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"My name is Jane Eyre... | 0:01:22 | 0:01:25 | |
"I was born in 1820, a harsh time of change in England. | 0:01:25 | 0:01:28 | |
"Money and position seemed all that mattered. | 0:01:28 | 0:01:30 | |
"Charity was a cold and disagreeable word. | 0:01:30 | 0:01:33 | |
"Religion too often wore a mask of bigotry and cruelty. | 0:01:33 | 0:01:36 | |
"There was no proper place for the poor or the unfortunate. | 0:01:36 | 0:01:40 | |
"I had no father or mother, brother or sister. | 0:01:40 | 0:01:43 | |
"As a child I lived with my aunt, Mrs Reed of Gateshead Hall. | 0:01:43 | 0:01:46 | |
"I do not remember that she ever spoke one kind word to me." | 0:01:46 | 0:01:50 | |
Careful, Bessie. She bites! | 0:02:02 | 0:02:04 | |
Come on out, Jane Eyre. | 0:02:13 | 0:02:15 | |
Mrs Reed wants to see you in the drawing room. | 0:02:17 | 0:02:20 | |
-Go on, knock! -Don't bully the child. -Knock! | 0:02:25 | 0:02:28 | |
Come in. | 0:02:30 | 0:02:32 | |
This, Mr Brocklehurst, is the child in question. | 0:02:36 | 0:02:39 | |
She's the daughter of my late husband's sister, | 0:02:39 | 0:02:41 | |
by an unfortunate union we prefer to forget. | 0:02:41 | 0:02:45 | |
For some years she's lived here. | 0:02:45 | 0:02:48 | |
The recipient, I see, of every care | 0:02:48 | 0:02:51 | |
which one could lavish upon her. | 0:02:51 | 0:02:54 | |
Come here, little girl. | 0:02:54 | 0:02:56 | |
What is your name? | 0:02:58 | 0:03:00 | |
Jane Eyre, sir. | 0:03:00 | 0:03:02 | |
Well, Jane Eyre, and are you a good child? | 0:03:02 | 0:03:05 | |
The less said, the better. | 0:03:05 | 0:03:07 | |
-Indeed? -Today she struck her cousin brutally, without provocation. | 0:03:07 | 0:03:12 | |
-That isn't true! -Jane. -He hit me first! -Silence! | 0:03:12 | 0:03:15 | |
-John, dear, did you strike her first? -No, Mama. | 0:03:17 | 0:03:21 | |
You did! You knocked me down and made my head bleed. | 0:03:21 | 0:03:24 | |
-I did not! -You did! -Silence! -You did! | 0:03:24 | 0:03:26 | |
I won't hear your odious lies. | 0:03:28 | 0:03:30 | |
You see how passionate and wicked she is? | 0:03:30 | 0:03:34 | |
I do, indeed. Come here, child. | 0:03:34 | 0:03:37 | |
You and I must have some talk. | 0:03:39 | 0:03:41 | |
No sight so sad as that of a wicked child. | 0:03:43 | 0:03:46 | |
Where do the wicked go when dead? | 0:03:46 | 0:03:47 | |
They go to Hell. | 0:03:47 | 0:03:49 | |
-What is hell? -A pit full of fire. | 0:03:49 | 0:03:52 | |
Should you like to burn forever? | 0:03:52 | 0:03:54 | |
-no, sir! -What must you do? | 0:03:54 | 0:03:56 | |
Keep good health, and not die. | 0:03:56 | 0:03:59 | |
But children younger than you die daily. | 0:04:02 | 0:04:05 | |
Only last week we buried a child of five. | 0:04:05 | 0:04:08 | |
A good, little child, whose soul is in heaven. | 0:04:10 | 0:04:13 | |
And your soul? | 0:04:13 | 0:04:15 | |
-I don't see why it shouldn't go too! -YOU don't see! | 0:04:15 | 0:04:18 | |
But others see clearly, do they not, Mrs Reed? | 0:04:18 | 0:04:21 | |
-You have heard of Lowood? -No, sir. | 0:04:23 | 0:04:26 | |
It is a school for unfortunate orphans. | 0:04:26 | 0:04:29 | |
My estate is nearby. | 0:04:29 | 0:04:32 | |
As Chairman of the Board, I supervise. | 0:04:32 | 0:04:34 | |
Would you like to go there, little girl? | 0:04:34 | 0:04:37 | |
You mean, and not live HERE any more? | 0:04:37 | 0:04:40 | |
I don't know what Aunt would say. | 0:04:40 | 0:04:42 | |
It was your kind benefactress who suggested it. | 0:04:42 | 0:04:45 | |
-Do you wish to go? -Yes, sir! | 0:04:45 | 0:04:48 | |
A wise choice, wiser than you know. | 0:04:48 | 0:04:51 | |
Pray God to take away your heart of stone, and make you meek, humble, | 0:04:51 | 0:04:56 | |
and penitent. Rest assured, Mrs Reed, | 0:04:56 | 0:04:59 | |
we shall collaborate with the Almighty. | 0:04:59 | 0:05:03 | |
-Bessie? -Yes, Jane? -I never dreamt I'd get away till I was grown up. | 0:05:08 | 0:05:14 | |
Won't you be sorry to leave poor old Bessie? | 0:05:14 | 0:05:16 | |
What does Bessie care? Always scolding and punishing. | 0:05:16 | 0:05:19 | |
All the same, I am rather sorry to be leaving you. | 0:05:21 | 0:05:24 | |
Rather sorry? | 0:05:24 | 0:05:26 | |
Is that all? | 0:05:26 | 0:05:28 | |
I suppose you'd rather not kiss me? | 0:05:28 | 0:05:31 | |
I'll kiss you, and welcome, Bessie! | 0:05:31 | 0:05:33 | |
You're such a strange, solitary thing. | 0:05:35 | 0:05:39 | |
Here's a keepsake, Jane. | 0:05:39 | 0:05:41 | |
-It'll help you remember me. -Hurry up! | 0:05:41 | 0:05:44 | |
Be a good girl, and I hope you'll be happy. | 0:05:44 | 0:05:46 | |
Thank you, Bessie. Goodbye! | 0:05:46 | 0:05:49 | |
Goodbye, Jane. | 0:05:51 | 0:05:53 | |
Goodbye, Mrs Reed! I hate you and I hate everything about you! | 0:06:02 | 0:06:04 | |
I'll never see you when I grow up, or call you Aunt! | 0:06:04 | 0:06:07 | |
If anyone asks me how you treated me, | 0:06:07 | 0:06:10 | |
I'll say you were bad, hard-hearted and mean! | 0:06:10 | 0:06:13 | |
The sight of you makes me sick! | 0:06:13 | 0:06:15 | |
At school I shall have lessons in drawing, French, history, and music. | 0:06:25 | 0:06:30 | |
I'll have hundreds of girls to play with! | 0:06:30 | 0:06:32 | |
What's this school's name? | 0:06:32 | 0:06:35 | |
-It's called Lowood. -Lowood? | 0:06:35 | 0:06:37 | |
Lowood. | 0:06:37 | 0:06:40 | |
DOORBELL RINGS | 0:07:01 | 0:07:03 | |
Here you are. | 0:07:06 | 0:07:08 | |
She's been asleep for hours. | 0:07:08 | 0:07:11 | |
Right away, Bill! CARRIAGE WHIP CRACKS | 0:07:16 | 0:07:19 | |
CLATTER OF WHEELS | 0:07:19 | 0:07:21 | |
"I was to awaken in the morning to find my dreams of Lowood shattered. | 0:07:26 | 0:07:30 | |
"In their place was to stand a school that was more like a prison, | 0:07:30 | 0:07:33 | |
"dominated by the cold, implacable cruelty of Mr Brocklehurst." | 0:07:33 | 0:07:37 | |
SHE HEARS THE CARRIAGE WHEELS | 0:07:38 | 0:07:41 | |
HANDBELL RINGS | 0:07:46 | 0:07:48 | |
HANDBELL RINGS | 0:07:56 | 0:07:59 | |
HANDBELL RINGS | 0:08:01 | 0:08:03 | |
Pupils...! | 0:08:09 | 0:08:11 | |
Observe this child. | 0:08:11 | 0:08:13 | |
She is yet young, she possesses the ordinary form of girlhood. | 0:08:13 | 0:08:18 | |
No deformity points to her marked character. | 0:08:18 | 0:08:21 | |
Who would believe... | 0:08:21 | 0:08:23 | |
that the evil one had already found in her a servant and an agent? | 0:08:23 | 0:08:28 | |
Yet such, I grieve to tell you, is the case. | 0:08:28 | 0:08:33 | |
Therefore you must be on your guard against her. | 0:08:33 | 0:08:36 | |
Shun her example. | 0:08:36 | 0:08:39 | |
Avoid her company. Exclude her from your sports. | 0:08:39 | 0:08:43 | |
Shut her out from your converse. | 0:08:43 | 0:08:45 | |
Teachers! | 0:08:45 | 0:08:47 | |
You must watch her. | 0:08:47 | 0:08:49 | |
Weigh well her words and scrutinise her actions. | 0:08:49 | 0:08:52 | |
Punish her body to save her soul. | 0:08:52 | 0:08:56 | |
For it is my duty to warn you, and my tongue falters as I tell it... | 0:08:56 | 0:09:01 | |
that this girl, this child, | 0:09:01 | 0:09:03 | |
the native of a Christian land, no better than a heathen | 0:09:03 | 0:09:06 | |
that prays to Bramah or kneels before Juggernaut. | 0:09:06 | 0:09:10 | |
This girl is a liar! | 0:09:12 | 0:09:15 | |
Let her remain there, and let no-one speak to her for the rest of the day. | 0:09:17 | 0:09:21 | |
I brought you this, from supper. | 0:10:25 | 0:10:28 | |
Didn't you hear what he said? | 0:10:28 | 0:10:31 | |
He said you mustn't have anything to do with me. | 0:10:31 | 0:10:34 | |
Go on. take it. | 0:10:36 | 0:10:38 | |
I'm not bad. | 0:10:41 | 0:10:44 | |
I promise I'm not. | 0:10:44 | 0:10:45 | |
But I hate him, I hate him! | 0:10:45 | 0:10:48 | |
-It's wrong to hate people. -I can't help it! | 0:10:48 | 0:10:51 | |
I thought school would be a place where people would love me. | 0:10:52 | 0:10:56 | |
I want people to love me...and believe in me, and be kind to me. | 0:10:56 | 0:11:00 | |
I'd let my arm be broken if it'd make anyone love me. | 0:11:01 | 0:11:04 | |
Or let a horse kick me, or be tossed by a bull. | 0:11:04 | 0:11:08 | |
Don't say such things. | 0:11:08 | 0:11:09 | |
But I would. I would! | 0:11:09 | 0:11:12 | |
Eat your bread, Jane. | 0:11:15 | 0:11:17 | |
O merciful Providence, who of Thy generous plenty | 0:11:34 | 0:11:38 | |
doth give us the abundant fruits of the field, | 0:11:38 | 0:11:43 | |
grant us that though we are properly grateful for this our earthly food, | 0:11:43 | 0:11:48 | |
yet our hearts may be more lastingly fixed upon Thy heavenly manor. Amen. | 0:11:48 | 0:11:53 | |
Helen, where does that road go? | 0:11:55 | 0:11:58 | |
-I told you before, to Bradford. -But after that? | 0:11:58 | 0:12:01 | |
Derby...Nottingham, then London! | 0:12:01 | 0:12:04 | |
London to Dover, and across to France. | 0:12:04 | 0:12:07 | |
Then over the mountains and down to Italy, and Florence, Rome, Madrid... | 0:12:07 | 0:12:12 | |
Madrid isn't in Italy, Jane. | 0:12:12 | 0:12:14 | |
But that road goes there. We'll drive along it, when we're grown up, | 0:12:14 | 0:12:20 | |
in a coach. I'll have hair like yours, and have read all the books in the world, | 0:12:20 | 0:12:26 | |
and I'll play the piano and talk French, almost as well as you do. | 0:12:26 | 0:12:31 | |
-Dreaming again, Jane? -Doctor Rivers! | 0:12:31 | 0:12:34 | |
I know who'll be late for inspection(!) | 0:12:34 | 0:12:36 | |
Not this time, I'll beat you there. | 0:12:36 | 0:12:38 | |
A-Ah. | 0:12:51 | 0:12:52 | |
A-Ah. | 0:12:52 | 0:12:54 | |
-A-Ah. -COUGHING | 0:12:54 | 0:12:56 | |
A-Ah. | 0:12:56 | 0:12:58 | |
That cough doesn't seem any better, Helen. | 0:12:58 | 0:13:01 | |
We'll have to take care of it. | 0:13:01 | 0:13:02 | |
Ah. | 0:13:02 | 0:13:04 | |
Ah. | 0:13:04 | 0:13:06 | |
Thank you. | 0:13:09 | 0:13:11 | |
You keep your schoolroom uncommonly cold, Mr Brocklehurst. | 0:13:11 | 0:13:14 | |
A matter of principle, Dr Rivers. | 0:13:14 | 0:13:17 | |
Our aim is not to pamper the body, but to strengthen the soul. | 0:13:17 | 0:13:19 | |
A bad cough is little aid to salvation. | 0:13:19 | 0:13:23 | |
But I'm not a theologian. | 0:13:23 | 0:13:25 | |
Good day, sir. | 0:13:25 | 0:13:27 | |
GIGGLES | 0:13:33 | 0:13:35 | |
-If I may venture an opinion... -If I want it, madam, I shall call for it. | 0:13:38 | 0:13:41 | |
Johnson, you poke your chin most unpleasantly. Draw it in. | 0:13:43 | 0:13:46 | |
Edwards, I insist on your holding your head up. | 0:13:52 | 0:13:56 | |
I will not have you stand before me in that attitude. | 0:13:56 | 0:13:59 | |
Miss Scatcherd! | 0:14:04 | 0:14:05 | |
Fetch me the scissors immediately! | 0:14:05 | 0:14:08 | |
What may I ask is the meaning of this? | 0:14:08 | 0:14:10 | |
Why, in defiance of every precept and principle, | 0:14:10 | 0:14:13 | |
is this person's hair a mass of curls? | 0:14:13 | 0:14:16 | |
-Her hair curls naturally, sir. -We are not here to conform to nature! | 0:14:16 | 0:14:21 | |
I want them to be children of grace. | 0:14:22 | 0:14:25 | |
Please, sir, don't do that! You can cut mine, but... | 0:14:32 | 0:14:36 | |
Silence! | 0:14:36 | 0:14:37 | |
So this is Lowood's prevailing spirit? | 0:14:37 | 0:14:40 | |
Vanity and insurrection! | 0:14:40 | 0:14:43 | |
It shall be rooted out. | 0:14:43 | 0:14:45 | |
-Dr Rivers! -I've brought this oil for Helen. | 0:15:13 | 0:15:16 | |
-It's to rub on her chest. -Helen? | 0:15:16 | 0:15:19 | |
Her lung concerns me. I spoke to Mr Brock... | 0:15:19 | 0:15:22 | |
Heavens! What are they doing out in the rain? | 0:15:22 | 0:15:26 | |
-It was Mr Brocklehurst's order. -Bring them in at once! | 0:15:26 | 0:15:28 | |
-What shall I say to Mr Brocklehurst? -Refer him to me! | 0:15:28 | 0:15:31 | |
With your leave, Dr Rivers, I shall offer up one more prayer. | 0:15:38 | 0:15:42 | |
Almighty God, look down upon this miserable sinner, | 0:15:42 | 0:15:46 | |
and grant that the sense of her weakness | 0:15:46 | 0:15:49 | |
may give strength to her faith and seriousness to her repentance. | 0:15:49 | 0:15:54 | |
Amen. | 0:15:54 | 0:15:56 | |
The ways of Providence are inscrutable... | 0:16:03 | 0:16:06 | |
-Did Providence send her out in the rain? -Doctor! | 0:16:06 | 0:16:08 | |
And Providence that ordered her to her death?! | 0:16:08 | 0:16:11 | |
Yes, to her death, Mr Brocklehurst! | 0:16:11 | 0:16:13 | |
Helen? | 0:16:24 | 0:16:26 | |
Helen? | 0:16:26 | 0:16:27 | |
Oh, I'm so glad. | 0:16:27 | 0:16:29 | |
I heard Dr Rivers say... | 0:16:29 | 0:16:32 | |
I was afraid. | 0:16:32 | 0:16:34 | |
I'm not afraid, Jane. | 0:16:34 | 0:16:36 | |
Helen...! | 0:16:36 | 0:16:38 | |
Helen! | 0:16:38 | 0:16:40 | |
You must be cold. | 0:16:40 | 0:16:42 | |
Lie down and cover yourself up. | 0:16:42 | 0:16:44 | |
Don't cry, Jane. | 0:16:50 | 0:16:53 | |
I don't want you to cry. | 0:16:53 | 0:16:55 | |
-Are you warm, now? -Yes. | 0:16:59 | 0:17:02 | |
Goodnight, Jane. | 0:17:02 | 0:17:05 | |
Goodnight, Helen. | 0:17:05 | 0:17:08 | |
I-I do wish they... | 0:17:13 | 0:17:16 | |
..hadn't cut your hair. | 0:17:16 | 0:17:19 | |
Helen. | 0:17:25 | 0:17:27 | |
Are you awake? | 0:17:27 | 0:17:30 | |
It's morning. | 0:17:30 | 0:17:32 | |
Helen! | 0:17:32 | 0:17:35 | |
JANE SCREAMS | 0:17:35 | 0:17:37 | |
Jane! | 0:17:45 | 0:17:47 | |
-Come, Jane. -No, I want to stay here! | 0:17:47 | 0:17:49 | |
I want to be with Helen. | 0:17:49 | 0:17:52 | |
Helen isn't here. Helen's with God. | 0:17:52 | 0:17:55 | |
Jane, remember what you say in your prayers every day? | 0:17:56 | 0:17:59 | |
"Thy will be done". | 0:17:59 | 0:18:02 | |
Do you think you're doing God's will by giving way to despair? | 0:18:02 | 0:18:07 | |
God wants children to be brave and strong. | 0:18:07 | 0:18:09 | |
Won't you do what God wants? | 0:18:10 | 0:18:12 | |
-I'll try. -That's right. | 0:18:12 | 0:18:15 | |
The harder you try, the more God will help you. | 0:18:16 | 0:18:19 | |
And now, let me take you back. | 0:18:19 | 0:18:21 | |
No, I can't go back to school! I'll never go back. I'll run away. | 0:18:21 | 0:18:24 | |
Jane! You know what duty is? | 0:18:24 | 0:18:27 | |
Duty is what you have to do, even when you don't want to do it. | 0:18:27 | 0:18:31 | |
I don't want to visit a patient in the snow, but it's my duty. | 0:18:31 | 0:18:35 | |
-What is your duty? -I don't know! | 0:18:35 | 0:18:38 | |
Yes, you do! In your heart you know perfectly well. | 0:18:38 | 0:18:43 | |
It is to prepare to do God's work. | 0:18:43 | 0:18:45 | |
Isn't that true? | 0:18:45 | 0:18:48 | |
And who can do God's work? | 0:18:48 | 0:18:50 | |
An ignorant woman, or an educated one? | 0:18:50 | 0:18:53 | |
Yes, you know the answer to that. | 0:18:53 | 0:18:55 | |
Where can you get an education? | 0:18:55 | 0:18:57 | |
Where? | 0:18:57 | 0:18:59 | |
-At school. -Precisely. | 0:18:59 | 0:19:02 | |
You know you must go back, though you hate the thought. | 0:19:02 | 0:19:06 | |
Isn't that true? | 0:19:06 | 0:19:08 | |
-WHISPERS: -I suppose it is true. | 0:19:10 | 0:19:13 | |
Good, Jane! | 0:19:14 | 0:19:15 | |
Very good! | 0:19:15 | 0:19:17 | |
True, gentlemen, we had some difficulties in the beginning... | 0:19:41 | 0:19:44 | |
A very stiff-necked and evil child. | 0:19:44 | 0:19:47 | |
But Eyre's been here ten years. | 0:19:47 | 0:19:49 | |
It's been granted me to put her on the path of salvation. | 0:19:49 | 0:19:54 | |
-I suppose we ought to see her. -I intended so. | 0:19:54 | 0:19:57 | |
Let Eyre be brought in. | 0:19:57 | 0:19:59 | |
I needn't remind you of the advantages | 0:19:59 | 0:20:01 | |
of appointing one of our old pupils as teacher. | 0:20:01 | 0:20:04 | |
An outsider would have to be paid twice as much. | 0:20:04 | 0:20:07 | |
DOOR OPENS | 0:20:07 | 0:20:10 | |
Eyre, this is a solemn moment. | 0:20:10 | 0:20:13 | |
Little did I imagine that the unregenerate child I received | 0:20:13 | 0:20:18 | |
would grow in ten short years to become a teacher. | 0:20:18 | 0:20:21 | |
Yes, a teacher. | 0:20:21 | 0:20:23 | |
That is the honour the trustees, at my recommendation, have bestowed upon you. | 0:20:23 | 0:20:27 | |
Your wage is 20 guineas per annum. | 0:20:27 | 0:20:31 | |
Only 10 is withheld for lodging, spiritual instruction and laundry. | 0:20:31 | 0:20:34 | |
You duties will begin in the new term. | 0:20:34 | 0:20:36 | |
I need detain you no longer, gentlemen. | 0:20:36 | 0:20:39 | |
Good day, gentlemen. | 0:20:49 | 0:20:51 | |
Here is the post, sir. | 0:20:51 | 0:20:53 | |
That is all, Eyre. | 0:20:57 | 0:20:59 | |
I cannot accept your offer, sir. | 0:21:03 | 0:21:06 | |
-And why not, pray? -I do not wish to stay here at Lowood. | 0:21:06 | 0:21:09 | |
This is unheard of! | 0:21:09 | 0:21:12 | |
The ingratitude! | 0:21:12 | 0:21:13 | |
What have I to be grateful for? | 0:21:13 | 0:21:15 | |
-Ten years of harshness and... -Silence! | 0:21:15 | 0:21:19 | |
Stiff-necked as ever. I see that I have been sadly deceived in you. | 0:21:21 | 0:21:26 | |
And where, may I ask, do you intend to go? | 0:21:26 | 0:21:29 | |
Out into the world, sir. | 0:21:29 | 0:21:31 | |
Out into the world. | 0:21:31 | 0:21:33 | |
Do you know how the world treats young paupers without friends? | 0:21:33 | 0:21:36 | |
I intend to find a position as a governess. | 0:21:36 | 0:21:38 | |
How, may I ask? | 0:21:38 | 0:21:40 | |
-I've advertised in a newspaper. -Oh! | 0:21:40 | 0:21:43 | |
-You've been overwhelmed for your services. -No, sir. | 0:21:43 | 0:21:47 | |
And you never will be, you have no talents, | 0:21:47 | 0:21:50 | |
a dark disposition and an insignificant appearance! | 0:21:50 | 0:21:53 | |
It is folly to dream of such a position. | 0:21:53 | 0:21:56 | |
Eyre, you heard me! | 0:22:05 | 0:22:08 | |
I can overlook your ungracious outburst, but I warn you, | 0:22:08 | 0:22:12 | |
if you persist in folly, this haven will never again be open to you. | 0:22:12 | 0:22:16 | |
I am leaving Lowood, sir. | 0:22:16 | 0:22:20 | |
Here you are, miss. Right-oh. | 0:22:49 | 0:22:52 | |
Not all young women can face the world alone. | 0:22:52 | 0:22:55 | |
You know what right is. You'll stick to it through thick and thin. | 0:22:55 | 0:22:58 | |
-£40 is my limit. -No, guineas. | 0:23:21 | 0:23:23 | |
Excuse me, is there anyone here for a Mrs Fairfax of Thornfield Hall? | 0:23:25 | 0:23:30 | |
Take a seat in there. I'll enquire. | 0:23:30 | 0:23:32 | |
-Who's the young lady? -Couldn't say, sir. | 0:23:32 | 0:23:36 | |
Give her my compliments, and ask her to join me in a glass of Madeira. | 0:23:36 | 0:23:40 | |
The gentlemen offers his compliments. | 0:23:42 | 0:23:45 | |
Asks if you'd care to take a glass of something with him? | 0:23:45 | 0:23:47 | |
Oh, no, thank you, I-I never take wine. | 0:23:47 | 0:23:50 | |
Is your name Eyre? | 0:23:59 | 0:24:01 | |
Yes, I'm Miss Eyre. Are you from Thornfield? | 0:24:01 | 0:24:04 | |
-You're not the new governess? -Yes, I am. | 0:24:04 | 0:24:07 | |
-Is this all your luggage? -Yes. | 0:24:07 | 0:24:10 | |
I'll tell Mrs Fairfax you're here. | 0:25:06 | 0:25:08 | |
Thank you. | 0:25:08 | 0:25:10 | |
FOOTSTEPS APPROACH | 0:25:24 | 0:25:27 | |
How do you do, my dear? | 0:25:27 | 0:25:28 | |
I'm afraid you've had a tedious journey. I'm Mrs Fairfax. | 0:25:28 | 0:25:32 | |
Why, your hand is like ice! | 0:25:32 | 0:25:35 | |
Come, I'll take you straight to your room. | 0:25:35 | 0:25:38 | |
We've a nice, cosy fire for you, | 0:25:38 | 0:25:40 | |
and Leah's taken the chill off the sheet, with the warming-pan. | 0:25:40 | 0:25:43 | |
I'm so glad you've come. | 0:25:45 | 0:25:48 | |
Living here with company but the servants, | 0:25:48 | 0:25:51 | |
it's hardly cheerful. | 0:25:51 | 0:25:53 | |
Only the butcher and postman have come since the hard weather set in. | 0:25:53 | 0:25:58 | |
Shall I see Miss Fairfax tonight? | 0:25:58 | 0:26:02 | |
Miss Fairfax? Oh, you mean Miss Adele. | 0:26:02 | 0:26:05 | |
-Isn't she your daughter? -Gracious, no, she's French. I've no family. | 0:26:05 | 0:26:10 | |
None at all. That's Mr Edward's room. | 0:26:10 | 0:26:13 | |
He's abroad, but I always keep it ready. | 0:26:13 | 0:26:17 | |
His visits are always so unexpected and sudden, | 0:26:17 | 0:26:19 | |
a wanderer on the face of the earth. | 0:26:19 | 0:26:21 | |
That's what Mr Edward is, I'm afraid. | 0:26:21 | 0:26:24 | |
-Who is Mr Edward? -Why, the owner of Thornfield! | 0:26:24 | 0:26:28 | |
I thought this was your house. | 0:26:28 | 0:26:30 | |
Bless your soul, child, I'm only the housekeeper. | 0:26:30 | 0:26:33 | |
Thornfield belongs to Mr Edward Rochester. | 0:26:33 | 0:26:35 | |
Little Adele is his ward. | 0:26:35 | 0:26:37 | |
Here is your room. | 0:26:37 | 0:26:39 | |
It's quite small, but I thought you'd like it better | 0:26:39 | 0:26:42 | |
-than one of the large front chambers. -It's beautiful. | 0:26:42 | 0:26:46 | |
Yet he comes so seldom to this house? | 0:26:46 | 0:26:50 | |
It is strange. | 0:26:50 | 0:26:52 | |
You'll find that in many ways Mr Edward is a strange man. | 0:26:52 | 0:26:55 | |
Goodnight, my dear. | 0:26:55 | 0:26:58 | |
Goodnight. | 0:26:58 | 0:27:00 | |
A MUSIC-BOX TINKLES | 0:27:14 | 0:27:17 | |
Bonjour, Mademoiselle. | 0:27:34 | 0:27:35 | |
Mama had a dress like that, | 0:27:35 | 0:27:38 | |
only she danced beautifully. I can dance, too. | 0:27:38 | 0:27:42 | |
-Do you wish to see? -This very moment? | 0:27:42 | 0:27:44 | |
Now you speak like Monsieur Rochester. | 0:27:44 | 0:27:47 | |
For him it is never the right moment. | 0:27:47 | 0:27:50 | |
Mais jamais. | 0:27:50 | 0:27:52 | |
Your name is Adele? | 0:27:52 | 0:27:54 | |
Do you know what I was thinking, Adele? | 0:27:54 | 0:27:58 | |
Never in my life have I been awakened so happily. | 0:27:58 | 0:28:02 | |
-You liked that, Mademoiselle? -Very much, Adele. | 0:28:21 | 0:28:24 | |
A great many gentlemen and ladies came to see Mama. | 0:28:24 | 0:28:27 | |
I used dance, or sing to them. | 0:28:27 | 0:28:31 | |
I liked it. | 0:28:31 | 0:28:32 | |
-Where was that? -In Paris, where we lived. | 0:28:32 | 0:28:36 | |
But when Mama went to the Holy Virgin, Mr Rochester came | 0:28:36 | 0:28:40 | |
and took me in a great ship with a chimney that smoked, | 0:28:40 | 0:28:45 | |
and I was sick. | 0:28:45 | 0:28:47 | |
Five, six and three...? | 0:28:48 | 0:28:50 | |
Do you like Monsieur Rochester? | 0:28:52 | 0:28:55 | |
-I've not met him. -This is his chair. | 0:28:55 | 0:28:57 | |
He sits and stares into the fire, | 0:28:57 | 0:29:00 | |
and frowns like this. | 0:29:00 | 0:29:02 | |
JANE LAUGHS | 0:29:02 | 0:29:04 | |
Is he as bad as that? | 0:29:04 | 0:29:06 | |
Twice as bad! I cannot make how bad he is! | 0:29:06 | 0:29:09 | |
But I'm sure he's very kind. | 0:29:09 | 0:29:11 | |
Sometimes he brings me beautiful presents. | 0:29:11 | 0:29:13 | |
But when he's angry, that's terrible! | 0:29:13 | 0:29:16 | |
May the Holy Virgin give me grace, and God bless Monsieur Rochester. | 0:29:16 | 0:29:21 | |
and make him polite to Mademoiselle, | 0:29:21 | 0:29:25 | |
so she will stay with me for ever and ever. Amen. | 0:29:25 | 0:29:28 | |
HORSES' HOOVES | 0:30:10 | 0:30:13 | |
JANE SCREAMS | 0:30:18 | 0:30:19 | |
DOG BARKS | 0:30:19 | 0:30:21 | |
-What can I do? -Stand aside. | 0:30:26 | 0:30:28 | |
I'm sorry I frightened your horse. | 0:30:28 | 0:30:31 | |
Apologies won't mend my ankle. Pilot! | 0:30:31 | 0:30:33 | |
What are you waiting for? | 0:30:33 | 0:30:35 | |
I can't leave until I see you're fit to ride. | 0:30:35 | 0:30:38 | |
You've a will of your own! Where are you from? | 0:30:38 | 0:30:41 | |
From Mr Rochester's house, below. | 0:30:41 | 0:30:43 | |
You know Mr Rochester. | 0:30:43 | 0:30:46 | |
No, I've never seen him. | 0:30:46 | 0:30:48 | |
You're not a servant at the hall. | 0:30:48 | 0:30:50 | |
I'm the new governess. | 0:30:50 | 0:30:52 | |
Oh. | 0:30:52 | 0:30:54 | |
You're the new governess. | 0:30:56 | 0:30:58 | |
Now, just hand me my whip. | 0:31:07 | 0:31:10 | |
Thank you. Now kindly get out of the way. | 0:31:13 | 0:31:16 | |
DOG GROWLS | 0:31:35 | 0:31:37 | |
Quick, dear, off with your things, | 0:31:40 | 0:31:43 | |
-he's been asking to see the new governess. -Who? | 0:31:43 | 0:31:46 | |
Why, Mr Rochester. | 0:31:46 | 0:31:48 | |
Rode in without any warning, and in a vile humour. | 0:31:48 | 0:31:51 | |
He seems he had an accident. | 0:31:51 | 0:31:53 | |
But he won't let me send for he doctor. | 0:31:53 | 0:31:55 | |
Oh, goodness, your bonnet. | 0:31:55 | 0:31:58 | |
Here is Miss Eyre, sir. | 0:31:58 | 0:32:00 | |
Well, Miss Eyre, have you no tongue? | 0:32:24 | 0:32:27 | |
I was waiting until spoken to. | 0:32:27 | 0:32:29 | |
Very proper. Next time, you see a man on a horse, don't run into the road until he's passed. | 0:32:29 | 0:32:32 | |
I assure you, it was not deliberate. | 0:32:32 | 0:32:34 | |
It was nonetheless painful. | 0:32:34 | 0:32:38 | |
Sit down, Miss Eyre. | 0:32:38 | 0:32:41 | |
Where do you come from? | 0:32:44 | 0:32:47 | |
-From Lowood Institution, sir. -Lowood, what's that? | 0:32:47 | 0:32:50 | |
A charity school. I was there ten years. | 0:32:50 | 0:32:52 | |
Ten years, you must be tenacious of life! | 0:32:52 | 0:32:55 | |
No wonder you've the look of another world. | 0:32:55 | 0:32:58 | |
I marvelled where you got that face. | 0:32:58 | 0:33:02 | |
When you came on me in the mist, I found myself thinking of fairy tales! | 0:33:02 | 0:33:06 | |
I'd a mind to demand if you'd bewitched my horse. | 0:33:06 | 0:33:09 | |
I'm not sure yet. | 0:33:09 | 0:33:12 | |
-Who are your parents? -I have none, sir. | 0:33:14 | 0:33:17 | |
-Your home? -I have no home, sir. | 0:33:17 | 0:33:20 | |
Who recommended you? | 0:33:20 | 0:33:22 | |
I advertised. Mrs Fairfax answered. | 0:33:22 | 0:33:25 | |
Huh. And you came post-haste, in time to throw me off my horse! | 0:33:25 | 0:33:28 | |
Hmm. | 0:33:28 | 0:33:30 | |
What did you learn at Lowood? | 0:33:30 | 0:33:32 | |
-Do you play the piano? -A little. | 0:33:32 | 0:33:35 | |
Of course...the established answer. | 0:33:35 | 0:33:39 | |
Go in the drawing room...! | 0:33:39 | 0:33:41 | |
I mean, if you please. | 0:33:41 | 0:33:44 | |
Excuse my tone of command. I am used to saying | 0:33:44 | 0:33:47 | |
"Do this", and it is done. I cannot alter my habits | 0:33:47 | 0:33:50 | |
for one new inmate. Take a candle, leave the door open, | 0:33:50 | 0:33:53 | |
and play a tune. | 0:33:53 | 0:33:56 | |
JANE PLAYS | 0:34:08 | 0:34:10 | |
Enough! | 0:34:25 | 0:34:27 | |
You play "a little", I see, like any other English schoolgirl. | 0:34:42 | 0:34:47 | |
Perhaps rather better than some... | 0:34:47 | 0:34:50 | |
Not well. | 0:34:50 | 0:34:52 | |
Goodnight, Miss Eyre. | 0:34:54 | 0:34:56 | |
Goodnight. | 0:34:56 | 0:34:58 | |
"What sort of man was this master of Thornfield - | 0:35:07 | 0:35:10 | |
"so proud, sardonic and harsh? | 0:35:10 | 0:35:13 | |
"Instinctively I felt that his malignant mood | 0:35:13 | 0:35:15 | |
"had its source in some cruel cross of fate. | 0:35:15 | 0:35:17 | |
"I was to learn that this was indeed true, | 0:35:17 | 0:35:20 | |
" and that beneath the harsh mask he assumed | 0:35:20 | 0:35:23 | |
"lay a tortured soul, fine, gentle and kindly." | 0:35:23 | 0:35:26 | |
KNOCKS FROM OUTSIDE | 0:35:27 | 0:35:29 | |
DOOR CREAKS | 0:35:29 | 0:35:31 | |
Grace, I've told you time and again, | 0:35:31 | 0:35:35 | |
I could hear you all through the house. Too much noise. | 0:35:35 | 0:35:37 | |
I've spoken to you before. | 0:35:37 | 0:35:40 | |
Did I disturb you, my dear. | 0:35:43 | 0:35:45 | |
I'm so sorry. I had to speak to Grace Poole. She does the sewing. | 0:35:45 | 0:35:49 | |
Not unobjectionable, but she works. | 0:35:49 | 0:35:52 | |
How did you get on with Mr Rochester, dear? | 0:35:52 | 0:35:55 | |
Is he always so changeful and abrupt? | 0:35:55 | 0:35:58 | |
He has peculiarities of temper, but allowances should be made. | 0:35:58 | 0:36:02 | |
Why for him more than others? | 0:36:02 | 0:36:04 | |
Because it's his nature. | 0:36:04 | 0:36:07 | |
-And because he has painful thoughts. -What about? | 0:36:07 | 0:36:10 | |
Family troubles. | 0:36:10 | 0:36:12 | |
I think that's why he so seldom comes to Thornfield. | 0:36:12 | 0:36:15 | |
It has unpleasant associations for him. | 0:36:15 | 0:36:19 | |
Goodnight, my dear. | 0:36:19 | 0:36:21 | |
Goodnight, Mrs Fairfax. | 0:36:21 | 0:36:23 | |
Monsieur Rochester is very difficult, | 0:36:49 | 0:36:51 | |
but he brings me most beautiful presents. | 0:36:51 | 0:36:55 | |
Look! | 0:36:55 | 0:36:57 | |
You see? | 0:36:57 | 0:36:59 | |
They suit me perfectly. | 0:36:59 | 0:37:00 | |
A ballet dress, just like Mama used to wear. | 0:37:26 | 0:37:31 | |
Isn't it beautiful, Mademoiselle? | 0:37:31 | 0:37:33 | |
Beautiful, Adele. | 0:37:33 | 0:37:35 | |
I shall wear it when I dance, always. | 0:37:35 | 0:37:38 | |
-Miss Eyre. -Regardez, Monsieur... | 0:37:42 | 0:37:44 | |
Est-ce que c'est comme ca qu'on se tient?! | 0:37:44 | 0:37:47 | |
Miss Eyre? | 0:37:47 | 0:37:49 | |
I'm not fond of the prattle of children. | 0:37:53 | 0:37:57 | |
As you see, I'm a crusty, old bachelor, | 0:37:57 | 0:38:01 | |
and I have no pleasant associations connected with their lisp. | 0:38:01 | 0:38:05 | |
In this house, the only alternative is the prattle of the simple-minded | 0:38:05 | 0:38:09 | |
old lady, which is nearly as bad. | 0:38:09 | 0:38:11 | |
Today I'm disposed to be gregarious | 0:38:11 | 0:38:14 | |
and I believe you could amuse me. | 0:38:14 | 0:38:18 | |
You puzzled me greatly that first evening in the library, Miss Eyre. | 0:38:18 | 0:38:23 | |
I'd almost forgotten you. | 0:38:23 | 0:38:25 | |
But now I'm resolved to be at ease, to do only what pleases me. | 0:38:25 | 0:38:29 | |
It would please me now to draw you out. | 0:38:29 | 0:38:33 | |
Sit down, Miss Eyre. | 0:38:33 | 0:38:35 | |
No, not further back. | 0:38:35 | 0:38:37 | |
Just here, where I placed it. | 0:38:37 | 0:38:40 | |
Forward a little! Still too far back. | 0:38:40 | 0:38:43 | |
I can't see you without disturbing my position, which I've no mind to. | 0:38:43 | 0:38:49 | |
You examine me, Miss Eyre. | 0:38:51 | 0:38:53 | |
Do you find me handsome? | 0:38:53 | 0:38:56 | |
-No, sir. -Indeed! | 0:38:56 | 0:38:58 | |
I beg your pardon, I was too plain. | 0:38:58 | 0:39:00 | |
-My answer was a mistake. -You shall be answerable for it. Explain. | 0:39:00 | 0:39:04 | |
Does forehead not please you? | 0:39:04 | 0:39:06 | |
What does it tell you? Am I a fool? | 0:39:06 | 0:39:08 | |
Far from it. | 0:39:08 | 0:39:10 | |
Is it the head of a kindly man? | 0:39:10 | 0:39:12 | |
Hardly that, sir. | 0:39:12 | 0:39:14 | |
Very well, then. | 0:39:14 | 0:39:16 | |
I am not a kindly man, | 0:39:16 | 0:39:18 | |
though I did once have a sort of... tenderness of heart. | 0:39:18 | 0:39:23 | |
-Do you doubt it? -No, sir. -Since then, fortune's knocked me about, | 0:39:23 | 0:39:27 | |
till I'm as tough as an India-rubber ball. | 0:39:27 | 0:39:31 | |
With perhaps one small, sensitive point in the middle of the lump. | 0:39:31 | 0:39:36 | |
-Does that leave hope for me? -Hope of what? | 0:39:36 | 0:39:39 | |
My re-transformation from India-rubber back to flesh. | 0:39:39 | 0:39:44 | |
You look very puzzled, young lady, | 0:39:44 | 0:39:46 | |
and a puzzled air becomes you. | 0:39:46 | 0:39:49 | |
Besides, it keeps those searching eyes of yours away from my face. | 0:39:50 | 0:39:53 | |
You are silent, Miss Eyre. | 0:39:55 | 0:39:57 | |
Stubborn? | 0:39:57 | 0:39:59 | |
No, annoyed... | 0:39:59 | 0:40:02 | |
and quite rightly so. I put my request in an absurd way. | 0:40:02 | 0:40:05 | |
I do not wish to treat you as an inferior. | 0:40:05 | 0:40:08 | |
But I've experience of many men of many nations, | 0:40:08 | 0:40:12 | |
while you've been with one set of people in one house. | 0:40:12 | 0:40:17 | |
Don't I have a right to be a little abrupt? | 0:40:17 | 0:40:20 | |
Do as you please, sir. | 0:40:20 | 0:40:22 | |
You pay me £30 a year for receiving your orders. | 0:40:22 | 0:40:24 | |
£30? | 0:40:24 | 0:40:26 | |
I'd forgotten that. | 0:40:26 | 0:40:27 | |
On that mercenary ground may I not hector a little? | 0:40:27 | 0:40:30 | |
Not on that ground, | 0:40:30 | 0:40:32 | |
but since you did forget, and enquired of my feelings as an equal. | 0:40:32 | 0:40:36 | |
Good! | 0:40:36 | 0:40:38 | |
You will let me dispense with conventional forms without thinking me insolent? | 0:40:38 | 0:40:42 | |
I never mistake informality for insolence. | 0:40:42 | 0:40:45 | |
One I rather like, | 0:40:45 | 0:40:47 | |
the other, no free born person submits to, even for a salary. | 0:40:47 | 0:40:50 | |
Humbug! Most free born people would submit to anything for a salary. Where are you going? | 0:40:50 | 0:40:54 | |
-It's time for Adele's lesson. -No, young lady, | 0:40:54 | 0:40:58 | |
it's not for Adele you're going, but because you're afraid of me. | 0:40:58 | 0:41:02 | |
You wish to escape me. | 0:41:02 | 0:41:03 | |
In my presence you hesitate to smile gaily or speak too freely. | 0:41:03 | 0:41:07 | |
Admit you're afraid! | 0:41:09 | 0:41:10 | |
I am bewildered, sir, but I am certainly not afraid. | 0:41:10 | 0:41:13 | |
DOOR OPENS | 0:41:13 | 0:41:14 | |
Don't I look beautiful, Monsieur? | 0:41:14 | 0:41:17 | |
This is how Mama used to do it, is it not? | 0:41:17 | 0:41:20 | |
Precisely. | 0:41:20 | 0:41:22 | |
It's how she charmed my English gold from my britches pocket. | 0:41:22 | 0:41:26 | |
Then I shall dance for you? | 0:41:26 | 0:41:29 | |
You will not. You'll go straight upstairs to the nursery. | 0:41:29 | 0:41:32 | |
-But Monsieur! -At once. | 0:41:32 | 0:41:34 | |
Miss Eyre! | 0:41:39 | 0:41:42 | |
I have not finished talking to you. | 0:41:42 | 0:41:44 | |
Why do you look at me like that? | 0:41:49 | 0:41:52 | |
I was thinking whatever your misfortune, | 0:41:52 | 0:41:56 | |
you've no right to revenge yourself on a child. | 0:41:56 | 0:41:58 | |
You're quite right. | 0:41:58 | 0:42:00 | |
I was thinking only of myself, of my own feelings. | 0:42:00 | 0:42:03 | |
The fact is, nature meant me to be on the whole a good man, | 0:42:03 | 0:42:08 | |
one of the better kind. | 0:42:08 | 0:42:11 | |
But circumstance decreed otherwise. | 0:42:11 | 0:42:14 | |
I was as green as you, once. | 0:42:14 | 0:42:16 | |
Grass green. | 0:42:16 | 0:42:18 | |
Now my spring has gone, leaving me what? | 0:42:18 | 0:42:22 | |
This little artificial French flower. | 0:42:22 | 0:42:24 | |
You may go, Miss Eyre. | 0:42:27 | 0:42:30 | |
Miss Eyre. | 0:42:35 | 0:42:37 | |
I hope you'll be happy here at Thornfield. | 0:42:46 | 0:42:48 | |
I hope so, sir. I think so. | 0:42:48 | 0:42:51 | |
I'm glad. | 0:42:51 | 0:42:53 | |
WOMAN'S MANIC LAUGH | 0:43:15 | 0:43:17 | |
RUNNING FOOTSTEPS | 0:43:17 | 0:43:19 | |
Who's there?! | 0:43:19 | 0:43:21 | |
CLATTER | 0:43:21 | 0:43:23 | |
Mr Rochester! | 0:43:38 | 0:43:40 | |
That's done it. | 0:43:54 | 0:43:56 | |
I think someone tried to kill you, I heard footsteps along the gallery. | 0:43:56 | 0:43:59 | |
Shall I call Mrs Fairfax? | 0:43:59 | 0:44:01 | |
What the deuce for? | 0:44:01 | 0:44:04 | |
Let her sleep. Sit down. I'll leave you here. | 0:44:04 | 0:44:07 | |
Be still as a mouse. | 0:44:07 | 0:44:10 | |
FOOTSTEPS | 0:44:55 | 0:44:58 | |
When you came out of your room... | 0:45:06 | 0:45:09 | |
..did you see anything? | 0:45:09 | 0:45:11 | |
Only a candlestick on the floor, but I heard a door shut. | 0:45:11 | 0:45:15 | |
Anything else? | 0:45:15 | 0:45:17 | |
-Yes, a kind of laugh. -A kind of laugh. | 0:45:17 | 0:45:20 | |
Have you heard it before? | 0:45:20 | 0:45:22 | |
There's a strange woman here, Grace Poole... | 0:45:22 | 0:45:25 | |
Just so. | 0:45:25 | 0:45:27 | |
Grace Poole. You've guessed it. | 0:45:27 | 0:45:31 | |
We'll see what's to be done. | 0:45:31 | 0:45:34 | |
Meanwhile, say nothing about this to anyone. | 0:45:34 | 0:45:37 | |
Adele! We forgot the child! | 0:45:37 | 0:45:39 | |
I had an awful fear... | 0:45:48 | 0:45:50 | |
-You see what she has? -Poor little Adele. | 0:45:50 | 0:45:53 | |
Trying to console herself for my unkindness to her. | 0:45:53 | 0:45:56 | |
The child has dancing in her blood, | 0:45:56 | 0:45:58 | |
and coquetry in the very marrow of her bones. | 0:45:58 | 0:46:01 | |
THE MUSIC BOX PLAYS | 0:46:01 | 0:46:03 | |
I once had the misfortune to be in love with this. | 0:46:07 | 0:46:10 | |
and to be jealous of that. | 0:46:10 | 0:46:13 | |
Love is a strange thing, Miss Eyre. | 0:46:13 | 0:46:14 | |
You can know a person is worthless, without heart, mind or scruple, | 0:46:14 | 0:46:19 | |
yet suffer to the point of torture when she betrays you. | 0:46:19 | 0:46:22 | |
At least I had the pleasure of putting a pistol bullet through my rival's lungs. | 0:46:22 | 0:46:27 | |
And the little doll? | 0:46:27 | 0:46:29 | |
We tell Adele she died. The truth isn't quite so touching. | 0:46:29 | 0:46:33 | |
I gave her money and turned her out, | 0:46:33 | 0:46:35 | |
so she decamped with an Italian painter, | 0:46:35 | 0:46:38 | |
leaving me with what she said was my daughter. | 0:46:38 | 0:46:41 | |
May I light you to your room? | 0:46:43 | 0:46:45 | |
Well, Miss Eyre... now you know what your pupil is, | 0:46:47 | 0:46:52 | |
the offspring of a French dancing girl. | 0:46:52 | 0:46:55 | |
I suppose you'll be telling me to look for a new governess. | 0:46:55 | 0:46:59 | |
Adele's had so little love. | 0:46:59 | 0:47:02 | |
I shall try to make up for it. | 0:47:02 | 0:47:04 | |
Are you always drawn to the loveless and unfriended? | 0:47:04 | 0:47:06 | |
When it's deserved. | 0:47:06 | 0:47:08 | |
Would you say that my life deserved saving? | 0:47:14 | 0:47:17 | |
I should be distressed if harm came to you, sir. | 0:47:17 | 0:47:19 | |
But you did save my life tonight. | 0:47:21 | 0:47:22 | |
I should like to thank you. Please shake hands. | 0:47:22 | 0:47:25 | |
I knew you'd do me good in some way, some time. | 0:47:28 | 0:47:32 | |
-Goodnight, Jane. -Goodnight, sir. | 0:47:34 | 0:47:37 | |
DOG BARKS | 0:47:52 | 0:47:54 | |
DOG BARKS | 0:47:58 | 0:48:00 | |
Miss Eyre, isn't it terrible? We might all have been burnt in our beds. | 0:48:14 | 0:48:18 | |
Where did Mr Rochester go? | 0:48:19 | 0:48:21 | |
He said something about a house party at Millcot. | 0:48:21 | 0:48:24 | |
Goodness knows how long he'll be away. | 0:48:24 | 0:48:26 | |
Maybe a day, a year or a month. | 0:48:26 | 0:48:29 | |
-Mrs Fairfax? -Yes, my dear? | 0:48:33 | 0:48:35 | |
Did Mr Rochester tell you how the fire started? | 0:48:35 | 0:48:38 | |
Of course. He was reading in bed and fell asleep with the candle lit | 0:48:38 | 0:48:41 | |
and the curtains took fire. | 0:48:41 | 0:48:43 | |
Why do you ask? | 0:48:43 | 0:48:45 | |
I wondered if the fire had anything to do with his leaving. | 0:48:45 | 0:48:49 | |
How could it possibly? He said he was restless. | 0:48:49 | 0:48:53 | |
He said the house, with only us here, was unbearably oppressive for him. | 0:48:53 | 0:48:56 | |
FAINT SCRAPING NOISES | 0:49:31 | 0:49:34 | |
LOUD SCREAM | 0:49:41 | 0:49:44 | |
What art thou doin' here? | 0:49:46 | 0:49:49 | |
No-one is allowed up 'ere, understand? | 0:49:49 | 0:49:52 | |
No-one. Get thee down. | 0:49:52 | 0:49:55 | |
DOOR CREAKS | 0:50:02 | 0:50:04 | |
"Had the mystery in the tower driven him madly away, | 0:50:06 | 0:50:09 | |
"just as we seemed so close together? | 0:50:09 | 0:50:11 | |
"Winter turned to spring and no news came, | 0:50:11 | 0:50:14 | |
"but I found a measure of escape in the happiness of Adele." | 0:50:14 | 0:50:18 | |
Look, Mademoiselle! | 0:50:29 | 0:50:31 | |
The moment the carriages stop, stand by the front door for the cloaks. | 0:50:43 | 0:50:48 | |
I'm so glad you're back. Mr Rochester is so difficult. | 0:50:48 | 0:50:51 | |
-Leah! You're to take the ladies to their rooms. -Yes, ma'am. | 0:50:51 | 0:50:54 | |
He didn't even tell me how many guests he's bringing! | 0:50:54 | 0:50:58 | |
Just to get the best bedrooms ready and more servants. | 0:50:58 | 0:51:01 | |
They're coming, ma'am! | 0:51:04 | 0:51:05 | |
One, two, three... | 0:51:12 | 0:51:14 | |
Oh, dear, 15 at least. Far more than I prepared for. | 0:51:14 | 0:51:17 | |
Who's that riding with Mr Rochester? | 0:51:29 | 0:51:33 | |
That's Blanche Ingram, my dear. | 0:51:33 | 0:51:35 | |
Haven't you heard about her and Mr Rochester? | 0:51:35 | 0:51:37 | |
She's quite an old flame of his. | 0:51:37 | 0:51:39 | |
It wouldn't surprise me if it came to an engagement, one of these days. | 0:51:39 | 0:51:44 | |
Such a beautiful girl, isn't she? | 0:51:44 | 0:51:47 | |
Where's Miss Ingram's bath? | 0:51:56 | 0:51:57 | |
Coming as quickly as we can! | 0:51:57 | 0:52:00 | |
-Adele, why aren't you in the nursery? -Oh, let me look. | 0:52:02 | 0:52:05 | |
No, dear, you're in the way. | 0:52:05 | 0:52:08 | |
Didn't I say Blanche set her cap at him? | 0:52:08 | 0:52:11 | |
Well, he is very romantic and enormously rich! | 0:52:11 | 0:52:14 | |
Mr Rochester wishes you to bring Adele to the drawing room after dinner. | 0:52:24 | 0:52:28 | |
Please, send Adele by herself. | 0:52:28 | 0:52:31 | |
He only asks me out of politeness. | 0:52:31 | 0:52:33 | |
That's what I thought so. I told him you weren't used to company. | 0:52:33 | 0:52:36 | |
"Nonsense", he said, "If she objects, I'll fetch her myself" | 0:52:36 | 0:52:40 | |
Of course you must wear your very best, my dear. | 0:52:40 | 0:52:43 | |
I-I think the black. | 0:52:43 | 0:52:47 | |
MUSIC AND CHATTER | 0:52:48 | 0:52:51 | |
..I got two more birds with my spare gun. | 0:52:51 | 0:52:54 | |
Well, perhaps we better leave the gentlemen to their port. | 0:52:54 | 0:52:57 | |
They're coming, Mademoiselle! | 0:52:59 | 0:53:02 | |
-Bonsoir, Madame. -Bonsoir. What's your name? | 0:53:13 | 0:53:16 | |
-Adele. -Blanche, stop teasing Mr Rochester. | 0:53:16 | 0:53:19 | |
Come along, my angel! | 0:53:19 | 0:53:21 | |
WOMAN SINGS IN ITALIAN | 0:53:46 | 0:53:50 | |
A splendid match, Sir George. | 0:54:09 | 0:54:11 | |
Six or seven thousand a year at least! | 0:54:11 | 0:54:13 | |
What a striking couple. | 0:54:17 | 0:54:19 | |
It's very fortunate, isn't it? | 0:54:19 | 0:54:22 | |
Fine shoulders, eh, Ned? | 0:54:22 | 0:54:24 | |
..Come un' angelo, mio tesoro. | 0:54:50 | 0:54:53 | |
Monsieur, may I sing? | 0:54:53 | 0:54:55 | |
I think we've had enough music. | 0:54:55 | 0:54:57 | |
-I thought you weren't found of children. -No. Run along, dear. | 0:54:57 | 0:55:00 | |
Where did you pick her up. | 0:55:00 | 0:55:02 | |
I did not pick her up, she was left on my hands. | 0:55:02 | 0:55:05 | |
I suppose you have a governess, I saw a person just now. Is she gone? | 0:55:05 | 0:55:09 | |
There she is, hiding in the corner. | 0:55:09 | 0:55:12 | |
You should hear Mama on governesses. | 0:55:12 | 0:55:15 | |
Don't speak to me of governesses. | 0:55:15 | 0:55:17 | |
The martyrdom I've endured! | 0:55:17 | 0:55:20 | |
The clever ones are detestable. | 0:55:20 | 0:55:22 | |
The others are grotesque! | 0:55:22 | 0:55:24 | |
-How do you do? -Very well, sir. | 0:55:45 | 0:55:48 | |
Why did you not come and speak to me in the drawing room? | 0:55:48 | 0:55:52 | |
I did not wish to disturb you. | 0:55:52 | 0:55:55 | |
-What have you been doing while I've been away? -Teaching Adele. | 0:55:55 | 0:55:59 | |
Yes, and getting a good deal paler than you were. | 0:55:59 | 0:56:01 | |
-What's the matter? -Nothing. | 0:56:03 | 0:56:06 | |
Take cold, the night of the fire? | 0:56:06 | 0:56:09 | |
No, sir. | 0:56:09 | 0:56:11 | |
Go back to the drawing room. | 0:56:11 | 0:56:13 | |
You are leaving too early. | 0:56:13 | 0:56:15 | |
I'm a little tired, sir. | 0:56:15 | 0:56:18 | |
Yes, a little depressed... | 0:56:18 | 0:56:20 | |
-What about? -I'm not depressed, sir. | 0:56:22 | 0:56:25 | |
But I tell you, you are. | 0:56:25 | 0:56:27 | |
So much depressed, that a few words more, | 0:56:27 | 0:56:30 | |
and there'll be tears in your eyes. | 0:56:30 | 0:56:32 | |
They're there now, shining, swimming... | 0:56:34 | 0:56:37 | |
RAP AT DOOR | 0:56:37 | 0:56:39 | |
What the devil's that?! | 0:56:39 | 0:56:41 | |
I wish to see Mr Rochester. | 0:56:43 | 0:56:45 | |
What name, sir? | 0:56:45 | 0:56:47 | |
Mr Mason, of Spanish Town, Jamaica. | 0:56:47 | 0:56:49 | |
Very good, sir. | 0:56:49 | 0:56:52 | |
Mason... Of Spanish Town. | 0:56:54 | 0:56:57 | |
I wish I were on a quiet island with only you, | 0:57:00 | 0:57:03 | |
and trouble and danger a hideous recollection, far away. | 0:57:03 | 0:57:08 | |
Can I help you, sir? | 0:57:08 | 0:57:10 | |
If help is needed I'll seek it at your hands, I promise. | 0:57:10 | 0:57:14 | |
Jane, if all the people in that room spat on me, | 0:57:14 | 0:57:19 | |
what would you do? | 0:57:19 | 0:57:22 | |
I'd turn them out of the room, if I could. | 0:57:22 | 0:57:25 | |
If I were to go to them... | 0:57:25 | 0:57:28 | |
and they only looked coldly at me, | 0:57:28 | 0:57:31 | |
and dropped off, and left me... | 0:57:31 | 0:57:34 | |
one by one, what then? | 0:57:34 | 0:57:37 | |
Would you go with them? | 0:57:39 | 0:57:42 | |
I would stay with you, sir. | 0:57:42 | 0:57:44 | |
To comfort me? | 0:57:44 | 0:57:46 | |
Yes, sir. | 0:57:46 | 0:57:49 | |
To comfort you...as well as I could. | 0:57:49 | 0:57:52 | |
Edward. | 0:58:03 | 0:58:06 | |
I shall not be so hypocritical as to say you are welcome. | 0:58:06 | 0:58:09 | |
Follow me, Mason. | 0:58:09 | 0:58:11 | |
SCREAMS AND WAILS | 0:58:18 | 0:58:21 | |
What's happened? | 0:58:27 | 0:58:30 | |
The noise came from down there. | 0:58:30 | 0:58:33 | |
Where the devil's Edward? Here he is. | 0:58:41 | 0:58:43 | |
Edward! | 0:58:43 | 0:58:45 | |
You haven't been hurt, have you? | 0:58:45 | 0:58:47 | |
Put that pistol away, Colonel, it's no use for nightmares. | 0:58:47 | 0:58:50 | |
-Nightmares? -Just a maid with a bad dream. | 0:58:50 | 0:58:53 | |
The moral of that is don't eat toasted cheese for supper(!) | 0:58:53 | 0:58:56 | |
Ladies, to your rooms. Lady Ingram, if you'd set the example...? | 0:58:56 | 0:59:01 | |
I declare, I'm disappointed. I hoped Uncle Percy might shoot a robber. | 0:59:01 | 0:59:05 | |
Blanche(!) | 0:59:05 | 0:59:08 | |
Goodnight, Edward. | 0:59:08 | 0:59:10 | |
Sweet dreams, my...courageous Blanche. | 0:59:10 | 0:59:15 | |
-WHISPERS: -Jane, are you awake? -Yes, sir. | 0:59:30 | 0:59:33 | |
Come out, then. Quietly. | 0:59:33 | 0:59:35 | |
Come this way, and make no noise. | 0:59:38 | 0:59:40 | |
You don't turn sick at the sight of blood, do you? | 0:59:50 | 0:59:53 | |
-I've never been tried. -Give me your hand. | 0:59:53 | 0:59:56 | |
It won't do to risk a fainting fit. | 0:59:56 | 0:59:59 | |
Warm and steady. | 0:59:59 | 1:00:02 | |
Jane, what you see may shock and frighten... | 1:00:05 | 1:00:09 | |
..and confuse you. | 1:00:09 | 1:00:10 | |
I beg you not to seek an explanation. | 1:00:10 | 1:00:13 | |
Don't try to understand. | 1:00:13 | 1:00:16 | |
Whatever the appearance, you must trust me. | 1:00:16 | 1:00:19 | |
Jane, I'm going to leave you in this room with this gentleman, | 1:00:34 | 1:00:37 | |
while I fetch a surgeon. | 1:00:37 | 1:00:40 | |
You will sponge the blood as I do. | 1:00:40 | 1:00:43 | |
If he comes to, do not speak to him on any account. Do you understand? | 1:00:43 | 1:00:48 | |
Whatever happens, do not move from here. | 1:00:48 | 1:00:51 | |
Whatever happens, do not open the door. Either door. | 1:00:51 | 1:00:55 | |
DOOR RATTLES | 1:01:03 | 1:01:05 | |
A WOMAN SOBS | 1:01:28 | 1:01:31 | |
FOOTSTEPS | 1:01:51 | 1:01:54 | |
Doctor, be alert. Half an hour to dress the wound and get him out. | 1:01:58 | 1:02:01 | |
-Edward, I'm done for. -Nonsense. | 1:02:01 | 1:02:04 | |
She sank her teeth into me like a tigress. | 1:02:04 | 1:02:08 | |
-She said she'd... -Be silent, Mason. | 1:02:08 | 1:02:10 | |
LOUD SCREAM | 1:02:10 | 1:02:12 | |
-Jane. -Yes, sir. | 1:02:14 | 1:02:16 | |
Go and get some things on. | 1:02:16 | 1:02:17 | |
Go down the back stairs, unbolt the side passage door. | 1:02:17 | 1:02:20 | |
A carriage is waiting. | 1:02:20 | 1:02:23 | |
See if the driver's ready. | 1:02:23 | 1:02:25 | |
We shall be down in a moment. | 1:02:25 | 1:02:27 | |
Mason! I told you not to come up here! | 1:02:35 | 1:02:38 | |
-I thought I could do some good. -You thought?! You thought! | 1:02:38 | 1:02:42 | |
Come, Doctor, hurry. We must have him off. | 1:02:45 | 1:02:48 | |
I've tried so long to avoid exposure. | 1:02:49 | 1:02:52 | |
I shall make very certain it doesn't come now. | 1:02:54 | 1:02:56 | |
Take care of him, Doctor. | 1:03:00 | 1:03:02 | |
Don't let him leave your house until he's quite well. | 1:03:02 | 1:03:05 | |
-Edward. -Well?! -Let her be taken care of, treated as tenderly as may be. | 1:03:08 | 1:03:13 | |
I do my best and have done and will do it. | 1:03:13 | 1:03:16 | |
Jane. | 1:03:27 | 1:03:29 | |
Come here a few minutes, where there's some freshness. | 1:03:29 | 1:03:32 | |
The house is a dungeon, a sepulchre. | 1:03:32 | 1:03:35 | |
Here, everything is fresh and real | 1:03:35 | 1:03:38 | |
..and pure. | 1:03:38 | 1:03:40 | |
You've passed a strange night, Jane. | 1:03:44 | 1:03:47 | |
You look pale. | 1:03:47 | 1:03:49 | |
Mr Rochester, will Grace Poole live here still? | 1:03:49 | 1:03:52 | |
Yes... | 1:03:53 | 1:03:55 | |
-Grace Poole will stay. -After last night? | 1:03:55 | 1:03:58 | |
Don't ask for explanations. | 1:03:58 | 1:04:00 | |
Believe me, there are good reasons. | 1:04:00 | 1:04:03 | |
You're my little friend, aren't you? | 1:04:03 | 1:04:05 | |
I like to serve you, sir, in everything that's right. | 1:04:05 | 1:04:08 | |
But if I asked you to do wrong, what then? | 1:04:08 | 1:04:11 | |
My little friend would turn to me, quiet and pale, and say, | 1:04:11 | 1:04:16 | |
"Oh, no, sir. It's impossible." | 1:04:16 | 1:04:18 | |
Am I right? | 1:04:18 | 1:04:20 | |
Jane... | 1:04:22 | 1:04:24 | |
I want you to use your fancy. | 1:04:24 | 1:04:27 | |
Suppose yourself a boy, thoughtless, impetuous, indulged from childhood. | 1:04:27 | 1:04:33 | |
Imagine yourself in a remote land. | 1:04:33 | 1:04:36 | |
Conceive that you there commit a capital error | 1:04:36 | 1:04:40 | |
cutting you off from all possible human joys. | 1:04:40 | 1:04:43 | |
In despair you vainly seek contentment in empty pleasure. | 1:04:43 | 1:04:48 | |
Then...suddenly | 1:04:48 | 1:04:51 | |
fate offers you the chance of regeneration... | 1:04:51 | 1:04:55 | |
..and true happiness. | 1:04:57 | 1:04:58 | |
Are you justified in overleaping the obstacles of mere custom? | 1:04:58 | 1:05:03 | |
Tell me, Jane. Are you justified? | 1:05:03 | 1:05:06 | |
How can I answer? | 1:05:06 | 1:05:09 | |
Every conscience must come to its own decision. | 1:05:09 | 1:05:12 | |
But if it can't come to a decision? | 1:05:12 | 1:05:15 | |
If you're afraid that you may bring shame to what you most cherish, | 1:05:15 | 1:05:18 | |
destroy what you most desire to protect? | 1:05:18 | 1:05:20 | |
Oh, Jane. Don't you curse me for plaguing you like this? | 1:05:22 | 1:05:26 | |
-Curse you? No, sir. -Give me your assurance on that. | 1:05:26 | 1:05:29 | |
Cold fingers. | 1:05:31 | 1:05:33 | |
They were warmer last night. Jane... | 1:05:33 | 1:05:37 | |
Will you watch with me again? | 1:05:37 | 1:05:40 | |
Whenever I can be useful. | 1:05:40 | 1:05:43 | |
For instance, the night before I'm married. | 1:05:43 | 1:05:46 | |
Will you sit with me then? | 1:05:46 | 1:05:49 | |
Are you going to be married, sir? | 1:05:49 | 1:05:51 | |
Some time. Why not? | 1:05:51 | 1:05:53 | |
VOICES | 1:05:53 | 1:05:55 | |
I suppose you think no-one will have me, well, you're wrong. | 1:05:55 | 1:05:57 | |
You don't know these ladies of fashion. | 1:05:57 | 1:05:59 | |
They may not admire my person, but they dote on my purse. | 1:05:59 | 1:06:03 | |
-Blanche? -Good morning, Edward. | 1:06:03 | 1:06:06 | |
I should scold you for running off(!) | 1:06:06 | 1:06:08 | |
A correct host entertains his guests. | 1:06:08 | 1:06:11 | |
My dear Blanche, when will you learn? | 1:06:11 | 1:06:13 | |
I never was correct, nor ever shall be. | 1:06:13 | 1:06:16 | |
Very pretty, partner! | 1:06:21 | 1:06:24 | |
-Thank you. -Edward, I'm glad you've decided to come to London tomorrow. | 1:06:24 | 1:06:29 | |
-HAVE I? I didn't know. -Very appropriate! | 1:06:29 | 1:06:32 | |
-What now? -Put the red ball in the top pocket. | 1:06:32 | 1:06:35 | |
Edward, does that person want you? | 1:06:35 | 1:06:38 | |
I'm sorry, sir, I did not know you were occupied. | 1:06:38 | 1:06:40 | |
Miss Eyre. | 1:06:40 | 1:06:42 | |
I'm sure the ladies will excuse me? | 1:06:42 | 1:06:44 | |
Governesses! | 1:06:49 | 1:06:52 | |
I'm sorry, but I understood you were leaving tomorrow, | 1:06:52 | 1:06:56 | |
-and I wished to ask for a reference. -Reference! | 1:06:56 | 1:06:58 | |
What the deuce do you want a reference for? | 1:06:58 | 1:07:00 | |
-To get a new post, sir. -Hm?! -I... | 1:07:00 | 1:07:03 | |
-You as good as told me you were going to be married. -Ye-es. | 1:07:03 | 1:07:06 | |
-What then? -In which case Adele ought to go to school. | 1:07:06 | 1:07:09 | |
To get her out of my bride's way, who otherwise might walk over her? | 1:07:09 | 1:07:14 | |
There's some sense in it. | 1:07:16 | 1:07:18 | |
Adele must go to school. | 1:07:18 | 1:07:20 | |
And you must go to the devil, is that it?! | 1:07:20 | 1:07:22 | |
I hope not, unless it's the devil who answers my advertisement. | 1:07:22 | 1:07:25 | |
You've advertised?! | 1:07:25 | 1:07:28 | |
Not yet, but I shall. | 1:07:28 | 1:07:30 | |
You'll do nothing of the kind. | 1:07:30 | 1:07:32 | |
When the time comes to get a new situation, | 1:07:32 | 1:07:33 | |
I'll get one for you, do you hear?! | 1:07:33 | 1:07:36 | |
Very well. Goodbye, Mr Rochester. | 1:07:36 | 1:07:39 | |
Goodbye, Miss Eyre. | 1:07:39 | 1:07:42 | |
Jane. | 1:07:42 | 1:07:44 | |
Is that all? | 1:07:44 | 1:07:46 | |
It seems stingy, to my notion. | 1:07:46 | 1:07:48 | |
Dry and unfriendly. | 1:07:48 | 1:07:50 | |
Can't you do more than "goodbye"? | 1:07:50 | 1:07:53 | |
Well, I'll... | 1:07:53 | 1:07:55 | |
I'll shake hands, sir. | 1:07:55 | 1:07:57 | |
Oh, you'll shake hands. | 1:07:58 | 1:08:00 | |
Goodbye, Jane. | 1:08:11 | 1:08:13 | |
It is a beautiful place, your Thornfield. | 1:08:34 | 1:08:37 | |
It's a dungeon that serves its purpose(!) | 1:08:37 | 1:08:39 | |
-Dungeon? Why, it's a paradise! -Hm. | 1:08:39 | 1:08:42 | |
But living here, one would need a house in London. | 1:08:42 | 1:08:45 | |
Unquestionably(!) | 1:08:45 | 1:08:47 | |
And an apartment in Paris. A Mediterranean villa, too. | 1:08:47 | 1:08:50 | |
How delightful! | 1:08:50 | 1:08:51 | |
But Thornfield would always be there as a retreat from the world, | 1:08:51 | 1:08:55 | |
a green haven of peace, and... | 1:08:55 | 1:08:58 | |
-and love. -Love? | 1:08:58 | 1:08:59 | |
A fellow only needs distraction, a houseful of beautiful women, | 1:08:59 | 1:09:03 | |
to keep him brooding on his woes. | 1:09:03 | 1:09:05 | |
Peering too closely into the mysteries of his heart. | 1:09:05 | 1:09:08 | |
That is if he has a heart. | 1:09:08 | 1:09:09 | |
I sometimes wonder, Edward, if you really do have one. | 1:09:09 | 1:09:12 | |
If I've made you believe I have, I assure you, it was unintentional. | 1:09:12 | 1:09:16 | |
-I never... -Never more than at this moment except for when I'm eating my dinner. | 1:09:16 | 1:09:19 | |
Really, Edward, you can be coarse at times! | 1:09:19 | 1:09:21 | |
-Can I ever be anything else(!) -Can you? | 1:09:21 | 1:09:24 | |
Would I have come here if you couldn't? | 1:09:24 | 1:09:27 | |
A nice point! | 1:09:27 | 1:09:29 | |
Would you, or not? Let's consider. | 1:09:29 | 1:09:32 | |
-First, Mr Rochester is coarse, ugly as sin... -Edward! | 1:09:32 | 1:09:36 | |
Now, Blanche! I repeat, ugly as sin. | 1:09:36 | 1:09:39 | |
Secondly, flirts, but is careful not to talk of love and marriage, | 1:09:39 | 1:09:43 | |
but, thirdly, Lady Ingram is rather impoverished, whereas | 1:09:43 | 1:09:46 | |
the revolting Mr Rochester has £8,000 a year. | 1:09:46 | 1:09:50 | |
What attitude is Miss Blanche to take? | 1:09:50 | 1:09:54 | |
I surmise she'd ignore the coarseness | 1:09:54 | 1:09:57 | |
-until Mr R is hooked. -How dare you! -Now(!) | 1:09:57 | 1:10:00 | |
-I've never been so insulted! -Indeed, I pay you the compliment of being honest. | 1:10:00 | 1:10:05 | |
Mr Rochester, you are a boor and a cur! | 1:10:05 | 1:10:08 | |
I thought you'd gone. | 1:10:28 | 1:10:30 | |
I changed my mind, or rather, the Ingrams changed theirs. | 1:10:33 | 1:10:37 | |
Why are you crying?! | 1:10:38 | 1:10:40 | |
I was thinking about having to leave Thornfield. | 1:10:44 | 1:10:47 | |
You've become attached to that foolish little Adele, haven't you? | 1:10:47 | 1:10:50 | |
To that simple, old Fairfax. You'd be sorry to part with them. | 1:10:50 | 1:10:53 | |
-Yes, sir. -It's always the way. | 1:10:53 | 1:10:56 | |
As soon as you settle, you must move. | 1:10:56 | 1:11:00 | |
-I'm ready, when the order comes. -It's come now. | 1:11:00 | 1:11:03 | |
Then i-it's settled? | 1:11:03 | 1:11:05 | |
All settled, even about your future situation. | 1:11:05 | 1:11:09 | |
-You found a place for me? -Ye-es, Jane, | 1:11:09 | 1:11:12 | |
I have, in the...west of Ireland. You'll like it there. | 1:11:12 | 1:11:15 | |
There's some warm-hearted people there. | 1:11:15 | 1:11:18 | |
It's a long way off, sir. | 1:11:18 | 1:11:20 | |
From what, Jane? | 1:11:20 | 1:11:22 | |
From England and... | 1:11:24 | 1:11:26 | |
..from Thornfield. | 1:11:26 | 1:11:28 | |
Well? | 1:11:32 | 1:11:34 | |
And from you, sir. | 1:11:35 | 1:11:37 | |
Yes, Jane, it's a long way. | 1:11:37 | 1:11:39 | |
When you get there, I shall probably never see you again. | 1:11:39 | 1:11:42 | |
We've been good friends, Jane, haven't we? | 1:11:42 | 1:11:45 | |
-Yes, sir. -Even good friends may be forced to part. | 1:11:47 | 1:11:50 | |
Let's make the most of what time is left us. | 1:11:57 | 1:11:59 | |
Let us sit here in peace. | 1:12:01 | 1:12:03 | |
Even though we shall be destined never to sit here again. | 1:12:04 | 1:12:07 | |
Some times I have a queer feeling with regard to you, Jane. | 1:12:12 | 1:12:17 | |
Specially when you're near me, as now. | 1:12:17 | 1:12:20 | |
It's as if I had a string somewhere under my left rib, | 1:12:20 | 1:12:24 | |
tightly and inextricably knotted to a similar string | 1:12:24 | 1:12:29 | |
in the corresponding corner of your little frame. | 1:12:29 | 1:12:32 | |
If we must be parted, | 1:12:32 | 1:12:35 | |
that cord of communion would be snapped. | 1:12:35 | 1:12:39 | |
And... | 1:12:39 | 1:12:41 | |
I have the nervous notion I should take to bleeding inwardly. | 1:12:41 | 1:12:44 | |
As for you, you'd forget me. | 1:12:48 | 1:12:51 | |
That I never will, sir. You know it. | 1:12:51 | 1:12:54 | |
I see the necessity of going, but it's like the necessity of death. | 1:12:54 | 1:12:59 | |
Where do you see that necessity? | 1:12:59 | 1:13:00 | |
In your bride. | 1:13:03 | 1:13:05 | |
What bride? I have no bride. | 1:13:05 | 1:13:08 | |
But you will have! | 1:13:08 | 1:13:10 | |
Yes, I will. | 1:13:10 | 1:13:12 | |
I will. | 1:13:12 | 1:13:14 | |
Do you think I could stay to become nothing to you? | 1:13:14 | 1:13:18 | |
You think because I'm poor and obscure and plain, | 1:13:18 | 1:13:21 | |
that I'm soulless and heartless? | 1:13:21 | 1:13:24 | |
I've as much soul as you, and fully as much heart. | 1:13:24 | 1:13:28 | |
If God had gifted me with wealth and beauty, | 1:13:28 | 1:13:33 | |
I should have made it as hard for you to leave me | 1:13:33 | 1:13:36 | |
as it is now, for me to leave you. | 1:13:36 | 1:13:40 | |
-I've spoken my heart, now let me go. -Jane. | 1:13:40 | 1:13:43 | |
Jane, this strange... | 1:13:43 | 1:13:46 | |
..this almost unearthly thing. | 1:13:46 | 1:13:49 | |
You that I love as my own flesh... | 1:13:49 | 1:13:52 | |
-Don't mock me. -It's not Blanche, it's you I want. | 1:13:52 | 1:13:54 | |
Answer me, Jane, quickly. | 1:13:54 | 1:13:56 | |
Say, "Edward I'll marry you." Say it. | 1:13:56 | 1:13:59 | |
I can't read your face. | 1:13:59 | 1:14:01 | |
Say, "Edward, I'll marry you." | 1:14:01 | 1:14:03 | |
Edward, I'll marry you. | 1:14:05 | 1:14:08 | |
God pardon me! | 1:14:08 | 1:14:09 | |
"All my doubts and all the grim shadows that hung over Thornfield | 1:14:19 | 1:14:23 | |
"seemed to vanish - shattered like the riven chestnut-tree. | 1:14:23 | 1:14:26 | |
"I loved and I was loved. | 1:14:26 | 1:14:29 | |
"Every sunlit hour I looked forward to love's fulfilment." | 1:14:29 | 1:14:34 | |
-Jane! -What are you doing?! -Teaching Adele, as usual. -As usual?! | 1:14:34 | 1:14:37 | |
A new heaven and earth, and you go on teaching Adele, as usual! | 1:14:37 | 1:14:41 | |
-Why is it wrong? -Because I'm marrying Mademoiselle | 1:14:41 | 1:14:43 | |
and take Mademoiselle to the moon and find a cave in one of the white | 1:14:43 | 1:14:46 | |
valleys and Mademoiselle will live with us there forever. You approve? | 1:14:46 | 1:14:49 | |
There's no-one I'd rather you marry, not even Mrs Fairfax! | 1:14:49 | 1:14:53 | |
-Some of that and a length of the scarlet. -But I... | 1:14:53 | 1:14:56 | |
And a length of the scarlet! Some of the gold silk. | 1:14:56 | 1:14:59 | |
Here you are m'lady, half a guinea each way. | 1:14:59 | 1:15:02 | |
-Tell your fortune? -Go away, Mother. | 1:15:02 | 1:15:05 | |
Read the pretty lady's future? | 1:15:05 | 1:15:07 | |
The pretty lady's going to marry me and we shall make it ourselves! | 1:15:07 | 1:15:10 | |
I require and charge ye both, | 1:15:31 | 1:15:33 | |
as ye shall answer at the dreadful day of judgment, | 1:15:33 | 1:15:36 | |
when all secrets shall be disclosed, | 1:15:36 | 1:15:39 | |
that if you know of any impediment why ye may not lawfully be joined in | 1:15:39 | 1:15:43 | |
matrimony, ye do now confess it. | 1:15:43 | 1:15:47 | |
For be ye assured, if any persons are joined together, | 1:15:47 | 1:15:50 | |
otherwise than as the word of God doth allow, | 1:15:50 | 1:15:54 | |
then are they not joined by God | 1:15:54 | 1:15:57 | |
nor is their matrimony lawful. | 1:15:57 | 1:16:00 | |
Edward Rochester, wilt thou have this woman to be thy wedded wife? | 1:16:00 | 1:16:05 | |
One moment, please. | 1:16:05 | 1:16:07 | |
I declare the existence of an impediment. | 1:16:07 | 1:16:10 | |
Proceed with the ceremony! | 1:16:10 | 1:16:13 | |
You cannot proceed. | 1:16:13 | 1:16:15 | |
Mr Rochester has a wife now living. | 1:16:15 | 1:16:18 | |
-Who are you? -My name is Briggs. I am an attorney. | 1:16:18 | 1:16:22 | |
Mr Mason! | 1:16:22 | 1:16:24 | |
On 20th October 1824, Edward Rochester of Thornfield Hall | 1:16:24 | 1:16:28 | |
was married to Bertha Mason, at St Mary's Church in Jamaica. | 1:16:28 | 1:16:32 | |
The record is in the register of that church. | 1:16:32 | 1:16:35 | |
It's true, I swear. She's living at Thornfield. I've seen her | 1:16:35 | 1:16:38 | |
there myself. I'm her brother. | 1:16:38 | 1:16:40 | |
Parson, close your book. There'll be no wedding today. | 1:16:45 | 1:16:47 | |
Instead, I invite you all to my house | 1:16:49 | 1:16:52 | |
to meet Grace Poole's patient. | 1:16:52 | 1:16:54 | |
My wife. | 1:16:55 | 1:16:57 | |
Turn right about, every one of you! | 1:17:05 | 1:17:07 | |
Away with your congratulations. | 1:17:07 | 1:17:10 | |
They're 15 years too late. | 1:17:10 | 1:17:13 | |
SHE SNARLS | 1:17:30 | 1:17:33 | |
That, gentlemen, is my wife. | 1:17:41 | 1:17:44 | |
Mad, and the offspring of a mad family, | 1:17:44 | 1:17:47 | |
to whom the church and law bind me forever, without hope of divorce. | 1:17:47 | 1:17:51 | |
This is what I wish to have. | 1:17:51 | 1:17:53 | |
This young girl | 1:17:53 | 1:17:56 | |
who stands so grave and quiet at the mouth of hell. | 1:17:56 | 1:18:00 | |
Look at the difference | 1:18:00 | 1:18:02 | |
and then judge me. | 1:18:02 | 1:18:05 | |
Jane. | 1:19:06 | 1:19:08 | |
Jane... | 1:19:09 | 1:19:11 | |
I did not even know her. | 1:19:11 | 1:19:13 | |
I was married at 19, in Spanish Town, | 1:19:13 | 1:19:16 | |
to a bride already courted for me. | 1:19:16 | 1:19:18 | |
But I married her, | 1:19:19 | 1:19:22 | |
gross, grovelling, mole-eyed blockhead that I was. | 1:19:22 | 1:19:24 | |
Jane! Hear me. | 1:19:24 | 1:19:26 | |
I suffered all the agonies of a man bound to a wife | 1:19:26 | 1:19:29 | |
at once intemperate and unchaste. | 1:19:29 | 1:19:32 | |
I watched her excesses drive her at last into madness. | 1:19:34 | 1:19:37 | |
Then I brought her back to England, to Thornfield. | 1:19:40 | 1:19:42 | |
Jane, I did everything that God and humanity demanded. | 1:19:42 | 1:19:45 | |
Then I fled from this place to find a woman I could love, | 1:19:46 | 1:19:49 | |
a contrast to the fury I left here. | 1:19:49 | 1:19:52 | |
What did I find? A French dancer, a Viennese milliner, | 1:19:52 | 1:19:57 | |
a contessa with a taste for jewels. | 1:19:57 | 1:20:00 | |
Back to England. I rode again in sight of Thornfield. | 1:20:00 | 1:20:05 | |
Someone was walking there in the moonlight. | 1:20:05 | 1:20:09 | |
A strange little elfin-like creature, it frightened my horse, | 1:20:09 | 1:20:13 | |
and then gravely offered me help. | 1:20:13 | 1:20:16 | |
I was to be aided, and by that hand! | 1:20:16 | 1:20:19 | |
And aided I was. | 1:20:19 | 1:20:21 | |
Then later that evening... | 1:20:21 | 1:20:23 | |
Do you remember, Jane? | 1:20:23 | 1:20:25 | |
-Say you remember. -I remember. | 1:20:25 | 1:20:28 | |
You came into that room... | 1:20:28 | 1:20:30 | |
How shy you were! | 1:20:31 | 1:20:34 | |
And yet how readily and roundly you answered my questions. | 1:20:34 | 1:20:38 | |
And then you smiled at me. | 1:20:38 | 1:20:41 | |
That moment, I knew I'd found you. | 1:20:44 | 1:20:46 | |
Jane, can you not forgive me? | 1:20:46 | 1:20:49 | |
I do forgive you. | 1:20:49 | 1:20:51 | |
And you still love me? | 1:20:51 | 1:20:54 | |
I do love you, with all my heart. | 1:20:54 | 1:20:56 | |
I can say it now, since it's for the last time. | 1:20:56 | 1:21:00 | |
Do you mean to go one way, and let me go another? | 1:21:00 | 1:21:03 | |
Stay with me, Jane. | 1:21:03 | 1:21:04 | |
-We'd hurt nobody. -We'd be hurting ourselves. | 1:21:04 | 1:21:08 | |
Would it be so wicked to love me? | 1:21:08 | 1:21:11 | |
Would it? | 1:21:11 | 1:21:13 | |
I could crush you between my hands. | 1:21:13 | 1:21:16 | |
But your spirit would still be free. | 1:21:18 | 1:21:21 | |
Jane. | 1:21:27 | 1:21:29 | |
-You are going? -I am going, sir. | 1:21:29 | 1:21:32 | |
You will not be my comforter, my rescuer? | 1:21:32 | 1:21:35 | |
My deep love? | 1:21:37 | 1:21:39 | |
My frantic prayer? | 1:21:39 | 1:21:41 | |
Are they nothing to you? | 1:21:43 | 1:21:46 | |
God bless you, my dear master. | 1:21:48 | 1:21:50 | |
-God keep you from harm and wrong. -Jane... | 1:21:50 | 1:21:53 | |
Jane. | 1:21:53 | 1:21:55 | |
Jane! | 1:21:55 | 1:21:57 | |
"Going nowhere, I had nowhere to go. | 1:21:59 | 1:22:01 | |
"Without references I could not find employment. | 1:22:01 | 1:22:04 | |
"I knew hunger and unsheltered nights. | 1:22:04 | 1:22:07 | |
"At last old memories, rather than my will | 1:22:07 | 1:22:09 | |
"drew me back to Gateshead Hall - | 1:22:09 | 1:22:12 | |
"to Bessie who had once been kind to me." | 1:22:12 | 1:22:14 | |
-Bessie. -Yes, I'm Bessie. | 1:22:30 | 1:22:33 | |
If you're looking for work, we haven't got none for no-one nowadays. | 1:22:33 | 1:22:37 | |
You look poorly, lass. If you're cold you may sit by the fire. | 1:22:38 | 1:22:42 | |
Sit down, lass. | 1:22:56 | 1:22:58 | |
Where did you get that brooch? | 1:23:07 | 1:23:10 | |
You gave it to me, Bessie. | 1:23:10 | 1:23:12 | |
Jane! | 1:23:12 | 1:23:14 | |
Jane Eyre! | 1:23:14 | 1:23:16 | |
A grown young lady and you were such a tiny thing, | 1:23:16 | 1:23:18 | |
no higher than a broomstick. Oh, Miss Jane. | 1:23:18 | 1:23:21 | |
BELL RINGS | 1:23:21 | 1:23:22 | |
-That's your poor aunt. -Don't tell Aunt Reed or Cousin John I'm here. | 1:23:22 | 1:23:26 | |
Master John isn't here any more. | 1:23:26 | 1:23:29 | |
As soon as he was of age he was off to London. Gambling, it was. | 1:23:29 | 1:23:33 | |
Thousands and thousands of pounds the mistress paid for him. | 1:23:33 | 1:23:35 | |
She had to shut up most the house and turn off the other servants | 1:23:35 | 1:23:38 | |
but still he kept plaguing her for money. | 1:23:38 | 1:23:41 | |
Then, last summer, he killed himself, Miss Jane. | 1:23:41 | 1:23:45 | |
They found him hanging and the cards still on the table. | 1:23:45 | 1:23:50 | |
When they told the mistress she had a kind of stroke, | 1:23:50 | 1:23:53 | |
wandering like in her mind. | 1:23:53 | 1:23:54 | |
BELL RINGS | 1:23:54 | 1:23:57 | |
-Is that you, Bessie? -Yes, ma'am. | 1:24:03 | 1:24:06 | |
Who are you? | 1:24:11 | 1:24:13 | |
Go away. | 1:24:13 | 1:24:15 | |
I'm Jane, Aunt Reed. | 1:24:15 | 1:24:18 | |
Jane Eyre. | 1:24:18 | 1:24:19 | |
Jane...Eyre. | 1:24:19 | 1:24:22 | |
Nobody can know the trouble I've had with that child. | 1:24:27 | 1:24:32 | |
Little pauper brat. | 1:24:32 | 1:24:34 | |
Should have been in... | 1:24:34 | 1:24:36 | |
..workhouse. | 1:24:36 | 1:24:37 | |
Jane... | 1:24:45 | 1:24:48 | |
Jane Eyre. | 1:24:48 | 1:24:51 | |
Oh! Oh, don't leave me, Jane. | 1:24:51 | 1:24:54 | |
Please don't leave me. | 1:24:54 | 1:24:56 | |
I won't leave you. | 1:25:00 | 1:25:02 | |
Oh... Oh. | 1:25:05 | 1:25:07 | |
No, sir, Mistress can't see nobody. She's been ill for months. | 1:25:17 | 1:25:21 | |
I wanted to make some enquiries about a niece of hers, Miss Eyre. | 1:25:21 | 1:25:24 | |
Would you wait inside? | 1:25:24 | 1:25:27 | |
Thank you. | 1:25:27 | 1:25:29 | |
Gentleman to see you, Miss Jane. | 1:25:33 | 1:25:35 | |
I don't want to see him, I don't want to see anyone. | 1:25:35 | 1:25:38 | |
Don't be foolish. You can't live all alone! | 1:25:38 | 1:25:41 | |
I'll see to the mistress. Run along now, he's waiting. | 1:25:41 | 1:25:44 | |
Jane! | 1:25:52 | 1:25:54 | |
-How did you know I was here? -I didn't. | 1:25:54 | 1:25:56 | |
I was trying to find you. | 1:25:56 | 1:25:58 | |
I received an enquiry about you the other day. | 1:25:58 | 1:26:01 | |
You didn't stay in that place you went to very long, did you? | 1:26:01 | 1:26:04 | |
Didn't you like it? | 1:26:04 | 1:26:06 | |
What happened? | 1:26:06 | 1:26:08 | |
I had to leave. | 1:26:08 | 1:26:11 | |
Forgive me, it's no business of mine. | 1:26:11 | 1:26:14 | |
But I must ask about this letter. | 1:26:14 | 1:26:18 | |
It comes from a lawyer in Millcot. | 1:26:18 | 1:26:19 | |
He writes to me as the person whose name you gave as a reference | 1:26:19 | 1:26:22 | |
when you went to Thornfield | 1:26:22 | 1:26:24 | |
A client of his wants to know your whereabouts. | 1:26:24 | 1:26:28 | |
Do you know who's enquiring for you? | 1:26:28 | 1:26:30 | |
Jane, if you don't want me to talk about this any more, I won't. | 1:26:32 | 1:26:34 | |
Thank you, Dr Rivers. | 1:26:36 | 1:26:38 | |
It's for you to say. | 1:26:38 | 1:26:40 | |
Would you rather I didn't answer it at all? | 1:26:42 | 1:26:45 | |
35 bob. Any advance on 35? £2 is bid. | 1:27:11 | 1:27:15 | |
Going at £2. Going, going... Take it away, Bill. | 1:27:15 | 1:27:18 | |
Jane. | 1:28:02 | 1:28:04 | |
Jane. | 1:28:06 | 1:28:08 | |
Jane! | 1:28:08 | 1:28:10 | |
"It seemed the cry of a soul in pain, an appeal so wild and urgent | 1:28:15 | 1:28:19 | |
"that I knew I must go and go quickly. | 1:28:19 | 1:28:22 | |
"Only when I knew what had happened to him - | 1:28:22 | 1:28:25 | |
"Only when I had looked once more upon that tortured face - | 1:28:25 | 1:28:28 | |
"could I make my decision." | 1:28:28 | 1:28:29 | |
It was she who did it, Miss Eyre. | 1:28:31 | 1:28:34 | |
She struck down Grace Poole as she slept | 1:28:34 | 1:28:36 | |
and then she set fire to Thornfield. | 1:28:36 | 1:28:40 | |
It was her laugh in the gallery that woke me. | 1:28:40 | 1:28:42 | |
I ran to the nursery, wrapped Adele in a shawl and carried her down. | 1:28:44 | 1:28:47 | |
As we came out into the courtyard I heard her laugh again. | 1:28:49 | 1:28:52 | |
I looked up and there she was on the roof, | 1:28:55 | 1:28:57 | |
laughing and waving her arms above the battlements. | 1:28:57 | 1:29:01 | |
Mr Edward saw her as he came out. | 1:29:01 | 1:29:03 | |
He did not say anything but went back into the house | 1:29:03 | 1:29:07 | |
to try to save her. | 1:29:07 | 1:29:08 | |
All this side of the house was blazing. | 1:29:08 | 1:29:12 | |
There was smoke everywhere. | 1:29:12 | 1:29:13 | |
Then it cleared and suddenly we saw Mr Edward behind her on the battlements. | 1:29:15 | 1:29:19 | |
She saw him too. | 1:29:19 | 1:29:22 | |
He came towards her to help her down. | 1:29:22 | 1:29:24 | |
She stood very still for a moment | 1:29:24 | 1:29:27 | |
and just as he seemed to reach her | 1:29:27 | 1:29:29 | |
she gave a dreadful scream and ran from him to the edge. | 1:29:29 | 1:29:34 | |
The next moment she lay smashed on the pavement before us. | 1:29:34 | 1:29:37 | |
She was dead, Miss Eyre. | 1:29:39 | 1:29:42 | |
Mr Edward? | 1:29:46 | 1:29:48 | |
The great staircase fell in as he was coming down. | 1:29:48 | 1:29:50 | |
DOG BARKS | 1:29:52 | 1:29:54 | |
-Mrs Fairfax. -Yes, sir. | 1:30:11 | 1:30:13 | |
Why are you in this part of the house? | 1:30:14 | 1:30:17 | |
-Adele is waiting for her supper. -Yes, sir. | 1:30:17 | 1:30:20 | |
Here, Pilot! | 1:30:26 | 1:30:28 | |
Who's there? | 1:30:34 | 1:30:36 | |
Who are you?! | 1:30:37 | 1:30:39 | |
I've come back, sir. | 1:30:39 | 1:30:42 | |
Edward, Edward. | 1:30:50 | 1:30:52 | |
Your fingers. | 1:30:52 | 1:30:55 | |
Those small, soft fingers. | 1:30:55 | 1:30:59 | |
Hair. | 1:31:01 | 1:31:03 | |
A little flower-soft face. | 1:31:06 | 1:31:09 | |
And a heart too, Edward. | 1:31:09 | 1:31:11 | |
Jane! | 1:31:11 | 1:31:13 | |
All you can feel now is mere pity. | 1:31:13 | 1:31:16 | |
I don't want your pity! | 1:31:17 | 1:31:19 | |
Edward! | 1:31:21 | 1:31:23 | |
You can't spend your life with the mere wreckage of a man. | 1:31:25 | 1:31:28 | |
You're young and fresh, you'll get married. | 1:31:28 | 1:31:31 | |
Don't send me away. | 1:31:31 | 1:31:33 | |
Please don't send me away! | 1:31:33 | 1:31:35 | |
You think I want to let you go? | 1:31:37 | 1:31:39 | |
"As the months went past he came to see the light once more | 1:31:50 | 1:31:53 | |
"as well as to feel its warmth. | 1:31:53 | 1:31:55 | |
"To see first the glory of the sun | 1:31:55 | 1:31:58 | |
"and then the mild splendour of the moon and at last the evening star. | 1:31:58 | 1:32:01 | |
"And then one day, when our first-born was put into his arms | 1:32:03 | 1:32:06 | |
"he could see the boy had inherited his own eyes as they once were - | 1:32:06 | 1:32:10 | |
"large, brilliant and black." | 1:32:10 | 1:32:13 |