Browse content similar to Episode 8. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Only an elite group of chefs holds two Michelin stars. | 0:00:05 | 0:00:09 | |
Michel Roux Junior is one of them. | 0:00:09 | 0:00:12 | |
Two St Jacques au pass, now! | 0:00:12 | 0:00:14 | |
ALL CHEFS: Oui! | 0:00:14 | 0:00:17 | |
Now he and MasterChef judge Gregg Wallace | 0:00:17 | 0:00:19 | |
are on the hunt for Britain's next culinary superstar, | 0:00:19 | 0:00:23 | |
a professional with the talent to cut it in the world's top kitchens. | 0:00:23 | 0:00:28 | |
Perfect. | 0:00:30 | 0:00:31 | |
These five chefs have made it through to the quarterfinals. | 0:00:38 | 0:00:42 | |
Now, they're battling to stay in the competition. | 0:00:42 | 0:00:46 | |
It's really important for me | 0:00:47 | 0:00:49 | |
to perform well today. There's no room for errors. | 0:00:49 | 0:00:52 | |
So I've got to just give it 110% and hopefully I can make it. | 0:00:52 | 0:01:00 | |
I'm just gonna prove that I'm good enough to be here | 0:01:00 | 0:01:03 | |
and cook my heart out and prove | 0:01:03 | 0:01:05 | |
and just show I'm good enough to go through. | 0:01:05 | 0:01:07 | |
You go through them doors, it's another world in there. | 0:01:08 | 0:01:12 | |
But I just think you've got to keep calm, concentrate | 0:01:12 | 0:01:15 | |
and just get it right. | 0:01:15 | 0:01:16 | |
I think the competition is getting very tough. | 0:01:16 | 0:01:20 | |
I don't see any weak links here. | 0:01:20 | 0:01:23 | |
I never thought that I would come so far in this competition. | 0:01:25 | 0:01:30 | |
There's no option for me to go home today. | 0:01:30 | 0:01:33 | |
First they must prove to Michel | 0:01:33 | 0:01:36 | |
and Gregg they've got what it takes with a dish of their own invention. | 0:01:36 | 0:01:40 | |
This is pressure. This is where it gets really tough. | 0:01:40 | 0:01:44 | |
They've got to cook for their MasterChef lives. | 0:01:45 | 0:01:47 | |
If they can't impress us today, they're not ready for what's next. | 0:01:47 | 0:01:51 | |
Only the best chefs will go on to showcase their food | 0:01:53 | 0:01:56 | |
for some of the country's toughest restaurant critics. | 0:01:56 | 0:02:01 | |
Too much going on. It's like someone's thrown up on the plate. | 0:02:01 | 0:02:04 | |
It's the best thing we've had in the dessert department today by 1,000 miles. | 0:02:04 | 0:02:09 | |
We have five talented chefs in front of us. | 0:02:26 | 0:02:30 | |
With all these ingredients, we want one plate of food, | 0:02:31 | 0:02:35 | |
a starter, a main or a dessert. | 0:02:35 | 0:02:38 | |
We have got artichokes, asparagus, mangoes, | 0:02:38 | 0:02:41 | |
lamb, racks of lamb, oysters, poussins. | 0:02:41 | 0:02:45 | |
As a chef, you can only be inspired by these wonderful ingredients. | 0:02:45 | 0:02:50 | |
You will have one hour to cook. | 0:02:51 | 0:02:55 | |
We are going to give you ten minutes to come and choose your ingredients. | 0:02:55 | 0:03:00 | |
Up you come. Choose well. | 0:03:00 | 0:03:02 | |
I'm buzzing, man. The ingredients are amazing. | 0:03:11 | 0:03:14 | |
I'm having a good look. There are some lovely bits here. | 0:03:20 | 0:03:23 | |
Hopefully, I can put it together in a nice dish. | 0:03:23 | 0:03:26 | |
I'm having a think... there's so many ingredients. | 0:03:31 | 0:03:35 | |
It's making the decision right. | 0:03:35 | 0:03:38 | |
All right, make your mind up. You've got a minute to go. | 0:03:41 | 0:03:44 | |
That's it. | 0:03:48 | 0:03:50 | |
You've got one hour to produce exciting food. | 0:03:50 | 0:03:55 | |
Off you go. | 0:03:58 | 0:03:59 | |
Claire is 22 years old. She is fresh out of college, Michel. | 0:04:08 | 0:04:12 | |
Last time Claire cooked, she delivered a beautiful plate of food. | 0:04:12 | 0:04:16 | |
Can she deliver the goods again today? | 0:04:19 | 0:04:22 | |
I'd really like to do well in this competition, | 0:04:22 | 0:04:25 | |
go a lot further, cos it's just so exciting. | 0:04:25 | 0:04:28 | |
Every day's a different challenge and it just keeps getting better and better. | 0:04:28 | 0:04:32 | |
-So what are you going to do? -I'm going got do roast John Dory with a pine nut risotto. | 0:04:33 | 0:04:38 | |
What is it telling us about you? | 0:04:39 | 0:04:41 | |
Well, I'm trying to show some skill with the prepping of my fish. I wasn't going to do a risotto | 0:04:41 | 0:04:46 | |
but I decided it shows another skill level to it. | 0:04:46 | 0:04:49 | |
How good does your food have to be today? | 0:04:49 | 0:04:51 | |
My food's got be really good. | 0:04:51 | 0:04:53 | |
It's got to be up there today, otherwise I know... | 0:04:53 | 0:04:56 | |
You know what? | 0:04:56 | 0:04:57 | |
I'll be going home... and I don't want that. | 0:04:57 | 0:05:00 | |
Claire is presenting a roasted John Dory on top of a pine nut risotto. | 0:05:01 | 0:05:06 | |
To me that doesn't sound right. | 0:05:06 | 0:05:08 | |
Jonny is a 29-year-old head chef. He has got technical ability. | 0:05:15 | 0:05:18 | |
He was classically trained. He's an extremely knowledgeable chef. | 0:05:18 | 0:05:22 | |
Can he translate all that knowledge | 0:05:22 | 0:05:26 | |
and experience into beautiful food today? | 0:05:26 | 0:05:28 | |
-What dish are you cooking, Jonny? -I'm doing a Mediterranean zarzuela, | 0:05:33 | 0:05:37 | |
a Spanish-style fish stew with John Dory, razor clam and oysters. | 0:05:37 | 0:05:41 | |
Do you think a fish stew is enough to get you through? | 0:05:41 | 0:05:44 | |
I'm hoping so. | 0:05:44 | 0:05:46 | |
With the sauce and the fresh ingredients | 0:05:46 | 0:05:49 | |
and the way I've done it, hopefully, yeah, I do. | 0:05:49 | 0:05:51 | |
Do you feel you've got a bit of a point to prove? | 0:05:51 | 0:05:55 | |
I feel like I'm 29 now, this is my time to really, really go for it. | 0:05:55 | 0:05:59 | |
It's a fish stew. How is that going to be presented with elegance? | 0:06:02 | 0:06:06 | |
It's an important stage of my life. I'm not getting any younger. | 0:06:06 | 0:06:11 | |
This is make or break, career-wise. | 0:06:11 | 0:06:14 | |
Lori, 27-year-old head chef in a seafood restaurant in Eastbourne. | 0:06:27 | 0:06:30 | |
For me, she's proved she's got a palette. | 0:06:30 | 0:06:33 | |
For me, she's proved she's got beautiful presentation. | 0:06:33 | 0:06:36 | |
Can she combine both of them today? | 0:06:38 | 0:06:40 | |
I think I need to prove I can cook something other than fish. | 0:06:42 | 0:06:46 | |
Just so I can show them I'm not just a seafood chef. | 0:06:46 | 0:06:50 | |
You need to kind of stand out to be safe. | 0:06:50 | 0:06:54 | |
Right, Lori, what dish are you cooking for us? | 0:06:57 | 0:06:58 | |
I'm going to do quail with the liver | 0:06:58 | 0:07:02 | |
and I'm going to make a nice fragrant reduction with it. | 0:07:02 | 0:07:06 | |
Where are you at now, do you think, in your career? | 0:07:08 | 0:07:11 | |
I'm at the stage now where I just really want to improve and learn, I think. | 0:07:11 | 0:07:15 | |
I've reached a certain plateau now | 0:07:15 | 0:07:17 | |
and I'm just trying to push myself forward. | 0:07:17 | 0:07:20 | |
Does it matter if you go out today? | 0:07:20 | 0:07:22 | |
It matters a lot if I go out today, yeah. | 0:07:22 | 0:07:24 | |
I want to succeed. I want to do my best, I want to just prove myself. | 0:07:24 | 0:07:28 | |
Liver and quail are two very different things. | 0:07:30 | 0:07:33 | |
It's not easy to pull them together. I'll be really impressed if she does. | 0:07:33 | 0:07:37 | |
You are half way. | 0:07:39 | 0:07:42 | |
Half way! | 0:07:42 | 0:07:44 | |
# Ready... | 0:07:47 | 0:07:48 | |
# Set... | 0:07:48 | 0:07:50 | |
# GO! # | 0:07:50 | 0:07:52 | |
Steve is a 25-year-old sous chef in Cornwall. | 0:07:52 | 0:07:54 | |
That is one of the best young talents I've ever seen. | 0:07:54 | 0:07:57 | |
He is bubbling with enthusiasm and we know he can deliver the goods. | 0:07:59 | 0:08:03 | |
We just want to see more of that. | 0:08:03 | 0:08:05 | |
I think I've got a lot more to offer and to show them really. | 0:08:05 | 0:08:10 | |
I think I've got a lot more to give. | 0:08:10 | 0:08:11 | |
Hopefully they'll sort of see that in me anyway. | 0:08:11 | 0:08:15 | |
-Steve, what have you created for us? -I'm creating a little quail dish, | 0:08:15 | 0:08:21 | |
using the quail in a few different ways. | 0:08:21 | 0:08:24 | |
I basically just took the breasts off, made a little farce. | 0:08:24 | 0:08:27 | |
I'm going to poach that. Then another bird I'm going to roast off from the crown. | 0:08:27 | 0:08:31 | |
Then I've got in here the leg, just confiting slowly. | 0:08:31 | 0:08:35 | |
Convince me that you can actually do justice to three different ways of cooking in an hour. | 0:08:35 | 0:08:42 | |
Wouldn't you be better off focusing on one? | 0:08:42 | 0:08:44 | |
No, cos that wouldn't be me. | 0:08:44 | 0:08:46 | |
I'm not going to just cook one bit of quail, cos we're all here. | 0:08:46 | 0:08:50 | |
What's the point in playing simple? Go for it and just be myself and that's what I'm doing. | 0:08:50 | 0:08:56 | |
Steve is attempting four times more work than any other chef in the quarterfinal. | 0:08:57 | 0:09:02 | |
I'm exhausted talking about it. I don't know how he's feeling about it. | 0:09:02 | 0:09:06 | |
I really think it's a bit of a long shot in 60 minutes. | 0:09:06 | 0:09:10 | |
Swami, 27-year-old sous chef originally from India. | 0:09:17 | 0:09:21 | |
He's had no classical training he says. That doesn't matter today. | 0:09:21 | 0:09:24 | |
He doesn't need it. What he needs is creativity and style. | 0:09:24 | 0:09:28 | |
OK, Swami, what does this competition mean to you? | 0:09:31 | 0:09:35 | |
It means a lot to me. I'm striving, | 0:09:35 | 0:09:37 | |
I'm working every single day to go to that level of perfection. | 0:09:37 | 0:09:44 | |
-What are you cooking for us? -I'm cooking a baked John Dory with sauteed mushroom, shallots | 0:09:44 | 0:09:48 | |
and peas and topped with oysters. | 0:09:48 | 0:09:54 | |
Wow! Swami, why so much? | 0:09:54 | 0:09:56 | |
This is the time I can, sort of a chance for me, | 0:09:56 | 0:09:58 | |
to show what else I can do apart from the regular cooking. | 0:09:58 | 0:10:02 | |
Good luck, Swami. | 0:10:02 | 0:10:04 | |
I believe that when it comes to cooking, | 0:10:10 | 0:10:14 | |
I don't want to restrict myself. | 0:10:14 | 0:10:17 | |
I don't go by too many set rules. | 0:10:17 | 0:10:19 | |
Swami seems to have a lot of different things | 0:10:21 | 0:10:24 | |
that he's trying to bring together onto one plate. | 0:10:24 | 0:10:27 | |
I'm not sure about the identity of this dish. | 0:10:27 | 0:10:30 | |
Last ten minutes! | 0:10:33 | 0:10:35 | |
Three minutes, guys. Your last three minutes. | 0:10:45 | 0:10:48 | |
Plates, plates, plates! | 0:10:57 | 0:10:58 | |
Time is up. Stop. | 0:11:03 | 0:11:06 | |
Sous chef Steve has made quail three ways - roasted, confit and ballotine, | 0:11:16 | 0:11:20 | |
served with celeriac puree, braised shallots and asparagus | 0:11:20 | 0:11:25 | |
with a red wine sauce and girolle mushrooms. | 0:11:25 | 0:11:28 | |
Beautiful presentation. | 0:11:28 | 0:11:32 | |
The little crispy confit of leg is really nice. | 0:11:37 | 0:11:41 | |
You've got different textures going on here, | 0:11:41 | 0:11:43 | |
three different ways of cooking the quail. | 0:11:43 | 0:11:47 | |
You're showing off and showing off your skills. Which I like. | 0:11:47 | 0:11:51 | |
It's delicious. Everything is soft. Everything is flavourful. | 0:12:00 | 0:12:06 | |
It's moreish. | 0:12:06 | 0:12:08 | |
I'd take everything off the plate and then lick the plate. | 0:12:08 | 0:12:12 | |
I'm feeling really good. Yeah, delighted. Good comments. | 0:12:14 | 0:12:17 | |
I'm pretty happy, really. | 0:12:17 | 0:12:20 | |
22-year-old Claire is serving roasted John Dory | 0:12:20 | 0:12:25 | |
with pistachio and rocket risotto, braised shallot and braised fennel. | 0:12:25 | 0:12:31 | |
Scruffy. We are looking for something elegant. | 0:12:34 | 0:12:38 | |
Claire, I'm pleasantly surprised. | 0:12:46 | 0:12:49 | |
Because this looks very scruffy. | 0:12:49 | 0:12:51 | |
But the taste is very good. | 0:12:52 | 0:12:55 | |
The fish has got a beautiful colour. | 0:12:55 | 0:12:57 | |
I like my fish this colour. It means you can eat the skin. | 0:12:57 | 0:13:01 | |
The fennel is delicious, well seasoned. | 0:13:03 | 0:13:05 | |
But the risotto is a little bit too creamy, too rich, too heavy. | 0:13:05 | 0:13:10 | |
I so, so wish that risotto wasn't there. That fish is lovely. | 0:13:18 | 0:13:25 | |
Absolutely lovely. | 0:13:25 | 0:13:27 | |
There is nothing wrong with that dish that tipping the risotto away | 0:13:29 | 0:13:32 | |
wouldn't cure instantly. | 0:13:32 | 0:13:34 | |
It's really frustrating. | 0:13:35 | 0:13:38 | |
I was shocked that they gave me good feedback on the flavours. | 0:13:38 | 0:13:42 | |
Head chef Jonny has made Spanish zarzuela fish stew | 0:13:45 | 0:13:48 | |
with pan-fried John Dory, oysters, roasted baby potatoes, clams, | 0:13:48 | 0:13:54 | |
fennel and asparagus. | 0:13:54 | 0:13:55 | |
The idea of cooking fish stew in a quarterfinal is a risky one, I believe. | 0:13:57 | 0:14:01 | |
I think it looks really nice. | 0:14:01 | 0:14:04 | |
I think it's delicious. | 0:14:11 | 0:14:13 | |
You've got the tomato, the saffron, the garlic, the onion, | 0:14:13 | 0:14:18 | |
and you've cooked the John Dory really well. | 0:14:18 | 0:14:20 | |
-Well seasoned. It is good, very good. -Thank you very much. | 0:14:20 | 0:14:24 | |
Yeah, it's lovely. That is lovely. It's rich, deep and sweet. | 0:14:32 | 0:14:38 | |
Nice cooking, chef. | 0:14:38 | 0:14:39 | |
I'm feeling really good. I got the chance to do what I wanted to do, | 0:14:39 | 0:14:44 | |
and I feel I pulled it off. I'm really pleased. | 0:14:44 | 0:14:47 | |
Seafood chef Lori has roasted quail with liver | 0:14:49 | 0:14:52 | |
served with berries and bacon with a fragrant red wine reduction. | 0:14:52 | 0:14:57 | |
-Roasted means to me... -Crispy, yeah. -Crispy, colourful, yeah? | 0:14:57 | 0:15:02 | |
Especially bacon. This looks poached. | 0:15:02 | 0:15:06 | |
I think the quail and the liver and the bacon | 0:15:15 | 0:15:19 | |
and the fruit inside works. | 0:15:19 | 0:15:22 | |
You just needed to get that bacon crispy on the outside. | 0:15:22 | 0:15:26 | |
I think there are some errors on here. And the biggest error, | 0:15:28 | 0:15:32 | |
I think, is staining all of the meat with the sauce. | 0:15:32 | 0:15:35 | |
You've made everything the same Ribena colour. | 0:15:35 | 0:15:38 | |
Mm. | 0:15:45 | 0:15:47 | |
I didn't like your presentation, | 0:15:47 | 0:15:50 | |
but your meat is soft, and I also like | 0:15:50 | 0:15:52 | |
that liver iron that you give it. | 0:15:52 | 0:15:55 | |
But chewing on the bacon that's not crisped up | 0:15:55 | 0:15:59 | |
isn't right. | 0:15:59 | 0:16:01 | |
I think I've proved to them | 0:16:05 | 0:16:07 | |
the last three rounds that I have something, you know? | 0:16:07 | 0:16:11 | |
I just need to round it off now. I just need to get it more accurate. | 0:16:11 | 0:16:16 | |
27-year-old Swami has made baked John Dory | 0:16:16 | 0:16:20 | |
on a bed of Jerusalem artichoke puree, served with sauteed shallots, | 0:16:20 | 0:16:25 | |
mushrooms, peas, baked tomatoes and an orange and basil dust. | 0:16:25 | 0:16:31 | |
There are bits and pieces on this plate, as a diner, | 0:16:31 | 0:16:35 | |
that make me slightly nervous. | 0:16:35 | 0:16:37 | |
The oysters look like they've been in a fight. | 0:16:37 | 0:16:41 | |
And if the skin isn't crispy, I would remove it or I'd want it removed for me, | 0:16:41 | 0:16:47 | |
because I don't want to eat the soft, almost flabby skin. | 0:16:47 | 0:16:51 | |
Hm... | 0:17:04 | 0:17:05 | |
I really don't like the oyster with it at all. | 0:17:07 | 0:17:09 | |
A nicely cooked fish with the Jerusalem artichoke puree, | 0:17:11 | 0:17:16 | |
peas and wild mushrooms, I love. | 0:17:16 | 0:17:20 | |
The fish is well-cooked. I'm finding it a little bit under-seasoned. | 0:17:25 | 0:17:29 | |
I like, however, the little kick of the dried orange | 0:17:29 | 0:17:32 | |
and a little bit of fresh orange zest on top of there, as well. | 0:17:32 | 0:17:37 | |
The charred tomato quarters are superfluous | 0:17:37 | 0:17:41 | |
and are bringing nothing to this dish. | 0:17:41 | 0:17:44 | |
'Not happy at all.' | 0:17:44 | 0:17:46 | |
Not happy. | 0:17:49 | 0:17:50 | |
Five very different cooks with very different cooking styles, | 0:18:01 | 0:18:04 | |
but we only have four places. | 0:18:04 | 0:18:07 | |
Right now, we're going to have to make a decision, so off you go. | 0:18:09 | 0:18:14 | |
I love these days! | 0:18:34 | 0:18:37 | |
You can see five very different cooking styles there today. | 0:18:37 | 0:18:41 | |
I think the invention test brings out the best in chefs. | 0:18:41 | 0:18:44 | |
It's a chance for them to really shine and express themselves | 0:18:44 | 0:18:47 | |
and we saw that today. | 0:18:47 | 0:18:48 | |
Can I put my favourite forward here? Young Steve. I'm just... | 0:18:48 | 0:18:53 | |
Mate, I love his food! | 0:18:53 | 0:18:54 | |
I am falling in love with his food. That was delicious. | 0:18:54 | 0:18:58 | |
I agree. | 0:18:58 | 0:19:00 | |
He showed a lot of precision in his cooking. | 0:19:00 | 0:19:02 | |
He works like a true chef and his food tasted great. | 0:19:02 | 0:19:06 | |
There's got to be a place in the next round for that lad. | 0:19:06 | 0:19:11 | |
The one I want to mention next is Jonny, because I wondered, | 0:19:11 | 0:19:14 | |
we both did, how Jonny was going to make a stew look smart. | 0:19:14 | 0:19:17 | |
It didn't actually look smart. What it did look was completely inviting. | 0:19:17 | 0:19:22 | |
It tasted great. | 0:19:22 | 0:19:25 | |
Jonny may not understand how to dress food elegantly, | 0:19:25 | 0:19:29 | |
but he does pack a punch when it comes to taste and flavour. | 0:19:29 | 0:19:33 | |
Jonny's through. Let's talk about Claire. Although young, I think she's got flair. | 0:19:33 | 0:19:39 | |
Her plate of food I thought looked a mess, but it was sound cooking. | 0:19:39 | 0:19:45 | |
I'd like to see Claire cook for the critics. | 0:19:45 | 0:19:49 | |
We are left with Lori or Swami. | 0:19:51 | 0:19:55 | |
One of those two has got to go. | 0:19:55 | 0:19:57 | |
Lori does have skills, but I don't think today she properly brought it together. | 0:19:57 | 0:20:03 | |
I thought the liver with the quail was a nice idea, actually. | 0:20:03 | 0:20:09 | |
But she didn't manage to fry or crisp the bacon around the outside, | 0:20:09 | 0:20:12 | |
so the bacon was a little bit flabby. | 0:20:12 | 0:20:14 | |
I agree. | 0:20:14 | 0:20:15 | |
I think I might not have done enough and I'm going home | 0:20:15 | 0:20:19 | |
because of myself and my mistakes. | 0:20:19 | 0:20:21 | |
I don't want to. I just don't want to. I just want to go through again. | 0:20:21 | 0:20:25 | |
The only good points I can say about Swami's John Dory dish | 0:20:25 | 0:20:28 | |
was that the fish was cooked properly, | 0:20:28 | 0:20:31 | |
the girolles and the peas were well done, | 0:20:31 | 0:20:34 | |
and I really enjoyed the dried orange and basil on top, | 0:20:34 | 0:20:37 | |
but the concept of that dish was wrong. It was muddled. | 0:20:37 | 0:20:40 | |
There were far too many elements | 0:20:40 | 0:20:42 | |
coming and fighting each other on that plate. | 0:20:42 | 0:20:45 | |
If I go home today, it's absolutely a disastrous thing. | 0:20:46 | 0:20:51 | |
That's all I can... | 0:20:54 | 0:20:55 | |
Unfortunately, only four places in the next round. | 0:21:25 | 0:21:29 | |
And the chef leaving us today is... | 0:21:36 | 0:21:39 | |
..Swami. | 0:21:41 | 0:21:43 | |
I'm hugely disappointed. It's a once-in-a-lifetime opportunity. | 0:21:50 | 0:21:56 | |
It hurts, definitely. That's all I can say. | 0:21:56 | 0:21:59 | |
Now you are cooking your food, not just for Michel and I, | 0:22:06 | 0:22:10 | |
but for restaurant critics. | 0:22:10 | 0:22:12 | |
At the end of today, two of you will be leaving the competition. | 0:22:13 | 0:22:18 | |
Off you go, guys. Do yourselves proud. | 0:22:21 | 0:22:24 | |
The chefs have an hour and a quarter to prepare and serve a two-course critics' menu | 0:22:31 | 0:22:37 | |
which reflects the very best of their cooking. | 0:22:37 | 0:22:40 | |
These critics do not take prisoners. They eat for a living. | 0:22:41 | 0:22:45 | |
Woe betide anyone who gets it wrong. | 0:22:45 | 0:22:48 | |
Steve I think is a class act. | 0:22:50 | 0:22:53 | |
I really like Steve and his style of cooking. I just hope he can turn it on again today. | 0:22:53 | 0:22:58 | |
What two dishes are you cooking for the journalists? | 0:23:00 | 0:23:04 | |
The two dishes I'm doing, the first dish is a duo of rabbit. | 0:23:04 | 0:23:07 | |
The leg and the loin. | 0:23:07 | 0:23:09 | |
And for my dessert, a white chocolate pannacotta | 0:23:09 | 0:23:13 | |
with raspberry mousse, lemon jelly and honeycomb. | 0:23:13 | 0:23:16 | |
-Ooh! -What's it like in your own words being a chef? -I love it. | 0:23:16 | 0:23:22 | |
It's my passion, it's my dream. It's everything. | 0:23:22 | 0:23:26 | |
-I just love being a chef. -What are the downsides of being a chef? | 0:23:26 | 0:23:30 | |
Obviously, we all know, the hours. | 0:23:30 | 0:23:34 | |
I'm quite lucky because my fiancee, she's the head pastry chef, so... | 0:23:34 | 0:23:37 | |
Oh! So, is this dessert her recipe or yours? | 0:23:37 | 0:23:40 | |
Not at all! None of this is her. It's me. | 0:23:40 | 0:23:44 | |
There's no point coming in here and being her. | 0:23:44 | 0:23:46 | |
She's the biggest critic in my eyes and the feedback I got from her was bang on. | 0:23:46 | 0:23:51 | |
I'm pretty confident I will get it done in the time. | 0:23:53 | 0:23:55 | |
Mistakes, in my opinion, should never happen. | 0:23:55 | 0:23:58 | |
If you make mistakes, you've a good chance of going home. | 0:23:58 | 0:24:01 | |
Steve's menu sounds a delight, but there is so much work involved here. | 0:24:01 | 0:24:06 | |
I know he pushes himself. I just hope he hasn't pushed himself too far. | 0:24:09 | 0:24:12 | |
Michel gave him an hour and 15 minutes, not a day and a half! | 0:24:12 | 0:24:15 | |
Jonny really knows how to capture flavour. | 0:24:19 | 0:24:22 | |
If he does that today, that will impress the critics. | 0:24:22 | 0:24:25 | |
I'm massively determined. | 0:24:27 | 0:24:28 | |
You know, you only get one chance, I've said that before. | 0:24:28 | 0:24:31 | |
If you mess something up in there, that's it. | 0:24:31 | 0:24:34 | |
-What are you making? -For today I'm going to do a luxury fish pie with cod, | 0:24:38 | 0:24:43 | |
smoked haddock, scallop, mussel and lobster. | 0:24:43 | 0:24:46 | |
And my dessert today is going to be a lime tart topped with an Italian-style meringue. | 0:24:46 | 0:24:52 | |
How can you elevate this pie, fish pie, | 0:24:52 | 0:24:55 | |
to the standards that the food critics are going to be looking for? | 0:24:55 | 0:25:00 | |
Hopefully, I'll be able to pull it off today. | 0:25:00 | 0:25:02 | |
I think it could be quite a nice dish. | 0:25:02 | 0:25:04 | |
It's got some lovely bits going into it, and I hope that if I do it well and do it right, | 0:25:04 | 0:25:08 | |
-I'll be OK and they should be happy with it. -Let's see if you can reach the heights you've reached before. | 0:25:08 | 0:25:14 | |
Is he sure, Jonny? He's going for a semifinal and he's making a fish pie. | 0:25:14 | 0:25:19 | |
Claire's the baby of the bunch. I believe she's got natural ability. | 0:25:25 | 0:25:29 | |
She's going to have to pull it all out today. | 0:25:29 | 0:25:32 | |
Claire's shown an awesome talent for her age. | 0:25:34 | 0:25:38 | |
I just hope the pressure of today doesn't affect her. | 0:25:38 | 0:25:41 | |
I think I'm pushing myself a lot. | 0:25:42 | 0:25:44 | |
I mean, I've made little mistakes throughout the competition, | 0:25:44 | 0:25:48 | |
so my food's got to be excellent. | 0:25:48 | 0:25:51 | |
And if it's any less than that, | 0:25:51 | 0:25:53 | |
I'm definitely going to be going home today. | 0:25:53 | 0:25:57 | |
What two dishes are you cooking today? | 0:25:57 | 0:26:00 | |
I'm doing roasted Cornish sea bass with pickled cauliflower, cucumber, elderflower and lemon puree. | 0:26:00 | 0:26:06 | |
Lovely. And your dessert? | 0:26:06 | 0:26:08 | |
My dessert is lime cheesecake with chocolate sorbet. | 0:26:08 | 0:26:11 | |
I'm going for it today. | 0:26:11 | 0:26:13 | |
I'm focused, I'm just going to keep focused, | 0:26:13 | 0:26:15 | |
I'm nervous as anything, but I'm just going to go for it, do my best. | 0:26:15 | 0:26:21 | |
-Can you do this? -Yes, definitely. -Are you sure? -I'm sure. | 0:26:21 | 0:26:24 | |
I'm just... I'm just happy to be here, and I'm focused and just want to do my best. | 0:26:24 | 0:26:30 | |
Argh! | 0:26:30 | 0:26:31 | |
-Good. Look. We're going to leave you. -Thank you. | 0:26:31 | 0:26:34 | |
Whoa, Claire is really going for it. Oh, my word! | 0:26:38 | 0:26:41 | |
I didn't realise she had that much ambition. She wants this competition. | 0:26:41 | 0:26:45 | |
If she gets it right, it will blow the critics' minds. | 0:26:45 | 0:26:49 | |
I've seen Lori do beautiful presentation. | 0:26:58 | 0:27:01 | |
I've also tasted some heavenly food from her. Today, she has to bring both of those things together. | 0:27:01 | 0:27:06 | |
I think Lori has got so much promise, | 0:27:06 | 0:27:09 | |
but we really need to see her push herself. | 0:27:09 | 0:27:11 | |
I think they're expecting more from us, more accuracy, | 0:27:14 | 0:27:19 | |
more skill, more invention, | 0:27:19 | 0:27:22 | |
and I don't want this challenge to send me home | 0:27:22 | 0:27:26 | |
and I never got to reach my full potential in the competition. | 0:27:26 | 0:27:30 | |
Lori, what are your two dishes? | 0:27:33 | 0:27:36 | |
I'm doing salmon ballotine with pan-fried scallops, | 0:27:36 | 0:27:40 | |
tiger prawns and a clam tartare. | 0:27:40 | 0:27:43 | |
Dessert is a white chocolate bavarois with vodka-soaked raspberries. | 0:27:43 | 0:27:46 | |
Presentation in these two dishes is everything. | 0:27:48 | 0:27:53 | |
I've got an idea in my head of what I'm going to do. | 0:27:53 | 0:27:57 | |
But I'm definitely aware of the fact that that is something I need to work on today. | 0:27:57 | 0:28:01 | |
-Vitally important today. -Timings, Lori? What could go wrong? | 0:28:01 | 0:28:05 | |
Er, quite a lot, actually. | 0:28:05 | 0:28:07 | |
I've got a lot I have to do, but I need to get moving. | 0:28:07 | 0:28:11 | |
It's so much work. | 0:28:13 | 0:28:15 | |
Can she deliver the food on time, with beautiful presentation? | 0:28:17 | 0:28:21 | |
You've got 15 minutes now. | 0:28:24 | 0:28:25 | |
These three iconic food critics have tasted hundreds of dishes on Masterchef. | 0:28:39 | 0:28:45 | |
They have seen it all and can spot talent a mile away. | 0:28:47 | 0:28:52 | |
What I'm expecting to see and what I'm hoping to see are possibly two different things. | 0:28:57 | 0:29:01 | |
I don't see the point of cutting them slack. That's... | 0:29:01 | 0:29:06 | |
I'm here to, you know, judge a plate of food honestly. | 0:29:06 | 0:29:10 | |
What we're hoping for is something which really shows off | 0:29:11 | 0:29:14 | |
their skill and something which will really excite us, as critics. | 0:29:14 | 0:29:20 | |
What I don't want to see today are dishes which cross the line | 0:29:20 | 0:29:24 | |
between having that original twist and being novel for the sake of novelty. | 0:29:24 | 0:29:29 | |
We've put the chefs here in this quarterfinal. It's up to them, now, to deliver. | 0:29:29 | 0:29:34 | |
And it better be good. They have to satisfy you, I and some very harsh critics. | 0:29:34 | 0:29:41 | |
Steve, look at the state of this! | 0:29:41 | 0:29:44 | |
You've got seven minutes before you serve the critics. | 0:29:44 | 0:29:48 | |
-You going to be all right? -What, plated and finished? -Yeah. -Probably not, no. | 0:29:48 | 0:29:52 | |
I'm just doing it at speed, now. I'm going at it full tong. | 0:29:53 | 0:30:00 | |
-If I give you ten minutes, are you going to get it out? -Yeah. | 0:30:00 | 0:30:04 | |
That's going to make you five minutes over. All right. | 0:30:04 | 0:30:07 | |
So, first up is Steve. | 0:30:07 | 0:30:11 | |
He's got a main course of rabbit, roasted loin, | 0:30:11 | 0:30:13 | |
ballotine of leg, carrot puree, confit carrot, broad beans, | 0:30:13 | 0:30:17 | |
fondant potato and morel cream. | 0:30:17 | 0:30:19 | |
I think with rabbit, it can very easily dry out. Interesting to me if it's moist enough. | 0:30:19 | 0:30:25 | |
There's a lot of stages involved. It's a very confident chef | 0:30:25 | 0:30:28 | |
who'd serve a dish like this to food critics. | 0:30:28 | 0:30:30 | |
Lovely work. | 0:30:39 | 0:30:41 | |
-You all right? -Yeah. -That's it, cool, well done. Well done! | 0:30:44 | 0:30:47 | |
For his main, Steve has made a ballotine of rabbit on a carrot puree, with roasted loin of rabbit. | 0:30:56 | 0:31:03 | |
It's served with a fondant potato, confit carrots, broad beans | 0:31:03 | 0:31:07 | |
and a morel cream. | 0:31:07 | 0:31:09 | |
There's far too much going on. | 0:31:10 | 0:31:12 | |
It looks like someone's thrown up on the plate. | 0:31:12 | 0:31:15 | |
If you're going for this Morse code style of presentation, | 0:31:15 | 0:31:18 | |
lots of dots and dashes, it's got to look perfect. | 0:31:18 | 0:31:21 | |
Mine is slightly sloppy. | 0:31:21 | 0:31:22 | |
So, the rabbit loin is...not dry, | 0:31:31 | 0:31:35 | |
but not perfectly moist. | 0:31:35 | 0:31:38 | |
I find the fondant potato undercooked. | 0:31:38 | 0:31:44 | |
I had huge expectations on the menu. | 0:31:44 | 0:31:46 | |
When it was delivered, I was disappointed. | 0:31:46 | 0:31:49 | |
Certainly, when I've eaten it, I've been disappointed. | 0:31:49 | 0:31:52 | |
I think you're both being a bit harsh. | 0:31:52 | 0:31:54 | |
I think there's a nice balance of flavours on this plate. | 0:31:54 | 0:31:58 | |
I think the ballotine of leg meat is beautifully done. | 0:31:58 | 0:32:02 | |
There's someone here who knows how to balance flavours really well. | 0:32:02 | 0:32:07 | |
I love this dish as a concept. Beautiful seasoning. | 0:32:12 | 0:32:15 | |
-Shame about pomme fondant, could've done with five minutes more. Not quite cooked. -Bit much in an hour. | 0:32:15 | 0:32:22 | |
Well done, Steve. Come on, you have got 15 minutes now for your dessert. | 0:32:22 | 0:32:27 | |
So, Steve's dessert is white chocolate pannacotta, | 0:32:27 | 0:32:30 | |
raspberry mousse and honeycomb with lemon jelly. | 0:32:30 | 0:32:34 | |
Looks good to me! | 0:32:34 | 0:32:36 | |
Well, all individually lovely things. | 0:32:36 | 0:32:38 | |
It'll just be completely in how he puts it together on the plate. | 0:32:38 | 0:32:41 | |
Let's have a little butcher's. | 0:32:50 | 0:32:53 | |
Bloody hell, I'm wondering if it's going to actually set. | 0:33:00 | 0:33:04 | |
You're going to have to make a call. Give it another few minutes. | 0:33:04 | 0:33:08 | |
-You've got all your garnish ready? -Yeah, just need to put it all on. | 0:33:08 | 0:33:12 | |
He's going to have to make a decision. | 0:33:14 | 0:33:16 | |
And I think he's got to serve it, | 0:33:16 | 0:33:18 | |
regardless of the fact that it hasn't set properly. | 0:33:18 | 0:33:21 | |
That's a panna-slurper! | 0:33:25 | 0:33:28 | |
Quick, quick, quick. Motor, motor. | 0:33:30 | 0:33:32 | |
OK, come on, that's it. | 0:33:40 | 0:33:42 | |
Nice, clean plates. | 0:33:42 | 0:33:43 | |
We done? | 0:33:43 | 0:33:45 | |
-Yep. -Well done. | 0:33:45 | 0:33:46 | |
Good, good, good, good, good. | 0:33:46 | 0:33:49 | |
-Um, I'm not 100% happy with it. -Thank you. -I apologise. | 0:33:56 | 0:34:00 | |
Steve's dessert is a white chocolate pannacotta, | 0:34:00 | 0:34:04 | |
topped with raspberry mousse, white chocolate crumbs and honeycomb with lemon jelly. | 0:34:04 | 0:34:10 | |
I imagine he planned an exquisite, round pannacotta, rather than what we have here, | 0:34:10 | 0:34:16 | |
which is basically a plate of jelly and custard. | 0:34:16 | 0:34:19 | |
Maybe it'll taste OK. | 0:34:19 | 0:34:20 | |
You've seen a really basic technical error in that the whole point | 0:34:30 | 0:34:34 | |
of pannacotta is that it's supposed to be set. And it's not. | 0:34:34 | 0:34:37 | |
It may not be what he intended, but I think it's really delicious. | 0:34:37 | 0:34:41 | |
As with Steve's first course, we have a really nice balance of flavours here. | 0:34:41 | 0:34:44 | |
This is someone who understands how to make flavours work together. | 0:34:44 | 0:34:48 | |
I think Steve knows what he's doing, but is having an off day. | 0:34:48 | 0:34:51 | |
Ah, it's a shame. I don't think he's got the look right. | 0:35:00 | 0:35:03 | |
I think there's too many primary colours. | 0:35:03 | 0:35:05 | |
And it hasn't set, but it still tastes very good. | 0:35:05 | 0:35:08 | |
Not very good. Not good at all. Dessert just wouldn't set. | 0:35:17 | 0:35:23 | |
I don't know why, it just wouldn't set. | 0:35:23 | 0:35:25 | |
Jonny, you've got two minutes. | 0:35:32 | 0:35:35 | |
-Thanks, Chef. -Are you all right, Chef? -I think so. | 0:35:35 | 0:35:39 | |
-I don't want to send it out mucky, you know? -No, that's cool, that's attention to detail that we want. | 0:35:39 | 0:35:46 | |
I don't want to be too crushing about Jonny, but surely the words, | 0:35:46 | 0:35:49 | |
"luxury fish pie" should only be seen in a supermarket finest range. | 0:35:49 | 0:35:54 | |
It's not something we normally see on a menu. | 0:35:54 | 0:35:57 | |
I get the whiff of the amateur with the word "luxury". | 0:35:57 | 0:36:00 | |
I think that's for us to judge, whether or not it's luxurious. | 0:36:00 | 0:36:04 | |
Where's your veg? | 0:36:10 | 0:36:12 | |
-Just here. -Fine. -I've got it. -Well done, Jonny. | 0:36:12 | 0:36:15 | |
Bit quicker, Jonny, they're waiting. I like that, come on, mate! | 0:36:18 | 0:36:23 | |
-OK, no accidents? -No. | 0:36:23 | 0:36:26 | |
-Um... -Hmm... | 0:36:27 | 0:36:30 | |
Jonny's fish pie contains cod, haddock, scallop and lobster | 0:36:39 | 0:36:44 | |
and it's topped with nutmeg mash. | 0:36:44 | 0:36:47 | |
He's served it with asparagus and wilted spinach. | 0:36:47 | 0:36:51 | |
It's a little bit wet in there, Chef. | 0:36:55 | 0:36:58 | |
He's trying to keep the fish alive! | 0:36:58 | 0:37:00 | |
I'm not sure the critics will be impressed with this. I'm certainly not. | 0:37:00 | 0:37:04 | |
Well, this isn't really a very inviting looking dish, is it? | 0:37:04 | 0:37:07 | |
The presentation of this is catastrophic. | 0:37:07 | 0:37:10 | |
The contrast between this so-called luxury fish pie, | 0:37:10 | 0:37:14 | |
which, on the menu, suggests an element of sophistication, | 0:37:14 | 0:37:17 | |
and it's completely unsophisticated. | 0:37:17 | 0:37:20 | |
I finally found a piece of lobster and, yes, | 0:37:36 | 0:37:39 | |
the piece of lobster was overcooked and stringy. | 0:37:39 | 0:37:42 | |
I think it's a really terrible dish. | 0:37:42 | 0:37:46 | |
If "luxury" is too cheesy, completely gooey, totally liquid, | 0:37:46 | 0:37:52 | |
then that's what this is, but, to be honest, this is a complete disaster. | 0:37:52 | 0:37:56 | |
-Couple of minutes to go now, Jonny, come on. -Chef. | 0:37:58 | 0:38:01 | |
'So, Jonny's given us a bit of a twist on lemon meringue pie -' | 0:38:01 | 0:38:04 | |
lime meringue pie. | 0:38:04 | 0:38:07 | |
There's nowhere to hide with this one, | 0:38:07 | 0:38:10 | |
so we'll see how good a pie he can make. | 0:38:10 | 0:38:12 | |
-We need to crack on now. -OK. -Nearly there. | 0:38:22 | 0:38:26 | |
That's set, that's lovely, that meringue, beautiful, look at it! | 0:38:26 | 0:38:31 | |
Top notch, come on, let's go! | 0:38:31 | 0:38:34 | |
Well done, Jonny. | 0:38:34 | 0:38:36 | |
-That does look good, I must say. -Mmm! -Good piping, well done. | 0:38:38 | 0:38:42 | |
We should be serving now, Jonny, so quick, quick, quick. | 0:38:45 | 0:38:48 | |
-Go on! -Don't drop 'em. Be careful! | 0:38:52 | 0:38:54 | |
Nice. | 0:38:54 | 0:38:56 | |
Nice, nice! Good lad. | 0:38:58 | 0:39:01 | |
So, Jonny's slightly burned his meringue. | 0:39:09 | 0:39:12 | |
But, apart from that, I think this is the business. | 0:39:12 | 0:39:14 | |
It's really inviting. | 0:39:14 | 0:39:15 | |
It says, "Come on, food critic, you naughty man, eat me up." | 0:39:15 | 0:39:19 | |
I'm quite keen to get in there! | 0:39:19 | 0:39:21 | |
This is a decently made dish. The pastry's good, I like the lime pie. | 0:39:28 | 0:39:34 | |
-Meringue is slightly over sweet, but it's fine. -Better than the fish pie, that's for sure. | 0:39:34 | 0:39:39 | |
That's worth getting a bigger belly for. That's the stuff! | 0:39:49 | 0:39:52 | |
-It's really nice and sweet, but it's sharp as well, with lime. -Mm! | 0:39:52 | 0:39:56 | |
That was hard, hard work. Really hard. | 0:40:04 | 0:40:07 | |
That's the hardest thing I've had to do yet. | 0:40:07 | 0:40:10 | |
Lori, you have seven minutes. Tell me how long you'll be and what you've got to do. | 0:40:17 | 0:40:21 | |
-Seven minutes till plate up the mains? -Yeah. | 0:40:21 | 0:40:24 | |
-Are you joking? -No. No, that's what you've got. Why, what's the problem? | 0:40:24 | 0:40:29 | |
Um, then I'm very behind. | 0:40:29 | 0:40:32 | |
Lori's main course is ballotine of salmon, pan seared prawns, | 0:40:32 | 0:40:38 | |
scallops with horseradish and clam tartare. | 0:40:38 | 0:40:41 | |
-I'm looking forward to this. If it was on a menu, I'd happily order it. -I haven't done my clams yet. | 0:40:41 | 0:40:48 | |
-I haven't done my pea puree yet, so yeah, pretty much not ready. -How...? | 0:40:48 | 0:40:52 | |
Give me an ETA. | 0:40:52 | 0:40:54 | |
-What, how much time I need? -Yeah. Realistically. -I can do it in 17. | 0:40:54 | 0:40:59 | |
Whoa! Ten minutes over? | 0:41:00 | 0:41:02 | |
-No-one's ten minutes over. -You've got your work cut out. | 0:41:02 | 0:41:07 | |
You've got your timings well off there, Lori. | 0:41:07 | 0:41:10 | |
Lori, how are we looking? | 0:41:23 | 0:41:25 | |
-Um... -SHE MUMBLES | 0:41:25 | 0:41:28 | |
The food's due out now. | 0:41:28 | 0:41:30 | |
Come on, Lori, push yourself. | 0:41:35 | 0:41:37 | |
Come on! | 0:41:37 | 0:41:39 | |
Lori, you are seven minutes over. | 0:41:41 | 0:41:43 | |
I would recommend you say sorry when you go in. | 0:41:43 | 0:41:45 | |
Yes, Chef, definitely. | 0:41:45 | 0:41:47 | |
Going, are we going? Are we going? | 0:41:47 | 0:41:49 | |
Um... Ooh, a little bit messy. | 0:41:49 | 0:41:53 | |
Well done. | 0:41:53 | 0:41:55 | |
Oh, wow. | 0:41:55 | 0:41:57 | |
I'm so sorry, it's a little bit late. | 0:41:59 | 0:42:03 | |
There you go. | 0:42:03 | 0:42:04 | |
For her main course, Lori has made ballotine of salmon, | 0:42:08 | 0:42:11 | |
stuffed with asparagus, served with pan seared prawns, | 0:42:11 | 0:42:14 | |
scallops with horseradish and clam tartare. | 0:42:14 | 0:42:19 | |
This is a good-looking main course. | 0:42:19 | 0:42:21 | |
This, to me, is the most successful dish we've seen so far, | 0:42:21 | 0:42:24 | |
for presentation. | 0:42:24 | 0:42:26 | |
It's a pretty thing. I just hope it tastes as good as it looks. | 0:42:27 | 0:42:31 | |
The salmon is slightly dried out and overcooked. | 0:42:39 | 0:42:43 | |
I haven't had a prawn that overcooked for a while, actually. | 0:42:43 | 0:42:48 | |
It's more Michelin tyre than Michelin star. | 0:42:48 | 0:42:51 | |
It's a real shame when Lori was late bringing this dish out to us | 0:42:51 | 0:42:56 | |
and nearly every element of it is overcooked. | 0:42:56 | 0:42:59 | |
The clam tartare, a real innovation. Never had that before. | 0:42:59 | 0:43:02 | |
It's beautiful presentation, first class, top drawer. | 0:43:07 | 0:43:11 | |
We knew she could do that, but there are some very good combos on that plate. | 0:43:11 | 0:43:16 | |
The salmon, for me, is slightly overcooked and under-seasoned. | 0:43:16 | 0:43:21 | |
I like the sound of Lori's dessert - white chocolate bavarois, | 0:43:24 | 0:43:28 | |
a real test of her technical ability, | 0:43:28 | 0:43:31 | |
to produce that cream and get it to hold. | 0:43:31 | 0:43:34 | |
-You don't look too happy. -No, I've made a mistake. -What's up? | 0:43:43 | 0:43:47 | |
My shortbread is undercooked. | 0:43:47 | 0:43:49 | |
-I misjudged it, I don't know why. -If it's not right, don't serve it. | 0:43:49 | 0:43:54 | |
-The bavarois and the boozy raspberries should be enough. -OK. | 0:43:54 | 0:43:59 | |
That chocolate looks a bit grainy. | 0:44:00 | 0:44:04 | |
Yeah, it's not a good... Forget it. Not worth it. | 0:44:04 | 0:44:08 | |
-That's not going to work, is it? -No. | 0:44:08 | 0:44:10 | |
OK. | 0:44:17 | 0:44:20 | |
Ah! Not that one. | 0:44:23 | 0:44:25 | |
Come on, Lori, we're over time now. | 0:44:34 | 0:44:36 | |
-Mm-hm. -Over time, over time. Let's go. | 0:44:36 | 0:44:39 | |
OK, go. Off you go. | 0:44:45 | 0:44:48 | |
-Sorry. -Well done, go, go, go, Lori, go. | 0:44:48 | 0:44:51 | |
Sorry again for the wait. | 0:44:55 | 0:44:58 | |
For dessert, Lori has made white chocolate bavarois | 0:45:04 | 0:45:07 | |
with vodka-soaked raspberries. | 0:45:07 | 0:45:11 | |
It looks good. I'm excited to eat it. | 0:45:11 | 0:45:14 | |
I didn't know what a bavarois was, I'm still not sure, | 0:45:24 | 0:45:27 | |
but what it is is fantastically delicious! | 0:45:27 | 0:45:31 | |
It's creamy, the white chocolate thing, it's fantastic. | 0:45:31 | 0:45:35 | |
It's rich, the texture is perfect. | 0:45:35 | 0:45:38 | |
I think the raspberries, | 0:45:38 | 0:45:39 | |
the raspberry vodka combo is really good. | 0:45:39 | 0:45:42 | |
This is a more successful dish, I think, altogether. | 0:45:42 | 0:45:47 | |
Vanilla vodka raspberries are inspired. | 0:45:53 | 0:45:56 | |
And a bit of white chocolate mousse as well? Very nice combination. | 0:45:56 | 0:46:00 | |
There should be shortbread biscuits on this, but it didn't work. | 0:46:00 | 0:46:04 | |
Lori ran out of time and she was flustered and you can see that on the plate. | 0:46:04 | 0:46:08 | |
I made a lot of mistakes. Timing was the biggest one. | 0:46:20 | 0:46:24 | |
-Claire, you now have ten minutes. -Ten minutes, right. | 0:46:34 | 0:46:38 | |
Claire's giving us roasted Cornish sea bass, pickled cauliflower, | 0:46:40 | 0:46:44 | |
cucumber, lemon puree and elderflower. | 0:46:44 | 0:46:47 | |
It could be one of these things which sounds strange, | 0:46:47 | 0:46:51 | |
but completely blows us away. | 0:46:51 | 0:46:53 | |
I hope that'll happen. | 0:46:53 | 0:46:54 | |
You nutty professor. I hope you have done this before. | 0:46:54 | 0:46:58 | |
SHE MUTTERS | 0:47:02 | 0:47:05 | |
-Right, how are we doing, young lady? -I'm just ready to plate up now. | 0:47:16 | 0:47:21 | |
-OK, OK. -You're breathing like you've just done a 100-metre sprint! | 0:47:21 | 0:47:25 | |
It's this feeling I've never felt before. It's just so hard. | 0:47:25 | 0:47:28 | |
-Slow down. -I know! I can't help it. | 0:47:28 | 0:47:32 | |
Whoa, nice! Come on, you're all right. | 0:47:32 | 0:47:37 | |
-Go, go, go, go! -That's it! | 0:47:46 | 0:47:48 | |
Claire has made a main course of roasted Cornish sea bass, | 0:48:00 | 0:48:03 | |
pickled cauliflower, cucumber, lemon puree and elderflower. | 0:48:03 | 0:48:09 | |
This really has the wow factor, doesn't it? | 0:48:09 | 0:48:12 | |
It's an absolutely unbelievably good-looking dish. | 0:48:12 | 0:48:15 | |
It's the sort of level of presentation you'd see in a really high end restaurant. | 0:48:15 | 0:48:19 | |
Clever old Claire. | 0:48:30 | 0:48:32 | |
Generally speaking, the fish is perfectly cooked. | 0:48:32 | 0:48:35 | |
I love this light little pickled cauliflower. | 0:48:35 | 0:48:39 | |
-I think it's absolutely superb. -It's the sort of dish you'd go and talk about. | 0:48:39 | 0:48:43 | |
Absolutely stunning. | 0:48:43 | 0:48:44 | |
I think this shows a great understanding | 0:48:53 | 0:48:56 | |
of balance of flavours and taste and freshness. | 0:48:56 | 0:49:00 | |
It's difficult for me to believe | 0:49:00 | 0:49:02 | |
that sort of work has come out of a chef so young. | 0:49:02 | 0:49:06 | |
Claire's dessert, we've got lime and vanilla cheesecake with bitter chocolate sorbet. | 0:49:12 | 0:49:17 | |
Again, it's quite a bold flavour combination from Claire. | 0:49:17 | 0:49:21 | |
-Happy so far? -Yep. | 0:49:23 | 0:49:24 | |
They're ready whenever you are now, come on. | 0:49:28 | 0:49:32 | |
Waiting on you. That's it. | 0:49:32 | 0:49:33 | |
Come on, that's it, you're all right. | 0:49:43 | 0:49:45 | |
Very nice, very nice. | 0:49:57 | 0:49:59 | |
For dessert, Claire has made lime and vanilla cheesecake, | 0:50:07 | 0:50:12 | |
with bitter chocolate sorbet. | 0:50:12 | 0:50:15 | |
Well, it looks lovely. | 0:50:15 | 0:50:16 | |
She's really got a great visual eye, to go with a great palate, | 0:50:16 | 0:50:22 | |
as far as we can tell. | 0:50:22 | 0:50:24 | |
I think it's pretty hard to improve on something like this. | 0:50:31 | 0:50:35 | |
Um...cheesecake is spot on. | 0:50:35 | 0:50:38 | |
And the crunchiness of the biscuit is just right. | 0:50:38 | 0:50:40 | |
And the sorbet is a real technical achievement, | 0:50:40 | 0:50:44 | |
because it's very hard to do this right, | 0:50:44 | 0:50:46 | |
without making it super bitter and getting a grainy texture. | 0:50:46 | 0:50:51 | |
It's the best thing that we've had in the dessert department today by 1,000 miles. | 0:50:51 | 0:50:56 | |
The main course was astonishing. This is just as good. | 0:50:57 | 0:51:00 | |
I'm slightly blown away. It is sensationally good. | 0:51:00 | 0:51:03 | |
That's very good. If you weren't here, I'd have the rest of that. | 0:51:11 | 0:51:15 | |
Wow. The bitter chocolate sorbet is beautiful. | 0:51:15 | 0:51:19 | |
I want the recipe. | 0:51:19 | 0:51:21 | |
God, that is the hardest thing ever. | 0:51:31 | 0:51:33 | |
I'm happy, though. Almost happy. | 0:51:36 | 0:51:40 | |
I've just cooked for food critics. Wow! | 0:51:46 | 0:51:51 | |
I love these days. | 0:51:55 | 0:51:56 | |
I'm really impressed, really, really impressed with little Claire. | 0:51:56 | 0:52:01 | |
'What a performance from Claire! Absolutely fantastic, I'm so happy.' | 0:52:01 | 0:52:05 | |
I'm thrilled for her. | 0:52:05 | 0:52:07 | |
That was really, really good food. And the critics loved it. | 0:52:07 | 0:52:10 | |
I thought her sea bass dish was hitting the right notes. | 0:52:10 | 0:52:15 | |
Claire's dessert were two masterful desserts in my view. | 0:52:15 | 0:52:19 | |
Cheesecake can be banal, but this was glorious! | 0:52:19 | 0:52:23 | |
And on the same plate, the bitter chocolate sorbet. | 0:52:23 | 0:52:26 | |
I'm going to ask her for the recipe. | 0:52:26 | 0:52:28 | |
That was definitely the best chocolate sorbet I have ever tasted. | 0:52:28 | 0:52:33 | |
I think I've done myself justice today, I really do. | 0:52:33 | 0:52:35 | |
I couldn't have done any more. | 0:52:35 | 0:52:37 | |
Claire is going through to the semifinal. | 0:52:37 | 0:52:40 | |
She has exceeded everybody's expectations today, | 0:52:40 | 0:52:45 | |
perhaps even her own. | 0:52:45 | 0:52:47 | |
The most disappointing chef today was Jonny. | 0:52:47 | 0:52:50 | |
Even if he'd made a brilliant fish pie, | 0:52:50 | 0:52:53 | |
I still don't know how you would've served a stylish fish pie to the critics. | 0:52:53 | 0:52:57 | |
And it wasn't very good, Michel. | 0:52:57 | 0:53:00 | |
That's harsh...but true. | 0:53:00 | 0:53:03 | |
I think he rallied with the tart, but it was too little, too late for him. | 0:53:03 | 0:53:08 | |
He'd kind of... He was out. That fish pie was... What was going on?! | 0:53:08 | 0:53:13 | |
It's going to be sad to see Jonny go, | 0:53:13 | 0:53:15 | |
because some of the food he's dished up has been very, very good. | 0:53:15 | 0:53:20 | |
We've put Claire through, we've knocked Jonny out. | 0:53:20 | 0:53:24 | |
Now we need to decide between Lori or Steve. | 0:53:24 | 0:53:28 | |
My summary of Steve is this. | 0:53:28 | 0:53:33 | |
Undoubtedly very, very skilful cook. Didn't manage to pull it all together today, | 0:53:33 | 0:53:40 | |
because he attempted far too much in an hour and 15 minutes. | 0:53:40 | 0:53:44 | |
It was an inspired choice of ingredients for his main course, | 0:53:44 | 0:53:48 | |
great flavours, great taste, well seasoned. | 0:53:48 | 0:53:52 | |
The pomme fondant was undercooked, yes, | 0:53:52 | 0:53:54 | |
but, nonetheless, that was very good. Good food. I thought Steve's dessert had a really good balance. | 0:53:54 | 0:54:00 | |
The lemon jelly set it off really well. | 0:54:00 | 0:54:02 | |
His pannacotta didn't set quite right, | 0:54:02 | 0:54:06 | |
but he's got all the basic skills, all the basic knowledge. | 0:54:06 | 0:54:09 | |
He just needs to rein back a tiny bit. | 0:54:09 | 0:54:12 | |
It's my first bad mistake I've done in the competition so far, | 0:54:13 | 0:54:17 | |
but it's come at the wrong time. Fingers crossed I get through. | 0:54:17 | 0:54:22 | |
Just fingers crossed, big time. | 0:54:22 | 0:54:25 | |
I liked the look of Lori's fish dish, I really did. She was late. | 0:54:27 | 0:54:33 | |
She did overcook her salmon. | 0:54:33 | 0:54:36 | |
That salmon also needed seasoning. Apart from that, good tasting dish. | 0:54:36 | 0:54:43 | |
I really enjoyed Lori's dessert, | 0:54:43 | 0:54:45 | |
the combination of raspberries steeped in vodka | 0:54:45 | 0:54:47 | |
and the fresh coulis and that lovely white chocolate bavarois was delicious. | 0:54:47 | 0:54:52 | |
She wanted to serve some shortbread biscuits, they didn't work. | 0:54:52 | 0:54:55 | |
It is a shame that it didn't quite work as Lori wanted. | 0:54:55 | 0:55:00 | |
I think I deserve a place because I think I'm talented enough | 0:55:02 | 0:55:07 | |
and I've got enough skill to be there. | 0:55:07 | 0:55:10 | |
Enough drive, enough passion. | 0:55:10 | 0:55:14 | |
But my performance today did not reflect that at all. | 0:55:14 | 0:55:18 | |
This is a big decision. | 0:55:18 | 0:55:19 | |
This is pushing one of these into the semifinal. | 0:55:19 | 0:55:22 | |
Great food today. Very, very good. Tough judging decision. | 0:55:45 | 0:55:48 | |
Two of you, unfortunately, will be leaving us. | 0:55:48 | 0:55:51 | |
But two of you will become semifinalists. | 0:55:51 | 0:55:53 | |
We have made a decision. | 0:55:55 | 0:55:57 | |
And the first chef leaving us is... | 0:56:02 | 0:56:04 | |
..Jonny. | 0:56:09 | 0:56:11 | |
Thank you. | 0:56:11 | 0:56:13 | |
I'm disappointed. I can only blame myself. That's it, you know? | 0:56:20 | 0:56:25 | |
I let myself down a little bit and, yeah, I'm pretty gutted, | 0:56:25 | 0:56:28 | |
but, you know, life moves on. | 0:56:28 | 0:56:30 | |
And the second chef leaving us is... | 0:56:40 | 0:56:43 | |
..Lori. | 0:56:47 | 0:56:51 | |
My performance wasn't good enough today. | 0:57:06 | 0:57:09 | |
They made the right choice. | 0:57:11 | 0:57:13 | |
Definitely made the right choice. | 0:57:13 | 0:57:15 | |
Well done. Brilliant. Fantastic! | 0:57:18 | 0:57:21 | |
I can't believe it! | 0:57:21 | 0:57:22 | |
I really can't believe it. | 0:57:24 | 0:57:25 | |
I can't believe it. | 0:57:29 | 0:57:31 | |
Standing here now, I'm not sure it's actually true, | 0:57:31 | 0:57:34 | |
that I'm in the semifinals of Masterchef. | 0:57:34 | 0:57:36 | |
It's such an amazing feeling. | 0:57:36 | 0:57:38 | |
'Ah, speechless, over the moon. I just didn't expect it.' | 0:57:38 | 0:57:43 | |
I just can't believe it. | 0:57:44 | 0:57:46 | |
It's amazing, like, I thought I was going home. Just delighted! | 0:57:46 | 0:57:53 | |
Steve and Claire will be back for the semifinals. | 0:57:53 | 0:57:57 | |
I can't believe it! I didn't think I would be standing here. | 0:57:57 | 0:58:01 | |
Neither did I. | 0:58:01 | 0:58:02 | |
Next week, ten more chefs are back, to try and impress Monica and Gregg. | 0:58:04 | 0:58:10 | |
This is it, your first test on Professional Masterchef. | 0:58:10 | 0:58:15 | |
-Competitive? -Yes, very competitive. I want to win. | 0:58:19 | 0:58:22 | |
It's a life-changing opportunity here, you've just got to take it. | 0:58:22 | 0:58:28 | |
Monica? She doesn't scare me. I've worked with scarier people. | 0:58:28 | 0:58:33 | |
Good cake, good cake. | 0:58:33 | 0:58:35 | |
I can't fault this dish and I'd love to give that to Michel. | 0:58:37 | 0:58:41 | |
Subtitles by Red Bee Media Ltd | 0:59:03 | 0:59:07 | |
E-mail [email protected] | 0:59:07 | 0:59:11 |