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This is the age of reinvention. Everything is back... | 0:00:02 | 0:00:05 | |
..'80s music, platform shoes, flares, tank tops | 0:00:06 | 0:00:10 | |
and best of all, fantastic food and drink. | 0:00:10 | 0:00:13 | |
This show is all about bringing back classic food and drink | 0:00:13 | 0:00:17 | |
too good to be forgotten. | 0:00:17 | 0:00:19 | |
We're going all out to dig out the best in comeback cuisine. | 0:00:19 | 0:00:23 | |
'As part of BBC Two's food season, | 0:00:24 | 0:00:27 | |
'we're cooking up a nostalgia-filled feast, | 0:00:27 | 0:00:29 | |
'made with great ingredients that deserve a revival. | 0:00:29 | 0:00:33 | |
'And who better to reminisce with than Raymond Blanc? | 0:00:33 | 0:00:36 | |
'He always puts good taste above passing fads.' | 0:00:36 | 0:00:39 | |
Hey, Chef! | 0:00:39 | 0:00:40 | |
'He's making the case for a souffle, | 0:00:40 | 0:00:43 | |
'made with a very unfashionable ingredient...' | 0:00:43 | 0:00:45 | |
Semolina was one of my many fondest memories. | 0:00:45 | 0:00:49 | |
I am so sorry for you, because obviously you spent your childhood | 0:00:49 | 0:00:53 | |
having some terrible, bad food, OK? | 0:00:53 | 0:00:55 | |
THEY LAUGH | 0:00:55 | 0:00:56 | |
'..and the heat is on, for me to save an old favourite | 0:00:56 | 0:00:59 | |
'from the history books.' | 0:00:59 | 0:01:01 | |
It's the flavour of lamb, but more. | 0:01:01 | 0:01:03 | |
It's a very cheap protein and absolutely delicious. | 0:01:03 | 0:01:06 | |
'Chef Andy Bates unearths a wartime staple | 0:01:06 | 0:01:08 | |
'that's fallen out of favour...' | 0:01:08 | 0:01:10 | |
-Oh, it's very good, isn't it? -Yeah. | 0:01:10 | 0:01:12 | |
'..while Joe Wadsack takes us back in time | 0:01:12 | 0:01:15 | |
'with a crazy drinks match...' | 0:01:15 | 0:01:16 | |
I think that would go quite well with the brain. | 0:01:16 | 0:01:18 | |
It's the perfect comeback cuisine, isn't it, really? | 0:01:18 | 0:01:21 | |
'..before we discover whose creation deserves a second chance.' | 0:01:21 | 0:01:25 | |
Another four-star Michelin day. | 0:01:25 | 0:01:27 | |
No less. Absolument. | 0:01:27 | 0:01:28 | |
Welcome to Food & Drink. | 0:01:29 | 0:01:31 | |
MUSIC: Superstition by Stevie Wonder | 0:01:34 | 0:01:36 | |
'Just like with music, clothes and hair styles, | 0:01:36 | 0:01:39 | |
'food fashions are constantly changing - | 0:01:39 | 0:01:41 | |
'but style goes in cycles | 0:01:41 | 0:01:43 | |
'and the old classics are back.' | 0:01:43 | 0:01:45 | |
Never heard of him. | 0:01:48 | 0:01:50 | |
'Nostalgia food is big business. | 0:01:50 | 0:01:52 | |
'Sales of British groceries are growing | 0:01:52 | 0:01:54 | |
'at twice the rate of their international competitors, | 0:01:54 | 0:01:57 | |
'with retro brands leading the way.' | 0:01:57 | 0:02:00 | |
A dozen fresh eggs, please. Thank you. | 0:02:00 | 0:02:03 | |
Amazing. | 0:02:04 | 0:02:06 | |
'So tonight, we're reviving old school recipes, | 0:02:06 | 0:02:08 | |
'as I take on a chef with an OBE for his contribution to food. | 0:02:08 | 0:02:12 | |
'It's my toughest challenge yet.' | 0:02:14 | 0:02:16 | |
It's an honour to have the great chef Raymond Blanc in my kitchen. | 0:02:19 | 0:02:23 | |
What are you cooking? | 0:02:23 | 0:02:24 | |
What I'm going to do today is a beautiful dish, OK, | 0:02:24 | 0:02:26 | |
which is really connected with my childhood, with my mum. | 0:02:26 | 0:02:29 | |
Mum was a great cook and she would do a beautiful souffle of semolina, | 0:02:29 | 0:02:34 | |
with baked apples within it. | 0:02:34 | 0:02:36 | |
Wow, that sounds fantastic - | 0:02:36 | 0:02:38 | |
and you think the Great British apple | 0:02:38 | 0:02:41 | |
and semolina both need reviving? | 0:02:41 | 0:02:43 | |
I think so. Most kids have got terrible views of semolina, | 0:02:43 | 0:02:46 | |
but semolina is absolutely brilliant. | 0:02:46 | 0:02:48 | |
Takes three minutes of your life to cook - plus, it's tasty. | 0:02:48 | 0:02:51 | |
We need a revival of the British apple. | 0:02:51 | 0:02:53 | |
I'm so sad when I go into supermarkets and barely see | 0:02:53 | 0:02:56 | |
one or two British apples, | 0:02:56 | 0:02:58 | |
when there's so many of them which are magnificent. | 0:02:58 | 0:03:01 | |
'So it takes a Frenchman to champion the great British apple, | 0:03:01 | 0:03:04 | |
'with a semolina souffle. | 0:03:04 | 0:03:05 | |
'Touche, Monsieur Blanc. | 0:03:05 | 0:03:07 | |
'This British boy is taking him on his own game, | 0:03:07 | 0:03:10 | |
'with two classics from across the Channel. | 0:03:10 | 0:03:13 | |
'Gratin with a turnip twist and a sauce gribiche | 0:03:13 | 0:03:16 | |
'or posh tartare sauce, | 0:03:16 | 0:03:18 | |
'to accompany my under-loved butcher's favourite, mutton - | 0:03:18 | 0:03:22 | |
'and school dinner staple, cabbage.' | 0:03:22 | 0:03:24 | |
This is a moment I've dreamt of for a very long time. | 0:03:24 | 0:03:27 | |
I actually remember, there was a period | 0:03:27 | 0:03:30 | |
when I first started being a chef. | 0:03:30 | 0:03:31 | |
I was 18 years old and I wrote a letter to the Manoir, | 0:03:31 | 0:03:34 | |
dreaming one day of being able to work with the great Raymond Blanc | 0:03:34 | 0:03:38 | |
and I received a letter back from you, saying that | 0:03:38 | 0:03:40 | |
you're not taking on any new commis chefs for at least 18 months | 0:03:40 | 0:03:44 | |
and my heart was broken. | 0:03:44 | 0:03:45 | |
Oh, I'm very, very sorry. | 0:03:45 | 0:03:47 | |
So, for me, you being here today | 0:03:47 | 0:03:49 | |
is making up for that letter coming 23 years ago. | 0:03:49 | 0:03:52 | |
HE LAUGHS | 0:03:52 | 0:03:53 | |
'But as I get my breadcrumb crust for my mutton ready, | 0:03:53 | 0:03:56 | |
'I'm starting to realise that I should be careful what I wish for.' | 0:03:56 | 0:04:00 | |
-OK, I need a bin. -At the end, at the end here. | 0:04:00 | 0:04:03 | |
-Tom, can I have a bin, please? Here, Chef! -God, so slow! | 0:04:03 | 0:04:06 | |
-There you go, there you go. Sorry, Chef. -I thought I was your guest. | 0:04:06 | 0:04:10 | |
Anything you want, I will quite happily fetch for you, | 0:04:10 | 0:04:12 | |
it's no problem at all. | 0:04:12 | 0:04:14 | |
'I'm finally Raymond's trainee chef | 0:04:14 | 0:04:16 | |
'and his passion is inspiring - | 0:04:16 | 0:04:19 | |
in this case, for obscure varieties of apples.' | 0:04:19 | 0:04:21 | |
I'm creating an orchard with 2,500 trees. | 0:04:21 | 0:04:26 | |
All these apples, which are part of our heritage - | 0:04:26 | 0:04:29 | |
-I should say your heritage... -You're reviving the British apple for me? | 0:04:29 | 0:04:32 | |
Absolutely, but I want to show you, when you choose the wrong apple, | 0:04:32 | 0:04:36 | |
how they will bake. | 0:04:36 | 0:04:38 | |
They will collapse into a heap | 0:04:38 | 0:04:40 | |
and you'll be miserable and then you'll be blaming me for it. | 0:04:40 | 0:04:44 | |
I wouldn't blame you, Chef. Don't worry. We can blame the oven. | 0:04:44 | 0:04:47 | |
'So, it's two bad apples up against two good ones - | 0:04:47 | 0:04:50 | |
'a Blenheim Orange and Raymond's favourite.' | 0:04:50 | 0:04:53 | |
The Chivers Delight - what a beautiful name. | 0:04:53 | 0:04:56 | |
1920 heritage British variety. | 0:04:56 | 0:04:59 | |
'To stop them exploding, he cuts a steam vent in the top, | 0:04:59 | 0:05:03 | |
'coats them in butter and rolls them in sugar.' | 0:05:03 | 0:05:06 | |
So, is this a method you learned to cook from grandmother, or... ? | 0:05:06 | 0:05:09 | |
-My mum. My mum would put it directly like that. -It looks beautiful. | 0:05:09 | 0:05:13 | |
It almost looks like a Christmas tree decoration. | 0:05:13 | 0:05:16 | |
Tres bien. | 0:05:16 | 0:05:18 | |
What are you doing, Tom? You never tell me what you're doing. | 0:05:18 | 0:05:21 | |
Yes, so these are mutton chops - like lamb chops, but mutton. | 0:05:21 | 0:05:24 | |
-Are you a mutton fan? -Yes, it's very, very good. | 0:05:24 | 0:05:27 | |
It's the flavour of lamb, but more - it's more intense, | 0:05:27 | 0:05:30 | |
it's bigger, punchier... | 0:05:30 | 0:05:31 | |
For home, we should use much more mutton, | 0:05:31 | 0:05:34 | |
because it's a very cheap protein and absolutely delicious, | 0:05:34 | 0:05:37 | |
so I'm very much looking forward to your dish. | 0:05:37 | 0:05:40 | |
'No pressure, then! | 0:05:40 | 0:05:42 | |
'Whilst my mutton chops rest in the fridge, | 0:05:42 | 0:05:44 | |
'Raymond gets his apples in for their first bake | 0:05:44 | 0:05:47 | |
'and he's heating milk to make his semolina, | 0:05:47 | 0:05:49 | |
'but with two British blokes in their '40s tasting, | 0:05:49 | 0:05:52 | |
'this could just be his downfall.' | 0:05:52 | 0:05:54 | |
In this country, at my age, | 0:05:54 | 0:05:56 | |
you associate semolina with school dinners - | 0:05:56 | 0:05:59 | |
and that's not always the fondest memories, | 0:05:59 | 0:06:01 | |
I have to be honest with you. | 0:06:01 | 0:06:02 | |
I know. I'm so sorry for you, because obviously, | 0:06:02 | 0:06:04 | |
you spent your childhood having some terrible, bad food, OK? | 0:06:04 | 0:06:08 | |
For me, semolina was one of my many fondest memories. | 0:06:09 | 0:06:14 | |
My mum would put raisins inside, | 0:06:16 | 0:06:18 | |
she would break egg yolk inside and she was absolutely amazing. | 0:06:18 | 0:06:20 | |
I have to be honest, | 0:06:20 | 0:06:22 | |
-Mama Blanc sounds like she was an amazing chef. -An amazing woman, yes. | 0:06:22 | 0:06:25 | |
'And in keeping with his mum's recipe, | 0:06:25 | 0:06:27 | |
'Raymond is adding some lovely, rich egg yolks | 0:06:27 | 0:06:29 | |
'and soaking his raisins in Calvados...' | 0:06:29 | 0:06:31 | |
Voila - and one for the pot. | 0:06:31 | 0:06:33 | |
'..classic French apple brandy.' | 0:06:33 | 0:06:36 | |
Of course, I should've used British apple brandy. | 0:06:36 | 0:06:38 | |
-Are we any good at making apple brandy? -Yeah, yeah. | 0:06:38 | 0:06:41 | |
There's some excellent... | 0:06:41 | 0:06:42 | |
-Especially in Kent, Sussex... -Somerset? | 0:06:42 | 0:06:45 | |
-Somerset is absolutely amazing. -But you have to say it like... | 0:06:45 | 0:06:48 | |
-WEST COUNTRY ACCENT: -Somerset. -Ah! Go away, you! | 0:06:48 | 0:06:51 | |
Somerset and cider - | 0:06:51 | 0:06:53 | |
otherwise no-one will understand what you're saying, Chef. | 0:06:53 | 0:06:56 | |
40 years I've been here and still, people just manage | 0:06:56 | 0:07:00 | |
to understand what I'm talking about. | 0:07:00 | 0:07:02 | |
But I will never get that accent. | 0:07:02 | 0:07:04 | |
'It just takes practice, Chef - | 0:07:04 | 0:07:06 | |
'and few pints of cider helps, too. | 0:07:06 | 0:07:08 | |
'Raymond's might be a recipe handed down from his mum, | 0:07:08 | 0:07:12 | |
'but to go with my mutton, | 0:07:12 | 0:07:13 | |
'I'm reviving a vegetable that fell out of fashion | 0:07:13 | 0:07:16 | |
'way back in the 18th century, | 0:07:16 | 0:07:18 | |
'when the potato arrived and stole the limelight.' | 0:07:18 | 0:07:21 | |
Turnip's got that wonderful kind of peppery kick to it as well, | 0:07:21 | 0:07:24 | |
-hasn't it? -Delicious. | 0:07:24 | 0:07:26 | |
Actually, you know creamed horseradish - | 0:07:26 | 0:07:28 | |
-when you get the jars of creamed horseradish? -Yeah? | 0:07:28 | 0:07:31 | |
Most of the substance in that jar is actually turnip, not horseradish. | 0:07:31 | 0:07:35 | |
It works very, very well with those strong, British flavours. | 0:07:35 | 0:07:40 | |
'And it works perfectly with some lovely, rich double cream too. | 0:07:40 | 0:07:43 | |
'Time to get my gratin into the oven and it's a straight swap, | 0:07:43 | 0:07:47 | |
'as after just 20 minutes' baking, | 0:07:47 | 0:07:49 | |
'Raymond's apples are ready to come out.' | 0:07:49 | 0:07:51 | |
Got to be honest, they look lush. | 0:07:51 | 0:07:53 | |
-The best one, of course... -They look incredible. | 0:07:53 | 0:07:56 | |
-Those two are definitely the best. -That is the Chivers Delight. | 0:07:56 | 0:07:59 | |
Absolutely amazing, perfect for baking and it's still firm - feel it. | 0:07:59 | 0:08:02 | |
-Yes. -And the flavour is amazing. | 0:08:02 | 0:08:05 | |
That one is completely out. | 0:08:05 | 0:08:07 | |
Yeah, completely destroyed. | 0:08:07 | 0:08:08 | |
This is definitely not a good baking apple, is it? | 0:08:08 | 0:08:11 | |
From looking at this, I've learnt today, Chef. Thank you. | 0:08:11 | 0:08:14 | |
'Whilst I get au fait with Raymond's apples, | 0:08:14 | 0:08:17 | |
'Oliver Peyton is lifting the lid on an industry | 0:08:17 | 0:08:19 | |
'where we were once the pick of the bunch, | 0:08:19 | 0:08:21 | |
'making top-quality spirits. | 0:08:21 | 0:08:24 | |
'Until recently, craft distilling had all but disappeared. | 0:08:24 | 0:08:27 | |
'He's determined to find out | 0:08:27 | 0:08:28 | |
'if it's a revival worth raising a glass to. | 0:08:28 | 0:08:32 | |
'Inspired by an explosion of artisan spirit producers in the USA, | 0:08:32 | 0:08:36 | |
'more than 20 new small-scale distilleries opened in 2014 alone. | 0:08:36 | 0:08:41 | |
'And as with craft brewing, | 0:08:41 | 0:08:43 | |
'smaller production runs mean a more unique and specialist product. | 0:08:43 | 0:08:47 | |
'At one of Suffolk's oldest breweries, | 0:08:47 | 0:08:49 | |
'Jonathan Adnams turns his beer into top-quality spirits.' | 0:08:49 | 0:08:53 | |
You start off with beer. | 0:08:53 | 0:08:54 | |
Does that mean every spirit you make tastes of beer? | 0:08:54 | 0:08:56 | |
No, but our spirits do have a particular flavour, | 0:08:56 | 0:08:59 | |
because what we're doing here is, we're making our spirits from malt. | 0:08:59 | 0:09:03 | |
You can call it beer if you like - | 0:09:03 | 0:09:04 | |
and you're concentrating that alcohol and in fact, | 0:09:04 | 0:09:07 | |
separating some alcohols out that you don't want. | 0:09:07 | 0:09:10 | |
'This beer is then pumped into the still...' | 0:09:10 | 0:09:12 | |
-It got a bit of a Willy Wonka factor about it, hasn't it? -Sure does. | 0:09:12 | 0:09:15 | |
'..where it's heated until the alcohol evaporates, | 0:09:15 | 0:09:18 | |
'condenses and is collected as a nearly pure spirit.' | 0:09:18 | 0:09:22 | |
And we're going to separate out the heads and the tails | 0:09:22 | 0:09:24 | |
-and the hearts... -Whoa, whoa, whoa! "Heads and tails"? "Hearts?" | 0:09:24 | 0:09:27 | |
Stop, stop! Keep it simple for me. | 0:09:27 | 0:09:29 | |
Well, the heads and the tails are the alcohols | 0:09:29 | 0:09:32 | |
that we don't want in our final spirit drink. | 0:09:32 | 0:09:35 | |
What we want is the hearts, | 0:09:35 | 0:09:36 | |
which in the case of vodka is virtually pure ethanol. | 0:09:36 | 0:09:39 | |
-Happy days! -Would you like to try some? | 0:09:39 | 0:09:41 | |
Ah, well... OK, then. | 0:09:41 | 0:09:43 | |
HE LAUGHS | 0:09:43 | 0:09:44 | |
OK, so what we've got here is ethanol at 96%, | 0:09:46 | 0:09:50 | |
which we really don't want to drink, so I'm going to cut that... | 0:09:50 | 0:09:53 | |
Speak for yourself. | 0:09:53 | 0:09:55 | |
..with some water. | 0:09:55 | 0:09:56 | |
Whoa-ho! | 0:09:59 | 0:10:01 | |
-That'll put hairs on your chest. -It will indeed. | 0:10:01 | 0:10:04 | |
'And by making small changes to the distilling process, | 0:10:04 | 0:10:07 | |
'Jonathan can make everything from vodka and gin, whisky, | 0:10:07 | 0:10:11 | |
'absinthe and even orange liqueur. | 0:10:11 | 0:10:14 | |
'Impressive, but does this variety mean | 0:10:14 | 0:10:16 | |
'he risks compromising on each drink's individual taste? | 0:10:16 | 0:10:20 | |
'I guess there's only one way to find out. | 0:10:20 | 0:10:22 | |
'It's a hard life.' | 0:10:22 | 0:10:24 | |
I'm sweating already. | 0:10:24 | 0:10:26 | |
This looks very dangerous to me. | 0:10:26 | 0:10:28 | |
'First up, the vodka.' | 0:10:28 | 0:10:30 | |
48% alcohol, so that's quite a strong vodka. | 0:10:31 | 0:10:35 | |
Yeah, really? | 0:10:35 | 0:10:36 | |
After you get over the strength, it's quite creamy, | 0:10:36 | 0:10:39 | |
there's quite a smoothness to it there. So yeah, I really like that. | 0:10:39 | 0:10:41 | |
-Good. -'Next, a prize-winning gin.' | 0:10:41 | 0:10:44 | |
This has got an amazing sense of balance to it. Loads of very... | 0:10:44 | 0:10:48 | |
I think, quite delicate flavours. | 0:10:48 | 0:10:49 | |
I could definitely knock a few of those back. | 0:10:49 | 0:10:51 | |
Ha-ha! | 0:10:51 | 0:10:52 | |
'And finally, red absinthe, coloured with hibiscus leaves.' | 0:10:52 | 0:10:56 | |
I'm slightly concerned here. | 0:10:56 | 0:10:58 | |
I'm going to start hallucinating after I drink this. Cheers. | 0:10:58 | 0:11:00 | |
Cheers, anyway. | 0:11:00 | 0:11:01 | |
Wow, that's bursting with flavour. | 0:11:06 | 0:11:08 | |
It's a much more rounded flavour than I'm used to from absinthe, you know? | 0:11:08 | 0:11:11 | |
A lot of absinthe is a little bit rougher, isn't it? | 0:11:11 | 0:11:14 | |
Yeah. We don't have a rule book to be governed by | 0:11:14 | 0:11:17 | |
and so, we've been trying to walk our own path. | 0:11:17 | 0:11:20 | |
'And that's where craft distilling really comes into its own. | 0:11:20 | 0:11:23 | |
'The freedom to be creative with flavours and balance | 0:11:23 | 0:11:26 | |
'gives distillers like Jonathan an edge | 0:11:26 | 0:11:29 | |
'over their big commercial competitors.' | 0:11:29 | 0:11:31 | |
MUSIC: It's Not Unusual by Tom Jones | 0:11:32 | 0:11:34 | |
'From one top-quality tipple to our very own whirlwind of wine. | 0:11:34 | 0:11:37 | |
'Bring it on, Joe!' | 0:11:37 | 0:11:39 | |
There's nothing cooler than retro, don't forget. | 0:11:39 | 0:11:41 | |
Nothing cooler than retro. | 0:11:41 | 0:11:43 | |
'Today, he's digging out a selection of classic drinks | 0:11:43 | 0:11:46 | |
'to see if they really should be revived.' | 0:11:46 | 0:11:48 | |
HE LAUGHS | 0:11:48 | 0:11:50 | |
-A Blue Nun? -Can I just point out that you have Chef Raymond Blanc here | 0:11:50 | 0:11:53 | |
and you've just put... | 0:11:53 | 0:11:54 | |
That is the worst possible wine ever created in the world, ever - | 0:11:54 | 0:11:58 | |
and in the '70s, that one used to be the most popular in Great Britain. | 0:11:58 | 0:12:03 | |
-Is it a different wine now? -It's a different wine. | 0:12:03 | 0:12:06 | |
It's nearly 100 years old. So this is 30% Riesling now, | 0:12:06 | 0:12:09 | |
which is a major step up to where it was back in the day - | 0:12:09 | 0:12:11 | |
and it's a lot less sweet. | 0:12:11 | 0:12:13 | |
For me, I don't like it. | 0:12:13 | 0:12:15 | |
-To me, a great taste is sour-sweet... -There's a tension... | 0:12:15 | 0:12:18 | |
There's a tension. I feel I'm not warming up to it. | 0:12:18 | 0:12:21 | |
There are three words here - fresh, crisp and fruity - | 0:12:21 | 0:12:25 | |
and it is all of those things. | 0:12:25 | 0:12:27 | |
It's fresh, crisp and fruity. | 0:12:27 | 0:12:30 | |
For 5.99, it's very hard to find | 0:12:30 | 0:12:31 | |
any dry whites that are any more interesting than that. | 0:12:31 | 0:12:33 | |
I think this is a better drink than it used to be. | 0:12:33 | 0:12:36 | |
-The bottle is nice. -You're a sweet guy, Tom. | 0:12:36 | 0:12:37 | |
THEY LAUGH | 0:12:37 | 0:12:39 | |
'That one might not make a comeback, then. | 0:12:39 | 0:12:42 | |
'So Joe's going even more retro.' | 0:12:42 | 0:12:45 | |
-Asti. -Asti, yeah? -Asti. | 0:12:45 | 0:12:47 | |
I remember this being sold as a classy drink - | 0:12:47 | 0:12:50 | |
as an alternative to champagne, I suppose? | 0:12:50 | 0:12:52 | |
I think it was, back in the day, to be honest. | 0:12:52 | 0:12:54 | |
Have a little taste of that. | 0:12:54 | 0:12:56 | |
Now, it's only 7.5% alcohol, | 0:12:56 | 0:12:58 | |
-which is actually the trick to why I think it's very nice. -Oh, really? | 0:12:58 | 0:13:01 | |
It comes from Piedmont, | 0:13:01 | 0:13:03 | |
which is the most high production region in Italy | 0:13:03 | 0:13:06 | |
and 75% of the entire production | 0:13:06 | 0:13:08 | |
is run by Germans. | 0:13:08 | 0:13:10 | |
So they send Blue Nun across the world | 0:13:10 | 0:13:13 | |
-and then import Asti? -Yeah! | 0:13:13 | 0:13:14 | |
I think it drinks very well. It's got this lovely Muscat grape behind. | 0:13:14 | 0:13:19 | |
-It is there, that's what I like. -I'm not a massive fan. | 0:13:19 | 0:13:22 | |
It's almost like an elderflower cordial, | 0:13:22 | 0:13:24 | |
with lemonade and added sugar and it's very, very sweet. | 0:13:24 | 0:13:27 | |
The thing is, at 7.99, it's extremely high-quality winemaking. | 0:13:27 | 0:13:32 | |
It actually goes really well with desserts, like fruit puddings, | 0:13:32 | 0:13:34 | |
-fruitcakes... -Yeah, it could go. | 0:13:34 | 0:13:36 | |
That kind of thing, it works terrifically well. | 0:13:36 | 0:13:38 | |
In a nutshell, if you had to bring one back, | 0:13:38 | 0:13:40 | |
make it really, really popular again - which one would it be? | 0:13:40 | 0:13:43 | |
I would go for that one, definitely. Not the Blue Nun. | 0:13:43 | 0:13:45 | |
I would go Blue Nun, because the bottle is cool. | 0:13:45 | 0:13:48 | |
'One vote each for Joe's drinks, | 0:13:48 | 0:13:50 | |
'but I've got a meaty taste test | 0:13:50 | 0:13:52 | |
'that pushes "comeback" to its limits.' | 0:13:52 | 0:13:54 | |
Let me just go to the pantry. I have something for you. | 0:13:54 | 0:13:57 | |
It may just be of interest. | 0:13:57 | 0:13:59 | |
We have here three foods | 0:13:59 | 0:14:02 | |
that have fallen out of fashion. | 0:14:02 | 0:14:04 | |
'Nose to tail is to be a key part of our diets, | 0:14:04 | 0:14:07 | |
'but will offal ever really be popular again?' | 0:14:07 | 0:14:10 | |
Can you tell me what it is? | 0:14:10 | 0:14:11 | |
-It's ox heart? -Not ox heart, but lamb's heart. | 0:14:11 | 0:14:14 | |
Absolutely delicious. Really delicious. | 0:14:14 | 0:14:17 | |
Heart is popular in France? | 0:14:17 | 0:14:19 | |
Yeah, we've eaten heart. | 0:14:19 | 0:14:21 | |
As you know, the French have eaten about everything on Earth. | 0:14:21 | 0:14:24 | |
THEY LAUGH | 0:14:24 | 0:14:26 | |
That's true. | 0:14:26 | 0:14:27 | |
-OK, Chef Raymond's gone for the second piece. -OK... | 0:14:27 | 0:14:30 | |
Have a little bit. | 0:14:30 | 0:14:32 | |
Tastes a little bit like kidney? | 0:14:32 | 0:14:34 | |
-Lungs? -No, not lungs. -Is it... | 0:14:34 | 0:14:36 | |
It is further south than that. | 0:14:36 | 0:14:39 | |
Am I eating a testicle? | 0:14:39 | 0:14:40 | |
You are eating a testicle. Yeah, this came from a lamb. | 0:14:40 | 0:14:43 | |
This is the first time I've tasted the testicles of a lamb. | 0:14:43 | 0:14:47 | |
-They are delicious. -Well, I'm surprised. | 0:14:47 | 0:14:49 | |
OK, and the last piece. Breadcrumbs, deep-fried... | 0:14:49 | 0:14:53 | |
-The brains. -It is the brain, it's lamb's brain. | 0:14:53 | 0:14:55 | |
-Completely stunning, yeah. -Really? -Yeah, lamb's brain. | 0:14:55 | 0:14:58 | |
Soft in the middle and then crunchy on the outside. Very tasty. | 0:14:58 | 0:15:01 | |
-Well, I never! -Voila. -I've always been nervous about eating brain, never tried it before. | 0:15:01 | 0:15:05 | |
They're all delicious. I'm really surprised. I can't believe | 0:15:05 | 0:15:07 | |
how much flavour there is on the plate of food. | 0:15:07 | 0:15:09 | |
-So you're a big fan of bringing these back? -Yeah, bring them back. | 0:15:09 | 0:15:12 | |
So maybe we shouldn't say what it is, really. Just enjoy it. | 0:15:12 | 0:15:15 | |
It's the perfect comeback cuisine, isn't it, really? | 0:15:15 | 0:15:17 | |
I would prefer my apple souffle. | 0:15:17 | 0:15:19 | |
'I think I'm with you there, Chef. | 0:15:19 | 0:15:21 | |
'And Raymond's whipping up a frenzy to get air into his eggs, | 0:15:21 | 0:15:24 | |
'so his souffle rises perfectly. | 0:15:24 | 0:15:26 | |
'Not sure why he's trying to bring back manual labour, though.' | 0:15:26 | 0:15:29 | |
I have got a machine, if you need it, Chef. | 0:15:29 | 0:15:32 | |
I find everything so magical, you know? | 0:15:33 | 0:15:35 | |
To see this egg white form up | 0:15:35 | 0:15:38 | |
and bring these billions of bubbles of air inside... | 0:15:38 | 0:15:40 | |
I think it's beautiful and I like a bit of exercise as well, | 0:15:40 | 0:15:44 | |
-to keep me fit. -Yeah, to keep you fit. | 0:15:44 | 0:15:46 | |
A little bit of egg white exercise. | 0:15:46 | 0:15:49 | |
'And once the eggs reach the right consistency...' | 0:15:49 | 0:15:51 | |
Voila. | 0:15:51 | 0:15:53 | |
Yes, that's beautiful. | 0:15:53 | 0:15:54 | |
'..Raymond combines it with his semolina.' | 0:15:54 | 0:15:57 | |
That whole souffle takes about one third to lighten the base. | 0:15:58 | 0:16:02 | |
If you try to put all of them together, | 0:16:02 | 0:16:04 | |
you will lose a lot of lifting power. | 0:16:04 | 0:16:06 | |
'Before you know it, he's ready to throw his apples into the mix - | 0:16:09 | 0:16:12 | |
'not literally, obviously.' | 0:16:12 | 0:16:13 | |
So, just a little bit of icing sugar, | 0:16:15 | 0:16:17 | |
to create a crust on both the apples and the souffle. | 0:16:17 | 0:16:21 | |
Amazing. Well, this is a dream come true for me, | 0:16:21 | 0:16:23 | |
seeing a master at work. | 0:16:23 | 0:16:25 | |
'Time for my sauce gribiche, which is kind of like tartare sauce, | 0:16:26 | 0:16:30 | |
'but for meat - and starts with a base of grated duck eggs.' | 0:16:30 | 0:16:33 | |
That's a great, classic sauce really. | 0:16:36 | 0:16:38 | |
Wonderful textures inside the capers, the gherkins, the vinegar, you know? | 0:16:38 | 0:16:42 | |
All that is so alive. | 0:16:42 | 0:16:43 | |
'Then it's just finished off with mustard powder, | 0:16:43 | 0:16:46 | |
'paprika and olive oil. | 0:16:46 | 0:16:48 | |
'We've been in love with French cooking for years, | 0:16:48 | 0:16:50 | |
'but finally, we're starting to get some affection back.' | 0:16:50 | 0:16:53 | |
The French now are discovering new British dishes, like crumble. | 0:16:53 | 0:16:56 | |
-The whole of France is crumbling at the moment. -Really? | 0:16:56 | 0:16:58 | |
The whole of France is crumbling? In a good way? | 0:16:58 | 0:17:01 | |
-I think it's quite lovely, as well... -For me, | 0:17:01 | 0:17:03 | |
crumble is one of the greatest British childhood favourites - | 0:17:03 | 0:17:06 | |
something that we absolutely love. | 0:17:06 | 0:17:07 | |
MUSIC: Superfly by Curtis Mayfield | 0:17:07 | 0:17:09 | |
'And finally, it's time to get | 0:17:09 | 0:17:11 | |
'Raymond's apple and semolina souffle in the oven to bake.' | 0:17:11 | 0:17:15 | |
My mama, she used to do a tiny dash of butter on the top of the apples. | 0:17:15 | 0:17:20 | |
Voila. C'est bien. | 0:17:20 | 0:17:22 | |
So, when we actually eat this, Chef, | 0:17:22 | 0:17:24 | |
will you be 100% honest with me | 0:17:24 | 0:17:27 | |
and tell me if it was as good as your mum's? | 0:17:27 | 0:17:29 | |
No food never tastes better than it is when it's cooked at home. | 0:17:29 | 0:17:32 | |
-Remember that, Tom. -Nothing as good as your mum's roast dinner, is it? | 0:17:32 | 0:17:36 | |
'And Mama Blanc's passionate about one meet in particular, | 0:17:36 | 0:17:39 | |
'that we Brits are fallen out of love with.' | 0:17:39 | 0:17:42 | |
I kept rabbits in cages... | 0:17:42 | 0:17:46 | |
and every Sunday, we would have rabbit. | 0:17:46 | 0:17:48 | |
I know, because I was the one to kill it... | 0:17:48 | 0:17:51 | |
and peel it, chop it and give it to my mum, who would cook it. | 0:17:51 | 0:17:55 | |
And I remember, my mum, still today, sitting at the table, | 0:17:55 | 0:17:59 | |
still having tears in her eyes | 0:17:59 | 0:18:01 | |
and a smile on her face, | 0:18:01 | 0:18:03 | |
because she hated the idea of killing the rabbit, | 0:18:03 | 0:18:06 | |
but she also loved the rabbit flesh. | 0:18:06 | 0:18:09 | |
-Typical French story. -Yeah, yeah - | 0:18:09 | 0:18:11 | |
hated the idea of killing it, but loved the idea of cooking it! | 0:18:11 | 0:18:15 | |
'We used to eat rabbit like we now eat chicken in this country - | 0:18:15 | 0:18:18 | |
'and Chef Andy Bates wants to get to the bottom of where | 0:18:18 | 0:18:21 | |
'it all went wrong for the British bunny.' | 0:18:21 | 0:18:23 | |
There's an abundant supply of fresh, wild meat | 0:18:23 | 0:18:26 | |
that's just not being used... | 0:18:26 | 0:18:28 | |
..rabbit. | 0:18:29 | 0:18:30 | |
They're everywhere | 0:18:30 | 0:18:32 | |
and those bunnies, they just keep on breeding. | 0:18:32 | 0:18:34 | |
We couldn't get enough of rabbit during the war. | 0:18:35 | 0:18:38 | |
It wasn't rationed and it was delicious, | 0:18:38 | 0:18:41 | |
but when life got back to normal, | 0:18:41 | 0:18:42 | |
rabbit was a reminder of hard times and our tastes changed. | 0:18:42 | 0:18:46 | |
Chef Tim Adams has been shooting and cooking wild rabbit for years - | 0:18:46 | 0:18:49 | |
and he's determined to see it back on our dinner plates. | 0:18:49 | 0:18:52 | |
What is it that's so good about eating rabbit? | 0:18:52 | 0:18:55 | |
Well, in a nutshell - very, very, very tasty, | 0:18:55 | 0:18:58 | |
very healthy food to eat - very low in fat, high in vitamins... | 0:18:58 | 0:19:01 | |
What could be better than that? | 0:19:01 | 0:19:02 | |
There's no shortage of rabbit in the UK, that's for sure. | 0:19:02 | 0:19:05 | |
A conservative estimate would be about 40 million individuals. | 0:19:05 | 0:19:08 | |
People are paying money to control rabbits as pests. | 0:19:08 | 0:19:11 | |
That meat should be used - it's criminal to waste it. | 0:19:11 | 0:19:14 | |
Before you get too excited, | 0:19:15 | 0:19:17 | |
I'm not suggesting you go out there and shoot your own rabbits. | 0:19:17 | 0:19:20 | |
Butchers and supermarkets stock it | 0:19:20 | 0:19:22 | |
and Tim is determined to show me what I've been missing out on. | 0:19:22 | 0:19:25 | |
Rabbit - lagomorph - four-legged animal, same as a lamb, | 0:19:27 | 0:19:30 | |
same as a cow, same as a pig, so it has all those same body parts. | 0:19:30 | 0:19:33 | |
You can treat it in a similar way. | 0:19:33 | 0:19:35 | |
So there's actually quite a lot of meat on it, isn't there? | 0:19:35 | 0:19:38 | |
Yeah, I mean, there's no reason that a medium-sized rabbit | 0:19:38 | 0:19:40 | |
shouldn't feed two to three people. And it's cheap, too. | 0:19:40 | 0:19:43 | |
Three or four pounds, | 0:19:43 | 0:19:44 | |
even for an oven-ready rabbit from the butcher's shop. | 0:19:44 | 0:19:47 | |
Tim, what are we going to cook today? | 0:19:47 | 0:19:48 | |
Very, very quick little pasta dish. | 0:19:48 | 0:19:50 | |
Tim, I think you're showing a really good method of just... | 0:19:50 | 0:19:53 | |
no fuss, simple, delicious cooking, mate. | 0:19:53 | 0:19:56 | |
Start with good ingredients, | 0:19:56 | 0:19:58 | |
you're in a winning situation straightaway, aren't you? | 0:19:58 | 0:20:00 | |
A few chilli flakes... | 0:20:00 | 0:20:01 | |
They're quite brutal, these ones, so I won't go too mad. | 0:20:01 | 0:20:04 | |
And then, a little bit of that smoked paprika. | 0:20:04 | 0:20:06 | |
So, a good tip if you're buying rabbits - | 0:20:06 | 0:20:08 | |
don't necessarily go for the biggest one. | 0:20:08 | 0:20:10 | |
A general rule of thumb - the younger the rabbit, | 0:20:10 | 0:20:12 | |
the more tender and sweeter and then, as you go up, | 0:20:12 | 0:20:14 | |
they get bigger and older, | 0:20:14 | 0:20:16 | |
the tougher they become and the more flavoursome. | 0:20:16 | 0:20:18 | |
So, this is from the leg? So, does it cook like a chicken thigh? | 0:20:18 | 0:20:21 | |
Yeah, it's a really good comparison to draw, actually. | 0:20:21 | 0:20:23 | |
The only difference is, there's hardly any fat. | 0:20:23 | 0:20:26 | |
-In with the mushrooms? -Definitely. -Look at them. | 0:20:28 | 0:20:30 | |
So, the rabbit's been rested and it's just cooked now, isn't it? | 0:20:30 | 0:20:33 | |
Yeah, right on the brink, but that's perfect, | 0:20:33 | 0:20:35 | |
because when we toss it through the hot dish with the mushrooms and the pasta, | 0:20:35 | 0:20:38 | |
-that's going to finish off beautifully. -God, it smells so good. | 0:20:38 | 0:20:41 | |
And the great thing with simple food like this is, there's no faffing about, is there? | 0:20:41 | 0:20:45 | |
We can just chuck it straight in the bowl, easy-peasy. | 0:20:45 | 0:20:47 | |
'So, rabbit pasta - it's a new one on me. Time to taste.' | 0:20:47 | 0:20:50 | |
Tim, bon appetit. | 0:20:50 | 0:20:51 | |
-Oh, it's very good, isn't it? -Yeah. | 0:20:54 | 0:20:57 | |
As long as you're happy, I'm happy. | 0:20:57 | 0:20:59 | |
You've absolutely nailed it. | 0:20:59 | 0:21:00 | |
This whole perception that wild rabbit is tough, | 0:21:00 | 0:21:03 | |
overpoweringly-strong... | 0:21:03 | 0:21:05 | |
Not at all, when you cook it like this. | 0:21:05 | 0:21:08 | |
-And none of this is going to waste, right? -No, no! Tuck in! | 0:21:08 | 0:21:10 | |
'While Raymond's souffle is gently rising in the oven, | 0:21:13 | 0:21:16 | |
'it's time I got my breaded mutton chops on to fry. | 0:21:16 | 0:21:19 | |
'But cooking isn't usually a spectator sport.' | 0:21:19 | 0:21:22 | |
It's not easy dish, and I feel a little bit more under pressure | 0:21:22 | 0:21:25 | |
with the fact that you're stood opposite and looking at me. | 0:21:25 | 0:21:28 | |
What you're doing is very tricky. | 0:21:28 | 0:21:30 | |
Because of course, breadcrumbs are going to colour. | 0:21:30 | 0:21:33 | |
Will they colour before the mutton is cooked? | 0:21:33 | 0:21:35 | |
And you're doing it exactly right, because it feels right. | 0:21:35 | 0:21:38 | |
You can hear it, it's just right. | 0:21:38 | 0:21:40 | |
It's a gentle, gentle searing, not fast. | 0:21:40 | 0:21:44 | |
Ah, the softening of the butter... | 0:21:44 | 0:21:46 | |
You could be French, you know, Tom? | 0:21:46 | 0:21:48 | |
-I know, yeah! -There's a bit of French in you. | 0:21:48 | 0:21:50 | |
I think you must come from Normandy. | 0:21:50 | 0:21:53 | |
-Just a cross... -I will go for Normandy. I'm quite happy with that. | 0:21:53 | 0:21:57 | |
For me, French cuisine is the greatest in the world - | 0:21:57 | 0:22:00 | |
and I'm not just saying that because you're there. So, I'm almost ready. | 0:22:00 | 0:22:03 | |
Your souffle's almost ready? | 0:22:03 | 0:22:04 | |
Yeah, ready in exactly 1 minute and 47 seconds. | 0:22:04 | 0:22:08 | |
'Who said cooking isn't an exact science? | 0:22:08 | 0:22:11 | |
'Time to get my cabbage going - | 0:22:11 | 0:22:12 | |
'and to take it away from | 0:22:12 | 0:22:14 | |
'the overcooked school dinner mush I remember, | 0:22:14 | 0:22:16 | |
'I'm frying mine off in onions, garlic and some modern trimmings. | 0:22:16 | 0:22:20 | |
-'And just in time, too.' -If it's undercooked, it will collapse. | 0:22:20 | 0:22:23 | |
If it's overcooked, it will collapse. | 0:22:23 | 0:22:25 | |
If it's perfectly cooked, it will stay at least five minutes. | 0:22:25 | 0:22:28 | |
OK, so we have five minutes to get this served up? | 0:22:28 | 0:22:31 | |
-OK. -I'm showing off a bit here. | 0:22:31 | 0:22:33 | |
Allez, Monsieur! | 0:22:33 | 0:22:34 | |
That looks amazing. | 0:22:34 | 0:22:36 | |
Lovely. Mama Blanc would be proud. | 0:22:36 | 0:22:38 | |
Mama Blanc would be proud. | 0:22:38 | 0:22:40 | |
My mum is 92 years of age and still, today she is very active. | 0:22:40 | 0:22:44 | |
Actually, in the kitchen, that's her kitchen and I know it. | 0:22:44 | 0:22:48 | |
-I think it looks fantastic. -Thank you, Tom. Thank you very much. | 0:22:48 | 0:22:50 | |
I'll pass that on to my mum, definitely. | 0:22:50 | 0:22:53 | |
'Time to serve up. | 0:22:53 | 0:22:55 | |
'My comeback dish revives three classic foods - | 0:22:55 | 0:22:57 | |
'mutton, cabbage and turnips - | 0:22:57 | 0:22:59 | |
'and all that's left is to | 0:22:59 | 0:23:01 | |
'put a spoonful of my sauce gribiche on the side and I'm ready. | 0:23:01 | 0:23:05 | |
'Let's hope Judge Joe has brought his appetite with him.' | 0:23:05 | 0:23:08 | |
Voila. | 0:23:08 | 0:23:10 | |
Looks stunning, stunning. | 0:23:10 | 0:23:11 | |
I think we're going to go with dessert first, | 0:23:11 | 0:23:14 | |
just because it's a souffle and its Mama Blanc's souffle. | 0:23:14 | 0:23:16 | |
The smell coming from that is fantastic. | 0:23:16 | 0:23:19 | |
Voila. That's for you. | 0:23:19 | 0:23:22 | |
Look at me. Look at me, look at you. | 0:23:22 | 0:23:24 | |
So who needs the big one, who needs the small one? | 0:23:24 | 0:23:27 | |
Wow, that apple is phenomenal. | 0:23:27 | 0:23:29 | |
The Chivers Delight, for me, is the best. | 0:23:29 | 0:23:31 | |
-You know what is missing here, guys? -Custard? -Give me some custard. | 0:23:31 | 0:23:35 | |
Where's your custard, Tom? Can't believe it! | 0:23:35 | 0:23:38 | |
Sorry, Chef. | 0:23:38 | 0:23:39 | |
Well, I think that's fantastic. | 0:23:39 | 0:23:41 | |
The way the souffle and the apple almost become the same texture. | 0:23:41 | 0:23:44 | |
But it's amazing - inside the apple, | 0:23:44 | 0:23:45 | |
it's got a sweet, tangy succulence. | 0:23:45 | 0:23:48 | |
Look at these colours, look at these colours... | 0:23:48 | 0:23:50 | |
-It's like a tequila sunrise. -..how beautiful it is. | 0:23:50 | 0:23:53 | |
Now, I've got something interesting to go this. | 0:23:53 | 0:23:55 | |
In keeping with the whole retro kind of feel of the show, | 0:23:55 | 0:23:58 | |
I'm hoping a can of Merrydown cider. | 0:23:58 | 0:24:01 | |
Principally, the most important reason why I've chosen it today - | 0:24:01 | 0:24:04 | |
apart from the fact it was | 0:24:04 | 0:24:05 | |
what I drank with my girlfriend at university - | 0:24:05 | 0:24:08 | |
is it's made from English eating apples. | 0:24:08 | 0:24:10 | |
It's not made from cider apples, so it has that taste. | 0:24:10 | 0:24:13 | |
We invite Raymond Blanc over to our pad | 0:24:13 | 0:24:15 | |
and you give him Blue Nun, Asti and a can of cider? | 0:24:15 | 0:24:18 | |
A can of Merrydown! | 0:24:18 | 0:24:19 | |
I'm not easily offended, OK? So just drink your cider. | 0:24:19 | 0:24:22 | |
-How much do you pay for that? -This is £2 a can. | 0:24:24 | 0:24:27 | |
It's a lot of money for me, for very little flavour. | 0:24:27 | 0:24:31 | |
Well, I think this is much, much better | 0:24:31 | 0:24:32 | |
than your average session-drinking cider. And actually, | 0:24:32 | 0:24:35 | |
there's a nice story behind this. It came from East Sussex. | 0:24:35 | 0:24:37 | |
It was three guys who learnt to make wine | 0:24:37 | 0:24:39 | |
when they were prisoners of war in the Second World War. | 0:24:39 | 0:24:42 | |
In 1946, they came back and they started to make apple wine. | 0:24:42 | 0:24:45 | |
So, this was one of the first ciders in England | 0:24:45 | 0:24:47 | |
that was slightly stronger than the others - | 0:24:47 | 0:24:50 | |
-there were trying to make something a bit special. -What strength is it? | 0:24:50 | 0:24:53 | |
No, no, I love your cider. The story is amazing, I'm buying into it... | 0:24:53 | 0:24:56 | |
THEY LAUGH | 0:24:56 | 0:24:57 | |
Let's all drink to those three blokes, OK? | 0:24:57 | 0:24:59 | |
-It's 6%, so it's a little bit stronger. -Three lovely old men. | 0:24:59 | 0:25:02 | |
'A good story saves the day. Nice work, Joe. | 0:25:02 | 0:25:05 | |
'Next, my breaded mutton, cabbage and turnip gratin. | 0:25:05 | 0:25:08 | |
'Anyone know a good turnip story?' | 0:25:08 | 0:25:10 | |
Am I allowed to pick it up and eat it by the stick? | 0:25:10 | 0:25:12 | |
-Of course you are, like a caveman. -Well, kind of. | 0:25:12 | 0:25:15 | |
-Oh, wow. -The turnips are amazing. | 0:25:15 | 0:25:18 | |
Really, the turnip gives a lovely bittersweet flavour. | 0:25:18 | 0:25:20 | |
-It's really stunning. -We used to think the turnips aren't nice. | 0:25:20 | 0:25:23 | |
When you went to school, it was all horribly over-stewed. | 0:25:23 | 0:25:26 | |
This is so far away from all of that. It's beautiful and velvety. | 0:25:26 | 0:25:30 | |
Oh, no. Here is the main... A piece de resistance. | 0:25:30 | 0:25:34 | |
Let's see if you like the mutton. | 0:25:34 | 0:25:35 | |
That's perfectly cooked, OK? You don't want something medium rare. | 0:25:38 | 0:25:41 | |
No, mutton mustn't be overcooked. | 0:25:41 | 0:25:43 | |
-It's lovely. It's very lovely. -Can you taste the difference? | 0:25:45 | 0:25:48 | |
-Does it taste like lamb, but more? -In a really good way, I think. | 0:25:48 | 0:25:51 | |
I mean, I've always been a bit scared of really strong-tasting lamb. | 0:25:51 | 0:25:54 | |
The one thing I would say - lamb, beautiful spring lamb | 0:25:54 | 0:25:57 | |
is fantastic, but in terms of flavour-wise, | 0:25:57 | 0:25:59 | |
this is bigger and stronger. | 0:25:59 | 0:26:01 | |
The cabbage is essential here, isn't it? | 0:26:01 | 0:26:03 | |
It's crunchy, it's lively, it's full of flavour. | 0:26:03 | 0:26:06 | |
That's almost my favourite bit. | 0:26:06 | 0:26:08 | |
Most importantly to me, what do you make of the sauce gribiche? | 0:26:08 | 0:26:12 | |
Stunning. Absolutely... | 0:26:12 | 0:26:13 | |
I've done an Escoffier classic for a great French chef | 0:26:13 | 0:26:16 | |
-and he said "stunning". -How great is that? | 0:26:16 | 0:26:18 | |
I can go home with my head held high. | 0:26:18 | 0:26:20 | |
There's one thing missing though, I reckon, that could improve it. | 0:26:20 | 0:26:23 | |
-Custard? -A nice glass of red. -Ah, a nice glass of red! | 0:26:23 | 0:26:27 | |
There was a time I remember when I was growing up, | 0:26:27 | 0:26:29 | |
when the first bottle of wine on any menu - in a bistro, | 0:26:29 | 0:26:31 | |
in a pub or a restaurant - would be an ordinary claret. | 0:26:31 | 0:26:34 | |
A Bordeaux red, basically. I found one which I think is amazing. | 0:26:34 | 0:26:37 | |
Just 7.99 from a wine merchant. | 0:26:37 | 0:26:39 | |
I wouldn't say it's that easy to find - | 0:26:39 | 0:26:41 | |
a decent bottle of Bordeaux under a tenner anywhere. | 0:26:41 | 0:26:44 | |
But what do you think? | 0:26:44 | 0:26:46 | |
That's a good smell. Good colour, good scent. | 0:26:46 | 0:26:49 | |
There's a lot going on in there. This wine is now seven years old. | 0:26:49 | 0:26:52 | |
So, it's got flavour. | 0:26:52 | 0:26:54 | |
The flavours are nicely rounded. | 0:26:54 | 0:26:56 | |
It's jammy as well, it's not oakey, it's not... It's nicely made. | 0:26:56 | 0:26:59 | |
Most cheap Bordeaux is actually Merlot-dominated. | 0:26:59 | 0:27:02 | |
This is about 80% Merlot and Merlot is a great variety for me. | 0:27:02 | 0:27:06 | |
When it gets mature, it smells and tastes a bit like lamb. | 0:27:06 | 0:27:09 | |
There's a lamb-iness to it, there's meatiness to it, | 0:27:09 | 0:27:12 | |
which works so well with mutton. | 0:27:12 | 0:27:13 | |
It's a lovely wine. | 0:27:13 | 0:27:15 | |
It's powerful on the smell, really big nose. It's fantastic. | 0:27:15 | 0:27:19 | |
So what I've done is, I've put other wines that I've found, | 0:27:19 | 0:27:21 | |
which I think are very good, that are available all over the country | 0:27:21 | 0:27:24 | |
on the Food & Drink website. | 0:27:24 | 0:27:25 | |
'And you can have your say online, by voting for your favourite recipe. | 0:27:25 | 0:27:30 | |
'And you'll find all the recipes from this series, too.' | 0:27:30 | 0:27:33 | |
Now, this is the key question, Joe. | 0:27:33 | 0:27:35 | |
Which are you going to choose? | 0:27:35 | 0:27:37 | |
Are you going to choose the mutton with the cabbage | 0:27:37 | 0:27:39 | |
and the sauce gribiche, | 0:27:39 | 0:27:41 | |
or Mama Blanc's semolina souffle? | 0:27:41 | 0:27:44 | |
-No pressure! -With a can of cider? | 0:27:44 | 0:27:46 | |
Tom, if you're chucking the cider in, | 0:27:46 | 0:27:48 | |
I might give it to Chef Raymond Blanc. | 0:27:48 | 0:27:50 | |
It is bathed in history, let's be honest. | 0:27:50 | 0:27:52 | |
HE LAUGHS | 0:27:52 | 0:27:53 | |
Chef, congratulations. Congratulations. | 0:27:53 | 0:27:56 | |
Another four-star Michelin day. | 0:27:56 | 0:27:58 | |
No less. Absolument. | 0:27:58 | 0:27:59 | |
Now, there's no such thing as "an unfashionable ingredient" - | 0:27:59 | 0:28:03 | |
just food that's waiting to be rediscovered. | 0:28:03 | 0:28:05 | |
If it was once flavour of the month, that's because it's delicious. | 0:28:05 | 0:28:10 | |
OK, shall we have the cheese now? Where's the cheese? | 0:28:10 | 0:28:13 | |
THEY LAUGH | 0:28:13 | 0:28:14 | |
'Next time, it's all about trying something new, | 0:28:14 | 0:28:17 | |
'but Glynn Purnell nearly loses his mind...' | 0:28:17 | 0:28:19 | |
Have you seen the size of the brain on this cauliflower? | 0:28:19 | 0:28:22 | |
'..when he puts his brand-new veggie feast | 0:28:22 | 0:28:24 | |
'up against my cutting-edge lamb.' | 0:28:24 | 0:28:26 | |
All right... THEY LAUGH | 0:28:26 | 0:28:29 | |
'..and our creativity threatens to get out of hand.' | 0:28:29 | 0:28:32 | |
We've created a monster. | 0:28:32 | 0:28:34 |