure to see you.

0:49:570:49:59

SHE GASPS

0:50:300:50:32

-Who are you?

-I'm sorry. I seem to be lost.

0:50:320:50:36

We're entangled. Are you hurt?

0:50:360:50:39

-No.

-I'm looking for Weatherbury.

0:50:390:50:41

-I hope I didn't startle you.

-We've got hitched together somehow.

0:50:410:50:44

Here, allow me.

0:50:440:50:46

No. No. Please, let me do it myself.

0:50:460:50:50

If you lift your foot for a moment...

0:50:500:50:52

Please don't stare.

0:51:060:51:07

I don't think I've ever seen a face as beautiful as yours.

0:51:070:51:10

You shouldn't be here. Please, let me have the lamp.

0:51:140:51:18

-MAN:

-A mighty impressive harvest this looks like!

0:51:280:51:31

Miss...

0:51:420:51:44

Look.

0:51:440:51:46

-Who is he, Liddy?

-Sergeant Francis Troy.

0:51:490:51:53

Noble blood, full of promise. Very sharp and trim.

0:51:530:51:56

Well-educated. There was good things expected of him.

0:51:570:52:01

He threw it all in to be a soldier.

0:52:010:52:03

Well, I won't have it.

0:52:050:52:07

-What are you doing, miss?

-I'm going to tell him to leave.

0:52:070:52:10

Sergeant Troy, I must absolutely insist

0:52:150:52:17

that you leave at this very moment.

0:52:170:52:19

-I can't.

-Will you follow me, please?

0:52:190:52:22

What angers you, exactly?

0:52:420:52:43

-Please...

-What I said or the way I said it?

0:52:450:52:47

You must know.

0:52:470:52:49

There must be some man who tells you that you're beautiful.

0:52:490:52:53

-Not to my face, not...

-But there is someone who kisses you?

0:52:530:52:56

I've never been kissed.

0:52:560:52:57

Why couldn't you have just passed by and said nothing?

0:53:030:53:07

Do you forgive me?

0:53:080:53:09

-I do not.

-Why?

0:53:110:53:13

Because...the things you say...

0:53:130:53:16

I said that you were beautiful.

0:53:160:53:17

I wonder if you fight as well as you speak.

0:53:220:53:24

Better.

0:53:240:53:26

Meet me.

0:53:310:53:33

Tomorrow.

0:53:330:53:36

I can't.

0:53:360:53:38

-You don't want to?

-Yes, but...

0:53:380:53:40

-Then you must.

-I mustn't.

0:53:400:53:42

(Nobody would know.)

0:53:420:53:43

Please go now.

0:53:460:53:49

Tomorrow.

0:53:490:53:50

Eight o'clock.

0:53:500:53:53

The hollow in the ferns.

0:53:530:53:55

SHE SIGHS

0:54:040:54:05

Do you trust me?

0:55:500:55:51

I do.

0:55:530:55:54

I give you my word, as a soldier, I will not harm you.

0:56:000:56:03

The sword is blunt,

0:56:030:56:06

but you must not flinch.

0:56:060:56:08

I'll try not to.

0:56:080:56:10

You cut my hair.

0:56:550:56:56

This sword could skin you alive.

0:56:590:57:01

-But you told me I was safe.

-And you were.

0:57:010:57:03

Entirely safe.

0:57:050:57:06

I gave you my word.

0:57:060:57:08

Now I will take this.

0:57:110:57:12

SHE WHIMPERS

0:57:210:57:23

Miss Everdene.

0:58:270:58:28

Perhaps I could walk with you?

0:58:300:58:32

I'm quite happy to walk by myself.

0:58:320:58:34

You should have nothing to do with him.

0:58:360:58:39

He's not good enough for you.

0:58:390:58:41

He's a perfectly decent man.

0:58:410:58:44

-That's not what I believe.

-Why? What have you heard?

0:58:440:58:48

You don't know him at all. It's all rumours.

0:58:500:58:53

Prejudice, simply because he's a soldier.

0:58:530:58:56

I like soldiers. But not this one.

0:58:560:58:57

I believe him to have no conscience at all.

0:58:570:59:01

Stay clear. Don't listen to him. Don't believe him.

0:59:010:59:04

-Get rid of him.

-And what is it to you?

0:59:050:59:08

I'm not such a fool as to imagine I might stand a chance

0:59:110:59:14

now that you are so above me.

0:59:140:59:16

But don't suppose I'm content to stay a nobody all my life.

0:59:160:59:20

One day, I will leave you. You can be sure of that.

0:59:200:59:23

But for now, I care for you too much

0:59:230:59:25

to see you go to ruin because of him.

0:59:250:59:27

So if you don't mind, I'll...

0:59:290:59:31

..I'll stay by your side.

0:59:340:59:35

Good evening.

0:59:380:59:40

"Mr Boldwood...

0:59:570:59:59

"You have been a dear friend to me these past months.

0:59:591:00:02

"And it is because I value our friendship so greatly

1:00:021:00:05

"that I am writing.

1:00:051:00:07

"I am honoured by your proposal

1:00:071:00:10

"and have given it much thought,

1:00:101:00:13

"but I must tell you that... to my own surprise,

1:00:131:00:15

"I have undergone what can only be described as a change of heart

1:00:151:00:19

"and I'm afraid I cannot accept your offer."

1:00:191:00:22

I wasn't sure you'd be here.

1:00:441:00:47

Where else would I be?

1:00:471:00:49

You ready?

1:00:521:00:53

Are you sure?

1:00:551:00:57

How does this sound?

1:01:011:01:03

Mrs Bathsheba Troy.

1:01:041:01:07

(All right?)

1:01:221:01:24

Walk on.

1:02:171:02:19

DOG BARKS, WIND WHISTLES

1:02:391:02:43

WIND PICKS UP SPEED

1:02:561:02:58

DOOR SLAMS

1:02:581:03:00

HORSES WHINNY

1:03:031:03:04

THUNDER RUMBLES

1:03:101:03:12

JIG PLAYS

1:03:181:03:21

Gentlemen! Ladies and gentlemen.

1:04:021:04:06

A short time ago, I had the privilege

1:04:071:04:12

and the simple fortune of meeting this angel.

1:04:121:04:18

Your mistress.

1:04:181:04:19

And now I stand before you her husband,

1:04:191:04:24

your master,

1:04:241:04:26

and the proudest man you will ever see.

1:04:261:04:29

So, please, charge your glasses

1:04:291:04:33

and sing out to my most beautiful wife,

1:04:331:04:39

Mrs Bathsheba Troy.

1:04:391:04:43

THEY CHEER

1:04:431:04:46

Miss Everdene, there's going to be a storm.

1:04:481:04:51

Oak, you big lump. To me.

1:04:511:04:55

There's going to be a storm.

1:04:551:04:57

We need to protect the ricks or we'll lose the harvest.

1:04:571:05:00

I need five to six men for an hour, no more.

1:05:001:05:03

Frank, perhaps we ought to...

1:05:031:05:04

No. Darling, it's our wedding celebration.

1:05:041:05:06

It will not rain tonight.

1:05:071:05:09

My wife forbids it.

1:05:091:05:12

Now, if you'll excuse me.

1:05:121:05:15

Friends!

1:05:151:05:16

One more thing.

1:05:171:05:19

I may no longer be Sergeant Troy,

1:05:191:05:24

but I remain a soldier in this one respect!

1:05:241:05:29

The finest bottles of French brandy,

1:05:291:05:33

a triple-strength dose for every man.

1:05:331:05:37

Cheers! To your health!

1:05:371:05:39

JIG STARTS PLAYING

1:05:391:05:42

THUNDER CLAPS

1:06:061:06:08

CHEERING

1:06:121:06:14

# Pretty Polly, Pretty Polly it's I've come a-wooin'

1:06:171:06:21

# Pretty Polly, Pretty Polly it's I've come a-wooin'

1:06:221:06:27

# She says creep and crawl through the window, then

1:06:281:06:31

# And let's get doin'

1:06:311:06:32

# And lay your leg over me, over me, do

1:06:321:06:38

# Oh, me britches is tight and I cannot undo 'em

1:06:381:06:43

# Oh, me britches is tight and I cannot undo 'em

1:06:431:06:48

# There's a knife on the windowsill, love, take it to 'em

1:06:481:06:52

# And lay your leg over me... #

1:06:521:06:55

GABRIEL GASPS

1:06:561:06:59

WIND BELLOWS

1:07:071:07:08

# About 40 weeks after, the fine baby come bawling

1:07:131:07:19

# Never regretted that creepin' and crawlin'

1:07:191:07:23

# Lay your leg over me, over me... #

1:07:231:07:26

THUNDER CLAPS

1:07:261:07:29

WIND WHISTLES

1:07:471:07:48

THUNDER

1:07:561:07:59

THUNDER BELLOWS

1:08:101:08:12

Gabriel!

1:08:121:08:13

Gabriel!

1:08:161:08:18

-What can I do?

-It's too dangerous!

1:08:191:08:22

I'm coming up!

1:08:221:08:24

Hold it down.

1:08:341:08:36

Still no rain.

1:08:361:08:38

It'll come.

1:08:381:08:40

THUNDER CLAPS, SHE SCREAMS

1:08:511:08:53

Come on, hold me! Come here. Come here.

1:08:531:08:57

Come here. Come on.

1:09:021:09:05

Gabriel, I've been a fool.

1:09:241:09:27

I've always had contempt for silly girls

1:09:271:09:30

dazzled by flattery in a scarlet uniform and...

1:09:301:09:34

and now I've done what I swore I would never do.

1:09:341:09:37

But he told me about another woman,

1:09:391:09:42

a woman more beautiful that he'd loved before,

1:09:421:09:44

and I couldn't bear it.

1:09:441:09:46

So somewhere between jealousy and distraction, I married him.

1:09:481:09:51

I don't want an opinion on the subject, I just...

1:09:511:09:55

In fact, I forbid it.

1:09:551:09:56

Go to bed.

1:10:021:10:04

I'll finish it on my own.

1:10:041:10:05

Gabriel...

1:10:071:10:09

Thank you.

1:10:121:10:13

Sir?

1:10:381:10:40

Mr Boldwood, sir!

1:10:431:10:45

I wanted to ensure your mistress' crops were safe.

1:10:451:10:49

Good work, Gabriel. She's lucky to have you.

1:10:491:10:51

Wait a moment, sir.

1:10:521:10:54

You seem unwell, sir.

1:11:021:11:04

You should go home.

1:11:041:11:05

Yes.

1:11:071:11:08

Yes, I...I will.

1:11:111:11:12

Oak...

1:11:181:11:19

You know that things have not gone well with me, lately.

1:11:211:11:26

I was going to get a little settled in life.

1:11:261:11:29

But, er...

1:11:291:11:31

..it was not to be.

1:11:341:11:36

I dare say I'm something of a...

1:11:381:11:41

..a joke about the parish.

1:11:411:11:44

But I do want to make one thing clear.

1:11:441:11:48

There was no jilting on her part.

1:11:481:11:50

We were never engaged.

1:11:521:11:54

No matter what people say.

1:11:541:11:56

She promised me nothing.

1:11:581:12:00

And yet,

1:12:051:12:08

Gabriel...

1:12:081:12:09

..I feel the most... the most terrible grief.

1:12:121:12:15

Not a word to her.

1:12:211:12:23

We understand each other, yes?

1:12:241:12:26

Yes, sir.

1:12:301:12:32

Damn and blast it!

1:13:201:13:22

Sit.

1:13:251:13:26

Stay. Now, turn around.

1:13:261:13:28

-Can you spare a coin, please?

-No, no.

1:13:351:13:37

Hit him!

1:13:411:13:43

Come on!

1:13:431:13:44

Knock him out!

1:13:451:13:47

Hit him!

1:13:481:13:50

Pay up. Pay up, Mr Troy.

1:13:541:13:57

Just take it.

1:13:571:13:58

Sir, excuse me. Could you spare a coin, please?

1:14:041:14:08

No.

1:14:081:14:09

Fanny?

1:14:111:14:12

Hello, Frank.

1:14:201:14:21

Hello.

1:14:231:14:25

-You're so pale.

-Oh, Frank.

1:14:271:14:30

Darling, your hands are shaking.

1:14:301:14:33

I thought you said All Souls, not All Saints.

1:14:331:14:36

I went to the wrong church.

1:14:361:14:39

When I got there, you'd gone. And I don't blame you,

1:14:391:14:42

but it's been very hard, Frank. I...

1:14:421:14:45

Not now.

1:14:451:14:46

My wife mustn't see you.

1:14:481:14:50

Your wife?

1:14:501:14:51

Mrs Troy is very beautiful.

1:15:021:15:04

SHE CRIES

1:15:041:15:06

No more than you.

1:15:061:15:07

Frank, I must tell you, I'm carrying your child.

1:15:101:15:14

What?

1:15:141:15:16

What if I told you that I'd made a terrible mistake...

1:15:281:15:30

..but that I will make amends?

1:15:321:15:34

I swear, on my life, I will find a home for you and our baby.

1:15:351:15:39

-You've sworn before, Frank.

-No, this time...this time...

1:15:391:15:43

Go to Budmouth. Stay at the Union.

1:15:511:15:53

-The workhouse, Frank?

-Tonight, just tonight. One night.

1:15:531:15:57

And then meet me tomorrow at 10 o'clock on the bridge.

1:15:571:16:00

I'll bring you all the money I have and I'll find a home for you.

1:16:001:16:04

You'll be safe, my darling. And I promise you...

1:16:041:16:07

I promise you, I will make amends.

1:16:071:16:11

Get back in the carriage.

1:16:161:16:18

-Do you know who that woman is?

-I do.

1:16:181:16:22

-Who is she?

-She's nothing.

1:16:221:16:25

Get back in the carriage.

1:16:251:16:28

Frank...

1:16:281:16:29

BIRDS TWITTER

1:16:341:16:37

SHE PANTS

1:16:591:17:02

SHE GASPS IN PAIN

1:17:251:17:28

Could you let me have £20?

1:17:361:17:38

What for?

1:17:411:17:43

I need it.

1:17:431:17:44

If you continue to gamble, we will lose the farm.

1:17:461:17:49

-It's not for gambling.

-What's it for?

1:17:491:17:52

Why should it matter what it's for? It's my money.

1:17:521:17:54

I work for it, don't I?

1:17:541:17:57

No. You don't.

1:17:571:18:00

Not proper farm work.

1:18:001:18:02

Don't do something you'll regret.

1:18:041:18:06

The money is required for farm expenses.

1:18:081:18:11

No mistake, Mr Oak. This was Miss Robbin's last known abode.

1:18:571:19:00

Fanny was my uncle's servant and we shall treat her with respect.

1:19:001:19:03

Perhaps we should take her to the church, just for tonight.

1:19:051:19:08

No, bring her inside, please.

1:19:081:19:10

What did she die of, Liddy?

1:19:301:19:32

I don't know, miss.

1:19:331:19:35

There were rumours, but...

1:19:381:19:40

Fanny had a sweetheart, didn't she?

1:19:401:19:42

Yes, miss.

1:19:421:19:44

A soldier.

1:19:461:19:47

Please, come and sit upstairs with me.

1:19:511:19:53

I seem to cry a great deal these days.

1:20:111:20:14

I never used to cry at all.

1:20:161:20:17

Goodnight, Liddy.

1:20:281:20:29

Night, miss.

1:20:291:20:31

SHE GASPS

1:21:171:21:18

What?

1:21:251:21:27

-Who is it?

-I can't say...

1:21:271:21:29

Stay, stay. Stay.

1:21:291:21:31

Don't kiss them, Frank.

1:21:501:21:52

I'm still your wife.

1:21:521:21:54

This woman, dead as she is,

1:22:021:22:05

is more to me than you ever were,

1:22:051:22:08

or are, or can be.

1:22:081:22:10

You are nothing to me now.

1:22:131:22:14

Nothing.

1:22:171:22:18

INDISTINCT CHATTER

1:24:041:24:07

Mrs Troy?

1:24:221:24:23

I'm afraid...

1:24:271:24:29

I'm afraid your husband has drowned.

1:24:291:24:31

-That's a great responsibility, sir.

-Nonsense.

1:26:011:26:03

No reason why a man of your ability

1:26:031:26:05

shouldn't be able to superintend two farms.

1:26:051:26:07

And why shouldn't there be stronger links between our establishments?

1:26:071:26:10

Think of it. 2,000 acres under your sole charge.

1:26:101:26:14

A share of my profits.

1:26:141:26:15

-Miss Everdene needs me here.

-And her farm will have priority.

1:26:151:26:18

-I'd still need Miss Everdene's permission.

-But, of course.

1:26:181:26:21

Of course, I wouldn't dare do anything without her blessing.

1:26:211:26:23

And if it'll help sway your decision...

1:26:231:26:26

..there's an old comrade of yours here.

1:26:301:26:33

-Georgie!

-Had to go all the way to Norcombe Hill

1:26:351:26:37

to find this old fella.

1:26:371:26:38

-Are you pleased?

-Yes, sir, very much.

1:26:381:26:41

And I'll have your decision soon, yes?

1:26:411:26:45

You will, sir.

1:26:451:26:46

Hey, Georgie.

1:26:461:26:48

Come on. Come on. Come on.

1:26:501:26:52

DOG BARKS

1:26:541:26:57

Come on! Come on!

1:27:021:27:03

Gabriel, you're getting on in the world.

1:27:051:27:08

Of course you must accept the offer.

1:27:081:27:10

Only with your approval.

1:27:101:27:12

If I lose the farm, there may be no future for any of us here.

1:27:121:27:16

You know where my loyalty lies.

1:27:161:27:18

You're a man of great talent.

1:27:211:27:23

It's only natural that you should rise,

1:27:231:27:25

I've no desire to hold you back.

1:27:251:27:26

Thank you.

1:27:381:27:39

Come on, Georgie. Come on.

1:27:441:27:46

Forgive me. I understand there are debts.

1:27:501:27:55

Your late husband.

1:27:561:27:58

Perhaps... Perhaps we should change the subject.

1:27:581:28:01

Perhaps I can help.

1:28:011:28:03

Mr Boldwood, that's a very kind offer,

1:28:071:28:10

but I would never dream of accepting any money.

1:28:101:28:13

I am a middle-aged man...

1:28:171:28:18

..willing to protect you for the rest of your life.

1:28:201:28:23

You may run your farm, if you wish, without risk.

1:28:261:28:29

I'll pay your...

1:28:321:28:34

departed husband's debts

1:28:341:28:36

and guarantee its financial stability.

1:28:361:28:38

It can be your pastime.

1:28:401:28:41

Of course, we'd...need to wait,

1:28:441:28:47

for propriety's sake.

1:28:471:28:50

But when you're ready,

1:28:501:28:52

I'm offering you shelter.

1:28:521:28:53

Comfort.

1:28:551:28:57

A safe harbour.

1:28:571:28:58

As my wife.

1:29:021:29:03

You must at least admire my persistence.

1:29:081:29:10

I do.

1:29:131:29:14

-And like me?

-Yes.

1:29:141:29:16

And...respect me?

1:29:181:29:20

-Yes. Very much.

-Which is it? Like or respect?

1:29:201:29:23

It is difficult for a woman to define her feelings

1:29:281:29:30

in a language chiefly made by men to express theirs.

1:29:301:29:33

If you worry about a lack of passion on your part,

1:29:331:29:36

a lack of, er...

1:29:361:29:37

..desire,

1:29:401:29:42

if you worry about marrying me merely out of guilt...

1:29:421:29:47

..and, er...

1:29:481:29:49

..pity...

1:29:511:29:53

and compromise, well...

1:29:531:29:56

I don't mind.

1:29:561:29:57

-When must you give your answer?

-By Christmas.

1:30:011:30:04

It's a terrible responsibility.

1:30:071:30:08

I hold that man's future in my hands.

1:30:111:30:14

His sanity, too, perhaps.

1:30:141:30:16

-Could you care for him?

-You may suppose love is wanting.

1:30:161:30:19

But love's a worn-out, miserable thing for me now.

1:30:211:30:24

Why are you asking me?

1:30:241:30:26

I need someone who's objective.

1:30:301:30:33

Indifferent.

1:30:331:30:34

Then I'm afraid you're asking the wrong man.

1:30:361:30:39

Good evening, Mr Oak.

1:30:561:30:58

Good evening.

1:30:591:31:01

That's it.

1:31:181:31:20

# Rejoice

1:31:301:31:33

# Rejoice

1:31:331:31:36

# Emmanuel

1:31:361:31:40

# Shall come to thee

1:31:401:31:42

# O, Israel

1:31:421:31:48

# O, come, Thou Rod of Jesse... #

1:31:501:31:55

I appreciate you coming along, Oak.

1:31:551:31:57

Yes, very good. Well done.

1:31:581:32:00

-Just more...more things.

-Yes, sir.

1:32:001:32:03

So...what do you think?

1:32:071:32:10

I'm not in the habit of organising parties.

1:32:101:32:13

Perhaps we should make it an annual event.

1:32:131:32:16

Every Christmas Eve.

1:32:161:32:17

I've invited the whole village. Do you think they'll come?

1:32:171:32:20

Do you think Miss Everdene will come?

1:32:201:32:22

I'm sure she will.

1:32:221:32:23

Yes.

1:32:251:32:26

And you'll come too, I hope?

1:32:261:32:29

I know Miss Everdene would like you to be here.

1:32:291:32:32

Perhaps, for an hour or so.

1:32:321:32:33

Look, I'm shaking. I'm so nervous.

1:32:381:32:41

Gabriel, will you...?

1:32:421:32:45

-As well as you can, please.

-I'll try.

1:32:451:32:47

Is there a knot that's particularly fashionable?

1:32:471:32:50

You're asking the wrong man.

1:32:521:32:54

What about women?

1:32:561:32:58

Does a woman keep her promise?

1:32:581:33:00

She has promised?

1:33:011:33:03

An implied promise.

1:33:031:33:05

-Once again, I'm...

-Will she do what's right?

1:33:071:33:10

If it's not inconvenient to her.

1:33:131:33:15

Oak, you've become quite cynical lately.

1:33:161:33:18

She never promised that first time.

1:33:191:33:21

Therefore she has never broken her promise.

1:33:211:33:24

She hasn't promised this time either.

1:33:241:33:26

But she will.

1:33:271:33:30

Tonight. I know she will.

1:33:301:33:32

And when she does...

1:33:341:33:36

I wanted to tell you in advance, Gabriel...

1:33:411:33:45

..because I...I believe I know your secret.

1:33:461:33:49

I've seen you together.

1:33:521:33:54

The way you speak to her.

1:33:561:33:58

And watch her.

1:34:001:34:01

And look after her.

1:34:021:34:03

And I know her...

1:34:051:34:06

..profound affection for you.

1:34:081:34:11

You've behaved like a man,

1:34:121:34:15

and as the successful rival, successful through your kindness,

1:34:151:34:20

I wish to tell you...

1:34:201:34:21

..I am profoundly grateful.

1:34:231:34:25

The cook would like a word, sir.

1:34:301:34:31

INDISTINCT CHATTER

1:34:581:35:02

MUSIC PLAYS

1:35:211:35:24

-With me, Joseph.

-No, please don't. Liddy, don't.

1:35:371:35:41

MUSIC DROWNS CONVERSATION

1:35:471:35:50

Would you excuse me?

1:36:041:36:05

I've come to say goodnight.

1:36:111:36:13

Go back and talk to the poor things. You've broken their hearts.

1:36:131:36:17

I don't suit this kind of affair.

1:36:181:36:20

No. Nor do I.

1:36:211:36:23

I wish I could go too.

1:36:241:36:25

MUSIC STOPS

1:36:281:36:30

APPLAUSE

1:36:301:36:31

-I must go.

-Not before you've danced.

1:36:351:36:38

Both of you. I insist.

1:36:381:36:40

Mr Oak?

1:36:441:36:45

Thank you.

1:36:481:36:49

MUSIC STARTS UP

1:36:511:36:53

Tell me what to do.

1:37:171:37:18

Gabriel?

1:37:241:37:25

Do what is right.

1:37:321:37:33

Sorry, excuse me.

1:37:371:37:39

Frank.

1:38:231:38:24

Black suits you.

1:38:261:38:27

Although a little premature.

1:38:291:38:31

You're alive.

1:38:361:38:39

And here I am. Pulled from the sea.

1:38:391:38:42

Some fishermen found me and brought me to shore.

1:38:421:38:46

Then I discovered I was dead and found I preferred it.

1:38:461:38:50

For a while, anyway.

1:38:511:38:53

-Why have you come back?

-The strangest thing.

1:38:531:38:57

I missed you.

1:38:571:38:58

You don't seem very happy to see me.

1:39:001:39:03

You said I was nothing to you.

1:39:031:39:05

Did I?

1:39:051:39:07

Well, then.

1:39:091:39:11

Honesty at all times.

1:39:111:39:14

I find myself in need of money.

1:39:141:39:15

I gave up my profession for you, and it seems a little harsh

1:39:171:39:20

that you have a farm and a house while I'm living off nothing.

1:39:201:39:24

-There is no money.

-Then, sell the farm.

1:39:241:39:27

Come home.

1:39:381:39:39

No.

1:39:441:39:45

I said, come home.

1:39:471:39:51

I'm your husband and you'll obey me!

1:39:531:39:55

GUNSHOT

1:39:551:39:56

SHE GASPS

1:39:571:40:00

HE PANTS

1:40:051:40:07

(Oh, my God...)

1:40:111:40:13

DOOR CLANGS SHUT

1:40:531:40:55

Let me see.

1:41:381:41:39

If it's any consolation, his life will be spared.

1:41:421:41:45

Crime of passion.

1:41:471:41:49

Morning, Liddy.

1:42:151:42:16

It's a fine harvest, ma'am. Best we've had in years.

1:42:181:42:22

Will we have it all over before the dew?

1:42:221:42:23

We will indeed, ma'am. Luck's been on our side.

1:42:231:42:26

Come, Liddy, give me a hand.

1:42:321:42:34

HE SHOUTS INSTRUCTIONS

1:42:411:42:42

I'm sorry I startled you.

1:43:001:43:01

I wanted to tidy up for them. I haven't been here for so long.

1:43:031:43:07

Are you going in?

1:43:101:43:12

Rehearsals. I sing bass in the choir.

1:43:121:43:15

Yes, I've heard you.

1:43:151:43:16

Then I apologise.

1:43:181:43:20

I've been hoping to get a chance to talk to you.

1:43:231:43:27

We've...we've not spoken as much as I'd have liked.

1:43:271:43:30

No.

1:43:321:43:33

I'm leaving England.

1:43:411:43:43

Leaving?

1:43:471:43:48

Going to America.

1:43:501:43:51

There's a boat leaving Bristol in four days' time. I'll be on it.

1:43:531:43:57

Now that the farm is secure.

1:43:571:44:00

I understand I should give you notice.

1:44:001:44:03

No.

1:44:051:44:07

You must go when you want.

1:44:071:44:08

I'll leave first thing tomorrow. No fuss.

1:44:121:44:15

I think that's best.

1:44:171:44:19

GEORGE WHIMPERS

1:45:021:45:04

SHE SIGHS

1:45:091:45:10

GEORGE YELPS

1:45:151:45:16

Gabriel!

1:46:021:46:03

Gabriel.

1:46:081:46:09

Wait.

1:46:101:46:11

You'll think I'm strange, but...

1:46:281:46:30

..I've been worried. Have I offended you somehow?

1:46:321:46:34

No, not at all.

1:46:341:46:36

Is it money?

1:46:371:46:39

I'll pay you whatever you want.

1:46:391:46:41

I don't need money now.

1:46:411:46:44

A formal partnership, then?

1:46:441:46:45

Nor a partnership.

1:46:451:46:48

The farm belongs to you alone.

1:46:481:46:49

It's the finest farm for miles around.

1:46:491:46:52

Then why else are you leaving?

1:46:521:46:54

I said I'd leave you one day.

1:46:541:46:56

Well, you must not go.

1:47:001:47:01

-You forbid me?

-Yes, if you like.

1:47:031:47:06

I forbid you.

1:47:061:47:08

It's time for you to fight your own battles.

1:47:101:47:14

And win them, too.

1:47:141:47:15

So we should say goodbye, then?

1:47:181:47:20

I suppose so.

1:47:221:47:23

Gabriel, wait.

1:47:341:47:35

Thank you, Gabriel.

1:47:391:47:41

You've believed in me and fought for me...

1:47:431:47:46

and stood by my side when all the rest of the world is against me.

1:47:461:47:49

And we've been through so much together.

1:47:511:47:54

Wasn't I your first sweetheart?

1:47:581:48:00

Weren't you mine?

1:48:031:48:04

And now I'd have to go on without you.

1:48:101:48:13

If I knew...

1:48:171:48:19

If I knew that you would let me love you and marry you...

1:48:241:48:28

But you will never know.

1:48:281:48:30

Why not?

1:48:321:48:33

Because you never ask!

1:48:341:48:37

Would you say no again?

1:48:371:48:39

I don't know.

1:48:411:48:42

Probably.

1:48:441:48:46

THEY LAUGH

1:48:461:48:48

So why don't you?

1:48:521:48:53

Ask me.

1:48:561:48:57

Ask me.

1:49:011:49:02

Ask me, Gabriel.

1:49:071:49:09

# Come all you fair and tender girls

1:51:491:51:54

# That flourish in your prime

1:51:551:52:00

# Beware, beware

1:52:011:52:03

# Keep your garden fair

1:52:031:52:05

# Let no man steal your thyme

1:52:061:52:11

# Let no man steal your thyme. #

1:52:121:52:17

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