Browse content similar to Great Day in the Morning. Check below for episodes and series from the same categories and more!
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GUNSHOT | 0:01:39 | 0:01:42 | |
GUNSHOT | 0:01:59 | 0:02:02 | |
Thank you, gentlemen, and ma'am. | 0:02:55 | 0:02:58 | |
-I've always been lucky, but never expect three aces! -Were you alone down there? | 0:02:58 | 0:03:04 | |
-I'm most always alone, but I welcome company now. -Where you from? Georgia? | 0:03:04 | 0:03:09 | |
-North Carolina. -Just as bad. | 0:03:09 | 0:03:12 | |
I can smell a Southerner a mile off. | 0:03:12 | 0:03:15 | |
A smell I don't like. Ungodly, slave-trading secessionists. | 0:03:15 | 0:03:20 | |
Not fit to live. Sorry we saved your hide. | 0:03:20 | 0:03:23 | |
Well you did and I owe you, but don't make me forget that. | 0:03:23 | 0:03:28 | |
Listen to that talk. Just like a whip-lashing Reb. | 0:03:28 | 0:03:32 | |
And a tinhorn to boot by your look. | 0:03:32 | 0:03:35 | |
Put that away, Zeff. | 0:03:35 | 0:03:37 | |
Wait for the war to start before fighting it. | 0:03:41 | 0:03:44 | |
I agree. | 0:03:46 | 0:03:48 | |
I'm Owen Pentecost. I'm on my way to Denver. | 0:03:48 | 0:03:52 | |
So are we. I'm Stephen Kirby. | 0:03:52 | 0:03:54 | |
This is Zeff Masterson. | 0:03:54 | 0:03:57 | |
I hired them to ride with me to Denver. | 0:03:57 | 0:04:00 | |
They're taking orders from me. | 0:04:00 | 0:04:02 | |
If you can take orders you can ride with us. | 0:04:02 | 0:04:06 | |
Yours to command, ma'am. | 0:04:06 | 0:04:08 | |
Forget it, Zeff. | 0:04:12 | 0:04:14 | |
Aim your whiskers at Pike's Peak and keep them pointed that way. | 0:04:14 | 0:04:20 | |
As soon as I find what I want, watch my belongings till tomorrow. | 0:04:41 | 0:04:47 | |
Then your job is done. | 0:04:47 | 0:04:49 | |
Those all your pretties, | 0:04:51 | 0:04:53 | |
-all those packs, all those mules? -Not to wear, to sell. | 0:04:53 | 0:04:58 | |
-I'm opening a store. -Catering to ladies at the frontier? | 0:04:58 | 0:05:02 | |
Why not? I know style, I've money. Took a chance on Denver women. | 0:05:02 | 0:05:07 | |
Holy Jehosaphat! I've been riding shotgun on a load of lace drawers! | 0:05:07 | 0:05:14 | |
Good evening. I'm Father Murphy. | 0:05:15 | 0:05:18 | |
Church is over there. Mass tomorrow at six and nine. | 0:05:18 | 0:05:22 | |
-Thank you. Crossing the Rockies is something to be thankful for. -I like to say thank you. | 0:05:22 | 0:05:28 | |
I like to sleep late, but I'll gamble on anything, even church. | 0:05:28 | 0:05:33 | |
Toss a coin, Kirby. | 0:05:33 | 0:05:35 | |
Heads for the church. Tails for the devil. | 0:05:35 | 0:05:38 | |
Tails it is. | 0:05:38 | 0:05:40 | |
-Care to make it two out of three? -No, thanks. | 0:05:40 | 0:05:44 | |
The lady looks tired. Perhaps I can help you get settled. | 0:05:44 | 0:05:48 | |
This is Phil, porter and room clerk. | 0:05:59 | 0:06:02 | |
These folks just got in to town. Before they tell you, they call me Phil the Cannibal. | 0:06:02 | 0:06:08 | |
It was only once! | 0:06:08 | 0:06:10 | |
A man eats something he shouldn't, they call him names! | 0:06:10 | 0:06:14 | |
The lady wants a room with a bath. Hey, boys, a free leg show! | 0:06:14 | 0:06:20 | |
Every gal oughta wear them pants! > There oughta be a law! | 0:06:20 | 0:06:26 | |
They don't mean any harm. They used to make fun of my skirt. | 0:06:26 | 0:06:31 | |
I'll see you to your room, Anne. | 0:06:31 | 0:06:34 | |
I paid you to see me across the Rockies. I can cross the room alone. | 0:06:34 | 0:06:39 | |
No Southern chivalry, please, Mr Pentecost. | 0:06:40 | 0:06:44 | |
I heard the excitement. | 0:07:03 | 0:07:05 | |
They sure are tight pants. | 0:07:05 | 0:07:07 | |
Must make you uncomfortable. Your wife? | 0:07:07 | 0:07:10 | |
-No. -Your girl? | 0:07:10 | 0:07:12 | |
No. | 0:07:12 | 0:07:14 | |
You thinking about staking a claim? | 0:07:14 | 0:07:17 | |
-Will you sleep better tonight if I tell you? -Won't sleep at all, I just got up. | 0:07:17 | 0:07:22 | |
Time to go to work. Go ahead, tell me. | 0:07:22 | 0:07:26 | |
We were travelling companions. To save you asking, so were two others. | 0:07:27 | 0:07:34 | |
What's a man from dear old Dixieland doing out here? | 0:07:34 | 0:07:38 | |
Most Southerners are leaving before the war starts. | 0:07:38 | 0:07:43 | |
You must like to take chances. | 0:07:44 | 0:07:47 | |
-What's your name? -Owen Pentecost. | 0:07:47 | 0:07:50 | |
High sounding name. | 0:07:50 | 0:07:54 | |
Guess maybe that's why you took it. | 0:07:54 | 0:07:57 | |
I just heard you got back, Zeff. | 0:08:18 | 0:08:20 | |
Folks are anxious to hear the news. Is there going to be a war? | 0:08:20 | 0:08:25 | |
-Are we gonna fight or just talk? -There'd better be a war. The North won't stand for this. | 0:08:25 | 0:08:32 | |
I'm itching for the day we stamp out those slavers. | 0:08:32 | 0:08:35 | |
It ain't natural, brother against brother. | 0:08:35 | 0:08:39 | |
Don't call that scum my brother! I had me a brother. | 0:08:39 | 0:08:43 | |
He stood side by side with John Brown from Kansas. | 0:08:43 | 0:08:48 | |
They hung him like a dog... alongside John Brown. | 0:08:48 | 0:08:51 | |
Stay away from him. | 0:08:51 | 0:08:54 | |
Nobody helps him. He's got it coming. | 0:08:55 | 0:08:58 | |
He's one of those Missouri men. Half North, half South... | 0:09:00 | 0:09:04 | |
..on the fence looking for the safe side. | 0:09:05 | 0:09:08 | |
This ain't no soft war and there ain't no brothers just friends | 0:09:08 | 0:09:14 | |
and enemies! | 0:09:14 | 0:09:15 | |
Every loyal man knows that's the truth. | 0:09:15 | 0:09:18 | |
< Sure we do. | 0:09:18 | 0:09:20 | |
You've won the round and the fight. | 0:09:20 | 0:09:24 | |
Zeff makes a lot of sense. We've a lot of enemies here. | 0:09:24 | 0:09:28 | |
We don't wanna see your ugly face in town, so get moving. | 0:09:32 | 0:09:36 | |
-Stop shooting off your mouth and cracking heads. -They need cracking. | 0:09:39 | 0:09:43 | |
Sure they do, but at the right time. | 0:09:43 | 0:09:46 | |
Get them riled and they'll riot. Next thing it's the military. | 0:09:46 | 0:09:50 | |
Let 'em come. We'll start the war right here. | 0:09:50 | 0:09:54 | |
I don't need soldiers. It took me a long time to get to run this town. | 0:09:54 | 0:09:59 | |
-A good part of town's already in your pocket. -I got more pockets! | 0:09:59 | 0:10:04 | |
I need time, then we take care of the army. | 0:10:04 | 0:10:08 | |
Boss, there's a new man inside, a Southerner. | 0:10:08 | 0:10:12 | |
He's been putting a big dent in the faro bank. | 0:10:12 | 0:10:16 | |
I'll be right there. | 0:10:16 | 0:10:18 | |
Zeff, we're on the same side, only wait a little. | 0:10:18 | 0:10:22 | |
Might be a long war. | 0:10:22 | 0:10:24 | |
What are you waiting for? Start the game. | 0:10:30 | 0:10:34 | |
Mr Pentecost, I'm Jumbo Means, proprietor. | 0:10:34 | 0:10:38 | |
When I set out to see the world, some drunkard said, "The elephant's loose!" | 0:10:38 | 0:10:44 | |
He immediately signed the pledge. | 0:10:44 | 0:10:47 | |
Since then an elephant's been my good luck charm. | 0:10:47 | 0:10:50 | |
Now, what is the secret of your remarkable luck? | 0:10:50 | 0:10:54 | |
An indifference to elephants. | 0:10:54 | 0:10:57 | |
One of us must be wrong. | 0:10:57 | 0:10:59 | |
Which one, Mr Pentecost? Shall we see? | 0:10:59 | 0:11:02 | |
-I'll pass the time with you. -I'll get a table ready. | 0:11:02 | 0:11:06 | |
Why are you so good to me? | 0:11:15 | 0:11:17 | |
I get a percentage of the profits. | 0:11:17 | 0:11:20 | |
Doin' all right, aren't you? | 0:11:20 | 0:11:22 | |
There's room for improvement. | 0:11:22 | 0:11:25 | |
For a smart girl? | 0:11:25 | 0:11:27 | |
For a smart girl. | 0:11:27 | 0:11:29 | |
And this is the spot, the best place in downtown Denver. | 0:11:29 | 0:11:33 | |
You found elephants? | 0:11:33 | 0:11:35 | |
Trained ones. When they get wild they're dangerous. | 0:11:35 | 0:11:39 | |
There's a man here from our part of the country. | 0:11:41 | 0:11:45 | |
Owen Pentecost. Are you acquainted? | 0:11:45 | 0:11:48 | |
-No, but if he's from the South we'd like to welcome him. -We could use a friend. So few of us. | 0:11:48 | 0:11:54 | |
I hope it'll be peaceful... Sunday morning, too. | 0:11:54 | 0:11:59 | |
Your luck still holds, sir. That's the second straight win. > | 0:12:01 | 0:12:06 | |
You're not betting? | 0:12:17 | 0:12:20 | |
I don't think the hand's worth it. | 0:12:20 | 0:12:23 | |
A pretty hand to throw away, but it can't beat four kings. | 0:12:26 | 0:12:31 | |
Yes, four kings, Mr Jumbo. | 0:12:31 | 0:12:34 | |
I know your hand as well as you know mine. | 0:12:34 | 0:12:38 | |
Then you're cheating, sir. | 0:12:38 | 0:12:40 | |
Maybe you might call it that. | 0:12:40 | 0:12:43 | |
Marked cards, I can read them as well as you can. | 0:12:43 | 0:12:47 | |
Expect me to shut my eyes and lose my shirt? | 0:12:47 | 0:12:51 | |
Thanks, Pentecost. And he did have four kings. | 0:12:55 | 0:12:59 | |
Fast work. You're a useful man to know. | 0:12:59 | 0:13:03 | |
Southern trash. I'll run you all out. | 0:13:03 | 0:13:05 | |
< Not With Lincoln in the White House. PIANO PLAYS "Union Forever" | 0:13:05 | 0:13:10 | |
This is no put in of yours, Rogers. | 0:13:12 | 0:13:14 | |
-You Northerners stick together, why shouldn't we? -PIANO PLAYS "Dixie" | 0:13:14 | 0:13:20 | |
Name's Rogers, Pentecost. Robinson, Rollaston, all from Georgia. | 0:13:20 | 0:13:25 | |
Heard of you, heard a great deal. We might have a lot to talk about. | 0:13:25 | 0:13:31 | |
-Are you one of us? -I'm from Vermont. | 0:13:31 | 0:13:34 | |
Go back to Georgia, all of you. | 0:13:34 | 0:13:36 | |
Colorado will belong to us Union men, | 0:13:36 | 0:13:39 | |
the only part coming to you is six foot down. PIANO PLAYS AGAIN | 0:13:39 | 0:13:44 | |
Shut up with that music. | 0:13:44 | 0:13:46 | |
-I guess you don't wanna hang around, Mr Pentecost. -His crowd is your borned enemies. | 0:13:46 | 0:13:52 | |
-There are no flags on gold, North or South. I've got a poker game going. -Not with me, sir. | 0:13:52 | 0:13:59 | |
Since you're a stranger here I'll give you another chance. | 0:14:06 | 0:14:11 | |
A new deck... | 0:14:11 | 0:14:13 | |
and an honest deal. | 0:14:13 | 0:14:15 | |
Anything you want, | 0:14:15 | 0:14:17 | |
honest or dishonest. | 0:14:17 | 0:14:19 | |
Make it dealer's choice. | 0:14:22 | 0:14:24 | |
I don't trust that Pentecost one little bit. | 0:14:24 | 0:14:28 | |
Maybe we been judgin' him wrong. He's a Southerner born and bred... | 0:14:28 | 0:14:33 | |
You ain't thinking of lettin' him snoop around the mine? | 0:14:33 | 0:14:37 | |
He said he might have a lot to talk to us about. | 0:14:37 | 0:14:41 | |
We know nothing about him, except that he's hobnobbing with Yankees. | 0:14:41 | 0:14:46 | |
If he came alone he couldn't do no harm. | 0:14:46 | 0:14:50 | |
Might be nice to talk to a man from home. | 0:14:50 | 0:14:53 | |
We got bad ones at home, too, and I'm a-bettin' he's one of them. | 0:14:53 | 0:14:58 | |
One hundred. | 0:15:01 | 0:15:03 | |
One hundred,... | 0:15:05 | 0:15:07 | |
..and five hundred more. | 0:15:08 | 0:15:11 | |
Up two thousand. | 0:15:18 | 0:15:20 | |
Call. | 0:15:22 | 0:15:24 | |
Well, I'm done, finished. You've taken all my cash. | 0:15:28 | 0:15:32 | |
But I intend to have it back, Mr Pentecost. | 0:15:32 | 0:15:36 | |
All legitimately, I promise. Just one more hand. | 0:15:36 | 0:15:40 | |
What are you betting? IOUs? | 0:15:40 | 0:15:42 | |
No, the Circus Tent. | 0:15:42 | 0:15:44 | |
Bar, hotel, warehouse, stock, everything. | 0:15:44 | 0:15:47 | |
Everything against my own money. | 0:15:48 | 0:15:52 | |
All right. | 0:15:55 | 0:15:57 | |
Call to you, five cards high. | 0:15:57 | 0:15:59 | |
Since I don't trust you any more than you trust me, | 0:15:59 | 0:16:03 | |
shall we leave it to the lady to deal? | 0:16:03 | 0:16:07 | |
First card to our guest. | 0:16:22 | 0:16:24 | |
Three eights. | 0:16:33 | 0:16:35 | |
Strong hand. | 0:16:35 | 0:16:37 | |
Just in case you act disappointed if you don't draw the third queen. | 0:16:40 | 0:16:46 | |
You get your queen, I'll put the gun away and you'll have your money. | 0:16:46 | 0:16:51 | |
My last card, please. | 0:16:58 | 0:17:00 | |
You asked me to deal. | 0:17:08 | 0:17:10 | |
You lost. | 0:17:10 | 0:17:11 | |
Now, you either gotta pay up or get killed. | 0:17:11 | 0:17:15 | |
Yes, I lost, Mr Pentecost. | 0:17:16 | 0:17:18 | |
But I'm not a loser. | 0:17:18 | 0:17:20 | |
Let her tell you that. | 0:17:22 | 0:17:24 | |
That cheatin', no good woman. | 0:17:33 | 0:17:36 | |
We're not dead. Across there would be a good place to open up again. | 0:17:37 | 0:17:42 | |
What are you gonna use for money? | 0:17:42 | 0:17:44 | |
There's plenty of patriotic money for a loyal man. | 0:17:44 | 0:17:48 | |
All of a sudden you're drunk. | 0:17:52 | 0:17:55 | |
I never show it till I relax. I'm very relaxed now. | 0:17:55 | 0:17:59 | |
Come here. | 0:18:00 | 0:18:02 | |
You know something? Jumbo's right, that WAS a crooked deal. | 0:18:04 | 0:18:09 | |
-But only the last card. -That was supposed to be another queen for Jumbo. | 0:18:09 | 0:18:14 | |
-I saw you switch it. -I thought it'd be nice to be under new management. | 0:18:14 | 0:18:19 | |
Don't get relaxed just cos you're the new owner. | 0:18:19 | 0:18:23 | |
And don't get too flattered that I slid a card from the bottom. | 0:18:23 | 0:18:28 | |
-Men are awful quick to flatter themselves. -Sure, we're dogs. Unfeeling dogs. | 0:18:28 | 0:18:33 | |
-I wonder what a feeling dog is like. -Not like Jumbo. | 0:18:33 | 0:18:37 | |
He did me out of a hunk of my cut. His books are a great work of fiction. | 0:18:37 | 0:18:43 | |
Sad fiction at that, I bet. | 0:18:43 | 0:18:45 | |
-I don't cry. -I can see you're not the crying kind. | 0:18:45 | 0:18:49 | |
Not that I haven't done my share. | 0:18:49 | 0:18:52 | |
Men? | 0:18:52 | 0:18:53 | |
What else? All the way from Boston to San Francisco and back to Denver. | 0:18:53 | 0:18:59 | |
But I always end up laughing. | 0:18:59 | 0:19:02 | |
Like now? | 0:19:03 | 0:19:05 | |
Like now, I think. | 0:19:05 | 0:19:07 | |
-How do you know I won't give you a dirty deal? -I don't. | 0:19:07 | 0:19:12 | |
But you gotta be better than Jumbo. | 0:19:12 | 0:19:15 | |
And you look a whole lot better. | 0:19:15 | 0:19:17 | |
HE LAUGHS | 0:19:17 | 0:19:19 | |
Feel better, too. | 0:19:19 | 0:19:21 | |
What are you doing so far from the old plantation? | 0:19:21 | 0:19:25 | |
There was a little trouble. I took the blame. | 0:19:25 | 0:19:29 | |
-For something you didn't do? -Oh, I did it. That's why I took the blame. | 0:19:29 | 0:19:34 | |
Get out of here. | 0:19:38 | 0:19:40 | |
-You shouldn't leave your door unlocked. -The lock's broken but this pistol isn't. | 0:19:40 | 0:19:46 | |
Didn't know this was your room, sort of stumpled against the door. | 0:19:46 | 0:19:51 | |
-I'm sleepy. -Well, then go to bed. | 0:19:51 | 0:19:53 | |
Not too sleepy to see how different you look. Buckskin does a lot for you | 0:19:53 | 0:19:59 | |
but silk does more. That little bit of silk much, much more. | 0:19:59 | 0:20:03 | |
I'm in no mood for visitors, Mr Pentecost. | 0:20:03 | 0:20:07 | |
-I'd hate to have to shoot you to prove it. -You're safe as if you're in your own room. | 0:20:07 | 0:20:14 | |
I like that ribbon in your hair, makes you look sweet and feminine | 0:20:14 | 0:20:18 | |
and pretty and feminine. | 0:20:18 | 0:20:21 | |
Very smooth and feminine. | 0:20:23 | 0:20:25 | |
You make a good hotel man, Owen. | 0:20:26 | 0:20:29 | |
Just that nice personal touch to please the guest. | 0:20:29 | 0:20:33 | |
Hotel man? | 0:20:33 | 0:20:35 | |
-I'm the new proprietor. I won the place. -On a decision. | 0:20:35 | 0:20:39 | |
I wish you a good night. | 0:20:39 | 0:20:41 | |
Or a good morning, | 0:20:41 | 0:20:43 | |
or a good afternoon, or a good whatever it is. | 0:20:43 | 0:20:47 | |
Jumbo's room. | 0:20:55 | 0:20:57 | |
I'll have it fixed up, move out all the little elephants. | 0:20:57 | 0:21:02 | |
No sense in doing it now, you'd only see more of them. | 0:21:02 | 0:21:06 | |
Well, if hair ribbons are your weakness, why didn't you say? | 0:21:10 | 0:21:14 | |
HE SNORES GENTLY | 0:21:14 | 0:21:16 | |
Rogers, come here. | 0:21:46 | 0:21:48 | |
A HORSE APPROACHES | 0:21:48 | 0:21:50 | |
-Where's the head man? -He's comin'. | 0:21:53 | 0:21:55 | |
Call this Southern hospitality? | 0:21:56 | 0:21:59 | |
You seem to prefer Yankees. What brings you here? | 0:21:59 | 0:22:03 | |
-I've never seen 2 million in gold. -Neither have we. | 0:22:03 | 0:22:07 | |
-That two million in gold you've taken out of the ground. -What gives you the notion that we have it? | 0:22:07 | 0:22:15 | |
Heard it in a saloon in Atlanta. | 0:22:15 | 0:22:17 | |
You believed it? Some drunk blabbin'. | 0:22:17 | 0:22:20 | |
Why do you think I came out here? | 0:22:20 | 0:22:23 | |
-2 million in gold must be a purty sight to set your eyes on. -Maybe your hands, too. | 0:22:23 | 0:22:30 | |
-I'm trying to help. -We don't need help. | 0:22:30 | 0:22:33 | |
Let him talk, he's from home. What part? | 0:22:33 | 0:22:36 | |
-North Carolina. -Almost as good as Georgia. Go ahead. | 0:22:36 | 0:22:41 | |
You're in trouble. | 0:22:41 | 0:22:43 | |
Mining for three years. Had plenty of chance to get away but you waited too long. | 0:22:43 | 0:22:49 | |
War's coming any day now. | 0:22:49 | 0:22:51 | |
When it does, Yankee troops are gonna get in your way. Unless... | 0:22:51 | 0:22:56 | |
What? What can you do? | 0:22:56 | 0:22:58 | |
There's a big warehouse belongs to the Circus Tent, got a lot of wagons there, strong ones. | 0:22:58 | 0:23:05 | |
Plenty of guns, food, for the long trip back. | 0:23:05 | 0:23:09 | |
-Will you show me that gold? -Why? -I want 50,000 for what's in my warehouse. | 0:23:09 | 0:23:15 | |
You dirty renegade. Sellin' out your country. | 0:23:15 | 0:23:19 | |
I'm sellin' out my wagons in a respectable, profiteering way. | 0:23:19 | 0:23:23 | |
The money isn't ours. Belongs to the South to fight the war. | 0:23:23 | 0:23:28 | |
-They can have the rest of it. -For a minute I thought that you were a loyal man. | 0:23:28 | 0:23:34 | |
Sure I'm loyal. | 0:23:34 | 0:23:36 | |
Got an undying loyalty to myself and no-one else, nothing else. | 0:23:36 | 0:23:41 | |
If you're thinking of shooting me, let me remind you that Jumbo Means is after the Circus Tent. | 0:23:43 | 0:23:49 | |
When he gets it, where are you gonna get your wagons? | 0:23:49 | 0:23:54 | |
Waiting to hear from you. | 0:23:54 | 0:23:56 | |
But think fast. | 0:23:56 | 0:23:58 | |
Where's Miss Boston? | 0:24:07 | 0:24:09 | |
Out in the warehouse. | 0:24:09 | 0:24:11 | |
What's all this? | 0:24:21 | 0:24:23 | |
An inventory. | 0:24:23 | 0:24:25 | |
This is a list of everything you own. | 0:24:25 | 0:24:28 | |
Looks very official. | 0:24:28 | 0:24:30 | |
-You even signed your name. -I belong on that list, too. | 0:24:30 | 0:24:34 | |
I don't like owning things, certainly not people. | 0:24:34 | 0:24:38 | |
All you want is money for gambling, drinking, maybe travelling? | 0:24:38 | 0:24:43 | |
I'm staying it takes two weeks to get your laundry in this town. | 0:24:43 | 0:24:48 | |
If you get restless, this oughta pay your way to China or wherever. | 0:24:48 | 0:24:52 | |
-What are these? -Mining claims Jumbo took in for a half a ham or a keg of whisky. | 0:24:52 | 0:24:58 | |
They're yours. | 0:24:58 | 0:25:00 | |
-Any good? -Some, I guess. They haven't been worked much. | 0:25:00 | 0:25:04 | |
-Why? -Lots of reasons. Folks run out of money, turn lazy, | 0:25:04 | 0:25:08 | |
get discouraged. | 0:25:08 | 0:25:10 | |
Let's encourage them. This town needs a good old revival meeting. | 0:25:10 | 0:25:15 | |
-With you doing the preaching? -With me doing the preaching. | 0:25:15 | 0:25:19 | |
I've got a sermon that'll fetch them a gospel of gold. | 0:25:19 | 0:25:23 | |
-Talking about gold perks you up. -What's wrong with gold? | 0:25:23 | 0:25:28 | |
Especially in the colour of a woman's hair? | 0:25:28 | 0:25:31 | |
I don't care about the colour of a girl's hair. | 0:25:31 | 0:25:35 | |
As long as she has a reasonable amount, I don't complain. | 0:25:35 | 0:25:40 | |
MEN CHATTER | 0:25:42 | 0:25:44 | |
It'll be drinks on the house when I'm through talkin'. | 0:25:57 | 0:26:01 | |
MEN SHOUT APPROVINGLY | 0:26:01 | 0:26:03 | |
Let me tell you why I invited you. | 0:26:04 | 0:26:07 | |
You're gamblers or you wouldn't be in Denver, so here's a game for everyone, | 0:26:07 | 0:26:13 | |
North and South, friend or enemy. | 0:26:13 | 0:26:16 | |
They've had enough of your gab, what's your game? | 0:26:16 | 0:26:19 | |
I don't blame you for being suspicious, Mr Jumbo. | 0:26:19 | 0:26:23 | |
I wouldn't be surprised if some cheating might not have gone on right here. | 0:26:23 | 0:26:28 | |
That's why I'm moving this new game outside. | 0:26:28 | 0:26:32 | |
It'll be the biggest gambling table you ever saw, reaching for miles. | 0:26:32 | 0:26:37 | |
And big stakes. You can't lose, you might win, so listen to the lady. | 0:26:37 | 0:26:42 | |
Mining claims. Take your choice. | 0:26:42 | 0:26:45 | |
Gold in maybe all of them. Who's gonna be dealt in? | 0:26:45 | 0:26:48 | |
There ain't no gold here. Your pals from Georgia got it all. | 0:26:48 | 0:26:53 | |
There's plenty of gold, only it's not going to find you. You've got to dig it out. | 0:26:53 | 0:26:58 | |
-I ain't even got a shovel or a pick. -He had to sell 'em to buy grub. | 0:26:58 | 0:27:04 | |
I'll stake any man who wants to work to buy whatever he needs. | 0:27:04 | 0:27:09 | |
Wagon, warm clothes | 0:27:09 | 0:27:11 | |
and a new dress for his wife in that new store. | 0:27:11 | 0:27:15 | |
When anybody strikes gold, I want half and I'm gonna get half. | 0:27:15 | 0:27:20 | |
No excuses, hard-luck stories, double crossing. Half is mine. | 0:27:20 | 0:27:25 | |
Who'll be the first to sign up? | 0:27:25 | 0:27:27 | |
-Sign the paper and you get your money and your tools. -Gimme one o' them papers! | 0:27:28 | 0:27:35 | |
-No, Lawford, he's a swindlin' Rebel. -I don't care, I'm busted. | 0:27:35 | 0:27:39 | |
He'll rob you blind. Him and that cheatin' woman. | 0:27:39 | 0:27:43 | |
I know her like a book. | 0:27:43 | 0:27:45 | |
You never got past the cover, elephant boy. | 0:27:45 | 0:27:49 | |
MEN LAUGH MOCKINGLY | 0:27:49 | 0:27:52 | |
What about you, Mr Kirby? | 0:27:53 | 0:27:55 | |
Doesn't seem natural, you not interested in gold. | 0:27:55 | 0:27:59 | |
Peculiar you never talk about gold. | 0:27:59 | 0:28:02 | |
Everybody in Denver does, except Father Murphy. | 0:28:02 | 0:28:06 | |
Heaven's paved with gold, that's enough for him but what about you? | 0:28:06 | 0:28:11 | |
If it's a secret, it's a secret. | 0:28:11 | 0:28:13 | |
Pick out a good one for me, Pentecost. | 0:28:13 | 0:28:17 | |
So, now we're in the gold-mining business. | 0:28:20 | 0:28:24 | |
Chances are you'll end up with more lead than gold. | 0:28:24 | 0:28:27 | |
-Do you wanna sell your percentage? -I'm hanging on to what I've got. | 0:28:27 | 0:28:32 | |
Sentimental value. | 0:28:32 | 0:28:34 | |
Owen... | 0:28:34 | 0:28:36 | |
if there's a war, I'm North, a Yankee. You're South. | 0:28:36 | 0:28:40 | |
What happens to us? | 0:28:40 | 0:28:42 | |
I shoot you, I guess. | 0:28:42 | 0:28:44 | |
Oh! | 0:29:01 | 0:29:03 | |
-Oh, good evening. -Can't let Denver's fashion centre open without celebrating. | 0:29:03 | 0:29:09 | |
Only champagne in my warehouse. Bet it's the only one from here to San Francisco. | 0:29:09 | 0:29:15 | |
-It's very neighbourly of you. -You're a special kind of neighbour. | 0:29:15 | 0:29:20 | |
That's getting cold. | 0:29:20 | 0:29:22 | |
Takes a little longer to chill it in spring water. | 0:29:22 | 0:29:26 | |
You're a strange man, Mr Pentecost. | 0:29:26 | 0:29:29 | |
There are many things to admire in you, | 0:29:29 | 0:29:33 | |
some to be afraid of. | 0:29:33 | 0:29:35 | |
Afraid of? What? | 0:29:35 | 0:29:37 | |
Well,... | 0:29:37 | 0:29:39 | |
I don't think you'd ever give yourself the worst of it, with man or woman. | 0:29:39 | 0:29:44 | |
Ann, you are something special, a lady. | 0:29:44 | 0:29:48 | |
It's the first thing I noticed, it's born in you. | 0:29:48 | 0:29:51 | |
-SHE GIGGLES -I'm glad you're positive about it. | 0:29:51 | 0:29:55 | |
A beautiful lady, high on her pedestal, so out of reach. | 0:29:55 | 0:29:59 | |
See how simple it is, your ladyship? | 0:30:02 | 0:30:05 | |
I prefer to come down from a pedestal under my own power. | 0:30:05 | 0:30:10 | |
When you do, I'd like to be around. | 0:30:10 | 0:30:13 | |
KNOCK ON DOOR | 0:30:13 | 0:30:15 | |
It's the last of the stuff, Ann. | 0:30:21 | 0:30:23 | |
-First customer? -No, just looking. | 0:30:23 | 0:30:26 | |
Before you put me to work alongside Kirby I'll say good night and good luck. | 0:30:26 | 0:30:32 | |
Enjoy the champagne, Kirby. | 0:30:32 | 0:30:34 | |
-You're angry, Stephen, but you have no reason to be. -I hate to see another man taller in your eyes. | 0:30:35 | 0:30:42 | |
-You're imagining things. -He's a new type for you, you're curious. | 0:30:42 | 0:30:47 | |
-There's no need to analyse my emotions, -Maybe there is. | 0:30:47 | 0:30:51 | |
Anyway, I...I have to leave now. | 0:30:51 | 0:30:54 | |
Good night, Ann. | 0:30:54 | 0:30:56 | |
FOOTSTEPS | 0:30:58 | 0:31:00 | |
KNOCK ON DOOR | 0:31:04 | 0:31:06 | |
Come in. | 0:31:06 | 0:31:08 | |
Sir, Captain Kirby reporting to Colonel Gibson. | 0:31:10 | 0:31:13 | |
Forget the salutes, my boy, till we put our uniforms on again. | 0:31:13 | 0:31:18 | |
-How do you like secret service? -It's a change now I'm a gold-miner. | 0:31:18 | 0:31:23 | |
And I'm a writer, my wife says I couldn't have picked a worse disguise. | 0:31:23 | 0:31:28 | |
She thinks writers are depraved and romantic. She even wanted to help. | 0:31:28 | 0:31:33 | |
-Is Mrs Gibson coming, sir? -Good heavens, no. | 0:31:33 | 0:31:37 | |
If Mrs Gibson has a fault, and she won't admit it, it's talking too much. | 0:31:37 | 0:31:42 | |
Anything from Washington, sir? | 0:31:42 | 0:31:45 | |
Nothing. The whole idea is crazy. | 0:31:45 | 0:31:48 | |
We couldn't bring in troops. That'd be martial law and this is peacetime. | 0:31:48 | 0:31:53 | |
But they order us to stop that gold going South. | 0:31:53 | 0:31:57 | |
-If we don't they'll shoot it back as cannonballs. -I say start the war now and move the troops in. | 0:31:57 | 0:32:04 | |
But Mr Lincoln is too namby-pamby for his job. | 0:32:04 | 0:32:08 | |
-They say the man prays. -He's a good Christian, I suppose. | 0:32:08 | 0:32:12 | |
I'm a good Christian but praying's not gonna prevent this war. | 0:32:12 | 0:32:17 | |
North and South are natural enemies like husband and wife. | 0:32:17 | 0:32:21 | |
Oh, that young lady you were with today, I hope she's not inquisitive. | 0:32:21 | 0:32:26 | |
Oh, no, she hired me as a guide at Fort Larame, never asks questions. | 0:32:26 | 0:32:32 | |
Mighty few of those left. | 0:32:32 | 0:32:34 | |
Nothing like a strong, silent woman. | 0:32:34 | 0:32:37 | |
Must be caused by an accident at birth, wouldn't you say? | 0:32:37 | 0:32:41 | |
-I suppose you want to be getting along. Good night. -Good night. | 0:32:41 | 0:32:46 | |
Oh, yes. | 0:32:46 | 0:32:48 | |
Forget what I said about Mr Lincoln. I'm praying to be a general. | 0:32:48 | 0:32:53 | |
-Good night, sir. -Good night. | 0:32:53 | 0:32:55 | |
-Your servant, ma'am. -I'm afraid I'm in a hurry, Mr Pentecost. | 0:32:56 | 0:33:01 | |
-Stephen has invited me to see his mine. -Our mine he and I are partners. | 0:33:01 | 0:33:06 | |
-Nothing like lunch with a woman for a tired miner. -I'll tell him you said good appetite. | 0:33:06 | 0:33:12 | |
I'm going that way, myself. | 0:33:12 | 0:33:15 | |
If you don't mind, that is. Got a lot of partners to see. | 0:33:15 | 0:33:19 | |
I get off here. | 0:34:02 | 0:34:04 | |
Wish Kirby good luck. | 0:34:04 | 0:34:06 | |
I have enough lunch for three, if you'd care to join us. | 0:34:08 | 0:34:12 | |
So I won't be lonely? Thank you. Mind waiting a minute? | 0:34:12 | 0:34:17 | |
Howdy. | 0:34:25 | 0:34:27 | |
Glad to see you. | 0:34:27 | 0:34:29 | |
-Hello, Lawford, how are things? -Well, not very good. That's a fact. | 0:34:29 | 0:34:34 | |
All through for the day? | 0:34:34 | 0:34:36 | |
-I'd be wasting my time putting any more work in this claim. -Maybe you're giving up too soon. | 0:34:36 | 0:34:44 | |
I'm no greenhorn, I know when there's gold and when there ain't. | 0:34:44 | 0:34:48 | |
Been prospecting more than two years, wife and kid in Michigan gave up on me, | 0:34:48 | 0:34:55 | |
kinda hard writing them the next time's gonna be the lucky time. | 0:34:55 | 0:35:00 | |
-Dig those ashes out of that hole, Lawford. -What for? There's nothing in there. | 0:35:00 | 0:35:06 | |
-If there's nothing I'll pay you for your time. -I didn't make a strike. | 0:35:06 | 0:35:11 | |
Why'd you cover up the hole? | 0:35:11 | 0:35:13 | |
No special reason. | 0:35:14 | 0:35:16 | |
What did you hit down there? | 0:35:23 | 0:35:26 | |
White quartz? Is that what you didn't want me to see? | 0:35:26 | 0:35:30 | |
Easy, soft veins you can get at with a pick and shovel? | 0:35:30 | 0:35:35 | |
Dig. | 0:35:35 | 0:35:36 | |
I found it, struck over a week ago. I clawed gravel till my hands bled. | 0:35:36 | 0:35:41 | |
What's mine is mine! | 0:35:41 | 0:35:45 | |
-I got friends who wouldn't stand seeing me robbed by no secess'. -We made a deal. | 0:35:45 | 0:35:50 | |
You ain't collecting nothing! GUNSHOTS | 0:35:50 | 0:35:54 | |
I'm sorry you had to see it. | 0:36:12 | 0:36:14 | |
He reached for his gun, so did I. | 0:36:19 | 0:36:21 | |
And you won. | 0:36:23 | 0:36:25 | |
Would you rather it was the other way? | 0:36:25 | 0:36:28 | |
I hate all killing. | 0:36:31 | 0:36:33 | |
First thing to do is get the body back to town. | 0:36:35 | 0:36:39 | |
MEN CHATTER | 0:36:54 | 0:36:57 | |
Get away from there, you buzzards! | 0:37:02 | 0:37:05 | |
-Who is it? -Keep your hands off! | 0:37:05 | 0:37:07 | |
We brought him to you, father. | 0:37:17 | 0:37:19 | |
-I don't know if he's one of yours. -What does that matter? | 0:37:19 | 0:37:24 | |
Matters that Lawford is lying here dead. All your praying ain't gonna change that. | 0:37:24 | 0:37:30 | |
-We got a way of dealing with murder. -Sure it's murder, Mr Jumbo? Mighty fast verdict. | 0:37:30 | 0:37:37 | |
You can't talk your way out of this. | 0:37:37 | 0:37:40 | |
-Hanging's too good for him. -Needs a whippin' with a whip that'd lay his back open. | 0:37:40 | 0:37:46 | |
I knew she'd cause you trouble. | 0:37:46 | 0:37:48 | |
Go riding with her and look what happens. She has her own man to do her killing. | 0:37:48 | 0:37:54 | |
You're as bad as he is. Cheatin' trash, both of you! | 0:37:54 | 0:37:58 | |
Be quiet. Have you no respect for the dead? | 0:37:58 | 0:38:02 | |
Why be so quick to shed more blood? Bring him in the church. | 0:38:02 | 0:38:07 | |
Look out, Owen. | 0:38:17 | 0:38:19 | |
That's the only one I'm wasting. Try that again, there'll be a lot more going to church. | 0:38:24 | 0:38:30 | |
Before more get killed, let me tell you how it happened. | 0:38:30 | 0:38:34 | |
-WHISPERS: -I'll tell them. Self-defence is no crime. | 0:38:34 | 0:38:38 | |
They'd never believe you, they'd try and hang you. | 0:38:38 | 0:38:43 | |
I was with Owen Pentecost today, all day. | 0:38:43 | 0:38:46 | |
We stopped by Jack Lawford's claim and... | 0:38:46 | 0:38:49 | |
and found him dead. | 0:38:49 | 0:38:51 | |
CROWD MURMURS | 0:38:51 | 0:38:54 | |
CHILDREN SHOUT EXCITEDLY | 0:39:05 | 0:39:08 | |
A DOG BARKS | 0:39:12 | 0:39:14 | |
Here, here, here. | 0:39:22 | 0:39:24 | |
Keep out of this, let 'em fight fair and square. | 0:39:24 | 0:39:27 | |
That round lasted long enough. What's this all about? | 0:39:29 | 0:39:33 | |
-That kid got out of my coach and started fighting. -He started it. | 0:39:33 | 0:39:38 | |
-I just asked if you knew where my father was. -And all I said was, "What's your old man's name?" | 0:39:38 | 0:39:45 | |
All right. | 0:39:45 | 0:39:46 | |
When I said "Jack Lawford" you laughed, said he might be one of two places. Then the other kids laughed. | 0:39:46 | 0:39:54 | |
-That made me mad so I started swingin'. -Aw, you can't take a joke. | 0:39:54 | 0:39:59 | |
-Your old man's dead. -That's enough. | 0:39:59 | 0:40:01 | |
Don't you talk that way to my boy. | 0:40:01 | 0:40:04 | |
Let's get away from here. | 0:40:10 | 0:40:12 | |
He...He is dead, | 0:40:12 | 0:40:14 | |
isn't he? | 0:40:14 | 0:40:16 | |
Yes. | 0:40:17 | 0:40:19 | |
But I want you to know you're with friends. What's your name? | 0:40:19 | 0:40:24 | |
Gary. Gary John Lawford, middle name's after my father. Did you know him? | 0:40:24 | 0:40:30 | |
Yes. | 0:40:30 | 0:40:31 | |
How...How did it happen? | 0:40:33 | 0:40:35 | |
Well, let's get settled first and then we can talk. I'll take care of you. | 0:40:35 | 0:40:41 | |
He's coming with me. | 0:40:41 | 0:40:43 | |
-He'll stay with me. -How can he stay with you? You, of all people. | 0:40:46 | 0:40:50 | |
How could you face him day after day? | 0:40:50 | 0:40:53 | |
-Do you think room and board is going to make it up to him? -I'm handling this my own way. | 0:40:53 | 0:41:00 | |
I didn't know about Jack Lawford. Musta died since my last trip. | 0:41:01 | 0:41:06 | |
Poor kid ain't got nobody, told me his mother died. | 0:41:06 | 0:41:10 | |
Some friends sent him out here. | 0:41:10 | 0:41:13 | |
Well, I guess it's time for a drink. I'm an orphan, too. | 0:41:13 | 0:41:17 | |
Get some soup, Phil, and some ham and eggs. | 0:41:18 | 0:41:21 | |
-Yes, sir, soup's on the fire. -That all right, Gary? | 0:41:21 | 0:41:25 | |
I guess so. | 0:41:25 | 0:41:27 | |
This is all wrong, keeping him here with you, and you know it. | 0:41:47 | 0:41:52 | |
Or is this the way a gambler like you pays his debts? | 0:41:52 | 0:41:56 | |
We'll make this a fine room for you, Gary. | 0:42:00 | 0:42:04 | |
How did it happen? | 0:42:04 | 0:42:06 | |
You can tell me, I won't cry. | 0:42:06 | 0:42:08 | |
All right. | 0:42:10 | 0:42:12 | |
He was killed in a gunfight. | 0:42:13 | 0:42:16 | |
He did the best he knew but ran up against something he couldn't beat. | 0:42:16 | 0:42:21 | |
Who? Who was it? | 0:42:21 | 0:42:23 | |
Who killed him? | 0:42:23 | 0:42:25 | |
No-one has found out, yet, Gary. | 0:42:25 | 0:42:28 | |
Taste this, Gary, you'll feel better. | 0:42:28 | 0:42:31 | |
I'm glad you're here, we're gonna be great friends. | 0:42:31 | 0:42:35 | |
HE SOBS Don't be afraid to cry. | 0:42:35 | 0:42:38 | |
Even big men cry sometimes. | 0:42:38 | 0:42:40 | |
Eatin' time. | 0:42:51 | 0:42:53 | |
Thanks, Phil. | 0:42:53 | 0:42:55 | |
Say, Miss Boston, is this answer right? Let me take a look. | 0:42:55 | 0:43:00 | |
Never make a mistake when I do that. | 0:43:06 | 0:43:09 | |
Correct. | 0:43:11 | 0:43:12 | |
How come you need all this learnin'? You a rich fella now. | 0:43:12 | 0:43:17 | |
Mr Pentecost and I are partners, just like him and my father. | 0:43:17 | 0:43:21 | |
Owen only has two of these, and now one of them's yours. Let's try it on. | 0:43:21 | 0:43:26 | |
There. | 0:43:33 | 0:43:35 | |
Spittin' image of the boss. | 0:43:44 | 0:43:47 | |
That's right, Gary, be like him. Take it from someone who knows. | 0:43:47 | 0:43:52 | |
CHILDREN SING TUNE OF "John Brown's Body" | 0:43:52 | 0:43:55 | |
# Jack Lawford's body lies a-mouldering in the grave | 0:43:55 | 0:43:59 | |
# Jack Lawford's body lies a-mouldering in the grave | 0:43:59 | 0:44:02 | |
# And his son don't give a hang | 0:44:02 | 0:44:05 | |
# Jack Lawford's body lies a-mouldering in the grave | 0:44:06 | 0:44:09 | |
# Jack Lawford's body lies a-mouldering in the grave | 0:44:09 | 0:44:13 | |
Don't bother with those boys, Gary, wait till Owen gets home. | 0:44:13 | 0:44:18 | |
I don't need him. I'll shut them up myself. | 0:44:18 | 0:44:21 | |
-Stop him, before he hurts somebody. -Let him crack a couple of heads. | 0:44:21 | 0:44:26 | |
SINGING STOPS | 0:44:26 | 0:44:28 | |
We ain't done nothing! | 0:44:28 | 0:44:31 | |
What's the idea riding down these poor boys? | 0:44:31 | 0:44:34 | |
If you have anything to say, don't hide behind kids. Sing it to me. | 0:44:34 | 0:44:40 | |
-Go on back, Gary, concert's over. -This is my fight, not yours. | 0:44:42 | 0:44:47 | |
-Milk's better for you. -You can have your bottle, I'm getting something better. | 0:44:47 | 0:44:53 | |
You're all right. Learning fast. | 0:45:07 | 0:45:10 | |
Mad at me? | 0:45:10 | 0:45:11 | |
Yes. | 0:45:11 | 0:45:13 | |
Well, no. | 0:45:13 | 0:45:15 | |
You taught me how to ride teach me about this. | 0:45:17 | 0:45:21 | |
How do you get it out so fast? Give anybody a shot but still win. | 0:45:21 | 0:45:25 | |
That's what everyone says. | 0:45:25 | 0:45:27 | |
Teach me how to work a gun like you do. | 0:45:27 | 0:45:31 | |
Little young for guns. You're just a boy, Gary. | 0:45:31 | 0:45:34 | |
Not if I can shoot like a man. Then I'll find out who killed my father. | 0:45:34 | 0:45:40 | |
Isn't that what you'd do? | 0:45:40 | 0:45:42 | |
Yes, that's what I'd do. | 0:45:42 | 0:45:45 | |
I'm sorry I was mad at you, even for a little while. | 0:45:45 | 0:45:49 | |
-Let's get started. -Where? -Your first lesson. | 0:45:49 | 0:45:52 | |
Throw them as high as you can. | 0:46:13 | 0:46:15 | |
GUNSHOT | 0:46:19 | 0:46:21 | |
Gosh! You didn't even look. | 0:46:21 | 0:46:24 | |
I looked. | 0:46:24 | 0:46:26 | |
I don't see how you did it so fast. | 0:46:38 | 0:46:41 | |
-You'd been standing in front of me you'd never have found out. -I'll never shoot like that. | 0:46:41 | 0:46:47 | |
You wanted to learn? If I teach you, you will. Let's try it over here. | 0:46:47 | 0:46:53 | |
More shots. They're coming from over there. | 0:47:00 | 0:47:03 | |
Now let's see you try it. | 0:47:06 | 0:47:08 | |
Here, get used to the feel of it. | 0:47:10 | 0:47:13 | |
Huh! What does he wanna do? | 0:47:23 | 0:47:26 | |
-Make that boy everything he is himself? -What is he? | 0:47:26 | 0:47:30 | |
-Outside of someone who interests you. -It's the boy I'm thinking of. | 0:47:30 | 0:47:35 | |
Straighten your arm. | 0:47:35 | 0:47:37 | |
It's heavy. | 0:47:37 | 0:47:39 | |
-But perfectly balanced. -It sure is heavy. | 0:47:39 | 0:47:43 | |
-I'd like one I can handle. -No gun is a toy, it's meant to kill with. | 0:47:43 | 0:47:48 | |
I can teach you to hit what you aim at, but I can't teach you to kill what you shoot at. | 0:47:48 | 0:47:54 | |
Let's try it again. | 0:47:54 | 0:47:56 | |
That's it. | 0:47:57 | 0:48:00 | |
You're getting awfully worked up over a little shooting lesson. GUNSHOT | 0:48:00 | 0:48:05 | |
With his own gun, that he's killed with. | 0:48:05 | 0:48:08 | |
As far as I know he's killed a couple of Indians. Anybody else? | 0:48:08 | 0:48:13 | |
-GUNSHOT -I don't know his record, but someone ought to teach him a lesson. | 0:48:13 | 0:48:19 | |
Oh, I wish I were a man. | 0:48:19 | 0:48:21 | |
Sometimes I think it would be much easier for everyone concerned if you were. | 0:48:21 | 0:48:27 | |
KNOCK ON DOOR | 0:48:33 | 0:48:35 | |
KNOCK ON DOOR | 0:48:42 | 0:48:44 | |
Come in. Please. | 0:48:47 | 0:48:49 | |
Thanks for inviting me over. | 0:48:49 | 0:48:52 | |
I'm afraid this isn't a social occasion. | 0:48:53 | 0:48:57 | |
What is it, a bargain sale? | 0:48:57 | 0:48:59 | |
I saw you and Gary this afternoon. | 0:48:59 | 0:49:02 | |
I can't drive it from my mind. | 0:49:03 | 0:49:06 | |
You're teaching that boy to shoot. | 0:49:06 | 0:49:09 | |
To kill, to be a gunfighter like yourself. | 0:49:09 | 0:49:12 | |
-Think I'm not bringing him up right? -Haven't you done enough to him, murdering his father? | 0:49:12 | 0:49:19 | |
So it's murder now? | 0:49:20 | 0:49:22 | |
-Next case. -What? | 0:49:22 | 0:49:25 | |
Trial's over, your honour, you found me guilty, goodbye. | 0:49:25 | 0:49:29 | |
You're guilty more than you think. | 0:49:29 | 0:49:32 | |
I'll tell you why you're training that boy to use a gun. | 0:49:32 | 0:49:36 | |
So the boy can save me the trouble of suicide, isn't that what you're thinking? | 0:49:36 | 0:49:42 | |
It's on your mind, or you wouldn't say it. If you have a conscience. | 0:49:42 | 0:49:48 | |
Or at the last minute will you be yourself and shoot the boy? | 0:49:48 | 0:49:52 | |
You're quite a girl, Ann. Think nothing of toting petticoats across the Rockies. A real pioneer. | 0:49:52 | 0:50:00 | |
-Is that sarcasm? -Compliment. Don't be so sure you can read my mind. | 0:50:00 | 0:50:05 | |
-Or heart, too, for that matter. -I can read Gary's heart and mind. | 0:50:05 | 0:50:09 | |
He loves you, worships you. | 0:50:09 | 0:50:13 | |
-Then, one day, he'll find the truth. -I'll tell him when he's ready. | 0:50:13 | 0:50:18 | |
And then how he'll hate you. | 0:50:18 | 0:50:20 | |
He'll try to stop loving you until it nearly drives him crazy. | 0:50:20 | 0:50:26 | |
That's what loving and hating someone can do. | 0:50:26 | 0:50:29 | |
Are we still talking about the boy? | 0:50:29 | 0:50:32 | |
Or is that your feeling, too? | 0:50:32 | 0:50:35 | |
Don't try to put words in my mouth. | 0:50:35 | 0:50:38 | |
Why not? Aren't you proud of hating me? | 0:50:38 | 0:50:42 | |
Just ashamed of nearly loving you. | 0:50:44 | 0:50:46 | |
Never did much talking about love. | 0:50:57 | 0:51:00 | |
You don't know the meaning of the word. | 0:51:00 | 0:51:04 | |
Got plenty of hate in you, don't know how much love. | 0:51:04 | 0:51:08 | |
More than you know, but not for you. Not any more. | 0:51:08 | 0:51:12 | |
-Nothing's over that fast. -Killer like you, everything dies fast. | 0:51:12 | 0:51:16 | |
-I hate your hands on me... -Is that what makes your heart beat so fast? | 0:51:16 | 0:51:21 | |
I never want to see you again. | 0:51:21 | 0:51:24 | |
-I want to forget I ever knew you. -I'll make it easy for you. | 0:51:24 | 0:51:28 | |
BUGLE PLAYS | 0:51:47 | 0:51:51 | |
BAND PLAYS "John Brown's Body" | 0:51:58 | 0:52:01 | |
We're with you, Abe Lincoln! | 0:52:04 | 0:52:06 | |
-They won the battle but we'll win the war! -Remember John Brown! | 0:52:06 | 0:52:10 | |
Clean up Denver, clean out the Rebels. | 0:52:14 | 0:52:17 | |
The only good Rebel is a dead Rebel! | 0:52:24 | 0:52:28 | |
Let's wipe out the South! | 0:52:29 | 0:52:32 | |
Remember John Brown! | 0:52:33 | 0:52:36 | |
We'll pull the Rebels off the map! | 0:52:37 | 0:52:41 | |
CHILDREN CHANT | 0:52:51 | 0:52:53 | |
Well, it's started. | 0:53:01 | 0:53:03 | |
Fort Sumter surrendered. | 0:53:03 | 0:53:05 | |
Won't last long, be over in 90 days. | 0:53:05 | 0:53:08 | |
The Yanks back east have no stomach for war. | 0:53:08 | 0:53:11 | |
You don't need a stomach, you just need a law, and guns and money, and Lincoln's got them. | 0:53:11 | 0:53:18 | |
-You ain't a Yankee sympathiser, are you? -No. | 0:53:18 | 0:53:22 | |
-Them men paradin' are your enemies, as well. -Your neighbours aren't your brothers tonight. | 0:53:22 | 0:53:28 | |
-Better wait till it quiets down. -I knew you'd be on our side when the time came. | 0:53:28 | 0:53:34 | |
-You belong to us, now. -I belong only to myself. | 0:53:34 | 0:53:38 | |
I'm not joining any parade, yours or theirs. | 0:53:38 | 0:53:41 | |
I like walking alone, no ties. | 0:53:41 | 0:53:45 | |
Don't ask questions, don't answer. | 0:53:45 | 0:53:49 | |
Man's gotta be sentimental to fight a war. | 0:53:51 | 0:53:54 | |
Gotta have a lump in his throat about God and country and home and mother, all the pretty things. | 0:53:54 | 0:54:01 | |
No lumps. | 0:54:01 | 0:54:03 | |
-What are you going to do? -About the war? | 0:54:06 | 0:54:10 | |
What any sensible man would do stay alive. | 0:54:10 | 0:54:14 | |
Keep your paws off them guns, all of you! | 0:54:15 | 0:54:19 | |
Now, Mr Gunslinger Pentecost, you buy the drinks | 0:54:19 | 0:54:23 | |
so we can wish a long life to President Lincoln. | 0:54:23 | 0:54:26 | |
You'll drink, or we'll pour it down your throat. | 0:54:26 | 0:54:30 | |
And then we're gonna clean you out. | 0:54:30 | 0:54:33 | |
We ain't harmin' the woman if she keeps out of the way. | 0:54:33 | 0:54:37 | |
Unbuckle your gun belts and drop 'em. | 0:54:37 | 0:54:40 | |
Maybe you'd rather take mine from me. You'd like that. | 0:54:40 | 0:54:44 | |
I can't think of nothing I'd rather do. | 0:54:44 | 0:54:47 | |
Except to cut you down with your own lead. | 0:54:47 | 0:54:51 | |
GUNSHOT | 0:54:51 | 0:54:53 | |
You shot your own man. | 0:54:57 | 0:54:59 | |
The rest of you get out before somebody else gets killed. | 0:54:59 | 0:55:03 | |
Maybe it'll be you. We still got you three to one. | 0:55:03 | 0:55:07 | |
Maybe it'll be me, but if anybody wants to be sure of being alive, now's your chance. | 0:55:07 | 0:55:13 | |
GUNSHOTS | 0:55:13 | 0:55:15 | |
-My man's in there! -So's mine! | 0:55:31 | 0:55:33 | |
GUNSHOT | 0:56:09 | 0:56:11 | |
Don't worry, they missed me. | 0:56:11 | 0:56:13 | |
Gary! Put that gun away! | 0:56:13 | 0:56:15 | |
GUNSHOT | 0:56:15 | 0:56:17 | |
I got him! I got him! | 0:56:17 | 0:56:20 | |
Get the others! | 0:56:20 | 0:56:22 | |
No! No! | 0:56:22 | 0:56:25 | |
Stop it! | 0:56:25 | 0:56:27 | |
CROWD MURMURS | 0:56:30 | 0:56:32 | |
Are you all right? | 0:56:32 | 0:56:34 | |
I'll be... | 0:57:08 | 0:57:10 | |
back on my feet in no time. | 0:57:10 | 0:57:12 | |
Sure you will. | 0:57:12 | 0:57:14 | |
Oh, it's not bad, just a crease. Pretty close to the right place. | 0:57:16 | 0:57:21 | |
See what happened to the doctor. I'll fetch him. | 0:57:21 | 0:57:25 | |
Nothing but a twinge, it's OK. | 0:57:25 | 0:57:27 | |
These Colts are exactly like mine, only I ain't gettin' the same results. | 0:57:27 | 0:57:33 | |
Seein' you standin' by our side down there was quite a comfort. | 0:57:33 | 0:57:37 | |
The way it should be. | 0:57:37 | 0:57:39 | |
Don't be carried away, I was just trying to save my own skin. | 0:57:39 | 0:57:44 | |
Can't you see he doesn't feel like talking? He's done enough for you. | 0:57:44 | 0:57:50 | |
Hurt much? | 0:57:52 | 0:57:54 | |
Knocked the wind...out of me for a while. | 0:57:56 | 0:58:00 | |
I was too scared to cry downstairs, I... | 0:58:00 | 0:58:03 | |
I thought I'd go crazy until I could see you breathing. | 0:58:03 | 0:58:07 | |
When you opened your eyes and looked at me... | 0:58:07 | 0:58:11 | |
I-I didn't mean to eavesdrop. Door was open, you know. | 0:58:14 | 0:58:18 | |
Here's the doctor! | 0:58:39 | 0:58:41 | |
Your very good health! | 0:58:51 | 0:58:53 | |
Ahh! | 0:58:54 | 0:58:56 | |
Epidemic's got you, too, eh? It's all my fault. | 0:58:57 | 0:59:01 | |
Never woulda been hit if he hadn't tried to stop me from shooting. | 0:59:01 | 0:59:06 | |
I guess he didn't want a gun in your hand, Gary. | 0:59:07 | 0:59:11 | |
The kid needs more lessons, that's all. | 0:59:13 | 0:59:17 | |
I'll have to keep you ladies out. Gotta undress our friend. | 0:59:18 | 0:59:22 | |
Stay and help, young fella, I've delivered two babies and took out six bullets tonight. | 0:59:22 | 0:59:28 | |
-Goodnight. -He'll get along better with one nurse than two. | 0:59:33 | 0:59:39 | |
-If you feel that way. -You got a good idea how I feel about him. | 0:59:40 | 0:59:45 | |
Enough of an idea to know you're in love with him. | 0:59:45 | 0:59:49 | |
It's easy to tell. Just looking at me looking at him and you know it. | 0:59:49 | 0:59:54 | |
Yes. Now, I hope you're satisfied. | 0:59:54 | 0:59:58 | |
Don't try to be so superior. | 0:59:58 | 1:00:01 | |
I wasn't even trying. | 1:00:01 | 1:00:04 | |
All right, Miss High And Mighty, I can throw low punches, too. | 1:00:04 | 1:00:08 | |
You're crazy about him, only you don't know how to love a man. | 1:00:08 | 1:00:14 | |
-You'd like to believe that. -You wouldn't be happy unless you could change him all around. | 1:00:14 | 1:00:21 | |
Loving a man isn't always storybook pretty, | 1:00:21 | 1:00:24 | |
but that doesn't stop you loving him, no matter what he is. | 1:00:24 | 1:00:29 | |
Can you do that? Can you? | 1:00:29 | 1:00:31 | |
That's a one-way love. I'll give a man as much as you - everything, | 1:00:36 | 1:00:41 | |
but it's got to work both ways. | 1:00:41 | 1:00:45 | |
Yes, I love him, | 1:00:45 | 1:00:48 | |
but I also pity him. | 1:00:50 | 1:00:53 | |
All right, men. To our friends. | 1:02:02 | 1:02:07 | |
If it ain't Mr Kirby. I never knew you was a soldier. | 1:02:14 | 1:02:19 | |
Kind of had a feeling you might be army. | 1:02:19 | 1:02:23 | |
Who thought this up? We were mourning our dead. | 1:02:23 | 1:02:27 | |
Mourn your dead all you like, they don't rate these flags. Can't let you do that. | 1:02:27 | 1:02:33 | |
These men weren't heroes, they were killed in a brawl, not a battle. | 1:02:33 | 1:02:39 | |
We were avenging Fort Sumter. We were licked there, too. | 1:02:39 | 1:02:44 | |
Civilians aren't supposed to wear army caps! | 1:02:44 | 1:02:47 | |
I issued them. I've got friends back east, powerful friends. | 1:02:47 | 1:02:53 | |
I don't care if you and the Secretary Of War are kin. You can't belittle his friends. | 1:02:53 | 1:03:00 | |
You've got a suspicious friend giving aid to the enemy. | 1:03:00 | 1:03:05 | |
You still a sergeant? No. | 1:03:08 | 1:03:11 | |
Army regulations say sergeants are sacred, but not ex-sergeants. | 1:03:14 | 1:03:20 | |
Martial law has been declared as of now. | 1:03:20 | 1:03:24 | |
I could use 100 volunteers. Nobody in Denver carries guns unless he joins up. | 1:03:24 | 1:03:30 | |
You need a quartermaster, ammunition, supplies, dry and wet. | 1:03:30 | 1:03:34 | |
You've got the job, only I set the prices. | 1:03:34 | 1:03:38 | |
The rest of us are going to keep order and prevent contraband from going out. That's gold. | 1:03:38 | 1:03:45 | |
Rebel gold? That's right. | 1:03:45 | 1:03:48 | |
Just so I won't hit you again, I'm making you top sergeant. | 1:03:48 | 1:03:53 | |
I don't know that I want the job. I'll take it. | 1:03:53 | 1:03:56 | |
What do you know about soldiering? Come on, make a double line. | 1:03:56 | 1:04:02 | |
Don't you know what double means?! | 1:04:02 | 1:04:04 | |
You had a hankering for war, now you're gonna get one! | 1:04:04 | 1:04:09 | |
Stomachs in, chests out! Now you look a bit like soldiers! | 1:04:09 | 1:04:14 | |
ATTENTION! | 1:04:15 | 1:04:17 | |
All present and accounted for. | 1:04:18 | 1:04:21 | |
Sergeant, as soon as we're finished here, post two sentries up at the Southerners' mines. | 1:04:21 | 1:04:28 | |
Marv, that job's for you and Toby. Right, Sergeant. At ease. | 1:04:28 | 1:04:33 | |
As soon as you take the oath, you can carry guns and rate flags on your coffins. | 1:04:33 | 1:04:41 | |
Now, raise your right hand. | 1:04:41 | 1:04:43 | |
BRANCH CRACKS | 1:04:55 | 1:04:56 | |
Colonel Gibson, they got away, sir, gold and all. | 1:05:34 | 1:05:38 | |
Marv and Toby are dead at the hands of them hellhounds. | 1:05:38 | 1:05:42 | |
You're making a military report, not delivering an obituary. | 1:05:42 | 1:05:47 | |
Marv seen them. They got about 20 men loaded with saddlebags of gold. | 1:05:47 | 1:05:52 | |
They can't be far out of town. They're headed for the warehouse behind the Circus Tent. | 1:05:52 | 1:05:59 | |
Nothing could be better. Got 'em all together. If only I had my own men. | 1:05:59 | 1:06:05 | |
We don't need help if we fight for Abe Lincoln and John Brown. | 1:06:05 | 1:06:09 | |
You didn't do too well by them at Pentecost's bar. | 1:06:09 | 1:06:14 | |
-We were tricked. -So was Napoleon at Waterloo. | 1:06:14 | 1:06:18 | |
-Assemble your men, surround the warehouse, I'll be over there directly. -Yes. | 1:06:18 | 1:06:24 | |
Kirby...I have a special job for you. | 1:06:24 | 1:06:28 | |
Sir, request permission to be in on this fight with Pentecost. | 1:06:30 | 1:06:35 | |
That sounds more like a private fight. | 1:06:35 | 1:06:38 | |
Well, it is, sir. | 1:06:38 | 1:06:41 | |
Since our objective is to put Pentecost out of action, I can promise you an enthusiastic job. | 1:06:41 | 1:06:48 | |
Sorry, Kirby. Now, these troopers must think they're on a sightseeing trip. | 1:06:48 | 1:06:54 | |
You leave here at once, you should be able to meet them here. | 1:06:54 | 1:06:59 | |
I don't know how many they'll have left after we clear out that warehouse, so take command. | 1:06:59 | 1:07:05 | |
Yes, sir. | 1:07:05 | 1:07:07 | |
You hadn't ought to be out of bed, you ain't healed good yet. | 1:07:33 | 1:07:38 | |
I saw you let them in the warehouse. | 1:07:38 | 1:07:41 | |
Don't you be mad at me and don't be mad at them neither. They wanna see you. | 1:07:41 | 1:07:47 | |
Go to bed. I'll handle them. | 1:07:47 | 1:07:50 | |
Might as well know, I'm joining up with them. | 1:07:50 | 1:07:54 | |
-Why? -Cos I'm from Arkansas like some of Mr Rogers' men out there. | 1:07:56 | 1:08:01 | |
I ain't saying I hate the Yanks, some are my friends, | 1:08:01 | 1:08:05 | |
but when my folks start shootin' at their folks, I belong at home. | 1:08:05 | 1:08:11 | |
It's a choice every man has to make, it isn't always easy. | 1:08:11 | 1:08:16 | |
Way I see it, a man can't turn his back on his own people. | 1:08:16 | 1:08:20 | |
All men aren't alike. It's always hard to be different. | 1:08:23 | 1:08:27 | |
That don't mean it's always right to be different. | 1:08:27 | 1:08:31 | |
Shucks, I don't know. I ain't got brains, I do what comes natural. | 1:08:31 | 1:08:36 | |
We heard Yank troops were on their way. How about the wagons? | 1:08:55 | 1:09:00 | |
There they are, get your men busy loading them. | 1:09:00 | 1:09:04 | |
-We have things to talk about. -I don't think so. | 1:09:04 | 1:09:08 | |
We could use your gun and that luck. | 1:09:08 | 1:09:11 | |
And not forgetting your brains. It's not gonna be easy getting home. | 1:09:11 | 1:09:17 | |
We're gonna have to be a lot smarter than I know how to be. | 1:09:17 | 1:09:21 | |
We're miners not soldiers, we don't mind to fight, but we need a leader, a captain. | 1:09:21 | 1:09:28 | |
-The sooner we get started the better. -You'll go with us? -Yes. | 1:09:31 | 1:09:36 | |
We're not asking you to waste your time. We'll pay you 10,000, including your guns. | 1:09:36 | 1:09:43 | |
If you're hiring my guns, they're worth more than that. | 1:09:43 | 1:09:48 | |
Have a look. | 1:09:55 | 1:09:57 | |
If you think you can get past them, go ahead. My price is 100,000. | 1:10:00 | 1:10:06 | |
It ain't our gold to give away. If you weren't a Southerner, I wouldn't have you at all. | 1:10:08 | 1:10:15 | |
-Blood's thicker than water. -Mine's more expensive. | 1:10:15 | 1:10:19 | |
Owen. | 1:10:25 | 1:10:27 | |
-I'm leaving with Rogers and his men. -Tonight? | 1:10:28 | 1:10:32 | |
Yes. | 1:10:32 | 1:10:33 | |
What made you change your mind? Did someone play Dixie? | 1:10:33 | 1:10:38 | |
-Yes, someone did. -What about me? | 1:10:38 | 1:10:41 | |
Circus Tent is yours and the gold in the safe, for you and Gary. | 1:10:41 | 1:10:46 | |
I'm not talking about money. I cheated to get you, I'm not letting you go. | 1:10:46 | 1:10:52 | |
Take me with you. I'll do anything, I'll wash, I'll cook. | 1:10:52 | 1:10:56 | |
Don't leave me, Owen. | 1:10:56 | 1:10:59 | |
Nobody else can go along, least of all a woman. | 1:10:59 | 1:11:03 | |
If you wanna die, that's why you're going, because of her. | 1:11:03 | 1:11:08 | |
I mind very much dying, it's not because of any woman. | 1:11:08 | 1:11:13 | |
You'll forget me in a week. | 1:11:13 | 1:11:16 | |
I'll remember you as long as I'll remember anything. | 1:11:16 | 1:11:20 | |
-What are you doing up in the middle of the night? -I've been saddling up my horse. Ready to go? | 1:11:23 | 1:11:30 | |
No, you're staying with Boston. You and she are partners now. | 1:11:30 | 1:11:34 | |
No, you and I are partners all the way. You told me that the first day I got here. | 1:11:34 | 1:11:41 | |
You made the boy a copy of you and now you wanna turn him loose. | 1:11:41 | 1:11:47 | |
You can't walk out on people who love you. I'm a partner, too, every minute of all the way. | 1:11:47 | 1:11:54 | |
You and Boston aren't Southerners. You wouldn't be welcome with the Rebels. They're calling us traitors. | 1:11:57 | 1:12:05 | |
-If you're one, I wanna be one, too. -You're a Northerner, like your father and your people. | 1:12:05 | 1:12:12 | |
My father's dead and you're the nearest thing I have to a father. | 1:12:12 | 1:12:17 | |
-If he were alive, he'd want you to be on his side. -He's not alive, so I'm going with you. | 1:12:17 | 1:12:23 | |
It's my fault he's not. | 1:12:25 | 1:12:28 | |
I killed him. | 1:12:32 | 1:12:35 | |
No, Owen. It isn't true, Gary. | 1:12:39 | 1:12:42 | |
I told you he run up against something he couldn't beat. It was me. | 1:12:42 | 1:12:48 | |
He never had a chance. Call it murder if you want to. Now you know. | 1:12:48 | 1:12:53 | |
Go after him. Help him get over it. Promise me you will. | 1:13:10 | 1:13:15 | |
Owen. | 1:13:17 | 1:13:19 | |
Kiss me. | 1:13:19 | 1:13:21 | |
Kiss me hard. | 1:13:21 | 1:13:24 | |
What do you want? You looking for the boy? Have you seen him? | 1:14:06 | 1:14:11 | |
He seemed anxious to get away. Anything wrong? | 1:14:11 | 1:14:15 | |
Tell me where he is. If not, I've no time to be bothered with you. | 1:14:15 | 1:14:20 | |
You're going to catch cold. | 1:14:20 | 1:14:23 | |
You must have seen which way he went. He's over at my place. | 1:14:23 | 1:14:28 | |
What's he doing over there? | 1:14:30 | 1:14:33 | |
Wait a minute. How does he happen to be in your place? | 1:14:39 | 1:14:43 | |
No mystery. I saw him heading for your warehouse, | 1:14:43 | 1:14:49 | |
told him there was going to be shooting and no-one was allowed in the street except the military. | 1:14:49 | 1:14:57 | |
All right. | 1:15:04 | 1:15:07 | |
He won't come out, not tonight. He's got to come out. | 1:15:10 | 1:15:15 | |
You tried locking me in a room once before. You're not fast enough on your feet - too fat! | 1:15:24 | 1:15:31 | |
I don't like being called that, not by a woman, not by you. | 1:15:33 | 1:15:39 | |
You fool! You silly, fat fool! | 1:15:42 | 1:15:46 | |
You lost me the Circus Tent and you. | 1:15:46 | 1:15:49 | |
You never had me! | 1:15:49 | 1:15:51 | |
You didn't try to fight him off, did you? | 1:15:51 | 1:15:54 | |
You're sick! Sick in your dirty, diseased mind! | 1:15:54 | 1:15:59 | |
Many times I wanted to kill you when you were together. | 1:15:59 | 1:16:03 | |
No! Jumbo, no! He's running away from me. He doesn't love me. | 1:16:08 | 1:16:15 | |
This is Colonel Gibson. Any resistance will be hopeless, but I wanna avoid bloodshed. | 1:16:36 | 1:16:43 | |
You will open those doors, come out unarmed, | 1:16:43 | 1:16:47 | |
you will be treated fairly as military prisoners. | 1:16:47 | 1:16:51 | |
You have two minutes, then I will lay siege to this building. | 1:16:51 | 1:16:56 | |
MEN CHEER | 1:16:56 | 1:16:59 | |
Go back, they'll lock you up, that's what they did to some others. | 1:17:08 | 1:17:13 | |
-Gary, you shouldn't be here. -I had to watch, he's in here. | 1:17:13 | 1:17:18 | |
A minute gone, a minute left. | 1:17:40 | 1:17:44 | |
He got away! | 1:19:14 | 1:19:17 | |
For a minute I wished he was dead, but I don't know. | 1:19:19 | 1:19:23 | |
I've marked out where Captain Kirby is meeting the cavalry troop. | 1:19:26 | 1:19:31 | |
-One of us is sure to get through. -The rest is in Kirby's hands. Now, off you go. | 1:19:31 | 1:19:38 | |
Who goes there? I got orders for Captain Kirby. | 1:19:46 | 1:19:52 | |
-I thought you wanted to keep a lookout till dawn. -Saw all I want. | 1:20:15 | 1:20:20 | |
Cavalry the other side of that hill. Get the wagons to go. | 1:20:20 | 1:20:24 | |
Too risky in the dark. They'd be sure to hear us. | 1:20:24 | 1:20:30 | |
I want them to hear us. Switch the gold around so I've got two empty wagons. | 1:20:30 | 1:20:35 | |
Wait here till you hear the cavalry and then off you go that way. | 1:20:35 | 1:20:41 | |
-Suppose you don't fool 'em. -Then you're in trouble. | 1:20:41 | 1:20:45 | |
I want to start before the Yankees are awake. | 1:20:45 | 1:20:48 | |
They catch up with one of us, find the wagon empty, the other man saves himself. | 1:20:48 | 1:20:54 | |
Yep, if that happens to be you, you'll find your 100,000 waiting for you in Atlanta. | 1:20:54 | 1:21:01 | |
You can deduct for the wagon and team I'm driving. | 1:21:01 | 1:21:05 | |
I ought to feel free to treat it like it belongs to me. | 1:21:05 | 1:21:09 | |
-You're still working with us? -I pay for what I get. | 1:21:09 | 1:21:14 | |
I figure it's worth, let's see, make it an even 100,000. | 1:21:14 | 1:21:21 | |
-A whole 100,000? -Can't pick up bargains in the wild. | 1:21:21 | 1:21:24 | |
That's generous of you. | 1:21:24 | 1:21:27 | |
-It just goes to show... -Shut up about it before I change my mind. | 1:21:27 | 1:21:32 | |
-Get the men mounted. -Mount up, boys. | 1:21:53 | 1:21:57 | |
Two men take care of him! | 1:23:31 | 1:23:34 | |
Take six men and go after that wagon. | 1:23:42 | 1:23:46 | |
The rest of you men, spread out over that hill! | 1:23:46 | 1:23:50 | |
I didn't know it was you I was following in here. Where's Rogers? | 1:24:38 | 1:24:43 | |
They won't get far. There's only one way to go and I can travel twice as fast as they can. | 1:24:46 | 1:24:53 | |
There's more than one way out. You'll never catch them. You've lost, Kirby. | 1:24:53 | 1:24:59 | |
I've been looking forward to seeing you alone. | 1:24:59 | 1:25:03 | |
I've often wondered if I could shoot a man in cold blood. | 1:25:03 | 1:25:07 | |
The betting'd be ten to one against. You can't play form on a man with a gun if he's riled up. | 1:25:07 | 1:25:14 | |
-I'm riled up enough and do you know why? -You're a professional soldier, so it must be a woman. | 1:25:14 | 1:25:21 | |
Don't be so light-hearted about it. | 1:25:21 | 1:25:25 | |
You've always been after Ann, but I thought everything was open, | 1:25:25 | 1:25:30 | |
-but when Masterson blurted out that you and she... -There was never anything like that. | 1:25:30 | 1:25:36 | |
Ann's not for me. I might have thought different once, not any more. | 1:25:36 | 1:25:41 | |
-It's easy to talk, twice as easy to lie. -Don't I know it. | 1:25:41 | 1:25:47 | |
But I guess this is a time to tell the truth. | 1:25:47 | 1:25:51 | |
Tell it to myself as much as to you. | 1:25:51 | 1:25:54 | |
There are two people in the whole world I need and want. | 1:25:54 | 1:25:59 | |
One of them, I can't ever have - Gary. | 1:25:59 | 1:26:04 | |
The other one is not Ann. | 1:26:04 | 1:26:07 | |
-Boston? -Yes. | 1:26:09 | 1:26:11 | |
Since you're going back to Denver and I'm not, tell her... | 1:26:13 | 1:26:18 | |
Love is a word that never came easy to me, Kirby, but it does now. Tell her that. | 1:26:20 | 1:26:28 | |
Can you walk four miles? | 1:26:38 | 1:26:41 | |
The stagecoach for Santa Fe passes by over that way. | 1:26:41 | 1:26:46 | |
Might be hot walking. | 1:26:48 | 1:26:51 | |
-What's it going to be - Colonel Pentecost? -Just plain Private, so a salute's coming to you. | 1:26:53 | 1:27:01 | |
We've lost him. No use wasting any more time around here. | 1:27:08 | 1:27:13 | |
Subtitles by Steve Fiske & Claudia Cohn, Intelfax, for BBC Subtitling - 1999 | 1:27:36 | 1:27:42 |