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This programme contains some strong language | 0:00:08 | 0:00:10 | |
RADIO STATIC | 0:00:10 | 0:00:14 | |
MUSIC PLAYS OVER LOUDSPEAKER | 0:00:55 | 0:00:58 | |
RADIO STATIC | 0:01:06 | 0:01:09 | |
Finally this week, North Korea - Earth's Florida. | 0:01:10 | 0:01:14 | |
LAUGHTER | 0:01:14 | 0:01:15 | |
Next month is the 70th anniversary of Korea's Liberation Day, | 0:01:15 | 0:01:19 | |
the date marking the end of Japanese colonial rule | 0:01:19 | 0:01:21 | |
and I guess the big question is what do you get the country that is | 0:01:21 | 0:01:25 | |
ordered to think it has everything? | 0:01:25 | 0:01:27 | |
Well, apparently, Kim Jong-un has decided that, for the first | 0:01:27 | 0:01:30 | |
time ever, a foreign rock band will play there, so who's it going to be? | 0:01:30 | 0:01:35 | |
Rolling Stones? U2? | 0:01:35 | 0:01:37 | |
A Michael Jackson impersonator passed off as the real thing | 0:01:37 | 0:01:40 | |
cos North Koreans don't know he's dead yet? | 0:01:40 | 0:01:42 | |
Well, no, it turns out it's going to be, and this is true, | 0:01:42 | 0:01:46 | |
a Slovenian art-rock group called Laibach. | 0:01:46 | 0:01:48 | |
ROCK MUSIC PLAYS | 0:01:48 | 0:01:52 | |
I think it was neo-fascist but I'm not sure if it was a joke or not, | 0:02:09 | 0:02:13 | |
so that's what I'm trying to figure out. | 0:02:13 | 0:02:15 | |
-Do you know? -Why do you think it was neo-fascist? | 0:02:15 | 0:02:17 | |
I just had an incredible subconscious urge to march | 0:02:17 | 0:02:21 | |
and I think my friend did as well. | 0:02:21 | 0:02:24 | |
I felt pride in a country that I did not belong to | 0:02:24 | 0:02:27 | |
and I felt this subconscious need to march. | 0:02:27 | 0:02:29 | |
And you didn't like that? | 0:02:29 | 0:02:31 | |
Oh, no, I liked it, but I just want to know if they're serious or not. | 0:02:31 | 0:02:34 | |
We cannot concern ourselves with | 0:02:34 | 0:02:36 | |
the fulfilment of other people's expectations of us. | 0:02:36 | 0:02:39 | |
Our only responsibility is to remain irresponsible. | 0:02:39 | 0:02:44 | |
LAUGHTER AND APPLAUSE | 0:02:44 | 0:02:47 | |
Happy Liberation Day, North Korea! | 0:02:47 | 0:02:50 | |
Sleep well. | 0:02:50 | 0:02:52 | |
# Ein Fleisch, ein Blut | 0:02:52 | 0:02:54 | |
# Ein Wahrer Glaube | 0:02:54 | 0:02:56 | |
# Ein Ruf, ein Traum | 0:02:56 | 0:02:58 | |
# Ein starker Wille. # | 0:02:58 | 0:03:01 | |
I think the message of Laibach basically was | 0:03:01 | 0:03:04 | |
we want more alienation. | 0:03:04 | 0:03:07 | |
All other dissident movements in those years criticised the regime | 0:03:07 | 0:03:10 | |
but, as it were, accepting its own basic premises. | 0:03:10 | 0:03:14 | |
In the case of Laibach it is as if the regime got back its own message | 0:03:14 | 0:03:20 | |
in its true naked form. | 0:03:20 | 0:03:23 | |
The way really to subvert the system, I think, is not to | 0:03:23 | 0:03:27 | |
criticise its official values, etc, | 0:03:27 | 0:03:30 | |
but to expose this hidden reverse of it. | 0:03:30 | 0:03:34 | |
Well, of course, that was another time, | 0:03:39 | 0:03:41 | |
another historical period and another country | 0:03:41 | 0:03:44 | |
because the country in which Laibach were born has died. | 0:03:44 | 0:03:50 | |
So Laibach has... | 0:03:50 | 0:03:52 | |
MUFFLED SOUND | 0:03:52 | 0:03:54 | |
Was that a goat's fart? | 0:03:54 | 0:03:57 | |
Back home, | 0:04:02 | 0:04:04 | |
I have been a follower or a fan of Laibach group for many years | 0:04:04 | 0:04:10 | |
but then after I became a grown-up man and an artist, | 0:04:10 | 0:04:17 | |
they contacted me asking me to direct the video. | 0:04:17 | 0:04:22 | |
You saw this video with the gymnasts. | 0:04:22 | 0:04:25 | |
And we were both, Laibach and myself, we were happy | 0:04:34 | 0:04:38 | |
with the result and we wanted to work together some more. | 0:04:38 | 0:04:41 | |
The logic of Laibach performing in North Korea is also | 0:04:47 | 0:04:51 | |
based on the fact that Laibach's form, Laibach's music, | 0:04:51 | 0:04:55 | |
has enough familiar elements to a North Korean audience. | 0:04:55 | 0:04:59 | |
I'm setting up maybe the blindest of blind dates | 0:05:01 | 0:05:05 | |
and I am the matchmaker. | 0:05:05 | 0:05:08 | |
By bringing those two elements together, you might have fusion | 0:05:08 | 0:05:14 | |
or you might have fission, like in nuclear fission. | 0:05:14 | 0:05:18 | |
We don't know before we actually try it in our big laboratory. | 0:05:18 | 0:05:24 | |
The other guy, I just about recognise him. | 0:05:49 | 0:05:53 | |
We know it's not him. | 0:05:53 | 0:05:54 | |
Milan is a different person on stage, absolutely different. | 0:06:02 | 0:06:06 | |
HE LAUGHS | 0:06:06 | 0:06:08 | |
We are just getting out the last two artists that we | 0:06:13 | 0:06:16 | |
need for the performance so we are on our way. | 0:06:16 | 0:06:20 | |
We expect to have a very interesting time. | 0:06:20 | 0:06:23 | |
I don't know what else to say. | 0:06:23 | 0:06:25 | |
We expect to make a revolution. | 0:06:25 | 0:06:28 | |
There is a crack in every wall. | 0:06:31 | 0:06:33 | |
That's where the spirit gets in. | 0:06:33 | 0:06:35 | |
They took two of my discs with backup for the show. | 0:06:37 | 0:06:43 | |
I can pick it up when I go back. | 0:06:43 | 0:06:46 | |
But they said I will need something from here and come here and get it. | 0:06:46 | 0:06:51 | |
But the problem is it's for the show, our show. | 0:06:51 | 0:06:54 | |
It's the movies for the projections and so on. | 0:06:54 | 0:06:58 | |
It's a lot easier to check everything inside | 0:07:03 | 0:07:05 | |
-because there are more than one movie inside. -Hmm. | 0:07:05 | 0:07:08 | |
-What do you expect out of this? -Enlightenment for the people. | 0:07:13 | 0:07:17 | |
Both ways. | 0:07:17 | 0:07:19 | |
We will learn something new about them | 0:07:19 | 0:07:21 | |
and they will learn something new about us. | 0:07:21 | 0:07:24 | |
And a good concert. | 0:07:24 | 0:07:26 | |
POUNDING ELECTRO-MUSIC | 0:07:26 | 0:07:30 | |
Is this your first time to this country? | 0:08:37 | 0:08:39 | |
-No, it's the 15th time. -15th? -Yeah. | 0:08:39 | 0:08:44 | |
I think it is important to underline that this probably wouldn't | 0:08:44 | 0:08:47 | |
have been possible without me already having conducted four major | 0:08:47 | 0:08:52 | |
cultural collaborations between the DPRK and other countries. | 0:08:52 | 0:08:56 | |
ACCORDION PLAYS "TAKE ON ME" BY A-HA | 0:08:56 | 0:09:00 | |
Well, in part, I guess you could say | 0:09:03 | 0:09:05 | |
it's some kind of Norwegian explorer gene. | 0:09:05 | 0:09:07 | |
We did the North Pole and South Pole thing, | 0:09:07 | 0:09:10 | |
so part of it is curiosity, I guess. | 0:09:10 | 0:09:13 | |
Part of it is some quite narcissist need to be first | 0:09:13 | 0:09:17 | |
on the white spots of the map. | 0:09:17 | 0:09:19 | |
It couldn't get more exotic and strange and odd than this. | 0:09:19 | 0:09:24 | |
I'm not really that interested in peace. | 0:09:24 | 0:09:27 | |
I'm interested in truth. | 0:09:27 | 0:09:28 | |
But sometimes truth doesn't lead to peace. | 0:09:28 | 0:09:31 | |
Truth leads to change. | 0:09:31 | 0:09:34 | |
To confusion. | 0:09:34 | 0:09:37 | |
Disturbing things. | 0:09:37 | 0:09:38 | |
So things that disturb our world views, | 0:09:38 | 0:09:41 | |
that disturb our notion of who we are and what the world is. | 0:09:41 | 0:09:45 | |
Well, we went, more or less, | 0:09:52 | 0:09:53 | |
straight from the airport to a big welcome reception and dinner | 0:09:53 | 0:09:58 | |
organised by our hosts in the Committee for Cultural Relations | 0:09:58 | 0:10:02 | |
and their director, Mr Ryu. | 0:10:02 | 0:10:06 | |
He basically opens with a speech, a welcome speech. | 0:10:06 | 0:10:09 | |
I think everybody were experiencing a very peculiar mix of relief... | 0:11:10 | 0:11:16 | |
..because we don't have to pretend any more | 0:11:18 | 0:11:21 | |
and fear, like, what will happen now? | 0:11:21 | 0:11:24 | |
He had taken all these tabloid headlines from the world media | 0:11:26 | 0:11:30 | |
in advance of our arrival about Laibach's concert | 0:11:30 | 0:11:35 | |
and he had mixed it together seamlessly with all | 0:11:35 | 0:11:39 | |
the negative protests in his own organisation | 0:11:39 | 0:11:43 | |
on the North Korean side, and he had made it into one unit, one speech. | 0:11:43 | 0:11:48 | |
I told the committee to tell their superiors that, look, Laibach | 0:11:48 | 0:11:54 | |
has in the past been accused of fascism and of being an evil band. | 0:11:54 | 0:11:59 | |
North Korea is regularly accused of being a fascist | 0:12:01 | 0:12:04 | |
state in the western media, | 0:12:04 | 0:12:06 | |
so you know what the western media is like. | 0:12:06 | 0:12:08 | |
They make up things all the time, | 0:12:08 | 0:12:10 | |
so you and Laibach have this in common. | 0:12:10 | 0:12:13 | |
You are both misunderstood. | 0:12:13 | 0:12:14 | |
Some practical information coming up. | 0:12:18 | 0:12:20 | |
Our hosts have decided to surprise us with a new venue. | 0:12:20 | 0:12:24 | |
So this another venue than the one | 0:12:24 | 0:12:26 | |
we were originally going to be playing. | 0:12:26 | 0:12:28 | |
I think I can say it's significantly upgraded. | 0:12:28 | 0:12:32 | |
Ah! | 0:12:32 | 0:12:34 | |
I'm pretty impressed as well. | 0:12:38 | 0:12:40 | |
I mean, this is kind of venue Laibach should play. | 0:12:40 | 0:12:44 | |
From now on, this will be the minimum. | 0:12:44 | 0:12:47 | |
Hello. Nice to meet you. | 0:13:01 | 0:13:03 | |
Soon-yi! | 0:13:03 | 0:13:05 | |
Happy to see you. | 0:13:08 | 0:13:10 | |
No, you look good. Your hair. | 0:13:10 | 0:13:12 | |
Beautiful. | 0:13:18 | 0:13:21 | |
Everybody. | 0:13:21 | 0:13:23 | |
I am in love with all of you already. | 0:13:25 | 0:13:28 | |
THEY LAUGH | 0:13:31 | 0:13:33 | |
This is Mr Boris. | 0:13:33 | 0:13:35 | |
-Hello. -Boris. | 0:13:35 | 0:13:37 | |
-Mr Primoz. -Primoz. | 0:13:37 | 0:13:40 | |
So Mr Primoz is the arranger, | 0:13:40 | 0:13:42 | |
so he will not be on stage with us. | 0:13:42 | 0:13:45 | |
But Mr Boris is the vocalist that will sing together with you. | 0:13:45 | 0:13:49 | |
THEY SING | 0:13:49 | 0:13:52 | |
-They have beautiful voices. -Mmm. | 0:14:14 | 0:14:16 | |
I really like the timbre of the voice. Really beautiful. | 0:14:16 | 0:14:19 | |
Yeah, it is actually quite special. | 0:14:19 | 0:14:21 | |
There's a purity to it that I really like. It comes from them. | 0:14:21 | 0:14:25 | |
Yes, I think so. | 0:14:25 | 0:14:26 | |
I think Europeans, we can not do this. | 0:14:26 | 0:14:28 | |
-No, we're too... -Too cynical. We're too fucked up. | 0:14:28 | 0:14:31 | |
..too ironic to sing it. | 0:14:31 | 0:14:33 | |
One question. What have they planned for their stage costume? | 0:14:33 | 0:14:39 | |
-Is it this? -Very similar to this, but not like this. -OK. | 0:14:39 | 0:14:43 | |
-But in the same style, more or less? -Yeah. | 0:14:43 | 0:14:46 | |
Good. | 0:14:48 | 0:14:49 | |
Great. | 0:14:49 | 0:14:50 | |
So, guys... | 0:14:50 | 0:14:54 | |
..Mr Ri, shall we get ready for the rehearsal? | 0:14:54 | 0:14:56 | |
Because now everybody are here. | 0:14:56 | 0:14:58 | |
-OK, let's start now. -OK. | 0:14:58 | 0:15:00 | |
GENTLE PIANO MUSIC | 0:15:01 | 0:15:04 | |
HE SINGS | 0:15:50 | 0:15:54 | |
THEY HARMONISE | 0:16:11 | 0:16:16 | |
Not bad. Not bad. | 0:16:51 | 0:16:53 | |
We just have to keep their egos down until... | 0:16:55 | 0:16:59 | |
My Geiger counter was going off! | 0:16:59 | 0:17:01 | |
Oh, yeah, he's just asking about your lyrics. What are the lyrics? | 0:17:03 | 0:17:07 | |
I go to the hills when my heart is lonely... | 0:17:07 | 0:17:11 | |
I know I will hear... | 0:17:15 | 0:17:17 | |
-What I heard before? -What I heard before. | 0:17:17 | 0:17:21 | |
My heart is blessed with the sounds of music. | 0:17:21 | 0:17:26 | |
And I will sing once more. | 0:17:26 | 0:17:29 | |
It's very beautiful, actually. | 0:17:29 | 0:17:31 | |
At seven o'clock sharp, we are going to watch the fireworks | 0:17:35 | 0:17:38 | |
and this anniversary show at nine o'clock | 0:17:38 | 0:17:43 | |
so from seven o'clock be ready. | 0:17:43 | 0:17:45 | |
I'm just repeating that please don't go anywhere on your own, right? | 0:17:45 | 0:17:51 | |
So don't leave the hotel, OK? | 0:17:51 | 0:17:55 | |
Stamped, sealed, approved. | 0:17:55 | 0:17:57 | |
Did you try to call his room? | 0:18:14 | 0:18:16 | |
Really? | 0:18:16 | 0:18:18 | |
-He's asleep probably. -He's probably sleeping. | 0:18:18 | 0:18:21 | |
Maybe somebody should go and press his... | 0:18:23 | 0:18:28 | |
..press his doorbell? | 0:18:29 | 0:18:32 | |
Did you try his room? | 0:18:35 | 0:18:38 | |
I was lucky enough to be able to see | 0:18:50 | 0:18:54 | |
also some people on the street out of the group and so on. | 0:18:54 | 0:19:00 | |
I actually had a bit of a walk around the city. | 0:19:00 | 0:19:04 | |
# Life | 0:19:06 | 0:19:08 | |
# Life is life | 0:19:11 | 0:19:13 | |
# Life | 0:19:17 | 0:19:20 | |
# Life is life. # | 0:19:22 | 0:19:25 | |
I've seen some communisms in work and I have to say that... | 0:19:27 | 0:19:32 | |
..this one is pretty much... | 0:19:35 | 0:19:38 | |
I wouldn't say that it's the best, | 0:19:38 | 0:19:40 | |
but it's probably the most successful. | 0:19:40 | 0:19:43 | |
# When we all give the power | 0:19:43 | 0:19:45 | |
# We all give the best | 0:19:45 | 0:19:48 | |
# Every minute in the hour | 0:19:48 | 0:19:51 | |
# We don't say about the rest | 0:19:51 | 0:19:54 | |
# But we all get the power | 0:19:54 | 0:19:57 | |
# We all get the best | 0:19:57 | 0:19:59 | |
# And everyone gives everything | 0:19:59 | 0:20:03 | |
# And everyone everything will get | 0:20:03 | 0:20:06 | |
# Life. # | 0:20:08 | 0:20:11 | |
It's very hard to be, you know... | 0:20:11 | 0:20:14 | |
I mean...critical. | 0:20:14 | 0:20:17 | |
I'm trying to find the dark side. | 0:20:18 | 0:20:22 | |
Of course there are, I'm sure there are, but what | 0:20:22 | 0:20:25 | |
we see is a utopia which it seems that it actually is functioning. | 0:20:25 | 0:20:31 | |
# When we all feel the power | 0:20:32 | 0:20:35 | |
# Life is life | 0:20:35 | 0:20:38 | |
# When we all feel the pain | 0:20:38 | 0:20:41 | |
# Life is life | 0:20:41 | 0:20:43 | |
# It's the feeling of the people | 0:20:43 | 0:20:47 | |
# Life is life | 0:20:47 | 0:20:49 | |
# It's the feeling of the land. # | 0:20:49 | 0:20:52 | |
# And everyone gives everything | 0:21:11 | 0:21:13 | |
# Every soul, every thing will get | 0:21:13 | 0:21:18 | |
# Life. # | 0:21:19 | 0:21:21 | |
This is a very isolated society, | 0:21:21 | 0:21:25 | |
very closed society, | 0:21:25 | 0:21:26 | |
otherwise they wouldn't be able to function as it is | 0:21:26 | 0:21:29 | |
and people are, so to say, brainwashed, basically. | 0:21:29 | 0:21:33 | |
We present a toxic matter to them. | 0:21:37 | 0:21:39 | |
They don't really want to start to practise too much | 0:21:39 | 0:21:42 | |
freedom for visitors to simply go around and intoxicate their people. | 0:21:42 | 0:21:48 | |
It's just too stupid, | 0:22:00 | 0:22:02 | |
and I've got to say I'm pretty surprised that it would be him, | 0:22:02 | 0:22:06 | |
you know, the leader, yeah. | 0:22:06 | 0:22:09 | |
Just fucking childish, you know? | 0:22:17 | 0:22:20 | |
I don't really know who found him | 0:23:01 | 0:23:03 | |
and it doesn't really matter. | 0:23:03 | 0:23:05 | |
He was found and brought to where we were. | 0:23:05 | 0:23:10 | |
Our Korean hosts were really, really pissed off. | 0:23:10 | 0:23:13 | |
Mr Ri told me, you know, in private, | 0:23:13 | 0:23:15 | |
that he wanted to beat him up and so did I. | 0:23:15 | 0:23:20 | |
But what happened was our Korean hosts started | 0:23:20 | 0:23:25 | |
feeling that they had to calm me down because I was so angry, | 0:23:25 | 0:23:28 | |
so they actually went in between us and started saying, you know, | 0:23:28 | 0:23:34 | |
starting to be peacemakers, which kind of served a purpose as well. | 0:23:34 | 0:23:38 | |
They kind of took responsibility for it not being that serious. | 0:23:38 | 0:23:43 | |
After all, there are much more serious things going on now | 0:23:43 | 0:23:46 | |
down at the border. | 0:23:46 | 0:23:48 | |
South Korea claims that on routine patrol, | 0:23:50 | 0:23:53 | |
three land mines detonated near their gate. | 0:23:53 | 0:23:55 | |
Two soldiers were severely maimed. One soldier lost two legs. | 0:23:55 | 0:23:59 | |
The other soldier lost his right foot, | 0:23:59 | 0:24:01 | |
but North Korea says they weren't behind that. | 0:24:01 | 0:24:04 | |
Pyongyang also said South Korea fabricated the whole thing. | 0:24:04 | 0:24:08 | |
South Korea's Defence Ministry accused North Korea for the attack. | 0:24:08 | 0:24:11 | |
Pyongyang strong denied responsibility for the attack | 0:24:11 | 0:24:15 | |
and asked Seoul for proof. | 0:24:15 | 0:24:16 | |
The set-up of the Laibach concert with all the multimedia technology | 0:24:46 | 0:24:50 | |
they are using and all the western gear that they usually need, | 0:24:50 | 0:24:56 | |
in a 1950s technology country like North Korea, it's | 0:24:56 | 0:25:01 | |
kind of kamikaze mission in a way. | 0:25:01 | 0:25:05 | |
And, whoops, we have two days. | 0:25:06 | 0:25:09 | |
We need a mixing desk and seven monitors. | 0:25:09 | 0:25:13 | |
So you don't need the microphones? | 0:25:14 | 0:25:16 | |
No, just stands and cables. | 0:25:16 | 0:25:18 | |
Stands and cables. | 0:25:18 | 0:25:21 | |
Standard... OK. | 0:25:21 | 0:25:23 | |
And then what else? | 0:25:27 | 0:25:29 | |
It is already complicated, always. | 0:25:32 | 0:25:35 | |
The drum kit is coming. | 0:25:36 | 0:25:39 | |
The first day when we arrived, we checked what is here | 0:25:44 | 0:25:49 | |
and then we asked questions and we told them what we need | 0:25:49 | 0:25:53 | |
and everything what we said they said, "Yes, yes, yes." | 0:25:53 | 0:25:57 | |
And everything sounded fine till we get the next day in the venue. | 0:25:57 | 0:26:03 | |
Ah, Jesus! | 0:26:03 | 0:26:04 | |
But you told us that you brought me the microphones. | 0:26:04 | 0:26:07 | |
Yes, we brought the microphones for our band. | 0:26:07 | 0:26:10 | |
We didn't know that we're going to have a piano. | 0:26:10 | 0:26:12 | |
We told you on the first day when we had the meeting here... | 0:26:12 | 0:26:15 | |
-That we needed microphones. -..we need four microphones for the piano. | 0:26:15 | 0:26:19 | |
-The main problem is the cables, the lack of cables. -OK. | 0:26:19 | 0:26:23 | |
How many lines to go to the front of house? | 0:26:23 | 0:26:26 | |
Such a school for patience right now. | 0:26:43 | 0:26:47 | |
I love how they sent the censor police for your songs. | 0:26:49 | 0:26:52 | |
Did you notice these guys arrived? | 0:26:52 | 0:26:53 | |
They sent censor guys? What do you mean? | 0:26:53 | 0:26:56 | |
Yes, so two guys arrived, talked to Soon, not thinking she was Korean, | 0:26:56 | 0:27:00 | |
and said, "We're here to censor what Korean songs were being sung." | 0:27:00 | 0:27:04 | |
-Oh. -So that's interesting, huh? -Oh, yeah. | 0:27:04 | 0:27:07 | |
Good to have. We're glad to have them with us. | 0:27:07 | 0:27:10 | |
How about just one practice? | 0:27:10 | 0:27:12 | |
-Just to see? -But we are here to practise. | 0:27:13 | 0:27:17 | |
Yeah, but since this... | 0:27:17 | 0:27:19 | |
..just took too long time technically, | 0:27:21 | 0:27:23 | |
so we don't have a chance to practise several times, OK. | 0:27:23 | 0:27:27 | |
Even if it sounds terrible, just practise so you can play fine. | 0:27:27 | 0:27:32 | |
I don't know what he's talking about, I have to say, | 0:27:32 | 0:27:36 | |
with all respect. | 0:27:36 | 0:27:37 | |
I have never seen this man before | 0:27:37 | 0:27:39 | |
and he comes in and he acts like the boss. | 0:27:39 | 0:27:42 | |
What's the deal? | 0:27:42 | 0:27:45 | |
A little bit more humility. | 0:27:49 | 0:27:52 | |
They just want to hear something. | 0:27:53 | 0:27:56 | |
We just need to keep them reassured that we will make it in time. | 0:27:56 | 0:28:00 | |
-WHISPERS: -I think they're doubting that we are musicians at all. | 0:28:00 | 0:28:03 | |
Of course they are. | 0:28:03 | 0:28:06 | |
Can you turn on the PA, the system? | 0:28:08 | 0:28:11 | |
FANFARE THEME PLAYS | 0:28:16 | 0:28:20 | |
-TRANSLATION: -The situation in Korea is now on the brink of war | 0:28:23 | 0:28:27 | |
due to the US imperialists and the South Korean puppets' ceaseless | 0:28:27 | 0:28:30 | |
political and military provocation against the DPRK. | 0:28:30 | 0:28:35 | |
And South Korea has been using an unusual weapon. | 0:28:35 | 0:28:38 | |
South Korean loud speakers blaring criticism of North Korean | 0:28:41 | 0:28:44 | |
leader Kim Jong-un's regime. | 0:28:44 | 0:28:47 | |
The North has told the South to turn it down | 0:28:47 | 0:28:49 | |
or face more military action. | 0:28:49 | 0:28:51 | |
As well as information, | 0:28:53 | 0:28:54 | |
the broadcasts include recent South Korean pop songs | 0:28:54 | 0:28:57 | |
Me Gustas Tu, or I Like You from a girl group called GFRIEND. | 0:28:57 | 0:29:02 | |
The group became famous last year for repeatedly falling over | 0:29:02 | 0:29:06 | |
on a slippery stage during a concert. | 0:29:06 | 0:29:09 | |
The North Korean military's not yet made any unusual moves | 0:29:09 | 0:29:12 | |
aside from switching on its own speakers. | 0:29:12 | 0:29:15 | |
There are many world media sitting | 0:29:21 | 0:29:24 | |
and tapping their feet | 0:29:24 | 0:29:27 | |
waiting to have images from Laibach. | 0:29:27 | 0:29:29 | |
In North Korea we will do a quick photo session | 0:29:29 | 0:29:32 | |
at the Kim Il-sung Square. | 0:29:32 | 0:29:34 | |
I am asking you humbly if I can direct that. | 0:29:34 | 0:29:36 | |
Unless I do something which is like really offensive to your, you know, | 0:29:38 | 0:29:43 | |
cultural, sexuality or whatever, | 0:29:43 | 0:29:46 | |
just do as I say, please. | 0:29:46 | 0:29:50 | |
Milan. | 0:29:50 | 0:29:51 | |
-Milan. -Milan. -Milan. | 0:29:51 | 0:29:53 | |
Let's have a couple of just Milan. | 0:29:53 | 0:29:56 | |
Yes, of course. Yeah, yeah. They know everything about this. | 0:30:04 | 0:30:07 | |
Let's have another one in front of that flag. | 0:30:07 | 0:30:09 | |
OK, guys, let's centre here and everybody look at the pen, please. | 0:30:17 | 0:30:21 | |
At my pen. | 0:30:21 | 0:30:22 | |
Guys, guys. | 0:30:28 | 0:30:29 | |
Good. Look at me... | 0:30:31 | 0:30:33 | |
It's impossible. | 0:30:33 | 0:30:35 | |
No, no, he doesn't. It is not a Nazi sign. | 0:30:46 | 0:30:50 | |
Good. Look at me. | 0:30:50 | 0:30:51 | |
Turn your head a little bit, please, and look at the pencil. | 0:30:55 | 0:30:59 | |
-OK? -Perfect. | 0:30:59 | 0:31:00 | |
And then we take a quick one in front of Juche Tower | 0:31:00 | 0:31:02 | |
-and then we're done. -We'll do it later because... Please. | 0:31:02 | 0:31:06 | |
I beg you. Because many people are waiting. | 0:31:06 | 0:31:09 | |
OK, we'll do it later, then. | 0:31:09 | 0:31:10 | |
OK, thank you. | 0:31:12 | 0:31:13 | |
MUSIC: Final Countdown by Laibach | 0:31:14 | 0:31:16 | |
Cultural exchange happens no matter what. | 0:31:49 | 0:31:53 | |
It's unavoidable that it happens | 0:31:53 | 0:31:56 | |
when people work together. | 0:31:56 | 0:31:58 | |
Of course we've been censored and tweaked with and had to adapt | 0:31:59 | 0:32:05 | |
and treated like we are robots. | 0:32:05 | 0:32:07 | |
The censorship is not a problem at all | 0:32:07 | 0:32:10 | |
because we basically | 0:32:10 | 0:32:14 | |
are censoring ourselves constantly. | 0:32:14 | 0:32:15 | |
-That's what we are doing in daily life. -We are our own North Korea. | 0:32:17 | 0:32:22 | |
Yeah, we are our own North Korea. | 0:32:22 | 0:32:23 | |
Again, welcome to North Korea. | 0:32:26 | 0:32:28 | |
There's been a misunderstanding, so they thought... | 0:32:28 | 0:32:30 | |
We asked for keyboard stands but they brought microphone stands. | 0:32:30 | 0:32:33 | |
OK. | 0:32:33 | 0:32:35 | |
# But still it's farewell | 0:32:46 | 0:32:48 | |
# And maybe we'll come back | 0:32:49 | 0:32:52 | |
# To earth, who can tell? | 0:32:52 | 0:32:54 | |
# I guess there is no-one to blame | 0:32:56 | 0:32:58 | |
# We're leaving ground | 0:32:59 | 0:33:01 | |
# Will things ever be the same again? # | 0:33:02 | 0:33:07 | |
CRASH | 0:33:07 | 0:33:08 | |
# It's the final countdown. # | 0:33:15 | 0:33:17 | |
Hello. | 0:33:18 | 0:33:20 | |
Hello. | 0:33:22 | 0:33:24 | |
We are finished. | 0:33:25 | 0:33:27 | |
Sorry to wake you up. | 0:33:27 | 0:33:28 | |
We need your help. | 0:33:28 | 0:33:30 | |
Look at the cable, all this power... | 0:33:39 | 0:33:41 | |
..is actually connected here. | 0:33:43 | 0:33:44 | |
It all depends on this. | 0:33:49 | 0:33:51 | |
Earlier today the two Koreas | 0:33:55 | 0:33:56 | |
exchanged artillery rounds at the western border. | 0:33:56 | 0:33:59 | |
3.53pm and 4.12pm this afternoon, | 0:33:59 | 0:34:02 | |
when North Korea fired several artillery shells across the border | 0:34:02 | 0:34:05 | |
targeting South Korea's propaganda loudspeakers. | 0:34:05 | 0:34:08 | |
An hour or so after the attack the South Korean military | 0:34:08 | 0:34:11 | |
responded with tens of 155mm artillery rounds | 0:34:11 | 0:34:15 | |
at the origin of attack. | 0:34:15 | 0:34:18 | |
# It's the final countdown. # | 0:34:18 | 0:34:21 | |
We hear North Korea is not backing down at all. | 0:34:21 | 0:34:24 | |
It demanded the South Korean side stop broadcasting propaganda | 0:34:24 | 0:34:28 | |
messages at the border. | 0:34:28 | 0:34:29 | |
North Korea says South Korea has 48 hours to stop broadcasting | 0:34:29 | 0:34:33 | |
the messages, or it will take strong military action. | 0:34:33 | 0:34:35 | |
This change is OK, too. | 0:34:56 | 0:34:59 | |
SHE SINGS | 0:35:02 | 0:35:06 | |
To give you an example of how I think, the whole idea of Mina | 0:35:10 | 0:35:15 | |
changing her lyrics into Korean was my idea, my suggestion. | 0:35:15 | 0:35:19 | |
Because originally she does this in German. | 0:35:19 | 0:35:21 | |
Because, as you know, | 0:35:26 | 0:35:28 | |
the Nazi, all this stuff... | 0:35:28 | 0:35:31 | |
I was thinking that OK, maybe it's better not to have | 0:35:31 | 0:35:34 | |
German language in the song. | 0:35:34 | 0:35:35 | |
That was the reason. | 0:35:36 | 0:35:38 | |
But if you think it's OK that she says those | 0:35:38 | 0:35:40 | |
lines in the original language, in German, fine with us. | 0:35:40 | 0:35:43 | |
She can just go back to saying that. | 0:35:43 | 0:35:45 | |
The main problem is the nuances. | 0:35:48 | 0:35:50 | |
Between the languages of the North and South. | 0:35:52 | 0:35:55 | |
-OK. -It looks like some kind of South Korean dialect. | 0:35:55 | 0:36:01 | |
I spent two weeks repeating this to get it. | 0:36:01 | 0:36:05 | |
-And changing it two days before performance. -Of course not. | 0:36:05 | 0:36:09 | |
-It's like a shot in the head, man. It's not funny. -Mina, I know. | 0:36:09 | 0:36:13 | |
I know this so you don't have to explain it to me. | 0:36:13 | 0:36:16 | |
THEY SING ROUSING SONG | 0:36:18 | 0:36:20 | |
Laibach were doing a cover version of the most famous song in Korea. | 0:36:30 | 0:36:33 | |
And they did their own cover version interpretation like they've | 0:36:33 | 0:36:37 | |
done in the past with many other things. | 0:36:37 | 0:36:40 | |
And I think because that's such an important song in North Korea | 0:36:40 | 0:36:43 | |
they changed it quite a lot. | 0:36:43 | 0:36:45 | |
The Baekdusan song, what it really says is we love our great leader. | 0:36:49 | 0:36:54 | |
The Moranbong Band is like his signature. | 0:36:54 | 0:36:58 | |
So their first big hit is like We Will Go to Mount Paektu. | 0:37:01 | 0:37:05 | |
Where the grandad and the dad | 0:37:05 | 0:37:08 | |
and the current one | 0:37:08 | 0:37:10 | |
are all... You know, have strong relations. | 0:37:10 | 0:37:13 | |
THEY SING IN KOREAN | 0:37:13 | 0:37:16 | |
The original song is more like a marching song. | 0:37:23 | 0:37:26 | |
And it's a little bit faster, a little bit more happier song. | 0:37:28 | 0:37:32 | |
Our version is... | 0:37:32 | 0:37:34 | |
Has a little bit different groove. | 0:37:36 | 0:37:38 | |
Boris, are you ready? | 0:37:42 | 0:37:45 | |
Always. | 0:37:45 | 0:37:47 | |
Be nice to have at least a little bit of a sound check, but OK. | 0:37:47 | 0:37:51 | |
But it is a sound check, in a way. | 0:37:51 | 0:37:53 | |
I know, I know. | 0:37:55 | 0:37:57 | |
MUSIC: We Will Go to Mount Paektu by Laibach | 0:38:02 | 0:38:05 | |
# We'll go in springtime | 0:38:18 | 0:38:20 | |
# We'll go in winter, too | 0:38:22 | 0:38:24 | |
# We'll go in our dreams | 0:38:26 | 0:38:28 | |
# We'll go at any time | 0:38:30 | 0:38:32 | |
# We'll go for a lifetime | 0:38:34 | 0:38:36 | |
# We'll continue going through generations | 0:38:38 | 0:38:41 | |
# To Mount Paektu the heart of my heart | 0:38:43 | 0:38:48 | |
-# We'll go -We'll go -We'll go | 0:38:49 | 0:38:52 | |
# To Mount Paektu | 0:38:55 | 0:38:57 | |
-# We'll go -We'll go | 0:38:57 | 0:39:00 | |
-# We'll go -We'll go | 0:39:00 | 0:39:02 | |
# To Mount Paektu | 0:39:02 | 0:39:03 | |
# That calls us. # | 0:39:03 | 0:39:06 | |
SHE VOCALISES | 0:39:06 | 0:39:09 | |
Are you happy? If you are happy, I am happy. | 0:39:25 | 0:39:29 | |
-He said it was great. -Did he? -Yeah. | 0:39:29 | 0:39:32 | |
Please. We'll have a discussion. Sorry. | 0:39:47 | 0:39:50 | |
Essentially, | 0:39:51 | 0:39:53 | |
in the audience today were the censors but there were also | 0:39:53 | 0:39:57 | |
musicians and regular audiences. | 0:39:57 | 0:39:59 | |
They really did not like Paektu song. | 0:39:59 | 0:40:02 | |
They didn't recognise the original song. | 0:40:02 | 0:40:05 | |
Especially the part where Milan is doing his parts were very disturbing | 0:40:05 | 0:40:09 | |
because they couldn't really understand what was happening. | 0:40:09 | 0:40:13 | |
-Yep. -They said at the end of the song what's going to happen is | 0:40:13 | 0:40:15 | |
there's going to be complete mayhem. | 0:40:15 | 0:40:18 | |
-People are going to be terrified and angry. -We don't want that. | 0:40:18 | 0:40:22 | |
We don't want that and so either we go with the original Korean | 0:40:22 | 0:40:27 | |
version and sing all of the lyrics | 0:40:27 | 0:40:31 | |
including the refrain or we just take it out. | 0:40:31 | 0:40:34 | |
For them it looks like it's too intense. | 0:40:44 | 0:40:47 | |
He said people cannot concentrate. | 0:40:47 | 0:40:49 | |
They are at the concert listening to the music or watching a movie. | 0:40:49 | 0:40:52 | |
And he didn't like this German sign. | 0:40:54 | 0:40:57 | |
He said this is not going in. | 0:41:00 | 0:41:03 | |
So you checked the background pictures? | 0:41:03 | 0:41:08 | |
-I suppose originally it's ten. -Yeah, something like that. | 0:41:09 | 0:41:13 | |
Something like that, so five will be cut. | 0:41:13 | 0:41:16 | |
What do you mean? Are they cutting the songs also? | 0:41:16 | 0:41:19 | |
Listen carefully, everybody. | 0:41:19 | 0:41:21 | |
When it comes to changes... | 0:41:21 | 0:41:23 | |
..we are willing and able especially | 0:41:25 | 0:41:28 | |
when it comes to the projections, to adjust things. | 0:41:28 | 0:41:32 | |
Please translate this into Korean now. | 0:41:32 | 0:41:36 | |
Because we have every possible equipment to make changes but | 0:41:36 | 0:41:42 | |
I can't accept if they come in and | 0:41:42 | 0:41:44 | |
say, "Cut away those five animations." | 0:41:44 | 0:41:47 | |
Firstly, because it's very rude. | 0:41:47 | 0:41:50 | |
It's disrespectful to me | 0:41:50 | 0:41:51 | |
and to the people who worked for a long time doing that. | 0:41:51 | 0:41:55 | |
It's also because it's not necessary. | 0:41:55 | 0:41:57 | |
We can change, but I need to know specifically what | 0:41:57 | 0:41:59 | |
parts are problematic. | 0:41:59 | 0:42:02 | |
So I am here, I don't understand why they don't come and talk to me, | 0:42:02 | 0:42:05 | |
and we can discuss it and resolve it together. | 0:42:05 | 0:42:08 | |
Can they please show me the good manners of coming | 0:42:08 | 0:42:11 | |
and saying hello to me as the head of the delegation, is this possible? | 0:42:11 | 0:42:14 | |
Because in my culture when you come | 0:42:19 | 0:42:23 | |
and interfere with people's work, at least you have the good | 0:42:23 | 0:42:28 | |
manner to introduce yourself and say hello so I can say hello to them. | 0:42:28 | 0:42:32 | |
And if they cannot do that, I would like you to convey to them I find | 0:42:32 | 0:42:35 | |
that kind of behaviour disrespectful and I'm a bit offended. | 0:42:35 | 0:42:39 | |
HE CLEARS HIS THROAT | 0:42:43 | 0:42:44 | |
-I beg you, we are talking about things so please don't film us. -OK. | 0:42:58 | 0:43:04 | |
-This one is better not to... -Thank you. | 0:43:04 | 0:43:06 | |
Check, check, the system on the left | 0:43:08 | 0:43:13 | |
is a completely different sound than the system on the right. | 0:43:13 | 0:43:16 | |
I think it's just useful that I share with you a little | 0:43:35 | 0:43:39 | |
bit of the... | 0:43:39 | 0:43:40 | |
Of the background for it because it's not | 0:43:40 | 0:43:42 | |
because they are stupid, it's not | 0:43:42 | 0:43:44 | |
because they want to fuck with us or that they disrespect us or anything. | 0:43:44 | 0:43:48 | |
Setting up a concert like this in two days, | 0:43:48 | 0:43:51 | |
it's like record speed in this country and you understand why. | 0:43:51 | 0:43:56 | |
And the reason why everything is so totally confused | 0:43:57 | 0:44:02 | |
and messed up is in this system, in this culture, | 0:44:02 | 0:44:10 | |
people learn from | 0:44:10 | 0:44:12 | |
when they are born that individual decisions are risky to take. | 0:44:12 | 0:44:15 | |
So every time a decision is going to be made it doesn't matter, | 0:44:17 | 0:44:21 | |
it can be the colour of the toilet paper in the office, it can be | 0:44:21 | 0:44:24 | |
whether or not, luckily, whether or not to press the atomic button. | 0:44:24 | 0:44:28 | |
But no decision is made without making absolutely sure, | 0:44:29 | 0:44:35 | |
absolutely sure that everybody are in consensus, you know? | 0:44:35 | 0:44:39 | |
So that we also share the responsibility but we | 0:44:40 | 0:44:42 | |
also share the blame. | 0:44:42 | 0:44:43 | |
Go ahead. | 0:44:46 | 0:44:47 | |
Der Spiegel, right? | 0:44:47 | 0:44:50 | |
-I will give you Ivan Novak now. -Hello. | 0:44:50 | 0:44:53 | |
Hello. Yes. So we've seen quite a lot, I must say. We've seen a lot. | 0:44:55 | 0:45:00 | |
And I believe that we have seen the real life. | 0:45:00 | 0:45:03 | |
I don't think this is a staged show especially for us. | 0:45:03 | 0:45:07 | |
There's simply too much and too good to be staged. | 0:45:07 | 0:45:10 | |
We do not try to make any difference between different countries. | 0:45:13 | 0:45:17 | |
If we would have to put that in accounts, like this is too | 0:45:17 | 0:45:22 | |
totalitarian state to perform, then where is the line? | 0:45:22 | 0:45:28 | |
Where is it ethical to perform? What kind of state? | 0:45:28 | 0:45:31 | |
This is obviously a totalitarian system | 0:45:31 | 0:45:34 | |
but we don't want to judge it. | 0:45:34 | 0:45:35 | |
I was pretty much sure I knew where we were going before when we came | 0:45:37 | 0:45:44 | |
here, and I'm not sure any more that we came to | 0:45:44 | 0:45:47 | |
the same place as it was... | 0:45:47 | 0:45:50 | |
..in our heads. | 0:45:52 | 0:45:53 | |
SHE PLAYS | 0:45:55 | 0:45:57 | |
BAND PLAYS | 0:46:15 | 0:46:17 | |
There is a crack in every wall. | 0:46:37 | 0:46:39 | |
And that's where the spirit gets in. | 0:46:40 | 0:46:43 | |
The question is, if we need to make it by there. | 0:46:45 | 0:46:51 | |
Because these people, at least appear, to be happy. | 0:46:51 | 0:46:55 | |
Comparing to most of the rest of the world. | 0:46:57 | 0:47:00 | |
INAUDIBLE | 0:47:48 | 0:47:50 | |
Can everybody come out onto the stage? | 0:47:55 | 0:47:58 | |
We have important news. | 0:47:58 | 0:47:59 | |
I just had a meeting with the censorship bureau. | 0:48:06 | 0:48:09 | |
Which is the state organisation that censors all content that is | 0:48:10 | 0:48:15 | |
shown publicly. | 0:48:15 | 0:48:16 | |
Basically, they have asked us to change and this we will do. | 0:48:16 | 0:48:20 | |
I apologise for that but that is just the way it is. | 0:48:22 | 0:48:25 | |
The projections we will need to change are Life Is Life... | 0:48:27 | 0:48:33 | |
Too many nude people. | 0:48:33 | 0:48:34 | |
Or too many nude statues basically. ..Do Re Mi... | 0:48:35 | 0:48:40 | |
..and Edelweiss. | 0:48:41 | 0:48:43 | |
With the song Do Re Mi, can you make it again with just... | 0:48:43 | 0:48:47 | |
Music notes on it. Do Re Mi is music notes. | 0:48:49 | 0:48:52 | |
We will make another version and we will show it to you. Yeah? | 0:48:52 | 0:48:55 | |
Let us do what we can do. | 0:48:57 | 0:48:59 | |
Let us make it successful. | 0:49:01 | 0:49:03 | |
The songs that I mentioned are the songs that we will play. | 0:49:05 | 0:49:09 | |
So, Across the Universe, Arirang, Whistleblowers, | 0:49:10 | 0:49:16 | |
Sound of Music, Climb Ev'ry Mountain, | 0:49:16 | 0:49:19 | |
Edelweiss, Do Re Mi, Live Is Life. | 0:49:19 | 0:49:24 | |
And Final Countdown, yeah. | 0:49:24 | 0:49:25 | |
That's it. | 0:49:29 | 0:49:31 | |
-It's going to be a short concert. -Yeah. | 0:49:31 | 0:49:34 | |
# Nothing's gonna change my world | 0:49:34 | 0:49:38 | |
# Nothing's gonna change my world | 0:49:41 | 0:49:46 | |
# Nothing's gonna change my world | 0:49:49 | 0:49:54 | |
# Nothing's gonna change my world... # | 0:49:56 | 0:49:59 | |
I'm sorry about the Live Is Life thing. | 0:49:59 | 0:50:02 | |
It's brilliant and you know I think it's brilliant | 0:50:02 | 0:50:04 | |
but I knew that was going to be pushing it a little bit | 0:50:04 | 0:50:07 | |
with those naked statues and all the kids. | 0:50:07 | 0:50:10 | |
# Across the universe | 0:50:15 | 0:50:19 | |
# Thoughts meander like a restless wind | 0:50:19 | 0:50:24 | |
# Inside a letterbox | 0:50:24 | 0:50:27 | |
# They tumble blindly as they... # | 0:50:27 | 0:50:29 | |
The Edelweiss projection, there is this very famous | 0:50:29 | 0:50:33 | |
movie from North Korea which is called The Flower Girl. | 0:50:33 | 0:50:36 | |
And that film is very significant so they don't want to mess with that. | 0:50:36 | 0:50:40 | |
So now I'm thinking to put only effect with flowers | 0:50:42 | 0:50:47 | |
and just make a nice scene. | 0:50:47 | 0:50:50 | |
I will use the plastic flowers from the hotel. | 0:50:50 | 0:50:53 | |
Because we cannot go nowhere, so the flowers from the hotel are perfect. | 0:50:53 | 0:50:59 | |
-OK, please. -Copy. Copy. | 0:50:59 | 0:51:02 | |
You can edit it. | 0:51:03 | 0:51:05 | |
# Jai guru deva. # | 0:51:08 | 0:51:15 | |
APPLAUSE | 0:51:20 | 0:51:21 | |
Dear, respected audience, your excellencies, | 0:51:29 | 0:51:35 | |
ladies and gentlemen, and first and foremost... | 0:51:35 | 0:51:38 | |
..the people of Korea. | 0:51:40 | 0:51:41 | |
Let the show begin. | 0:51:42 | 0:51:43 | |
Let us be together in the sounds of music. | 0:51:45 | 0:51:51 | |
APPLAUSE | 0:51:51 | 0:51:52 | |
MUSIC: The Whistleblowers by Laibach | 0:52:00 | 0:52:02 | |
THEY WHISTLE | 0:52:02 | 0:52:03 | |
# We rise, we grow | 0:52:42 | 0:52:45 | |
# We walk and we stand tall | 0:52:47 | 0:52:49 | |
# We never fall | 0:52:51 | 0:52:54 | |
# As big as the sky | 0:52:54 | 0:52:55 | |
# As far as the dawn | 0:52:55 | 0:52:57 | |
# We walk | 0:52:59 | 0:53:00 | |
# And we do not fall | 0:53:00 | 0:53:03 | |
# We sleep, we dream | 0:53:03 | 0:53:06 | |
# With no time in between | 0:53:08 | 0:53:11 | |
# We never stop | 0:53:12 | 0:53:15 | |
# Whistling our chant in the heat of the night | 0:53:15 | 0:53:18 | |
# We sing | 0:53:20 | 0:53:21 | |
# Our spirit is clean | 0:53:21 | 0:53:23 | |
# From north and south | 0:53:24 | 0:53:27 | |
# We come from east and west | 0:53:29 | 0:53:32 | |
# Breathing as one | 0:53:34 | 0:53:36 | |
# Living in fame or dying in flame | 0:53:37 | 0:53:40 | |
# We laugh | 0:53:41 | 0:53:43 | |
# Our mission is blessed | 0:53:43 | 0:53:45 | |
# We fight for you | 0:53:46 | 0:53:49 | |
# For freedom unforeseen | 0:53:51 | 0:53:54 | |
# Thinking as one | 0:53:55 | 0:53:58 | |
# Rolling along to the beat of the drum | 0:53:58 | 0:54:01 | |
# We march | 0:54:02 | 0:54:04 | |
# The black cross machine | 0:54:04 | 0:54:06 | |
# We rise, we grow | 0:54:07 | 0:54:10 | |
# We walk and we stand tall | 0:54:12 | 0:54:15 | |
# We never fall | 0:54:16 | 0:54:19 | |
# As big as the sky, as high as the dawn | 0:54:19 | 0:54:22 | |
# We walk and we never fall | 0:54:24 | 0:54:28 | |
THEY WHISTLE | 0:54:28 | 0:54:29 | |
SHE VOCALISES | 0:54:40 | 0:54:43 | |
# We stand alone | 0:54:49 | 0:54:52 | |
# But soon your day will come | 0:54:54 | 0:54:57 | |
# When freedom reach | 0:54:59 | 0:55:01 | |
# We meet again and we take the lead | 0:55:01 | 0:55:04 | |
# And walk, once more as one. # | 0:55:06 | 0:55:09 | |
When I was listening I was sitting there thinking... | 0:56:05 | 0:56:08 | |
I kept pinching myself. "Is this happening? | 0:56:08 | 0:56:10 | |
"Is this really happening?" | 0:56:10 | 0:56:12 | |
See you next time in Tehran. | 0:56:12 | 0:56:14 | |
-Islamic State. -That will wait a little bit. | 0:56:15 | 0:56:19 | |
-1,000 people in here. -1,500. -1,500, sorry. | 0:56:20 | 0:56:25 | |
This is not the stage, North Korea is the stage for the world. | 0:56:25 | 0:56:31 | |
This is the story. | 0:56:31 | 0:56:32 | |
It's probably one of the most, | 0:56:40 | 0:56:43 | |
if not the most, significant concert I've seen since I started. | 0:56:43 | 0:56:46 | |
-TRANSLATION: -Of course, this is very different to our tastes. | 0:56:49 | 0:56:52 | |
But it was quite nice to hear a traditional song. | 0:56:52 | 0:56:55 | |
I think we did more than we expected in the end. | 0:56:57 | 0:56:59 | |
I don't know what kind of trace it will leave here but it's a big | 0:56:59 | 0:57:05 | |
step for... | 0:57:05 | 0:57:06 | |
No, a small step for Laibach and a big step for humanity. | 0:57:06 | 0:57:10 | |
South Korea has halted its loudspeaker | 0:57:10 | 0:57:13 | |
broadcasts against the North | 0:57:13 | 0:57:15 | |
along the inter-Korean border. | 0:57:15 | 0:57:18 | |
In response North Korea has reportedly | 0:57:18 | 0:57:20 | |
lifted its semi state of war | 0:57:20 | 0:57:22 | |
for front line areas, which it declared last week after the | 0:57:22 | 0:57:26 | |
exchange of artillery shells over the heavily armed Korean border. | 0:57:26 | 0:57:30 | |
If you don't like our music, | 0:57:30 | 0:57:32 | |
turn around 360 degrees and go. | 0:57:32 | 0:57:36 | |
THEY LAUGH | 0:57:36 | 0:57:37 | |
There are all kinds of music. Now we know there's this kind of music too. | 0:57:42 | 0:57:46 | |
Those of you in the southern regions, | 0:57:52 | 0:57:54 | |
please be aware of heavy rainfall tomorrow. | 0:57:54 | 0:57:57 | |
That's all for Korea, | 0:57:57 | 0:57:59 | |
and here's the international weather for around the world. | 0:57:59 | 0:58:02 | |
RADIO CHATTER | 0:58:04 | 0:58:09 | |
HE VOCALISES | 0:58:09 | 0:58:11 | |
MUSIC: Resistance Is Futile by Laibach | 0:58:15 | 0:58:17 | |
# What we are, you will become | 0:58:24 | 0:58:26 | |
# A parasite, absorbing souls | 0:58:28 | 0:58:31 | |
# We'll suck your culture | 0:58:32 | 0:58:34 | |
# Brains, energy | 0:58:34 | 0:58:37 | |
# Implant your genes to our collective being | 0:58:37 | 0:58:40 | |
# We'll raise the quality of life | 0:58:42 | 0:58:44 | |
# For all of you | 0:58:45 | 0:58:47 | |
# Existence as you know it | 0:58:49 | 0:58:51 | |
# Is over. # | 0:58:52 | 0:58:54 |