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Two of my passions are flying and food. | 0:00:05 | 0:00:08 | |
And it's from up here you really get to appreciate | 0:00:11 | 0:00:14 | |
the unique landscape that produces the food that I love to cook. | 0:00:14 | 0:00:18 | |
Today I'm heading to the West Country. | 0:00:30 | 0:00:34 | |
The first stop today is going to be right at the bottom left-hand | 0:00:41 | 0:00:45 | |
corner of Devon. | 0:00:45 | 0:00:47 | |
These are the girls that live at Langage Farm. | 0:00:54 | 0:00:57 | |
We've got 250 of them, and their job is to turn this green stuff | 0:00:57 | 0:01:01 | |
into top-quality dairy products. | 0:01:01 | 0:01:05 | |
Devon's famous for its dairy, in particular clotted cream, | 0:01:06 | 0:01:10 | |
and Andrew Steadman has been working with the cows that make it | 0:01:10 | 0:01:13 | |
for nearly three decades. | 0:01:13 | 0:01:16 | |
'Getting up at four in the morning is not actually my idea of fun, | 0:01:16 | 0:01:19 | |
'but it's got to be done. | 0:01:19 | 0:01:21 | |
'But just looking after cows to the best of our ability, | 0:01:21 | 0:01:24 | |
'I do find very satisfying.' | 0:01:24 | 0:01:27 | |
There's been a farm here at Langage for over 900 years, | 0:01:27 | 0:01:31 | |
and now that it's got its own creamery, | 0:01:31 | 0:01:34 | |
there's practically no distance between the pots of clotted cream | 0:01:34 | 0:01:37 | |
and the fine beasts that provide the raw ingredients. | 0:01:37 | 0:01:40 | |
We do name them all. | 0:01:41 | 0:01:44 | |
We got Daisy over there. That's Jenny over there. | 0:01:44 | 0:01:46 | |
That, I think, is Ermintrude, | 0:01:46 | 0:01:48 | |
but she will tell me afterwards if I've got that wrong, | 0:01:48 | 0:01:51 | |
and I think we'll have to wait for some more later on, | 0:01:51 | 0:01:54 | |
cos I can't see any other ones that I recognise here. | 0:01:54 | 0:01:58 | |
This is a summer pudding with basil and clotted cream, | 0:02:01 | 0:02:04 | |
produced literally by those cows just over there. | 0:02:04 | 0:02:09 | |
A lot of people will worry about how much fat's in clotted cream, | 0:02:13 | 0:02:16 | |
but look - if you put some fresh fruit in it like this, | 0:02:16 | 0:02:19 | |
it's got to be healthy, right? | 0:02:19 | 0:02:21 | |
Seriously, though, if you're going to make this, | 0:02:26 | 0:02:29 | |
use fresh fruit. Frozen or preserved just won't be as good. | 0:02:29 | 0:02:33 | |
Summer pudding. I'm going to create one with just strawberries. | 0:02:35 | 0:02:39 | |
You can use a mix-match of fruit with summer pudding, | 0:02:39 | 0:02:41 | |
but this, with English strawberries, there is nothing better, really. | 0:02:41 | 0:02:46 | |
And I definitely wasn't going to do scones, | 0:02:46 | 0:02:48 | |
cos we're in Devon. Cornwall's just over there, | 0:02:48 | 0:02:51 | |
and it upsets them round these neck of the woods | 0:02:51 | 0:02:54 | |
if a Yorkshireman comes down here and shows them how to make scones. | 0:02:54 | 0:02:58 | |
Good old English strawberries. | 0:02:58 | 0:03:00 | |
I'm just going to break them up like this. | 0:03:00 | 0:03:03 | |
I'm going to just put a touch of basil in. | 0:03:03 | 0:03:05 | |
Often when you make summer pudding, people put mint on the top, | 0:03:05 | 0:03:08 | |
but basil is a fantastic herb. | 0:03:08 | 0:03:11 | |
Use a little bit of the fresh basil, | 0:03:11 | 0:03:14 | |
and we just mix that together, and that's it, really. | 0:03:14 | 0:03:17 | |
Just that. And then we're going to line our little moulds here. | 0:03:17 | 0:03:20 | |
I've got some dariole moulds, or you can even use a teacup, | 0:03:20 | 0:03:24 | |
but the way that you do that is just take some oil first | 0:03:24 | 0:03:28 | |
and just rub the bases around the edge with oil. | 0:03:28 | 0:03:32 | |
Now, this is going to make the clingfilm stick to the base. | 0:03:32 | 0:03:37 | |
We'll just use some clingfilm inside the little moulds like that. | 0:03:37 | 0:03:42 | |
So we've lined our little moulds here, | 0:03:42 | 0:03:44 | |
then we can take the sliced bread, and this is where, really, | 0:03:44 | 0:03:47 | |
it's only in the UK where you can get summer pudding, | 0:03:47 | 0:03:50 | |
because over in Italy they do this with ciabatta, | 0:03:50 | 0:03:53 | |
or in France they do it with Pugliese. | 0:03:53 | 0:03:56 | |
You need white sliced bread only. Nothing else. White sliced bread. | 0:03:56 | 0:04:01 | |
And we just remove the crusts, like that. | 0:04:01 | 0:04:05 | |
We'll cut that into oblongs like that. | 0:04:05 | 0:04:08 | |
Then we need two round small pieces of bread...ish. | 0:04:08 | 0:04:13 | |
I haven't got a ring or a cutter. | 0:04:13 | 0:04:16 | |
And then we need two large ones for the top. | 0:04:16 | 0:04:18 | |
And then we've got our sauce. Now, I call this a sauce | 0:04:20 | 0:04:24 | |
because too many chefs nowadays call this a coulis, right? | 0:04:24 | 0:04:27 | |
It's not a coulis. We're in the UK. | 0:04:27 | 0:04:30 | |
This is a sauce, and it's a puree of fresh English strawberries. | 0:04:30 | 0:04:34 | |
Nothing else - no sugar, nothing. Passed through a sieve, | 0:04:34 | 0:04:37 | |
and that's our sauce. And then we can dip the bread into the sauce, | 0:04:37 | 0:04:40 | |
the small bit first. | 0:04:40 | 0:04:43 | |
You're aiming to completely line the mould, | 0:04:44 | 0:04:47 | |
small circles at the bottom, oblongs around the sides, | 0:04:47 | 0:04:51 | |
and no gaps. You don't want a leaky summer pudding. | 0:04:51 | 0:04:54 | |
So, when you've got the moulds lined, | 0:05:01 | 0:05:04 | |
then we can use some of this filling. | 0:05:04 | 0:05:07 | |
Now, I actually love basil and strawberries together. | 0:05:08 | 0:05:10 | |
They really are a great combination, | 0:05:10 | 0:05:13 | |
and taste very similar to pistachio nuts. | 0:05:13 | 0:05:15 | |
Just fill these moulds with the strawberries and basil, | 0:05:15 | 0:05:20 | |
but only halfway, because this is the best bit of it, really. | 0:05:20 | 0:05:24 | |
Proper clotted cream. Fill this full, | 0:05:24 | 0:05:28 | |
and this clotted cream sits in the middle. | 0:05:28 | 0:05:30 | |
It's like a little hidden gem, a little jewel inside this bread. | 0:05:30 | 0:05:35 | |
Now, just to show off a bit, I want to try to make something | 0:05:37 | 0:05:40 | |
that'll remind us of Devon's golden sunlight | 0:05:40 | 0:05:43 | |
to decorate the pudding, and for that, | 0:05:43 | 0:05:46 | |
I need to caramelise some caster sugar. | 0:05:46 | 0:05:48 | |
While that's happening, we can finish off our little puddings here. | 0:05:49 | 0:05:54 | |
This is where you want the large pieces, | 0:05:54 | 0:05:56 | |
or the large circle of the bread. | 0:05:56 | 0:05:58 | |
You want to dip this in. | 0:05:58 | 0:06:01 | |
What you want to do is just press them down. | 0:06:01 | 0:06:03 | |
So the old recipes would then tell you now | 0:06:03 | 0:06:07 | |
to find a brick, and put it in the bottom of your fridge, | 0:06:07 | 0:06:12 | |
and wait for about two days before the summer pudding's ready, | 0:06:12 | 0:06:15 | |
but if you make it like that, particularly with this thin bread, | 0:06:15 | 0:06:19 | |
you can then hold the clingfilm like this, | 0:06:19 | 0:06:22 | |
and it should in theory just pull away. | 0:06:22 | 0:06:26 | |
So far, so good, | 0:06:26 | 0:06:28 | |
but really, it's probably better to do your cooking in a kitchen | 0:06:28 | 0:06:32 | |
like I originally wanted to do. | 0:06:32 | 0:06:34 | |
Outdoors is, quite frankly, dangerous. | 0:06:34 | 0:06:36 | |
This is the dilemma of cooking in a field, you see? | 0:06:36 | 0:06:40 | |
This is to stop the wind. | 0:06:40 | 0:06:43 | |
That's the price of cooking a summer pudding outside. | 0:06:54 | 0:06:57 | |
Disaster averted by my lightning-fast reflexes, | 0:06:59 | 0:07:03 | |
it's time to get back to the cooking. | 0:07:03 | 0:07:05 | |
While the sugar slowly melts, | 0:07:05 | 0:07:08 | |
I'm putting some more of the strawberry sauce onto the pudding, | 0:07:08 | 0:07:12 | |
and then some of the distilled Devonshire sunshine. | 0:07:12 | 0:07:15 | |
This really is what makes this area so special. | 0:07:18 | 0:07:22 | |
Look at that. Nice dollop, | 0:07:25 | 0:07:27 | |
and then we got some fresh English strawberries to go with it, as well. | 0:07:27 | 0:07:33 | |
We could stop there, | 0:07:33 | 0:07:35 | |
but we're going to attempt to do some spun sugar outside. | 0:07:35 | 0:07:38 | |
Now, to do that, really you get some caramelised sugar | 0:07:38 | 0:07:42 | |
and you spin it over your steel. | 0:07:42 | 0:07:44 | |
What on earth am I doing this out here for? | 0:07:48 | 0:07:51 | |
You got a bit of this, | 0:07:54 | 0:07:56 | |
together with bits of grass. | 0:07:56 | 0:07:59 | |
You just mould this up, | 0:08:02 | 0:08:05 | |
and just finish this off with a little bit of icing sugar, | 0:08:05 | 0:08:08 | |
which is, like...completely wasted my time, isn't it, really? | 0:08:08 | 0:08:12 | |
JAMES AND PRODUCTION TEAM LAUGH | 0:08:12 | 0:08:15 | |
Do you know what? I give up. | 0:08:15 | 0:08:18 | |
Just take a shot of that. I'm going to enjoy the view. I've had enough. | 0:08:18 | 0:08:22 | |
'To be fair, I suppose I should've taken note | 0:08:23 | 0:08:26 | |
'that as well as being one of the sunniest places in the UK, | 0:08:26 | 0:08:29 | |
'this place has to be one of the windiest.' | 0:08:29 | 0:08:32 | |
But if that's what it takes to make clotted cream what it is, | 0:08:32 | 0:08:35 | |
then, I suppose we should all be glad. | 0:08:35 | 0:08:38 |