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It's the last of the semi-finals. | 0:00:02 | 0:00:04 | |
Over the last four weeks, these six chefs have proved themselves | 0:00:05 | 0:00:09 | |
to be amongst the best in the country. | 0:00:09 | 0:00:12 | |
They've all been split into pairs | 0:00:15 | 0:00:18 | |
and sent to some of the UK's most acclaimed restaurants. | 0:00:18 | 0:00:23 | |
-Why are you putting all that stock in your mushrooms? You're boiling them. -Sorry, Chef. | 0:00:24 | 0:00:28 | |
You've got to concentrate, all right? Take your time, get it right. | 0:00:28 | 0:00:32 | |
Then they've returned to cook for Michel Roux Jr and Monica Galetti. | 0:00:32 | 0:00:37 | |
It was too close to call | 0:00:37 | 0:00:40 | |
between 24-year-old Adam and 26-year-old Steven, | 0:00:40 | 0:00:43 | |
who both went through to the finals. | 0:00:43 | 0:00:46 | |
Last night, 25-year-old Tom joined them. | 0:00:46 | 0:00:50 | |
Tonight, the final pair have their chance to prove they're good enough - | 0:00:51 | 0:00:56 | |
23-year-old Luke | 0:00:56 | 0:00:58 | |
and 27-year-old Scott. | 0:00:58 | 0:01:01 | |
I would be absolutely delighted to get through to the finals. | 0:01:02 | 0:01:06 | |
As you get on in the competition, more and more you want it. | 0:01:06 | 0:01:10 | |
To get a place in the final would just be electric. | 0:01:10 | 0:01:13 | |
It's sending shivers down my spine at the moment thinking about it. | 0:01:13 | 0:01:18 | |
It's midday | 0:01:29 | 0:01:30 | |
and Scott and Luke have arrived in Nottingham, | 0:01:30 | 0:01:33 | |
home of the self-titled restaurant | 0:01:33 | 0:01:35 | |
run by the acclaimed chef Sat Bains. | 0:01:35 | 0:01:40 | |
Opened in 2002, | 0:01:41 | 0:01:43 | |
it was the first restaurant in Nottingham to earn a Michelin star... | 0:01:43 | 0:01:47 | |
..and went on to achieve a coveted second star in 2011. | 0:01:49 | 0:01:54 | |
I worked as a head chef from a very early age. I was 24. | 0:01:55 | 0:02:00 | |
I wasn't ready. I was teaching myself how to cook. | 0:02:00 | 0:02:03 | |
I was reading all the classics - Nico, Koffmann, Roux. | 0:02:03 | 0:02:08 | |
It's this incredible journey | 0:02:08 | 0:02:10 | |
of drive, ambition, passion | 0:02:10 | 0:02:13 | |
and the desire to give you something completely unique. | 0:02:13 | 0:02:16 | |
His style of food is modern, but very much based on the classics. | 0:02:16 | 0:02:21 | |
He's taken it to another level. | 0:02:21 | 0:02:24 | |
For me, flavour dictates every single aspect | 0:02:29 | 0:02:32 | |
of every single thing we do in our kitchen. | 0:02:32 | 0:02:35 | |
Yes, we use techniques, sometimes we use very modern techniques, | 0:02:35 | 0:02:39 | |
but they should never outshine flavour. | 0:02:39 | 0:02:42 | |
If these guys are coming in today, the pressure's on them, | 0:02:45 | 0:02:48 | |
but I'm not going to be a tyrant, bullying them in the corner. | 0:02:48 | 0:02:51 | |
I want them to do well. | 0:02:51 | 0:02:53 | |
I want them to be nurtured. | 0:02:53 | 0:02:55 | |
I want them to walk away going, "Wow! I've been inspired." | 0:02:55 | 0:03:00 | |
Sat Bains is a genius. | 0:03:01 | 0:03:04 | |
He's been reinventing food for the last I don't know how many years. | 0:03:04 | 0:03:08 | |
It's going to be an absolute honour to cook at his restaurant. | 0:03:08 | 0:03:11 | |
I've never actually worked in a Michelin-starred place. | 0:03:11 | 0:03:14 | |
As long as we cook well and do what he asks, | 0:03:14 | 0:03:17 | |
I think we should be all right. | 0:03:17 | 0:03:20 | |
-Hi, Scott. Nice to see you. -Nice to meet you. -Luke. -Hi, Chef. | 0:03:24 | 0:03:27 | |
-How are you both? -Good. Feeling good. -Fantastic. Welcome to the kitchen. | 0:03:27 | 0:03:31 | |
Very excited to have you here. | 0:03:31 | 0:03:32 | |
The standards are of the highest. | 0:03:32 | 0:03:34 | |
We expect the chefs to work very clean and very efficient. They're two things I'm obsessed with. | 0:03:34 | 0:03:39 | |
This is a great opportunity and I want to wish you the best of luck. | 0:03:39 | 0:03:43 | |
Follow me. | 0:03:43 | 0:03:45 | |
In service, Luke and Scott will each be responsible for a dish | 0:03:51 | 0:03:57 | |
from the restaurant tasting menus. | 0:03:57 | 0:03:59 | |
You get a ten-minute window. | 0:03:59 | 0:04:01 | |
From the course being cleared before, we normally allow ten minutes for this dish to be prepared. | 0:04:01 | 0:04:07 | |
Caramelisation is crucial | 0:04:07 | 0:04:09 | |
to get as much flavour back out of it, yeah? | 0:04:09 | 0:04:11 | |
Scott will be in charge of the roe deer, prepared three ways, | 0:04:14 | 0:04:17 | |
sous-vide loin, grilled sausage and tartar, | 0:04:17 | 0:04:22 | |
served with roast cepes, dried reindeer lichen, | 0:04:22 | 0:04:26 | |
dots of mushroom ketchup and pine mayonnaise, | 0:04:26 | 0:04:30 | |
accompanied by a deer and blackberry sauce, | 0:04:30 | 0:04:33 | |
powdered juniper and the scent of smoking pine. | 0:04:33 | 0:04:37 | |
I'm trying to surround the roe deer with everything that it's surrounded with in the wild. | 0:04:37 | 0:04:41 | |
I want to really showcase the cooking of it, | 0:04:41 | 0:04:44 | |
but also what it tastes like naturally. | 0:04:44 | 0:04:47 | |
There's lots of components that have to be done a la minute. | 0:04:47 | 0:04:49 | |
They're going to go under the grill. | 0:04:49 | 0:04:52 | |
You've got to cook the sausage perfectly so it's still moist. | 0:04:52 | 0:04:56 | |
The tartar has to be beaten and seasoned last minute, | 0:04:56 | 0:04:58 | |
the loin has to be perfectly cooked and seasoned last minute. | 0:04:58 | 0:05:01 | |
Everything's then got to be presented. | 0:05:01 | 0:05:03 | |
Don't forget, things like game, they're very lean so you don't want to overcook them. | 0:05:03 | 0:05:09 | |
There's got to be lots of hand-eye co-ordination, | 0:05:11 | 0:05:15 | |
work quickly because the temperature's crucial. | 0:05:15 | 0:05:17 | |
You work in a sequence. | 0:05:17 | 0:05:19 | |
From a chef of a calibre coming in, they should already have these things | 0:05:19 | 0:05:24 | |
and that's the things I'll be looking at. | 0:05:24 | 0:05:26 | |
This is juniper. | 0:05:26 | 0:05:29 | |
It's just been blitzed. Just a little dusting of that, | 0:05:29 | 0:05:32 | |
not too much because it's quite strong. | 0:05:32 | 0:05:35 | |
Put the mushroom here. The sausage just goes there. | 0:05:35 | 0:05:40 | |
Nice piece of that... | 0:05:40 | 0:05:42 | |
We can put it on the plate, it doesn't matter where it goes, | 0:05:42 | 0:05:45 | |
as long as it looks half-decent. | 0:05:45 | 0:05:48 | |
I'm interested in every component of the dish cooked well. | 0:05:50 | 0:05:54 | |
I like everything. | 0:06:13 | 0:06:15 | |
That's salty, that's sweet. It's really nice. | 0:06:15 | 0:06:17 | |
You know the score - if it's not acceptable on the pass, we have to start again. | 0:06:17 | 0:06:21 | |
-We're going to have a good service, don't worry. -Yes, Chef. | 0:06:21 | 0:06:24 | |
-I've got your back, Chef. -Cheers, Chef! | 0:06:24 | 0:06:27 | |
The food's totally different. | 0:06:29 | 0:06:31 | |
I never even thought | 0:06:31 | 0:06:33 | |
of putting raw tartar with a hot thing, mayonnaises and stuff. | 0:06:33 | 0:06:37 | |
I've seen it, but I never thought I'd be doing it or cooking it, | 0:06:37 | 0:06:41 | |
so it's a great opportunity and I can't wait to do it tonight. | 0:06:41 | 0:06:44 | |
This is the actual kid. Erm, it's the leg. | 0:06:46 | 0:06:50 | |
What we do, we salt it for 12 hours. | 0:06:50 | 0:06:52 | |
And when it's cooked, after 36 hours, you twist the bone out and you press it | 0:06:52 | 0:06:57 | |
and you end up with this beautiful piece of meat | 0:06:57 | 0:07:00 | |
that's got incredible flavour. | 0:07:00 | 0:07:03 | |
Just smell that. | 0:07:03 | 0:07:05 | |
-It's beautiful. -Yeah, really meaty. Really meaty. | 0:07:05 | 0:07:08 | |
Luke is responsible for the Somerset kid, topped with asparagus shavings, | 0:07:08 | 0:07:14 | |
resting on a potato terrine and layers of pickled radish, | 0:07:14 | 0:07:18 | |
shallots and baby gem lettuce, | 0:07:18 | 0:07:21 | |
with droplets of goats' cheese and lemon puree | 0:07:21 | 0:07:24 | |
and a kid goat consomme. | 0:07:24 | 0:07:27 | |
To maximise the flavour, | 0:07:29 | 0:07:30 | |
the vegetables are pickled instantly using a vacuum pack. | 0:07:30 | 0:07:35 | |
These vegetables can't be pre-made | 0:07:45 | 0:07:47 | |
and will have to be pickled-to-order during service. | 0:07:47 | 0:07:50 | |
As you can see, they've both gone translucent. | 0:07:50 | 0:07:53 | |
They open the pores and suck in all that pickle liquor | 0:07:53 | 0:07:55 | |
so they become instantaneously pickled. | 0:07:55 | 0:07:59 | |
-In that short amount of time, the lettuce pickles? -Yeah. | 0:07:59 | 0:08:02 | |
You can see it's kind of going translucent. | 0:08:02 | 0:08:05 | |
Same with the radish. | 0:08:06 | 0:08:08 | |
Have a taste of that. | 0:08:08 | 0:08:10 | |
-You'd think that's been pickled for hours. -Yeah. Definitely. | 0:08:11 | 0:08:15 | |
But it's still sweet and it still tastes of radish. | 0:08:15 | 0:08:17 | |
Once it's in the pan, you don't touch it. | 0:08:17 | 0:08:20 | |
That's going to create that caramelisation | 0:08:20 | 0:08:23 | |
-and that's going to go in the oven to heat through, yeah? -Yes, Chef. | 0:08:23 | 0:08:26 | |
This one, you're almost thinking as you're dressing. | 0:08:26 | 0:08:30 | |
You're layering the dish up as if you're eating it. | 0:08:30 | 0:08:33 | |
It should be exciting to go back for the next mouthful, and that's the key. | 0:08:33 | 0:08:38 | |
While that's in the oven, | 0:08:38 | 0:08:40 | |
you start off with some goats' cheese. | 0:08:40 | 0:08:43 | |
Nothing's on the plate for no reason. | 0:08:43 | 0:08:46 | |
Every single part of the component of the dish | 0:08:46 | 0:08:49 | |
is built to give you maximum effect in terms of flavour. | 0:08:49 | 0:08:54 | |
There you go. | 0:09:07 | 0:09:09 | |
Simple? | 0:09:09 | 0:09:11 | |
-Easy! -That's what I like to hear - easy! | 0:09:11 | 0:09:15 | |
I've never cooked a dish like that. The whole dish is a challenge. | 0:09:18 | 0:09:21 | |
There's pitfalls around every corner - | 0:09:21 | 0:09:23 | |
making sure the goat's caramelised, | 0:09:23 | 0:09:25 | |
not being clumsy at presentation, | 0:09:25 | 0:09:28 | |
it's going to be tough but I'll give it my best shot. | 0:09:28 | 0:09:32 | |
Hello, good evening, welcome! | 0:09:33 | 0:09:36 | |
Sat Bains offers the diners a choice of two tasting menus. | 0:09:36 | 0:09:41 | |
Luke's kid dish is the sixth course on one of them | 0:09:41 | 0:09:44 | |
and Scott's roe deer is the fourth course on the other. | 0:09:44 | 0:09:48 | |
It's not a typical three-course menu. | 0:09:48 | 0:09:50 | |
You're constantly on edge, because you're part of the team and it's ten dishes. | 0:09:50 | 0:09:54 | |
It's not like it's one and you've finished. | 0:09:54 | 0:09:57 | |
The sequences all kind of connect. | 0:09:57 | 0:10:01 | |
If we get the first dish up and I get it right, | 0:10:01 | 0:10:04 | |
I'll be happy and I'll get through service not too bad. | 0:10:04 | 0:10:07 | |
If I make a couple of mistakes on the first dishes, I'll be in for a hard night. | 0:10:07 | 0:10:12 | |
Everything's ready. I've checked, double-checked, triple-checked. | 0:10:12 | 0:10:15 | |
Now I'm starting to doubt myself, overthinking things, | 0:10:15 | 0:10:18 | |
but I think I'm ready. | 0:10:18 | 0:10:20 | |
Well, the bottom line is, they've got to deliver. | 0:10:23 | 0:10:27 | |
Let's not mess around. | 0:10:27 | 0:10:29 | |
There's guests that are paying very good money to eat here. | 0:10:29 | 0:10:33 | |
I cannot allow anything mediocre to go out of that kitchen. | 0:10:33 | 0:10:36 | |
-Good luck, boss. -All the best. | 0:10:36 | 0:10:38 | |
-OK, an order, one egg. -CHEFS: Oui! | 0:10:43 | 0:10:47 | |
Service begins, | 0:10:50 | 0:10:52 | |
and the first courses from the tasting menus are being prepared. | 0:10:52 | 0:10:55 | |
Table two, go on. | 0:10:55 | 0:10:57 | |
Scott and Luke must wait their turn. | 0:10:59 | 0:11:03 | |
-How are you feeling? -Good. I want to get the first two sent out. -I know! | 0:11:08 | 0:11:12 | |
-That's what I want to do. -It's just waiting. | 0:11:12 | 0:11:15 | |
Because, obviously, your dish is part of a ten-course menu, I do empathise, | 0:11:15 | 0:11:19 | |
-but make sure you don't leave this too long out. -Yes, Chef. | 0:11:19 | 0:11:22 | |
Otherwise, if it gets too warm, | 0:11:22 | 0:11:25 | |
-it'll break down in the pan. -Yes, Chef. | 0:11:25 | 0:11:27 | |
-Cool. -Thanks, Chef. | 0:11:27 | 0:11:30 | |
Finally, the guests sitting at the chef's table are ready for Scott's course. | 0:11:31 | 0:11:36 | |
-Four roe deer. Ten minutes, please, Scott. -Yes, Chef. | 0:11:36 | 0:11:40 | |
28... | 0:11:40 | 0:11:42 | |
I want it to be spot on because it's for the chef's table. | 0:11:44 | 0:11:48 | |
I want you to explain the dish to them, yeah? | 0:11:48 | 0:11:51 | |
Cool. | 0:11:51 | 0:11:52 | |
He starts by preparing the roe deer tartar | 0:11:54 | 0:11:57 | |
and the all-important cepe mushrooms. | 0:11:57 | 0:12:01 | |
Seven minutes, | 0:12:04 | 0:12:06 | |
-four roe deer away, yeah? -Oui. | 0:12:06 | 0:12:09 | |
Good colour on the sausages. Turn, sear, turn, then off. | 0:12:11 | 0:12:14 | |
You don't want the middle to be overcooked. | 0:12:14 | 0:12:17 | |
While the sausage and roe fillet are cooking, | 0:12:17 | 0:12:20 | |
he only has minutes to plate the ketchup and mayonnaise to Sat's exacting standards. | 0:12:20 | 0:12:25 | |
Keep going, keep going. That's it. Next plate. | 0:12:25 | 0:12:29 | |
It's 28 now, Scott. | 0:12:32 | 0:12:35 | |
-You should've already gone. -Yes, Chef. | 0:12:35 | 0:12:38 | |
Think how much you're putting on, to what we put on. | 0:12:52 | 0:12:55 | |
You want a nice mouthful, not too big. | 0:12:55 | 0:12:58 | |
Yeah. | 0:13:02 | 0:13:04 | |
-Don't forget your pot. -Yeah. | 0:13:11 | 0:13:14 | |
OK, Scott, we need to go. | 0:13:14 | 0:13:16 | |
-We're four-and-a-half minutes over. -Sorry, Chef. | 0:13:16 | 0:13:20 | |
You're coming with me. | 0:13:20 | 0:13:23 | |
You're going to explain the dish. | 0:13:23 | 0:13:26 | |
So, guys, this is Scott. He's going to explain the dish to you. | 0:13:32 | 0:13:36 | |
So, it's, er, erm, | 0:13:37 | 0:13:40 | |
venison, poached in, erm, pine butter, | 0:13:40 | 0:13:43 | |
venison sausages | 0:13:43 | 0:13:45 | |
and, erm, a little venison tartar, as well. | 0:13:45 | 0:13:48 | |
-Enjoy. -Thank you very much. | 0:13:48 | 0:13:50 | |
The timing was a bit late on it. Obviously, you know, | 0:13:52 | 0:13:55 | |
I'm not used to dressing it. | 0:13:55 | 0:13:57 | |
When you work in brigades, you get food given to you. | 0:13:57 | 0:14:01 | |
I'll know for next time and just start plating a lot earlier. | 0:14:01 | 0:14:05 | |
-It's fast how time goes, huh? -Yes, Chef. | 0:14:05 | 0:14:08 | |
He was very disciplined. In sequence, he did it the correct way. | 0:14:08 | 0:14:13 | |
You're not going to get a chef walk in here and just roll with it, | 0:14:13 | 0:14:16 | |
it's almost nigh impossible. | 0:14:16 | 0:14:19 | |
So very good attempt, actually. | 0:14:19 | 0:14:21 | |
It's an hour into service | 0:14:23 | 0:14:26 | |
and Luke is still waiting for his dish to be called. | 0:14:26 | 0:14:30 | |
He's very nervous and on edge | 0:14:30 | 0:14:32 | |
and you can see him getting more and more worried | 0:14:32 | 0:14:35 | |
as the time's getting closer | 0:14:35 | 0:14:37 | |
for his to start, er, serving his dish up. | 0:14:37 | 0:14:40 | |
I have to play the waiting game | 0:14:40 | 0:14:43 | |
and stop thinking too much and overthinking things and... | 0:14:43 | 0:14:49 | |
I'm ready. | 0:14:49 | 0:14:51 | |
I've just got to wait for the... wait for the go. | 0:14:51 | 0:14:54 | |
-OK, Luke, two kid away in ten minutes. -Oui, Chef. | 0:14:58 | 0:15:02 | |
-Time it. I don't want it overcooked. You know the drill. -OK, Chef. | 0:15:02 | 0:15:07 | |
Finally, Luke gets his chance to prove he can cook | 0:15:07 | 0:15:11 | |
to Sat's two Michelin-star standard, | 0:15:11 | 0:15:14 | |
but he only has a ten-minute window to deliver his dish. | 0:15:14 | 0:15:19 | |
He starts by pickling the veg whilst caramelising the kid steak. | 0:15:19 | 0:15:24 | |
-Keep an eye on this, Luke. -Yes, Chef. | 0:15:25 | 0:15:28 | |
-Straight in the oven. Let's go. -Yeah. | 0:15:28 | 0:15:31 | |
Next, he has to cook the potato terrine. | 0:15:33 | 0:15:37 | |
While all the main elements are cooking, | 0:15:37 | 0:15:40 | |
he needs to get on with the plating | 0:15:40 | 0:15:42 | |
and the final veg prep. | 0:15:42 | 0:15:45 | |
-You've got five minutes, Luke. -Yes, Chef. | 0:15:45 | 0:15:49 | |
-You can't use that. There's half missing. -Yes, Chef. | 0:15:55 | 0:15:59 | |
That's that. | 0:16:02 | 0:16:03 | |
-OK, start building the plate up now. You've got a three-minute notice. -Yes, Chef. | 0:16:04 | 0:16:09 | |
Luke, when we did it, there was around a teaspoon of... | 0:16:11 | 0:16:14 | |
-Do you remember? -Shall I take it off? -Take 30, 40 percent off each one. | 0:16:14 | 0:16:19 | |
Watch your fingers. They're dripping water all over the plate. | 0:16:19 | 0:16:23 | |
Just the tip. You're pinching it. | 0:16:25 | 0:16:28 | |
-One-and-a-half minutes and they start moving. -Yes, Chef. | 0:16:28 | 0:16:31 | |
That's good. | 0:16:32 | 0:16:35 | |
-You need to move now. -Yes, Chef. | 0:16:40 | 0:16:43 | |
A tiny drizzle of oil and let's go. | 0:16:50 | 0:16:53 | |
-OK. Now we've got to learn from that. -Yes. | 0:16:57 | 0:17:00 | |
-It takes longer than you thought? -Yes. | 0:17:00 | 0:17:02 | |
-You need to crisp up the kid more so it stays in the oven longer. -Yes, Chef. | 0:17:02 | 0:17:06 | |
They're the things you should get on first while you prep your vegetables, so they're boxed off. | 0:17:06 | 0:17:11 | |
-I'm going to do it much better next time. -Good. | 0:17:11 | 0:17:13 | |
The pressure's on to get that out in that ten-minute slot. | 0:17:15 | 0:17:18 | |
It runs away with you. | 0:17:18 | 0:17:20 | |
You saw him, he was so in the zone of doing what he thought was right, | 0:17:20 | 0:17:24 | |
he's missing things, things weren't correct, and I think that's where he suffered. | 0:17:24 | 0:17:29 | |
He's bounced back by saying the next one's going to be better. | 0:17:29 | 0:17:33 | |
That's what you want - a fighting attitude. | 0:17:33 | 0:17:36 | |
The next tables are ready for Scott's roe deer | 0:17:40 | 0:17:42 | |
and he needs to deliver it on time. | 0:17:42 | 0:17:46 | |
-You've got one minute, Chef. -Oui. | 0:17:46 | 0:17:49 | |
The time's up now. Stop and get out the next. | 0:18:00 | 0:18:03 | |
30 seconds, we're laughing, yes? | 0:18:03 | 0:18:07 | |
A tiny amount. That's it. Perfect. | 0:18:08 | 0:18:10 | |
OK, table three away, please. | 0:18:11 | 0:18:15 | |
Let's go. | 0:18:15 | 0:18:17 | |
The only thing that he's done slightly different | 0:18:19 | 0:18:23 | |
is presentation. | 0:18:23 | 0:18:24 | |
I can't criticise someone for that because all the components were there - | 0:18:24 | 0:18:29 | |
the cooking of the meat, beautifully caramelised, pink, seasoned all over, | 0:18:29 | 0:18:33 | |
the sauce was the right temperature, right amount of vinegar in. Spot on. | 0:18:33 | 0:18:38 | |
Across the kitchen, Luke is nearing the end of his ten-minute window | 0:18:39 | 0:18:44 | |
with the next orders of kid. | 0:18:44 | 0:18:47 | |
-Luke, start moving it now! -Yes, Chef. | 0:18:47 | 0:18:50 | |
Faster! You've got to work faster, cleaner! | 0:18:50 | 0:18:52 | |
That one's over, so you need to do another one. | 0:18:54 | 0:18:56 | |
That's no good, either. Get another pan on, get rid of that. | 0:18:56 | 0:19:00 | |
We've got to send this out. They've been waiting 16 minutes. | 0:19:01 | 0:19:04 | |
I'm going to have to start giving free drinks out and, trust me, | 0:19:04 | 0:19:07 | |
-I don't like giving free drinks out. -Oui, Chef. | 0:19:07 | 0:19:10 | |
But Luke's pickled radish have gone missing. | 0:19:10 | 0:19:13 | |
-What are you after? -Radish. I left the bowl here. | 0:19:13 | 0:19:16 | |
-I... -No? | 0:19:16 | 0:19:18 | |
Come on, let's do some more. If it's not here, let's crack on. | 0:19:18 | 0:19:22 | |
You work out in your head how many you need, | 0:19:24 | 0:19:26 | |
that's how many you do. | 0:19:26 | 0:19:28 | |
-Have you cut yourself? -A touch. -Yes? -A little one, yeah. | 0:19:28 | 0:19:31 | |
You need to sort that cut out before you do anything. | 0:19:31 | 0:19:34 | |
-I'll just get a first-aider. John! -Yes? | 0:19:34 | 0:19:37 | |
-Luke's cut himself! Can you sort it out, please? -Yes. | 0:19:37 | 0:19:41 | |
With Luke out of action and customers waiting, | 0:19:42 | 0:19:45 | |
Sat brings in his brigade to help. | 0:19:45 | 0:19:48 | |
OK, let Luke come through, guys. | 0:19:54 | 0:19:58 | |
Pickled onions... | 0:19:58 | 0:20:00 | |
-Terrine on. Let's go. Potato. -Yes, Chef. | 0:20:05 | 0:20:09 | |
OK. Let's go. | 0:20:09 | 0:20:11 | |
-How are you doing, Luke? -Oh... Disappointing. | 0:20:13 | 0:20:17 | |
-You've got another couple of chances, so let's not get disheartened. -Yes, Chef. | 0:20:17 | 0:20:21 | |
He's cut the end of his finger, | 0:20:21 | 0:20:23 | |
he's not going to die from it, hopefully, but he's just... | 0:20:23 | 0:20:26 | |
I think, obviously, he's finding it very difficult. | 0:20:26 | 0:20:29 | |
I've got three tables left. I'm going to make every table better than the last one. | 0:20:34 | 0:20:39 | |
Thank you. | 0:20:49 | 0:20:50 | |
-OK, Scott, two roe deer away in ten minutes. -Oui, Chef. | 0:20:50 | 0:20:55 | |
-This is your last table. -Yeah. | 0:21:01 | 0:21:03 | |
Make it perfect, yeah? | 0:21:03 | 0:21:06 | |
He's worked at a higher level and that's come across straight away. | 0:21:06 | 0:21:10 | |
He's got a lot of discipline, his seasoning's spot on, | 0:21:10 | 0:21:13 | |
and that's experience. | 0:21:13 | 0:21:16 | |
Slowly start bringing it together, Scott. | 0:21:20 | 0:21:22 | |
-Perfect timing, yeah? -Yeah. | 0:21:22 | 0:21:25 | |
Place the mushroom. Beautiful! Let's go. | 0:21:34 | 0:21:37 | |
-Are you happy with that, Chef? -Yes, Chef. -Beautiful. | 0:21:37 | 0:21:39 | |
OK. Table five. | 0:21:39 | 0:21:42 | |
-Well done, Scott. How did it go? -It went well. -Enjoying it? -Yeah, I enjoyed it. | 0:21:45 | 0:21:50 | |
-OK, so now, as in every kitchen, we've got to start clearing up! -Yeah! | 0:21:50 | 0:21:54 | |
I think I pretty much got it bang on for the last one, so I'm happy. | 0:21:57 | 0:22:01 | |
Scott has impressed, | 0:22:04 | 0:22:06 | |
and it's now down to Luke to prove he can make the grade. | 0:22:06 | 0:22:10 | |
Even if it's the last table, I want him to feel that he's really done something | 0:22:10 | 0:22:14 | |
and he's been challenged, but he overcame it in a very short period of time | 0:22:14 | 0:22:18 | |
and the last dish he goes, "Yes, I've mastered it. | 0:22:18 | 0:22:20 | |
"I've nailed it, Chef." | 0:22:20 | 0:22:23 | |
This is the last one of the night for you. | 0:22:23 | 0:22:25 | |
-Make it absolutely beautiful. -Yes, Chef. | 0:22:25 | 0:22:29 | |
-As you're dressing it, you're eating it, do you get me? You can't wait to eat it! -Yes, Chef. | 0:22:29 | 0:22:33 | |
-You don't want the customer to eat it! You want to eat it! -Yes, Chef! | 0:22:33 | 0:22:36 | |
-Start with this. -Oui. -The sauce is here. | 0:22:45 | 0:22:49 | |
OK. Let's go. Out. | 0:22:51 | 0:22:54 | |
Hm. That was nine minutes out. | 0:22:54 | 0:22:58 | |
-OK, start clearing up, please. Everything... -Yes, Chef. | 0:23:00 | 0:23:03 | |
..stripped. | 0:23:03 | 0:23:05 | |
That was really intense. Er... | 0:23:06 | 0:23:08 | |
Definitely as hard as I thought it would be and harder. | 0:23:08 | 0:23:11 | |
The last plate, I thought, was very good and I was very happy with that, | 0:23:11 | 0:23:14 | |
but I'm a little bit disappointed. | 0:23:14 | 0:23:18 | |
Scott was very strong. He picked it up quicker. | 0:23:22 | 0:23:25 | |
He learnt from his first table | 0:23:25 | 0:23:27 | |
and got more and more efficient as it went on. | 0:23:27 | 0:23:30 | |
I think Luke has been a little bit unfortunate. | 0:23:32 | 0:23:36 | |
He's frustrated with himself, | 0:23:36 | 0:23:38 | |
and that just adds more pressure. | 0:23:38 | 0:23:41 | |
So if you wanted a stressful night, | 0:23:41 | 0:23:43 | |
I think he got it! | 0:23:43 | 0:23:45 | |
It's early morning | 0:23:56 | 0:23:58 | |
and the contestants are back for one final challenge. | 0:23:58 | 0:24:03 | |
Luke has a lot to prove, | 0:24:03 | 0:24:05 | |
while Scott needs to maintain his standing. | 0:24:05 | 0:24:09 | |
They will have to recreate one of Sat Bains's signature dishes, | 0:24:11 | 0:24:16 | |
which celebrates the girolles. | 0:24:16 | 0:24:18 | |
The pickled and sauteed mushrooms | 0:24:18 | 0:24:21 | |
are covering a small disc of braised oxtail | 0:24:21 | 0:24:24 | |
and served with watercress panna cotta, | 0:24:24 | 0:24:27 | |
crouton | 0:24:27 | 0:24:29 | |
and a chive beurre noisette. | 0:24:29 | 0:24:33 | |
Scott and Luke have only been given a basic recipe, | 0:24:33 | 0:24:37 | |
with no guide on presentation. | 0:24:37 | 0:24:41 | |
The heart of Sat's dish | 0:24:41 | 0:24:43 | |
is a Wagyu oxtail disc | 0:24:43 | 0:24:46 | |
and the girolle mushrooms. | 0:24:46 | 0:24:48 | |
If you have too much oxtail and too much of the roasted girolles, it's over-facing. | 0:24:48 | 0:24:53 | |
You need the acidity. | 0:24:53 | 0:24:56 | |
There's elements that we do, by spreading the ketchup on the base, | 0:24:59 | 0:25:02 | |
every mouthful will have some acidity in there. | 0:25:02 | 0:25:04 | |
These are little things that we've worked on | 0:25:04 | 0:25:07 | |
to make sure that it's a complete dish. | 0:25:07 | 0:25:10 | |
The intense flavoured liquor produced from cooking the mushrooms | 0:25:11 | 0:25:15 | |
is an essential part of this dish. | 0:25:15 | 0:25:18 | |
I want them to be accomplished in their palate | 0:25:26 | 0:25:30 | |
as well as their hands. | 0:25:30 | 0:25:32 | |
I've got to keep flavours very pure, I've got to get the balance | 0:25:55 | 0:25:58 | |
and make sure that every mouthful, they get a bite of everything. | 0:25:58 | 0:26:03 | |
Hopefully, I'll put a really good dish on. | 0:26:03 | 0:26:06 | |
I think the biggest thing is taste. | 0:26:08 | 0:26:11 | |
You've got to really concentrate on the seasoning. | 0:26:11 | 0:26:14 | |
One thing I'm really excited about is, | 0:26:14 | 0:26:16 | |
are these guys going to be tasting as they go along? | 0:26:16 | 0:26:19 | |
You want to make sure there's layers of seasoning. | 0:26:19 | 0:26:21 | |
You don't just season at the end. You almost season throughout the whole process. | 0:26:21 | 0:26:25 | |
When you finish, you get this really balanced, | 0:26:25 | 0:26:28 | |
very highly-seasoned dish. | 0:26:28 | 0:26:30 | |
That's your skill as a chef, it's seasoning, | 0:26:30 | 0:26:32 | |
it's to pull out flavour. | 0:26:32 | 0:26:34 | |
Normally, what a lot of people do is think the protein is the star. | 0:27:11 | 0:27:14 | |
We've made the girolles the star, | 0:27:14 | 0:27:16 | |
so when you ate it, you got this meat at the bottom that was just a hit. | 0:27:16 | 0:27:20 | |
You weren't to know, because when you see Wagyu oxtail, | 0:27:20 | 0:27:23 | |
the natural procedure for any chef is to think that's the star. | 0:27:23 | 0:27:27 | |
Because it's a tasting menu, | 0:27:27 | 0:27:28 | |
this would be probably a little bit too heavy. | 0:27:28 | 0:27:33 | |
The girolles are very well-seasoned. | 0:27:41 | 0:27:43 | |
You can definitely differentiate between the pickled and the sauteed. | 0:27:43 | 0:27:48 | |
It just needs something to bring it all together, | 0:27:48 | 0:27:50 | |
-and that's normally the emulsion from the cooking liquor from the mushrooms. -OK. | 0:27:50 | 0:27:55 | |
Overall, good cooking, the seasoning is spot on, | 0:27:55 | 0:27:57 | |
-so well done. -Thank you, Chef. | 0:27:57 | 0:28:01 | |
It wasn't the way he played it about his signature dish. He celebrated the mushrooms. | 0:28:08 | 0:28:12 | |
But I got the balance of flavours, everything was right and seasoned, | 0:28:12 | 0:28:15 | |
so I'm pretty happy with that. | 0:28:15 | 0:28:18 | |
Size-wise, I think it's spot on, in terms of a dish on a tasting menu. | 0:28:56 | 0:29:00 | |
It's not over-facing. | 0:29:00 | 0:29:02 | |
It looks very clean and enticing, so you want to get in there. | 0:29:02 | 0:29:06 | |
The flavours are definitely there. You can see the difference between the pickled | 0:29:13 | 0:29:17 | |
and the girolles that have been sauteed. | 0:29:17 | 0:29:19 | |
The seasoning's spot on. | 0:29:19 | 0:29:21 | |
There's a good amount of ketchup, | 0:29:21 | 0:29:23 | |
so again, it's a good dish | 0:29:23 | 0:29:25 | |
for lubrication and giving you that moisture. | 0:29:25 | 0:29:28 | |
But just, I would suggest more sauce. | 0:29:28 | 0:29:31 | |
Yes, Chef. | 0:29:31 | 0:29:33 | |
Once girolles are sauteed, they release liquid. | 0:29:33 | 0:29:36 | |
It's almost a travesty not to have that. | 0:29:36 | 0:29:39 | |
But I think, overall, you got the brief of | 0:29:39 | 0:29:41 | |
"you're going to follow that with another dish" | 0:29:41 | 0:29:45 | |
and I think that's a good size. Well done. | 0:29:45 | 0:29:47 | |
-Thank you very much, Chef. -See you soon. | 0:29:47 | 0:29:50 | |
I'm feeling good. Some good feedback. I think I did the dish well. | 0:29:51 | 0:29:55 | |
I'm a touch disappointed that I didn't put enough sauce on, | 0:29:55 | 0:29:59 | |
but the seasoning was good | 0:29:59 | 0:30:01 | |
and I think I got the ethos of the restaurant. | 0:30:01 | 0:30:04 | |
They've done well. Walk into any kitchen, at any level, | 0:30:05 | 0:30:09 | |
and it's going to be hard for the first time. | 0:30:09 | 0:30:12 | |
If one of my boys went to another kitchen, they would've struggled, | 0:30:12 | 0:30:15 | |
so you've got to take your hat off. | 0:30:15 | 0:30:17 | |
It's a very courageous thing for them to do. | 0:30:17 | 0:30:20 | |
Scott obviously has got the maturity, | 0:30:22 | 0:30:25 | |
he's been cooking at a certain level for a period of time, | 0:30:25 | 0:30:28 | |
and that comes across. | 0:30:28 | 0:30:30 | |
He's confident in the kitchen and I think he can hold his own. | 0:30:30 | 0:30:34 | |
Last night, he did very well. | 0:30:34 | 0:30:37 | |
This task, the delivery wasn't there as compared to Luke. | 0:30:37 | 0:30:41 | |
It's been fantastic working with Sat Bains, | 0:30:41 | 0:30:45 | |
you know, two Michelin stars. | 0:30:45 | 0:30:46 | |
I never thought I'd have that opportunity. It's opened my mind. | 0:30:46 | 0:30:49 | |
I'll take a lot away with me today. | 0:30:49 | 0:30:52 | |
Yesterday, Luke suffered. | 0:30:54 | 0:30:57 | |
I think it's a case of, one, nerves, two, new kitchen | 0:30:57 | 0:31:00 | |
and three, he cut his finger. That's always going to be hard. | 0:31:00 | 0:31:03 | |
It's just like anything - he's got to learn from this. | 0:31:03 | 0:31:07 | |
But then today, Luke's dish was... was very good. | 0:31:07 | 0:31:11 | |
Overall, I'm leaving slightly disappointed. | 0:31:12 | 0:31:15 | |
I wanted to nail service because that is where the chef earns his keep, | 0:31:15 | 0:31:19 | |
but I've cooked well today, | 0:31:19 | 0:31:21 | |
I've shown I'm a fighter, I've shown I'm not going to give up, | 0:31:21 | 0:31:24 | |
I've shown that I want this competition. | 0:31:24 | 0:31:27 | |
I see them both with big potential. They're very passionate. | 0:31:27 | 0:31:30 | |
I think they're great assets for the industry. | 0:31:30 | 0:31:33 | |
Having that chance working with Sat Bains, | 0:31:46 | 0:31:48 | |
that's what kind of food I want to do, | 0:31:48 | 0:31:51 | |
and the whole philosophy of it is absolutely fantastic | 0:31:51 | 0:31:54 | |
so I'm going to take that on board. | 0:31:54 | 0:31:57 | |
I want to go in there determined, steely-eyed, | 0:31:58 | 0:32:01 | |
and I'm going to cook from the pit of my heart and give it everything I've got. | 0:32:01 | 0:32:06 | |
Welcome back, chefs. | 0:32:24 | 0:32:26 | |
You have had a chance to cook with one of the finest chefs in Britain. | 0:32:26 | 0:32:30 | |
We want to see how you have been inspired by Sat Bains. | 0:32:30 | 0:32:34 | |
Cook exceptional food today | 0:32:34 | 0:32:37 | |
and you are through to the final. | 0:32:37 | 0:32:40 | |
It's very clear. | 0:32:40 | 0:32:42 | |
If you don't impress today, you are going home. | 0:32:42 | 0:32:45 | |
You have two hours. | 0:32:45 | 0:32:49 | |
We want two great plates of food and nothing less. | 0:32:49 | 0:32:52 | |
Off you go. | 0:32:54 | 0:32:56 | |
Two talented chefs. | 0:33:12 | 0:33:14 | |
Two very different chefs. | 0:33:14 | 0:33:16 | |
Two very individual styles of cooking. | 0:33:16 | 0:33:19 | |
Scott is what I would call a solid chef, | 0:33:26 | 0:33:28 | |
someone you can depend on. | 0:33:28 | 0:33:31 | |
He's impressed us all the way through the competition with good food. | 0:33:31 | 0:33:36 | |
However, today, good food won't be enough. | 0:33:36 | 0:33:40 | |
We want outstanding food. | 0:33:40 | 0:33:42 | |
We want him to deliver something really special. | 0:33:42 | 0:33:45 | |
Luke, our youngest chef, is impressive, isn't he? | 0:33:51 | 0:33:54 | |
His food is exciting because it's different. | 0:33:54 | 0:33:58 | |
He's taken Asian cooking to a different level. | 0:33:58 | 0:34:02 | |
His food is just aromatic, | 0:34:02 | 0:34:05 | |
a little kick maybe here and there, but well judged. | 0:34:05 | 0:34:10 | |
I'm expecting great things from our two chefs today. | 0:34:13 | 0:34:16 | |
If they can reach our standard, they can have a place in the final. | 0:34:16 | 0:34:20 | |
It's as simple as that. | 0:34:20 | 0:34:23 | |
I think they know I can deliver interesting flavours and seasoning and balance. | 0:34:26 | 0:34:30 | |
I think they want me to show them | 0:34:30 | 0:34:33 | |
that I can show all the classic techniques. | 0:34:33 | 0:34:36 | |
Saying that, I've got to stay true to myself. I will stay true to myself. | 0:34:36 | 0:34:40 | |
I won't veer off. | 0:34:40 | 0:34:42 | |
But I've got to produce two plates of Michelin-standard food. | 0:34:42 | 0:34:46 | |
-What are you cooking, Luke? -I'm going to do guinea fowl. | 0:34:48 | 0:34:52 | |
I'm going to cumin and coriander-roast the breast. | 0:34:52 | 0:34:56 | |
I'm going to make a pastilla from the leg, | 0:34:56 | 0:34:58 | |
with smoked aubergine. | 0:34:58 | 0:35:00 | |
I'm going to make imam biyaldi, a sort of Turkish relish. | 0:35:00 | 0:35:04 | |
And my dessert is baklava | 0:35:04 | 0:35:07 | |
with three different textures of apricot. | 0:35:07 | 0:35:10 | |
-Have you travelled yourself to Asia? -I've never been to these countries. I've never left Europe. | 0:35:10 | 0:35:14 | |
-You've never left Europe? -Never. | 0:35:14 | 0:35:16 | |
It's just excites me, spicing and... balance... | 0:35:16 | 0:35:19 | |
The balance of flavour in all Asian food | 0:35:19 | 0:35:23 | |
is just a skill that... | 0:35:23 | 0:35:25 | |
..maybe I'll never be able to master | 0:35:25 | 0:35:28 | |
but I'm going to give it a damn good go. | 0:35:28 | 0:35:31 | |
-Luke, the spice king! -I'm not king yet! | 0:35:31 | 0:35:34 | |
-All right. Prince. -I'm still a student! | 0:35:34 | 0:35:37 | |
Luke is preparing a menu | 0:35:53 | 0:35:55 | |
that absolutely sounds divine. | 0:35:55 | 0:35:58 | |
Guinea fowl is one of my favourite birds to eat, | 0:35:58 | 0:36:00 | |
a little bit gamey and can take strong flavours. | 0:36:00 | 0:36:03 | |
Luke has chosen that, I'm sure, | 0:36:03 | 0:36:05 | |
because he wants to marry it with some fragrant spice. | 0:36:05 | 0:36:09 | |
Luke is making a pastilla, | 0:36:12 | 0:36:13 | |
which is like a crispy North African pancake, | 0:36:13 | 0:36:17 | |
normally made with pigeon, but always sweetened and flavoured with cinnamon. | 0:36:17 | 0:36:22 | |
He's making it with the legs of the guinea fowl | 0:36:22 | 0:36:25 | |
that he's braising down in the pressure cooker. | 0:36:25 | 0:36:28 | |
This should be lovely and sweet. | 0:36:28 | 0:36:30 | |
For Luke's dessert, he's giving us different textures of apricot | 0:36:35 | 0:36:39 | |
which is going in his baklava, which normally is too sweet for me. | 0:36:39 | 0:36:43 | |
I hope the sharpness of the apricot is enough to offset the sweetness. | 0:36:43 | 0:36:48 | |
Luke has got a nut allergy. | 0:36:52 | 0:36:55 | |
That's why he's wearing surgical gloves in the kitchen today. | 0:36:55 | 0:36:59 | |
He won't be able to taste this baklava. He's going by sight. | 0:36:59 | 0:37:03 | |
It's going to be a big balancing act to get the strong flavours right. | 0:37:07 | 0:37:11 | |
I'm not going to be able to taste the main element of my dessert. | 0:37:11 | 0:37:14 | |
But saying that, if I can't make sugar and nuts taste nice, | 0:37:14 | 0:37:19 | |
I'm in the wrong job. | 0:37:19 | 0:37:22 | |
Right, chefs, one hour gone already. That's halfway. | 0:37:24 | 0:37:28 | |
-What are you making for us? -I'm doing stuffed saddle of rabbit | 0:37:43 | 0:37:46 | |
with girolles, tarragon and chicken mousse wrapped in pancetta. | 0:37:46 | 0:37:49 | |
The rabbit leg, I've got them in the pressure boiler, | 0:37:49 | 0:37:52 | |
I'm going to flake them down, wrap them in pastry, | 0:37:52 | 0:37:54 | |
spaghetti the potato and deep-fry it so it's a bit crispy and a bit more starch, as well, | 0:37:54 | 0:37:59 | |
with artichoke barigoule, parmesan and parsley puree | 0:37:59 | 0:38:04 | |
and a little sherry vinegar and madeira sauce. | 0:38:04 | 0:38:06 | |
And that's it. Keep it very simple but be true to the flavours. | 0:38:06 | 0:38:10 | |
-What have you got for a dessert? -I've got a tonka bean panna cotta with a dark chocolate mousse, | 0:38:10 | 0:38:14 | |
praline tuile, cocoa soil | 0:38:14 | 0:38:16 | |
and an amaretto sour jelly. | 0:38:16 | 0:38:19 | |
-Why tonka bean? -I just absolutely love the flavour. | 0:38:19 | 0:38:22 | |
It goes really well with coffee and chocolate. | 0:38:22 | 0:38:25 | |
It's like a burnt almond, vanilla kind of flavour. | 0:38:25 | 0:38:27 | |
It's really unique, I think. Really exciting on the palate. | 0:38:27 | 0:38:31 | |
-Are you enjoying the competition? -Yeah, I'm really enjoying it. | 0:38:31 | 0:38:34 | |
It's great to cook my food. It's not often I get the opportunity to do what I really want to do. | 0:38:34 | 0:38:39 | |
It's great to get feedback off some really good chefs. | 0:38:39 | 0:38:43 | |
Hopefully, I'm on the right track. | 0:38:43 | 0:38:45 | |
If not, you can guide me, hopefully, on the right one. | 0:38:45 | 0:38:49 | |
Scott is stuffing the saddle of rabbit, | 0:38:58 | 0:39:01 | |
girolles, he's made a mousse from the chicken breast to fill it, | 0:39:01 | 0:39:04 | |
then he's going to wrap it in ham, vac-pack it, put it in a water bath | 0:39:04 | 0:39:08 | |
and crispy it up. | 0:39:08 | 0:39:10 | |
Let's hope that the filling he's got is enough to keep that centre moist. | 0:39:12 | 0:39:16 | |
We don't want to over-dry this. | 0:39:16 | 0:39:18 | |
The rabbit legs, he's braising off in the pressure cooker so it's lovely and succulent, | 0:39:20 | 0:39:24 | |
and wrapping in a feuilles de brick, which is like a pancake, | 0:39:24 | 0:39:28 | |
and then wrapping the pancake in some shoestring potato | 0:39:28 | 0:39:32 | |
and deep-frying it. | 0:39:32 | 0:39:34 | |
But if it's not fried properly, | 0:39:34 | 0:39:38 | |
the pancake could go very soggy and then it won't be nice to eat. | 0:39:38 | 0:39:43 | |
He's serving artichokes barigoule, which I personally love! | 0:39:44 | 0:39:48 | |
Artichokes peeled down and then cooked in white wine, | 0:39:48 | 0:39:52 | |
white wine vinegar, touch of saffron, sometimes even tomato, | 0:39:52 | 0:39:55 | |
but it has to be almost like a pickle. | 0:39:55 | 0:39:58 | |
Sometimes they can be a bit too sour. | 0:39:59 | 0:40:02 | |
I just hope it's not too sour to go with the rabbit. | 0:40:02 | 0:40:05 | |
Scott is making a dessert of panna cotta | 0:40:19 | 0:40:22 | |
flavoured with tonka bean, | 0:40:22 | 0:40:24 | |
chocolate soil, | 0:40:24 | 0:40:26 | |
a salted caramel foam... | 0:40:26 | 0:40:30 | |
..amaretto sour gel | 0:40:30 | 0:40:34 | |
and a chocolate mousse! | 0:40:34 | 0:40:37 | |
I like the sound of his dish. | 0:40:42 | 0:40:44 | |
I'm not that keen on really strong tonka bean flavour. | 0:40:44 | 0:40:48 | |
Too much of it and then I feel like I'm eating a bottle of perfume. | 0:40:48 | 0:40:52 | |
The timing's always going to be a bit tight, | 0:40:53 | 0:40:56 | |
especially if there's a mistake, it doesn't give you much time to fix it. | 0:40:56 | 0:41:01 | |
I'll just work really fast, really clean, | 0:41:01 | 0:41:03 | |
and make sure there's plenty of time for the plate-up, just to make sure I'm happy. | 0:41:03 | 0:41:07 | |
But anything could happen. Hopefully it won't! | 0:41:07 | 0:41:11 | |
Half an hour left. | 0:41:18 | 0:41:20 | |
TIMER BEEPS | 0:41:23 | 0:41:25 | |
-Everything going well, Luke? -Everything's going too well so far. | 0:41:58 | 0:42:02 | |
-Too well? -Something's bound to go wrong soon, Chef. | 0:42:02 | 0:42:05 | |
The timing's are good, | 0:42:05 | 0:42:07 | |
everything's cooked nicely, seasoned, I've tasted everything. | 0:42:07 | 0:42:11 | |
I've given myself enough time to make it look beautiful, as well, | 0:42:11 | 0:42:14 | |
but I've got to stay focused for the last 15. | 0:42:14 | 0:42:17 | |
-Good. Don't taste those nuts, though. -No, Chef. Not on your nelly! | 0:42:17 | 0:42:22 | |
-I don't fancy giving you mouth-to-mouth. -I can imagine not! | 0:42:22 | 0:42:25 | |
One minute. One minute to go. | 0:43:09 | 0:43:11 | |
That's it, finished. Time is up. | 0:43:23 | 0:43:27 | |
'For his main course, | 0:43:45 | 0:43:46 | |
'Luke has prepared guinea fowl two ways, | 0:43:46 | 0:43:49 | |
'roasted breast in a cumin crust | 0:43:49 | 0:43:51 | |
'and braised leg pastilla, | 0:43:51 | 0:43:54 | |
'served with smoked aubergine puree, | 0:43:54 | 0:43:57 | |
'imam biyaldi, wilted spinach | 0:43:57 | 0:44:00 | |
'and a golden raisin and preserved lemon jus.' | 0:44:00 | 0:44:03 | |
I like the colour, I really do, | 0:44:07 | 0:44:10 | |
that lovely golden, warm, saffron, cumin, turmeric. | 0:44:10 | 0:44:14 | |
It's singing of Persia or North Africa. | 0:44:14 | 0:44:18 | |
It's what you love and I can see that on the plate. | 0:44:18 | 0:44:23 | |
The guinea fowl's lovely. Beautiful, crispy skin. | 0:44:38 | 0:44:41 | |
Seasoned perfectly and well cooked. Pink, moist, delicious. | 0:44:41 | 0:44:45 | |
The pastilla made from the legs, I think is lovely. | 0:44:45 | 0:44:49 | |
It could've even done with a bit more sweetness. | 0:44:49 | 0:44:51 | |
The imam biyaldi - my personal taste, it's a little bit too tomatoey, | 0:44:51 | 0:44:55 | |
but it's beautiful judged, with warm spices coming through. | 0:44:55 | 0:45:00 | |
The only issue I have, and it's quite a big issue | 0:45:00 | 0:45:03 | |
because it ruins it almost for me, | 0:45:03 | 0:45:05 | |
is the size of the preserved lemon. | 0:45:05 | 0:45:08 | |
When you crunch onto that, it really does take over | 0:45:08 | 0:45:12 | |
and it takes over the whole palate, | 0:45:12 | 0:45:16 | |
which is a shame. | 0:45:16 | 0:45:18 | |
For such a young chef, | 0:45:18 | 0:45:21 | |
who's not been cooking a hell of a long time, | 0:45:21 | 0:45:23 | |
you're judging the use of these strong spices very well, | 0:45:23 | 0:45:26 | |
very accurately. | 0:45:26 | 0:45:28 | |
Everything on this plate has a different hit sensation | 0:45:28 | 0:45:31 | |
with the spices that you've used. | 0:45:31 | 0:45:34 | |
Your aubergine puree is smoked and that's all you want from it, | 0:45:34 | 0:45:39 | |
yet your pastilla has a hint of chilli coming through, | 0:45:39 | 0:45:43 | |
and I like the sweetness from the raisins in there. | 0:45:43 | 0:45:46 | |
You're a talented chef, I've enjoyed the plate, | 0:45:46 | 0:45:49 | |
but that lemon...! | 0:45:49 | 0:45:52 | |
Be careful, because an error like that could cost you. | 0:45:53 | 0:45:57 | |
'Luke's dessert is a pistachio, pecan and walnut baklava, | 0:46:00 | 0:46:05 | |
'with apricot served three ways, | 0:46:05 | 0:46:08 | |
'caramelised, pureed, | 0:46:08 | 0:46:10 | |
'and a cepe gel served with orange blossom syllabub | 0:46:10 | 0:46:14 | |
'and a basil syrup.' | 0:46:14 | 0:46:17 | |
Beautiful. | 0:46:20 | 0:46:22 | |
Love the presentation, I really do. | 0:46:22 | 0:46:25 | |
Love it. | 0:46:25 | 0:46:26 | |
I love the criss-cross of the, er, apricot coulis, | 0:46:26 | 0:46:30 | |
a touch of green from the pistachio | 0:46:30 | 0:46:33 | |
and the little dots of the white syllabub. | 0:46:33 | 0:46:37 | |
It looks really elegant. | 0:46:37 | 0:46:39 | |
This is the style of plating up | 0:46:39 | 0:46:41 | |
that you would find in high-end restaurants. | 0:46:41 | 0:46:45 | |
The pastry on the baklava is not cooked enough. | 0:47:02 | 0:47:06 | |
It's, erm, cardboard texture-like, | 0:47:06 | 0:47:09 | |
when it should be crispy all the way through. | 0:47:09 | 0:47:13 | |
You can't taste the nut filling because you have an allergy. | 0:47:13 | 0:47:17 | |
I can tell you, your judgement works very well | 0:47:17 | 0:47:20 | |
because the nut filling is delicious. | 0:47:20 | 0:47:22 | |
The nuts work beautifully with the apricots, | 0:47:22 | 0:47:25 | |
the apricot coulis, the apricot gel, | 0:47:25 | 0:47:28 | |
and especially those roasted apricots. | 0:47:28 | 0:47:30 | |
Absolutely delicious. | 0:47:30 | 0:47:32 | |
I was a bit worried when I saw the size of it. | 0:47:33 | 0:47:36 | |
I thought, "Oh, gosh, I'd never be able to finish that!" | 0:47:36 | 0:47:38 | |
because it would be something very sickly-sweet on its own, | 0:47:38 | 0:47:42 | |
but with the apricot, it complements very well. | 0:47:42 | 0:47:47 | |
It's a good dessert, | 0:47:47 | 0:47:49 | |
but you've got to get that pastry cooked! | 0:47:49 | 0:47:52 | |
I wish I'd cooked the pastry for a bit longer. | 0:47:53 | 0:47:56 | |
But underneath, I'm very proud. | 0:47:56 | 0:47:58 | |
I've put up two excellent plates of food | 0:47:58 | 0:48:01 | |
that have shown off my personality, shown off my talent | 0:48:01 | 0:48:04 | |
and I'll just hope and pray that it's enough. | 0:48:04 | 0:48:08 | |
'For his main course, Scott has made rabbit three ways - | 0:48:11 | 0:48:15 | |
'ballotine of the saddle, filled with a chicken girolle and tarragon mousse | 0:48:15 | 0:48:19 | |
'and wrapped in pancetta, | 0:48:19 | 0:48:22 | |
'deep-fried legs wrapped in brick pastry and shoestring potato, | 0:48:22 | 0:48:27 | |
'and pan-fried kidneys. | 0:48:27 | 0:48:29 | |
'They're accompanied by artichoke barigoule, girolles, | 0:48:29 | 0:48:32 | |
'parsley and parmesan puree and a madeira sauce.' | 0:48:32 | 0:48:38 | |
Presentation - I really like it. I really do. I like it's lovely. | 0:48:40 | 0:48:43 | |
I love that little splash of green on the bottom there. | 0:48:43 | 0:48:45 | |
It's been placed on the plate with dexterity. | 0:48:45 | 0:48:49 | |
It's very nice. | 0:48:49 | 0:48:51 | |
It does look stunning. | 0:48:51 | 0:48:54 | |
I've had to put my cutlery down otherwise I would carry on eating. | 0:49:08 | 0:49:12 | |
Your ballotine is moist inside, the chicken mousse, as well, | 0:49:12 | 0:49:16 | |
has got that aniseed background taste of tarragon | 0:49:16 | 0:49:19 | |
and it's keeping that rabbit really moist. | 0:49:19 | 0:49:22 | |
The little cigar of leg meat, braised off and wrapped in potato, then deep-fried, | 0:49:22 | 0:49:27 | |
is not greasy. | 0:49:27 | 0:49:29 | |
It's lovely! It's really good! | 0:49:29 | 0:49:30 | |
The artichokes, the sweet, sour, | 0:49:30 | 0:49:33 | |
metallic almost taste that the artichoke has, it's lovely. | 0:49:33 | 0:49:36 | |
The sauce is marvellous. Reduced down properly, not too sticky, just right. | 0:49:36 | 0:49:41 | |
A little bit of butter in there, as well, to give it richness. | 0:49:41 | 0:49:44 | |
The parsley puree with parmesan, as well, is absolutely terrific. | 0:49:44 | 0:49:49 | |
Really, really good addition. | 0:49:49 | 0:49:52 | |
I don't know if you can tell, but I'm really happy! | 0:49:52 | 0:49:55 | |
This is a good dish! Accomplished dish. | 0:49:56 | 0:50:00 | |
Wow, Scott...! | 0:50:02 | 0:50:04 | |
We knew what we were expecting from you, | 0:50:04 | 0:50:08 | |
but the wow factor is how you've put it all together. | 0:50:08 | 0:50:11 | |
Everything on this plate | 0:50:11 | 0:50:13 | |
has been prepared with a lot of care and precision, | 0:50:13 | 0:50:17 | |
and this is what we wanted - a knockout plate. | 0:50:17 | 0:50:20 | |
Thank you, Chef. | 0:50:20 | 0:50:23 | |
'Scott's dessert is a tonka bean panna cotta, | 0:50:24 | 0:50:27 | |
'served with dark chocolate mousse, | 0:50:27 | 0:50:30 | |
'cocoa soil, amaretto gel, | 0:50:30 | 0:50:34 | |
'salted caramel foam | 0:50:34 | 0:50:36 | |
'and a praline tuile.' | 0:50:36 | 0:50:39 | |
I'm not a great fan of panna cotta set in a bowl or in a plate. | 0:50:39 | 0:50:43 | |
I think it's bordering on cheating! | 0:50:43 | 0:50:45 | |
A panna cotta, traditionally and classically, is tipped out. | 0:50:45 | 0:50:49 | |
But, hm, | 0:50:49 | 0:50:52 | |
maybe I'm just old-fashioned! | 0:50:52 | 0:50:55 | |
But in saying that, you can't knock it! | 0:50:56 | 0:50:58 | |
It's tidy, it's lovely, you've got some height in there. | 0:50:58 | 0:51:01 | |
The fact that you've only got two or three colours and yet it still looks stunning | 0:51:01 | 0:51:05 | |
is quite an achievement. | 0:51:05 | 0:51:08 | |
The texture of the panna cotta is very light, very smooth | 0:51:18 | 0:51:22 | |
and you get that big hit of tonka bean in there. | 0:51:22 | 0:51:25 | |
If you like tonka bean, you'd be happy! | 0:51:25 | 0:51:29 | |
For me, I like a hint of it through a dessert. | 0:51:29 | 0:51:32 | |
I couldn't finish the whole bowl. | 0:51:32 | 0:51:34 | |
I do like the amaretto sour, which offsets the sweetness of your panna cotta. | 0:51:34 | 0:51:39 | |
I do like the crumble and texture that adds to your plate. | 0:51:39 | 0:51:44 | |
The salted caramel foam - there's not enough in there to actually enjoy what I'm eating. | 0:51:44 | 0:51:49 | |
I have to keep trying to get it before it melts, but there is hints of it. | 0:51:49 | 0:51:54 | |
For me, the highlight of this dessert is the chocolate mousse. | 0:51:54 | 0:51:58 | |
It's absolutely bang on. Really rich and very chocolaty. | 0:51:58 | 0:52:01 | |
But there's some very, very strong flavours going on - | 0:52:01 | 0:52:05 | |
the amaretto, the bitter chocolate and the tonka bean. | 0:52:05 | 0:52:10 | |
I find all of that just far too much. | 0:52:10 | 0:52:14 | |
I do like that chocolate mousse, though! | 0:52:15 | 0:52:19 | |
My main course was flawless, but my dessert wasn't to their taste, | 0:52:20 | 0:52:24 | |
so I'm totally 50-50, to be honest. | 0:52:24 | 0:52:28 | |
That was a great semi-final! Fantastic cooking. Thank you, chefs. | 0:52:31 | 0:52:35 | |
This isn't going to be easy. | 0:52:35 | 0:52:38 | |
Off you go. | 0:52:39 | 0:52:41 | |
That was terrific, Monica. That's what semi-finals are all about! | 0:52:54 | 0:52:58 | |
Two great chefs, two passionate chefs, | 0:52:58 | 0:53:01 | |
and it clearly showed in their plates of food today. | 0:53:01 | 0:53:04 | |
We had our youngest chef in the kitchens today - | 0:53:04 | 0:53:08 | |
Young Luke. He knows how to use his spices. He knows! | 0:53:08 | 0:53:11 | |
That roasted guinea fowl was cooked to perfection. | 0:53:11 | 0:53:15 | |
The one let-down for that plate, and it was a big let-down for me, | 0:53:15 | 0:53:18 | |
was the size of the preserved lemon. | 0:53:18 | 0:53:21 | |
For me, that was one step too far, one step that really did, er, | 0:53:21 | 0:53:25 | |
destroy the pleasure of that dish. | 0:53:25 | 0:53:28 | |
Luke's dessert... | 0:53:28 | 0:53:29 | |
Really surprising, yet again. | 0:53:29 | 0:53:33 | |
I thought the baklava was too big and it would be too sweet | 0:53:33 | 0:53:37 | |
but, boy, did he get the spices right with those nuts, | 0:53:37 | 0:53:40 | |
considering he couldn't taste them. | 0:53:40 | 0:53:42 | |
Such a shame that filo pastry wasn't cooked enough. | 0:53:42 | 0:53:45 | |
All it needed was probably another ten minutes in the oven! | 0:53:45 | 0:53:49 | |
Scott, for me, did the plate of the day. | 0:53:49 | 0:53:53 | |
Everything on his plate was absolutely bang on for me. | 0:53:53 | 0:53:57 | |
I mean, I couldn't find fault in it. I seriously couldn't. | 0:53:57 | 0:53:59 | |
The ingredients that he used were cooked to perfection, | 0:53:59 | 0:54:03 | |
but not only that, they were presented in a way that did it justice. | 0:54:03 | 0:54:08 | |
We wanted outstanding and he delivered it. | 0:54:08 | 0:54:12 | |
For me, that dessert was just too overpowering, | 0:54:12 | 0:54:14 | |
but I really did like the almond brittle | 0:54:14 | 0:54:17 | |
and the chocolate mousse. That was delicious. | 0:54:17 | 0:54:21 | |
I think I enjoyed everything but the actual panna cotta. | 0:54:21 | 0:54:23 | |
It was a good texture, very light, it was well-made and not too heavy, | 0:54:23 | 0:54:28 | |
but the tonka bean, for me, was too overpowering. | 0:54:28 | 0:54:30 | |
I couldn't eat that whole dessert. | 0:54:30 | 0:54:33 | |
I'd be really delighted to get through to the finals. | 0:54:35 | 0:54:38 | |
I think it'll give me confidence to do the food I want to do | 0:54:38 | 0:54:41 | |
and really push myself. | 0:54:41 | 0:54:43 | |
I-I feel sick at the moment. I can't... | 0:54:44 | 0:54:47 | |
I just want the decision now. | 0:54:47 | 0:54:50 | |
If I get told I'm through to the final, | 0:54:50 | 0:54:52 | |
it'll be the biggest achievement of my life. | 0:54:52 | 0:54:54 | |
UPLIFTING MUSIC | 0:54:56 | 0:54:58 | |
No matter what happens here, | 0:55:10 | 0:55:12 | |
both of you have got every reason | 0:55:12 | 0:55:14 | |
to be proud of what you achieved here today. | 0:55:14 | 0:55:18 | |
I want to thank you for giving me some great food throughout the competition, | 0:55:18 | 0:55:22 | |
food that makes you go away, remembering what you've just eaten. | 0:55:22 | 0:55:28 | |
Not many chefs can do that. | 0:55:28 | 0:55:31 | |
It is a competition. | 0:55:31 | 0:55:33 | |
We have made a decision and one of you will be leaving us. | 0:55:33 | 0:55:38 | |
The chef leaving us is... | 0:55:38 | 0:55:41 | |
..Luke. | 0:55:47 | 0:55:50 | |
I'm so proud of what I've achieved, it'll live with me forever, | 0:56:02 | 0:56:07 | |
but, er, I've just fallen at that last little hurdle, | 0:56:07 | 0:56:11 | |
which is disappointing. | 0:56:11 | 0:56:14 | |
But Scott's definitely a worthy finalist and I really hope he wins. | 0:56:14 | 0:56:18 | |
Well done, Scott. You're a finalist! | 0:56:22 | 0:56:25 | |
Words can't describe it. | 0:56:27 | 0:56:29 | |
I'm really excited now, a bit nervous to see what happens | 0:56:29 | 0:56:33 | |
but I'm really looking forward to it. | 0:56:33 | 0:56:36 | |
'Next time, the finals begin, | 0:56:43 | 0:56:46 | |
'and Scott, Steven, | 0:56:46 | 0:56:49 | |
'Adam and Tom | 0:56:49 | 0:56:52 | |
'face one extraordinary test | 0:56:52 | 0:56:55 | |
'to stay in the competition.' | 0:56:55 | 0:56:57 | |
They've had some amazing ingredients up to now, | 0:56:57 | 0:56:59 | |
but this is a reality check. | 0:56:59 | 0:57:01 | |
Show me what a real chef you are. | 0:57:01 | 0:57:04 | |
That's what this test is all about. | 0:57:04 | 0:57:07 | |
This is the hardest thing I think I've ever had to cook in my entire life. | 0:57:07 | 0:57:11 | |
I look at it, I want to eat it. | 0:57:12 | 0:57:14 | |
I'll push Michel to the side and have it to myself. | 0:57:14 | 0:57:17 | |
This isn't going to be easy for us, not easy at all. | 0:57:17 | 0:57:21 | |
The chef leaving us is... | 0:57:21 | 0:57:24 | |
Subtitles by Red Bee Media Ltd | 0:57:28 | 0:57:31 |