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Only an elite group of chefs holds two Michelin stars. | 0:00:05 | 0:00:09 | |
Michel Roux Jr is one of them. | 0:00:09 | 0:00:12 | |
Two bass, now. | 0:00:12 | 0:00:14 | |
CHEERING | 0:00:14 | 0:00:15 | |
Now he and MasterChef judge Gregg Wallace | 0:00:15 | 0:00:19 | |
are on the hunt for Britain's next culinary superstar, | 0:00:19 | 0:00:23 | |
the professional with the talent to cut it | 0:00:23 | 0:00:25 | |
in the world's top kitchens. | 0:00:25 | 0:00:28 | |
Perfect. | 0:00:30 | 0:00:32 | |
It's the last of the semifinals. | 0:00:39 | 0:00:42 | |
All this week, the six semifinalists have been split into pairs... | 0:00:43 | 0:00:48 | |
..going head-to-head to fight for a place in the competition. | 0:00:51 | 0:00:56 | |
Ash and Oli have cooked to an exceptional level | 0:01:00 | 0:01:04 | |
to secure their place in the finals. | 0:01:04 | 0:01:07 | |
That could be served in most fine- dining establishments for sure. | 0:01:07 | 0:01:11 | |
That is incredible! | 0:01:12 | 0:01:14 | |
It's the pinnacle. It's the final now. | 0:01:14 | 0:01:17 | |
I'm in the final three. I've got a chance of winning this now. | 0:01:17 | 0:01:20 | |
Now there is only one place left. | 0:01:21 | 0:01:24 | |
Last to go head-to-head are Steve and Claire. | 0:01:28 | 0:01:31 | |
They've been up against each other from day one. | 0:01:34 | 0:01:37 | |
Throughout the competition he's become quite a good friend, | 0:01:37 | 0:01:40 | |
so to know that one of us is leaving is a real shame. | 0:01:40 | 0:01:45 | |
'He's a great chef.' | 0:01:45 | 0:01:47 | |
I've got to do well to get to that final. | 0:01:47 | 0:01:50 | |
'It's a shame we can't both go through.' | 0:01:53 | 0:01:55 | |
If she beats me today I think she'll go and win it, | 0:01:55 | 0:01:58 | |
but I wouldn't have entered if I didn't want to win. | 0:01:58 | 0:02:01 | |
I'm so close to being where everyone wants to be. | 0:02:01 | 0:02:04 | |
It would be just an amazing achievement, really. | 0:02:04 | 0:02:08 | |
Today the two of them are heading to Central London, | 0:02:15 | 0:02:19 | |
home to Pied a Terre, | 0:02:19 | 0:02:22 | |
one of the capital's top Michelin-starred restaurants. | 0:02:22 | 0:02:25 | |
One green, one rabbit, three minutes. | 0:02:31 | 0:02:34 | |
Head chef Marcus Eaves earned his first Michelin star at 27... | 0:02:34 | 0:02:39 | |
..quite a feat, as the restaurant had only been open 14 months. | 0:02:40 | 0:02:45 | |
At this level, you've got to give it everything. | 0:02:45 | 0:02:49 | |
You've got to keep coming in every day. Every service has to be better than the last. | 0:02:49 | 0:02:53 | |
Work strongly on the technique. | 0:02:55 | 0:02:58 | |
Attention to detail is very important to us. | 0:02:58 | 0:03:01 | |
Every single little detail matters. We're striving for perfection. | 0:03:01 | 0:03:06 | |
Marcus is a full-on, intense, non-stop chef. | 0:03:07 | 0:03:11 | |
OK, go. Quickly, please. Table one. Go, go, go. | 0:03:11 | 0:03:13 | |
This will definitely be a baptism of fire for Claire and Steve. | 0:03:13 | 0:03:17 | |
My standards are huge here. There's accolades to live up to, | 0:03:17 | 0:03:21 | |
and there's a big reputation. | 0:03:21 | 0:03:23 | |
Bringing two new chefs in is a massive risk for me. | 0:03:23 | 0:03:26 | |
'I've never worked in a Michelin-starred kitchen before.' | 0:03:26 | 0:03:30 | |
Great opportunity that I've always wanted to do, | 0:03:30 | 0:03:32 | |
and I'm now going to fulfil my ambition. | 0:03:32 | 0:03:35 | |
'I'm fairly confident, but I'm also quite nervous.' | 0:03:35 | 0:03:38 | |
I'm just hoping the nerves don't get the better of me. | 0:03:38 | 0:03:41 | |
Welcome to Pied a Terre. My expectations of you guys today | 0:03:45 | 0:03:49 | |
are absolutely huge. What I expect is absolutely top-drawer. | 0:03:49 | 0:03:52 | |
If it's not right, it won't go into the restaurant. | 0:03:52 | 0:03:55 | |
Hopefully you'll pull it off, and the best of luck. Come with me. | 0:03:55 | 0:03:58 | |
During service, Steve will be cooking steamed saddle of rabbit | 0:04:02 | 0:04:06 | |
stuffed with chicken mousse, served with rack of rabbit, | 0:04:06 | 0:04:09 | |
rabbit kidney and liver, peas, broad beans, | 0:04:09 | 0:04:13 | |
truffle, and a shallot emulsion. | 0:04:13 | 0:04:16 | |
There's the chicken mousse. Pipe that along the centre. | 0:04:21 | 0:04:24 | |
Get your Parma ham. | 0:04:26 | 0:04:29 | |
This is the chicken puree, the chicken mousse, | 0:04:30 | 0:04:33 | |
and what this does is, it acts as a glue. | 0:04:33 | 0:04:37 | |
You're going to place the rabbit saddle on top of there, | 0:04:38 | 0:04:41 | |
and then we're going to roll it over. | 0:04:41 | 0:04:43 | |
This will be steamed, so we'll make sure it's really tight. | 0:04:43 | 0:04:46 | |
I'm sure you know, rabbit's a difficult one to cook. | 0:04:48 | 0:04:51 | |
Undercooked, we can't serve it too pink, | 0:04:51 | 0:04:53 | |
but if we cook it too much, it's going to be dry. | 0:04:53 | 0:04:56 | |
Feel that now. It's gone near the heat. It's quite soft. | 0:04:57 | 0:05:00 | |
When it is cooked, it'll be nice and firm. | 0:05:00 | 0:05:03 | |
If you want to just touch that, see how firm it is now. | 0:05:03 | 0:05:06 | |
It's changed quite a lot, hasn't it? | 0:05:06 | 0:05:09 | |
You need to make sure all your offal, the livers, the kidneys | 0:05:09 | 0:05:12 | |
and the racks, are nicely cooked. Not too raw but not overcooked. | 0:05:12 | 0:05:17 | |
It's very important we don't get too much colour | 0:05:17 | 0:05:20 | |
otherwise the rabbit will dry out. | 0:05:20 | 0:05:22 | |
This is the emulsion. As you can see, it's nice and fresh. | 0:05:25 | 0:05:28 | |
The peas are nice and green, and it's a nice sauce consistency. | 0:05:28 | 0:05:32 | |
If you get it too hot, it'll separate, | 0:05:32 | 0:05:34 | |
-and it'll get sent back. OK? -Yes, chef. | 0:05:34 | 0:05:37 | |
-Yeah? -Lovely. | 0:05:37 | 0:05:38 | |
Nice long strokes, OK? Now we've opened that up, | 0:05:44 | 0:05:47 | |
you can see it's nice and moist. It's not dry at all. | 0:05:47 | 0:05:50 | |
Little cutlets, slices of the liver. | 0:05:50 | 0:05:53 | |
OK? | 0:05:53 | 0:05:56 | |
All we're looking at doing is showcasing that rabbit there. | 0:05:58 | 0:06:01 | |
It's cooked beautifully. We need to show that to the customers, OK? | 0:06:01 | 0:06:05 | |
Offal in the centre. | 0:06:06 | 0:06:08 | |
And a touch of truffle at the last second. | 0:06:11 | 0:06:14 | |
OK, Steve. So this is what I expect. | 0:06:14 | 0:06:16 | |
If it's not up to standard, I'll be sending it back. | 0:06:16 | 0:06:19 | |
It's very important that you get this right. | 0:06:19 | 0:06:22 | |
Timing's essential. It takes 15 minutes to cook, | 0:06:22 | 0:06:25 | |
-so we can't afford any delays, OK? -Yes, chef. | 0:06:25 | 0:06:28 | |
'Lot of work to do. Lot going on the dish. Very, very intricate.' | 0:06:29 | 0:06:33 | |
I'm worried about not cooking it right. | 0:06:33 | 0:06:36 | |
I want him to be happy with the way I'm cooking everything. | 0:06:36 | 0:06:39 | |
If I muck it up, I'll ruin the whole service. | 0:06:39 | 0:06:41 | |
I don't want to make any mistakes in his kitchen. | 0:06:41 | 0:06:45 | |
Claire's dish is pan-fried turbot served with a courgette flower | 0:06:47 | 0:06:52 | |
stuffed with salmon-and-basil mousse, | 0:06:52 | 0:06:55 | |
sauteed baby aubergines, courgette and a basil puree, | 0:06:55 | 0:07:00 | |
and an olive-oil emulsion. | 0:07:00 | 0:07:02 | |
When you're cooking turbot, it all depends on the size of the fish. | 0:07:02 | 0:07:06 | |
Four minutes, we'll put the turbot in the pan, | 0:07:06 | 0:07:09 | |
but if it's a bit thinner, we might do it in three. | 0:07:09 | 0:07:11 | |
It depends. You've got to use your own judgement there as well. | 0:07:11 | 0:07:15 | |
Turbot's the king of all fish, the most expensive fish you can buy, | 0:07:15 | 0:07:19 | |
£17, £18 a kilo at some times of the year, | 0:07:19 | 0:07:22 | |
so we've got to make sure we look after it and get it right. | 0:07:22 | 0:07:25 | |
-See that? -Yes. -Nice and golden. | 0:07:26 | 0:07:30 | |
If you feel that, it's firm, but still slightly translucent, | 0:07:32 | 0:07:35 | |
-a little bit sort of shiny. -Yeah. -OK? | 0:07:35 | 0:07:38 | |
With the courgette flowers, | 0:07:38 | 0:07:40 | |
you want to make sure you're very gentle. | 0:07:40 | 0:07:43 | |
-If you feel that, it's just starting to firm up. -Yeah. | 0:07:43 | 0:07:47 | |
Again, they're very expensive, about £1 to £1.50 each, | 0:07:47 | 0:07:52 | |
so you're dealing with all the top products here, | 0:07:52 | 0:07:55 | |
so just be very, very careful. | 0:07:55 | 0:07:57 | |
And at about one minute, bang, you'll put your baby artichokes on. | 0:07:58 | 0:08:02 | |
So we got some courgette-and-basil puree here, | 0:08:04 | 0:08:07 | |
and that will go on the plate just at the last second. | 0:08:07 | 0:08:10 | |
When you bring a fish up, it's important to make sure we drain it. | 0:08:15 | 0:08:19 | |
Yep. | 0:08:19 | 0:08:20 | |
Just a little bit of the sauce. | 0:08:23 | 0:08:26 | |
Touch of olive oil at the last second, | 0:08:28 | 0:08:30 | |
and there you go. | 0:08:30 | 0:08:33 | |
This is what I expect. If it's not up to standard, | 0:08:36 | 0:08:38 | |
-I'll be sending it back. -Yep. -Excellent. | 0:08:38 | 0:08:42 | |
A lot of pressure. I mean, this fish probably cost, like, £90. | 0:08:44 | 0:08:48 | |
You know, there's no room for error. So, yeah, it's quite daunting. | 0:08:48 | 0:08:53 | |
With food at this level, the quest for perfection | 0:08:57 | 0:09:00 | |
begins at the preparation stage. | 0:09:00 | 0:09:04 | |
Each of Claire's turbot pieces must weigh exactly 90 grams. | 0:09:10 | 0:09:16 | |
-90 grams, yeah? -Yep. | 0:09:18 | 0:09:20 | |
I just love the precision about this style. | 0:09:20 | 0:09:23 | |
It's, like, cutting-edge stuff. It's new. It's interesting. | 0:09:23 | 0:09:27 | |
Fine dining is where I aspire to be, so it's great experience. | 0:09:27 | 0:09:31 | |
For his prep, Steve is taking the outer casing off each single pea | 0:09:33 | 0:09:38 | |
in his dish. | 0:09:38 | 0:09:41 | |
This kitchen is different to kitchens I've worked before. | 0:09:42 | 0:09:45 | |
It's higher standard. The chefs around in it are quality. | 0:09:45 | 0:09:49 | |
I have high standards, but these guys have even higher standards, | 0:09:49 | 0:09:54 | |
and I want to try and reach that. | 0:09:54 | 0:09:56 | |
It is tough, but I want to get there, you know? | 0:09:57 | 0:10:00 | |
OK, guys, we got 35 for lunch. | 0:10:14 | 0:10:16 | |
Everybody needs to be in and out within the hour, | 0:10:16 | 0:10:19 | |
so we need to be quick, fast-paced, no mistakes. | 0:10:19 | 0:10:22 | |
So let's get started. | 0:10:22 | 0:10:24 | |
I'll be watching everything they do, | 0:10:26 | 0:10:28 | |
down to seasoning, the way they carve the meat, | 0:10:28 | 0:10:31 | |
cook the fish, every tiny little detail. | 0:10:31 | 0:10:34 | |
I'll have my eye on what's going on, and any mistakes, | 0:10:34 | 0:10:37 | |
if we let that go to the diner, that's just not acceptable. | 0:10:37 | 0:10:41 | |
I'm really buzzing. Can't wait. Looking forward to it. It'll be good. | 0:10:45 | 0:10:49 | |
I know I can do it. It's just, you know, combating the nerves. | 0:10:49 | 0:10:53 | |
OK. Listen up, please. Check up on one mackerel, one belly, | 0:10:54 | 0:10:58 | |
-followed by one rabbit, one turbot. -ALL: Yes, chef. | 0:10:58 | 0:11:01 | |
First check on... I've got one rabbit on order. | 0:11:10 | 0:11:13 | |
-Don't forget to taste, Steve. -Yes, chef. | 0:11:16 | 0:11:19 | |
-Steve, how long does yours take to cook? -Eight minutes. | 0:11:24 | 0:11:28 | |
If I start cooking everything now, it'll all overcook, | 0:11:28 | 0:11:31 | |
and it'll be sat there. You want everything as fresh as possible. | 0:11:31 | 0:11:35 | |
Four minutes, we're going, guys. | 0:11:35 | 0:11:37 | |
-One rabbit, one turbot. -Yes, chef. -Yeah. | 0:11:37 | 0:11:40 | |
-Start dressing now, guys. -Yes. -Yeah. | 0:11:45 | 0:11:49 | |
Come on, Steve. Let's go. | 0:11:50 | 0:11:52 | |
Steve, that rabbit's not hot enough. Get it back in the oven, please. | 0:11:56 | 0:11:59 | |
-OK, chef. -Right, quickly. It's going cold here, yeah? | 0:11:59 | 0:12:03 | |
Come on, Claire, let's go. Pick up the pace. | 0:12:03 | 0:12:07 | |
Steve, let's not get sloppy, mate, yeah? | 0:12:12 | 0:12:15 | |
Ten seconds, otherwise we need to start again, guys, yeah? | 0:12:18 | 0:12:22 | |
-OK, Claire. Very nice there, yeah? -Yes, chef. | 0:12:22 | 0:12:26 | |
-Wipe your plate. We can go. Well done. -Yes, chef. -Thank you. | 0:12:30 | 0:12:33 | |
Overall, spot on. We've got a few issues there with Steve, | 0:12:38 | 0:12:41 | |
and so far nothing with Claire, so overall, very nice table. Yeah. | 0:12:41 | 0:12:46 | |
At the moment we've got one, two, three turbot on order. | 0:12:49 | 0:12:52 | |
We've got three rabbit on order. Three of each. | 0:12:52 | 0:12:55 | |
If all the tables get called away at the same time, the pressure's going to be on. | 0:12:55 | 0:12:59 | |
First table went pretty well. I got three on order at the moment, | 0:13:07 | 0:13:11 | |
so hopefully I can just keep that going and not fall below that. | 0:13:11 | 0:13:15 | |
Yeah, very good start. | 0:13:19 | 0:13:21 | |
-OK. -Hello, chef. -New check. | 0:13:21 | 0:13:23 | |
-Three rabbit and one turbot, yes? -Yep. -Yeah. | 0:13:23 | 0:13:26 | |
-Come on! Let's go! -Yes, chef. | 0:13:26 | 0:13:29 | |
30 seconds. So, Steve, how many rabbit do you have on order? | 0:13:29 | 0:13:32 | |
-Um, six, chef. -That's it. Lovely. | 0:13:32 | 0:13:35 | |
We're pretty much back-to-back now on tables. | 0:13:37 | 0:13:40 | |
Right, guys, you're falling behind here. Let's go. | 0:13:40 | 0:13:44 | |
Come on. Quickly. | 0:13:44 | 0:13:47 | |
That's lovely. Very, very nice. | 0:13:47 | 0:13:51 | |
She seems to be under control. Everything's organised. Very happy with that. | 0:13:51 | 0:13:55 | |
Claire, very nice again, yeah? | 0:13:55 | 0:13:57 | |
The turbot's fantastic. Delicious, perfectly cooked. | 0:13:59 | 0:14:02 | |
Beautiful piece of fish. | 0:14:02 | 0:14:04 | |
I think I'm managing fine. | 0:14:06 | 0:14:08 | |
My checks might start coming on thick and heavy, | 0:14:08 | 0:14:11 | |
so I just need to keep on top of it. | 0:14:11 | 0:14:14 | |
Look at this, Steve. That's no good there. | 0:14:16 | 0:14:18 | |
-Can we be careful on that, please? -Sorry. -Thank you. | 0:14:18 | 0:14:22 | |
That's it. Lovely. | 0:14:22 | 0:14:25 | |
-Right. We need a big clean-down now. -Yes, chef. | 0:14:25 | 0:14:28 | |
Tidy up your board there. Keep yourself organised. | 0:14:28 | 0:14:31 | |
You've got one, two, three, four, five tables | 0:14:32 | 0:14:35 | |
are going to be called away. | 0:14:35 | 0:14:37 | |
Chef, how many rabbits have I got in total, please? | 0:14:37 | 0:14:40 | |
In total you've got one, two, three, four, | 0:14:40 | 0:14:42 | |
including the one we're going on. | 0:14:42 | 0:14:45 | |
-Straight after that, three rabbit followed by one turbot. -Yes, chef. | 0:14:45 | 0:14:49 | |
I've got to balance the cooking of the rabbit. | 0:14:50 | 0:14:52 | |
I've got to make sure I get all the timings right, really. | 0:14:52 | 0:14:56 | |
-Six minutes. Three rabbit, three turbot. -Yes, chef. | 0:14:59 | 0:15:03 | |
The next order to leave the pass is for a large table, | 0:15:03 | 0:15:06 | |
but all the plates must be ready at the same time. | 0:15:06 | 0:15:10 | |
-Right, Steve. Come on, mate. We're going. -Yeah. | 0:15:17 | 0:15:19 | |
OK, Steve, they're no good. Get rid of those, please. | 0:15:30 | 0:15:33 | |
They're not good enough. Get some more liver on, quickly, please. | 0:15:33 | 0:15:37 | |
-Right. Is your liver back on there? -Yeah. | 0:15:38 | 0:15:42 | |
What you going to do? Borrow one from the next table? | 0:15:42 | 0:15:44 | |
-Yes, chef. -Good idea. Well done. | 0:15:44 | 0:15:47 | |
Let's not get flustered, yeah? Carry on. | 0:15:47 | 0:15:50 | |
-Right, Claire, are you ready? -Yeah. | 0:15:54 | 0:15:57 | |
-OK, Steve, we need to go here, yeah? -Yes, chef. | 0:15:57 | 0:15:59 | |
-I really don't want to have to send it back. -Yes, chef. | 0:15:59 | 0:16:02 | |
Cut those rabbit down and make sure they're all the same size. | 0:16:06 | 0:16:09 | |
Come on. Quickly. | 0:16:09 | 0:16:11 | |
Steve, I've got ten seconds now, and then that's it. | 0:16:12 | 0:16:15 | |
We need to start again. | 0:16:15 | 0:16:18 | |
-PHONE RINGING -Hello? | 0:16:20 | 0:16:23 | |
HE SPEAKS IN ACCENTED ENGLISH | 0:16:23 | 0:16:25 | |
Right, Steve, that's the restaurant calling down, | 0:16:29 | 0:16:32 | |
asking for the main course. That doesn't happen here. Hurry, please. | 0:16:32 | 0:16:36 | |
Steve, Steve, Steve, that's undercooked, mate. | 0:16:43 | 0:16:45 | |
That's undercooked. | 0:16:45 | 0:16:48 | |
Take this away to start again. It's all going cold here. | 0:16:51 | 0:16:54 | |
Let's get rid of it, please. Let's get rid of this. | 0:16:54 | 0:16:57 | |
-That can't happen again. -No, chef. | 0:16:57 | 0:16:59 | |
Sorry, Steve. That's too long, mate. Come on. Let's get rid of it. | 0:16:59 | 0:17:02 | |
We have one chance on every table. That's it. | 0:17:02 | 0:17:05 | |
One chance. That's all we have. Claire, get rid of that, please. | 0:17:05 | 0:17:09 | |
What's happening here? You getting a bit flustered? Calm down, OK? | 0:17:09 | 0:17:13 | |
What I suggest... Listen. Don't get confused here. | 0:17:13 | 0:17:16 | |
What we'll do here... Stop. These are cooked, | 0:17:16 | 0:17:19 | |
-so you can borrow from that table, yeah? -Yeah. | 0:17:19 | 0:17:22 | |
All right? OK, Steve. This time you're going to nail it, yeah? | 0:17:22 | 0:17:25 | |
-Yes, chef. -Seven minutes, we're going. | 0:17:25 | 0:17:28 | |
No mistakes. Everything spot-on, please, yeah? | 0:17:28 | 0:17:31 | |
Right. Yeah, it's very important I get these ones right. | 0:17:31 | 0:17:34 | |
I can't muck up again, man. | 0:17:34 | 0:17:36 | |
-Make sure it's nice and tidy. This is our last chance. -Yes, chef. | 0:17:41 | 0:17:44 | |
I don't want to have to step in there, mate. | 0:17:44 | 0:17:47 | |
-Yes? -Yes, chef. | 0:17:47 | 0:17:49 | |
Claire, start thinking about your plate, please. Very nice turbot. | 0:17:49 | 0:17:53 | |
Yes, chef. | 0:17:53 | 0:17:56 | |
-And three minutes on the next one? -That's it. You've got it. Lovely. | 0:17:56 | 0:18:00 | |
Steve, plate up, mate. | 0:18:02 | 0:18:05 | |
Lovely. | 0:18:11 | 0:18:13 | |
Three rabbit. | 0:18:15 | 0:18:17 | |
Steve, very nice, that. Lovely. | 0:18:28 | 0:18:30 | |
Good feedback from the chef, but I've got to keep up. | 0:18:30 | 0:18:33 | |
I've got to carry on. The next one's got to be even better. | 0:18:33 | 0:18:37 | |
That's it. Very good. | 0:18:38 | 0:18:40 | |
Lovely. Let's go. Nice rabbit. Nice fondant. | 0:18:41 | 0:18:44 | |
Well, Steve, lovely. Very nice rabbit. | 0:18:44 | 0:18:46 | |
-Where's the Thai basil, Claire? -Here, chef. -Come on, then. | 0:18:50 | 0:18:53 | |
We're falling behind here. Steve's ready. | 0:18:53 | 0:18:55 | |
I wasn't happy with my performance, but I'm stepping it up now. | 0:18:55 | 0:18:59 | |
Well done. That was absolutely spot-on, mate. | 0:18:59 | 0:19:02 | |
-Lovely rabbit. Well done. -Thanks, chef. | 0:19:02 | 0:19:04 | |
I ordered the rabbit as the main, and it was absolutely fantastic. | 0:19:08 | 0:19:11 | |
Steve's last dish, absolutely spot-on. Lovely. | 0:19:11 | 0:19:14 | |
Best dish yet. Outstanding. | 0:19:14 | 0:19:16 | |
Claire, well done. Steve, well done. Fantastic. Great service, guys. | 0:19:18 | 0:19:22 | |
Thank you. | 0:19:22 | 0:19:24 | |
Overall the service was good. A few glitches here or there | 0:19:24 | 0:19:27 | |
in the beginning, but as a whole service, not too bad at all. | 0:19:27 | 0:19:31 | |
Steve got a little bit flustered, seemed to lose focus | 0:19:31 | 0:19:34 | |
and it fell apart a bit for him. | 0:19:34 | 0:19:36 | |
By the end he'd come through it. | 0:19:36 | 0:19:38 | |
He managed to fight his way through, and he got there in the end. | 0:19:38 | 0:19:42 | |
That service was frantic, fast, exciting, | 0:19:42 | 0:19:44 | |
impressive...everything, really. | 0:19:44 | 0:19:47 | |
Pretty intense, really. Pretty intense. | 0:19:47 | 0:19:51 | |
Claire, overall, I was really, really impressed. | 0:19:51 | 0:19:54 | |
Absolutely fantastic. Everything was just brilliant. | 0:19:54 | 0:19:57 | |
She held her nerve. You could see she was shaking a little bit, | 0:19:57 | 0:20:00 | |
but absolutely spot-on. | 0:20:00 | 0:20:02 | |
I've really enjoyed working here today. It was great fun. | 0:20:02 | 0:20:05 | |
I mean, this is where I aspire to be, | 0:20:05 | 0:20:08 | |
so it's absolutely amazing to work here, | 0:20:08 | 0:20:11 | |
to have the privilege to work here. It's great. | 0:20:11 | 0:20:14 | |
Service has been relentless, | 0:20:14 | 0:20:17 | |
but the chefs must compete against each other once again. | 0:20:17 | 0:20:21 | |
Working from a recipe, | 0:20:21 | 0:20:23 | |
they will both have to recreate Marcus's signature dish - | 0:20:23 | 0:20:27 | |
poached lobster with crushed peas, confit white peach, | 0:20:27 | 0:20:31 | |
mint and tarragon emulsion. | 0:20:31 | 0:20:34 | |
The signature dish is very light, very fresh. | 0:20:34 | 0:20:37 | |
It basically sums up everything we're all about. | 0:20:37 | 0:20:40 | |
It's all about the lobster. | 0:20:46 | 0:20:48 | |
It needs to be cooked absolutely spot-on. | 0:20:48 | 0:20:52 | |
Just a touch undercooked, or even overcooked, | 0:20:52 | 0:20:54 | |
that'll just ruin the whole dish. | 0:20:54 | 0:20:57 | |
The lobster stock needs to be intense, packed full of flavour, | 0:20:58 | 0:21:03 | |
reduced down, and distinct flavour of lobster. | 0:21:03 | 0:21:06 | |
The peaches now... Because the dish is quite sweet, | 0:21:06 | 0:21:10 | |
we just add a little bit of salt. | 0:21:10 | 0:21:13 | |
There's nothing worse than dull-looking vegetables, | 0:21:15 | 0:21:18 | |
especially when we're dealing with peas, | 0:21:18 | 0:21:21 | |
asparagus, so it's really important that they're bright, bright green. | 0:21:21 | 0:21:25 | |
We're dealing with such delicate flavours, | 0:21:25 | 0:21:28 | |
if they don't get that seasoning right, | 0:21:28 | 0:21:30 | |
the dish will taste of nothing. | 0:21:30 | 0:21:32 | |
This dish is a massive challenge. | 0:21:58 | 0:22:01 | |
It's a huge ask. | 0:22:01 | 0:22:03 | |
I don't like not being very good at something. | 0:22:17 | 0:22:20 | |
'I want to try and impress. Very important.' | 0:22:20 | 0:22:23 | |
This is his signature dish, and I want to do it proud for him. | 0:22:23 | 0:22:28 | |
Steve, the presentation is very good. | 0:23:03 | 0:23:05 | |
It looks lovely and clean, | 0:23:05 | 0:23:07 | |
and very tidy, very sort of organised. | 0:23:07 | 0:23:10 | |
The garnish looks lovely and fresh, | 0:23:10 | 0:23:13 | |
and you can see the colours there are nice and vibrant. | 0:23:13 | 0:23:17 | |
Overall the dish has been executed really, really well. | 0:23:22 | 0:23:25 | |
Just lacking in just a touch of seasoning. | 0:23:25 | 0:23:27 | |
Tiny bit of seasoning. The lobster's cooked really well. | 0:23:27 | 0:23:30 | |
The peaches, cooked down to a T, nice and soft. | 0:23:30 | 0:23:33 | |
They're not overcooked. Just for me, | 0:23:33 | 0:23:36 | |
it's just lacking that little bit of punch. | 0:23:36 | 0:23:38 | |
I'm not sure whether your lobster stock wasn't reduced down enough, | 0:23:38 | 0:23:42 | |
but other than that, very good. | 0:23:42 | 0:23:45 | |
-OK, Steve. Thank you very much. -Thank you. | 0:23:45 | 0:23:48 | |
Yeah, really happy. I was a bit worried about cooking it for him, | 0:23:52 | 0:23:56 | |
but good feedback and positive feedback. | 0:23:56 | 0:23:59 | |
It was never going to be to his high, high standard, | 0:23:59 | 0:24:02 | |
but you take it on board, and next time you season it perfectly, | 0:24:02 | 0:24:05 | |
so it's good feedback. | 0:24:05 | 0:24:08 | |
I need to recreate the dish as, you know, Marcus has created it, | 0:24:28 | 0:24:32 | |
so there's a lot of pressure. Really daunting. | 0:24:32 | 0:24:36 | |
Hopefully, you know, I don't mess up. | 0:24:36 | 0:24:40 | |
Fantastic. I think the presentation's absolutely brilliant. | 0:25:15 | 0:25:19 | |
Yeah. Very elegant. Lovely. You can see a nice bit of flair. | 0:25:19 | 0:25:22 | |
You're taking a lot of care over the way it looks. It looks fantastic. | 0:25:22 | 0:25:26 | |
Very good. | 0:25:26 | 0:25:28 | |
I mean, I must say, the lobster's cooked perfectly. | 0:25:32 | 0:25:36 | |
The vegetables are lovely and green. The garnish is very fresh. | 0:25:36 | 0:25:39 | |
The peaches, when I first saw the dish, | 0:25:39 | 0:25:42 | |
I thought they were a bit undercooked, | 0:25:42 | 0:25:44 | |
but they're nice and soft. They were perfect. | 0:25:44 | 0:25:47 | |
The sauce is not too thick. It hasn't split. | 0:25:47 | 0:25:49 | |
You've got the consistency absolutely spot-on. | 0:25:49 | 0:25:52 | |
If I came for lunch or dinner and got that, I'd be very happy. | 0:25:52 | 0:25:55 | |
Fantastic. I'm struggling, I really am, | 0:25:55 | 0:25:58 | |
to criticise the dish, | 0:25:58 | 0:26:00 | |
and that's a rare thing for me, so well done. | 0:26:00 | 0:26:02 | |
-Thank you. -Thank you very much, Claire. | 0:26:02 | 0:26:04 | |
-Thank you. -Excellent. | 0:26:04 | 0:26:07 | |
I was so, so worried, | 0:26:10 | 0:26:14 | |
and it all came together, so, yeah, I'm so proud of myself. | 0:26:14 | 0:26:17 | |
I'm so pleased with the whole day. | 0:26:17 | 0:26:19 | |
From start to finish it's been great. | 0:26:23 | 0:26:25 | |
It ended on a really, really good high. | 0:26:25 | 0:26:28 | |
I'm so pleased with today. All I need to do in the next round | 0:26:28 | 0:26:33 | |
is prove I can do justice to my own food. | 0:26:33 | 0:26:36 | |
Then, you know, maybe I could be into the final! | 0:26:37 | 0:26:40 | |
Maybe I did come off second best today in the kitchen. | 0:26:44 | 0:26:47 | |
Maybe she did come off a little bit better. | 0:26:47 | 0:26:49 | |
But that's half time. We're not finished yet. | 0:26:51 | 0:26:55 | |
I will give... Next round, I will give it my all. | 0:26:56 | 0:26:59 | |
These two chefs have shone from the moment they walked in, | 0:27:26 | 0:27:30 | |
but we're going to lose one of them today. | 0:27:30 | 0:27:32 | |
Definitely a big deal if I went through to the final. | 0:27:33 | 0:27:36 | |
I definitely want it. I will be gutted if I go home today. | 0:27:36 | 0:27:41 | |
Hopefully I can pull it off. | 0:27:44 | 0:27:46 | |
Ages ago I started, and now I'm one step away from the final. | 0:27:50 | 0:27:54 | |
I'm determined, and just get in there and do it. | 0:27:54 | 0:27:58 | |
Looking forward to it, but it's going to be tough. | 0:27:58 | 0:28:01 | |
Welcome back. Hope you're inspired by your time | 0:28:24 | 0:28:26 | |
in a Michelin-starred kitchen. | 0:28:26 | 0:28:29 | |
Now you know the level that we expect. | 0:28:29 | 0:28:32 | |
You two are talented. | 0:28:33 | 0:28:36 | |
Prove it today. Go all the way. Grab that chance. | 0:28:37 | 0:28:42 | |
You are so close to the final, you can taste it. | 0:28:42 | 0:28:46 | |
It's there for the taking. | 0:28:46 | 0:28:48 | |
An hour and 45 minutes. | 0:28:52 | 0:28:55 | |
This is your food, for one place in the final three. | 0:28:55 | 0:28:59 | |
Off you go. | 0:29:01 | 0:29:04 | |
I'm looking forward to this, to see our two youngsters | 0:29:16 | 0:29:19 | |
battle it out against each other head-to-head, | 0:29:19 | 0:29:23 | |
one against one, and only one place in the final. | 0:29:23 | 0:29:28 | |
We are going to get exceptional cooking today, that is for sure. | 0:29:28 | 0:29:32 | |
I'm definitely worried, being up against Steve. | 0:29:35 | 0:29:39 | |
Consistently throughout he's done well. | 0:29:39 | 0:29:42 | |
He's my strongest competition. | 0:29:42 | 0:29:45 | |
It's going to be tough today. Claire's amazing. | 0:29:49 | 0:29:52 | |
We're both really good, but I just want to do well today, | 0:29:52 | 0:29:56 | |
and do my best. That's all I can do, really, and see what happens. | 0:29:56 | 0:30:01 | |
Steve and Claire are two of the best young chefs I've seen | 0:30:02 | 0:30:06 | |
in a long, long time. It's going to take something, I think, | 0:30:06 | 0:30:09 | |
for one of these to outdo the other - | 0:30:09 | 0:30:12 | |
something very, very special. | 0:30:12 | 0:30:15 | |
-Claire, what's your menu? -Today I am cooking pan-roasted Dover sole | 0:30:17 | 0:30:22 | |
on the bone, with pork, peanut, caraway, butternut and truffle, | 0:30:22 | 0:30:29 | |
and for dessert I'm doing a chocolate "mollo" | 0:30:29 | 0:30:31 | |
with summer fruits and clotted cream. | 0:30:31 | 0:30:34 | |
Do you mean "moelleux"? | 0:30:34 | 0:30:36 | |
Possibly, yes. Sorry for the pronunciation. | 0:30:36 | 0:30:40 | |
Moelleux literally translates as "soft" or "gooey". | 0:30:40 | 0:30:45 | |
-Yes. -So I'm guessing that this cake is going to be soft and gooey. | 0:30:45 | 0:30:49 | |
-Yes, exactly. -I love the sound of your menu. | 0:30:49 | 0:30:52 | |
My only issue is trying to mix peanut with truffle, | 0:30:52 | 0:30:56 | |
Dover sole, and 101 other things that I see on your bench. | 0:30:56 | 0:31:00 | |
I just think they all work together, and they're a little bit different. | 0:31:00 | 0:31:04 | |
I mean, I haven't seen them in any of the restaurants. | 0:31:04 | 0:31:08 | |
HE LAUGHS There might be a reason for that. | 0:31:08 | 0:31:10 | |
There might be a reason for that, yes, | 0:31:10 | 0:31:13 | |
but, you know, I really enjoy the dish, | 0:31:13 | 0:31:15 | |
so as long as I can get all those flavours on, | 0:31:15 | 0:31:18 | |
-hopefully you will too. -Mmm. | 0:31:18 | 0:31:21 | |
With this menu I'm trying to show that I have got something different, | 0:31:23 | 0:31:28 | |
and a little creative head, and hopefully it all works together. | 0:31:28 | 0:31:31 | |
Claire is cooking a sole garnished with truffle, | 0:31:38 | 0:31:42 | |
caraway seed, | 0:31:42 | 0:31:44 | |
pumpkin, peanut butter, | 0:31:44 | 0:31:47 | |
pumpkin seed... | 0:31:47 | 0:31:49 | |
There's a few elements that could go wrong with the dish. | 0:31:49 | 0:31:53 | |
I've got to prep the Dover sole, | 0:31:53 | 0:31:56 | |
so I need to make sure I take the middle bone out, | 0:31:56 | 0:31:58 | |
then when I actually cook it, it'll sort of buckle. | 0:31:58 | 0:32:01 | |
I love the fact she's cooking sole on the bone. | 0:32:01 | 0:32:04 | |
For me, it's the best way to cook any fish. | 0:32:04 | 0:32:07 | |
But it requires the skill of a craftsman. | 0:32:07 | 0:32:12 | |
Unlike cooking fish as a fillet, | 0:32:12 | 0:32:15 | |
you have to be able to judge it correctly. | 0:32:15 | 0:32:18 | |
Claire has got so much work to do with that main course. | 0:32:26 | 0:32:30 | |
I'm just worried she's going to have enough time to get this dessert right. | 0:32:30 | 0:32:34 | |
Claire's dessert is a chocolate moelleux, | 0:32:40 | 0:32:42 | |
which is not too different to a chocolate fondant. | 0:32:42 | 0:32:46 | |
It isn't runny. It is just gooey and soft. | 0:32:46 | 0:32:50 | |
The secret to that is not to overcook it. | 0:32:50 | 0:32:54 | |
Then we've got a sorbet, | 0:32:55 | 0:32:58 | |
with raspberries and yoghurt... | 0:32:58 | 0:33:01 | |
..and some summer fruits. | 0:33:03 | 0:33:06 | |
Ohhh! | 0:33:06 | 0:33:07 | |
With her dessert, she's serving chocolate soil. | 0:33:07 | 0:33:11 | |
For her age, to be coming up with dishes like that is fantastic. | 0:33:16 | 0:33:20 | |
It's well known there is a fine line between genius and madness. | 0:33:22 | 0:33:26 | |
Look at me and you! | 0:33:26 | 0:33:28 | |
I'm definitely going all out, but I've learned from the previous rounds | 0:33:31 | 0:33:35 | |
to not relax and do everything the last 20 minutes. | 0:33:35 | 0:33:39 | |
You're halfway, guys, OK? | 0:33:45 | 0:33:48 | |
It's the semifinals. | 0:34:06 | 0:34:08 | |
Knowing the quality of Claire and what she can produce, | 0:34:08 | 0:34:11 | |
I need to be on my game. | 0:34:11 | 0:34:14 | |
I'll kick myself if I play it safe today and go home. | 0:34:14 | 0:34:17 | |
-Steve, what's on the menu? -Main course, | 0:34:21 | 0:34:23 | |
we got pan-fried turbot, | 0:34:23 | 0:34:26 | |
scallop and confit chicken thighs, | 0:34:26 | 0:34:29 | |
with truffle gnocchi and cep puree. | 0:34:29 | 0:34:32 | |
Ohhh! Do you know Michel's favourite fish? | 0:34:32 | 0:34:36 | |
-Yeah. -You do? -Yeah. | 0:34:36 | 0:34:38 | |
Oh, yeah. One of my favourite fish, definitely. Delicious. Good. | 0:34:38 | 0:34:41 | |
-And for dessert? -We have chocolate mousse | 0:34:41 | 0:34:44 | |
with cherries and pistachio. | 0:34:44 | 0:34:46 | |
Cherries and pistachio how? | 0:34:46 | 0:34:49 | |
Got poached cherries, cherry sorbet, and then we have pistachio cream, | 0:34:49 | 0:34:54 | |
and then a little praline soil. | 0:34:54 | 0:34:55 | |
Very classic combinations of flavours here. | 0:34:55 | 0:34:58 | |
I want to show to you both that every round I go through, | 0:34:58 | 0:35:01 | |
I want to show something different. I'm versatile. I can cook other things. | 0:35:01 | 0:35:06 | |
Steve, I am really looking forward to this. | 0:35:06 | 0:35:08 | |
It sounds absolutely delicious. I just hope you can do it all justice. | 0:35:08 | 0:35:12 | |
This is the only time I've felt, like, really pressured, | 0:35:12 | 0:35:15 | |
because I know what's at stake. Today I'm enjoying it. | 0:35:15 | 0:35:18 | |
Hopefully the next step, but you can't help, at the back of your mind, I could be in the final. | 0:35:18 | 0:35:23 | |
Just do what you can do. We've loved your food so far. Loved it. | 0:35:23 | 0:35:28 | |
Cool. | 0:35:29 | 0:35:31 | |
These dishes are demanding, | 0:35:35 | 0:35:38 | |
but I'm confident again, if I reach my peak and 100 percent, | 0:35:38 | 0:35:41 | |
I've got every chance of going through. | 0:35:41 | 0:35:45 | |
He is just putting together, in that main course, | 0:35:48 | 0:35:51 | |
some of the best ingredients ever delivered by nature. | 0:35:51 | 0:35:55 | |
Steve is cooking turbot with confit chicken thighs, | 0:35:57 | 0:36:00 | |
a little red-wine jus, | 0:36:00 | 0:36:03 | |
cep puree, and a truffle gnocchi. | 0:36:03 | 0:36:07 | |
It's just a beautiful combination of ingredients | 0:36:09 | 0:36:13 | |
that I know work so well. | 0:36:13 | 0:36:15 | |
If you can get the right balance and cook that turbot bang-on, | 0:36:17 | 0:36:22 | |
heaven! | 0:36:22 | 0:36:25 | |
Turbot is an expensive, beautiful fish. | 0:36:25 | 0:36:29 | |
It demands respect. | 0:36:30 | 0:36:33 | |
It must not be overcooked. | 0:36:34 | 0:36:37 | |
And the chicken thighs are there for a reason. | 0:36:38 | 0:36:41 | |
They can be meaty and oily, | 0:36:41 | 0:36:44 | |
and add some extra texture and flavour to the dish. | 0:36:44 | 0:36:49 | |
Gnocchi are wonderful! | 0:36:53 | 0:36:55 | |
They should be light and airy, but still have a little bite to them. | 0:36:55 | 0:37:00 | |
That's what I'm expecting from these truffle gnocchi. | 0:37:01 | 0:37:05 | |
It is a risky dish, but it shows skill, | 0:37:07 | 0:37:10 | |
and in this competition, that's what they want to see. | 0:37:10 | 0:37:14 | |
Not content on making me delirious with his main course, | 0:37:26 | 0:37:29 | |
he's then got a chocolate mousse... | 0:37:29 | 0:37:31 | |
..a cherry sorbet... | 0:37:33 | 0:37:36 | |
He's also serving the cherries a la pistachio cream. | 0:37:39 | 0:37:44 | |
It's like Greggie plate heaven. | 0:37:47 | 0:37:49 | |
But a chocolate mousse, it should be set and not too gooey. | 0:37:49 | 0:37:54 | |
It should be light and airy. | 0:37:54 | 0:37:57 | |
It should still pack a real punchy taste of bitter chocolate, | 0:37:57 | 0:38:01 | |
and not be sickly sweet. | 0:38:01 | 0:38:03 | |
But too much pistachio paste | 0:38:06 | 0:38:09 | |
can overpower the delicate flavour of chocolate. | 0:38:09 | 0:38:13 | |
Steve's dessert may sound simple. | 0:38:13 | 0:38:15 | |
I don't think so. | 0:38:16 | 0:38:18 | |
Knowing Steve, it's going to be "wow". | 0:38:18 | 0:38:21 | |
There's a lot can go wrong, but it's about staying calm | 0:38:23 | 0:38:27 | |
and cooking it to my best, really. | 0:38:27 | 0:38:30 | |
If I rush it, my chocolate mousse might not set. | 0:38:31 | 0:38:34 | |
Sorbet might not churn. | 0:38:34 | 0:38:37 | |
A lot can go wrong, but if get it right, they're a win, in my eyes. | 0:38:40 | 0:38:44 | |
We've got just 25 minutes left. | 0:38:47 | 0:38:50 | |
Steve has got so much on. The washing up is piling up. | 0:38:53 | 0:38:58 | |
Claire is a methodical worker. She's well organised. | 0:39:02 | 0:39:06 | |
I love the way you've put all your ingredients there... | 0:39:12 | 0:39:15 | |
-Yeah. -..ready to plate up. | 0:39:15 | 0:39:17 | |
The last time I cooked, my head was a mess in the last 20 minutes. | 0:39:17 | 0:39:21 | |
Today, hopefully organisation will help me keep a straight head. | 0:39:21 | 0:39:27 | |
Good. Well, keep that straight head. | 0:39:27 | 0:39:29 | |
Wow! | 0:39:32 | 0:39:34 | |
I've just been over to see Claire, and I've discovered another two more ingredients | 0:39:35 | 0:39:40 | |
that are going to go with the sole - caviar and coconut cream! | 0:39:40 | 0:39:43 | |
Just 15 minutes, guys. | 0:39:52 | 0:39:54 | |
Steve, did you make another sorbet? | 0:40:02 | 0:40:06 | |
-No. I made one sorbet. -You made one sorbet? | 0:40:06 | 0:40:09 | |
-One batch, yeah. -Cos it doesn't seem to be setting. | 0:40:09 | 0:40:11 | |
-It's... It's the recipe. -It's a tried-and-tested recipe? | 0:40:14 | 0:40:18 | |
-Yeah, it is. Yeah. -OK. Cool. | 0:40:18 | 0:40:20 | |
You're making me... It's making me panic. | 0:40:20 | 0:40:22 | |
Is all the recipe that you've made in there now? | 0:40:22 | 0:40:25 | |
-Yeah. -It is? -Yeah. | 0:40:25 | 0:40:27 | |
If it doesn't set, I might as well go home now. | 0:40:27 | 0:40:29 | |
No, no. That is not the issue, is it? | 0:40:29 | 0:40:32 | |
It is, because I had the same mistake last time. | 0:40:32 | 0:40:35 | |
No, no, no. Just get cracking. Do your job. | 0:40:35 | 0:40:38 | |
Don't worry about the sorbet. | 0:40:38 | 0:40:41 | |
It doesn't seem to be setting. We may or may not get one. | 0:40:44 | 0:40:49 | |
Five minutes, please! | 0:40:52 | 0:40:54 | |
OK? | 0:40:54 | 0:40:56 | |
They can taste the final. It's just round the corner. | 0:41:09 | 0:41:11 | |
Two dishes away! | 0:41:11 | 0:41:14 | |
This is excruciatingly delicious. | 0:41:15 | 0:41:19 | |
Last two minutes, all right? | 0:41:28 | 0:41:31 | |
Last 60 seconds, guys. | 0:41:52 | 0:41:55 | |
Steve has made pan-fried turbot with roast scallops | 0:42:20 | 0:42:24 | |
and confit of chicken thighs, | 0:42:24 | 0:42:26 | |
served with truffle gnocchi, cep puree and a red-wine reduction. | 0:42:26 | 0:42:32 | |
First glance, you think, "Oh, it's chaos." | 0:42:32 | 0:42:35 | |
But it's organised chaos. | 0:42:35 | 0:42:37 | |
You've placed things on a plate. You've not thrown it on there. | 0:42:38 | 0:42:42 | |
It looks appetising. It does look good. | 0:42:42 | 0:42:45 | |
For me, the best bit on there is that truffle gnocchi. | 0:42:55 | 0:42:58 | |
I've never, ever seen that before, and it's such a brilliant idea. | 0:42:58 | 0:43:01 | |
I think that is an absolute treat. | 0:43:01 | 0:43:04 | |
A wonderful array of ingredients, beautifully cooked. | 0:43:15 | 0:43:19 | |
Your little cep puree is almost nutty, | 0:43:19 | 0:43:22 | |
and beautifully smooth in texture. Works wonderfully with the turbot | 0:43:22 | 0:43:26 | |
that's been perfectly cooked. Your scallops are perfectly cooked too, | 0:43:26 | 0:43:30 | |
lovely and sweet. Tastes great, that. | 0:43:30 | 0:43:32 | |
Red-wine sauce, very good. Sharp, but not overpowering. | 0:43:32 | 0:43:39 | |
Your little gnocchi, bags of truffle flavour. | 0:43:39 | 0:43:42 | |
Delicious. Delicious! | 0:43:42 | 0:43:44 | |
It's glorious! | 0:43:44 | 0:43:46 | |
You've given us something which you can be proud of. | 0:43:46 | 0:43:51 | |
Steve's pudding is chocolate mousse with crackle crystals, | 0:43:52 | 0:43:57 | |
pistachio cream, | 0:43:57 | 0:44:00 | |
poached cherries, cherry sorbet, | 0:44:00 | 0:44:03 | |
pistachio tuile, | 0:44:03 | 0:44:06 | |
and a pistachio-and-cherry milkshake. | 0:44:06 | 0:44:08 | |
Mmm! Mmm! | 0:44:30 | 0:44:32 | |
Pistachio and cherry work incredibly well together, | 0:44:33 | 0:44:37 | |
and that little shot glass of cherry juice | 0:44:37 | 0:44:40 | |
and that milkshake of pistachio | 0:44:40 | 0:44:43 | |
is really delicious, really yummy. | 0:44:43 | 0:44:46 | |
It adds another dimension to this dessert, | 0:44:46 | 0:44:48 | |
which looks beautiful, absolutely beautiful. | 0:44:48 | 0:44:52 | |
You've made a really good pistachio tuile to go with it, | 0:44:52 | 0:44:55 | |
to add crunch, and your chocolate mousse is just right. | 0:44:55 | 0:44:59 | |
It's light, it's rich. It's got the surprise on there - | 0:44:59 | 0:45:03 | |
popping candy, and it's still popping in my mouth, which is wonderful. | 0:45:03 | 0:45:07 | |
And the sorbet, it's set on time. Only just, | 0:45:07 | 0:45:10 | |
but it's got not too much sugar. It's got a fair bit of acidity, | 0:45:10 | 0:45:14 | |
which means it's a really balanced dessert. | 0:45:14 | 0:45:17 | |
It's not sickly. It's not over-sweet. It's the kind of dessert that I love. | 0:45:17 | 0:45:23 | |
This is very good. Very, very good. | 0:45:23 | 0:45:25 | |
Well done. | 0:45:25 | 0:45:28 | |
HE CHUCKLES | 0:45:28 | 0:45:30 | |
Mmm! | 0:45:30 | 0:45:32 | |
Mmm! | 0:45:32 | 0:45:35 | |
Whay! | 0:45:38 | 0:45:40 | |
Got a firework show going off in my mouth. | 0:45:40 | 0:45:43 | |
I can hear it, even. HE LAUGHS | 0:45:43 | 0:45:46 | |
Brilliant. The whole thing is theatre. | 0:45:46 | 0:45:48 | |
The whole thing is a visual delight, | 0:45:48 | 0:45:50 | |
and it works because it tastes so good. | 0:45:50 | 0:45:53 | |
I think you have 100 percent completely nailed it. | 0:45:53 | 0:45:57 | |
-You all right? -Yeah. | 0:45:57 | 0:45:59 | |
Don't know what to say. Those are, like, amazing comments. | 0:45:59 | 0:46:04 | |
I'm feeling over the moon. I nailed it, | 0:46:04 | 0:46:06 | |
did it to my best ability. | 0:46:06 | 0:46:09 | |
I'm amazed, delighted. | 0:46:09 | 0:46:12 | |
Claire's main course is roasted Dover sole on the bone | 0:46:16 | 0:46:20 | |
with pork puffs, butternut squash and butternut puree, | 0:46:20 | 0:46:25 | |
peanut sauce, Jabugo ham, caviar and truffle. | 0:46:25 | 0:46:32 | |
Wow! What an amazing collection of ingredients. | 0:46:33 | 0:46:37 | |
It looks beautiful. It's been dressed with such finesse | 0:46:37 | 0:46:42 | |
and lightness. It looks like a beautiful flowery rock garden. | 0:46:42 | 0:46:46 | |
I'll start with the sole. | 0:46:46 | 0:46:48 | |
See, I'm intrigued... | 0:46:48 | 0:46:50 | |
Sole, caviar, peanut. | 0:46:50 | 0:46:54 | |
The sole and the peanut sauce and the caraway seed is delicious, | 0:47:03 | 0:47:06 | |
really, really yummy. The sole, beautifully cooked. | 0:47:06 | 0:47:10 | |
The caviar is not necessary. | 0:47:10 | 0:47:13 | |
I'd go as far as saying even the truffle is not necessary. | 0:47:13 | 0:47:16 | |
Two of the most expensive ingredients on the plate are not necessary. | 0:47:16 | 0:47:20 | |
It has got a very, very good balance, though. | 0:47:20 | 0:47:23 | |
Taking away those two very expensive ingredients, | 0:47:23 | 0:47:26 | |
I think we had a nigh-on perfect dish. | 0:47:26 | 0:47:29 | |
This shows an immense amount of originality. | 0:47:29 | 0:47:32 | |
It's certainly the kind of originality we would want from a chef | 0:47:32 | 0:47:36 | |
at this level, and at this stage of the game, | 0:47:36 | 0:47:40 | |
that's for sure. | 0:47:40 | 0:47:42 | |
HE LAUGHS | 0:47:48 | 0:47:50 | |
Mmm! | 0:47:52 | 0:47:53 | |
There is so much going on here! | 0:47:55 | 0:47:57 | |
Heady truffle, salty, sticky ham, | 0:47:57 | 0:48:00 | |
more peanut... There is nothing in there that isn't cooked | 0:48:00 | 0:48:03 | |
with the best, best touch. | 0:48:03 | 0:48:06 | |
I'd happily eat it all. | 0:48:06 | 0:48:09 | |
You are a talent. You are an intriguing talent. | 0:48:09 | 0:48:12 | |
Claire's pudding is a chocolate moelleux, | 0:48:14 | 0:48:18 | |
which is a gooey cake, served with fresh summer berries, | 0:48:18 | 0:48:22 | |
yoghurt and berry sorbet, | 0:48:22 | 0:48:25 | |
confit orange zest, dehydrated yoghurt, | 0:48:25 | 0:48:28 | |
spearmint, clotted cream, raspberry dust and chocolate soil. | 0:48:28 | 0:48:32 | |
Claire, it looks absolutely beautiful. | 0:48:32 | 0:48:37 | |
I love it. Love it to bits. It's what great desserts are made of - | 0:48:37 | 0:48:41 | |
precision, beauty. Hopefully it tastes good. | 0:48:41 | 0:48:44 | |
HE WHISTLES | 0:48:47 | 0:48:48 | |
Ooh! HE CHUCKLES | 0:48:48 | 0:48:50 | |
Mmm! | 0:48:54 | 0:48:56 | |
The chocolate moelleux - | 0:49:01 | 0:49:04 | |
gooey, it's soft, which is exactly how it should be. | 0:49:04 | 0:49:08 | |
Delicious. And all your berries... You seasoned them | 0:49:08 | 0:49:12 | |
with a little drizzle of olive and a squeeze of lemon juice. | 0:49:12 | 0:49:15 | |
Beautiful. Attention to detail - | 0:49:15 | 0:49:17 | |
that's the kind of stuff that great chefs are made of. | 0:49:17 | 0:49:21 | |
And the honey at the bottom of the plate | 0:49:21 | 0:49:23 | |
with the crushed-up chocolate biscuits | 0:49:23 | 0:49:25 | |
and powdered raspberry has got a perfect balance. | 0:49:25 | 0:49:28 | |
It hits all the notes. | 0:49:28 | 0:49:31 | |
For me, this is... this is a perfect summery dessert. | 0:49:31 | 0:49:35 | |
GREGG GASPS | 0:49:35 | 0:49:36 | |
"Perfect", he said! | 0:49:36 | 0:49:39 | |
I love that chocolate, cos it is not too sweet at all, | 0:49:46 | 0:49:49 | |
but it is still thick and it's sticky, | 0:49:49 | 0:49:52 | |
and it tastes of cocoa, and then with the sharpness of the berries, | 0:49:52 | 0:49:55 | |
a splodge of clotted cream as well... That is very, very good. | 0:49:55 | 0:49:59 | |
-I've never had a moelleux. -You have now. | 0:50:00 | 0:50:03 | |
Now I've tasted that, I don't know why people bother with fondants. | 0:50:03 | 0:50:06 | |
-You've changed my life! -Wow! Really? SHE LAUGHS | 0:50:06 | 0:50:09 | |
Where you find this from at 22 years old, I've no idea. | 0:50:09 | 0:50:12 | |
That was pretty amazing, to say it was perfect, | 0:50:18 | 0:50:21 | |
to get that off a two-star chef, you know? | 0:50:21 | 0:50:25 | |
It's absolutely great. | 0:50:25 | 0:50:28 | |
Yeah. | 0:50:28 | 0:50:30 | |
I'm happy. | 0:50:30 | 0:50:32 | |
Well done! That food was fantastic. | 0:50:41 | 0:50:44 | |
You guys know how to cook. | 0:50:44 | 0:50:46 | |
But we've only got one place left in the final. | 0:50:46 | 0:50:50 | |
Off you go. | 0:50:50 | 0:50:52 | |
I've got a big grin on my face. I'm so happy, so happy for them! | 0:51:03 | 0:51:07 | |
I am absolutely bowled over by the quality of food we have had today. | 0:51:07 | 0:51:13 | |
That was better than most food I eat out. | 0:51:14 | 0:51:19 | |
That there is the future, | 0:51:19 | 0:51:23 | |
the next generation. | 0:51:23 | 0:51:25 | |
Steve's main course of turbot, scallop and chicken thighs | 0:51:27 | 0:51:31 | |
at a first glance looked possibly untidy, | 0:51:31 | 0:51:34 | |
but actually, when you analysed it and looked at it, | 0:51:34 | 0:51:37 | |
it was incredibly neat. | 0:51:37 | 0:51:39 | |
Everything there was placed on the plate | 0:51:39 | 0:51:42 | |
with dexterity and the eye of an artist. | 0:51:42 | 0:51:45 | |
It was just delightful. Everything was seasoned perfectly, | 0:51:45 | 0:51:49 | |
the turbot cooked to a succulence of perfection. | 0:51:49 | 0:51:52 | |
And that wasn't the best bit. The best bit was truffle gnocchi! | 0:51:52 | 0:51:57 | |
Guess what I'm going to be making every weekend! | 0:51:57 | 0:52:00 | |
-That was delicious! -It was cooking at its finest. | 0:52:00 | 0:52:03 | |
And I thought it couldn't get any better! Well, it did, | 0:52:03 | 0:52:06 | |
-because that dessert... -Oh, that dessert! | 0:52:06 | 0:52:10 | |
It was a runway of colour and juicy ingredients, | 0:52:10 | 0:52:14 | |
and a nice big chocolate mousse at the end | 0:52:14 | 0:52:17 | |
with chocolate popping candy! | 0:52:17 | 0:52:19 | |
Michel, that is incredible! | 0:52:19 | 0:52:22 | |
My whole life goes round in this competition. | 0:52:22 | 0:52:25 | |
It would be amazing to carry on doing it. | 0:52:25 | 0:52:27 | |
I want to go as far as I can, but...yeah, it's been really hard, | 0:52:27 | 0:52:32 | |
and it'll get even harder if I get through. | 0:52:32 | 0:52:34 | |
Steve can get a little bit flustered in the kitchen. | 0:52:34 | 0:52:37 | |
I think he's a little unsure of himself. | 0:52:37 | 0:52:39 | |
But once he's focussed and he's got confidence, | 0:52:39 | 0:52:42 | |
he can cook as well as anybody else I've seen. | 0:52:42 | 0:52:46 | |
Now, once I'd tasted Steve's food, I though, "That's it. Game over." | 0:52:46 | 0:52:51 | |
But it wasn't. Claire's dishes were every bit as magnificent as Steve's. | 0:52:51 | 0:52:56 | |
Claire cooked us a beautiful sole, served on the bone, | 0:52:56 | 0:52:59 | |
cooked to perfection, but then chose 101 different ingredients | 0:52:59 | 0:53:03 | |
and garnishes to go with it. I was a little bit worried | 0:53:03 | 0:53:07 | |
about what we were going to get, but it looked absolutely beautiful. | 0:53:07 | 0:53:12 | |
Once I'd tasted it, I thought possibly a couple of steps too far, | 0:53:12 | 0:53:16 | |
trying to please too much by putting too many ingredients on the plate, | 0:53:16 | 0:53:20 | |
but you can't get away from the fact that it was ingenious, | 0:53:20 | 0:53:24 | |
and it was not only a pleasure to the eye but to the palate. | 0:53:24 | 0:53:29 | |
You move on to that dessert - it was like a forest of fruits! | 0:53:29 | 0:53:33 | |
-Just divine! And what do you call that chocolate thing? -Moelleux. | 0:53:33 | 0:53:37 | |
-Moelleux? Beautiful! -It hit all the right notes of a chocolate pudding. | 0:53:37 | 0:53:42 | |
It was soft, gooey... It was just beautiful. | 0:53:42 | 0:53:46 | |
I loved it. Loved it! And she's such a clever chef! | 0:53:46 | 0:53:51 | |
All the berries had been seasoned, rolled in a little bit of olive oil | 0:53:51 | 0:53:54 | |
and a squeeze of lemon juice. That is the attention to detail | 0:53:54 | 0:53:58 | |
that we're looking for. | 0:53:58 | 0:54:00 | |
Claire has got such creativity for a young chef, it's unbelievable! | 0:54:00 | 0:54:05 | |
Really happy with the feedback. Yeah, I'm feeling good, and just... | 0:54:05 | 0:54:10 | |
Yeah, I think we're both level on level, | 0:54:10 | 0:54:12 | |
and it's going to be a really hard decision. | 0:54:12 | 0:54:14 | |
Wonder how many Steves and Claires there are out there! | 0:54:19 | 0:54:22 | |
Not very many. | 0:54:22 | 0:54:24 | |
We got three places in the final, | 0:54:24 | 0:54:27 | |
and we've already got two very, very good chefs, but... | 0:54:27 | 0:54:31 | |
We've got two here knocking on the door. | 0:54:31 | 0:54:34 | |
Do we decide for the chef that's clever with classic combinations, | 0:54:34 | 0:54:39 | |
or do we go with the chef who's innovative | 0:54:39 | 0:54:42 | |
and wants to push the boundaries? | 0:54:42 | 0:54:45 | |
Claire did better at Pied a Terre. I preferred Steve's main. | 0:54:45 | 0:54:48 | |
Um... I'm not helping, am I? | 0:54:48 | 0:54:50 | |
I'm always confident in my own ability, | 0:54:53 | 0:54:55 | |
and I think I deserve it, but if I'm honest, | 0:54:55 | 0:54:59 | |
I think maybe Claire deserves it as well. | 0:54:59 | 0:55:01 | |
Oh, yeah, it's really nerve-racking. | 0:55:01 | 0:55:04 | |
I don't really want to go back in there. | 0:55:04 | 0:55:06 | |
You just tell me here. | 0:55:06 | 0:55:09 | |
If I do go home, | 0:55:11 | 0:55:13 | |
I'll back Steve to win. | 0:55:13 | 0:55:16 | |
We are going to send home a future Michelin-starred chef. | 0:55:18 | 0:55:22 | |
-You realise that, don't you? -Oh! | 0:55:22 | 0:55:25 | |
I am very, very rarely stuck for words, | 0:55:49 | 0:55:54 | |
but I've got goosebumps on the back of my neck here | 0:55:54 | 0:55:58 | |
just reliving what you cooked for us today. | 0:55:58 | 0:56:02 | |
The decision we've made... | 0:56:39 | 0:56:42 | |
..is that both of you will go through to the final. | 0:56:44 | 0:56:48 | |
Well done! | 0:56:50 | 0:56:52 | |
We've broken the rules for you. | 0:56:52 | 0:56:55 | |
HE LAUGHS | 0:56:55 | 0:56:58 | |
CLAIRE: 'It is pretty crazy.' | 0:56:58 | 0:57:00 | |
THEY LAUGH | 0:57:00 | 0:57:02 | |
Over the moon. It's the best feeling ever, really. | 0:57:03 | 0:57:06 | |
Yeah. It's amazing. | 0:57:07 | 0:57:10 | |
The final three is now a final four. Well done. | 0:57:14 | 0:57:18 | |
I never thought, ever, that I'd be in the final. | 0:57:18 | 0:57:21 | |
Um, again, yeah, tears of joy. | 0:57:21 | 0:57:24 | |
Um... | 0:57:24 | 0:57:26 | |
Just really, really gobsmacked. Amazing. | 0:57:26 | 0:57:30 | |
Oli, | 0:57:40 | 0:57:42 | |
Ash, | 0:57:42 | 0:57:44 | |
Claire and Steve... | 0:57:44 | 0:57:47 | |
are the four finalists. | 0:57:47 | 0:57:49 | |
We never meant to have four of you. | 0:57:53 | 0:57:56 | |
We can only have three. | 0:57:56 | 0:57:59 | |
One of them goes home today. The slightest mistake, and that's it. | 0:58:00 | 0:58:04 | |
They are about to face the fiercest-ever MasterChef finals. | 0:58:04 | 0:58:09 | |
Today they will have to cook to three-Michelin-starred standard. | 0:58:11 | 0:58:15 | |
The guests are coming. They're in charge. | 0:58:15 | 0:58:18 | |
Quickly, quickly! | 0:58:18 | 0:58:20 | |
It's mind-blowingly good! | 0:58:20 | 0:58:23 | |
They've proved it to us. Now's their chance to prove it | 0:58:24 | 0:58:27 | |
to the great and good of the catering world. | 0:58:27 | 0:58:30 | |
You've only got one dish to shine. | 0:58:30 | 0:58:32 | |
I wouldn't want to cook for these lot. | 0:58:32 | 0:58:35 | |
One of those guests is Monica. She's looking fierce! | 0:58:35 | 0:58:38 | |
Keep it together, all right? You can do this. | 0:58:40 | 0:58:42 | |
Subtitles by Red Bee Media Ltd | 0:58:45 | 0:58:49 | |
E-mail [email protected] | 0:58:49 | 0:58:53 | |
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