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The heart of my home is the kitchen, | 0:00:02 | 0:00:06 | |
and it's here that I love to cook delicious meals | 0:00:06 | 0:00:10 | |
for my nearest and dearest. | 0:00:10 | 0:00:12 | |
Cheers! | 0:00:13 | 0:00:15 | |
There's no better way to celebrate everything good in life | 0:00:16 | 0:00:21 | |
than sharing some great food with the people you love. | 0:00:21 | 0:00:25 | |
These are the dishes that I cook when I want to bring people together. | 0:00:27 | 0:00:32 | |
These are my home comforts. | 0:00:32 | 0:00:34 | |
We all like to make a splash when we cook for friends, | 0:00:44 | 0:00:47 | |
but for most people there just aren't enough hours in the day. | 0:00:47 | 0:00:51 | |
But I've got a range of show suppers that are guaranteed | 0:00:53 | 0:00:56 | |
to impressed your mates, even if you're short on time. | 0:00:56 | 0:00:59 | |
So on your marks, and get set | 0:00:59 | 0:01:01 | |
to create some quick and easy memorable meals. | 0:01:01 | 0:01:05 | |
A bowl of beauty! | 0:01:05 | 0:01:07 | |
'My gran's old shortbread recipe is rapidly transformed | 0:01:07 | 0:01:11 | |
'into something very special.' | 0:01:11 | 0:01:13 | |
Now, if this isn't showing off, I don't know what is! | 0:01:13 | 0:01:16 | |
'And this seafood treat is cooked up for Carol Kirkwood, | 0:01:16 | 0:01:19 | |
'whose fast filleting skills really need some improvement.' | 0:01:19 | 0:01:24 | |
So, this looks like my dog's eaten it. | 0:01:24 | 0:01:26 | |
CAROL LAUGHS | 0:01:26 | 0:01:28 | |
You cheeky thing! | 0:01:28 | 0:01:30 | |
But if you really want to make your guests sit up and take notice, | 0:01:30 | 0:01:34 | |
why not kick off with these - my tandoori chicken lollipops? | 0:01:34 | 0:01:38 | |
So, what I thought I'd do is a lovely little dish using chicken legs. | 0:01:38 | 0:01:42 | |
Now, not very glamorous, are they? | 0:01:42 | 0:01:44 | |
Often sort of deep-fried in breadcrumbs, | 0:01:44 | 0:01:46 | |
but these can be absolutely fantastic | 0:01:46 | 0:01:49 | |
in a lovely little marinade, in a tandoori marinade | 0:01:49 | 0:01:52 | |
served with a nice cucumber riata. | 0:01:52 | 0:01:54 | |
So what goes into that marinade? | 0:01:54 | 0:01:57 | |
I use equal quantities of garam masala, cumin | 0:01:57 | 0:02:00 | |
and hot chilli powder, then add some turmeric and cinnamon. | 0:02:00 | 0:02:04 | |
Now, this is a tandoori marinade that I use quite a lot. | 0:02:04 | 0:02:06 | |
Not only is it good for chicken, | 0:02:06 | 0:02:08 | |
but it works really well with fish and also game - | 0:02:08 | 0:02:10 | |
if you've got things like venison, this is a fantastic mixture to use. | 0:02:10 | 0:02:14 | |
To finish it, grate some ginger, leaving the skin on, | 0:02:14 | 0:02:18 | |
then add garlic, the juice of a lemon and some full-fat yogurt. | 0:02:18 | 0:02:22 | |
You don't have to use chicken drumsticks for this | 0:02:23 | 0:02:26 | |
but I think the way you prepare them is really special, | 0:02:26 | 0:02:29 | |
which turns them into sort of a food that you'd normally eat in the car | 0:02:29 | 0:02:33 | |
on your knee into a food that you can serve for a dinner party, | 0:02:33 | 0:02:36 | |
and it's all in the preparation. | 0:02:36 | 0:02:37 | |
All you need is a good knife, a heavy knife, | 0:02:37 | 0:02:41 | |
and a pair of pliers. | 0:02:41 | 0:02:43 | |
Yes, pliers. | 0:02:43 | 0:02:44 | |
Very clean kitchen pliers. | 0:02:44 | 0:02:47 | |
But start with that sharp knife. | 0:02:47 | 0:02:49 | |
Now, use the bottom of the knife and then give it a whack.... | 0:02:49 | 0:02:52 | |
straight through, right through the tendons, everything. | 0:02:52 | 0:02:55 | |
Then turn your attention to this side | 0:02:55 | 0:02:58 | |
and then again with the base of the knife, give it a whack... | 0:02:58 | 0:03:02 | |
straight through the knuckle, | 0:03:02 | 0:03:04 | |
and what you need to do is push this part of the chicken up through there. | 0:03:04 | 0:03:09 | |
So, now you've got this little lollipop, | 0:03:10 | 0:03:13 | |
this little drumstick pointing out of the top | 0:03:13 | 0:03:16 | |
and you can see there's tendons there. | 0:03:16 | 0:03:18 | |
What you need to do is remove these tendons, | 0:03:18 | 0:03:20 | |
and the best way to do that is with a pair of pliers - | 0:03:20 | 0:03:24 | |
grab them and just yank them out. | 0:03:24 | 0:03:28 | |
There's about five or six per drumstick. | 0:03:28 | 0:03:31 | |
They're actually so easy to pull out. | 0:03:33 | 0:03:35 | |
Once you've done that, just chuck them in the marinade. | 0:03:35 | 0:03:39 | |
Coat them thoroughly and leave in the fridge overnight. | 0:03:39 | 0:03:42 | |
I've got some... | 0:03:43 | 0:03:45 | |
that I prepared earlier. | 0:03:45 | 0:03:48 | |
Then put them onto a baking tray | 0:03:48 | 0:03:49 | |
and give them 15 to 20 minutes in a very hot oven. | 0:03:49 | 0:03:52 | |
Now, to serve with that as a nice little dip | 0:03:57 | 0:03:59 | |
we are going to do a nice little cucumber raita. | 0:03:59 | 0:04:01 | |
So for that we need garlic, chilli, | 0:04:01 | 0:04:04 | |
bit of cucumber, some coriander, | 0:04:04 | 0:04:06 | |
mint and cumin, and not forgetting that yogurt. | 0:04:06 | 0:04:08 | |
You need to cut the cucumber really finely | 0:04:08 | 0:04:11 | |
so it will coat the chicken evenly when you dunk it in. | 0:04:11 | 0:04:15 | |
Then chop the coriander. | 0:04:15 | 0:04:17 | |
The first time I tried the combination of these ingredients, | 0:04:17 | 0:04:22 | |
they were on little skewers, little venison pieces, strips, | 0:04:22 | 0:04:26 | |
in the tandoori marinade on the fire pit in a tandoor oven. | 0:04:26 | 0:04:31 | |
And just served with this little dipping sauce, | 0:04:31 | 0:04:33 | |
it just tasted fantastic. | 0:04:33 | 0:04:35 | |
The freshness of the flavours, | 0:04:35 | 0:04:37 | |
it says everything about Indian cookery. | 0:04:37 | 0:04:39 | |
To finish, add some full-fat yogurt | 0:04:39 | 0:04:42 | |
and a good squeeze of lime. | 0:04:42 | 0:04:44 | |
By now the chicken lollipops should be ready. | 0:04:44 | 0:04:46 | |
So serve them with the riata and some lime wedges. | 0:04:51 | 0:04:54 | |
How good does that look? | 0:04:54 | 0:04:56 | |
A bowl of beauty. | 0:04:56 | 0:04:58 | |
You get a nice bit of bone | 0:04:59 | 0:05:03 | |
that you can grab and hold | 0:05:03 | 0:05:06 | |
while you dive in. | 0:05:06 | 0:05:07 | |
That tandoori marinade is delicious, | 0:05:07 | 0:05:10 | |
little squeeze of lime dunked into that raita. | 0:05:10 | 0:05:15 | |
It says everything about Indian food in one bite. | 0:05:15 | 0:05:18 | |
Simple ingredients, but just out of this world flavours. | 0:05:19 | 0:05:23 | |
A perfectly balanced blend of tandoori spices, | 0:05:23 | 0:05:27 | |
gently cooled by the cucumber and yogurt raita. | 0:05:27 | 0:05:30 | |
Anything that looks this good deserves to be shown off, | 0:05:30 | 0:05:34 | |
so why not do it at your next dinner party? | 0:05:34 | 0:05:37 | |
When I'm entertaining at home, I love to serve up a sweet treat. | 0:05:38 | 0:05:43 | |
Impressive desserts come in all shapes and sizes, | 0:05:43 | 0:05:47 | |
but they don't have to be complicated to make. | 0:05:47 | 0:05:49 | |
So I'm serving a family favourite, tangy lemon pud, | 0:05:49 | 0:05:53 | |
that takes very little time and effort. | 0:05:53 | 0:05:56 | |
Now, the key to a show-stopping dessert for me is simplicity, | 0:05:56 | 0:05:59 | |
and you don't get any more simple than a lemon posset. | 0:05:59 | 0:06:03 | |
Now, it's one of the oldest desserts around, | 0:06:03 | 0:06:05 | |
it originates from about the 15th century, | 0:06:05 | 0:06:07 | |
and we used to use dairy, particularly milk back then, | 0:06:07 | 0:06:11 | |
thickened with a little bit of ale or mead or even cider | 0:06:11 | 0:06:14 | |
to sort of almost curdle and cook the milk, if that makes sense. | 0:06:14 | 0:06:18 | |
Nowadays, of course, we still keep the dairy but we use double cream, | 0:06:18 | 0:06:21 | |
and instead of that mead and everything else we use lemon. | 0:06:21 | 0:06:24 | |
So the first thing I need for this recipe is a combination of sugar | 0:06:24 | 0:06:27 | |
and double cream. | 0:06:27 | 0:06:29 | |
Now, you have to make this out of double cream really | 0:06:29 | 0:06:32 | |
because it doesn't set with single cream | 0:06:32 | 0:06:34 | |
and it certainly doesn't set really well with milk, | 0:06:34 | 0:06:37 | |
you get almost like a blancmange sort of texture. | 0:06:37 | 0:06:40 | |
So the first thing we're going to do is throw our cream into the pan. | 0:06:40 | 0:06:46 | |
Bring it to the boil along with some sugar, | 0:06:46 | 0:06:49 | |
then add the juice and zest of two lemons. | 0:06:49 | 0:06:51 | |
It's the acidity of the lemon that helps the posset set. | 0:06:51 | 0:06:55 | |
Now, this has to be one of the simplest desserts around | 0:06:55 | 0:06:59 | |
cos it mainly only uses three ingredients, | 0:06:59 | 0:07:02 | |
but the flavour from it is really fantastic | 0:07:02 | 0:07:04 | |
and it all comes from the lemon. | 0:07:04 | 0:07:08 | |
I remember my gran making simple lemon possets | 0:07:08 | 0:07:11 | |
and it was done exactly the same way as I'm doing here it. | 0:07:11 | 0:07:14 | |
It's a very, very quick and simple little dessert. | 0:07:14 | 0:07:17 | |
Now, as the cream and the sugar comes to the boil, | 0:07:17 | 0:07:20 | |
it almost looks like condensed milk in this pan. | 0:07:20 | 0:07:23 | |
Now, you've got to keep your eye on it | 0:07:23 | 0:07:25 | |
because the sugar can often sit at the bottom of the pan and burn | 0:07:25 | 0:07:29 | |
while you are bringing it to the boil. | 0:07:29 | 0:07:32 | |
And then add our lemon juice and lemon zest. | 0:07:32 | 0:07:36 | |
Immediately, the mixture begins to thicken. | 0:07:38 | 0:07:40 | |
When it resembles the consistency of custard, | 0:07:40 | 0:07:43 | |
take it off the heat and ladle into bowls. | 0:07:43 | 0:07:46 | |
You can see the texture of the cream has changed, | 0:07:46 | 0:07:50 | |
it's started to thicken up. | 0:07:50 | 0:07:51 | |
And then take these and pop them in the fridge. | 0:07:53 | 0:07:56 | |
They will take around an hour to set, which gives me time to do the baking. | 0:07:56 | 0:08:00 | |
Now, it's all about showing off for a dinner party | 0:08:00 | 0:08:03 | |
and to do that, I like to serve this with shortbread, | 0:08:03 | 0:08:05 | |
but shortbread slightly made differently. | 0:08:05 | 0:08:08 | |
And for that, you need some of these little nonstick moulds, really. | 0:08:08 | 0:08:11 | |
This is ideal for this because it's a very delicate shortbread. | 0:08:11 | 0:08:15 | |
Shortbread in its nature is very short, as in crumbly, | 0:08:15 | 0:08:18 | |
and if we make it and then block it out and cut it up, | 0:08:18 | 0:08:20 | |
you end up with little fingers, which are fine, to dip into the posset. | 0:08:20 | 0:08:24 | |
But what this is is really delicate. You put them in the mouth | 0:08:24 | 0:08:27 | |
and they just dissolve, that's the bit... | 0:08:27 | 0:08:28 | |
You don't even need to bite them. | 0:08:28 | 0:08:30 | |
I think that's the reason why my gran actually made these | 0:08:30 | 0:08:32 | |
cos of her false teeth and stuff like that, | 0:08:32 | 0:08:34 | |
they just basically dissolved in her mouth, but these are delicious. | 0:08:34 | 0:08:39 | |
To get started, put 175g of plain flour, 90g of icing sugar, | 0:08:39 | 0:08:43 | |
60g of ground almonds and 25g of cornflour into a bowl | 0:08:43 | 0:08:48 | |
with my favourite ingredient. | 0:08:48 | 0:08:50 | |
This is probably the reason why I fell in love with butter, | 0:08:50 | 0:08:53 | |
cos it uses a whole packet - | 0:08:53 | 0:08:56 | |
the entire block! | 0:08:56 | 0:08:58 | |
And what we do now is just break this into pieces. | 0:08:58 | 0:09:01 | |
Rub the chunks of butter | 0:09:02 | 0:09:04 | |
and the dry ingredients together using your hands. | 0:09:04 | 0:09:07 | |
Don't use a machine as you'll overmix it | 0:09:07 | 0:09:09 | |
and the finished biscuits will be too hard. | 0:09:09 | 0:09:13 | |
Keep mixing, and as soon as the heat of your hands | 0:09:13 | 0:09:15 | |
brings the crumbly mixture together, you're nearly there. | 0:09:15 | 0:09:18 | |
Now what you need to do is just mould these... | 0:09:18 | 0:09:21 | |
into little balls | 0:09:21 | 0:09:23 | |
and just put each one in this little mould. | 0:09:23 | 0:09:26 | |
Now, you kind of have to do this in this little mould because | 0:09:26 | 0:09:29 | |
this shortbread is so delicate, if I was to roll this out | 0:09:29 | 0:09:32 | |
and put it onto a tray, it would basically spread everywhere | 0:09:32 | 0:09:36 | |
and go all over the place. | 0:09:36 | 0:09:37 | |
Now these shortbreads need to bake for about eight to ten minutes only, | 0:09:41 | 0:09:44 | |
that's all they'll take to cook. | 0:09:44 | 0:09:46 | |
Now, to increase the flavour of those lovely shortbreads | 0:09:48 | 0:09:51 | |
that are in the oven, I'm just going to take some strawberry jam | 0:09:51 | 0:09:54 | |
and what you have to do is bring the jam to the boil | 0:09:54 | 0:09:57 | |
to almost reconstitute it, to make it back to a liquid again - | 0:09:57 | 0:10:00 | |
just a tiny bit of water and then just heat this up. | 0:10:00 | 0:10:03 | |
Now, you certainly don't want to overcook these, | 0:10:05 | 0:10:08 | |
and you can see from the texture what happens, | 0:10:08 | 0:10:10 | |
they just slightly souffle up. Now these will collapse back down again | 0:10:10 | 0:10:14 | |
but what you have to do while they're still warm | 0:10:14 | 0:10:16 | |
is make little indentations, cos you want the jam to sit in the middle, | 0:10:16 | 0:10:20 | |
and for that, you just need your little finger... | 0:10:20 | 0:10:23 | |
press it in the top. | 0:10:23 | 0:10:26 | |
Now, to fill these, you need to fill them with a hot jam | 0:10:26 | 0:10:28 | |
otherwise you just end up with a dollop sat on the top, | 0:10:28 | 0:10:32 | |
so by warming it up, just get this nice texture to it. | 0:10:32 | 0:10:35 | |
And once you fill the centres, we can then cool this down | 0:10:40 | 0:10:43 | |
and just decorate our posset. | 0:10:43 | 0:10:45 | |
You can do this any way you like. I'm using chopped figs, | 0:10:48 | 0:10:52 | |
strawberry quarters and sprigs of mint. | 0:10:52 | 0:10:54 | |
And once the shortbreads are cooled, it's time to show them off. | 0:10:54 | 0:10:58 | |
And all you need to do with these is just carefully pop them out. | 0:10:58 | 0:11:02 | |
These are so delicate, these things, they almost break in your hands. | 0:11:02 | 0:11:06 | |
Now, if this isn't showing off, I don't know what is. | 0:11:08 | 0:11:11 | |
And you do it in no time at all, | 0:11:11 | 0:11:13 | |
this entire dish is done in less than an hour. | 0:11:13 | 0:11:16 | |
And what I love about this, | 0:11:19 | 0:11:21 | |
the biscuits just cut through the richness of the posset. | 0:11:21 | 0:11:26 | |
This is very good! | 0:11:29 | 0:11:31 | |
These buttery shortbreads with their fruity topping | 0:11:31 | 0:11:34 | |
are the perfect partner for the tangy posset. | 0:11:34 | 0:11:37 | |
Don't forget to share them! | 0:11:37 | 0:11:39 | |
Another way to impress a hungry crowd is by serving top-class seafood. | 0:11:42 | 0:11:48 | |
Langoustines in particular are one of my true favourites | 0:11:48 | 0:11:52 | |
and they don't come any fresher than Kieran Quinn's, caught off the coast | 0:11:52 | 0:11:55 | |
of County Mayo in Ireland. | 0:11:55 | 0:11:58 | |
The waters of Clew Bay have always been a part of his life. | 0:11:58 | 0:12:02 | |
We were always on the shore in little rowboats going fishing. | 0:12:02 | 0:12:07 | |
My father was a boat-builder at one time | 0:12:07 | 0:12:10 | |
so we were always repairing boats, painting boats. | 0:12:10 | 0:12:12 | |
From a young age, from as early as I can remember | 0:12:12 | 0:12:14 | |
all I ever wanted to do was go fishing. | 0:12:14 | 0:12:17 | |
So Kieran is off to catch langoustines, | 0:12:17 | 0:12:19 | |
a succulent white shellfish. | 0:12:19 | 0:12:22 | |
They're sometimes called Dublin Bay prawns. | 0:12:22 | 0:12:25 | |
Even though they do look like a giant prawn, | 0:12:25 | 0:12:27 | |
they're more closely related | 0:12:27 | 0:12:29 | |
to a slightly more exclusive sort of seafood. | 0:12:29 | 0:12:32 | |
Langoustine, it's a similar texture to lobster | 0:12:32 | 0:12:35 | |
but the flavour is stronger, | 0:12:35 | 0:12:38 | |
it's more distinct and quite sweet. | 0:12:38 | 0:12:42 | |
Kieran is on his way out to collect his catch | 0:12:42 | 0:12:44 | |
from fishing pots called creels. | 0:12:44 | 0:12:46 | |
A creel's a steel frame with a net over the outside of it. | 0:12:46 | 0:12:51 | |
We bait the creels with herring and set that on the ground. | 0:12:51 | 0:12:55 | |
The creels are very light, they sit on the seabed - | 0:12:55 | 0:12:57 | |
they don't dig in, they're not dragged across the seabed, | 0:12:57 | 0:13:01 | |
so when we haul them back, very little disturbance to the seabed. | 0:13:01 | 0:13:05 | |
Along with the fisherman who depend on Clew Bay for their living, | 0:13:05 | 0:13:08 | |
there are seals and sea birds too. | 0:13:08 | 0:13:10 | |
Kieran's low-impact style of fishing means they all continue | 0:13:10 | 0:13:13 | |
to benefit from these rich waters. | 0:13:13 | 0:13:16 | |
800 baited creels are waiting on the seabed, | 0:13:16 | 0:13:20 | |
so hopefully some hungry langoustine have been fattening up nicely | 0:13:20 | 0:13:24 | |
inside each one. | 0:13:24 | 0:13:25 | |
These are swimmer crabs. | 0:13:27 | 0:13:30 | |
Also hermit crabs, where a crab has taken up residence in their shell. | 0:13:30 | 0:13:33 | |
These squatters are not the luxury guests he was after, | 0:13:33 | 0:13:37 | |
but he doesn't have to wait long for his prize. | 0:13:37 | 0:13:40 | |
Getting to see a couple of prawns now. | 0:13:40 | 0:13:42 | |
Using creels is a selective way of fishing. | 0:13:44 | 0:13:46 | |
The live catch Kieran doesn't want, including juvenile langoustines, | 0:13:46 | 0:13:50 | |
can be returned to the sea. | 0:13:50 | 0:13:52 | |
These prawns are probably big enough for some fisheries, | 0:13:52 | 0:13:55 | |
but for the live market that we go for | 0:13:55 | 0:13:57 | |
these are not big enough, so we return them. | 0:13:57 | 0:13:59 | |
Next year these will be big enough to catch. | 0:13:59 | 0:14:02 | |
You need to keep your prawns in these trays, | 0:14:04 | 0:14:07 | |
or as we call them tubes - they fight a lot. | 0:14:07 | 0:14:10 | |
Left in a large tub together, these feisty langoustines | 0:14:10 | 0:14:13 | |
would simply rip each other apart, | 0:14:13 | 0:14:16 | |
something that must be avoided at all costs! | 0:14:16 | 0:14:19 | |
A number one priority for the prawns, for the live market, | 0:14:19 | 0:14:21 | |
is to have the prawns alive when they arrive to the customer. | 0:14:21 | 0:14:25 | |
Because of the tides, | 0:14:25 | 0:14:26 | |
he only has five hours to empty all of the creels, | 0:14:26 | 0:14:29 | |
rebait and return them to the seabed before heading back to the port. | 0:14:29 | 0:14:34 | |
Most of his catch, however, is travelling further afield. | 0:14:34 | 0:14:37 | |
Because they're alive when they arrive in the restaurant, | 0:14:39 | 0:14:42 | |
the restaurant owner can charge top dollar for them, | 0:14:42 | 0:14:45 | |
and as a result we get top dollar for our product. | 0:14:45 | 0:14:48 | |
The biggest market for our product | 0:14:48 | 0:14:50 | |
is in France and Spain, unfortunately. | 0:14:50 | 0:14:51 | |
When you see prawns in the supermarket for 5.99 | 0:14:51 | 0:14:54 | |
for a packet of peeled prawns, | 0:14:54 | 0:14:56 | |
whereas the prawns that we have here, | 0:14:56 | 0:14:58 | |
in the likes of Spain, may be 100 euros a kilo. | 0:14:58 | 0:15:00 | |
At that price, it's no wonder langoustines are considered | 0:15:02 | 0:15:05 | |
an expensive delicacy, | 0:15:05 | 0:15:07 | |
but thankfully local customers can enjoy them too. | 0:15:07 | 0:15:10 | |
Eagerly awaiting today's fresh catch | 0:15:13 | 0:15:15 | |
is County Mayo chef Aine Maguire. | 0:15:15 | 0:15:18 | |
We don't always have them every week, it depends on the weather. | 0:15:18 | 0:15:21 | |
So when we have them I have a list of people who I have to call | 0:15:21 | 0:15:25 | |
and say, "OK, I have Kieran's prawns now," | 0:15:25 | 0:15:27 | |
and they come and get them, they come and eat. | 0:15:27 | 0:15:30 | |
They're beautiful things, and I'm very, very proud of them. | 0:15:30 | 0:15:32 | |
For some bizarre reason I feel proud that they're from my locality. | 0:15:32 | 0:15:38 | |
And at a restaurant on the bay, | 0:15:38 | 0:15:40 | |
Aine can't wait to cook this five-star local shellfish. | 0:15:40 | 0:15:44 | |
These are showstoppers, you know, you give these to your guests | 0:15:44 | 0:15:47 | |
and they are certainly going to be wowed, and for loads of reasons. | 0:15:47 | 0:15:51 | |
The flavour is extraordinary, | 0:15:51 | 0:15:53 | |
it brings a little bit of drama to the table. | 0:15:53 | 0:15:56 | |
Produce this good and this fresh | 0:15:58 | 0:16:00 | |
needs to be cooked as simply as possible. | 0:16:00 | 0:16:03 | |
Aine just fries them off with home-made Irish butter | 0:16:03 | 0:16:06 | |
and parsley, with a squeeze of lemon. | 0:16:06 | 0:16:09 | |
Langoustine in the main are a prime product, | 0:16:09 | 0:16:13 | |
but these, to me, seem to be the best of the best. | 0:16:13 | 0:16:16 | |
They're delicious. | 0:16:16 | 0:16:18 | |
In the dining room tonight, there's a tough crowd to please. | 0:16:18 | 0:16:22 | |
It's Kieran's family and friends. | 0:16:22 | 0:16:24 | |
They're really, really sweet and succulent. | 0:16:26 | 0:16:29 | |
They're just delicious, I can't tell you! | 0:16:29 | 0:16:31 | |
It's a little bit of heaven, and you just know it's good | 0:16:31 | 0:16:36 | |
and it's from a really good source. | 0:16:36 | 0:16:38 | |
Sweet and buttery and messy and, er... | 0:16:38 | 0:16:42 | |
I just want to lie down and have me tummy tickled. | 0:16:43 | 0:16:46 | |
LAUGHTER | 0:16:46 | 0:16:48 | |
I think that means he likes them! | 0:16:48 | 0:16:50 | |
It's humbling, to be honest, and to see the reaction of the people. | 0:16:50 | 0:16:54 | |
And the fact that I caught these this morning, | 0:16:54 | 0:16:56 | |
we're here eating them now, | 0:16:56 | 0:16:58 | |
it's an absolutely beautiful meal. | 0:16:58 | 0:17:00 | |
It's perfect. | 0:17:00 | 0:17:02 | |
Even if you do have to shell out for this sublime seafood, | 0:17:03 | 0:17:07 | |
your dinner guests will thank you for it. | 0:17:07 | 0:17:09 | |
Today, I'm preparing for a guest of my own, | 0:17:13 | 0:17:15 | |
one who just loves shellfish. | 0:17:15 | 0:17:18 | |
It's the nation's smiliest presenter, Carol Kirkwood. | 0:17:18 | 0:17:22 | |
-Hey. -Hello! -How you doing? -Good to see you. -You all right? | 0:17:22 | 0:17:25 | |
-Yes, thank you. -Good to see you. -It's lovely! | 0:17:25 | 0:17:27 | |
-Do you like it? -I love it. -Come on in. -Not so keen about the weather. | 0:17:27 | 0:17:30 | |
-Mind the killer dog. -Oh, hello! Aren't you cute? | 0:17:30 | 0:17:34 | |
-It's always the dog that gets more attention! -What's the doggy's name? | 0:17:34 | 0:17:37 | |
-This is Ralph. -Ralph, you are so cute! -Yeah, ultimate guard dog. | 0:17:37 | 0:17:41 | |
Come on in. | 0:17:41 | 0:17:43 | |
Like Ralph, Carol has to earn her keep, | 0:17:43 | 0:17:46 | |
so she's going to help me make one of her seafood favourites. | 0:17:46 | 0:17:49 | |
Well, I say help, but that might be pushing it. | 0:17:50 | 0:17:53 | |
-Well, Carol, welcome to my kitchen. -Thank you. | 0:17:55 | 0:17:58 | |
It's a foreign place for you, I know what you're like in the kitchen! | 0:17:58 | 0:18:02 | |
I know, I don't recognise half of these utensils, James! | 0:18:02 | 0:18:05 | |
-I'm hoping you're not expecting me to do anything. -I am, | 0:18:05 | 0:18:07 | |
I'm expecting you to do a lot because I thought | 0:18:07 | 0:18:09 | |
as a little homage to you we'd do | 0:18:09 | 0:18:11 | |
kind of a lovely little dish that brings back memories | 0:18:11 | 0:18:13 | |
-of your childhood. -Yeah. -We're going to do lemon sole. -Oh, lovely. | 0:18:13 | 0:18:17 | |
And we're going to do langoustines, which we've got to have, | 0:18:17 | 0:18:20 | |
-from your neck of the woods as well. -Mm! | 0:18:20 | 0:18:22 | |
-We can incorporate the whole lot together, all right? -Right. | 0:18:22 | 0:18:24 | |
The first thing we are going to do is get on our lemon sole. | 0:18:24 | 0:18:28 | |
Now, we've got this beautiful piece of fish, all right? | 0:18:28 | 0:18:30 | |
-Look at that, wow! -Now, you know, | 0:18:32 | 0:18:34 | |
you've kind of got to know what to do with it though, you see? | 0:18:34 | 0:18:38 | |
Well, normally I have it on a plate and it's already been done | 0:18:38 | 0:18:41 | |
so I just enjoy it, James. | 0:18:41 | 0:18:42 | |
Well, this is a prime example of what sole are, really. | 0:18:42 | 0:18:44 | |
They live on the bottom. | 0:18:44 | 0:18:46 | |
Generally sandy, that's why they're this colour, | 0:18:46 | 0:18:48 | |
and obviously the underside of it is that colour | 0:18:48 | 0:18:51 | |
cos they blend in with their surroundings like that. | 0:18:51 | 0:18:53 | |
Now, what we've got to do is, there's four fillets on a flatfish. | 0:18:53 | 0:18:56 | |
-One there, one there, one there and one there. -Yeah. | 0:18:56 | 0:18:59 | |
And we want them all removed. | 0:18:59 | 0:19:02 | |
Don't look at me! I wouldn't have a clue! | 0:19:02 | 0:19:05 | |
What we're going to do is, we are going to take off this bit first. | 0:19:05 | 0:19:08 | |
Now, the chefs call this the skirt. | 0:19:08 | 0:19:11 | |
Now, naturally there's a line down there, look, | 0:19:11 | 0:19:13 | |
there's even a guide for you, Carol. | 0:19:13 | 0:19:15 | |
I don't like the way this is going, James. | 0:19:15 | 0:19:18 | |
-There's an A to B so we follow this down. Now, you can hear... -Yep. | 0:19:18 | 0:19:23 | |
KNIFE SCRAPES BONE | 0:19:23 | 0:19:25 | |
-You've hit the bones. -Hit the bone, right. -Yeah. | 0:19:25 | 0:19:27 | |
Now, you take the knife and you start from one end to the other | 0:19:27 | 0:19:31 | |
and you're rolling the knife against the side of the bone, like that. | 0:19:31 | 0:19:35 | |
Right. I know you're a brilliant chef, | 0:19:35 | 0:19:37 | |
but looking at you doing this, did you ever consider surgery? | 0:19:37 | 0:19:40 | |
I wasn't clever enough, definitely not clever enough. | 0:19:40 | 0:19:42 | |
I wasn't clever enough to do the weather either, | 0:19:42 | 0:19:44 | |
-I was far from clever enough. -Not true. -Well... | 0:19:44 | 0:19:48 | |
Cos you were, I mean, you were brought up in Scotland obviously, | 0:19:48 | 0:19:51 | |
you were brought up in the hotel trade, weren't you? | 0:19:51 | 0:19:53 | |
That's right. I was brought up in a wee place called Morar | 0:19:53 | 0:19:56 | |
which is in the northwest Highlands, | 0:19:56 | 0:19:58 | |
And Mum and Dad owned a hotel and, in fact, my dad left school | 0:19:58 | 0:20:02 | |
when he was about 12 | 0:20:02 | 0:20:03 | |
and he started out in the hotel as a shoeshine boy | 0:20:03 | 0:20:06 | |
and eventually he worked his way up to buying the hotel. | 0:20:06 | 0:20:11 | |
And, you know, in the meantime he married Mum. | 0:20:11 | 0:20:13 | |
They had eight kids, so there were lots of us. | 0:20:13 | 0:20:15 | |
So we were always in and out of the hotel. | 0:20:15 | 0:20:17 | |
When I was at school, you know, we went to the local primary school | 0:20:17 | 0:20:20 | |
which was just down the hill, or the brae as we would call it, | 0:20:20 | 0:20:23 | |
and at lunchtime we'd come back to the hotel for lunch. | 0:20:23 | 0:20:26 | |
And I was dying to stay and have, you know, a burger, some chips, | 0:20:26 | 0:20:31 | |
-some tapioca. -Right. | 0:20:31 | 0:20:33 | |
But instead I was having lemon sole and salmon | 0:20:33 | 0:20:36 | |
and all these wonderful things that I adore now, but in those days | 0:20:36 | 0:20:39 | |
I just wanted to be the same as everyone else. | 0:20:39 | 0:20:42 | |
Now, I've left you one to do - do you want to do that or should I? | 0:20:42 | 0:20:44 | |
-Would you just do it, James? I'll watch. -OK. | 0:20:44 | 0:20:46 | |
You just don't want to get your hands dirty. | 0:20:46 | 0:20:48 | |
I've just had my nails done! | 0:20:48 | 0:20:50 | |
'When I've taken the fourth fillet off the bone, | 0:20:50 | 0:20:52 | |
'we need to remove the skin from all the fillets.' | 0:20:52 | 0:20:55 | |
You start at one end, you hold the knife flat onto the board, see that? | 0:20:55 | 0:20:58 | |
The knife's staying exactly... Look at the angle, it's not like that, | 0:20:58 | 0:21:01 | |
it's not like that, it's about 45 degrees and you wiggle the skin. | 0:21:01 | 0:21:04 | |
And it just comes straight off. | 0:21:06 | 0:21:07 | |
It's easy, this cooking lark, isn't it? | 0:21:07 | 0:21:09 | |
You make it look easy, I have to say, James. | 0:21:09 | 0:21:11 | |
You make your job look easy! | 0:21:11 | 0:21:13 | |
Compared to this, my job is easy. | 0:21:13 | 0:21:15 | |
You look... It's all on a green screen, isn't it, really? | 0:21:15 | 0:21:17 | |
-There's not a weather chart nearby, is there? -No, and do you know, | 0:21:17 | 0:21:21 | |
I don't know my left from my right because there is a green... | 0:21:21 | 0:21:23 | |
Seriously, because behind me there is a green screen, | 0:21:23 | 0:21:26 | |
so what I see is when I look at the camera in front of me, | 0:21:26 | 0:21:29 | |
but it's in reverse, so it's a mirror image. So when I do that, | 0:21:29 | 0:21:31 | |
I know this is my left hand | 0:21:31 | 0:21:34 | |
but when I'm looking at the camera it's more like my right hand. | 0:21:34 | 0:21:36 | |
-It is, it's the opposite way round. -Yeah. And the other thing is, | 0:21:36 | 0:21:39 | |
because you're pointing at things that you can't see, necessarily, | 0:21:39 | 0:21:42 | |
because they're not behind you, it's like tapping your head | 0:21:42 | 0:21:45 | |
and rubbing your tummy at the same time. | 0:21:45 | 0:21:47 | |
Well, so is this. Fillet it at the same time, off you go. | 0:21:47 | 0:21:50 | |
-OK, so, 45 degrees. -45 degrees. -Wiggle it. | 0:21:50 | 0:21:52 | |
Just wiggle the skin, not the knife, Carol. | 0:21:52 | 0:21:55 | |
-Wiggle the skin. -It's a slippery wee thing, isn't it? | 0:21:55 | 0:21:58 | |
-CAROL LAUGHS -It's... | 0:21:58 | 0:22:00 | |
Yeah, you were never very good at this | 0:22:00 | 0:22:02 | |
on Ready Steady Cook, either, all those years ago, were you? | 0:22:02 | 0:22:05 | |
-Cooking is... Oops! -Look at that. | 0:22:05 | 0:22:08 | |
-Cooking isn't my forte, James. -Bit more. | 0:22:08 | 0:22:12 | |
-So you're supposed to have a lovely piece of fillet like mine. -Oh, dear. | 0:22:12 | 0:22:17 | |
This looks like my dog's eaten it! | 0:22:20 | 0:22:24 | |
You cheeky thing! Listen, that's the first time I've done that, | 0:22:24 | 0:22:27 | |
that's not a bad first attempt. | 0:22:27 | 0:22:29 | |
'Luckily, we're using some of the fillets to make a rich mousse | 0:22:29 | 0:22:32 | |
'for the sole, so I'll blitz Carol's in the blender | 0:22:32 | 0:22:35 | |
'with an egg white and a dash of cream.' | 0:22:35 | 0:22:37 | |
'Then put the mixture into a piping bag, | 0:22:39 | 0:22:41 | |
'ready to put onto the remaining fillets.' | 0:22:41 | 0:22:44 | |
Is there a particular area of the UK | 0:22:44 | 0:22:46 | |
that has got better weather than others? Is that right? | 0:22:46 | 0:22:48 | |
Tend to find Kent, is pretty good but also parts of Hampshire as well. | 0:22:48 | 0:22:53 | |
And also we're closer to the equator, if you just look at it | 0:22:53 | 0:22:56 | |
from that point of view, than where I come from in the Highlands. | 0:22:56 | 0:22:58 | |
The other thing is, where I come from in the Highlands... | 0:22:58 | 0:23:01 | |
You're doing a lot of talking to put you off from doing this, | 0:23:01 | 0:23:03 | |
aren't you? I know what you're doing. | 0:23:03 | 0:23:05 | |
"If I carry on talking, he'll just do all this," | 0:23:05 | 0:23:08 | |
and it'll just suddenly appear like a ready meal! | 0:23:08 | 0:23:12 | |
You know me too well. | 0:23:12 | 0:23:13 | |
I know you. No, this is your bit now. I want you... | 0:23:13 | 0:23:16 | |
Are you any good at piping? | 0:23:16 | 0:23:19 | |
-What do you think? -You're going to be hopeless, but anyway... | 0:23:19 | 0:23:22 | |
-Don't sit on the fence, James. -I'm not, I'm from the north, you see. | 0:23:22 | 0:23:26 | |
-Right, do you want to pipe it? -OK. | 0:23:26 | 0:23:28 | |
So you basically want to do this, all right? | 0:23:28 | 0:23:31 | |
So you're just squidging it out in a circle. | 0:23:31 | 0:23:33 | |
There's a particular way to do it, like that. | 0:23:33 | 0:23:36 | |
Right, now, I'm going to put another piece on here. | 0:23:36 | 0:23:39 | |
Oh, so you're making it like a sandwich, like a cake kind of thing. | 0:23:39 | 0:23:42 | |
Like a sandwich?! | 0:23:42 | 0:23:43 | |
CAROL LAUGHS | 0:23:43 | 0:23:45 | |
I deliberately did this. I thought, "This is a bit fancy, it's a bit... | 0:23:50 | 0:23:54 | |
"But I reckon Carol could do this." I was totally wrong. | 0:23:54 | 0:23:58 | |
'Hide the dodgy mousse under the top layer of sole, | 0:23:59 | 0:24:02 | |
'then wrap it in some clingfilm and chill in the fridge.' | 0:24:02 | 0:24:06 | |
'Meanwhile, it's time to prepare cauliflower three ways - | 0:24:07 | 0:24:11 | |
'that's boiled, pureed, and grated into a salad.' | 0:24:11 | 0:24:15 | |
-So we've got these little florets like this, OK? -Yeah. | 0:24:15 | 0:24:17 | |
So, do you get a chance to cook much at home, then? | 0:24:19 | 0:24:21 | |
Well, the kind of cooking I do is really just to stay alive so it's... | 0:24:21 | 0:24:25 | |
-Really? -Yeah, it is, it's not fancy. -OK. -It's very basic kind of stuff. | 0:24:25 | 0:24:30 | |
I mean, I like things like... | 0:24:30 | 0:24:31 | |
Well, I love fish so poached salmon, salad, that kind of thing, | 0:24:31 | 0:24:35 | |
sometimes I'll push the boat out and make a spaghetti bolognese... | 0:24:35 | 0:24:40 | |
-Right. -Usually it's from a jar over some mince! | 0:24:40 | 0:24:43 | |
-Grab a pan there. -Yep. -All right. | 0:24:43 | 0:24:46 | |
-Now, we're going to take some double cream. -Yeah. -OK. | 0:24:46 | 0:24:48 | |
Little bit of double cream and you're going to take the cauliflower, | 0:24:48 | 0:24:52 | |
all right, and then we're going to boil this. | 0:24:52 | 0:24:55 | |
So, on that stove there, we'll fire it up. | 0:24:55 | 0:24:58 | |
-Now you're cooking, now we're off, we're on. -Brilliant. -OK. | 0:24:58 | 0:25:01 | |
We're going to take our florets, they're going to go in there, | 0:25:01 | 0:25:04 | |
we're going to boil these for about two or three minutes. | 0:25:04 | 0:25:06 | |
Now, with the leftover cauliflower, we're going to grate this. | 0:25:06 | 0:25:10 | |
OK, just... Even the stalk? | 0:25:10 | 0:25:12 | |
-No, just... -The bit at the top. | 0:25:12 | 0:25:14 | |
The right way up would help! | 0:25:14 | 0:25:17 | |
-Right, so you don't do the stalk. -No, just like that. Just the tops. | 0:25:17 | 0:25:21 | |
-You ready with that? -Yep, happy with that. -Good. | 0:25:21 | 0:25:23 | |
-Can I leave you with that? -Yes. -Try not to get your nails in it. | 0:25:23 | 0:25:27 | |
'While Carol gets to grips with the grater, I drain the boiled florets. | 0:25:27 | 0:25:31 | |
'And although she's doing her best with the cauliflower and boiled eggs, | 0:25:33 | 0:25:36 | |
'I think I'd better be the one to shell the langoustines.' | 0:25:36 | 0:25:40 | |
-Beautiful bits of shellfish. -Yeah. -When you break them open, | 0:25:40 | 0:25:43 | |
I think they're one of the most tastiest pieces of seafood around. | 0:25:43 | 0:25:48 | |
'Shellfish like these need careful handling, | 0:25:48 | 0:25:51 | |
'so take your time to avoid damaging their delicate flesh.' | 0:25:51 | 0:25:54 | |
'Take the cauliflower and cream off the hob then blitz into | 0:25:57 | 0:26:01 | |
'a rich and velvety puree. | 0:26:01 | 0:26:03 | |
'What do you think, Carol?' | 0:26:03 | 0:26:05 | |
Mm. Oh, that's lovely. | 0:26:05 | 0:26:07 | |
-Happy with that? -Mm. -All right. | 0:26:07 | 0:26:08 | |
Now, we're going to finish this off now cos we're going to | 0:26:08 | 0:26:11 | |
cook our piece of fish. You've got a little bamboo steamer | 0:26:11 | 0:26:14 | |
and we take this and place it over the top. | 0:26:14 | 0:26:17 | |
We're going to steam this for about six minutes. | 0:26:17 | 0:26:21 | |
'All we need to do now is make a dressing for our cauliflower | 0:26:21 | 0:26:23 | |
'and egg salad, using extra virgin olive oil and white balsamic vinegar. | 0:26:23 | 0:26:29 | |
'Drizzle it over the top of the salad and over the langoustines.' | 0:26:29 | 0:26:33 | |
-So, what we're going to do is take a spoon. -Yeah. | 0:26:33 | 0:26:36 | |
This is the salad mixture. | 0:26:36 | 0:26:37 | |
That is so tasty, that salad mixture, I'm going to try that. | 0:26:37 | 0:26:40 | |
It's nice, isn't it? Are you really going to try this? | 0:26:40 | 0:26:43 | |
If you are saying that, I expect you to text me a picture. | 0:26:43 | 0:26:47 | |
-Yes, OK. -It's not going to happen, is it? -No... | 0:26:48 | 0:26:50 | |
THEY LAUGH | 0:26:50 | 0:26:52 | |
'This delicate seafood is the perfect partner to the grated salad, | 0:26:52 | 0:26:57 | |
'rich cauliflower puree and the scattered florets. | 0:26:57 | 0:27:00 | |
'The zingy dressing completes a luxurious dish | 0:27:00 | 0:27:03 | |
'to satisfy any seafood lover.' | 0:27:03 | 0:27:05 | |
-That looks brilliant. -Are you happy with that? | 0:27:05 | 0:27:07 | |
-I think that looks perfect. -You like that? -Yes, I do. | 0:27:07 | 0:27:10 | |
Now, the idea is that I leave you in this kitchen | 0:27:10 | 0:27:13 | |
and I'd like you to replicate that in six minutes. Off you go. | 0:27:13 | 0:27:16 | |
Even if you don't have a willing commis chef, | 0:27:19 | 0:27:22 | |
hosting a supper doesn't have to be difficult, | 0:27:22 | 0:27:25 | |
and it's a great way of showing off your cooking skills. | 0:27:25 | 0:27:28 | |
The question is, have I impressed my guest? | 0:27:28 | 0:27:31 | |
Mm! | 0:27:33 | 0:27:34 | |
You see the next time you have a dinner party, | 0:27:34 | 0:27:36 | |
I reckon this is a dish to show off. | 0:27:36 | 0:27:38 | |
If you come round and cook it, absolutely. | 0:27:38 | 0:27:41 | |
If you give me the name of your fishmonger | 0:27:41 | 0:27:43 | |
I'll get him to fillet the fish for you as well. | 0:27:43 | 0:27:45 | |
You can find all the recipes from the series at... | 0:27:46 | 0:27:50 | |
I've had an absolute ball, and do you know what? | 0:27:53 | 0:27:55 | |
-I've learnt a wee bit from you today. -I've learnt a few things. | 0:27:55 | 0:27:58 | |
The next time somebody's teaching me to do something, keep talking, | 0:27:58 | 0:28:01 | |
cos eventually they'll do it all. | 0:28:01 | 0:28:03 | |
I've got you a little present. | 0:28:03 | 0:28:06 | |
It's your own filleting knife... | 0:28:06 | 0:28:08 | |
which, I'm going to prove a point here, I'm going to sign it, | 0:28:08 | 0:28:11 | |
and I bet you the next time I come round to your place | 0:28:11 | 0:28:13 | |
that signature's still on there. | 0:28:13 | 0:28:14 |