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'It's The Beatles!' | 0:00:09 | 0:00:10 | |
In August 1962, I made a little film | 0:00:25 | 0:00:28 | |
with four unknown kids in a Liverpool cellar. | 0:00:28 | 0:00:32 | |
# Some other guy now Taking my love away from me... # | 0:00:32 | 0:00:38 | |
Soon, The Beatles had conquered much of the world. | 0:00:38 | 0:00:42 | |
But back in the USSR, the repressive old men in the Kremlin tried to resist the Fab Four. | 0:00:46 | 0:00:53 | |
They were defeated by their children. | 0:00:55 | 0:00:58 | |
This is the untold story of how The Beatles helped to destroy Communism. | 0:00:58 | 0:01:03 | |
# While in the west a Beatle stepped on all the rules | 0:01:16 | 0:01:21 | |
# '60s beat was echoing throughout all the Soviet schools... # | 0:01:21 | 0:01:26 | |
The Beatles turned tens of millions of young people into | 0:01:26 | 0:01:32 | |
another religion, and the understanding that | 0:01:32 | 0:01:35 | |
we're living in a monster state, and we needed an alternative. | 0:01:35 | 0:01:39 | |
# Every Russian schoolboy wants to be a star | 0:01:39 | 0:01:44 | |
# Playing Beatles music, making a guitar... # | 0:01:44 | 0:01:51 | |
They changed everything, and they opened the whole world. | 0:01:51 | 0:01:56 | |
It was all brought by them, by The Beatles. | 0:01:56 | 0:01:59 | |
# The teachers loved to follow this | 0:02:06 | 0:02:08 | |
# As if it were a sin | 0:02:08 | 0:02:11 | |
# We were building communism but the Beatles bought it in... # | 0:02:11 | 0:02:15 | |
They destroyed the Communism more than Gorbachev, by the way, | 0:02:15 | 0:02:20 | |
the change of the Soviet Union. | 0:02:20 | 0:02:22 | |
Beatles, it was the key | 0:02:22 | 0:02:24 | |
that opened the door to the West culture. | 0:02:24 | 0:02:27 | |
The West culture produced cultural revolution. | 0:02:28 | 0:02:32 | |
Cultural revolution destroyed the Soviet Union. | 0:02:32 | 0:02:36 | |
# Even comrade Brezhnev sadly shrug his hea-a-a-a-d | 0:02:36 | 0:02:44 | |
# Each comrade's child was in a band yeah, yeah | 0:02:44 | 0:02:48 | |
# Byron swept the land, yeah, yeah, | 0:02:48 | 0:02:51 | |
# Byron swept the land Things were getting out of hand... # | 0:02:51 | 0:02:54 | |
They put the first hole in the Iron Curtain, the song of Beatles. | 0:02:54 | 0:02:59 | |
The Beatles were always looked upon as very dangerous, bourgeois, somehow undermined the system itself. | 0:02:59 | 0:03:07 | |
# What could they do? What could they say? A generation gone astray... # | 0:03:07 | 0:03:12 | |
The Beatles, it was like a fresh air. | 0:03:12 | 0:03:14 | |
In Russia, it was amazing power because they had this free spirit. | 0:03:14 | 0:03:20 | |
# What could they do? What could they say? | 0:03:27 | 0:03:31 | |
# They walked away. # | 0:03:31 | 0:03:36 | |
It was Beatles generation. | 0:03:36 | 0:03:38 | |
Beatles, Beatles, Beatles, Beatles, da! | 0:03:38 | 0:03:41 | |
25 years after that first film in the Liverpool Cavern Club, I began to make documentaries in the USSR. | 0:03:42 | 0:03:50 | |
Over the years, I heard stories, | 0:03:56 | 0:03:58 | |
incredible at first, | 0:03:58 | 0:04:00 | |
about how The Beatles had changed the lives of millions of kids | 0:04:00 | 0:04:04 | |
and how their music helped to destroy official culture and the communist system. | 0:04:04 | 0:04:09 | |
In today's Moscow, the vast Socialist experiment feels like a dream. | 0:04:09 | 0:04:16 | |
But how could four lads from Liverpool have played a part in defeating the Cold War enemy? | 0:04:16 | 0:04:23 | |
I knew The Beatles had never been able | 0:04:30 | 0:04:33 | |
to play behind the Iron Curtain. | 0:04:33 | 0:04:35 | |
A repressive and puritanical youth culture was strictly enforced by | 0:04:36 | 0:04:41 | |
a state which feared what the Beatles might bring. | 0:04:41 | 0:04:45 | |
But wherever I went, people insisted | 0:04:45 | 0:04:48 | |
The Beatles had a more profound impact on rocking the Kremlin | 0:04:48 | 0:04:52 | |
than the threat from the West of nuclear missiles | 0:04:52 | 0:04:56 | |
or anti-communist crusading. | 0:04:56 | 0:04:58 | |
In the big, bad West, they've had whole huge institutions | 0:05:00 | 0:05:08 | |
which spent tens of millions of dollars | 0:05:08 | 0:05:12 | |
for undermining the Soviet system. | 0:05:12 | 0:05:17 | |
I'm sure that the impact of all those stupid Cold War institutions | 0:05:17 | 0:05:23 | |
has been much, much smaller than the impact of The Beatles. | 0:05:23 | 0:05:31 | |
If you look at all the factors that led to the ultimate | 0:05:31 | 0:05:36 | |
loss of belief | 0:05:36 | 0:05:40 | |
in the system, which was its downfall. | 0:05:40 | 0:05:44 | |
It was held together by fear and by belief. | 0:05:44 | 0:05:49 | |
The Beatles played a role in first of all overcoming the fear | 0:05:49 | 0:05:54 | |
and in showing that the belief was actually stupid. | 0:05:54 | 0:05:59 | |
# She loves you, yeah, yeah, yeah # | 0:05:59 | 0:06:01 | |
# She loves you, yeah, yeah, yeah | 0:06:01 | 0:06:04 | |
# Let it be, let it be... # | 0:06:04 | 0:06:07 | |
Across the USSR, The Beatles virus spawned hundreds of tribute bands. | 0:06:07 | 0:06:11 | |
# Wearing the face that she keeps in a jar by the door | 0:06:11 | 0:06:17 | |
# Who is it for? All the lonely people... # | 0:06:18 | 0:06:24 | |
Their music was my soundtrack as I went looking for The Beatles | 0:06:24 | 0:06:28 | |
generation to follow the story of an improbable revolution. | 0:06:28 | 0:06:31 | |
# Won't you please, please help me | 0:06:31 | 0:06:37 | |
# Help me, help me ooh. # | 0:06:37 | 0:06:40 | |
Kolya Vasin is Russia's ultimate Beatles fan. | 0:06:42 | 0:06:46 | |
Adventures. Beatles gave me adventures all my life. | 0:06:46 | 0:06:50 | |
For more than 40 years, he's been building his John Lennon temple of love in St Petersburg. | 0:06:50 | 0:06:57 | |
Another life. With The Beatles, another life. | 0:07:08 | 0:07:10 | |
-Flying with The Beatles. -# Do you want to know a secret? | 0:07:20 | 0:07:24 | |
# Do you promise not to tell? # | 0:07:25 | 0:07:28 | |
Since 1964, when he first heard a bootleg Beatles tape, he has been | 0:07:35 | 0:07:40 | |
amassing his horde of Beatles treasure. | 0:07:40 | 0:07:44 | |
For Kolya Vasin and millions of other kids, | 0:08:36 | 0:08:39 | |
it was never easy to be a Beatles fan in the Soviet Union. | 0:08:39 | 0:08:44 | |
Reviled by the Communist authorities as Western pollution, | 0:08:44 | 0:08:48 | |
Beatles records were banned. | 0:08:48 | 0:08:51 | |
Vigilantes patrolled the streets rounding up rock 'n' roll fans and shaving off their long hair. | 0:08:51 | 0:08:58 | |
Police at airports kept a look-out for smuggled records. | 0:09:01 | 0:09:07 | |
You just bring it into the country, actually, it's like contraband. | 0:09:07 | 0:09:11 | |
Just - you bring in this album. | 0:09:11 | 0:09:13 | |
"No, you're not supposed to bring this stuff into the country," | 0:09:13 | 0:09:16 | |
and they will find it in your luggage. They will scratch it. | 0:09:16 | 0:09:20 | |
It was a device like three nails together just to scratch it, because it should be done in a proper way. | 0:09:20 | 0:09:27 | |
Official Soviet culture ignored The Beatles' invasion, | 0:09:30 | 0:09:35 | |
preferring accordions and folk dancing to guitars and the Fab Four. | 0:09:35 | 0:09:40 | |
Being a young radical man, | 0:09:52 | 0:09:56 | |
I just hated all of this because it was all square, totally uncool. | 0:09:56 | 0:10:02 | |
All the singers had the wrong haircuts. | 0:10:02 | 0:10:06 | |
They were dressed like office clerks, | 0:10:06 | 0:10:10 | |
and they sang like Brezhnev at the Communist Party Congress. | 0:10:10 | 0:10:15 | |
Soviet culture has been totally unsexy, | 0:10:18 | 0:10:22 | |
very rigid, too limited. | 0:10:22 | 0:10:26 | |
There was nothing bright and free and funky and sexy | 0:10:26 | 0:10:32 | |
and funny about it, and, of course, | 0:10:32 | 0:10:36 | |
these qualities were exactly the vitamins that our bodies needed. | 0:10:36 | 0:10:42 | |
In the mid '60s, ingenious Beatles fans found | 0:10:42 | 0:10:46 | |
a way to make their own bootlegs. | 0:10:46 | 0:10:49 | |
Their secret weapons were street-side recording booths, | 0:10:49 | 0:10:53 | |
where homesick soldiers could make sound letters for their mums. | 0:10:53 | 0:10:58 | |
After hours, fans would turn up with tapes of Beatles songs | 0:10:58 | 0:11:03 | |
illicitly recorded from Radio Luxembourg. | 0:11:03 | 0:11:07 | |
And you could do | 0:11:08 | 0:11:10 | |
a recording of Beatles songs. | 0:11:10 | 0:11:13 | |
At the beginning, they did it on the used X-rays, which they collected | 0:11:14 | 0:11:19 | |
from trash in the medical institutes or in clinics or in hospitals. | 0:11:19 | 0:11:24 | |
There was the machine with the needle, | 0:11:24 | 0:11:28 | |
which was scratching grooves on this X-ray. | 0:11:28 | 0:11:33 | |
A black market mushroomed fed by records on ribs. | 0:11:35 | 0:11:40 | |
So kids could listen to I Feel Fine on Uncle Sergei's lungs. | 0:11:42 | 0:11:47 | |
I used to buy ribs when I was a kid. | 0:11:50 | 0:11:52 | |
There was a guy keeping it in a sleeve. | 0:11:52 | 0:11:55 | |
Flexible, flexi-disks | 0:11:55 | 0:11:58 | |
because it was prohibited, in his sleeve, flexis, three rubles. | 0:11:58 | 0:12:03 | |
OK. You want shakes. You want rock 'n' rolls? | 0:12:07 | 0:12:10 | |
Shake was dance, you know, shake. | 0:12:10 | 0:12:13 | |
You want some rock 'n' rolls? You want some shakes? | 0:12:13 | 0:12:17 | |
Three rubles. | 0:12:17 | 0:12:19 | |
"What's this?" | 0:12:19 | 0:12:21 | |
"It's good rock 'n' roll." | 0:12:21 | 0:12:23 | |
This was very dangerous for people who sold it. It was prohibited. | 0:12:23 | 0:12:28 | |
Shrugging off official disapproval, the Beatles virus raged across the Soviet empire. | 0:12:34 | 0:12:40 | |
In Minsk, 500 miles from Moscow, Yuri Pelushonok caught the bug. | 0:12:45 | 0:12:51 | |
But Yeah, Yeah, Yeah, the song is so good and so nice that you fell in love when you hear this. | 0:12:51 | 0:12:58 | |
You can just feel it. You know? It's in the air. | 0:13:01 | 0:13:03 | |
I can't explain you, but everybody knows it. It's an icon. | 0:13:03 | 0:13:08 | |
If my mum would like to tell me to have a haircut, she would say, | 0:13:08 | 0:13:12 | |
"You're worse than a Beatle." | 0:13:12 | 0:13:14 | |
In Kiev too, The Beatles virus was unstoppable. | 0:13:33 | 0:13:37 | |
Nikolai Poturaev was a schoolboy back then. | 0:13:38 | 0:13:42 | |
They opened the whole world, | 0:13:43 | 0:13:46 | |
and my decision to go to the university to | 0:13:46 | 0:13:50 | |
the faculty of English language and literature and my interest to | 0:13:50 | 0:13:54 | |
English spoken culture, it was all brought by them, | 0:13:54 | 0:13:59 | |
by The Beatles, and this feeling of freedom. | 0:13:59 | 0:14:03 | |
You meet friends after long period of being alone. | 0:14:03 | 0:14:10 | |
# Listen, do you want to know a secret... # | 0:14:10 | 0:14:14 | |
In St Petersburg, Sergei Ivanov caught The Beatles virus. | 0:14:14 | 0:14:21 | |
The boy who would grow up to be Russian Defence Supremo | 0:14:21 | 0:14:25 | |
and Vladimir Putin's Deputy Prime Minister | 0:14:25 | 0:14:28 | |
confesses he still has symptoms of the infection | 0:14:28 | 0:14:32 | |
he caught more than 40 years ago. | 0:14:32 | 0:14:34 | |
That was '62, '63. | 0:14:38 | 0:14:42 | |
I was a kid | 0:14:42 | 0:14:44 | |
around 10, 11 years age, | 0:14:44 | 0:14:47 | |
average Soviet kid, | 0:14:47 | 0:14:50 | |
and I tuned to the radio station and heard a music. | 0:14:50 | 0:14:55 | |
I suspect it was Love Me Do. | 0:14:55 | 0:14:57 | |
I still remember that. | 0:14:57 | 0:14:59 | |
Then the Beatle harmonia started | 0:14:59 | 0:15:02 | |
including the Soviet Union by the way. | 0:15:02 | 0:15:04 | |
In that sense, the Soviet Union was a normal European country, | 0:15:04 | 0:15:09 | |
except one thing, The Beatles didn't come. | 0:15:09 | 0:15:12 | |
Of course the Soviet Union was far from a normal country, | 0:15:12 | 0:15:16 | |
and the young Ivanov was probably tuned illicitly to Radio Luxembourg. | 0:15:16 | 0:15:23 | |
But ignoring official hostility, | 0:15:23 | 0:15:26 | |
Soviet kids continued to track down Beatles' music. | 0:15:26 | 0:15:31 | |
I became a Beatles fan. | 0:15:31 | 0:15:32 | |
I know most of their songs. | 0:15:32 | 0:15:34 | |
I still remember them. | 0:15:34 | 0:15:36 | |
Hearing The Beatles music, I'm sure it helped me to | 0:15:36 | 0:15:42 | |
learn English language properly. | 0:15:42 | 0:15:45 | |
Woke up and made my bed, dragged a comb across my head. | 0:15:45 | 0:15:51 | |
That was the first time I learned what the word "comb" | 0:15:51 | 0:15:54 | |
means in Russian. | 0:15:54 | 0:15:57 | |
By the way, I still remember that. | 0:15:57 | 0:15:59 | |
In the Soviet Union, official propaganda was one thing, | 0:16:15 | 0:16:19 | |
but real life was totally different. | 0:16:19 | 0:16:22 | |
The Beatles became such a phenomenal thing in the Soviet Union because | 0:16:28 | 0:16:33 | |
they came in the very right time with the very right kind of music. | 0:16:33 | 0:16:39 | |
The timing has been perfect | 0:16:39 | 0:16:41 | |
because, if it happened two or three years earlier, | 0:16:41 | 0:16:46 | |
in the very beginning of the '60s, | 0:16:46 | 0:16:49 | |
I think that their music would fall on a less fertile ground. | 0:16:49 | 0:16:54 | |
In '61, '62, we had a very powerful agenda of our own in the Soviet Union. | 0:16:57 | 0:17:04 | |
We've had our own global superhero, Yuri Gagarin, | 0:17:12 | 0:17:15 | |
the first man in space. | 0:17:15 | 0:17:17 | |
And we have had, you know, | 0:17:22 | 0:17:24 | |
these also long-haired and bearded romantic revolutionaries in Cuba. | 0:17:24 | 0:17:31 | |
We had our own charismatic leader Nikita Sergeyevich Khrushchev | 0:17:32 | 0:17:37 | |
who promised to bury the United States and to build communism | 0:17:37 | 0:17:41 | |
in 20 years' time. | 0:17:41 | 0:17:44 | |
Communism, of course, was a kind of ideally utopian society, and we believed it. | 0:17:44 | 0:17:50 | |
So at that time, it was really cool to be a Soviet. | 0:17:53 | 0:17:59 | |
Then in 1964, of course, Mr Khrushchev has been kicked out | 0:17:59 | 0:18:06 | |
and replaced by a bunch of much more boring guys. | 0:18:06 | 0:18:11 | |
This is how the decades of so-called stagnation have started. | 0:18:11 | 0:18:18 | |
This is exactly when The Beatles' music started slowly | 0:18:18 | 0:18:23 | |
to infiltrate the Soviet mass consciousness. | 0:18:23 | 0:18:28 | |
And it was then that Kolya Vasin began his long obsession with the Beatles. | 0:18:31 | 0:18:37 | |
Here in an article about Beatles in the Russian press, they say | 0:19:07 | 0:19:12 | |
shooting Beatles, very bad article, very bad article. | 0:19:12 | 0:19:16 | |
That's communist, communist. | 0:19:16 | 0:19:20 | |
When I saw this article, | 0:19:20 | 0:19:24 | |
I say, Soviet is bad state, | 0:19:24 | 0:19:28 | |
and I make immigration to free territory | 0:19:28 | 0:19:34 | |
of Russia in '64 year. | 0:19:34 | 0:19:37 | |
I say to me in my soul, I will live without Soviets, | 0:19:37 | 0:19:44 | |
only in my room with The Beatles. | 0:19:44 | 0:19:48 | |
To young people they say Beatles is bad. | 0:19:48 | 0:19:54 | |
Fans in search of Beatles' music faced serious threats | 0:20:58 | 0:21:02 | |
from the Soviet state. | 0:21:02 | 0:21:04 | |
Going to the black markets, it was real danger, | 0:21:06 | 0:21:09 | |
because if you were caught, | 0:21:09 | 0:21:11 | |
and you could be caught every time you are there. | 0:21:11 | 0:21:14 | |
They organised special militia operations | 0:21:14 | 0:21:20 | |
trying to catch people, those who sold and those who bought. | 0:21:20 | 0:21:24 | |
If you were caught with the discs, it automatically meant that you were thrown out from the university. | 0:21:24 | 0:21:31 | |
And that is why tape recorders played so important role. | 0:21:35 | 0:21:38 | |
You went to the black market together with your friends, and you decided "OK. I will buy this disc. | 0:21:38 | 0:21:43 | |
"You'll buy this. You'll buy this, then we exchange, and we will record it from player to the tape recorder." | 0:21:43 | 0:21:50 | |
This is how it worked, and the Soviets can do nothing, and it was great! | 0:21:52 | 0:21:57 | |
These tapes, they played a very important role in our history. | 0:21:59 | 0:22:03 | |
This is something that hang | 0:22:03 | 0:22:05 | |
the Communist Party of the Soviet Union. | 0:22:05 | 0:22:08 | |
Near the centre of Kiev, I came upon unexpected evidence of the Beatles' legacy. | 0:22:14 | 0:22:19 | |
# She wouldn't dance with another | 0:22:22 | 0:22:26 | |
# Ooh, when I saw her standing there | 0:22:26 | 0:22:30 | |
# Well, my heart went boom... # | 0:22:33 | 0:22:35 | |
The Kiev Cavern Club sent me curious echoes of that cellar in Liverpool | 0:22:35 | 0:22:41 | |
where I first met the Fab Four. | 0:22:41 | 0:22:43 | |
I started this place because I love The Beatles, | 0:22:51 | 0:22:54 | |
and I did it mostly for fun. | 0:22:54 | 0:22:56 | |
When I started, I think that most of customer | 0:22:56 | 0:23:00 | |
will be person over the 40, 50 years, | 0:23:00 | 0:23:03 | |
and I make a mistake. | 0:23:03 | 0:23:07 | |
A lot of young men come in here and listen to the music. | 0:23:07 | 0:23:11 | |
They know all the words of Beatles' song, so a lot of people. | 0:23:11 | 0:23:17 | |
Vova Katzman told me he actually got the idea for his club | 0:23:21 | 0:23:25 | |
after seeing that little film I made in Liverpool. | 0:23:25 | 0:23:27 | |
He was only able to open this place after the collapse of communism, | 0:23:30 | 0:23:34 | |
and he has his own stories of the long years when The Beatles were taboo in the Soviet Union. | 0:23:34 | 0:23:40 | |
It was not permitted. | 0:23:40 | 0:23:42 | |
It was illegal. There is no records in the store. | 0:23:42 | 0:23:46 | |
Information about Beatles was closed. | 0:23:46 | 0:23:49 | |
It was something | 0:23:49 | 0:23:52 | |
of different work. | 0:23:52 | 0:23:55 | |
I was arrested some time | 0:23:55 | 0:23:57 | |
by Ukrainian, Russian police. | 0:23:57 | 0:24:00 | |
They cut my hair, take me along. I don't care. | 0:24:00 | 0:24:04 | |
I love Beatles. | 0:24:04 | 0:24:07 | |
It was illegal. | 0:24:07 | 0:24:09 | |
If something illegal, people want it more and more. | 0:24:09 | 0:24:12 | |
It means a piece of freedom. | 0:24:12 | 0:24:14 | |
# Lady Madonna, children at your feet...# | 0:24:16 | 0:24:19 | |
I suppose they changed the world and they destroyed the communism, | 0:24:19 | 0:24:25 | |
more than Gorbachev, by the way. | 0:24:25 | 0:24:28 | |
They changed the Soviet Union. | 0:24:28 | 0:24:31 | |
When my mother and father listen that first time, Beatles music, | 0:24:36 | 0:24:41 | |
they don't like it, because I hear it in a maximum volume, | 0:24:41 | 0:24:47 | |
and it was very strange for them. | 0:24:47 | 0:24:49 | |
They born before revolution, the product of Russia. | 0:24:49 | 0:24:55 | |
They a product of communism. | 0:24:55 | 0:24:57 | |
They told me, "Don't listen this music. | 0:25:01 | 0:25:04 | |
"Teach the mathematic." | 0:25:04 | 0:25:05 | |
So that's why I wrote this word on this wall, | 0:25:05 | 0:25:12 | |
and I told to my mother, | 0:25:12 | 0:25:15 | |
"Look at John. Look at Paul, | 0:25:15 | 0:25:16 | |
"because they was a poor boy, | 0:25:16 | 0:25:18 | |
"and they became a millionaire." | 0:25:18 | 0:25:21 | |
My mother listen to the music of Beatles right now, and she like it. | 0:25:21 | 0:25:26 | |
Everything changes. | 0:25:28 | 0:25:31 | |
For Beatles super-fan Kolya Vasin in Saint Petersburg, | 0:25:32 | 0:25:36 | |
this is a big day, John Lennon's birthday. | 0:25:36 | 0:25:40 | |
For more than 30 years now, Kolya and his friends | 0:25:41 | 0:25:46 | |
have staged musical celebrations for each of the Beatles' birthdays. | 0:25:46 | 0:25:50 | |
For us, that's like native music, native. | 0:25:52 | 0:25:57 | |
It's our music. | 0:25:57 | 0:25:59 | |
John Lennon is a Russian man for us. | 0:25:59 | 0:26:02 | |
Over almost four decades, Kolya Vasin has paid the price | 0:26:04 | 0:26:08 | |
of his obsession with The Beatles | 0:26:08 | 0:26:10 | |
in his battles with hostile authorities. | 0:26:10 | 0:26:13 | |
Everywhere I went people told me myths about The Beatles. | 0:27:41 | 0:27:46 | |
Starved of real information kids spun stories about the Fab Four. | 0:27:48 | 0:27:53 | |
They swapped fables which became smudged and fantastic, | 0:27:53 | 0:27:57 | |
like the photographs they copied and copied | 0:27:57 | 0:28:01 | |
until they were as mysterious and revered as the Turin shroud. | 0:28:01 | 0:28:06 | |
In Minsk, Yuri Pelushonok remembers sharing Beatles' stories in the schoolyard with his friend Yakov. | 0:28:10 | 0:28:17 | |
Everybody who is bringing the rumours in class, | 0:28:17 | 0:28:20 | |
everybody listening to him, and he's enjoying all the attention. | 0:28:20 | 0:28:23 | |
Do you know that English Queen gave John Lennon a gold car, pure gold? No, it's not. | 0:28:23 | 0:28:31 | |
It couldn't be pure gold because it would be too heavy for John Lennon to escape from his fans. No, it's not. | 0:28:31 | 0:28:36 | |
No, it was silver, no gold. No, silver. | 0:28:36 | 0:28:39 | |
But the most persistent myth is the story of the secret concert. | 0:28:39 | 0:28:44 | |
In towns and cities across the Soviet Union, millions of fans convinced by the song, | 0:28:44 | 0:28:50 | |
Back In The USSR, believed the Beatles' plane touched down near them to refuel on the way to Japan. | 0:28:50 | 0:28:58 | |
Then the legend tells how the Fab Four emerged from the plane | 0:29:00 | 0:29:04 | |
to play an impromptu concert on the wing. | 0:29:04 | 0:29:08 | |
We came to conclusion that Beatles' plane probably put on some military airport not far from here. | 0:29:08 | 0:29:14 | |
We went to see this actual airport where just they were landed, | 0:29:14 | 0:29:18 | |
and then a soldier approached and say, "What are you doing here? | 0:29:18 | 0:29:23 | |
"What's your business here?" | 0:29:23 | 0:29:24 | |
Yes, top secret here. There was a Kalashnikov. | 0:29:24 | 0:29:27 | |
We say, "Oh, we are only people. Just don't shoot us!" | 0:29:27 | 0:29:30 | |
And then, "What are you doing here?" basically. | 0:29:30 | 0:29:33 | |
But it was a first-year soldier. | 0:29:33 | 0:29:35 | |
It was very understanding to us. | 0:29:35 | 0:29:37 | |
He say, "Come on, guys. | 0:29:37 | 0:29:39 | |
"Beatles played near Leningrad | 0:29:39 | 0:29:42 | |
"when they landed and played on the wing of the plane acoustic guitars. | 0:29:42 | 0:29:47 | |
"It's shameful not to know this." | 0:29:47 | 0:29:48 | |
It was religion, you know, some bright light in a dreary life. | 0:29:50 | 0:29:56 | |
It was a quiet revolution. | 0:29:57 | 0:30:00 | |
Something sacred, you have it in your heart. | 0:30:00 | 0:30:03 | |
Like so many other Soviet kids, Andrei Makarevich filled his | 0:30:06 | 0:30:11 | |
school books with doodles and daydreams about the Beatles. | 0:30:11 | 0:30:16 | |
I'm absolutely sure that it was a lesson of mathematics or something | 0:30:16 | 0:30:20 | |
that I hated and it was very dull, and my hands did it, just itself. | 0:30:20 | 0:30:27 | |
Makarevich also recalls fantasies about a secret visit | 0:30:30 | 0:30:34 | |
to a Moscow hotel by John Lennon. | 0:30:34 | 0:30:37 | |
A guy from our school, | 0:30:37 | 0:30:39 | |
he spent two days and nights in the bushes | 0:30:39 | 0:30:43 | |
without food and water, watching the entrance. | 0:30:43 | 0:30:48 | |
And he came back and he said, "I saw John Lennon." | 0:30:48 | 0:30:53 | |
We had to believe. | 0:30:53 | 0:30:55 | |
I knew schoolboys, people | 0:30:55 | 0:30:59 | |
who convinced... | 0:31:01 | 0:31:02 | |
..everyone that they had seen John Lennon on...Gorky Street, it was called, Gorky Street. | 0:31:04 | 0:31:11 | |
And I personally seen him | 0:31:12 | 0:31:16 | |
buying some bread. | 0:31:16 | 0:31:17 | |
We were so crazy that I saw a dream three or four times, | 0:31:17 | 0:31:25 | |
that Beatles come and I meet them and I show them Moscow, | 0:31:25 | 0:31:30 | |
and I even bring them to school. | 0:31:30 | 0:31:33 | |
And that teachers begin to worry. | 0:31:33 | 0:31:36 | |
"Who are these guys? They are from what country? Why long hair?" | 0:31:36 | 0:31:41 | |
So it was a big scandal. I woke up in a cold sweat. | 0:31:41 | 0:31:44 | |
Andrei Makarevich turned his schoolboy dreams into reality, | 0:31:46 | 0:31:50 | |
becoming one of the Soviet Union's first rock stars with his band, Mashina Vremeni, Time Machine. | 0:31:50 | 0:31:57 | |
Playing only underground venues, | 0:31:58 | 0:32:01 | |
Time Machine became skilful at avoiding police harassment. | 0:32:01 | 0:32:05 | |
But they were never filmed until the late '70s, | 0:32:05 | 0:32:09 | |
when Russia had moved on to big hair and bad shirts. | 0:32:09 | 0:32:13 | |
I can't say that we made music the first two years, | 0:32:19 | 0:32:24 | |
we just tried to look like Beatles, to sound like Beatles. | 0:32:24 | 0:32:29 | |
But we played every night, we sat in the room and just played, | 0:32:29 | 0:32:35 | |
we listened and played, listened and played, listened, tried to sing... | 0:32:35 | 0:32:39 | |
And we moved on. | 0:32:42 | 0:32:44 | |
40 years later, Andrei Makarevich and Time Machine | 0:32:48 | 0:32:52 | |
were to make a record at the Beatles' Abbey Road studios. | 0:32:52 | 0:32:56 | |
The legendary Beatles producer George Martin came to say hello. | 0:33:09 | 0:33:14 | |
All you need is love! | 0:33:24 | 0:33:27 | |
For his John Lennon birthday party in St Petersburg, Kolya Vasin | 0:33:27 | 0:33:31 | |
has assembled a dozen tribute bands | 0:33:31 | 0:33:33 | |
to play once again the music which seduced a generation. | 0:33:33 | 0:33:37 | |
# Do you promise not to tell? # | 0:33:39 | 0:33:41 | |
Almost 50 years after the Beatles virus first infected | 0:33:44 | 0:33:48 | |
the Soviet Union, it lives on in the thousands of fans who still keep the faith and play the old songs. | 0:33:48 | 0:33:55 | |
# I get by with a little help from my friends | 0:33:56 | 0:34:00 | |
# Gonna try with a little help from my friends... # | 0:34:00 | 0:34:03 | |
# Help me if you can I'm feeling down | 0:34:03 | 0:34:08 | |
# And I do appreciate you being round... # | 0:34:08 | 0:34:13 | |
# Whoo! She loves you yeah, yeah, yeah | 0:34:13 | 0:34:17 | |
# She loves you yeah, yeah, yeah | 0:34:17 | 0:34:20 | |
# And a love like that, you know you should be glad... # | 0:34:20 | 0:34:23 | |
# Money don't get everything it's true | 0:34:25 | 0:34:28 | |
# What it don't get, I can't use So give me money | 0:34:29 | 0:34:33 | |
# That's what I want... # | 0:34:33 | 0:34:37 | |
I sometimes had a feeling on my journey that I was slipping in time, | 0:34:37 | 0:34:42 | |
lost in an era which is hardly a memory back in my world. | 0:34:42 | 0:34:45 | |
# And I saw her standing there... # One more time! | 0:34:48 | 0:34:52 | |
# And I saw her standing there. # | 0:34:53 | 0:34:57 | |
Being with that audience in St Petersburg, | 0:35:09 | 0:35:11 | |
it was obvious that the Beatles songs still connect with kids as well as with their grandparents. | 0:35:11 | 0:35:18 | |
But I kept remembering how tough it was for earlier generations to make this music their own. | 0:35:18 | 0:35:24 | |
In Minsk, Yuri Pelyushonok decided the only way he could follow the Beatles was to build his own guitar. | 0:35:34 | 0:35:40 | |
If you're lucky, you know, you have actual photograph of the Beatles | 0:35:54 | 0:35:58 | |
guitar, and then you draw it on a table or something. | 0:35:58 | 0:36:02 | |
I sawed the table myself, my grandma's table. | 0:36:02 | 0:36:06 | |
I built all the guitars at home, or sometimes in the school shop. | 0:36:06 | 0:36:11 | |
We just pretended it was to build something else. | 0:36:11 | 0:36:13 | |
The biggest challenge was to make a pick-up, | 0:36:13 | 0:36:16 | |
to get that rock and roll sound. | 0:36:16 | 0:36:18 | |
I think it was Yank Technician magazine, | 0:36:18 | 0:36:22 | |
someone shared the idea | 0:36:22 | 0:36:23 | |
of how to build the pick-up out of a telephone receiver. | 0:36:23 | 0:36:27 | |
So the next day, receivers gone, all around the country. | 0:36:27 | 0:36:31 | |
It was just like that. Gone. | 0:36:31 | 0:36:34 | |
Then there was the problem of finding a speaker. | 0:36:34 | 0:36:38 | |
Propaganda should sound loud. | 0:36:38 | 0:36:40 | |
If a militiaman or a policeman was not watching you, yeah, you would just climb. | 0:36:43 | 0:36:47 | |
And you have a decent speaker. | 0:36:51 | 0:36:54 | |
Equipped with his home-made guitar, Yuri was ready to follow the Beatles to rock and roll heaven. | 0:36:54 | 0:37:01 | |
You just hear it and you want to do it. | 0:37:01 | 0:37:03 | |
You want to be part of it. | 0:37:03 | 0:37:05 | |
You want to be like them. You have never seen them, but you want to be. | 0:37:05 | 0:37:09 | |
You join together with your band, you play and you're happy. | 0:37:09 | 0:37:13 | |
In Minsk, Yuri Pelyushonok brings his band together for the first time in 30 years. | 0:37:49 | 0:37:54 | |
Nobody changed too much, except for me. | 0:37:56 | 0:37:59 | |
The last time we played, in 1978, but we just met in Jacob's apartment. | 0:37:59 | 0:38:07 | |
He grabs guitar, I grabbed guitar and Jacob grabbed this empty canister and we created this song. | 0:38:07 | 0:38:15 | |
And it was quite amazing, as if we went for a smoke in 1978 | 0:38:15 | 0:38:20 | |
and then we just returned back, just 15 minutes later. | 0:38:20 | 0:38:24 | |
Yuri wrote a song to recall those days when Soviet kids were hungry to make rock and roll. | 0:38:26 | 0:38:32 | |
You have something in your heart that you don't let anyone touch, you know, it's yours. | 0:39:43 | 0:39:48 | |
It's official, life is going on in its official way and you have an unofficial life. | 0:39:48 | 0:39:53 | |
It's a huge separation, it's a huge gap. | 0:39:53 | 0:39:56 | |
By the early '70s, Soviet authorities began to waver. | 0:39:56 | 0:40:01 | |
It was time to make some cautious compromise | 0:40:01 | 0:40:04 | |
with the Beatles generation, or at least make some money. | 0:40:04 | 0:40:09 | |
State factories churned out guitars. | 0:40:09 | 0:40:12 | |
The state recording monolith, Melaudia, | 0:40:12 | 0:40:16 | |
released a few Beatles tracks, identified at first as folk songs | 0:40:16 | 0:40:21 | |
played by an anonymous vocal instrumental group. | 0:40:21 | 0:40:25 | |
Copyright fees were ignored. | 0:40:28 | 0:40:31 | |
The Communist Party went into the bootleg business. | 0:40:31 | 0:40:35 | |
Not we won the victory, they lost. | 0:40:37 | 0:40:40 | |
And they say, "At least we'll squeeze some money out of it." | 0:40:40 | 0:40:43 | |
Make a virtue of necessity, you know, you couldn't win, you make money. | 0:40:43 | 0:40:50 | |
Andrei Tropillo made a reputation in St Petersburg recording the first Russian rock bands. | 0:40:54 | 0:41:01 | |
He funded his passion by making bootleg Beatles records. | 0:41:01 | 0:41:06 | |
These days, Tropillo turns out legitimate CDs and DVDs. | 0:41:10 | 0:41:15 | |
It's a very clever process. | 0:41:15 | 0:41:18 | |
But in Soviet times, Tropillo became a director with the state | 0:41:18 | 0:41:22 | |
record company, Melaudia, duplicating Beatles albums for the Soviet masses. | 0:41:22 | 0:41:28 | |
Actually, all homes in those times had Beatles records. | 0:41:30 | 0:41:35 | |
All, believe me. | 0:41:35 | 0:41:37 | |
Of course, when I became the Melaudia director, I produced many hundreds of thousands of albums of Beatles. | 0:41:37 | 0:41:44 | |
People have the right to use it, to listen. | 0:41:44 | 0:41:48 | |
I support not copyright but copyleft. | 0:41:51 | 0:41:53 | |
Because I'm sure that in Russia we should support musical piracy, | 0:41:56 | 0:42:01 | |
because musical piracy was the key to have freedom in Russia, | 0:42:01 | 0:42:05 | |
to have free information. | 0:42:05 | 0:42:08 | |
Andrei Tropillo confirmed his place in Soviet Beatles mythology | 0:42:08 | 0:42:13 | |
by inserting his face into the iconic Sergeant Pepper album sleeve. | 0:42:13 | 0:42:18 | |
As Beatles music became more available in the 1970s, | 0:42:20 | 0:42:25 | |
Beatles style began to obsess a generation, | 0:42:25 | 0:42:29 | |
ten years after it had faded in the West. | 0:42:29 | 0:42:31 | |
They influenced everything, | 0:42:31 | 0:42:33 | |
they influenced our music, | 0:42:33 | 0:42:36 | |
they influenced our life, our way of living, our dress, how we dress, | 0:42:36 | 0:42:42 | |
they influenced everything, actually. | 0:42:42 | 0:42:45 | |
All the hairstyles, you know, | 0:42:45 | 0:42:48 | |
cowboy boots and everything. | 0:42:48 | 0:42:51 | |
So it was like an amazing power, | 0:42:51 | 0:42:55 | |
because all the youngsters, all young people, | 0:42:55 | 0:42:58 | |
they started to imitate, they started to feel more free. | 0:42:58 | 0:43:01 | |
What was available, bad quality photos of the Beatles, | 0:43:01 | 0:43:06 | |
God knows taken from where, from which album or cover | 0:43:06 | 0:43:11 | |
or newspaper and so on. | 0:43:11 | 0:43:13 | |
And you can buy these pictures for 50 kopecks. | 0:43:13 | 0:43:17 | |
And it was a choice, either to have breakfast | 0:43:17 | 0:43:21 | |
or to buy these Beatles pictures. | 0:43:21 | 0:43:23 | |
They wouldn't be able to buy any kind of clothes in Soviet shops, | 0:43:23 | 0:43:29 | |
and just with some imagination | 0:43:29 | 0:43:32 | |
and a pair of scissors, we would turn an ordinary school jacket | 0:43:32 | 0:43:38 | |
into a collarless Beatles jacket. | 0:43:38 | 0:43:41 | |
And of course Lennon's glasses. | 0:43:42 | 0:43:45 | |
Lennon's glasses is just fashion. | 0:43:45 | 0:43:48 | |
All 22 square million kilometres of the Soviet Union, Lennon glasses. | 0:43:48 | 0:43:51 | |
There were several specially trained guys who would be a transforming army boots, real army boots, | 0:43:51 | 0:43:57 | |
very heavy and ugly and so on, into some kind of elegant Beatles style. | 0:43:57 | 0:44:02 | |
Each and every person who had a guitar and moptop hairstyle | 0:44:02 | 0:44:07 | |
was a Russian Beatle. | 0:44:07 | 0:44:09 | |
I was. | 0:44:09 | 0:44:11 | |
I was skinny, huge hair, guitar, | 0:44:11 | 0:44:15 | |
Paul McCartney playing bass. | 0:44:15 | 0:44:17 | |
I spent like two or three hours just trying to stretch my hair | 0:44:17 | 0:44:25 | |
and made myself a haircut to make myself look like the Beatles. | 0:44:25 | 0:44:31 | |
So not only the boys were copying the Beatles' hairstyle, but the girls as well. | 0:44:31 | 0:44:37 | |
So it was like a fairy-tale, and a lot of people just having a glimpse, | 0:44:37 | 0:44:43 | |
a small window out from the West. | 0:44:43 | 0:44:46 | |
By the early 1980s, the gap between the Beatles generation | 0:44:46 | 0:44:51 | |
and their geriatric leaders had become unbridgeable. | 0:44:51 | 0:44:55 | |
As a huge country stagnated, | 0:44:57 | 0:44:59 | |
millions of young people defected into their own world. | 0:44:59 | 0:45:05 | |
If we talk about the historical impact of the Beatles, | 0:45:05 | 0:45:10 | |
they have alienated a whole generation of young, | 0:45:10 | 0:45:17 | |
well-educated, urban Soviet kids | 0:45:17 | 0:45:20 | |
from their communist motherland. | 0:45:20 | 0:45:24 | |
They wanted to live in an alternative world, | 0:45:24 | 0:45:28 | |
consuming alternative culture, pursuing alternative lifestyle. | 0:45:28 | 0:45:34 | |
You're a stranger in your own country. | 0:45:34 | 0:45:37 | |
You can live behind the Iron Curtain, | 0:45:37 | 0:45:40 | |
you can pretend to be a young communist, | 0:45:40 | 0:45:43 | |
but at the same time, you can be someone totally different. | 0:45:43 | 0:45:48 | |
Liberated by the Beatles, Soviet rock confronted the system. | 0:45:49 | 0:45:54 | |
Viktor Tsoi's song, Changes, became an anthem for the early-'80s. | 0:45:54 | 0:45:59 | |
In March 1985, Mikhail Gorbachev became the Soviet leader. | 0:46:18 | 0:46:24 | |
The man who would be called the USSR's first rock and roll President. | 0:46:27 | 0:46:31 | |
I always like to quote the words said by Mikhail Gorbachev, | 0:46:31 | 0:46:36 | |
quote, "I do believe the music of the Beatles has taught the young | 0:46:36 | 0:46:40 | |
"generation of the Soviet Union that there is another life, there is freedom somewhere." | 0:46:40 | 0:46:45 | |
And of course this feeling has put us on towards perestroika, towards the dialogue with the outside world." | 0:46:45 | 0:46:51 | |
# The minute your let her under your skin... # | 0:46:51 | 0:46:56 | |
In the heady days of the late '80s, even Joseph Kobzon, for decades | 0:46:57 | 0:47:02 | |
the official voice of patriotic socialism, sang Beatles hits. | 0:47:02 | 0:47:07 | |
# Any time you feel the pain, hey, Jude, refrain | 0:47:07 | 0:47:13 | |
# Don't carry the world | 0:47:13 | 0:47:16 | |
# Upon your shoulders... # | 0:47:16 | 0:47:20 | |
As the Berlin Wall was torn down in November 1989, triggering revolutions across the Soviet Union, | 0:47:33 | 0:47:40 | |
the communist empire began to collapse. | 0:47:40 | 0:47:43 | |
You can smell that the communism is already gone in the Baltic countries | 0:47:47 | 0:47:52 | |
and it's on its last legs in Moscow, Belarus, the Ukraine. | 0:47:52 | 0:47:56 | |
So they say, "Let's do something interesting for kids, finally." | 0:47:56 | 0:48:01 | |
And what would be interesting? Beatles. | 0:48:01 | 0:48:02 | |
Well, OK, let's make a programme. | 0:48:02 | 0:48:05 | |
With the help of a school friend who was now working in TV, | 0:48:10 | 0:48:14 | |
Yuri recorded the first ever programme about the Beatles. | 0:48:14 | 0:48:19 | |
He persuaded a Beatles fanatic, Vladimir Sevitsky, | 0:48:19 | 0:48:23 | |
to share the responsibility. | 0:48:23 | 0:48:26 | |
And it was really a surprise for everyone that it was possible. | 0:48:26 | 0:48:29 | |
We were so inspired by this opportunity | 0:48:29 | 0:48:33 | |
to talk at last about this music. | 0:48:33 | 0:48:37 | |
But in the chaos surrounding the collapse of communism, | 0:48:37 | 0:48:41 | |
fearful TV bosses wiped the tape before it could be shown. | 0:48:41 | 0:48:45 | |
Yuri's friends smuggled a copy to him and 30 Minutes With The Beatles | 0:48:49 | 0:48:54 | |
was finally broadcast across the Soviet Union. | 0:48:54 | 0:48:57 | |
By then, Yuri had given up on his home country | 0:48:59 | 0:49:03 | |
and stowed away on a ship to Canada to start a new life. | 0:49:03 | 0:49:08 | |
Since the ending of communism and the collapse of the USSR, | 0:49:10 | 0:49:13 | |
the Beatles generation have become grandads and babouskas. | 0:49:13 | 0:49:19 | |
The consummation of the 40-year love affair | 0:49:24 | 0:49:28 | |
came on May 24 2003 in Red Square. | 0:49:28 | 0:49:32 | |
# I'm back in the USSR | 0:49:33 | 0:49:35 | |
# You don't know how lucky you are, boy | 0:49:35 | 0:49:40 | |
# Back in the USSR | 0:49:40 | 0:49:42 | |
-# Well, the Ukraine girls really knock me out -Ooh, ooh, ooh | 0:49:44 | 0:49:48 | |
# They leave the West behind | 0:49:48 | 0:49:50 | |
# And Moscow girls make me sing and shout | 0:49:51 | 0:49:54 | |
# That Georgia's always on my mind On my mind! # | 0:49:54 | 0:49:59 | |
# Flew in from Miami Beach BOAC Didn't get to bed last night... # | 0:50:11 | 0:50:15 | |
Across the republics of the former Soviet Union, Back In The USSR is an enduring anthem. | 0:50:15 | 0:50:21 | |
# Back in the USSR | 0:50:21 | 0:50:24 | |
# Don't know how lucky you are, boys... # | 0:50:24 | 0:50:26 | |
For the people who were there when Paul McCartney brought the Beatles' | 0:50:26 | 0:50:30 | |
music to Red Square, the memory of that night stays with them. | 0:50:30 | 0:50:35 | |
It was actually like a huge | 0:50:36 | 0:50:40 | |
religious ceremony. | 0:50:40 | 0:50:42 | |
# Back in the USSR... # | 0:50:42 | 0:50:44 | |
It was like a real holy day. | 0:50:47 | 0:50:50 | |
# Well, the Ukraine girls really knock me out | 0:50:51 | 0:50:55 | |
# They leave the West behind... # | 0:50:55 | 0:50:56 | |
Is it a reality or not? | 0:50:56 | 0:51:00 | |
Or we are happy that we lived to the time when it became possible. | 0:51:00 | 0:51:05 | |
# I'm back in the USSR | 0:51:05 | 0:51:07 | |
# You don't know how lucky you are, boys... # | 0:51:07 | 0:51:11 | |
They were rivers and waterfalls of tears, | 0:51:11 | 0:51:15 | |
something that sums up your whole life. | 0:51:15 | 0:51:20 | |
# You don't know how lucky you are, boys | 0:51:20 | 0:51:23 | |
# Back in the USSR... # | 0:51:23 | 0:51:25 | |
The Beatles revolution changed a superpower | 0:51:25 | 0:51:29 | |
and still today, somewhere across the former Soviet Union, | 0:51:29 | 0:51:33 | |
someone will be replaying The Beatles one more time. | 0:51:33 | 0:51:37 | |
Beatles! Hey, Beatles! Ho, Beatles! | 0:51:42 | 0:51:46 | |
In Gorky Park, Moscow's Krishna community celebrate George Harrison's music. | 0:51:47 | 0:51:54 | |
# Here comes the sun, here comes the sun | 0:51:56 | 0:52:00 | |
# And I say, it's all right... # | 0:52:00 | 0:52:02 | |
At the Catherine Palace in Saint Petersburg, | 0:52:07 | 0:52:10 | |
guests arrive for the Pushkin Ball, the social highlight of the year. | 0:52:10 | 0:52:15 | |
With music by the Beatles. | 0:52:18 | 0:52:20 | |
It's like talking about what does Pushkin mean to Russian poetry. | 0:52:33 | 0:52:36 | |
The Beatles to popular Western and popular music | 0:52:36 | 0:52:40 | |
of the world is like saying, "What is Pushkin to Russian literature?" | 0:52:40 | 0:52:44 | |
On the same evening as the Pushkin Ball, in a Saint Petersburg club, | 0:52:50 | 0:52:55 | |
a new punk band are playing John Lennon's Power To The People. | 0:52:55 | 0:52:59 | |
For their leader, Igor Salnikov, his passion for Lennon is life-changing. | 0:53:03 | 0:53:09 | |
It is my plan to change my name to John Lennon, | 0:53:14 | 0:53:18 | |
but I have my Russian second name after my father, | 0:53:18 | 0:53:24 | |
and so it's going to be John Vladimirovich Lennon. | 0:53:24 | 0:53:29 | |
In the Ukraine, the peasants of a village called Beatli | 0:53:32 | 0:53:36 | |
have relished the accident of their name and adapted their folk songs. | 0:53:36 | 0:53:41 | |
In Saint Petersburg, Beatles superfan Kolya Vasin | 0:53:48 | 0:53:51 | |
is still holding on to his dream of building a temple to John Lennon. | 0:53:51 | 0:53:57 | |
He's found his perfect place on the edge of the city. | 0:53:57 | 0:54:01 | |
Whoo-hey! | 0:54:01 | 0:54:05 | |
And he's lobbying the city council for funding to make his dream a reality. | 0:54:05 | 0:54:09 | |
# We all live in the yellow submarine | 0:54:54 | 0:54:57 | |
# Yellow submarine, yellow submarine... # | 0:54:57 | 0:55:00 | |
I went to Kiev for Paul McCartney's first ever concert in Ukraine. | 0:55:08 | 0:55:13 | |
In a city where the Fab Four had once been banned | 0:55:13 | 0:55:17 | |
and their fans hounded, | 0:55:17 | 0:55:18 | |
the arrival of a long awaited Beatle | 0:55:18 | 0:55:21 | |
is bringing thousands onto the streets. | 0:55:21 | 0:55:25 | |
I've come to understand that the Beatles mattered far more | 0:55:25 | 0:55:28 | |
behind the Iron Curtain than they ever did for us in the West. | 0:55:28 | 0:55:32 | |
In the Kiev Beatles Museum, I can feel the force | 0:55:34 | 0:55:38 | |
of the repressed yearning which ultimately changed a generation. | 0:55:38 | 0:55:43 | |
To celebrate McCartney's arrival, kids from across the country | 0:55:50 | 0:55:53 | |
are competing for the best Beatles performance. | 0:55:53 | 0:55:56 | |
# Can't buy me love | 0:55:56 | 0:55:59 | |
# Can't buy me love | 0:55:59 | 0:56:03 | |
# No, no, no, no | 0:56:03 | 0:56:05 | |
# Yeah, yeah, yeah, let it be, | 0:56:05 | 0:56:10 | |
# Let it be, let it be | 0:56:10 | 0:56:13 | |
# Got to be good looking cos it's so hard to see | 0:56:22 | 0:56:25 | |
-# Come together, right now -Over me... # | 0:56:25 | 0:56:32 | |
It's hard to reconcile the freshness and dedication of those kids | 0:56:34 | 0:56:38 | |
with the invasion of an international rock spectacular | 0:56:38 | 0:56:42 | |
shut away behind its security battalions. | 0:56:42 | 0:56:45 | |
I keep thinking about those four lads in a Liverpool cellar long ago. | 0:56:45 | 0:56:51 | |
And then it begins to rain. | 0:56:59 | 0:57:02 | |
Five hours later, it's still raining. | 0:57:09 | 0:57:12 | |
There are fears that Paul McCartney's concert | 0:57:15 | 0:57:18 | |
might have to be abandoned. | 0:57:18 | 0:57:19 | |
# Asked the girl what she wanted to be | 0:57:31 | 0:57:35 | |
# She said "Baby, can't you see?" | 0:57:35 | 0:57:37 | |
# "I wanna be famous, a star on the screen" | 0:57:37 | 0:57:41 | |
# But you can do something in between | 0:57:41 | 0:57:44 | |
# Baby, you can drive my car | 0:57:45 | 0:57:48 | |
# Yes, I'm gonna be a star | 0:57:48 | 0:57:52 | |
# Baby, you can drive my car and, baby, I love you. # | 0:57:52 | 0:57:57 | |
Beep-beep, beep-beep, yeah! | 0:57:57 | 0:58:01 | |
I could imagine myself to be a cosmonaut in the open space | 0:58:01 | 0:58:05 | |
but I would never think that one day somebody | 0:58:05 | 0:58:08 | |
from Beatles would be playing right here in the heart of Ukraine. | 0:58:08 | 0:58:11 | |
In order to understand what really happens here, | 0:58:13 | 0:58:16 | |
you have to be born back in USSR. | 0:58:16 | 0:58:18 | |
# I told the girl I could start right away | 0:58:18 | 0:58:21 | |
# But she said "Listen, babe, I've got something to say" | 0:58:21 | 0:58:25 | |
# "I've got no car and it's breaking my heart" | 0:58:25 | 0:58:29 | |
# "But I've got a driver and that's a start" | 0:58:29 | 0:58:32 | |
# Baby, you can drive my car | 0:58:32 | 0:58:34 | |
# Yes, I'm gonna be a star... # | 0:58:36 | 0:58:40 |