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Times are changing. | 0:00:02 | 0:00:03 | |
It's no longer just nostalgia we want in the kitchen. | 0:00:03 | 0:00:05 | |
Our imaginations have been captured | 0:00:06 | 0:00:09 | |
by experimental techniques and high-tech gadgets. | 0:00:09 | 0:00:12 | |
We're going to show you what the future holds for our food and drink. | 0:00:13 | 0:00:16 | |
Master of modern cooking, Sat Bains, | 0:00:18 | 0:00:21 | |
is here to revolutionise an old favourite. | 0:00:21 | 0:00:24 | |
-Mad, isn't it? -Oh, I love that. | 0:00:24 | 0:00:26 | |
Stefan Gates thinks he's discovered what we'll be eating in 2050. | 0:00:26 | 0:00:31 | |
Artificial meat. Yep. That's meat without the need for cows. | 0:00:31 | 0:00:36 | |
Kate is finding out how science is transforming the art of food and drink matching. | 0:00:37 | 0:00:42 | |
-Do you know what it smells of to me? -No. | 0:00:42 | 0:00:45 | |
Shoe polish. | 0:00:45 | 0:00:46 | |
And I'm creating an innovative and exciting flavour combination. | 0:00:47 | 0:00:51 | |
Today, Food & Drink looks into the future. | 0:00:51 | 0:00:55 | |
Some of the best restaurants in the world have made their names | 0:01:02 | 0:01:05 | |
showcasing the very latest in cutting-edge culinary techniques. | 0:01:05 | 0:01:09 | |
At the forefront is two Michelin starred chef Sat Baines. | 0:01:10 | 0:01:14 | |
He has a development kitchen entirely dedicated to creating | 0:01:14 | 0:01:18 | |
new and revolutionary dishes. | 0:01:18 | 0:01:21 | |
Sat's a technical whiz and he's got a machine for everything, | 0:01:21 | 0:01:24 | |
but if this is the future of cooking, I think I might be in trouble! | 0:01:24 | 0:01:28 | |
Sat, what have you done to my kitchen? | 0:01:29 | 0:01:31 | |
Brought it into the 21st century, Chef. | 0:01:31 | 0:01:34 | |
The dish I'm doing is a bread and butter pudding | 0:01:34 | 0:01:38 | |
with celeriac, carrot and celeriac ice cream. | 0:01:38 | 0:01:40 | |
Oh, that's unusual, to say the least. | 0:01:40 | 0:01:43 | |
Two years of research and development have transformed | 0:01:44 | 0:01:47 | |
a classic recipe into something truly original. | 0:01:47 | 0:01:50 | |
Bread and butter pudding that uses space-age candied vegetables | 0:01:50 | 0:01:53 | |
instead of fruit. | 0:01:53 | 0:01:54 | |
Being a more traditional chef myself, | 0:01:54 | 0:01:57 | |
all this talk of gadgets makes me a bit nervous. | 0:01:57 | 0:02:01 | |
So, what we are going to do is recreate | 0:02:01 | 0:02:03 | |
the sort of sultana-raisin element of a bread and butter pudding. | 0:02:03 | 0:02:07 | |
One way we do it is we actually get some vegetables that have | 0:02:07 | 0:02:10 | |
-a natural high sugar level. -Like celeriac, carrot or parsnip. | 0:02:10 | 0:02:13 | |
Parsnips are great as well, but in this case it's celeriac and carrot. | 0:02:13 | 0:02:16 | |
-What we do is actually cook them... -What do you want me to do? | 0:02:16 | 0:02:19 | |
I'm not going to stand here all day listening to you. | 0:02:19 | 0:02:22 | |
-I'm your commis now. -OK, this is a great turn of events here. | 0:02:22 | 0:02:26 | |
If you want to start with making me a classic anglaise, | 0:02:26 | 0:02:29 | |
-splitting the eggs for me. -I can manage that. -Thank you, Chef. | 0:02:29 | 0:02:31 | |
-I don't need any equipment for that. -No, just hands. -Just these. | 0:02:31 | 0:02:36 | |
The creme anglaise, or custard, | 0:02:36 | 0:02:37 | |
will be used in the bread and butter pudding | 0:02:37 | 0:02:39 | |
AND the ice cream. | 0:02:39 | 0:02:41 | |
-I also need a peeler. -You use a peeler? | 0:02:41 | 0:02:44 | |
I need to peel the veg, I've got no machine for that one. | 0:02:44 | 0:02:47 | |
So, the idea is that you get these lovely carrots and what we do, | 0:02:49 | 0:02:53 | |
we use a technique, almost like osmosis, where you add salt to | 0:02:53 | 0:02:58 | |
certain ingredients that draws the moisture out. | 0:02:58 | 0:03:00 | |
By adding sugar, it acts very similar. | 0:03:00 | 0:03:02 | |
What you do, you pop it into a bag with some sugar | 0:03:02 | 0:03:05 | |
and then we cook it in a water bath. | 0:03:05 | 0:03:07 | |
So far, so good. | 0:03:07 | 0:03:09 | |
But then, why the vacuum packing | 0:03:09 | 0:03:11 | |
-and why the water bath? -We did some research in terms of | 0:03:11 | 0:03:15 | |
how to get the best out of it | 0:03:15 | 0:03:17 | |
and by having it cooked over around 90 degrees, | 0:03:17 | 0:03:19 | |
and also with the sugar, you end up | 0:03:19 | 0:03:21 | |
with this incredible textured vegetable. | 0:03:21 | 0:03:24 | |
Because it's drawn out the moisture, | 0:03:24 | 0:03:26 | |
it almost looks like a weird rubber carrot, for a better word. | 0:03:26 | 0:03:29 | |
Very, very unusual. | 0:03:29 | 0:03:31 | |
So I'm just going to vacuum seal this one first. | 0:03:31 | 0:03:34 | |
And you have used one of these before. And I know you have. | 0:03:36 | 0:03:40 | |
I'm not against all these... modern gizmos and stuff. | 0:03:40 | 0:03:45 | |
Not at all, I think | 0:03:45 | 0:03:47 | |
you need to have the classic skills first before you use all these. | 0:03:47 | 0:03:50 | |
The vacuum-packed veg and sugar go into the water bath at 90 degrees. | 0:03:52 | 0:03:56 | |
If you fancy doing some low-tech candied veg at home, | 0:03:56 | 0:03:59 | |
you can get similar results by boiling them in a pan of sugar syrup. | 0:03:59 | 0:04:03 | |
For the creme anglaise, place the seeds from two vanilla pods | 0:04:05 | 0:04:08 | |
into the egg yolks along with some sugar | 0:04:08 | 0:04:11 | |
and equal quantities of milk and cream. | 0:04:11 | 0:04:13 | |
I'm going to need half of it raw. | 0:04:16 | 0:04:18 | |
And then the other half I'm going to pop into this blender | 0:04:18 | 0:04:21 | |
that also has a heat element. | 0:04:21 | 0:04:22 | |
So you are cooking this anglaise it's a custard, a classic custard... | 0:04:22 | 0:04:26 | |
-That's right. -..in a machine. | 0:04:26 | 0:04:28 | |
It's almost replicating exactly | 0:04:28 | 0:04:29 | |
what we do with a wooden spoon in a figure of eight. | 0:04:29 | 0:04:32 | |
It's doing that in the blender. | 0:04:32 | 0:04:33 | |
-What's wrong with the traditional way of cooking it? -Nothing at all. | 0:04:33 | 0:04:37 | |
So half of the custard is being cooked and blended for the ice cream. | 0:04:37 | 0:04:41 | |
The other half will go into the puddings later. | 0:04:41 | 0:04:45 | |
For a fancy take on the bread in the pudding, I'm slicing some brioche. | 0:04:45 | 0:04:49 | |
It seems to me, Sat, that I'm doing all the cutting, slicing and mixing | 0:04:50 | 0:04:53 | |
-and you're pressing buttons. -I think you're actually bang on. | 0:04:53 | 0:04:56 | |
For Sat, cooking is about pushing boundaries - | 0:04:56 | 0:04:59 | |
whether that's coming up with brand-new ideas or reinventing classics like this. | 0:04:59 | 0:05:05 | |
We're in restaurants. | 0:05:05 | 0:05:06 | |
We've got to give our guests, for me, | 0:05:06 | 0:05:08 | |
something really exciting and I want to give them | 0:05:08 | 0:05:10 | |
something we've thought about, we've developed. | 0:05:10 | 0:05:13 | |
We've got a development kitchen in the restaurant | 0:05:13 | 0:05:15 | |
where we work on new ideas. | 0:05:15 | 0:05:16 | |
That's testimony to you, the innovator, the great chef, that | 0:05:16 | 0:05:20 | |
you have learnt the classics and now you are looking to the future. | 0:05:20 | 0:05:24 | |
The ice cream mix has now cooked. | 0:05:25 | 0:05:27 | |
After sieving, a puree made of finely diced celeriac cooked in milk is added in. | 0:05:27 | 0:05:32 | |
So just whisk that in and I'll taste it now. | 0:05:34 | 0:05:38 | |
-So there's no substitute for taste, is there, really? -No, not yet. | 0:05:38 | 0:05:41 | |
You're working on it. No, for me taste is the most important. | 0:05:41 | 0:05:44 | |
The celeriac ice cream mix goes into the freezer. | 0:05:44 | 0:05:48 | |
So I'm going to get the vegetables out now, Michel. | 0:05:48 | 0:05:51 | |
The carrots and celeriac are now candied | 0:05:51 | 0:05:53 | |
after their two hours in the water bath. | 0:05:53 | 0:05:56 | |
Just going to open them up now. | 0:05:56 | 0:05:58 | |
And I think you will see what they actually look like. | 0:05:58 | 0:06:02 | |
Wow! | 0:06:02 | 0:06:04 | |
It's almost completely dehydrated, but feel it, | 0:06:04 | 0:06:06 | |
-it's like a candied fruit. -Yes. | 0:06:06 | 0:06:08 | |
So have a taste. | 0:06:08 | 0:06:10 | |
-Oh! -The texture is incredible. | 0:06:12 | 0:06:14 | |
-You taste carrot, natural sweetness, but it's still savoury. -It is. | 0:06:14 | 0:06:19 | |
It is, it's still savoury. Yet sweet. And the texture is amazing. | 0:06:20 | 0:06:24 | |
-It's similar with the celeriac. Obviously celeriac's got a lovely... -The smell is amazing. | 0:06:24 | 0:06:28 | |
-Oh! -It's mad, isn't it? -Oh, I love that. | 0:06:30 | 0:06:34 | |
Time to assemble the puds, | 0:06:35 | 0:06:37 | |
starting with another quirky ingredient - carrot marmalade! | 0:06:37 | 0:06:40 | |
-Oh! -Imagine that on toasted brioche. -Yes! | 0:06:42 | 0:06:45 | |
Mmm! | 0:06:45 | 0:06:47 | |
'This goes into the bottom of each dish before adding the candied veg.' | 0:06:47 | 0:06:50 | |
So imagine these were sultanas or raisins. | 0:06:50 | 0:06:53 | |
-Yeah. -The brioche goes on top. | 0:06:53 | 0:06:56 | |
'In goes the remaining half of the creme anglaise we made earlier. | 0:06:56 | 0:06:59 | |
'The brioche will soak it all up | 0:06:59 | 0:07:01 | |
'as the puddings sit in the fridge for two hours.' | 0:07:01 | 0:07:03 | |
Our home cooking may be taking a giant leap forward | 0:07:05 | 0:07:07 | |
with the help of science and gadgetry, | 0:07:07 | 0:07:09 | |
but what does the future hold for the wine industry? | 0:07:09 | 0:07:12 | |
'We've had old-world and new-world wines, | 0:07:15 | 0:07:17 | |
'but look out because the future-world wines are coming! | 0:07:17 | 0:07:21 | |
'Here are my three to watch.' | 0:07:21 | 0:07:24 | |
It may seem unlikely | 0:07:24 | 0:07:25 | |
but the potential | 0:07:25 | 0:07:26 | |
for producing high-quality, | 0:07:26 | 0:07:27 | |
sparkling wine in India is so great, | 0:07:27 | 0:07:30 | |
that a well-known French champagne house | 0:07:30 | 0:07:32 | |
has established vineyards there. | 0:07:32 | 0:07:34 | |
'In 2011, Moet Hennessy planted champagne grapes in Western India. | 0:07:34 | 0:07:39 | |
'They've just launched their first non-vintage sparkling wines | 0:07:39 | 0:07:42 | |
'to the Indian market so they could well be ones to watch in the future. | 0:07:42 | 0:07:46 | |
'Although not widely available, you can find Indian wine | 0:07:46 | 0:07:50 | |
'here in the UK with prices starting around £8. | 0:07:50 | 0:07:53 | |
'Number two on my list is England. | 0:07:54 | 0:07:57 | |
'We already produce some cracking | 0:07:57 | 0:07:59 | |
'sparkling and white wines, | 0:07:59 | 0:08:00 | |
'but red wines | 0:08:00 | 0:08:01 | |
'haven't been our forte. | 0:08:01 | 0:08:03 | |
'Many red wine grapes would benefit from longer and warmer summers. | 0:08:03 | 0:08:06 | |
'So, could things be different in years to come?' | 0:08:06 | 0:08:10 | |
Climate change may well affect the wine world as we know it. | 0:08:10 | 0:08:13 | |
Hotter regions will find it increasingly difficult | 0:08:13 | 0:08:15 | |
to grow grapes. But equally, cooler climates, like our own, | 0:08:15 | 0:08:18 | |
could benefit. Who knows? | 0:08:18 | 0:08:20 | |
Maybe one day we'll see good reds coming out of Manchester. | 0:08:20 | 0:08:23 | |
'To get a feel for our wine industry, | 0:08:25 | 0:08:27 | |
'many wineries do tours which include tastings. | 0:08:27 | 0:08:30 | |
'It's a great way to taste several different wines | 0:08:30 | 0:08:33 | |
'without breaking the bank. | 0:08:33 | 0:08:35 | |
'My third pick for | 0:08:35 | 0:08:37 | |
'the future-world wine category | 0:08:37 | 0:08:38 | |
'is China.' | 0:08:38 | 0:08:40 | |
Nearly half of all wine imported into China comes from France. | 0:08:40 | 0:08:43 | |
'But now, the Chinese are growing the likes of Cabernet Sauvignon, | 0:08:43 | 0:08:47 | |
'Chardonnay and Merlot grapes | 0:08:47 | 0:08:49 | |
'and making their own French style wines. | 0:08:49 | 0:08:51 | |
'So watch this space, Far-Eastern wines are coming!' | 0:08:51 | 0:08:54 | |
Well, I've got something a bit different | 0:08:54 | 0:08:57 | |
for you guys to try | 0:08:57 | 0:08:59 | |
but I need you to both keep an open mind. | 0:08:59 | 0:09:01 | |
-All right? -Before we taste something, I need to get | 0:09:01 | 0:09:03 | |
these bread-and-butters in the oven. | 0:09:03 | 0:09:04 | |
Get that water for us, please, Chef. | 0:09:04 | 0:09:07 | |
'Sit the puddings in a deep baking dish, | 0:09:07 | 0:09:08 | |
'lined with kitchen paper to stop them slipping, | 0:09:08 | 0:09:11 | |
'and fill it halfway with boiling water. | 0:09:11 | 0:09:14 | |
'Then into the oven for 45 minutes at 110 degrees. | 0:09:14 | 0:09:18 | |
'And while they cook, | 0:09:18 | 0:09:19 | |
'Kate wants to test out one of her future-world wines on us.' | 0:09:19 | 0:09:23 | |
Ooh, that label does not look French. | 0:09:23 | 0:09:26 | |
KATE LAUGHS | 0:09:26 | 0:09:27 | |
So, chaps, this is one of the first | 0:09:27 | 0:09:30 | |
Bordeaux-style Chinese wines available in the UK. | 0:09:30 | 0:09:33 | |
OK? So it's a Changyu Moser. | 0:09:33 | 0:09:36 | |
This is a traditional Bordeaux blend. It's 90% Cabernet Sauvignon, | 0:09:36 | 0:09:39 | |
10% Merlot. | 0:09:39 | 0:09:41 | |
It's quite pricey. So it's kind of £35 to £40. | 0:09:41 | 0:09:44 | |
-That bottle? -Yeah. -Wow. -Yeah. So it is quite an expensive wine | 0:09:44 | 0:09:48 | |
-but it's new. -I think, for that price, | 0:09:48 | 0:09:50 | |
it's nice to taste, compare it to Bordeaux for a similar price... | 0:09:50 | 0:09:54 | |
-I agree. -..I think you would get something far more superior. -For me, | 0:09:54 | 0:09:58 | |
it doesn't do it. It's got potential. I can see potential. | 0:09:58 | 0:10:01 | |
but for me, the shocking thing, you said, "Chinese wine." | 0:10:01 | 0:10:04 | |
-Chinese wine for me is rice wine. -Rice wine, yeah | 0:10:04 | 0:10:06 | |
But this is obviously grape juice. And, yeah, | 0:10:06 | 0:10:10 | |
they're having a go at making a Bordeaux blend, | 0:10:10 | 0:10:12 | |
-which... -Exactly. Like I said, it's their first vintage, | 0:10:12 | 0:10:15 | |
so I think it could be one to watch for the future, definitely. | 0:10:15 | 0:10:19 | |
'We'll have to wait and see! | 0:10:19 | 0:10:21 | |
'The puddings are cooked and the final touch is to dust them | 0:10:21 | 0:10:24 | |
'with sugar and brulee the tops for a crunchy finish. | 0:10:24 | 0:10:27 | |
'The frozen celeriac mix goes into the last of Sat's machines, | 0:10:29 | 0:10:33 | |
'which uses a spinning blade | 0:10:33 | 0:10:35 | |
'and compressed air to turn it into a super smooth ice cream.' | 0:10:35 | 0:10:39 | |
So, as you can see, it's got this incredible soft texture. | 0:10:39 | 0:10:44 | |
Beautiful. | 0:10:44 | 0:10:46 | |
So there we have it - | 0:10:46 | 0:10:48 | |
bread-and-butter pudding with candied vegetables | 0:10:48 | 0:10:50 | |
and celeriac ice cream. Let's eat. | 0:10:50 | 0:10:52 | |
Right. | 0:10:52 | 0:10:54 | |
This looks fabulous. What do you reckon, Kate? | 0:10:54 | 0:10:57 | |
Whoa-ho-ho. | 0:10:57 | 0:10:58 | |
-It looks great. -You first. | 0:10:58 | 0:11:01 | |
-Thank you. -So, verdict now. | 0:11:01 | 0:11:03 | |
That ice cream looks GORGEOUS! | 0:11:03 | 0:11:06 | |
Wow. That is SO good. | 0:11:10 | 0:11:12 | |
Do you know what, Sat? I couldn't imagine it really, | 0:11:12 | 0:11:15 | |
but that creaminess with the savoury, | 0:11:15 | 0:11:17 | |
with the crunchy, with that sweet richness as well, it's just AMAZING. | 0:11:17 | 0:11:22 | |
I'm speechless. | 0:11:22 | 0:11:24 | |
-Chef, that is... -That doesn't happen very often! | 0:11:24 | 0:11:26 | |
It doesn't happen very often. | 0:11:26 | 0:11:29 | |
I'm speechless, Sat. THAT is wonderful. | 0:11:29 | 0:11:31 | |
So hopefully you see why we use so many tools. | 0:11:31 | 0:11:34 | |
CHORTLES | 0:11:34 | 0:11:36 | |
And the texture of the veg, I like it. It's still got | 0:11:36 | 0:11:39 | |
a bit of crunch and... It's great. | 0:11:39 | 0:11:41 | |
-And it's not overly sweet. -Which is important. -That was my challenge | 0:11:41 | 0:11:44 | |
with the drinks | 0:11:44 | 0:11:46 | |
because it is exactly that. It's a sweet, so you need | 0:11:46 | 0:11:49 | |
something sweet. The rule of thumb is that you need to match something | 0:11:49 | 0:11:52 | |
as sweet, if not sweeter than the dessert. | 0:11:52 | 0:11:54 | |
But equally it's got those savoury notes, | 0:11:54 | 0:11:56 | |
and I thought, "I don't want anything too big | 0:11:56 | 0:11:58 | |
"cos it's going to completely overwhelm it | 0:11:58 | 0:12:00 | |
"and you'll lose those subtleties." | 0:12:00 | 0:12:02 | |
So it was quite a challenge. | 0:12:02 | 0:12:03 | |
So I've gone for a sweet wine. | 0:12:03 | 0:12:05 | |
And the key here is choosing something that's got a nice acidity | 0:12:05 | 0:12:08 | |
to give it some freshness. | 0:12:08 | 0:12:10 | |
'Sweet wines are made with specialised techniques | 0:12:10 | 0:12:13 | |
'often requiring more grapes per bottle, | 0:12:13 | 0:12:16 | |
'which can make them pricier.' | 0:12:16 | 0:12:18 | |
So, this is wine one. | 0:12:18 | 0:12:20 | |
This is an old-world wine | 0:12:20 | 0:12:21 | |
It's a Coteaux du Layon, | 0:12:21 | 0:12:24 | |
Domaine des Forges, it's French. | 0:12:24 | 0:12:26 | |
Domaine des Forges, Coteaux du Layon, 2010. | 0:12:26 | 0:12:28 | |
It's in the region of £8 to £10 for a half bottle. | 0:12:28 | 0:12:32 | |
it's got lovely baked apple, ripe pears | 0:12:32 | 0:12:35 | |
and a lovely freshness, hasn't it? | 0:12:35 | 0:12:37 | |
-The flavour is incredible. -I think this is a wonderful wine. | 0:12:37 | 0:12:40 | |
It's a sweet wine made from Chenin Blanc | 0:12:40 | 0:12:42 | |
and it's got that balance that you always get from the Loire Valley. | 0:12:42 | 0:12:46 | |
And you get it in this as well. | 0:12:46 | 0:12:47 | |
This is the second wine, a new-world wine. | 0:12:47 | 0:12:50 | |
And this is Mount Horrocks, Cordon Cut Riesling. | 0:12:50 | 0:12:52 | |
So it's from the Clare Valley in South Australia. | 0:12:52 | 0:12:55 | |
It's more limey, citrus, tangerine, mandarin - | 0:12:55 | 0:12:57 | |
it's along those lines. | 0:12:57 | 0:12:58 | |
Again it's got that really refreshing quality | 0:12:58 | 0:13:00 | |
that will cut through the richness of that. | 0:13:00 | 0:13:02 | |
-It's dry at the end, which is really nice. -Exactly. | 0:13:02 | 0:13:04 | |
It's little bit more expensive. Well, quite a bit more expensive. | 0:13:04 | 0:13:08 | |
It's a lot more expensive. This is around the £20 mark. | 0:13:08 | 0:13:10 | |
It's a bit pricier. And then, the last one we've got | 0:13:10 | 0:13:13 | |
-is an English sparkling wine from Nyetimber. -OK. | 0:13:13 | 0:13:16 | |
Nyetimber is a demi-sec, so it's got a touch more sweetness | 0:13:16 | 0:13:20 | |
than a normal brut champagne. | 0:13:20 | 0:13:21 | |
It retails around 35, 34 to 35, | 0:13:21 | 0:13:23 | |
so you're getting into champagne prices. | 0:13:23 | 0:13:26 | |
It's those bubbles, really, that are going to work | 0:13:26 | 0:13:28 | |
nicely, I think, with this. | 0:13:28 | 0:13:30 | |
It's really fresh and it's got a nice, light, effervescent finish. | 0:13:30 | 0:13:34 | |
For me, it just lifts the palate. | 0:13:34 | 0:13:36 | |
I'm surprised. It's not a sweet as I thought it was going to be. | 0:13:36 | 0:13:39 | |
It is a demi-sec, so it's got a hint of sweetness | 0:13:39 | 0:13:41 | |
but it's still got a lot of acidity. | 0:13:41 | 0:13:43 | |
Yeah, that freshness. | 0:13:43 | 0:13:44 | |
And that's what's so key here, isn't it? | 0:13:44 | 0:13:46 | |
That lovely liveliness, really. | 0:13:46 | 0:13:49 | |
Sat's techie kit is the fun side of future cooking | 0:13:49 | 0:13:51 | |
but there are some huge food challenges coming our way. | 0:13:51 | 0:13:54 | |
Stefan Gates has been looking at a science fiction solution, | 0:13:54 | 0:13:58 | |
to feeding the seven billion people on our planet, | 0:13:58 | 0:14:01 | |
that's just become science fact. | 0:14:01 | 0:14:03 | |
Humans have a lust for meat. | 0:14:07 | 0:14:11 | |
Fleshy, bloody, tender, protein-rich, juicy, lovely MEAT! | 0:14:11 | 0:14:17 | |
Whether it's roasted, fried or grilled, across the world, | 0:14:20 | 0:14:23 | |
we are eating more of it than ever. | 0:14:23 | 0:14:26 | |
And as huge developing countries get richer, | 0:14:26 | 0:14:29 | |
they want to eat this too. | 0:14:29 | 0:14:32 | |
MOOING | 0:14:32 | 0:14:34 | |
Which is fair enough. But at this rate, | 0:14:34 | 0:14:36 | |
by 2050, we're going to need | 0:14:36 | 0:14:38 | |
two and a half billion of these guys on the planet | 0:14:38 | 0:14:40 | |
to satisfy demand. | 0:14:40 | 0:14:42 | |
And they're going to end up munching us into an environmental catastrophe. | 0:14:42 | 0:14:46 | |
NURSERY CHIMES | 0:14:46 | 0:14:49 | |
But science has an answer to this mess - | 0:14:50 | 0:14:53 | |
artificial meat, or "in vitro" meat, as the scientists call it, | 0:14:53 | 0:14:56 | |
has actually been in development in the labs since 2001. | 0:14:56 | 0:15:01 | |
Yep, that's meat without the need for farmers, | 0:15:05 | 0:15:09 | |
without even the need for cows. | 0:15:09 | 0:15:12 | |
Test-tube food is progress. | 0:15:12 | 0:15:13 | |
It's not the only solution to the world's problems | 0:15:13 | 0:15:16 | |
but I'm convinced that test-tube meat has a huge role to play | 0:15:16 | 0:15:19 | |
in the future of our food. | 0:15:19 | 0:15:21 | |
'And it's taken a giant step forward | 0:15:21 | 0:15:22 | |
'with the world's first test-tube burger.' | 0:15:22 | 0:15:26 | |
Will you do the honours and lift the lid on your creation? | 0:15:26 | 0:15:29 | |
Sometime soon, artificial meat won't just be a question of cost or taste, | 0:15:30 | 0:15:34 | |
it'll be a moral, technological choice that you'll have to make. | 0:15:34 | 0:15:38 | |
The big question is, | 0:15:40 | 0:15:41 | |
would you eat it? | 0:15:41 | 0:15:43 | |
Most definitely not. I really don't like the idea of this. | 0:15:43 | 0:15:49 | |
For me, it's not natural and I would rather eat less meat. | 0:15:49 | 0:15:54 | |
What about you, Kate? | 0:15:54 | 0:15:55 | |
Well, my initial reaction was exactly the same. | 0:15:55 | 0:15:58 | |
But having thought about it, | 0:15:58 | 0:16:00 | |
I think I would. | 0:16:00 | 0:16:02 | |
No, but listen, because to some degree it's an inevitable step. | 0:16:02 | 0:16:07 | |
So, for example, | 0:16:07 | 0:16:09 | |
I said I'd never use a mobile phone. | 0:16:09 | 0:16:11 | |
INDISTINCT | 0:16:11 | 0:16:13 | |
I can clearly remember sitting in the pub and saying, | 0:16:13 | 0:16:16 | |
"I'm never going to use a mobile phone. | 0:16:16 | 0:16:18 | |
"Right near my head. It can't be good for me." | 0:16:18 | 0:16:20 | |
The social sort of aspect. | 0:16:20 | 0:16:23 | |
But we all do and I do all the time. | 0:16:23 | 0:16:25 | |
-So I do think it is... -I think you're right. | 0:16:25 | 0:16:27 | |
I agree, it is a repulsive idea | 0:16:27 | 0:16:30 | |
but it could solve some of the biggest problems facing the world. | 0:16:30 | 0:16:33 | |
The global population is going to be nine billion people. | 0:16:33 | 0:16:36 | |
We don't have the answers for how to feed these people yet. | 0:16:36 | 0:16:39 | |
Yeah, but it's unnatural. I think because of that, | 0:16:39 | 0:16:42 | |
there's going to be things that'll come back and haunt us. | 0:16:42 | 0:16:44 | |
We've seen what happens | 0:16:44 | 0:16:45 | |
when we mess around with the food chain. Look at BSE. | 0:16:45 | 0:16:48 | |
-Mm. -Yep. | 0:16:48 | 0:16:49 | |
I just think it's ethically and naturally wrong. | 0:16:49 | 0:16:53 | |
But what about all the massive advances in cooking | 0:16:53 | 0:16:56 | |
from when mankind developed fire and they're all sitting around | 0:16:56 | 0:16:59 | |
with their little foreheads and their massive | 0:16:59 | 0:17:01 | |
sort of great big jaws and they sat and said, | 0:17:01 | 0:17:04 | |
"Oh, no, it won't catch on. I'm not going to start cooking meat." | 0:17:04 | 0:17:07 | |
-Then suddenly the nutrition leaps. -That was a natural progression. | 0:17:07 | 0:17:11 | |
That was a natural progression. It tastes good and it's a meal. | 0:17:11 | 0:17:15 | |
-I think you're messing around with this. -But wine... | 0:17:15 | 0:17:18 | |
Wine is messing around - it's all chemistry. | 0:17:18 | 0:17:20 | |
It's 10% terroir and the rest of it is all chemistry. | 0:17:20 | 0:17:23 | |
It's a massive development that changed life. | 0:17:23 | 0:17:26 | |
-It's grape juice. -It's grape juice. | 0:17:26 | 0:17:28 | |
-Cheese is milk. -Fermented milk. -So it's chemistry. | 0:17:28 | 0:17:30 | |
People have developed these things. | 0:17:30 | 0:17:32 | |
From my point of view, I see you guys as AMAZING chefs | 0:17:32 | 0:17:35 | |
but also chemists, you know? | 0:17:35 | 0:17:37 | |
When you're frying an egg, you are denaturing proteins. | 0:17:37 | 0:17:40 | |
You are fiddling with the molecular structure of food. | 0:17:40 | 0:17:43 | |
-And this, it's a big shift. -This is growing cells | 0:17:43 | 0:17:46 | |
that we eat - it is different. | 0:17:46 | 0:17:49 | |
The other big aspect of this is no animal will die | 0:17:49 | 0:17:53 | |
in making an artificial burger. | 0:17:53 | 0:17:55 | |
Even saying it makes me slightly repulsed. | 0:17:55 | 0:17:57 | |
I would guess that environmentally it's more sound. | 0:17:57 | 0:18:00 | |
-Less land-use, less water used. -I'm with Michel. | 0:18:00 | 0:18:04 | |
I think I would probably go with less meat. | 0:18:04 | 0:18:07 | |
Would you go vegetarian then? | 0:18:07 | 0:18:09 | |
Listen, you can eat well on vegetarian food. | 0:18:09 | 0:18:10 | |
-So, you'd be happy just to say, "OK"? -We're chefs. | 0:18:10 | 0:18:13 | |
We create flavour with anything. We don't have to eat this much meat. | 0:18:13 | 0:18:16 | |
-No? -Just because it's there, doesn't mean you have to have it. | 0:18:16 | 0:18:18 | |
It is the best source of protein that we have, dietary protein. | 0:18:18 | 0:18:22 | |
We sit here in a wealthy country where we can pretty much pick | 0:18:22 | 0:18:25 | |
and choose the sort of food that we want, and we can get all | 0:18:25 | 0:18:27 | |
the things that we need to keep ourselves healthy as vegetarians. | 0:18:27 | 0:18:31 | |
There are huge swathes of the planet where people can't do that, | 0:18:31 | 0:18:34 | |
where this may or may not be part of the solution. | 0:18:34 | 0:18:38 | |
Sommeliers are experts in food and drink matching. | 0:18:38 | 0:18:41 | |
It can take a lifetime to develop a sophisticated palate, | 0:18:41 | 0:18:45 | |
but as Kate's been finding out there are other ways to create | 0:18:45 | 0:18:48 | |
interesting pairings and they don't involve tasting anything! | 0:18:48 | 0:18:52 | |
'We all know that particular drinks | 0:18:52 | 0:18:55 | |
'go brilliantly with certain foods, | 0:18:55 | 0:18:57 | |
'and sommeliers spend many years honing their palates to find | 0:18:57 | 0:19:00 | |
'out what the best matches are. | 0:19:00 | 0:19:02 | |
'It takes experience to get it right.' | 0:19:02 | 0:19:06 | |
But increasingly, thanks to science, | 0:19:06 | 0:19:07 | |
we're fast developing ways of pinpointing | 0:19:07 | 0:19:09 | |
and measuring taste that's changing the way we understand flavour. | 0:19:09 | 0:19:13 | |
'Danny Hodrien is a food scientist. | 0:19:13 | 0:19:16 | |
'For the last 40 years, he's been analysing how the different | 0:19:16 | 0:19:19 | |
'molecules in food affect how it tastes.' | 0:19:19 | 0:19:22 | |
-Hi, Danny. -Hi, Kate. | 0:19:22 | 0:19:24 | |
'He's going to help me understand is the science behind food | 0:19:24 | 0:19:27 | |
'and drink matching.' | 0:19:27 | 0:19:30 | |
So if we're thinking about red wine and red meat, for example | 0:19:30 | 0:19:34 | |
beef, I'd think about having a nice big, full-bodied red. | 0:19:34 | 0:19:39 | |
Why does that match fill me with excitement? | 0:19:39 | 0:19:41 | |
Well, both red wine and beef, | 0:19:41 | 0:19:43 | |
they have their own hundreds of flavour molecules in their own right, | 0:19:43 | 0:19:47 | |
but in some cases we've got some commonality. | 0:19:47 | 0:19:50 | |
There are two, or three, or four at least that we know of, | 0:19:50 | 0:19:52 | |
which are carried in both red wine and in beef. | 0:19:52 | 0:19:55 | |
For instance, this one here | 0:19:55 | 0:19:58 | |
is called "benzothiazole", which I'm sure, | 0:19:58 | 0:20:00 | |
when you smell, you would not think of red wine or even of beef. | 0:20:00 | 0:20:05 | |
-Do you know what it smells of to me? -No. | 0:20:05 | 0:20:07 | |
Shoe polish. | 0:20:07 | 0:20:09 | |
DANNY CHUCKLES | 0:20:09 | 0:20:10 | |
-Well... -I've never smelt shoe polish in my beef. -No, no. | 0:20:10 | 0:20:14 | |
-But, believe me, it's there. -Yes. | 0:20:14 | 0:20:17 | |
It's about the quantity. | 0:20:17 | 0:20:18 | |
These molecules are there at parts per billion. | 0:20:18 | 0:20:21 | |
What you're smelling here is a 1% solution, so it's probably | 0:20:21 | 0:20:24 | |
1,000 times stronger than what you would see | 0:20:24 | 0:20:27 | |
in the red wine or the beef. | 0:20:27 | 0:20:28 | |
'This sort of science is used in manufacturing | 0:20:28 | 0:20:31 | |
'everything from simple snacks to fancy liquors and it's big business. | 0:20:31 | 0:20:36 | |
'But what I'm fascinated by is how it could transform traditional | 0:20:36 | 0:20:40 | |
'flavour matching and help come up with new ideas.' | 0:20:40 | 0:20:43 | |
What do you think it means for the future of food and drink pairing? | 0:20:43 | 0:20:47 | |
I think we can look at foods | 0:20:47 | 0:20:48 | |
and drinks which we'd not traditionally put together | 0:20:48 | 0:20:50 | |
and look at the molecular analysis of those from a flavour | 0:20:50 | 0:20:54 | |
point of view, and look for the overlap which could lead us | 0:20:54 | 0:20:57 | |
to interesting new, exciting combinations, I think. | 0:20:57 | 0:21:00 | |
'I want to see what the modern method has to offer. | 0:21:00 | 0:21:04 | |
'So Danny has come up with three brand-new pairings | 0:21:04 | 0:21:07 | |
'that science says are a good match. | 0:21:07 | 0:21:09 | |
'And I'm his guinea pig.' | 0:21:09 | 0:21:11 | |
-Well, the first one is tequila. -OK. | 0:21:11 | 0:21:14 | |
-I'd think something savoury. -Well, how about...Turkish delight? | 0:21:14 | 0:21:17 | |
Oh, wow! OK. | 0:21:17 | 0:21:20 | |
Mm, that's quite surprising. | 0:21:21 | 0:21:22 | |
And it actually brings the floral character out of the tequila. | 0:21:22 | 0:21:26 | |
When I smelt the tequila, it smelt quite spicy. Well done. | 0:21:26 | 0:21:29 | |
I'll give you that one. | 0:21:29 | 0:21:31 | |
OK, so we've got a port next. | 0:21:31 | 0:21:33 | |
I'd like it with perhaps a blue cheese. | 0:21:33 | 0:21:35 | |
That would be my automatic reaction. | 0:21:35 | 0:21:37 | |
-What about... -Oh... -..prawns? -No way! | 0:21:37 | 0:21:40 | |
-I'm not sure about that one, Danny. -OK. Well, there you go. | 0:21:44 | 0:21:46 | |
-I have one more lined up for you. -Grapefruit. -I give you... | 0:21:46 | 0:21:50 | |
goats' cheese. | 0:21:50 | 0:21:51 | |
'Making matches like this is an exciting way to discover | 0:21:51 | 0:21:55 | |
'new flavour combinations, but just like the traditional method, | 0:21:55 | 0:21:58 | |
'the best proof is in the eating.' | 0:21:58 | 0:22:01 | |
Now that is a good match. | 0:22:01 | 0:22:02 | |
Excellent. I'm very happy. | 0:22:02 | 0:22:04 | |
The grapefruit and goats' cheese of the 1960s was duck a l'orange. | 0:22:07 | 0:22:11 | |
Matching unusual flavours to great effect | 0:22:11 | 0:22:13 | |
isn't as cutting-edge as it sounds. | 0:22:13 | 0:22:15 | |
Clever cooking is about reinventing dishes to keep food exciting. | 0:22:15 | 0:22:19 | |
My take on this timeless classic is duck a la rhubarb. | 0:22:19 | 0:22:23 | |
'Finding the dish of the future is all about being experimental. | 0:22:24 | 0:22:27 | |
'Of course rhubarb is traditionally used in desserts, but I've gone for | 0:22:27 | 0:22:31 | |
'a break with the past to make this wonderful dish.' | 0:22:31 | 0:22:35 | |
Rhubarb has a certain tartness to it. It's quite sharp and sour. | 0:22:35 | 0:22:40 | |
But if I balance it out with a bit of sugar, | 0:22:40 | 0:22:42 | |
I'm sure it's going to work. | 0:22:42 | 0:22:44 | |
So the rhubarb, I'm going to stew | 0:22:44 | 0:22:46 | |
in a pan with a little bit of sugar. | 0:22:46 | 0:22:49 | |
This is going to add even more flavour to our rhubarb. | 0:22:49 | 0:22:52 | |
And just a little bit of water. | 0:22:52 | 0:22:54 | |
And the Grenadine. | 0:22:56 | 0:22:57 | |
It's not going to flavour the rhubarb, | 0:22:57 | 0:22:59 | |
but it's going to make sure that we get this lovely, | 0:22:59 | 0:23:02 | |
vibrant colour which we always associate with rhubarb. | 0:23:02 | 0:23:05 | |
And just let that stew down completely. | 0:23:05 | 0:23:09 | |
'When it's stewed, blitz it in a mixer | 0:23:10 | 0:23:12 | |
'and leave it to one side. | 0:23:12 | 0:23:14 | |
'The next step is to get the sauce on. | 0:23:16 | 0:23:18 | |
'Red wine vinegar | 0:23:18 | 0:23:20 | |
'and some brown sugar are melted together in a hot pan.' | 0:23:20 | 0:23:23 | |
You can see the vinegar reducing down with the sugar | 0:23:23 | 0:23:27 | |
and the bubbles are getting bigger, which means the caramel is forming. | 0:23:27 | 0:23:32 | |
It's a bitter, sweet, sour caramel. | 0:23:32 | 0:23:34 | |
You need to catch it... | 0:23:34 | 0:23:36 | |
before it goes too dark. | 0:23:36 | 0:23:38 | |
'And then add stock.' | 0:23:38 | 0:23:39 | |
We're using a brown chicken stock but you could use a veal stock | 0:23:39 | 0:23:43 | |
or a beef stock and that caramel will dissolve | 0:23:43 | 0:23:45 | |
and it will colour our sauce | 0:23:45 | 0:23:47 | |
and give it that wonderful depth of flavour. | 0:23:47 | 0:23:49 | |
'Once it's reduced, add some butter which will give it a lovely sheen.' | 0:23:50 | 0:23:55 | |
Now, I need to prepare the duck for cooking. | 0:23:55 | 0:23:58 | |
And I'm going to be using a little bit of Chinese five spice, | 0:23:58 | 0:24:02 | |
a little bit of salt rubbed into the duck | 0:24:02 | 0:24:05 | |
and this'll give it a lovely, fragrant taste. | 0:24:05 | 0:24:08 | |
'Scoring the skin will help to crisp it up beautifully in the pan | 0:24:10 | 0:24:14 | |
'and allows the rub to get right into the meat. | 0:24:14 | 0:24:17 | |
'Put the seasoned duck breast | 0:24:18 | 0:24:19 | |
'skin side down into a COLD pan.' | 0:24:19 | 0:24:22 | |
And then we turn it on. | 0:24:22 | 0:24:24 | |
No fat in the pan. And after about a minute or two, | 0:24:24 | 0:24:27 | |
you'll see some of the fat melting and that will start cooking | 0:24:27 | 0:24:32 | |
and crisping up this beautiful skin. | 0:24:32 | 0:24:35 | |
'Cook the dock for five or six minutes and then flip it over. | 0:24:35 | 0:24:39 | |
'Turn off the gas and allow it | 0:24:39 | 0:24:41 | |
'to finish cooking in the residual heat.' | 0:24:41 | 0:24:43 | |
That looks beautiful and golden and delicious, | 0:24:44 | 0:24:47 | |
and the spice has gone that lovely amber-rich, brown colour. | 0:24:47 | 0:24:51 | |
It smells divine. It really does. | 0:24:51 | 0:24:54 | |
Just leave it there in the pan. | 0:24:54 | 0:24:56 | |
It will carry on cooking and resting and it will be the perfect pink. | 0:24:56 | 0:25:00 | |
'For the garnish, put some more brown sugar in a pan. | 0:25:01 | 0:25:04 | |
'Add rhubarb batons | 0:25:04 | 0:25:06 | |
'and a knob of butter.' | 0:25:06 | 0:25:07 | |
So now to plate up. My interpretation of a classic, | 0:25:08 | 0:25:12 | |
my duck a l'orange of the future. | 0:25:12 | 0:25:14 | |
So a spoonful of this lovely pink... | 0:25:14 | 0:25:18 | |
rhubarb puree. | 0:25:19 | 0:25:22 | |
And then... | 0:25:22 | 0:25:23 | |
our duck. Just going to cut it in half, down the middle. | 0:25:23 | 0:25:27 | |
And that's beautiful and pink. | 0:25:29 | 0:25:30 | |
It has rested, it's succulent and juicy but it's not rare, | 0:25:30 | 0:25:34 | |
it's not bloody. | 0:25:34 | 0:25:35 | |
And that's because it's been rested properly. | 0:25:35 | 0:25:38 | |
'Top the duck with the rhubarb batons. | 0:25:40 | 0:25:42 | |
'And on the side, a little pak choi stir-fried with chilli. | 0:25:43 | 0:25:47 | |
'Finish with a few drizzles of the sauce.' Mm... | 0:25:47 | 0:25:51 | |
'My 21st-century take on a classic, | 0:25:51 | 0:25:53 | |
'juicy duck with tangy, sweet-and-sour rhubarb.' | 0:25:53 | 0:25:56 | |
Oh! | 0:25:57 | 0:25:58 | |
-Look at that! -There we go, guys. Duck a la rhubarb. -Mm. -Looks good. | 0:25:58 | 0:26:03 | |
-Dive in. -I will then. | 0:26:03 | 0:26:05 | |
Mm... | 0:26:08 | 0:26:09 | |
The five spice really works, doesn't it? | 0:26:09 | 0:26:12 | |
-I love that tanginess from the rhubarb. -Mm. | 0:26:12 | 0:26:14 | |
My palate feels alive with tanginess. It's fantastic. | 0:26:14 | 0:26:17 | |
And I've got the perfect match for this, I think. | 0:26:17 | 0:26:20 | |
Normally I'd go for Pinot Noir with this. | 0:26:20 | 0:26:23 | |
But because it's got the rhubarb and that tanginess, | 0:26:23 | 0:26:25 | |
I've gone for a Gewurztraminer. | 0:26:25 | 0:26:27 | |
So we've got Domaine Bruno Sorg, Gewurztraminer 2010. | 0:26:27 | 0:26:30 | |
-It's very aromatic. -Jasmine. | 0:26:30 | 0:26:32 | |
Yeah, exactly. There's rose petals, | 0:26:32 | 0:26:35 | |
lychee, all those sorts of exotic fruits. | 0:26:35 | 0:26:38 | |
-So it's really quite aromatic. -That really works. | 0:26:38 | 0:26:40 | |
I think it'll just work really nicely with the tanginess | 0:26:40 | 0:26:43 | |
of the rhubarb but also the heat from the chillies as well. | 0:26:43 | 0:26:46 | |
And it's big enough. It's a big enough wine to stand up to the meat. | 0:26:46 | 0:26:49 | |
I think it's a wonderful match with that rhubarb. Absolutely bang on. | 0:26:49 | 0:26:52 | |
-And the chilli, the heat as well. -Yeah. -Perfect. | 0:26:52 | 0:26:55 | |
It wouldn't be my immediate choice... | 0:26:55 | 0:26:57 | |
-No, I can understand. -..with duck. -I can understand. -But... | 0:26:57 | 0:27:00 | |
-Would you go with more of a red? -I would, I would. | 0:27:00 | 0:27:02 | |
-What red would you go for? -A Pinot Noir. | 0:27:02 | 0:27:04 | |
But saying that... | 0:27:04 | 0:27:06 | |
-The rhubarb would probably ruin the Pinot Noir. -I think so. | 0:27:06 | 0:27:08 | |
-I do. -Also, a Gewurtz goes well with Chinese spices. -Exactly. | 0:27:08 | 0:27:11 | |
-I defer to your expertise and I would happily drink that. -Yes. | 0:27:11 | 0:27:15 | |
I think it stands up to the food really well. | 0:27:15 | 0:27:18 | |
-I'm going in for a bit more there. -That duck's lovely. | 0:27:18 | 0:27:20 | |
The future of our food and drink is exciting, | 0:27:23 | 0:27:25 | |
divisive and intriguing in equal measure. | 0:27:25 | 0:27:27 | |
Whether you're experimenting in the kitchen, or grappling with | 0:27:27 | 0:27:30 | |
some of the bigger questions about the future of our food, | 0:27:30 | 0:27:34 | |
being engaged with the debate is what really matters. | 0:27:34 | 0:27:37 |