Browse content similar to The Water Diviner. Check below for episodes and series from the same categories and more!
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This film contains some violent scenes | 0:00:52 | 0:00:58 | |
EXPLOSION | 0:01:42 | 0:01:43 | |
EXPLOSION | 0:02:02 | 0:02:04 | |
EXPLOSION | 0:02:21 | 0:02:23 | |
-Allahu Akbar! -ALL: Allahu Akbar! | 0:02:40 | 0:02:44 | |
-Allahu Akbar! -Allahu Akbar! -Allahu Akbar! -Allahu Akbar! | 0:02:44 | 0:02:49 | |
SHOUTS COMMANDS | 0:02:49 | 0:02:51 | |
NEARBY EXPLOSION | 0:04:02 | 0:04:03 | |
MAN SHOUTS | 0:04:15 | 0:04:18 | |
CHEERING | 0:04:19 | 0:04:21 | |
GUNSHOT | 0:04:39 | 0:04:41 | |
TRANSLATED: | 0:04:47 | 0:04:49 | |
I think we're close, mate. | 0:05:45 | 0:05:47 | |
I think we're very close. | 0:05:47 | 0:05:49 | |
HE LAUGHS | 0:07:26 | 0:07:29 | |
DOG BARKS | 0:07:29 | 0:07:31 | |
Whoo! Hoo-hoo! | 0:07:31 | 0:07:33 | |
Told you there was water there, didn't I? | 0:08:13 | 0:08:16 | |
Told you. | 0:08:16 | 0:08:17 | |
Lizzie? | 0:08:59 | 0:09:01 | |
Everything all right? | 0:09:01 | 0:09:03 | |
Arthur's worn through the toe of his boot again. | 0:09:03 | 0:09:06 | |
What does he do? | 0:09:06 | 0:09:07 | |
The boys are all in bed. | 0:09:11 | 0:09:12 | |
They're waiting for you to read to them. | 0:09:12 | 0:09:15 | |
-I'm bone-tired, Lizzie. -Oh, come on. | 0:09:15 | 0:09:17 | |
You know this is their favourite time of the day. | 0:09:17 | 0:09:19 | |
"Prince Hussain called to the man | 0:09:33 | 0:09:36 | |
"and asked him why the carpet he wished to sell | 0:09:36 | 0:09:38 | |
"was so expensive, | 0:09:38 | 0:09:40 | |
"saying, 'it must be made of something quite extraordinary.' | 0:09:40 | 0:09:44 | |
"The merchant replied, | 0:09:44 | 0:09:45 | |
" 'My Prince, your amazement will be all the greater | 0:09:45 | 0:09:49 | |
" 'when I tell you that it is enchanted. | 0:09:49 | 0:09:51 | |
" 'Whoever sits on this carpet, closes his eyes | 0:09:51 | 0:09:55 | |
" 'and says the magic word "Tangu" | 0:09:55 | 0:09:58 | |
" 'may be transported through the air in an instant. | 0:09:58 | 0:10:01 | |
" 'Wherever his heart desires to be.' " | 0:10:01 | 0:10:04 | |
DOOR OPENS | 0:10:08 | 0:10:10 | |
I hit water at 15 feet. | 0:10:24 | 0:10:26 | |
Bit brackish, but good pressure. | 0:10:26 | 0:10:28 | |
With water we'll be able to put stock in that valley block. | 0:10:28 | 0:10:30 | |
They didn't even wipe the mud off it. | 0:10:30 | 0:10:32 | |
SHE SNIFFS | 0:10:34 | 0:10:35 | |
It's been four years, Liz. | 0:10:35 | 0:10:37 | |
You're so clever. | 0:10:37 | 0:10:39 | |
You can find water but you can't even find your own children. | 0:10:39 | 0:10:44 | |
Why can't you find them? | 0:10:44 | 0:10:47 | |
You lost them! | 0:10:48 | 0:10:50 | |
GUNFIRE | 0:11:03 | 0:11:05 | |
SCREAMING | 0:11:05 | 0:11:07 | |
YELLING | 0:11:11 | 0:11:13 | |
Come on, Art! | 0:11:22 | 0:11:24 | |
You won't win any medals up there, mate! | 0:11:24 | 0:11:26 | |
Yeah, it's two hours back to Rainbow, | 0:11:26 | 0:11:28 | |
-got to get a wriggle on! -You got that? -Yeah. | 0:11:28 | 0:11:30 | |
I reckon I got it by now, Dad. | 0:11:30 | 0:11:32 | |
-Arthur... -Look after my brothers, and keep my bloody head down. | 0:11:36 | 0:11:40 | |
I know. | 0:11:40 | 0:11:41 | |
HOOFBEATS | 0:11:47 | 0:11:49 | |
WHOOPING | 0:11:52 | 0:11:54 | |
-Love you, Dad! -See you, Dad! | 0:11:57 | 0:11:58 | |
DOG BARKS | 0:12:43 | 0:12:45 | |
Lizzie? | 0:12:51 | 0:12:52 | |
Lizzie! | 0:12:54 | 0:12:55 | |
Lizzie?! | 0:13:01 | 0:13:03 | |
Lizzie! Lizzie! | 0:13:06 | 0:13:09 | |
MUSIC PLAYS | 0:13:13 | 0:13:17 | |
DIGGING | 0:13:30 | 0:13:32 | |
You understand, in all conscience, | 0:13:45 | 0:13:49 | |
I could not bury your wife in consecrated ground | 0:13:49 | 0:13:52 | |
if I thought she had taken her own life. | 0:13:52 | 0:13:55 | |
Consecrated ground is his promise to the faithful. | 0:13:55 | 0:13:58 | |
She fell in and drowned, so your conscience is clear. | 0:14:02 | 0:14:04 | |
Three sons killed. | 0:14:06 | 0:14:08 | |
That was quite an ordeal for Eliza. | 0:14:08 | 0:14:11 | |
As the book of Job teaches us, | 0:14:11 | 0:14:12 | |
God sets these trials for a reason. | 0:14:12 | 0:14:15 | |
Many families in the district have made similar sacrifices | 0:14:15 | 0:14:18 | |
for king and country. | 0:14:18 | 0:14:20 | |
You know, you have a gall coming in here, | 0:14:23 | 0:14:26 | |
making demands. | 0:14:26 | 0:14:27 | |
You haven't stepped inside this place for four years, | 0:14:27 | 0:14:30 | |
you haven't been to confession. | 0:14:30 | 0:14:33 | |
You're all but lost to God. | 0:14:33 | 0:14:35 | |
Yes. And you and God can feed me to the pigs for all I care. | 0:14:35 | 0:14:38 | |
But you knew this woman. She was here every Sunday. | 0:14:38 | 0:14:41 | |
I've dug the grave, I've made the coffin. | 0:14:41 | 0:14:44 | |
All I'm asking you to do is say some words and throw some dirt. | 0:14:44 | 0:14:47 | |
That cart of yours... | 0:14:54 | 0:14:56 | |
..would make a useful benefaction for our community. | 0:14:57 | 0:15:00 | |
An offering to God. | 0:15:00 | 0:15:02 | |
Well, he might as well take that too. | 0:15:05 | 0:15:08 | |
DOG BARKS | 0:15:20 | 0:15:22 | |
I'll find them, love. | 0:15:30 | 0:15:31 | |
I'll find them and I'll bring them home to you. | 0:15:35 | 0:15:37 | |
RHYTHM OF DIGGING AND DIRT FALLING CONTINUES | 0:16:02 | 0:16:04 | |
Nearly there. | 0:16:18 | 0:16:19 | |
Thank you. | 0:16:25 | 0:16:27 | |
Not now. Later. Thank you. | 0:16:30 | 0:16:33 | |
TRANSLATION: | 0:16:33 | 0:16:34 | |
Major Hasan Bey to see Lieutenant Colonel Hughes | 0:16:47 | 0:16:52 | |
-at the War Graves. -We know who he is, mate. | 0:16:52 | 0:16:54 | |
Righto. | 0:16:58 | 0:17:00 | |
Four years ago they'd have given me a VC for shooting that bastard. | 0:17:13 | 0:17:17 | |
Lieutenant Colonel Hughes, | 0:17:23 | 0:17:25 | |
may I present Major Hasan Bey. | 0:17:25 | 0:17:27 | |
-Major Bey was commander of... -Just Major Hasan. | 0:17:27 | 0:17:30 | |
-Bey just means Mister. -Yes. Indeed. | 0:17:30 | 0:17:32 | |
Mr Bey gave you boys hell at Lonesome Pine, sir. | 0:17:32 | 0:17:35 | |
We all know who Major Hasan is, Lieutenant. Thank you. | 0:17:35 | 0:17:38 | |
Merhaba. Hosgeldiniz. | 0:17:38 | 0:17:41 | |
Hosbulduk. Turkce biliyor musunuz? | 0:17:41 | 0:17:43 | |
Ah... | 0:17:43 | 0:17:44 | |
English? | 0:17:44 | 0:17:46 | |
I see you have finally taken the Peninsula. | 0:17:48 | 0:17:50 | |
Yes. | 0:17:50 | 0:17:52 | |
Lost the battle, won the war. | 0:17:52 | 0:17:54 | |
Well, Sergeant Tucker here will show you to your accommodations. | 0:17:56 | 0:17:59 | |
Perhaps once you've refreshed we could meet in my tent? | 0:17:59 | 0:18:01 | |
-Thank you. -Right this way. | 0:18:01 | 0:18:03 | |
While I'm here, I thought I'd make myself useful. | 0:18:09 | 0:18:13 | |
If you have any horses that need any work, | 0:18:13 | 0:18:15 | |
I might go for a little ride. | 0:18:15 | 0:18:16 | |
Preferably something with a bit of pep. | 0:18:16 | 0:18:19 | |
Ah, Sergeant Tucker, acquaint Lieutenant Greeves | 0:18:20 | 0:18:22 | |
with Widowmaker. | 0:18:22 | 0:18:24 | |
She could use a workout. | 0:18:24 | 0:18:26 | |
With pleasure, sir. | 0:18:26 | 0:18:27 | |
Now, we've already started work in this area, | 0:18:32 | 0:18:34 | |
from the Nek down to Hill 971. | 0:18:34 | 0:18:36 | |
I assume they briefed you fully at the War Office. | 0:18:36 | 0:18:38 | |
We would appreciate your help locating our dead. | 0:18:38 | 0:18:41 | |
YOUR dead? | 0:18:41 | 0:18:43 | |
Lost over 10,000 Anzacs here on Gallipoli | 0:18:43 | 0:18:44 | |
and still don't know where half of them are. | 0:18:44 | 0:18:47 | |
Some were buried properly but a lot of the graves have been lost, | 0:18:47 | 0:18:49 | |
overgrown or washed away, or their crosses were pilfered | 0:18:49 | 0:18:52 | |
for firewood after we evacuated. | 0:18:52 | 0:18:53 | |
Retreated. | 0:18:53 | 0:18:55 | |
You were here? | 0:18:56 | 0:18:58 | |
First Light Horse. | 0:18:58 | 0:19:00 | |
What do you need of me? | 0:19:00 | 0:19:01 | |
Well, the land has changed, | 0:19:01 | 0:19:03 | |
but you know the area better than anyone. | 0:19:03 | 0:19:05 | |
I was hoping you could help us | 0:19:05 | 0:19:06 | |
locate the companies we lost track of. | 0:19:06 | 0:19:08 | |
We can start in the morning. | 0:19:15 | 0:19:17 | |
We lost 70,000 men. | 0:19:26 | 0:19:29 | |
Here. | 0:19:29 | 0:19:30 | |
At Canakkale. | 0:19:30 | 0:19:32 | |
For me, this place is one big grave. | 0:19:33 | 0:19:36 | |
I don't know what you chaps were belly-aching about. | 0:19:59 | 0:20:01 | |
This is a veritable Garden of Eden. | 0:20:01 | 0:20:03 | |
If your troops had taken this hill on the first day, | 0:20:08 | 0:20:12 | |
we would have been finished. | 0:20:12 | 0:20:14 | |
How close did we get? | 0:20:15 | 0:20:18 | |
There. | 0:20:18 | 0:20:19 | |
THUNDER ROLLS | 0:20:21 | 0:20:22 | |
TORRENTIAL RAIN | 0:20:26 | 0:20:28 | |
There you go, sir. Your Garden of Eden. | 0:20:32 | 0:20:36 | |
GUNFIRE | 0:20:51 | 0:20:53 | |
Joshua? Where are the boys? | 0:20:58 | 0:21:00 | |
Ed, Henry, let's go home. | 0:21:15 | 0:21:18 | |
Run! | 0:21:18 | 0:21:20 | |
Come on, Ed! | 0:21:36 | 0:21:38 | |
Boys! | 0:21:40 | 0:21:42 | |
Boys? | 0:21:43 | 0:21:44 | |
Hurry up! | 0:21:54 | 0:21:55 | |
Art! Ahhh! | 0:21:58 | 0:22:00 | |
Ed! | 0:22:00 | 0:22:02 | |
Get down! | 0:22:04 | 0:22:05 | |
BOYS HOWL | 0:22:08 | 0:22:10 | |
It's all right, boys. It's all right. | 0:22:20 | 0:22:23 | |
Good on you, Art, for not leaving your brothers behind. | 0:22:25 | 0:22:27 | |
Hey, Ed, what's the magic word? The one that makes the carpet fly? | 0:22:27 | 0:22:30 | |
-Tonga? -Tangu, you wombat. | 0:22:30 | 0:22:33 | |
That's it - Tangu. Come on, cuddle up. Get tight, close your eyes. | 0:22:33 | 0:22:36 | |
-Ed's peeping, Dad. -Ed, close your eyes. | 0:22:36 | 0:22:39 | |
It only works if your eyes are closed. | 0:22:39 | 0:22:41 | |
All right, boys, let's get out of here. All together. | 0:22:41 | 0:22:43 | |
ALL: Tangu! | 0:22:43 | 0:22:46 | |
Mister! | 0:23:17 | 0:23:18 | |
SALES PATTER | 0:23:18 | 0:23:20 | |
Bugger off, the pair of you. | 0:23:27 | 0:23:29 | |
-Go away. No. -No? -No. | 0:23:29 | 0:23:31 | |
Anything you want my mama can make. | 0:23:32 | 0:23:34 | |
-Hot water, no Germans. -No. Clear off. | 0:23:34 | 0:23:37 | |
Beautiful hotel. Best room. | 0:23:37 | 0:23:39 | |
I'm going to Gallipoli. | 0:23:39 | 0:23:41 | |
-How do I get to Gallipoli? -Huh? | 0:23:41 | 0:23:42 | |
I want to go to Gallipoli. | 0:23:42 | 0:23:44 | |
-HE SPEAKS OWN LANGUAGE -Mister? Mister? -Gallipoli. | 0:23:44 | 0:23:47 | |
Come to our hotel. | 0:23:49 | 0:23:50 | |
Beautiful hotel. Beautiful view. | 0:23:50 | 0:23:53 | |
Anything you want, my anne can make. | 0:23:53 | 0:23:56 | |
Maybe you can help me. I'm going to Gallipoli. | 0:23:56 | 0:23:58 | |
No, you're not. No-one goes there without a permit. | 0:23:58 | 0:24:01 | |
-You'll have to go to the British War Office in Sultanahmet. -Where? | 0:24:01 | 0:24:04 | |
-Sultanahmet. We go! -Old city. | 0:24:04 | 0:24:06 | |
And...I'd keep an eye on your bag if I were you. | 0:24:06 | 0:24:10 | |
Crafty little buggers. | 0:24:10 | 0:24:11 | |
Oi! | 0:24:25 | 0:24:26 | |
Oi! | 0:24:32 | 0:24:34 | |
Oi! | 0:24:38 | 0:24:40 | |
Mister! Mister! | 0:25:21 | 0:25:23 | |
Where you go? | 0:25:23 | 0:25:25 | |
Little bastard. | 0:25:26 | 0:25:28 | |
Give me my bag, you little bastard. | 0:25:38 | 0:25:41 | |
See? Beautiful hotel. | 0:25:41 | 0:25:43 | |
Clean sheets, hot water, no Germans. | 0:25:43 | 0:25:46 | |
TRANSLATION: | 0:25:57 | 0:25:59 | |
Hello? | 0:26:08 | 0:26:09 | |
I, uh...I need a room. | 0:26:10 | 0:26:12 | |
You're from England? | 0:26:12 | 0:26:15 | |
No. No, I'm from Australia. | 0:26:15 | 0:26:16 | |
Um, I'm sorry, Orhan has made a mistake. | 0:26:19 | 0:26:22 | |
We have no rooms. | 0:26:22 | 0:26:24 | |
Your son dragged me halfway across this wretched city. | 0:26:24 | 0:26:26 | |
Ah, no, no, no, no. The boy was right. | 0:26:26 | 0:26:29 | |
Our best room is now vacant, Mr...? | 0:26:29 | 0:26:31 | |
Connor. Joshua Connor. | 0:26:31 | 0:26:33 | |
You are most welcome, Mr Connor. | 0:26:37 | 0:26:39 | |
The room is up the stairs. | 0:26:39 | 0:26:41 | |
Breakfast is at eight. | 0:26:41 | 0:26:43 | |
Would you like for her to bring the tea? | 0:26:43 | 0:26:45 | |
Uh, no. No, thanks. | 0:26:45 | 0:26:46 | |
But your son did mention there might be some hot water. | 0:26:46 | 0:26:49 | |
Ah, it is shameful to lie. You are a spoilt mother's boy. | 0:26:49 | 0:26:52 | |
Oh, no, it's all right. I must have just misunderstood. | 0:26:52 | 0:26:55 | |
Please, please. It is his duty. | 0:26:55 | 0:26:58 | |
Thank you very much. | 0:27:02 | 0:27:03 | |
This your room. | 0:27:15 | 0:27:17 | |
You seem to know where everything is. | 0:27:17 | 0:27:19 | |
How about tomorrow you take me to the War Office? | 0:27:19 | 0:27:22 | |
-I'll pay you. -Yes, I will. | 0:27:22 | 0:27:24 | |
SQUAWKING | 0:27:56 | 0:27:58 | |
KNOCKING | 0:28:20 | 0:28:22 | |
Towels for you, Mr Connor. | 0:28:27 | 0:28:29 | |
I am preparing you a hot bath down the hall. | 0:28:29 | 0:28:32 | |
It will take some time. | 0:28:32 | 0:28:33 | |
My son is no liar. | 0:28:33 | 0:28:35 | |
He seems a very resourceful boy. | 0:28:35 | 0:28:37 | |
He is. Very resourceful. | 0:28:37 | 0:28:39 | |
You have children? | 0:28:39 | 0:28:41 | |
Yes. | 0:28:42 | 0:28:44 | |
Three sons. | 0:28:44 | 0:28:45 | |
MEN CALLING | 0:28:45 | 0:28:47 | |
What are they selling? | 0:28:52 | 0:28:54 | |
They're not selling anything, Mr Connor. | 0:28:54 | 0:28:57 | |
It's a call to prayer. | 0:28:57 | 0:28:58 | |
Your guidebook is out of date. | 0:29:06 | 0:29:08 | |
I didn't come here to sightsee. | 0:29:08 | 0:29:09 | |
You should see the Blue Mosque, at least. | 0:29:09 | 0:29:12 | |
Even in my "wretched city" it is a beautiful place to find God. | 0:29:12 | 0:29:15 | |
I didn't come here for him either. | 0:29:17 | 0:29:19 | |
I'm on my way to Gallipoli. | 0:29:19 | 0:29:21 | |
You mean Canakkale. | 0:29:22 | 0:29:24 | |
There's nothing there but ghosts. | 0:29:25 | 0:29:26 | |
My son, he cannot help you tomorrow. | 0:29:29 | 0:29:32 | |
He's needed here. | 0:29:32 | 0:29:33 | |
DOOR OPENS | 0:29:47 | 0:29:48 | |
Have your bath...and come back. | 0:29:59 | 0:30:02 | |
I regret to inform you | 0:30:10 | 0:30:11 | |
we do not issue civilians travel permits to the Dardanelles. | 0:30:11 | 0:30:14 | |
It remains a very sensitive military zone. | 0:30:14 | 0:30:16 | |
In fact, our friends the Greeks have made things | 0:30:16 | 0:30:19 | |
even more complicated by invading Turkey's western coast. | 0:30:19 | 0:30:22 | |
It'll be some time before we bring order to this chaos. | 0:30:22 | 0:30:25 | |
Arthur, Henry and Edward Connor. | 0:30:28 | 0:30:32 | |
All served with the 7th AIF Battalion. | 0:30:32 | 0:30:34 | |
They all enlisted together. | 0:30:34 | 0:30:37 | |
And they died together. All killed in the one day. | 0:30:38 | 0:30:41 | |
August 7th. | 0:30:41 | 0:30:43 | |
1915, at Lone Pine. | 0:30:44 | 0:30:46 | |
Yes. | 0:30:50 | 0:30:51 | |
We do have the Imperial Graves Unit on the Peninsula as we speak. | 0:30:51 | 0:30:54 | |
They have a formidable task ahead of them. | 0:30:54 | 0:30:57 | |
You must understand, these men on Gallipoli, they are experts. | 0:30:57 | 0:31:00 | |
All I need from you is a piece of paper and a stamp | 0:31:00 | 0:31:03 | |
saying that I can go there. | 0:31:03 | 0:31:05 | |
I simply couldn't, Mr Connor, | 0:31:05 | 0:31:07 | |
even if that were my inclination. | 0:31:07 | 0:31:09 | |
I can find them. | 0:31:09 | 0:31:10 | |
How could you possibly hope to do that? | 0:31:10 | 0:31:13 | |
Do you know what the army used to do | 0:31:15 | 0:31:17 | |
with the rank and file dead | 0:31:17 | 0:31:19 | |
after Waterloo, Crimea, Khartoum? | 0:31:19 | 0:31:22 | |
They would dig an enormous bloody pit | 0:31:22 | 0:31:24 | |
and rake the whole lot in with a few handfuls of lime. | 0:31:24 | 0:31:27 | |
No names. Horse, mules, and the men. | 0:31:27 | 0:31:32 | |
All turned into fertilizer. | 0:31:32 | 0:31:34 | |
This is the first war anyone has given a damn. | 0:31:34 | 0:31:36 | |
My boys...should be buried at home, | 0:31:38 | 0:31:42 | |
beside their mother. | 0:31:42 | 0:31:44 | |
Go home, Mr Connor. | 0:31:49 | 0:31:51 | |
MUSIC PLAYING | 0:32:15 | 0:32:16 | |
MEN SHOUTING | 0:32:16 | 0:32:18 | |
Come. | 0:32:39 | 0:32:41 | |
You have buildings like this where you come from? | 0:33:14 | 0:33:18 | |
..but he didn't give up. | 0:33:23 | 0:33:25 | |
He kept on fighting for three days! | 0:33:25 | 0:33:27 | |
I told you my son had work to do here, Mr Connor. | 0:33:34 | 0:33:36 | |
-Oh, I... -He's ten! | 0:33:36 | 0:33:38 | |
What would you expect him to say? | 0:33:38 | 0:33:40 | |
Keep it. It's our secret. | 0:33:56 | 0:33:58 | |
PIANO PLAYING | 0:34:02 | 0:34:07 | |
WOMAN LAUGHING | 0:34:08 | 0:34:10 | |
PIANO PLAYING CONTINUES | 0:34:30 | 0:34:32 | |
-Good morning. -Mr Connor. Would you like some breakfast? | 0:35:15 | 0:35:18 | |
Please. | 0:35:18 | 0:35:20 | |
TRANSLATION: | 0:35:49 | 0:35:51 | |
I'm sorry, I don't understand. | 0:35:58 | 0:36:00 | |
What's he saying? | 0:36:05 | 0:36:06 | |
Uh...my father hopes you enjoy your breakfast. | 0:36:07 | 0:36:11 | |
Would you happen to have a... a boiled egg? | 0:36:15 | 0:36:18 | |
MAN RECITES | 0:36:23 | 0:36:26 | |
BOY REPEATS | 0:36:28 | 0:36:31 | |
Thank you. | 0:37:12 | 0:37:13 | |
English? | 0:37:22 | 0:37:23 | |
Ah. | 0:37:23 | 0:37:25 | |
Um...your wife, he's asking where she is. | 0:37:28 | 0:37:31 | |
She's dead. | 0:37:34 | 0:37:35 | |
And your sons? | 0:37:38 | 0:37:39 | |
TRANSLATED: | 0:37:44 | 0:37:46 | |
Without papers, you cannot go to Gallipoli. | 0:37:51 | 0:37:54 | |
Take the ferry to the town of Chanak, then find a fisherman. | 0:37:54 | 0:37:57 | |
If you pay him enough, he'll sail you across the straits. | 0:37:57 | 0:38:00 | |
He'll have no need for British permits. | 0:38:00 | 0:38:02 | |
Thank you. | 0:38:02 | 0:38:04 | |
Mr Joshua! | 0:38:13 | 0:38:15 | |
Please, you find my baba in Canakkale. | 0:38:16 | 0:38:19 | |
Tell him he must come home. Anne needs him. | 0:38:19 | 0:38:22 | |
-This is your father? -Mm-hm. | 0:38:24 | 0:38:26 | |
-Who's the man in the hotel? -My uncle. | 0:38:26 | 0:38:29 | |
I'll have a look. | 0:38:34 | 0:38:35 | |
You bring him home! | 0:38:37 | 0:38:38 | |
So, what were you doing before the war? | 0:38:50 | 0:38:53 | |
This is the Ottoman Empire. | 0:38:53 | 0:38:55 | |
There was no "before the war". | 0:38:55 | 0:38:57 | |
In another life, I was an architect. | 0:38:57 | 0:39:01 | |
I was a civil engineer. | 0:39:01 | 0:39:03 | |
Sir! Are we expecting company? | 0:39:05 | 0:39:08 | |
Whoever they are, bring them to my tent. | 0:39:13 | 0:39:15 | |
Sergeant, grab a couple of blokes and go with Lt Greeves. | 0:39:15 | 0:39:19 | |
Sir. | 0:39:19 | 0:39:20 | |
EXPLOSIONS, MEN YELLING | 0:39:28 | 0:39:30 | |
HORSES NEIGHING | 0:39:33 | 0:39:35 | |
Mr Connor, I'm at a loss. | 0:39:39 | 0:39:41 | |
You walk off your farm, | 0:39:41 | 0:39:42 | |
you turn up unannounced in this place of horrors, and for what? | 0:39:42 | 0:39:45 | |
Gallipoli is eight square miles of collapsed trenches, | 0:39:45 | 0:39:48 | |
bomb craters, barbed wire, | 0:39:48 | 0:39:50 | |
and more unexploded grenades and shells | 0:39:50 | 0:39:52 | |
than there are pebbles on that beach. It's not safe. | 0:39:52 | 0:39:55 | |
I know what day my sons were killed. | 0:39:55 | 0:39:58 | |
At Lone Pine. | 0:39:58 | 0:40:00 | |
There's a map, and the last entry in his diary is August 7th. | 0:40:01 | 0:40:06 | |
Rest assured, I aim to put a name | 0:40:06 | 0:40:08 | |
next to every man out there, | 0:40:08 | 0:40:10 | |
including your sons. | 0:40:10 | 0:40:11 | |
I'm sorry, but you can't stay. | 0:40:11 | 0:40:13 | |
Tucker, escort Mr Connor back to his boat. | 0:40:13 | 0:40:18 | |
Your sons. | 0:40:23 | 0:40:24 | |
-Sir, dinner. -Come in, Dawson. | 0:40:35 | 0:40:38 | |
Wrap your laughin' gear around that, sir. | 0:40:38 | 0:40:41 | |
Yum-yum, pig's bum, eh? | 0:40:41 | 0:40:42 | |
-Sir. -Hm. | 0:40:44 | 0:40:45 | |
Something you might want to see. | 0:40:45 | 0:40:47 | |
Damn. | 0:40:54 | 0:40:56 | |
Want me to arrest him, sir? | 0:40:58 | 0:40:59 | |
And then what? | 0:41:01 | 0:41:02 | |
Take some food down to him. And a blanket. | 0:41:04 | 0:41:07 | |
TRANSLATION: | 0:41:33 | 0:41:35 | |
-Not swimming? -No. | 0:41:46 | 0:41:49 | |
What are you doing with your farmer? | 0:41:49 | 0:41:52 | |
There's a supply ship back to Constantinople in two days. | 0:41:52 | 0:41:55 | |
Maybe we could help him until then. | 0:41:55 | 0:41:57 | |
You know what the chances of finding his boys are. | 0:41:57 | 0:42:00 | |
We have the day they were killed. | 0:42:00 | 0:42:02 | |
I know the area. | 0:42:02 | 0:42:04 | |
Yeah, we both know it, but why change everything | 0:42:04 | 0:42:06 | |
for one father who can't stay put? | 0:42:06 | 0:42:08 | |
Because he's the only father who came looking. | 0:42:08 | 0:42:12 | |
Sergeant! | 0:42:19 | 0:42:20 | |
Change of plan. | 0:42:22 | 0:42:23 | |
Who's the Turk? | 0:42:27 | 0:42:29 | |
Hasan the assassin. | 0:42:29 | 0:42:31 | |
Saw us land, saw us off. | 0:42:31 | 0:42:33 | |
That dog wiped out half my battalion. | 0:42:33 | 0:42:36 | |
He would've killed your boys. | 0:42:36 | 0:42:38 | |
We're all best friends now. | 0:42:38 | 0:42:39 | |
I get to serve him breakfast every morning. | 0:42:39 | 0:42:42 | |
Don't worry, Mr Connor. Abdul's, not ours. | 0:42:42 | 0:42:46 | |
This was our front line here. | 0:42:56 | 0:42:58 | |
You were there. | 0:42:58 | 0:43:01 | |
Machine gun here, machine gun here. | 0:43:01 | 0:43:04 | |
And one more there. | 0:43:04 | 0:43:05 | |
We could see you. | 0:43:06 | 0:43:08 | |
So many blue eyes. | 0:43:09 | 0:43:11 | |
Mashallah. | 0:43:11 | 0:43:13 | |
It is very lucky in Turkey to have blue eyes. | 0:43:13 | 0:43:15 | |
Everywhere, except here. | 0:43:15 | 0:43:18 | |
GUNFIRE AND SCREAMING | 0:43:18 | 0:43:20 | |
Listen up, boys! Listen up! | 0:43:31 | 0:43:33 | |
We got to move up that left flank! | 0:43:33 | 0:43:36 | |
Keep your heads low, push forward! NOW! | 0:43:36 | 0:43:40 | |
Stick it up the nose of these jokers! | 0:43:40 | 0:43:42 | |
We're going to take the trench tonight! | 0:43:42 | 0:43:44 | |
SHOUTING | 0:43:44 | 0:43:47 | |
GUNFIRE AND EXPLOSIONS | 0:43:47 | 0:43:50 | |
They're throwing rocks, boys! | 0:44:13 | 0:44:15 | |
They're out of ammo! | 0:44:15 | 0:44:17 | |
Let's get into the bastards! | 0:44:17 | 0:44:19 | |
All as one! | 0:44:19 | 0:44:21 | |
Let's do it. Let's do it, come on! | 0:44:21 | 0:44:23 | |
'We came in from two sides' | 0:44:29 | 0:44:31 | |
here and here. | 0:44:31 | 0:44:33 | |
'We built a roof to protect us from shell fire.' | 0:44:37 | 0:44:40 | |
Instead, we made a trap for ourselves. | 0:44:40 | 0:44:43 | |
'Inside it was bayonets,' | 0:44:46 | 0:44:48 | |
knives, hands...teeth. | 0:44:48 | 0:44:52 | |
It was so dark and close, | 0:44:52 | 0:44:55 | |
we did not see who it was we struck. | 0:44:55 | 0:44:58 | |
'Three days. | 0:45:23 | 0:45:24 | |
'We only stopped because we could not climb over the bodies.' | 0:45:24 | 0:45:28 | |
SHOUTING | 0:45:30 | 0:45:33 | |
SCREAMING | 0:45:33 | 0:45:35 | |
GUNSHOTS | 0:45:41 | 0:45:43 | |
As long as Allah make me breathe, | 0:46:07 | 0:46:09 | |
let me see nothing like these days again. | 0:46:09 | 0:46:12 | |
EXPLOSIONS | 0:46:12 | 0:46:14 | |
GUNFIRE | 0:46:22 | 0:46:24 | |
-SHOUTING: -Are you all right, Artie? | 0:46:42 | 0:46:43 | |
Bugger off, you two! | 0:46:43 | 0:46:45 | |
Leave me! | 0:46:45 | 0:46:47 | |
Yeah, righto, mate! Whatever you reckon! | 0:46:47 | 0:46:50 | |
No! | 0:46:52 | 0:46:54 | |
Leave me! | 0:46:56 | 0:46:58 | |
No! | 0:47:01 | 0:47:03 | |
AUTOMATIC GUNFIRE | 0:47:05 | 0:47:07 | |
SCREAMING | 0:47:07 | 0:47:09 | |
GROANING | 0:47:24 | 0:47:28 | |
MEN SHOUTING | 0:47:30 | 0:47:32 | |
GROANING | 0:47:40 | 0:47:41 | |
SCREAMING | 0:47:55 | 0:47:56 | |
GROANING | 0:48:04 | 0:48:06 | |
GROANING | 0:48:19 | 0:48:22 | |
SILENCE | 0:48:27 | 0:48:29 | |
They're right here. | 0:48:57 | 0:48:59 | |
Sir. | 0:49:24 | 0:49:25 | |
It's your son. Edward. | 0:49:45 | 0:49:48 | |
No, I wouldn't. | 0:49:52 | 0:49:53 | |
The bastards executed him. | 0:50:15 | 0:50:17 | |
He gave the order not to take prisoners. | 0:50:18 | 0:50:20 | |
He killed the sick, he shot the wounded. | 0:50:20 | 0:50:24 | |
One shot through the head, that's how they did it. | 0:50:24 | 0:50:26 | |
Especially him. He killed your son. | 0:50:26 | 0:50:29 | |
He gave them no chance, that's what he did. | 0:50:29 | 0:50:31 | |
Stop him! | 0:50:31 | 0:50:33 | |
I said stop him! | 0:50:33 | 0:50:35 | |
-Steady on, Sergeant. -You killed my sons! | 0:50:37 | 0:50:40 | |
You sent them, Mr Connor. You invaded us. | 0:50:40 | 0:50:44 | |
Take him away. Put him under guard. | 0:50:45 | 0:50:48 | |
I'm most terribly sorry. | 0:50:52 | 0:50:54 | |
He has two more sons. | 0:50:54 | 0:50:56 | |
We should keep looking. | 0:50:56 | 0:50:59 | |
War's over, Sergeant. | 0:51:04 | 0:51:06 | |
We found Henry. | 0:51:15 | 0:51:17 | |
Lying beside him. | 0:51:17 | 0:51:19 | |
How on God's earth did you know they'd be there? | 0:51:21 | 0:51:24 | |
But you haven't found Arthur yet. | 0:51:24 | 0:51:26 | |
No, we combed the area thoroughly. | 0:51:26 | 0:51:29 | |
Well, he wouldn't leave his brothers, so he must be there. | 0:51:29 | 0:51:31 | |
We'll give Henry and Edward a proper burial tomorrow. | 0:51:31 | 0:51:34 | |
I promised their mother I would...find them and... | 0:51:34 | 0:51:37 | |
..and bring them home. | 0:51:38 | 0:51:40 | |
This is their home now. | 0:51:44 | 0:51:46 | |
It's not enemy ground any more. | 0:51:46 | 0:51:48 | |
They're among friends, probably the closest they ever had. | 0:51:48 | 0:51:51 | |
Leave 'em, and they always will be. | 0:51:51 | 0:51:53 | |
Take 'em back, they're just a couple of dead blokes in the cemetery. | 0:51:53 | 0:51:56 | |
She wanted them buried in consecrated ground. | 0:51:56 | 0:51:59 | |
How much blood do you need for it to be holy? | 0:51:59 | 0:52:02 | |
You know we lost over 2,000 men in those four days at Lone Pine? | 0:52:04 | 0:52:08 | |
The Turks lost 7,000. | 0:52:09 | 0:52:11 | |
We didn't take too many prisoners either. | 0:52:11 | 0:52:14 | |
I don't know if I forgive any of us. | 0:52:14 | 0:52:16 | |
"The prince closed his eyes | 0:52:42 | 0:52:45 | |
"and said 'tangu', | 0:52:45 | 0:52:47 | |
"and he sailed through the night to his father's lands. | 0:52:47 | 0:52:50 | |
"As the carpet settled gently on the lawn of the royal palace, | 0:52:50 | 0:52:53 | |
"the sultan dropped to his knees. | 0:52:53 | 0:52:55 | |
"Salted tears streaked his cheeks. | 0:52:55 | 0:52:58 | |
"As he embraced Prince Hussein, he cried, 'My son. | 0:52:58 | 0:53:02 | |
" 'My son. After all your rich adventures... | 0:53:02 | 0:53:06 | |
" '..the magic carpet has carried you | 0:53:09 | 0:53:12 | |
" 'on the four winds to this... | 0:53:12 | 0:53:14 | |
" '..your home.' " | 0:53:15 | 0:53:17 | |
Forgive my intrusion. | 0:54:19 | 0:54:21 | |
Major Hasan. I wanted to apologise to you | 0:54:23 | 0:54:26 | |
for my outburst. | 0:54:26 | 0:54:28 | |
There is a Persian saying - may you outlive your children. | 0:54:28 | 0:54:33 | |
It sounds like a blessing, | 0:54:33 | 0:54:34 | |
but it is the worst curse one can place on the head of a man. | 0:54:34 | 0:54:38 | |
I had this list sent from Istanbul. | 0:54:39 | 0:54:42 | |
This is your family name. | 0:54:42 | 0:54:44 | |
What is this list? | 0:54:44 | 0:54:46 | |
If this is your son, he was taken prisoner. | 0:54:46 | 0:54:50 | |
He did not die here. He left Canakkale. Alive. | 0:54:50 | 0:54:56 | |
FOLK MUSIC PLAYS | 0:55:11 | 0:55:14 | |
TRANSLATION: | 0:55:45 | 0:55:47 | |
Joshua Bey! | 0:55:57 | 0:55:59 | |
Hello. | 0:56:04 | 0:56:05 | |
Did you find my father? | 0:56:05 | 0:56:07 | |
No. | 0:56:09 | 0:56:11 | |
MUSIC STOPS | 0:56:13 | 0:56:15 | |
APPLAUSE | 0:56:15 | 0:56:17 | |
Sorry, am I intruding? Is it his birthday? | 0:56:24 | 0:56:27 | |
No, his sunnet. | 0:56:27 | 0:56:29 | |
Oh, bloody hell. It's a private thing. | 0:56:30 | 0:56:32 | |
No! Sorry. Do you want to see my scar? | 0:56:32 | 0:56:35 | |
Ah, thanks, mate. No. | 0:56:35 | 0:56:37 | |
You have guests. | 0:56:37 | 0:56:39 | |
Welcome back to Stamboul, Mr Connor. | 0:56:43 | 0:56:45 | |
-You are always welcome. -Thank you. | 0:56:45 | 0:56:47 | |
MEN CHANTING | 0:56:51 | 0:56:54 | |
My apologies, Major. | 0:57:03 | 0:57:06 | |
Admiral Calthorpe will have to reschedule your meeting. | 0:57:06 | 0:57:09 | |
Perhaps next Tuesday? Does that suit? | 0:57:09 | 0:57:11 | |
Yes. If your Admiral could also reschedule the Greeks. | 0:57:11 | 0:57:15 | |
Allow us to handle the Greeks through proper diplomatic channels. | 0:57:15 | 0:57:19 | |
Let us not have another war. | 0:57:19 | 0:57:21 | |
It's the same war. | 0:57:21 | 0:57:23 | |
It hasn't ended. | 0:57:23 | 0:57:25 | |
Major Hasan, can you tell me the... | 0:57:29 | 0:57:31 | |
No. I have finished helping. | 0:57:31 | 0:57:33 | |
Mr Connor. Do you have your passport? | 0:57:35 | 0:57:38 | |
You were specifically ordered not to go to Gallipoli. | 0:57:41 | 0:57:44 | |
I'm not in your army. | 0:57:44 | 0:57:46 | |
All I need to know is the name of the prison camp | 0:57:46 | 0:57:49 | |
they sent my son to. | 0:57:49 | 0:57:51 | |
If your son did not return home, the sad reality is, he's deceased. | 0:57:51 | 0:57:56 | |
This was the Ottoman Empire, | 0:57:58 | 0:58:00 | |
one of the largest empires the world has ever known, | 0:58:00 | 0:58:02 | |
and presently it's being carved up. | 0:58:02 | 0:58:04 | |
The Bolshies, they want the Black Sea. | 0:58:04 | 0:58:06 | |
The French and Italians, they want the Aegean. | 0:58:06 | 0:58:08 | |
And currently, in Anatolia, | 0:58:08 | 0:58:10 | |
where the prison camps were, incidentally, | 0:58:10 | 0:58:12 | |
the Turks and the Greeks are turning the place | 0:58:12 | 0:58:14 | |
into a complete and utter bloodbath. | 0:58:14 | 0:58:16 | |
So where, pray, in all this madness, | 0:58:16 | 0:58:19 | |
would you like us to start looking for your son? | 0:58:19 | 0:58:21 | |
You said the prison camps were in Anatolia? | 0:58:21 | 0:58:23 | |
Who would have those records? The Turk army? | 0:58:23 | 0:58:26 | |
The camps are gone. They're all gone. | 0:58:26 | 0:58:28 | |
And so are you. | 0:58:28 | 0:58:31 | |
Lieutenant, show Mr Connor out. | 0:58:31 | 0:58:33 | |
I will be at your hotel, 0400 on Thursday, | 0:58:34 | 0:58:38 | |
with your passport and a ticket home via Calcutta. | 0:58:38 | 0:58:41 | |
Courtesy of the British Army. | 0:58:41 | 0:58:43 | |
We will make sure you will not miss that boat. | 0:58:43 | 0:58:47 | |
Have you bothered to ask yourself, man... | 0:58:47 | 0:58:50 | |
if your son was still alive, | 0:58:50 | 0:58:54 | |
would he not simply come home? | 0:58:54 | 0:58:56 | |
Mr Connor, please. | 0:59:01 | 0:59:03 | |
My brother died on that bloody Peninsula. | 0:59:06 | 0:59:08 | |
My fiancee works for the Red Cross here. | 0:59:08 | 0:59:12 | |
If it would be helpful, I could arrange an appointment. | 0:59:12 | 0:59:15 | |
That would be very helpful, thank you. | 0:59:15 | 0:59:17 | |
Well, Mr Connor, I think you can show yourself out from here. | 0:59:17 | 0:59:20 | |
Good luck. | 0:59:20 | 0:59:22 | |
Thanks again. | 0:59:23 | 0:59:25 | |
MEN CHANTING | 0:59:26 | 0:59:28 | |
Major Hasan? | 1:00:27 | 1:00:29 | |
I need to talk to Major Hasan. | 1:00:29 | 1:00:31 | |
TRANSLATION: | 1:00:33 | 1:00:35 | |
Nobody will tell me what prison camp they sent my son Arthur to. | 1:00:36 | 1:00:39 | |
Your army must have records. Please, I'm at a dead end. | 1:00:39 | 1:00:42 | |
Then now we are in the same place. | 1:00:42 | 1:00:43 | |
I told you, I cannot help any more. | 1:00:43 | 1:00:45 | |
You must never come back here, Mr Connor. | 1:00:45 | 1:00:46 | |
TRANSLATION: | 1:00:46 | 1:00:49 | |
He is handsome, eh? Don't you think? | 1:01:15 | 1:01:17 | |
Big, strong. | 1:01:17 | 1:01:19 | |
I do not think about other men. I'm married. | 1:01:19 | 1:01:21 | |
No, of course. His equipment is all there, Ayshe Hanim. | 1:01:21 | 1:01:26 | |
In need of practice, but all there. | 1:01:26 | 1:01:30 | |
Anne, Joshua Bey is coming with us to the cistern. | 1:01:33 | 1:01:37 | |
No. It's just you and me today. Special treat. | 1:01:37 | 1:01:40 | |
I am sorry, Mr Connor, this is not possible, | 1:01:40 | 1:01:43 | |
-It would not be proper. -I understand. | 1:01:43 | 1:01:46 | |
Next time. | 1:01:47 | 1:01:48 | |
Mr Connor... | 1:01:51 | 1:01:52 | |
..perhaps if you were to follow 20 paces behind, | 1:01:54 | 1:01:57 | |
then there would be no shame. | 1:01:57 | 1:01:58 | |
I will get my hat and my coat. | 1:02:01 | 1:02:03 | |
You know where I live, my home? | 1:02:31 | 1:02:33 | |
Sometimes it doesn't rain for three or four years at a time. | 1:02:33 | 1:02:36 | |
We have to find water that's fallen through cracks in the earth. | 1:02:36 | 1:02:40 | |
How do you find it underground? | 1:02:40 | 1:02:42 | |
Well, there's the trick. You have to feel it. | 1:02:42 | 1:02:44 | |
And you feel it every time? | 1:02:44 | 1:02:47 | |
No. | 1:02:47 | 1:02:48 | |
I have dug a lot of wells that just turned out to be holes. | 1:02:48 | 1:02:51 | |
I'll show you. | 1:02:51 | 1:02:53 | |
I have something of yours. | 1:03:11 | 1:03:13 | |
Orhan asked me to find your husband. | 1:03:14 | 1:03:17 | |
I hate this photograph. | 1:03:17 | 1:03:19 | |
Turgut is a musician, never a soldier. | 1:03:19 | 1:03:21 | |
How long were you married? | 1:03:22 | 1:03:24 | |
I AM married. | 1:03:25 | 1:03:27 | |
12 years. | 1:03:30 | 1:03:31 | |
My mother had arranged for me to marry someone else. | 1:03:31 | 1:03:34 | |
But my father fought her. | 1:03:34 | 1:03:36 | |
He told her, "Why would we want our daughter | 1:03:38 | 1:03:41 | |
"to be as miserable as us?" | 1:03:41 | 1:03:42 | |
It is not easy to marry for love here. | 1:03:45 | 1:03:48 | |
Maybe my mother was right. Turgut WAS mad. | 1:03:48 | 1:03:52 | |
Bills to the roof not paid, music all hours, | 1:03:52 | 1:03:54 | |
parties, lazy friends. | 1:03:54 | 1:03:57 | |
I miss the chaos. | 1:03:58 | 1:04:00 | |
I wish my mother had arranged my marriage. | 1:04:04 | 1:04:07 | |
You did not love your wife? | 1:04:07 | 1:04:08 | |
Oh, I adored her. | 1:04:08 | 1:04:12 | |
I was just so bad at courting, | 1:04:12 | 1:04:14 | |
I think she only married me out of impatience. | 1:04:14 | 1:04:16 | |
But it was happy. | 1:04:17 | 1:04:19 | |
Very. | 1:04:19 | 1:04:20 | |
Until the boys were lost. | 1:04:20 | 1:04:22 | |
It's good to know where they are. | 1:04:23 | 1:04:25 | |
Not lost or nameless any more. | 1:04:27 | 1:04:29 | |
I was told my oldest son was taken prisoner. | 1:04:32 | 1:04:35 | |
So he's alive? | 1:04:35 | 1:04:36 | |
-I don't know. -But you have hope. | 1:04:36 | 1:04:39 | |
Hope's a necessity where I come from. | 1:04:39 | 1:04:42 | |
Good night, Mr Connor. | 1:04:54 | 1:04:56 | |
Good night. | 1:05:01 | 1:05:02 | |
TRANSLATION: | 1:05:23 | 1:05:24 | |
Take care - your fate is in there. | 1:07:15 | 1:07:18 | |
It is a silly peasant game. You have to drink it first. | 1:07:20 | 1:07:22 | |
Now we wait. | 1:07:41 | 1:07:42 | |
We decide everything here by coffee. Business, holidays. | 1:07:46 | 1:07:51 | |
Even our husbands. | 1:07:51 | 1:07:52 | |
And that works? | 1:07:52 | 1:07:54 | |
When two families come together to arrange a marriage, | 1:07:55 | 1:07:58 | |
the young girl serves them coffee. | 1:07:58 | 1:08:00 | |
If it is sweet, she approves of the match. | 1:08:00 | 1:08:03 | |
If it is bitter, go away. | 1:08:03 | 1:08:04 | |
The more sugar, the deeper the love. | 1:08:05 | 1:08:08 | |
It is all peasant nonsense. | 1:08:25 | 1:08:27 | |
Orhan! | 1:09:26 | 1:09:27 | |
AYSHE SHOUTING: | 1:09:53 | 1:09:55 | |
-SHE SCREAMS -Stay here. | 1:10:03 | 1:10:05 | |
Stop! | 1:10:11 | 1:10:13 | |
Stop, you fool! This is not your business! | 1:10:13 | 1:10:15 | |
This is what you want? The enemy? | 1:10:17 | 1:10:19 | |
It has nothing to do with him! | 1:10:20 | 1:10:22 | |
My brother was a fool! You disgrace our family! | 1:10:22 | 1:10:24 | |
Go! | 1:10:31 | 1:10:33 | |
Go, you have to leave now! | 1:10:33 | 1:10:34 | |
You've offended his honour, he will not forgive this! | 1:10:34 | 1:10:36 | |
-He hit you! -I hit him! | 1:10:36 | 1:10:38 | |
You see, you understand nothing. | 1:10:38 | 1:10:40 | |
You will never understand! | 1:10:40 | 1:10:42 | |
I thought I was doing the right thing. | 1:10:42 | 1:10:44 | |
Yes. Yes, you and your sons and your armies, | 1:10:44 | 1:10:47 | |
all doing the right thing! | 1:10:47 | 1:10:48 | |
All you did was rob Orhan of a father | 1:10:48 | 1:10:50 | |
-and left me with choices like this! -Then, please, let me help. | 1:10:50 | 1:10:53 | |
Ha! So now you will rescue us. | 1:10:53 | 1:10:55 | |
I didn't mean it like that. I raised three boys. | 1:10:55 | 1:10:57 | |
And where are they now?! | 1:10:57 | 1:10:59 | |
This is not your world. | 1:11:00 | 1:11:02 | |
Go home, Mr Connor! | 1:11:02 | 1:11:04 | |
You don't need to go. She gets angry with me all the time. | 1:11:23 | 1:11:27 | |
You would make a good ambassador, Connor Bey. | 1:12:10 | 1:12:13 | |
You know him? This man has dishonoured my family! | 1:12:17 | 1:12:19 | |
My orders are to take him to Major Hasan. | 1:12:19 | 1:12:22 | |
-Come here, Connor. -First we will teach him a lesson about honour. | 1:12:22 | 1:12:26 | |
All four of you? | 1:12:26 | 1:12:28 | |
Come on. | 1:12:31 | 1:12:32 | |
I found your son's name on a list of wounded. | 1:12:47 | 1:12:50 | |
They take him from Canakkale to a camp in Afyon. | 1:12:50 | 1:12:54 | |
After Afyon we don't know. Winters are hard. | 1:12:54 | 1:12:56 | |
What, you mean he died there? | 1:12:56 | 1:12:58 | |
No more records. We are Ottoman, not German. | 1:12:58 | 1:13:01 | |
Tomorrow you will be on a boat, back to Australia. | 1:13:01 | 1:13:05 | |
Cemal and I will travel east, to Ankara. | 1:13:05 | 1:13:07 | |
Mustafa Kemal is gathering a Nationalist army there. | 1:13:07 | 1:13:11 | |
We must pass through Afyon. | 1:13:11 | 1:13:12 | |
I will ask if anyone remembers your son. | 1:13:12 | 1:13:15 | |
Could he still be in Afyon? | 1:13:15 | 1:13:17 | |
No. | 1:13:17 | 1:13:18 | |
As a soldier, | 1:13:18 | 1:13:20 | |
as a father, | 1:13:20 | 1:13:22 | |
I tell you, it is past praying. | 1:13:22 | 1:13:25 | |
MAN: | 1:13:26 | 1:13:28 | |
ALL: Mustafa Kemal! | 1:13:36 | 1:13:38 | |
-Who's he toasting? -Turkey's future. | 1:13:38 | 1:13:41 | |
MAN SINGS | 1:13:41 | 1:13:45 | |
Look at him. He is the worst sergeant in the whole Ottoman Army. | 1:14:41 | 1:14:46 | |
Three times I have saved this man's life. | 1:14:46 | 1:14:48 | |
Never once in battle. | 1:14:48 | 1:14:50 | |
Look at him! Like a peacock with big moustache and gold buttons. | 1:14:50 | 1:14:55 | |
"I love my wife, I love my children, | 1:14:55 | 1:14:57 | |
"I have a big stick up my arsehole." | 1:14:57 | 1:15:00 | |
Tonight, we kill this man with lion's milk. | 1:15:02 | 1:15:05 | |
-Serefe. Forget. -Serefe. -Serefe. | 1:15:05 | 1:15:10 | |
CHEERING | 1:15:15 | 1:15:17 | |
First Australian I met - not to shoot at, to talk to - | 1:15:21 | 1:15:25 | |
was a thief, at Lone Pine. | 1:15:25 | 1:15:27 | |
This man waves a white cloth, | 1:15:27 | 1:15:30 | |
calls out and walks straight across no-man's land. | 1:15:30 | 1:15:34 | |
He is carrying something. | 1:15:34 | 1:15:36 | |
A thousand guns are on him. Two thousand eyes. But he walks. | 1:15:36 | 1:15:40 | |
He reaches us and drops one of our wounded into our hands. | 1:15:40 | 1:15:45 | |
We shared a cigarette, and he walked back. | 1:15:47 | 1:15:51 | |
-No-one shot him? -I should have. | 1:15:51 | 1:15:55 | |
It's only when he got back | 1:15:55 | 1:15:57 | |
I realised he had stolen my cigarettes. | 1:15:57 | 1:15:59 | |
And my lighter. | 1:15:59 | 1:16:01 | |
Mr Connor. | 1:16:10 | 1:16:11 | |
I'm sorry if I disturbed you. If I could pick up my bag... | 1:16:13 | 1:16:17 | |
Of course. Orhan put it in your room. | 1:16:17 | 1:16:19 | |
I wish to apologise for all I said. | 1:16:21 | 1:16:23 | |
I was angry. I meant none of it. | 1:16:23 | 1:16:26 | |
I'm the one who should be apologising. | 1:16:26 | 1:16:29 | |
You're right, I did fill their heads with heroic nonsense. | 1:16:29 | 1:16:32 | |
God and king and country. | 1:16:32 | 1:16:33 | |
It was my job to steer my boys to manhood. | 1:16:33 | 1:16:36 | |
And I failed them. | 1:16:36 | 1:16:38 | |
I measure a man by how much he loves his children, | 1:16:38 | 1:16:41 | |
not by what the world has done to them. | 1:16:41 | 1:16:43 | |
They'll be here for me in the morning. | 1:16:45 | 1:16:47 | |
Well... | 1:16:50 | 1:16:51 | |
You can't travel on an empty stomach. | 1:16:56 | 1:16:58 | |
ROMANTIC PIANO MUSIC DROWNS SPEECH | 1:17:06 | 1:17:11 | |
MAN SHOUTING: No! | 1:17:39 | 1:17:40 | |
GUNFIRE | 1:17:40 | 1:17:42 | |
CALL TO PRAYER | 1:18:30 | 1:18:33 | |
Mr Connor! | 1:18:43 | 1:18:45 | |
Mr Connor! Good morning. Come down here, please. | 1:18:45 | 1:18:49 | |
We've a very long walk to the dock. | 1:18:49 | 1:18:50 | |
Lieutenant, if you'd be so kind as to go down to the dock | 1:18:50 | 1:18:54 | |
and speak to the captain and make sure he holds that boat. | 1:18:54 | 1:18:59 | |
Thank you. | 1:18:59 | 1:19:00 | |
I saw him, I saw him clearly. He's not dead. | 1:19:01 | 1:19:04 | |
-You cannot go back. -No. | 1:19:04 | 1:19:07 | |
-Connor! -BANGING ON DOOR | 1:19:07 | 1:19:10 | |
-Come on. -Kick that damn door in! | 1:19:10 | 1:19:13 | |
Connor! | 1:19:15 | 1:19:17 | |
Go up over the roof. You can get to the city wall. | 1:19:19 | 1:19:22 | |
Move! | 1:19:25 | 1:19:26 | |
SHE SHOUTS | 1:19:26 | 1:19:28 | |
Where's Joshua Connor?! | 1:19:29 | 1:19:30 | |
Connor? | 1:19:32 | 1:19:33 | |
Upstairs! Quickly! | 1:19:34 | 1:19:36 | |
Be careful of the tiles. | 1:19:39 | 1:19:41 | |
On the roof! | 1:19:45 | 1:19:48 | |
Connor! Connor! | 1:19:48 | 1:19:50 | |
He's alive, I know he is. | 1:20:11 | 1:20:14 | |
Please, take me with you. | 1:20:14 | 1:20:16 | |
MAN SHOUTS ORDERS | 1:20:22 | 1:20:24 | |
Ambassador, what part of the Ottoman Empire did Australia get? | 1:21:06 | 1:21:10 | |
-It wasn't about land for us. -Always it's about land. | 1:21:10 | 1:21:13 | |
We don't need any more land. | 1:21:13 | 1:21:15 | |
We fought for a principle. | 1:21:15 | 1:21:17 | |
You fight, you die, you get nothing. | 1:21:17 | 1:21:20 | |
Good principle. | 1:21:20 | 1:21:21 | |
A weapon, yes? | 1:21:34 | 1:21:36 | |
-In the right hands. -Yeah? | 1:21:36 | 1:21:38 | |
It's a game, called cricket. | 1:21:38 | 1:21:40 | |
-Cricket? -Yeah, it's a cricket bat. | 1:21:40 | 1:21:42 | |
-You play? -Yeah. Well, everybody plays. | 1:21:42 | 1:21:45 | |
Yeah, you need a ball and that's the bat. | 1:21:45 | 1:21:47 | |
Show us. | 1:21:47 | 1:21:48 | |
-You need a lot of space. -Yeah. | 1:21:48 | 1:21:51 | |
So the idea is you have the ball | 1:21:58 | 1:21:59 | |
and you bowl it with a straight arm | 1:21:59 | 1:22:01 | |
and you try and hit the wicket. | 1:22:01 | 1:22:04 | |
-Straight arm? -Straight arm. | 1:22:04 | 1:22:06 | |
Ready? | 1:22:06 | 1:22:07 | |
LAUGHTER | 1:22:11 | 1:22:13 | |
That's the way. Straight arm. | 1:22:13 | 1:22:15 | |
Englishers, always with rules. | 1:22:15 | 1:22:18 | |
CHEERING | 1:22:21 | 1:22:23 | |
Give me the stick. Give me the stick. | 1:22:27 | 1:22:30 | |
The Greeks are deeper inland than I thought. | 1:22:41 | 1:22:44 | |
They terrorise the people and burn the towns. | 1:22:44 | 1:22:47 | |
We used to be one country. Now we are constantly at war. | 1:22:47 | 1:22:52 | |
GUNFIRE | 1:23:50 | 1:23:51 | |
SCREAMING | 1:23:51 | 1:23:54 | |
Joshua, pick up a gun! | 1:24:23 | 1:24:24 | |
SCREAMING | 1:24:37 | 1:24:39 | |
GUNFIRE | 1:24:39 | 1:24:41 | |
HE SHOUTS | 1:24:45 | 1:24:47 | |
I'm from Australia...yes. | 1:25:20 | 1:25:23 | |
Anzac Bey! Don't invade a country if you don't know where it is. | 1:25:58 | 1:26:02 | |
MAN TALKS QUIETLY | 1:26:06 | 1:26:08 | |
HE REPEATS WORDS | 1:26:11 | 1:26:13 | |
GUNSHOTS | 1:26:53 | 1:26:55 | |
Our horses need rest. | 1:27:15 | 1:27:17 | |
-Raki? -Ouzo. | 1:27:27 | 1:27:30 | |
Same mother. | 1:27:30 | 1:27:31 | |
To Cemal. | 1:27:33 | 1:27:35 | |
It is a miracle Allah turned a blind eye so long. | 1:27:37 | 1:27:40 | |
I will ride with you as far as Afyon. | 1:27:46 | 1:27:49 | |
Joshua! Where are you going? Afyon is this way. | 1:28:25 | 1:28:28 | |
He's here. | 1:28:51 | 1:28:52 | |
Arthur! | 1:29:02 | 1:29:03 | |
Arthur! | 1:29:05 | 1:29:06 | |
Joshua, come. | 1:29:06 | 1:29:08 | |
Arthur? | 1:29:19 | 1:29:21 | |
Art. | 1:29:35 | 1:29:37 | |
Dad? | 1:29:51 | 1:29:52 | |
Son. | 1:29:52 | 1:29:54 | |
You're here? | 1:30:03 | 1:30:04 | |
Yes. | 1:30:06 | 1:30:07 | |
Yes. | 1:30:08 | 1:30:09 | |
Time to come home. | 1:30:18 | 1:30:20 | |
I'm not coming back. | 1:30:31 | 1:30:33 | |
None of us are. | 1:30:33 | 1:30:34 | |
They're dead. | 1:30:36 | 1:30:37 | |
I know. | 1:30:39 | 1:30:40 | |
How's Mum? | 1:30:48 | 1:30:50 | |
She's with your brothers. | 1:30:54 | 1:30:56 | |
You told me to take care of them. | 1:31:02 | 1:31:04 | |
You said, "Look after your brothers." I didn't. | 1:31:04 | 1:31:08 | |
Henry had his face shot off. | 1:31:10 | 1:31:12 | |
One minute he was there and then he just...wasn't. | 1:31:12 | 1:31:17 | |
Ed bled out for hours. | 1:31:17 | 1:31:19 | |
GROANING | 1:31:19 | 1:31:22 | |
CONTINUED GROANING | 1:31:28 | 1:31:30 | |
SILENCE | 1:31:30 | 1:31:34 | |
Artie. | 1:31:57 | 1:31:59 | |
Hey. | 1:31:59 | 1:32:00 | |
I want Mum. | 1:32:04 | 1:32:05 | |
Hold on. | 1:32:08 | 1:32:10 | |
Someone will come for us. | 1:32:10 | 1:32:12 | |
I'm a gut-shot rabbit. | 1:32:13 | 1:32:15 | |
Artie. | 1:32:20 | 1:32:22 | |
Yes, mate. | 1:32:22 | 1:32:24 | |
I can't shoot myself. | 1:32:26 | 1:32:28 | |
They won't let me into heaven. | 1:32:29 | 1:32:31 | |
You can't ask me. | 1:32:33 | 1:32:35 | |
-You have to do it. -No. | 1:32:35 | 1:32:38 | |
You're my brother. | 1:32:39 | 1:32:41 | |
GASPS | 1:32:53 | 1:32:55 | |
BREATHES DEEPLY | 1:32:55 | 1:32:58 | |
GRUNTS | 1:33:16 | 1:33:18 | |
SOBS | 1:33:18 | 1:33:19 | |
Climb onto the carpet, mate. | 1:33:36 | 1:33:39 | |
Let's get out of here. | 1:33:39 | 1:33:41 | |
Take me home, Artie. | 1:33:48 | 1:33:50 | |
It only works if you close your eyes. | 1:33:52 | 1:33:54 | |
I love you. | 1:34:02 | 1:34:04 | |
BOTH: Tangu. | 1:34:13 | 1:34:14 | |
GUNSHOT | 1:34:14 | 1:34:16 | |
HE SOBS | 1:34:22 | 1:34:24 | |
HE ROARS | 1:34:30 | 1:34:33 | |
I killed them. | 1:34:37 | 1:34:39 | |
They can't come home. | 1:34:40 | 1:34:42 | |
So... | 1:34:43 | 1:34:44 | |
You see? | 1:34:46 | 1:34:48 | |
It's all right to leave me here. | 1:34:50 | 1:34:51 | |
I didn't lift a finger to stop any of you. | 1:34:55 | 1:34:58 | |
I killed your brothers the day I waved you off. | 1:35:00 | 1:35:03 | |
Arthur... | 1:35:04 | 1:35:06 | |
your brothers live on in you. | 1:35:06 | 1:35:08 | |
SHOUTING | 1:35:08 | 1:35:10 | |
You must go. | 1:35:10 | 1:35:12 | |
It's too dangerous here. | 1:35:12 | 1:35:15 | |
He's right, Joshua. The Greek soldiers are here. | 1:35:15 | 1:35:18 | |
I must leave now. | 1:35:18 | 1:35:20 | |
SHOUTS ORDERS | 1:35:36 | 1:35:37 | |
How do I thank you? | 1:35:37 | 1:35:39 | |
Tesekkurler. | 1:35:39 | 1:35:40 | |
Tesekkurler, Hasan Bey. | 1:35:42 | 1:35:45 | |
Tell your son, when he's well... | 1:35:54 | 1:35:57 | |
Tell him he still owes me a packet of cigarettes. | 1:35:57 | 1:36:00 | |
And one lighter. | 1:36:00 | 1:36:02 | |
SOLDIERS SHOUT | 1:36:11 | 1:36:13 | |
-Arthur! -Dad! This way! | 1:36:16 | 1:36:18 | |
EXPLOSION | 1:36:23 | 1:36:25 | |
SHOUTS ORDERS | 1:36:47 | 1:36:48 | |
Give us a hand. | 1:37:07 | 1:37:09 | |
This'll take you across the valley. | 1:37:13 | 1:37:15 | |
Once you pass the village, head north towards the coast | 1:37:15 | 1:37:18 | |
and follow it. | 1:37:18 | 1:37:19 | |
I'm not leaving without you. | 1:37:20 | 1:37:22 | |
I've buried your mother. | 1:37:25 | 1:37:27 | |
I've buried your brothers. | 1:37:27 | 1:37:28 | |
If you're not coming with me, I have nowhere to go. | 1:37:29 | 1:37:32 | |
Either we leave here together or we'll die here... | 1:37:32 | 1:37:35 | |
..together. | 1:37:37 | 1:37:38 | |
Is it cold? | 1:37:50 | 1:37:52 | |
No. | 1:37:52 | 1:37:53 | |
It's freezing. | 1:37:53 | 1:37:54 | |
When we finish here, | 1:38:33 | 1:38:34 | |
why don't we see if we can find some fresh clothes? | 1:38:34 | 1:38:37 | |
Righto. | 1:38:37 | 1:38:39 | |
Sounds good. | 1:38:40 | 1:38:42 | |
"You want room, clean sheets, hot water..." | 1:38:45 | 1:38:49 | |
-No Germans. -"..no Germans." | 1:38:49 | 1:38:51 | |
Joshua Bey! You came back for me! | 1:38:53 | 1:38:57 | |
Welcome back, Mr Connor. Is this your son? | 1:38:58 | 1:39:01 | |
Arthur. | 1:39:01 | 1:39:02 | |
Orhan...help me show Arthur our second-best room. | 1:39:02 | 1:39:07 | |
She's outside. | 1:39:15 | 1:39:16 | |
Mr Connor? | 1:39:57 | 1:39:58 | |
You speak Turkish like a villager. | 1:40:02 | 1:40:04 | |
Am I welcome here? | 1:40:07 | 1:40:08 | |
All are welcome here. | 1:40:08 | 1:40:10 | |
You don't seem surprised that I'm back. | 1:40:10 | 1:40:12 | |
It was in your coffee, weeks ago, before you left. | 1:40:12 | 1:40:15 | |
I told you. Everything is in the coffee. | 1:40:15 | 1:40:18 | |
# Time | 1:41:37 | 1:41:41 | |
# Can be the enemy | 1:41:41 | 1:41:44 | |
# When you're locked in a world of pain | 1:41:44 | 1:41:48 | |
# Days go floating by | 1:41:48 | 1:41:54 | |
# And it just doesn't change | 1:41:54 | 1:41:57 | |
# It just stays the same | 1:41:57 | 1:42:01 | |
# Then you came along | 1:42:04 | 1:42:06 | |
# And showed me how to start | 1:42:06 | 1:42:08 | |
# Now the sun shines in my heart | 1:42:10 | 1:42:13 | |
# The sun shines in my heart | 1:42:13 | 1:42:16 | |
# I was so lost | 1:42:16 | 1:42:19 | |
# But now I'm found | 1:42:19 | 1:42:22 | |
# The song they used to sing | 1:42:22 | 1:42:26 | |
# On Sunday afternoon | 1:42:26 | 1:42:29 | |
# Love was my alibi | 1:42:29 | 1:42:32 | |
# For all the life lost | 1:42:32 | 1:42:35 | |
# Now you made love my reason | 1:42:35 | 1:42:39 | |
# You made love my truth | 1:42:39 | 1:42:42 |