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This film contains some scenes of a sexual nature and strong language | 0:00:02 | 0:00:06 | |
DOOR CLOSES | 0:01:06 | 0:01:06 | |
It began with a storm in June. | 0:01:29 | 0:01:31 | |
In the days before, German bombs had fallen | 0:01:33 | 0:01:36 | |
on the outskirts of Paris for the first time. | 0:01:36 | 0:01:39 | |
Terrified people were fleeing the city any way they could. | 0:01:40 | 0:01:43 | |
But deep in the countryside the war still felt far away | 0:01:45 | 0:01:49 | |
and I remained preoccupied | 0:01:49 | 0:01:50 | |
with the one I was already fighting much closer to home. | 0:01:50 | 0:01:53 | |
Are you not dressed yet? | 0:01:55 | 0:01:56 | |
We'll be late. | 0:01:57 | 0:01:59 | |
Do you really think we should go out today? | 0:02:00 | 0:02:02 | |
Why ever not? | 0:02:02 | 0:02:04 | |
My mother-in-law, Madame Angellier, | 0:02:23 | 0:02:26 | |
refused to accept the prospect of defeat, | 0:02:26 | 0:02:29 | |
even as the first refugees from Paris started to arrive. | 0:02:29 | 0:02:32 | |
Three years before I'd married her precious son at my father's insistence | 0:02:37 | 0:02:41 | |
and moved to Bussy. | 0:02:41 | 0:02:43 | |
With Gaston away fighting, she felt | 0:02:44 | 0:02:47 | |
I should learn how to run his properties. | 0:02:47 | 0:02:49 | |
So every month we visited our tenants, | 0:02:49 | 0:02:52 | |
on a Sunday, because Madame knew the farmers would be home. | 0:02:52 | 0:02:55 | |
Don't make any noise. That way you see how they really live. | 0:02:55 | 0:02:58 | |
She liked to catch them out. | 0:03:00 | 0:03:02 | |
I hated every minute of it. | 0:03:04 | 0:03:06 | |
DOOR THUDS | 0:03:06 | 0:03:07 | |
Have you heard anything from your son? | 0:03:18 | 0:03:20 | |
No, not for over a week. And you? | 0:03:20 | 0:03:24 | |
No, nothing from either of our boys. | 0:03:24 | 0:03:26 | |
-People say Paris is going to fall. -People say a lot of things. | 0:03:26 | 0:03:30 | |
Lucile? | 0:03:32 | 0:03:34 | |
Madame, it's... | 0:03:36 | 0:03:37 | |
It's a big farm. | 0:03:37 | 0:03:39 | |
And it's been difficult without my brothers. | 0:03:39 | 0:03:42 | |
We'll put what they owe us down to next month. | 0:03:42 | 0:03:44 | |
If I make any exceptions, | 0:03:44 | 0:03:46 | |
then Gaston wouldn't have a home of his own to return to, | 0:03:46 | 0:03:49 | |
and then what would he have been fighting for? | 0:03:49 | 0:03:52 | |
Come along, Lucile. | 0:03:54 | 0:03:55 | |
Good morning. | 0:03:57 | 0:03:58 | |
They don't want to pay the rent but they don't think twice | 0:04:00 | 0:04:02 | |
about buying silk stockings for that daughter of theirs. | 0:04:02 | 0:04:04 | |
Did you see? | 0:04:04 | 0:04:07 | |
I know it seems harsh, but if you show them any weakness, | 0:04:07 | 0:04:09 | |
they'll bleed you dry. | 0:04:09 | 0:04:11 | |
When Gaston comes home, he'll see he has a wife | 0:04:12 | 0:04:14 | |
who knows what it is to be a land... | 0:04:14 | 0:04:16 | |
Stop! Stop the car! | 0:04:16 | 0:04:19 | |
HORN BLARES | 0:04:25 | 0:04:26 | |
-We should turn back. -No. | 0:04:26 | 0:04:28 | |
HORN TOOTS | 0:04:28 | 0:04:29 | |
We've got potatoes to buy and four more rents to collect. | 0:04:33 | 0:04:35 | |
Madman. | 0:04:36 | 0:04:38 | |
The sack looks heavy. | 0:04:44 | 0:04:47 | |
He can manage. | 0:04:47 | 0:04:48 | |
-How much do we owe you? -Four francs. | 0:04:49 | 0:04:52 | |
Thank you. | 0:04:59 | 0:05:01 | |
There are more cars on the road, from Paris. | 0:05:01 | 0:05:05 | |
My father always said, | 0:05:06 | 0:05:08 | |
"If you want to see what people are truly made of, you start a war." | 0:05:08 | 0:05:11 | |
HORN TOOTS | 0:05:11 | 0:05:12 | |
Oh, what is this? | 0:05:27 | 0:05:29 | |
Go and see how long it goes on for. | 0:06:00 | 0:06:02 | |
Keep up. | 0:06:03 | 0:06:05 | |
Keep up. | 0:06:07 | 0:06:09 | |
Excuse me, Madame. | 0:06:11 | 0:06:13 | |
I wouldn't ask for me, but my wife's very tired. | 0:06:13 | 0:06:15 | |
We've walked all the way from Paris. Could she rest in your car? | 0:06:15 | 0:06:18 | |
Yes. Yes, yes, of course. | 0:06:18 | 0:06:20 | |
Thanks. | 0:06:20 | 0:06:22 | |
STEAM TRAIN CHUGS | 0:06:22 | 0:06:24 | |
Oh, Lord. | 0:06:24 | 0:06:25 | |
PLANES RUMBLE | 0:06:28 | 0:06:30 | |
-Are those ours? -Theirs, always theirs. | 0:06:30 | 0:06:33 | |
DIVING PLANE WHINES | 0:06:33 | 0:06:35 | |
EXPLOSION | 0:06:36 | 0:06:37 | |
Get down! | 0:06:52 | 0:06:53 | |
SCREAMING | 0:06:53 | 0:06:54 | |
Anna! | 0:07:01 | 0:07:02 | |
HIGH-PITCHED RINGING | 0:07:19 | 0:07:21 | |
MUFFLED SHOUTS | 0:07:24 | 0:07:25 | |
Anna? Anna? | 0:07:35 | 0:07:37 | |
-Thank you. -Lucile. | 0:07:46 | 0:07:49 | |
We need to get off the road. Could you take us to the nearest town? | 0:07:49 | 0:07:53 | |
Hey, you! | 0:07:59 | 0:08:01 | |
Get away from my car! | 0:08:02 | 0:08:04 | |
Lucile! Get in the car! | 0:08:11 | 0:08:13 | |
When I tell you to do something, you damn well do it! | 0:08:20 | 0:08:23 | |
-WOMAN: -Children... | 0:08:31 | 0:08:32 | |
So THIS was war. | 0:08:39 | 0:08:42 | |
Paris had suddenly descended on Bussy. | 0:08:42 | 0:08:45 | |
-MAN: -The whole town's been cleaned out. | 0:08:45 | 0:08:48 | |
Women and children escaping the bombs, looking for food and shelter. | 0:08:48 | 0:08:52 | |
Can I get you some water? | 0:08:52 | 0:08:53 | |
But the enemy had followed them here. | 0:08:53 | 0:08:55 | |
Move, move! | 0:08:55 | 0:08:57 | |
Madame Perrin, It's Lucile Angellier, Gaston's wife. | 0:08:57 | 0:09:00 | |
Get out of the damn way. You've got to leave, they're coming! | 0:09:00 | 0:09:04 | |
PLANE OVERHEAD | 0:09:04 | 0:09:05 | |
SCREAMING | 0:09:06 | 0:09:08 | |
Fear had seized the town. | 0:10:18 | 0:10:21 | |
Rumours spread that a regiment was heading to Bussy. | 0:10:21 | 0:10:24 | |
I left only the bare essentials in Gaston's office. | 0:10:24 | 0:10:27 | |
Madame Angellier would rather see his things burn | 0:10:27 | 0:10:30 | |
than in the hands of one of their soldiers. | 0:10:30 | 0:10:33 | |
BELL RINGS | 0:10:33 | 0:10:35 | |
Brethren of Bussy, | 0:10:40 | 0:10:42 | |
a great tragedy has befallen our nation. | 0:10:42 | 0:10:46 | |
Millions have fled their homes, | 0:10:46 | 0:10:48 | |
many thousands have lost their lives, | 0:10:48 | 0:10:51 | |
and the fate of a whole generation of brave young men | 0:10:51 | 0:10:54 | |
still remains unknown. | 0:10:54 | 0:10:57 | |
Only God knows what's in store for all of us | 0:10:59 | 0:11:03 | |
and the country that we can no longer call our own. | 0:11:03 | 0:11:07 | |
We must hold firm together. | 0:11:07 | 0:11:10 | |
We must put aside anything that will divide us from our neighbour. | 0:11:10 | 0:11:14 | |
We must unite into one being, one family under God. | 0:11:14 | 0:11:20 | |
RUMBLING | 0:11:20 | 0:11:21 | |
They're here already. | 0:11:21 | 0:11:22 | |
Let us pray. | 0:11:24 | 0:11:26 | |
-Anna, stand up. -Our Father who art in heaven, | 0:11:28 | 0:11:30 | |
hallowed be thy name. | 0:11:30 | 0:11:31 | |
Thy kingdom come, thy will be done, on earth as it is in heaven. | 0:11:31 | 0:11:35 | |
Give us this day our daily bread and forgive us our trespasses | 0:11:35 | 0:11:38 | |
as we forgive those who trespass against us. | 0:11:38 | 0:11:41 | |
-MARCHING FOOTSTEPS -Lead us not into temptation and deliver us from evil. | 0:11:41 | 0:11:45 | |
Amen. | 0:11:45 | 0:11:46 | |
Under the authority and the signature of Marechal Petain, | 0:12:41 | 0:12:47 | |
a new constitution of the French state is signed, | 0:12:47 | 0:12:50 | |
guaranteeing the rights of labour, of family and of the fatherland. | 0:12:50 | 0:12:56 | |
You are defeated and we are now in charge. | 0:12:56 | 0:13:00 | |
All firearms must be surrendered | 0:13:00 | 0:13:03 | |
to German headquarters tomorrow morning. | 0:13:03 | 0:13:06 | |
As our Fuhrer writes, | 0:13:06 | 0:13:08 | |
"The sword will become our plough and from the tears of war..." | 0:13:08 | 0:13:12 | |
-How long will they be here? -I don't know. | 0:13:12 | 0:13:14 | |
"..the daily bread of future generations will grow." | 0:13:14 | 0:13:16 | |
But I'm damned if I'm living by German time. | 0:13:16 | 0:13:18 | |
Those who have been billeted an officer | 0:13:18 | 0:13:22 | |
should return home and prepare for their arrival. | 0:13:22 | 0:13:26 | |
FOOTSTEPS APPROACH | 0:13:42 | 0:13:43 | |
We don't look at him. We don't speak to him. | 0:13:43 | 0:13:45 | |
KNOCK ON DOOR | 0:13:45 | 0:13:47 | |
Guten Tag. | 0:13:53 | 0:13:54 | |
Madame. | 0:13:55 | 0:13:57 | |
Madame Angellier, I'm Oberleutnant Bruno von Falk. | 0:14:04 | 0:14:09 | |
You have been told to expect me? | 0:14:09 | 0:14:12 | |
Madame. | 0:14:15 | 0:14:17 | |
I will try not to inconvenience you. | 0:14:17 | 0:14:19 | |
I only require a room and somewhere to work. | 0:14:19 | 0:14:23 | |
Excuse me. | 0:14:25 | 0:14:27 | |
I hope you don't mind, but I can't be late. | 0:14:27 | 0:14:31 | |
DOG BARKS | 0:14:37 | 0:14:40 | |
Er... | 0:14:40 | 0:14:41 | |
They didn't say anything about a dog. | 0:14:41 | 0:14:43 | |
May the Lord bless these gifts we are about to receive. | 0:14:55 | 0:14:57 | |
May he bless those who are unable to share his bounty with us. | 0:14:57 | 0:15:01 | |
Guide them from danger, keep them safe. | 0:15:03 | 0:15:07 | |
-Amen. -Amen. | 0:15:07 | 0:15:09 | |
KNOCKING AND GRATING ABOVE | 0:15:12 | 0:15:14 | |
FOOTSTEPS ON STAIRS | 0:15:25 | 0:15:26 | |
KNOCKING | 0:15:33 | 0:15:35 | |
Madame. | 0:15:36 | 0:15:37 | |
May I kindly request the key to the piano and the desk? | 0:15:37 | 0:15:42 | |
I give you my word that they will be treated | 0:15:45 | 0:15:47 | |
with the utmost care. | 0:15:47 | 0:15:49 | |
Marthe will give you the key. | 0:15:50 | 0:15:52 | |
Good evening. | 0:15:54 | 0:15:55 | |
He'll be playing Deutschland Uber Alles before we know it. | 0:16:00 | 0:16:04 | |
PIANO PLAYS | 0:16:17 | 0:16:18 | |
Did you find somewhere to stay? | 0:16:48 | 0:16:51 | |
Yes, thank you. | 0:16:51 | 0:16:54 | |
Have you seen this one? | 0:16:58 | 0:17:00 | |
We have to take German money. We can't go out after nine. | 0:17:08 | 0:17:12 | |
And God help you if you're found listening to De Gaulle on the radio. | 0:17:14 | 0:17:17 | |
Have you got anyone? | 0:17:20 | 0:17:23 | |
-An officer. -Oh. | 0:17:23 | 0:17:25 | |
That's the price you pay for having the best house in the village, I suppose. | 0:17:25 | 0:17:29 | |
And you? | 0:17:30 | 0:17:32 | |
Hm...nobody. | 0:17:32 | 0:17:35 | |
The only benefit of having the worst. | 0:17:35 | 0:17:37 | |
Why does she look at me like that? | 0:17:46 | 0:17:49 | |
You don't know? | 0:17:49 | 0:17:50 | |
Your mother-in-law moved her and her parents into a barn. | 0:17:53 | 0:17:56 | |
Then she put a refugee from Paris | 0:17:56 | 0:17:58 | |
into their home and doubled the rent. | 0:17:58 | 0:18:01 | |
Nachste. | 0:18:10 | 0:18:11 | |
Name, occupation, address? | 0:18:15 | 0:18:18 | |
Benoit Labarie, farmer, the Montmort estate. | 0:18:18 | 0:18:22 | |
Nachste. | 0:18:28 | 0:18:29 | |
Name, occupation, address? | 0:18:32 | 0:18:34 | |
-Viscountess. -Benoit. | 0:18:41 | 0:18:43 | |
-Viscount. -Excuse me. | 0:18:43 | 0:18:44 | |
Your wife and children were in church yesterday. Where were you? | 0:18:44 | 0:18:47 | |
Working, not that you'd know anything about that. | 0:18:47 | 0:18:50 | |
Benoit, please be careful what you say to them. | 0:18:54 | 0:18:57 | |
We've been their tenants for generations. They never give us anything but grief. | 0:18:57 | 0:19:01 | |
Entschuldigung. | 0:19:32 | 0:19:34 | |
-Bitte. -Danke. | 0:19:36 | 0:19:38 | |
Get inside, girls. | 0:20:24 | 0:20:26 | |
We'll have to get used to it, I'm afraid, along with everything else. | 0:20:28 | 0:20:32 | |
There had been no men in our town for so long. | 0:20:32 | 0:20:35 | |
The mothers of French soldiers looked on with disgust | 0:20:35 | 0:20:37 | |
and begged God to curse them. | 0:20:37 | 0:20:39 | |
Can I help you? | 0:20:39 | 0:20:40 | |
But the young women just looked. | 0:20:40 | 0:20:41 | |
You are beautiful. What is your name? | 0:20:41 | 0:20:43 | |
Celine. | 0:20:43 | 0:20:45 | |
C-E-L-I-N-E. | 0:20:45 | 0:20:47 | |
Celine, could I have a word with you, please? | 0:20:47 | 0:20:50 | |
WOLF WHISTLE | 0:20:50 | 0:20:51 | |
Can I carry those bags for you? | 0:20:54 | 0:20:56 | |
I'm going that way anyway. | 0:20:58 | 0:21:00 | |
You can say, "No, thank you." | 0:21:00 | 0:21:02 | |
Oh, that's not for in here. | 0:21:14 | 0:21:16 | |
You're not going to like this. | 0:21:19 | 0:21:20 | |
If it makes you feel any better, | 0:21:23 | 0:21:25 | |
everybody who can afford to is doing it. | 0:21:25 | 0:21:27 | |
My mother-in-law pretended we were united in war, | 0:21:31 | 0:21:35 | |
but the well-off continued to reap their own wheat | 0:21:35 | 0:21:37 | |
and count their own money and to hell with everyone else. | 0:21:37 | 0:21:41 | |
Others, like Benoit and Madeleine, wouldn't have hoarded | 0:21:41 | 0:21:43 | |
even if they'd had the chance. | 0:21:43 | 0:21:45 | |
This is for you. | 0:21:49 | 0:21:50 | |
It's just, we have food to spare. | 0:21:50 | 0:21:52 | |
If you know what I mean. | 0:21:54 | 0:21:55 | |
You must miss Gaston, miss having someone else to talk to. | 0:22:04 | 0:22:08 | |
Yes, I do. | 0:22:09 | 0:22:10 | |
Do you write to him? | 0:22:12 | 0:22:15 | |
We don't know where he is. | 0:22:15 | 0:22:16 | |
Well, you should write anyway. Make you feel better. | 0:22:16 | 0:22:20 | |
Benoit would do anything to swap places with Gaston, | 0:22:20 | 0:22:24 | |
to have fought like a man. | 0:22:24 | 0:22:26 | |
Really? | 0:22:26 | 0:22:27 | |
Yeah. If you don't believe me, you can ask him yourself. | 0:22:27 | 0:22:29 | |
BABY FRETS | 0:22:29 | 0:22:30 | |
-Can we help you? -Mesdames. | 0:22:56 | 0:22:58 | |
There has been a change of plan. I have been billeted with you. | 0:22:58 | 0:23:04 | |
I apologise for the inconvenience. | 0:23:04 | 0:23:06 | |
But they said that we were too far from the village to have anyone. | 0:23:06 | 0:23:09 | |
I was surprised myself. I was staying at the chateau. | 0:23:09 | 0:23:13 | |
-You're an officer? -A lieutenant. | 0:23:13 | 0:23:16 | |
But this is just a farmhouse. The rooms won't be good enough. | 0:23:16 | 0:23:19 | |
We haven't even got any running water. | 0:23:19 | 0:23:22 | |
You needn't worry about me. | 0:23:22 | 0:23:24 | |
This will do nicely. | 0:23:27 | 0:23:28 | |
Here. | 0:23:35 | 0:23:37 | |
This young officer relished his power to disrupt Benoit and Madeleine's lives, | 0:23:43 | 0:23:48 | |
as if their lives weren't difficult enough already. | 0:23:48 | 0:23:51 | |
PIANO PLAYS | 0:23:52 | 0:23:54 | |
And what about our soldier? | 0:23:55 | 0:23:57 | |
Every night I heard him. | 0:23:58 | 0:24:00 | |
Always the same unfamiliar music. | 0:24:01 | 0:24:04 | |
I was meant to resent him, | 0:24:05 | 0:24:07 | |
yet there was relief in his presence after months of silence. | 0:24:07 | 0:24:10 | |
Bubi! | 0:24:47 | 0:24:48 | |
DOG BARKS | 0:24:48 | 0:24:49 | |
Sorry to disturb you. | 0:24:52 | 0:24:54 | |
The dog isn't mine. We found him in an abandoned village. | 0:24:57 | 0:25:00 | |
At least he's a Frenchman. | 0:25:01 | 0:25:04 | |
May I? | 0:25:10 | 0:25:11 | |
Your house is beautiful, Madame. | 0:25:19 | 0:25:21 | |
It isn't mine. It's my mother-in-law's. | 0:25:23 | 0:25:27 | |
The piano is yours, I imagine. | 0:25:27 | 0:25:28 | |
And what makes you say that? | 0:25:31 | 0:25:33 | |
I don't believe your mother-in-law is a music lover. | 0:25:33 | 0:25:36 | |
My father gave that piano to me. | 0:25:38 | 0:25:41 | |
Do you play? | 0:25:41 | 0:25:43 | |
I do. | 0:25:43 | 0:25:44 | |
But Madame doesn't want any music in the house | 0:25:47 | 0:25:49 | |
until my husband's home to hear it. | 0:25:49 | 0:25:51 | |
Do you mind if I sit? | 0:25:59 | 0:26:00 | |
The piece you keep playing... | 0:26:04 | 0:26:05 | |
-..I don't recognise it. -You wouldn't. | 0:26:07 | 0:26:10 | |
-I've studied music, you know. -Not this. | 0:26:10 | 0:26:13 | |
You wrote it. | 0:26:15 | 0:26:16 | |
I was a composer before the war, when I first got married. | 0:26:18 | 0:26:23 | |
-You're married? -I've been married four years. | 0:26:23 | 0:26:26 | |
And a soldier four years. | 0:26:26 | 0:26:28 | |
She must miss you. | 0:26:31 | 0:26:33 | |
No, not really, not any more. | 0:26:34 | 0:26:39 | |
KNOCKING ON WINDOW | 0:26:40 | 0:26:41 | |
Hello? | 0:26:57 | 0:26:59 | |
DOG BARKS | 0:27:28 | 0:27:30 | |
Schatzchen, come here. | 0:27:32 | 0:27:34 | |
Bubi, here. | 0:27:54 | 0:27:56 | |
-What are you doing here? -I thought I'd left something. | 0:28:01 | 0:28:05 | |
So you come in without asking? | 0:28:05 | 0:28:06 | |
I can't hear you. | 0:28:09 | 0:28:10 | |
I'm sorry. | 0:28:12 | 0:28:13 | |
-Did you look at any of these? -No. | 0:28:16 | 0:28:18 | |
-No? -No, I promise. | 0:28:18 | 0:28:20 | |
Read one. | 0:28:20 | 0:28:22 | |
Out loud. | 0:28:26 | 0:28:27 | |
"To whom it may concern, Monsieur Blanc is a married father of five children. | 0:28:29 | 0:28:32 | |
"For several months he has had... | 0:28:32 | 0:28:35 | |
"..sexual relations with a young woman half his age. | 0:28:40 | 0:28:44 | |
"He should be charged with public indecency." | 0:28:44 | 0:28:47 | |
"Monsieur Dubois is trading food on the black market. | 0:28:47 | 0:28:49 | |
"Monsieur Acar is a communist, a liar and a homosexual. | 0:28:49 | 0:28:52 | |
"The refugee at mass pretends to be a Catholic | 0:28:52 | 0:28:55 | |
"when she really is a dirty Jew." | 0:28:55 | 0:28:57 | |
What are they? | 0:28:57 | 0:28:59 | |
They are from your neighbours. | 0:28:59 | 0:29:01 | |
They were waiting for us at the town hall when we arrived. | 0:29:01 | 0:29:03 | |
They're gossip. | 0:29:03 | 0:29:05 | |
Nothing more. They are just people settling old scores. | 0:29:05 | 0:29:09 | |
-Er...they should be burned. -If I had my way, they would. | 0:29:09 | 0:29:14 | |
My Major has ordered me. | 0:29:14 | 0:29:16 | |
It is my job to read them. You can go. | 0:29:17 | 0:29:21 | |
I don't know why you ever married him. | 0:29:41 | 0:29:43 | |
Was it the land? | 0:29:43 | 0:29:46 | |
Your father lost all of his so he sent you looking for someone else's. | 0:29:46 | 0:29:50 | |
No. | 0:29:50 | 0:29:52 | |
My father was dying. | 0:29:52 | 0:29:54 | |
He wanted to...find me a...good man. | 0:29:55 | 0:29:58 | |
A rich man. | 0:29:58 | 0:30:00 | |
What have I done? | 0:30:01 | 0:30:03 | |
I see everything that goes on in this house. | 0:30:05 | 0:30:08 | |
Please, he only asked to go into the garden. | 0:30:10 | 0:30:12 | |
You should have stood up and left. | 0:30:12 | 0:30:14 | |
Do you expect me to be confined to my bedroom? | 0:30:14 | 0:30:15 | |
-I expect you to be a faithful wife. -I am. | 0:30:15 | 0:30:19 | |
Then how can you speak, how can you even breathe, | 0:30:19 | 0:30:21 | |
when you know that your husband has been hunted down | 0:30:21 | 0:30:24 | |
by these animals? | 0:30:24 | 0:30:25 | |
When I see them, I want to rip their eyes out! | 0:30:25 | 0:30:29 | |
What's happened? | 0:30:33 | 0:30:34 | |
We've just heard that... | 0:30:36 | 0:30:38 | |
..Gaston's unit is in a labour camp in Germany. | 0:30:40 | 0:30:43 | |
Your husband is a prisoner of war. | 0:30:43 | 0:30:47 | |
This German is our enemy. Do you understand? | 0:30:47 | 0:30:53 | |
Yes. | 0:30:55 | 0:30:56 | |
Madame. | 0:31:01 | 0:31:03 | |
I can't talk to you. | 0:31:04 | 0:31:06 | |
I should have believed you. | 0:31:10 | 0:31:12 | |
I think this is why you came into my room. | 0:31:12 | 0:31:15 | |
I'm sorry. | 0:31:18 | 0:31:20 | |
Remember you're doing the rents today, Lucile. | 0:32:09 | 0:32:12 | |
Come on, Marthe. We're going to be late. | 0:32:12 | 0:32:14 | |
I'm going for a swim. | 0:32:55 | 0:32:58 | |
Can you swim? | 0:32:58 | 0:32:59 | |
The Viscount doesn't let the villagers swim in the lake. | 0:33:01 | 0:33:04 | |
Oh, sorry, I didn't mean... | 0:33:04 | 0:33:06 | |
I meant with your infirmity, can you...? | 0:33:06 | 0:33:08 | |
What happened? | 0:33:10 | 0:33:12 | |
My horse fell. My leg was trapped. | 0:33:12 | 0:33:16 | |
Otherwise you would have fought, huh? | 0:33:18 | 0:33:21 | |
Yes, I would. | 0:33:21 | 0:33:23 | |
Nietzsche said a man is made to be a warrior. | 0:33:23 | 0:33:28 | |
Have you read Nietzsche? | 0:33:28 | 0:33:30 | |
He also said... | 0:33:33 | 0:33:34 | |
..a woman is made to please the warrior. | 0:33:36 | 0:33:39 | |
His leg, did it happen before or after you were married? | 0:33:42 | 0:33:47 | |
After. | 0:33:49 | 0:33:50 | |
Beautiful scent. | 0:33:55 | 0:33:58 | |
Perhaps I could buy a bouquet for my bedroom, | 0:33:58 | 0:34:01 | |
cheer it up a little. | 0:34:01 | 0:34:03 | |
Madeleine...we've got to bring the animals in. | 0:34:03 | 0:34:06 | |
Hey, a vase by my bed, if that's no trouble. | 0:34:06 | 0:34:11 | |
It's all there, Madame Angellier. | 0:34:44 | 0:34:47 | |
You'll get double that next-door now. | 0:34:47 | 0:34:49 | |
RECORDER PLAYS | 0:34:55 | 0:34:56 | |
I learned that piece when I was young. | 0:35:04 | 0:35:06 | |
My father taught it to me. | 0:35:07 | 0:35:09 | |
-Anna's father taught her too. -Oh! Is he...? | 0:35:10 | 0:35:15 | |
He and my other daughter got separated from us. | 0:35:15 | 0:35:19 | |
But, er... | 0:35:19 | 0:35:20 | |
But they'll be joining us soon, hm? | 0:35:20 | 0:35:23 | |
That's enough practice for today. | 0:35:24 | 0:35:27 | |
Why don't you go outside and play? | 0:35:27 | 0:35:30 | |
Stay close to the house. | 0:35:32 | 0:35:35 | |
-She's lovely. -Thank you. | 0:35:38 | 0:35:41 | |
KNOCK ON DOOR | 0:35:48 | 0:35:49 | |
Danke schon. | 0:36:13 | 0:36:14 | |
I'm sorry. | 0:36:35 | 0:36:37 | |
It's just hard with them living so close to us. | 0:36:39 | 0:36:42 | |
SHOUTING | 0:37:00 | 0:37:02 | |
MUSIC PLAYING | 0:37:02 | 0:37:03 | |
Fuck you. | 0:37:40 | 0:37:42 | |
Fuck you. | 0:37:46 | 0:37:48 | |
Was? | 0:37:50 | 0:37:51 | |
Benoit! | 0:38:18 | 0:38:20 | |
Please. | 0:38:20 | 0:38:21 | |
I thought you'd handed in your gun. | 0:38:22 | 0:38:25 | |
I did, the one that was registered. | 0:38:25 | 0:38:27 | |
-People have been killed for less. -I need it. | 0:38:28 | 0:38:32 | |
Why don't you tell her why you're here? | 0:38:32 | 0:38:34 | |
The German...in my home, | 0:38:34 | 0:38:37 | |
he's chasing after Madeleine. | 0:38:37 | 0:38:40 | |
The officer that lives here could put pressure on him. | 0:38:42 | 0:38:45 | |
-I don't speak to him. -That's not what I've heard. | 0:38:45 | 0:38:47 | |
I'm not here to criticise you. I just want him moved. | 0:38:50 | 0:38:54 | |
Please. | 0:38:56 | 0:38:57 | |
You have a complaint about a German soldier? | 0:39:05 | 0:39:07 | |
-I apologise. -So you'll do something? | 0:39:07 | 0:39:10 | |
I have no influence over him. We are of equal rank. | 0:39:11 | 0:39:14 | |
So it's one rule for us and another for them? | 0:39:14 | 0:39:16 | |
That's not what I said. | 0:39:16 | 0:39:19 | |
We lost the war. We don't have to lose our women as well. | 0:39:19 | 0:39:21 | |
Then perhaps you should have thought of protecting them earlier, my friend. | 0:39:21 | 0:39:26 | |
Please. | 0:39:29 | 0:39:30 | |
I will try. | 0:39:33 | 0:39:35 | |
But it might only make it worse. | 0:39:36 | 0:39:38 | |
Tell him to leave her in peace. | 0:39:38 | 0:39:40 | |
I won't ask again. | 0:39:42 | 0:39:44 | |
Our regiment could leave at any time. | 0:40:00 | 0:40:02 | |
I couldn't stand to think... that you hated me. | 0:40:04 | 0:40:08 | |
I don't hate you. | 0:40:09 | 0:40:11 | |
Then invite me for tea. | 0:40:12 | 0:40:14 | |
There's hardly any left. Your men have taken it all. | 0:40:16 | 0:40:20 | |
Or wine. | 0:40:20 | 0:40:22 | |
I'll talk to Bonnet, | 0:40:22 | 0:40:25 | |
but in return I only ask that we be decent to one another. | 0:40:25 | 0:40:28 | |
Where's the harm in that? | 0:40:31 | 0:40:33 | |
My mother-in-law would throw me out. | 0:40:33 | 0:40:35 | |
I've got nowhere else to go. | 0:40:36 | 0:40:38 | |
She has church tonight. She'll be another half an hour. | 0:40:38 | 0:40:41 | |
Just one drink. | 0:40:44 | 0:40:45 | |
How did you become a soldier? | 0:40:55 | 0:40:57 | |
I'm from a military family. It was expected of us. | 0:40:59 | 0:41:02 | |
My brothers and I signed up on the same day. | 0:41:03 | 0:41:06 | |
Your brothers, where are they? | 0:41:06 | 0:41:10 | |
One was killed in Poland. | 0:41:10 | 0:41:12 | |
Another one in Normandy. | 0:41:13 | 0:41:15 | |
The youngest has just left for Africa. | 0:41:15 | 0:41:19 | |
People shouldn't be sacrificed like this. | 0:41:19 | 0:41:22 | |
-I mean none of us. -I can't think like that. | 0:41:24 | 0:41:26 | |
Questioning only makes things more difficult. | 0:41:29 | 0:41:32 | |
Do you believe in the war? | 0:41:32 | 0:41:34 | |
Let's say I believe in the communal spirit. | 0:41:35 | 0:41:39 | |
None of us like to admit it, | 0:41:39 | 0:41:41 | |
but single actions on their own don't mean anything. | 0:41:41 | 0:41:45 | |
So why is it that whenever I see you you're always on your own? | 0:41:45 | 0:41:48 | |
When do you see me? | 0:41:50 | 0:41:52 | |
PIANO INTRO PLAYS | 0:42:13 | 0:42:14 | |
Forget all this for two minutes. Come on. | 0:42:19 | 0:42:22 | |
MUSIC: Parlez-moi D'amour by Lucienne Boyer | 0:42:25 | 0:42:28 | |
Lucile. | 0:43:02 | 0:43:04 | |
Madame is on her way back. Go into the garden. | 0:43:05 | 0:43:09 | |
-MUSIC STOPS -Quickly! | 0:43:09 | 0:43:10 | |
I'm supposed to be the one everyone's afraid of | 0:43:22 | 0:43:25 | |
but she could easily scare the plague away. | 0:43:25 | 0:43:27 | |
Why are all these lights left on? | 0:43:27 | 0:43:30 | |
I just wanted to thank you. You were very kind. | 0:43:30 | 0:43:35 | |
It's been a long time since I talked to anyone like this. | 0:43:35 | 0:43:38 | |
I thank you. | 0:43:40 | 0:43:42 | |
Gute Nacht. | 0:43:49 | 0:43:50 | |
GASPING | 0:44:37 | 0:44:38 | |
MOANING | 0:44:40 | 0:44:41 | |
TWIG SNAPS | 0:45:05 | 0:45:06 | |
Lucile! | 0:45:10 | 0:45:11 | |
Well, I suppose you'll tell everyone now. | 0:45:11 | 0:45:14 | |
Oh, it's all right for you. All I do is work. | 0:45:14 | 0:45:18 | |
If I didn't have love, I... | 0:45:18 | 0:45:20 | |
I don't care where he was born. | 0:45:20 | 0:45:22 | |
They're human, just like us. | 0:45:22 | 0:45:24 | |
And they didn't throw my family out of their home. You did that. | 0:45:24 | 0:45:28 | |
That was my mother-in-law. It's not me. | 0:45:28 | 0:45:31 | |
Open your eyes, Lucile. | 0:45:31 | 0:45:34 | |
Our men are no better than them. Some of them are much worse. | 0:45:34 | 0:45:37 | |
Ask your officer. He knows. | 0:45:37 | 0:45:40 | |
Ask him what he's read in those letters. | 0:45:40 | 0:45:43 | |
Ask him what he's read about your husband. | 0:45:43 | 0:45:46 | |
You need to know. Everybody else does. | 0:45:46 | 0:45:49 | |
MUSIC PLAYS | 0:46:17 | 0:46:18 | |
MURMUR OF CONVERSATION | 0:46:22 | 0:46:24 | |
Danke. | 0:46:37 | 0:46:38 | |
How long have you known? | 0:47:43 | 0:47:45 | |
I didn't feel entitled to tell you. | 0:47:45 | 0:47:48 | |
Lucile? | 0:47:48 | 0:47:50 | |
You knew, didn't you? | 0:47:52 | 0:47:53 | |
That your perfect son has been having an affair | 0:47:53 | 0:47:56 | |
that was going on before we even met. | 0:47:56 | 0:47:58 | |
You should see how many of those are about you! | 0:48:00 | 0:48:02 | |
You always say how much you want a grandchild. | 0:48:08 | 0:48:11 | |
Now you've got one. Her name's Simone. | 0:48:11 | 0:48:14 | |
You can keep your stupid little secrets. I couldn't care less. | 0:48:20 | 0:48:24 | |
Can I play you something? | 0:49:24 | 0:49:26 | |
It's very beautiful. | 0:50:05 | 0:50:07 | |
What is it? | 0:50:13 | 0:50:15 | |
I married a man I'd only met twice. | 0:50:17 | 0:50:20 | |
I tried to convince myself that we were in love. | 0:50:20 | 0:50:24 | |
I might as well have been dead. | 0:50:27 | 0:50:30 | |
It's not possible. | 0:50:46 | 0:50:48 | |
Lucile? | 0:51:01 | 0:51:03 | |
I'm coming. | 0:51:03 | 0:51:04 | |
Madame wants to see you straight away. | 0:51:09 | 0:51:12 | |
You remember Madame Perrin? | 0:51:12 | 0:51:14 | |
Yes, of course. | 0:51:16 | 0:51:17 | |
What brings you back from the Free Zone, Madame? | 0:51:21 | 0:51:24 | |
My son died in Normandy as the Germans advanced. | 0:51:24 | 0:51:27 | |
I've just received permission to visit his grave. | 0:51:27 | 0:51:30 | |
I'm sorry to hear. | 0:51:30 | 0:51:31 | |
How are things in Lyon? | 0:51:31 | 0:51:33 | |
Bad. | 0:51:33 | 0:51:34 | |
At least you don't have a German living in your house. | 0:51:34 | 0:51:37 | |
Yes. | 0:51:37 | 0:51:38 | |
I heard about your officer. He's friendly? | 0:51:38 | 0:51:42 | |
Well, I won't have anything to do with him, | 0:51:42 | 0:51:43 | |
but Lucile does, don't you? | 0:51:43 | 0:51:45 | |
Oh, but that's good. | 0:51:45 | 0:51:47 | |
We had to leave in such a hurry | 0:51:47 | 0:51:49 | |
that certain things were left behind. | 0:51:49 | 0:51:51 | |
The Germans are using our house now. | 0:51:51 | 0:51:53 | |
Could you go there and get them back? | 0:51:53 | 0:51:56 | |
CHATTER AND LAUGHTER | 0:52:06 | 0:52:08 | |
So this is what it means to be protected by the German army? | 0:52:41 | 0:52:44 | |
Lucile. | 0:52:51 | 0:52:52 | |
Wait. | 0:52:54 | 0:52:55 | |
Look at me. | 0:52:55 | 0:52:57 | |
What happens in there is indefensible. | 0:53:01 | 0:53:03 | |
I have nothing in common with these people. | 0:53:03 | 0:53:06 | |
The only person I've something in common with... | 0:53:17 | 0:53:21 | |
..is you. | 0:53:23 | 0:53:25 | |
No. | 0:53:25 | 0:53:27 | |
A set of false teeth, a china dinner service, | 0:53:53 | 0:53:56 | |
household items of purely sentimental value. | 0:53:56 | 0:54:01 | |
I'd clawed back what crumbs I could from the enemy. | 0:54:01 | 0:54:05 | |
The air was thick with whispers. | 0:54:08 | 0:54:11 | |
Some saw me as a collaborator. | 0:54:11 | 0:54:13 | |
Others admired my bravery. | 0:54:13 | 0:54:16 | |
But none knew what I was really feeling. | 0:54:16 | 0:54:18 | |
Most of it is here. | 0:54:20 | 0:54:23 | |
I apologise for any damages. | 0:54:23 | 0:54:25 | |
Well done. | 0:54:34 | 0:54:36 | |
At least you've got the nerve to stand up to these scum. | 0:54:36 | 0:54:39 | |
DOOR OPENS | 0:56:01 | 0:56:03 | |
Marthe, can you take these bags upstairs, please? | 0:56:18 | 0:56:20 | |
WHISPERS: On Thursday she's going to visit her sister. | 0:56:20 | 0:56:22 | |
-We'd have the house to ourselves. -All right. | 0:56:22 | 0:56:25 | |
RATTLING | 0:57:06 | 0:57:07 | |
CHICKENS CLUCK | 0:57:10 | 0:57:11 | |
Come back here. Come back here! | 0:57:34 | 0:57:36 | |
RATTLING | 0:57:36 | 0:57:37 | |
Benoit Labarie! | 0:57:38 | 0:57:40 | |
So you're the one who's been stealing from us. | 0:57:40 | 0:57:43 | |
You thief. | 0:57:43 | 0:57:44 | |
What do you expect us to do? You traitors would see us starve. | 0:57:46 | 0:57:50 | |
How dare you speak to me like that? | 0:57:50 | 0:57:52 | |
I'll speak to you how I like. | 0:57:52 | 0:57:54 | |
I'm not the only one who comes here. | 0:57:58 | 0:57:59 | |
We all do, and it's only going to get worse. | 0:57:59 | 0:58:03 | |
-Get out of here. -Chickens. | 0:58:03 | 0:58:06 | |
-Give me my fucking chickens! -Please... | 0:58:09 | 0:58:13 | |
You'd better pray your German friends stay a long time, | 0:58:14 | 0:58:17 | |
because the day they leave... | 0:58:17 | 0:58:19 | |
I caught him. | 0:58:23 | 0:58:25 | |
It's Labarie. | 0:58:25 | 0:58:26 | |
-I told you to let it lie. -He still has a gun. | 0:58:26 | 0:58:30 | |
So does half the town, including myself. | 0:58:30 | 0:58:33 | |
He tried to shoot me with it. | 0:58:37 | 0:58:39 | |
You need to do something. | 0:58:45 | 0:58:47 | |
Offizier Bonnet? | 0:59:32 | 0:59:34 | |
For three months we had lived alongside each other. | 1:00:01 | 1:00:05 | |
Now there would be no more holding back. | 1:00:05 | 1:00:07 | |
Let everyone else fight each other, hate each other. | 1:00:09 | 1:00:12 | |
Just leave us in peace. | 1:00:12 | 1:00:14 | |
I thought you said you were going to take the horse in yourself. | 1:00:37 | 1:00:40 | |
What have you done? | 1:00:41 | 1:00:43 | |
Go. I'll distract them. | 1:00:43 | 1:00:45 | |
Boys, quick. Now! | 1:00:49 | 1:00:51 | |
I have a warrant for the arrest of Benoit Labarie. Where is he? | 1:01:02 | 1:01:06 | |
He's in the field. | 1:01:07 | 1:01:09 | |
I don't know what's wrong with you farmers. | 1:01:19 | 1:01:22 | |
Always stashing your guns in the same places. | 1:01:22 | 1:01:24 | |
Come down. | 1:01:26 | 1:01:27 | |
You won't be in the labour camp for long. | 1:01:27 | 1:01:29 | |
The Viscount begged for leniency. It's likely to be a year. | 1:01:29 | 1:01:32 | |
Plenty of time for me to fuck your wife | 1:01:32 | 1:01:34 | |
while you shovel frozen shit in Buchenwald. | 1:01:34 | 1:01:37 | |
Get off me! | 1:01:56 | 1:01:58 | |
Fuck you. | 1:02:03 | 1:02:04 | |
GUNSHOT | 1:02:06 | 1:02:07 | |
Stay there. Don't move! | 1:02:07 | 1:02:09 | |
GUNSHOTS | 1:02:17 | 1:02:18 | |
Benoit! | 1:02:22 | 1:02:23 | |
No, no, no! | 1:02:23 | 1:02:26 | |
No. Benoit! | 1:02:33 | 1:02:34 | |
Come here. | 1:02:41 | 1:02:43 | |
MUSIC PLAYS | 1:02:48 | 1:02:50 | |
KNOCK ON DOOR | 1:03:02 | 1:03:03 | |
INSISTENT KNOCKING | 1:03:05 | 1:03:07 | |
Madeleine? | 1:03:16 | 1:03:18 | |
Is your mother-in-law at home? | 1:03:18 | 1:03:20 | |
She's away for the night. What's happened? | 1:03:20 | 1:03:23 | |
How do you know where he is? | 1:03:26 | 1:03:28 | |
There's an old hunting lodge in the woods. | 1:03:28 | 1:03:30 | |
No-one's offered to take him in? | 1:03:32 | 1:03:33 | |
That's why I'm here. | 1:03:35 | 1:03:36 | |
They let me go but they're watching me. | 1:03:38 | 1:03:41 | |
If they're watching... | 1:03:43 | 1:03:44 | |
..you shouldn't have come here. | 1:03:45 | 1:03:47 | |
Look, Benoit's a good man. | 1:03:47 | 1:03:50 | |
No-one else is going to help him. | 1:03:50 | 1:03:53 | |
He can't move very fast and they'll hunt him and find him. | 1:03:53 | 1:03:57 | |
And when they do, they'll kill him. Do you know that? | 1:03:57 | 1:04:01 | |
You're the only one that can help me now. Please. | 1:04:01 | 1:04:04 | |
I... | 1:04:08 | 1:04:09 | |
Sorry, I... I don't... | 1:04:17 | 1:04:20 | |
I thought you said Madame was away. | 1:04:23 | 1:04:25 | |
Your officer won't be coming, you know. | 1:04:29 | 1:04:31 | |
I passed him in the square. | 1:04:32 | 1:04:35 | |
He's leading the search party for my husband. | 1:04:35 | 1:04:37 | |
Shame on you! | 1:04:42 | 1:04:43 | |
DOOR SLAMS | 1:04:55 | 1:04:56 | |
What was I thinking? | 1:05:01 | 1:05:03 | |
My friends and neighbours were being hunted like animals | 1:05:03 | 1:05:05 | |
while I was living out a fantasy. | 1:05:05 | 1:05:07 | |
A disgraceful madness. | 1:05:08 | 1:05:11 | |
BARKING | 1:05:37 | 1:05:38 | |
INDISTINCT SHOUTS | 1:05:38 | 1:05:39 | |
What are you doing here? | 1:06:23 | 1:06:24 | |
The dogs have got your scent. Put these on and come with me. | 1:06:26 | 1:06:29 | |
DRUM BEATING | 1:06:39 | 1:06:40 | |
MEN SHOUT ORDERS | 1:06:44 | 1:06:46 | |
Yesterday an officer of the German Wehrmacht | 1:07:04 | 1:07:08 | |
was killed by one Benoit Labarie, | 1:07:08 | 1:07:12 | |
a resident on the Montmort estate. | 1:07:12 | 1:07:15 | |
Any person guilty of providing him with shelter, aid or protection | 1:07:15 | 1:07:21 | |
or who knows his whereabouts | 1:07:21 | 1:07:23 | |
is required to report this information | 1:07:23 | 1:07:25 | |
to German headquarters within 48 hours of this notice | 1:07:25 | 1:07:29 | |
or they will incur immediate execution by firing squad. | 1:07:29 | 1:07:35 | |
Jawohl. | 1:09:34 | 1:09:35 | |
How romantic. | 1:10:08 | 1:10:09 | |
I'm going to have to talk to his commanding officer. | 1:10:09 | 1:10:11 | |
No, you won't. | 1:10:11 | 1:10:12 | |
SHOUTING | 1:10:15 | 1:10:16 | |
WOMEN SCREAMING | 1:10:16 | 1:10:17 | |
CLATTERING | 1:10:18 | 1:10:20 | |
-Who knows? -No-one. | 1:10:35 | 1:10:37 | |
-Not even his wife? -I couldn't risk it. | 1:10:39 | 1:10:42 | |
You should have asked me first. | 1:10:45 | 1:10:46 | |
My grandfather put this here during the last war. | 1:10:58 | 1:11:01 | |
Get in, quickly. | 1:11:05 | 1:11:07 | |
Don't make a sound. | 1:11:07 | 1:11:09 | |
Why are you doing this? | 1:11:44 | 1:11:46 | |
Seeing him dressed in Gaston's clothes, it made me think... | 1:11:48 | 1:11:52 | |
..it could be my son. | 1:11:53 | 1:11:55 | |
They're here. | 1:11:59 | 1:12:00 | |
Madame. | 1:12:07 | 1:12:09 | |
We are looking for Benoit Labarie. | 1:12:09 | 1:12:11 | |
Lucile. | 1:12:32 | 1:12:33 | |
Lucile, I couldn't get back. | 1:12:34 | 1:12:36 | |
-No! -Celine, stop! | 1:12:41 | 1:12:42 | |
Gustav. | 1:12:44 | 1:12:45 | |
We were searching the woods all night. | 1:12:56 | 1:12:59 | |
I know. | 1:12:59 | 1:13:01 | |
Lucile, tell me. Something's wrong. | 1:13:23 | 1:13:25 | |
I made a mistake. | 1:13:30 | 1:13:31 | |
Where's your daughter? | 1:13:38 | 1:13:39 | |
-Where's your daughter? -She's with her father. | 1:13:42 | 1:13:44 | |
We'll come back for her. | 1:13:48 | 1:13:50 | |
Have your feelings changed? | 1:13:53 | 1:13:55 | |
Yes. | 1:13:57 | 1:13:59 | |
You're lying. | 1:13:59 | 1:14:00 | |
MUFFLED VOICES | 1:14:31 | 1:14:32 | |
A wake is being held for Offizier Bonnet, | 1:14:45 | 1:14:47 | |
but we don't have enough table linen, | 1:14:47 | 1:14:49 | |
so could we borrow some of yours? | 1:14:49 | 1:14:50 | |
It belonged to my mother. | 1:14:52 | 1:14:54 | |
I trust you will return it in its original state. | 1:14:54 | 1:14:57 | |
Of course. | 1:14:58 | 1:14:59 | |
Anna? | 1:15:23 | 1:15:24 | |
Don't fret, you mustn't. There's still time. | 1:16:13 | 1:16:17 | |
Somebody might give him up. | 1:16:18 | 1:16:20 | |
-You know, Benoit didn't... -I know. I know. | 1:16:22 | 1:16:24 | |
You did the right thing. | 1:16:24 | 1:16:27 | |
God can see into our hearts. | 1:16:28 | 1:16:30 | |
I love you. | 1:16:52 | 1:16:54 | |
I love you too. | 1:16:58 | 1:17:00 | |
BELL RINGS IN DISTANCE | 1:17:44 | 1:17:45 | |
CLOCK CHIMES | 1:17:47 | 1:17:48 | |
BELL RINGS | 1:17:52 | 1:17:54 | |
HE BLESSES HIM IN LATIN | 1:18:30 | 1:18:31 | |
-Amen. -Amen. | 1:18:40 | 1:18:41 | |
HE WHISPERS | 1:18:44 | 1:18:45 | |
Feuer! | 1:19:05 | 1:19:06 | |
GUNSHOTS ECHO | 1:19:08 | 1:19:09 | |
GUNSHOT | 1:19:56 | 1:19:57 | |
I had told myself they're just like us after all, | 1:20:10 | 1:20:14 | |
but they're not. | 1:20:14 | 1:20:15 | |
We're a different species, irreconcilable, enemies forever. | 1:20:17 | 1:20:20 | |
CIGARETTE LIGHTER CLICKS | 1:20:23 | 1:20:24 | |
I won't hide here till the war's over. | 1:20:31 | 1:20:34 | |
I'm not afraid of dying. I just want it to be for a reason. | 1:20:36 | 1:20:40 | |
-What can you do? -I know people, in Paris. | 1:20:40 | 1:20:44 | |
Who? | 1:20:44 | 1:20:45 | |
People who are getting organised, fighting back. | 1:20:45 | 1:20:48 | |
You'll never get past the checkpoints. They're everywhere. | 1:20:48 | 1:20:52 | |
What if I take him? | 1:20:52 | 1:20:54 | |
Lucile, you can't do that. | 1:20:54 | 1:20:56 | |
I'm taking you. | 1:20:56 | 1:20:58 | |
What about the travel pass? | 1:21:00 | 1:21:02 | |
I know where you're going, you fucking German whore. | 1:21:13 | 1:21:16 | |
WHISPERS: He's safe. | 1:21:27 | 1:21:28 | |
FLARE EXPLODES | 1:21:42 | 1:21:44 | |
MUFFLED, ECHOING VOICES | 1:21:49 | 1:21:50 | |
DISTORTED MUSIC PLAYS | 1:22:09 | 1:22:10 | |
INDISTINCT SHOUTS | 1:22:13 | 1:22:14 | |
What are you doing here? | 1:22:37 | 1:22:39 | |
MUSIC AND CONVERSATION CONTINUES | 1:22:39 | 1:22:40 | |
I need a travel pass. | 1:22:44 | 1:22:45 | |
I have to drive to Paris. | 1:22:47 | 1:22:48 | |
One of our tenants needs medicine. His daughter's very ill. | 1:22:50 | 1:22:54 | |
You heard about the Viscount? | 1:22:58 | 1:22:59 | |
Yes. | 1:23:02 | 1:23:04 | |
You must hate me now. | 1:23:04 | 1:23:06 | |
I would if I were you. | 1:23:07 | 1:23:08 | |
This tenant... | 1:23:13 | 1:23:14 | |
Has he come to the house? | 1:23:16 | 1:23:18 | |
-No. -That's a shame. | 1:23:20 | 1:23:23 | |
My orderly says he could smell a different man's tobacco. | 1:23:27 | 1:23:30 | |
He thinks you're hiding someone. | 1:23:32 | 1:23:34 | |
And you? | 1:23:38 | 1:23:40 | |
If I had even the slightest suspicion... | 1:23:46 | 1:23:50 | |
..it would be my duty to act on it. | 1:23:51 | 1:23:53 | |
I know that. | 1:23:57 | 1:23:58 | |
I said it was mine, a gift from my wife. | 1:24:03 | 1:24:07 | |
I'll instruct my orderly to issue the pass. | 1:24:18 | 1:24:20 | |
Thank you. | 1:24:25 | 1:24:26 | |
We will see each other again. | 1:24:45 | 1:24:48 | |
Not as a soldier. | 1:24:50 | 1:24:52 | |
You won't even recognise me. | 1:24:56 | 1:24:58 | |
Be careful... With your life. | 1:25:11 | 1:25:16 | |
Is it precious to you? | 1:25:25 | 1:25:27 | |
Yes. | 1:25:28 | 1:25:30 | |
It is precious to me. | 1:25:33 | 1:25:35 | |
Jawohl. | 1:26:09 | 1:26:10 | |
PIANO PLAYS | 1:27:07 | 1:27:09 | |
This is everything you'll need. | 1:28:00 | 1:28:02 | |
And, er... Gaston left us this. | 1:28:02 | 1:28:08 | |
Just in case. | 1:28:08 | 1:28:09 | |
DOOR OPENS | 1:28:17 | 1:28:18 | |
Thank you. | 1:28:27 | 1:28:28 | |
Gaston will come back. | 1:28:42 | 1:28:44 | |
I'm sure of it. | 1:28:45 | 1:28:47 | |
Thank you. | 1:29:34 | 1:29:36 | |
Herr Leutnant. | 1:29:54 | 1:29:56 | |
-Guten Tag. -Hello. | 1:31:10 | 1:31:12 | |
Wohin? | 1:31:12 | 1:31:14 | |
-Where to? -Paris. | 1:31:15 | 1:31:17 | |
Papers. | 1:31:17 | 1:31:19 | |
Out. | 1:31:59 | 1:32:00 | |
HE GIVES AN INSTRUCTION | 1:32:18 | 1:32:20 | |
Open! | 1:32:21 | 1:32:23 | |
Schneller! | 1:32:34 | 1:32:35 | |
GUNSHOT | 1:32:47 | 1:32:48 | |
Get down! | 1:32:51 | 1:32:52 | |
Benoit! | 1:32:58 | 1:33:00 | |
Hold on to me. | 1:33:04 | 1:33:05 | |
MOTORBIKE APPROACHES | 1:33:05 | 1:33:07 | |
Help me. | 1:34:10 | 1:34:11 | |
BENOIT GROANS | 1:34:16 | 1:34:17 | |
Open it. | 1:34:23 | 1:34:24 | |
ENGINE STARTS | 1:35:04 | 1:35:05 | |
Hardly a word of our true feelings had ever been spoken. | 1:35:37 | 1:35:40 | |
Not a single word about love. | 1:35:40 | 1:35:43 | |
After the war I heard that Bruno had died. | 1:35:48 | 1:35:51 | |
But maybe he just disappeared, | 1:35:51 | 1:35:54 | |
like me. | 1:35:54 | 1:35:55 | |
I drove Benoit to a farmhouse | 1:36:01 | 1:36:02 | |
and a week later we made it to Paris. | 1:36:02 | 1:36:04 | |
We fought for what we believed in | 1:36:06 | 1:36:09 | |
and four years later France was free. | 1:36:09 | 1:36:11 | |
Over time I tried to forget the people I lost, | 1:36:14 | 1:36:17 | |
but the music always carries me back...to him. | 1:36:17 | 1:36:21 |