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This is a bootleg television wake-up call. | 0:00:07 | 0:00:10 | |
Do not adjust your set. | 0:00:10 | 0:00:12 | |
Repeat - do not adjust your set. | 0:00:12 | 0:00:14 | |
Normal service will not be resumed. | 0:00:14 | 0:00:17 | |
Welcome to the permanent night shift. | 0:00:17 | 0:00:19 | |
Keith Richards at the controls, calling all night owls and hipsters. | 0:00:21 | 0:00:25 | |
This is a reality hacking incident. | 0:00:25 | 0:00:28 | |
For the next nine hours you're invited to ride with me. | 0:00:28 | 0:00:31 | |
Through the night and out the other side. | 0:00:31 | 0:00:33 | |
A random night-flight across uncharted airwaves. | 0:00:33 | 0:00:37 | |
Fasten your safety belts, the weekend starts here. | 0:00:37 | 0:00:40 | |
Culture jamming in progress. | 0:00:41 | 0:00:43 | |
Good evening and welcome. | 0:00:45 | 0:00:47 | |
Later on we shall be talking with John Betjeman and Nicol Williamson | 0:00:47 | 0:00:51 | |
about a subject that concerns us all. | 0:00:51 | 0:00:53 | |
But first, a first. | 0:00:53 | 0:00:56 | |
The first performance of the Rolling Stones by the Rolling Stones | 0:00:56 | 0:00:59 | |
in a television studio for over a year. | 0:00:59 | 0:01:02 | |
The song is from their new LP Beggars Banquet | 0:01:02 | 0:01:04 | |
and it's called Sympathy For The Devil. | 0:01:04 | 0:01:07 | |
Will you welcome, please, Mr Mick Jagger, Mr Keith Richards, | 0:01:07 | 0:01:11 | |
Mr Brian Jones, Mr Charlie Watts and Mr Bill Wyman | 0:01:11 | 0:01:14 | |
or to give them their proper title, | 0:01:14 | 0:01:16 | |
the quiet young gentleman of the Rolling Stones. | 0:01:16 | 0:01:19 | |
# Yeah! | 0:01:20 | 0:01:22 | |
# Yeah! | 0:01:26 | 0:01:29 | |
# Uh | 0:01:29 | 0:01:32 | |
# Uh | 0:01:35 | 0:01:36 | |
# Please allow me to introduce myself | 0:01:39 | 0:01:43 | |
# I'm a man of wealth and taste | 0:01:43 | 0:01:46 | |
# I've been around for a long, long year | 0:01:47 | 0:01:51 | |
# Stole many a man's soul and faith | 0:01:51 | 0:01:54 | |
# I was round when Jesus Christ had his moment of doubt and pain | 0:01:56 | 0:02:02 | |
# Made damn sure that Pilate washed his hands and sealed his fate | 0:02:04 | 0:02:10 | |
# Pleased to meet you | 0:02:14 | 0:02:16 | |
# Hope you guess my name | 0:02:16 | 0:02:19 | |
# Hey | 0:02:20 | 0:02:21 | |
# But what's puzzling you is just the nature of my game | 0:02:21 | 0:02:27 | |
# Stuck around St Petersburg | 0:02:30 | 0:02:34 | |
# When I saw it was a time for a change | 0:02:34 | 0:02:37 | |
# Killed the Tsar and his ministers | 0:02:39 | 0:02:42 | |
# Anastasia screamed in vain | 0:02:42 | 0:02:45 | |
# I rode a tank | 0:02:47 | 0:02:48 | |
# Held a general's rank | 0:02:48 | 0:02:50 | |
# When the blitzkrieg raged and the bodies stank | 0:02:50 | 0:02:54 | |
# Pleased to meet you | 0:02:58 | 0:03:00 | |
# Hope you guess my name | 0:03:00 | 0:03:02 | |
# Yeah | 0:03:03 | 0:03:04 | |
# But what's puzzling you is just the nature of my game | 0:03:04 | 0:03:10 | |
# Watched with glee | 0:03:14 | 0:03:15 | |
# While your kings and queens fought for ten decades | 0:03:15 | 0:03:19 | |
# For the gods they made | 0:03:19 | 0:03:21 | |
# I shouted out, "Who killed the Kennedys?" | 0:03:21 | 0:03:25 | |
# And after all, it was you and me | 0:03:25 | 0:03:29 | |
# Let me, please, introduce myself | 0:03:30 | 0:03:33 | |
# I'm a man of wealth and taste | 0:03:33 | 0:03:37 | |
# I lay traps for troubadours | 0:03:39 | 0:03:42 | |
# Who get killed before they reached Bombay | 0:03:42 | 0:03:45 | |
# Pleased to meet you | 0:03:49 | 0:03:51 | |
# Hope you guess my name | 0:03:51 | 0:03:54 | |
# Oh, yeah | 0:03:54 | 0:03:56 | |
# But what's puzzling you is just the nature of my game | 0:03:56 | 0:04:02 | |
# Oh, yeah | 0:04:02 | 0:04:04 | |
# Get down with it, boy | 0:04:04 | 0:04:06 | |
# Pleased to meet you | 0:04:40 | 0:04:42 | |
# Hope you guess my name | 0:04:42 | 0:04:45 | |
# Oh, yeah | 0:04:45 | 0:04:47 | |
# But what's confusing you is just the nature of my game | 0:04:47 | 0:04:54 | |
# Oh, beat it | 0:04:54 | 0:04:55 | |
# Just as every cop is a criminal | 0:04:55 | 0:05:00 | |
# And all the sinners saints | 0:05:00 | 0:05:03 | |
# As heads is tails Just call me Lucifer | 0:05:04 | 0:05:08 | |
# Cos I'm in need of some restraint | 0:05:08 | 0:05:12 | |
# So if you meet me | 0:05:12 | 0:05:14 | |
# Have some courtesy | 0:05:14 | 0:05:16 | |
# Have some sympathy | 0:05:16 | 0:05:18 | |
# Have some taste | 0:05:18 | 0:05:21 | |
# Use all your well-learned politesse | 0:05:21 | 0:05:25 | |
# Or I'll lay your soul to waste | 0:05:25 | 0:05:28 | |
# Oh, yeah | 0:05:28 | 0:05:29 | |
# Pleased to meet you | 0:05:32 | 0:05:34 | |
# Hope you guess my name | 0:05:34 | 0:05:36 | |
# Ah, yeah | 0:05:36 | 0:05:38 | |
# But what's puzzling you is just the nature of my game | 0:05:38 | 0:05:44 | |
# All right | 0:05:44 | 0:05:47 | |
# Now get on down | 0:05:47 | 0:05:48 | |
# All right | 0:05:51 | 0:05:53 | |
# Oh, yeah | 0:05:57 | 0:05:58 | |
# Woohoo! | 0:05:59 | 0:06:01 | |
# All right | 0:06:01 | 0:06:03 | |
# Ooh-ooh-ooh | 0:06:03 | 0:06:08 | |
# Ooh | 0:06:08 | 0:06:10 | |
# All right | 0:06:10 | 0:06:11 | |
# Ooh-ooh-ooh | 0:06:11 | 0:06:14 | |
# Ooh-ooh | 0:06:14 | 0:06:15 | |
# Oooh, yeah | 0:06:15 | 0:06:17 | |
# Ooh | 0:06:20 | 0:06:22 | |
# Ooh-ooh | 0:06:23 | 0:06:24 | |
# Oh, yeah | 0:06:24 | 0:06:26 | |
# Oooh | 0:06:29 | 0:06:30 | |
# Woohoo | 0:06:34 | 0:06:35 | |
# Ah, woo | 0:06:38 | 0:06:41 | |
# Woohoo | 0:06:41 | 0:06:43 | |
# All right | 0:06:43 | 0:06:45 | |
# Woo-hoo-hoo. # | 0:06:45 | 0:06:47 | |
APPLAUSE | 0:06:47 | 0:06:50 | |
The Rolling Stones with Sympathy For The Devil. | 0:06:57 | 0:07:01 | |
The realisation, you know, | 0:07:01 | 0:07:03 | |
especially around the time the Stones were cutting Beggars Banquet, | 0:07:03 | 0:07:07 | |
The Street Fighting Man and stuff... | 0:07:07 | 0:07:10 | |
it became more apparent to me that this is an incredible weapon | 0:07:10 | 0:07:16 | |
if you want to use it as a weapon. | 0:07:16 | 0:07:18 | |
It's probably the most subversive, potentially, | 0:07:18 | 0:07:21 | |
and the most uplifting form of art there is, you know. | 0:07:21 | 0:07:25 | |
But it really all depends who's hands it's in. | 0:07:25 | 0:07:28 | |
Ask the bloke that blew down Jericho. | 0:07:28 | 0:07:30 | |
HE LAUGHS | 0:07:30 | 0:07:33 | |
Seven days on five trumpets, yeah. | 0:07:33 | 0:07:35 | |
Sound is a very powerful thing. | 0:07:35 | 0:07:37 | |
If you put some low hertz into something, | 0:07:37 | 0:07:40 | |
you could actually blow down The Dorchester, you know? | 0:07:40 | 0:07:43 | |
HE LAUGHS | 0:07:43 | 0:07:45 | |
If you did enough of it. | 0:07:45 | 0:07:47 | |
FREE-SYLE INTRO TO: Hey Joe by Jimi Hendrix | 0:07:55 | 0:07:59 | |
MUSIC: Hey Joe by Jimi Hendrix | 0:08:34 | 0:08:39 | |
# Hey, Joe | 0:09:03 | 0:09:05 | |
# I said where you goin' with that gun in your hand? | 0:09:06 | 0:09:09 | |
# Oh | 0:09:11 | 0:09:12 | |
# Hey, Joe | 0:09:15 | 0:09:17 | |
# I said where you goin' with that gun in your hand? | 0:09:18 | 0:09:21 | |
# I'm goin' way down south way down south | 0:09:26 | 0:09:29 | |
# You know I shot my old lady down | 0:09:30 | 0:09:32 | |
# I got to get outta here as fast as I can | 0:09:32 | 0:09:34 | |
# I put down... I shot my lady | 0:09:38 | 0:09:41 | |
# And I've forgotten the words | 0:09:41 | 0:09:42 | |
# But I got here as fast as I can | 0:09:42 | 0:09:45 | |
# Yeah! # | 0:09:45 | 0:09:46 | |
We'd like to stop playing this rubbish | 0:10:20 | 0:10:22 | |
and dedicate a song to the Cream | 0:10:22 | 0:10:24 | |
regardless of what kind of a group they might be. | 0:10:24 | 0:10:26 | |
We'd like to dedicate it to Eric Clapton, | 0:10:26 | 0:10:28 | |
Ginger Baker and Jack Bruce. | 0:10:28 | 0:10:30 | |
MUSIC: Sunshine Of Your Love | 0:10:30 | 0:10:34 | |
We're being put off the air. | 0:11:16 | 0:11:18 | |
APPLAUSE | 0:11:42 | 0:11:45 | |
Jimmy and I knew each other vaguely. | 0:11:45 | 0:11:48 | |
He was a kind of a mystery guy. | 0:11:48 | 0:11:51 | |
But from the odd times I spoke to him, | 0:11:51 | 0:11:54 | |
he'd always talk to me as if he was confused about what he was doing. | 0:11:54 | 0:11:59 | |
He felt like a prisoner, | 0:11:59 | 0:12:01 | |
he wanted out of there, | 0:12:01 | 0:12:04 | |
he felt that he'd created a monster. | 0:12:04 | 0:12:08 | |
And the last conversation I had with him, | 0:12:08 | 0:12:10 | |
he was intent on cutting that out | 0:12:10 | 0:12:12 | |
and starting a rhythm and blues band. | 0:12:12 | 0:12:15 | |
I do believe that there is some footage of what I'm talking about. | 0:12:15 | 0:12:21 | |
And then in a month or two, the horrible news arrived. | 0:12:21 | 0:12:27 | |
But at the same time, Jimmy and I knew that | 0:12:27 | 0:12:29 | |
we were both living basically on the edge of things. | 0:12:29 | 0:12:32 | |
You know what I mean? | 0:12:32 | 0:12:34 | |
Is this suicide or bravado? | 0:12:34 | 0:12:38 | |
HE LAUGHS | 0:12:38 | 0:12:41 | |
What's the key thing that sets music apart from other art forms? | 0:12:42 | 0:12:45 | |
That's a good'un. | 0:12:45 | 0:12:47 | |
If you're lucky, you can not have to use the mental part so much, | 0:12:52 | 0:12:59 | |
it's more from the body, more feel. | 0:12:59 | 0:13:03 | |
Whereas if you're painting something... | 0:13:03 | 0:13:06 | |
..or writing a book... | 0:13:08 | 0:13:09 | |
You see, everything else is in a frame, you know? | 0:13:09 | 0:13:13 | |
You know, Mona Lisa, it's in a frame. | 0:13:14 | 0:13:17 | |
You know what I mean? Or The Last Supper, it's in a frame. | 0:13:17 | 0:13:21 | |
And a book is always between two covers. | 0:13:21 | 0:13:24 | |
Music, there ain't no frame on it. | 0:13:24 | 0:13:27 | |
Probably is the freest form of expression... | 0:13:27 | 0:13:31 | |
..which is why millions of us love it. | 0:13:32 | 0:13:35 | |
Hey, you make a movie, right, you should know - | 0:13:35 | 0:13:37 | |
it's going to end up on a screen. Yeah. | 0:13:37 | 0:13:40 | |
You know, there's nowhere else you can show it. You know? | 0:13:40 | 0:13:43 | |
HE LAUGHS | 0:13:43 | 0:13:44 | |
But music, boom, | 0:13:44 | 0:13:46 | |
it's just out there in the airwaves. | 0:13:46 | 0:13:49 | |
MUSIC: Blues In The Night by Katie Melua | 0:13:49 | 0:13:53 | |
# My mamma done told me | 0:13:56 | 0:14:00 | |
# When I was in pigtails | 0:14:00 | 0:14:03 | |
# My mamma done told me | 0:14:03 | 0:14:07 | |
# "Hon | 0:14:07 | 0:14:10 | |
# "A man is a two-face | 0:14:10 | 0:14:14 | |
# "He'll give you the big eye | 0:14:14 | 0:14:18 | |
# "And when the sweet talking's done | 0:14:18 | 0:14:24 | |
# "A man is a two-face | 0:14:25 | 0:14:28 | |
# "A worrisome thing | 0:14:28 | 0:14:30 | |
# "Who'll leave you to sing the blues in the night" | 0:14:30 | 0:14:38 | |
# Now the rains are fallin' | 0:14:40 | 0:14:44 | |
# Hear the trains are callin' | 0:14:44 | 0:14:46 | |
# Whoo-ee | 0:14:46 | 0:14:54 | |
# Hear the lonesome whistle blowin' across the trestle | 0:14:54 | 0:15:01 | |
# Whoo-ee | 0:15:01 | 0:15:05 | |
# Ah-whoo-oo-whoo-ee | 0:15:08 | 0:15:11 | |
# Clickety-clack, an echoing back | 0:15:11 | 0:15:16 | |
# Blues in the night... # | 0:15:16 | 0:15:21 | |
Amy, I thought, had... | 0:15:24 | 0:15:26 | |
She had it all. | 0:15:26 | 0:15:28 | |
You know, all she had to do was stay alive. | 0:15:28 | 0:15:31 | |
It's another one of those, you know, ouch. | 0:15:31 | 0:15:35 | |
You know? | 0:15:35 | 0:15:36 | |
You know, all they had to... I told you not to do this at home. | 0:15:37 | 0:15:41 | |
Hmm. | 0:15:41 | 0:15:43 | |
Leonardo da Vinci as cartoons... | 0:15:54 | 0:15:57 | |
..they don't move and they're not particularly funny. | 0:15:59 | 0:16:01 | |
LAUGHTER | 0:16:01 | 0:16:04 | |
But check this one out, it's by Tex Avery. | 0:16:04 | 0:16:07 | |
LAUGHTER | 0:16:07 | 0:16:09 | |
Uh, howdy, folks, y'all. | 0:16:36 | 0:16:38 | |
I'm a-Little Red Riding Hood, you know, | 0:16:38 | 0:16:41 | |
and I'm a-taking a little nourishment to my poor old grandma. | 0:16:41 | 0:16:45 | |
She lives just down the road a pinch yonder. | 0:16:45 | 0:16:48 | |
Duh, folks, confidentially, I'm not the real grandma, | 0:16:53 | 0:16:57 | |
I'm the wolf, see? | 0:16:57 | 0:16:59 | |
Course, I'm supposed to eat Red Riding Hood all up | 0:16:59 | 0:17:01 | |
but I ain't going to do it. | 0:17:01 | 0:17:03 | |
All I'm going to do is chase her and catch her and kiss her and hug her | 0:17:03 | 0:17:06 | |
and love her and hug her and kiss her... | 0:17:06 | 0:17:08 | |
HE LAUGHS ..and hug her and love her | 0:17:08 | 0:17:10 | |
and kiss her and... HE LAUGHS, KNOCK AT DOOR | 0:17:10 | 0:17:13 | |
HE LAUGHS Howdy, Red. | 0:17:15 | 0:17:17 | |
How about a kiss for your poor old Grandma? | 0:17:17 | 0:17:20 | |
Mwah, mwah, mwah! | 0:17:20 | 0:17:23 | |
HE CHUCKLES Kissed a cow. | 0:17:27 | 0:17:29 | |
Telegram for Mr Wolf. | 0:17:55 | 0:17:57 | |
HORN HONKS | 0:18:10 | 0:18:12 | |
HE PANTS | 0:18:14 | 0:18:16 | |
Kiss me, my fool. | 0:18:16 | 0:18:18 | |
Well, Howdy doody, cousin. Glad to see you. | 0:18:36 | 0:18:39 | |
Hey, where's that pretty Red Riding Hood, huh? | 0:18:39 | 0:18:41 | |
Where is she, huh? Hey, Red Riding Hood. Red, Red! | 0:18:41 | 0:18:44 | |
Hey, Red! Hey, hey, Red. Red, where are you? | 0:18:44 | 0:18:45 | |
Hey, where's that good looking babe? HE CHUCKLES | 0:18:45 | 0:18:48 | |
HE WHISTLES Oh, boy, I want to hug her. | 0:18:48 | 0:18:50 | |
I want to hug her and kiss her, kiss her and hug her... | 0:18:50 | 0:18:53 | |
SUAVELY: Control yourself, cousin. Miss Riding Hood is not here. | 0:18:54 | 0:18:59 | |
You will meet her this evening at the club. | 0:18:59 | 0:19:02 | |
But remember, here in the city we do not shout and whistle | 0:19:02 | 0:19:06 | |
at the ladies. | 0:19:06 | 0:19:07 | |
Come, now, it's top hat and tails, you know. | 0:19:08 | 0:19:11 | |
Oh, boy! Girls, girls. Where's the girl? | 0:19:13 | 0:19:15 | |
I want to kiss a girl. I sure do love girls. | 0:19:15 | 0:19:17 | |
Girls, girls, I sure do love them. | 0:19:17 | 0:19:19 | |
HE LAUGHS Bring on the babe. | 0:19:19 | 0:19:21 | |
Where's the pretty girl? Where's the pretty girl? | 0:19:21 | 0:19:23 | |
APPLAUSE | 0:19:26 | 0:19:28 | |
Bring on the babe. | 0:19:28 | 0:19:30 | |
Where's the pretty... | 0:19:30 | 0:19:31 | |
# All the chicks are crazy for a certain burly wolf | 0:19:34 | 0:19:37 | |
# A real sharp curly, curly wolf | 0:19:37 | 0:19:40 | |
# Whose mind is oh so smooth when he spreads it on | 0:19:40 | 0:19:43 | |
# Sharp or smooth he's in the groove | 0:19:43 | 0:19:46 | |
# Where lovin' is his thing | 0:19:46 | 0:19:47 | |
# And all the babes in town trail him around | 0:19:47 | 0:19:51 | |
# Just to hold his paw and say... | 0:19:51 | 0:19:53 | |
# "Oh, Wolfie | 0:19:53 | 0:19:55 | |
# "Oh, Wolfie, ain't you the one?" | 0:19:55 | 0:19:58 | |
# "Oh, Wolfie, oh, Wolfie HE WHISTLES | 0:19:58 | 0:20:00 | |
# Ain't we got fun? | 0:20:00 | 0:20:02 | |
# You send the shivers up my spine | 0:20:02 | 0:20:07 | |
# And when you're near I just can't sit still a minute | 0:20:07 | 0:20:12 | |
# I'm so... | 0:20:12 | 0:20:13 | |
# Oh, Wolfie, oh, Wolfie, please tell me do | 0:20:13 | 0:20:17 | |
# What makes me love you so? | 0:20:17 | 0:20:22 | |
HE WHISTLES # You're not rugged, it's true | 0:20:22 | 0:20:25 | |
# But when I look at you I just... | 0:20:25 | 0:20:27 | |
# Oh, Wolfie, oh, Wolfie. # HE WHISTLES | 0:20:27 | 0:20:31 | |
Oh, I'm very sorry, cousin, | 0:21:17 | 0:21:19 | |
but I'm afraid this city life is a bit too much for you. | 0:21:19 | 0:21:22 | |
I shall motor you back to the country. | 0:21:24 | 0:21:26 | |
WHISTLING | 0:21:33 | 0:21:35 | |
Uh, howdy, boys. | 0:21:35 | 0:21:38 | |
HORN HONKS | 0:21:40 | 0:21:41 | |
Sorry, cousin, this country life's too much for you. | 0:21:54 | 0:21:57 | |
I'll have to take you back to the city. | 0:21:57 | 0:22:00 | |
I was always amazed at how it was done. | 0:22:14 | 0:22:18 | |
The guys actually drew every movement... | 0:22:18 | 0:22:22 | |
HE LAUGHS | 0:22:24 | 0:22:26 | |
..and that blew me away, the idea that every movement had to be drawn. | 0:22:26 | 0:22:32 | |
Meanwhile they've got Popeye moving around film. | 0:22:32 | 0:22:35 | |
# I'm Popeye the sailor man | 0:22:35 | 0:22:40 | |
# I'm off on a trip in me sturdy old ship | 0:22:40 | 0:22:44 | |
# I'm Popeye the sailor man. # | 0:22:44 | 0:22:47 | |
If you'd recommend a pirate movie to anyone, what would it be? | 0:22:47 | 0:22:50 | |
Well, I've been in a couple. HE LAUGHS | 0:22:50 | 0:22:54 | |
Hello, Jackie. | 0:22:54 | 0:22:56 | |
Ah-argh | 0:22:58 | 0:22:59 | |
I was always into stories of the sea | 0:22:59 | 0:23:03 | |
and the Red Rovers and treasure islands and stuff. | 0:23:03 | 0:23:08 | |
Hey, to a kid, it's fascinating. | 0:23:08 | 0:23:10 | |
They're outlaws | 0:23:10 | 0:23:12 | |
but, you know, they were doing, you know, something | 0:23:12 | 0:23:16 | |
that, you know, everybody else would love to do | 0:23:16 | 0:23:19 | |
if they could get away with it. | 0:23:19 | 0:23:21 | |
And when you realise that you can almost be one | 0:23:21 | 0:23:24 | |
without getting arrested... | 0:23:24 | 0:23:26 | |
HE LAUGHS | 0:23:26 | 0:23:27 | |
..you know, it adds to the flavour. | 0:23:29 | 0:23:33 | |
Being free of normal constraints | 0:23:33 | 0:23:38 | |
and accepting... | 0:23:38 | 0:23:41 | |
..every order you're given. | 0:23:43 | 0:23:45 | |
HE LAUGHS It's like, "Yes, sir." "No, sir." | 0:23:45 | 0:23:48 | |
Cos in a way you sort of rode it onto your own back | 0:23:48 | 0:23:51 | |
and said, yeah, you know... | 0:23:51 | 0:23:54 | |
"Either I bow or I take my chances," you know? | 0:23:54 | 0:23:59 | |
There's always been a bit of lawlessness about me. | 0:23:59 | 0:24:02 | |
I think it's really to do with getting expelled | 0:24:02 | 0:24:07 | |
and that experience of authority | 0:24:07 | 0:24:12 | |
and that either you're going to do as you're told | 0:24:12 | 0:24:15 | |
for the rest of your life | 0:24:15 | 0:24:18 | |
or you're going to break free of this, you know, | 0:24:18 | 0:24:20 | |
and get out of here. | 0:24:20 | 0:24:21 | |
And that... I invented this job. | 0:24:21 | 0:24:23 | |
HE LAUGHS | 0:24:23 | 0:24:26 | |
MUSIC: Captain Pugwash theme | 0:24:29 | 0:24:33 | |
It was a fine day | 0:24:38 | 0:24:40 | |
and a fair wind filled the sails of the Black Pig | 0:24:40 | 0:24:43 | |
as she rode merrily through the waves. | 0:24:43 | 0:24:46 | |
Just where she was sailing to, nobody knew... | 0:24:46 | 0:24:49 | |
..least of all Captain Pugwash, | 0:24:50 | 0:24:52 | |
who was far too busy taking a little snooze on the quarterdeck | 0:24:52 | 0:24:55 | |
even to care. | 0:24:55 | 0:24:56 | |
The wheel turned idly this way and that | 0:24:59 | 0:25:02 | |
and really the only person who knew what was happening | 0:25:02 | 0:25:05 | |
was Tom the cabin boy who was keeping watch in the crows nest. | 0:25:05 | 0:25:10 | |
Suddenly he spotted something. | 0:25:10 | 0:25:12 | |
"A sail! A sail!" He cried. | 0:25:12 | 0:25:16 | |
"A ship, a fine ship on the starboard bow." | 0:25:16 | 0:25:21 | |
Down on the deck, Captain Pugwash sat up and blinked, | 0:25:22 | 0:25:26 | |
then he seized his telescope... | 0:25:26 | 0:25:28 | |
..got up... | 0:25:30 | 0:25:32 | |
and rushed eagerly to the side of the deck. | 0:25:32 | 0:25:35 | |
"Hmm. Hmm, yes. Hmm," he thought. | 0:25:36 | 0:25:40 | |
"It's a ship all right, but it looks a funny sort of ship. | 0:25:40 | 0:25:45 | |
"There's...there's no-one aboard. | 0:25:45 | 0:25:48 | |
"No-one on the deck, no-one in the rigging. | 0:25:48 | 0:25:52 | |
"Strange. | 0:25:52 | 0:25:53 | |
"Can't see a soul in the cabin. | 0:25:53 | 0:25:56 | |
"Oh, dear. Hmm. | 0:25:56 | 0:25:58 | |
"No guns in the ports. | 0:25:58 | 0:26:01 | |
"But...but wait! What's that? | 0:26:01 | 0:26:03 | |
"A huge pile of treasure by the mast. | 0:26:03 | 0:26:07 | |
"Hey, Tom!" he cried. | 0:26:07 | 0:26:09 | |
"It's a treasure ship and there's no-one aboard. | 0:26:09 | 0:26:14 | |
"Get out the rowing boat and take me over at once." | 0:26:14 | 0:26:17 | |
By this time, the other ship was quite close. | 0:26:18 | 0:26:22 | |
Tom got the rowing boat ready | 0:26:22 | 0:26:24 | |
and although it was never easy | 0:26:24 | 0:26:26 | |
getting the captain out of a big boat into a little one... | 0:26:26 | 0:26:28 | |
"Ooh. Oh! Oh! Ooh. Ooh! Oh!" | 0:26:28 | 0:26:32 | |
..they managed it. | 0:26:32 | 0:26:33 | |
And soon Tom was rowing the captain away from the Black Pig. | 0:26:34 | 0:26:38 | |
Now, the other ship wasn't quite so harmless and deserted | 0:26:40 | 0:26:43 | |
as it looked. | 0:26:43 | 0:26:45 | |
It was Cut-throat Jake's ship | 0:26:45 | 0:26:47 | |
and Jake himself was hiding there, rubbing his hands and chortling | 0:26:47 | 0:26:51 | |
with wicked glee | 0:26:51 | 0:26:52 | |
as he and his terrible crew watched and waited | 0:26:52 | 0:26:57 | |
for Captain Pugwash to fall into the trap. | 0:26:57 | 0:27:00 | |
The captain was quite close to Jake's ship now. | 0:27:03 | 0:27:05 | |
Soon the bows rose high over them | 0:27:05 | 0:27:09 | |
as Tom brought the little rowing boat in and along | 0:27:09 | 0:27:14 | |
to where a rope ladder hung conveniently over the side. | 0:27:14 | 0:27:17 | |
Captain Pugwash wasn't usually much good at rope ladders, | 0:27:20 | 0:27:24 | |
but he was so excited that he managed this one quite easily. | 0:27:24 | 0:27:27 | |
He jumped onto the deck and there was the treasure, | 0:27:29 | 0:27:32 | |
even more splendid than he'd imagined. | 0:27:32 | 0:27:35 | |
For one brief moment, Pugwash gazed in happy delight at his prize. | 0:27:35 | 0:27:40 | |
And then... "Grab him, boys," shouted Cut-throat Jake. | 0:27:40 | 0:27:43 | |
"We've got him this time!" SHOUTING AND CHEERING | 0:27:43 | 0:27:46 | |
All the pirates rushed out of their hiding places. | 0:27:46 | 0:27:49 | |
THEY CONTINUE SHOUTING AND CHEERING | 0:27:49 | 0:27:52 | |
Captain Pugwash ran for it. | 0:27:52 | 0:27:54 | |
"Oh-ooh-oh!" | 0:28:00 | 0:28:03 | |
But they were too fast for him | 0:28:03 | 0:28:04 | |
and very soon he was well and truly caught. | 0:28:04 | 0:28:07 | |
"Got you!" Said Jake. "Now then, boys, what about that plank?" | 0:28:08 | 0:28:13 | |
"Argh." | 0:28:15 | 0:28:16 | |
HE CHUCKLES "Good. Good. | 0:28:16 | 0:28:19 | |
"Ever walked the plank, Captain?" | 0:28:19 | 0:28:21 | |
"No." "Well, you're going to now..." | 0:28:21 | 0:28:23 | |
"Ha-ha! ..for the last time. | 0:28:23 | 0:28:25 | |
HE LAUGHS | 0:28:25 | 0:28:29 | |
"It's easy. | 0:28:29 | 0:28:31 | |
"You starts at this end and you fall off at t'other. | 0:28:31 | 0:28:34 | |
"Now, these here is bags of gold. | 0:28:34 | 0:28:38 | |
"Seen as you're so fond of treasure, captain, | 0:28:38 | 0:28:41 | |
"we'll tie them round your wrist and ankles, | 0:28:41 | 0:28:43 | |
"it'll make you sink faster!" | 0:28:43 | 0:28:45 | |
So, heavily laden with useless gold, Pugwash sadly mounted the plank | 0:28:45 | 0:28:50 | |
and thought that his last "Argh!" had really arrived. | 0:28:50 | 0:28:53 | |
But he and Jake and all the pirates had forgotten Tom, | 0:28:53 | 0:28:58 | |
still waiting in the little boat below. | 0:28:58 | 0:29:01 | |
"Off you go, Captain," said Jake, | 0:29:01 | 0:29:04 | |
"we can't wait all day, you know." | 0:29:04 | 0:29:06 | |
Captain Pugwash started to walk very unsteadily along the plank. | 0:29:06 | 0:29:11 | |
If there was one thing he hated, it was cold water. | 0:29:11 | 0:29:14 | |
"Oh, oh, oh. Oh! Oh! Oh! Oh, dear! Oh! Oh!" | 0:29:14 | 0:29:19 | |
HE SCREAMS "Wait for it," yelled Jake. | 0:29:19 | 0:29:22 | |
WATER SPLASHES, THEY LAUGH | 0:29:24 | 0:29:28 | |
When the pirates heard the splash, they all roared with laughter | 0:29:28 | 0:29:31 | |
and rolled about the deck and made such a noise | 0:29:31 | 0:29:33 | |
that nobody noticed what was really happening - | 0:29:33 | 0:29:37 | |
Tom the cabin boy was fishing the captain out of the water | 0:29:37 | 0:29:40 | |
and into the rowing boat. | 0:29:40 | 0:29:42 | |
And although it was pretty hard work, | 0:29:42 | 0:29:45 | |
when Cut-throat Jake did take a look over the side, | 0:29:45 | 0:29:48 | |
this is what he saw - | 0:29:48 | 0:29:50 | |
Tom with the captain rowing like anything for the Black Pig. | 0:29:50 | 0:29:53 | |
"Curses!" Roared Cut-throat Jake. | 0:29:55 | 0:29:57 | |
"Fetch me a cannon. I'll smash them to smithereens, I will." | 0:29:57 | 0:30:01 | |
But all the cannons had been hidden to disguise the ship. | 0:30:01 | 0:30:04 | |
It was a long time before the pirates found one | 0:30:04 | 0:30:07 | |
and set it up and made it ready. | 0:30:07 | 0:30:09 | |
Shaking with rage, Jake lit the fuse. | 0:30:10 | 0:30:13 | |
The first shot missed. | 0:30:21 | 0:30:22 | |
LOUD BANG | 0:30:22 | 0:30:24 | |
And the second shot missed. | 0:30:29 | 0:30:30 | |
And by this time Jake was all but choking with fury | 0:30:32 | 0:30:36 | |
so he loaded the cannon with an extra big cannonball ball | 0:30:36 | 0:30:40 | |
to make sure of hitting the boat this time. | 0:30:40 | 0:30:43 | |
But it was too big, | 0:30:43 | 0:30:44 | |
it got stuck in the cannon and when they let it off... | 0:30:44 | 0:30:47 | |
..the whole thing exploded with a fearful roar... | 0:30:50 | 0:30:53 | |
..and knocked out Cut-throat Jake and all his wicked crew senseless. | 0:30:54 | 0:30:58 | |
Meanwhile, Tom was rowing hard and very nearly home. | 0:31:00 | 0:31:04 | |
And up on the deck of the Black Pig, | 0:31:04 | 0:31:06 | |
the mate, roused by the noise from his afternoon nap, sat up, | 0:31:06 | 0:31:11 | |
rubbed his eyes and cried, "Oh, it's the captain! | 0:31:11 | 0:31:15 | |
"Fetch me a boat hook, somebody." | 0:31:15 | 0:31:17 | |
So, they got him the boat hook | 0:31:17 | 0:31:19 | |
and the mate reached down and fished around | 0:31:19 | 0:31:22 | |
until he managed to hook the captain. | 0:31:22 | 0:31:25 | |
So Pugwash came back to his ship again. | 0:31:25 | 0:31:27 | |
"Oh! Uh-oh. Ooh! Oh. Ooh!" | 0:31:27 | 0:31:31 | |
And with him the bags of gold | 0:31:31 | 0:31:33 | |
which Jake had tied on to make him sink quickly. | 0:31:33 | 0:31:37 | |
HE LAUGHS "Smart work, hey? | 0:31:37 | 0:31:39 | |
Said the captain as he stood in triumph amid his admiring crew. | 0:31:39 | 0:31:43 | |
HE LAUGHS | 0:31:43 | 0:31:45 | |
"It'll take a cleverer villain than old ruffian Jake to catch me. | 0:31:45 | 0:31:50 | |
"Pugwash!" | 0:31:50 | 0:31:52 | |
Nobody noticed Tom as he slipped away to his hammock below. | 0:31:53 | 0:31:57 | |
"Oh, well," thought Tom, as he settled down to sleep, | 0:32:00 | 0:32:03 | |
"it's a good thing there was somebody there to catch him." | 0:32:03 | 0:32:07 | |
I always wanted to know where everything was on the globe | 0:32:20 | 0:32:24 | |
which I find in America is amazing - | 0:32:24 | 0:32:27 | |
they don't know where anywhere else in the world is | 0:32:27 | 0:32:29 | |
unless they're at war with it, you know? | 0:32:29 | 0:32:31 | |
HE LAUGHS Where's Iraq or Afghanistan? | 0:32:31 | 0:32:34 | |
Oh, and then suddenly they know. | 0:32:34 | 0:32:36 | |
They have a weird sense of thinking that they are the world | 0:32:36 | 0:32:42 | |
and that nowhere else is... | 0:32:42 | 0:32:44 | |
Which of course they eventually find out, to their detriment, | 0:32:45 | 0:32:49 | |
that there is a world out there | 0:32:49 | 0:32:51 | |
and they're going to give them a pain in the neck | 0:32:51 | 0:32:53 | |
if they don't find out. | 0:32:53 | 0:32:55 | |
I see another movie you've got up your sleeve | 0:32:57 | 0:32:59 | |
is The Man Who Would Be King? Yeah, I thought Connery | 0:32:59 | 0:33:02 | |
and...and Michael. | 0:33:02 | 0:33:04 | |
In there, they played off of each other so well, | 0:33:05 | 0:33:08 | |
and Huston wrote and directed it. | 0:33:08 | 0:33:10 | |
It's a great story. Kipling, originally, I believe. | 0:33:10 | 0:33:14 |