Three Coins in the Fountain


Three Coins in the Fountain

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MAN: # Three coins in the fountain

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# Each one seeking happiness

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# Thrown by three hopeful lovers

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# Which one will the fountain bless?

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# Three hearts in the fountain

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# Each heart longing for its home

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# There they lie in the fountain

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# Somewhere in the heart of Rome

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# Which one will the fountain bless?

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# Which one will the fountain bless?

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# Three coins in the fountain

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# Through the ripples, how they shine

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# Just one wish will be granted

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# One heart will wear a valentine

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# Make it mine, make it mine

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# Make it mine! #

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MAN SPEAKING ITALIAN ON PA SYSTEM

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MAN SPEAKING ITALIAN CONTINUES

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Pardon me. Are you Maria Williams?

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-Yes, I am.

-Oh, I'm Anita Hutchins.

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-Hi.

-Hi. Mr Burgoyne sent me down to meet you.

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I'm with the agency. Here, let me take your bag.

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Thank you.

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We're over here. Come on.

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-This is your apartment?

-You like it?

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I'm awed!

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Secretaries live very well in Rome. You'll get spoiled after a while. Frances!

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Yes? I'm having breakfast on the balcony. Come on out.

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-Welcome to Rome.

-Thank you.

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-Did you have any trouble finding her?

-I picked her out first try.

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-Have you had any breakfast?

-I can't remember.

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Then have some with us. Anna!

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Oh, my, oh, my!

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Oh, what a beautiful way to live.

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I'm glad you like it. When Anita leaves, I was going to suggest...

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-ANITA:

-I've already told her.

-Anna. This is Miss Williams.

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Buon giorno, signorina.

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-SHE SPEAKS IN ITALIAN

-How do you do?

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SPEAKING ITALIAN

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What would you like?

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-Oh, anything, thank you.

-SPEAKING ITALIAN

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Va bene, signorina.

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I don't think I could afford anything as elegant as this, or even half of it.

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I promise you can. You're paid at the agency in dollars.

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The rate of exchange is in your favour.

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-Are you with the agency too?

-No, I'm John Frederick Shadwell's secretary.

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-The man who wrote Winter Harvest?

-Mm-hmm.

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-No less.

-Mmm. He's a great writer, isn't he?

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He's a great man.

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I thought he was dead.

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Most people do, because he hasn't been back to America since his early 20s.

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Frances has been with him for 15 years.

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Gosh. Oh, when do I meet my boss?

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After breakfast. We'll all drive to work together.

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You'll meet him in plenty of time. There's nothing rushed in Rome.

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Oh, I'm going to like Rome, at any rate of exchange.

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-What's that?

-That's the Fountain of Trevi.

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-ANITA:

-Do you want to see it?

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If you throw a coin into the pool, you're supposed to get your wish.

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Only the wish must always be the same thing - that you'll return again to Rome.

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I've tossed a coin into the fountain every April for the last...15 years.

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It's my spring ritual. It's time to throw one in again.

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-Don't you want to wish?

-Oh, yes.

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Keep me in Rome at least a year, Mr Fountain.

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No! No, no. You have to turn around and throw it over your shoulder.

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-Oh.

-SPLASHES

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Bring me...another year of contentment...

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whatever gods are listening.

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A penny's worth of hope.

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Aren't you going to wish?

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No. I don't want to come back to Rome.

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Anita's going home to be married.

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Then I don't blame you. Don't tempt fate.

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-Good morning, Eleanor.

-Good morning, Anita.

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This is my desk. You'll share it with me for the time being.

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Oh, when do I meet Mr Burgoyne?

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-I'll see if he's in.

-ON INTERCOM: 'Yes?'

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Good morning, Mr Burgoyne. Miss Williams is here. Shall I bring her in?

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'Not at all. I'll come out.'

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-Boss loves to make a good impression.

-Any particular instructions?

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No. Just be yourself.

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Well, well, well, Miss Williams.

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Welcome to USDA.

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I abbreviate the name of the agency. It's the age of the alphabet.

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-Oh, I see. Thank you.

-We hope you like Rome and the agency.

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-Thank you. I'm sure I will.

-Good, good, good.

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I thought I'd spend the morning showing Maria how we operate here.

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Fine, fine, fine. Oh!

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Mrs Burgoyne is giving a cocktail party this afternoon.

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Anita, if you and Miss Williams are not otherwise occupied...

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..Mrs Burgoyne would like to meet Miss Williams.

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-Thank you. I'd love to meet Mrs Burgoyne.

-We'll expect you, then.

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-Buon giorno.

-MAN: Buon giorno, signorina.

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Oh. Good morning.

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I didn't think you'd be up.

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-I've been up all night.

-I must say, you look it.

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You might show a little consideration for a man who's just written 20,000 words.

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You've started it.

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I got home at midnight intoxicated with an idea.

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I worked myself into a creative hangover.

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-Let me fix you some coffee.

-No. No, thanks.

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While you type these up, I'm going to fall into bed.

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I'm glad you've given up writing articles...

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..and started back to work on a novel again.

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-I was afraid you were afraid.

-What do you mean by that?

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Nothing. I was worried for fear the critics had intimidated you after that last one.

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-I should have known better.

-Of course you should have.

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I write for myself, not the critics.

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You'll be pleased to know the old master is back in stride again.

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I'm rather anxious to hear what you think about the start.

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Not only do I consider it magnificent

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but I have a sneaking suspicion it's pretty good.

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Get some sleep.

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I'll knock on your door in time for you to make it to the Burgoyne cocktail party.

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Not I.

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I have no intention of exposing myself to that dreary assemblage.

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When I get up, I'm gonna stroll through the gardens of the villa

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in solitary contentment.

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But I've already accepted the invitation in your name.

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Then jolly well make an excuse in my name.

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Do you know what people say when I mention I work for you?

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CHUCKLING Something envious, I presume.

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-They say, "Oh, I thought he was dead."

-Do they, indeed?

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You can't be as antisocial as you are and still expect people to know you're alive.

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-So they think that I'm dead, do they?

-Hmm.

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Well, well. CHUCKLES

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Wake me at 4:00.

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I'll make an appearance to prove my public only half right.

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When these come in from Washington, they have to be translated into Italian.

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-By me?

-Oh, no. We have interpreters here.

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Georgio, would you come in for a minute, please?

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Georgio handles our translations for us.

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Then they're given to Mr Burgoyne for clearance with the Italian bureau.

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-Good morning, Miss Anita.

-Oh. Good morning.

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Maria, this is Georgio Bianchi. Georgio, this is Maria Williams.

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She'll be taking my place when I leave.

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If I can be of any help, please call me.

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I heard you were returning to America, Miss Anita.

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I shall... We shall miss you.

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Oh. Thank you.

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Here, would you make a translation of these for Mr Burgoyne, please?

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Yes, Miss Anita.

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Well!

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I forgot to tell you. There's a policy here.

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Secretaries are not allowed to go out with local employees.

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-Mr Burgoyne's policy, if you please.

-How do you manage it, then?

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Georgio? We've never exchanged more than two words.

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-He's just part of the office.

-Oh.

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Does his hand always shake when he gets near to you?

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You're imagining things. He doesn't even know I exist.

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Oh! He doesn't know anyone else exists.

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He didn't even notice whether I was a blonde or a brunette.

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Well, you're wrong.

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-Call him in.

-GASPS

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Well, I just want to look at those beautiful brown eyes again.

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-They're not brown, they're blue.

-Oh.

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I mean... It's a good thing I'm going home.

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With you around here, I'd be in a puddle of trouble in no time.

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Here, sit down and open those for me.

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ORCHESTRA PLAYS

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Mr Shadwell, I don't care what the critics said.

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I want you to know I just adored your last novel.

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Unfortunately, there were not enough of you.

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Tell me... do you get your best ideas at night? I always do.

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Invariably, but hardly material to write about.

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My husband declares that I was simply born to be a writer.

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He says if anyone just took a pencil and followed me around, they'd have a novel.

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My dear lady, I should be delighted to get behind you with a pencil.

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Excuse me.

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-ANITA:

-We've learned from long experience this is the best way to pass the time.

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So this is Rome, where the pigeons eat caviar.

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And the secretaries eat alone.

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Look, did you ever see such a handsome car?

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-You ever see such a handsome man?

-It's Prince Dessi.

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A prince? Do you know him?

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-He's a friend of Mr Shadwell's.

-Part of the Roman scene.

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Um, eligible?

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Dino is handsome, wealthy, and has one of the oldest titles in Europe.

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As long as he has the first two, you won't catch him getting married.

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Oh, what a shame. Oh!

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-What's the matter?

-Oh, I knocked my purse off the railing.

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-I'll ask Dino to get it for you.

-Oh, no. Please don't.

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-He'll think I did it on purpose.

-He won't mind. Dino!

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-Yes?

-We dropped a purse from the balcony.

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-Would you mind bringing it up?

-With the greatest of pleasure.

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You sure you didn't knock it off on purpose?

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Oh, no, believe me, I didn't. I'm not that quick-witted.

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Well, just in case it was instinct

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perhaps we'd better warn our friend about Dino before she meets him.

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He's known as "the predatory prince."

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And girls who are seen in his company more than once are known as Venice Girls.

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Why?

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The time comes when he asks you to fly to Venice with him.

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Once you're known as a Venice Girl, you might as well go home.

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-I hope nothing was broken.

-Thank you. It belongs to my friend.

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Maria, this is Prince Dessi. This is Miss Williams.

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-How do you do?

-How do you do?

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Fresh from the States. Of course, you know Anita.

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-Oh, yes. We met when I first came to Rome.

-I remember it with sadness.

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People said bad things about me, and you would not permit me to show you Rome.

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Have they been telling you disgraceful things about me too?

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-Oh, no.

-That's too bad.

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If only half the things said about me were true, I'd be a happy man.

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-I suspect half of them are.

-You see?

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There is a conspiracy against me in Rome. You must excuse me.

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I haven't spoken to my host yet. I'll be back.

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He's nice.

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Oh, I don't believe he's the wolf you say.

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-Why, he looks as innocent as a little boy.

-Oh, that he does.

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But don't try taking him on your lap to mother him.

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You'll find yourself suddenly screaming for the police.

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Well, so much for your first cocktail party in Rome.

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-Shall we walk home or ride?

-Let's walk.

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Do you know something strange?

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Except for that handsome prince...

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..not one attractive man came near us at the party.

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Well, I guess now is as good a time as any to disillusion you.

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If you're romantic, Rome is not the city for you.

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Why not?

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Well, wealthy Italians don't waste their time on secretaries

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and the Italians that work at the agency are too poor.

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Oh. No wonder you're going home to be married.

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I'm not even engaged. I gave that as an excuse at the agency for leaving.

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But at least I'm going back to a country where I hope some nice guy will ask me.

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That's why I didn't throw a coin in the Fountain of Trevi.

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Oh, dear. It looks as though I've wasted a perfectly good penny.

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Well, which way? This way looks sort of interesting.

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-You want to try it?

-It doesn't look very respectable.

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Good. Let's have a look.

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WHISTLING CHATTERING

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WOLF WHISTLE

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-Anita, somebody pinched me.

-Don't look back.

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It's considered an encouragement. Pretend you didn't notice.

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Are you kidding? I'll kick him in his antipasto.

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-Oh, let's go.

-SPEAKING ITALIAN

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BELL DINGING

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-Georgio!

-Oh. Miss Anita.

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We've been waiting for you. I thought you said 7:00. What detained you?

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SPEAKS ITALIAN

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I've been showing Maria the city, and he followed us.

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You shouldn't be in this section unescorted, Miss Anita.

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Things can happen that American girls don't understand.

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We understand, all right. A pinch is a pinch in any man's language.

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As long as you are here and I am here, Miss Anita...

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..would you allow me to show you my Rome?

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-We'd love to.

-Well, sure.

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Bene. SPEAKING ITALIAN

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It's strange.

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We have seen each other every day for two years...

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..and yet this is the first time I have ever really talked to you.

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I always thought you didn't like Americans.

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-Oh, no. I thought you didn't like Italians.

-Isn't that silly?

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What's that monastery?

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GEORGIO: Oh, no, it's not a monastery. It's a palazzo.

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-A palazzo? That's a palace, isn't it?

-Mm-hmm.

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-Who owns it?

-It's the home of the prince, Dino Dessi.

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Oh. Well, you two just drink your wine.

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I'm gonna sit here and look at the palazzo.

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-Does he live there all alone?

-Oh, no.

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-Oh.

-He lives with his mother, the principessa.

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Oh, how sweet.

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But he must get lonely. What does he do for amusement?

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Oh, he has diversions. He plays the piccolo.

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-He plays what?

-The piccolo.

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He's an excellent piccolo player.

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My cousin is his teacher. LAUGHS

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That does it. I think I'll have some wine with you after all.

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Good! This is the wine that we drink on our festa.

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Have you ever been to an Italian festa, Miss Anita?

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No, I don't think so.

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We are having one at our farm tomorrow...

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..to celebrate my sister's engagement.

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You shouldn't go back to America without seeing an Italian festa.

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Uh, if you would like to come too, Miss Williams...

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No, thank you. I have to stay and write some letters.

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My family expect a report from me, and I can't disappoint them.

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-Why don't you go, Anita?

-I'd love to, but I don't think I could.

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I know. It's against the agency rules. Oh, but it's only this once.

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You're not gonna let some silly old rule stand in your way.

0:21:590:22:01

Well, it isn't that. I have packing to do.

0:22:010:22:04

My cousin has a truck. He is driving in to pick up our relatives in Rome.

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We could ride in the truck, if you didn't mind.

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Oh, all right, Georgio. I'll be darned if I'll spend my last weekend in Rome alone.

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CHUCKLING

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SHOUTING IN ITALIAN

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SHOUTING CONTINUES, LAUGHING

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Georgio, you're not giving it wine?

0:22:390:22:41

Oh, no, no, Miss Anita. Water.

0:22:410:22:43

I am sorry to be late, but unfortunately, a wheel came off.

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Andiamo. CHUCKLING

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-This is my cousin, Enrico.

-How do you do?

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SPEAKING ITALIAN

0:22:540:22:58

-ALL LAUGHING

-What?

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-These are all your cousins?

-Oh, yeah. Cousins, brothers, nieces.

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I will introduce you later.

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-ALL:

-Andiamo!

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SHOUTING IN ITALIAN

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SINGING IN ITALIAN

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SHOUTING ALL IMITATING HORN HONKING

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My cousin has no brakes, nor horn.

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Did we frighten you?

0:23:330:23:35

Oh, no. I'm all right, I think.

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When the driver gives the signal, we must all toot like horns.

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But don't you think it's a little dangerous to drive without brakes and a horn?

0:23:430:23:47

Oh, no. We hang a St Christopher medal on the windshield.

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Nothing can happen to us.

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SHOUTING

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IMITATING HORN

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-Did you ever ride in a truck before?

-No, I haven't.

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Whoa!

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ALL CHATTERING

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-Georgio, what happened?

-Oh, nothing.

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Nothing? It's an accident.

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ARGUING IN ITALIAN

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Isn't that Anita, your secretary, in that truck?

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And with the interpreter from the office.

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GUITAR PLAYS SINGING IN ITALIAN

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SINGING AND GUITAR PLAYING CONTINUES

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TELEPHONE RINGS

0:25:180:25:22

Pronto. Why, yes, she is. Just a moment.

0:25:220:25:25

-It's for you, Maria.

-I don't know anyone in Rome yet.

0:25:250:25:30

Hello? Yes.

0:25:300:25:34

Yes. It's that Prince Dessi.

0:25:340:25:36

Dino? How did he ever find this number?

0:25:360:25:39

Well, how did you ever find the number?

0:25:390:25:41

Oh, one has ways.

0:25:410:25:43

I was planning on flying my plane to Venice this morning.

0:25:430:25:46

Have you been to Venice?

0:25:460:25:49

He wants to know if I'll fly with him to Venice. What'll I say?

0:25:490:25:52

-Say no.

-Yes, I'd love to, but I'm sorry.

0:25:520:25:56

I can't.

0:25:560:25:58

Y... Um... He says we could fly there and be back by tonight.

0:25:580:26:02

That's what he always says, and then he'll have trouble with his propeller

0:26:020:26:05

and you'll have trouble with your reputation.

0:26:050:26:08

-Thank him kindly, but hang up.

-Yes, I'd love to, but...

0:26:080:26:12

It's very kind of you, but I'm sorry. I can't.

0:26:120:26:15

-Say yes.

-Yes?

0:26:150:26:17

-Yes.

-Just a moment. Why?

0:26:170:26:20

You want to see Venice. But tell him you have to be back by tonight.

0:26:200:26:23

-But you just said...

-Never mind what I said. Tell him you'll go.

0:26:230:26:27

You will? Oh, I promise you I will get you back tonight.

0:26:290:26:33

And I will do everything I can to see that you enjoy your trip.

0:26:330:26:37

Can you be ready in a half hour? Good.

0:26:370:26:40

I shall be there.

0:26:400:26:42

HORN HONKING

0:26:490:26:52

You are ready! This is the first time I have not been kept waiting.

0:26:590:27:03

It's a good omen. Good morning, Miss Frances. It is very nice to see you.

0:27:030:27:07

At the prospect of going to Venice, I could be ready in five minutes.

0:27:070:27:10

Oh, I can promise you it will be a trip that you shall long remember.

0:27:100:27:13

So let us not waste any time.

0:27:130:27:15

You don't mind giving Miss Frances a lift, do you?

0:27:150:27:17

Not at all. Where shall I drop you, Miss Frances?

0:27:170:27:19

Venice.

0:27:190:27:22

-Venice?

-Well, if it's not too much trouble.

0:27:220:27:25

You see, Frances was going to Venice herself this weekend

0:27:250:27:28

and I thought it might be fun if she came along with us.

0:27:280:27:32

-Oh.

-You don't mind, do you?

0:27:320:27:34

Oh, not at all. Not at all.

0:27:340:27:36

But, well, my plane is not a large one...

0:27:360:27:39

..and, well, I'm afraid it would be most uncomfortable.

0:27:390:27:43

Well, I suppose I had better take the train after all.

0:27:430:27:46

Oh, that is too bad. I certainly couldn't let you make that trip alone.

0:27:460:27:50

So I'll go on the train with you, and I can meet you in Venice.

0:27:500:27:54

Is that all right?

0:27:540:27:56

SINGING IN ITALIAN

0:28:230:28:25

CHILDREN SHOUTING

0:28:270:28:30

-Mama!

-Caro!

0:28:540:28:56

BOTH SPEAKING ITALIAN

0:28:560:28:59

This is my mother, Anita. I told her all about you.

0:28:590:29:01

Buon giorno, signora. Come sta?

0:29:010:29:03

SPEAKING ITALIAN

0:29:030:29:06

She talks too fast. What'd she say?

0:29:080:29:11

-She said you're very pretty.

-Grazie.

0:29:110:29:13

-This is my father.

-Come sta, signore?

0:29:130:29:15

-Ohh!

-Bravo, Georgio.

0:29:150:29:17

SPEAKING ITALIAN

0:29:170:29:19

Quando il matrimonio, eh?

0:29:190:29:21

-What did he say?

-Oh, nothing.

0:29:210:29:24

My father means well, but he misunderstands.

0:29:240:29:27

This is my sister Angela.

0:29:270:29:29

-We are celebrating her engagement today.

-Oh, ciao, Angela.

0:29:290:29:32

SPEAKS ITALIAN

0:29:320:29:34

SHE REPLIES IN ITALIAN

0:29:340:29:37

ALL LAUGHING WOMAN SHOUTING IN ITALIAN

0:29:410:29:43

REPEATING ITALIAN PHRASE Dinner is ready!

0:29:430:29:47

SINGING IN ITALIAN

0:29:500:29:53

SPEAKING ITALIAN

0:30:120:30:15

-CHEERING ALL:

-Bravo!

0:30:180:30:22

HE SINGS A BALLAD

0:30:220:30:25

WHISPERING

0:30:500:30:53

Off there is Rome.

0:31:050:31:07

I used to sit here when I was small...

0:31:100:31:12

..and dream someday of going away to the city.

0:31:120:31:15

When I first came to Rome as a boy, I threw a coin in the Fountain of Trevi.

0:31:150:31:19

I wanted to return and become a lawyer.

0:31:190:31:22

-What do you think?

-You got your wish.

0:31:220:31:26

No. There is something more to the dream than I asked for.

0:31:260:31:30

-CHUCKLES

-Well, you'll be a lawyer.

0:31:300:31:32

You'll be a very good one too, I know. I've always liked lawyers.

0:31:320:31:36

That's not what I meant.

0:31:360:31:39

The man you are going back to America to marry...

0:31:400:31:44

..is he, by any chance, a lawyer?

0:31:440:31:47

Well, the truth of the matter is...

0:31:470:31:50

-LAUGHS

-Actually, it embarrasses me to have to tell you, Georgio

0:31:500:31:54

but I guess I do owe you an explanation.

0:31:540:31:56

No, you owe me nothing, Miss Anita.

0:31:560:31:59

I have no right to cross-examine you. It was not judicial.

0:31:590:32:02

-But I...

-No, no. Please.

0:32:020:32:04

What's in the valley below?

0:32:060:32:10

The bottom of the hill. LAUGHING

0:32:100:32:13

But there is also a pool and a stream.

0:32:130:32:16

-Very shady and beautiful.

-Hmm.

0:32:160:32:19

I've always liked streams. Could we go down?

0:32:190:32:22

But of course. Uh, shall we take my cousin's truck?

0:32:220:32:26

-I'll honk when you signal.

-All right.

0:32:260:32:30

BALLAD CONTINUES

0:32:300:32:33

You wouldn't believe it, I know, but this car and I are the same age.

0:32:410:32:45

Hmm. I believe it.

0:32:450:32:48

OK.

0:32:480:32:50

-Oh! Are you hurt?

-Put the car in gear!

0:32:540:32:57

-Georgio!

-Jump, Anita! Jump out!

0:32:570:33:00

-Georgio! Georgio!

-SHOUTING IN ITALIAN

0:33:000:33:03

-GEAR GRINDING

-Georgio!

0:33:080:33:11

Anita, put it in gear!

0:33:110:33:14

Anita! GRINDING CONTINUES

0:33:140:33:18

Anita! Anita, jump!

0:33:260:33:28

-Jump out!

-I can't!

0:33:280:33:31

Anita! Anita!

0:33:360:33:38

-Georgio!

-Anita, did you get hurt?

0:33:380:33:40

No. No.

0:33:400:33:43

No, I'm all right. I... I just couldn't get it into gear.

0:33:430:33:47

You could have been killed, Anita.

0:33:470:33:50

No.

0:33:510:33:54

Anita. Anita. SPEAKING ITALIAN

0:33:540:33:57

I love you so much. I want to tell you that I love you.

0:33:590:34:03

MAN SHOUTING

0:34:050:34:07

ALL SHOUTING

0:34:090:34:12

What are they shouting?

0:34:140:34:16

They want to know if we are all right.

0:34:160:34:19

-SHE SIGHS

-You tell them we're quite all right...

0:34:190:34:24

..for the moment.

0:34:240:34:26

NO AUDIBLE DIALOGUE

0:34:520:34:55

Look. BELL TOLLING

0:37:110:37:16

Look.

0:37:310:37:33

-It's been a wonderful day. It really has.

-I'm glad you enjoyed it.

0:37:400:37:43

I'm sorry I was 15 years late in accepting your invitation.

0:37:430:37:47

Perhaps we can do it again, in another 15 years.

0:37:470:37:49

-MAN:

-Scusi, signor.

0:37:490:37:51

SPEAKING ITALIAN Oh, grazie. Will you excuse me a second?

0:37:510:37:55

Something tells me he's angry.

0:37:570:37:59

I don't blame him. It was a mean trick.

0:37:590:38:02

Pity is, I really like him, and now he'll probably never want to see me again.

0:38:020:38:05

I really should have stayed at home.

0:38:050:38:08

Nonsense. We agreed this was my chance to see Venice.

0:38:080:38:12

Why don't I take the train back tonight, and you can stay on an extra day?

0:38:120:38:15

-If you want to. Do you want to?

-Well...

0:38:150:38:18

SPEAKING ITALIAN

0:38:180:38:21

It was the airport. My plane is ready to take off at any time.

0:38:230:38:26

I was just trying to convince Maria that she ought to stay over another day.

0:38:260:38:30

Well, of course, if you two wish to remain, but I have to get back tonight.

0:38:300:38:34

It is regrettable, but I have a meeting with some of my tenants tomorrow.

0:38:340:38:38

If both of you are leaving, there's no point in my staying on here alone.

0:38:380:38:42

Alone?

0:38:420:38:44

Under the circumstances, I'm sure that I can make some arrangements.

0:38:440:38:47

Oh, no. I don't want you to disappoint your tenants.

0:38:470:38:50

Well, where are you?

0:39:120:39:14

I was just wondering how it would feel

0:39:140:39:17

to ride to work on the handlebars of a bicycle.

0:39:170:39:19

-Why?

-INTERCOM BUZZES

0:39:190:39:24

-Yes, Mr Burgoyne?

-'Maria, will you come into the office at once?'

0:39:240:39:28

Yes. He must have slept here.

0:39:280:39:32

DOOR OPENS, CLOSES

0:39:340:39:36

Yes, Mr Burgoyne?

0:39:380:39:40

I want to talk to you, Maria.

0:39:400:39:43

We feel, at the agency, that Americans abroad have a responsibility to their country.

0:39:430:39:47

They should always conduct themselves with dignity.

0:39:470:39:50

If you mean about my going to Venice, Mr Burgoyne, I assure you...

0:39:500:39:53

-I was referring to Anita, Miss Williams.

-Oh.

0:39:530:39:57

As you know, it is the policy of our agency

0:39:570:40:00

that our secretaries do not go out with the local employees.

0:40:000:40:03

-Yes, sir.

-Anita has been violating that rule, hasn't she?

0:40:030:40:07

Why, whatever makes you think that, Mr Burgoyne?

0:40:070:40:11

I saw her going out of the city with Georgio.

0:40:110:40:13

Oh.

0:40:130:40:16

There was some sort of festival in the country and...

0:40:160:40:19

She spent the weekend with him? But she's going back to America to be married.

0:40:190:40:23

Oh, no, she isn't. She only used that as an excuse...

0:40:230:40:28

You... You mean that the situation is such that it became necessary

0:40:280:40:31

for her to create this deception?

0:40:310:40:34

You don't have to answer that, if you prefer not to.

0:40:340:40:37

I'd gladly answer it, Mr Burgoyne.

0:40:370:40:40

Anita has done nothing wrong, I promise you.

0:40:400:40:43

Why don't you ask her yourself?

0:40:430:40:46

I will. Thank you for your reassurance, Miss Williams.

0:40:460:40:50

It's only that my interest in my girls here transcends official obligation.

0:40:500:40:55

-Is that all, sir?

-Yes, thank you.

0:40:550:40:58

-ANITA:

-Yes.

0:41:050:41:07

Yes, but you see, we haven't had any official notification of it yet.

0:41:070:41:12

Yes, sir. Yes. All right.

0:41:120:41:16

Via Condore.

0:41:160:41:18

51, yes.

0:41:210:41:23

I can't understand why she said she was going home to get married.

0:41:350:41:39

Do you know if she's seen a doctor?

0:41:390:41:42

Such a thing would never occur to me.

0:41:420:41:45

She seems like such a nice girl.

0:41:450:41:47

Nice girls are human, my dear.

0:41:470:41:50

Hi.

0:42:000:42:02

-What are you doing?

-I'm moving.

0:42:070:42:11

-Anita, what's happened?

-How could you have done this to me?

0:42:110:42:15

-How could you?

-Do what?

0:42:150:42:16

I don't know what you're talking about.

0:42:160:42:18

What business was it of yours if I went to the country with Georgio?

0:42:180:42:21

What right had you to tell Burgoyne I'm not going home to get married?

0:42:210:42:25

Well, he asked me why... I only thought I was helping you.

0:42:250:42:28

Did you think you were helping by telling him I spent the weekend with Georgio?

0:42:280:42:32

I didn't say it that way.

0:42:320:42:35

Well, he asked me if I wanted to consult his doctor.

0:42:350:42:39

He said the office would be very happy to pay for it.

0:42:390:42:41

He wanted to know how long this had been going on.

0:42:410:42:44

Anita, I...

0:42:440:42:47

I'm sorry.

0:42:470:42:49

Well, I'm going home in a few days anyway

0:42:490:42:53

so in the meantime, you stay here in the apartment.

0:42:530:42:57

I'm going to stay someplace by myself.

0:42:570:43:00

Will you please listen to me?

0:43:000:43:02

I can't remember what I said to Mr Burgoyne, but believe me, it's been distorted.

0:43:020:43:05

Well, he fired Georgio!

0:43:050:43:08

Oh, no.

0:43:080:43:10

He fired him without a recommendation.

0:43:100:43:13

Jobs are hard to get without a recommendation.

0:43:130:43:16

He wanted to be a lawyer. Now he can't.

0:43:160:43:19

We certainly left him with something to remember us by.

0:43:190:43:22

-Anita!

-DOOR OPENS, CLOSES

0:43:220:43:26

-Hello, Georgio.

-Anita.

0:44:140:44:17

You should not have come here. How did you find this place?

0:44:170:44:21

I looked your address up in the office files.

0:44:210:44:24

-I cannot ask you in.

-Please.

0:44:240:44:28

It's not a good place.

0:44:340:44:37

Burgoyne told me why he fired you.

0:44:370:44:39

I knew the rules. I broke them.

0:44:390:44:42

I cannot honestly say I regret it.

0:44:420:44:44

-What are you going to do?

-I shall try for another position.

0:44:440:44:49

Failing that, I can always return to my family.

0:44:490:44:52

It's not hopeless.

0:44:520:44:54

If you'll have to go home, you won't be able to continue your studies.

0:44:540:44:59

Perhaps I shouldn't be a lawyer if I cannot honour simple office rules.

0:44:590:45:03

Look, don't justify Burgoyne!

0:45:030:45:05

This could cost you your career.

0:45:050:45:07

-I'm not gonna let him do it to you.

-Anita.

0:45:070:45:10

You must not be angry. I knew what I was doing.

0:45:100:45:13

This happened. I will accept the consequences.

0:45:130:45:16

I'm gonna go back to him and make him take you back.

0:45:160:45:18

You will only convince him he acted wisely in the first place.

0:45:180:45:22

But... I can't just go away...

0:45:220:45:24

..leaving you here to face a problem I created for you.

0:45:240:45:28

You will go back to America, as you have to...

0:45:280:45:32

..and I will return to our farm, if I must.

0:45:320:45:35

Georgio, I have a day or two left before I have to go back.

0:45:370:45:42

Would it help you at all if we spent them together?

0:45:420:45:46

Anita.

0:45:500:45:52

Oh, cara.

0:45:520:45:54

No. What could I offer you?

0:46:090:46:12

I have no job. In the end, you have to leave anyhow.

0:46:120:46:15

-You are not free.

-I'm free to do anything I please!

0:46:150:46:19

-You are going home to be married.

-I'm not going to be married.

0:46:190:46:22

I'm not even engaged.

0:46:220:46:24

I only told Burgoyne that as a excuse for leaving the agency.

0:46:240:46:28

There is no-one?

0:46:310:46:33

-SHE SIGHS

-There's no-one.

0:46:330:46:36

-Come in, signorina.

-Thank you.

0:46:540:46:56

-Frances!

-Yes?

0:47:000:47:04

-Hello, Maria.

-Hello.

0:47:040:47:06

-Should I have phoned?

-No, of course not. Thank you, Louisa.

0:47:060:47:08

-What is it?

-I can't find Anita.

0:47:080:47:12

I've checked the hotels. She hasn't been back, hasn't been to the office.

0:47:120:47:17

-I'm just worried sick.

-Well, I don't think we need worry about it.

0:47:170:47:20

Anita's hurt and unhappy, and she probably wants to be alone for a few days.

0:47:200:47:24

She'll show up. Did you talk to Burgoyne?

0:47:240:47:27

He won't take Georgio back.

0:47:270:47:29

Oh! He's a fool.

0:47:290:47:31

-What can we do?

-Nothing at the moment.

0:47:310:47:34

Now, stop worrying about it. It wasn't your fault.

0:47:340:47:37

Look, do you think Mr Shadwell could get Georgio's job back for him?

0:47:370:47:42

-That would help.

-Well, we'll see.

0:47:420:47:45

I'm going over to the museum to pick him up now. Why don't you come along.

0:47:450:47:49

-You haven't been to the museum yet?

-No.

0:47:560:47:59

Museums I can do without. I was born in one.

0:47:590:48:02

-You were?

-Sure.

0:48:020:48:04

My dad had an Indian museum on the highway next to his gas station.

0:48:040:48:07

It was free with 10 gallons of gas.

0:48:070:48:09

This one has a different kind of an attraction.

0:48:090:48:11

What?

0:48:110:48:13

Prince Dino is there with Shadwell discussing some paintings he's donating.

0:48:130:48:17

-Oh.

-Wouldn't you like to see him again?

0:48:170:48:19

-He'd just love to see me.

-You could discuss art with him.

0:48:190:48:23

That would be a change. What does he collect, nudes?

0:48:230:48:27

No, as a matter of fact, he's mad about modern paintings.

0:48:270:48:30

Oh, that's a side I'd never suspect.

0:48:300:48:33

Why don't you show him you have a side he'd never suspect?

0:48:330:48:35

-Show him you have a mind.

-Oh-ho!

0:48:350:48:38

Oh, I love you, but I couldn't fool a fool.

0:48:380:48:41

-I don't know anything about art.

-Give it a try.

0:48:410:48:44

You might end up meeting his mother.

0:48:440:48:47

And why should I want to meet his mother?

0:48:470:48:49

Meeting Mama in Italy is the first step to the altar.

0:48:490:48:54

Oh. Well, um, let's discuss art some more.

0:48:540:48:59

Don't forget - neo-impressionism.

0:49:090:49:12

Neo-impressionist. Neo-impressionist.

0:49:120:49:16

Neo-impressionist.

0:49:160:49:19

Harmony of colour...and infinity.

0:49:190:49:22

You'll do.

0:49:220:49:24

How can you say it bores you? You, with your heritage.

0:49:300:49:34

My heritage included a castle with no plumbing...

0:49:340:49:37

..but I happen to prefer running water and modern art.

0:49:370:49:41

You'll forgive me if I don't take your opinion seriously.

0:49:410:49:44

I knew you when you were still running around in three-cornered pants.

0:49:440:49:48

Hello. I'm Maria Williams.

0:49:480:49:50

We met at the Burgoyne's, Mr Shadwell, but I'm sure you don't remember me.

0:49:500:49:54

You're quite wrong. I remember you very well.

0:49:540:49:57

It's the party I've forgotten.

0:49:570:49:59

-How do you do, Miss Williams?

-Hello.

0:49:590:50:01

I drove over with Miss Frances. She asked me to tell you she's waiting for you outside.

0:50:010:50:05

Punctuality is the vice of virtuous women. May I drop you?

0:50:050:50:08

No, thank you. I have my car.

0:50:080:50:10

Dino, take the advice of an old friend.

0:50:100:50:13

Don't treat a work of art as you do an automobile...

0:50:130:50:16

..turning it in for a new model every year.

0:50:160:50:18

-We can't live in the past forever.

-Exactly.

0:50:180:50:21

Nonsense. We live in the past from the moment we're born.

0:50:210:50:24

Personally, I think heritage can sometimes shackle art.

0:50:240:50:29

Not to forget plumbing.

0:50:290:50:31

-Good day, Miss Williams.

-Good day.

0:50:310:50:33

I shall leave heretics to their heritage.

0:50:330:50:36

Well, it's very nice to see you again.

0:50:400:50:44

Oh, I wonder...do you know if the museum has any modern art?

0:50:440:50:48

Modern? In what sense?

0:50:480:50:51

Now you really will think I'm a heretic, but

0:50:510:50:54

I'm passionately interested in the, uh, neo-impressionists.

0:50:540:50:59

-You are?

-Oh, I thought you'd be outraged.

0:50:590:51:02

But, yes, I'm mad about them.

0:51:020:51:05

As a matter of fact, I'm a neo-impressionist myself.

0:51:050:51:08

There's a fine collection here. May I show you the room?

0:51:080:51:12

-Well...

-This way.

0:51:120:51:15

Unless I miss my guess...

0:51:210:51:24

..sending that girl in to get me was a feminine intrigue of yours.

0:51:240:51:28

-Am I right?

-Whatever makes you think that?

0:51:280:51:30

Don't be evasive.

0:51:300:51:33

Dino told me of your interference in Venice.

0:51:330:51:36

What are you trying to be, Mother Goose?

0:51:360:51:38

-Maria is a friend of mine.

-And Dino is a friend of mine.

0:51:380:51:41

Let people lead their own lives.

0:51:410:51:44

They have absolutely nothing in common.

0:51:440:51:46

You'd be surprised. Dino's fond of art, and Maria was born in a museum.

0:51:460:51:50

-She was born where?

-Ask her yourself.

0:51:500:51:53

Her father is curator of a museum out west.

0:51:530:51:57

You're right. I am surprised.

0:51:570:52:00

-Do you like it?

-How can you ask?

0:52:100:52:14

-Does it speak to you?

-Oh, yes, definitely.

0:52:140:52:18

Well, then, what does it tell you? What does it say?

0:52:180:52:22

Well, different pictures say different things to different people.

0:52:220:52:27

Yes, but the right paintings say the right things to the right people.

0:52:270:52:31

Yes, and you're so right.

0:52:310:52:34

Well, this...

0:52:340:52:37

Now, this seems to have a... a feeling of space.

0:52:370:52:41

Those lines that carry you off into the distance.

0:52:410:52:46

Oh, infinity is...is so lonely.

0:52:460:52:50

Yes, it makes me want to cry.

0:52:500:52:53

You surprise me.

0:52:530:52:56

I could not have put it better myself.

0:52:560:53:00

Oh, well, you mustn't let me keep you.

0:53:000:53:03

I'm just going to sit here a while and absorb it.

0:53:030:53:06

If I may, I'll sit here and absorb also.

0:53:060:53:09

-It was such an enjoyable afternoon.

-What are you going to do now?

0:53:310:53:34

Now?

0:53:340:53:37

Well, I'm going to go inside and sit down and just think quietly

0:53:370:53:40

about all those lovely paintings.

0:53:400:53:44

You must think me silly to feel so deeply about art.

0:53:440:53:46

Oh, not at all. One seldom meets an American girl

0:53:460:53:49

with your sensitivity, your sense of appreciation.

0:53:490:53:51

It's wonderful.

0:53:510:53:53

Well, if that is so it's probably because I'm half Italian.

0:53:530:53:57

-You are half Italian?

-Well, actually, three-quarters.

0:53:570:54:00

But I resemble my Irish grandmother.

0:54:000:54:03

LAUGHING Now, imagine! Three-quarters.

0:54:030:54:05

Mmm, well, that's why I took this job in Rome.

0:54:050:54:08

I wanted to be near my own kind.

0:54:080:54:12

Well, thank you again for dropping me here. I must hurry in.

0:54:120:54:15

Now, I shall see you again?

0:54:150:54:18

I don't know. You see, I'm rather afraid of you.

0:54:180:54:21

-Afraid? Of me?

-Oh, not because of your reputation.

0:54:210:54:25

But, you see, I've discovered you have an exciting mind.

0:54:250:54:29

Something that handsome men rarely have.

0:54:290:54:33

The combination might be too much for someone as responsive as I am.

0:54:330:54:36

Well, goodbye, and thank you again.

0:54:360:54:39

CAR DOOR CLOSES

0:54:540:54:57

ENGINE STARTS, CAR PULLS AWAY

0:54:570:55:00

You sent for me, signorina?

0:55:070:55:09

Yes. I'm told that the Prince Dino Dessi often dines here.

0:55:090:55:13

-He is a friend of the signorina's?

-Oh, yes.

0:55:130:55:16

I'm giving a small dinner party for him, and I thought you might be able to tell me

0:55:160:55:20

what his favourite dish is.

0:55:200:55:22

Of course. He is particularly fond of saltimbocca alla Romana.

0:55:220:55:27

Oh. Just a moment.

0:55:270:55:29

-Saltimbocca...

-Alla Romana.

0:55:290:55:31

Alla Romana. And his favourite wine?

0:55:310:55:34

Oh... Oh, yes. Lacrima Christi.

0:55:340:55:38

Lacrima Christi.

0:55:380:55:41

Thank you. Thank you very much.

0:55:420:55:44

Would the signorina like to order now?

0:55:440:55:46

Yes. I'll have a cup of coffee, please.

0:55:460:55:50

A cup of coffee.

0:55:500:55:52

It is his favourite opera, signorina. This I know.

0:55:520:55:55

Oh, no. No, I know that he likes, uh, Wagner.

0:55:550:55:59

Wagner? That is impossible! He likes Italian opera.

0:55:590:56:03

I heard, myself, him say many times...

0:56:030:56:06

..that German music assails the ear with its fists.

0:56:060:56:09

Italian caresses with its fingertips.

0:56:090:56:12

Well, thank you.

0:56:120:56:14

ORCHESTRA PLAYS CLASSICAL MUSIC

0:56:200:56:24

ORCHESTRA CONTINUES

0:56:330:56:37

MAN SINGING IN ITALIAN

0:56:420:56:48

MAN CONTINUES SINGING IN ITALIAN

0:56:500:56:54

Will you excuse me? I'll join you presently.

0:57:230:57:25

-Yes, of course.

-Buona sera, Dino. Come stai?

0:57:250:57:28

-Ah, my friend. You must sit with us.

-I can only stay a moment.

0:57:280:57:32

I'm with the Burgoynes, and I wouldn't want to inflict them on you.

0:57:320:57:35

-How do you do, Miss Williams?

-How do you do?

0:57:350:57:38

-I saw you at the opera. Did you enjoy it?

-Rossini is one of her favourites.

0:57:380:57:42

Indeed. I do wish Alvarez were less limited in his tessitura.

0:57:420:57:46

-Don't you?

-Do you?

0:57:460:57:51

-No. No, not at all.

-I don't either.

0:57:510:57:55

But surely you disagree about the various tempi of the conductor?

0:57:550:57:58

Why?

0:57:580:57:59

Now, my friend, we found no fault with this performance.

0:57:590:58:03

-You cannot spoil it for us.

-Oh, I'm sure Mr Shadwell wouldn't do that.

0:58:030:58:07

-I-It's just that he's a perfectionist.

-Thank you.

0:58:070:58:10

I know that from your books.

0:58:100:58:13

-Which one?

-All of them.

0:58:130:58:15

Well, you've certainly covered a lot of territory.

0:58:170:58:21

Dino, you're in the hands of an expert.

0:58:210:58:24

Good evening, Miss Williams. Arrivederci, caro.

0:58:240:58:26

Ciao.

0:58:260:58:29

He likes you.

0:58:310:58:33

And I'm glad, because he's my friend.

0:58:330:58:37

Now, what shall we have?

0:58:370:58:39

Well, I know this is mad...

0:58:400:58:42

..but I would just love some saltimbocca alla Romana.

0:58:420:58:45

Excellent! Saltimbocca alla Romana is a favourite of mine.

0:58:450:58:48

Now, what would you like to drink with it?

0:58:480:58:52

Do you suppose they'd have some Lacrima Christi?

0:58:520:58:55

But of course!

0:58:550:58:57

Maria, it is astounding how much we have in common.

0:58:570:59:00

-CHUCKLES

-Well, you're very kind.

0:59:000:59:03

Italians certainly have mastered the art of gallantry.

0:59:030:59:06

But it's true.

0:59:060:59:08

It's sweet of you to say so, but you needn't pretend that you like everything I like.

0:59:080:59:11

It's too tiresome for you.

0:59:110:59:13

But I swear it's true. I can think of nothing on which we disagree. It's amazing.

0:59:130:59:18

You really are a nice person.

0:59:180:59:21

You try so hard to make a girl feel that she's chosen the right thing.

0:59:210:59:25

Whether it's true or not isn't important.

0:59:250:59:27

It's the motive that counts. Don't you think so?

0:59:270:59:30

Of course. Which proves that we agree on everything.

0:59:300:59:33

SPEAKING ITALIAN

0:59:350:59:40

RESPONDS IN ITALIAN Grazie.

0:59:410:59:43

What's the matter?

0:59:490:59:52

Maria...

0:59:520:59:54

..there is something I want.

0:59:550:59:57

-Well, what?

-I should like to have you meet my mother.

0:59:571:00:01

Well, if you like.

1:00:041:00:07

-Sunday.

-So soon?

1:00:071:00:10

I shall call for you.

1:00:121:00:14

CLASSICAL MUSIC WITH PICCOLO PLAYS

1:00:231:00:26

MUSIC CONTINUES

1:00:281:00:31

DOORBELL BUZZES

1:00:331:00:36

SPEAKS ITALIAN

1:00:391:00:42

MUSIC CONTINUES

1:00:431:00:46

Oh, you're early.

1:00:501:00:53

You play the piccolo too?

1:00:531:00:55

No, but I've always wanted to learn.

1:00:551:00:57

If you're going to study music, Rome is the place to do it.

1:00:571:01:00

RECORD PLAYER CLICKS OFF But I also play the piccolo!

1:01:001:01:03

Now, Dino, you must stop saying that you like everything I like.

1:01:031:01:06

You're going to make me think you're insincere.

1:01:061:01:08

But I do play the piccolo.

1:01:081:01:11

-You see?

-But you play like an angel.

1:01:181:01:21

Perhaps someday we can play duets.

1:01:241:01:28

I should like that.

1:01:281:01:30

Well, I think that we should not keep my mother waiting.

1:01:361:01:41

SPEAKING ITALIAN

1:02:041:02:07

RESPONDS IN ITALIAN

1:02:071:02:10

Maria?

1:02:311:02:34

-Maria, this is my mother.

-How do you do?

1:02:341:02:37

It was good of you to come to see me.

1:02:371:02:40

Thank you.

1:02:401:02:42

-Isn't she lovely, Mother?

-You failed to do her justice.

1:02:421:02:46

Dino, bring my blue shawl. It is chilly.

1:02:471:02:50

Uh, but, Mother, you have your blue shawl.

1:02:501:02:54

Take it away. It is warm.

1:02:541:02:56

Go away, Dino. I want to talk to Maria alone for a moment.

1:02:561:03:01

-Will you have a cigarette?

-No, thank you.

1:03:031:03:07

-CLEARS THROAT

-It's a lovely day, isn't it?

1:03:131:03:17

I want to tell you, I was predisposed to like you.

1:03:171:03:21

You were? Why?

1:03:211:03:22

You have made my son happy. For that, I am grateful.

1:03:221:03:24

Oh, I shall not live forever.

1:03:241:03:27

It was a matter of concern to me that he should depend on me for understanding.

1:03:271:03:31

-Well, I really haven't...

-My son tells me you are half Italian.

1:03:311:03:34

Oh, yes, uh, actually three-quarters.

1:03:361:03:39

Your father?

1:03:391:03:42

Yes, but, um, I-I really didn't know him. He died when I was a baby.

1:03:421:03:46

A pity. My son also lost his father when he was a child.

1:03:461:03:50

You both have an early tragedy in your lives.

1:03:501:03:53

It is good that two people should start with understanding.

1:03:531:03:57

Yes, I-I guess so.

1:03:571:03:59

Dino, you are much too quick.

1:03:591:04:02

Now, Mother, I shall tell you something that will amaze you.

1:04:021:04:06

Do you know that she plays the piccolo?

1:04:061:04:09

I am amazed.

1:04:091:04:11

Well, I don't, really. I'm just beginning.

1:04:111:04:14

Oh, you are modest.

1:04:141:04:16

Dino, bring us some wine. We shall drink a toast.

1:04:161:04:19

Do you know what wine she likes? Lacrima Christi!

1:04:191:04:22

-No!

-Yes.

1:04:221:04:24

-Yes?

-Yes.

1:04:241:04:26

-No.

-Yes!

1:04:261:04:29

I'm very glad that you like my mother.

1:04:331:04:36

How could I help but like her?

1:04:361:04:38

She's the only woman I've ever trusted completely...until I met you.

1:04:381:04:43

Oh.

1:04:431:04:45

EMERGENCY BRAKE SETS ENGINE OFF

1:05:041:05:07

There is something I would like to say to you, Maria.

1:05:121:05:15

Yes?

1:05:151:05:16

But first I should like to explain to you that...

1:05:161:05:20

..what experiences I have had in my life before

1:05:201:05:23

have left me...suspicious.

1:05:231:05:25

But you're not the least bit suspicious.

1:05:251:05:28

-That's one of the things I like about you.

-I hide it well.

1:05:281:05:32

But always beneath...

1:05:321:05:34

..there was cynicism.

1:05:341:05:36

I say "was," because since knowing you it is gone.

1:05:361:05:39

Oh, Maria, it is good to be free of doubt...

1:05:391:05:43

..to find someone that you can trust completely.

1:05:431:05:46

-Dino, I-I think...

-No, wait.

1:05:461:05:49

First I want to tell you something.

1:05:491:05:52

Here, where the heart asks only to be trusted...

1:05:521:05:56

I must tell you, Maria, that I...

1:05:561:05:58

Dino, please don't say anything more.

1:05:581:06:01

Could it be possible that I misunderstood how you feel?

1:06:031:06:06

-Oh, no.

-Then why should I not speak?

1:06:061:06:08

Because there's something I have to tell you first.

1:06:111:06:15

This may hurt you, but I must say it.

1:06:151:06:18

Oh, Dino.

1:06:191:06:22

I've lied to you from the first moment we met.

1:06:241:06:27

I've done nothing to restore your faith or your trust.

1:06:271:06:32

I went after you with a well-organized system.

1:06:321:06:35

-You are making a joke.

-No, I'm not.

1:06:371:06:40

Look. Look, I... I...

1:06:401:06:43

I made a record...

1:06:441:06:47

..of everything about you...

1:06:471:06:49

..what pleased you or what displeased you.

1:06:491:06:51

And then I pretended to like everything that you liked -

1:06:511:06:56

music and food, everything.

1:06:561:07:00

And you...you were as trusting as a lamb. You didn't have a chance.

1:07:011:07:07

-I cannot believe this.

-Well, it's true.

1:07:091:07:12

Look, I don't know opera from boogie...

1:07:121:07:16

..or Lacrima Christi from Corpus Christi.

1:07:161:07:20

And I loathe the piccolo.

1:07:201:07:22

Dino, if...

1:07:231:07:26

-I'm sorry.

-ENGINE STARTS

1:07:261:07:29

-Anita! When did you get back?

-Last night.

1:07:411:07:44

-Does Maria know?

-Yes.

1:07:441:07:46

Oh, I'm glad to see you. We've looked for you in every hotel in Rome.

1:07:461:07:49

Maria told me. I've been in the country with Georgio's family.

1:07:491:07:53

We're trying to get Burgoyne to take Georgio back.

1:07:531:07:57

He'll apologise to you for all those nasty suspicions before you leave.

1:07:571:08:01

He owes me no apology.

1:08:011:08:04

Anyway, I'm going home as planned.

1:08:041:08:06

What about Georgio?

1:08:061:08:08

What about him?

1:08:081:08:11

Had you thought of staying and marrying him?

1:08:111:08:13

He doesn't think we should.

1:08:131:08:16

But you're obviously in love with him.

1:08:161:08:19

Well, he's dreadfully poor.

1:08:191:08:22

Even with his job, he can barely support himself.

1:08:221:08:25

He'd have to give up his studies or take me to live with his people.

1:08:251:08:29

He says either way it wouldn't work.

1:08:291:08:32

-Well, how do you feel about it?

-SOBS

1:08:321:08:35

Oh, my darling!

1:08:351:08:37

I'm so sorry.

1:08:371:08:39

Is there anything I can do?

1:08:391:08:42

Just leave me alone, please.

1:08:421:08:44

-Well, what are you doing?

-Packing.

1:08:591:09:02

I can see that. But why?

1:09:021:09:05

I'm going home.

1:09:051:09:07

I'm going back with Anita.

1:09:071:09:09

He hasn't even tried to see me.

1:09:101:09:13

Oh, dear.

1:09:131:09:16

Never knew I could feel this way. It's pretty awful.

1:09:181:09:23

I know it is. It's awful, for both of you.

1:09:231:09:26

I hope you won't mind being alone in the apartment...

1:09:281:09:31

..but I couldn't stay on, you know.

1:09:311:09:34

Of course not.

1:09:341:09:36

I'm glad I'm not young and vulnerable any more.

1:09:381:09:42

-KNOCKING

-Yes?

1:09:481:09:52

I have brought the signorina a present.

1:09:521:09:54

Why, Louisa, how nice of you. Thank you.

1:09:541:09:58

-KITTEN MEWLS

-Why, Louisa!

1:09:581:10:00

Whatever made you do this?

1:10:001:10:02

Oh, he's a dear little thing.

1:10:021:10:06

We have worried about your being alone, signorina.

1:10:061:10:09

Is he old enough to be taken away from his mother?

1:10:091:10:12

Oh, yes. My sister say the age is right.

1:10:121:10:15

She's... How do you say? Oh. A maiden lady.

1:10:151:10:19

She has many cats. She would not be without one.

1:10:191:10:22

She talks to them from morning till night...

1:10:221:10:25

..just as if they were people.

1:10:251:10:28

Does she, indeed?

1:10:281:10:30

I will bring you a box to take it home in.

1:10:301:10:33

Thank you, Louisa.

1:10:331:10:35

KITTEN CONTINUES MEWLING

1:10:381:10:41

LOUD MEOW

1:10:551:10:57

Oh, no, my friend.

1:10:591:11:01

It hasn't come to that yet. You're dear and small.

1:11:031:11:07

But I'm not going to turn to you out of loneliness.

1:11:071:11:11

-Good morning, Miss Frances.

-Good morning.

1:11:131:11:16

-Where did that come from?

-Louisa gave it to me.

1:11:161:11:18

-Why?

-Why shouldn't she?

1:11:181:11:21

All the old maids in Rome have cats.

1:11:211:11:23

I've seen them in the evening in the courtyard, feeding them leftover spaghetti.

1:11:231:11:27

That sounds rather waspish.

1:11:271:11:30

Will you be able to type up last night's pages for me this morning?

1:11:301:11:33

Yes.

1:11:331:11:35

-Is anything the matter?

-No.

1:11:351:11:37

You seem a bit curt this morning.

1:11:371:11:39

I've come to a reluctant decision.

1:11:391:11:41

-I'll talk to you about it later.

-Moral cowardice?

1:11:411:11:44

Very well.

1:11:441:11:46

I've decided I want to go back to America.

1:11:461:11:49

CHUCKLING Why?

1:11:491:11:52

Well, why shouldn't I?

1:11:521:11:54

-Have I done anything to offend you?

-No.

1:11:541:11:57

Then you have no possible reason for wanting to go back to America.

1:11:571:12:00

I've been away for 15 years. I want to go home.

1:12:001:12:03

-Would you like a holiday?

-No.

1:12:031:12:06

I'd like to finish this work for you.

1:12:061:12:08

Then I'd like to go have my passport checked.

1:12:081:12:10

This is nonsense.

1:12:101:12:12

What would you go back to? You've no relations.

1:12:121:12:15

You'd live alone in a hotel room, go to concerts on Sunday

1:12:151:12:18

and work for some dull-witted business executive.

1:12:181:12:21

-What is attractive about that prospect?

-Nothing.

1:12:211:12:24

-Nevertheless, I am going home.

-Oh.

1:12:241:12:28

What about me?

1:12:281:12:30

How am I going to get along without you? I've come to depend upon you.

1:12:301:12:35

I dislike change. I dislike new faces.

1:12:351:12:38

Friends of mine are going back, and I want to go with them.

1:12:381:12:41

Maybe a hotel room alone in New York will be hard to take.

1:12:411:12:45

But the prospect of becoming a lonely old maid...

1:12:451:12:48

..with a life behind her, a stranger in a foreign country...

1:12:481:12:51

isn't much to look forward to either.

1:12:511:12:53

And who knows?

1:12:531:12:55

Perhaps some nice old man will want to marry me after all.

1:12:551:12:59

Have you ever considered the possibility of marrying me?

1:13:011:13:04

Every woman considers that prospect with every man she meets.

1:13:041:13:08

I'm quite serious.

1:13:081:13:10

I would guarantee you the companionship you want.

1:13:101:13:13

You've certainly had time to get used to me. There would be no surprises.

1:13:131:13:17

You know me too well.

1:13:171:13:20

I have enormous respect for you.

1:13:201:13:22

You add greatly to my comfort.

1:13:221:13:24

In fact, you're about the only woman I know to whom I would make such a rash offer.

1:13:241:13:29

A marriage...based on friendship?

1:13:321:13:37

The Chinese marry as total strangers. At least we met.

1:13:371:13:40

-CHUCKLES

-And suppose you should wake up one bright morning and discover

1:13:401:13:44

that I was desperately in love with you.

1:13:441:13:47

Wouldn't you find that rather disturbing?

1:13:471:13:49

The possibility of arousing unsuspected passion at my age would be not only disturbing

1:13:491:13:54

but rather miraculous.

1:13:541:13:56

Would you care to think this over for a day or two?

1:13:571:14:01

Are you sure you wouldn't?

1:14:011:14:04

The offer is quite genuine...

1:14:041:14:07

..if a bit casual.

1:14:071:14:09

Then my acceptance is quite casual

1:14:091:14:12

but a bit genuine.

1:14:121:14:15

Thank you.

1:14:171:14:20

I'm sure we'll be quite compatible.

1:14:201:14:23

-Grazie, Anna.

-Prego, signorina.

1:14:271:14:29

-Hi!

-Hi.

1:14:381:14:41

I'm just writing my folks that I'm bringing you home to stay a while with us.

1:14:411:14:45

But I'm not going home after all.

1:14:451:14:47

-But you said this morning...

-That was a hundred years ago.

1:14:471:14:49

I've decided to stay and get married.

1:14:491:14:53

-No!

-Isn't it ironic?

1:14:531:14:56

You're both so young and so lovely

1:14:561:14:59

but of the three of us I'm to be the bride.

1:14:591:15:02

-Shadwell?

-Who else?

1:15:021:15:04

-No!

-LAUGHING

1:15:041:15:06

-Oh, that's wonderful. How did it happen?

-I don't know.

1:15:061:15:09

I really don't know.

1:15:091:15:11

After being in love with him for 15 years, this silly man has asked me to marry him.

1:15:111:15:16

Have you ever heard of anything so absurd?

1:15:161:15:19

INTERCOM BUZZES

1:16:211:16:24

-Good morning!

-Good morning, Louisa.

1:16:311:16:34

I brought these flowers. Will you put them in a vase, please?

1:16:341:16:37

-Is Mr Shadwell up yet?

-He's up and gone out. His door was open.

1:16:371:16:42

Have breakfast ready for him. He's probably just gone for a walk.

1:16:421:16:45

Yes, signorina...

1:16:451:16:47

Oh, the signorina has a new dress! It is very pretty.

1:16:471:16:52

Maybe a...a little too young.

1:16:521:16:54

Oh, it is spring, signorina!

1:16:541:16:57

LAUGHING

1:16:571:16:59

You should have come to me the first time this happened, my friend.

1:17:121:17:16

That would hardly have been possible.

1:17:161:17:18

I've had headaches all my life.

1:17:181:17:21

What do I do now?

1:17:211:17:23

I would advise you to go to America. Dr Weisner is there now.

1:17:231:17:26

-He has managed, in these cases, to delay...

-No, thank you.

1:17:261:17:30

-I have no desire to prolong uncertainty.

-Think about it a while.

1:17:301:17:34

I prefer to think how best to spend this year allotted me.

1:17:341:17:37

One is not infallible in matters of time.

1:17:371:17:40

I don't think I shall work today, Dr Martinelli.

1:17:401:17:44

There's never any preparation for a death sentence, is there?

1:17:441:17:47

There is a lifetime.

1:17:471:17:50

That sounds like something I might have written.

1:17:501:17:53

-Goodbye, Doctor. Thank you.

-Goodbye.

1:17:531:17:56

Come.

1:18:171:18:18

Mr Hoyt, there's a gentleman here to see you about something.

1:18:181:18:21

Come in, sir.

1:18:211:18:23

-Thank you. Mr Hoyt?

-That's me, sir.

1:18:231:18:25

-I'm John Frederick Shadwell.

-Won't you sit down?

1:18:251:18:28

That's interesting. Same name as the writer.

1:18:281:18:30

-I am the writer.

-You are?

1:18:301:18:32

Well, I'm one of your fans.

1:18:321:18:34

-That's good to hear.

-Looking for material for a new novel?

1:18:341:18:37

Just information. I want to know what must be done to ship a body to America.

1:18:371:18:41

Well, you've come to the right man. That's my specialty.

1:18:411:18:44

-I handle former citizens.

-LAUGHING

1:18:441:18:47

-You seem to enjoy your work.

-Oh, I don't mind it.

1:18:471:18:50

Other vice-consuls have clients who talk back. Mine don't.

1:18:501:18:53

An obvious advantage.

1:18:531:18:56

Now then, I should like to know the exact procedure in having a body shipped home.

1:18:561:19:00

Well, first I must have a letter making the request.

1:19:001:19:03

-Who writes the letter?

-That's a good question.

1:19:031:19:06

The regulations say a close relative.

1:19:061:19:08

Then I must have a certificate from the doctor,

1:19:081:19:11

a notarized report for the American port of entry,

1:19:111:19:14

then permission from the city of Rome and an export license.

1:19:141:19:17

Sounds quite complicated.

1:19:171:19:19

Dead or alive, there's still a lot of red tape to it.

1:19:191:19:21

Thank you, Mr Hoyt. I shan't detain you any longer.

1:19:211:19:24

I assume this is all for a new story of yours.

1:19:241:19:27

-There actually is no body.

-Oh, there's a body, all right.

1:19:271:19:29

-Is there? Whose?

-Mine.

1:19:291:19:32

Good day, sir.

1:19:321:19:35

DOOR OPENS, CLOSES

1:19:351:19:37

You were up early this morning.

1:19:421:19:45

-You want your breakfast?

-Not at the moment.

1:19:451:19:47

-I finished these pages.

-Thank you.

1:19:471:19:49

Is anything the matter?

1:19:491:19:52

-I've had a very bad night.

-Let me get you some coffee.

1:19:521:19:55

I was quite concerned over this impulsive discussion we had about marriage yesterday.

1:19:551:19:59

This morning I realised you could not possibly have taken me seriously.

1:19:591:20:02

Why not?

1:20:021:20:05

Because you have too much self-respect to consider seriously

1:20:051:20:08

the offer of a man who is interested only in keeping his secretary.

1:20:081:20:11

You handled it extremely well, and my admiration for your tact is boundless.

1:20:111:20:15

-Should I have reacted otherwise?

-No.

1:20:161:20:19

Of course you should go home, since it is so important to you.

1:20:191:20:23

In fact, the sooner you can make arrangements, the more convenient it'll be for me.

1:20:231:20:27

I want to go to Capri for the summer, and I'd like to get away as soon as possible.

1:20:271:20:30

Aren't you going to finish the novel?

1:20:301:20:32

No, I seem to have lost interest in it at the moment.

1:20:321:20:35

So, if you can book passage...

1:20:351:20:38

..I promise not to place any more embarrassing obstacles in your path.

1:20:381:20:41

And you do forgive me for my selfish panic?

1:20:421:20:46

Of course.

1:20:461:20:48

DOOR CLOSES

1:20:511:20:53

SPEAKING ITALIAN

1:21:081:21:11

Yes, signore?

1:22:311:22:33

I should like a bottle of scotch, some ice and a siphon of soda.

1:22:331:22:37

Sorry, sir. No bottles.

1:22:371:22:40

Why not?

1:22:401:22:42

Drinks, yes, but no bottles.

1:22:421:22:44

Very well, my friend.

1:22:441:22:47

Bring me six double scotches, and line them up before me.

1:22:471:22:50

Very good, sir.

1:22:501:22:52

Are you, by any chance, following me, Miss Frances?

1:23:081:23:11

-Yes.

-May I ask why?

1:23:111:23:14

Dr Martinelli called after you left.

1:23:171:23:21

I see.

1:23:211:23:23

Is what you learned from him the reason you changed your mind about us?

1:23:231:23:28

I suppose it's quite natural for you to assume that.

1:23:281:23:31

But the truth is, it had nothing to do with it.

1:23:311:23:34

It was one of those unfortunate coincidences.

1:23:341:23:38

Oh.

1:23:381:23:41

He told me he suggested you return to America. You will go.

1:23:411:23:45

My dear Miss Frances, my life, my career

1:23:451:23:47

has been founded on facing facts as I discover them

1:23:471:23:50

never by wishful thinking.

1:23:501:23:52

I've no intention of seeking a dubious year of grace.

1:23:521:23:55

But in an extra year's time perhaps the doctors will have discovered an answer.

1:23:551:23:58

Cures must be discovered sometime.

1:23:581:24:01

I shall accept my fate with as much good grace as I can muster.

1:24:011:24:05

-What do you intend to do with those?

-I intend to get drunk.

1:24:091:24:12

-Why?

-I've been cautious too long.

1:24:121:24:16

I'm sorry that you've learned about this.

1:24:231:24:25

But since you have, you can be of great service to me.

1:24:251:24:29

I intend to spend the time I have left here in Rome, where I've lived most of my life.

1:24:291:24:33

But, oddly enough, I want to be buried in America.

1:24:331:24:37

There are numerous details involved that I should like to leave in your capable hands.

1:24:371:24:41

Please don't.

1:24:411:24:43

I can't listen when you talk like this.

1:24:431:24:46

Then I shall turn the matter over to someone less emotional.

1:24:461:24:48

SOBBING

1:24:481:24:50

Your greatest asset has always been your detachment,

1:24:501:24:53

your freedom from sentimentality.

1:24:531:24:56

It'd be a pity if you shattered that record at the end.

1:24:561:24:59

And now, if...if you don't mind, I...

1:25:011:25:05

I'd like to be left alone.

1:25:051:25:08

Does the signora care to order?

1:25:231:25:25

Yes. Bring me six double scotches, please.

1:25:251:25:28

-Six?

-Six.

1:25:281:25:31

Very good, signora.

1:25:311:25:33

May I ask what you intend to do with six double scotches?

1:25:371:25:39

-SNIFFLES

-I intend to drink them.

1:25:391:25:42

May I suggest that you'll live to regret it?

1:25:421:25:44

You may.

1:25:441:25:46

-But why six?

-I suspect a trick.

1:25:481:25:51

The Americans have thought of a scheme to outwit us of our tips.

1:25:511:25:55

I must figure this out.

1:25:551:25:57

-How can one save on six drinks?

-Well...

1:25:571:26:01

That'll be all.

1:26:161:26:18

COUGHING

1:26:251:26:27

Shall I slap you on the back, or shall I call the waiter to do it?

1:26:301:26:34

Neither.

1:26:341:26:36

Shouldn't you be at your desk attending to my work?

1:26:361:26:40

You've given up. Why shouldn't I?

1:26:401:26:43

I had no idea you went in for this sort of thing.

1:26:441:26:47

I don't, as a rule.

1:26:471:26:50

To the Fountain of Trevi.

1:26:501:26:52

To the lovely, romantic Fountain of Trevi, where hope can be had for a penny.

1:26:521:26:55

-People are looking at you.

-Well, high time.

1:26:551:26:58

-Do you really think you should?

-I really think I should.

1:26:581:27:02

-Why?

-Because...

1:27:021:27:05

..my life is ending.

1:27:051:27:07

Bambino.

1:27:191:27:21

Don't hug the shore with it. Be... Be reckless.

1:27:211:27:24

You've got your whole life ahead of you.

1:27:241:27:27

See what the world is like.

1:27:271:27:29

SPEAKING ITALIAN

1:27:291:27:32

Oh! All right. All right, all right.

1:27:321:27:35

Here, take it.

1:27:401:27:42

Take it home and play with it in the bathtub, my brave little adventurer.

1:27:421:27:46

-What do you want?

-Really, Miss Frances.

1:27:481:27:50

Don't you think you're a bit too old to go wading in public?

1:27:501:27:54

I'm not too old. I'm not too old to do anything I want to do.

1:27:541:27:58

Allow me to assist you from that ludicrous and liquid posture.

1:28:041:28:08

Go away. Go away, please.

1:28:081:28:11

Give me your hand, then.

1:28:131:28:15

SHE SIGHS

1:28:161:28:19

This'll make you feel much better.

1:28:301:28:33

I want my mother.

1:28:381:28:40

You haven't got a mother.

1:28:401:28:43

I haven't got anybody.

1:28:431:28:45

-Nobody cares what happens to me.

-SOBBING

1:28:451:28:49

Why didn't you let me drown?

1:28:491:28:52

A pity you didn't reveal your capacity for vice earlier.

1:28:521:28:56

The years would've seemed much shorter, and well-spent.

1:28:561:29:00

You needn't flatter me.

1:29:001:29:03

Miss Frances, please lie back. You're going to feel dreadful later on.

1:29:031:29:06

I feel dreadful now.

1:29:061:29:09

-I've gotta get up.

-Why?

1:29:091:29:11

I've gotta help my friends. They love me very much.

1:29:111:29:15

-I know.

-Oh, poor Georgio.

1:29:151:29:18

-Poor who?

-Oh, don't pretend you don't know.

1:29:181:29:21

I've got to get to Mr Burgoyne and make him give Georgio his job back.

1:29:211:29:25

Anita loves Georgio, and Georgio loves Anita.

1:29:251:29:28

-Yes.

-But you wouldn't understand.

1:29:281:29:31

You hate everybody!

1:29:311:29:33

Well, I should certainly hate to see you make a daily habit of this.

1:29:331:29:35

And I've got to talk to Dino.

1:29:351:29:37

I want Maria to have her prince. Every girl should have her prince.

1:29:371:29:41

At least one.

1:29:411:29:44

My dear Miss Frances, please try and get a little rest.

1:29:441:29:47

I'll do what I can later, but in the meantime it's important for you to sleep.

1:29:471:29:51

Sing to me.

1:29:511:29:53

The only song I know would hardly be appropriate - The Star-Spangled Banner.

1:29:531:29:58

You'd have to stand up, and...

1:29:581:30:00

Do you think you're going to be all right?

1:30:051:30:08

Miss Frances?

1:30:101:30:12

Sleep.

1:30:231:30:25

-SPEAKING ITALIAN

-Signor Shadwell.

1:30:521:30:55

Show him in.

1:30:551:30:57

SPEAKS ITALIAN

1:30:581:31:01

-Well, John!

-Hello, Dino.

1:31:011:31:03

I come bearing presents. You've always wanted these first editions of mine.

1:31:031:31:07

-I've decided to give them to you.

-But I cannot accept.

1:31:071:31:10

-But you will.

-Well, I'm overwhelmed, John.

1:31:101:31:13

-Why are you doing this?

-Saves my packing them.

1:31:131:31:16

-I'm going away tomorrow.

-Oh. Off to Capri again, huh?

1:31:161:31:19

America. I'm going home after 15 years...to be married.

1:31:191:31:22

Miss Frances?

1:31:221:31:24

How did you know?

1:31:241:31:27

For years all of Rome has known how Miss Frances felt. Should I be surprised?

1:31:271:31:32

You should be ashamed. You might have told me.

1:31:321:31:35

It is much better that you waited, my friend.

1:31:351:31:39

No man should marry until he is at least your age.

1:31:391:31:42

I shall accept that as a compliment.

1:31:421:31:44

-To your happiness.

-Thank you.

1:31:441:31:46

Now, at my age, you see, we have no judgment.

1:31:491:31:52

-We feel too deeply.

-I can understand how you feel.

1:31:521:31:56

After all, you've just had a narrow escape with that girl at the agency, haven't you?

1:31:561:31:59

-You know about this?

-Oh, all of Rome has known.

1:31:591:32:02

She almost tricked you into marrying her, I understand.

1:32:021:32:05

Do you know what that girl did?

1:32:051:32:08

Kept a little black book on you, I believe. Listed all your likes and dislikes.

1:32:081:32:11

-Even to the piccolo!

-Only a woman could sink that low.

1:32:111:32:15

HE SCOFFS The duplicity of this grasping girl!

1:32:151:32:18

Of course, we all grasp at happiness, but there are such things as rules.

1:32:181:32:23

Exactly! I knew you would understand.

1:32:231:32:26

And you're quite right in letting her go back to America without a word.

1:32:261:32:30

She deserves to be unhappy.

1:32:301:32:32

She's going back to America?

1:32:321:32:34

Oh, she knows she did wrong, so let her suffer for it.

1:32:341:32:38

You're well out of it, my boy. You've acted like a man.

1:32:381:32:42

She deceived me. She... She lied to me.

1:32:431:32:46

Why can't women play the game properly?

1:32:461:32:49

Everyone knows that in love affairs only the man has the right to lie.

1:32:491:32:53

-Naturally.

-She was very stupid to confess she lied.

1:32:531:32:56

She didn't have to. Very stupid.

1:32:561:33:00

See, to...to disillusion me so...

1:33:001:33:03

These girls in love never realise they should be honestly dishonest

1:33:031:33:06

instead of being dishonestly honest.

1:33:061:33:09

-Do you know what I mean?

-Hmm? Oh, certainly.

1:33:091:33:12

So don't let anyone convince you

1:33:141:33:16

that you should be flattered she went to such lengths to capture your interest.

1:33:161:33:20

Don't worry. I won't.

1:33:201:33:22

Of course, I would be highly flattered.

1:33:221:33:25

But then, I'm an older man.

1:33:251:33:27

-Not much.

-Thank you.

1:33:271:33:30

Well, I'm glad that I leave you in this happy frame of mind.

1:33:301:33:34

You know what you want, Dino. Take care of yourself.

1:33:341:33:37

She'll be out of your life tomorrow, and you'll never be bothered by her again.

1:33:371:33:41

-Home, Signor Shadwell?

-Not yet.

1:33:591:34:01

-To the Burgoyne villa, and hurry.

-Si, signor.

1:34:011:34:04

-I guess that's everything.

-Mm-hmm.

1:34:191:34:22

Well, goodbye, beautiful apartment.

1:34:221:34:25

Goodbye, romantic Rome.

1:34:251:34:28

Goodbye.

1:34:281:34:30

PHONE RINGING

1:34:331:34:36

Hello?

1:34:411:34:43

Oh, hello.

1:34:431:34:45

Where?

1:34:451:34:47

Oh, all right, dear.

1:34:491:34:51

Uh-huh. We were just leaving.

1:34:511:34:53

Bye.

1:34:531:34:55

That was Frances. She wants us to meet her at the Fountain of Trevi.

1:34:551:35:01

SPEAKS ITALIAN RESPONDS IN ITALIAN

1:35:131:35:16

Why do you suppose Frances wanted to meet us here?

1:35:241:35:27

Maybe she decided to go back with us after all.

1:35:271:35:29

Well, she'd better hurry up. Our train leaves in half an hour.

1:35:291:35:33

Why, it's empty.

1:35:331:35:36

WORKMAN SPEAKING ITALIAN

1:35:361:35:39

Signor, per che niente acqua?

1:35:401:35:44

-WORKMAN: Lo puliscano.

-Oh.

1:35:441:35:46

-Why isn't there any water?

-He says they're cleaning the pool.

1:35:461:35:51

Clean out the old dreams. Make way for the new ones.

1:35:511:35:55

That fountain is a fraud.

1:35:551:35:58

When I tossed my coin in, I wished I could stay for a year in Rome.

1:35:581:36:02

And here I am, leaving after a month.

1:36:021:36:05

Well, I'm afraid there's no refund.

1:36:051:36:08

We can't wait around here much longer. We're going to miss our train.

1:36:081:36:11

Oh, here she is. Well, what happened to you? We've been waiting hours.

1:36:131:36:16

I only phoned an hour ago.

1:36:161:36:19

You're mighty mysterious. What's this all about?

1:36:191:36:22

It's a surprise.

1:36:221:36:24

Look! The fountain's coming to life again.

1:36:281:36:32

# Three coins in the fountain... #

1:36:371:36:42

Maria.

1:36:431:36:46

Georgio!

1:37:111:37:13

# One heart will wear a valentine

1:37:141:37:21

# Make it mine!

1:37:211:37:23

# Make it mine!

1:37:231:37:26

# Make it mine! #

1:37:261:37:31

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