Mia Madre


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Mia Madre

Italian drama. Margherita, a well-known director working on her latest film, suffers an existential crisis when she has to come to terms with her mother's terminal illness.


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This film contains strong language

0:00:030:00:07

SHOUTING

0:02:450:02:46

MUSIC: Baby's Coming Back To Me by Jarvis Cocker

0:08:310:08:33

MUSIC STOPS

0:08:530:08:55

MUSIC: Famous Blue Raincoat by Leonard Cohen

0:10:010:10:04

INTERCOM BUZZES

0:12:230:12:25

SHE SIGHS

0:13:160:13:18

SHE SHOUTS

0:13:390:13:41

How was your flight?

0:16:140:16:17

HE GROANS

0:16:250:16:27

No. Oh, no!

0:16:270:16:30

HE CALLS OUT

0:16:340:16:36

I'll kill ya.

0:16:370:16:39

HE CHUCKLES

0:18:250:18:27

Oh, God.

0:18:470:18:50

What a terrible dream.

0:18:500:18:52

Kevin Spacey tried to kill me.

0:18:520:18:55

SHE LAUGHS

0:19:360:19:38

Good night.

0:19:490:19:50

HE CHUCKLES

0:19:530:19:55

I was joking, all right?

0:19:550:19:56

INAUDIBLE

0:21:460:21:48

Decide later, right?

0:22:010:22:03

THEY LAUGH

0:22:050:22:07

You just finalised the agreement for the factory...

0:22:310:22:33

I have to get them to trust me.

0:22:530:22:55

Ah! Champagne!

0:22:550:22:58

It's fake! Like my whole life, huh? That's what it is, to be an actor.

0:23:010:23:06

Listen, I'd like real champagne for the scene, if you don't mind.

0:23:060:23:09

OK? I'm Barry Huggins and Barry needs real champagne for the scene.

0:23:090:23:14

Understand?

0:23:140:23:15

-Er, yes.

-I'm serious. I'm very serious.

0:23:150:23:17

HE LAUGHS

0:23:190:23:21

I know. I have trouble with that word.

0:24:130:24:15

No!

0:24:170:24:19

I'm nervous. It's my first day. I'm sorry.

0:24:240:24:26

We're doing it again, doing it again. I'm ready. Watch this. Watch.

0:24:290:24:32

"Hello. Mr Huggins?"

0:26:450:26:47

"Yes, that's me."

0:26:470:26:49

"This is Stanley Kubrick.

0:26:490:26:52

"How can I get you the script?"

0:26:530:26:55

I said, "UPS it."

0:26:550:26:58

"What if you're not home?"

0:26:580:27:00

"If I'm not home, the guy will throw it over the gate."

0:27:000:27:02

"That's unbelievable.

0:27:040:27:06

"Mine doesn't."

0:27:060:27:07

Anyway, I left for London. Just the travelling.

0:27:070:27:10

I was supposed to shoot for one week, but they had told me,

0:27:100:27:12

"Look, nobody shoots for one week with Kubrick."

0:27:120:27:15

And do you know how long I wound up staying?

0:27:170:27:20

I was in a hotel room, waiting.

0:27:280:27:31

I even missed the birth of my son.

0:27:310:27:33

Oh.

0:27:330:27:34

But, you know, that's how our work is.

0:27:360:27:39

Stanley was crazy about me.

0:27:390:27:43

He was writing two more films,

0:27:430:27:45

tailor-made just for me, like a suit.

0:27:450:27:47

But, unfortunately, there was no time.

0:27:480:27:52

HE SINGS

0:27:520:27:55

HE JOINS IN

0:27:560:27:59

SINGING CONTINUES

0:28:030:28:06

Hey, Margherita!

0:29:040:29:06

One of those gangster movies with soul.

0:29:160:29:20

Like the old movies.

0:29:220:29:23

Edward G Robinson.

0:29:260:29:28

"All right, Frasier, this is it.

0:29:280:29:30

"You double-crossed me, I took all that for you."

0:29:300:29:34

And I play a guy who seems, on the surface, like a good guy.

0:29:340:29:38

A long shot, like in Touch Of Evil.

0:29:520:29:54

All the way around, and then it ends up...

0:29:570:30:00

And you're the director. With your touch, your feminine touch.

0:30:050:30:08

You can bring something to it, right?

0:30:140:30:17

And then the story - it's one of those movies that you see the story

0:30:170:30:20

from all these different points of view.

0:30:200:30:22

And then, every time...

0:30:250:30:26

The same story.

0:30:300:30:32

Hey, my friend! What's your name?

0:30:340:30:36

-Amedeo.

-Amedeo, huh? My son's name is Amedeo.

0:30:360:30:38

You've got a beautiful face, this guy.

0:30:450:30:46

He could be the guy who's my cellmate.

0:30:500:30:52

-Amedeo?

-And we have this

0:30:520:30:53

very ambiguous relationship, maybe sexual.

0:30:530:30:56

You don't know. It's up to you. What's in between us?

0:30:560:30:58

You decide!

0:31:010:31:03

And then the men, look at the men, see?

0:31:090:31:11

Free. He escapes.

0:31:110:31:14

BUMP

0:31:390:31:41

INAUDIBLE

0:34:270:34:29

BEEPING

0:35:390:35:41

SHE WHINES

0:36:490:36:51

DOORBELL

0:38:270:38:29

DOORBELL

0:38:320:38:35

SHE SOBS

0:39:470:39:49

DOOR CLOSES

0:40:040:40:07

REPORTERS CLAMOUR

0:45:040:45:06

I immediately fell in love with the character of the entrepreneur.

0:46:280:46:32

After I read the script, I grabbed the telephone.

0:46:320:46:35

"Hello?"

0:46:350:46:36

"I am ready to get right on that first plane and come right over."

0:46:380:46:42

Am I right?

0:46:420:46:44

SHE KNOCKS

0:47:220:47:23

I'm an outsider, yes.

0:50:220:50:24

I don't have a choice. I got it.

0:50:360:50:39

I don't have a choice.

0:50:450:50:47

Workers, they yell at you.

0:54:070:54:08

Next to the character.

0:54:290:54:31

-In front of you, Barry.

-Yeah, I'll do it again.

0:54:530:54:56

What?

0:55:250:55:27

THEY LAUGH

0:56:100:56:11

I can't see. I can't really see very well.

0:57:090:57:12

Shit. I can't see anything.

0:57:120:57:16

Just make sure it's safe.

0:57:160:57:18

What are you doing?

0:57:220:57:24

I'm gonna fucking crash over here.

0:57:400:57:43

Can't see a fucking thing. I can't see a fucking thing.

0:57:480:57:52

HE MUTTERS

0:57:550:57:56

HE SHOUTS

0:57:560:57:57

Stop! Fucking stop!

0:57:570:58:01

I can't see. That's right.

0:58:050:58:08

Stop-a! Everything is a stop-a.

0:58:090:58:11

Stop-a! Stop-a!

0:58:110:58:13

INAUDIBLE

0:59:110:59:13

MUSIC: Baby's Coming Back To Me by Jarvis Cocker

0:59:280:59:30

THEY SAY GOODBYE

1:04:221:04:24

HORN HONKS

1:07:231:07:25

THEY CHATTER

1:07:291:07:31

SILENCE

1:07:361:07:38

HE HUMS

1:08:331:08:36

Would you... Please, don't prompt in the middle of the scene.

1:08:561:08:59

I have to do it myself, let me do it myself, I'm a big boy. All right?

1:08:591:09:02

-Fuck!

-Stop!

-Sorry.

1:09:211:09:24

Don't come near me with the comb, OK? I don't want the comb anymore.

1:09:271:09:30

Do not touch my hair. Understand?

1:09:301:09:32

Please!

1:10:311:10:33

Don't worry, Barry.

1:10:461:10:48

Hmm-ma!

1:10:501:10:51

SHE SIGHS

1:11:011:11:02

Argh! Fuck! Fuck!

1:11:141:11:16

How the fuck can you say these things?

1:11:161:11:18

You call this writing? You call it writing?

1:11:181:11:21

This dialogue is shit!

1:11:211:11:22

It's shit dialogue, it's a shit scene and it's a shit film.

1:11:251:11:30

Hey, I've been acting for 30 years.

1:11:481:11:51

105 movies, count 'em!

1:11:511:11:53

And now an idiot like you tells me I know nothing?

1:11:531:11:57

I worked with Stanley Kubrick!

1:11:571:12:00

No, no, no. I wasn't an asshole. I wasn't available.

1:12:081:12:11

This is the last film I'm making. I retire!

1:12:111:12:13

Cinema is a shit job!

1:12:261:12:29

Acting is a waste of time and a waste of a life!

1:12:291:12:32

I want out of here, man. I wanna go back... Back to reality!

1:12:321:12:38

Take me back to reality.

1:12:421:12:44

SHE SOBS

1:14:281:14:30

SHE SAYS GOODBYE

1:15:431:15:45

DOORBELL

1:20:371:20:39

KNOCKING

1:20:401:20:42

Did you like it?

1:20:581:21:01

Margherita, she's a good cook.

1:21:021:21:05

HE LAUGHS

1:21:561:21:58

Look.

1:22:071:22:09

Barry...

1:22:091:22:11

-Can I write something for you?

-Sure.

1:22:111:22:15

# Happy Birthday to you

1:24:471:24:50

# Happy Birthday to you

1:24:501:24:55

# Happy Birthday to Barry

1:24:551:24:59

# Happy Birthday to you. #

1:24:591:25:02

CHEERING

1:25:021:25:05

MUSIC: Charisma by Isabella Colliva and Cinzia Donti

1:25:101:25:14

CHEERING

1:25:501:25:52

THEY CHANT: Barry, Barry!

1:26:251:26:28

INAUDIBLE

1:29:141:29:16

Mmm. Mmm-mmm.

1:30:201:30:22

SHE READS IN LATIN

1:31:221:31:24

-Perfect.

-OK.

1:31:421:31:44

SHE CALLS OUT

1:31:491:31:52

CLAPPERBOARD CLAPS

1:32:081:32:10

Margherita...

1:32:101:32:12

INAUDIBLE

1:32:121:32:14

PHONE RINGS

1:34:481:34:50

GIOVANNI ANSWERS PHONE

1:34:541:34:56

SHE SOBS

1:35:121:35:13

SHE SOBS

1:36:271:36:29

INTERCOM BUZZES

1:36:371:36:39

SHE STUTTERS

1:36:451:36:48

Giovanni?

1:36:531:36:55

Margherita, a well-known director working on her latest film, suffers an existential crisis when she has to come to terms with her mother's terminal illness and re-evaluate everything she thought she knew about life.

In Italian with English subtitles.