Of Time and the City


Of Time and the City

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This programme contains some strong language

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Into my heart an air that kills from yon far country blows.

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What are those blue remembered hills?

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What spires, what farms are those?

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That is the land of lost content,

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I see it shining plain.

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The happy highways where I went

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and cannot come again.

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I met a traveller from an antique land who said,

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"Two vast and trampless legs of stone stand in the desert."

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"And on the pedestal, these words appear:

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"My name is Ozymandias, King of Kings.

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"Look on my works, ye mighty, and despair!"

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Nothing besides remains.

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Round the decay of that colossal wreck, boundless and bare,

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the lone and level sands stretch,

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far away.

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If Liverpool did not exist,

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it would have to be invented - Myrbach.

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We love the place we hate, then hate the place we love.

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We leave the place we love,

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then spend a lifetime trying to regain it.

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Come closer now,

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and see your dreams.

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Come closer now,

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and see mine.

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No meat on Friday, confession on Saturday,

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emerging cleansed and pleasing to God.

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Mass on Sundays and holy days of obligation.

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Despite my dogged piety, no great revelation came.

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No divine balm to ease my soul,

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just years wasted in useless prayer.

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If I pray long enough, I will be forgiven.

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If I am forgiven, I will be made whole.

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All I'll need then is the girl.

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Suddenly I knew.

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Suddenly I thought, "It's all a lie."

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Paradise betrayed.

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There was no God, only Satan

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sauntering behind me with a smirk, saying,

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"I'll get you in the end."

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Tu es petrus - you're a brick, Pete.

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Here, people married.

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Here, people died and were buried.

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In deconsecrated Catholic churches, now made into restaurants as chic as anything abroad.

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Now the congregation can eat and drink in the sight of God.

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Who will no doubt disapprove of cocktails in Babylon.

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Is this happiness?

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Is this perfection?

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As you are now,

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we once were.

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James Joyce.

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They that go down to the sea in ships

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and that do business in great waters,

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these see the works of the Lord and his wonders of the deep.

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Anno Domini.

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Removed from the sight of happier classes,

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poverty may struggle along as it can.

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Friedrich Engels.

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'Preston North End 2, Blackpool 3.

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'Everton 2, West Ham United 0.

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'Leicester City 0, Leeds United 2. 'Manchester United 3...'

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On slow Saturdays, when football, like life, was still played in black and white, and in shorts as long

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as underwear, when it was still not venal, when sportsmen and woman knew

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how to win and lose with grace, and never to punch the air in victory.

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Match over, pea soup made, my mother calling from the kitchen,

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my eldest brother listening to the football results in front

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of the Bakelite radio, marking his coupon, hoping to win millions.

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Accrington Stanley, Sheffield Wednesday,

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Hamilton Academicals, Queen of the South.

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And on even slower Sundays, when it felt as if the whole world was listening to the light programme,

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Kenneth Horne, promptly at two o'clock,

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and long before the repeal of the Sexual Offences Act,

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would visit two of his very special friends.

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..very uncomfortable it was. And I was recommended to a fashionable firm of solicitors in Lincoln's Inn.

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The brass plate on the door read Bona Law. Hello, anybody there?

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Oh, hello, I'm Julian and this is my friend Sandy.

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I've got me articles and he's taken silk, frequently.

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Well, Mr Horne, how nice to varder your dolly old eek again!

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-Oh, what brings you trolling in here?

-Can you help me? I've erred.

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Yeah, we've all 'eard, ducky. It's common knowledge, innit, Julian?

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-Will you take my case?

-Depends on what it is.

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We've got a criminal practice that takes up most of our time.

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-Yes, but apart from that...

-Ooh, ain't he bold!

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But the law proscribed and was anything but tolerant,

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as when, contemporaneously, two gay men were arrested and convicted, and were to be made an example of.

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And the judge said to them before he was passing sentence, "Not only

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"have you committed an act of gross indecency, but you did it under one of London's most beautiful bridges."

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Showplace of the north, the Ritz Theatre, Birkenhead, again presents a replica Royal film performance.

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# Hooray for Hollywood

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# That screwy, ballyhooey Hollywood

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# Where any office boy or young mechanic... #

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At seven, I saw Gene Kelly in Singin' In The Rain,

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and discovered the movies, loved them,

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and swallowed them whole.

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# ..Can be a top girl

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# If she pleases the tired businessman... #

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And my love was as muscular as my Catholicism, but without any of the drawbacks.

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Musicals, melodramas, Westerns - nothing was too rich or too poor

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for my rapacious appetite and I gorged myself

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with a frequency that would shame a sinner.

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# ..Try your luck You may be Donald Duck

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# Hooray for Hollywood... #

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But soon, darker pleasures.

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At 15, I saw Dirk Bogarde in Victim,

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and discovered something entirely different.

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And when I was not at the movies, on Friday nights,

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I was at the Liverpool Stadium watching the wrestling.

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Not for its pantomimic villainy, but for something more illicit.

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And in short, I was afraid.

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As I struggled with my adolescent desires, as I waited at the top of the aisle as the wrestlers swaggered

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up from the ring, their trunks tight across the buttocks, I could feel their body heat as I furtively

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touched a back or a thigh, choking with schoolboy guilt and trembling with the fear of the wrath of God.

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Oh, save me from those dark desires which thrill and compel.

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The world,

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the flesh...

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-..and the devil.

-BELL RINGS

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Caught between canon and the criminal law,

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I said goodbye to my girlhood.

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Here, I wept, wept and prayed, until my knees bled.

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But no succour came,

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no peace granted.

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Here was my whole world:

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home, school, the movies,

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and God.

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You who damn, but give no comfort.

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Why do I plead?

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Why do you not respond, Angel Eyes?

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Jesus mercy, Mary help...

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..lull me to safety.

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Between sleeping and waking,

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Earth does not revolve,

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and slow turns a life of meagre timbre,

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of dullest breath.

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Between birth and dying, some lovely moments grow, and sorrows, not known

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until tomorrow, cloud the happy hours spent dreaming in the sun.

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Between joy and consolation, no easy path.

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Some flights of fancy, some colour,

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glorious old Hollywood, small comic England, black and white.

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Between loving and hating, the real journey starts.

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Let go the latter, embrace the former,

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then fall to heaven on a gentle smile.

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Between waking and sleeping, the Earth resumes its turn.

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The soft light fills the room,

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the nightly demons perish from the bed,

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and all humanity braves another day.

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'We used to help one another out...

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'and go the washhouse.

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'Do washing for anyone. Nursing them if they were sick.

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'And then, of course, my mother died on Christmas Eve.

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'And she left me, at 14,

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'a little baby, 12 months old,

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'and another one, erm, four.

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'Me dad stayed with us eight weeks.

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'Then he got a ship and went away and left us.

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'So, of course, he died after, you know.

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'Then I had more trouble on me plate, like.

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'Me husband never ever got much work

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'and I had to work all me life.

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'But, thank God, God's been very good to me, and his Holy Mother.'

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# I found my love

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# By the gas works croft

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# Dreamed a dream

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# By the old canal

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# Kissed my girl

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# By the factory wall

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# Dirty old town

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# Dirty old town

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# I heard a siren

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# From the dock

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# Saw a train

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# Set the night on fire

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# Smelled a spring

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# On the sulphured wind

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# Dirty old town

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# Dirty old town

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The year moves towards November.

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Bonfire Night, a penny for the Guy,

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someone singing Keep The Home Fires Burning.

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As Jimmy Preston and me, the only ones left now,

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roast potatoes on sticks.

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We sit, quiet at the last.

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Jimmy Preston who was a real boy, and whom I envied.

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Jimmy Preston who once put his hand on my shoulder, and I didn't want him to remove it.

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Don't go in just yet,

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please, not just yet.

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But he does.

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Twilight and evening bell,

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and after that,

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the dark.

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# Goodbye, Betty

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# While you're away

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# Send me a letter to tell me that you're better

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# Goodbye, Betty, and while you're away

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# And don't forget your old pal Anne

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# Goodbye, Anne,

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# While you're away

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# Send me a letter to tell me that you're better

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# Goodbye, Anne, and while you're away

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# Don't forget your old pal Pat. #

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# He bought me a shawl of red, white, and blue

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# And when we got married he tore it in two

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# Oh, gee, I love him, I can't deny it

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# I'll be with him wherever he goes. #

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I would have liked to have worked on, but they threw me out,

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because I was old.

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It's a sin to grow old, you know.

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We had an old lady here, and erm... She...

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Everybody would run and get her a cup of tea, and they'd wait on her,

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and do all those little things, but she'd always say, "Nobody wants me."

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Well, I mean, if you take that attitude,

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you can't expect anyone to want you, can you?

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Oh, watch and pray, watch and pray.

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Do you remember, you who are no longer young, and you who still are,

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do you remember the months of November and December?

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Wet shoes and leaking galoshes,

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and for the first time, chilblains, with Christmas in the air.

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God was in his heaven, and, oh, how I believed, oh, how fervent I was.

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And on Christmas Eve, pork roasting in the oven, the parlour cleaned,

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with fruit along the sideboard.

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A pound of apples, tangerines in tissue paper, a bowl of nuts,

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and our annual, exotic pomegranate.

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Do you remember?

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Do you?

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Will you ever forget?

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-LAUGHTER

-Happy days.

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My mother, generous with her small nest egg of £25, borrowed from the Leigh & Lend.

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Love and cellophane.

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My brothers, with their made-to-measure suits, bought on HP.

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My sisters and a dab of scent, maybe only Evening In Paris,

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but making it seem as if the whole world was drenched in Chanel.

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Being taken to the pictures, and in all those movies,

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it was always Christmas, and it was always perfect.

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Seven Brides For Seven Brothers, Young At Heart,

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All That Heaven Allows,

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but all, all are gone,

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the old familiar faces.

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And yet, time renders -

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deceive the eye, deceive the heart.

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A valediction and an epitaph.

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Now, voyager, go forth, to seek and find.

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But my eldest brother, lying in an army hospital in Leamington Spa,

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he will not go to war.

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He will be safe.

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Cometh the hour, cometh the man,

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cometh the Korean War.

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# The road is long

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# With many a winding turn

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# That leads us

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# Who knows where

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# Who knows where

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# But I'm strong

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# Strong enough to carry

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# He ain't heavy

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# He's my brother

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# So on we go

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# His welfare is my concern

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# No burden is he

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# To bear

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# We'll get there

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# For I know

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# He will not encumber me

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# He ain't heavy

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# He's my brother

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# If I'm laden

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# At all

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# I'm laden

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# With sadness

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# That everyone's heart

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# Isn't filled

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# With the gladness

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# Of love

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# For one another... #

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For Queen, country, and the civil list.

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CHEERING AND APPLAUSE

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Yet, all over the country, street parties were held

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to celebrate the start of The Betty Windsor Show.

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When the golden couple married in 1947,

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the following was lavished on the ceremony -

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jewellery from other Royals, a washing machine,

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a fridge, 76 handkerchiefs,

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148 pairs of stockings, 38 handbags,

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16 nightgowns, 500 cases of tinned pineapple,

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10,000 telegrams, 2,000 guests,

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five kings, seven queens, eight princes, and ten princesses.

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And for the 10,000 pearls sewn onto her wedding dress,

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Her Majesty allegedly saved all her clothing coupons.

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PARTY HORNS SQUEAK

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Even more money was wasted on her coronation,

0:28:550:28:59

as yet another fossil monarchy justified its existence by "tradition",

0:28:590:29:04

and deluded itself with the notion of "duty".

0:29:040:29:06

Privileged to the last, whilst in England's green and pleasant land,

0:29:060:29:10

the rest of the nation survived

0:29:100:29:13

on rationing in some of the worst slums in Europe.

0:29:130:29:18

And in bonny Scotland, they gave Her Majesty a 21-hose salute.

0:29:190:29:25

Or maybe they were just taking the piss.

0:29:250:29:27

# Vivat

0:29:330:29:35

# Regina

0:29:350:29:37

# Vivat Regina Elizabetha

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# Vivat! Vivat! Vivat! #

0:29:440:29:47

After Korea, EOKA, and Mau Mau,

0:29:550:29:57

India had gone. Soon Africa would go.

0:29:570:30:01

Then Suez as a last hurrah, leaving only a fading memory

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of when most of the globe was red,

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and Victoria was the first and only diminutive bourgeoisie imperatrix.

0:30:080:30:14

Betty and Phil with a thousand flunkies.

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"The trouble with being poor is that it takes up all your time."

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Willem de Kooning.

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"The trouble with being rich is that it takes up everybody else's."

0:30:290:30:33

After farce...realism.

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The heart that beats beneath the heart is tender, is not savage.

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It beats in time, though years apart from struggle's silent marriage

0:30:500:30:56

of storm and stress, of quiet love,

0:30:560:30:59

as when the lights begin to fall and he just smiles

0:30:590:31:03

as she just hums, a tune that fitted like a glove,

0:31:030:31:07

that tapped its rhyme, still and small, into their room,

0:31:070:31:11

when nightfall thrums a kind of peace

0:31:110:31:14

that soothes the heart and lets the years fall from nought and down

0:31:140:31:20

as they shuffle off to bed apart,

0:31:200:31:23

then meet again beneath the eiderdown.

0:31:230:31:27

# Someday

0:32:020:32:04

# We'll build a home

0:32:050:32:07

# On a hilltop high

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# You and I

0:32:120:32:15

# Shiny and new

0:32:150:32:19

# A cottage that two

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# Can fill

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# And we'll be pleased

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# To be called

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# The folks who live

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# On the hill

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# Someday

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# We may be adding

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# A wing or two

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# A thing or two

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# We will make changes

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# As any family will

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# But we will always be called

0:33:140:33:19

# The folks who live

0:33:220:33:25

# On the hill

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# Our veranda

0:33:330:33:37

# Will command a view

0:33:370:33:40

# Of meadows green

0:33:400:33:43

# The sort of view

0:33:430:33:45

# That seems to want

0:33:450:33:48

# To be seen

0:33:480:33:51

# And when the kids grow up

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# And leave us

0:33:580:34:01

# We'll sit and look

0:34:030:34:06

# At that same old view

0:34:060:34:10

# Just we two

0:34:100:34:14

# Baby and Joe

0:34:140:34:18

# Who used to be

0:34:180:34:21

# Jack and Jill

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# The folks who like to be called

0:34:260:34:30

# What they have always been called

0:34:330:34:40

# The folks who live

0:34:420:34:46

# On the hill. #

0:34:460:34:53

By the waters of Babylon, where we sat down,

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we wept when we remembered Zion.

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And they that carried us away captive

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required of us a song, saying, "Sing us one of the songs of Zion."

0:35:160:35:21

But how shall we sing in a strange land?

0:35:210:35:26

Yeah, yeah, yeah, yeah.

0:35:260:35:29

# For goodness sake

0:35:290:35:31

# I got the hippy, hippy shakes

0:35:320:35:35

# Yeah, I got the shakes

0:35:360:35:37

# I got the hippy, hippy shakes

0:35:390:35:42

# Ooh, I can't sit still... #

0:35:420:35:44

And in an era when pop music was still demure, before Presley,

0:35:440:35:49

before the Beatles - John, Paul, George and Ringo -

0:35:490:35:52

not so much a musical phenomenon,

0:35:520:35:54

more like a firm of provincial solicitors.

0:35:540:35:56

When they are given the freedom of the city, Teddy Johnson and Pearl Carr,

0:36:000:36:04

Dickie Valentine, Lita Roza, Alma Cogan,

0:36:040:36:07

sedate British pop was screamed away on a tide of Merseybeat

0:36:070:36:13

and the witty lyric and the well-crafted love song

0:36:130:36:15

seeming as antiquated as antimacassars or curling tongs.

0:36:150:36:20

After the rise of rock and roll, my interest in popular music waned.

0:36:240:36:28

And as it declined, my love of classical music increased.

0:36:280:36:32

Sibelius, Shostakovich and my beloved Bruckner.

0:36:320:36:37

Then, in my overwrought adolescent state of mind, I discovered Mahler

0:36:370:36:42

and responded completely to his every overwrought note.

0:36:420:36:46

And in classical music, they had such wonderful foreign names -

0:36:480:36:52

Amy Shuard, Otto Klemperer, Elisabeth Schwarzkopf, Anneliese Rothenberger.

0:36:520:36:57

Furtwangler and Munch, Knappertsbusch and Gauk,

0:36:570:37:00

Robert Merrill and Jussi Bjorling, the Pearl Fishers.

0:37:000:37:05

But there was still ballroom dancing,

0:37:150:37:17

as staid as a funeral parlour.

0:37:170:37:19

Hectares of tulle, Brylcreem, and the Fishtail.

0:37:190:37:23

accompanied by Victor Silvester and his famous orchestral whine,

0:37:230:37:26

as thin as a two-step, as quick as a foxtrot.

0:37:260:37:30

ALL CHANT

0:37:440:37:46

ALL CHANT

0:37:540:37:58

A thousand-throng Aintree racecourse for the biggest event of the steeplechasing world,

0:38:010:38:06

the Grand National.

0:38:060:38:07

Umbrella weather won't stop the crowds coming to this racing classic.

0:38:070:38:11

All of Britain listened to the Grand National on radios as small and brown as Hovis, made bets,

0:38:110:38:17

off-course and absolutely illegal,

0:38:170:38:19

but it was only once a year and a shilling win, so where was the harm?

0:38:190:38:23

Sundew, ESB, Early Mist.

0:38:230:38:27

Even Mum opened her purse for her annual little flutter and said,

0:38:270:38:31

"I really fancy Quare Times... each way."

0:38:310:38:35

M'as-Tu-Vu has a slight lead from Sundew as they turn away

0:38:350:38:38

from the stands and back towards the 14 jumps they have to tackle again.

0:38:380:38:42

Bob Danvers-Walker, the voice of British Pathe,

0:38:420:38:45

Michael O'Hehir, Peter O'Sullevan - the voices of racing,

0:38:450:38:49

listening to their controlled excitement pouring through the wireless.

0:38:490:38:53

And Quare Times, who cost his owner only 300 guineas,

0:38:530:38:57

has won the National. A 12-lengh victory...

0:38:570:39:00

Mum, smiling at her small win, and those who've lost think, "Well, there's always next year.

0:39:000:39:05

"God willing."

0:39:050:39:07

The 12th of July and the Orange Day Parade through the city,

0:39:090:39:14

winding their way towards Exchange station and Southport

0:39:140:39:17

to toast King Billy,

0:39:170:39:19

and say, "Fuck the Pope, and all those Fenian bastards."

0:39:190:39:23

Whatever, whoever they were.

0:39:230:39:26

And on the train coming home,

0:39:270:39:28

slightly the worse for wear, howling at the papist moon.

0:39:280:39:33

But no religious divide in my street,

0:39:360:39:38

just quiet acceptance that Catholics did everything in mysterious Latin,

0:39:380:39:43

while Protestants sang Jesus Wants Me For A Sunbeam

0:39:430:39:47

in plain, no-nonsense English.

0:39:470:39:49

Although, sometimes,

0:39:490:39:51

it felt as if one's entire world was one long Sunday afternoon.

0:39:510:39:57

Nothing to do, nowhere to go.

0:39:570:39:59

Then Mum or one of my sisters would say,

0:39:590:40:02

"Lets have a day out next week,"

0:40:020:40:04

and the ensuing seven days were streaked and gilded.

0:40:040:40:09

But you still had to wait.

0:40:090:40:12

Those days, queuing was de rigeur,

0:40:140:40:16

queuing modestly for modest entertainment at the local fete

0:40:160:40:19

in posh parts of the city like Stoneycroft,

0:40:190:40:23

where they sounded their Hs and knew what sculleries were.

0:40:230:40:27

A jumble sale, a fancy dress parade, a foot race, with someone collapsing of heatstroke,

0:40:300:40:35

because the temperature rose a couple of degrees above freezing.

0:40:350:40:40

The scouts, darts, and a May queen crowned.

0:40:440:40:49

A nation deprived of luxury, relishing these small delights.

0:40:490:40:54

Decorated prams and bicycles,

0:40:540:40:57

a smattering of applause, all the fun of the fair.

0:40:570:41:01

So to New Brighton, only a ferry ride away,

0:41:060:41:10

but happiness on a budget.

0:41:100:41:12

They board in black and white,

0:41:140:41:16

then disembark in colour, for things were changing.

0:41:160:41:20

World War II was over - peacetime, and hardship eased.

0:41:200:41:25

And all day on the beach, completely unsupervised,

0:41:280:41:31

with no factor 200 sunblock, and safe as houses, little baby Joyce.

0:41:310:41:36

Tarquin and Gemma being, as yet, unknown.

0:41:360:41:41

Stiff at joy time with Auntie Lil.

0:41:410:41:46

Bathing beauty competitions, in their day harmless, now as quaint

0:41:480:41:52

as the bustle, now as unacceptable as Chinese foot-binding.

0:41:520:41:56

Pretty young women being kissed by the Lord Mayor, given a sash,

0:41:590:42:03

a trophy, and some small modest fame.

0:42:030:42:06

-And, oh, how we laughed.

-LAUGHTER

0:42:060:42:10

A stroll along the prom, deckchairs and the floral clock.

0:42:100:42:15

Sand in the egg sandwiches,

0:42:150:42:18

tea at three, then a snooze.

0:42:180:42:22

New Brighton rock, as sweet as sick,

0:42:220:42:25

and gobstoppers that would last until your middle age.

0:42:250:42:29

A ride or two, then the miniature railway.

0:42:320:42:37

Then maybe to the dance, maybe a jive,

0:42:370:42:40

maybe a gin and orange, and maybe love.

0:42:400:42:44

Kiss me quick and roll me over, announce an engagement, plan a wedding.

0:42:460:42:50

Taffeta skirts and blue serge, youth that cannot end,

0:42:500:42:55

hopes as high as Blackpool Tower, when all the world was young

0:42:550:43:00

and knew no bounds.

0:43:000:43:01

BAND MUSIC PLAYS

0:43:010:43:04

Then the journey home, tired.

0:43:120:43:15

Cocoa and toast, and happiness unlimited.

0:43:150:43:20

"The golden moments pass and leave no trace."

0:43:260:43:30

Chekhov.

0:43:300:43:32

We had hoped for paradise.

0:45:180:45:19

We got the anus mundi.

0:45:220:45:24

Rise. Oh, rise.

0:49:510:49:52

Oh, surely thou shalt rise.

0:49:520:49:55

But not before the opening of the Metropolitan Cathedral of Christ the King,

0:49:550:49:59

inaugurated by Cardinal Heenan in his brand-new frock.

0:49:590:50:03

The Vatican's response to Schiaparelli.

0:50:030:50:06

I had lived my spiritual and religious life

0:50:060:50:10

under Popes Pius XII, John XXIII and Clitoris the Umpteenth, which is enough to turn anyone pagan.

0:50:100:50:16

As far as I knew, Holy Mother Church still wanted me, but I no longer wanted her.

0:50:160:50:23

For I was now a very happy, very contented, born again atheist.

0:50:230:50:28

Thank God.

0:50:280:50:30

Oh, come all ye faithful,

0:50:300:50:32

have another plateful.

0:50:320:50:35

Municipal architecture, dispiriting at the best of times

0:56:050:56:09

but, when combined with the British genius for creating the dismal,

0:56:090:56:12

makes for a cityscape that is anything but Elysian.

0:56:120:56:16

MAN HUMS LULLABY

0:56:190:56:21

Out to sea, the dawn wind wrinkles and slides.

0:57:150:57:20

I am here or elsewhere.

0:57:200:57:24

In my end is my beginning.

0:57:250:57:28

We meet our destiny on the road we take to avoid it -

0:57:310:57:36

Carl Jung.

0:57:360:57:37

I said to my soul, be still and let the dark come upon you, which shall be the darkness of God.

0:57:400:57:47

I said to my soul, be still and wait without hope,

0:57:490:57:53

for hope would be hope for the wrong thing.

0:57:530:57:57

Wait without love, for love would be love of the wrong thing.

0:57:570:58:01

There is yet faith, but the faith and the love and the hope are all in the waiting.

0:58:010:58:07

The rest is not our business.

0:58:070:58:09

At the still point of the turning world, suspended in time between pole and tropic

0:58:090:58:15

and all is always now.

0:58:150:58:18

Home is where one starts from.

0:58:180:58:21

As we grow older, the world becomes stranger, the pattern more complicated, of dead and living.

0:58:210:58:27

There is a time for the evening under starlight,

0:58:270:58:31

a time for the evening under lamplight,

0:58:310:58:33

the evening with the photograph album.

0:58:330:58:36

Love is most nearly itself when here and now cease to matter.

0:58:360:58:41

I said to my soul, be still

0:58:410:58:43

and accept this, my chanson d'amour for all that has passed.

0:58:430:58:49

But where, oh where are you, the Liverpool I knew and loved?

0:58:490:58:54

Where have you gone without me?

0:58:540:58:56

And now I'm an alien in my own land.

0:58:560:58:59

O tempora, O mores.

0:59:000:59:04

O the times, O the fashions.

0:59:040:59:07

Tread gently, stranger, as you softly turn the key,

0:59:080:59:13

to unlock time and cause the years to fall towards their end.

0:59:130:59:17

Speak low, love, but speak wisely

0:59:170:59:20

for frail time hangs by a thread above the world

0:59:200:59:24

with only hope to keep us safe.

0:59:240:59:27

Tap lightly at the door, then close it with a silent shock,

0:59:270:59:32

but never, ever yield to the night.

0:59:320:59:36

We shall return with hope to the good earth,

1:01:221:01:26

and you, my dear children,

1:01:261:01:30

you are the earth.

1:01:301:01:32

But, I reason, earth is short,

1:01:401:01:42

and anguish absolute,

1:01:421:01:46

and many are hurt,

1:01:461:01:48

but what of that?

1:01:481:01:51

I reason, we could die,

1:01:531:01:56

the best vitality cannot excel decay,

1:01:561:02:00

but what of that?

1:02:001:02:03

I reason that in heaven, somehow it will be even,

1:02:041:02:08

some new equation given...

1:02:081:02:12

..but what of that?

1:02:131:02:15

We shall not cease from exploration,

1:03:031:03:06

and the end of all our exploring will be to arrive where we started

1:03:061:03:11

and to know the place for the first time,

1:03:111:03:14

through the unknown remembered gate,

1:03:141:03:17

when the last of earth left to discover

1:03:171:03:19

is that which was the beginning.

1:03:191:03:22

A condition of complete simplicity costing not less than everything.

1:03:221:03:26

And all shall be well,

1:03:261:03:29

and all manner of thing shall be well.

1:03:291:03:33

If all the world and love were young

1:03:401:03:43

and truth in every shepherd's tongue,

1:03:431:03:45

these pretty pleasures might me move

1:03:451:03:48

to live with thee and be thy love.

1:03:481:03:51

But time drives flocks from field to fold,

1:03:511:03:55

when rivers rage and rocks grow cold,

1:03:551:03:58

and Philomel becometh dumb,

1:03:581:04:00

the rest complains of cares to come.

1:04:001:04:04

The flowers do fade, and wanton fields to wayward winter reckoning yields.

1:04:041:04:10

A honey tongue, a heart of gall

1:04:101:04:13

is fancy's spring, but sorrow's fall.

1:04:131:04:16

Thy gowns, thy shoes, thy beds of roses,

1:04:161:04:20

thy cap, thy kirtle, and thy posies

1:04:201:04:23

soon break, soon wither, soon forgotten,

1:04:231:04:28

in folly ripe, in reason rotten.

1:04:281:04:31

Thy belt of straw and ivy buds,

1:04:321:04:34

thy coral clasps and amber studs,

1:04:341:04:37

all those in me no means can move

1:04:371:04:40

to come to thee and be thy love.

1:04:401:04:43

But could youth last and love still breed,

1:04:431:04:47

had joys no date, nor age no need,

1:04:471:04:51

then those delights my mind might move

1:04:511:04:55

to live with thee and be thy love.

1:04:551:04:58

We are being gathered in

1:05:051:05:07

at gloaming.

1:05:071:05:09

Is it sleep

1:05:171:05:20

or is it death?

1:05:201:05:22

Good night, ladies.

1:07:411:07:43

Good night, sweet ladies.

1:07:431:07:47

Good night, good night,

1:07:471:07:51

good night.

1:07:511:07:52

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1:09:221:09:25

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