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-Britain's top chefs... -Yeeha! | 0:00:02 | 0:00:04 | |
..are going up against each other... | 0:00:04 | 0:00:06 | |
This is going to be a good battle. | 0:00:06 | 0:00:08 | |
..to see who can make the most money from creating fabulous food for the Great British public. | 0:00:08 | 0:00:14 | |
It's all about making money. | 0:00:14 | 0:00:16 | |
Our award-winning chefs will be putting their reputations on the line... | 0:00:16 | 0:00:19 | |
Help me! | 0:00:19 | 0:00:21 | |
-..as they're EACH challenged to produce a delicious three-course meal... -Yes! | 0:00:21 | 0:00:25 | |
..for a room full of ravenous diners. | 0:00:25 | 0:00:27 | |
-We can't have customers waiting! -We want beef! -Perfect. | 0:00:27 | 0:00:30 | |
Wow! | 0:00:30 | 0:00:32 | |
They'll be working in kitchens they've never set foot in before. | 0:00:32 | 0:00:35 | |
This is impossible! | 0:00:35 | 0:00:36 | |
With a limited budget. | 0:00:36 | 0:00:37 | |
-Deal! -You've got to go lower than that! | 0:00:37 | 0:00:40 | |
And up against the deadline of that day's service. | 0:00:40 | 0:00:43 | |
That took forever to cook. | 0:00:43 | 0:00:44 | |
But the question is who will make the most money... | 0:00:44 | 0:00:47 | |
-Rock on! -..and win? | 0:00:47 | 0:00:49 | |
We came, we saw, we conquered. | 0:00:49 | 0:00:51 | |
Coming up - | 0:00:51 | 0:00:53 | |
One of today's chefs comes face to face with his greatest fan. | 0:00:53 | 0:00:56 | |
Where did you get this, out of your bag? | 0:00:56 | 0:00:58 | |
And there's a thief in the kitchen. | 0:00:58 | 0:01:00 | |
-Waste not want not, eh! -Five quid, please. | 0:01:00 | 0:01:03 | |
But the big question is; whose dishes | 0:01:03 | 0:01:05 | |
will the customers in this top class Spanish restaurant choose? | 0:01:05 | 0:01:09 | |
Where's the waiting staff? I think they've all gone home. | 0:01:09 | 0:01:11 | |
Chefs, Put Your Menu Where Your Mouth Is! | 0:01:11 | 0:01:14 | |
Friends, food lovers, sports fans. | 0:01:40 | 0:01:43 | |
Yes, it's time once more to twiddle the knob on your oven | 0:01:43 | 0:01:46 | |
right up to full as two toreadors of the cooking world | 0:01:46 | 0:01:50 | |
are about to enter the culinary arena | 0:01:50 | 0:01:52 | |
for a considerably colossal kitchen clash. | 0:01:52 | 0:01:55 | |
For one lies victory and adulation, for the other a supersize serving of servitude and shame. | 0:01:55 | 0:02:03 | |
-Ooh! -And first into the ring is a critically acclaimed chef | 0:02:06 | 0:02:10 | |
who's worked at more Michelin star restaurants | 0:02:10 | 0:02:12 | |
then you can wave a copper bottomed pot at. | 0:02:12 | 0:02:15 | |
Trained in the very finest of French fine dining, | 0:02:15 | 0:02:18 | |
he's king of the modern classic. | 0:02:18 | 0:02:20 | |
He's cool, he's calm, he's collected, | 0:02:20 | 0:02:22 | |
he's Jun Tanaka. | 0:02:22 | 0:02:26 | |
I love cooking, it's a passion. | 0:02:26 | 0:02:28 | |
I believe all chefs are competitive. It's in our nature. | 0:02:28 | 0:02:31 | |
I'm incredibly focused, I'm calm, I'm organised. | 0:02:31 | 0:02:34 | |
I definitely like winning. I mean, who doesn't like winning? | 0:02:34 | 0:02:39 | |
Jun's rival today is a kitchen heavyweight | 0:02:39 | 0:02:41 | |
who's charged his way up the culinary ladder, | 0:02:41 | 0:02:43 | |
getting his first Michelin star at the tender age of 29. | 0:02:43 | 0:02:48 | |
He currently runs no less than four, | 0:02:48 | 0:02:51 | |
yes, four classic British food restaurants. | 0:02:51 | 0:02:54 | |
Let's give it up large for Richard Phillips! | 0:02:54 | 0:02:57 | |
I'm very emotional, very passionate | 0:03:00 | 0:03:02 | |
and I want the best at all times | 0:03:02 | 0:03:04 | |
and I do whatever I have to to get that, | 0:03:04 | 0:03:07 | |
I'm very, very competitive and it's going to be very hard | 0:03:07 | 0:03:09 | |
to beat me in this competition. | 0:03:09 | 0:03:11 | |
Yes, they can talk the talk but can they cook the cooking? | 0:03:13 | 0:03:17 | |
Because unbeknown to our brave challengers, | 0:03:17 | 0:03:19 | |
London is the arena for tonight's culinary bloodbath. | 0:03:19 | 0:03:23 | |
And specifically, L'Albufera, | 0:03:23 | 0:03:25 | |
a fine dining restaurant in a prestigious Regent's Park hotel. | 0:03:25 | 0:03:30 | |
All well and good, apart from the fact it's Spanish! | 0:03:30 | 0:03:34 | |
Yes. Which is a right old Hispanic spanner in the Iberian works | 0:03:35 | 0:03:39 | |
for our French and British cuisine specialists. | 0:03:39 | 0:03:42 | |
With a menu that mixes up modern and traditional, | 0:03:42 | 0:03:45 | |
using only the finest produce from Spain, | 0:03:45 | 0:03:47 | |
the customers here expect more than a paltry plate of paella! | 0:03:47 | 0:03:52 | |
Our chefs better have a head for haggling too, | 0:03:52 | 0:03:55 | |
because they need to source and buy their ingredients | 0:03:55 | 0:03:58 | |
on an itsy bitsy budget of £400. | 0:03:58 | 0:04:01 | |
The winner is the chef who makes the most profit | 0:04:01 | 0:04:04 | |
and their takings are donated to a charity of their choice. | 0:04:04 | 0:04:07 | |
So, Jun Tanaka and Richard Philips, | 0:04:07 | 0:04:10 | |
it's time to Put Your Menu Where Your Mouth Is! | 0:04:10 | 0:04:14 | |
-So Spanish, how's your Spanish? -Err...what? Speaking or cooking? | 0:04:14 | 0:04:19 | |
Spanish food, I mean, I've never really cooked Spanish food | 0:04:19 | 0:04:22 | |
but it's all about the produce, isn't it. | 0:04:22 | 0:04:24 | |
Yeah, simple, effective food. That's what it's about really. | 0:04:24 | 0:04:27 | |
60 covers for £400. I mean, that's a pretty tight budget. | 0:04:27 | 0:04:31 | |
I think it's the budget with the covers that makes it challenging. | 0:04:31 | 0:04:35 | |
We have to be tight and watch what we spend on today | 0:04:35 | 0:04:37 | |
but I wouldn't say Spanish cooking's really my comfort zone either, | 0:04:37 | 0:04:40 | |
so it's gonna be a challenging, exciting day. | 0:04:40 | 0:04:43 | |
-Good luck. -Good luck. | 0:04:43 | 0:04:45 | |
Well, this promises to be one evenly-matched fight | 0:04:45 | 0:04:48 | |
as both our chefs are completely out of their comfort zones. | 0:04:48 | 0:04:52 | |
So how are they planning to emerge victorious? | 0:04:52 | 0:04:55 | |
My strategy is to create something a little bit more interesting | 0:04:55 | 0:04:59 | |
than your traditional, classic Spanish dishes, | 0:04:59 | 0:05:02 | |
like the paella or croquetas. | 0:05:02 | 0:05:04 | |
I want something with luxury ingredients, | 0:05:04 | 0:05:07 | |
that's really gonna draw the customers to choose my dishes. | 0:05:07 | 0:05:10 | |
When you think of Spanish food you think of seafood. | 0:05:10 | 0:05:13 | |
I'm gonna buck the trend. I'm gonna go more mainland Spain, probably more meaty dishes. | 0:05:13 | 0:05:17 | |
The key thing with Spanish cooking, it's got to be really wholesome, but fresh flavours. | 0:05:17 | 0:05:21 | |
That's going to be quite expensive | 0:05:21 | 0:05:23 | |
so I'm gonna really have to negotiate my prices well today | 0:05:23 | 0:05:26 | |
and make sure I get the best value for money. | 0:05:26 | 0:05:28 | |
So Jun is thinking 'costa lotta' instead of Costa Blanca | 0:05:29 | 0:05:33 | |
and for Richard it's all about the ingredients. | 0:05:33 | 0:05:36 | |
But how does that translate onto the plate? | 0:05:36 | 0:05:39 | |
Let's find out what the chefs have in store for round numero uno. | 0:05:39 | 0:05:43 | |
My starter is going to be something really luxurious, | 0:05:43 | 0:05:46 | |
it's going to be caramelised scallops. | 0:05:46 | 0:05:48 | |
It is going to blow their minds. | 0:05:48 | 0:05:51 | |
Jun's caramelised scallops will be sitting on a butternut squash puree, | 0:05:51 | 0:05:55 | |
and served with Iberico ham shavings. | 0:05:55 | 0:05:58 | |
It's cheeky, it's tasty, it's packed with Spanish delight. | 0:05:58 | 0:06:03 | |
What could Richard do to top that? | 0:06:03 | 0:06:06 | |
So my starter today. I'm thinking a bit of a classic combination, | 0:06:06 | 0:06:10 | |
monkfish with some chorizo. | 0:06:10 | 0:06:12 | |
Richard's monkfish medallions will be served on top of a chorizo and chickpea salad, | 0:06:12 | 0:06:18 | |
with aged balsamic vinegar and a tomato and lemon dressing. | 0:06:18 | 0:06:21 | |
Light, fresh, delicious - like a party going on in your mouth. | 0:06:21 | 0:06:26 | |
And that's the decision for the diners: | 0:06:26 | 0:06:29 | |
Scallops or monkfish, which one would you choose? | 0:06:29 | 0:06:33 | |
So our chefs have their menus mapped out, | 0:06:34 | 0:06:37 | |
but that's only half the battle. | 0:06:37 | 0:06:39 | |
They now have to cook in a kitchen | 0:06:39 | 0:06:41 | |
they've never even clapped eyes on before. | 0:06:41 | 0:06:43 | |
We are giving them a fighting chance though, | 0:06:43 | 0:06:46 | |
as each will have two members of the regular kitchen staff to help them. | 0:06:46 | 0:06:49 | |
And today they've come dressed for business...as ninjas! | 0:06:49 | 0:06:53 | |
-Are you up for this? -Yes. -Yeah. | 0:06:53 | 0:06:55 | |
-I don't know the kitchen, you don't know me. -Ready to go? -Yes. | 0:06:55 | 0:06:59 | |
-Let's get on! -Let's win this! | 0:06:59 | 0:07:00 | |
Efficient, to the point, and with only a few hours until service, | 0:07:02 | 0:07:06 | |
there's certainly no time for siesta. | 0:07:06 | 0:07:09 | |
Err...the chorizo, which is here, I'll show you how to cut that. | 0:07:09 | 0:07:12 | |
Chickpeas, I've seen up there, so you just open them, | 0:07:12 | 0:07:14 | |
drain them through, very little wash. | 0:07:14 | 0:07:16 | |
There should be brown sugar with the fish as well. | 0:07:16 | 0:07:18 | |
For Richard it's all about delegation. | 0:07:18 | 0:07:21 | |
Do everything, put it all into containers, onto a tray - perfect. | 0:07:21 | 0:07:25 | |
Whereas Jun is taking a more hands-on approach | 0:07:25 | 0:07:28 | |
with his butternut squash puree. | 0:07:28 | 0:07:31 | |
We've got butter in there, slightly nutty brown colour, | 0:07:31 | 0:07:33 | |
that's really important you get that wonderful nutty flavour. | 0:07:33 | 0:07:37 | |
Chopped onions goes in, as soon as I put the onions, | 0:07:37 | 0:07:40 | |
we are gonna add a touch of seasoning | 0:07:40 | 0:07:42 | |
and that salt is going to draw out the water | 0:07:42 | 0:07:44 | |
from the onions and prevent them from colouring up too much. | 0:07:44 | 0:07:47 | |
I'm gonna add the butternut squash | 0:07:47 | 0:07:49 | |
and them I'm gonna turn down the heat | 0:07:49 | 0:07:51 | |
and let it slowly stew, | 0:07:51 | 0:07:53 | |
which is going to bring out all that sweetness. | 0:07:53 | 0:07:56 | |
I'm gonna add a touch of water, not too much cos I want it quite thick, | 0:07:56 | 0:08:00 | |
and then I'm going to add a little bit of stock. | 0:08:00 | 0:08:02 | |
In this kitchen the chefs are eyeball to eyeball | 0:08:04 | 0:08:07 | |
so there's no secrets about what they're cooking today. | 0:08:07 | 0:08:11 | |
So what's the starter? | 0:08:11 | 0:08:12 | |
-It's going to be scallops. -Oh, OK. -Everyone loves scallops. -Yeah. | 0:08:12 | 0:08:16 | |
-Although they are pricey. -Not cheap. What are you doing those with? | 0:08:16 | 0:08:19 | |
-Iberico ham. -Nice. I bet that wasn't cheap either. | 0:08:19 | 0:08:22 | |
And butternut squash puree. | 0:08:22 | 0:08:24 | |
Wafer thin, guy knew what he was doing when he sliced that didn't he? | 0:08:24 | 0:08:27 | |
Absolutely lovely, that is. | 0:08:27 | 0:08:29 | |
That's a new tactic - nibble your way through your rival's ingredients | 0:08:29 | 0:08:32 | |
before they can serve it up! | 0:08:32 | 0:08:33 | |
So Richard, you didn't tell me what you were cooking. | 0:08:33 | 0:08:36 | |
Ah, see? Cards very close to the chest. | 0:08:36 | 0:08:39 | |
Yep, there are no flies on Richard. | 0:08:39 | 0:08:42 | |
Jun's menu sounds really nice, | 0:08:42 | 0:08:43 | |
he's gone for some very expensive ingredients | 0:08:43 | 0:08:45 | |
I'd imagine he's right at the top of his budget, I would of thought. | 0:08:45 | 0:08:49 | |
I'd be interested to see how much he spent. | 0:08:49 | 0:08:51 | |
Wouldn't you just! Because let's remember, | 0:08:51 | 0:08:54 | |
this competition isn't just about cooking, | 0:08:54 | 0:08:56 | |
the winning chef is the one that makes the most profit. | 0:08:56 | 0:09:00 | |
So earlier in the day when they went shopping for their ingredients, | 0:09:00 | 0:09:04 | |
both chefs needed to keep a tight hold on the purse strings. | 0:09:04 | 0:09:07 | |
Richard headed straight for a Spanish deli | 0:09:07 | 0:09:10 | |
in search of spicy sausage. | 0:09:10 | 0:09:12 | |
-I'm looking for uncooked chorizo, you have some? -Yeah, we have. | 0:09:12 | 0:09:16 | |
This is a really nice chorizo which is made in Salamanca. | 0:09:16 | 0:09:20 | |
OK. I'll take that. How much? | 0:09:20 | 0:09:23 | |
This is £30 per kilo, it's around £15. | 0:09:23 | 0:09:27 | |
OK, £15 just for that piece. | 0:09:27 | 0:09:30 | |
-What can you do? A better price? -Better price? | 0:09:30 | 0:09:33 | |
-What if I said £10? -No, I don't know... | 0:09:33 | 0:09:37 | |
We have to sell for £15. | 0:09:37 | 0:09:39 | |
There's nothing you can do, not even a few pounds? | 0:09:39 | 0:09:42 | |
-No. -I'll meet you halfway at £12.50. | 0:09:42 | 0:09:44 | |
-Sorry, I can't do it. -Really? You strike a hard bargain. | 0:09:44 | 0:09:47 | |
Well I need it, it's a fundamental part of my dish. | 0:09:47 | 0:09:50 | |
If you're not gonna knock anything off, | 0:09:50 | 0:09:52 | |
I'll have to find that money elsewhere. | 0:09:52 | 0:09:54 | |
-I'll take it. -Yeah, sure. Thank you. | 0:09:54 | 0:09:57 | |
A case of 'no way jose' for Richard. | 0:09:57 | 0:09:59 | |
So did Jun fare any better? | 0:09:59 | 0:10:01 | |
He headed to the same central London deli for his Iberico ham. | 0:10:01 | 0:10:06 | |
Ah, this is exactly what I'm looking for, | 0:10:06 | 0:10:09 | |
but I need to get a really good deal. | 0:10:09 | 0:10:10 | |
If you can tell me, how much per kilo? | 0:10:10 | 0:10:14 | |
Err...this normally we sell at £170 per kilo. | 0:10:14 | 0:10:20 | |
How much? £170! That's a mighty pricey piggy! | 0:10:20 | 0:10:24 | |
So if it's 10 grams a portion, I need 400 grams. | 0:10:24 | 0:10:28 | |
Yeah, it would be £68. | 0:10:28 | 0:10:30 | |
Is there any way you could do that for...50? | 0:10:30 | 0:10:34 | |
For £50 instead of 68? | 0:10:34 | 0:10:36 | |
I say we make a deal and you can have it for £50. | 0:10:36 | 0:10:39 | |
Yep. That's a deal. | 0:10:39 | 0:10:41 | |
Well, he got himself a decent discount. | 0:10:41 | 0:10:43 | |
Although I'm not sure whether it was bartering | 0:10:43 | 0:10:45 | |
or outright flirting that sealed the deal, | 0:10:45 | 0:10:48 | |
but the senorita she said 'si'. | 0:10:48 | 0:10:51 | |
So how will that spend affect tonight's menu prices? | 0:10:51 | 0:10:54 | |
Well, Jun's total expenditure on all his starter ingredients | 0:10:54 | 0:10:58 | |
came to a budget busting £128.61. | 0:10:58 | 0:11:00 | |
But with Spain's finest ham included in his dish, | 0:11:03 | 0:11:06 | |
he thinks £11.50 is a fair price for his starter. | 0:11:06 | 0:11:10 | |
Richard also spent high with all his ingredients totalling £117.58. | 0:11:11 | 0:11:16 | |
Crucially though, he's putting his starter on the menu | 0:11:16 | 0:11:20 | |
at £2.00 less than Jun's | 0:11:20 | 0:11:21 | |
so it means he's going to have to shift | 0:11:21 | 0:11:23 | |
a lot more plates to take the lead. | 0:11:23 | 0:11:26 | |
Back in the kitchen | 0:11:28 | 0:11:30 | |
and all those expensive ingredients are put straight to good use. | 0:11:30 | 0:11:34 | |
So the chorizo's gone into the dry pan, high heat. | 0:11:34 | 0:11:36 | |
We've cooked it through. | 0:11:36 | 0:11:38 | |
As it starts to cook the fat from the chorizo comes out of the chorizo itself | 0:11:38 | 0:11:42 | |
and that's what I'm going to use to make my dressing. | 0:11:42 | 0:11:45 | |
So I put it into a strainer and we drain off all the oil | 0:11:45 | 0:11:48 | |
and we have this amazing orange oil | 0:11:48 | 0:11:51 | |
which is gonna be made into a vinaigrette to go with the monkfish. | 0:11:51 | 0:11:55 | |
And with all that chorizo and jamon sizzling away | 0:11:55 | 0:11:58 | |
it's not long before the Spanish flavour rubs off on one the chefs. | 0:11:58 | 0:12:03 | |
-Alright, Jun. How's it going here? -Yeah, alright. | 0:12:03 | 0:12:05 | |
-You look like you're a bit hot. -No, no. | 0:12:05 | 0:12:09 | |
Actually, you can do that for me. | 0:12:09 | 0:12:11 | |
A Spanish fan for you. | 0:12:11 | 0:12:13 | |
Let's hope you've got a lot of fans out there tonight. | 0:12:13 | 0:12:15 | |
Where did you get this, out your bag? | 0:12:15 | 0:12:18 | |
It actually suits you, it really does. | 0:12:18 | 0:12:20 | |
Yes, he'll be whipping out his castanets next! | 0:12:22 | 0:12:24 | |
Though hopefully not too soon, | 0:12:24 | 0:12:26 | |
as the diners have started to arrive. | 0:12:26 | 0:12:29 | |
Now tonight's restaurant is a hotel, so unlike a normal restaurant, | 0:12:29 | 0:12:33 | |
where most bookings are taken in advance, | 0:12:33 | 0:12:36 | |
here there's no telling how many guests will turn up. | 0:12:36 | 0:12:39 | |
It can seat 60, but some nights there are less | 0:12:39 | 0:12:43 | |
and tonight looks like one of those nights. | 0:12:43 | 0:12:46 | |
Currently there are less than 30 diners. | 0:12:47 | 0:12:50 | |
This is every chef's worst nightmare | 0:12:50 | 0:12:52 | |
because making a profit now is all the more difficult. | 0:12:52 | 0:12:56 | |
The bad news has hit the kitchen and it's not gone down well. | 0:12:56 | 0:13:01 | |
-26 in the building, is there? -Yeah. -That's not gonna be good. We're not gonna make a lot of profit. | 0:13:01 | 0:13:05 | |
If it's 26 people in there I'm not gonna make any profit. | 0:13:05 | 0:13:08 | |
-It will be a loss, probably. -Yeah, I think so. | 0:13:08 | 0:13:10 | |
-I mean, that's less than half. -Yeah, yeah. -Do you know what I mean? | 0:13:10 | 0:13:13 | |
So are you gonna go bigger portions, expecting less to turn up? | 0:13:13 | 0:13:17 | |
No, I'm gonna keep my powder dry, | 0:13:17 | 0:13:19 | |
I'm gonna stick to the same game plan. | 0:13:19 | 0:13:21 | |
Yes, both chefs will now be praying | 0:13:21 | 0:13:23 | |
that the diners will go for their dish. | 0:13:23 | 0:13:26 | |
But is it the monkfish or the scallops that's taken their fancy? | 0:13:26 | 0:13:30 | |
The menu is amazing. | 0:13:30 | 0:13:32 | |
I actually found it really hard to decide between the starters. | 0:13:32 | 0:13:35 | |
Scallops or monkfish medallions, it's quite difficult isn't it? | 0:13:35 | 0:13:39 | |
There's so many things on here, we won't be able to choose between all of them. | 0:13:39 | 0:13:43 | |
Well the diners are finding it a difficult choice. | 0:13:43 | 0:13:46 | |
Time for the chefs to try each other's dishes | 0:13:46 | 0:13:48 | |
and see which one they think is best. | 0:13:48 | 0:13:51 | |
-Ham is lovely. Ham's fantastic. -Yeah. Really, really nice. | 0:13:51 | 0:13:54 | |
-Scallop comes through doesn't it? -Nice, yeah, yeah exactly. | 0:13:54 | 0:13:57 | |
Like you say the ham's got a strong flavour, | 0:13:57 | 0:14:00 | |
I like the almond. Works nicely. | 0:14:00 | 0:14:02 | |
I've got chickpeas, chorizo, olives underneath mixed together, | 0:14:02 | 0:14:05 | |
nice little vinaigrette there, | 0:14:05 | 0:14:07 | |
saffron marinated monkfish loins, sliced, put on top. | 0:14:07 | 0:14:10 | |
Just simple. | 0:14:10 | 0:14:12 | |
That's a lot fresher and lighter than I thought. | 0:14:14 | 0:14:16 | |
Well, it's all very complimentary face to face, | 0:14:16 | 0:14:19 | |
but what do the chefs really think? | 0:14:19 | 0:14:21 | |
I would be surprised if people feel they've got value for money, | 0:14:21 | 0:14:24 | |
but I think the flavours and quality of ingredients there | 0:14:24 | 0:14:27 | |
will probably back that up. | 0:14:27 | 0:14:29 | |
Yes, I think there's a compliment in there somewhere. Jun? | 0:14:29 | 0:14:32 | |
Monkfish, chickpeas, I thought it would be really heavy for a starter | 0:14:32 | 0:14:36 | |
but actually, it's fresh, it's light and the flavours | 0:14:36 | 0:14:39 | |
work really well together. Damn! | 0:14:39 | 0:14:42 | |
Yes, begrudging admiration. | 0:14:42 | 0:14:45 | |
But before they have time to digest any further, | 0:14:45 | 0:14:47 | |
regular head chef Gines arrives with an important announcement. | 0:14:47 | 0:14:51 | |
OK guys, everybody ready? | 0:14:53 | 0:14:55 | |
I think we can safely say we're ready. | 0:14:55 | 0:14:57 | |
Five minutes to service, OK. Good luck, eh? Let's go! | 0:14:57 | 0:15:00 | |
When you're ready, off you go. | 0:15:00 | 0:15:02 | |
There's no turning back now. | 0:15:02 | 0:15:04 | |
-The first orders are coming in... -Monkfish medallions. | 0:15:04 | 0:15:07 | |
Scallops, please. | 0:15:07 | 0:15:09 | |
So it's uno, dos, tres, go! | 0:15:09 | 0:15:11 | |
The scallops for you, ma'am? | 0:15:11 | 0:15:13 | |
Yes, I'll go scallops as well, please. | 0:15:13 | 0:15:15 | |
-For you? -Scallops as well, please. | 0:15:15 | 0:15:17 | |
And the first flurry of orders look good for Jun. | 0:15:17 | 0:15:20 | |
Four scallops. | 0:15:20 | 0:15:22 | |
But it's not long before the monkfish starts to pick up. | 0:15:22 | 0:15:25 | |
So the first two cheques in - all scallops. | 0:15:25 | 0:15:27 | |
That was pretty scary to begin with. | 0:15:27 | 0:15:30 | |
I'll go with the roast monkfish medallions. | 0:15:30 | 0:15:32 | |
Can I have the roast monkfish, please? | 0:15:32 | 0:15:35 | |
After the initial demand for scallops | 0:15:36 | 0:15:38 | |
the orders are now starting to even out. | 0:15:38 | 0:15:41 | |
but both chefs are keenly aware | 0:15:41 | 0:15:43 | |
that every single dish sold is absolutely vital. | 0:15:43 | 0:15:47 | |
This dish is an expensive dish. | 0:15:47 | 0:15:49 | |
I've got scallops on there, Iberico ham. | 0:15:49 | 0:15:52 | |
I need to sell a lot, otherwise I'll lose money on it. | 0:15:52 | 0:15:55 | |
With less dishes to prepare, presentation is now key to success, | 0:15:55 | 0:16:00 | |
as the chefs are desperate to win the diners over. | 0:16:00 | 0:16:03 | |
We've got our chickpea and chorizo and the olive in the centre, there. | 0:16:03 | 0:16:08 | |
A little bit more, make it rounder as well, please. | 0:16:08 | 0:16:11 | |
You've got beautiful monkfish, look at the contrast of colours, | 0:16:11 | 0:16:14 | |
you've got the lovely saffron red on the outside there, | 0:16:14 | 0:16:17 | |
where it's been marinated. | 0:16:17 | 0:16:18 | |
A little bit closer together as well, a little bit rounder. | 0:16:18 | 0:16:21 | |
We got our salad leaves so that goes on top. | 0:16:23 | 0:16:27 | |
Not too much, we don't want to hide the gorgeous monkfish. | 0:16:27 | 0:16:30 | |
So four bits. | 0:16:30 | 0:16:32 | |
A little bit of mint ripped on top, | 0:16:32 | 0:16:34 | |
and there we go. | 0:16:34 | 0:16:36 | |
Beautiful, finished dish. | 0:16:36 | 0:16:38 | |
Yes, they all look lovely, | 0:16:38 | 0:16:39 | |
but don't forget to get them to the customers! | 0:16:39 | 0:16:42 | |
Service! How long to scallops, Jun? | 0:16:42 | 0:16:44 | |
-Right now. -Those two, on their own, are. | 0:16:44 | 0:16:47 | |
-So you can send them. -I can send them... -Don't let them go cold. | 0:16:47 | 0:16:50 | |
-Service! -Where's the waiting staff? I think they've gone home. | 0:16:50 | 0:16:53 | |
The scallops, please. | 0:16:53 | 0:16:55 | |
Little by little, the scallops are outselling the monkfish. | 0:16:55 | 0:16:59 | |
But it's not long before service starts to grind to a halt, | 0:16:59 | 0:17:03 | |
leaving our chefs pondering over the expensive food they haven't sold. | 0:17:03 | 0:17:08 | |
However just when they thought it was all over, | 0:17:08 | 0:17:11 | |
there's some good news for the chefs. | 0:17:11 | 0:17:13 | |
Table for six! Three more scallop, three more fish! | 0:17:16 | 0:17:20 | |
Yes, there's a few late arrivals, | 0:17:20 | 0:17:22 | |
but sadly for Richard, there's not the sudden surge for monkfish | 0:17:22 | 0:17:26 | |
that he's hoping for, and he's left once again whistling in the wind. | 0:17:26 | 0:17:31 | |
HE WHISTLES | 0:17:31 | 0:17:33 | |
And it's not gone unnoticed by Jun. | 0:17:33 | 0:17:36 | |
I sold more scallops, the scallop dish is £2 more expensive per dish | 0:17:36 | 0:17:40 | |
so I have definitely taken more money than Richard's side. | 0:17:40 | 0:17:43 | |
And with the last few orders trickling in, | 0:17:43 | 0:17:45 | |
round one comes to an end. | 0:17:45 | 0:17:47 | |
So what was the final opinion from the diners? | 0:17:51 | 0:17:54 | |
I had the scallops and the flavours were sensational. | 0:17:55 | 0:17:58 | |
The butternut squash puree blended everything and it made the dish, it was delicious. | 0:17:58 | 0:18:02 | |
With the monkfish there was the chickpeas and the chorizo | 0:18:02 | 0:18:05 | |
were what stood out to me. They were amazing. | 0:18:05 | 0:18:08 | |
The chickpeas, I've never tasted chickpeas this good before, | 0:18:08 | 0:18:11 | |
I could have had just chickpeas and would've loved it. | 0:18:11 | 0:18:14 | |
Well, both dishes were well received by this small | 0:18:14 | 0:18:17 | |
but perfectly formed bunch of epicureans, | 0:18:17 | 0:18:19 | |
but which chef sold the most dishes? | 0:18:19 | 0:18:22 | |
BOTH: Ready? One, two, three. | 0:18:22 | 0:18:24 | |
-Actually... -Oh, that's not bad. I'll take that. | 0:18:24 | 0:18:27 | |
-I thought it would be more. -Yeah, I thought you sold more, | 0:18:27 | 0:18:30 | |
a lot more than me than that. | 0:18:30 | 0:18:32 | |
-Well done. -Cheers. | 0:18:32 | 0:18:34 | |
Yes, as expected Jun takes round one, | 0:18:34 | 0:18:37 | |
but the question that will be eating away at the chefs | 0:18:37 | 0:18:39 | |
is were there enough dishes sold to put them into profit? | 0:18:39 | 0:18:43 | |
Let's check the stats. | 0:18:43 | 0:18:45 | |
Jun's 16 dishes raised a total of £184.00. | 0:18:45 | 0:18:49 | |
Take away the money he spent on ingredients | 0:18:49 | 0:18:52 | |
and that leaves a small but important £55.39 of pure profit. | 0:18:52 | 0:18:56 | |
Relief for him. | 0:18:56 | 0:18:58 | |
However, Richard's 11 dishes were selling for £2 less | 0:19:00 | 0:19:03 | |
and only brought him in a paltry £104.50. | 0:19:03 | 0:19:06 | |
So when you deduct his expenses he's left with a loss of £13.08. | 0:19:07 | 0:19:12 | |
He's now in the red and looking vulnerable | 0:19:13 | 0:19:16 | |
as we head into round two, the main course. | 0:19:16 | 0:19:19 | |
Both chefs will be acutely aware that this is the round | 0:19:21 | 0:19:24 | |
with the biggest money potential. | 0:19:24 | 0:19:26 | |
However, with so few guests it's also where the losses could be catastrophic, | 0:19:26 | 0:19:31 | |
it's that fine line between success and financial ruin | 0:19:31 | 0:19:34 | |
that chefs have to face every day of their working lives. | 0:19:34 | 0:19:38 | |
So what are they planning to serve up to save their bacon? | 0:19:38 | 0:19:41 | |
My main course is going to be a crisp braised sea bass. | 0:19:42 | 0:19:45 | |
Jun's crispy sea bass will be served with paprika roast potatoes | 0:19:45 | 0:19:49 | |
and a warm salad of chorizo, pimientos | 0:19:49 | 0:19:53 | |
and a drizzle of basil and caper dressing. | 0:19:53 | 0:19:56 | |
Light, packed with flavour... Top that, Richard! | 0:19:56 | 0:19:59 | |
So for my main course, I'm choosing pork. | 0:19:59 | 0:20:02 | |
Richard's roast marinated pork loin will come with rosemary potatoes, | 0:20:02 | 0:20:06 | |
garlic scented mushrooms and a Madeira cream sauce. | 0:20:06 | 0:20:10 | |
Looks great, doesn't it? What a dilemma for the diners. | 0:20:10 | 0:20:14 | |
Back in the kitchen, and the serious business begins, | 0:20:16 | 0:20:19 | |
starting with Richard. | 0:20:19 | 0:20:21 | |
This is my lovely pork loin. | 0:20:21 | 0:20:22 | |
What I'm going to do first and foremost is to marinade it. | 0:20:22 | 0:20:24 | |
It's about four hours to marinade, | 0:20:24 | 0:20:26 | |
hence the reason why I've got to get it on quickly. | 0:20:26 | 0:20:28 | |
What I've done is I've blended down a mixture of sea salt | 0:20:28 | 0:20:31 | |
and rock salt, herbs of rosemary, sage and parsley and garlic. | 0:20:31 | 0:20:36 | |
We've blended them down | 0:20:36 | 0:20:37 | |
until you get this amazing, vibrant green colour. | 0:20:37 | 0:20:40 | |
What we're going to do is we're going to marinade the pork, | 0:20:40 | 0:20:43 | |
skin side down, pat it right down there. | 0:20:43 | 0:20:45 | |
The salt does two things, packs it full of flavour, | 0:20:45 | 0:20:48 | |
and it also dries that skin out a little bit, | 0:20:48 | 0:20:50 | |
so when I clean it off later, | 0:20:50 | 0:20:52 | |
I should get a really nice, crispy, flavoursome crackling. | 0:20:52 | 0:20:55 | |
On the other side of the kitchen, Jun is preparing his sea bass. | 0:20:57 | 0:21:01 | |
This is the seabass filleted from the fishmongers, | 0:21:01 | 0:21:05 | |
but they always leave scales left on the fillets, | 0:21:05 | 0:21:08 | |
so I always make sure I get rid of all that excess scales, | 0:21:09 | 0:21:15 | |
which is not going to be nice to eat, | 0:21:15 | 0:21:17 | |
and then very lightly pinch either side of the seabass | 0:21:17 | 0:21:21 | |
and just score them, and what that does, | 0:21:21 | 0:21:24 | |
as soon as the skin hits the hot pan | 0:21:24 | 0:21:25 | |
it's going to curl up and shrink, but by scoring it, | 0:21:25 | 0:21:28 | |
it keeps it nice and flat | 0:21:28 | 0:21:29 | |
and that way I'm going to have this beautiful, crisp skin. | 0:21:29 | 0:21:33 | |
Now, as well as de-scaling the sea bass, | 0:21:33 | 0:21:35 | |
Jun is also getting bogged down with another fishy issue | 0:21:35 | 0:21:38 | |
that's eating away at his preparation time. | 0:21:38 | 0:21:41 | |
Poor old Jun, I think he's bought some seabass | 0:21:41 | 0:21:43 | |
and he asked the guy to pin-bone it and he hasn't | 0:21:43 | 0:21:46 | |
so he's been standing over there for about an hour now | 0:21:46 | 0:21:49 | |
pin-boning his fish. | 0:21:49 | 0:21:50 | |
I bet he's not very happy about that. | 0:21:50 | 0:21:52 | |
Yes, the clock is ticking, | 0:21:52 | 0:21:53 | |
and while Jun patiently tugs away at his bones, | 0:21:53 | 0:21:56 | |
Richard has time for quick chat with Gines to find out how the land lies. | 0:21:56 | 0:22:02 | |
Do think this is the kind of food | 0:22:02 | 0:22:03 | |
your customers would normally expect when they come here? | 0:22:03 | 0:22:06 | |
That's it. | 0:22:06 | 0:22:07 | |
What's a popular dish out there? | 0:22:07 | 0:22:08 | |
The popular dish is the paella. | 0:22:08 | 0:22:10 | |
Paella. | 0:22:10 | 0:22:11 | |
And the suckling pig. | 0:22:11 | 0:22:12 | |
Suckling pig. Oh, right, so I'm onto a winner cos I've got pork. | 0:22:12 | 0:22:16 | |
Let's hope we get a few of your regulars in, | 0:22:16 | 0:22:17 | |
they'll like my pork, that's for sure. | 0:22:17 | 0:22:19 | |
Yes, so pork is popular with the punters. | 0:22:19 | 0:22:22 | |
Has Jun made a fundamental error | 0:22:22 | 0:22:24 | |
by deciding to serve fish followed by fish? | 0:22:24 | 0:22:27 | |
You think Spanish food, in terms of meat, you instantly think pork, | 0:22:27 | 0:22:32 | |
and I knew that he was going to go that way, so I wanted to do | 0:22:32 | 0:22:34 | |
something completely different, and do a perfectly roast piece | 0:22:34 | 0:22:38 | |
of seabass with kind of a light garnish to go with it. | 0:22:38 | 0:22:41 | |
Yes, Jun is certainly gambling that there is going to be | 0:22:41 | 0:22:44 | |
a fish-loving clientele out there, | 0:22:44 | 0:22:46 | |
because this is also the course that he spent the most money on | 0:22:46 | 0:22:49 | |
when they were out shopping earlier in the day. | 0:22:49 | 0:22:51 | |
Now we know that there are only a few customers in the restaurant, | 0:22:52 | 0:22:56 | |
it made it all the more important | 0:22:56 | 0:22:57 | |
that those earlier deals were ruthless. | 0:22:57 | 0:23:00 | |
What have you got in the way of pork? | 0:23:00 | 0:23:02 | |
-In pork we've got two types, we've got the rib ends. -Yep. | 0:23:02 | 0:23:05 | |
-Which will give you a lovely pork chop. -Yeah. | 0:23:05 | 0:23:07 | |
-Or if you want to go special, go for the t-bone end. -Yeah. | 0:23:07 | 0:23:11 | |
Which will give you the same size pork chop all the way through. | 0:23:11 | 0:23:13 | |
-That's probably better value for money, isn't it? -It is, yes. | 0:23:13 | 0:23:16 | |
-I'll get a few more portions for my money. -Definitely. | 0:23:16 | 0:23:19 | |
So what am I talking there, price-wise? | 0:23:19 | 0:23:21 | |
On this one, you are talking £38 for that, but we can change the price | 0:23:21 | 0:23:27 | |
and I can do that wholesale price for you at £23. | 0:23:27 | 0:23:30 | |
Best price? | 0:23:30 | 0:23:31 | |
That's the best I can do, wholesale price. | 0:23:31 | 0:23:33 | |
OK, all right. Well, that's the best I can get, | 0:23:33 | 0:23:35 | |
so if I can get four of those, that would be brilliant. | 0:23:35 | 0:23:37 | |
-That's not a problem. -Cheers, thanks a lot. | 0:23:37 | 0:23:39 | |
So Richard gets an amazing wholesale discount on his pork. | 0:23:39 | 0:23:43 | |
Jun needs to match that, | 0:23:43 | 0:23:45 | |
and with time against him, has to deal on the phone. | 0:23:45 | 0:23:48 | |
Now what price is your seabass per kilo? | 0:23:48 | 0:23:51 | |
£13.50, really? | 0:23:52 | 0:23:54 | |
£13.50 for four farmed seabass, | 0:23:54 | 0:23:57 | |
I mean, that's really, really expensive. | 0:23:57 | 0:24:00 | |
I'm looking to get the best deal possible, | 0:24:00 | 0:24:02 | |
so could you do it for around £10 a kilo. | 0:24:02 | 0:24:05 | |
So what are we looking at? 10% of £13 a kilo. | 0:24:06 | 0:24:11 | |
£11.70 a kilo, right, and that's the absolute best you can do? | 0:24:11 | 0:24:14 | |
OK, no problem. See you in a bit. | 0:24:17 | 0:24:19 | |
He aimed for a tenner and ended up with £11.70, | 0:24:19 | 0:24:22 | |
so not great news for Jun. | 0:24:22 | 0:24:24 | |
Let's find out how much they both spent in total. | 0:24:24 | 0:24:27 | |
Well, Jun indeed did splash out on his ingredients | 0:24:28 | 0:24:31 | |
to the tune of £171.53, | 0:24:31 | 0:24:35 | |
and he's putting his dish on the menu for £19. | 0:24:35 | 0:24:38 | |
Richard benefited from a hard haggle, | 0:24:39 | 0:24:41 | |
and ended up spending just £139.12. | 0:24:41 | 0:24:45 | |
He's also putting his dish on the menu at £19.00, | 0:24:46 | 0:24:49 | |
meaning it's Jun who needs to sell more | 0:24:49 | 0:24:51 | |
if he wants to stay in the lead. | 0:24:51 | 0:24:53 | |
So back in the restaurant, and the destiny of the chefs | 0:24:56 | 0:24:59 | |
now lies with the customers. | 0:24:59 | 0:25:01 | |
Which dish are they going to go for? | 0:25:01 | 0:25:04 | |
I'm still debating between pork and seabass. | 0:25:04 | 0:25:07 | |
Well, early indications are always a bit inconclusive. | 0:25:07 | 0:25:11 | |
The chefs, however, are stuck with their choices, | 0:25:11 | 0:25:14 | |
but what do they think of each other's dishes? | 0:25:14 | 0:25:16 | |
It should just be sort of quite a tender pork loin. | 0:25:16 | 0:25:19 | |
It should get a bit of a kick from the paprika. | 0:25:20 | 0:25:22 | |
That is a nice bit of pork, that, isn't it? | 0:25:22 | 0:25:24 | |
Really good flavour. | 0:25:24 | 0:25:26 | |
And it's so much nicer when you roast it whole rather than in chops. | 0:25:26 | 0:25:29 | |
Exactly. That's what I'm trying to do, | 0:25:29 | 0:25:31 | |
and you get a bit more yield from it. | 0:25:31 | 0:25:33 | |
So, obviously, the seabass you bought... | 0:25:33 | 0:25:35 | |
OK, so, roast potatoes with paprika, I've got the chorizo that you used. | 0:25:35 | 0:25:38 | |
Really, really simple. | 0:25:38 | 0:25:40 | |
Great colours. The peppers work really well, really well. | 0:25:40 | 0:25:43 | |
I'm going to get a bit of that chorizo. | 0:25:43 | 0:25:46 | |
Nice, yeah. | 0:25:46 | 0:25:48 | |
Well, that was all very complimentary, | 0:25:48 | 0:25:50 | |
but what did Richard really think about Jun's? | 0:25:50 | 0:25:53 | |
I think it's a dish which people would probably more relate | 0:25:53 | 0:25:57 | |
Spanish cuisine to, but I always like to go a little bit off-piste, | 0:25:57 | 0:26:00 | |
I've gone a little bit different, and hopefully people | 0:26:00 | 0:26:02 | |
will notice that and they'll choose mine. | 0:26:02 | 0:26:04 | |
Richard's dish compared to mine is a lot heavier, | 0:26:04 | 0:26:07 | |
so if you wanted something lighter, you would definitely go with mine, | 0:26:07 | 0:26:10 | |
so depending if there's more women dining tonight, | 0:26:10 | 0:26:14 | |
I think I'll sell more seabass. | 0:26:14 | 0:26:16 | |
Ready for the main course? | 0:26:16 | 0:26:17 | |
So Jun is hoping the ladies will go with the fish. | 0:26:17 | 0:26:20 | |
Well, we are about to find out, as round two service begins. | 0:26:20 | 0:26:23 | |
I'll have the seabass. | 0:26:24 | 0:26:25 | |
Seabass, please. | 0:26:25 | 0:26:27 | |
And Jun is right - they've gone for the fish. | 0:26:27 | 0:26:29 | |
We have started the main course now, chefs. Two seabass. | 0:26:29 | 0:26:32 | |
Well, for the first two dishes, anyway! | 0:26:32 | 0:26:34 | |
Two seabass, good start. | 0:26:34 | 0:26:36 | |
Unlucky, Richard! | 0:26:36 | 0:26:37 | |
All right, all right, easy, easy. | 0:26:37 | 0:26:39 | |
Yes, quite right, Richard. That was only one table's worth, | 0:26:39 | 0:26:42 | |
and within seconds he's back on track. | 0:26:42 | 0:26:44 | |
Two main course, two pork loin. | 0:26:44 | 0:26:46 | |
Yes! Two pork! | 0:26:46 | 0:26:49 | |
After that, it's pretty much neck and neck all the way. | 0:26:49 | 0:26:52 | |
Can I have the seabass, please? | 0:26:52 | 0:26:53 | |
I think I'd like pork. | 0:26:53 | 0:26:55 | |
Until... | 0:26:55 | 0:26:56 | |
Four main course now, three pork loin, one seabass. | 0:26:56 | 0:26:59 | |
-Three pork? -Yes. | 0:26:59 | 0:27:00 | |
Yeah, three. | 0:27:01 | 0:27:03 | |
Yes, little by little, the pork is working its way onto the pass. | 0:27:03 | 0:27:07 | |
So my theory about people going meat after shellfish | 0:27:07 | 0:27:10 | |
was probably right. | 0:27:10 | 0:27:12 | |
Yes, it's all going well for Richard, | 0:27:12 | 0:27:14 | |
but how's the fruit of his pork loins going down next door? | 0:27:14 | 0:27:17 | |
I had the pork. Oh, it was just lovely. | 0:27:17 | 0:27:20 | |
It was well cooked, the meat was perfect. | 0:27:20 | 0:27:22 | |
I would have it every Sunday. | 0:27:22 | 0:27:24 | |
It was a really nice roast pork with potatoes. | 0:27:24 | 0:27:27 | |
And it's not just the diners who are enjoying the pork. | 0:27:27 | 0:27:30 | |
Oh, look at that, beautiful. | 0:27:30 | 0:27:33 | |
I think this is possibly the best pork I've ever seen. | 0:27:33 | 0:27:36 | |
Spend wisely and you will get amazing produce. | 0:27:36 | 0:27:40 | |
I mean, that pork wasn't cheap, but just quality. | 0:27:40 | 0:27:43 | |
Jun is hellbent on visual perfection on the plate - | 0:27:43 | 0:27:46 | |
each one is going out like an oil painting. | 0:27:46 | 0:27:48 | |
Make sure you've got the same amount, and be quite generous. | 0:27:48 | 0:27:51 | |
But is he spending too much time fiddling with his fishy composition? | 0:27:51 | 0:27:55 | |
Someone in the restaurant thinks he is. | 0:27:55 | 0:27:57 | |
I need the potatoes more hot please, it's not hot enough. | 0:27:57 | 0:28:00 | |
Repeat, for the seabass, please. | 0:28:00 | 0:28:04 | |
A diner has sent back Jun's dish, | 0:28:05 | 0:28:07 | |
because the potatoes aren't hot enough, | 0:28:07 | 0:28:09 | |
and that's really set Gines off. | 0:28:09 | 0:28:11 | |
It's not hot enough. | 0:28:11 | 0:28:13 | |
It's a warm salad. | 0:28:13 | 0:28:14 | |
OK. | 0:28:14 | 0:28:15 | |
Well, it might be a warm salad to you, | 0:28:15 | 0:28:17 | |
but to one customer it's cold potatoes. | 0:28:17 | 0:28:19 | |
And just when Jun is reeling from the assault on his spuds, | 0:28:19 | 0:28:22 | |
an order comes in to finish him off. | 0:28:22 | 0:28:25 | |
I need seven pork loin. | 0:28:25 | 0:28:26 | |
We're doing three and then we're doing four. | 0:28:26 | 0:28:29 | |
Yes, seven pork. What a blow! | 0:28:29 | 0:28:32 | |
Yeah, I've sent all my seabass. | 0:28:32 | 0:28:34 | |
Richard has definitely got at least, I'd say, | 0:28:34 | 0:28:37 | |
six or seven portions of pork more than my seabass. | 0:28:37 | 0:28:41 | |
Yes, Jun might think service is over, | 0:28:41 | 0:28:43 | |
but Richard is still going strong. | 0:28:43 | 0:28:46 | |
And it just gets worse and worse. | 0:28:46 | 0:28:48 | |
Two pork loin more, please. | 0:28:48 | 0:28:50 | |
It's four followed by two, yeah? | 0:28:50 | 0:28:52 | |
So that's six you want now? | 0:28:52 | 0:28:53 | |
Yeah. Yes, please. | 0:28:53 | 0:28:55 | |
Leaving Jun wondering where it all went wrong. | 0:28:56 | 0:28:59 | |
It really isn't a good feeling when you've got all the food prepared | 0:29:02 | 0:29:06 | |
to serve the customers and you're standing around | 0:29:06 | 0:29:09 | |
and you're watching the other chef running around, selling his food, | 0:29:09 | 0:29:13 | |
it's not a good feeling. | 0:29:13 | 0:29:15 | |
Ah, you've got to feel a bit sorry for him. | 0:29:15 | 0:29:18 | |
Mind you, Richard doesn't - he's nicking his expensive ham! | 0:29:18 | 0:29:22 | |
Good ham. Waste not, want not, eh? | 0:29:22 | 0:29:24 | |
Five quid, please. I need the money. | 0:29:24 | 0:29:26 | |
There's a lot left, I thought I'd come and taste a bit. | 0:29:26 | 0:29:29 | |
Cheeky! And with that, service comes to an end. | 0:29:29 | 0:29:32 | |
For Jun, it couldn't have ended too soon - | 0:29:34 | 0:29:36 | |
for Richard, it could have carried on all night, | 0:29:36 | 0:29:39 | |
but what about the diners? What are their final thoughts on the food? | 0:29:39 | 0:29:43 | |
I had the pork. It was really, really lovely. | 0:29:43 | 0:29:45 | |
I was really looking forward to the creamy sauce, | 0:29:45 | 0:29:47 | |
and it was, it was lovely and creamy | 0:29:47 | 0:29:49 | |
and the Madeira came out really well. | 0:29:49 | 0:29:51 | |
All round, I really enjoyed it. | 0:29:51 | 0:29:52 | |
I think the mushrooms and the sauce were the nicest parts for me. | 0:29:52 | 0:29:56 | |
I had the seabass, top marks for presentation, the colours, | 0:29:56 | 0:30:00 | |
the crispiness, everything was just set off perfectly. | 0:30:00 | 0:30:04 | |
I was ready to dive into that main, it was fantastic. | 0:30:04 | 0:30:08 | |
How very generous. | 0:30:08 | 0:30:10 | |
But, of course, the real question that is on everyone's lips | 0:30:10 | 0:30:13 | |
is who sold the most dishes? | 0:30:13 | 0:30:14 | |
And more to the point, by how many? | 0:30:14 | 0:30:17 | |
-Right, then. Ready? -Ready. | 0:30:17 | 0:30:18 | |
One, two, three, go. | 0:30:18 | 0:30:19 | |
It's close, it really is down to the wire. | 0:30:22 | 0:30:24 | |
-Good luck with the desserts. -Yep. | 0:30:24 | 0:30:25 | |
Yes, as expected, a pretty convincing thrashing there | 0:30:25 | 0:30:29 | |
by Richard, but of course it's not all about numbers, | 0:30:29 | 0:30:32 | |
there's the profits to take into account. | 0:30:32 | 0:30:34 | |
But again, it's not great news for Jun. | 0:30:34 | 0:30:37 | |
His 12 dishes raised a total of £228.00, but when you take off | 0:30:37 | 0:30:41 | |
the amount he spent on ingredients, it leaves a profit of just £56.47. | 0:30:41 | 0:30:48 | |
Richard's pork brought in a more respectable £342.00, | 0:30:48 | 0:30:52 | |
and if you deduct the amount he spent at the shops it leaves him | 0:30:52 | 0:30:55 | |
a main course profit of £202.88, and a huge sigh of relief | 0:30:55 | 0:30:59 | |
as we head into the 3rd and final round - the puddings. | 0:30:59 | 0:31:02 | |
So, what have you got for us, chefs? | 0:31:09 | 0:31:12 | |
My dessert is a saffron poached pear with a warm chocolate pudding. | 0:31:12 | 0:31:15 | |
Jun's saffron and spiced poached pears | 0:31:15 | 0:31:18 | |
will be served with a warm chocolate pudding. | 0:31:18 | 0:31:20 | |
It's fruity, it's rich, it's a stunning combination. | 0:31:21 | 0:31:24 | |
Top that, Richard. | 0:31:24 | 0:31:26 | |
My pudding, I'm going to keep it quite fresh and quite fragrant, | 0:31:26 | 0:31:29 | |
I'm going to do a lemon mousse. | 0:31:29 | 0:31:31 | |
Richard's light lemon mousse is accompanied by a side | 0:31:31 | 0:31:34 | |
of roasted strawberries drizzled in a rioja and lemon syrup. | 0:31:34 | 0:31:39 | |
Tangy, sweet and sharp - possibly the perfect end to a perfect meal. | 0:31:39 | 0:31:44 | |
Oh, diners! What are you going to choose? | 0:31:44 | 0:31:47 | |
Well, back in the kitchen, and calm has once again befallen the room, | 0:31:49 | 0:31:53 | |
as the chefs get down to the serious business of making their desserts. | 0:31:53 | 0:31:56 | |
For my strawberries, you can see I've put a little bit | 0:31:56 | 0:31:59 | |
of caster sugar in there, | 0:31:59 | 0:32:00 | |
and once it starts to go a lovely golden caramel colour like that, | 0:32:00 | 0:32:04 | |
sort of smell of toffee apples, | 0:32:04 | 0:32:06 | |
we are going to add a knob of butter, | 0:32:06 | 0:32:08 | |
so there's my caramel, you can see now, golden brown, | 0:32:11 | 0:32:15 | |
lovely flavours coming from that, then in with the strawberries. | 0:32:15 | 0:32:19 | |
That is a balanced dessert, and that's what we're looking for. | 0:32:21 | 0:32:24 | |
Then in here, in with the Rioja, | 0:32:24 | 0:32:25 | |
and we'll let that marinade up, | 0:32:27 | 0:32:29 | |
and that's just going to work a treat. | 0:32:29 | 0:32:32 | |
And while Richard cooks off the rest of his strawberries | 0:32:33 | 0:32:36 | |
and pours out his mousse, | 0:32:36 | 0:32:37 | |
Jun prepares his final salvo of the evening - | 0:32:37 | 0:32:40 | |
the poached pears that will accompany his chocolate pudding. | 0:32:40 | 0:32:44 | |
Now I'm just going to cut them into quarters, | 0:32:44 | 0:32:47 | |
just take the root out, like this, and then as soon as I've done that | 0:32:47 | 0:32:51 | |
I'm going to drop them straight into this stock syrup | 0:32:51 | 0:32:53 | |
and that's going to prevent it from discolouring. | 0:32:53 | 0:32:56 | |
In the stock syrup, I've got some water, sugar, some cinnamon, | 0:32:56 | 0:33:00 | |
star anise and the saffron, and you can see that golden colour already. | 0:33:00 | 0:33:05 | |
Once I've quartered all the pears and taken the core out, | 0:33:05 | 0:33:08 | |
I'm going to put this back onto the stove, | 0:33:08 | 0:33:09 | |
bring it up to the boil, cook it for two minutes, | 0:33:09 | 0:33:13 | |
take it straight off and as soon as it cools down, they're ready. | 0:33:13 | 0:33:16 | |
And with that, the puddings are just about done. | 0:33:16 | 0:33:19 | |
With a half-full restaurant, | 0:33:19 | 0:33:21 | |
all they have left to do now is wait for service. | 0:33:21 | 0:33:24 | |
Maybe do a bit of wiping up. | 0:33:26 | 0:33:28 | |
Pull a face. | 0:33:30 | 0:33:31 | |
Watch a bit of tumbleweed blow through. | 0:33:33 | 0:33:35 | |
I tell you what. Why not review each other's food? | 0:33:36 | 0:33:39 | |
That'll while the away the time. | 0:33:39 | 0:33:41 | |
So it's a warm chocolate pudding, | 0:33:41 | 0:33:43 | |
creme fraiche and saffron poached pairs. | 0:33:43 | 0:33:47 | |
Lovely, eats well, chocolaty, might get the female vote tonight. | 0:33:47 | 0:33:52 | |
So I've gone for something which is in abundance out there, lemons. | 0:33:52 | 0:33:55 | |
So a very light lemon mousse. | 0:33:55 | 0:33:58 | |
That's very good. That's actually your best dish, I think. | 0:33:58 | 0:34:02 | |
Well, let's hope they spend £10 on that, then. | 0:34:02 | 0:34:04 | |
No, it's not that good! | 0:34:04 | 0:34:05 | |
Well, they liked each other's, but they liked their own dishes better. | 0:34:06 | 0:34:10 | |
There's a surprise! | 0:34:10 | 0:34:12 | |
It's not the most exciting dessert. | 0:34:12 | 0:34:14 | |
They might be swayed by mine | 0:34:14 | 0:34:15 | |
because it feels a little bit more exciting, maybe. | 0:34:15 | 0:34:19 | |
It's a lovely chocolate dessert. | 0:34:19 | 0:34:22 | |
Where the Spanish influence comes from, | 0:34:22 | 0:34:24 | |
I'm a bit lost with that, really. | 0:34:24 | 0:34:27 | |
Now, making a profit from the desserts today | 0:34:28 | 0:34:31 | |
is going to be a real challenge, | 0:34:31 | 0:34:33 | |
so it was essential that they spent as little as possible | 0:34:33 | 0:34:36 | |
on their ingredients, as every little helps. | 0:34:36 | 0:34:38 | |
Earlier in the day, when they went shopping, | 0:34:38 | 0:34:41 | |
Richard wasted no time bagging a bargain on his fruit. | 0:34:41 | 0:34:44 | |
I got all my strawberries here, 20 quid. Lemons, six quid, | 0:34:44 | 0:34:48 | |
so lemon mousse, roasted strawberries, | 0:34:48 | 0:34:50 | |
great dessert, great price. | 0:34:50 | 0:34:52 | |
Job done! Over to Jun. | 0:34:52 | 0:34:55 | |
Now this is exactly what I'm looking for. | 0:34:55 | 0:34:57 | |
This is saffron, and I'm going to use it for my poached pear, | 0:34:57 | 0:35:00 | |
and it's going to transform a simple poached pear | 0:35:00 | 0:35:03 | |
into the most beautiful dessert. | 0:35:03 | 0:35:06 | |
But it's really expensive, so I need to get a really good price. | 0:35:06 | 0:35:11 | |
Time to turn on the charm. | 0:35:11 | 0:35:13 | |
I know it's really expensive, but how much for these three? | 0:35:13 | 0:35:17 | |
£26.90. | 0:35:17 | 0:35:19 | |
Is there any way you could do it for 10 quid? | 0:35:19 | 0:35:23 | |
I know it's cheeky. | 0:35:23 | 0:35:24 | |
Because you're trying to bring your uniqueness of saffron to your dish, | 0:35:24 | 0:35:28 | |
I'll give it to you for £10. | 0:35:28 | 0:35:30 | |
£10 pounds, brilliant. | 0:35:30 | 0:35:33 | |
Wow, that's over £16 off! | 0:35:33 | 0:35:34 | |
Jun haggled hard and ended up forking out just £43.39 | 0:35:36 | 0:35:41 | |
for all his dessert components. | 0:35:41 | 0:35:43 | |
A good result, but not as good as Richard, who spent just £35.47 | 0:35:43 | 0:35:48 | |
on everything he needed for his lemon mousse and strawberries. | 0:35:48 | 0:35:52 | |
There's less than £8 between their costs. | 0:35:52 | 0:35:54 | |
Back at the restaurant, | 0:35:57 | 0:35:58 | |
and it's time for the chefs to present their dishes to the diners. | 0:35:58 | 0:36:01 | |
I'd like to introduce you to tonight's celebrity chefs. | 0:36:01 | 0:36:05 | |
Richard Phillips and Jun Tanaka. | 0:36:05 | 0:36:07 | |
The rules for desserts are a little different, | 0:36:08 | 0:36:11 | |
in that the guests can pay what they think the dish is worth, | 0:36:11 | 0:36:14 | |
so both chefs will want to get their pitch just right. | 0:36:14 | 0:36:17 | |
In other words, beg! | 0:36:17 | 0:36:19 | |
For this meal we will need you to dig very, very, very deep, | 0:36:19 | 0:36:22 | |
LAUGHTER | 0:36:22 | 0:36:24 | |
It's not funny! | 0:36:24 | 0:36:25 | |
And then follow up your begging by some very hard selling. | 0:36:25 | 0:36:28 | |
Although, for Richard, they are a hard bunch to please. | 0:36:28 | 0:36:31 | |
-Are they soggy? -No, no, no. | 0:36:31 | 0:36:33 | |
-Are they crisp on the outside? -I wouldn't say crisp. | 0:36:33 | 0:36:37 | |
I'm a chocolate freak. | 0:36:37 | 0:36:38 | |
-Are you? -Sorry. | 0:36:38 | 0:36:40 | |
Can we convert you? | 0:36:40 | 0:36:42 | |
I don't know. | 0:36:42 | 0:36:43 | |
Until, at last, he hits upon table of lemon mousse lovers. | 0:36:43 | 0:36:46 | |
I think, as soon as we saw the menu, we decided on the lemon. | 0:36:46 | 0:36:50 | |
Are you sold? | 0:36:50 | 0:36:51 | |
-Sold. -Nearly. Good job. | 0:36:51 | 0:36:53 | |
Jun, of course, as a bearer of chocolate, | 0:36:53 | 0:36:55 | |
heads straight for a table of ladies. | 0:36:55 | 0:36:58 | |
Yes, he's no mug! | 0:36:58 | 0:37:00 | |
-Any questions? -Can I have 2? | 0:37:00 | 0:37:02 | |
Yeah, definitely, you can have three. I've got loads. | 0:37:02 | 0:37:05 | |
Yes, this could be the perfect table for Jun, | 0:37:05 | 0:37:08 | |
until he discovers one thing. | 0:37:08 | 0:37:10 | |
We're students. | 0:37:10 | 0:37:11 | |
Students? | 0:37:11 | 0:37:13 | |
Oh, no, I'll take this. | 0:37:13 | 0:37:16 | |
Right, no profit there, then. | 0:37:16 | 0:37:18 | |
How about another table of ladies? | 0:37:18 | 0:37:19 | |
I'm definitely having your pudding, absolutely. | 0:37:20 | 0:37:23 | |
You know you could pay whatever you like for this, | 0:37:23 | 0:37:26 | |
it could be 15, 20. | 0:37:26 | 0:37:30 | |
Yes, you're pushing your luck now. | 0:37:30 | 0:37:32 | |
Back in the kitchen with you and wait for service. | 0:37:32 | 0:37:35 | |
So did their pitches sway the diners? | 0:37:35 | 0:37:38 | |
I'm going for the chocolate and pears, | 0:37:38 | 0:37:40 | |
but mainly because I really don't like lemon-flavoured things, | 0:37:40 | 0:37:43 | |
so it was fairly easy. | 0:37:43 | 0:37:45 | |
The pitch for lemon was really well made, | 0:37:45 | 0:37:47 | |
and then seeing it right there, sold, I think. | 0:37:47 | 0:37:51 | |
In the kitchen, you could cut the atmosphere with a knife. | 0:37:53 | 0:37:56 | |
As they wait nervously. | 0:37:59 | 0:38:00 | |
This is now no ordinary service. This is the last chance saloon, | 0:38:02 | 0:38:08 | |
a real Mexican stand-off, | 0:38:09 | 0:38:11 | |
a Spanish Mexican stand-off, in London. | 0:38:13 | 0:38:16 | |
Suddenly, the ticket machine to crackles into life. | 0:38:19 | 0:38:21 | |
One lemon mousse and one chocolate. | 0:38:21 | 0:38:23 | |
Four chocolate, one lemon. | 0:38:25 | 0:38:27 | |
And they're off! Straight away, Richard is swept away | 0:38:27 | 0:38:30 | |
by a great swathe of chocolate. | 0:38:30 | 0:38:32 | |
Two chocolate more. | 0:38:32 | 0:38:34 | |
Seven chocolate altogether. | 0:38:34 | 0:38:35 | |
Yes, that's seven chocolate puddings, to two lemon mousses. | 0:38:35 | 0:38:39 | |
Three chocolate, one lemon mousse. | 0:38:39 | 0:38:41 | |
It's a chocolate surge of enormous proportions. | 0:38:41 | 0:38:44 | |
10? | 0:38:44 | 0:38:45 | |
Chocolate mousse is flying in, which is not good. | 0:38:47 | 0:38:50 | |
It's chocolate all the way! | 0:38:50 | 0:38:52 | |
Hold on a second, there's been loads of orders for chocolate | 0:38:52 | 0:38:55 | |
but so far not one of them has gone out. What on earth is going on? | 0:38:55 | 0:38:59 | |
I've got a lot of chocolate on order, | 0:38:59 | 0:39:00 | |
but they take eight minutes to cook in the oven, | 0:39:00 | 0:39:03 | |
so once they're in the oven, | 0:39:03 | 0:39:04 | |
all I do is wait until they come out nice and soft in the middle. | 0:39:04 | 0:39:08 | |
Oh, Jun, for goodness sake, couldn't you have done it earlier | 0:39:08 | 0:39:10 | |
when you were just standing around doing nothing? | 0:39:10 | 0:39:14 | |
Look at that, look at all them. | 0:39:14 | 0:39:16 | |
Yes, it might be lovely to see them all stacked up in the oven, | 0:39:16 | 0:39:18 | |
but Richard's are ready to go | 0:39:18 | 0:39:20 | |
and they're supposed to be in the dining room. | 0:39:20 | 0:39:22 | |
# Why are we waiting? # | 0:39:22 | 0:39:26 | |
In fact, they are supposed to be in the diners' tummies! | 0:39:26 | 0:39:29 | |
-Wake me up when the chocolate comes, will you? -Jun, how long? | 0:39:29 | 0:39:32 | |
There we go, Richard. Chocolate fondant. | 0:39:32 | 0:39:35 | |
Good things come to those who wait. | 0:39:35 | 0:39:38 | |
Thank goodness for that, slow-coach! And how they are going down? | 0:39:38 | 0:39:42 | |
Looks good. | 0:39:42 | 0:39:43 | |
I had the chocolate pudding and it was just wonderful, | 0:39:43 | 0:39:47 | |
there are no actual words to describe how good it tasted. | 0:39:47 | 0:39:51 | |
Well, I went for the chocolate pudding, obviously there's | 0:39:51 | 0:39:53 | |
no other choice except chocolate pudding, | 0:39:53 | 0:39:55 | |
and it lived up to expectations. | 0:39:55 | 0:39:57 | |
There's a lot of ladies out there, and clearly the chocolate dessert | 0:39:57 | 0:40:01 | |
has taken their fancy over the citrus dessert. | 0:40:01 | 0:40:05 | |
It's a fact, isn't it? Women love chocolate. | 0:40:05 | 0:40:09 | |
Yes, he's right, you know. | 0:40:09 | 0:40:11 | |
Hey, guys, seven chocolate, please. | 0:40:11 | 0:40:13 | |
Seven chocolate! I'm well happy with that. | 0:40:13 | 0:40:17 | |
Seven more. | 0:40:18 | 0:40:19 | |
Ouch! A table for seven and it's all chocolate. That's got to hurt! | 0:40:19 | 0:40:22 | |
The ascendancy of the chocolate pudding | 0:40:22 | 0:40:24 | |
really has put the cat amongst the pigeons. | 0:40:24 | 0:40:26 | |
After his victory in the mains, | 0:40:26 | 0:40:28 | |
Richard only needed to sell a few to be assured of victory. | 0:40:28 | 0:40:31 | |
I needed to sell more desserts than I've sold. | 0:40:31 | 0:40:34 | |
Even if it had been level-pegging on dessert, | 0:40:34 | 0:40:36 | |
I think I would have beaten him today. | 0:40:36 | 0:40:38 | |
Now he's not so sure. | 0:40:38 | 0:40:40 | |
All he can do now is sit back, enjoy the fruits of his labour... | 0:40:40 | 0:40:44 | |
Someone might as well eat them. | 0:40:44 | 0:40:46 | |
And have a good old sulk. | 0:40:46 | 0:40:47 | |
Back in the dining room, and both puddings are going down a storm. | 0:40:49 | 0:40:52 | |
Really nicely spiced, the saffron. | 0:40:53 | 0:40:55 | |
The strawberries are perfect. | 0:40:55 | 0:40:56 | |
And as service comes to a close... | 0:40:56 | 0:40:59 | |
OK, guys, the last order table for two, two lemon mousse, please. | 0:40:59 | 0:41:02 | |
How much are the diners willing to pay for their puds? | 0:41:02 | 0:41:05 | |
I went for the poached pear, saffron and chocolate pudding, | 0:41:05 | 0:41:09 | |
which was absolutely delicious, | 0:41:09 | 0:41:11 | |
and I think I'd probably pay about £8 for that. | 0:41:11 | 0:41:13 | |
I had the lemon mousse with the strawberries. | 0:41:13 | 0:41:16 | |
Lovely, and after a lot of deliberation, | 0:41:16 | 0:41:19 | |
decided £5.50 was a reasonable amount to pay for that. | 0:41:19 | 0:41:23 | |
So before we tot up the totals, | 0:41:23 | 0:41:25 | |
let's see who sold what in the final round. | 0:41:25 | 0:41:27 | |
Well, as expected, it was a bit of a choccy day, | 0:41:29 | 0:41:32 | |
with Jun eventually selling 19 pear and chocolate puddings, | 0:41:32 | 0:41:36 | |
compared to a feeble display from Richard, | 0:41:36 | 0:41:38 | |
who only managed to sell nine lemon mousses. | 0:41:38 | 0:41:40 | |
It's been a difficult day for our two chefs - | 0:41:43 | 0:41:46 | |
an emotional roller coaster with its highs and lows, | 0:41:46 | 0:41:49 | |
its twists and turns, | 0:41:49 | 0:41:50 | |
but now it's time to put them out of their misery | 0:41:50 | 0:41:53 | |
and find out just who is going to be the Spanish conquistador. | 0:41:53 | 0:41:57 | |
One, two, three, go. | 0:41:59 | 0:42:00 | |
Oh. | 0:42:04 | 0:42:05 | |
So I won. Happy, very happy. | 0:42:05 | 0:42:07 | |
He's a bit gutted. I can hear him moaning already. | 0:42:09 | 0:42:11 | |
I lost. About £40 difference in it, not a lot, | 0:42:11 | 0:42:15 | |
and to come out with £176 for my charity is great, you know. | 0:42:15 | 0:42:21 | |
Round of applause for Richard Phillips. | 0:42:21 | 0:42:24 | |
Well, a victory for Richard, but sighs of relief all round, | 0:42:24 | 0:42:27 | |
as under the most difficult conditions, | 0:42:27 | 0:42:29 | |
they both broke into profit | 0:42:29 | 0:42:31 | |
and managed to earn a bit of cash for their chosen charities. | 0:42:31 | 0:42:34 | |
My charity for today is StreetSmart, | 0:42:34 | 0:42:37 | |
they raise funds for homeless people all over the country. | 0:42:37 | 0:42:40 | |
My charity for today is the Heart of Kent Hospice, | 0:42:40 | 0:42:42 | |
cos they help people in the last days of their life. | 0:42:42 | 0:42:45 | |
Yes, it's hurrahs all round, as once again, | 0:42:45 | 0:42:47 | |
two top chefs have shown that they've got what it takes | 0:42:47 | 0:42:50 | |
to put their menus where their mouths are. | 0:42:50 | 0:42:52 | |
For a selection of recipes from the series, log on to... | 0:42:54 | 0:42:56 | |
Subtitles by Red Bee Media | 0:43:24 | 0:43:27 |