Browse content similar to In Name Only. Check below for episodes and series from the same categories and more!
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HOOFBEATS | 0:02:22 | 0:02:24 | |
You won't catch anything that way. | 0:02:54 | 0:02:55 | |
Well, I might. | 0:02:57 | 0:02:58 | |
Not any fish. | 0:02:58 | 0:03:00 | |
I'm not trying to catch any fish. | 0:03:00 | 0:03:03 | |
Oh. | 0:03:03 | 0:03:04 | |
Just doing this for the exercise, | 0:03:05 | 0:03:08 | |
a test for keeping my temper. | 0:03:08 | 0:03:10 | |
Well, it's lucky you weren't trying to catch any fish. | 0:03:10 | 0:03:13 | |
Oh, yes? Why? | 0:03:13 | 0:03:15 | |
Because...I hate to tell you this, | 0:03:15 | 0:03:17 | |
but there haven't been any fish in this stream for 20 years. | 0:03:17 | 0:03:21 | |
Well, why didn't you tell me that in the first place? | 0:03:21 | 0:03:24 | |
I didn't want to stop you. I like watching you. | 0:03:24 | 0:03:26 | |
You know, there's something about men. | 0:03:26 | 0:03:29 | |
I don't know. | 0:03:29 | 0:03:30 | |
Have a cigarette? | 0:03:31 | 0:03:33 | |
No, thanks. | 0:03:33 | 0:03:35 | |
I don't want one, either. | 0:03:35 | 0:03:38 | |
How about a sandwich? | 0:03:38 | 0:03:40 | |
I have some, thank you. | 0:03:40 | 0:03:42 | |
That's what I mean. How about offering me one? | 0:03:42 | 0:03:44 | |
Oh, all right. Have a sandwich. | 0:03:44 | 0:03:47 | |
You've got enough of them. Are you expecting company? | 0:03:47 | 0:03:50 | |
No. I have a big appetite. | 0:03:50 | 0:03:52 | |
Good. | 0:03:52 | 0:03:53 | |
I like people with big appetites. | 0:03:55 | 0:03:57 | |
Well, I can truthfully say I've eaten well. | 0:04:06 | 0:04:09 | |
You certainly have. Four sandwiches to my two, and half my cake, | 0:04:09 | 0:04:12 | |
to say nothing of criticising my fishing. | 0:04:12 | 0:04:14 | |
Mm-hmm. I'm sorry about lunch, but I'll bring it tomorrow. | 0:04:14 | 0:04:18 | |
-Tomorrow? -Sure. Look, uh... | 0:04:18 | 0:04:22 | |
What do you do? Do you do anything for a living? | 0:04:22 | 0:04:24 | |
Commercial artist - design women's clothes | 0:04:24 | 0:04:26 | |
and draw for a fashion magazine. | 0:04:26 | 0:04:28 | |
Really? Are you good at it? Do you make a lot of money? | 0:04:28 | 0:04:30 | |
Enough to support myself and my daughter. | 0:04:30 | 0:04:33 | |
You have a daughter, huh? How old? | 0:04:33 | 0:04:35 | |
Five going on six. | 0:04:35 | 0:04:37 | |
Hm. What's your husband like? | 0:04:37 | 0:04:38 | |
He died four years ago. | 0:04:38 | 0:04:39 | |
Oh, I'm sorry. | 0:04:39 | 0:04:41 | |
I've got to be getting back. | 0:04:41 | 0:04:42 | |
So do I. | 0:04:42 | 0:04:44 | |
Well, goodbye, Miss Eden. | 0:04:46 | 0:04:47 | |
I enjoyed this. How about you? | 0:04:47 | 0:04:49 | |
Mm-hm. | 0:04:49 | 0:04:51 | |
See you tomorrow, huh? | 0:04:51 | 0:04:52 | |
Yes, I'll be here, Mr...Walker, isn't it? | 0:04:52 | 0:04:55 | |
That's it. So long. | 0:04:55 | 0:04:57 | |
So long. | 0:04:57 | 0:04:59 | |
Want a cigarette? | 0:05:16 | 0:05:18 | |
No, thanks. | 0:05:18 | 0:05:19 | |
Neither do I. | 0:05:19 | 0:05:21 | |
Do you realise we've been here an hour without smoking? | 0:05:21 | 0:05:25 | |
I was just thinking that. | 0:05:25 | 0:05:26 | |
We haven't said much, either. | 0:05:26 | 0:05:28 | |
That's all right, isn't it? | 0:05:28 | 0:05:30 | |
It's fine. | 0:05:30 | 0:05:32 | |
Conversation's just a nervous habit with a lot of people. | 0:05:32 | 0:05:35 | |
Do you know what we ought to do tomorrow? | 0:05:35 | 0:05:37 | |
-Tomorrow? -Hm. | 0:05:37 | 0:05:39 | |
I'll bring you the car, show you the Indians. | 0:05:39 | 0:05:41 | |
Indians? | 0:05:41 | 0:05:42 | |
-Real Indians. Branch of the Mohawk. -Should we take, uh... | 0:05:42 | 0:05:45 | |
-By all means. -Good. | 0:05:45 | 0:05:47 | |
Right now, it's time for her bath. Will you drive us home? | 0:05:47 | 0:05:49 | |
That was the intention. | 0:05:49 | 0:05:52 | |
Hey, Ellen. Hey! Wake up! | 0:05:52 | 0:05:54 | |
-Oh, hello. -Hello! | 0:05:54 | 0:05:57 | |
I had a nap, I guess. | 0:05:57 | 0:05:58 | |
You sure did. You slept like a log. | 0:05:58 | 0:06:00 | |
How does a log sleep? | 0:06:00 | 0:06:03 | |
She defeats me again. | 0:06:03 | 0:06:05 | |
Mr Walker is going to drive us home. | 0:06:05 | 0:06:07 | |
You're not supposed to call him Mr Walker. | 0:06:07 | 0:06:09 | |
He wants you to call him "Alec." | 0:06:09 | 0:06:11 | |
-That's right. -And Mother wants you to call her "Julie." | 0:06:11 | 0:06:14 | |
I heard her. | 0:06:14 | 0:06:15 | |
Hm-mm. What else did you hear? | 0:06:15 | 0:06:18 | |
-That was all. -Oh. | 0:06:18 | 0:06:19 | |
After that, I went to sleep. | 0:06:19 | 0:06:21 | |
Well, you're a very nice girl. | 0:06:21 | 0:06:23 | |
I'll let you hold the reins. | 0:06:23 | 0:06:24 | |
That was the intention. | 0:06:24 | 0:06:26 | |
JULIE LAUGHS | 0:06:26 | 0:06:27 | |
LAUGHTER | 0:06:29 | 0:06:31 | |
-Hey! -Whoa! | 0:06:34 | 0:06:36 | |
Whoa! | 0:06:36 | 0:06:37 | |
LAUGHTER | 0:06:37 | 0:06:39 | |
Come on! Come on! | 0:06:42 | 0:06:44 | |
Ah-ah. Here. | 0:06:49 | 0:06:51 | |
This is the way. | 0:06:51 | 0:06:53 | |
How did you know that? | 0:06:55 | 0:06:56 | |
Oh, I used to own this house. | 0:06:56 | 0:06:58 | |
I didn't know that. | 0:06:58 | 0:06:59 | |
Sure. I'll tell you all about it tomorrow. | 0:06:59 | 0:07:01 | |
-Oh. Tomorrow? -Mm-hmm. | 0:07:01 | 0:07:02 | |
-Bye, Ellen. -Bye, Alec. | 0:07:02 | 0:07:04 | |
Run on and tell Aunt Laura you're back for your bath. | 0:07:04 | 0:07:07 | |
Want to come in and watch? | 0:07:07 | 0:07:09 | |
Well, no. Not right now. | 0:07:09 | 0:07:12 | |
Bye. | 0:07:12 | 0:07:13 | |
Bye. | 0:07:13 | 0:07:15 | |
Nice kid. | 0:07:16 | 0:07:18 | |
Oh, my sketchbook. | 0:07:18 | 0:07:20 | |
Oh. Well, I'll give it to you tomorrow. | 0:07:20 | 0:07:23 | |
I want to look at it again, see if you really are any good. | 0:07:23 | 0:07:26 | |
Oh. | 0:07:26 | 0:07:27 | |
-You're not worried about it, are you? -Not a bit. | 0:07:27 | 0:07:30 | |
Goodbye, Julie. | 0:07:30 | 0:07:31 | |
Goodbye, Alec. | 0:07:31 | 0:07:33 | |
Who was that? | 0:07:47 | 0:07:49 | |
Just somebody we happened to meet. Name's Walker. | 0:07:49 | 0:07:52 | |
What have you been doing all afternoon? | 0:07:52 | 0:07:54 | |
What have you been doing? | 0:07:54 | 0:07:56 | |
We had lunch and...well, you know. | 0:07:56 | 0:07:58 | |
Yes, I know. | 0:07:58 | 0:08:00 | |
All right. I picked him up, or he picked me up. I'm not sure which. | 0:08:05 | 0:08:08 | |
It was all pretty raw. | 0:08:08 | 0:08:09 | |
I shouldn't be surprised if he drank or even worse. | 0:08:09 | 0:08:12 | |
Oh, I'm sorry, but you're always so suspicious. | 0:08:12 | 0:08:14 | |
Whenever you see a man, you think, well, you know. | 0:08:14 | 0:08:18 | |
Your husband died while you still had faith in him. | 0:08:18 | 0:08:21 | |
Maybe if he'd lived longer, you would have had your eyes opened. | 0:08:21 | 0:08:24 | |
Laura, other women have divorced their husbands | 0:08:24 | 0:08:26 | |
just as you did Phil, and for the same reason. | 0:08:26 | 0:08:29 | |
But they managed to keep a sense of proportions. | 0:08:29 | 0:08:31 | |
You don't know what men are! You don't know anything about them. | 0:08:31 | 0:08:34 | |
Underneath you're still as romantic | 0:08:34 | 0:08:36 | |
and full of illusions as any schoolgirl. | 0:08:36 | 0:08:38 | |
What's wrong with romance and illusions if you can keep them? | 0:08:38 | 0:08:41 | |
You'll find out...some day. | 0:08:41 | 0:08:44 | |
Hi, stranger! | 0:08:57 | 0:08:59 | |
Hi, Dave. | 0:08:59 | 0:09:00 | |
Oh, mine host! | 0:09:02 | 0:09:04 | |
Hi, Archie. | 0:09:04 | 0:09:06 | |
Alec, darling. Where have you been? | 0:09:06 | 0:09:08 | |
Hello, Suzanne. Looks as if your spouse is soused. | 0:09:08 | 0:09:11 | |
You might at least stay and talk a minute! | 0:09:11 | 0:09:13 | |
I only came to your dull party to see you. | 0:09:13 | 0:09:16 | |
Oh. Well, here I am. | 0:09:16 | 0:09:18 | |
We're dining out, but I could get away early. | 0:09:18 | 0:09:21 | |
Afraid not, Suzanne. I'm all booked up. | 0:09:21 | 0:09:24 | |
Hello, Dad. | 0:09:34 | 0:09:36 | |
Good evening, Alec. | 0:09:36 | 0:09:38 | |
Well, how's my very nice mother? | 0:09:38 | 0:09:39 | |
Good to see you, Alec. | 0:09:39 | 0:09:41 | |
How are you, Ned? | 0:09:41 | 0:09:42 | |
Fine, thanks. | 0:09:42 | 0:09:44 | |
Well, how are things in town? | 0:09:51 | 0:09:53 | |
If you would come into town, you'd know. | 0:09:53 | 0:09:56 | |
Didn't you remember Maida was having people in this afternoon? | 0:09:56 | 0:09:59 | |
Oh, well, you know how I feel about parties, Dad. | 0:09:59 | 0:10:03 | |
I don't, any more than I know how you feel about your work. | 0:10:03 | 0:10:07 | |
Oh, well, they seem to get along all right at the office without me. | 0:10:07 | 0:10:11 | |
Alec... | 0:10:17 | 0:10:19 | |
your mother and I have been very worried about you lately. | 0:10:19 | 0:10:22 | |
Isn't there something, well...? | 0:10:22 | 0:10:25 | |
You used to confide in me, | 0:10:25 | 0:10:27 | |
but lately, I feel that... | 0:10:27 | 0:10:29 | |
There's nothing, Dad. | 0:10:29 | 0:10:31 | |
Well, we don't spend many weekends with you. | 0:10:33 | 0:10:35 | |
You might have arranged to be here. | 0:10:35 | 0:10:37 | |
Sorry. | 0:10:37 | 0:10:39 | |
It doesn't matter if Alec had things to do. | 0:10:39 | 0:10:41 | |
Hello, darling. Too bad you didn't get back for the party. | 0:10:41 | 0:10:44 | |
I don't see where you get your patience, Maida. | 0:10:44 | 0:10:46 | |
Any other wife would tell him what she thinks of his rudeness. | 0:10:46 | 0:10:49 | |
I don't happen to be any other wife. | 0:10:49 | 0:10:51 | |
I'm Alec's wife, aren't I, darling? | 0:10:51 | 0:10:54 | |
Yes. | 0:10:54 | 0:10:56 | |
I thought you doctors were supposed to be so diplomatic. | 0:11:02 | 0:11:05 | |
And here you stand by and do nothing | 0:11:05 | 0:11:07 | |
to smooth over a little family difficulty. | 0:11:07 | 0:11:08 | |
You're the diplomat, my dear, | 0:11:08 | 0:11:10 | |
better one than I could ever hope to be. | 0:11:10 | 0:11:12 | |
That's more like it. | 0:11:12 | 0:11:14 | |
Excuse me, will you? | 0:11:14 | 0:11:15 | |
That wasn't very nice of you, Alec. | 0:11:23 | 0:11:26 | |
I know it. | 0:11:26 | 0:11:27 | |
As for your not showing up this afternoon... | 0:11:27 | 0:11:30 | |
Yes? | 0:11:30 | 0:11:32 | |
..all I want to say is that I understand perfectly. | 0:11:32 | 0:11:34 | |
-Understand what? -If you don't like parties, | 0:11:34 | 0:11:36 | |
there's no sense putting yourself out to come to them. | 0:11:36 | 0:11:39 | |
I don't blame you in the least. | 0:11:39 | 0:11:40 | |
Even when we're alone, you can do it. | 0:11:42 | 0:11:45 | |
-Do what, dear? -Make it look as if I'd beaten you, | 0:11:45 | 0:11:47 | |
and make me feel I want to. | 0:11:47 | 0:11:49 | |
You won't have time to change, we're dining early. | 0:11:49 | 0:11:51 | |
-I'm going out. -For dinner? -Yes. | 0:11:51 | 0:11:54 | |
But, Alec, your father and mother and Ned. | 0:11:54 | 0:11:57 | |
One scene's enough, isn't it? Why should there be more? | 0:11:57 | 0:12:00 | |
They might even find out the truth about us. | 0:12:00 | 0:12:02 | |
You wouldn't want that to happen, would you? | 0:12:02 | 0:12:04 | |
They wouldn't believe it, dear. | 0:12:04 | 0:12:06 | |
Yes. You've seen to that, haven't you? | 0:12:06 | 0:12:08 | |
More coffee, Mr Walker? | 0:12:15 | 0:12:16 | |
No, thanks, Al. Just bring me the cheque, will you? | 0:12:16 | 0:12:19 | |
Thanks. | 0:12:23 | 0:12:24 | |
-Hello. -Hello. | 0:12:33 | 0:12:36 | |
-Surprised? -Not very. How did you know I was here? | 0:12:36 | 0:12:38 | |
I saw your car parked outside as we were driving back from dinner. | 0:12:38 | 0:12:42 | |
I told you I had to see you. | 0:12:42 | 0:12:45 | |
Now that you've found me, what about it? | 0:12:45 | 0:12:47 | |
Honestly, Alec, you're so direct! | 0:12:47 | 0:12:50 | |
You're not exactly oblique yourself. | 0:12:52 | 0:12:54 | |
Don't you like me at all? | 0:12:54 | 0:12:56 | |
I mean, not even the littlest bit? | 0:12:56 | 0:12:58 | |
I think you're fascinating. | 0:13:02 | 0:13:03 | |
You do? | 0:13:03 | 0:13:04 | |
I have to tell you, Suzanne. | 0:13:04 | 0:13:06 | |
I've tried to be decent about it, but it's no use. | 0:13:06 | 0:13:08 | |
Why do you think I always avoid you? | 0:13:08 | 0:13:10 | |
I can't eat. I can't sleep. You're with me every moment - | 0:13:10 | 0:13:13 | |
day after day, night after night. | 0:13:13 | 0:13:15 | |
-I can't go on like this. -Oh, Alec, dear, | 0:13:15 | 0:13:19 | |
why weren't you like this long ago? | 0:13:19 | 0:13:22 | |
It'll have to be a clean, sharp break. | 0:13:22 | 0:13:24 | |
-Break? -Yes. | 0:13:26 | 0:13:28 | |
Of course, I'll have to give Maida everything I have. | 0:13:28 | 0:13:31 | |
-I doubt if Archie'll give you any alimony under the circumstances. -Alimony? | 0:13:31 | 0:13:35 | |
Of course, we have to ignore the conventions and, | 0:13:35 | 0:13:38 | |
well, we've got to expect to put up with certain penalties. | 0:13:38 | 0:13:40 | |
And it'll be worth it, won't it, dear? | 0:13:40 | 0:13:42 | |
Well, of all the gall! | 0:13:42 | 0:13:44 | |
Oh, but, Suzanne, dear! | 0:13:44 | 0:13:45 | |
Merely because I happen to think you're attractive, | 0:13:45 | 0:13:47 | |
you want me to throw my whole life away. | 0:13:47 | 0:13:50 | |
What kind of a person do you think I am anyway? | 0:13:50 | 0:13:52 | |
-An Easter bunny. -What? | 0:13:52 | 0:13:55 | |
You call that love, huh? | 0:13:57 | 0:13:59 | |
Who are you to be so high and mighty about love? | 0:13:59 | 0:14:02 | |
You and that thing you've got with Maida. | 0:14:02 | 0:14:04 | |
Of all the shams I've ever seen, that's the worst. | 0:14:04 | 0:14:07 | |
You didn't think you could make a fool out of me, did you? | 0:14:09 | 0:14:12 | |
I tried. | 0:14:12 | 0:14:13 | |
You have to take me home. | 0:14:14 | 0:14:16 | |
With pleasure. | 0:14:16 | 0:14:17 | |
'He hits him with two short lefts and another right to the jaw. | 0:14:26 | 0:14:28 | |
'He's back around the ring - he's coming from all angles! | 0:14:28 | 0:14:31 | |
'Look, there goes a hard one to his chin! | 0:14:31 | 0:14:33 | |
'He's down on one knee!' | 0:14:33 | 0:14:35 | |
MUSIC PLAYS | 0:14:35 | 0:14:37 | |
MUSIC STOPS | 0:14:37 | 0:14:38 | |
'..left to his head, a hard right to the stomach, and another...' | 0:14:38 | 0:14:41 | |
MUSIC PLAYS | 0:14:41 | 0:14:44 | |
Hey. | 0:14:44 | 0:14:46 | |
Alec, look out! | 0:14:46 | 0:14:47 | |
TYRES SCREECH | 0:14:49 | 0:14:50 | |
Oh... | 0:14:55 | 0:14:56 | |
Alec! Alec! | 0:15:10 | 0:15:12 | |
Alec! | 0:15:12 | 0:15:14 | |
Oh! Oh, help! | 0:15:14 | 0:15:16 | |
Oh! | 0:15:17 | 0:15:18 | |
SHE KNOCKS ON DOOR | 0:15:25 | 0:15:27 | |
There's been an accident! | 0:15:29 | 0:15:31 | |
Could you help me, please? | 0:15:31 | 0:15:33 | |
I think he's dead! | 0:15:33 | 0:15:35 | |
Julie? | 0:15:35 | 0:15:36 | |
Julie?! | 0:15:36 | 0:15:38 | |
Oh, it's Mr Walker. | 0:15:43 | 0:15:45 | |
HE GROANS | 0:15:45 | 0:15:46 | |
Oh, thank heavens he's still alive! | 0:15:48 | 0:15:50 | |
Oh, I was so frightened. | 0:15:50 | 0:15:51 | |
We'll have to get a doctor. Have you a phone? | 0:15:51 | 0:15:53 | |
Yes, it's in the house. | 0:15:53 | 0:15:55 | |
Oh, uh...I wonder if you'd mind phoning. | 0:15:58 | 0:16:01 | |
There's a doctor at Mr Walker's house. | 0:16:01 | 0:16:02 | |
Dr Gateson. He's staying there. | 0:16:02 | 0:16:05 | |
It's sort of embarrassing. | 0:16:05 | 0:16:06 | |
I mean, it was all perfectly innocent, of course | 0:16:06 | 0:16:08 | |
but Mr Walker's wife is my best friend, | 0:16:08 | 0:16:11 | |
and if people should discover I've been out with him, | 0:16:11 | 0:16:13 | |
there might be talk. So would you mind very much? | 0:16:13 | 0:16:15 | |
No. No, of course not. | 0:16:17 | 0:16:18 | |
The number is 5-8-3-9-6. | 0:16:18 | 0:16:20 | |
And I think it might be better if you didn't mention my being here, | 0:16:20 | 0:16:23 | |
just to avoid any misunderstanding. | 0:16:23 | 0:16:26 | |
Well, there's nothing broken. Might be a slight concussion. | 0:16:32 | 0:16:35 | |
-We'll know better in the morning. -And I don't have to tell his mother and father tonight? | 0:16:35 | 0:16:38 | |
John, just give me a hand here, | 0:16:38 | 0:16:40 | |
-will you? Maida, perhaps you better get those car keys. -OK. | 0:16:40 | 0:16:43 | |
Thank you so much for your help. | 0:17:00 | 0:17:02 | |
-I don't think I know your name. -Eden. Julie Eden. | 0:17:02 | 0:17:05 | |
Oh. | 0:17:05 | 0:17:07 | |
Thank you again, Miss Eden. | 0:17:08 | 0:17:10 | |
He's all right. I told him to take it rather easy today. | 0:17:20 | 0:17:23 | |
Come in. | 0:17:26 | 0:17:28 | |
Well, you certainly were lucky, weren't you? | 0:17:35 | 0:17:38 | |
Yeah, I suppose so. | 0:17:38 | 0:17:39 | |
Alec, you must admit that things have been rather difficult for me | 0:17:41 | 0:17:44 | |
for some time. | 0:17:44 | 0:17:45 | |
Why...I know you feel that I've failed you in certain ways, | 0:17:45 | 0:17:48 | |
but it doesn't seem to me that you've done much to help. | 0:17:48 | 0:17:51 | |
And now, and I don't mean to complain, but there is a limit. | 0:17:51 | 0:17:56 | |
-Meaning? -Miss Eden. -How do you know about Miss Eden? | 0:17:56 | 0:18:00 | |
Does that matter? | 0:18:00 | 0:18:03 | |
All right. I've seen Miss Eden exactly twice. | 0:18:03 | 0:18:05 | |
Yesterday afternoon, we... | 0:18:05 | 0:18:06 | |
Oh, so you've seen her before last night. | 0:18:06 | 0:18:10 | |
Last night? | 0:18:10 | 0:18:12 | |
Her sketchbook was in your car. It was all pretty obvious. | 0:18:12 | 0:18:15 | |
No, Maida, you're barking up the wrong tree. | 0:18:15 | 0:18:18 | |
I wasn't out with Miss Eden, though I wish I could have been. | 0:18:18 | 0:18:21 | |
And whom were you out with? | 0:18:21 | 0:18:23 | |
Your dear, and, as she insists, your very best friend, Suzanne. | 0:18:23 | 0:18:27 | |
Don't be childish, Alec. | 0:18:27 | 0:18:29 | |
I have no illusions about Suzanne, but in this particular instance, | 0:18:29 | 0:18:32 | |
I happen to know that she's innocent. | 0:18:32 | 0:18:34 | |
HE TUTS | 0:18:36 | 0:18:38 | |
-Was Miss Eden at the accident? -You know she was. | 0:18:40 | 0:18:43 | |
-Did you talk to her? -Of course not. | 0:18:43 | 0:18:45 | |
You probably didn't have to. | 0:18:45 | 0:18:47 | |
Excuse me, will you, Maida? I've to go out. | 0:18:47 | 0:18:49 | |
-To see Miss Eden? -To see Miss Eden. | 0:18:49 | 0:18:51 | |
This is a new development, isn't it? | 0:18:51 | 0:18:53 | |
-What? -Well, you can see what this makes me. | 0:18:53 | 0:18:55 | |
After all, people in our position... | 0:18:55 | 0:18:57 | |
Look, Maida...do you realise what our position is? Yours and mine? | 0:19:00 | 0:19:03 | |
Oh, I wish you wouldn't change the subject, Alec. | 0:19:03 | 0:19:05 | |
I'm not changing the subject. | 0:19:05 | 0:19:07 | |
It all ties in. You said you loved me when you married me, didn't you? | 0:19:07 | 0:19:10 | |
-Yes. -It wasn't true, was it? -Of course it was. | 0:19:10 | 0:19:13 | |
Do you remember David Stoughton? | 0:19:13 | 0:19:16 | |
-What? -I said, do you remember David Stoughton? | 0:19:16 | 0:19:19 | |
-Why, yes. -Do you know what happened to him? | 0:19:21 | 0:19:24 | |
-He... He died, didn't he? -How? | 0:19:24 | 0:19:27 | |
-I don't know. Really, Alec! -He shot himself. -Well? | 0:19:27 | 0:19:29 | |
-Do you know why? -How should I? | 0:19:29 | 0:19:31 | |
He shot himself while you and I were on our honeymoon. | 0:19:31 | 0:19:33 | |
I suppose you're going to say he did it because of me. | 0:19:33 | 0:19:36 | |
-Well, didn't he? -Why, I barely met him, Alec. | 0:19:36 | 0:19:37 | |
He may have imagined that he was in love with me, yes. | 0:19:37 | 0:19:40 | |
But was that my fault? | 0:19:40 | 0:19:42 | |
Could I help it if he was so weak-willed as...? | 0:19:42 | 0:19:44 | |
Where did you get this? | 0:19:56 | 0:19:58 | |
His mother sent it to me. | 0:19:58 | 0:20:00 | |
All right. It's true. | 0:20:08 | 0:20:11 | |
I did love him. I was mad about him. | 0:20:11 | 0:20:13 | |
What of it? | 0:20:15 | 0:20:16 | |
How could you do it? | 0:20:19 | 0:20:21 | |
I had a choice. | 0:20:21 | 0:20:23 | |
I could take David and love... | 0:20:23 | 0:20:25 | |
and nothing else. | 0:20:25 | 0:20:27 | |
Or I could take you and what went with you. | 0:20:27 | 0:20:30 | |
I took you. | 0:20:30 | 0:20:32 | |
Well, at least we know where we stand. Both of us. | 0:20:32 | 0:20:37 | |
Alec...I hope you don't think my telling you this | 0:20:37 | 0:20:40 | |
will condone anything you might do. | 0:20:40 | 0:20:43 | |
I intend to see Miss Eden whenever and wherever I can. | 0:20:43 | 0:20:46 | |
Does that mean you think that you're in love with her? | 0:20:46 | 0:20:48 | |
It means she's the first person I've met in two years | 0:20:48 | 0:20:51 | |
who's been able to make me feel like a human being again. | 0:20:51 | 0:20:53 | |
Oh... | 0:21:24 | 0:21:26 | |
Surprised to see me? | 0:21:26 | 0:21:27 | |
-Well, yes. -Here's your sketchbook. I like them. | 0:21:27 | 0:21:30 | |
-You did? -Ah-ha. | 0:21:30 | 0:21:31 | |
Well, er... It must have been quite a mix-up last night. | 0:21:33 | 0:21:36 | |
-I wish I hadn't slept through it all. -It wasn't that dull, was it? | 0:21:36 | 0:21:39 | |
Aren't you going to ask me in? | 0:21:41 | 0:21:42 | |
-Well, this is sort of a cleaning day. -Oh... | 0:21:42 | 0:21:45 | |
Well, incidentally, it was darn nice of you to cover up for Mrs Duross. | 0:21:47 | 0:21:50 | |
Oh, that's all right. | 0:21:50 | 0:21:51 | |
I hope somebody will do as much for me some day. | 0:21:51 | 0:21:53 | |
-Well, I hope that won't be necessary. -Well, you never know. | 0:21:53 | 0:21:58 | |
Look... Don't get the wrong idea about last night, will you? | 0:21:58 | 0:22:01 | |
The whole thing was an accident. | 0:22:01 | 0:22:03 | |
Not only to the car, but my being with Suzanne, Mrs Duross. | 0:22:03 | 0:22:06 | |
She was the accident. | 0:22:06 | 0:22:07 | |
That's something for you to tell Mrs Walker, isn't it? | 0:22:07 | 0:22:10 | |
Well, I did and she wouldn't believe me. | 0:22:10 | 0:22:12 | |
And that's something I want to talk to you about. | 0:22:12 | 0:22:14 | |
-It has nothing to do with me. -Oh, but it has. | 0:22:14 | 0:22:17 | |
You see, you and I were getting to be good friends | 0:22:17 | 0:22:20 | |
-and I didn't want that spoiled. -There's nothing to spoil. | 0:22:20 | 0:22:22 | |
We had a lot of fun, that's all. That was yesterday and that's over. | 0:22:22 | 0:22:26 | |
It's not over. How can it be over? | 0:22:26 | 0:22:29 | |
I'm afraid I'm going to be terribly busy, | 0:22:29 | 0:22:30 | |
I'm trying to get some sketches off to New York. | 0:22:30 | 0:22:32 | |
Would you mind? I'm terribly rushed. | 0:22:32 | 0:22:34 | |
You don't want to see me again, is that it? | 0:22:37 | 0:22:39 | |
Oh, of course not. We'll probably run into each other, | 0:22:39 | 0:22:41 | |
people usually do in the country. | 0:22:41 | 0:22:43 | |
But I don't think there should be any more picnics. | 0:22:43 | 0:22:46 | |
Well, Mr Walker, how was everything tonight? | 0:23:00 | 0:23:02 | |
No complaints, Tony. No complaints. | 0:23:02 | 0:23:04 | |
Here are all your checks for this last week, Mr Walker. | 0:23:04 | 0:23:06 | |
-50.25 altogether. -Thanks, Al. | 0:23:06 | 0:23:09 | |
-Here, keep the change. -Thank you, sir. | 0:23:09 | 0:23:12 | |
Glad to see you come in so regular, Mr Walker. | 0:23:12 | 0:23:15 | |
You know, I like to have your kind of folks. | 0:23:15 | 0:23:17 | |
You might drop the word to your friends. | 0:23:17 | 0:23:20 | |
Tony, when my friends start coming here, I stop. | 0:23:20 | 0:23:23 | |
-Goodnight. -Goodnight. | 0:23:23 | 0:23:25 | |
KNOCK ON DOOR | 0:24:14 | 0:24:15 | |
Laura! Answer the door, will you? | 0:24:15 | 0:24:18 | |
-How do you do? -Why, Mrs Walker. Won't you come in? -Thank you. | 0:24:27 | 0:24:29 | |
It's Mrs Walker, Julie. | 0:24:29 | 0:24:31 | |
-Good morning. -Just a little thought for your kindness of last week. | 0:24:37 | 0:24:40 | |
-It's a bit late, I'm afraid. -Thank you, they're lovely! | 0:24:40 | 0:24:43 | |
Won't you sit down? | 0:24:43 | 0:24:45 | |
You'll have to excuse the way we look, | 0:24:45 | 0:24:46 | |
I'm afraid we're a little late getting at things this morning. | 0:24:46 | 0:24:49 | |
Let me take those. | 0:24:49 | 0:24:51 | |
Well, how nicely you've fixed the house up. It used to be deadly. | 0:24:51 | 0:24:54 | |
We like it very much. | 0:24:54 | 0:24:55 | |
You must have thought me awfully inconsiderate | 0:24:55 | 0:24:57 | |
not having called before to welcome you to the neighbourhood. | 0:24:57 | 0:25:00 | |
-You're very kind. -Are you staying all summer? | 0:25:00 | 0:25:02 | |
Oh, another month or so, and then I've got to get back to New York | 0:25:02 | 0:25:05 | |
-and get down to some real serious work. -Oh. | 0:25:05 | 0:25:08 | |
Sketches? | 0:25:08 | 0:25:09 | |
-May I look? -Oh, sure. | 0:25:09 | 0:25:11 | |
Oh. Oh, they're stunning. How I envy someone who can really do something. | 0:25:14 | 0:25:18 | |
-Really, these are beautiful! -I'm so glad you like them. | 0:25:18 | 0:25:22 | |
Oh, and by the way, I'm giving a garden party next Thursday. | 0:25:22 | 0:25:25 | |
I'd like very much to have you come. Your sister, too. | 0:25:25 | 0:25:27 | |
Thank you, but between my work | 0:25:27 | 0:25:28 | |
and the house here, I don't have much time. | 0:25:28 | 0:25:30 | |
-I'm sure that you could manage it. -Really, I'm afraid that... | 0:25:30 | 0:25:33 | |
You'll make her come, won't you? | 0:25:33 | 0:25:35 | |
I'll send a car for you. About four? | 0:25:35 | 0:25:37 | |
We're going to be very good friends. | 0:25:39 | 0:25:40 | |
I know we are. | 0:25:40 | 0:25:42 | |
-Well, goodbye, Mrs Morgan. -Goodbye. -Thank you. | 0:25:44 | 0:25:46 | |
-Oh, hello. -Hello. | 0:25:51 | 0:25:53 | |
Ellen, this is Mrs Walker. | 0:25:53 | 0:25:54 | |
How do you do, Mrs Walker? | 0:25:56 | 0:25:58 | |
Oh, what a cunning child. | 0:25:58 | 0:26:00 | |
-Yours? -Yes. | 0:26:00 | 0:26:01 | |
I must have misunderstood you. I thought your name was MISS Eden. | 0:26:01 | 0:26:05 | |
It is. I used it in my work before I was married, | 0:26:05 | 0:26:07 | |
-and after my husband died, I took it again. -Oh. | 0:26:07 | 0:26:10 | |
-Well, goodbye again. -Goodbye. | 0:26:10 | 0:26:13 | |
Was that Alec's mother? | 0:26:18 | 0:26:20 | |
-JULIE LAUGHS -Really, Ellen! | 0:26:20 | 0:26:22 | |
-You know, Horace and I are going to Europe in August. -I'll try, my dear, | 0:26:23 | 0:26:26 | |
-but Alec and I haven't... -The old boy should go fishing, too... | 0:26:26 | 0:26:29 | |
-Oh, he'll love that... -THEY TALK OVER EACH OTHER | 0:26:29 | 0:26:31 | |
-..soon as possible. -Here are your aspirin, Maida. | 0:26:31 | 0:26:34 | |
Oh, thank you, Ned. | 0:26:34 | 0:26:35 | |
There. | 0:26:41 | 0:26:43 | |
It will all be gone in a moment. | 0:26:43 | 0:26:45 | |
-GLASS SMASHES -Oh, dear. | 0:26:45 | 0:26:47 | |
Those powders I gave you help you at all last night? | 0:26:47 | 0:26:49 | |
I guess I'm a little self-conscious about trying to get some sleep. | 0:26:49 | 0:26:52 | |
What's worrying you, Maida? What's on your mind? | 0:26:52 | 0:26:54 | |
Nothing's the matter. I'm just a little tired and nervous. | 0:26:54 | 0:26:57 | |
-What about? -Oh, you doctors, the moment that anything happens... | 0:26:57 | 0:27:00 | |
-Is it Alec? -We missed you at bridge yesterday, Maida. | 0:27:00 | 0:27:03 | |
-Thank you, Dolly, but I'll be there next week. -Don't forget. | 0:27:03 | 0:27:06 | |
It is Alec, isn't it? | 0:27:06 | 0:27:07 | |
Oh, Ned. | 0:27:09 | 0:27:10 | |
I just don't know what to do. | 0:27:10 | 0:27:12 | |
Here, sit down a moment. | 0:27:12 | 0:27:14 | |
Now, what is it? | 0:27:20 | 0:27:21 | |
He wasn't alone, that night of the accident. | 0:27:23 | 0:27:26 | |
That girl, that Miss Eden was with him. | 0:27:26 | 0:27:29 | |
How long has this been going on? | 0:27:29 | 0:27:30 | |
For weeks, I guess. He never comes home any more. | 0:27:30 | 0:27:33 | |
Stays out till all hours. | 0:27:33 | 0:27:35 | |
-You talked with him? -Yes, but what can I say, Ned? | 0:27:35 | 0:27:38 | |
-I don't want to be a nagging wife. -What did he say? | 0:27:38 | 0:27:41 | |
He said, "I'll see Miss Eden whenever and wherever I can." | 0:27:41 | 0:27:46 | |
You told his father? | 0:27:48 | 0:27:50 | |
They couldn't believe it of their own son. | 0:27:50 | 0:27:52 | |
And anyway, I wouldn't want them to know. | 0:27:52 | 0:27:54 | |
He's getting so bold about it that they're bound to... | 0:27:54 | 0:27:57 | |
I can stand it for myself. | 0:27:58 | 0:27:59 | |
That's where you're wrong, Maida. | 0:28:01 | 0:28:02 | |
You can't stand it yourself and there's no reason why you should. | 0:28:02 | 0:28:05 | |
Ned, Ned, please. | 0:28:05 | 0:28:06 | |
HORN HONKS | 0:28:15 | 0:28:17 | |
Oh, Mother. Have you seen Mrs Willoughby? | 0:28:21 | 0:28:23 | |
-She's been asking for you. -Oh, Maida, my dear. | 0:28:23 | 0:28:26 | |
-Maida, why didn't you tell us? -Oh, Ned, you promised. | 0:28:26 | 0:28:30 | |
Oh, please, let's not talk about it now. | 0:28:30 | 0:28:32 | |
There's such a nice party going on outside. | 0:28:32 | 0:28:34 | |
I'll never forgive you, Ned. | 0:28:34 | 0:28:36 | |
Thank you. | 0:28:36 | 0:28:37 | |
Hello there! | 0:28:39 | 0:28:40 | |
-Hello. -Well... -Didn't your wife tell you I was coming? | 0:28:42 | 0:28:45 | |
-Maida? -Of course! | 0:28:45 | 0:28:47 | |
You don't think I'd go round crashing garden parties, do you? | 0:28:47 | 0:28:49 | |
Hey, wait a minute. | 0:28:49 | 0:28:51 | |
Good afternoon, Mrs Walker. | 0:28:54 | 0:28:55 | |
-Why, Miss Eden. How nice of you to come. -Thank you. | 0:28:55 | 0:28:58 | |
-You've met Dr Gateson, I believe. -Yes. | 0:28:58 | 0:29:02 | |
-I don't suppose you remember me. -Yes, I remember Miss Eden. | 0:29:02 | 0:29:05 | |
Excuse me, Maida. | 0:29:07 | 0:29:08 | |
My goodness, he's rather abrupt, isn't he? | 0:29:08 | 0:29:11 | |
Julie, you'd better get out of here. | 0:29:11 | 0:29:14 | |
Isn't it too late for that? | 0:29:14 | 0:29:15 | |
Oh, please. Mother, this is... | 0:29:15 | 0:29:18 | |
-Sorry. Come, Grace. -Wait a minute, Dad. | 0:29:18 | 0:29:21 | |
Maida. | 0:29:22 | 0:29:23 | |
-Tell them, you asked Miss Eden to come here. -But I did. | 0:29:23 | 0:29:27 | |
She came on my invitation. Really, she did. | 0:29:32 | 0:29:35 | |
You needn't lie for him any more, my dear. | 0:29:35 | 0:29:38 | |
-Julie. -Please let me go. -Here. | 0:29:38 | 0:29:40 | |
Get in. | 0:29:40 | 0:29:42 | |
You all right? | 0:29:56 | 0:29:57 | |
Please take me home. | 0:29:58 | 0:30:00 | |
No, I want to talk to you. | 0:30:00 | 0:30:01 | |
-But I don't want to talk. -Sorry, but I've got to. | 0:30:01 | 0:30:04 | |
There's a lot you have to know. | 0:30:04 | 0:30:06 | |
I might as well start now. | 0:30:06 | 0:30:07 | |
I didn't know there were women like that. | 0:30:13 | 0:30:15 | |
I only told you all this so you'd understand what happened today. | 0:30:17 | 0:30:20 | |
I'm glad it happened. | 0:30:22 | 0:30:24 | |
Changes a lot of ideas I've had about you. | 0:30:24 | 0:30:26 | |
-I'm glad, too. Because it brought us together again. -What? | 0:30:26 | 0:30:30 | |
Have you so many friends you can't stand one more? | 0:30:30 | 0:30:33 | |
No, I haven't many friends. But I can't be friends with you. | 0:30:33 | 0:30:36 | |
-Why not? -Let's not talk about it. | 0:30:36 | 0:30:38 | |
Julie, I thought we were only going to say the things we meant. | 0:30:41 | 0:30:44 | |
Why can't we be friends? Why? | 0:30:44 | 0:30:46 | |
All right, because it wouldn't stay that way. | 0:30:46 | 0:30:48 | |
With anyone else, yes, but not with you. | 0:30:48 | 0:30:51 | |
Take me home, Alec. It's late. | 0:30:51 | 0:30:53 | |
We've driven a long way. | 0:30:53 | 0:30:55 | |
-I love you, Julie. -No, you don't. | 0:30:56 | 0:30:58 | |
You're just lonely, you're unhappy. Any woman with a little kindness... | 0:30:58 | 0:31:01 | |
-No, darling, that's not true, it's only you. -Oh, Alec... | 0:31:01 | 0:31:04 | |
It can't be this way, I won't do it to any woman, | 0:31:11 | 0:31:13 | |
no matter who she is or what she is. | 0:31:13 | 0:31:16 | |
I have a sister, her home was broken up and I know what it means. | 0:31:16 | 0:31:19 | |
-Maida never loved me. -Maybe she does in some way I don't understand. | 0:31:19 | 0:31:22 | |
Look, darling, suppose there were no Maida. | 0:31:22 | 0:31:24 | |
Supposing since the first day we met there never had been a Maida. | 0:31:24 | 0:31:27 | |
-But there is! -But if I were free... -Alec, don't. | 0:31:27 | 0:31:30 | |
Please leave me out of this thing. Let's forget we ever met. | 0:31:30 | 0:31:32 | |
Let's do anything, | 0:31:32 | 0:31:33 | |
anything not to get us into something that'll hurt us all. | 0:31:33 | 0:31:36 | |
Please take me home. | 0:31:36 | 0:31:38 | |
All right, darling. I'll take you home. | 0:31:40 | 0:31:41 | |
I still think I should've stayed and talked to Alec. | 0:31:45 | 0:31:48 | |
No, dear. Maida's right. | 0:31:48 | 0:31:49 | |
This is the best way, I'm sure, Father. | 0:31:49 | 0:31:52 | |
I'll have a talk with him and find out how things stand. | 0:31:52 | 0:31:55 | |
GATE CREAKS | 0:32:06 | 0:32:08 | |
SOUND OF CAR IN BACKGROUND | 0:32:14 | 0:32:16 | |
-I want to talk to you. -Must it be tonight, Alec? | 0:32:24 | 0:32:27 | |
-I have a splitting headache. -Sorry, but it must. | 0:32:27 | 0:32:29 | |
-Where did you go? -I took your mother and father back to town. | 0:32:32 | 0:32:36 | |
I might have known you would. | 0:32:38 | 0:32:39 | |
Maida, I've asked you several times for a divorce | 0:32:41 | 0:32:44 | |
- and you've refused to give it to me. | 0:32:44 | 0:32:46 | |
I'm not asking you now, I'm telling you. | 0:32:46 | 0:32:49 | |
Either you get one, or I will. | 0:32:49 | 0:32:50 | |
I'm giving you the chance to do it the way that'll be easiest for you. | 0:32:54 | 0:32:57 | |
Funny. | 0:33:02 | 0:33:03 | |
I was so sure. | 0:33:03 | 0:33:05 | |
I thought I could keep you, somehow. | 0:33:06 | 0:33:08 | |
Didn't care how I did it. | 0:33:08 | 0:33:09 | |
I never thought... | 0:33:10 | 0:33:12 | |
And now... | 0:33:15 | 0:33:16 | |
I've lost. | 0:33:16 | 0:33:18 | |
Well, I must admit, I'd expected more of a... | 0:33:21 | 0:33:23 | |
More of a battle? Why? | 0:33:23 | 0:33:25 | |
The battle's over. | 0:33:25 | 0:33:27 | |
Now that it is over, I suppose I ought to wish you happiness. | 0:33:28 | 0:33:32 | |
But I don't. | 0:33:32 | 0:33:33 | |
I hope you will be miserable. | 0:33:34 | 0:33:36 | |
I hope you'll both be miserable. | 0:33:39 | 0:33:40 | |
Yes, that's more like you. | 0:33:42 | 0:33:44 | |
No, I... | 0:33:46 | 0:33:47 | |
I can't. I won't. | 0:33:47 | 0:33:49 | |
I won't go to Reno. | 0:33:49 | 0:33:50 | |
Oh, you'll get your divorce. | 0:33:50 | 0:33:52 | |
But I won't subject myself to all that publicity. | 0:33:52 | 0:33:54 | |
Like a gossip holiday for my friends. | 0:33:54 | 0:33:57 | |
No. | 0:33:57 | 0:33:59 | |
No, I'll go to Paris. | 0:33:59 | 0:34:01 | |
But you can't avoid talk if you go abroad alone. | 0:34:01 | 0:34:04 | |
But I wouldn't have to. | 0:34:04 | 0:34:06 | |
I could go with your father and mother. | 0:34:06 | 0:34:08 | |
They're leaving on Labor Day. | 0:34:08 | 0:34:09 | |
They probably won't go when they hear about us. | 0:34:09 | 0:34:12 | |
But why do they have to know just now? | 0:34:12 | 0:34:14 | |
-Why couldn't I tell them when I get to Paris? -No, that's my job. | 0:34:14 | 0:34:18 | |
Yes, I know, but... Oddly enough, they consider me | 0:34:18 | 0:34:21 | |
rather a satisfactory daughter-in-law. | 0:34:21 | 0:34:23 | |
I'd like to be the one to tell them that I haven't been. | 0:34:24 | 0:34:27 | |
All right. | 0:34:27 | 0:34:28 | |
All right, if that's the way you want it. | 0:34:30 | 0:34:32 | |
But understand, I don't intend to let anything interfere with it. | 0:34:32 | 0:34:36 | |
I'm selfish in a lot of ways, Alec. | 0:34:38 | 0:34:40 | |
But even my worst enemy couldn't say that I'm stupid. | 0:34:40 | 0:34:43 | |
I know when I'm beaten. | 0:34:43 | 0:34:45 | |
But what can you tell Mother and Father after what happened today? | 0:34:49 | 0:34:52 | |
I'll tell them that I had things out | 0:34:52 | 0:34:54 | |
with you and that everything's fine again. | 0:34:54 | 0:34:56 | |
You know, Maida, in certain respects, I admire you a great deal. | 0:34:57 | 0:35:01 | |
You needn't bother. | 0:35:01 | 0:35:02 | |
I'd do the same thing again if I thought I could win. | 0:35:03 | 0:35:06 | |
Mm-hm. That's what I mean. | 0:35:07 | 0:35:09 | |
BIRDS TWEET | 0:35:40 | 0:35:42 | |
BUZZER | 0:36:02 | 0:36:03 | |
Good evening. I'm the census man, I have to find out a few things. | 0:36:08 | 0:36:10 | |
May I come in? Thank you. | 0:36:10 | 0:36:12 | |
May I kiss you? Thank you. | 0:36:12 | 0:36:14 | |
-Alec, I told you not to come here. -Well, I have to take the census. | 0:36:14 | 0:36:17 | |
How many females in here? Three? That's good! | 0:36:17 | 0:36:19 | |
How many males? None, huh? | 0:36:19 | 0:36:20 | |
Oh, that's bad. Got to do something about that. | 0:36:20 | 0:36:22 | |
-Alec. -Can you cook? Can you sew? | 0:36:22 | 0:36:24 | |
Can you take care of a man in the style he's not been accustomed to? | 0:36:24 | 0:36:27 | |
-Got to know those things before I can give you a licence. -What? -Licence. | 0:36:27 | 0:36:29 | |
-No, not for a dog, the other kind. -Will you please... -Oh, by the way, will you marry me? | 0:36:29 | 0:36:33 | |
-I can't marry you. -But that's all changed. | 0:36:33 | 0:36:35 | |
-Last night, I asked Maida for a divorce. -I told you not to do it. | 0:36:35 | 0:36:38 | |
She agreed to give it to me, so you and I can get married. | 0:36:38 | 0:36:40 | |
I can settle down here, | 0:36:40 | 0:36:41 | |
watch you work your fingers to the bone for me. | 0:36:41 | 0:36:43 | |
Oh, and by the way, I start work again on Monday. | 0:36:43 | 0:36:45 | |
That's all settled, isn't it? ALEC LAUGHS | 0:36:45 | 0:36:47 | |
Where are my slippers? | 0:36:47 | 0:36:49 | |
It isn't settled, you heard what I said. | 0:36:49 | 0:36:50 | |
I didn't pay any attention to it. Where's your sister? | 0:36:50 | 0:36:53 | |
She's out, and will you please go before she comes back? | 0:36:53 | 0:36:55 | |
Oh, no, no. Only one thing can make me go, Julie, | 0:36:55 | 0:36:57 | |
if you said you didn't love me. | 0:36:57 | 0:36:58 | |
What's the sense of your coming here at all? | 0:36:58 | 0:37:00 | |
-You haven't answered me. -All right, I love you. | 0:37:00 | 0:37:02 | |
I'll scrawl it on fences, I'll put it on a banner | 0:37:02 | 0:37:04 | |
and wear it across my chest - "Julie loves Alec." | 0:37:04 | 0:37:06 | |
-Ah-ha. -And what'll it get you? What'll it get either of us? | 0:37:06 | 0:37:09 | |
Could get us arrested. | 0:37:09 | 0:37:10 | |
Scrawling it on fences. Dear, dear. | 0:37:10 | 0:37:13 | |
I told you yesterday how I felt, and I meant it. | 0:37:13 | 0:37:15 | |
Look, darling, whose life are you living? Your own or your sister's? | 0:37:15 | 0:37:18 | |
I'm trying to live my own, if you'll let me, | 0:37:18 | 0:37:20 | |
and I'm trying to live it my way. | 0:37:20 | 0:37:22 | |
It's the only way I can and have any self respect. | 0:37:22 | 0:37:24 | |
It's just a lot of words. | 0:37:24 | 0:37:25 | |
Can't you see that words don't make sense any more? | 0:37:25 | 0:37:28 | |
KEY RATTLES IN LOCK | 0:37:28 | 0:37:29 | |
-This is my sister, Mrs Morton. -Oh. | 0:37:34 | 0:37:37 | |
Mrs Morton, I've got to make you understand that Julie and I... | 0:37:37 | 0:37:40 | |
Make him go. | 0:37:40 | 0:37:42 | |
-Well, I can't go until you realise that... -I said make him go. | 0:37:42 | 0:37:45 | |
Alec, please. | 0:37:45 | 0:37:47 | |
-I'll wait for you downstairs. -No, Alec. | 0:37:47 | 0:37:49 | |
If you don't come down in five minutes, I'll come back and get you. | 0:37:49 | 0:37:52 | |
All right, all right. Now please. | 0:37:52 | 0:37:54 | |
DOOR SHUTS | 0:37:57 | 0:37:58 | |
Don't worry, Laura. I'll send him away. | 0:38:07 | 0:38:09 | |
You're doing just what she did. | 0:38:11 | 0:38:13 | |
You're breaking up a home, just as mine was broken up. | 0:38:13 | 0:38:16 | |
And I hate you for it. | 0:38:16 | 0:38:18 | |
Laura, you don't know what you're saying. | 0:38:18 | 0:38:20 | |
-You've become so... -Do you think I don't know what I've become? | 0:38:20 | 0:38:23 | |
I used to be able to laugh. | 0:38:23 | 0:38:25 | |
I used to be able to enjoy life as much as anyone. Now look at me. | 0:38:25 | 0:38:28 | |
Look at me and then ask yourself how you can do what you are doing. | 0:38:28 | 0:38:32 | |
I am looking at you. | 0:38:32 | 0:38:34 | |
And I'm realising, for the very first time, what's changed you. | 0:38:35 | 0:38:39 | |
It's not the woman Phil ran off with, it's Phil himself. | 0:38:39 | 0:38:43 | |
It's not having him with you. | 0:38:43 | 0:38:45 | |
It's knowing you will never have him with you. | 0:38:46 | 0:38:48 | |
And if I send Alec away, I...might end up just like you. | 0:38:48 | 0:38:53 | |
But, Laura, I'm not going to send him away. | 0:38:55 | 0:38:57 | |
I was, but I've changed my mind. | 0:38:57 | 0:39:00 | |
His wife is going to give him a divorce | 0:39:00 | 0:39:02 | |
and we're going to be married. | 0:39:02 | 0:39:04 | |
They were all out of grapefruit, I had to get oranges. | 0:39:14 | 0:39:17 | |
-Laura, darling, please try to understand. -I'm leaving, Julie. | 0:39:17 | 0:39:20 | |
Leaving? Well, where you going? | 0:39:20 | 0:39:22 | |
I'll go to a hotel tonight, | 0:39:22 | 0:39:23 | |
and tomorrow I can look around for a room. | 0:39:23 | 0:39:25 | |
But Laura, Alec and I can't be married till fall, and until then, | 0:39:25 | 0:39:27 | |
I want you to stay on here, just as you have been doing. | 0:39:27 | 0:39:31 | |
Say goodbye to Ellen for me in the morning. Tell her... | 0:39:31 | 0:39:34 | |
-Tell her anything you think best. -Laura, please stay! | 0:39:34 | 0:39:37 | |
TELEPHONE RINGS | 0:39:39 | 0:39:40 | |
ALEC: 'Julie. Julie, can you hear me? | 0:39:45 | 0:39:47 | |
'I'm waiting. Are you coming down?' | 0:39:47 | 0:39:49 | |
Yes, darling. I'm coming. Wait for me. | 0:39:49 | 0:39:52 | |
-Your father told me you would check these, Mr Walker. -Mm-hm. | 0:40:02 | 0:40:06 | |
Oh, he did, did he? | 0:40:08 | 0:40:09 | |
-Seems to be afraid I'm going to go stale while he's gone. -Yes, sir. | 0:40:09 | 0:40:14 | |
Oh, Mrs Duross is here, sir. | 0:40:14 | 0:40:16 | |
What does she want? | 0:40:17 | 0:40:18 | |
She came down to go to the boat with you, I believe. | 0:40:18 | 0:40:21 | |
Ah, she did, huh? | 0:40:21 | 0:40:22 | |
-All right, tell her to wait. -Yes. | 0:40:22 | 0:40:24 | |
TELEPHONE RINGS | 0:40:24 | 0:40:26 | |
Certainly a bear for punishment. Hello? | 0:40:26 | 0:40:29 | |
-Well, well, well. -Oh, darling! | 0:40:30 | 0:40:32 | |
Those sketches, I've sold them, I've got the cheque right here | 0:40:32 | 0:40:35 | |
in my hand, and you should see it, it's beautiful! | 0:40:35 | 0:40:37 | |
Well, that's fine. Nothing like having a wife that can support you. | 0:40:37 | 0:40:40 | |
I'll tell you what you do, honey, you put it in the bank, | 0:40:40 | 0:40:42 | |
I may need it some day for lunch money. | 0:40:42 | 0:40:44 | |
Put it in the bank nothing! | 0:40:44 | 0:40:46 | |
Why, I'm going to keep it in my trousseau fund. | 0:40:46 | 0:40:48 | |
Yes, I'm going to buy my veil with it. Oh... | 0:40:48 | 0:40:51 | |
Oh, I suppose I can't wear a veil, can I? | 0:40:51 | 0:40:54 | |
Well, then, I'll buy a hat. I know just the kind, too. | 0:40:54 | 0:40:56 | |
You know, all covered with fruit and seaweed. | 0:40:56 | 0:40:59 | |
Mmm... Sounds very practical. Bilious, but practical. | 0:40:59 | 0:41:03 | |
What? | 0:41:03 | 0:41:04 | |
Yes, the magazine offered me a job in Paris. | 0:41:04 | 0:41:07 | |
Well, I've always wanted to go there. | 0:41:07 | 0:41:10 | |
Oh, of course not. | 0:41:11 | 0:41:12 | |
I told them I had a very personal reason for not going, | 0:41:12 | 0:41:15 | |
he said, "Who is it?" And I said you'd be surprised and he said | 0:41:15 | 0:41:17 | |
I was missing a chance of a lifetime and I said... Who's babbling? | 0:41:17 | 0:41:21 | |
You are. | 0:41:21 | 0:41:22 | |
Listen, darling, I've got to get down to the boat. | 0:41:22 | 0:41:25 | |
I'll call for you around two. | 0:41:25 | 0:41:27 | |
It's none of your business where we're going. | 0:41:27 | 0:41:29 | |
Did Snow White know where she was going? No, then why should you? | 0:41:29 | 0:41:32 | |
Yes, darling, every hour and every minute. | 0:41:33 | 0:41:36 | |
Bye. | 0:41:36 | 0:41:37 | |
Oh, good morning. | 0:41:39 | 0:41:40 | |
If that was Maida, you've changed a lot. | 0:41:43 | 0:41:45 | |
Ah-ah, little pitches, big ears. | 0:41:45 | 0:41:47 | |
Who is she? | 0:41:47 | 0:41:49 | |
I haven't the remotest notion. | 0:41:50 | 0:41:52 | |
She calls me up every now and then and we talk. | 0:41:52 | 0:41:54 | |
I call her my telephone dream girl. It's practically weird. | 0:41:54 | 0:41:57 | |
Very funny, but not very true. | 0:42:00 | 0:42:02 | |
A-ha. | 0:42:02 | 0:42:04 | |
Oh, oh, Suzanne, that's the trouble with your generation, | 0:42:04 | 0:42:07 | |
you're so sceptical. Where's your sense of romance? | 0:42:07 | 0:42:09 | |
And where's my hat? We've got to get underway. | 0:42:09 | 0:42:11 | |
What are you doing after the boat sails, Alec? How about lunch? | 0:42:13 | 0:42:16 | |
Sorry, previous engagement. | 0:42:16 | 0:42:18 | |
-I think you'd better call it off. -Why? | 0:42:19 | 0:42:21 | |
Because if you don't, I might decide to tell Maida a few things. | 0:42:21 | 0:42:25 | |
And she might decide not to sail after all. | 0:42:25 | 0:42:28 | |
Oh, Suzanne! You wouldn't. | 0:42:28 | 0:42:30 | |
Surely you wouldn't? You know, when the cat's away, the mouse will play. | 0:42:30 | 0:42:33 | |
Might be a mouse and might be a rat. | 0:42:33 | 0:42:35 | |
But if it does play, why can't it play with me? | 0:42:37 | 0:42:39 | |
Oh, good morning, Suzanne. Well, are we ready? | 0:42:42 | 0:42:45 | |
Ready. | 0:42:45 | 0:42:47 | |
Remember, I gave you your chance. | 0:42:49 | 0:42:51 | |
-Here you are, my dear. -Well, Alec, I think a toast is in order. | 0:43:02 | 0:43:05 | |
Thanks, Ned. | 0:43:05 | 0:43:06 | |
To a successful trip. | 0:43:07 | 0:43:09 | |
And a quick return. | 0:43:09 | 0:43:11 | |
I can do better than that. | 0:43:12 | 0:43:14 | |
Here's to all of us. | 0:43:14 | 0:43:15 | |
Just as we are. | 0:43:15 | 0:43:17 | |
Funny, I've never seen you cry before. | 0:43:43 | 0:43:46 | |
Well, don't be upset. | 0:43:46 | 0:43:47 | |
I'm not crying over you. | 0:43:47 | 0:43:49 | |
Go on back, there's no reason for a goodbye scene, is there? | 0:43:50 | 0:43:53 | |
I just want to thank you again. I do thank you, you know. | 0:43:53 | 0:43:56 | |
It's all so sporting. | 0:43:56 | 0:43:58 | |
-The way it is in books. -Or prizefights. | 0:43:58 | 0:44:00 | |
I suppose I'm interrupting what is undoubtedly | 0:44:03 | 0:44:05 | |
a most touching farewell. | 0:44:05 | 0:44:07 | |
But Maida, darling, | 0:44:07 | 0:44:09 | |
I do hope your going abroad at this time won't be a mistake. | 0:44:09 | 0:44:12 | |
A mistake? | 0:44:12 | 0:44:14 | |
To go away and leave such a fascinating husband around loose. | 0:44:14 | 0:44:17 | |
I don't like to tell you this, dear, but... | 0:44:17 | 0:44:20 | |
Then I'm sure I won't want to hear it, darling. | 0:44:20 | 0:44:22 | |
But you must hear it, I wouldn't feel comfortable if you didn't. | 0:44:22 | 0:44:26 | |
There's someone in particular whom Alec intends to see a lot of | 0:44:26 | 0:44:29 | |
while you're away. | 0:44:29 | 0:44:31 | |
I know it. | 0:44:31 | 0:44:33 | |
Don't forget to get left on the boat. | 0:44:45 | 0:44:47 | |
Now, honestly, Maida, you're not going to let that girl | 0:44:49 | 0:44:51 | |
take Alec away from you, are you? | 0:44:51 | 0:44:53 | |
What do you think? | 0:44:57 | 0:44:58 | |
Really, Maida, you're marvellous. | 0:45:02 | 0:45:05 | |
Well, bye, Dad. Don't worry about the office. | 0:45:05 | 0:45:07 | |
It'll still be there when you get back. I hope! | 0:45:07 | 0:45:09 | |
-We'll take good care of Maida. -Good. | 0:45:09 | 0:45:11 | |
Bye, darling. Stay sober. | 0:45:11 | 0:45:13 | |
SHE CHUCKLES | 0:45:13 | 0:45:15 | |
Goodbye. | 0:45:15 | 0:45:16 | |
Know where we are? | 0:45:23 | 0:45:24 | |
-Valley Forge? -No. | 0:45:24 | 0:45:26 | |
Well, that's supposed to be a joke. Do you know why I said Valley Forge? | 0:45:26 | 0:45:29 | |
-No. -Because I knew I wasn't even warm. Get it? | 0:45:29 | 0:45:31 | |
Ignore it. Come on. | 0:45:31 | 0:45:32 | |
It's ours, Julie. I bought it back. | 0:45:35 | 0:45:37 | |
Come with me. | 0:45:37 | 0:45:38 | |
Wow. Well, what's happened? | 0:45:51 | 0:45:54 | |
This is our house. | 0:45:54 | 0:45:56 | |
Wasn't good enough when I bought it before, | 0:45:56 | 0:45:57 | |
but you liked it and you picked it. | 0:45:57 | 0:46:00 | |
But it's all so different. | 0:46:00 | 0:46:02 | |
Everything's different now. How do you like it? | 0:46:02 | 0:46:05 | |
Why, I... | 0:46:07 | 0:46:08 | |
-I... -I knew you would. I mean, I hoped you would. | 0:46:08 | 0:46:11 | |
I wasn't quite sure about the wallpaper. | 0:46:11 | 0:46:14 | |
-Like it? -Yes... | 0:46:14 | 0:46:16 | |
What's the matter with it? | 0:46:16 | 0:46:17 | |
-Well, it's... -Oh. -But it will be lovely, Alec, it really will. | 0:46:17 | 0:46:21 | |
-Oh, it will? -Oh, it is lovely. | 0:46:21 | 0:46:23 | |
Well, I've seen it all now. | 0:46:26 | 0:46:28 | |
The world would be a better place to live in | 0:46:28 | 0:46:30 | |
if men didn't buy wallpaper, hm? | 0:46:30 | 0:46:32 | |
And women didn't buy neckties. | 0:46:32 | 0:46:33 | |
It's a deal. Come with me, I'll show you where the animals sleep. | 0:46:33 | 0:46:37 | |
-Pardon me, madam, do you snore? -No. | 0:46:44 | 0:46:47 | |
Oh, well, then I guess I'll have to buy an alarm clock, won't I? | 0:46:47 | 0:46:50 | |
-Oh, darling, it's wonderful. -Mm, a kiss for each room, huh? | 0:46:50 | 0:46:53 | |
Should have built a hotel. | 0:46:53 | 0:46:55 | |
-You can change the wallpaper if you like. -Yes. | 0:46:55 | 0:46:58 | |
Funny, it looked nice all rolled up. You see, the man said that... | 0:47:00 | 0:47:03 | |
Yes, darling, what did the man say? | 0:47:03 | 0:47:04 | |
Well, it hardly matters now, does it? | 0:47:04 | 0:47:06 | |
Come on, I'll show you Ellen's quarters. | 0:47:06 | 0:47:08 | |
-Girls don't have quarters. -Oh, sure they do. | 0:47:08 | 0:47:10 | |
When they grow up, they have better halves, like you and me. | 0:47:10 | 0:47:13 | |
Oh, Alec, she'll love this. | 0:47:13 | 0:47:16 | |
Just about big enough for her and her pony. | 0:47:16 | 0:47:18 | |
Oh, she has no pony. | 0:47:18 | 0:47:19 | |
Hmm, you never can tell what people may have in the country. | 0:47:19 | 0:47:22 | |
Alec, what's this? | 0:47:25 | 0:47:26 | |
Oh, I... | 0:47:30 | 0:47:32 | |
I thought some day we might need it. | 0:47:32 | 0:47:34 | |
Why, Alec... | 0:47:34 | 0:47:36 | |
I mean, I only thought that... | 0:47:36 | 0:47:38 | |
The architect said that is... | 0:47:38 | 0:47:40 | |
-I told him... -My darling, you're blushing. | 0:47:40 | 0:47:42 | |
I am not. I'm only saying... Well, you see... | 0:47:42 | 0:47:44 | |
I've never seen a man blush before. | 0:47:44 | 0:47:47 | |
Well, you've seen one now. | 0:47:47 | 0:47:49 | |
You're cute. | 0:47:49 | 0:47:50 | |
I'm not cute, I'm only... | 0:47:50 | 0:47:52 | |
Oh, well, I'll have it torn down. That's what I'll do. | 0:47:52 | 0:47:55 | |
You'll do nothing of the sort. | 0:47:55 | 0:47:57 | |
That's for Ellen's room and that's for this room. | 0:47:57 | 0:48:00 | |
I love this wallpaper. | 0:48:00 | 0:48:01 | |
-Oh, darling. -This will be a very special room. | 0:48:01 | 0:48:04 | |
-Ooh, I'm shaking like a leaf. -Well, now, relax. Calm yourself. | 0:48:04 | 0:48:07 | |
Good heavens, if an empty room will do this to you, | 0:48:07 | 0:48:09 | |
what will happen when it's occupied? | 0:48:09 | 0:48:11 | |
I don't know. | 0:48:11 | 0:48:12 | |
I think I'll open a window. | 0:48:12 | 0:48:13 | |
It's Fred the gardener. I've got to talk to him. | 0:48:16 | 0:48:18 | |
Hey, Fred. | 0:48:24 | 0:48:26 | |
Oh, hello, Alec. Beautiful day. | 0:48:26 | 0:48:28 | |
Beautiful. Where are the chrysanthemums? | 0:48:28 | 0:48:30 | |
I don't know. Where are they? | 0:48:30 | 0:48:31 | |
-Oh, the chrysanthemums. -Sure, from the big house. | 0:48:31 | 0:48:33 | |
When are you going to transplant them down here? | 0:48:33 | 0:48:35 | |
-Oh, no chance, Alec. -What? | 0:48:35 | 0:48:37 | |
We're out of luck with them chrysanthemums. | 0:48:37 | 0:48:38 | |
Mrs Walker don't want 'em touched. | 0:48:38 | 0:48:40 | |
Well, I want them transplanted down here. | 0:48:40 | 0:48:42 | |
I know, Alec, but we ain't got a chance. | 0:48:42 | 0:48:44 | |
She told me that next spring... | 0:48:44 | 0:48:47 | |
But if that's your orders, I will. | 0:48:47 | 0:48:48 | |
-Well, those are my orders. -All right, Alec. | 0:48:48 | 0:48:51 | |
Beautiful day, Alec, isn't it? | 0:48:51 | 0:48:52 | |
Beautiful day. | 0:48:52 | 0:48:54 | |
There are two things that Fred doesn't know - | 0:48:54 | 0:48:56 | |
one, that I saw that jug, and two, the other house is going to be sold. | 0:48:56 | 0:49:00 | |
-What's the matter? -Nothing. | 0:49:00 | 0:49:01 | |
Come on, what's wrong? | 0:49:02 | 0:49:04 | |
Don't you think you shouldn't have bought this house | 0:49:04 | 0:49:06 | |
until you sold the other one? | 0:49:06 | 0:49:07 | |
Oh, no, we haven't time. We're going to be in here by Thanksgiving. | 0:49:07 | 0:49:10 | |
We're going to have a big turkey right there. | 0:49:10 | 0:49:12 | |
We might even be here by Halloween. | 0:49:12 | 0:49:14 | |
OVERLAPPING CONVERSATIONS | 0:49:18 | 0:49:19 | |
Mr Alec Walker calling Mrs Alec Walker, | 0:49:19 | 0:49:22 | |
Ritz Hotel, Paris. | 0:49:22 | 0:49:24 | |
Mr Walker is ready. Go ahead, please. | 0:49:25 | 0:49:27 | |
Hello, Maida. This is Alec. | 0:49:27 | 0:49:30 | |
How are you? What about the divorce? | 0:49:30 | 0:49:32 | |
Yes. | 0:49:32 | 0:49:33 | |
Another two weeks? | 0:49:35 | 0:49:36 | |
Well, you know how long it's been, why shouldn't I be impatient? | 0:49:37 | 0:49:41 | |
All right. | 0:49:41 | 0:49:42 | |
All right, fine. | 0:49:42 | 0:49:43 | |
Give my love to Mother and Father. | 0:49:43 | 0:49:45 | |
All right, goodbye. | 0:49:45 | 0:49:47 | |
CHATTER | 0:49:56 | 0:49:58 | |
Hello, Alec. What did you think of the game? | 0:50:15 | 0:50:17 | |
-We did all right, didn't we? -You bet. | 0:50:17 | 0:50:19 | |
It's over. Come on. | 0:50:20 | 0:50:22 | |
Darling, I'm so hungry I could eat a horse. | 0:50:24 | 0:50:26 | |
Well, I doubt if they serve 'em, however, we'll try. | 0:50:26 | 0:50:30 | |
Alec. | 0:50:30 | 0:50:31 | |
How nice. | 0:50:31 | 0:50:33 | |
Hello, Suzanne. | 0:50:33 | 0:50:34 | |
I think you two have met before, haven't you? | 0:50:36 | 0:50:37 | |
Yes, we have. How do you do? | 0:50:37 | 0:50:39 | |
Oh, of course. This is Mr Graham, Miss... | 0:50:39 | 0:50:41 | |
I'm sorry, I don't remember your name. | 0:50:41 | 0:50:43 | |
-Eden. -And Mr Walker. | 0:50:43 | 0:50:44 | |
Oh, how do you do? | 0:50:44 | 0:50:46 | |
Howdy. | 0:50:46 | 0:50:48 | |
Where have you been keeping yourself, Alec? | 0:50:48 | 0:50:49 | |
I haven't seen you for years. | 0:50:49 | 0:50:51 | |
Well, I've been here and there. | 0:50:51 | 0:50:53 | |
Consomme? | 0:50:53 | 0:50:54 | |
I had a card from Maida last week. | 0:50:54 | 0:50:56 | |
She seems to be having a marvellous time. | 0:50:56 | 0:50:58 | |
Mr Walker's wife has been abroad all fall. | 0:50:58 | 0:51:01 | |
-Steak all right? -Fine. -Good. | 0:51:01 | 0:51:03 | |
I suppose you're terribly lonesome without her. | 0:51:03 | 0:51:05 | |
-Green salad? -And coffee. | 0:51:05 | 0:51:07 | |
She's staying over there longer than she'd planned, isn't she? | 0:51:07 | 0:51:10 | |
Dessert, cheese or something? | 0:51:10 | 0:51:12 | |
The strongest they have. | 0:51:12 | 0:51:13 | |
Not that I blame her, but it must be hard on you. | 0:51:13 | 0:51:16 | |
You know Mrs Walker, don't you? | 0:51:16 | 0:51:18 | |
-Yes. -Isn't she lovely? | 0:51:18 | 0:51:20 | |
She's my best friend, you know? | 0:51:20 | 0:51:22 | |
Yes, I remember. | 0:51:22 | 0:51:23 | |
She's an extraordinary person, Maida is. So... | 0:51:24 | 0:51:27 | |
Well, so tolerant, so understanding. | 0:51:27 | 0:51:29 | |
She certainly understands you, doesn't she, Alec? | 0:51:29 | 0:51:32 | |
Bring a sharp knife with that steak, will you, please? | 0:51:33 | 0:51:36 | |
Archie doesn't understand me at all, does he, Paul? | 0:51:38 | 0:51:41 | |
Oh, I think Archie understands you all right, Suzanne. He's just tired. | 0:51:41 | 0:51:45 | |
-Don't you drink? -No. -How do you stand it? | 0:51:47 | 0:51:51 | |
HE CHUCKLES | 0:51:51 | 0:51:54 | |
-Alec has such a sense of humour. -He needs it, don't you think? | 0:51:54 | 0:51:57 | |
Keep the change. | 0:51:57 | 0:51:58 | |
Yes, but now and then, when you're on the receiving end, | 0:51:58 | 0:52:01 | |
it's not so funny. | 0:52:01 | 0:52:02 | |
I'd like to hear your views on that sometime, Miss, eh... | 0:52:02 | 0:52:05 | |
You're on my coat. | 0:52:05 | 0:52:06 | |
-Oh. -Miss Edem. | 0:52:06 | 0:52:07 | |
In, say, about a year from now. | 0:52:07 | 0:52:10 | |
I'd like to hear your views on some other things then too. | 0:52:10 | 0:52:13 | |
Love, for instance. | 0:52:13 | 0:52:16 | |
Goodbye, darling. | 0:52:16 | 0:52:18 | |
Glad to have met you. | 0:52:21 | 0:52:22 | |
Beautiful personality, that. | 0:52:24 | 0:52:26 | |
What doe she mean, Alec? | 0:52:26 | 0:52:28 | |
She meant no good, I can tell you that. | 0:52:28 | 0:52:30 | |
No, I mean, "Love, for instance." | 0:52:30 | 0:52:32 | |
Oh, darling, don't pay any attention to Suzanne. | 0:52:34 | 0:52:37 | |
She's always got her claws out. I know her. | 0:52:37 | 0:52:39 | |
Maybe she knows you. Maybe she knows you better than I do. | 0:52:39 | 0:52:43 | |
Maybe Maida knows you better than I do. | 0:52:43 | 0:52:45 | |
-Julie! -Maybe I don't know you at all. | 0:52:45 | 0:52:48 | |
Darling, what...? | 0:52:48 | 0:52:49 | |
Julie, you didn't mean what you said, you know you didn't. | 0:52:56 | 0:52:59 | |
What am I supposed to be, what am I supposed to believe in? | 0:52:59 | 0:53:02 | |
In August, it was just a few weeks, in September, it was Thanksgiving. | 0:53:02 | 0:53:05 | |
Now it's Christmas, maybe. When is she coming back? | 0:53:05 | 0:53:07 | |
-How long is it going to be like this? -Darling, I told you. | 0:53:07 | 0:53:10 | |
She's running into all sorts of legal red tape over there. | 0:53:10 | 0:53:12 | |
They're tightening up on the requirements. | 0:53:12 | 0:53:14 | |
All she can do is wait. That's all any of us can do. | 0:53:14 | 0:53:16 | |
Wait, wait. We've been waiting, | 0:53:16 | 0:53:17 | |
it's been four months and we're just where we were when we started. | 0:53:17 | 0:53:20 | |
Look, dear, do you think I like it? | 0:53:20 | 0:53:21 | |
Don't you think it means as much to me as it does to you? | 0:53:21 | 0:53:23 | |
-I don't know whether it does or not. -It can't be much longer, dear. | 0:53:23 | 0:53:26 | |
-It can be as long as she wants it to be. -Julie! | 0:53:26 | 0:53:28 | |
Can't you see it's no good? Can't you see it's no use? | 0:53:28 | 0:53:30 | |
Go away and let me have some peace. Forget it all and let me forget it. | 0:53:30 | 0:53:33 | |
I can't live like this. I can't stand it any more. I've had enough. | 0:53:33 | 0:53:36 | |
I've had enough. | 0:53:36 | 0:53:38 | |
Stop that, Julie. Stop that. | 0:53:38 | 0:53:40 | |
You're not going to give up now. I'm not going to let you give up. | 0:53:40 | 0:53:44 | |
PHONE RINGS | 0:53:44 | 0:53:46 | |
Hello. | 0:53:54 | 0:53:57 | |
No, no, I didn't ask for the Carlston Hotel in London, | 0:53:57 | 0:53:59 | |
I asked for Mrs Alec Walker at the Carlston Hotel, London. | 0:53:59 | 0:54:03 | |
Oh. Well, all right, put them on. | 0:54:04 | 0:54:07 | |
Hello. | 0:54:07 | 0:54:09 | |
Yes. | 0:54:09 | 0:54:12 | |
Yesterday?! | 0:54:12 | 0:54:13 | |
Well, where did they go? | 0:54:13 | 0:54:15 | |
Well, how does it happen they didn't leave a forwarding address? | 0:54:17 | 0:54:20 | |
Oh, all right. Thank you. | 0:54:22 | 0:54:24 | |
Now stay there, you little angel. | 0:54:36 | 0:54:39 | |
How's that? Straight? Ellen? | 0:54:42 | 0:54:45 | |
I see. | 0:54:51 | 0:54:52 | |
Hello. Mr Walker's private office. | 0:54:54 | 0:54:57 | |
Yes, it's me again. | 0:54:57 | 0:54:59 | |
My, how your voice has changed. | 0:54:59 | 0:55:01 | |
It's so long since I talked to you. | 0:55:01 | 0:55:03 | |
It was only an hour ago. | 0:55:03 | 0:55:05 | |
Well, you tell your mother I'll be right over... | 0:55:05 | 0:55:07 | |
WHISPERS: ..as soon as I can go to my hotel and get a package for you. | 0:55:07 | 0:55:10 | |
What's in the package? | 0:55:10 | 0:55:11 | |
-Ask him how his cold is? -How's your cold and what's in the package? | 0:55:11 | 0:55:16 | |
It's only a sniffle. HE SNIFFS | 0:55:16 | 0:55:18 | |
Hear? | 0:55:18 | 0:55:19 | |
You should use your handkerchief. | 0:55:19 | 0:55:21 | |
HE BLOWS HIS NOSE | 0:55:21 | 0:55:23 | |
There, now, when you can blow like that, young lady, | 0:55:23 | 0:55:25 | |
you'll be somebody. And tell your beautiful mother not | 0:55:25 | 0:55:27 | |
to be so beautiful until I get there. | 0:55:27 | 0:55:29 | |
Hear? All right. | 0:55:29 | 0:55:31 | |
Stay where you are. | 0:55:43 | 0:55:45 | |
-ALL: -Merry Christmas! | 0:55:56 | 0:55:59 | |
My dear, you ought to see your face. It's wonderful. | 0:56:01 | 0:56:04 | |
-Hello, Mother. -How are you? | 0:56:04 | 0:56:07 | |
Well, I'm fine. I'm sort of bowled over at the moment. | 0:56:07 | 0:56:09 | |
It was Maida's idea. | 0:56:09 | 0:56:11 | |
She said we'd make the best Christmas present you could get. | 0:56:11 | 0:56:15 | |
-Merry Christmas, darling. -Oh, we had such a time. | 0:56:15 | 0:56:18 | |
THEY TALK OVER EACH OVER | 0:56:18 | 0:56:21 | |
..but we were determined to have Christmas Eve with you. | 0:56:21 | 0:56:23 | |
Oh. | 0:56:23 | 0:56:25 | |
Oh, well, I... | 0:56:25 | 0:56:26 | |
I'm terribly sorry, I can't stay. | 0:56:26 | 0:56:28 | |
-What? -Can't stay? | 0:56:28 | 0:56:30 | |
No, I... | 0:56:30 | 0:56:31 | |
I wish you had let me know. | 0:56:31 | 0:56:32 | |
It's my fault. | 0:56:32 | 0:56:34 | |
Well, I'll come up the house first thing in the morning. | 0:56:34 | 0:56:36 | |
Oh, but, Alec... | 0:56:36 | 0:56:37 | |
You see, I had other arrangements. | 0:56:37 | 0:56:39 | |
Well, can't you call them up and tell them your family's here? | 0:56:39 | 0:56:42 | |
-They'll understand. -I'm sorry, I can't. | 0:56:42 | 0:56:44 | |
Oh, it's a shame. But, of course, we should have cabled him. | 0:56:44 | 0:56:47 | |
Well, at least we can have a drink with you before you go, can't we? | 0:56:47 | 0:56:50 | |
Sure. | 0:56:50 | 0:56:52 | |
Well, it seems our little surprise wasn't very successful, was it? | 0:56:52 | 0:56:56 | |
-No. -Apparently not. -Never you mind, dear. | 0:56:56 | 0:56:58 | |
We'll have a nice Christmas Eve together and then we'll see | 0:56:58 | 0:57:00 | |
-Alec in the morning. -Oh, but what will we do about his...? | 0:57:00 | 0:57:03 | |
Why don't we give them to him now? | 0:57:03 | 0:57:04 | |
Alec, your Santa Claus speaks with a French accent this year. | 0:57:04 | 0:57:08 | |
Well, Merry Christmas. | 0:57:09 | 0:57:10 | |
-Merry Christmas. -Merry Christmas. | 0:57:10 | 0:57:12 | |
I... I'm awfully sorry about this. | 0:57:12 | 0:57:14 | |
PHONE RINGS | 0:57:20 | 0:57:22 | |
Hello? | 0:57:32 | 0:57:34 | |
Isn't this where Mr Walker lives? | 0:57:34 | 0:57:36 | |
It is? | 0:57:37 | 0:57:39 | |
There's a lady there. | 0:57:39 | 0:57:40 | |
Oh, don't be silly. He's fooling you because you pester him so much. | 0:57:40 | 0:57:43 | |
Now go get your packages. Hello. | 0:57:43 | 0:57:47 | |
Who's calling, please? | 0:57:47 | 0:57:49 | |
Oh. | 0:57:49 | 0:57:50 | |
Oh, how do you do, Miss Eden? | 0:57:50 | 0:57:52 | |
This is Mrs Walker. | 0:57:52 | 0:57:53 | |
May I have Alec call you back? | 0:57:55 | 0:57:57 | |
We're having cocktails now. There are a few people here. | 0:57:57 | 0:58:00 | |
Or, if you would rather, you can call later. | 0:58:00 | 0:58:03 | |
We'll be in all evening. | 0:58:03 | 0:58:05 | |
Hello? | 0:58:05 | 0:58:07 | |
Merry Christmas, darling. | 0:58:17 | 0:58:18 | |
Laura. | 0:58:19 | 0:58:21 | |
Aren't you going to kiss me, Julie? | 0:58:25 | 0:58:28 | |
Oh, darling, forgive me. | 0:58:28 | 0:58:31 | |
You were right and I was so wrong. | 0:58:31 | 0:58:33 | |
But I understand about you and Alec now, and I want to wish you, | 0:58:33 | 0:58:36 | |
well, the best, because you deserve it. | 0:58:36 | 0:58:38 | |
Oh, darling, I was so hateful to you. | 0:58:38 | 0:58:41 | |
And I know it. | 0:58:41 | 0:58:43 | |
But, well... | 0:58:43 | 0:58:46 | |
I've changed, Julie. You see, I... | 0:58:46 | 0:58:48 | |
Well... | 0:58:50 | 0:58:51 | |
Julie, I'm going to be married. | 0:58:51 | 0:58:53 | |
His name is Jackson. He lives over in Jersey with his sisters. | 0:58:57 | 0:59:00 | |
I was on my way there now, but... | 0:59:00 | 0:59:02 | |
but I just couldn't go without stopping by to... | 0:59:02 | 0:59:05 | |
Oh, Julie. | 0:59:05 | 0:59:07 | |
I'm so happy. | 0:59:08 | 0:59:10 | |
It's awfully funny, isn't it? | 0:59:12 | 0:59:14 | |
I mean, the way I was and the way I am now. | 0:59:15 | 0:59:19 | |
It isn't funny, it's wonderful, Laura. | 0:59:19 | 0:59:21 | |
Wonderful. | 0:59:21 | 0:59:24 | |
You're happy too, aren't you? | 0:59:24 | 0:59:26 | |
-Things haven't changed. -No, I mean, yes, I'm terribly happy. | 0:59:26 | 0:59:30 | |
Isn't Alec going to be here tonight? | 0:59:30 | 0:59:32 | |
Yes, I expect him any minute now. | 0:59:32 | 0:59:34 | |
I wanted to see him to apologise. | 0:59:34 | 0:59:36 | |
Did his wife get the divorce? | 0:59:36 | 0:59:37 | |
Not yet, that is, not quite. | 0:59:37 | 0:59:39 | |
It's just a matter of a few weeks. | 0:59:39 | 0:59:41 | |
You see, she ran into legal difficulties in Paris. | 0:59:41 | 0:59:43 | |
You know, I've been expecting to hear all fall | 0:59:43 | 0:59:45 | |
that you'd been married, | 0:59:45 | 0:59:46 | |
but I'm glad now you weren't, cos now when you are, I can be there. | 0:59:46 | 0:59:49 | |
When's it going to be? | 0:59:49 | 0:59:50 | |
Well, we haven't quite decided yet. It's... | 0:59:50 | 0:59:53 | |
We were sort of waiting and... | 0:59:53 | 0:59:55 | |
Julie, is anything wrong? | 1:00:05 | 1:00:06 | |
-No, no, nothing's wrong. -Well, where are you going? | 1:00:06 | 1:00:08 | |
I'll be right back. Will you stay with Ellen? | 1:00:08 | 1:00:10 | |
Oh, but, darling, I have to go. | 1:00:10 | 1:00:12 | |
Aunt Laura! | 1:00:12 | 1:00:13 | |
Ellen, darling. | 1:00:13 | 1:00:15 | |
DOOR SLAMS | 1:00:17 | 1:00:19 | |
Ellen, where's you mother going? | 1:00:19 | 1:00:21 | |
I don't know. | 1:00:21 | 1:00:23 | |
I know it was great mistake to let you go abroad without telling you. | 1:00:24 | 1:00:27 | |
I'll take the blame for that. | 1:00:27 | 1:00:29 | |
But I don't think you should feel this way about me | 1:00:29 | 1:00:31 | |
because I love Julie. | 1:00:31 | 1:00:32 | |
I don't know what Maida has said to you about my life with her. | 1:00:33 | 1:00:36 | |
I imagine she said a great deal. | 1:00:36 | 1:00:39 | |
But the fact remains that I'm in love with another woman, | 1:00:39 | 1:00:42 | |
who's not my wife. | 1:00:42 | 1:00:43 | |
All I ask is that you see my side of it and try to understand me. | 1:00:44 | 1:00:48 | |
As you say, I have my own life to live. | 1:00:48 | 1:00:50 | |
PHONE RINGS | 1:00:50 | 1:00:51 | |
It would help a great deal if I knew that you believed in me. | 1:00:51 | 1:00:55 | |
Yes. | 1:00:55 | 1:00:56 | |
Thank you. | 1:00:56 | 1:00:58 | |
After all, that's water over the dam. | 1:01:05 | 1:01:07 | |
It's still hard for me to realise that you can't understand | 1:01:09 | 1:01:11 | |
what she means to me. | 1:01:11 | 1:01:13 | |
That you can't see that my whole happiness depends upon this. | 1:01:13 | 1:01:16 | |
Where's Alec? | 1:01:26 | 1:01:27 | |
I said, where is he? | 1:01:31 | 1:01:34 | |
I wish you hadn't felt it necessary to do this, Miss Eden. | 1:01:34 | 1:01:37 | |
Somehow I'd expected better taste of you. | 1:01:37 | 1:01:39 | |
I want to talk to Alec. | 1:01:39 | 1:01:42 | |
This is Christmas Eve. | 1:01:42 | 1:01:43 | |
Alec understands that he should spend it with his wife. | 1:01:43 | 1:01:46 | |
-Why can't you? -Are you going to give him a divorce or aren't you? | 1:01:46 | 1:01:49 | |
I should think by this time it would be quite obvious | 1:01:49 | 1:01:52 | |
what my intentions are. | 1:01:52 | 1:01:54 | |
Julie. | 1:01:59 | 1:02:00 | |
Alec, dear, she's been lying to you all along. | 1:02:03 | 1:02:05 | |
I know. | 1:02:05 | 1:02:06 | |
You didn't really think I'd let you go, did you? | 1:02:06 | 1:02:09 | |
I'm leaving for Reno tomorrow. | 1:02:09 | 1:02:10 | |
The moment you file suit for divorce against me, | 1:02:10 | 1:02:13 | |
I shall file a counter-suit against you. | 1:02:13 | 1:02:16 | |
I don't know or care what you'll base your suit on, | 1:02:16 | 1:02:19 | |
but I shall base mine on infidelity. | 1:02:19 | 1:02:21 | |
And it won't be any vague other women. | 1:02:21 | 1:02:24 | |
It'll be one woman in particular, by name. | 1:02:24 | 1:02:27 | |
You understand, I think. | 1:02:27 | 1:02:30 | |
I'm warning you, Miss Eden. | 1:02:30 | 1:02:32 | |
Alec isn't the only one I'll sue. | 1:02:32 | 1:02:34 | |
I'll sue you also, for alienation of affections. | 1:02:34 | 1:02:37 | |
You have a little girl, haven't you? | 1:02:37 | 1:02:39 | |
How old is she, six, seven? | 1:02:39 | 1:02:41 | |
Well, you might as well begin to teach her now how to behave on | 1:02:41 | 1:02:44 | |
a witness stand, because she'll be there. | 1:02:44 | 1:02:46 | |
You must be out of your mind. | 1:02:50 | 1:02:51 | |
Oh, Alec. | 1:02:56 | 1:02:58 | |
Please, God, thank you for the day that's done and watch over me | 1:03:06 | 1:03:09 | |
for the night that's coming. | 1:03:09 | 1:03:11 | |
Make me safe and keep me from harm. | 1:03:11 | 1:03:14 | |
God bless Aunt Laura and Alec, most of all - Mother. | 1:03:14 | 1:03:17 | |
Shall I say anything about Christmas? | 1:03:21 | 1:03:23 | |
I don't think so, darling. | 1:03:23 | 1:03:25 | |
Amen. | 1:03:25 | 1:03:27 | |
-I'm not sleepy. -You will be. | 1:03:30 | 1:03:32 | |
Good night, darling. | 1:03:35 | 1:03:38 | |
-Mother. -Yes, dear? | 1:03:38 | 1:03:41 | |
Who's the man Aunt Laura is bringing to see me? | 1:03:41 | 1:03:44 | |
I don't know, darling, I have never met him myself. | 1:03:44 | 1:03:46 | |
Well... | 1:03:48 | 1:03:49 | |
I hope he's as nice as Alec. | 1:03:49 | 1:03:51 | |
There's a perfectly good dinner going to waste out there. | 1:04:09 | 1:04:12 | |
I'm afraid I can't do anything about it. | 1:04:13 | 1:04:15 | |
Here's your present, Julie. | 1:04:30 | 1:04:32 | |
I don't want to look at it. | 1:04:32 | 1:04:34 | |
Why not? | 1:04:34 | 1:04:35 | |
What's the sense of looking at something you can never wear? | 1:04:35 | 1:04:38 | |
But, darling, she can't stop us. | 1:04:38 | 1:04:40 | |
Can't she? Be honest, Alec, you know her. | 1:04:40 | 1:04:43 | |
You know there's nothing too cruel, too vicious. | 1:04:43 | 1:04:46 | |
We never had a chance, Alec. | 1:04:49 | 1:04:50 | |
Not from the very beginning. | 1:04:50 | 1:04:52 | |
Look, dear, you're tired and upset. | 1:05:09 | 1:05:11 | |
Let's wait and see if maybe tomorrow we can't... | 1:05:11 | 1:05:13 | |
We've been living on tomorrows for the past six months. | 1:05:13 | 1:05:15 | |
Why don't we face it? | 1:05:15 | 1:05:16 | |
This is today, this is all we're ever going to get. | 1:05:16 | 1:05:18 | |
If you want to go on fooling yourself, go ahead, but I can't. | 1:05:18 | 1:05:21 | |
Not any more. | 1:05:21 | 1:05:22 | |
The magazine still wants me to go to Paris. | 1:05:28 | 1:05:30 | |
Now there's no reason why I shouldn't. | 1:05:30 | 1:05:33 | |
I'll take Ellen, I can put her in school there. | 1:05:33 | 1:05:35 | |
-Julie. -Please go. | 1:05:35 | 1:05:37 | |
Go now while we still love each other. | 1:05:37 | 1:05:39 | |
At least let's not give Maida that satisfaction. | 1:05:41 | 1:05:43 | |
I love you, Julie. | 1:05:46 | 1:05:48 | |
-Merry Christmas! -Merry Christmas! | 1:06:05 | 1:06:07 | |
CHURCH BELLS RING | 1:06:12 | 1:06:15 | |
PIANO PLAYS, LAUGHTER | 1:06:23 | 1:06:26 | |
No, operator, I didn't ask for Bayside 92901, | 1:06:37 | 1:06:42 | |
I asked for Bayside 92-NINE-01. | 1:06:42 | 1:06:46 | |
Scotch, please, then bring me a hot toddy. | 1:06:47 | 1:06:51 | |
Hello, is that you? | 1:06:51 | 1:06:53 | |
Well, this is Charley. | 1:06:53 | 1:06:56 | |
I just called you up NOT to wish you a merry Christmas. | 1:06:56 | 1:07:00 | |
-Did I not wish you a merry Christmas? -No, you didn't. | 1:07:12 | 1:07:16 | |
Well, I don't wish you a merry Christmas. | 1:07:16 | 1:07:19 | |
I don't wish the same to you either. | 1:07:19 | 1:07:22 | |
My pal. | 1:07:23 | 1:07:25 | |
-Have a drink on me. -No, you have one on me. | 1:07:28 | 1:07:32 | |
Let's both have one on each other. | 1:07:32 | 1:07:34 | |
-All right. -Barkeep, two triple Scotches. | 1:07:34 | 1:07:39 | |
-Yeah. -Yeah. | 1:07:42 | 1:07:44 | |
Hello, this is Mr Walker. Is my apartment still occupied? | 1:07:49 | 1:07:53 | |
All right, wake her up and tell her I'm not coming home. | 1:07:55 | 1:07:57 | |
-Wonder if she'll tell. -Who? -Your wife. | 1:08:04 | 1:08:09 | |
-Tell who? -My wife. -What? -Where I am. | 1:08:09 | 1:08:13 | |
I hope my wife doesn't know your wife. | 1:08:13 | 1:08:16 | |
My wife knows everybody who'll tell her where I am. | 1:08:16 | 1:08:19 | |
I'd better go home and face her. | 1:08:20 | 1:08:22 | |
-You coming home? -No. | 1:08:26 | 1:08:27 | |
-You don't care what happens tomorrow? -Tomorrow? | 1:08:29 | 1:08:33 | |
No more tomorrows. | 1:08:33 | 1:08:35 | |
No...? | 1:08:35 | 1:08:37 | |
Then I'm OK. | 1:08:39 | 1:08:41 | |
ALEC EXHALES | 1:09:02 | 1:09:04 | |
Hot. | 1:09:04 | 1:09:06 | |
Ooh, stuffy. Turn off the heat and open the window, huh? | 1:09:17 | 1:09:20 | |
KNOCK ON DOOR | 1:09:25 | 1:09:27 | |
-Here you are, sir. -Oh. Keep the change and give him half. | 1:09:36 | 1:09:40 | |
-Oh, thank you, sir. -Thank you, sir. | 1:09:40 | 1:09:42 | |
-Thank you very much. -Merry Christmas. | 1:09:42 | 1:09:44 | |
HE EXHALES | 1:10:06 | 1:10:08 | |
HE SIGHS | 1:10:13 | 1:10:15 | |
CHOIR: # Joy to the world, the Lord is come... # | 1:10:34 | 1:10:38 | |
Drunk and no luggage. Might be another suicide. | 1:10:38 | 1:10:42 | |
Why didn't you report this earlier? | 1:10:42 | 1:10:44 | |
Well, sir, I thought he might just be asleep. A lot of them are today. | 1:10:44 | 1:10:48 | |
With all that racket? Fine chance. | 1:10:48 | 1:10:50 | |
The door between the rooms is locked. | 1:10:50 | 1:10:52 | |
Come on, put your shoulder here. | 1:10:54 | 1:10:55 | |
# And make the nations prove | 1:11:00 | 1:11:04 | |
# The glories... # | 1:11:04 | 1:11:06 | |
HE SHIVERS | 1:11:06 | 1:11:07 | |
-Get some heat on in here. -Yes, sir. | 1:11:07 | 1:11:09 | |
MUSIC STOPS | 1:11:09 | 1:11:11 | |
Hey, wake up. | 1:11:21 | 1:11:23 | |
Just as I thought - out cold. | 1:11:23 | 1:11:26 | |
-Tell Doc Hastings to come up here quick. -Yes. | 1:11:35 | 1:11:37 | |
Tell Doc Hastings to come up to 1524, on the run. | 1:11:39 | 1:11:42 | |
-Gee, he sure pinned one on, didn't he? -Everybody did last night. | 1:11:44 | 1:11:48 | |
Not a dime, somebody must have cleaned him out. | 1:11:48 | 1:11:51 | |
I want you to witness this, Joe. See if there's anything in his coat. | 1:11:51 | 1:11:54 | |
Right. | 1:11:54 | 1:11:56 | |
Well, well, well. Another happy hangover, huh? | 1:11:59 | 1:12:02 | |
He's still out, Doc, and I don't like the way he's breathing. | 1:12:02 | 1:12:05 | |
-Mm-hmm? -Yeah. | 1:12:05 | 1:12:06 | |
Mm-hmm. | 1:12:08 | 1:12:09 | |
Say, you'd better get in touch with somebody who knows him. | 1:12:13 | 1:12:17 | |
This guy's sick. | 1:12:17 | 1:12:19 | |
-Where's he from? -New York City is all we know. -Here's something. | 1:12:19 | 1:12:24 | |
Christmas card he didn't mail. | 1:12:24 | 1:12:26 | |
See if there's a party named Eden at 5 West 10th Street. | 1:12:32 | 1:12:37 | |
If there is, tell her to get here in a hurry. | 1:12:37 | 1:12:40 | |
-Well, it's about time. -I thought I'd try the whisky treatment. | 1:13:03 | 1:13:08 | |
Well, nobody can say you didn't give it a fair test. How do you feel? | 1:13:08 | 1:13:12 | |
I don't know, I... | 1:13:12 | 1:13:15 | |
-What is this place? -A hotel, and you certainly do pick them too. | 1:13:16 | 1:13:21 | |
-How did I get here? -I guess you just floated in. Here, take this. | 1:13:21 | 1:13:25 | |
-Why? -Because I want you to. -What's it for? -What you've got, the flu. | 1:13:28 | 1:13:32 | |
Ohh. Got the flu, huh? | 1:13:34 | 1:13:37 | |
-Flu? Well... -Don't worry about it, you'll be all right. | 1:13:40 | 1:13:43 | |
Hey, I didn't have these on when I came in here, did I? | 1:13:46 | 1:13:49 | |
-I hope not. -What time is it? -Four o'clock. | 1:13:49 | 1:13:52 | |
-Four o'clock what? -Four o'clock Christmas Day. | 1:13:53 | 1:13:56 | |
Oh, sure. | 1:13:56 | 1:13:58 | |
-Merry Christmas, darling. -Merry Christmas, darling. | 1:14:01 | 1:14:04 | |
I think maybe this is going to be | 1:14:05 | 1:14:07 | |
the best Christmas I've ever had. | 1:14:07 | 1:14:09 | |
Probably be one you won't forget anyway. | 1:14:09 | 1:14:11 | |
Don't go. | 1:14:14 | 1:14:16 | |
Oh, I thought maybe you were leaving. | 1:14:18 | 1:14:19 | |
-Julie? -Yes? | 1:14:21 | 1:14:23 | |
You make a swell nurse. | 1:14:23 | 1:14:26 | |
Thank you. | 1:14:26 | 1:14:28 | |
Mmm. | 1:14:35 | 1:14:37 | |
Alec, if you don't let me take care of you, | 1:14:44 | 1:14:46 | |
I'll have to send you to the hospital. | 1:14:46 | 1:14:48 | |
-I don't want to go to hospital. -I know, but... | 1:14:51 | 1:14:54 | |
-I don't have to go, do I? -You'll be all right tomorrow. | 1:14:55 | 1:14:58 | |
-Julie. -Yes, darling? | 1:15:00 | 1:15:02 | |
-Let's not think about tomorrow. -We won't. Go to sleep. | 1:15:04 | 1:15:07 | |
No, no. I don't want to sleep. | 1:15:10 | 1:15:13 | |
I like it just the way it is. | 1:15:16 | 1:15:17 | |
If I sleep, I... I'm afraid I'll miss...part of it. | 1:15:20 | 1:15:26 | |
KNOCK ON DOOR | 1:15:33 | 1:15:35 | |
-Hope I didn't disturb you. -What is it? -It's about the bill. | 1:15:46 | 1:15:50 | |
It's two days now. | 1:15:50 | 1:15:52 | |
Your, eh, friend paid the first day in advance, | 1:15:52 | 1:15:55 | |
but since he has no luggage, the house rules are... | 1:15:55 | 1:15:57 | |
Just a moment, please. | 1:15:57 | 1:15:58 | |
Oh, I didn't mean you should pay. | 1:16:06 | 1:16:08 | |
I always hate to take money from a woman, | 1:16:10 | 1:16:14 | |
especially one so, eh, good-looking. | 1:16:14 | 1:16:16 | |
-Please. -OK. | 1:16:16 | 1:16:19 | |
Afraid I haven't got the change though. | 1:16:19 | 1:16:22 | |
-Think you can trust me? -Just leave it at the desk. | 1:16:22 | 1:16:25 | |
You must get pretty lonesome up here, don't you? | 1:16:25 | 1:16:28 | |
-How about a little nightcap? -No, thank you. | 1:16:30 | 1:16:33 | |
-He's married, isn't he? -Yes. | 1:16:33 | 1:16:37 | |
-Are you an actress? -No. -Now, look... Can't we be a little friendly? | 1:16:37 | 1:16:43 | |
I mean, sometimes when you've got the blues, | 1:16:43 | 1:16:45 | |
as you probably have, it helps to have a shoulder to cry on. | 1:16:45 | 1:16:50 | |
DOOR THUDS | 1:16:50 | 1:16:51 | |
-Get out. -Now, don't excite yourself, brother, I was just trying to... | 1:16:51 | 1:16:54 | |
Get out! | 1:16:54 | 1:16:55 | |
-You'd think she was your wife. -Alec. | 1:16:56 | 1:16:59 | |
Oh, what a mess. | 1:17:01 | 1:17:03 | |
-What an awful mess I got you into. -Alec, you've got to go back to bed. | 1:17:03 | 1:17:06 | |
I want you to get away from here, Julie. | 1:17:08 | 1:17:10 | |
You don't have to stay here and take things like that. | 1:17:10 | 1:17:13 | |
You're an awful fool to let yourself in for it. | 1:17:13 | 1:17:15 | |
-And I want you to get back in bed. -And I've got to get away too. | 1:17:15 | 1:17:18 | |
-I want to get dressed. -Alec, please do as I tell you! | 1:17:18 | 1:17:21 | |
I've got to get out of here, Julie, so that you'll get out. | 1:17:21 | 1:17:24 | |
Please, for my sake, get back into bed. | 1:17:24 | 1:17:26 | |
Do it for me, that's all I ask of you. | 1:17:26 | 1:17:29 | |
Then, if you want me to, I'll go. | 1:17:29 | 1:17:30 | |
-It's time you did what's best for yourself. -Yes, I will, darling. | 1:17:33 | 1:17:37 | |
-If you don't do it, I'll do it for you. -Yes, darling. | 1:17:37 | 1:17:39 | |
You shouldn't be here, Julie. It's not good, your being here. | 1:17:42 | 1:17:46 | |
You've got things to do. You've got to go to Paris. | 1:17:46 | 1:17:50 | |
You ought to be getting ready now, and I'm keeping you from it. | 1:17:51 | 1:17:55 | |
I want you to go to Paris, Julie. | 1:17:55 | 1:17:58 | |
You and Ellen. | 1:17:58 | 1:18:00 | |
Ellen. | 1:18:00 | 1:18:02 | |
I want you to take Ellen and go to Paris. | 1:18:02 | 1:18:04 | |
Get me Dr Hastings. | 1:18:20 | 1:18:22 | |
Oh. Well, then get me Dr Edward Gateson. | 1:18:22 | 1:18:26 | |
He's in the book. | 1:18:26 | 1:18:27 | |
Tell him it's Mr Alec Walker. | 1:18:27 | 1:18:29 | |
And hurry. Please, hurry. | 1:18:29 | 1:18:30 | |
I can understand why you didn't want to send for me, Miss Eden, | 1:18:35 | 1:18:37 | |
but you might have had some thought for his condition. | 1:18:37 | 1:18:39 | |
The doctor didn't tell me it was pneumonia. | 1:18:39 | 1:18:41 | |
-They said it was only flu. -Well... | 1:18:41 | 1:18:43 | |
It's not too late. He'll be all right, won't he? | 1:18:43 | 1:18:46 | |
I don't know. | 1:18:46 | 1:18:48 | |
It won't be necessary for you to come. | 1:19:07 | 1:19:09 | |
I want to be with him. | 1:19:09 | 1:19:10 | |
-I've called his family, Miss Eden. -Oh, please, let me go. | 1:19:10 | 1:19:13 | |
I'm sorry, there's been too much time lost already. | 1:19:13 | 1:19:15 | |
SIREN WAILS | 1:19:20 | 1:19:23 | |
MAN YAWNS | 1:19:32 | 1:19:33 | |
What's the number of Mr Walker's room, Mr Alec Walker? | 1:19:33 | 1:19:36 | |
-Who's calling, please? -Miss Eden. | 1:19:36 | 1:19:37 | |
I'm sorry. Dr Gateson left orders. | 1:19:37 | 1:19:41 | |
No visitors. | 1:19:41 | 1:19:43 | |
Mr Walker's room? I'm his father. | 1:19:51 | 1:19:53 | |
-802. -Has Dr Muller come in yet? | 1:19:53 | 1:19:55 | |
He's with Dr Gateson now. | 1:19:55 | 1:19:57 | |
Mr Walker. | 1:19:57 | 1:19:58 | |
-Who's Dr Muller? -Consulting specialist. | 1:20:02 | 1:20:04 | |
Will he come down this way on his way out? | 1:20:04 | 1:20:06 | |
-Yes. -May I wait for him? | 1:20:06 | 1:20:08 | |
Sure. Sure, you can wait if you like. | 1:20:08 | 1:20:10 | |
But I don't know how long. | 1:20:10 | 1:20:12 | |
His mother was very upset over his disappearance. | 1:20:19 | 1:20:22 | |
That's why I told her not to come down | 1:20:22 | 1:20:24 | |
unless we thought it was absolutely necessary. | 1:20:24 | 1:20:26 | |
But if we should find it necessary... | 1:20:26 | 1:20:29 | |
-Richard, this is Dr Muller. Mr Walker. -How do you do, Doctor? | 1:20:29 | 1:20:32 | |
-How is he? -Mr Walker, I always believe in absolute honesty. | 1:20:32 | 1:20:37 | |
Your son is in a serious condition. | 1:20:37 | 1:20:40 | |
It's a bad case of pneumonia, Richard. | 1:20:40 | 1:20:42 | |
What? What are his chances? | 1:20:42 | 1:20:45 | |
Physically...good, I should think. | 1:20:45 | 1:20:48 | |
I should say a little better than a 50-50 chance. | 1:20:48 | 1:20:51 | |
Mentally... | 1:20:51 | 1:20:53 | |
by that I mean psychologically... | 1:20:53 | 1:20:55 | |
..not nearly so good. | 1:20:57 | 1:20:58 | |
What Dr Muller means, Richard, is that Alec shows | 1:20:58 | 1:21:01 | |
-no desire to get well. -Exactly. | 1:21:01 | 1:21:04 | |
And it is our business to find | 1:21:04 | 1:21:06 | |
someone who should give him that desire. | 1:21:06 | 1:21:09 | |
-His mother is... -I've explained to Dr Muller about Grace. | 1:21:09 | 1:21:12 | |
His wife is on her way here now. | 1:21:12 | 1:21:13 | |
She should be here at any minute. | 1:21:13 | 1:21:15 | |
Good. | 1:21:15 | 1:21:16 | |
Is she the Julie he keeps calling for? | 1:21:16 | 1:21:20 | |
Well, no... You see... | 1:21:20 | 1:21:21 | |
You see, Doctor, it's rather a difficult situation. | 1:21:21 | 1:21:25 | |
Family complications. | 1:21:25 | 1:21:26 | |
Oh, I'm sorry to be blunt, Mr Walker. | 1:21:26 | 1:21:29 | |
I'm not interested in family complications. | 1:21:29 | 1:21:32 | |
As a physician, I'm interested only in the patient's complications. | 1:21:32 | 1:21:36 | |
I don't say that this Julie is our answer, | 1:21:38 | 1:21:41 | |
but she is the only clue with have. | 1:21:41 | 1:21:44 | |
Do you know where she can be reached? | 1:21:44 | 1:21:46 | |
Well, I left her at that hotel. | 1:21:46 | 1:21:48 | |
She was downstairs when I came in. I don't know if... | 1:21:48 | 1:21:52 | |
I see. | 1:21:52 | 1:21:53 | |
I imagine she will still be there. | 1:21:57 | 1:21:59 | |
Hello. | 1:22:01 | 1:22:02 | |
Yes, sir. | 1:22:04 | 1:22:05 | |
Miss. | 1:22:05 | 1:22:06 | |
They want you up in room 802. | 1:22:09 | 1:22:11 | |
-YAWNING: -Oh, dear. | 1:22:13 | 1:22:14 | |
Come in, please. | 1:22:21 | 1:22:23 | |
-Dr Muller, this is Miss Eden. -How do you do? | 1:22:24 | 1:22:27 | |
How is he, Doctor? | 1:22:27 | 1:22:29 | |
Our patient wants to see you, Miss Eden. | 1:22:29 | 1:22:32 | |
I think all I need to tell you is that his chances of recovery | 1:22:32 | 1:22:37 | |
depend upon your seeing him, | 1:22:37 | 1:22:40 | |
and upon what you say to him. | 1:22:40 | 1:22:42 | |
Dr Muller, you don't realise... | 1:22:43 | 1:22:45 | |
Oh, you don't need to worry. | 1:22:45 | 1:22:47 | |
We're not going to see each other any more. | 1:22:47 | 1:22:50 | |
We both know it's hopeless. | 1:22:50 | 1:22:52 | |
Ah, does he think it is hopeless? | 1:22:52 | 1:22:54 | |
Then it is necessary that you get rid of that thought for him. | 1:22:58 | 1:23:02 | |
You must tell him that there is hope. | 1:23:02 | 1:23:05 | |
In fact, that there is certainty. | 1:23:05 | 1:23:08 | |
Tell him whatever you think he wants to hear. | 1:23:08 | 1:23:13 | |
If you think he wants you to say that you love him, | 1:23:13 | 1:23:16 | |
then say that you love him. | 1:23:16 | 1:23:18 | |
If you think he wants to hear that an obstacle to that love | 1:23:18 | 1:23:21 | |
has been removed, then tell him that it has been removed. | 1:23:21 | 1:23:27 | |
Tell him... | 1:23:27 | 1:23:28 | |
Well, I think you know what to tell him better than I do. | 1:23:28 | 1:23:31 | |
Alec. | 1:23:55 | 1:23:57 | |
Alec, dear. | 1:23:57 | 1:23:58 | |
Can you hear me? It's Julie. | 1:24:01 | 1:24:03 | |
Julie? | 1:24:10 | 1:24:11 | |
Julie? | 1:24:11 | 1:24:13 | |
Go away, Julie. | 1:24:15 | 1:24:17 | |
Alec, darling, everything is going to be all right. | 1:24:17 | 1:24:20 | |
Julie's all right. | 1:24:23 | 1:24:25 | |
Julie's gone to Paris. | 1:24:25 | 1:24:28 | |
You don't understand, darling. | 1:24:28 | 1:24:30 | |
This is Julie. Everything's going to be all right for us. | 1:24:30 | 1:24:34 | |
Oh, do you hear me? For you and me. | 1:24:34 | 1:24:37 | |
You're going away. | 1:24:41 | 1:24:43 | |
No, Alec, I... I don't have to. I'm not going to Paris. | 1:24:43 | 1:24:48 | |
I've thought it all out and nothing matters now except us. | 1:24:48 | 1:24:53 | |
She can do anything she likes, | 1:24:53 | 1:24:54 | |
but she can't keep us from loving each other. | 1:24:54 | 1:24:58 | |
Only, you've got to get well. | 1:24:58 | 1:25:00 | |
Can you hear me? You've got to get well. | 1:25:00 | 1:25:02 | |
You're only telling me this because I'm sick. | 1:25:06 | 1:25:10 | |
Please, get well. You've got to get well. | 1:25:10 | 1:25:14 | |
Tell him. Say something. | 1:25:14 | 1:25:15 | |
Alec... | 1:25:15 | 1:25:17 | |
Look, Alec, it's your father. He'll tell you too. | 1:25:17 | 1:25:20 | |
Father? | 1:25:22 | 1:25:23 | |
Yes, son. | 1:25:23 | 1:25:26 | |
Is it all right? | 1:25:26 | 1:25:28 | |
Yes, son. | 1:25:28 | 1:25:29 | |
You wouldn't fool me, would you? | 1:25:33 | 1:25:35 | |
No, darling. And you will try, dear. | 1:25:35 | 1:25:38 | |
You will try to get well. | 1:25:38 | 1:25:39 | |
I'll get well. | 1:25:47 | 1:25:49 | |
Is that what you wanted? | 1:26:01 | 1:26:02 | |
I, eh... | 1:26:48 | 1:26:49 | |
I'm sorry it has to be this way. | 1:26:50 | 1:26:53 | |
Your house telephone, Mr Walker. | 1:27:04 | 1:27:06 | |
Your wife said she's coming down anyway. | 1:27:06 | 1:27:08 | |
Oh. Where's Dr Gateson? | 1:27:08 | 1:27:11 | |
-In his office. You can take the stairs there. Room 706. -Thank you. | 1:27:11 | 1:27:15 | |
802. The first door. | 1:27:21 | 1:27:24 | |
Thank you. | 1:27:24 | 1:27:26 | |
Wait. | 1:27:40 | 1:27:42 | |
Please, don't go in there. | 1:27:42 | 1:27:44 | |
How dare you! | 1:27:44 | 1:27:46 | |
Alec is very ill. | 1:27:46 | 1:27:48 | |
He may not live. | 1:27:48 | 1:27:50 | |
But if he does live, | 1:27:50 | 1:27:52 | |
it'll be because he believes he'll never see you again. | 1:27:52 | 1:27:55 | |
And how did you manage that, Miss Eden? | 1:27:57 | 1:27:59 | |
I've told him that you won't fight us any more. | 1:27:59 | 1:28:02 | |
That we can be married. | 1:28:02 | 1:28:04 | |
What makes you think it's as simple as that? | 1:28:04 | 1:28:06 | |
Oh, you needn't worry. His father was there. | 1:28:06 | 1:28:08 | |
He knew it was a lie. | 1:28:08 | 1:28:10 | |
Everyone knew it was a lie except Alec. | 1:28:10 | 1:28:12 | |
You've handled this very skilfully, Miss Eden. | 1:28:14 | 1:28:17 | |
You've made it look as if Alec's life depends on you. | 1:28:17 | 1:28:20 | |
I admire your ingenuity. | 1:28:20 | 1:28:22 | |
But it won't work. | 1:28:22 | 1:28:24 | |
You'd rather see him dead than with me, wouldn't you? | 1:28:24 | 1:28:27 | |
Yes, I would. | 1:28:27 | 1:28:28 | |
You don't love him. | 1:28:31 | 1:28:33 | |
You don't love anybody except yourself. | 1:28:33 | 1:28:35 | |
I gave up love for what I've got. | 1:28:35 | 1:28:37 | |
Do you think I'm going to let you or anyone else get it away from me? | 1:28:37 | 1:28:40 | |
All you can possibly get from Alec is money. He'll give you that. | 1:28:40 | 1:28:43 | |
If Alec gave me every cent he has, it still wouldn't be enough. | 1:28:43 | 1:28:47 | |
-But someday his father is going to die. -Oh! | 1:28:49 | 1:28:52 | |
She wants to keep me out. She... | 1:28:56 | 1:28:58 | |
Maida, you might as well take what you can get from Alec, | 1:29:01 | 1:29:04 | |
because you won't get anything from me. | 1:29:04 | 1:29:07 | |
He's asking for you again. | 1:29:07 | 1:29:09 | |
Oh, Alec, darling. | 1:29:29 | 1:29:31 | |
Everything is going to be all right. | 1:29:31 | 1:29:33 | |
I thought you told me that before. | 1:29:35 | 1:29:38 | |
I must have been dreaming. | 1:29:41 | 1:29:43 | |
We were both dreaming, darling, but... | 1:29:43 | 1:29:46 | |
..but now it's true. | 1:29:47 | 1:29:49 |