Browse content similar to The Diary of Anne Frank. Check below for episodes and series from the same categories and more!
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CHURCH BELLS RING | 0:01:50 | 0:01:52 | |
HE SOBS | 0:04:42 | 0:04:43 | |
CHURCH BELLS RING | 0:04:57 | 0:04:59 | |
Mr Frank. | 0:05:32 | 0:05:34 | |
Mr Frank? | 0:05:34 | 0:05:36 | |
Kraler? | 0:05:40 | 0:05:42 | |
Mr Kraler. | 0:05:46 | 0:05:48 | |
Miep. | 0:05:48 | 0:05:49 | |
My good friends. | 0:05:53 | 0:05:55 | |
Oh, it... | 0:05:55 | 0:05:57 | |
..it is so good to see you home. | 0:05:57 | 0:06:00 | |
We had heard nothing. | 0:06:00 | 0:06:02 | |
I'm alone. | 0:06:05 | 0:06:07 | |
You must come home with us... | 0:06:07 | 0:06:10 | |
..and rest now. | 0:06:10 | 0:06:12 | |
-You must stay with us. -No, Miep. I can't stay in Amsterdam. | 0:06:12 | 0:06:16 | |
Mr Frank, this is your home. | 0:06:18 | 0:06:21 | |
Amsterdam is your home. | 0:06:21 | 0:06:23 | |
It has too many memories for me. | 0:06:23 | 0:06:26 | |
Everywhere there's something, Miep. Everywhere. | 0:06:26 | 0:06:28 | |
Even seeing you and Mr Kraler. | 0:06:28 | 0:06:30 | |
Forgive me. I shouldn't talk to you like this after all that you did. | 0:06:33 | 0:06:36 | |
We would do it again. | 0:06:36 | 0:06:38 | |
Everything's gone - the book. | 0:06:40 | 0:06:43 | |
They took everything... | 0:06:43 | 0:06:45 | |
..except some papers. | 0:06:45 | 0:06:47 | |
We saved your letters and papers. | 0:06:47 | 0:06:49 | |
Please burn them. | 0:06:55 | 0:06:58 | |
Burn everything. | 0:06:58 | 0:06:59 | |
I... I... | 0:06:59 | 0:07:02 | |
..told Anne if I got back here, I'd find her book. | 0:07:02 | 0:07:06 | |
Anne's diary? It's where she left it. | 0:07:06 | 0:07:10 | |
"The ninth of July, 1942." | 0:07:59 | 0:08:02 | |
1942. Is it possible, Miep? | 0:08:04 | 0:08:07 | |
Only three years ago. | 0:08:07 | 0:08:10 | |
"Dear Diary, since you and I are going to be great friends, | 0:08:10 | 0:08:14 | |
"I will start by telling you all about myself. | 0:08:14 | 0:08:17 | |
"My name is Anne Frank. | 0:08:17 | 0:08:19 | |
"I am 13 years old. | 0:08:19 | 0:08:21 | |
"I was born in Germany, | 0:08:21 | 0:08:23 | |
"but since my family is Jewish, | 0:08:23 | 0:08:25 | |
"we emigrated to Holland when Hitler came to power. | 0:08:25 | 0:08:28 | |
"Things went well for us..." | 0:08:28 | 0:08:31 | |
ANNE'S VOICE: ..until the war came, and the German occupation. | 0:08:31 | 0:08:34 | |
Then things got very bad for the Jews. | 0:08:34 | 0:08:37 | |
You could not do this, and you could not do that. | 0:08:37 | 0:08:40 | |
We had to wear yellow stars. | 0:08:40 | 0:08:43 | |
I had to turn in my bike. | 0:08:43 | 0:08:45 | |
I couldn't go to a Dutch school any more. | 0:08:45 | 0:08:48 | |
I couldn't go to the movies or ride in an automobile, | 0:08:48 | 0:08:52 | |
or even on a streetcar, | 0:08:52 | 0:08:54 | |
and a million other things. | 0:08:54 | 0:08:56 | |
But somehow we children still managed to have fun. | 0:08:56 | 0:08:59 | |
This morning Father woke me at five o'clock | 0:09:01 | 0:09:04 | |
and told me to hurry and get dressed. | 0:09:04 | 0:09:07 | |
We were going into hiding. | 0:09:07 | 0:09:10 | |
I was to put on as many clothes as I could. | 0:09:10 | 0:09:13 | |
It would look too suspicious if we walked along carrying suitcases. | 0:09:13 | 0:09:17 | |
We were going to disappear, | 0:09:18 | 0:09:21 | |
vanish into thin air. | 0:09:21 | 0:09:23 | |
I'm living a great adventure. | 0:09:28 | 0:09:30 | |
Three other people were coming in with us. | 0:09:38 | 0:09:40 | |
Father knew them, but we had never met them. | 0:09:40 | 0:09:43 | |
Something's happened. | 0:09:54 | 0:09:56 | |
They have three miles to walk. | 0:09:56 | 0:09:58 | |
-Mother... -They've been arrested. I know. | 0:09:58 | 0:10:00 | |
-Will you stop that? -Mother! Father! | 0:10:00 | 0:10:03 | |
We're here. | 0:10:03 | 0:10:05 | |
See? | 0:10:05 | 0:10:07 | |
-Mr Van Daan. -Hello, hello. | 0:10:10 | 0:10:11 | |
-Mrs Van Daan. Peter. -Mr Frank. | 0:10:11 | 0:10:14 | |
There were too many of the Green Police on the streets. | 0:10:14 | 0:10:17 | |
We had to take the long way around. | 0:10:17 | 0:10:20 | |
-Did you introduce yourself? My daughter Anne. My wife Edith. -Hello. | 0:10:20 | 0:10:24 | |
-Margot. Mr and Mrs Van Daan. -Hello. | 0:10:24 | 0:10:26 | |
Oh, and this is our son, Peter. | 0:10:26 | 0:10:29 | |
So, now, please, let us take off some of these clothes. | 0:10:29 | 0:10:33 | |
Good morning. | 0:10:33 | 0:10:35 | |
-Hello, Mr Kraler. -Good morning, Mr Kraler. | 0:10:35 | 0:10:38 | |
Mr Frank. Ah, you're all here. That is good. | 0:10:38 | 0:10:40 | |
We had hoped to have everything in order. | 0:10:40 | 0:10:43 | |
Please, Mr Kraler, don't even think of it. | 0:10:43 | 0:10:45 | |
After all, we'll have plenty of leisure to arrange everything ourselves. | 0:10:45 | 0:10:48 | |
-I brought some sandwiches for your lunch. -Thank you, Miep. | 0:10:48 | 0:10:51 | |
The canned goods are here, and your stores of dried beans and potatoes. | 0:10:51 | 0:10:54 | |
-I'll get you ration books this afternoon. -Ration books? | 0:10:54 | 0:10:57 | |
If they see our names on ration books, they'll know we're here. | 0:10:57 | 0:11:00 | |
Don't worry. It won't be your names that'll be on them. | 0:11:00 | 0:11:03 | |
CHURCH BELLS RING | 0:11:05 | 0:11:07 | |
Father! The Westertoren! | 0:11:07 | 0:11:09 | |
Anne, no! | 0:11:09 | 0:11:11 | |
You must never touch a curtain. Never. | 0:11:12 | 0:11:14 | |
No-one must ever touch a curtain, day or night. | 0:11:14 | 0:11:17 | |
If someone on the streets should look up, or someone in those houses should see, | 0:11:17 | 0:11:21 | |
we would be lost. | 0:11:21 | 0:11:23 | |
Please remember, it's not only our lives that are at stake, | 0:11:23 | 0:11:26 | |
but also Miep's and Mr Kraler's. | 0:11:26 | 0:11:27 | |
-You have but 13 minutes to get settled. -Thank you. | 0:11:27 | 0:11:30 | |
Miep or I will be up each day to bring you food and news. Come, Miep. We must go. | 0:11:30 | 0:11:35 | |
Goodbye for now. | 0:11:35 | 0:11:37 | |
How can we thank you? | 0:11:38 | 0:11:40 | |
I never thought I'd live to see the day | 0:11:42 | 0:11:45 | |
when a man like Mr Frank would have to go into hiding. | 0:11:45 | 0:11:47 | |
When you think of the... | 0:11:47 | 0:11:50 | |
-Goodbye. -Thank you, Mr Kraler. | 0:11:50 | 0:11:52 | |
-Goodbye, Miep. -Goodbye. | 0:11:52 | 0:11:53 | |
Goodbye. | 0:11:58 | 0:12:00 | |
-Anne! -It's all right. I have on three more. | 0:12:06 | 0:12:10 | |
Excuse me, Mr Frank. | 0:12:10 | 0:12:12 | |
What did he mean, just 13 minutes? | 0:12:12 | 0:12:14 | |
Before the workmen come. | 0:12:14 | 0:12:16 | |
Now, while the men are in the building below, | 0:12:16 | 0:12:19 | |
we must have complete quiet. | 0:12:19 | 0:12:21 | |
Every sound can be heard down there, | 0:12:21 | 0:12:23 | |
not only in the offices but in the workrooms too. | 0:12:23 | 0:12:26 | |
The men come at about 8.30, they leave at about 5,30, | 0:12:26 | 0:12:29 | |
so to be perfectly safe, from 8.00 in the morning until 6.00 in the evening | 0:12:29 | 0:12:32 | |
we must move about up here only when it is absolutely necessary, | 0:12:32 | 0:12:36 | |
and then in stocking feet. | 0:12:36 | 0:12:38 | |
We must not speak above a whisper. We must not run any water. | 0:12:38 | 0:12:41 | |
We cannot use the sink or even - forgive me - the WC. | 0:12:41 | 0:12:44 | |
The pipes go down through the workrooms. | 0:12:44 | 0:12:46 | |
No trash must ever be... | 0:12:46 | 0:12:48 | |
SIREN OUTSIDE | 0:12:48 | 0:12:49 | |
SIREN FADES | 0:12:59 | 0:13:00 | |
No trash must ever be thrown out which might reveal that someone is living up here. | 0:13:06 | 0:13:10 | |
Not even a potato peeling. | 0:13:10 | 0:13:12 | |
We must burn everything in this stove at night. | 0:13:12 | 0:13:14 | |
This is the way that we must live until it is over, if we are to survive. | 0:13:14 | 0:13:19 | |
Until it is over. | 0:13:19 | 0:13:22 | |
After six o'clock we can move about. | 0:13:22 | 0:13:24 | |
We can talk and laugh, have our supper, read, play games, | 0:13:24 | 0:13:28 | |
just as we would at home. | 0:13:28 | 0:13:30 | |
Now I think it would be wise if we all went to our rooms and were settled before eight o'clock. | 0:13:30 | 0:13:34 | |
Mrs Van Daan, you and your husband will be upstairs. | 0:13:34 | 0:13:36 | |
I regret that there's no place up there for Peter, | 0:13:36 | 0:13:39 | |
but he'll be here, near us. | 0:13:39 | 0:13:41 | |
-And where am I? -You and Margot will be in there, Annele. | 0:13:41 | 0:13:45 | |
-Excuse me, Mr Frank. -Yes? | 0:13:45 | 0:13:47 | |
-Where do you and Mrs Frank sleep? -This room is also our bedroom. | 0:13:47 | 0:13:51 | |
Oh, no. You take the upstairs. | 0:13:51 | 0:13:53 | |
-It's not right. It's your place. -We'll sleep down here. | 0:13:53 | 0:13:56 | |
I've thought this out for weeks. It's the best arrangement. The only arrangement. | 0:13:56 | 0:13:59 | |
Uh, Edith? | 0:13:59 | 0:14:01 | |
Hmm? | 0:14:01 | 0:14:03 | |
You must have some rest, dear. | 0:14:03 | 0:14:04 | |
You didn't close your eyes last night. | 0:14:04 | 0:14:06 | |
-Please go in the girls' room with Margot. -How about Anne? | 0:14:06 | 0:14:09 | |
I feel fine. I'm going to help Father. | 0:14:09 | 0:14:13 | |
This way, Mrs Van Daan. | 0:14:13 | 0:14:15 | |
Excuse me. | 0:14:18 | 0:14:20 | |
Up here. | 0:14:22 | 0:14:24 | |
Mr Frank. | 0:15:04 | 0:15:06 | |
-Mr Frank? -Peter? | 0:15:06 | 0:15:09 | |
-Do I still have time to get some water for my cat? -Have you got a cat? | 0:15:09 | 0:15:13 | |
Go ahead, but be quick. You only have five minutes. | 0:15:13 | 0:15:15 | |
He couldn't live without that cat. | 0:15:15 | 0:15:18 | |
I didn't know you had a cat. | 0:15:23 | 0:15:26 | |
I love cats. | 0:15:26 | 0:15:28 | |
-What's its name? -Mouschi. | 0:15:28 | 0:15:30 | |
What is it? Mouschi. A him or her? | 0:15:30 | 0:15:33 | |
It's a Tom, and it doesn't like strangers. | 0:15:33 | 0:15:36 | |
Well, I'll have to stop being a stranger, won't I? Is he fixed? | 0:15:36 | 0:15:39 | |
No. | 0:15:39 | 0:15:41 | |
Well, you ought to have him fixed to keep him from fighting. | 0:15:41 | 0:15:44 | |
What a nice cat. | 0:15:44 | 0:15:46 | |
Where do you go to school? | 0:15:49 | 0:15:50 | |
Jewish Secondary. | 0:15:50 | 0:15:52 | |
That's where Margot and I go. | 0:15:52 | 0:15:54 | |
Yeah, I know. | 0:15:54 | 0:15:56 | |
I've never seen you around. | 0:15:56 | 0:15:58 | |
I used to see you sometimes. | 0:15:58 | 0:16:00 | |
You did? | 0:16:00 | 0:16:02 | |
But why didn't you ever come over? | 0:16:02 | 0:16:05 | |
Oh, I don't know. I'm sort of a lone wolf. | 0:16:05 | 0:16:08 | |
Can't be a lone wolf here. | 0:16:08 | 0:16:10 | |
Wonder what our friends will say when we don't show up today? | 0:16:12 | 0:16:16 | |
I had a date with Sanne. | 0:16:16 | 0:16:18 | |
Do you know Sanne de Vries? | 0:16:18 | 0:16:20 | |
-No. -Sanne's my best friend. | 0:16:20 | 0:16:23 | |
She's thin like me. | 0:16:23 | 0:16:26 | |
They always yell at us, "Anne and Sanne, the skinny bananas." | 0:16:26 | 0:16:29 | |
You took off your star. | 0:16:31 | 0:16:33 | |
That's right. | 0:16:34 | 0:16:36 | |
You can't do that. They'll arrest you if you go out without your star. | 0:16:36 | 0:16:40 | |
Who's going out? | 0:16:40 | 0:16:42 | |
Help me. | 0:16:44 | 0:16:46 | |
I'm helping. | 0:16:46 | 0:16:48 | |
-What are you going to do with it? -Burn it. | 0:16:49 | 0:16:52 | |
That's funny. I don't think I could burn mine. | 0:16:52 | 0:16:55 | |
I don't know why. | 0:16:55 | 0:16:57 | |
You couldn't? Something they make you wear so they can kick you around? | 0:16:57 | 0:17:01 | |
I know. | 0:17:01 | 0:17:03 | |
But, after all, it is the Star of David, isn't it? | 0:17:03 | 0:17:06 | |
Annele? It's almost eight. | 0:17:08 | 0:17:10 | |
Don't you want to come and sit with us, Peter? It's going to be a long day. | 0:17:13 | 0:17:16 | |
No, thanks. This is fine. | 0:17:16 | 0:17:18 | |
You won't forget to take off your shoes, will you? | 0:17:18 | 0:17:21 | |
Peter. | 0:17:24 | 0:17:26 | |
It's nice to have you with us. | 0:17:26 | 0:17:28 | |
Yes, Mr Frank. | 0:17:30 | 0:17:31 | |
See you later. | 0:17:34 | 0:17:36 | |
Do you know he went to the same school that... | 0:17:37 | 0:17:40 | |
CHURCH BELLS RING | 0:17:40 | 0:17:42 | |
BELL CHIMES | 0:17:49 | 0:17:52 | |
It's comforting to think that Mr Kraler and his secretary | 0:18:15 | 0:18:18 | |
are down there below us in the office. | 0:18:18 | 0:18:21 | |
Our protectors, we call them. | 0:18:21 | 0:18:23 | |
I asked Father what would happen to them if anyone found out | 0:18:25 | 0:18:29 | |
they were hiding us. | 0:18:29 | 0:18:31 | |
Father said they would suffer the same fate that we would. | 0:18:31 | 0:18:35 | |
We are over an old spice factory. | 0:18:37 | 0:18:39 | |
You can smell the spices all through the building. | 0:18:39 | 0:18:43 | |
-ECHOING: -Sieg heil! Sieg heil! | 0:18:53 | 0:18:56 | |
Sieg heil! Sieg heil! | 0:18:56 | 0:18:59 | |
Sieg heil! Sieg heil! | 0:18:59 | 0:19:03 | |
Sieg heil! Sieg heil! | 0:19:03 | 0:19:06 | |
Sieg heil! Sieg heil! | 0:19:06 | 0:19:08 | |
BELL CHIMES | 0:19:33 | 0:19:35 | |
MACHINERY RATTLES | 0:19:42 | 0:19:44 | |
MACHINERY STOPS | 0:19:49 | 0:19:50 | |
FOOTSTEPS OUTSIDE | 0:20:30 | 0:20:32 | |
BOAT HOOTER | 0:20:41 | 0:20:44 | |
MACHINERY RATTLES | 0:20:54 | 0:20:56 | |
I read A Tale Of Two Cities through in that first day. | 0:21:29 | 0:21:33 | |
"It is a far, far better thing I do | 0:21:35 | 0:21:38 | |
"than I have ever done. | 0:21:38 | 0:21:41 | |
"It is a far, far better rest that I go to | 0:21:41 | 0:21:45 | |
"than I have ever known. | 0:21:45 | 0:21:47 | |
"The end." | 0:21:48 | 0:21:50 | |
It was the saddest book I ever read. | 0:21:50 | 0:21:53 | |
FOOTSTEPS | 0:22:11 | 0:22:12 | |
HE KNOCKS | 0:22:28 | 0:22:30 | |
It is us, Miep and Kraler. | 0:22:32 | 0:22:35 | |
Good evening, Mr Kraler. Good evening, Miep. | 0:22:41 | 0:22:44 | |
-Evening, Annele. -Hello. -Hello. | 0:22:46 | 0:22:48 | |
Hello. | 0:22:48 | 0:22:49 | |
-Oh, Mr Frank. -Yes? | 0:22:49 | 0:22:51 | |
-This is the box you asked for. -Thank you. | 0:22:51 | 0:22:53 | |
Good evening, Mr Kraler. | 0:22:53 | 0:22:54 | |
My dear friends, you are so quiet up here. | 0:22:54 | 0:22:56 | |
I thought you'd gone out for a walk. | 0:22:56 | 0:22:58 | |
Can you imagine me? I didn't talk. | 0:22:58 | 0:23:01 | |
I hardly moved for one whole day. I wish they could hear that at school. | 0:23:01 | 0:23:05 | |
-CAT MEOWS -Mouschi! Mouschi! | 0:23:05 | 0:23:07 | |
Peter! | 0:23:07 | 0:23:09 | |
Mouschi! | 0:23:09 | 0:23:11 | |
-Shh! -Shh. -Annele. | 0:23:13 | 0:23:16 | |
-Annele! -Peter, I'm warning you. | 0:23:16 | 0:23:19 | |
Mr Frank. Please, quiet. Margot. Margot! | 0:23:19 | 0:23:22 | |
-What are these? -You don't have to whisper now. | 0:23:23 | 0:23:25 | |
Oh, there you are. | 0:23:34 | 0:23:36 | |
It's such a nice cat. | 0:23:36 | 0:23:38 | |
Thank you. | 0:23:52 | 0:23:54 | |
You're welcome. | 0:23:54 | 0:23:56 | |
Annele. There's a box there. | 0:23:58 | 0:24:00 | |
Will you open it, please? | 0:24:00 | 0:24:02 | |
You know how I'm going to think of it here? | 0:24:04 | 0:24:07 | |
As a boarding-house. A very peculiar boarding-house. | 0:24:07 | 0:24:10 | |
Father, my film stars! | 0:24:10 | 0:24:13 | |
I was wondering where they were. | 0:24:13 | 0:24:16 | |
And Queen Wilhelmina. How wonderful. | 0:24:18 | 0:24:22 | |
There's something more. | 0:24:22 | 0:24:24 | |
Go on. Look further. | 0:24:24 | 0:24:26 | |
A diary. | 0:24:37 | 0:24:39 | |
I've never had a diary, | 0:24:39 | 0:24:42 | |
and I've always wanted one. | 0:24:42 | 0:24:45 | |
Ohh. | 0:24:45 | 0:24:47 | |
A pencil? | 0:24:47 | 0:24:49 | |
I'm going downstairs to get a pencil. | 0:24:49 | 0:24:51 | |
-Anne, no. -But there's nobody down there now. | 0:24:51 | 0:24:54 | |
-It doesn't matter. Don't ever go beyond that door. -Ever? | 0:24:54 | 0:24:57 | |
Never. I'm sorry, Anne. It isn't safe. | 0:24:57 | 0:25:00 | |
-I see. -It'll be hard. I know that. | 0:25:04 | 0:25:06 | |
But always remember this, Anneke, | 0:25:06 | 0:25:08 | |
there are no walls, no locks, no bolts that anyone can put on your mind. | 0:25:08 | 0:25:12 | |
As a matter of fact, just between us, Annele, | 0:25:12 | 0:25:15 | |
being here has certain advantages for you. | 0:25:15 | 0:25:17 | |
For instance, remember that battle you had with your mother on the subject of overshoes? | 0:25:17 | 0:25:21 | |
You said you'd rather die than wear overshoes. | 0:25:21 | 0:25:23 | |
Remember? Well, what happened? | 0:25:23 | 0:25:25 | |
In the end, you had to wear them. | 0:25:25 | 0:25:28 | |
Now, for as long as we are here you won't have to wear overshoes. | 0:25:28 | 0:25:31 | |
Isn't that good? | 0:25:31 | 0:25:33 | |
And the piano? | 0:25:33 | 0:25:35 | |
You won't have to practise on the piano. | 0:25:35 | 0:25:38 | |
I tell you, this is going to be a fine life for you. | 0:25:38 | 0:25:42 | |
It's an odd idea for someone like me to keep a diary. | 0:26:04 | 0:26:09 | |
Not only because I have never done so before, | 0:26:09 | 0:26:12 | |
but because it seems to me that neither I, nor for that matter anyone else, | 0:26:12 | 0:26:17 | |
will be interested in the unbosomings of a 13-year-old schoolgirl. | 0:26:17 | 0:26:22 | |
Still, what does that matter? | 0:26:22 | 0:26:24 | |
I want to write. | 0:26:26 | 0:26:28 | |
But more than that, | 0:26:28 | 0:26:30 | |
I want to bring out all kinds of things | 0:26:30 | 0:26:33 | |
that lie buried deep in my heart. | 0:26:33 | 0:26:36 | |
First of all, I expect I should be describing | 0:26:37 | 0:26:40 | |
what it's like to go into hiding. | 0:26:40 | 0:26:43 | |
But I don't really know yet myself. | 0:26:43 | 0:26:45 | |
I only know it's funny never to be able to go outdoors, | 0:26:47 | 0:26:51 | |
never to breathe fresh air... | 0:26:51 | 0:26:53 | |
..never to run and shout and jump. | 0:26:55 | 0:26:57 | |
Wednesday, the 23rd of September, 1942. | 0:27:03 | 0:27:08 | |
The news of the war is good. | 0:27:08 | 0:27:10 | |
Stalingrad is still holding out. | 0:27:10 | 0:27:13 | |
The Russian offensive continues in the Moscow area. | 0:27:13 | 0:27:16 | |
-It's safe now. The last workman has left. -Whee! | 0:27:28 | 0:27:30 | |
- Anne! - I'm first for the WC. | 0:27:30 | 0:27:33 | |
It's six o'clock, Margot. School is over. | 0:27:34 | 0:27:36 | |
Where are my shoes? | 0:27:36 | 0:27:38 | |
Have you seen my shoes? | 0:27:41 | 0:27:44 | |
-What shoes? -You're going to be sorry. | 0:27:44 | 0:27:47 | |
-I am? -Anne dear. | 0:27:47 | 0:27:49 | |
-Wait till I get you. -I'm waiting. | 0:27:49 | 0:27:51 | |
Stop! Peter. Ouch! | 0:27:55 | 0:27:57 | |
Anne! Peter! | 0:27:57 | 0:27:58 | |
Hey, where are you going? | 0:28:06 | 0:28:08 | |
Going to give Mouschi his dinner. | 0:28:08 | 0:28:10 | |
Peter! | 0:28:10 | 0:28:12 | |
Anne dear, I think you shouldn't play like that with Peter. | 0:28:12 | 0:28:15 | |
It's not dignified. | 0:28:15 | 0:28:17 | |
Who wants to be dignified? I don't want to be dignified. | 0:28:17 | 0:28:20 | |
You complain that I don't treat you like a grown-up, but when I do you resent it. | 0:28:20 | 0:28:24 | |
I only want some fun. | 0:28:24 | 0:28:26 | |
I don't know what's the matter with that boy. | 0:28:27 | 0:28:30 | |
Give him a little time. He isn't used to girls. | 0:28:34 | 0:28:37 | |
Time? Isn't two months time? | 0:28:37 | 0:28:39 | |
I could cry. | 0:28:39 | 0:28:41 | |
I wonder where Miep is. She's usually so prompt. | 0:28:41 | 0:28:44 | |
SIREN WAILS | 0:28:44 | 0:28:45 | |
SIREN FADES | 0:28:55 | 0:28:57 | |
SHE HUMS | 0:28:59 | 0:29:01 | |
Margot, come and dance with me, please. | 0:29:06 | 0:29:08 | |
I've got more work to do, Anne. | 0:29:08 | 0:29:10 | |
You know, we're going to forget how to dance. | 0:29:12 | 0:29:15 | |
When we get out, we won't remember a thing. | 0:29:15 | 0:29:18 | |
SHE HUMS | 0:29:19 | 0:29:22 | |
HE HUMS ALONG | 0:29:23 | 0:29:25 | |
TOILET FLUSHES | 0:29:30 | 0:29:31 | |
Where's Peter? | 0:29:40 | 0:29:42 | |
Where would he be? With his cat. | 0:29:42 | 0:29:44 | |
He hasn't finished his lessons, has he? | 0:29:44 | 0:29:46 | |
Peter. | 0:29:48 | 0:29:49 | |
-Peter! -What is it? | 0:29:49 | 0:29:53 | |
Your mother says to come out! | 0:29:53 | 0:29:55 | |
I'm giving Mouschi his dinner. I'm feeding my cat. | 0:29:55 | 0:29:58 | |
You know what your father says about you wasting all your time with that cat. | 0:29:58 | 0:30:01 | |
-I haven't even looked at him since lunch. -I'm only telling you. | 0:30:01 | 0:30:05 | |
I'll feed him. | 0:30:07 | 0:30:09 | |
You stay out of here. And I mean out. | 0:30:09 | 0:30:12 | |
Is that any way for you to talk to your little girlfriend? | 0:30:12 | 0:30:16 | |
Mother, | 0:30:18 | 0:30:20 | |
I asked you, would you please not say that? | 0:30:20 | 0:30:22 | |
Look, he's blushing. | 0:30:22 | 0:30:24 | |
He's blushing. | 0:30:24 | 0:30:26 | |
Please. I'm not, but... Leave me alone, will you? | 0:30:26 | 0:30:30 | |
What did I say? You act like it's something to be ashamed of. | 0:30:30 | 0:30:32 | |
It's nothing to be ashamed of to have a little girlfriend. | 0:30:32 | 0:30:35 | |
That's crazy. She's only 13. | 0:30:35 | 0:30:37 | |
So what? And you're 16. It's just perfect. | 0:30:37 | 0:30:38 | |
Your father is 10 years older than I am. | 0:30:38 | 0:30:41 | |
Mr Frank, I warn you, this war lasts much longer, we're going to be related. | 0:30:41 | 0:30:45 | |
Mazel tov. | 0:30:45 | 0:30:47 | |
I haven't seen my cat since lunch. | 0:30:47 | 0:30:50 | |
I'm giving Mouschi his dinner. | 0:30:50 | 0:30:52 | |
My little Mouschi. | 0:30:52 | 0:30:54 | |
I couldn't live without my precious Mouschi. | 0:30:54 | 0:30:57 | |
You wonderful cat, you! | 0:30:57 | 0:31:00 | |
All right, Miss Quack-Quack. | 0:31:01 | 0:31:03 | |
-What's that? -Miss Quack-Quack! | 0:31:03 | 0:31:06 | |
Heard all about you. How you talk so much in class, they call you Miss Quack-Quack. | 0:31:06 | 0:31:09 | |
-You're the most intolerable, insufferable boy I ever met! -Quack-quack-quack! | 0:31:09 | 0:31:12 | |
-I'll give it to you good! -Quack! | 0:31:13 | 0:31:15 | |
Ooh! | 0:31:15 | 0:31:17 | |
Anne dear, you're hot. | 0:31:17 | 0:31:20 | |
You're warm. Are you feeling all right? | 0:31:20 | 0:31:22 | |
-Mother, please. -You don't have a fever, do you? | 0:31:22 | 0:31:25 | |
-No. -You know we can't call a doctor here, ever. | 0:31:25 | 0:31:28 | |
There's only one thing to do, watch carefully. | 0:31:28 | 0:31:31 | |
Prevent an illness before it comes. Let me see your tongue. | 0:31:31 | 0:31:34 | |
Mother, this is perfectly absurd. | 0:31:34 | 0:31:37 | |
Anne dear, don't be such a baby. | 0:31:37 | 0:31:39 | |
Let me see your tongue. | 0:31:39 | 0:31:41 | |
TOILET FLUSHES | 0:31:41 | 0:31:43 | |
-Otto. -Anne. | 0:31:43 | 0:31:44 | |
-You hear your mother, don't you? -Come on, open up. | 0:31:44 | 0:31:48 | |
Quack. | 0:31:50 | 0:31:51 | |
Anne. | 0:31:53 | 0:31:55 | |
-Otto. -Anne. | 0:31:55 | 0:31:57 | |
You're all right. | 0:32:08 | 0:32:10 | |
I think there's nothing the matter with our Anne that a ride on her bike | 0:32:18 | 0:32:22 | |
or a visit with her friend Sanne de Vries wouldn't cure. | 0:32:22 | 0:32:26 | |
Isn't that so, Annele? | 0:32:26 | 0:32:28 | |
I keep wishing that Peter was a girl | 0:32:33 | 0:32:36 | |
instead of a boy. | 0:32:36 | 0:32:38 | |
Then I'd have someone to talk to. | 0:32:38 | 0:32:40 | |
With all the boys in the world, | 0:32:50 | 0:32:52 | |
why did I have to get locked up with him? | 0:32:52 | 0:32:55 | |
EXPLOSION | 0:32:56 | 0:32:58 | |
EXPLOSIONS CONTINUE | 0:33:01 | 0:33:03 | |
Is it someone? | 0:33:09 | 0:33:11 | |
Is it Miep? | 0:33:11 | 0:33:13 | |
It's strange we don't hear. | 0:33:18 | 0:33:20 | |
Maybe she got hurt - the flak. | 0:33:20 | 0:33:22 | |
-She'll come. -I wish she'd get here. | 0:33:22 | 0:33:25 | |
I'm going crazy without cigarettes. | 0:33:25 | 0:33:27 | |
Anne, you got an "excellent" in your history paper today | 0:33:31 | 0:33:34 | |
and a "very good" in Latin. | 0:33:34 | 0:33:36 | |
Yes, but how about algebra? | 0:33:36 | 0:33:38 | |
Well, I have a confession to make. | 0:33:38 | 0:33:39 | |
Up until now I managed to stay ahead of you in algebra. | 0:33:39 | 0:33:42 | |
Today you caught up with me. | 0:33:42 | 0:33:44 | |
We'll leave it to Margot to correct. | 0:33:44 | 0:33:47 | |
-Isn't algebra vile, Father? -Vile. | 0:33:47 | 0:33:49 | |
How did I do? | 0:33:49 | 0:33:51 | |
-Excellent, of course. -Anne, Anne, please. | 0:33:51 | 0:33:53 | |
Your French composition today was wonderful, just wonderful. | 0:33:53 | 0:33:57 | |
Mrs Van Daan, may I try it on? | 0:33:57 | 0:33:59 | |
No, Anne. | 0:33:59 | 0:34:01 | |
It's all right. Really. | 0:34:01 | 0:34:03 | |
But please, be careful with it. | 0:34:03 | 0:34:06 | |
My father gave me this coat the year before he died. | 0:34:06 | 0:34:10 | |
He always bought me the best money could buy. | 0:34:10 | 0:34:13 | |
Mrs Van Daan, did you have a lot of boyfriends | 0:34:44 | 0:34:47 | |
before you were married? | 0:34:47 | 0:34:49 | |
Anne, that's a personal question. | 0:34:49 | 0:34:51 | |
It's not courteous to ask personal questions. | 0:34:51 | 0:34:54 | |
I don't mind. | 0:34:54 | 0:34:56 | |
Anneke, our house was always swarming with boys. | 0:34:56 | 0:34:59 | |
-When I was a young girl... -Oh, no. Not again. | 0:34:59 | 0:35:03 | |
Shut up! | 0:35:03 | 0:35:04 | |
One summer we had a big house in Hilversum. | 0:35:07 | 0:35:10 | |
The boys... | 0:35:10 | 0:35:13 | |
The boys would come buzzing around like bees around a jam pot. | 0:35:17 | 0:35:21 | |
When I was 17... | 0:35:21 | 0:35:23 | |
Well, we were wearing our skirts very short in those days, | 0:35:23 | 0:35:25 | |
and I had such good-looking legs. | 0:35:25 | 0:35:28 | |
I still have. I may not be as pretty as I used to be, but I still have my legs. | 0:35:28 | 0:35:32 | |
How about it, Mr Frank? | 0:35:32 | 0:35:34 | |
All right, all right. We see them. | 0:35:34 | 0:35:38 | |
I'm not asking you. I'm asking Mr Frank. | 0:35:38 | 0:35:41 | |
Mother, for heaven's sakes. | 0:35:41 | 0:35:43 | |
Oh, I embarrass you too, do I? | 0:35:43 | 0:35:45 | |
Well, I only hope the girl you marry has as good. | 0:35:45 | 0:35:48 | |
Anneke, my father used to worry about me with all the boys hanging around. | 0:35:48 | 0:35:53 | |
And he used to say to me, "If any of those boys get fresh, | 0:35:53 | 0:35:56 | |
"you just say to him, | 0:35:56 | 0:35:58 | |
"'Remember, Mr So-and-so, remember, I am a lady.'" | 0:35:58 | 0:36:02 | |
Look at you, talking that way in front of her. | 0:36:02 | 0:36:04 | |
-Don't you know she puts it all down in that damned diary? -So what if she does? | 0:36:04 | 0:36:07 | |
I'm only telling the truth. | 0:36:07 | 0:36:09 | |
Haven't you finished yet? | 0:36:11 | 0:36:13 | |
No. | 0:36:13 | 0:36:15 | |
Oh. The thinker. | 0:36:15 | 0:36:17 | |
Leave him alone. | 0:36:17 | 0:36:19 | |
All right, all right. I'm a dunce, a hopeless case. | 0:36:19 | 0:36:22 | |
You're not hopeless. | 0:36:22 | 0:36:24 | |
It's just that you haven't got anyone to help you like Father helps Anne and me. | 0:36:24 | 0:36:27 | |
Well, if I... Well, if we could help... | 0:36:27 | 0:36:31 | |
What about it, Peter? Would you like to study with us? | 0:36:31 | 0:36:34 | |
Shall we make our school coeducational? | 0:36:34 | 0:36:36 | |
Thanks. Yes. | 0:36:36 | 0:36:39 | |
Mr Frank, you are an angel, an absolute angel. | 0:36:39 | 0:36:42 | |
Why didn't I meet you before I met that one there? | 0:36:42 | 0:36:46 | |
I...think it might be better... | 0:36:47 | 0:36:49 | |
if you went into your room, Peter, to work. | 0:36:49 | 0:36:52 | |
Excuse me. | 0:36:52 | 0:36:54 | |
You listen to Mr Frank. Mr Frank is a highly educated man. | 0:36:54 | 0:36:58 | |
It's after eight o'clock. Where are they? | 0:37:01 | 0:37:03 | |
-At least one of them should have come. -They'll come. Don't worry. | 0:37:03 | 0:37:07 | |
Don't tell me. I know something's wrong. | 0:37:07 | 0:37:10 | |
Isn't it bad enough around here without you sprawling all over the place? | 0:37:10 | 0:37:13 | |
If you didn't smoke all the time, you wouldn't be so bad-tempered. | 0:37:13 | 0:37:16 | |
-Do you see me smoking? -Oh, you already smoked up all the cigarettes? | 0:37:16 | 0:37:19 | |
One package. Miep only brought me one package. | 0:37:19 | 0:37:22 | |
It's a filthy habit, and this is a good time to break yourself of it. | 0:37:22 | 0:37:25 | |
-Oh, stop it. -You're smoking up all our money! | 0:37:25 | 0:37:28 | |
Will you shut up! | 0:37:28 | 0:37:30 | |
And what are you staring at? | 0:37:33 | 0:37:35 | |
I never heard grown-ups quarrel like that before. | 0:37:37 | 0:37:39 | |
I thought only children quarrelled. | 0:37:39 | 0:37:41 | |
This isn't a quarrel. It's a discussion. | 0:37:41 | 0:37:44 | |
-And I never heard children so rude before. -I, rude? | 0:37:44 | 0:37:47 | |
- Yes! - Anne, drink your milk. | 0:37:47 | 0:37:49 | |
The trouble with you is, you've been spoiled. You need a spanking. | 0:37:49 | 0:37:53 | |
Remember, Mr So-and-so, that I am a lady. | 0:37:53 | 0:37:56 | |
Mmm, you're the most aggravating... | 0:37:56 | 0:37:59 | |
Why aren't you nice and quiet like your sister Margot? | 0:37:59 | 0:38:02 | |
Why do you have to show off all the time? | 0:38:02 | 0:38:04 | |
Let me give you a little advice, young lady - men don't like that in a girl. | 0:38:04 | 0:38:08 | |
Do you know that? A man likes a girl who will listen to him once in a while. | 0:38:08 | 0:38:11 | |
-A domestic girl who loves to cook and clean... -I'd cut my throat first! | 0:38:11 | 0:38:15 | |
I'd open my veins. | 0:38:15 | 0:38:17 | |
I'm going to be remarkable. | 0:38:17 | 0:38:19 | |
-I'm going to Paris to study music and art. -Paris? Yeah, yeah. | 0:38:19 | 0:38:23 | |
I'm going to be an actress, or a writer, or a dancer. | 0:38:23 | 0:38:27 | |
-Look what you did. -I'm so sorry. | 0:38:29 | 0:38:31 | |
You clumsy little fool! | 0:38:31 | 0:38:34 | |
-This is the coat my father gave me! -I'm so sorry. | 0:38:34 | 0:38:37 | |
You ruined it. What do you care? Ruined it! | 0:38:37 | 0:38:39 | |
I could kill you! I could just kill you! | 0:38:39 | 0:38:42 | |
Petronella. Liebchen, Liebchen. | 0:38:42 | 0:38:46 | |
Petronella. | 0:38:46 | 0:38:48 | |
It's only a coat. | 0:38:48 | 0:38:50 | |
Anne, you must not behave in that way. | 0:38:50 | 0:38:52 | |
It was an accident. Anyone can have an accident. | 0:38:52 | 0:38:56 | |
I don't mean that. I mean the answering back. | 0:38:56 | 0:38:58 | |
You must not answer back. | 0:38:58 | 0:39:00 | |
They're our guests. | 0:39:00 | 0:39:02 | |
You don't hear Margot getting into any arguments with them, do you? | 0:39:02 | 0:39:05 | |
Try to be like Margot. | 0:39:05 | 0:39:08 | |
And have them walk all over me the way they do her? No, thanks. | 0:39:08 | 0:39:12 | |
I don't know what happens to you, Anne. | 0:39:12 | 0:39:15 | |
If I had ever talked to my mother as you talk to me... | 0:39:15 | 0:39:18 | |
Things have changed, Mother. | 0:39:18 | 0:39:20 | |
People aren't like that any more. | 0:39:20 | 0:39:22 | |
"Yes, Mother." "No, Mother." "Anything you say, Mother." | 0:39:22 | 0:39:26 | |
I've got to fight things out for myself. | 0:39:26 | 0:39:28 | |
-But... -Make something of myself. | 0:39:28 | 0:39:30 | |
It isn't necessary to fight to do it. Margot doesn't fight. | 0:39:30 | 0:39:33 | |
Margot! That's all I hear. | 0:39:33 | 0:39:35 | |
"Why aren't you like Margot?" | 0:39:35 | 0:39:37 | |
Everything she does is right, and everything I do is wrong! | 0:39:37 | 0:39:40 | |
You're all against me, and you worst of all! | 0:39:40 | 0:39:43 | |
I don't know how we can go on living this way. | 0:39:47 | 0:39:50 | |
I can't say a word to Anne, she flies at me. | 0:39:50 | 0:39:53 | |
You know Anne. In a half hour she'll be out here laughing and joking. | 0:39:53 | 0:39:57 | |
And, uh... | 0:39:57 | 0:40:00 | |
I told your father it wouldn't work - two families. | 0:40:00 | 0:40:02 | |
But no, no, he had to ask them. | 0:40:02 | 0:40:05 | |
Shh. | 0:40:07 | 0:40:09 | |
FOOTSTEPS | 0:40:14 | 0:40:15 | |
KNOCKING | 0:40:22 | 0:40:24 | |
Every time I hear that sound, my heart stops. | 0:40:26 | 0:40:29 | |
It's Miep. Father! | 0:40:29 | 0:40:31 | |
-Yes? -It's Miep. | 0:40:32 | 0:40:34 | |
Here's your list. | 0:40:38 | 0:40:40 | |
-Is it Miep? -Yes. | 0:40:40 | 0:40:42 | |
At last I'll have some cigarettes. | 0:40:42 | 0:40:44 | |
Miep's here. | 0:40:44 | 0:40:46 | |
I can't tell you how sorry I am about the coat. | 0:40:46 | 0:40:49 | |
Don't worry. | 0:40:49 | 0:40:51 | |
-Hello, hello. -Miep. | 0:40:51 | 0:40:53 | |
Mr Kraler! | 0:40:53 | 0:40:55 | |
When Mr Kraler comes, the sun begins to shine. | 0:40:55 | 0:40:58 | |
-Dirk has had to leave. -Dirk is Miep's fiance. | 0:40:58 | 0:41:01 | |
He had to go into hiding in the country to escape a labour call-up. | 0:41:01 | 0:41:04 | |
But he has let me have the radio for you. | 0:41:04 | 0:41:07 | |
He shouldn't have. | 0:41:07 | 0:41:09 | |
Look! | 0:41:11 | 0:41:13 | |
MUSIC IN EARPHONE | 0:41:27 | 0:41:30 | |
MUSIC PLAYS | 0:41:33 | 0:41:35 | |
Our blessed radio. | 0:42:10 | 0:42:12 | |
It gives us our eyes and ears out into the world. | 0:42:12 | 0:42:16 | |
We listen to the German station only for good music. | 0:42:16 | 0:42:19 | |
The Axis forces in the Western desert... | 0:42:19 | 0:42:22 | |
And we listen to the BBC for hope. | 0:42:22 | 0:42:24 | |
..ceaseless attacks by our land and air forces, | 0:42:24 | 0:42:27 | |
are now in full retreat. | 0:42:27 | 0:42:29 | |
The Eighth Army continues to advance. | 0:42:29 | 0:42:32 | |
That's good. | 0:42:32 | 0:42:35 | |
All right, Peter, now let's see what they have to say about the Nazis. | 0:42:35 | 0:42:39 | |
RADIO TUNES | 0:42:41 | 0:42:43 | |
Berlin. | 0:42:43 | 0:42:45 | |
MAN SPEAKS IN GERMAN | 0:42:45 | 0:42:48 | |
-Sieg heil! -Sieg heil! | 0:42:55 | 0:42:57 | |
-Sieg heil! -Sieg heil! -Sieg heil! | 0:42:57 | 0:43:02 | |
-Sieg heil! -Sieg heil! | 0:43:02 | 0:43:05 | |
RHYTHMIC FOOTSTEPS | 0:43:05 | 0:43:07 | |
-Sieg heil! -Sieg heil! | 0:43:11 | 0:43:14 | |
-Sieg heil! -Sieg heil! | 0:43:14 | 0:43:18 | |
Must we listen? | 0:43:18 | 0:43:20 | |
All right, Peter. That's enough. | 0:43:22 | 0:43:25 | |
RADIO OFF | 0:43:58 | 0:44:00 | |
The Green Police. They've found us. | 0:44:04 | 0:44:07 | |
Hmm. | 0:44:54 | 0:44:56 | |
FAINT RATTLING | 0:44:58 | 0:45:00 | |
Hmm. | 0:45:09 | 0:45:11 | |
Ah. | 0:45:14 | 0:45:16 | |
FLOORBOARD CREAKS | 0:45:34 | 0:45:36 | |
Huh. | 0:45:49 | 0:45:51 | |
HE HUMS SOFTLY | 0:46:00 | 0:46:03 | |
Huh. | 0:46:09 | 0:46:11 | |
Hmm. | 0:46:14 | 0:46:16 | |
SIREN APPROACHES | 0:46:36 | 0:46:38 | |
STIFLED COUGH | 0:46:38 | 0:46:41 | |
SIREN FADES | 0:46:49 | 0:46:50 | |
CLOCK CHIMES | 0:47:27 | 0:47:29 | |
CHIMES CONTINUE | 0:47:40 | 0:47:42 | |
DISTANT EXPLOSION | 0:47:53 | 0:47:55 | |
EXPLOSIONS CONTINUE | 0:47:58 | 0:48:00 | |
LOCK RATTLES | 0:48:14 | 0:48:16 | |
This way, Mr Dussel. | 0:48:31 | 0:48:33 | |
AIR RAID SIREN | 0:48:37 | 0:48:39 | |
SIREN CONTINUES | 0:48:47 | 0:48:50 | |
SIREN FADES | 0:49:00 | 0:49:02 | |
FOOTSTEPS ON STAIRS | 0:49:17 | 0:49:18 | |
HE KNOCKS | 0:49:23 | 0:49:25 | |
-It is Kraler. Please open. -And Miep. | 0:49:26 | 0:49:30 | |
Oh, bless them. They're here. | 0:49:30 | 0:49:32 | |
-Kraler? -And Miep, yes. Open, please. | 0:49:32 | 0:49:36 | |
-Well, we had a visitor last night. -A visitor last night? | 0:49:40 | 0:49:45 | |
-Yes, yes. -A thief. | 0:49:45 | 0:49:46 | |
- It was a thief? - Did you hear him? | 0:49:46 | 0:49:48 | |
-Yes, we heard him. -He was right under you. | 0:49:48 | 0:49:50 | |
-In the office right under here. -We did not know. | 0:49:50 | 0:49:53 | |
We thought it was the Green Police. | 0:49:53 | 0:49:55 | |
- Are you sure, Miep? - You were, of course, quiet? | 0:49:55 | 0:49:58 | |
We didn't move. We hardly breathed all night. | 0:50:00 | 0:50:04 | |
-That is good. It was close. -Too close. | 0:50:04 | 0:50:08 | |
He went through everything. The desk and the files. | 0:50:08 | 0:50:10 | |
The desk and the files. And he found the safe, but he could not get it open. | 0:50:10 | 0:50:13 | |
He was looking for our ration card supply from the Underground. | 0:50:13 | 0:50:16 | |
-Somebody knows. -They're in that safe. | 0:50:16 | 0:50:18 | |
They'll come back. Get rid of that safe. Get it out of here. | 0:50:18 | 0:50:23 | |
Yes. Put a sign on the door, | 0:50:23 | 0:50:25 | |
"Burglars, do not come back. The safe is gone." | 0:50:25 | 0:50:28 | |
Jokes, yet. | 0:50:28 | 0:50:29 | |
-Mr Frank, I must talk to you. -Yes, of course. | 0:50:29 | 0:50:31 | |
Maybe it's the radio. We should get rid of the radio. | 0:50:31 | 0:50:33 | |
Put it in the stove, burn it. If the Green Police found that radio... | 0:50:33 | 0:50:37 | |
And they'd find her diary. We'll burn that too. | 0:50:37 | 0:50:39 | |
Not my diary. | 0:50:39 | 0:50:41 | |
-My diary goes, I go with it. -Where is it? | 0:50:41 | 0:50:43 | |
If they find us, they might just as well find the diary, the radio. | 0:50:43 | 0:50:47 | |
What'll be the difference? | 0:50:47 | 0:50:48 | |
-Usually, when I come up here, I try to bring good news. -Yes, I know. | 0:50:48 | 0:50:52 | |
Something has happened. A man came to me. | 0:50:52 | 0:50:54 | |
He told me that he has a Jewish friend - a dentist. | 0:50:54 | 0:50:57 | |
He begged me, could I find him a hiding place? So I have come to you. | 0:50:57 | 0:51:01 | |
I know it is a terrible thing to ask, living the way you are, | 0:51:01 | 0:51:04 | |
but could you take him in? | 0:51:04 | 0:51:07 | |
-Well, of course we will. -His name is Jan Dussel. | 0:51:07 | 0:51:10 | |
-Dussel. Wait a minute. I think I know him. -It's fine to have him. | 0:51:10 | 0:51:14 | |
But, Otto, where are we going to put him? Where? | 0:51:14 | 0:51:17 | |
There's so little food as it is, and to take in another person... | 0:51:17 | 0:51:19 | |
We can stretch the food a little, Mr Van Daan. | 0:51:19 | 0:51:21 | |
-He can have my bed. -No, thank you, Peter. | 0:51:21 | 0:51:24 | |
Margot will move in here with us, and he can have her bed. | 0:51:24 | 0:51:26 | |
I'll get my things out. | 0:51:26 | 0:51:28 | |
BELL CHIMES | 0:51:55 | 0:51:57 | |
Mr Dussel. | 0:52:07 | 0:52:09 | |
Don't bump your head. | 0:52:18 | 0:52:20 | |
Come in, Mr Dussel. | 0:52:23 | 0:52:27 | |
-This is Mr Frank. -Mr Otto Frank? | 0:52:27 | 0:52:31 | |
Yes. Let me have your things, please. | 0:52:31 | 0:52:33 | |
Thank you, Mr Frank. I leave you in good hands. | 0:52:33 | 0:52:37 | |
-Mr Dussel? -Hmm? | 0:52:37 | 0:52:39 | |
I must return your coat. | 0:52:39 | 0:52:40 | |
What can I say to thank you? | 0:52:43 | 0:52:45 | |
Mr Kraler and Miep, they're our lifeline. Without them, we couldn't live. | 0:52:45 | 0:52:49 | |
Please, you make us seem very heroic. It isn't that at all. | 0:52:49 | 0:52:52 | |
-We simply don't like the Nazis. We don't like their methods... -I know. I know. | 0:52:52 | 0:52:57 | |
"Nobody's going to tell us Dutchmen what to do with our damn Jews." | 0:52:57 | 0:52:59 | |
We will be up tomorrow to see that they are treating you right. | 0:52:59 | 0:53:03 | |
-Goodbye. -Goodbye, Mr Kraler. | 0:53:03 | 0:53:06 | |
Goodbye, Miep. | 0:53:06 | 0:53:07 | |
-Welcome, Mr Dussel. -Thank you. | 0:53:07 | 0:53:10 | |
This is my wife, Edith. Mr and Mrs Van Daan. | 0:53:10 | 0:53:14 | |
Their son, Peter, my daughters Margot and Anne. | 0:53:14 | 0:53:18 | |
- Anne. - How do you do. | 0:53:18 | 0:53:20 | |
-Margot. -Please, Mr Dussel, sit down. | 0:53:20 | 0:53:24 | |
Thank you. | 0:53:26 | 0:53:27 | |
I'm dreaming, I know it. | 0:53:29 | 0:53:31 | |
Mr Otto Frank, here. | 0:53:31 | 0:53:34 | |
You're not in Switzerland, then? | 0:53:34 | 0:53:36 | |
Someone said that you escaped to Switzerland. | 0:53:36 | 0:53:39 | |
And you've been here all this time? | 0:53:41 | 0:53:43 | |
Ever since July. | 0:53:43 | 0:53:44 | |
Did Mr Kraler warn you you won't get much to eat here? | 0:53:47 | 0:53:50 | |
You can imagine...three ration cards among the seven of us. | 0:53:50 | 0:53:55 | |
Now you make eight. | 0:53:55 | 0:53:56 | |
Mr Van Daan, you don't realise what's happening outside | 0:53:58 | 0:54:02 | |
that you should warn me of a thing like that. | 0:54:02 | 0:54:05 | |
You don't realise what's going on right here in Amsterdam. | 0:54:06 | 0:54:11 | |
Every day, hundreds of Jews disappear. | 0:54:11 | 0:54:13 | |
They surround a block, and they search house by house. | 0:54:15 | 0:54:19 | |
Every day children come home from school to find their parents gone. | 0:54:21 | 0:54:25 | |
Hundreds are being deported. | 0:54:27 | 0:54:28 | |
People that you and I know - the Hallensteins, the Wessels. | 0:54:31 | 0:54:35 | |
Oh, no. | 0:54:35 | 0:54:37 | |
You get your call-up notice - | 0:54:37 | 0:54:40 | |
come to the station on such and such a day and hour. | 0:54:40 | 0:54:44 | |
Bring only what you can carry. | 0:54:44 | 0:54:46 | |
If you don't go, they come and drag you from your home | 0:54:46 | 0:54:50 | |
and ship you off to Mauthausen - the death camp. | 0:54:50 | 0:54:53 | |
We didn't know that things had got so much worse. | 0:54:53 | 0:54:55 | |
Forgive me for speaking so. | 0:54:55 | 0:54:58 | |
Do you know the de Vries? | 0:54:58 | 0:55:02 | |
They're gone. | 0:55:02 | 0:55:04 | |
Sanne and I are in the same class. | 0:55:09 | 0:55:11 | |
Sanne is my best... my best friend. | 0:55:12 | 0:55:16 | |
She returned home from school to find her parents gone. | 0:55:16 | 0:55:19 | |
She was alone for two days, and then they came and took her away. | 0:55:22 | 0:55:26 | |
Gone? | 0:55:29 | 0:55:31 | |
With all the others. | 0:55:37 | 0:55:39 | |
Oh, no. | 0:55:41 | 0:55:43 | |
Some people named Meyerberg, they lived near us... | 0:55:49 | 0:55:52 | |
I think we should put this off until later, Mrs Van Daan. | 0:55:52 | 0:55:55 | |
I'm sure Mr Dussel would like to get settled now. | 0:55:55 | 0:55:57 | |
Annele, would you like to take Mr Dussel to his room? | 0:55:57 | 0:56:00 | |
If you'll come with me, Mr Dussel. | 0:56:00 | 0:56:03 | |
Uh, forgive me if I haven't expressed my gratitude. | 0:56:05 | 0:56:09 | |
This has been such a shock to me. | 0:56:11 | 0:56:13 | |
I always thought of myself as Dutch. | 0:56:15 | 0:56:18 | |
I was born in Holland. | 0:56:18 | 0:56:20 | |
My father was born in Holland, and my grandfather. | 0:56:20 | 0:56:24 | |
And now after all these years... | 0:56:24 | 0:56:28 | |
If you will excuse me. | 0:56:30 | 0:56:32 | |
It's so different from what Mr Kraler tells us. | 0:57:10 | 0:57:13 | |
Mr Kraler says that things are improving. | 0:57:13 | 0:57:16 | |
I like it better the way Kraler tells it. | 0:57:16 | 0:57:19 | |
MARCHING BAND PLAYS | 0:57:30 | 0:57:31 | |
Goodnight, Bubele. | 0:58:10 | 0:58:12 | |
- Say goodnight. - Goodnight, Mother. | 0:58:14 | 0:58:17 | |
-Goodnight, Mr Frank. -Goodnight. | 0:58:22 | 0:58:24 | |
Goodnight. | 0:58:24 | 0:58:26 | |
Do you have any children, Mr Dussel? | 0:58:28 | 0:58:31 | |
No, I never married. | 0:58:31 | 0:58:33 | |
-Have you no family at all? -No-one. | 0:58:38 | 0:58:41 | |
How dreadful. You must be terribly lonely. | 0:58:45 | 0:58:49 | |
Mm. I'm used to it. | 0:58:50 | 0:58:54 | |
I don't think I could ever get used to it. | 0:58:54 | 0:58:56 | |
Didn't you even have a pet? A cat or a dog? | 0:58:59 | 0:59:02 | |
No. No, no. I have an allergy to fur-bearing animals. | 0:59:02 | 0:59:07 | |
-Gives me asthma. -Oh, dear. | 0:59:07 | 0:59:11 | |
-What? -Peter has a cat. | 0:59:11 | 0:59:14 | |
-He has? He has it here? -Yes. | 0:59:14 | 0:59:18 | |
HE COUGHS | 0:59:18 | 0:59:19 | |
We hardly ever see it. | 0:59:38 | 0:59:40 | |
He keeps it in his room all the time. | 0:59:40 | 0:59:42 | |
I'm sure it will be all right. | 0:59:42 | 0:59:45 | |
Mm-hmm. Well, I hope so. | 0:59:45 | 0:59:47 | |
I hope I'm not going to be too much of a bother to you, Mr Dussel. | 0:59:52 | 0:59:55 | |
No. | 0:59:55 | 0:59:56 | |
I seem to be able to get everyone's back up. | 0:59:56 | 1:00:00 | |
Oh, I always get along very well with young people. | 1:00:00 | 1:00:04 | |
My patients all bring their children to me | 1:00:04 | 1:00:06 | |
because they know I get along well with them. | 1:00:06 | 1:00:09 | |
So don't you worry about that. | 1:00:09 | 1:00:11 | |
Thank you, Mr Dussel. | 1:00:13 | 1:00:16 | |
Goodnight. I'll be back. | 1:00:16 | 1:00:19 | |
Goodnight, Mr Dussel. | 1:00:19 | 1:00:21 | |
Careful. | 1:00:29 | 1:00:31 | |
CLATTERING | 1:00:34 | 1:00:35 | |
CLATTERING | 1:00:48 | 1:00:49 | |
BELL CHIMES | 1:00:53 | 1:00:54 | |
KNOCKING | 1:01:08 | 1:01:09 | |
-ECHOING: -Sieg heil! Sieg heil! | 1:01:50 | 1:01:53 | |
Sanne. | 1:02:17 | 1:02:18 | |
Sanne? | 1:02:19 | 1:02:22 | |
Sanne. | 1:02:22 | 1:02:23 | |
WOMAN SHRIEKS WITH LAUGHTER | 1:02:27 | 1:02:29 | |
WOMAN LAUGHS | 1:02:30 | 1:02:32 | |
RUNNING FOOTSTEPS | 1:02:32 | 1:02:33 | |
Halt! Stehen bleiben! | 1:02:35 | 1:02:37 | |
GUNFIRE | 1:02:37 | 1:02:38 | |
SHOUTING IN GERMAN | 1:02:38 | 1:02:39 | |
GUNFIRE | 1:02:39 | 1:02:40 | |
SHE SCREAMS | 1:02:49 | 1:02:51 | |
Save me! Save me! No, no! | 1:02:51 | 1:02:54 | |
-Oh! No, don't take me! -Stop it. Stop it. | 1:02:54 | 1:02:57 | |
SQUEALS OF LAUGHTER | 1:02:59 | 1:03:00 | |
-Save me. -Hush, darling. | 1:03:06 | 1:03:09 | |
Hush. It's all right. It's all right. | 1:03:09 | 1:03:12 | |
Please, Mr Dussel, turn on the light. It was just a dream. | 1:03:12 | 1:03:15 | |
You're here, safe. You see? | 1:03:15 | 1:03:18 | |
Something must be done with that child, yelling like that. | 1:03:18 | 1:03:22 | |
Who knows who might be in the street. She's endangering all our lives. | 1:03:22 | 1:03:26 | |
Mr Dussel, after all, Anne is not exactly a trained, front line soldier. | 1:03:26 | 1:03:30 | |
Please, Mr Dussel, go back to bed. | 1:03:30 | 1:03:33 | |
She'll be herself in a minute or two. Won't you, Anne? | 1:03:33 | 1:03:36 | |
Go back to bed. | 1:03:38 | 1:03:40 | |
Excuse me. I'm going to the WC, the one room where there's peace. | 1:03:43 | 1:03:48 | |
Go back to bed now. | 1:03:48 | 1:03:51 | |
Would you like some water? | 1:03:51 | 1:03:53 | |
Was it a very bad dream? | 1:03:55 | 1:03:57 | |
Perhaps if you told me. | 1:03:59 | 1:04:01 | |
-I'd rather not talk about it. -Try to sleep, then. | 1:04:01 | 1:04:05 | |
-I'll sit right here beside you. -You don't have to. | 1:04:07 | 1:04:10 | |
But I'd like to stay with you very much. Really. | 1:04:12 | 1:04:16 | |
I'd rather you didn't. | 1:04:16 | 1:04:18 | |
Goodnight... | 1:04:24 | 1:04:25 | |
You'll be all right? There's nothing that you want? | 1:04:32 | 1:04:36 | |
Will you please ask Father to come? | 1:04:36 | 1:04:39 | |
Yes, of course, Anne dear. | 1:04:46 | 1:04:47 | |
She asks for you. | 1:04:56 | 1:04:58 | |
-Edith. -Go to her, Otto. | 1:05:00 | 1:05:03 | |
She's still trembling with fear. | 1:05:03 | 1:05:04 | |
SHE CRIES | 1:05:24 | 1:05:25 | |
She wants nothing of me. | 1:05:25 | 1:05:28 | |
She pulled away when I leaned down to kiss her. | 1:05:28 | 1:05:30 | |
The Green Police broke down a door and grabbed me | 1:05:30 | 1:05:32 | |
and tried to drag me out the way they did Sanne. | 1:05:32 | 1:05:35 | |
-MARGOT: -It's just a phase. | 1:05:35 | 1:05:38 | |
All girls turn to their fathers at this age. | 1:05:38 | 1:05:40 | |
They give all their love to their fathers. | 1:05:40 | 1:05:43 | |
You weren't like this. You didn't shut me out. | 1:05:43 | 1:05:46 | |
So... | 1:05:49 | 1:05:51 | |
Now, do you want me to read to you for a while? | 1:05:52 | 1:05:55 | |
No. Just sit with me for a minute. | 1:05:55 | 1:05:57 | |
Was I awful? Do you think anyone outside could've heard me? | 1:05:57 | 1:06:01 | |
No. Now, lie down quietly. So, like this. | 1:06:01 | 1:06:06 | |
Now try to sleep. | 1:06:06 | 1:06:07 | |
I'm a terrible coward. I'm so disappointed in myself. | 1:06:08 | 1:06:14 | |
I think I'm really grown-up, | 1:06:16 | 1:06:19 | |
and then something happens and I run to you like a baby. | 1:06:19 | 1:06:22 | |
I love you, Father. I don't love anyone but you. | 1:06:22 | 1:06:25 | |
Annele. Annele. | 1:06:25 | 1:06:27 | |
It's true. You're the only one I love. | 1:06:27 | 1:06:29 | |
I've been thinking about it for a long time. | 1:06:31 | 1:06:33 | |
It's fine. It's fine to have you tell me that you love me, | 1:06:35 | 1:06:40 | |
but I'd be much happier if you said that you loved your mother as well. | 1:06:40 | 1:06:44 | |
She needs your help so much. | 1:06:44 | 1:06:45 | |
-Your love. -We have nothing in common. | 1:06:47 | 1:06:50 | |
She doesn't understand me. | 1:06:50 | 1:06:53 | |
Whenever I try to explain my views on life, she asks me if I'm constipated. | 1:06:53 | 1:06:57 | |
You hurt her very much just now. She's crying. She's in there crying. | 1:06:58 | 1:07:03 | |
Oh, Father, I was horrible, wasn't I? | 1:07:11 | 1:07:15 | |
What's the matter with me? Tell me. | 1:07:16 | 1:07:19 | |
Don't say it's just a phase. Help me. | 1:07:19 | 1:07:22 | |
There's so little we parents can do to help our children, Anne. | 1:07:24 | 1:07:29 | |
We can only try to set a good example. Point the way. | 1:07:29 | 1:07:32 | |
The rest you must do yourself. | 1:07:33 | 1:07:36 | |
I'm trying. Really, I am. | 1:07:36 | 1:07:39 | |
Every night I think back over all the things I did that day that were wrong. | 1:07:40 | 1:07:45 | |
Like putting the wet mop in Mrs Van Daan's bed. | 1:07:45 | 1:07:48 | |
And now this with Mother. | 1:07:52 | 1:07:55 | |
I say to myself, "That was wrong." | 1:07:55 | 1:07:58 | |
And I make up my mind I'm never going to do that again. Never. | 1:07:58 | 1:08:01 | |
I may do something worse, but I'll never do that again. | 1:08:03 | 1:08:06 | |
I have a nicer side, Father. | 1:08:06 | 1:08:09 | |
But I'm scared to show it. | 1:08:10 | 1:08:11 | |
I'm afraid people will laugh at me. | 1:08:13 | 1:08:16 | |
So the mean Anne comes to the outside... | 1:08:17 | 1:08:21 | |
..and the good Anne stays in the inside. | 1:08:21 | 1:08:23 | |
And I keep on trying to switch them around... | 1:08:26 | 1:08:29 | |
..and have the good Anne outside and the bad Anne inside. | 1:08:29 | 1:08:34 | |
It would be what I'd like to be... | 1:08:36 | 1:08:38 | |
..and might be...if only... | 1:08:40 | 1:08:44 | |
She's asleep. | 1:09:06 | 1:09:08 | |
Thursday, the 29th of October, 1942. | 1:10:12 | 1:10:17 | |
Mr Dussel and I had a great battle yesterday. | 1:10:17 | 1:10:20 | |
Yes, Mr Dussel. | 1:10:20 | 1:10:22 | |
According to him, nothing, I repeat, nothing is right about me. | 1:10:24 | 1:10:27 | |
While he was going on at me, I thought, | 1:10:30 | 1:10:33 | |
"Someday, I'm going to give you such a smack... | 1:10:33 | 1:10:36 | |
"that you'll fly right up to the ceiling." | 1:10:36 | 1:10:39 | |
Why is it that every grown-up thinks he knows the way to bring up children? | 1:10:41 | 1:10:45 | |
Particularly the grown-ups that haven't any. | 1:10:52 | 1:10:55 | |
Monday, the 9th of November, 1942. | 1:10:57 | 1:11:01 | |
Wonderful news. The Allies have landed in Africa. | 1:11:01 | 1:11:04 | |
Churchill spoke on the BBC from London. | 1:11:05 | 1:11:08 | |
..which they have so often meted out to others. | 1:11:08 | 1:11:12 | |
Ah, this is not the end. | 1:11:12 | 1:11:15 | |
No, it is not even the beginning of the end. | 1:11:15 | 1:11:19 | |
But it is, perhaps, the end of the beginning. | 1:11:19 | 1:11:23 | |
The air raids are getting worse. | 1:11:23 | 1:11:25 | |
The British planes come over day and night on their way to Germany. | 1:11:25 | 1:11:28 | |
MUSIC ON RADIO | 1:11:32 | 1:11:33 | |
EXPLOSION | 1:11:33 | 1:11:35 | |
EXPLOSIONS AND MUSIC CONTINUE | 1:11:39 | 1:11:41 | |
EXPLOSIONS INTENSIFY | 1:11:52 | 1:11:53 | |
It's too much. Just too much. | 1:12:01 | 1:12:04 | |
Suppose they hit this house? What will we do? | 1:12:12 | 1:12:15 | |
We can't go out in the street. What will we do? | 1:12:15 | 1:12:18 | |
If they hit this house, your worries will be over. | 1:12:18 | 1:12:21 | |
LOUD EXPLOSION | 1:12:21 | 1:12:22 | |
That noise, that big explosion, they hit one of the English planes. | 1:12:27 | 1:12:30 | |
- It fell right in this block. - Peter! | 1:12:30 | 1:12:32 | |
Peter! | 1:12:34 | 1:12:36 | |
It's far away from here. Don't be nervous. | 1:12:47 | 1:12:50 | |
Look. Just look at them. Why, Mrs Van Daan, this should be music to your ears. | 1:12:50 | 1:12:53 | |
-Music? -Of course. | 1:12:53 | 1:12:55 | |
The more planes the British send over, | 1:12:55 | 1:12:57 | |
the sooner the war will be over, the sooner we'll be out of here and home again. | 1:12:57 | 1:13:00 | |
I don't believe it'll ever be over. | 1:13:00 | 1:13:02 | |
You know what I'd like right now? A cup of tea. | 1:13:04 | 1:13:07 | |
Oh, yes, please. | 1:13:07 | 1:13:09 | |
You can't have tea then for breakfast. | 1:13:09 | 1:13:11 | |
-If you have tea now, you won't have any tomorrow. -I don't care. | 1:13:11 | 1:13:14 | |
-Neither do I. Now, please. -Me, too, please. | 1:13:14 | 1:13:18 | |
How about you, Mr Dussel? Would you like your tea now or tomorrow morning? | 1:13:18 | 1:13:21 | |
-Tomorrow morning. -Sure? | 1:13:21 | 1:13:24 | |
Sure. | 1:13:24 | 1:13:25 | |
LOUD EXPLOSION | 1:13:25 | 1:13:26 | |
GLASS SHATTERS | 1:13:29 | 1:13:30 | |
I'll take mine now. | 1:13:30 | 1:13:33 | |
The skylight! | 1:13:33 | 1:13:35 | |
Edith, come! | 1:13:35 | 1:13:37 | |
Peter! Peter! Peter! Peter! | 1:13:39 | 1:13:42 | |
Peter! | 1:13:46 | 1:13:48 | |
VOLLEY OF EXPLOSIONS CONTINUES | 1:13:48 | 1:13:50 | |
"Praised be Thou, O Lord our God, | 1:14:37 | 1:14:39 | |
"ruler of the universe who has sanctified us with Thy commandments | 1:14:39 | 1:14:43 | |
"and bidden us kindle the Hanukkah lights. | 1:14:43 | 1:14:46 | |
"Praise be Thou, O Lord our God, ruler of the universe, | 1:14:46 | 1:14:50 | |
"who has wrought wondrous deliverances for our fathers in days of old. | 1:14:50 | 1:14:55 | |
"Praise be Thou, O Lord our God, ruler of the universe, | 1:14:55 | 1:14:58 | |
"that Thou has given us life and sustenance and brought us to this happy season." | 1:14:58 | 1:15:03 | |
-Amen. -Amen. | 1:15:03 | 1:15:06 | |
Monday, 7th of December, 1942. | 1:15:06 | 1:15:10 | |
The Hanukkah holiday came early this year. | 1:15:10 | 1:15:13 | |
"We kindle this Hanukkah light to celebrate the great and wonderful deeds | 1:15:13 | 1:15:17 | |
"wrought through the zeal with which God filled the hearts | 1:15:17 | 1:15:20 | |
"of the heroic Maccabees 2,000 years ago. | 1:15:20 | 1:15:23 | |
"They fought against indifference, against tyranny and oppression, | 1:15:23 | 1:15:27 | |
"and they restored our temple to us. | 1:15:27 | 1:15:29 | |
"May these lights remind us that we should ever look to God, | 1:15:29 | 1:15:33 | |
"whence cometh our help." | 1:15:33 | 1:15:35 | |
-Amen. -Amen. | 1:15:35 | 1:15:36 | |
"I lift up mine eyes unto the mountains from whence cometh my help. | 1:15:43 | 1:15:48 | |
"My help cometh from the Lord who made heaven and Earth. | 1:15:48 | 1:15:51 | |
"He will not suffer thy foot to be moved. | 1:15:51 | 1:15:53 | |
"He that keepeth thee will not slumber. | 1:15:53 | 1:15:56 | |
"He that keepeth Israel doth neither slumber nor sleep. | 1:15:56 | 1:16:00 | |
"The Lord is thy keeper. The Lord is thy shade upon thy right hand. | 1:16:00 | 1:16:05 | |
"The Lord shall keep thee from all evil. He shall keep thy soul. | 1:16:05 | 1:16:10 | |
"The Lord shall guard thy going out and thy coming in, | 1:16:10 | 1:16:14 | |
"from this time forth and forevermore." | 1:16:14 | 1:16:17 | |
-Amen. -Amen. -Amen. | 1:16:17 | 1:16:19 | |
May I have the hats, please? Thank you. | 1:16:19 | 1:16:23 | |
Very nice. Very nice. That was very moving. | 1:16:23 | 1:16:25 | |
-Sit down. -Sit down. | 1:16:25 | 1:16:28 | |
-Where are you going? -There's lots more. Songs and presents. | 1:16:28 | 1:16:31 | |
-Presents? -Not this year, unfortunately. | 1:16:31 | 1:16:34 | |
But always on Hanukkah everyone gives presents. Everyone. | 1:16:34 | 1:16:37 | |
-That's right. -Like our Saint Nicholas day. | 1:16:37 | 1:16:39 | |
-Saint Nicholas day. -No, not like Saint Nicholas day. | 1:16:39 | 1:16:42 | |
What kind of a Jew are you that you don't know Hanukkah? | 1:16:42 | 1:16:45 | |
I remember particularly the candles. First one, as we have tonight. | 1:16:45 | 1:16:48 | |
Then the second night, you light two candles. The next night, three. | 1:16:48 | 1:16:51 | |
And so on, until there are eight candles burning. | 1:16:51 | 1:16:53 | |
When there are eight candles, it's truly beautiful. | 1:16:53 | 1:16:57 | |
What I remember best are the presents we used to get. | 1:16:57 | 1:17:00 | |
Eight days of presents, and, well, each day they got better and better. | 1:17:00 | 1:17:04 | |
We're all here...alive. That's present enough. | 1:17:04 | 1:17:07 | |
-No, it isn't. I've got something. -What is it? | 1:17:07 | 1:17:11 | |
-L'Chaim. -L'Chaim. | 1:17:11 | 1:17:13 | |
-Presents. -Real presents? | 1:17:15 | 1:17:18 | |
-She made it herself. -Look at that. | 1:17:18 | 1:17:20 | |
-Isn't it festive? Isn't it gay? -Oh, that's beautiful. | 1:17:20 | 1:17:23 | |
-For Margot. -Ah. | 1:17:23 | 1:17:26 | |
Read it out loud. | 1:17:32 | 1:17:33 | |
"You have never lost your temper. | 1:17:35 | 1:17:37 | |
"You never will, I fear. | 1:17:37 | 1:17:40 | |
"You are so good, but if you should, put all your cross words here." | 1:17:40 | 1:17:44 | |
Aww. | 1:17:44 | 1:17:46 | |
Let's see what it is. | 1:17:46 | 1:17:48 | |
It's a new crossword puzzle book. | 1:17:48 | 1:17:51 | |
It's one you've done, but I rubbed it all out | 1:17:51 | 1:17:53 | |
and if you wait a little and forget, you can do it again. | 1:17:53 | 1:17:55 | |
THEY ALL LAUGH | 1:17:55 | 1:17:56 | |
-Clever, clever. -Thank you. | 1:17:58 | 1:18:01 | |
-For Mrs Van Daan. -Ah-hah. | 1:18:03 | 1:18:06 | |
I feel terrible. I don't have a thing for anybody. | 1:18:06 | 1:18:09 | |
It's hair shampoo. | 1:18:13 | 1:18:15 | |
I took odds and ends of soap and mixed them with the last of my toilet water. | 1:18:15 | 1:18:18 | |
-Oh, thank you, Anneke. -That was nice. | 1:18:18 | 1:18:21 | |
I wanted to write a poem for all of them, but I didn't have time. | 1:18:21 | 1:18:24 | |
That's all right, Anne. | 1:18:24 | 1:18:26 | |
-Yours, Mr Van Daan, is really something. -Mmm? | 1:18:26 | 1:18:28 | |
-Something you want more than anything. -Hmm. | 1:18:28 | 1:18:32 | |
-Cigarettes! -Look at that. | 1:18:38 | 1:18:42 | |
-Cigarettes. -Two of them. | 1:18:42 | 1:18:44 | |
Father found some old pipe tobacco in the pocket lining of his coat, | 1:18:44 | 1:18:46 | |
and we made them - rather, Father did. | 1:18:46 | 1:18:50 | |
Look at that. | 1:18:51 | 1:18:53 | |
Light it! Go on and light it! | 1:18:54 | 1:18:57 | |
It's tobacco. Really, it is. | 1:18:58 | 1:19:02 | |
There's a little fluff in it, but not much. | 1:19:02 | 1:19:05 | |
-It works! -Look at him. | 1:19:12 | 1:19:15 | |
Thank you, Anne. Thank you. | 1:19:16 | 1:19:18 | |
Mr Van Daan! | 1:19:22 | 1:19:24 | |
For Mother. Hanukkah greeting. | 1:19:26 | 1:19:28 | |
"Here's an IOU that I promise to pay. | 1:19:30 | 1:19:33 | |
"Ten hours of doing... | 1:19:33 | 1:19:34 | |
"..whatever you say. | 1:19:37 | 1:19:39 | |
"Signed, Anne Frank." | 1:19:39 | 1:19:41 | |
-Ten hours of doing what you're told? Anything you're told? -That's right. | 1:19:48 | 1:19:53 | |
You wouldn't want to sell that, Mrs Frank, would you? | 1:19:56 | 1:19:59 | |
Never. This is the most precious gift I've ever had. | 1:19:59 | 1:20:02 | |
-For Father. -Annele, I wasn't supposed to have a present. | 1:20:04 | 1:20:10 | |
-Look at that. -It's a muffler. | 1:20:10 | 1:20:12 | |
-Oh, I know. -To wear around your neck like an ascot, you know. | 1:20:12 | 1:20:15 | |
I knitted it in the dark each night. | 1:20:17 | 1:20:20 | |
I'm afraid it looks better in the dark. | 1:20:20 | 1:20:22 | |
It's fine. Thank you, Annele. Thank you. | 1:20:22 | 1:20:25 | |
-Isn't it beautiful? -Lovely, huh? Thank you, Anne. | 1:20:25 | 1:20:28 | |
-For Mouschi. -He'll like it. | 1:20:32 | 1:20:35 | |
And this is for you. Yourself. From Miss Quack-Quack. | 1:20:38 | 1:20:43 | |
Go on. Open it. | 1:20:45 | 1:20:47 | |
Aren't you going to open it? | 1:20:47 | 1:20:50 | |
-Come on. Show us what it is. -It's a safety razor. | 1:20:52 | 1:20:57 | |
It's not new. Miep got it for me second-hand. But you do need a razor now. | 1:20:57 | 1:21:01 | |
-What for? -Look at his upper lip. See? | 1:21:03 | 1:21:08 | |
He wants to get rid of that? | 1:21:08 | 1:21:10 | |
Put some milk on it and let the cat lick it off. | 1:21:10 | 1:21:13 | |
You think you're funny, don't you? | 1:21:14 | 1:21:17 | |
Look, he can't wait. He's going in to try it now. | 1:21:17 | 1:21:20 | |
I'm going to give Mouschi his present. | 1:21:20 | 1:21:23 | |
-Mouschi, Mouschi, Mouschi. -Enough. | 1:21:23 | 1:21:26 | |
And last, but never least, my roommate, Mr Dussel. | 1:21:26 | 1:21:30 | |
Something for me? | 1:21:30 | 1:21:31 | |
-Capsules. -They're earplugs to put in your ears | 1:21:39 | 1:21:42 | |
so you won't hear me when I thrash around at night. | 1:21:42 | 1:21:45 | |
I made them myself. Try them. See if you can hear me. | 1:21:45 | 1:21:48 | |
Wait, I'll put... Like that? Is that what you mean? | 1:21:53 | 1:21:55 | |
-Are you ready? -What? | 1:21:55 | 1:21:57 | |
-Are you ready? -They work! | 1:21:57 | 1:22:01 | |
They went in. They went in. | 1:22:08 | 1:22:11 | |
-He can't get 'em out. -What's the matter with you? Get 'em out. | 1:22:11 | 1:22:14 | |
Take 'em out. | 1:22:14 | 1:22:16 | |
I got 'em. | 1:22:16 | 1:22:18 | |
Thank you. | 1:22:19 | 1:22:21 | |
And now let's sing the song, Father. | 1:22:24 | 1:22:27 | |
Wait till you hear the Hanukkah song, Mr Dussel. | 1:22:27 | 1:22:29 | |
-# O Hanukkah, O Hanukkah The sweet celebration... # -Annele. | 1:22:29 | 1:22:32 | |
Annele, we shouldn't sing the song tonight. | 1:22:32 | 1:22:35 | |
You see, Mr Dussel, it's a song of jubilation and of rejoicing. | 1:22:35 | 1:22:38 | |
One is apt to become just a little too enthusiastic about it. | 1:22:38 | 1:22:40 | |
Please, let's sing the song, Father. I promise not to shout. | 1:22:40 | 1:22:43 | |
Very well, but quietly, Anne. I'll keep my eye on you. | 1:22:43 | 1:22:46 | |
Oh! Oh! I told you not to come in here with that cat. | 1:22:46 | 1:22:50 | |
Get out of here. | 1:22:50 | 1:22:52 | |
HE WHEEZES | 1:22:52 | 1:22:53 | |
What's the matter with you? Haven't you any sense? | 1:22:54 | 1:22:57 | |
-Get that cat out of here. -Cat? | 1:22:57 | 1:23:00 | |
You heard me. Get it out of here! | 1:23:00 | 1:23:02 | |
I have no cat. | 1:23:05 | 1:23:07 | |
Mr Dussel! | 1:23:07 | 1:23:10 | |
It doesn't have to be the cat. | 1:23:10 | 1:23:12 | |
Just the hairs on his clothing from the cat is enough. | 1:23:12 | 1:23:16 | |
-When he comes in the room... -Don't worry, you won't be bothered any more. | 1:23:16 | 1:23:19 | |
-We're getting rid of it. -At last, you listen to me. | 1:23:19 | 1:23:22 | |
I'm not doing it for you. That's all in your mind. All of it. | 1:23:22 | 1:23:26 | |
I'm doing it because I'm sick of seeing that cat eat all our food. | 1:23:26 | 1:23:30 | |
That's not true. I only give him scraps. | 1:23:30 | 1:23:32 | |
Don't tell me. He gets fatter every day. | 1:23:32 | 1:23:36 | |
Damn cat looks better than any of us. Out he goes tonight. | 1:23:36 | 1:23:40 | |
-No! -Mr Van Daan, you can't do that. | 1:23:40 | 1:23:43 | |
-That's Peter's cat. Peter loves that cat. -Anne. | 1:23:43 | 1:23:46 | |
-If he goes, I go. -Go. Go. | 1:23:48 | 1:23:51 | |
He's not going, and the cat's not going. What's the matter with you? | 1:23:51 | 1:23:54 | |
It's Hanukkah. It's Hanukkah. Please, Anne, sing. | 1:23:54 | 1:23:58 | |
# O Hanukkah, O Hanukkah The sweet celebration | 1:23:58 | 1:24:02 | |
-# Around the feast we gather... # -Annele. | 1:24:02 | 1:24:05 | |
I think we should first blow out the candles. | 1:24:05 | 1:24:07 | |
Then we'll have something for tomorrow night. | 1:24:07 | 1:24:09 | |
Father, you're supposed to let it burn itself out. | 1:24:09 | 1:24:12 | |
I'm sure that God understands shortages. | 1:24:12 | 1:24:15 | |
Praise be Thou, O Lord our God, who has sustained us | 1:24:15 | 1:24:17 | |
and permitted us to celebrate this joyous festival. | 1:24:17 | 1:24:20 | |
-Amen. -Amen. -Amen. | 1:24:20 | 1:24:21 | |
RATTLING | 1:24:31 | 1:24:33 | |
RATTLING | 1:24:37 | 1:24:38 | |
GLASS SHATTERS | 1:25:04 | 1:25:05 | |
DOOR CREAKS | 1:25:16 | 1:25:17 | |
TOOLS CLINK | 1:26:02 | 1:26:03 | |
SHOES THUD SOFTLY | 1:26:34 | 1:26:35 | |
KNOCKING | 1:26:59 | 1:27:01 | |
HE MUTTERS | 1:27:21 | 1:27:22 | |
CAT MEOWS | 1:27:29 | 1:27:30 | |
CLATTER | 1:27:30 | 1:27:31 | |
FOOTSTEPS ON STAIRS | 1:27:37 | 1:27:38 | |
-I think they've gone. -They found us. | 1:27:52 | 1:27:55 | |
If they had, they would be up here by now. | 1:27:55 | 1:27:58 | |
I know it was the Green Police. They've gone to get help. | 1:27:58 | 1:28:02 | |
It may be the Gestapo, looking for papers. | 1:28:02 | 1:28:04 | |
Or another thief looking for money. | 1:28:04 | 1:28:07 | |
DOOR CREAKS | 1:28:07 | 1:28:08 | |
I'm going down. | 1:28:14 | 1:28:17 | |
-They may still be there. -Annele, this is Saturday. | 1:28:17 | 1:28:20 | |
We have no way of knowing what has happened down there until Miep and Mr Kraler come. | 1:28:20 | 1:28:24 | |
We cannot live with this uncertainty. Now, please. Please. | 1:28:24 | 1:28:28 | |
DOOR CREAKS | 1:28:34 | 1:28:35 | |
Get our money. They say you can buy them off. So much a head. | 1:28:49 | 1:28:53 | |
-Quick, go upstairs and get the money. -Keep still. | 1:28:53 | 1:28:55 | |
You want to be dragged off to a concentration camp? | 1:28:55 | 1:28:58 | |
You going to stand there until they come up here and get you? | 1:28:58 | 1:29:00 | |
Will you keep still! | 1:29:00 | 1:29:02 | |
Someone go and make Father come back. | 1:29:19 | 1:29:22 | |
-Haven't you done enough? -Please, Mr Van Daan. | 1:29:32 | 1:29:34 | |
-Anne! -Sh. | 1:29:40 | 1:29:42 | |
I lift up mine eyes unto the mountains from whence cometh my help. | 1:30:00 | 1:30:05 | |
My help cometh from the Lord who made heaven and Earth. | 1:30:05 | 1:30:09 | |
DOOR CREAKS | 1:30:23 | 1:30:25 | |
He that keepeth thee will not slumber. | 1:30:46 | 1:30:48 | |
He that keepeth Israel doth neither slumber nor sleep. | 1:30:48 | 1:30:53 | |
The Lord is thy keeper. The Lord is thy shade from... | 1:30:53 | 1:30:57 | |
RHYTHMIC FOOTSTEPS | 1:30:57 | 1:30:59 | |
THEY SPEAK IN GERMAN | 1:31:11 | 1:31:13 | |
-I better go and look and make sure. -Ja. | 1:31:39 | 1:31:42 | |
Pray that the Lord shall keep thee from all evil. | 1:31:55 | 1:31:59 | |
-He shall keep thy soul. -Hear me, O Israel. | 1:31:59 | 1:32:02 | |
The Lord shall guard thy going out and thy coming in. | 1:32:02 | 1:32:05 | |
He took the typewriter and ran away in such a hurry, | 1:32:12 | 1:32:14 | |
he didn't stop to shut the street door - it was swinging wide open. | 1:32:14 | 1:32:17 | |
A watchman was passing. | 1:32:17 | 1:32:18 | |
FOOTSTEPS | 1:32:24 | 1:32:25 | |
Look. Tools. | 1:33:03 | 1:33:05 | |
THEY SPEAK GERMAN | 1:35:29 | 1:35:30 | |
FAINT CLATTER | 1:35:56 | 1:35:58 | |
LOUD CLATTER | 1:36:35 | 1:36:36 | |
CAT MEOWS | 1:36:38 | 1:36:39 | |
CAT MEOWS | 1:36:41 | 1:36:43 | |
Es ist eine Katze! | 1:36:45 | 1:36:46 | |
Ja. | 1:36:46 | 1:36:48 | |
Meetz-meetz-meetz. Meetz-meetz-meetz. Meow, meow. | 1:36:48 | 1:36:54 | |
They had a burglary. He got out as he heard me coming. | 1:36:54 | 1:36:57 | |
Meetz-meetz. | 1:37:03 | 1:37:05 | |
I will lock the door and report it. | 1:37:23 | 1:37:25 | |
They've gone. They've locked the door. | 1:37:35 | 1:37:38 | |
Thank God they've gone. | 1:37:38 | 1:37:39 | |
I'd just as soon they'd take us than to continue with this terrible agony. | 1:37:39 | 1:37:43 | |
-I can't stand it. -It's all right, Annele. | 1:37:43 | 1:37:46 | |
- The danger has passed. - Who says the danger is passed? | 1:37:46 | 1:37:50 | |
Don't you realise that we're in greater danger than ever? | 1:37:50 | 1:37:53 | |
Please, Mr Dussel, will you keep still. | 1:37:53 | 1:37:55 | |
Thanks to this clumsy fool, someone now knows we're up here. | 1:37:55 | 1:37:59 | |
Someone now knows that we're up here hiding. | 1:37:59 | 1:38:01 | |
It's a thief. | 1:38:01 | 1:38:02 | |
You think the thief is going to go to the Green Police and say, | 1:38:02 | 1:38:04 | |
"I was robbing a place the other night, and I heard a noise above my head"? | 1:38:04 | 1:38:07 | |
-You think a thief is going to do that? -Yes, he will. | 1:38:07 | 1:38:09 | |
-You're crazy. -I think that someday the thief will be caught. | 1:38:09 | 1:38:13 | |
He'll make a bargain with the Gestapo. | 1:38:13 | 1:38:16 | |
He'll say to the Gestapo, "If you let me off, | 1:38:16 | 1:38:19 | |
"I'll show you where some Jews are hiding." | 1:38:19 | 1:38:21 | |
-That's what I think. -Oy! | 1:38:21 | 1:38:23 | |
- He's right. - Oh, Mother, let's get out of here. | 1:38:23 | 1:38:26 | |
-We can't stay here now. -Please, let's go. | 1:38:26 | 1:38:30 | |
Go? Where? | 1:38:30 | 1:38:32 | |
Yes, where? | 1:38:37 | 1:38:38 | |
Have we lost all faith? | 1:38:40 | 1:38:42 | |
All courage? | 1:38:43 | 1:38:46 | |
A few moments ago, we thought they had come for us, didn't we? | 1:38:46 | 1:38:49 | |
We thought it was the end. Well, it was not the end. We are alive. We are safe. | 1:38:49 | 1:38:54 | |
We thank Thee, O Lord, our God, that in Thy infinite mercy, | 1:38:54 | 1:38:57 | |
Thou hast again seen fit to spare us. | 1:38:57 | 1:39:00 | |
-Amen. -Amen. | 1:39:00 | 1:39:02 | |
Annele. | 1:39:07 | 1:39:09 | |
The song, hmm? | 1:39:09 | 1:39:10 | |
How about the song? | 1:39:13 | 1:39:14 | |
# O Hanukkah O Hanukkah | 1:39:16 | 1:39:21 | |
# The sweet celebration | 1:39:21 | 1:39:25 | |
# Around the feast we gather | 1:39:25 | 1:39:28 | |
OTHERS JOIN IN # In complete jubilation | 1:39:28 | 1:39:31 | |
# Happiest of seasons now is here | 1:39:31 | 1:39:37 | |
# Many are the reasons for good cheer | 1:39:37 | 1:39:42 | |
# Together, together | 1:39:42 | 1:39:46 | |
# Whatever tomorrow may bring | 1:39:46 | 1:39:49 | |
# So hear us rejoicing and merrily voicing | 1:39:49 | 1:39:53 | |
# The Hanukkah song that we sing | 1:39:53 | 1:39:56 | |
# O hear us rejoicing and merrily voicing | 1:39:56 | 1:40:00 | |
# The Hanukkah song that we sing. # | 1:40:00 | 1:40:03 | |
Happy Hanukkah. | 1:40:03 | 1:40:05 | |
CHURCH BELLS RING | 1:40:05 | 1:40:06 | |
Saturday, 1st of January, 1944. | 1:40:28 | 1:40:33 | |
Another new year has begun, and we find ourselves still in our hiding place. | 1:40:33 | 1:40:39 | |
We have been here now for one year, five months and 25 days. | 1:40:44 | 1:40:49 | |
One of our family has left us. | 1:40:51 | 1:40:53 | |
Mouschi ran away. | 1:40:55 | 1:40:56 | |
We're all a little thinner. | 1:40:59 | 1:41:00 | |
The Van Daans' discussions are as violent as ever. | 1:41:02 | 1:41:04 | |
Mother still doesn't understand me, | 1:41:06 | 1:41:09 | |
but then I don't understand her either. | 1:41:09 | 1:41:11 | |
There is one great change, however. A change in myself. | 1:41:15 | 1:41:20 | |
I read somewhere that girls of my age don't feel quite certain of themselves, | 1:41:22 | 1:41:27 | |
that they become quiet within... | 1:41:27 | 1:41:30 | |
and begin to think of the miracle that is taking place in their bodies. | 1:41:30 | 1:41:33 | |
I think that what is happening to me is so wonderful. | 1:41:35 | 1:41:40 | |
Not only what can be seen, but what is taking place inside. | 1:41:40 | 1:41:44 | |
Each time it has happened, I feel I have a sweet secret, | 1:41:46 | 1:41:51 | |
and I long for the time when I shall feel that secret within me again. | 1:41:51 | 1:41:55 | |
Annele. Peter. | 1:43:40 | 1:43:43 | |
A wonderful surprise. Mr Kraler and Miep are here. | 1:43:44 | 1:43:48 | |
Oh, thank you. You shouldn't have come. | 1:43:48 | 1:43:50 | |
You should have at least one day to yourselves. | 1:43:50 | 1:43:54 | |
Don't say that. It's so wonderful to see them. | 1:43:54 | 1:43:56 | |
-What is it? What is it? -Mr Kraler. | 1:43:57 | 1:44:00 | |
-Happy New Year, Mr Dussel. -Happy New Year. | 1:44:00 | 1:44:04 | |
-How are you, Margot? Feeling any better? -I'm all right. | 1:44:04 | 1:44:06 | |
We filled her full of every kind of pill, | 1:44:06 | 1:44:09 | |
so she won't cough and make a noise. | 1:44:09 | 1:44:11 | |
Look what Miep has brought us. A cake. | 1:44:11 | 1:44:16 | |
Mmm. | 1:44:16 | 1:44:18 | |
-Cake. -Well. | 1:44:18 | 1:44:20 | |
- I'll get some plates. - Thank you, Miepia. | 1:44:22 | 1:44:25 | |
You must have used all of your sugar rations for weeks. | 1:44:25 | 1:44:28 | |
It's beautiful, isn't it? | 1:44:28 | 1:44:32 | |
It's ages since I've even seen a cake. | 1:44:32 | 1:44:34 | |
Not since you brought the one last year, remember? | 1:44:34 | 1:44:36 | |
It had "Peace in 1943" written on... | 1:44:36 | 1:44:39 | |
"Peace in 1944." | 1:44:43 | 1:44:45 | |
Peace has to come sometime, you know. | 1:44:47 | 1:44:50 | |
Here you are. | 1:44:50 | 1:44:52 | |
Now, how many of us are there? | 1:44:52 | 1:44:55 | |
-None for me, thank you. -Oh, you must. | 1:44:55 | 1:44:57 | |
Please, Miep. | 1:44:57 | 1:44:59 | |
Good. That leaves one, two, three - seven of us. | 1:44:59 | 1:45:03 | |
Eight. The same as it always is. | 1:45:03 | 1:45:08 | |
I left Margot out. I take it for granted Margot won't eat any. | 1:45:08 | 1:45:10 | |
-Why wouldn't she? -I think it won't harm her. | 1:45:10 | 1:45:13 | |
All right, all right. I just didn't want her to start coughing again. | 1:45:13 | 1:45:17 | |
And, please, Mrs Frank should cut the cake. | 1:45:18 | 1:45:22 | |
-What do you mean? -Well, Mrs Frank divides things better. | 1:45:22 | 1:45:26 | |
-Just what are you trying to say? -Forget it. We're wasting time. | 1:45:26 | 1:45:31 | |
No, no. Don't I always give everybody exactly the same? | 1:45:31 | 1:45:34 | |
-Don't I? -Forget it, Kerli. | 1:45:36 | 1:45:39 | |
No, I want an answer. Don't I? | 1:45:39 | 1:45:42 | |
Yes. Yes, yes. Everybody gets exactly the same. | 1:45:42 | 1:45:47 | |
Except Mr Van Daan gets a little bit more. | 1:45:48 | 1:45:51 | |
-That's a lie. She always cuts the same. -Mr Van Daan, please. | 1:45:51 | 1:45:54 | |
You see, Miep, what a little sugar cake does to us? | 1:45:54 | 1:45:57 | |
It goes right to our heads. | 1:45:57 | 1:45:58 | |
- Here you are, Mrs Frank. - Thank you. | 1:46:00 | 1:46:03 | |
- You sure you won't have any? - Very sure. | 1:46:12 | 1:46:15 | |
-Miep? -No, thank you. Really. | 1:46:16 | 1:46:18 | |
Cut the cake. | 1:46:20 | 1:46:22 | |
All right. | 1:46:22 | 1:46:24 | |
Thank you, Peter. | 1:46:43 | 1:46:45 | |
That's yours, Peter. | 1:46:49 | 1:46:51 | |
Maybe Mouschi went back to our house. | 1:46:54 | 1:46:57 | |
Do you ever get over there? Do you think that you could? | 1:46:57 | 1:47:00 | |
I'm afraid with him gone a week, Peter... | 1:47:00 | 1:47:03 | |
Make up your mind. Already someone has had a big nice meal from that cat. | 1:47:03 | 1:47:07 | |
NERVOUS LAUGH | 1:47:07 | 1:47:09 | |
-Mmm, it's delicious, Miep. -Delicious. | 1:47:14 | 1:47:16 | |
Well, I must run. There's a party tonight. | 1:47:24 | 1:47:27 | |
How heavenly. | 1:47:27 | 1:47:29 | |
Remember now what everyone's wearing... | 1:47:29 | 1:47:32 | |
..and what you have to eat and everything so you can tell us tomorrow. | 1:47:32 | 1:47:35 | |
I'll give you a full report. Goodbye, everyone. | 1:47:35 | 1:47:38 | |
-Goodbye. -Goodbye, Miep. | 1:47:38 | 1:47:40 | |
Hey, just a minute. There's something I'd like you to do for me. | 1:47:40 | 1:47:44 | |
Putti, where are you going? | 1:47:44 | 1:47:46 | |
Putti, what are you going to do? | 1:47:46 | 1:47:48 | |
Putti. | 1:47:49 | 1:47:52 | |
No, no, no. Don't you dare take that coat. | 1:47:52 | 1:47:54 | |
What is wrong? | 1:47:54 | 1:47:56 | |
Father says he's going to sell her fur coat. | 1:47:56 | 1:47:59 | |
She's crazy about that old fur coat. | 1:47:59 | 1:48:01 | |
-It's mine, you hear me? My father gave me that coat. -I want the coat. | 1:48:01 | 1:48:04 | |
-No, you have no right. -Get your hands off it. | 1:48:04 | 1:48:06 | |
Is it possible that anyone can be silly enough | 1:48:06 | 1:48:10 | |
to worry about a fur coat at a time like this? | 1:48:10 | 1:48:13 | |
It's none of your darn business. | 1:48:13 | 1:48:15 | |
-And if you say one more thing... -Peter. | 1:48:15 | 1:48:18 | |
Just a... | 1:48:24 | 1:48:26 | |
..little discussion on the advisability of selling this coat. | 1:48:26 | 1:48:31 | |
As I have often reminded Mrs Van Daan, | 1:48:31 | 1:48:33 | |
it's selfish of her to keep it when people outside are in such desperate need of clothing. | 1:48:33 | 1:48:37 | |
So if you please to sell it for us. | 1:48:39 | 1:48:41 | |
It should fetch a good price. | 1:48:41 | 1:48:43 | |
And by the way, would you get me cigarettes? | 1:48:43 | 1:48:45 | |
I don't care what kind they are. Get all you can. | 1:48:45 | 1:48:48 | |
It is very difficult to get them, Mr Van Daan. | 1:48:48 | 1:48:52 | |
But I will try. Goodbye. | 1:48:52 | 1:48:54 | |
-Goodbye. -Bye, Miep. | 1:48:54 | 1:48:56 | |
Mr Frank, could I talk to you? | 1:48:56 | 1:48:58 | |
Something's happened, hasn't it, Mr Kraler? What's happened? | 1:49:03 | 1:49:06 | |
If it is something that concerns us here, we'd better all hear it. | 1:49:06 | 1:49:10 | |
-The children... -What they'd imagine would be worse than any reality. | 1:49:10 | 1:49:14 | |
It is a man in the storeroom. | 1:49:14 | 1:49:15 | |
His name is Karl. You knew him. | 1:49:15 | 1:49:18 | |
One day he came to the office. | 1:49:18 | 1:49:20 | |
He closed the door and asked me, | 1:49:20 | 1:49:22 | |
"What do you hear from your friend Mr Frank?" | 1:49:22 | 1:49:24 | |
I told him there was a rumour that you were in Switzerland. | 1:49:24 | 1:49:27 | |
He said he had heard that rumour too, but he thought I might know something more. | 1:49:27 | 1:49:31 | |
I did not pay much attention. I- I tried to forget it. | 1:49:31 | 1:49:34 | |
And then yesterday... | 1:49:34 | 1:49:36 | |
..we were coming out of the storeroom out there. | 1:49:36 | 1:49:40 | |
I had started down to the office. | 1:49:40 | 1:49:43 | |
I looked back. | 1:49:43 | 1:49:45 | |
He was standing, staring at the bookcase. | 1:49:45 | 1:49:48 | |
He said, "I thought I remember a door up here. | 1:49:48 | 1:49:53 | |
"Was not there a door here leading to the loft?" | 1:49:53 | 1:49:57 | |
Then he asked me for more money. 20 gilders more a week. | 1:49:57 | 1:50:01 | |
-Blackmail. -20 gilders? Very modest blackmail. | 1:50:01 | 1:50:04 | |
That's just the beginning. | 1:50:04 | 1:50:05 | |
You know what I think? | 1:50:07 | 1:50:09 | |
He's the thief who was down there that night. | 1:50:09 | 1:50:12 | |
That's how he knows we're here. | 1:50:12 | 1:50:15 | |
How was it left? What did you tell him? | 1:50:15 | 1:50:17 | |
I told him I had to think about it. | 1:50:17 | 1:50:20 | |
What shall I do? Pay him the money? | 1:50:20 | 1:50:22 | |
Take a chance on firing him or what? | 1:50:22 | 1:50:24 | |
-I do not know. -For heaven's sakes, don't fire him. | 1:50:24 | 1:50:27 | |
Pay him what he asks. Keep him here where you can keep your eye on him. | 1:50:27 | 1:50:30 | |
Is it so much that he is asking? I mean, what are they paying nowadays? | 1:50:30 | 1:50:33 | |
-He could get it in a war plant. -Mm-hmm. | 1:50:33 | 1:50:36 | |
But this is not a war plant. Mind you, I do not know if he knows or not. | 1:50:36 | 1:50:40 | |
Offer him half. Then we'll soon know if it is blackmail or not. | 1:50:44 | 1:50:48 | |
And if it is, we've gotta pay, haven't we? | 1:50:48 | 1:50:52 | |
Whatever he asks, we've gotta pay. | 1:50:52 | 1:50:54 | |
Let us decide that when the time comes. | 1:50:54 | 1:50:56 | |
This may be all my imagination. | 1:50:58 | 1:51:00 | |
You get to a point these days where you suspect everyone and everything. | 1:51:00 | 1:51:04 | |
SIREN IN DISTANCE | 1:51:04 | 1:51:05 | |
PHONE RINGS | 1:51:05 | 1:51:06 | |
SIRENS APPROACH | 1:51:15 | 1:51:16 | |
What does that mean, the telephone ringing on a holiday? | 1:51:19 | 1:51:23 | |
SIRENS FADE | 1:51:23 | 1:51:25 | |
That's my wife. I told her I had to go over some papers in my office, | 1:51:26 | 1:51:31 | |
to call me here when she got out of church. | 1:51:31 | 1:51:33 | |
-Goodbye. -Goodbye. | 1:51:33 | 1:51:35 | |
Happy New Year. | 1:51:35 | 1:51:37 | |
-Goodbye. -Goodbye, Mr Kraler. | 1:51:37 | 1:51:39 | |
I will offer him half, then. | 1:51:41 | 1:51:44 | |
Thank you, Mr Kraler. | 1:51:44 | 1:51:46 | |
You can thank your son for this. | 1:51:51 | 1:51:53 | |
Him and his damn cat. That night. There. | 1:51:53 | 1:51:56 | |
I tell you, it's-it's just a question of time now. | 1:52:00 | 1:52:03 | |
Sometimes I wish the end would come, whatever it is. | 1:52:09 | 1:52:13 | |
Margot! | 1:52:13 | 1:52:14 | |
Well, then at least we'd know where we were. | 1:52:14 | 1:52:16 | |
You should be ashamed of yourself, talking that way. | 1:52:18 | 1:52:20 | |
Think how lucky we are. | 1:52:21 | 1:52:23 | |
Think of the thousands dying in the war every day. | 1:52:25 | 1:52:29 | |
-Think of the people in concentration camps. -What's the good of that? | 1:52:29 | 1:52:32 | |
What's the good of thinking of misery when you're already miserable? | 1:52:34 | 1:52:38 | |
That's stupid. | 1:52:38 | 1:52:39 | |
We're young, Margot and Peter and I. | 1:52:39 | 1:52:43 | |
You grown-ups have had your chance. | 1:52:43 | 1:52:45 | |
Look at us. If we begin thinking of all the horror in the world, we're lost. | 1:52:47 | 1:52:52 | |
We're trying to hold on to some kind of ideals, | 1:52:52 | 1:52:55 | |
when everything - ideals, hope - everything is being destroyed. | 1:52:55 | 1:52:59 | |
It isn't our fault the world is in such a mess. | 1:53:01 | 1:53:04 | |
We weren't around when all this started. | 1:53:04 | 1:53:06 | |
-Now you listen to me. -So don't try to take it out on us. | 1:53:06 | 1:53:08 | |
She talks as if we started the war. | 1:53:18 | 1:53:21 | |
Did we start the war? | 1:53:23 | 1:53:24 | |
You left this. | 1:53:33 | 1:53:35 | |
Thanks. | 1:53:37 | 1:53:38 | |
I thought you were fine just now. | 1:53:42 | 1:53:45 | |
You know just how to talk to 'em. I can never think when I'm mad. | 1:53:45 | 1:53:48 | |
I say too much. | 1:53:49 | 1:53:52 | |
I hurt people's feelings. | 1:53:52 | 1:53:53 | |
I think you're just fine. | 1:53:56 | 1:53:58 | |
Thank you, Peter. | 1:54:09 | 1:54:10 | |
That Dussel, what he said about Mouschi, about somebody eating him, | 1:54:16 | 1:54:20 | |
all I could think is I wanted to hit him. | 1:54:20 | 1:54:22 | |
That's what I used to do in school, but, | 1:54:22 | 1:54:25 | |
here a fight starts, I just duck in my room. | 1:54:25 | 1:54:27 | |
You're lucky having a room to go to. | 1:54:27 | 1:54:30 | |
His Lordship is always in mine. | 1:54:30 | 1:54:33 | |
When they start in on me, I have to stand and take it. | 1:54:33 | 1:54:37 | |
You gave some of it back to them just now. | 1:54:37 | 1:54:40 | |
I get so mad. | 1:54:40 | 1:54:41 | |
They've formed their opinions. | 1:54:43 | 1:54:46 | |
About everything. | 1:54:46 | 1:54:47 | |
But we're still trying to find out. | 1:54:48 | 1:54:50 | |
We have problems here that no other people our age have ever had. | 1:54:53 | 1:54:56 | |
And just as you think you've solved them, | 1:54:58 | 1:55:01 | |
something comes along and, bang... | 1:55:01 | 1:55:03 | |
..you have to start all over again. | 1:55:05 | 1:55:07 | |
I think your father's fine. | 1:55:11 | 1:55:13 | |
Oh, he is, Peter. He is. | 1:55:13 | 1:55:16 | |
He's the only one who's ever given me the feeling that I have any sense. | 1:55:16 | 1:55:19 | |
Isn't it funny, you and I? | 1:55:25 | 1:55:27 | |
Here we've been together all this time... | 1:55:28 | 1:55:31 | |
..and this is the first time we've ever really talked. | 1:55:31 | 1:55:34 | |
It helps a lot to have someone to talk to, doesn't it? | 1:55:37 | 1:55:40 | |
It helps you let off steam. | 1:55:41 | 1:55:43 | |
CLINKING | 1:55:45 | 1:55:46 | |
Any time that... | 1:56:00 | 1:56:03 | |
..you want to let off steam, | 1:56:03 | 1:56:05 | |
you can come into my room. | 1:56:05 | 1:56:06 | |
I can get up an awful lot of steam. | 1:56:08 | 1:56:12 | |
It's all right with me. | 1:56:12 | 1:56:14 | |
Do you mean that? | 1:56:15 | 1:56:16 | |
I said it, didn't I? | 1:56:19 | 1:56:22 | |
- Goodnight. - Goodnight. | 1:56:38 | 1:56:40 | |
-Goodnight. -Goodnight. | 1:56:40 | 1:56:42 | |
-May I come in? -No, Mr Dussel. I'm not dressed yet. | 1:56:53 | 1:56:58 | |
Oh. | 1:56:58 | 1:56:59 | |
-Margot. -Hmm? | 1:57:23 | 1:57:25 | |
Tell me, am I terribly ugly? | 1:57:25 | 1:57:28 | |
-Oh, stop fishing. -No. Tell me. | 1:57:28 | 1:57:30 | |
Of course you're not. You've got nice eyes... | 1:57:30 | 1:57:34 | |
..and a lot of animation and...and... | 1:57:34 | 1:57:38 | |
- May I come in? - Come in, Mother. | 1:57:58 | 1:58:00 | |
Mr Dussel is impatient to get in here. | 1:58:01 | 1:58:04 | |
He takes the room for himself the entire day. | 1:58:04 | 1:58:06 | |
You're not going in again tonight to see Peter, hmm? | 1:58:06 | 1:58:09 | |
That is my intention. | 1:58:10 | 1:58:12 | |
Aren't you afraid you're disturbing him? | 1:58:16 | 1:58:19 | |
Mother, I have some intuition. | 1:58:19 | 1:58:21 | |
Then may I ask you this much, Annie? | 1:58:21 | 1:58:23 | |
Please don't shut the door when you go in. | 1:58:23 | 1:58:25 | |
You sound like Mrs Van Daan. | 1:58:28 | 1:58:31 | |
Oh, no. I don't mean to suggest anything wrong. | 1:58:31 | 1:58:34 | |
I only wish you wouldn't expose yourself to criticism. | 1:58:34 | 1:58:37 | |
I'm sorry, Mother. I'm going to Peter's room. | 1:58:37 | 1:58:41 | |
I'm not going to let Petronella Van Daan spoil our friendship. | 1:58:41 | 1:58:44 | |
Just a moment, Mr Dussel. | 1:58:50 | 1:58:52 | |
In my day the boys called on the girls. | 1:58:55 | 1:58:57 | |
You know how young people are. Peter's room is the only place they can talk. | 1:58:57 | 1:59:01 | |
Talk? | 1:59:01 | 1:59:03 | |
That's not what they called it when I was a girl. | 1:59:03 | 1:59:05 | |
I'm sorry, Margot, that you have to be the one left out. | 1:59:08 | 1:59:12 | |
I feel so guilty about you. | 1:59:13 | 1:59:16 | |
Why? | 1:59:16 | 1:59:17 | |
I mean, every time I go to Peter - | 1:59:19 | 1:59:22 | |
into Peter's room, I have the feeling that I'm hurting you. | 1:59:22 | 1:59:26 | |
I know if it were me, I'd be desperately jealous. | 1:59:28 | 1:59:31 | |
I am jealous a little. | 1:59:33 | 1:59:35 | |
Not of you and Peter. | 1:59:35 | 1:59:37 | |
I'm... | 1:59:38 | 1:59:40 | |
I'm only feeling sorry that I haven't anyone... | 1:59:40 | 1:59:44 | |
..with whom to... to discuss my feelings. | 1:59:44 | 1:59:47 | |
Margot, I won't even... | 1:59:47 | 1:59:48 | |
Listen, you've found a companionship, and I want you to enjoy it. | 1:59:48 | 1:59:52 | |
Only...in my heart I feel that I've got a right to share feelings with someone too. | 1:59:52 | 1:59:57 | |
But I'm sure that Peter - that that boy, he could just never be that person for me. | 1:59:59 | 2:00:04 | |
KNOCKING ON DOOR | 2:00:04 | 2:00:05 | |
Maybe there's nothing to be jealous about. | 2:00:06 | 2:00:08 | |
Maybe I'm just taking the place of his cat. | 2:00:09 | 2:00:12 | |
Will you please let me in my room? | 2:00:12 | 2:00:14 | |
Just a minute, dear, dear Mr Dussel. | 2:00:14 | 2:00:17 | |
Well, here I go... | 2:00:28 | 2:00:30 | |
..to run the gauntlet. | 2:00:30 | 2:00:32 | |
Thank you so much. | 2:00:35 | 2:00:37 | |
Look at her. | 2:00:48 | 2:00:51 | |
A lot of good it did me to have a son. I never see him. | 2:00:51 | 2:00:54 | |
Just a minute, dear. | 2:00:56 | 2:00:58 | |
I'd like to say a few words to my son. Do you mind? | 2:00:59 | 2:01:03 | |
Peter, I do not want you staying up till all hours tonight. | 2:01:03 | 2:01:07 | |
You need your sleep. You are a growing boy. | 2:01:07 | 2:01:09 | |
Anne won't stay late. She's going to bed promptly at nine. | 2:01:09 | 2:01:12 | |
-Aren't you, Anne? -Yes, Mother. May we go now? | 2:01:12 | 2:01:16 | |
Listen for the chimes, dear. | 2:01:16 | 2:01:18 | |
Aren't they impossible? | 2:01:37 | 2:01:39 | |
Treating us as if we're still in the nursery. | 2:01:41 | 2:01:43 | |
Don't let it bother you. It doesn't bother me. | 2:01:45 | 2:01:48 | |
I suppose you can't really blame them. | 2:01:52 | 2:01:55 | |
They think back to what they were like at our age. | 2:01:56 | 2:01:59 | |
They don't realise how much more advanced we are. | 2:02:00 | 2:02:02 | |
EXPLOSIONS | 2:02:06 | 2:02:07 | |
Already I know what I want to do. Don't you? | 2:02:14 | 2:02:16 | |
I want to be a journalist or something. | 2:02:18 | 2:02:20 | |
I love to write. | 2:02:20 | 2:02:22 | |
What do you want to do? | 2:02:24 | 2:02:25 | |
I know what I'd like right now. | 2:02:28 | 2:02:30 | |
I'd like to make it to England, get with the Free Dutch Forces over there. | 2:02:30 | 2:02:33 | |
Peter, you wouldn't try a thing like that. | 2:02:33 | 2:02:36 | |
-You'd never make it. -I'd make it. | 2:02:37 | 2:02:40 | |
Only a few of the hundreds that try do. | 2:02:45 | 2:02:48 | |
I know, but... I'd like to get in it and-and hit back. | 2:02:50 | 2:02:54 | |
To just sit here, it's not for me. | 2:02:54 | 2:02:56 | |
You like Margot, don't you? | 2:03:02 | 2:03:04 | |
Right from the start you liked her. | 2:03:04 | 2:03:06 | |
Liked her better than me. | 2:03:06 | 2:03:08 | |
Oh, I don't know. | 2:03:10 | 2:03:12 | |
It's all right. | 2:03:12 | 2:03:14 | |
Everyone feels that way. | 2:03:14 | 2:03:16 | |
Margot's so good. | 2:03:16 | 2:03:18 | |
She's sweet and bright and beautiful, and I'm not. | 2:03:18 | 2:03:22 | |
I wouldn't say that. | 2:03:22 | 2:03:24 | |
Oh, no, I'm not. I know that. | 2:03:24 | 2:03:27 | |
I know quite well, that I'm not a beauty. | 2:03:27 | 2:03:30 | |
I never have been and never shall be. | 2:03:30 | 2:03:33 | |
I don't agree at all. | 2:03:33 | 2:03:35 | |
I think you're pretty. | 2:03:37 | 2:03:39 | |
That's not true. | 2:03:39 | 2:03:41 | |
A-And another thing. | 2:03:41 | 2:03:44 | |
You've changed. From the first, I mean. | 2:03:44 | 2:03:47 | |
I have? | 2:03:47 | 2:03:49 | |
I used to think that you were awful noisy. | 2:03:51 | 2:03:55 | |
And what do you think now, Peter? | 2:03:56 | 2:03:58 | |
How have I changed? | 2:03:58 | 2:04:00 | |
Well, you... | 2:04:02 | 2:04:04 | |
You're quieter. | 2:04:04 | 2:04:06 | |
I'm glad you don't just hate me. | 2:04:09 | 2:04:11 | |
I never said that. | 2:04:13 | 2:04:14 | |
I bet when you get out of here, you'll never think of me again. | 2:04:36 | 2:04:39 | |
That's crazy. | 2:04:40 | 2:04:42 | |
When you get back with all your friends, | 2:04:44 | 2:04:46 | |
you're going to say, | 2:04:46 | 2:04:48 | |
"Now, what did I ever see in that Miss Quack-Quack?" | 2:04:48 | 2:04:51 | |
-I haven't got any friends. -Peter, of course you have. | 2:04:52 | 2:04:55 | |
Everyone has friends. | 2:04:56 | 2:04:57 | |
Not me. I don't want any. | 2:04:59 | 2:05:02 | |
I get along fine without 'em. | 2:05:02 | 2:05:03 | |
Does that mean you can get along without me too? | 2:05:07 | 2:05:09 | |
I think of myself as your friend. | 2:05:12 | 2:05:14 | |
No. | 2:05:16 | 2:05:19 | |
If they were all like you, | 2:05:19 | 2:05:21 | |
it'd be different. | 2:05:21 | 2:05:23 | |
DISTANT EXPLOSIONS | 2:05:23 | 2:05:24 | |
-Peter. -Hmm? | 2:05:33 | 2:05:36 | |
Did you ever kiss a girl? | 2:05:36 | 2:05:38 | |
Yes. | 2:05:42 | 2:05:44 | |
Once. | 2:05:44 | 2:05:46 | |
Was she pretty? | 2:05:47 | 2:05:49 | |
The girl you kissed. | 2:05:49 | 2:05:52 | |
I don't know. I was blindfolded. | 2:05:52 | 2:05:55 | |
It was at a party. One of those kissing games. | 2:05:55 | 2:05:57 | |
Oh. | 2:05:57 | 2:05:59 | |
I don't suppose that really counts, does it? | 2:05:59 | 2:06:02 | |
It didn't with me. | 2:06:04 | 2:06:06 | |
I've been kissed twice. | 2:06:08 | 2:06:10 | |
Once a man I'd never seen before kissed me on the cheek | 2:06:13 | 2:06:16 | |
when he picked me up off the ice. | 2:06:16 | 2:06:18 | |
I was crying. | 2:06:19 | 2:06:21 | |
And the other was a friend of Father's who kissed my hand. | 2:06:22 | 2:06:27 | |
You wouldn't say those counted, would you? | 2:06:30 | 2:06:33 | |
I wouldn't say so. | 2:06:34 | 2:06:36 | |
I know almost for certain | 2:06:49 | 2:06:51 | |
Margot would never kiss anyone unless she was engaged to them. | 2:06:51 | 2:06:55 | |
And I'm sure too that Mother never touched a man before Father. | 2:06:58 | 2:07:02 | |
But I don't know. | 2:07:05 | 2:07:07 | |
Things are so different now. | 2:07:08 | 2:07:10 | |
What do you think? | 2:07:12 | 2:07:14 | |
Do you think a girl shouldn't kiss anyone | 2:07:15 | 2:07:18 | |
except if she's engaged or something? | 2:07:18 | 2:07:20 | |
It's so hard to try to think what to do... | 2:07:24 | 2:07:27 | |
..when here we are with the whole world falling around our ears. | 2:07:28 | 2:07:32 | |
And you think... | 2:07:34 | 2:07:37 | |
..well, you don't know what's going to happen tomorrow. | 2:07:37 | 2:07:40 | |
What do you think? | 2:07:42 | 2:07:44 | |
Well, uh... | 2:07:45 | 2:07:48 | |
..I suppose it - it depends on the girl. | 2:07:48 | 2:07:51 | |
With some, n-no matter what they do, it's wrong. | 2:07:52 | 2:07:56 | |
But others... | 2:07:57 | 2:07:59 | |
..it wouldn't necessarily be wrong with them. | 2:08:00 | 2:08:03 | |
-I always thought that... -BELL CHIMES | 2:08:03 | 2:08:05 | |
..when two people... | 2:08:05 | 2:08:07 | |
I think I should go now. | 2:08:07 | 2:08:09 | |
That's right. | 2:08:10 | 2:08:13 | |
Goodnight. | 2:08:16 | 2:08:18 | |
-You won't let 'em stop you from coming? -No. | 2:08:23 | 2:08:26 | |
I might bring my diary. | 2:08:28 | 2:08:31 | |
There are so many things in it I want to talk over with you. | 2:08:31 | 2:08:34 | |
There's a lot about you. | 2:08:34 | 2:08:36 | |
What kind of things? | 2:08:36 | 2:08:38 | |
Well, I wouldn't want you to see some of it. | 2:08:41 | 2:08:45 | |
I thought you were nothing. | 2:08:46 | 2:08:48 | |
Just the way you thought about me. | 2:08:49 | 2:08:52 | |
Did you change your mind... | 2:08:54 | 2:08:56 | |
..the way I changed my mind about you? | 2:08:57 | 2:09:00 | |
Well, you'll see. | 2:09:01 | 2:09:04 | |
Goodnight, Annele. | 2:10:20 | 2:10:22 | |
-Goodnight, angel. -Goodnight. | 2:10:27 | 2:10:29 | |
Mm-hmm. | 2:10:54 | 2:10:56 | |
Outside there is a quiet excitement. | 2:11:09 | 2:11:11 | |
Invasion fever is mounting from day to day, | 2:11:11 | 2:11:14 | |
and people talk of nothing else but the hope of liberation. | 2:11:14 | 2:11:17 | |
It had best come soon. | 2:11:18 | 2:11:20 | |
We here have had bad news. | 2:11:20 | 2:11:22 | |
The people from whom Miep got our ration cards have been arrested. | 2:11:22 | 2:11:26 | |
Mr Kraler is in the hospital. | 2:11:29 | 2:11:31 | |
It seems he has ulcers. | 2:11:31 | 2:11:34 | |
I'm afraid we are his ulcers. | 2:11:34 | 2:11:36 | |
Miep has to run the business and us too. | 2:11:38 | 2:11:40 | |
How very fortunate we are... | 2:11:42 | 2:11:44 | |
..when you think of what is happening outside. | 2:11:44 | 2:11:47 | |
I feel that spring is coming. | 2:12:45 | 2:12:47 | |
I feel it in my whole body and soul. | 2:12:48 | 2:12:51 | |
I'm utterly confused. | 2:12:52 | 2:12:54 | |
I am longing - so longing for everything. | 2:12:56 | 2:13:00 | |
HOOTER BLARES | 2:15:17 | 2:15:18 | |
HOOTER | 2:15:22 | 2:15:23 | |
Otto! Otto, quick. He's stealing the food! | 2:15:37 | 2:15:40 | |
-Edith, Edith! -Mr Van Daan, let me see that! | 2:15:40 | 2:15:42 | |
Mr Van Daan, come... Let me... | 2:15:42 | 2:15:45 | |
-Give me... -What happened? Mr Van Daan. | 2:15:45 | 2:15:48 | |
Look, the bread! | 2:15:48 | 2:15:50 | |
-DUSSEL: -You dirty thief. You good-for-nothing. | 2:15:50 | 2:15:52 | |
-OTTO: -Let him go, Mr Dussel. Help me, Peter. | 2:15:52 | 2:15:54 | |
Let him go! Peter, help me! | 2:15:54 | 2:15:57 | |
Let him go! | 2:15:57 | 2:15:59 | |
HOOTER BLARES | 2:15:59 | 2:16:01 | |
HOOTER | 2:16:05 | 2:16:06 | |
Putti, what is it? | 2:16:10 | 2:16:13 | |
He was stealing the bread! | 2:16:13 | 2:16:14 | |
It was you. And all the time we thought it was the rats. | 2:16:15 | 2:16:20 | |
Mr Van Daan, how could you? | 2:16:20 | 2:16:22 | |
- I'm hungry. - We're all of us hungry. | 2:16:24 | 2:16:27 | |
I see the children getting thinner and thinner. | 2:16:27 | 2:16:30 | |
Your own son, I've heard him moan in his sleep, he's so hungry. | 2:16:30 | 2:16:34 | |
And you come down in the night and steal food that should go to them, the children. | 2:16:34 | 2:16:38 | |
He needs more food than the rest of us. | 2:16:41 | 2:16:43 | |
He's used to more. He's a big man. | 2:16:43 | 2:16:45 | |
And you! | 2:16:45 | 2:16:47 | |
You're worse than he is. You're a mother, | 2:16:47 | 2:16:50 | |
and yet you sacrifice your son to this man, this-this... | 2:16:50 | 2:16:53 | |
Edith. | 2:16:53 | 2:16:54 | |
Don't think I haven't seen you. | 2:16:54 | 2:16:57 | |
Always saving the choicest bits for him. I've watched you. | 2:16:57 | 2:17:00 | |
Day after day, and I've held my tongue, but not any longer. | 2:17:00 | 2:17:03 | |
Not after this! | 2:17:03 | 2:17:05 | |
Now I want him to go. I want him to get out of here! | 2:17:05 | 2:17:08 | |
Edith. | 2:17:08 | 2:17:10 | |
Get out of here? | 2:17:10 | 2:17:13 | |
-What do you mean? -Just that. Take your things and get out. | 2:17:14 | 2:17:17 | |
You're speaking in anger. You cannot mean what you're saying. | 2:17:17 | 2:17:20 | |
-I mean exactly that. -For two long years we have lived here side by side. | 2:17:20 | 2:17:24 | |
We have respected each other's rights. | 2:17:24 | 2:17:26 | |
We have managed to live in peace. Are we going to throw it all away? | 2:17:26 | 2:17:29 | |
Mr Van Daan, | 2:17:31 | 2:17:33 | |
I know this is never going to happen again, is it? | 2:17:33 | 2:17:35 | |
No, no. | 2:17:35 | 2:17:36 | |
Ah, he steals once, he'll steal again. | 2:17:36 | 2:17:39 | |
I want them to leave. You go now! | 2:17:39 | 2:17:42 | |
Mother. | 2:17:49 | 2:17:51 | |
You're not putting Peter out? Peter hasn't done anything. | 2:17:51 | 2:17:55 | |
I don't mean Peter. Peter can stay. | 2:17:55 | 2:17:58 | |
I'll have to go if he goes. That's my father. | 2:17:58 | 2:18:01 | |
He's no father to you, that man. | 2:18:01 | 2:18:04 | |
He doesn't know what it means to be a father. | 2:18:04 | 2:18:06 | |
I wouldn't feel right. I couldn't stay. | 2:18:06 | 2:18:08 | |
Very well, then. | 2:18:08 | 2:18:10 | |
Peter. No. | 2:18:10 | 2:18:12 | |
Mrs Frank, you would put us out in the street? | 2:18:16 | 2:18:19 | |
You can find another hiding place. | 2:18:21 | 2:18:23 | |
Where would we even find a cellar - a-a closet? | 2:18:24 | 2:18:28 | |
Mr Frank... | 2:18:34 | 2:18:36 | |
..you told Putti... | 2:18:39 | 2:18:41 | |
..you would never forget what he did for you when you first came to Holland. | 2:18:41 | 2:18:45 | |
You said you never would be able to repay him. | 2:18:45 | 2:18:47 | |
If my husband had any obligations to you, he has paid it over and over. | 2:18:47 | 2:18:51 | |
Edith, I don't know you. I've never seen you like this. | 2:18:51 | 2:18:54 | |
I should have spoken out long ago. | 2:18:54 | 2:18:57 | |
You can't be nice to some people. | 2:18:57 | 2:18:59 | |
There would have been plenty for all of us if you hadn't come in here! | 2:18:59 | 2:19:02 | |
No, no, Mrs Van Daan. Please. | 2:19:02 | 2:19:05 | |
We don't need the Nazis to destroy us. | 2:19:09 | 2:19:12 | |
We're destroying ourselves. | 2:19:12 | 2:19:14 | |
Mother, please don't send them away. | 2:19:19 | 2:19:22 | |
It's daylight. And they'll be caught. | 2:19:22 | 2:19:25 | |
-RADIO: Supreme headquarters... -They're not going now. | 2:19:27 | 2:19:29 | |
They'll stay until Miep finds them a place to hide. | 2:19:29 | 2:19:32 | |
Mrs Frank, Mr Frank, Margot. | 2:19:32 | 2:19:35 | |
Oh, no, no. | 2:19:35 | 2:19:37 | |
We haven't sunk so low that we're going to fight amongst ourselves over food. | 2:19:37 | 2:19:41 | |
That's Anne. That's Mrs Van Daan, Mr Van Daan. | 2:19:41 | 2:19:46 | |
You see what he's doing? | 2:19:46 | 2:19:48 | |
"I'm still standing by to bring you further news of the invasion." | 2:19:48 | 2:19:51 | |
Did you hear that? "For those of you who may not have heard, let me repeat. | 2:19:51 | 2:19:54 | |
"The landings began this morning on the coast of Normandy." | 2:19:54 | 2:19:57 | |
-It's started. Listen! -RADIO: D-Day has come. | 2:19:57 | 2:19:58 | |
During the night and in the early hours of this morning, | 2:19:58 | 2:20:01 | |
-an immense armada... -Listen! | 2:20:01 | 2:20:03 | |
-..4,000 ships and thousands of smaller craft... -Peter, myself. | 2:20:03 | 2:20:05 | |
-You're keeping all the big ones for yourself. -No. | 2:20:05 | 2:20:07 | |
-Yes, you are. All the big ones. -KNOCKING | 2:20:07 | 2:20:09 | |
-Look at the size of that one. -That's mine. | 2:20:09 | 2:20:11 | |
-And look at that one. -That's Mr Van Daan's. | 2:20:11 | 2:20:13 | |
-Well, look at... -Stop it! Stop it! -KNOCKING | 2:20:13 | 2:20:15 | |
-Stop counting potatoes! -It's Miep. Let me in. | 2:20:15 | 2:20:17 | |
Mr Frank and Mrs Frank! | 2:20:17 | 2:20:20 | |
Mr Dussel, I beg of you, don't let her see a thing like this. | 2:20:20 | 2:20:23 | |
Well, this is... Mrs Frank... | 2:20:23 | 2:20:25 | |
The invasion has begun! | 2:20:25 | 2:20:27 | |
-MIEP: -The most wonderful news. The invasion has begun! | 2:20:27 | 2:20:30 | |
RADIO: Only preliminary reports have come in... | 2:20:32 | 2:20:34 | |
Did you hear? They have landed! | 2:20:34 | 2:20:36 | |
On the coast of France. In Normandy. | 2:20:36 | 2:20:39 | |
- The British, the Americans. - They're all in it! | 2:20:39 | 2:20:42 | |
Dutch, French, Poles, Norwegians, everyone. | 2:20:42 | 2:20:45 | |
- D-Day they call it. - D-Day. | 2:20:45 | 2:20:46 | |
-At last! Oh! -KNOCKING | 2:20:46 | 2:20:48 | |
-It's me. Kraler. -It cannot be Mr Kraler. | 2:20:48 | 2:20:51 | |
But it is Mr Kraler. | 2:20:51 | 2:20:53 | |
-KRALER: -Did you hear? | 2:20:56 | 2:20:58 | |
Isn't it wonderful? | 2:20:58 | 2:21:00 | |
When the nurse told me the news, | 2:21:00 | 2:21:02 | |
I said to myself there's only one place for me to be - with my friends. | 2:21:02 | 2:21:05 | |
# In the name of Orange now open the gates | 2:21:05 | 2:21:08 | |
# Our allies have landed ashore | 2:21:08 | 2:21:11 | |
# We'll fight and we'll capture our country again | 2:21:11 | 2:21:13 | |
# And freedom is ours evermore | 2:21:13 | 2:21:17 | |
# And freedom is ours evermore | 2:21:17 | 2:21:19 | |
# In the name of Orange now open the gates | 2:21:19 | 2:21:24 | |
# Our allies have landed on shore | 2:21:24 | 2:21:29 | |
# We'll fight | 2:21:29 | 2:21:31 | |
# And we'll capture our country again... | 2:21:31 | 2:21:34 | |
BELL CHIMES | 2:21:34 | 2:21:36 | |
Shh. Shh. | 2:21:36 | 2:21:37 | |
QUIETLY: # And freedom is ours evermore | 2:21:37 | 2:21:42 | |
WHISPERING: # And freedom is ours evermore. # | 2:21:42 | 2:21:48 | |
Quick. Before the workmen come. I'll be up later. | 2:21:48 | 2:21:51 | |
-Goodbye, my dear friends. -Goodbye, Mr Kraler. | 2:21:51 | 2:21:54 | |
Thank you, Miep. | 2:21:54 | 2:21:56 | |
SOBBING | 2:21:56 | 2:21:59 | |
Putti, what is it? What happened? | 2:21:59 | 2:22:02 | |
I am so ashamed! | 2:22:02 | 2:22:05 | |
Oh, for heaven's sake. | 2:22:05 | 2:22:07 | |
Putti, don't. | 2:22:07 | 2:22:10 | |
Mr Van Daan, didn't you hear? | 2:22:10 | 2:22:13 | |
We're going to be liberated. | 2:22:13 | 2:22:16 | |
This is a time to celebrate. | 2:22:16 | 2:22:18 | |
To steal bread from children. | 2:22:20 | 2:22:23 | |
Oh, we've all done things that we're ashamed of. | 2:22:23 | 2:22:27 | |
Look at the way I treated Mother - so mean and horrid to her. | 2:22:27 | 2:22:30 | |
-No, Anneke. No. -Oh, I was, Mother. I was awful. | 2:22:30 | 2:22:33 | |
Not like me. | 2:22:33 | 2:22:36 | |
No-one is as bad as me. | 2:22:36 | 2:22:38 | |
RADIO: Torpedo boats join British warships | 2:22:38 | 2:22:40 | |
and thousands of Allied planes in laying down an earth-shaking bombardment. | 2:22:40 | 2:22:44 | |
Stop it! | 2:22:44 | 2:22:46 | |
Let's be happy! | 2:22:46 | 2:22:48 | |
Edith. | 2:22:52 | 2:22:54 | |
When I think of the terrible things I said. | 2:22:56 | 2:23:00 | |
No, no. You were right. | 2:23:00 | 2:23:02 | |
That I should speak that way to you, | 2:23:04 | 2:23:06 | |
our friends, our guests. | 2:23:06 | 2:23:09 | |
Stop it! You're spoiling the whole invasion. | 2:23:11 | 2:23:15 | |
RADIO: Almighty God, | 2:23:49 | 2:23:51 | |
our sons, | 2:23:51 | 2:23:53 | |
pride of our nation, | 2:23:53 | 2:23:55 | |
this day have set upon a mighty endeavour. | 2:23:55 | 2:23:58 | |
Lift up your hearts. | 2:23:58 | 2:24:00 | |
Out of the depths of sorrow | 2:24:00 | 2:24:02 | |
and of sacrifice | 2:24:02 | 2:24:04 | |
will be born again the glory of mankind. | 2:24:04 | 2:24:07 | |
MAN SPEAKING GERMAN ON RADIO | 2:24:09 | 2:24:11 | |
RADIO MERGES WITH EXPLOSIONS | 2:24:15 | 2:24:17 | |
We are all in much better spirits these days. | 2:24:40 | 2:24:42 | |
There is still excellent news of the invasion. | 2:24:42 | 2:24:46 | |
And the best part about it is that I have a feeling that friends are coming. | 2:24:46 | 2:24:50 | |
Our beloved queen spoke. | 2:24:52 | 2:24:53 | |
She used words like "soon", | 2:24:53 | 2:24:56 | |
"when I am back", "speedy liberation." | 2:24:56 | 2:24:59 | |
Who knows? | 2:24:59 | 2:25:01 | |
I may be back in school by fall. | 2:25:01 | 2:25:03 | |
Wednesday, 2nd of July, 1944. | 2:25:12 | 2:25:16 | |
-RADIO: -Fierce counterattacks by enemy Panzer divisions... | 2:25:16 | 2:25:18 | |
The invasion seems temporarily bogged down. | 2:25:18 | 2:25:21 | |
Mr Kraler is back in the hospital. | 2:25:29 | 2:25:32 | |
He has to have an operation. | 2:25:32 | 2:25:34 | |
It seems D-Day was too much for him. | 2:25:34 | 2:25:37 | |
-Thank you. -Here you are. | 2:25:38 | 2:25:40 | |
Ha-ha. The joke is on us. | 2:25:41 | 2:25:44 | |
Miep tells us the warehouseman doesn't know a thing, | 2:25:44 | 2:25:47 | |
and we're paying him all that money. | 2:25:47 | 2:25:49 | |
BELL CHIMES | 2:25:55 | 2:25:57 | |
Our dear vegetable man is on his way to a concentration camp. | 2:26:25 | 2:26:31 | |
He was picked up today for hiding two Jews in his house. | 2:26:31 | 2:26:34 | |
SIREN WAILS | 2:26:34 | 2:26:35 | |
There's not much. | 2:26:41 | 2:26:43 | |
It was Mr Hauk, our greengrocer, they arrested. | 2:26:43 | 2:26:46 | |
And the other news is... | 2:26:48 | 2:26:50 | |
..the Gestapo have found our typewriter that was stolen. | 2:26:50 | 2:26:52 | |
-No. -Uh-huh. | 2:26:52 | 2:26:55 | |
They'll trace it back and back till it gets to us. | 2:26:55 | 2:26:59 | |
You watch, you... | 2:26:59 | 2:27:01 | |
PHONE RINGS | 2:27:04 | 2:27:06 | |
Everyone is low. | 2:27:14 | 2:27:16 | |
Even Father can't raise their spirits. | 2:27:16 | 2:27:18 | |
I have often been downcast myself, | 2:27:20 | 2:27:22 | |
but never in despair. | 2:27:22 | 2:27:24 | |
I can shake off everything if I write, but... | 2:27:24 | 2:27:29 | |
..and that is the great question... | 2:27:29 | 2:27:31 | |
..will I ever be able to write well? | 2:27:31 | 2:27:34 | |
I want to so much. | 2:27:34 | 2:27:36 | |
I want to go on living even after my death. | 2:27:36 | 2:27:40 | |
PHONE RINGS | 2:27:41 | 2:27:43 | |
PHONE CONTINUES | 2:27:56 | 2:27:58 | |
There it goes again. | 2:28:04 | 2:28:07 | |
Mr Frank, do you hear? | 2:28:07 | 2:28:09 | |
Yes, I hear. | 2:28:09 | 2:28:11 | |
This is the third time. | 2:28:11 | 2:28:14 | |
The third time in quick succession. | 2:28:14 | 2:28:18 | |
It's a signal. | 2:28:18 | 2:28:21 | |
I tell you it's Miep trying to get us. | 2:28:21 | 2:28:24 | |
For some reason she... she can't come to us, | 2:28:25 | 2:28:27 | |
and she's trying to warn us of something. | 2:28:27 | 2:28:29 | |
Please, Mr Dussel. Please. | 2:28:29 | 2:28:31 | |
You're wasting your breath. | 2:28:31 | 2:28:34 | |
Something has happened, Mr Frank. | 2:28:34 | 2:28:38 | |
It's been three days now that Miep hasn't been to see us. | 2:28:38 | 2:28:42 | |
And today not a man has come to work. | 2:28:48 | 2:28:51 | |
There hasn't been a sound in the building. | 2:28:51 | 2:28:53 | |
Perhaps it's Sunday. | 2:28:54 | 2:28:57 | |
We may have lost track of the days. | 2:28:57 | 2:29:00 | |
You with the diary there, what day is it? | 2:29:00 | 2:29:03 | |
I don't lose track of the days. | 2:29:03 | 2:29:06 | |
I know exactly what day it is. | 2:29:06 | 2:29:08 | |
It's Friday, 4th of August. | 2:29:10 | 2:29:13 | |
It's Friday, and-and not a man at work. | 2:29:13 | 2:29:16 | |
PHONE RINGS | 2:29:16 | 2:29:17 | |
I tell you, Mr Kraler is dead. | 2:29:19 | 2:29:21 | |
That's the only explanation. | 2:29:23 | 2:29:25 | |
He's dead, and they've closed down the building, | 2:29:25 | 2:29:27 | |
and that's what Miep's trying to tell us. | 2:29:27 | 2:29:29 | |
-OTTO: -She would never telephone us, Mr Dussel. | 2:29:29 | 2:29:31 | |
Please, I beg of you, Mr Frank, answer the phone. | 2:29:31 | 2:29:34 | |
-No. -Just pick it up and listen. You don't have to speak. | 2:29:34 | 2:29:36 | |
Just listen and see if it's Miep. | 2:29:36 | 2:29:38 | |
For God's sake, answer the telephone! | 2:29:39 | 2:29:42 | |
I've told you, no. | 2:29:42 | 2:29:44 | |
PHONE CONTINUES | 2:29:44 | 2:29:45 | |
I'll do nothing that might let anyone know that we are in this building. | 2:29:49 | 2:29:53 | |
Mr Frank's right. | 2:29:53 | 2:29:55 | |
There's no need to tell us what side you're on. | 2:29:55 | 2:29:57 | |
If we wait here quietly and...patiently, I believe that help will come. | 2:29:57 | 2:30:02 | |
Mr Dussel... | 2:30:09 | 2:30:12 | |
No, Mr Dussel... Mr Dussel! | 2:30:12 | 2:30:15 | |
PHONE STOPS RINGING | 2:30:19 | 2:30:20 | |
Too late. | 2:30:29 | 2:30:31 | |
So we just wait here... until we die. | 2:30:37 | 2:30:42 | |
I can't stand it. I'll kill myself. | 2:30:42 | 2:30:45 | |
For heaven's sake, stop it. | 2:30:45 | 2:30:47 | |
I think you would be glad if I did. You want me to die. | 2:30:47 | 2:30:51 | |
Whose fault is it we're here? | 2:30:51 | 2:30:53 | |
We could have been safe in America or Switzerland. | 2:30:53 | 2:30:55 | |
But no, no. You wouldn't leave when I wanted to. | 2:30:55 | 2:30:58 | |
You couldn't leave your precious things. | 2:30:58 | 2:31:01 | |
-Your furniture. -That's right. | 2:31:01 | 2:31:03 | |
Blame it all on me. It's all my fault. | 2:31:03 | 2:31:06 | |
Your hats, your shoes, your dishes. | 2:31:06 | 2:31:09 | |
For your comfort we had anything. | 2:31:09 | 2:31:11 | |
-My comfort. -I never had anything I really wanted. | 2:31:11 | 2:31:15 | |
Everything was for your pleasure! | 2:31:15 | 2:31:17 | |
DOOR SLAMS | 2:31:17 | 2:31:18 | |
Look, Peter. Look at the sky. | 2:31:23 | 2:31:26 | |
Aren't the clouds beautiful? | 2:31:28 | 2:31:30 | |
A lovely, lovely day. | 2:31:33 | 2:31:35 | |
You know what I do... | 2:31:44 | 2:31:46 | |
..when I think I can't stand another minute of being cooped up? | 2:31:46 | 2:31:50 | |
I think myself outside. | 2:31:52 | 2:31:54 | |
I think I'm on a walk in the park where I used to go with Father, | 2:31:57 | 2:32:00 | |
where the crocus and the jonquils and the violets | 2:32:00 | 2:32:03 | |
grow along the slopes. | 2:32:03 | 2:32:05 | |
You know... | 2:32:09 | 2:32:10 | |
..the most wonderful part of thinking yourself outside? | 2:32:12 | 2:32:16 | |
You can have it any way you like. | 2:32:23 | 2:32:26 | |
You can have roses and violets and tulips all blooming in the same season. | 2:32:28 | 2:32:33 | |
Isn't that wonderful? | 2:32:36 | 2:32:38 | |
When I was outside, I used to take it all for granted. | 2:32:42 | 2:32:46 | |
And now in here I've just gone crazy about nature. | 2:32:46 | 2:32:49 | |
I've just gone crazy. | 2:32:52 | 2:32:54 | |
I think if something doesn't happen soon... | 2:32:55 | 2:32:59 | |
..if we don't get out of here... | 2:32:59 | 2:33:01 | |
I can't stand much more of this. | 2:33:01 | 2:33:05 | |
I wish you had a religion, Peter. | 2:33:05 | 2:33:07 | |
No, thanks. | 2:33:09 | 2:33:12 | |
Not me. | 2:33:12 | 2:33:13 | |
I don't mean you have to be Orthodox... | 2:33:13 | 2:33:16 | |
..or believe in heaven and hell and purgatory and things. | 2:33:17 | 2:33:21 | |
I just mean some religion. | 2:33:22 | 2:33:24 | |
It doesn't matter what. | 2:33:25 | 2:33:27 | |
Just to believe in something. | 2:33:27 | 2:33:29 | |
When I think of all that's out there, | 2:33:34 | 2:33:36 | |
the trees and flowers... | 2:33:36 | 2:33:39 | |
..and those seagulls. | 2:33:40 | 2:33:42 | |
When I think of the dearness of you, Peter... | 2:33:46 | 2:33:48 | |
..and the goodness of the people we know - | 2:33:55 | 2:33:58 | |
Mr Kraler and Miep, the vegetable man... | 2:33:58 | 2:34:01 | |
..all of them risking their lives for us every day. | 2:34:02 | 2:34:06 | |
When I think of these good things, I'm not afraid any more. | 2:34:08 | 2:34:12 | |
I find myself... | 2:34:12 | 2:34:15 | |
..in God, and I... | 2:34:15 | 2:34:16 | |
That's... That's fine, but... | 2:34:16 | 2:34:20 | |
When I begin to think, well, | 2:34:22 | 2:34:25 | |
I get mad. | 2:34:25 | 2:34:26 | |
Look at us. | 2:34:28 | 2:34:29 | |
Hiding out here for two years. | 2:34:30 | 2:34:33 | |
Not able to move. Caught like... | 2:34:34 | 2:34:36 | |
Waiting for them to come and get us. | 2:34:39 | 2:34:41 | |
We're not the only people that have had to suffer. | 2:34:52 | 2:34:55 | |
There have always been people that have had to. | 2:34:55 | 2:34:59 | |
Sometimes one race, sometimes another, and yet... | 2:34:59 | 2:35:02 | |
That doesn't make me feel any better. | 2:35:02 | 2:35:04 | |
I know it's terrible, trying to have any faith... | 2:35:07 | 2:35:10 | |
..when people are doing such horrible... | 2:35:10 | 2:35:13 | |
But you know what I sometimes think? | 2:35:14 | 2:35:17 | |
I think the world may be going through a phase, | 2:35:17 | 2:35:20 | |
the way I was with Mother. | 2:35:20 | 2:35:22 | |
It'll pass. | 2:35:23 | 2:35:24 | |
Maybe not for hundreds of years, | 2:35:26 | 2:35:28 | |
but someday. | 2:35:28 | 2:35:30 | |
I still believe, | 2:35:33 | 2:35:35 | |
in spite of everything, | 2:35:35 | 2:35:37 | |
that people are really good at heart. | 2:35:37 | 2:35:40 | |
I want to see something now, | 2:35:47 | 2:35:49 | |
not a thousand years from now. | 2:35:49 | 2:35:52 | |
But, Peter, | 2:35:52 | 2:35:54 | |
if you'd only look at it as part of a great pattern, | 2:35:54 | 2:35:58 | |
that we're just a little minute in life. | 2:35:58 | 2:36:01 | |
Listen to us, going at each other like a couple of stupid grown-ups. | 2:36:05 | 2:36:09 | |
Look at the sky. | 2:36:12 | 2:36:14 | |
Isn't it lovely? | 2:36:14 | 2:36:16 | |
Someday, when we get outside again... | 2:36:21 | 2:36:23 | |
SIREN WAILS | 2:36:23 | 2:36:25 | |
..I'm going to... | 2:36:25 | 2:36:26 | |
SIREN CONTINUES | 2:36:35 | 2:36:36 | |
INDISTINCT SHOUTS | 2:37:22 | 2:37:23 | |
WHISTLE BLOWS | 2:37:23 | 2:37:24 | |
BUZZER | 2:37:28 | 2:37:29 | |
WHISTLE BLOWS | 2:37:32 | 2:37:34 | |
BUZZER | 2:37:39 | 2:37:40 | |
SHOUTING IN GERMAN | 2:37:45 | 2:37:47 | |
KNOCKING ON DOOR | 2:37:47 | 2:37:48 | |
BUZZER | 2:37:56 | 2:37:58 | |
KNOCKING ON DOOR | 2:37:58 | 2:37:59 | |
SHOUTING IN GERMAN | 2:38:08 | 2:38:09 | |
BELL RINGS | 2:38:11 | 2:38:13 | |
RINGING, KNOCKING AND SHOUTING CONTINUE | 2:38:26 | 2:38:28 | |
CRASHING | 2:38:32 | 2:38:34 | |
SHOUTS IN GERMAN | 2:38:40 | 2:38:42 | |
FOOTSTEPS | 2:38:48 | 2:38:49 | |
WOOD SPLINTERS | 2:38:51 | 2:38:52 | |
GLASS SHATTERS | 2:38:56 | 2:38:58 | |
WHISTLE BLOWS | 2:39:05 | 2:39:07 | |
MEN SPEAKING IN GERMAN | 2:39:18 | 2:39:19 | |
For the past two years we have lived in fear. | 2:39:25 | 2:39:28 | |
Now we can live in hope. | 2:39:28 | 2:39:30 | |
SHOUTING IN GERMAN | 2:39:34 | 2:39:35 | |
FOOTSTEPS ON STAIRS | 2:39:39 | 2:39:40 | |
KNOCKING | 2:39:43 | 2:39:44 | |
And so it seems our stay here is over. | 2:39:52 | 2:39:55 | |
They've given us just a moment to get our things. | 2:39:56 | 2:39:59 | |
We can each take a bag... | 2:39:59 | 2:40:02 | |
..and whatever it will hold of clothing. | 2:40:02 | 2:40:03 | |
Nothing else. | 2:40:05 | 2:40:06 | |
So, dear...diary... | 2:40:07 | 2:40:09 | |
..that means I must leave you behind. | 2:40:11 | 2:40:14 | |
Goodbye for a while. | 2:40:16 | 2:40:18 | |
PS. Please, please, anyone... | 2:40:19 | 2:40:22 | |
..if you should find this diary, | 2:40:23 | 2:40:26 | |
will you please keep it safe for me, | 2:40:26 | 2:40:29 | |
because someday I hope that... | 2:40:29 | 2:40:31 | |
No more. | 2:40:35 | 2:40:36 | |
I had gone to the country to try to find food. | 2:40:38 | 2:40:41 | |
When I got back, the police were in the building. | 2:40:41 | 2:40:44 | |
We made it our business to learn how they knew. | 2:40:44 | 2:40:47 | |
It was the thief who told them. | 2:40:47 | 2:40:49 | |
We know the thief. He was... | 2:40:49 | 2:40:51 | |
It seems strange to me now, | 2:40:51 | 2:40:53 | |
but we were all so full of hope in the camp here in Holland | 2:40:53 | 2:40:56 | |
where they first took us. | 2:40:56 | 2:40:57 | |
The news of the war was good. | 2:40:57 | 2:41:00 | |
The British and Americans were sweeping through France. | 2:41:00 | 2:41:03 | |
We felt sure they would get to us in time to... | 2:41:03 | 2:41:05 | |
But... | 2:41:07 | 2:41:09 | |
..in September we were shipped to Poland. | 2:41:10 | 2:41:12 | |
The men to one camp, the women to another. | 2:41:12 | 2:41:15 | |
From there... they were sent to Belsen. | 2:41:17 | 2:41:21 | |
I stayed in Auschwitz. | 2:41:21 | 2:41:23 | |
In January we were freed, the few of us who were left. | 2:41:23 | 2:41:26 | |
The war was not yet over, no. | 2:41:28 | 2:41:30 | |
It took us a long time to get home. | 2:41:32 | 2:41:36 | |
Each time the train would stop, we'd... | 2:41:36 | 2:41:38 | |
..all get out, you know, at a siding or a crossing, and... | 2:41:38 | 2:41:41 | |
..walk from group to group. | 2:41:41 | 2:41:43 | |
"Where were you?" | 2:41:45 | 2:41:47 | |
"Were you at Belsen?" | 2:41:47 | 2:41:49 | |
"At Buchenwald?" | 2:41:49 | 2:41:51 | |
"At Mauthausen? Where?" | 2:41:51 | 2:41:54 | |
"Is it possible that you ever knew my wife?" | 2:41:54 | 2:41:56 | |
"Did you ever see my husband, my son, | 2:41:56 | 2:41:59 | |
"my daughter?" | 2:41:59 | 2:42:01 | |
That's how I found out about my wife's death, | 2:42:08 | 2:42:12 | |
Margot's, Van Daans', | 2:42:12 | 2:42:15 | |
Peter, Dussel. | 2:42:15 | 2:42:18 | |
But... | 2:42:19 | 2:42:20 | |
..Anne... | 2:42:22 | 2:42:24 | |
I still hoped. | 2:42:24 | 2:42:26 | |
Yesterday I was in Rotterdam. | 2:42:27 | 2:42:30 | |
I met a woman there. | 2:42:31 | 2:42:33 | |
She'd been in Belsen... with Anne. | 2:42:34 | 2:42:37 | |
I know now. | 2:42:42 | 2:42:43 | |
In spite of everything, | 2:42:57 | 2:43:00 | |
I still believe that people are really good at heart. | 2:43:00 | 2:43:04 | |
She puts me to shame. | 2:43:04 | 2:43:06 |