Maps to the Stars

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This film contains prolonged violent scenes and very strong language and explicit sexual scenes	0:00:02	0:00:10
I'm Agatha Weiss. I asked for a limousine.	0:02:12	0:02:15
A stretch.	0:02:15	0:02:16
Um. Yeah, there weren't any available.	0:02:16	0:02:19
Can you find this place?	0:02:24	0:02:26
Yeah.	0:02:31	0:02:32
Ah...	0:02:32	0:02:34
look, cash call. I'm going to have to collect up front.	0:02:34	0:02:36
It's $45 an hour, two-hour minimum.	0:02:36	0:02:38
Here's $200, OK?	0:02:40	0:02:42
Can we get the star home map?	0:02:45	0:02:47
Kind of a waste...	0:02:49	0:02:50
unless you want to see where Ryan Seacrest used to live.	0:02:50	0:02:52
Where did you come in from?	0:02:54	0:02:55
Jupiter.	0:02:55	0:02:56
Florida.	0:02:58	0:02:59
What's happening in LA?	0:03:02	0:03:05
Visiting family.	0:03:05	0:03:06
Do you drive a lot of celebrities?	0:03:09	0:03:11
I had Al Gore once.	0:03:11	0:03:13
That was probably the heaviest, for me.	0:03:13	0:03:17
I drove Tatum O'Neil when she had a reality show.	0:03:17	0:03:20
Um...	0:03:20	0:03:22
Chuck Lorre...	0:03:22	0:03:23
he created Two And A Half Men.	0:03:23	0:03:25
Get a lot of producers, directors.	0:03:26	0:03:29
Eh... Juliette Lewis.	0:03:29	0:03:31
She's a Scientologist.	0:03:31	0:03:33
I was thinking about converting.	0:03:33	0:03:35
Just as a career move.	0:03:35	0:03:37
You're an actor?	0:03:37	0:03:39
Actor, writer.	0:03:40	0:03:42
I know Carrie Fisher.	0:03:44	0:03:46
Oh, really?	0:03:46	0:03:47
How's that?	0:03:47	0:03:49
I met her on Twitter.	0:03:49	0:03:51
Yeah, we became like really good friends.	0:03:51	0:03:54
I'm helping her with a new novel she's writing.	0:03:54	0:03:56
But it might be something she winds up doing as an HBO show.	0:03:57	0:04:00
What's this place?	0:04:04	0:04:06
I thought it might be on the star map.	0:04:06	0:04:09
There used to be a big house here.	0:04:09	0:04:11
Childhood home of Benjie Weiss.	0:04:11	0:04:13
How did you know that?	0:04:16	0:04:18
I used to baby-sit for him.	0:04:18	0:04:20
I was the original Bad Baby-sitter.	0:04:21	0:04:23
It's weird.	0:04:26	0:04:28
My agent is trying to get me an audition for Baby-sitter 2.	0:04:30	0:04:34
I mean it's a long shot, but uh...	0:04:35	0:04:37
Jakob Leitner...	0:04:37	0:04:38
he got it to me... he's a personal manager.	0:04:38	0:04:41
He's a real heavyweight.	0:04:41	0:04:42
We went to Beverly together.	0:04:42	0:04:44
I've got my fingers crossed.	0:04:45	0:04:47
Hi there.	0:04:56	0:04:57
I didn't think you'd come.	0:04:59	0:05:01
Why is that?	0:05:01	0:05:02
You're so busy.	0:05:02	0:05:04
Not for you.	0:05:05	0:05:07
Hm.	0:05:07	0:05:09
I, um...	0:05:09	0:05:10
I... I liked Bad Baby-sitter. You were so funny.	0:05:10	0:05:13
Yeah...uh...	0:05:15	0:05:16
We did $780 million worldwide.	0:05:16	0:05:19
People don't realise that.	0:05:19	0:05:21
Don't you have an iPad?	0:05:23	0:05:25
No.	0:05:25	0:05:27
Arnold, can we get her an iPad?	0:05:27	0:05:29
A Mini?	0:05:29	0:05:30
Load it up. Watch shit in 3D.	0:05:30	0:05:33
We got great satin crew jackets.	0:05:33	0:05:35
"I was a Bad Baby-sitter" written in gold on the back.	0:05:35	0:05:38
Get your swag on.	0:05:38	0:05:39
So...	0:05:43	0:05:44
How did you get AIDS, Cammy?	0:05:44	0:05:46
Um...	0:05:48	0:05:50
I don't have AIDS, it's...	0:05:50	0:05:52
non-Hodgkin's lymphoma.	0:05:52	0:05:54
You know what I'm going to do?	0:06:00	0:06:02
I'm going to make a movie of your life.	0:06:02	0:06:04
All right? Ryan Gosling will play me...	0:06:04	0:06:07
and I'll play you.	0:06:07	0:06:08
Be my date at the Oscars?	0:06:08	0:06:10
Non-Hodgkin's? Sorry about that.	0:06:13	0:06:15
What the fuck is non-Hodgkin's? I think it's a blood thing.	0:06:15	0:06:18
I mean, "Non"... It either is or it isn't.	0:06:18	0:06:21
Were you serious in there?	0:06:21	0:06:23
Because we can definitely get this to Ryan.	0:06:23	0:06:25
It's just the kind of stuff he likes to do. We can get it to Ryan?	0:06:25	0:06:27
Yeah. You can barely get toilet paper to your ass!	0:06:27	0:06:31
Make for an uplifting drama, wouldn't it?	0:06:32	0:06:35
I mean, I even got a title -	0:06:35	0:06:36
It's A Horrible Life.	0:06:36	0:06:38
If you're not serious, Benjie, it's better not to promise. Hah!	0:06:38	0:06:41
Arnold Kubler-Ross has spoken!	0:06:41	0:06:44
Great rabbi of death and dying.	0:06:44	0:06:46
Man of wisdom.	0:06:46	0:06:47
Zen-fuckin'-archer!	0:06:47	0:06:49
I got a new nickname for you -	0:06:49	0:06:51
"Museum of Tolerance".	0:06:51	0:06:53
Drop it, Benjie.	0:06:55	0:06:57
Drop it?	0:06:57	0:06:59
I have a better idea.	0:06:59	0:07:01
Why don't you show me your cunt?!	0:07:01	0:07:03
Huh?!	0:07:03	0:07:04
I know you have one.	0:07:04	0:07:06
Jew faggot!	0:07:06	0:07:07
What are they offering?	0:07:16	0:07:17
Five million.	0:07:17	0:07:18
Ten points from cashbreak.	0:07:18	0:07:20
What's Genie asking?	0:07:20	0:07:22
Eight.	0:07:22	0:07:23
20 from dollar one.	0:07:23	0:07:26
What do you think?	0:07:26	0:07:27
I think we have their balls...	0:07:29	0:07:30
Cool.	0:07:32	0:07:34
So, um... when's the audition?	0:07:34	0:07:36
It's not an audition, Benjie. I told you that.	0:07:36	0:07:39
Right, sorry.	0:07:39	0:07:41
When's the urine test?	0:07:41	0:07:43
The meeting is on Friday at ten.	0:07:45	0:07:48
The studio just want to see that you're bright-eyed and bushy-tailed.	0:07:49	0:07:52
But the deal's contingent on the meet?	0:07:52	0:07:55
They just want to protect the franchise.	0:07:55	0:07:57
I am the franchise.	0:07:57	0:07:59
Goo goo g'joob, Goo goo g'joob.	0:07:59	0:08:01
Stafford, are you going to eat?	0:08:01	0:08:03
I was listening to a very interesting tape of the Dalai Lama on the way home.	0:08:03	0:08:06
Say what you like about politics...	0:08:06	0:08:08
the man is a pro.	0:08:08	0:08:10
Free Tibet!	0:08:10	0:08:11
Tibet is not free. Tibet is very expensive.	0:08:11	0:08:13
I have the receipt from Amazon to prove it.	0:08:13	0:08:16
Anyhow...Buddhists say a prayer at mealtime...	0:08:16	0:08:18
Is Genie going to be there?	0:08:18	0:08:20
She thinks it better not.	0:08:20	0:08:21
I want her there.	0:08:21	0:08:23
Pray...that those that eat	0:08:23	0:08:25
the things that are eaten and the actual eating...	0:08:25	0:08:28
be universally devoid of self. Don't you love it?	0:08:28	0:08:30
I'm going to my room.	0:08:32	0:08:33
Goo goo g'joob.	0:08:35	0:08:36
Don't, Mama...	0:08:38	0:08:40
Don't, Mama...	0:08:41	0:08:43
Don't hurt me like that.	0:08:43	0:08:45
Don't hurt me like that.	0:08:45	0:08:46
Don't come into my room... at night.	0:08:46	0:08:48
Don't... Don't come into my room.	0:08:48	0:08:51
When I'm sleeping.	0:08:51	0:08:53
Don't come into my room when I'm sleeping.	0:08:53	0:08:56
I won't let you any more. I won't let you any more.	0:08:56	0:08:59
You motherfucker.	0:09:00	0:09:02
You mother...FUCKER!	0:09:02	0:09:04
You...you hurt me.	0:09:04	0:09:06
How?	0:09:06	0:09:07
How did I hurt you? I was your little girl...	0:09:09	0:09:11
I was your... I was your little girl.	0:09:11	0:09:14
And...and you hurt me.	0:09:14	0:09:16
Why did you do it, Mama?	0:09:17	0:09:20
Because your parents hurt you?	0:09:20	0:09:21
That's not good enough!	0:09:21	0:09:23
THAT'S NOT GOOD ENOUGH!	0:09:23	0:09:25
Come on, Havana, stop forgiving!	0:09:25	0:09:27
I don't... I don't care what they did to you.	0:09:27	0:09:30
I wish they'd...killed you.	0:09:30	0:09:32
I... I'd kill you myself, Mama.	0:09:32	0:09:34
How...how could you do that to a child?	0:09:35	0:09:37
How could you do... what you did to me?	0:09:40	0:09:43
I want to be free, Clarice.	0:09:45	0:09:47
I want to be free.	0:09:48	0:09:50
Clarice, Mama... Set me free.	0:09:50	0:09:52
Mama, Mama...	0:09:52	0:09:54
Set me free!	0:09:54	0:09:56
I will be free.	0:09:56	0:09:57
I will take back the years you stole.	0:09:57	0:10:00
Please...	0:10:00	0:10:02
Please...please...	0:10:02	0:10:04
I'm going to press on a personal history point.	0:10:04	0:10:06
Everything is stored in thighs. OK.	0:10:08	0:10:10
Take back the years, Havana.	0:10:17	0:10:19
Take back the years she stole from that little girl.	0:10:21	0:10:23
Release.	0:10:26	0:10:27
LAUGHTER	0:10:29	0:10:31
ON FILM: Rebecca, we need to stop.	0:10:35	0:10:37
You're a patient here.	0:10:37	0:10:39
I want to help you, not make things worse...	0:10:39	0:10:40
You don't think I set those fires, do you?	0:10:40	0:10:43
I think that you didn't mean to.	0:10:43	0:10:45
You need help, that's all.	0:10:45	0:10:47
Don't you want to help me?	0:10:47	0:10:49
Not like this...	0:10:49	0:10:50
I think that we need to think about what we're doing...	0:11:02	0:11:05
On all the flesh that says yes	0:11:08	0:11:12
On the forehead of all my friends	0:11:12	0:11:16
On every hand held out	0:11:16	0:11:17
I write your name.	0:11:20	0:11:21
Ms Havana? It's Ms Genie.	0:11:23	0:11:26
How are you doing, baby? Eh, I'm OK.	0:11:39	0:11:42
I really had a really heavy session with Stafford.	0:11:42	0:11:45
That is so brave, what you do.	0:11:45	0:11:47
Doesn't feel brave.	0:11:49	0:11:51
I need a new chore whore.	0:11:53	0:11:54
What d'ya...? What happened to Adagio?	0:11:54	0:11:56
Ahh... I had to fire her.	0:11:56	0:11:58
You're kidding! What happened?	0:11:58	0:12:00
She was stealing.	0:12:00	0:12:01
Adagio?!	0:12:01	0:12:03
Oh, God, I don't believe it.	0:12:03	0:12:05
Yeah, yeah. She took some money and a ring I got last year in Paris	0:12:05	0:12:08
and some Vicodin.	0:12:08	0:12:09
Oh, my God!	0:12:09	0:12:11
What, then you caught her? Mm-hmm.	0:12:11	0:12:13
So what, did you call the police?	0:12:13	0:12:14
Yeah, I told her I would if she didn't go to rehab.	0:12:14	0:12:17
I see, so she's there now, huh?	0:12:17	0:12:19
Yeah, with the all the other dope-fiend personal assistants.	0:12:19	0:12:22
They have their own wing.	0:12:22	0:12:24
OK, well, listen... I'll call Carrie again.	0:12:24	0:12:27
Oh...love her, I love Carrie but don't bother her with this shit!	0:12:27	0:12:31
Oh...she'll think it's hilarious.	0:12:31	0:12:33
I'm meeting her later at the JJ thing.	0:12:33	0:12:34
She'll give me some names.	0:12:34	0:12:36
So, um...	0:12:37	0:12:39
What's going on with Stolen Waters?	0:12:41	0:12:43
Well, I called Vita but, you know, they're all at Sundance.	0:12:43	0:12:46
Yeah, everyone but me!	0:12:46	0:12:48
I gave the best reading of my life, Genie!	0:12:48	0:12:51
I went in there and I blew everyone away!	0:12:51	0:12:54
I know, I know.	0:12:54	0:12:56
I mean, you know, the only thing I can think of is that, uh...	0:12:56	0:12:59
maybe they have some concerns about the perception of stunt casting.	0:12:59	0:13:03
Everything is stunt casting.	0:13:04	0:13:06
Havana...	0:13:06	0:13:08
This is a movie and not a great one...	0:13:08	0:13:10
that your mother made... 30 years ago!	0:13:10	0:13:12
No, no. But it could be...it could be...	0:13:12	0:13:14
Great! It's a... It's a re-imagining.	0:13:14	0:13:17
It's a fucking art film!	0:13:17	0:13:18
I mean, who do you think came up with the idea of	0:13:18	0:13:20
my mother looking back on the making of Stolen Waters	0:13:20	0:13:23
if she had lived? I did, I did!	0:13:23	0:13:25
I mentioned it to Damien four years ago on Mystique.	0:13:25	0:13:28
I know, I know. They should give me the part	0:13:28	0:13:30
and...and a producer's credit, too. I mean this role was...	0:13:30	0:13:33
made for best supporting. It's...	0:13:33	0:13:35
It's... It's a fucking second chance.	0:13:35	0:13:37
And it's...it's Damien Javitz.	0:13:37	0:13:39
He totally resurrects actors.	0:13:39	0:13:42
And I went in there and I killed it.	0:13:42	0:13:43
Sterl still doing it?	0:13:46	0:13:47
Yeah.	0:13:48	0:13:50
Well, he owes me.	0:13:50	0:13:51
I introduced him to Harvey and	0:13:51	0:13:53
you know Harvey is producing and I mean, I already talked to Harvey and	0:13:53	0:13:56
he's going to talk to Damien but, you know...	0:13:56	0:13:59
Harvey is Harvey, but...	0:13:59	0:14:01
Sterl can talk to Damien?	0:14:02	0:14:04
You know we are doing everything we can but,	0:14:04	0:14:06
you know, at the end of the day, it's an art film.	0:14:06	0:14:09
I mean, it would be great if you got the job.	0:14:09	0:14:11
But in case you're not aware	0:14:11	0:14:12
your mother is a dead cult figure.	0:14:12	0:14:15
And Damien Javitz	0:14:15	0:14:17
ain't PT Anderson.	0:14:17	0:14:20
I mean, they're so many movies out there! Yeah, where?!	0:14:20	0:14:22
Big deal movies! Where?	0:14:22	0:14:24
Where? Where, Genie?!	0:14:24	0:14:25
Do you know what Jacob said to me the other day?	0:14:25	0:14:27
He said that because I know so many celebrities	0:14:27	0:14:30
I should consider becoming a manager!	0:14:30	0:14:33
Do you know...? Do you know how it felt	0:14:33	0:14:35
for me to hear that?!	0:14:35	0:14:36
Look, everything I am doing,	0:14:36	0:14:39
everything in my life	0:14:39	0:14:41
and in my therapy is to get this part...	0:14:41	0:14:44
Ow! What's wrong? What's wrong?	0:14:44	0:14:47
Ow, cramps. Are you OK?	0:14:47	0:14:49
No, I'm not OK!	0:14:49	0:14:50
SHE COUGHS	0:14:53	0:14:54
SHE SCREAMS	0:15:02	0:15:03
Mother-daughter incest is so '80s overkill.	0:15:08	0:15:12
Anne Sexton I am not.	0:15:12	0:15:14
Oh, my God, oh, my God!	0:15:14	0:15:16
The shock will wear off.	0:15:16	0:15:19
What's the matter, Havana?	0:15:19	0:15:20
Did you think it would be like the Sixth Sense	0:15:20	0:15:22
with the dead clamouring to be heard?	0:15:22	0:15:25
Do you know what the dead clamour for?	0:15:25	0:15:28
You know what hell is?	0:15:28	0:15:30
A world without narcotics!	0:15:30	0:15:32
What's happening? What's happening?	0:15:34	0:15:36
The worst pornographic cliche, Vana...	0:15:36	0:15:38
this childhood rape fantasy. Get a life!	0:15:38	0:15:40
Or, maybe you should get a death.	0:15:41	0:15:44
Isn't it pathetic enough that you want to play me?	0:15:44	0:15:47
You HATE me.	0:15:47	0:15:49
But yet you're desperate to BE me?	0:15:49	0:15:51
You want that role but you're not going to get it.	0:15:54	0:15:57
You don't even have the chops!	0:15:58	0:16:00
I did...and I was young and gorgeous.	0:16:00	0:16:03
You?! With your shitty tits and that used-up old hole!?	0:16:03	0:16:07
It STINKS worse than me!	0:16:07	0:16:09
No! No...	0:16:09	0:16:12
Who is it?	0:16:31	0:16:32
It's non-Hodgkin's.	0:16:40	0:16:42
What are you doing here?	0:16:42	0:16:44
On my school notebooks	0:16:47	0:16:50
On my desk and the trees	0:16:50	0:16:52
On the sand and the snow	0:16:52	0:16:54
I write your name.	0:16:57	0:16:58
I'll... I'll make the movie.	0:17:00	0:17:02
If that's why you're here. I don't know what Arnold told you...	0:17:02	0:17:06
On all the flesh that says yes	0:17:06	0:17:09
On the forehead of my friends On every hand held out	0:17:09	0:17:13
I write your name.	0:17:13	0:17:14
On my school notebook	0:17:20	0:17:22
On my desk and on the trees	0:17:22	0:17:25
On the sand and in the snow, I write your name.	0:17:25	0:17:28
On all the flesh that says yes	0:17:28	0:17:30
On the forehead of my friends	0:17:30	0:17:32
On every hand held out	0:17:32	0:17:34
I write your name	0:17:34	0:17:35
Liberty.	0:17:35	0:17:36
So, we're back to school with Bad Baby-sitters.	0:17:54	0:17:57
Is this detention?	0:17:58	0:18:00
No way, you're top of the class.	0:18:00	0:18:02
We understand you had a rocky summer vacation.	0:18:02	0:18:05
A productive one.	0:18:05	0:18:06
Wasn't easy.	0:18:06	0:18:08
For any of us.	0:18:08	0:18:10
But he's learned a lot.	0:18:10	0:18:11
Absolutely.	0:18:13	0:18:15
Yeah, listen, I went through that whole drug thing myself.	0:18:15	0:18:18
I mean...not at your age... like you,	0:18:18	0:18:20
but, ah... Hey, shit happens.	0:18:20	0:18:23
Right, it just, ah...	0:18:23	0:18:24
happens a lot earlier than it used to.	0:18:24	0:18:27
Benjie's done a lot of growing up.	0:18:27	0:18:29
Yes, he has.	0:18:29	0:18:32
Uh, on the last season of	0:18:32	0:18:34
Praise The Lords I was making 300,000 a week.	0:18:34	0:18:38
I was nine years old.	0:18:38	0:18:39
How... How psychotic is that?	0:18:39	0:18:41
Crazy money.	0:18:41	0:18:43
For anyone.	0:18:43	0:18:44
But worth every penny.	0:18:44	0:18:46
You've got a tremendous fanbase out there.	0:18:46	0:18:48
I just didn't have the skills.	0:18:48	0:18:50
That kind of income would fuck up Mother Teresa.	0:18:50	0:18:53
She's already fucked up...	0:18:53	0:18:54
She's dead! That's how fucked up she is.	0:18:54	0:18:57
We have a mandate.	0:19:00	0:19:02
Cristina knows this and I, I know you do, too.	0:19:02	0:19:05
We have to protect the franchise.	0:19:05	0:19:07
Goo goo g'joob.	0:19:07	0:19:09
Mmm... We kept things quiet last year.	0:19:09	0:19:11
Arnold, your people were terrific.	0:19:11	0:19:14
Nothing from the tabloids.	0:19:14	0:19:15
Yeah, still, you know, adults in recovery can be a career boost,	0:19:15	0:19:18
but to a child it's something else.	0:19:18	0:19:20
I think we understand that, Chip.	0:19:20	0:19:23
Though, ah, it didn't hurt Drew.	0:19:23	0:19:25
Hm?	0:19:25	0:19:27
Guys...	0:19:27	0:19:29
We're on your side.	0:19:29	0:19:30
Please understand that.	0:19:30	0:19:31
I don't think we'd all be in this room if we didn't feel a certain level of trust.	0:19:31	0:19:35
Do we have a budget yet? Ah, 58, but that's strictly in-house.	0:19:39	0:19:42
And we lost Elle but, eh, she's not someone we were counting on.	0:19:42	0:19:46
We're closing with Emma Watson for the young mom, so, uh...	0:19:46	0:19:49
That should be fun.	0:19:49	0:19:51
We need to know the circumstances of Benjie's rehab.	0:19:53	0:19:56
Uh...Benjie...	0:19:57	0:19:58
detoxed at a private home.	0:19:58	0:20:00
The ranch of my husband's partner.	0:20:00	0:20:02
Kick-ass mom you got there.	0:20:03	0:20:06
Mmm. She knows how to hit without leaving marks on the body.	0:20:06	0:20:09
HE RETCHES	0:20:14	0:20:15
Fuck.	0:20:28	0:20:29
I'll never be humiliated like...	0:20:32	0:20:34
like that again.	0:20:34	0:20:36
Never.	0:20:36	0:20:38
It's over, baby.	0:20:38	0:20:40
We have them.	0:20:40	0:20:41
Did Damien say I was too old?	0:20:43	0:20:45
Mm-mm.	0:20:45	0:20:46
The casting people? Sarah Horowitz?	0:20:46	0:20:49
Havana, come on.	0:20:49	0:20:50
The part's just written younger.	0:20:50	0:20:52
Sarah Horowitz cast me in my very first movie.	0:20:52	0:20:56
Mm...	0:20:56	0:20:57
Probably saw that thing I did on TNT for money.	0:20:57	0:21:00
Yeah, well, don't do anything for money.	0:21:00	0:21:02
Yeah, well, we all haven't been as smart as you.	0:21:02	0:21:04
You going to support me on this, Sterl?	0:21:06	0:21:09
Are you going to support me with Damien?	0:21:09	0:21:11
Look, you know I will.	0:21:11	0:21:12
I think he's taking a hard look at Azita Wachtel.	0:21:17	0:21:20
Azita Wachtel?	0:21:20	0:21:21
Well, she's nominated for an Oscar and she's Canadian.	0:21:21	0:21:24
Canada is co-funding.	0:21:24	0:21:26
Do you know what Azita Wachtel's story is? Do you know what she's known for?	0:21:26	0:21:29
She used to let producers stick their cocks in her ass and pee.	0:21:29	0:21:32
Good to know!	0:21:32	0:21:34
Look, you have a relationship with Damien.	0:21:35	0:21:38
Yeah, I have three calls in to him but he won't return.	0:21:38	0:21:40
You gave a great reading.	0:21:40	0:21:43
He tell you that?	0:21:43	0:21:44
He said you were very strong.	0:21:44	0:21:46
He did, he said that?	0:21:46	0:21:48
Yes.	0:21:48	0:21:49
Oh, my God!	0:21:49	0:21:51
Oh, Sterl! I have to get this part!	0:21:51	0:21:53
We'd be so great together!	0:21:53	0:21:55
Why, I thought we already were?	0:21:55	0:21:57
Diandra? Oh, my God! She's old!	0:21:59	0:22:02
Hey, did you know she's like 23?	0:22:02	0:22:04
IMDb says she's 16.	0:22:04	0:22:06
How do you know she's 23?	0:22:06	0:22:07
Her labia is pierced.	0:22:07	0:22:09
You gotta be 23 to have your labia pierced?	0:22:09	0:22:11
Now she's got a tramp stamp... OK, she's menopausal!	0:22:11	0:22:15
Hey, nice girls, huh?	0:22:16	0:22:18
Oh, my God. Rhett did you tell him?	0:22:18	0:22:19
Oh, betcha you won't believe this.	0:22:19	0:22:21
No, no, nah, it's too fucking weird.	0:22:21	0:22:23
I'm not going to...no. Now I'm getting interested.	0:22:23	0:22:25
OK, so there's this crazy girl, right?	0:22:25	0:22:27
She's posted like 6,000 messages on my Facebook fan page in like two months.	0:22:27	0:22:31
Sounds like marriage material.	0:22:31	0:22:32
You should just fuck her, Rhett.	0:22:32	0:22:34
Or eat her on her period.	0:22:34	0:22:35
Come on, don't be vulgar. Yeah, Rhett won't even do that to me.	0:22:35	0:22:38
Well, he can't...	0:22:38	0:22:39
because you're menopausal!	0:22:39	0:22:41
Oh! Shut up!	0:22:41	0:22:42
Come on, we...	0:22:42	0:22:45
Would you guys chill? Come on.	0:22:45	0:22:47
All right, so, production company looks into it and	0:22:47	0:22:49
finds out a teamster's been selling this chick my shit for like $3,000.	0:22:49	0:22:53
Excuse me, your shit?	0:22:53	0:22:55
Yeah, you heard it right, girl, my shit.	0:22:55	0:22:57
He's got some expensive doody.	0:22:57	0:22:59
It's got rice in it...from, uh...	0:22:59	0:23:01
Nobu!	0:23:01	0:23:03
Eww! Really, out of a honey wagon?	0:23:03	0:23:06
No, like...um...when the guy comes in with the hose to...	0:23:06	0:23:09
empty...you know...	0:23:09	0:23:10
What is she doing with it?	0:23:10	0:23:12
Stockpiling...for that rainy day.	0:23:12	0:23:14
OK, like, where did she get the money?	0:23:14	0:23:16
Sludge fund.	0:23:16	0:23:17
Oh! Benjie you are so sick!	0:23:17	0:23:20
There are some days, I actually, I ran specials when I had diarrhoea.	0:23:20	0:23:23
Summer clearance. Everything must go!	0:23:23	0:23:26
Oh, my God!	0:23:26	0:23:28
Come...	0:23:30	0:23:32
Who is that?	0:23:32	0:23:33
Starla Gent, country singer.	0:23:33	0:23:35
She won The Voice? Nah, she's runner-up.	0:23:35	0:23:37
God, she is a wild woman.	0:23:37	0:23:39
Uh, hell of an actress, as well.	0:23:39	0:23:41
Didn't I tell you?	0:23:41	0:23:43
Javitz cast her in the part you wanted.	0:23:43	0:23:45
Shut up!	0:23:45	0:23:46
Ah, I wonder if Blake Sheldon peed in that butt?	0:23:47	0:23:50
Hey, you like Sam?	0:23:52	0:23:53
Um. You could totally fuck her.	0:23:53	0:23:56
She wants to be in your movie.	0:23:56	0:23:58
I hear she gets great Oxy, too.	0:23:58	0:24:00
I've almost got 90 days.	0:24:00	0:24:02
Until what? Sobriety, dick-wad!	0:24:02	0:24:05
Oh, my God!	0:24:05	0:24:06
The human stench.	0:24:06	0:24:08
Fat, anchor whore from TMZ was in the bathroom. We saw her ankles.	0:24:08	0:24:12
What was her name again?	0:24:12	0:24:14
It was like something Dead Farted.	0:24:14	0:24:16
Hey, isn't that Sterl Carruth?	0:24:17	0:24:20
Oh, yeah, with Havana Segrand.	0:24:20	0:24:23
We have the same agent.	0:24:23	0:24:24
How old is she?	0:24:24	0:24:26
Totally menopausal.	0:24:26	0:24:28
Oh, beyond! She's near death!	0:24:28	0:24:30
She's like older than my grandmother.	0:24:30	0:24:32
You know, she is a G-MILF. Grand-Mother I'd Like to Fuck.	0:24:32	0:24:35
Are they fucking?	0:24:37	0:24:38
Ah, she'd be like a mercy fuck.	0:24:38	0:24:39
Like when orderlies rape old people in nursing homes?	0:24:39	0:24:43
Hey, didn't her mom die in a fire?	0:24:43	0:24:45
Yeah! Like Jack Cassidy.	0:24:45	0:24:47
Who's that?	0:24:47	0:24:49
The prototypical swinger. David Cassidy's father.	0:24:49	0:24:52
Who's David Cassidy? Sean Cassidy's brother.	0:24:52	0:24:54
You know, her mom was a really cool actress as well, um...	0:24:54	0:24:58
Clarice Taggart?	0:24:58	0:25:00
Yeah, um...	0:25:00	0:25:02
A did a thing on her. She was really cool!	0:25:02	0:25:04
She was young.	0:25:04	0:25:06
PANTING AND MOANING	0:25:07	0:25:09
PHONE VIBRATES	0:25:10	0:25:12
Who is that?!	0:25:15	0:25:16
Fuck.	0:25:17	0:25:19
Hey, Damien, what's happening?	0:25:27	0:25:28
Yeah, yeah, I could totally wear two earrings.	0:25:30	0:25:32
I'd love that.	0:25:32	0:25:34
Um, Maestro, I'm just, eh...	0:25:34	0:25:38
I'm just here with the kids doing the whole bedtime story thing.	0:25:38	0:25:41
Can I...can I call you back?	0:25:41	0:25:43
Um, yeah, no, I'll, ah... Yeah, I'll call you right back first thing.	0:25:46	0:25:49
Hey!	0:25:49	0:25:51
Mention me...when you talk!	0:25:51	0:25:53
You are so fucking crazed.	0:25:53	0:25:55
Suck my dick and I'll put in a word.	0:25:55	0:25:57
I loved you so much.	0:26:08	0:26:11
You were such a beautiful little girl, but you lied.	0:26:11	0:26:15
How could you grow up to be a monster who lies?	0:26:15	0:26:19
Fuck.	0:26:23	0:26:24
Hey!	0:26:34	0:26:35
What's happening?	0:26:40	0:26:41
I'm sorry, it's...	0:26:42	0:26:43
I just got uncomfortable.	0:26:45	0:26:47
I guess I'm a lousy dyke.	0:26:48	0:26:50
Why don't you take a Klonopin?	0:26:52	0:26:53
I know a man	0:27:06	0:27:07
who lives under the sword of Damocles	0:27:07	0:27:10
we call AIDS.	0:27:10	0:27:11
"When my time comes," he told me,	0:27:11	0:27:14
"I'll be ready.	0:27:14	0:27:16
"My bags are packed	0:27:16	0:27:18
"and at the door."	0:27:18	0:27:19
I like that.	0:27:19	0:27:21
I like that very much.	0:27:21	0:27:23
There is a time in our lives and in our therapies	0:27:23	0:27:26
when our eyes stray	0:27:26	0:27:28
to the bags at the door.	0:27:28	0:27:30
After we've wept.	0:27:30	0:27:32
After we have suffered. After we've exhausted the fountain of memory	0:27:32	0:27:36
and bloodied our hands	0:27:36	0:27:38
on the walls of our parents' house.	0:27:38	0:27:40
I thought that Gary Marshall was going to be there.	0:27:40	0:27:42
And it was a meet. I didn't know I was going to have to read.	0:27:42	0:27:45
And then they gave me the wrong drive-on and I had to walk like a mile.	0:27:45	0:27:48
And I stank by the time I got there.	0:27:48	0:27:50
And then the casting director, who I know,	0:27:50	0:27:52
doesn't even acknowledge me.	0:27:52	0:27:53
She just walks right by without saying a word and...	0:27:53	0:27:57
and then she tells me	0:27:57	0:27:58
she doesn't even know if Gary even knows I'm coming in.	0:27:58	0:28:00
Now this is Gary Marshall, not Bertolucci.	0:28:00	0:28:02
His movies don't make money any more and I know Gary.	0:28:02	0:28:05
And then she says they want to put me on tape	0:28:05	0:28:07
and I'm like, excuse me, but you need special make-up for that	0:28:07	0:28:09
or you look green and she says well, you can either tape or not!	0:28:09	0:28:12
Like it's all some pointless exercise, and I just can't take it any more, Jacob!	0:28:12	0:28:16
I'm so tired and it's so pathetic!	0:28:16	0:28:20
Is that Carrie?	0:28:20	0:28:22
Later, Jacob. They're here.	0:28:22	0:28:24
Hi, Carrie!	0:28:24	0:28:26
BOTH: How are you?	0:28:28	0:28:30
Oh, when I get in touch with myself I'll let you know.	0:28:30	0:28:34
It's been insane.	0:28:34	0:28:36
Did you wrap?	0:28:36	0:28:37
Well, we go back to Prague tomorrow to do re-shoots.	0:28:37	0:28:40
Are you doing the Javitz film?	0:28:40	0:28:41
Oh, I hope so. Did you hear something?	0:28:41	0:28:43
Well, Genie told me you were up for it.	0:28:43	0:28:46
That would be so amazing for you to play your own mother.	0:28:46	0:28:50
I mean... Every daughter should have that opportunity, right?	0:28:50	0:28:53
Do you know Damien?	0:28:53	0:28:55
Well, we just... had dinner once in Tangiers.	0:28:55	0:28:58
Well, if you see him, tell him to hire me.	0:28:58	0:29:01
Oh, Genie told me about Adagio.	0:29:03	0:29:05
Eh, how long did she work for you?	0:29:05	0:29:07
Three years.	0:29:07	0:29:08
Are you still looking for a new assistant?	0:29:08	0:29:11
Absolutely, you've become my employment agency.	0:29:11	0:29:13
Would you do me a big favour?	0:29:13	0:29:14
This is going to sound bizarre, but...	0:29:14	0:29:16
Would you interview this girl that I met on the internet?	0:29:16	0:29:20
I'm so nervous.	0:29:20	0:29:22
Aw, it's OK.	0:29:22	0:29:24
Would you like some tea?	0:29:24	0:29:25
Oh, thank you, yes.	0:29:25	0:29:27
Your house is so beautiful.	0:29:30	0:29:33
The walls are so thick and those chimes.	0:29:33	0:29:36
Oh, they're from a monastery in Dharamsala.	0:29:36	0:29:40
I met the Dalai Lama.	0:29:40	0:29:42
He's a very cool man.	0:29:42	0:29:44
He laughs a lot and he's...	0:29:44	0:29:47
actually just like someone you'd want to hang with, you know?	0:29:47	0:29:51
But, you can't cos he's the Dalai Lama!	0:29:51	0:29:54
Thank you for the tea.	0:29:55	0:29:57
Maria is at the hospital.	0:29:57	0:30:00
My housekeeper.	0:30:00	0:30:01
One of her girls is sick. She's got like, you know, 40 kids.	0:30:01	0:30:05
So...	0:30:05	0:30:07
I guess you know why you're here.	0:30:07	0:30:09
Mm, because of Carrie?	0:30:09	0:30:11
How did you guys start e-mailing?	0:30:11	0:30:12
Well, she wrote on Twitter that she was	0:30:12	0:30:14
researching for a new novel she was writing.	0:30:14	0:30:16
About a burn girl, so...	0:30:16	0:30:18
I wrote to her and then I met her at a Star Wars convention in Florida.	0:30:18	0:30:23
Was that weird for you? I mean...	0:30:23	0:30:25
She's so amazing. You know, she's such a funny, amazing person.	0:30:25	0:30:29
Plus we're both dual disorder, so we finish each other's sentences.	0:30:29	0:30:33
So you came out here to see her?	0:30:33	0:30:36
I just wanted to see Hollywood.	0:30:36	0:30:38
But she did take me to breakfast at the Four Seasons.	0:30:38	0:30:41
Zooey Deschanel was there.	0:30:41	0:30:43
And Sally Draper, the little girl from Mad Men.	0:30:43	0:30:45
It was pretty amazing.	0:30:45	0:30:48
Do you have family?	0:30:48	0:30:49
In Florida, that's where I'm from.	0:30:49	0:30:51
Agatha, um...	0:30:53	0:30:57
Can I ask about the burn?	0:30:57	0:30:58
Ah...	0:31:02	0:31:03
I was working in a planetarium after school...	0:31:03	0:31:06
I was 12.	0:31:06	0:31:07
There was an electrical fire and I ran into a store room.	0:31:07	0:31:12
Like a jerk.	0:31:12	0:31:14
Mm...um...well...	0:31:16	0:31:20
This isn't a very glamorous job.	0:31:20	0:31:23
I'm not used to glamour.	0:31:23	0:31:25
Mm, you'd be like	0:31:25	0:31:27
mostly running errands,	0:31:27	0:31:28
going shopping and getting things fixed and...	0:31:28	0:31:31
Ms Segrand, I would be the most loyal, most competent,	0:31:31	0:31:35
most grateful personal assistant you've ever had.	0:31:35	0:31:38
You don't have a car?	0:31:38	0:31:40
But you drive?	0:31:41	0:31:42
I have a valid Florida licence.	0:31:42	0:31:45
Mm, we can rent you a car.	0:31:45	0:31:47
I think maybe...	0:31:47	0:31:49
Mustang, or something.	0:31:49	0:31:50
Carrie's funny.	0:31:54	0:31:56
She knew I should meet you.	0:31:56	0:31:58
Do you know how my mother died?	0:32:01	0:32:02
No.	0:32:04	0:32:05
In a fire.	0:32:06	0:32:08
Oh.	0:32:09	0:32:10
Agatha.	0:32:14	0:32:16
I think you're beautiful.	0:32:22	0:32:24
And do you know who looks just like you?	0:32:27	0:32:30
Inside?	0:32:30	0:32:31
Havana Segrand.	0:32:34	0:32:35
You've got a request. What is it?	0:32:41	0:32:43
Hollywood tour. Cash call. Holly Crest Hotel.	0:32:43	0:32:46
On my school notebook	0:33:06	0:33:07
On my desk and on the trees	0:33:07	0:33:09
On the sand and in the snow, I write your name.	0:33:09	0:33:11
On all the flesh that says yes	0:33:12	0:33:14
On the forehead of my friends	0:33:14	0:33:16
On every hand held out	0:33:16	0:33:18
I write your name	0:33:18	0:33:19
Liberty.	0:33:20	0:33:21
So you were in a fire, right?	0:33:25	0:33:28
You know, I never really figured out what happened.	0:33:28	0:33:30
I think, one night I got drunk and slept really hard on my face.	0:33:30	0:33:33
So, now you hit Tinseltown, what are you going to do?	0:33:37	0:33:40
Can't, ah...	0:33:41	0:33:42
keep riding around in limos if you want to keep your money.	0:33:42	0:33:44
Actually, I got a job.	0:33:44	0:33:47
Oh, yeah, where?	0:33:47	0:33:48
Do you know Havana Segrand?	0:33:48	0:33:50
Sure. Know of.	0:33:50	0:33:51
I'm her new personal assistant.	0:33:51	0:33:54
That's the...	0:33:54	0:33:55
Carrie Fisher connection?	0:33:55	0:33:57
Actually it was.	0:33:57	0:33:58
Havana is getting me a car.	0:33:59	0:34:02
Hey, do you want to have dinner on the weekend?	0:34:06	0:34:08
Um...	0:34:11	0:34:12
Yeah, this weekend is not good for me, I have to, ah...	0:34:12	0:34:15
I have to work on my script.	0:34:15	0:34:17
I have a great idea for a movie.	0:34:17	0:34:19
Maybe we could write it together?	0:34:19	0:34:21
It's got an incest theme. I guess those are kind of overdone, huh?	0:34:21	0:34:23
Sex abuse, the new religion.	0:34:23	0:34:25
The truth is my parents are brother and sister!	0:34:25	0:34:28
I never tell anyone that.	0:34:28	0:34:30
But, I think it'd be cool. It's kind of been there, done that.	0:34:30	0:34:33
I know that sounds jaded but I think it'd make a cool indie.	0:34:33	0:34:36
You know, I want to act in it. And you could, too.	0:34:36	0:34:38
Mm... I think it would be good if it wasn't pretentious,	0:34:38	0:34:41
you know, if we got the whole mythological thing going on.	0:34:41	0:34:44
Uh, look, Agatha...	0:34:48	0:34:50
I think you're a little crazy.	0:34:53	0:34:56
Well, so...	0:34:56	0:34:58
I mean...	0:34:58	0:35:00
What I'm saying is, um...	0:35:00	0:35:02
I'm kind of, kind of involved with someone.	0:35:03	0:35:05
And, uh...	0:35:05	0:35:07
I mean...	0:35:07	0:35:09
I hope everything works out for you.	0:35:09	0:35:10
Look, I don't want to take your money.	0:35:14	0:35:17
Fuck you.	0:35:24	0:35:26
It was...	0:35:45	0:35:46
like a dream but it seemed so fucking real.	0:35:46	0:35:49
Go on.	0:35:51	0:35:52
A girl... I, er...	0:35:54	0:35:56
met her at the hospital.	0:35:56	0:35:58
We sent her an iPad but they said she died.	0:35:58	0:36:01
Then...	0:36:04	0:36:05
she came into my room at the house.	0:36:05	0:36:08
Scared the shit out of me.	0:36:08	0:36:10
Maybe it was a dream.	0:36:12	0:36:14
Am I going crazy?	0:36:15	0:36:17
No.	0:36:18	0:36:19
But, I...	0:36:21	0:36:22
think it's probably time for you to start talking about certain things.	0:36:22	0:36:26
My sister?	0:36:27	0:36:28
Yes.	0:36:28	0:36:30
She always, ah...	0:36:32	0:36:34
wanted to...	0:36:34	0:36:35
marry me.	0:36:35	0:36:36
That's how we played.	0:36:36	0:36:38
We did the ceremony.	0:36:38	0:36:40
Isn't that strange?	0:36:42	0:36:43
Think I'm crazy like her?	0:36:45	0:36:47
No.	0:36:49	0:36:50
But...	0:36:51	0:36:52
..if we don't look at things they can make us crazy.	0:36:53	0:36:56
Mom and Dad were...	0:37:00	0:37:02
at some party...	0:37:02	0:37:03
I was six or seven then.	0:37:03	0:37:06
That night...	0:37:08	0:37:09
the night it happened...	0:37:09	0:37:11
we, uh...	0:37:11	0:37:12
had the ceremony, the marriage thing.	0:37:12	0:37:15
And uh...	0:37:15	0:37:16
..she gave me pills...	0:37:17	0:37:19
vitamins, she said...	0:37:19	0:37:21
And, uh, I woke up in the hospital, they pumped my stomach, and...	0:37:24	0:37:29
the firemen...	0:37:29	0:37:30
carried me out there	0:37:30	0:37:32
and I never saw her again.	0:37:32	0:37:33
Have you asked your parents if they had... They...	0:37:38	0:37:40
They don't talk about her.	0:37:40	0:37:42
They won't.	0:37:42	0:37:43
The girl at the hospital...	0:37:45	0:37:47
..Harriet...what do I do?	0:37:48	0:37:50
What do I do if she comes back?	0:37:52	0:37:54
You call me.	0:37:56	0:37:57
I'm afraid.	0:38:00	0:38:01
Whenever I see her, it's so...	0:38:01	0:38:03
real.	0:38:03	0:38:05
I don't want to be hospitalised.	0:38:05	0:38:07
My career is so fucked as it is.	0:38:07	0:38:09
Textbook TSS, Havana.	0:38:09	0:38:11
You saw heavy combat as a child.	0:38:11	0:38:13
Could I be a multiple?	0:38:13	0:38:14
I don't see that but if you are, we'll deal with it.	0:38:14	0:38:17
Damn her!	0:38:17	0:38:19
What does she want?	0:38:19	0:38:20
When you came out of hiding and externalised your shame,	0:38:20	0:38:24
Mother didn't like that.	0:38:24	0:38:25
But what we can name, we can tame.	0:38:25	0:38:28
She wants me to fail.	0:38:28	0:38:30
But I won't. I won't.	0:38:30	0:38:33
That's little Havana.	0:38:33	0:38:36
Celebrate her.	0:38:36	0:38:38
The Imago Deity, that's what Jung called it.	0:38:38	0:38:41
We call it...	0:38:41	0:38:42
the "magical child".	0:38:42	0:38:43
And that child, will not fail.	0:38:43	0:38:47
Lay down.	0:38:47	0:38:48
I hired a girl.	0:38:50	0:38:52
It's amazing.	0:38:52	0:38:54
Why is it amazing?	0:38:54	0:38:56
She's disfigured.	0:38:56	0:38:58
She was...	0:38:58	0:38:59
burned in a fire.	0:38:59	0:39:01
On her face.	0:39:01	0:39:03
Where is she from?	0:39:04	0:39:06
Florida.	0:39:06	0:39:08
It's amazing, she just...	0:39:08	0:39:09
showed up on my doorstep.	0:39:09	0:39:11
I get this sense that I'm...	0:39:12	0:39:14
working through something by hiring her.	0:39:14	0:39:16
People don't just enter our lives randomly, we call them.	0:39:18	0:39:21
Two women linked by fire.	0:39:23	0:39:25
I bet those visions go away.	0:39:27	0:39:29
Oh... God!	0:39:29	0:39:31
Do you think so?	0:39:31	0:39:33
You're welcoming Mom into the house.	0:39:33	0:39:35
You're saying, "Hey, Mom.	0:39:36	0:39:38
"Come on in.	0:39:38	0:39:39
"You don't scare me.	0:39:39	0:39:41
"I'm empowered.	0:39:41	0:39:43
"Soup's on.	0:39:43	0:39:44
"This is my house, Ma.	0:39:44	0:39:46
"I built it with my pain and my hope.	0:39:46	0:39:49
"And you can't hurt me any more.	0:39:49	0:39:51
"I'm a magical child, Ma.	0:39:51	0:39:53
"So, come on in.	0:39:53	0:39:55
"Mi casa	0:39:55	0:39:56
"Es su casa."	0:39:56	0:39:59
Deep breath now, Havana.	0:39:59	0:40:00
Breathe.	0:40:02	0:40:03
What if she comes to the house?	0:40:27	0:40:29
She won't.	0:40:31	0:40:32
Then what is she doing here?	0:40:32	0:40:34
Maybe she's sightseeing.	0:40:35	0:40:37
Why are you so cavalier about this?	0:40:38	0:40:40
We've always handled things differently, you and I.	0:40:42	0:40:45
You've got to get her fired.	0:40:50	0:40:52
And then what?	0:40:52	0:40:54
She's working for Havana. We know where she is.	0:40:55	0:40:58
And that buys us time.	0:41:00	0:41:01
What if she tries to get to Benjie?!	0:41:12	0:41:15
I'm more concerned about the tabloids.	0:41:16	0:41:18
I'm about to go on a book tour, for Christ's sakes!	0:41:21	0:41:24
INDISTINCT VOICE	0:41:30	0:41:31
On my school books	0:41:37	0:41:39
On my desk	0:41:39	0:41:40
And the trees	0:41:40	0:41:41
On the sand and in the snow	0:41:41	0:41:42
I write your name.	0:41:42	0:41:44
On all the flesh that says yes	0:41:45	0:41:48
On the forehead of my friends...	0:41:48	0:41:51
KNOCK ON DOOR Son?	0:41:51	0:41:53
One second!	0:41:53	0:41:54
Come in.	0:41:56	0:41:57
I saw your light.	0:42:01	0:42:03
I couldn't sleep.	0:42:04	0:42:05
Me neither.	0:42:07	0:42:08
Were you reading?	0:42:10	0:42:12
Just boning up on the script.	0:42:12	0:42:13
That's hard to do without a partner.	0:42:13	0:42:17
Mom usually reads with me, but, er...	0:42:17	0:42:19
I like to know lines pretty well before we go over them.	0:42:19	0:42:23
That's what makes you pro.	0:42:23	0:42:25
Listen, there's something I wanted to talk to you about.	0:42:32	0:42:34
I'm not taking anything.	0:42:34	0:42:36
Not even Seroquel.	0:42:36	0:42:38
I've got a really good sponsor.	0:42:38	0:42:40
He's been clean and sober for 20 years.	0:42:40	0:42:43
He's worked with Robert Downey Jr.	0:42:43	0:42:45
Demi Levato. No.	0:42:45	0:42:47
It's about your sister.	0:42:53	0:42:54
I think she may be back.	0:42:57	0:42:59
Here in Los Angeles.	0:43:00	0:43:02
Did...did she call?	0:43:04	0:43:07
She hasn't yet.	0:43:07	0:43:08
I thought she was in prison somewhere.	0:43:09	0:43:11
A hospital.	0:43:11	0:43:13
Far away.	0:43:13	0:43:15
But...now she's...	0:43:15	0:43:18
Free, white and 18. The courts couldn't hold her.	0:43:18	0:43:21
I'm in the process of acquiring a restraining order against her.	0:43:21	0:43:24
And I'd like you to tell me if she... A restraining order?	0:43:24	0:43:27
Too bad you couldn't have got one when she was born.	0:43:29	0:43:32
You could've had a judge standing by in the delivery room.	0:43:32	0:43:35
Maybe you tried that.	0:43:35	0:43:36
We tried a lot of things, Benjie.	0:43:38	0:43:40
Mostly we tried our best.	0:43:41	0:43:44
That's in your book.	0:43:44	0:43:46
That's a big thing in your book.	0:43:46	0:43:49
Trying your best.	0:43:49	0:43:51
It's supposed to give people major points.	0:43:51	0:43:53
I don't know that girl any more, son...	0:43:56	0:43:58
Not that I ever did.	0:44:00	0:44:03
I don't know if she's dangerous.	0:44:03	0:44:04
I knew this day was coming.	0:44:06	0:44:08
I thought somehow she'd just stay put.	0:44:08	0:44:11
That was stupid...of me.	0:44:11	0:44:13
But I want you to tell me...	0:44:15	0:44:16
if she tries to see you.	0:44:16	0:44:18
I'll tell you if she pops up.	0:44:19	0:44:21
You know, me and you like to share.	0:44:21	0:44:23
Get some sleep, Son.	0:44:32	0:44:33
By the power of a word	0:44:52	0:44:54
I renew my life	0:44:54	0:44:56
I was born to know you	0:44:56	0:44:59
And to name you	0:44:59	0:45:00
Liberty.	0:45:00	0:45:02
Havana, sweetheart, I...	0:45:02	0:45:04
I don't know if you've read the trades, but, um...	0:45:04	0:45:08
They announced that Damien went with Azita.	0:45:08	0:45:12
I mean, I can't say it's a complete surprise, but, uh...	0:45:12	0:45:16
I'm very angry at the way it was handled.	0:45:16	0:45:19
I mean it...it...it just makes me look foolish.	0:45:19	0:45:22
But that's my problem, not yours.	0:45:22	0:45:24
I'm so sorry, honey!	0:45:24	0:45:27
I have calls in to Damien.	0:45:27	0:45:29
And I hate to be leaving this on your phone, I...	0:45:29	0:45:32
I...I just didn't want you to hear it from someone else.	0:45:32	0:45:35
As you know, I mean,	0:45:35	0:45:37
I strongly think there's no love lost on this project.	0:45:37	0:45:40
Those were always my feelings.	0:45:40	0:45:43
I know and I respect the reasons why it was so important to you, but...	0:45:43	0:45:47
I think it's of equal importance we put this behind us.	0:45:47	0:45:51
So...onward!	0:45:51	0:45:54
I'm messengering six scripts	0:45:54	0:45:57
to the house now! Lots of great stuff on the horizon.	0:45:57	0:46:01
Call me as soon as you get this!	0:46:01	0:46:03
I love you!	0:46:03	0:46:05
And it's going to be a great year!	0:46:05	0:46:08
SHE SCREAMS	0:46:20	0:46:22
I made a hole in the wall.	0:46:39	0:46:41
So, we'll be able to see everything.	0:46:41	0:46:42
Everything? Or your money back.	0:46:42	0:46:45
Oh, boy! I want to see her va-bina!	0:46:45	0:46:48
And...CUT!	0:46:50	0:46:51
BUZZER	0:46:51	0:46:52
CHATTER AND LAUGHTER	0:46:52	0:46:54
Mr Va-bina's getting all the laughs.	0:47:03	0:47:05
He's only in four scenes.	0:47:05	0:47:06
Yeah, and he's stealing every one of them.	0:47:06	0:47:08
Piece of shit.	0:47:08	0:47:10
Would you call Genie?	0:47:10	0:47:12
Call Genie and tell her I want the little piece of shit flushed.	0:47:12	0:47:15
And...what are you doing here?	0:47:17	0:47:19
I, uh...	0:47:20	0:47:21
I wanted to talk to you about something but, you know, it can wait.	0:47:22	0:47:25
Not the studio's drug paranoia again?	0:47:25	0:47:28
No, not the studio and their drug paranoia.	0:47:28	0:47:31
KNOCK ON DOOR We're ready for you, Benjie!	0:47:31	0:47:33
Fuck off!	0:47:34	0:47:35
I need something to eat.	0:47:37	0:47:38
My blood sugar drops every time I do a scene with Mr Piece of Shit Va-bina.	0:47:38	0:47:42
Oh... Ma, can you put one of those breakfast burritos in the microwave?	0:47:46	0:47:50
Two minutes is perfect.	0:47:50	0:47:52
Hey.	0:48:03	0:48:04
How you doing?	0:48:06	0:48:07
I'm cool.	0:48:08	0:48:10
Thought you'd be working on your script.	0:48:10	0:48:13
I wish I was.	0:48:13	0:48:15
Got to pay the bills.	0:48:15	0:48:17
How's show business?	0:48:17	0:48:18
It's all right.	0:48:22	0:48:24
Got a call-back for Blue Matrix.	0:48:24	0:48:27
You watch it?	0:48:27	0:48:29
I'm not into space soaps.	0:48:29	0:48:31
Well...	0:48:33	0:48:35
it's got a kind of...	0:48:35	0:48:36
Battlestar Galactica thing going on.	0:48:36	0:48:38
Post 9/11.	0:48:38	0:48:40
Can't believe I just spent $18,000 dollars.	0:48:40	0:48:43
Let's go. Havana, this is Jerome.	0:48:43	0:48:46
Hi.	0:48:46	0:48:47
He's a chauffeur.	0:48:47	0:48:48
Wonderful.	0:48:48	0:48:50
Jerome just got an audition for Battlestar Galactica.	0:48:51	0:48:54
It's actually Blue Matrix.	0:48:56	0:48:58
I'm a big fan.	0:48:59	0:49:01
Aw...thank you.	0:49:01	0:49:03
Well, um...good luck.	0:49:03	0:49:05
Havana! Oh, my God!	0:49:08	0:49:11
Azita!	0:49:11	0:49:13
Thanks.	0:49:13	0:49:15
Oh...	0:49:15	0:49:17
Mm...uh... Sydney just told me you were here.	0:49:17	0:49:20
Uh... I was in the dressing room. I was going to call you.	0:49:20	0:49:22
Congratulations.	0:49:22	0:49:23
Thank you, thank you. I'm so excited.	0:49:23	0:49:25
You are going to be so great.	0:49:25	0:49:28
You think? And you're going to love working with Damien.	0:49:28	0:49:29
Yeah, he's so great. Um...	0:49:29	0:49:32
Havana!	0:49:32	0:49:34
That makes me feel so good.	0:49:34	0:49:35
Your mother was so special. It's going to be a challenge for me.	0:49:35	0:49:39
I... I don't want to do impersonation.	0:49:39	0:49:41
Do you know who's going to play my mother when she was young?	0:49:41	0:49:43
Anne...	0:49:43	0:49:44
..Hathaway.	0:49:45	0:49:46
How's that going to work?	0:49:48	0:49:50
Oh, oh, you'd love Anne.	0:49:50	0:49:51
Do you know her? She...she's amazing.	0:49:51	0:49:53
Aw...just...just make it your own.	0:49:53	0:49:56
You know, for a heartbeat...	0:49:56	0:49:59
I really wanted to do it. Isn't that insane?	0:49:59	0:50:01
Well, you should have!	0:50:01	0:50:02
But then I was like, work it out in therapy, bitch!	0:50:02	0:50:05
Aw...	0:50:07	0:50:09
He's so adorable!	0:50:09	0:50:12
What's your name?	0:50:12	0:50:13
Uh, this is Micah.	0:50:13	0:50:15
Say hi to Havana.	0:50:15	0:50:16
Hi, Micah. You are so sweet!	0:50:16	0:50:20
My shy guy.	0:50:20	0:50:21
Oh...what a heart-breaker. Yeah.	0:50:21	0:50:24
Yeah...	0:50:24	0:50:25
Well, great to see you.	0:50:25	0:50:27
Yeah. You, too.	0:50:27	0:50:29
Ciao. Ciao.	0:50:29	0:50:31
Um, back in ten.	0:50:31	0:50:32
OK...let's go, sweetie.	0:50:32	0:50:34
Thank you, Luma.	0:50:59	0:51:01
Can you let yourself out?	0:51:02	0:51:04
DOOR CLOSES	0:51:08	0:51:09
I like your new chore whore.	0:51:16	0:51:18
Awful phrase, isn't it?	0:51:19	0:51:22
You two have a lot in common.	0:51:22	0:51:25
Like terrible men, for one.	0:51:25	0:51:28
Hey, Ma...	0:51:28	0:51:29
I'm empowered.	0:51:29	0:51:31
Soup's on.	0:51:31	0:51:33
I'm a magical child, Ma, so come on in.	0:51:33	0:51:37
Mi casa es su casa.	0:51:37	0:51:38
What do you want?	0:51:38	0:51:40
This bravado of mine.	0:51:40	0:51:43
It's asinine and I'm sorry.	0:51:43	0:51:46
It's just...	0:51:46	0:51:48
I'm nervous around you.	0:51:48	0:51:49
It sounds comical but I'm not used to being around people.	0:51:50	0:51:53
I'm not going to listen to this.	0:51:53	0:51:55
Those incidents you keep sharing on the talk shows...	0:51:55	0:51:59
they're false memories.	0:51:59	0:52:01
Liar!	0:52:01	0:52:02
From day one, liar!	0:52:02	0:52:03
Your stepfather must have done those things to you.	0:52:03	0:52:06
Why couldn't I see it?	0:52:06	0:52:07
His first wife warned me that he was like that.	0:52:08	0:52:12
You must have been so angry at me for not protecting you.	0:52:12	0:52:17
Stay away from me. Stay...stay away.	0:52:17	0:52:20
You blame yourself for the night I burned, don't you?	0:52:24	0:52:27
"This is my house, Ma.	0:52:27	0:52:29
"I built it.	0:52:29	0:52:31
"My pain and my hope.	0:52:31	0:52:34
"And you can't hurt me any more."	0:52:34	0:52:37
"I'm sorry.	0:52:44	0:52:46
"I just got uncomfortable.	0:52:46	0:52:48
"I guess I'm a lousy dyke."	0:52:50	0:52:52
Hi.	0:53:08	0:53:09
Are you OK?	0:53:11	0:53:13
I have the flu.	0:53:13	0:53:14
I need cigarettes.	0:53:15	0:53:17
American Spirit and...	0:53:17	0:53:19
..I need you to pick up some prescriptions.	0:53:20	0:53:23
Avian, Vicodin, Xanax, Zoloft	0:53:23	0:53:27
and Astragalus and Goldenseal.	0:53:27	0:53:30
And, um...	0:53:30	0:53:32
Yogi-tea.	0:53:32	0:53:33
Agatha...	0:53:34	0:53:36
Do you know Stafford Weiss?	0:53:36	0:53:38
The therapist?	0:53:38	0:53:40
No.	0:53:40	0:53:41
No...course you don't.	0:53:41	0:53:43
Why should you?	0:53:43	0:53:44
I'm getting information from a fucking dead person.	0:53:44	0:53:47
Tampax... I need Tampax and, um...	0:53:47	0:53:50
And...	0:53:50	0:53:51
Kozy Shack? You know what Kozy Shack is?	0:53:51	0:53:54
It comes in these big tubs, like...	0:53:54	0:53:56
Tapioca...rice pudding...	0:53:56	0:53:58
And truffles from Maison du Chocolat.	0:53:59	0:54:01
You can...you can got those at, um...	0:54:01	0:54:04
at Neiman's.	0:54:04	0:54:05
And um...come out to the yard.	0:54:05	0:54:07
Um... I need... I need to move some plants.	0:54:07	0:54:10
They've been like this since the fucking earthquake.	0:54:18	0:54:20
And I just... I want to move them over there.	0:54:20	0:54:23
Don't worry about the tiles	0:54:23	0:54:24
cos they are going to be redone so you can just drag 'em.	0:54:24	0:54:27
They look so heavy.	0:54:27	0:54:29
Don't make me into Mummy Dearest, OK?	0:54:29	0:54:31
You're strong, you can do it.	0:54:31	0:54:32
You're already wearing gloves, just...	0:54:32	0:54:34
Just put your weight into it.	0:54:34	0:54:35
No, swivel it. Like this...look, here. Swivel.	0:54:38	0:54:41
Hello?!	0:54:42	0:54:44
The door was open!	0:54:46	0:54:47
What's happening?	0:54:56	0:54:57
This hasn't hit the news yet.	0:54:57	0:55:00
What?	0:55:00	0:55:02
Azita Wachtel's little boy...	0:55:02	0:55:04
died.	0:55:04	0:55:05
No! I just saw them!	0:55:06	0:55:08
Um...he was with his dad, in Ojai	0:55:08	0:55:11
and he drowned. My God!	0:55:11	0:55:12
Micah! How?!	0:55:12	0:55:13
In the pool, I think... And she wasn't there?	0:55:13	0:55:16
I don't know, I mean, nobody knows yet.	0:55:16	0:55:18
Anything.	0:55:18	0:55:20
But here's what's going on.	0:55:20	0:55:21
And I know it's ghoulish...	0:55:21	0:55:23
but I think we can get you to replace...	0:55:23	0:55:26
But how?	0:55:26	0:55:27
Well, Azita is in the hospital. You know.	0:55:27	0:55:29
She totally lost it. They had to sedate her.	0:55:29	0:55:31
Um...won't they just shoot around her for a few weeks?	0:55:31	0:55:34
There's no way she's going back to work.	0:55:34	0:55:35
Well, how much have they shot?	0:55:35	0:55:37
Eh, just a few days.	0:55:37	0:55:39
Casting people called me.	0:55:39	0:55:40
Three times.	0:55:40	0:55:41
Sarah Horowitz? She call back?	0:55:41	0:55:43
Yeah...they want to make an offer.	0:55:43	0:55:45
Did Damien call?	0:55:46	0:55:49
No, but you know, he's probably consumed.	0:55:49	0:55:51
Well, but, Havana...	0:55:51	0:55:52
They are not going to make an offer without Damien's complete approval.	0:55:52	0:55:56
No. Ah... Azita should just...do it. She should...she should work.	0:55:56	0:55:59
She should go to the funeral and then go right back to work.	0:55:59	0:56:01
Yeah, I know, it's beyond, but do you still want to do it?	0:56:01	0:56:05
I need to talk to Damien. You will!	0:56:05	0:56:08
But this just happened.	0:56:08	0:56:10
I haven't been able to reach anyone.	0:56:10	0:56:12
Don't come down from my quote, cos if they're really in trouble, we're in the catbird seat.	0:56:13	0:56:17
Unless they're out to somebody else.	0:56:17	0:56:19
I'll call you as soon as I hear.	0:56:19	0:56:21
Should I send flowers?	0:56:23	0:56:26
You're not supposed to know!	0:56:26	0:56:28
And save the flowers for Damien, when we close!	0:56:28	0:56:31
Ciao!	0:56:32	0:56:33
# Na-na-na-na!	0:56:40	0:56:44
# Hey-hey-hey!	0:56:44	0:56:46
# Goodbye! Come on, sing it!	0:56:46	0:56:47
# Na-na-na-na!	0:56:47	0:56:51
# Hey-hey-hey!	0:56:51	0:56:53
# Goodbye! #	0:56:53	0:56:55
This is for little Micah!	0:56:55	0:56:56
Little miracles! Who's Micah?	0:56:56	0:56:58
Fire and water!	0:56:58	0:57:00
We're fire and he's water!	0:57:00	0:57:02
Say goodbye! Bye!	0:57:02	0:57:04
# Na-na-na-na, goodbye, Micah! Na-na-na-na! #	0:57:04	0:57:07
Fire and water, say it! Fire and water!	0:57:07	0:57:10
# Hey-hey-hey, goodbye, woo-haa! #	0:57:10	0:57:14
Excuse me?	0:57:23	0:57:25
I'm looking for Jerome Fontana. He had a call-back?	0:57:25	0:57:28
He's a Vorbalit?	0:57:28	0:57:29
Try make-up.	0:57:31	0:57:32
Hey!	0:57:38	0:57:40
What are you doing here?	0:57:44	0:57:46
Havana is having lunch at the commissary. Thought I'd see if I could find you.	0:57:46	0:57:50
Is it supposed to be a burn?	0:57:52	0:57:55
No, I don't think so. I think, uh...	0:57:55	0:57:57
it's a birthmark or something.	0:57:57	0:57:58
We're half an hour away.	0:58:02	0:58:03
Go back to make-up and get some colour on that thing.	0:58:03	0:58:06
They did have a cover...for the pool, but...	0:58:14	0:58:18
The motor was in the shop for repair.	0:58:18	0:58:20
He didn't swim?	0:58:22	0:58:25
The father heard the phone...	0:58:25	0:58:27
And he thought it was Azita so he went inside for like two seconds.	0:58:27	0:58:30
That's always how it happens, I mean, uff, that's...	0:58:30	0:58:34
Always how you hear it happens.	0:58:34	0:58:36
Mm.	0:58:36	0:58:38
Have you talked to Azita?	0:58:40	0:58:42
Uh, yeah, I went to see her. She's home now.	0:58:42	0:58:44
I told her you were playing the part.	0:58:45	0:58:48
She was relieved.	0:58:48	0:58:50
At least she seemed to be.	0:58:50	0:58:52
I felt weird.	0:58:53	0:58:55
Going there to tell her...	0:58:56	0:58:57
that. But we had become close.	0:58:57	0:59:00
Anyway, listen, I...I was...	0:59:02	0:59:04
I was going to call you.	0:59:04	0:59:06
To tell you about my decision to go...	0:59:06	0:59:09
with Azita, but things went crazy.	0:59:09	0:59:11
You know, it's cool, Damien.	0:59:11	0:59:13
I'm...I'm totally fine.	0:59:13	0:59:15
Yeah... I'm not.	0:59:15	0:59:17
I don't like the way...	0:59:17	0:59:18
that that was handled.	0:59:18	0:59:20
I loved your read.	0:59:20	0:59:22
You know that.	0:59:22	0:59:23
I had some initial misgivings about	0:59:24	0:59:26
the connection to your mother.	0:59:26	0:59:27
But...	0:59:28	0:59:30
the film...that I'm making,	0:59:30	0:59:32
is very different from the original.	0:59:32	0:59:34
In fact, in some ways it does not resemble it at all.	0:59:34	0:59:37
Which I will probably be taken to task for...	0:59:37	0:59:41
The script is amazing.	0:59:41	0:59:44
Thank you.	0:59:44	0:59:46
You know, I just want you to feel strong.	0:59:47	0:59:49
Coming in like this.	0:59:49	0:59:51
Things happen for a reason.	0:59:52	0:59:55
I'm a big believer in that.	0:59:55	0:59:57
So glad to have you on the show.	0:59:59	1:00:01
Benjie?	1:00:16	1:00:17
Hey, Victoria Lap in Star! Channel, are you ready for us now?	1:00:17	1:00:20
No. Uh, we had a four o'clock interview with you.	1:00:20	1:00:23
No. Didn't Genie tell you?	1:00:23	1:00:26
No. Uh, uh, well, could we just have 15 minutes?	1:00:26	1:00:29
No.	1:00:29	1:00:31
OK, we've been waiting here for you.	1:00:31	1:00:33
Why don't you talk to my co-star, Jim Carrey Jr?	1:00:33	1:00:37
There he is.	1:00:37	1:00:38
Hey! Mr Piece of Shit Va-bina! Want to be on TV?	1:00:38	1:00:42
Sure.	1:00:43	1:00:44
Get your jailbait ass over here.	1:00:44	1:00:46
Hi, I'm Roy.	1:00:52	1:00:54
DOOR CLATTERS	1:01:07	1:01:08
LAUGHTER	1:01:10	1:01:11
No, no!	1:01:14	1:01:15
Hey, Benjie.	1:01:20	1:01:21
FUCK! You! Get out!	1:01:22	1:01:24
Hey, it's OK. I'm here to make amends.	1:01:24	1:01:27
How did you get on the lot?	1:01:27	1:01:28
I work for somebody who's doing a film here.	1:01:28	1:01:30
Havana Segrand.	1:01:30	1:01:32
You going to hurt me, Agatha?	1:01:33	1:01:35
No...	1:01:35	1:01:37
I'm not going to hurt you.	1:01:37	1:01:40
You're my little brother.	1:01:40	1:01:41
You try and hurt me I'll fucking kill you!	1:01:41	1:01:43
Understood? Um-hm.	1:01:43	1:01:46
You hungry?	1:01:50	1:01:52
Want a breakfast burrito?	1:01:52	1:01:53
No, I can't stay long.	1:01:53	1:01:55
Havana Segrand, huh?	1:01:57	1:01:59
Was that bullshit or are you serious? Um-hm.	1:02:00	1:02:03
She's really good.	1:02:07	1:02:09
We have the same agent.	1:02:09	1:02:10
How did that happen, you working for Havana Segrand?	1:02:12	1:02:14
Oh, it's...through friends.	1:02:14	1:02:17
Carrie Fisher.	1:02:17	1:02:19
You know, for...a disfigured schizophrenic,	1:02:19	1:02:21
you got the town pretty wired.	1:02:21	1:02:23
They know you're here, Agatha.	1:02:26	1:02:28
How?	1:02:29	1:02:31
Dad! He's all-fucking-seeing and knowing, if you don't remember.	1:02:31	1:02:34
Watch your step, cos...	1:02:34	1:02:36
the old man is getting a restraining order against you	1:02:36	1:02:39
or some such shit. I prefer if you didn't tell them I stopped by.	1:02:39	1:02:43
I'm not a big fan of closure, so...	1:02:48	1:02:50
If you're looking for an epiphany that's going to help you go on with your life, then...	1:02:50	1:02:54
I wrote to you...	1:02:54	1:02:56
for years.	1:02:56	1:02:57
To explain.	1:02:59	1:03:01
KNOCK ON DOOR	1:03:04	1:03:05
Benjie, it's Jeb Berg.	1:03:07	1:03:09
I'm taking a nap, Jeb.	1:03:12	1:03:13
There he is, hey, that's all right, listen...	1:03:13	1:03:16
I've got my nieces here from Connecticut and they...	1:03:16	1:03:18
Universal Studios.	1:03:18	1:03:19
Put their asses on the tram, Jebbo.	1:03:19	1:03:21
You're so mean.	1:03:26	1:03:28
I fuck 'em when I can. Do you want a Cobalt?	1:03:28	1:03:31
Nah, sugar makes me crazy.	1:03:31	1:03:33
Very funny.	1:03:35	1:03:36
So, uh, Mom and Dad...	1:03:39	1:03:41
sent you to the snake pit?	1:03:41	1:03:43
The courts did.	1:03:43	1:03:44
Looking pretty good.	1:03:46	1:03:48
I was in Sherman Oaks. On the burn ward.	1:03:48	1:03:51
After my grafts they sent me to Florida.	1:03:51	1:03:53
Land of Scarface.	1:03:53	1:03:54
Tony Montana, I love it.	1:03:54	1:03:56
Did you put that in?	1:04:01	1:04:03
Um-hm.	1:04:03	1:04:05
That's Havana's mom.	1:04:05	1:04:06
Did you start the fire?	1:04:09	1:04:11
This is hard.	1:04:14	1:04:16
No shit. Did you?	1:04:16	1:04:18
But I didn't want anything to happen to you.	1:04:21	1:04:24
Do you know about them?	1:04:24	1:04:26
About who we are. Did they tell you?	1:04:26	1:04:28
Pills?	1:04:28	1:04:30
Vitamins? Probably something for sleep.	1:04:30	1:04:33
So you gave me pills and then you set the house on fire?	1:04:33	1:04:38
Why am I having trouble with the "I didn't want anything to happen to you" part?	1:04:38	1:04:41
I was seeing things! Like what?	1:04:41	1:04:44
Children.	1:04:44	1:04:45
What did you do...when you, uh...	1:04:48	1:04:51
when you saw them?	1:04:51	1:04:52
I would say...	1:04:54	1:04:55
by this ring, you are consecrated to me.	1:04:55	1:04:59
I remember that's...that's... that was the game we played.	1:04:59	1:05:02
It always worked.	1:05:02	1:05:04
As soon as I said it, they always went away.	1:05:04	1:05:06
OK, uh... I think you have to go now.	1:05:10	1:05:13
Benjie...	1:05:16	1:05:18
There's this script.	1:05:18	1:05:21
I can't explain, but you're part of this beautiful mythological script.	1:05:21	1:05:24
Oh, my God.	1:05:24	1:05:26
My long lost psychotron sister is pitching me a movie.	1:05:26	1:05:30
Agatha, leave.	1:05:34	1:05:36
And take the DVD with you.	1:05:36	1:05:38
You don't have to worry about me starting any more fires.	1:05:41	1:05:44
They blew my pilot light out.	1:05:46	1:05:48
Work your programme, Milton.	1:05:51	1:05:54
Don't argue in the bedroom. Bedroom...for sleeping,	1:05:54	1:05:56
making love, not for fighting.	1:05:56	1:05:58
You need to talk, go to a coffee shop.	1:05:58	1:06:00
Thank you.	1:06:00	1:06:02
Thanks. See you Tuesday.	1:06:03	1:06:05
OK. Thanks.	1:06:05	1:06:07
PHONE RINGS	1:06:07	1:06:08
Yeah?	1:06:14	1:06:15
Was she there now?	1:06:18	1:06:19
Hello, Agatha.	1:06:38	1:06:39
My books!	1:06:42	1:06:44
You read any of them?	1:06:44	1:06:46
Yes.	1:06:46	1:06:48
Secrets Kill.	1:06:48	1:06:50
A classic.	1:06:50	1:06:53
How did you find me?	1:06:53	1:06:54
Please, no film noir questions.	1:06:54	1:06:56
Did Benjie... Did Benjie tell me you're here?	1:06:56	1:06:59
How would he know that? Did you go see Benjie?	1:06:59	1:07:01
No... Bad idea. Going to see Benjie.	1:07:01	1:07:04
Reckless.	1:07:04	1:07:06
The question remains.	1:07:08	1:07:09
Why are you in LA?	1:07:11	1:07:12
I'm in recovery.	1:07:14	1:07:17
I wanted to make amends.	1:07:17	1:07:19
No-one escapes the long arm of 12-step.	1:07:19	1:07:22
Why didn't you ever come and see me?	1:07:27	1:07:29
That's a victim question.	1:07:29	1:07:32
That's an I Never Promised You A Rose Garden question.	1:07:32	1:07:36
You know why.	1:07:36	1:07:38
I don't believe in rewarding homicidal behaviour.	1:07:38	1:07:41
I've changed.	1:07:41	1:07:43
I wanted to tell you how... how sorry I am for what I did.	1:07:44	1:07:48
I wanted to tell you and Mother. I sent letters.	1:07:48	1:07:51
Apologies accepted.	1:07:51	1:07:54
You need money?	1:07:54	1:07:55
No, I have a job.	1:07:57	1:07:59
I'm working for Havana Segrand.	1:07:59	1:08:01
She asked if I knew you.	1:08:01	1:08:03
Here.	1:08:03	1:08:04
Here's $10,000 dollars.	1:08:04	1:08:05
I want you to get on a plane, that would be a true amends.	1:08:05	1:08:08
Our lives are rich and full.	1:08:08	1:08:09
We made them from the ashes of what you left.	1:08:09	1:08:12
Give Ms Segrand notice.	1:08:13	1:08:15
Father...	1:08:16	1:08:18
Please.	1:08:20	1:08:21
Don't ever think about seeing Benjie again or Cristina,	1:08:21	1:08:25
do you understand?	1:08:25	1:08:26
You can't have actually believed	1:08:26	1:08:29
I would let you come back and fuck up my world again?	1:08:29	1:08:32
Take your skin cream...	1:08:32	1:08:34
and your meds and your hefty bag luggage and set them at the door.	1:08:34	1:08:38
And work your programme.	1:08:43	1:08:45
All right.	1:08:55	1:08:56
We're done, Benjie. I'll see you Friday.	1:08:56	1:08:59
All right, thanks, Rusty.	1:08:59	1:09:01
Hey!	1:09:16	1:09:18
What are you doing in there?	1:09:18	1:09:19
What the fuck are you doing in my pool?	1:09:23	1:09:25
Who are you?	1:09:25	1:09:26
Micah!	1:09:26	1:09:28
It's the drowned boy.	1:09:30	1:09:32
I don't want to see you.	1:09:33	1:09:36
I didn't do anything to you.	1:09:36	1:09:38
His father thinks he could have done something to save him.	1:09:39	1:09:43
That's what father's always think.	1:09:43	1:09:45
I'm not doing this.	1:09:45	1:09:47
Go play with somebody else.	1:09:48	1:09:51
I'm alive, asshole! I'm alive! And I'm not crazy!	1:09:51	1:09:55
I know a man...	1:10:09	1:10:11
who lives under the sword of Damocles	1:10:11	1:10:13
we call AIDS.	1:10:13	1:10:16
"When my time comes," he told me,	1:10:16	1:10:18
"I'll be ready.	1:10:18	1:10:20
"My bags are packed and at the door."	1:10:20	1:10:24
I like that. I like that very m...	1:10:24	1:10:26
SHE SOBS	1:10:28	1:10:29
SOBBING CONTINUES	1:10:52	1:10:54
Liberty.	1:11:46	1:11:48
Say, "We have to stop."	1:11:53	1:11:55
We have to stop.	1:11:57	1:11:58
"You're a patient here. I want to help you."	1:11:58	1:12:00
You're a patient here. I want to help you.	1:12:03	1:12:05
"You don't think I set those fires, do you?"	1:12:05	1:12:08
Say, "I think that you didn't mean to. You just need help, that's all."	1:12:08	1:12:12
I think you didn't mean to. You just need help, that's all.	1:12:12	1:12:15
Don't you want to help me?	1:12:17	1:12:18
Leave my stockings.	1:12:23	1:12:25
I have burns.	1:12:25	1:12:26
My legs. My stomach. My back.	1:12:26	1:12:28
OK.	1:12:32	1:12:33
On my school notebook	1:12:40	1:12:42
On my desk and on the trees	1:12:42	1:12:44
In the sand and in the snow	1:12:44	1:12:46
I write your name	1:12:46	1:12:47
On all the flesh that says yes	1:12:47	1:12:49
On the forehead of my friends	1:12:49	1:12:50
On every hand held out I write your name.	1:12:50	1:12:53
ON TV: Your mother, of course, was Clarice Taggart.	1:13:25	1:13:28
The wonderful actress who died tragically in a fire in the mid '70s.	1:13:28	1:13:32
Christmas '76.	1:13:32	1:13:34
You've spoken of your mother's addictions.	1:13:34	1:13:37
And recently revealed and, very bravely, I must say,	1:13:37	1:13:40
that you yourself were physically abused.	1:13:40	1:13:43
And sexually, yes.	1:13:43	1:13:45
Which is far more uncommon, usually it's a male, the father, stepdad, what have you.	1:13:45	1:13:49
And I want to talk about that, Havana, but first...	1:13:49	1:13:52
There is a question that I've been dying to ask.	1:13:52	1:13:55
What is it like	1:13:55	1:13:57
starring in a remake of a movie, Stolen Waters, as you are now,	1:13:57	1:14:01
and essentially	1:14:01	1:14:03
playing your mother?	1:14:03	1:14:05
Scary.	1:14:05	1:14:06
I mean, we all hear that we become our mothers but	1:14:06	1:14:10
this is a bit extreme.	1:14:10	1:14:12
And she was even nominated?	1:14:12	1:14:14
For an Academy Award, yes, which I believe she should have won.	1:14:14	1:14:16
But she did get the Golden Globe.	1:14:16	1:14:18
I suppose I feel about as comfortable as I, as I could.	1:14:18	1:14:23
We're very lucky to have Damien Javitz directing...	1:14:23	1:14:25
Agatha! Agatha, can you come up here?	1:14:25	1:14:28
..Strange films. Honoured? Yes, but strange nonetheless.	1:14:28	1:14:32
Don't be shy.	1:14:35	1:14:37
I'm so backed up from the Vicodin.	1:14:37	1:14:39
I need you to go back to Whole Foods and get me a laxative.	1:14:39	1:14:42
I think it's called Quiet Moment.	1:14:42	1:14:43
SHE PASSES WIND Oh...	1:14:43	1:14:45
They should call it Un-Quiet Moment.	1:14:45	1:14:48
Um, and I'm going to need you tonight.	1:14:48	1:14:50
Maria can't work. One of her 1,000 kids has cholera or whatever.	1:14:50	1:14:54
Oh, um...but what...what do I do?	1:14:54	1:14:56
Um, kitchen stuff. Mostly.	1:14:56	1:14:59
You know, easy. Refill drinks, maybe little serving.	1:14:59	1:15:03
You'll have fun. Lots of interesting people.	1:15:03	1:15:05
It'll be good for you.	1:15:05	1:15:07
SHE PASSES WIND	1:15:07	1:15:08
Fuck!	1:15:08	1:15:10
I think I'm going to need an enema.	1:15:10	1:15:12
Oh! Wait, wait.	1:15:12	1:15:14
I wanted to ask you something.	1:15:14	1:15:15
Do you see men?	1:15:17	1:15:19
Sometimes.	1:15:19	1:15:21
Are you seeing someone now?	1:15:21	1:15:23
You are!	1:15:27	1:15:29
Just dating a little.	1:15:29	1:15:31
What does he do?	1:15:31	1:15:33
He's an actor.	1:15:33	1:15:34
Oh, God! They're the worst!	1:15:34	1:15:35
You have to fight them for the mirror in the mornings.	1:15:35	1:15:38
Well, in my case, that doesn't apply.	1:15:38	1:15:40
He writes, too.	1:15:40	1:15:42
No. You know, you're very attractive. Don't run yourself down.	1:15:43	1:15:47
Do you do it with him?	1:15:47	1:15:49
Havana! Eh, you can tell me!	1:15:49	1:15:53
How much do you do?	1:15:53	1:15:55
Almost everything.	1:15:55	1:15:57
Do you come?	1:15:57	1:15:58
There you go.	1:15:59	1:16:01
Is he a waiter?	1:16:01	1:16:03
No. He...you...uh, he drives a limousine.	1:16:03	1:16:05
You met him outside of Valentino's.	1:16:05	1:16:07
Oh, yeah!	1:16:07	1:16:08
He's cute.	1:16:08	1:16:10
Man! Limo-drivers are wolves!	1:16:10	1:16:13
Um, OK.	1:16:13	1:16:15
Um, I need	1:16:15	1:16:17
yogurt and cigarettes and call the hot tub man because the water's cold.	1:16:17	1:16:21
My God. Oh, my God! It stinks in here!	1:16:21	1:16:24
Hey, sucker fish!	1:16:33	1:16:34
Hey! You're out late for a school night.	1:16:34	1:16:36
Two days off.	1:16:36	1:16:38
Have a Shirley Temple.	1:16:38	1:16:39
"Shirley" you jest.	1:16:39	1:16:41
Don't call me Shirley.	1:16:41	1:16:43
Oh, um, Benjie Weiss. Gretchen Voss.	1:16:43	1:16:46
Hey, ah... I feel like getting in some shit tonight.	1:16:48	1:16:50
You got any? What, the suits workin' you?	1:16:50	1:16:52
Busting my expensive little hump, one day at a time.	1:16:52	1:16:54
Where's...ah...Kayla?	1:16:57	1:16:59
Naw, fuck her.	1:16:59	1:17:00
I did! After the teamsters sold her my poop.	1:17:00	1:17:04
She got it for a song.	1:17:04	1:17:06
Well, you mean for a schlong.	1:17:06	1:17:09
Oh, it's a long story.	1:17:09	1:17:10
Long and coiled.	1:17:10	1:17:12
What up with Sam?	1:17:12	1:17:15
Well, let's find out.	1:17:15	1:17:17
Shall we?	1:17:17	1:17:19
She dug you, man.	1:17:19	1:17:21
She dug you and you dissed her.	1:17:21	1:17:22
I didn't diss her.	1:17:22	1:17:24
Rhett, I know you're holdin', man.	1:17:26	1:17:27
I'm not going to be the one to fuck up your sobriety, OK, Benjie?	1:17:27	1:17:30
Are you doing the new Baby-sitter sequel?	1:17:32	1:17:36
Yeah.	1:17:36	1:17:37
They made me an offer my mother couldn't refuse.	1:17:37	1:17:40
You made so much money.	1:17:40	1:17:41
Yeah.	1:17:41	1:17:43
Saw you in Thrill Kill. Cool.	1:17:43	1:17:45
We tried to have fun with horror. The critics got it anyways.	1:17:45	1:17:49
I, uh...	1:17:49	1:17:50
Got a little GHB, if you want to get high?	1:17:50	1:17:52
I think I love you.	1:17:52	1:17:54
All right, Sam's on her way, Jose.	1:17:55	1:17:57
Done deal.	1:17:57	1:17:59
The Terminator.	1:18:00	1:18:01
Cheers.	1:18:03	1:18:04
Cheers.	1:18:05	1:18:06
So, I got this off of eBay...	1:18:11	1:18:13
and supposedly it was used at Columbine. Check it out.	1:18:13	1:18:16
Hey! Hey! It's loaded, man! That's loaded.	1:18:20	1:18:23
Then I'll empty it.	1:18:23	1:18:25
OK, don't fuck around.	1:18:25	1:18:26
Benjie!	1:18:28	1:18:29
Oh, my God, that is so sick.	1:18:31	1:18:32
Oh, God, if America only knew.	1:18:32	1:18:35
Finish the joke, Rhett.	1:18:35	1:18:37
About the hillbilly.	1:18:37	1:18:38
Oh, my God! You've only been telling it for an hour.	1:18:38	1:18:40
OK, so, OK, the hillbilly says to the yuppie...	1:18:40	1:18:44
And what exactly is a yuppie?	1:18:44	1:18:45
Are you serious?	1:18:45	1:18:47
Oh, like, I know what it is.	1:18:47	1:18:49
I just don't know what it stands for. OK.	1:18:49	1:18:51
The hillbilly says to the yuppie, right?	1:18:51	1:18:53
He says, "I know a place where we can go."	1:18:53	1:18:55
Right? "Where they got dancing, they got farting	1:18:55	1:18:58
"they got drinking and they got FUCKING, WOO!"	1:18:58	1:19:01
Does this joke end in safe sex?	1:19:01	1:19:03
Fuck safe sex! Let's bareback!	1:19:03	1:19:05
All right, come on, give me that.	1:19:05	1:19:07
Eh, I said...	1:19:07	1:19:08
Does this joke end in safe sex?	1:19:08	1:19:10
Oh, well...	1:19:10	1:19:12
I hope not.	1:19:12	1:19:13
I'm going to have to kill you.	1:19:13	1:19:15
Come on, Benjie!	1:19:16	1:19:17
This is getting old, all right? Yuppie says...	1:19:17	1:19:19
"Great! Who else is going to be there?"	1:19:19	1:19:22
And the hillbilly says...	1:19:22	1:19:24
"Who else?	1:19:24	1:19:25
"Just me...	1:19:25	1:19:26
"and you."	1:19:26	1:19:27
DOG PANTS	1:19:31	1:19:32
DOG BARKS	1:19:33	1:19:34
GUNSHOT	1:19:35	1:19:36
You motherfucker! You idiot!	1:19:36	1:19:39
Oh, God! Holy shit!	1:19:39	1:19:41
That's so fucked! FUCK!	1:19:41	1:19:43
Get out of here, Benjie! Rhett, man, I'm sorry! You saw... I...	1:19:43	1:19:46
I had all the bullets out.	1:19:46	1:19:48
You're fucking crazy. You killed my dog, asshole!	1:19:52	1:19:54
You sick motherfucker! You killed my dog! GET OUT OF HERE!	1:19:54	1:19:58
May I come in?	1:20:05	1:20:07
I'm not sure that's a good idea. I won't stay long, Mom.	1:20:08	1:20:11
I just wanted to make amends.	1:20:11	1:20:13
I've seen this house in the magazines.	1:20:23	1:20:26
In, ah...	1:20:27	1:20:28
Architectural Digest and the profiles of Father.	1:20:28	1:20:32
Makes me feel exposed, but...	1:20:35	1:20:37
..Stafford likes things personalised.	1:20:40	1:20:43
Show the world how and where we live.	1:20:43	1:20:46
Can I...	1:20:54	1:20:56
get you anything?	1:20:56	1:20:58
Um, no, thank you.	1:20:58	1:20:59
I supposedly quit.	1:21:08	1:21:10
Actually, I thought you'd come here sooner, it...	1:21:12	1:21:15
It's been seven years.	1:21:15	1:21:17
Takes me that long to put on my make-up.	1:21:19	1:21:21
Agatha, I... I didn't go to see you.	1:21:26	1:21:28
I wouldn't have come to see me if I were you either.	1:21:28	1:21:30
I was afraid.	1:21:33	1:21:34
Cos of what you did.	1:21:36	1:21:38
You don't have to explain.	1:21:38	1:21:40
I've dreamt so much of that old house.	1:21:40	1:21:43
It was the first place I visited when I got back here.	1:21:43	1:21:46
It's so strange that nobody has built on it.	1:21:46	1:21:49
Well, we still own the property.	1:21:49	1:21:51
Since before I can remember, I've had the same dream.	1:21:51	1:21:55
Benjie and me, getting married there.	1:21:55	1:21:57
In a big white tent. It didn't make any sense.	1:21:57	1:21:59
And then I found out about you and Dad.	1:21:59	1:22:02
You were in Europe, I...	1:22:02	1:22:04
found the key to the lock box, all the pictures.	1:22:04	1:22:07
We didn't know we were brother and sister.	1:22:09	1:22:11
We'd been separated since we were kids.	1:22:13	1:22:16
It was a freak thing, we...	1:22:19	1:22:20
..met on campus, in the desert...	1:22:22	1:22:24
Agatha, we didn't know.	1:22:26	1:22:28
We didn't know.	1:22:30	1:22:32
DOOR OPENS	1:22:32	1:22:33
What are you doing here?	1:22:42	1:22:44
Stafford, it's all right.	1:22:44	1:22:45
I told you to stay away from us.	1:22:47	1:22:49
You didn't know.	1:22:51	1:22:52
It was a freak thing.	1:22:54	1:22:55
I found the diaries.	1:22:56	1:22:59
Love is stronger than death.	1:22:59	1:23:01
You crazy cunt! Stafford!	1:23:08	1:23:10
Daddy, don't!	1:23:10	1:23:11
Get off her!	1:23:14	1:23:15
OK. OK.	1:23:25	1:23:26
Got to go! Got to go! Don't take her!	1:23:26	1:23:28
Got to go! Don't take her!	1:23:28	1:23:30
Don't take her!	1:23:30	1:23:33
Let me go!	1:23:33	1:23:35
My ring.	1:23:59	1:24:01
She took my wedding ring.	1:24:02	1:24:04
My ring.	1:24:06	1:24:07
Piss patrol!	1:24:31	1:24:33
Caught in the act.	1:24:33	1:24:34
You know...	1:24:35	1:24:37
You're chewing some major scenery out there.	1:24:37	1:24:40
What do you mean? You know what I mean.	1:24:40	1:24:42
Va-bina head!	1:24:43	1:24:46
Who's the star of the show?	1:24:46	1:24:49
Huh?!	1:24:49	1:24:50
Can you tell me that, Roy?	1:24:50	1:24:52
Uh...you are?	1:24:52	1:24:54
He's not your enemy.	1:24:55	1:24:58
You!	1:24:59	1:25:00
Love is stronger than death.	1:25:02	1:25:04
You're...a bad baby-sitter, Benjamin!	1:25:11	1:25:13
You die!	1:25:13	1:25:14
DIE!	1:25:14	1:25:16
You're a bad baby-sitter!	1:25:16	1:25:18
Fuck.	1:25:46	1:25:47
Fuck!	1:25:49	1:25:50
Fuck!	1:25:52	1:25:53
He may be groggy from the medication.	1:25:58	1:26:00
Oh.	1:26:03	1:26:05
Oh, my baby! My baby! My baby! My baby...	1:26:05	1:26:09
I'm so sorry, Mom.	1:26:15	1:26:17
Why?	1:26:17	1:26:19
Benjie, why did you do it?	1:26:19	1:26:22
He was just a little boy...	1:26:22	1:26:23
I saw her again...	1:26:26	1:26:28
Who, baby? Agatha?	1:26:30	1:26:32
Did Agatha come to see you?	1:26:32	1:26:34
The little girl. She tricked me.	1:26:34	1:26:37
What little girl?	1:26:37	1:26:39
From the hospital. The one that died.	1:26:40	1:26:42
I keep seeing.	1:26:42	1:26:45
Oh, my baby! My baby! My baby!	1:26:45	1:26:49
Oh, my baby! My baby! My baby! My ba...	1:26:50	1:26:54
We've got to get him home.	1:26:54	1:26:56
I'd like to place him outside of California.	1:26:56	1:26:59
We need Jonas to speak with the district attorney.	1:26:59	1:27:02
He's only 13.	1:27:02	1:27:04
We have to factor in the violence of the assault, Cristina.	1:27:06	1:27:10
He didn't take a gun to a kid at school, Harriet! He hurt one boy. One boy!	1:27:10	1:27:14
The state has become very tough on minors.	1:27:14	1:27:17
They won't send him to jail?	1:27:18	1:27:20
They won't send him to jail.	1:27:22	1:27:23
The boy's going to be all right.	1:27:29	1:27:30
Oh, thank God!	1:27:30	1:27:33
They've shut down production.	1:27:33	1:27:34
I don't know if they are going to recast.	1:27:36	1:27:37
But it's such a small little part, what?	1:27:40	1:27:43
BENJIE! They are talking about recasting BENJIE!	1:27:43	1:27:45
My God. It's over!	1:27:45	1:27:47
DONE!	1:27:47	1:27:48
Now the whole world...	1:27:50	1:27:52
will know.	1:27:52	1:27:54
The world will know we have done crimes.	1:27:58	1:28:02
Hope you don't mind that I requested you.	1:28:02	1:28:05
No, I'm glad.	1:28:05	1:28:07
SHE COUGHS	1:28:07	1:28:09
God!	1:28:09	1:28:10
I feel shitty. I think I've got bronchitis.	1:28:10	1:28:14
Kind of makes your voice sound sexy.	1:28:14	1:28:16
Thank you.	1:28:16	1:28:18
So, how's the romance going?	1:28:18	1:28:20
It's all right. It's pretty good.	1:28:21	1:28:24
What's that all about for you?	1:28:26	1:28:29
What do you mean? Um, you know...	1:28:29	1:28:31
the burn thing?	1:28:31	1:28:34
Was it creepy...	1:28:34	1:28:36
..to fuck her?	1:28:37	1:28:39
Uh, not really.	1:28:42	1:28:44
Does she take her gloves off?	1:28:46	1:28:48
Do your friends think it's weird?	1:28:53	1:28:55
Have your friends even met her?	1:28:57	1:28:58
I'm kind of trying to...	1:29:00	1:29:01
..trying to write a script about it.	1:29:03	1:29:05
Ah, research.	1:29:05	1:29:11
Everything is research on some level.	1:29:11	1:29:13
Mm.	1:29:15	1:29:16
Would you fuck me if I asked you to? For research?	1:29:19	1:29:23
I don't know.	1:29:28	1:29:29
How would we do it?	1:29:31	1:29:33
Can you see me?	1:29:35	1:29:36
Look at what I'm doing.	1:29:38	1:29:40
How would we fuck?	1:29:42	1:29:44
From behind.	1:29:45	1:29:48
We could if you want.	1:29:48	1:29:50
I want.	1:29:50	1:29:52
For a long time.	1:29:52	1:29:54
Yeah?	1:29:54	1:29:56
Am I better looking...than her?	1:29:57	1:30:00
Yeah.	1:30:05	1:30:07
And my skin...	1:30:07	1:30:09
do I have better skin?	1:30:09	1:30:11
Yeah.	1:30:12	1:30:13
And my holes...	1:30:14	1:30:16
are my holes better?	1:30:16	1:30:19
You want to fuck my holes?	1:30:19	1:30:21
Yeah.	1:30:21	1:30:22
I gotta go.	1:30:57	1:30:58
Do me a favour? Don't get out, just climb over.	1:31:02	1:31:05
What happened to you?	1:31:28	1:31:30
I took the bus.	1:31:31	1:31:33
What's wrong with the car?	1:31:33	1:31:36
It broke.	1:31:36	1:31:37
What happened to you yesterday?	1:31:37	1:31:40
I was sick.	1:31:40	1:31:41
Yeah. I've been sick all week.	1:31:41	1:31:43
I still manage to get up at five in the morning and work for 14 hours.	1:31:43	1:31:47
What's wrong with you?	1:31:47	1:31:49
I think I have the flu.	1:31:50	1:31:52
You're acting really weird.	1:31:52	1:31:55
You're dirty.	1:31:55	1:31:57
I'm sorry.	1:31:57	1:31:59
Was it too much trouble to just like text?	1:31:59	1:32:02
I'm sorry.	1:32:03	1:32:04
Stop saying that.	1:32:04	1:32:06
Uh...you know.	1:32:06	1:32:09
Maybe this isn't working out.	1:32:09	1:32:10
Maybe you need to just go back to Florida.	1:32:10	1:32:12
You know.	1:32:12	1:32:13
Go back to Kansas, Dorothy. That's fine.	1:32:13	1:32:16
But, I wish you wouldn't just sit there, like that, because it's creeping me out.	1:32:16	1:32:20
You smell.	1:32:23	1:32:25
You smell! You hear me?	1:32:25	1:32:27
Go home and take a bath!	1:32:27	1:32:30
I'm sorry.	1:32:30	1:32:31
Oh, my God!	1:32:32	1:32:34
You bled!	1:32:34	1:32:35
Don't you...? Don't you use fucking Tampax?!	1:32:35	1:32:38
Are you psychotic? I'm sorry.	1:32:38	1:32:41
I don't... I don't believe this. My... My crazy assistant just...	1:32:41	1:32:44
bled on my $12,000 dollar couch!	1:32:44	1:32:47
I don't want you in my life!	1:32:47	1:32:49
You sick fucking pig!	1:32:49	1:32:51
I'm sorry, I'll pay for...	1:32:51	1:32:52
Go to the kitchen and get Perrier and bleach.	1:32:52	1:32:55
And google the best way to get rid of a stain.	1:32:55	1:32:57
I... I pick you up off the street.	1:32:57	1:32:59
I give you money so you could be late for work	1:32:59	1:33:01
and have your period on my furniture!	1:33:01	1:33:04
Do you...? Do you think that Carrie Fisher...?	1:33:04	1:33:07
Do you...do you think Nicole Kidman and Halle Berry	1:33:07	1:33:10
have scary little animals working for them?	1:33:10	1:33:12
Scary, deformed...	1:33:12	1:33:14
DOORBELL RINGS	1:33:56	1:33:57
Hi, Agatha.	1:34:08	1:34:10
Benjie.	1:34:10	1:34:12
I went AWOL and...	1:34:12	1:34:13
I told an orderly that if he let me leave slip out then...	1:34:13	1:34:16
I'd give him $10,000 dollars.	1:34:16	1:34:20
Douche-bag star-fucker.	1:34:20	1:34:22
How did you find me?	1:34:28	1:34:30
You said you worked for her.	1:34:30	1:34:31
And I've been up here before, so...	1:34:33	1:34:36
Where's Havana?	1:34:38	1:34:40
She went to the Canyon Ranch. Damien gave her a couple of days off.	1:34:40	1:34:44
I'm lost, Agatha.	1:34:52	1:34:54
I couldn't go to Rhett's and I can't go home.	1:34:56	1:34:59
Benjie, you have to listen to me, because there's nothing else.	1:34:59	1:35:03
It's all ending now. Do you understand?	1:35:03	1:35:05
This is Cristina's.	1:35:07	1:35:09
You've got to get Daddy's, can you do that?	1:35:09	1:35:11
Can you go to the house and get Daddy's ring?	1:35:11	1:35:13
We're going to keep it quiet as long as we can.	1:35:16	1:35:19
I don't want anything interfering with the book tour.	1:35:19	1:35:21
Worse case...	1:35:21	1:35:23
I go on Oprah again.	1:35:23	1:35:25
'Fess up.	1:35:25	1:35:27
Do the whole Lance Armstrong thing.	1:35:27	1:35:30
That'll build us a fresh money stream.	1:35:30	1:35:32
So, we kick it off Monday morning. With GMA, play it as it lays.	1:35:34	1:35:39
Ciao.	1:35:39	1:35:40
Cristina?	1:36:09	1:36:13
Cristina?	1:36:19	1:36:20
FLAMES ROAR	1:36:31	1:36:32
SCREAMING	1:36:32	1:36:33
Cristina!?	1:36:37	1:36:39
Cristina!	1:36:39	1:36:40
Dad?	1:37:19	1:37:20
Dad?	1:37:22	1:37:23
I haven't taken this many before.	1:38:22	1:38:24
That was so brave of you.	1:38:32	1:38:34
To go back there.	1:38:35	1:38:37
I just slipped it off his finger.	1:38:38	1:38:40
It was like he wanted me to have it.	1:38:42	1:38:44
We should start.	1:39:28	1:39:29
I had 13 summers.	1:39:31	1:39:34
Not so bad.	1:39:34	1:39:36
Hey, not so bad.	1:39:36	1:39:38
By this ring...	1:39:48	1:39:49
By this ring...	1:39:49	1:39:50
You are consecrated to me.	1:39:50	1:39:52
I am consecrated to you.	1:39:52	1:39:54
As my husband.	1:39:54	1:39:56
As your husband.	1:39:56	1:39:57
By this ring... By this ring...	1:40:06	1:40:09
You are consecrated to me as my wife.	1:40:09	1:40:11
I am consecrated to you as your wife.	1:40:11	1:40:13
Make me as a seal upon your heart.	1:40:15	1:40:17
You may kiss the bride.	1:40:19	1:40:20
On absence without desire	1:40:33	1:40:36
On absence without desire	1:40:36	1:40:38
On naked solitude	1:40:38	1:40:40
On naked solitude	1:40:40	1:40:42
On the stairs of death I write your name.	1:40:42	1:40:44
On the stairs of death I write your name.	1:40:44	1:40:47
On health that has returned	1:40:47	1:40:49
On health that has returned	1:40:49	1:40:50
On danger that has left	1:40:50	1:40:52
On danger that has left	1:40:52	1:40:54
On hope without memory	1:40:54	1:40:56
I write your name	1:40:56	1:40:58
On hope without memory I write your name	1:40:58	1:41:01
And by the power of a word	1:41:01	1:41:03
By the power of a word	1:41:03	1:41:05
I renew my life	1:41:05	1:41:06
I renew my life	1:41:06	1:41:08
I was born to know you and to name you	1:41:08	1:41:11
I was born to know you and to name you	1:41:11	1:41:14
Liberty	1:41:14	1:41:16
Liberty.	1:41:16	1:41:17
Promise me that you'll come and find me.	1:43:30	1:43:32

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