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'It's the final week of Professional MasterChef. | 0:00:02 | 0:00:05 | |
'And for Adam, | 0:00:05 | 0:00:08 | |
'Scott and Steven, | 0:00:08 | 0:00:11 | |
'the competition is almost at an end.' | 0:00:11 | 0:00:15 | |
I'm only young, at the end of the day, so if I was the winner of MasterChef, it would make my career. | 0:00:15 | 0:00:21 | |
As you get through the stages, the harder you have to work. | 0:00:23 | 0:00:26 | |
The finish line's in sight and the more you see it, the more you want it. | 0:00:26 | 0:00:30 | |
I don't want to get this far and stumble at the last hurdle. | 0:00:30 | 0:00:33 | |
I want to cross the finish line in first place. | 0:00:33 | 0:00:37 | |
'Amongst the challenges over the last two nights, | 0:00:37 | 0:00:41 | |
'they've had to create stand-out dishes from scraps.' | 0:00:41 | 0:00:44 | |
I have no idea where to begin. | 0:00:44 | 0:00:46 | |
I look at it, I want to eat it, I'll push Michel to the side and have it to myself. | 0:00:48 | 0:00:53 | |
'They've cooked with one of the world's most creative geniuses.' | 0:00:55 | 0:00:59 | |
You just have to express yourself. | 0:00:59 | 0:01:01 | |
THEY LAUGH Whoops. I dropped the lemon tart. | 0:01:01 | 0:01:05 | |
'But between them and the final stands one last test of their skills. | 0:01:05 | 0:01:11 | |
'Tonight, 30 of the greatest chefs in the country | 0:01:12 | 0:01:15 | |
'will descend on central London | 0:01:15 | 0:01:18 | |
'for one of the biggest culinary events taking place in Britain today.' | 0:01:18 | 0:01:23 | |
To have every table full of chefs of this calibre, that's a big ask. | 0:01:23 | 0:01:27 | |
This is when our chefs are really pushed to the limit. | 0:01:27 | 0:01:31 | |
You just cannot afford to get it wrong today. | 0:01:31 | 0:01:34 | |
'On what is predicted to be the hottest day of the year, | 0:01:43 | 0:01:48 | |
'the finalists are on their way to Browns Hotel in London's Mayfair. | 0:01:48 | 0:01:53 | |
'In just four hours, the chefs' table service will begin. | 0:01:53 | 0:01:57 | |
'But for the first time, | 0:02:00 | 0:02:02 | |
'the event will be run as a restaurant service. | 0:02:02 | 0:02:06 | |
'Each finalist has had to design an exquisite main and dessert for the menu. | 0:02:09 | 0:02:14 | |
'The 30 guests will then decide what they want to order.' | 0:02:17 | 0:02:21 | |
Doing our own menus | 0:02:25 | 0:02:27 | |
for the best chefs in the country just mounts the pressure on today. | 0:02:27 | 0:02:31 | |
Really nerve-racking. | 0:02:31 | 0:02:33 | |
But, you know, hopefully it'll go really well and they'll enjoy it. | 0:02:33 | 0:02:36 | |
My heart feels like it's about to come out of my throat. | 0:02:36 | 0:02:40 | |
It's beating very fast. | 0:02:40 | 0:02:42 | |
But that's a good thing. Nerves show you care. | 0:02:42 | 0:02:45 | |
'Because of the amount of work involved, | 0:02:52 | 0:02:55 | |
'they have each been given a commis chef to help them with their preparations.' | 0:02:55 | 0:03:00 | |
-I'm looking forward to this. -'But they'll be on their own when it comes to service.' | 0:03:00 | 0:03:04 | |
-Nice to meet you. I'm Steve. -Nice to meet you. -Today, let's start with the onions. -Yes. | 0:03:04 | 0:03:10 | |
Once they're done, let me know and I'll get them on the stove. | 0:03:10 | 0:03:13 | |
-Yes. -If you see anything you're not sure about, just ask. I'm not nasty. | 0:03:13 | 0:03:17 | |
'There are four hours left for preparation | 0:03:24 | 0:03:28 | |
'before service starts at seven o'clock.' | 0:03:28 | 0:03:31 | |
Today is extremely big for me. | 0:03:38 | 0:03:41 | |
It's the perfect opportunity to actually showcase my food | 0:03:41 | 0:03:44 | |
with these top names in our profession, | 0:03:44 | 0:03:47 | |
so it's very important that I make a good impression. | 0:03:47 | 0:03:49 | |
'Adam's main is based around octopus, | 0:03:51 | 0:03:54 | |
'piglet belly, squid, | 0:03:54 | 0:03:57 | |
'compressed lemon flavoured with bergamot and crispy seaweed.' | 0:03:57 | 0:04:00 | |
Adam is being very brave and bold and pushing the boat out. | 0:04:02 | 0:04:06 | |
I can understand pork and squid. It works quite well, actually. | 0:04:06 | 0:04:09 | |
Pork and octopus can work quite well. | 0:04:09 | 0:04:12 | |
What's confusing to me is that he's not serving any vegetables with this dish, | 0:04:13 | 0:04:17 | |
just some oranges, some lemons and some seaweed. | 0:04:17 | 0:04:21 | |
Hm. | 0:04:21 | 0:04:23 | |
Er, I'm not sure about that. I'm not sure how it's going to be received, either. | 0:04:23 | 0:04:27 | |
-Phwoar! You are one brave or crazy chef. -Tell me about it. | 0:04:30 | 0:04:37 | |
If I didn't know you any better, | 0:04:37 | 0:04:39 | |
and if I hadn't tasted any of your food previously, | 0:04:39 | 0:04:42 | |
and took one look at your menu, I would throw it away and say, "The guy's a lunatic." | 0:04:42 | 0:04:48 | |
But at the end of the day, what would Massimo do? | 0:04:48 | 0:04:51 | |
He'd do crazy stuff, as well, and he's the one who's actually got me | 0:04:51 | 0:04:54 | |
out of my shell to go and be... | 0:04:54 | 0:04:57 | |
Not put crazy things that won't go together, | 0:04:57 | 0:04:59 | |
but the thought process behind it, you know. | 0:04:59 | 0:05:03 | |
The usual things that go with it, | 0:05:03 | 0:05:05 | |
let's just bring it back and actually think about the ingredients, that's what I've done. | 0:05:05 | 0:05:10 | |
If you get this right, they will be applauding you all the way back home, for sure. | 0:05:10 | 0:05:16 | |
But I think it's a very, very fine line between getting it right | 0:05:16 | 0:05:19 | |
-and a car crash. -It'll be interesting. | 0:05:19 | 0:05:22 | |
I think there'll be a lot of guessing games going on at the table tonight. Good luck. Crack on. | 0:05:22 | 0:05:27 | |
'But before he can focus on his main, | 0:05:28 | 0:05:31 | |
'his most pressing concern is getting his dessert underway. | 0:05:31 | 0:05:35 | |
'A chocolate mousse with a mint sorbet and a lemon sorbet, | 0:05:36 | 0:05:40 | |
'all of which need to be set in the blast chiller.' | 0:05:40 | 0:05:44 | |
Can you smell all that mint now? | 0:05:44 | 0:05:46 | |
I do like the idea of chocolate and mint. | 0:05:49 | 0:05:51 | |
-With lemon? I've got to try it. -SHE LAUGHS | 0:05:51 | 0:05:54 | |
I've just got to try, more for curiosity's sake. | 0:05:54 | 0:05:56 | |
'With the sorbet mix in the blast chiller, | 0:06:00 | 0:06:03 | |
'he makes a start on the chocolate mousse.' | 0:06:03 | 0:06:05 | |
I'm running a little behind, not on everything, | 0:06:05 | 0:06:09 | |
just on this chocolate. This has annoyed me a little bit. | 0:06:09 | 0:06:13 | |
I don't know if Adam has realised, but this kitchen is about 30 degrees. | 0:06:16 | 0:06:20 | |
It is hot and humid. | 0:06:20 | 0:06:23 | |
If he's going to attempt any chocolate work in here, it's going to be difficult. | 0:06:23 | 0:06:26 | |
In saying that, if anyone can pull these flavours and techniques off, Adam can. | 0:06:28 | 0:06:33 | |
It's a chocolate mousse which I'm going to put into shards. | 0:06:36 | 0:06:39 | |
This is like a 24-hour job. | 0:06:39 | 0:06:42 | |
That blast freezer better work. | 0:06:42 | 0:06:45 | |
The first couple of hours of prep is going to be really key, | 0:06:55 | 0:06:57 | |
just getting everything ready and organised the way I want, | 0:06:57 | 0:07:01 | |
they hopefully service should go nice and smooth. | 0:07:01 | 0:07:04 | |
'Scott's main is based around venison loin, | 0:07:07 | 0:07:11 | |
'tortellini | 0:07:11 | 0:07:14 | |
'and a smoked consomme.' | 0:07:14 | 0:07:16 | |
Scott is using venison and some truffle to make a crust. | 0:07:18 | 0:07:22 | |
This truffle, he's going to make it more intense in colour | 0:07:22 | 0:07:24 | |
by using the squid ink, which has me a little bit worried. | 0:07:24 | 0:07:27 | |
If he uses too much, it's going to influence the flavour of this dish and he doesn't want that. | 0:07:27 | 0:07:31 | |
He just wants it for the look. | 0:07:31 | 0:07:33 | |
Unusually, he's not serving a sauce but he's making a consomme with all the trimmings. | 0:07:36 | 0:07:41 | |
Interestingly, he's serving the consomme in a teapot filled with smoke, | 0:07:41 | 0:07:46 | |
so there's going to be a lovely element of theatre. | 0:07:46 | 0:07:50 | |
That's being a clever chef and I think our chefs will appreciate that. | 0:07:50 | 0:07:53 | |
-How you feeling about this evening? -Erm, yeah, really nervous. There's some fantastic chefs in there. | 0:07:58 | 0:08:03 | |
Amazing opportunity that we've got to cook for them. | 0:08:03 | 0:08:06 | |
And working with you guys. You've only judged us, so the fact that you're running the pass is exciting. | 0:08:06 | 0:08:11 | |
-As long as you don't shout at me. -Let's wait until it starts, yeah? -THEY LAUGH | 0:08:11 | 0:08:15 | |
What are you hoping to have here that's going to impress our chefs tonight? | 0:08:15 | 0:08:20 | |
You know, well-balanced, well-seasoned, good cooking techniques | 0:08:20 | 0:08:24 | |
and a bit of personality. I hope they all see that today. | 0:08:24 | 0:08:27 | |
I'm definitely putting my heart and soul into it. | 0:08:27 | 0:08:29 | |
-Fantastic, Scott. Keep it going. -Thanks, chef. | 0:08:29 | 0:08:33 | |
'Scott's dessert is a baked lemon custard | 0:08:37 | 0:08:41 | |
'with a lemon drizzle cake | 0:08:41 | 0:08:43 | |
'and white peaches.' | 0:08:43 | 0:08:46 | |
All of that I could see working beautifully together. | 0:08:47 | 0:08:51 | |
On a bright summer's day, that is the kind of refreshing dessert you would sit down to and really adore. | 0:08:51 | 0:08:57 | |
'Scott's commis chef is making the mixture for the lemon drizzle cake | 0:08:58 | 0:09:03 | |
'while he gets to work on the smoked venison and beetroot consomme for his main. | 0:09:03 | 0:09:09 | |
'He begins by caramelising the venison trimmings. | 0:09:09 | 0:09:13 | |
'And then separately frying off the beetroot, carrots and celery. | 0:09:14 | 0:09:19 | |
'He then transfers everything to a pressure cooker | 0:09:21 | 0:09:25 | |
'and adds chicken stock and herbs to build the layers of flavour.' | 0:09:25 | 0:09:29 | |
Yeah, it's pretty hot. I think my legs are sweating. | 0:09:31 | 0:09:33 | |
I don't think my legs have ever sweated in the kitchens. But everything's going well, | 0:09:33 | 0:09:37 | |
so I've got two big jobs to get out of the way and then I'll be really happy. | 0:09:37 | 0:09:41 | |
'The consomme now needs to cook for two hours, | 0:09:41 | 0:09:44 | |
'so Scott moves onto the next big element of his main, | 0:09:44 | 0:09:49 | |
'the venison sausage filling for his tortellini.' | 0:09:49 | 0:09:53 | |
It's looking pretty good at the moment. Really good. | 0:09:53 | 0:09:56 | |
As soon as I get this done, I think I'll be on the right track. | 0:09:56 | 0:09:59 | |
Almost two hours gone. Keep it going, guys, come on. | 0:10:03 | 0:10:06 | |
'They are halfway through prep. | 0:10:12 | 0:10:14 | |
'At 7pm, they will lose their commis and service will begin.' | 0:10:14 | 0:10:19 | |
This is probably the most nerve-racking day so far. | 0:10:25 | 0:10:28 | |
My main worry is getting the prep exactly how I want it and ready for tonight's service. | 0:10:28 | 0:10:33 | |
'Steven's main is based around pork and artichokes.' | 0:10:34 | 0:10:39 | |
-These, puree. -Just making a puree, yeah? -Just cut straight through. Cut the top and then... -Yeah. | 0:10:39 | 0:10:44 | |
'His commis starts prepping the veg | 0:10:44 | 0:10:48 | |
'so he can focus on the two cuts of pork. | 0:10:48 | 0:10:52 | |
'The fillet needs to be wrapped in sage and Parma ham | 0:10:52 | 0:10:55 | |
'and then cooked sous-vide | 0:10:55 | 0:10:58 | |
'before he can turn his attention to the rump.' | 0:10:58 | 0:11:02 | |
Steven is taking a rump of pork, a cheaper cut, | 0:11:02 | 0:11:05 | |
and slow-cooking it in a salt crust. | 0:11:05 | 0:11:08 | |
It should leave that pork really, really moist and tender. | 0:11:08 | 0:11:13 | |
Bags of flavour, straightforward, good, honest cooking. | 0:11:13 | 0:11:16 | |
That's got Steven written all over the menu. | 0:11:16 | 0:11:19 | |
And he's going to serve it with a dressing made from pickled lemon. | 0:11:19 | 0:11:22 | |
This sounds divine. I love the match of pork with some lemon, capers in there, as well. | 0:11:22 | 0:11:29 | |
That dish, to me, sounds delicious. | 0:11:29 | 0:11:31 | |
So is this going to impress our elite list of guests tonight? | 0:11:34 | 0:11:39 | |
Chefs love pork and I think the rump of pork will catch their eye | 0:11:39 | 0:11:42 | |
because the salt bake really keeps it tender, gets the flavour in there, | 0:11:42 | 0:11:46 | |
cos pork and salt love each other. | 0:11:46 | 0:11:49 | |
Mm! Just hearing you talk about the salt crust pork, I'm, yeah, licking my lips. | 0:11:49 | 0:11:54 | |
You don't seem nervous in the slightest bit. | 0:11:54 | 0:11:57 | |
I think I'm like... is it a swan on the water? | 0:11:57 | 0:12:00 | |
Er, I am very nervous | 0:12:00 | 0:12:03 | |
about timings, about getting things right. | 0:12:03 | 0:12:06 | |
Well, you're not showing it. You're really... You look as if you're in total control. | 0:12:06 | 0:12:11 | |
At the moment, I'm in control, but I will let you know when things start slipping away. | 0:12:11 | 0:12:15 | |
-We don't want to know. -OK. -No, no, no. | 0:12:15 | 0:12:17 | |
-Are we done? -Yes, I think so. -Crack on. | 0:12:17 | 0:12:20 | |
'With the clock ticking, Steven finishes prepping the pork | 0:12:21 | 0:12:25 | |
'and now can begin work on his complicated dessert.' | 0:12:25 | 0:12:28 | |
Steven's is a take on toffee apple, and we all love a toffee apple. | 0:12:28 | 0:12:32 | |
He's got popcorn there dipped in caramel. He's also got a parfait going with that. | 0:12:32 | 0:12:37 | |
'The parfait is made by roasting apples | 0:12:37 | 0:12:40 | |
'and adding them to sugar syrup, egg yolks and cream.' | 0:12:40 | 0:12:45 | |
Ooh, I like the sounds of Steven's dessert. | 0:12:45 | 0:12:47 | |
He likes to play with his presentation, | 0:12:47 | 0:12:49 | |
so you will see something quite artistic from him. | 0:12:49 | 0:12:52 | |
He's putting his parfait in a cone, he's got a tuile going around the top, | 0:12:52 | 0:12:56 | |
it's going to be a fun-looking dessert. | 0:12:56 | 0:12:58 | |
Pipe it in, put this in the freezer, you get like a witch's hat parfait. | 0:12:58 | 0:13:03 | |
Do you want to try a little bit? | 0:13:05 | 0:13:08 | |
Mm! | 0:13:11 | 0:13:13 | |
'Steven is also making an apple sorbet to go with it. | 0:13:14 | 0:13:18 | |
'Like Adam, the success of his dessert | 0:13:19 | 0:13:22 | |
'relies on all the main elements setting in time.' | 0:13:22 | 0:13:25 | |
At the moment, things are going to schedule, I believe. | 0:13:27 | 0:13:30 | |
Sorbet's in the freezer now so hopefully it's got enough time to set. | 0:13:30 | 0:13:34 | |
'Outside, the temperature has risen to 34 degrees, | 0:13:36 | 0:13:40 | |
'the hottest day of the year so far. | 0:13:40 | 0:13:43 | |
'With service approaching, Scott is now assembling the venison sausage tortellini for his main, | 0:13:45 | 0:13:51 | |
'but the heat is starting to take its toll.' | 0:13:51 | 0:13:54 | |
It's very hot in this kitchen to do pasta. | 0:13:54 | 0:13:57 | |
It's drying out very quickly, isn't it? | 0:14:05 | 0:14:07 | |
Scott looks flustered. | 0:14:14 | 0:14:16 | |
He's having problems with his pasta. It is drying out very quickly in the heat of this kitchen. | 0:14:16 | 0:14:20 | |
'With his first tortellini ruined... | 0:14:20 | 0:14:22 | |
'..he has to start from scratch.' | 0:14:24 | 0:14:26 | |
I just need to work a bit quicker, that's all. | 0:14:30 | 0:14:33 | |
'The heat is also affecting the equipment.' | 0:14:39 | 0:14:43 | |
The blast chillers are not working as they should do | 0:14:44 | 0:14:47 | |
and this is affecting Steven and Adam, | 0:14:47 | 0:14:49 | |
especially with their iced dessert. | 0:14:49 | 0:14:52 | |
My apple sorbet's in the blast chiller, it's still not set. | 0:14:53 | 0:14:56 | |
It's saying it's on minus-5, | 0:14:56 | 0:14:58 | |
but it's not setting. | 0:14:58 | 0:15:00 | |
Plan B is to put all these iced desserts into the main freezer, which is at minus-18. | 0:15:01 | 0:15:08 | |
Hopefully that'll work. | 0:15:11 | 0:15:13 | |
This has just totally messed up everything to do with my timing, everything to do with the desserts. | 0:15:15 | 0:15:20 | |
'But there is no time to rethink their dishes. | 0:15:21 | 0:15:25 | |
'Steven still has to make 30 circular popcorn tuiles | 0:15:26 | 0:15:30 | |
'which will become the brim of the witch's hat.' | 0:15:30 | 0:15:34 | |
You're looking a bit puce. | 0:15:34 | 0:15:36 | |
A hot kitchen and it's a hot day today, so I'm used to it. | 0:15:36 | 0:15:41 | |
We're all chefs here, we all work in these environments every day. | 0:15:41 | 0:15:44 | |
-If you can't stand the heat... -Get out of the kitchen. | 0:15:44 | 0:15:46 | |
-It can go up another ten degrees for me. -HE LAUGHS | 0:15:46 | 0:15:49 | |
'He makes white chocolate sugar tuiles as the base, | 0:15:50 | 0:15:55 | |
'and once they're cooked, | 0:15:55 | 0:15:58 | |
'he grinds popcorn into a powder | 0:15:58 | 0:16:01 | |
'and sprinkles it on top.' | 0:16:01 | 0:16:04 | |
It's really difficult to judge the timing and I really want to try and get ready before the deadline | 0:16:04 | 0:16:09 | |
so I've got time to check through everything, | 0:16:09 | 0:16:11 | |
so I'm really pushing hard at the moment and hopefully keep up the pace. | 0:16:11 | 0:16:14 | |
I think our chefs have just realised the enormity of the task they've got. | 0:16:17 | 0:16:20 | |
Things are getting really hot in here. | 0:16:20 | 0:16:23 | |
I don't know why I insist on doing chocolate work. | 0:16:24 | 0:16:27 | |
'Despite the heat, Scott finally finishes his venison sausage tortellini... | 0:16:29 | 0:16:35 | |
'..and can shift his attention to the all-important consomme.' | 0:16:36 | 0:16:40 | |
-How we doing, Scott? -Yeah, good, chef. Just getting my consomme passed. | 0:16:41 | 0:16:46 | |
I need to portion my venison and then just wash my mushrooms and then I should be pretty much there. | 0:16:46 | 0:16:51 | |
-All going to plan? -Yeah, all going to plan. | 0:16:51 | 0:16:54 | |
Obviously, timings got away from me a little bit, | 0:16:54 | 0:16:56 | |
but I'm happy with the consomme, lovely golden colour. | 0:16:56 | 0:17:00 | |
Lovely. That looks great. Absolutely great. | 0:17:00 | 0:17:03 | |
I don't know if you've got enough, though. What if they all order that? | 0:17:03 | 0:17:06 | |
I won't have enough, chef. | 0:17:06 | 0:17:09 | |
Just over half an hour to go, guys. Come on. | 0:17:11 | 0:17:15 | |
Keep it going. | 0:17:15 | 0:17:17 | |
'Adam's mousse has set | 0:17:17 | 0:17:19 | |
'and he's managing to cut it into shards. | 0:17:19 | 0:17:22 | |
'But his sorbet is not yet ready. | 0:17:23 | 0:17:26 | |
'He is now turning his focus onto the mussel broth | 0:17:29 | 0:17:32 | |
'that will accompany his octopus and pork belly main.' | 0:17:32 | 0:17:36 | |
I'm cooking a lot of mussels because it's the juices that it produces. | 0:17:38 | 0:17:42 | |
You get that really nice, smoky flavour from it. | 0:17:42 | 0:17:45 | |
That's the thing that I need. | 0:17:45 | 0:17:47 | |
'Adam flames four kilos of mussels | 0:17:49 | 0:17:53 | |
'and then adds white wine. | 0:17:53 | 0:17:56 | |
'Next he burns a piece of coal before adding it to olive oil. | 0:17:57 | 0:18:02 | |
'The coal oil, along with the Ras El Hanout spices, | 0:18:02 | 0:18:06 | |
'are added to the mussel juices to finish the broth.' | 0:18:06 | 0:18:09 | |
Adam seems to be ready mostly on the main course. | 0:18:10 | 0:18:13 | |
The issue here for Adam is his dessert. | 0:18:13 | 0:18:16 | |
It has a lot of cold elements. | 0:18:16 | 0:18:18 | |
He's got two sorbets to go on. He's under pressure. | 0:18:18 | 0:18:21 | |
He needs to keep his head on and focus. | 0:18:21 | 0:18:24 | |
'While Steven's apple sorbet seems to be setting, | 0:18:26 | 0:18:30 | |
'Adam's have not. | 0:18:30 | 0:18:33 | |
'He decides to put the lemon sorbet in the ice-cream maker. | 0:18:33 | 0:18:37 | |
'But his problems don't end there. | 0:18:38 | 0:18:42 | |
'It's too hot to take his shards of chocolate mousse out of the freezer. | 0:18:42 | 0:18:46 | |
'So he has to spray them with lemon and cocoa butter powder while still inside.' | 0:18:48 | 0:18:53 | |
The blast freezers aren't working, | 0:18:54 | 0:18:56 | |
so that's going to put us behind with the chocolate work quite a bit, | 0:18:56 | 0:19:01 | |
as I rapidly boil my cream all over the floor. | 0:19:01 | 0:19:05 | |
'Tonight's service needs to be finished within two hours, | 0:19:10 | 0:19:13 | |
'requiring military precision. | 0:19:13 | 0:19:16 | |
'To ensure this, Monica will be running the pass.' | 0:19:18 | 0:19:23 | |
We're nearing seven o'clock, my chefs aren't quite there yet, which is making me a bit anxious. | 0:19:25 | 0:19:29 | |
I like to kick a service off, everything ready. | 0:19:31 | 0:19:35 | |
My team gets flustered, I'm not happy. | 0:19:36 | 0:19:38 | |
CLATTERING | 0:19:39 | 0:19:42 | |
'Steven's salt crust pork is now cooked, but it needs time to rest | 0:19:45 | 0:19:50 | |
'and then he needs to sear each individual portion when the orders are called.' | 0:19:50 | 0:19:54 | |
Ohh! | 0:19:55 | 0:19:58 | |
Oooh! That smells lovely! | 0:19:58 | 0:20:01 | |
'There's just moments to go before service will begin.' | 0:20:02 | 0:20:07 | |
We're going to be late by a few minutes, for sure. | 0:20:08 | 0:20:11 | |
They're pushing themselves to the limit. | 0:20:14 | 0:20:16 | |
'Outside, the great gathering of Michelin-star chefs | 0:20:24 | 0:20:28 | |
'and new culinary stars has begun.' | 0:20:28 | 0:20:32 | |
On a normal night in your restaurant, | 0:20:34 | 0:20:36 | |
you might have one, maybe two, | 0:20:36 | 0:20:38 | |
but to have every table full of chefs of this calibre is a big ask. | 0:20:38 | 0:20:43 | |
Being a young cook myself, | 0:20:44 | 0:20:46 | |
I know how daunting it is to cook for peers. | 0:20:46 | 0:20:49 | |
That's the respect you want more than anything, respect from your peers, | 0:20:49 | 0:20:53 | |
so I'm glad that I'm sitting this side and not that side. | 0:20:53 | 0:20:56 | |
I think it's going to be immense pressure downstairs. | 0:21:00 | 0:21:02 | |
They know this could make or break them. | 0:21:03 | 0:21:05 | |
We are going to be late, for sure. | 0:21:11 | 0:21:14 | |
I've asked the maitre d's to slow it down just a little bit. | 0:21:14 | 0:21:16 | |
Cos the last thing I want is for one of these guys to be ready | 0:21:18 | 0:21:21 | |
and the others not. They all have to be ready on time together. | 0:21:21 | 0:21:25 | |
-Getting there, Scott. -Oui. | 0:21:27 | 0:21:30 | |
One more minute. That's it. Quick. Last job. | 0:21:31 | 0:21:35 | |
That's it. Come on. Commis out of the kitchen. | 0:21:54 | 0:21:56 | |
-Thank you very much. -That's it. Finished. | 0:21:56 | 0:21:59 | |
They've done enough work for you. Come on. It's up to you now. | 0:22:00 | 0:22:05 | |
You're on your own. | 0:22:05 | 0:22:07 | |
'Now all the contestants can do is wait to see how many orders they get for their dish.' | 0:22:07 | 0:22:14 | |
What I'm looking for is something that's going to excite me, | 0:22:18 | 0:22:20 | |
something I haven't seen before, something that will make the table | 0:22:20 | 0:22:24 | |
stand up and say, "Wow, that's a great plate of food." | 0:22:24 | 0:22:26 | |
'For the main course, they have the choice between | 0:22:29 | 0:22:32 | |
'Adam's octopus and piglet belly with confit squid, | 0:22:32 | 0:22:36 | |
'crispy seaweed and compressed lemon flavoured with bergamot... | 0:22:36 | 0:22:39 | |
'..Scott's truffle and squid ink crusted venison, | 0:22:42 | 0:22:44 | |
'pork belly, tortellini and smoked venison and beetroot consomme... | 0:22:44 | 0:22:50 | |
'..and Steven's salt-baked rump and fillet of pork | 0:22:52 | 0:22:55 | |
'with artichokes and a caper and lemon pickle dressing.' | 0:22:55 | 0:22:59 | |
Good evening. Welcome. Are you ready to order? | 0:23:02 | 0:23:05 | |
Er, I think we are. | 0:23:05 | 0:23:08 | |
-Pork, please, with the artichokes and lemon and sage. -Certainly. | 0:23:08 | 0:23:11 | |
Very high expectations. All three main courses are very exciting, | 0:23:11 | 0:23:16 | |
they show a good balance of ingredients, good imagination, | 0:23:16 | 0:23:20 | |
and it makes it very hard to decide which of the main courses I should choose. | 0:23:20 | 0:23:23 | |
-Sir? -The venison. -The venison? Certainly. | 0:23:23 | 0:23:27 | |
I'll have the, erm, octopus. | 0:23:29 | 0:23:32 | |
Ca marche, two venison, | 0:23:36 | 0:23:38 | |
three octopus and two pork. | 0:23:38 | 0:23:42 | |
-Right! -How long will it take for you to get that together? | 0:23:42 | 0:23:45 | |
-Eight minutes. Eight minutes. -Eight minutes. | 0:23:45 | 0:23:49 | |
'Now these three finalists have to prove they can work together | 0:23:49 | 0:23:53 | |
'and serve food worthy of the chefs who will eat it.' | 0:23:53 | 0:23:58 | |
Every dish on that menu seems to have a lot of ingredients. | 0:23:58 | 0:24:01 | |
So it'll be really interesting to see how they can put them all together, | 0:24:01 | 0:24:05 | |
all in time to feed everyone at the same time. | 0:24:05 | 0:24:07 | |
Ca marche, three octopus, two pork, one venison. | 0:24:09 | 0:24:14 | |
'The first two tables are in | 0:24:14 | 0:24:16 | |
'and Adam already has six orders for his octopus dish.' | 0:24:16 | 0:24:21 | |
I've chosen the octopus and piglet belly. | 0:24:21 | 0:24:23 | |
There's a lot going on there, so it'll be quite an intriguing dish | 0:24:23 | 0:24:27 | |
to see how they pull that one together. | 0:24:27 | 0:24:29 | |
'He needs to sear the octopus and his piglet belly | 0:24:32 | 0:24:35 | |
'before he can begin to plate.' | 0:24:35 | 0:24:38 | |
It's got a complexity about it and it also shows a lot of skill. | 0:24:38 | 0:24:42 | |
Will the octopus be tough, will it be tender, | 0:24:42 | 0:24:45 | |
will the squid be just cooked right | 0:24:45 | 0:24:48 | |
and will the piglet belly be dry? | 0:24:48 | 0:24:50 | |
'Steven has four orders and he needs to sear off his pork, | 0:24:53 | 0:24:57 | |
'finish the confit artichokes and puree | 0:24:57 | 0:25:00 | |
'and then he can serve.' | 0:25:00 | 0:25:02 | |
For mains, I've ordered the rump and fillet of pork. | 0:25:02 | 0:25:05 | |
There's a lot going on in that dish | 0:25:05 | 0:25:07 | |
but it's the one dish that I felt a little bit of connection with. | 0:25:07 | 0:25:10 | |
'For Scott, with three orders, he needs to cook his venison tortellini | 0:25:11 | 0:25:15 | |
'and also sear the venison loin and top it with a truffle crust | 0:25:15 | 0:25:20 | |
'before he can plate.' | 0:25:20 | 0:25:22 | |
You've got venison, you've got pork belly, you've got truffle. | 0:25:22 | 0:25:25 | |
If each flavour you can taste and the venison comes through the most, | 0:25:25 | 0:25:28 | |
then I'm sure they'll do very well. | 0:25:28 | 0:25:30 | |
First table and then we'll be on a roll. Well done. I love what I'm seeing, guys. Love it. | 0:25:32 | 0:25:36 | |
-Come on. -Is there a sauce? -The sauce is coming. | 0:25:36 | 0:25:39 | |
-Oh, that looks lovely. -The consomme's just coming, chef. | 0:25:42 | 0:25:45 | |
Waiting on you, Adam. Come on. Don't let the side down. | 0:25:48 | 0:25:52 | |
Adam, I need the sauce from you. | 0:26:03 | 0:26:06 | |
I was really hungry. | 0:26:22 | 0:26:24 | |
I now want two octopus, one venison and three pork. | 0:26:30 | 0:26:34 | |
-Right! -Keep it going. First plates were wonderful. | 0:26:34 | 0:26:39 | |
I want them all like that for the rest of the night. | 0:26:39 | 0:26:43 | |
-Two minutes and we'll go? -Two minutes. -I'm going to be more than that. | 0:26:45 | 0:26:49 | |
-How long, Adam? -Er, seven, seven. -Seven on the next one. | 0:26:49 | 0:26:52 | |
-My tort's a minute away from that table. -Just take them out. -Yeah, I haven't done my pork yet. | 0:26:52 | 0:26:58 | |
It started off not very good, but now service is going, | 0:27:02 | 0:27:06 | |
we're getting in to the rhythm of things, settling down quite a lot. | 0:27:06 | 0:27:10 | |
Come on, guys, quick, quick, quick. Keep it going, keep it going. | 0:27:13 | 0:27:17 | |
'With three orders on the next table, | 0:27:17 | 0:27:20 | |
'Steven has the most work to do to get his pork dish up on time.' | 0:27:20 | 0:27:23 | |
I'm really happy that the dish is popular. | 0:27:23 | 0:27:26 | |
It was a frantic start and now I'm starting to get into the swing of it. | 0:27:26 | 0:27:30 | |
I love pork. It's one of my favourite dishes. | 0:27:31 | 0:27:35 | |
But there's two different types of pork on here, | 0:27:35 | 0:27:37 | |
the fillet and the rump, so they're both very different | 0:27:37 | 0:27:40 | |
and very difficult to cook. If it's overcooked, it'll be very dry and not very nice, | 0:27:40 | 0:27:44 | |
but if you get pork perfect, it's one of the most amazing things ever, | 0:27:44 | 0:27:48 | |
so fingers crossed, I'm going to have perfect pork. | 0:27:48 | 0:27:50 | |
I have the venison. Waiting on two octopus and three pork. | 0:27:56 | 0:27:59 | |
Come on. I want everything hot. | 0:28:05 | 0:28:07 | |
Sorry, Monica. 30 seconds. | 0:28:07 | 0:28:09 | |
OK, you can start to go. | 0:28:15 | 0:28:18 | |
Those plates look wonderful. | 0:28:24 | 0:28:27 | |
I just hope they're happy upstairs. I'm almost as nervous as the boys. | 0:28:27 | 0:28:31 | |
'With only half the room served | 0:28:32 | 0:28:35 | |
'and the temperature in the kitchen still rising, | 0:28:35 | 0:28:38 | |
'the challenge is to keep delivering Michelin-standard dishes.' | 0:28:38 | 0:28:43 | |
Ca marche, two venison, three octopus | 0:28:43 | 0:28:46 | |
-and two pork. -Oui. -Oui, chef. | 0:28:46 | 0:28:49 | |
-Would you like some more? -No. -No, I didn't think so. So let's get these tables up. | 0:28:49 | 0:28:54 | |
-Five minutes the next table, yeah? -Oui. | 0:28:57 | 0:29:00 | |
'Orders for Scott's main are finally picking up.' | 0:29:01 | 0:29:05 | |
I was a bit nervous at the start, but we're working our way through it. | 0:29:05 | 0:29:09 | |
The bit that stands out most for me is the oak-smoked consomme. | 0:29:12 | 0:29:15 | |
I'm very intrigued to see how they're going to present that dish | 0:29:15 | 0:29:18 | |
and also to capture that flavour in that dish. | 0:29:18 | 0:29:20 | |
-Can I start dressing? -Oui. -Oui. | 0:29:20 | 0:29:22 | |
-How long? -30 seconds. -30 seconds for Scott. How about the other two? -Same. -Same. | 0:29:25 | 0:29:30 | |
The boys are getting into a rhythm, they're talking to each other | 0:29:32 | 0:29:35 | |
and trying to get the food up as close as possible to each other. | 0:29:35 | 0:29:39 | |
It's not easy. They've not worked together properly as a service, but they're doing a damn great job. | 0:29:39 | 0:29:44 | |
The plates are looking wonderful. They've done themselves proud here today. | 0:29:44 | 0:29:49 | |
Start to go. Table five. Wakey-wakey. | 0:29:50 | 0:29:54 | |
I think my venison dish was too crowded. It looked a bit tight. | 0:29:56 | 0:29:59 | |
But I'm happy with all the flavours and all the cooking. | 0:29:59 | 0:30:02 | |
I hope they really enjoy it. I can't put words in their mouths. | 0:30:02 | 0:30:06 | |
Fantastic chefs up there, so I'll wait to find out their opinion. | 0:30:06 | 0:30:09 | |
'Scott's venison loin with a black truffle and squid ink crust | 0:30:14 | 0:30:18 | |
'is served with venison sausage tortellini, crispy pork belly, | 0:30:18 | 0:30:22 | |
'a deep-fried potato hoop, | 0:30:22 | 0:30:25 | |
'sauteed spinach, girolle mushrooms | 0:30:25 | 0:30:28 | |
'and a smoked venison and beetroot consomme.' | 0:30:28 | 0:30:31 | |
First impressions are good. I'm just wondering... | 0:30:31 | 0:30:34 | |
I maybe thought the pork belly would be a little smaller. | 0:30:34 | 0:30:37 | |
It's a rather dominant part of the dish. So we'll see how it is. | 0:30:37 | 0:30:40 | |
The venison is beautifully cooked | 0:30:50 | 0:30:53 | |
and covered nicely with truffles. | 0:30:53 | 0:30:56 | |
The tortellini with sausage is just excellent. | 0:30:56 | 0:31:00 | |
And on top of that, the beetroot consomme, exceptional. | 0:31:00 | 0:31:03 | |
The venison itself was cooked well. | 0:31:03 | 0:31:06 | |
Erm, I think spot-on temperature-wise. | 0:31:06 | 0:31:10 | |
And the pork belly, although initially I thought it was going to be too much, | 0:31:10 | 0:31:14 | |
the flavours did work all right. | 0:31:14 | 0:31:17 | |
I thought it was a fantastic dish. There were a lot of flavours happening. | 0:31:17 | 0:31:21 | |
The good thing is, they all worked together very well. | 0:31:21 | 0:31:24 | |
The only thing was the pork belly. I didn't think it belonged to that plate. | 0:31:24 | 0:31:28 | |
The dish was fantastic. Loved it. Just the pork belly. | 0:31:28 | 0:31:31 | |
I'm not sure why he put venison and an almost equal-size piece of pork belly on the same plate. | 0:31:31 | 0:31:36 | |
But apart from that, the consomme was lovely, really nice, delicate smokiness. | 0:31:36 | 0:31:40 | |
Erm, enjoyed it a lot. | 0:31:40 | 0:31:43 | |
I really liked it. All the different textures and cooking techniques. | 0:31:43 | 0:31:47 | |
My favourite element was the potato hoop. | 0:31:47 | 0:31:49 | |
It's kind of cheeky, because it's quite a serious plate of food | 0:31:49 | 0:31:53 | |
and suddenly there's something funny on it. That offset everything else. | 0:31:53 | 0:31:56 | |
It was quite mellow, it was quite a nice flavour, | 0:31:56 | 0:31:59 | |
the truffle worked really well through the dish. | 0:31:59 | 0:32:01 | |
It would be nice to have a bit more roasting on the venison | 0:32:01 | 0:32:04 | |
to get more venison flavour, then it'd be fantastic. | 0:32:04 | 0:32:07 | |
There were a lot of flavours in the dish and I think the key elements, | 0:32:07 | 0:32:10 | |
the venison, the pork belly, the truffle and the smoked consomme, | 0:32:10 | 0:32:14 | |
came across very well. | 0:32:14 | 0:32:16 | |
I believe the contestant delivered. | 0:32:16 | 0:32:20 | |
Scrap the pork belly and you've got a great dish. | 0:32:20 | 0:32:23 | |
'For his main course, Adam has cooked octopus | 0:32:28 | 0:32:31 | |
'with crispy piglet belly and confit squid, | 0:32:31 | 0:32:34 | |
'compressed lemon with bergamot, crispy seaweed, | 0:32:34 | 0:32:38 | |
'served with a smoked mussel broth.' | 0:32:38 | 0:32:41 | |
This wasn't a very enjoyable service. It wasn't set up, wasn't organised, wasn't in control. | 0:32:42 | 0:32:48 | |
Everything tasted the way I wanted it to, just a wee bit more refinement would've been better. | 0:32:48 | 0:32:54 | |
Very, very modern presentation. | 0:32:56 | 0:32:58 | |
When the broth was poured over, there was a lovely little crackling sound | 0:32:58 | 0:33:01 | |
from the crispy pork. Really nice. | 0:33:01 | 0:33:04 | |
Quite small for a main course. There's a lot going on in there. | 0:33:04 | 0:33:07 | |
But first impressions, pretty good. | 0:33:07 | 0:33:10 | |
-The octopus is cooked lovely. -Yeah. -Squid's cooked lovely. | 0:33:15 | 0:33:18 | |
I just wonder if the smoked mussel broth | 0:33:18 | 0:33:21 | |
could've been a little bit more smoky. | 0:33:21 | 0:33:23 | |
I thought it was absolutely delicious. | 0:33:23 | 0:33:25 | |
The combination of flavours was very good. | 0:33:25 | 0:33:28 | |
It was quite a tricky dish to do and very brave and I think it's worked. | 0:33:28 | 0:33:32 | |
Technically I thought it was really cooked well. | 0:33:32 | 0:33:35 | |
The belly, the octopus I thought was really nice. | 0:33:35 | 0:33:38 | |
Maybe the lemon could've been cut smaller. | 0:33:38 | 0:33:41 | |
Once you put a piece of that lemon in your mouth, you overpower everything else in there. | 0:33:41 | 0:33:45 | |
Apart from that, I was happy. | 0:33:45 | 0:33:48 | |
If you put it in front of me again, I'd eat it again. | 0:33:48 | 0:33:51 | |
Sound technique. My main complaint is | 0:33:51 | 0:33:54 | |
I don't think it was a main course portion. | 0:33:54 | 0:33:57 | |
You know, it was... I'd have been happier if it was a starter. | 0:33:57 | 0:34:02 | |
It was quite nice. It was meant to be with a smoked mussel broth, | 0:34:02 | 0:34:06 | |
but I didn't really get the smoked mussel broth at all, I just couldn't taste it. | 0:34:06 | 0:34:10 | |
The mussel flavour was fantastic. | 0:34:10 | 0:34:12 | |
If you're going to say it's a smoked mussel broth, | 0:34:12 | 0:34:14 | |
it should be a little bit more smoky, just a fraction more, ten percent. | 0:34:14 | 0:34:18 | |
To have so many different textures | 0:34:18 | 0:34:20 | |
and tie them all into a cohesive dish that is cooked perfectly | 0:34:20 | 0:34:25 | |
at the same time is just phenomenal. You know, it works brilliantly. | 0:34:25 | 0:34:29 | |
Just a little bit bigger for me next time. | 0:34:29 | 0:34:33 | |
'For his main course, Steven has made salt-baked pork rump | 0:34:35 | 0:34:40 | |
'and pork fillet wrapped in sage and Parma ham, | 0:34:40 | 0:34:44 | |
'served with confit baby artichokes, | 0:34:44 | 0:34:47 | |
'globe artichoke puree, | 0:34:47 | 0:34:49 | |
'accompanied by a caper and lemon pickle dressing | 0:34:49 | 0:34:52 | |
'and a sage and port sauce.' | 0:34:52 | 0:34:54 | |
Overall, I am happy. | 0:34:56 | 0:34:58 | |
There could've been a few tweaks on the main, | 0:34:58 | 0:35:01 | |
but I'm never going to be 100 percent happy with the food I do, I'll always be searching for more. | 0:35:01 | 0:35:05 | |
Presentation was quite good, it was nice, clean. | 0:35:10 | 0:35:13 | |
It was quite big. There was a lot on there. | 0:35:13 | 0:35:16 | |
It was a big portion, so... Erm, but, yeah, it was nice. | 0:35:16 | 0:35:19 | |
When it arrived, I thought it looked absolutely stunning. | 0:35:29 | 0:35:31 | |
There was a lot of things going on on the plate. The pork was cooked beautifully. | 0:35:31 | 0:35:36 | |
The problem was the balance of the dish. | 0:35:36 | 0:35:38 | |
There was so many things going on, | 0:35:38 | 0:35:40 | |
so every time that you had a mouthful of all of the dish, you just got a lot of acidity. | 0:35:40 | 0:35:45 | |
The best thing on this plate is the artichoke. | 0:35:45 | 0:35:48 | |
Pork and artichoke, I get that. Olive, that's good. | 0:35:48 | 0:35:51 | |
But capers, pine nuts, broad beans? There's too much going on. | 0:35:51 | 0:35:56 | |
It was nice. There was some issues with, for me, too much acidity | 0:35:56 | 0:36:01 | |
with capers and lemon. | 0:36:01 | 0:36:03 | |
It's a difficult dish to get right. Pork's a difficult meat to cook well | 0:36:03 | 0:36:06 | |
and that just needed a little more attention. | 0:36:06 | 0:36:10 | |
But it was a good effort. | 0:36:10 | 0:36:13 | |
I thought the presentation was very nice. | 0:36:13 | 0:36:15 | |
It was nice to see different cuts of the meat and different ingredients. | 0:36:15 | 0:36:19 | |
I'm happy but I'm not ecstatic. | 0:36:19 | 0:36:22 | |
The two types of pork, both are beautifully cooked, | 0:36:22 | 0:36:25 | |
so wonderfully tender, lots of flavour, lots of intensity, | 0:36:25 | 0:36:29 | |
wonderfully presented, so very, very good. | 0:36:29 | 0:36:32 | |
Well done. Now, clean down ready for dessert service. | 0:36:33 | 0:36:37 | |
Right. | 0:36:41 | 0:36:44 | |
'It's finally the moment when Adam and Steven | 0:36:46 | 0:36:49 | |
'need their sorbets and parfait to be set and ready to go.' | 0:36:49 | 0:36:53 | |
I'm happy with the parfaits. They've come out exactly how I want them. | 0:36:53 | 0:36:56 | |
I just hope enough work now. | 0:36:56 | 0:36:59 | |
Not set. | 0:37:06 | 0:37:08 | |
That's a nice sorbet. You could do a sauce. | 0:37:12 | 0:37:15 | |
For my mint chocolate dish, my mint component has gone. | 0:37:16 | 0:37:20 | |
It's just boring chocolate. | 0:37:20 | 0:37:22 | |
The entire dish is ruined cos it was designed as mint chocolate, | 0:37:22 | 0:37:26 | |
the first word being mint, the second word being chocolate. | 0:37:26 | 0:37:29 | |
The mint's gone. We just have chocolate. | 0:37:29 | 0:37:33 | |
Adam is really cut up, he's really upset, and I feel for him | 0:37:37 | 0:37:40 | |
because the mint element of his chocolate mint dessert has not worked. | 0:37:40 | 0:37:44 | |
The lemon sorbet has worked, that's set. | 0:37:44 | 0:37:47 | |
He is going to try and get this mint sorbet on the plate, | 0:37:47 | 0:37:51 | |
but I fear the worst, I fear it's just going to be a slush. | 0:37:51 | 0:37:54 | |
'In a last-ditch attempt to set his mint sorbet...' | 0:37:54 | 0:37:58 | |
Oh, you're nearly there! | 0:37:58 | 0:38:00 | |
'..Adam transfers it to the ice-cream maker.' | 0:38:00 | 0:38:03 | |
Well, if it works, it works, if it doesn't, it doesn't. | 0:38:05 | 0:38:08 | |
I can only hope for the best. | 0:38:09 | 0:38:12 | |
'For dessert, the chefs have a choice. | 0:38:15 | 0:38:18 | |
'Scott's baked lemon cream custard, | 0:38:19 | 0:38:21 | |
'polenta and almond lemon drizzle cake and white peaches. | 0:38:21 | 0:38:26 | |
'Adam's chocolate mousse shard, candied mint, | 0:38:26 | 0:38:30 | |
'chocolate cremeux and lemon sorbet. | 0:38:30 | 0:38:33 | |
'And Steven's apple parfait with a popcorn tuile, | 0:38:34 | 0:38:38 | |
'caramel popcorn and an apple sorbet.' | 0:38:38 | 0:38:41 | |
Gentlemen, are you ready to order your desserts? | 0:38:46 | 0:38:49 | |
-Yes, please. -I'll start the ordering off by having the chocolate. | 0:38:49 | 0:38:54 | |
-I'm going to have the apple popcorn, gentlemen. -Lemon cream, please. | 0:38:54 | 0:38:59 | |
I can't wait to try the apple popcorn, please. | 0:38:59 | 0:39:03 | |
-Thank you! Are we ready? -Oui. | 0:39:05 | 0:39:10 | |
-Adam. -Yes, chef? | 0:39:10 | 0:39:12 | |
-Are we ready? -No, chef. | 0:39:12 | 0:39:15 | |
Was that a no? | 0:39:15 | 0:39:18 | |
One way or another, we are going to have to go in five minutes, guys. | 0:39:19 | 0:39:23 | |
-So whether your sorbet is ready or not. -Oui, chef. | 0:39:23 | 0:39:26 | |
Ca marche, four apple popcorn, | 0:39:26 | 0:39:29 | |
two mint chocolate | 0:39:29 | 0:39:31 | |
and one lemon. | 0:39:31 | 0:39:34 | |
I'm not serving it with the mint on, so it's just a chocolate dish | 0:39:41 | 0:39:45 | |
and nothing else. | 0:39:45 | 0:39:47 | |
With a dessert, it's got to look pretty but not at the cost | 0:39:52 | 0:39:57 | |
of how it eats. I want big spoons of it. | 0:39:57 | 0:39:59 | |
You know, don't get too tarty with it, it's still got to be eaten. | 0:39:59 | 0:40:03 | |
Wow! Well, if desserts are all about theatre, you've nailed it, mate. | 0:40:07 | 0:40:13 | |
Dessert, apple popcorn. Two ingredients. | 0:40:14 | 0:40:18 | |
So, it's a question of just textures and taste of those two ingredients | 0:40:18 | 0:40:22 | |
and whether they'll marry together to form a whole. | 0:40:22 | 0:40:25 | |
Steven, if you're ready, bring them up. | 0:40:26 | 0:40:28 | |
All right, four apple popcorn on the pass. Thank you. | 0:40:33 | 0:40:38 | |
Waiting on the rest, then we can go. | 0:40:39 | 0:40:41 | |
Just leave it there, darling. Yeah. | 0:40:47 | 0:40:49 | |
Adam, are you taking part in this? | 0:40:50 | 0:40:52 | |
Oui, chef! | 0:40:52 | 0:40:54 | |
Chocolate now. Lovely. | 0:41:00 | 0:41:03 | |
Why have you got a face like that when you can serve a plate that looks this good? Come on, let's go. | 0:41:03 | 0:41:08 | |
Right, next table. I want three lemon, two apple popcorn and one chocolate mint. | 0:41:20 | 0:41:26 | |
Oui, chef. | 0:41:26 | 0:41:29 | |
The mint sorbet won't be ready. Maybe for the last table, but... | 0:41:44 | 0:41:48 | |
So, after this table, I want two apple popcorn, | 0:41:51 | 0:41:55 | |
-two chocolate mint and two lemon. -Oui, chef. | 0:41:55 | 0:41:58 | |
How long on the next table? | 0:41:59 | 0:42:02 | |
-One minute. -He said one minute. Is that all right for you? -No. | 0:42:02 | 0:42:06 | |
-Scott needs a couple of minutes. -Oui, chef. -You guys are working together on this. | 0:42:06 | 0:42:10 | |
I've got the polenta and almond lemon drizzle cake now. | 0:42:12 | 0:42:15 | |
Cakes can be very, very difficult to get right. | 0:42:15 | 0:42:19 | |
So hopefully, that polenta cake will be nice and moist. | 0:42:19 | 0:42:22 | |
I've ordered the lemon cream. | 0:42:22 | 0:42:25 | |
I hope it tastes exactly how it sounds on the menu. I'm really looking forward to it. | 0:42:25 | 0:42:28 | |
Come on, Scotty! | 0:42:30 | 0:42:32 | |
Right, let's go! | 0:42:36 | 0:42:38 | |
-Scotty, they've got to send. -Yep. -Sorbet on, as well, yeah? | 0:42:38 | 0:42:41 | |
-Do the sorbet and bring it straight up here. -Yeah. | 0:42:41 | 0:42:45 | |
Let's go, please. | 0:42:50 | 0:42:53 | |
Next table, three lemon, | 0:43:02 | 0:43:05 | |
-two apple popcorn and a chocolate mint. -Oui! | 0:43:05 | 0:43:09 | |
'Dessert service is coming to an end | 0:43:10 | 0:43:13 | |
'and Adam still hasn't sent out a dish with a mint sorbet on it.' | 0:43:13 | 0:43:18 | |
-How many chocolate on that next table? -The next table you have one chocolate mint. | 0:43:19 | 0:43:23 | |
OK, I can do the mint, but it has to go straight away, please. | 0:43:23 | 0:43:26 | |
I don't normally go for chocolate. Something about the dessert is difficult, | 0:43:36 | 0:43:40 | |
chocolate and lemon, they're two things that don't always go together with mint, as well. | 0:43:40 | 0:43:45 | |
It's going to be a difficult balance. I'm quite interested to see. Something new for me. | 0:43:45 | 0:43:49 | |
Can I possibly have the tray here and somebody hold it while I scoop? | 0:43:51 | 0:43:54 | |
Yeah, yeah, yeah. | 0:43:54 | 0:43:56 | |
Thank you, chef. Thank you very much. | 0:43:57 | 0:44:00 | |
Let's hope for the best. | 0:44:02 | 0:44:04 | |
Go! Quick! Four. Table four. | 0:44:08 | 0:44:11 | |
I've got one with a mint soup, I wouldn't say a mint sorbet. | 0:44:12 | 0:44:16 | |
But I got one on with some sort of mint element. | 0:44:16 | 0:44:19 | |
Last table, boys. | 0:44:22 | 0:44:24 | |
Two chocolate mint, two apple popcorn and two lemon. | 0:44:24 | 0:44:28 | |
-Oui, chef. -Come on, let's go! | 0:44:28 | 0:44:32 | |
-How long do you need? -How long? -Er, one and a half minutes. | 0:44:32 | 0:44:35 | |
-I need about four. -We need four up here. | 0:44:35 | 0:44:38 | |
-So let's go for three, yeah? -Oui. | 0:44:38 | 0:44:42 | |
Come on! Last push, let's go. | 0:44:46 | 0:44:50 | |
-Come on, are we ready? -Yeah, just got the sorbet to go on. | 0:44:58 | 0:45:02 | |
Scott's ready. Adam? | 0:45:02 | 0:45:04 | |
-Whoo-hoo! Happy with that? -Finally. | 0:45:10 | 0:45:13 | |
OK. Let's go. Last table. Table one. | 0:45:13 | 0:45:17 | |
Yes. | 0:45:19 | 0:45:21 | |
It's only the last plate, but finally it works. | 0:45:25 | 0:45:28 | |
-Nice one, lads. -SHE SIGHS | 0:45:29 | 0:45:32 | |
I feel pretty tired, to be honest. It's been a pretty hard seven hours. | 0:45:38 | 0:45:42 | |
But, you know, I think we all did really well and I'm just glad it's over. | 0:45:42 | 0:45:46 | |
'Scott's almond lemon drizzle cake | 0:45:47 | 0:45:49 | |
'is topped with roasted white peaches | 0:45:49 | 0:45:52 | |
'and served with baked lemon custard, | 0:45:52 | 0:45:55 | |
'polenta and peach puree, | 0:45:55 | 0:45:58 | |
'almond crumble, salted almond caramel, | 0:45:58 | 0:46:01 | |
'and a lime and green tea sorbet.' | 0:46:01 | 0:46:03 | |
The presentation of the dessert is really nice. It's really clean. | 0:46:05 | 0:46:09 | |
First impressions are really positive. It looks really good. | 0:46:09 | 0:46:12 | |
I like the apple blossom. A lot of colour there. | 0:46:12 | 0:46:14 | |
Erm, it looks fresh. Light. I'm looking forward to it. | 0:46:14 | 0:46:18 | |
It's perfect. It's beautiful. It's quite sharp. The flavours all work really well together. | 0:46:26 | 0:46:30 | |
The sorbet was beautiful. I think it's lovely. | 0:46:30 | 0:46:34 | |
There are so many good flavours on here. | 0:46:34 | 0:46:36 | |
The flavour of peach, the flavour of the toasted nuts, | 0:46:36 | 0:46:40 | |
the sorbet, the custard is really well made. | 0:46:40 | 0:46:42 | |
It's very sharp. It's very, very cleansing. | 0:46:42 | 0:46:45 | |
I've got a sweet tooth. I'd like it a bit sweeter. | 0:46:47 | 0:46:50 | |
The lemon custard itself was cooked perfectly. Really lovely flavours. | 0:46:50 | 0:46:54 | |
The roasted peach, if you had it singularly, you could taste it, | 0:46:54 | 0:46:57 | |
but if you had it with everything else, it was overpowered with the lemon. | 0:46:57 | 0:47:00 | |
It was very nice. It was quite sharp, | 0:47:00 | 0:47:03 | |
but I wanted to feel something on the plate from the sweetness of the beautiful peaches in season | 0:47:03 | 0:47:07 | |
and the crunch of fresh almonds, which weren't there. | 0:47:07 | 0:47:10 | |
I think there was a little bit of a misbalance on the flavours. They were a little bit too lemony. | 0:47:10 | 0:47:15 | |
A lot of the other flavours got lost. | 0:47:15 | 0:47:18 | |
The lemon cream was perfect. Absolutely spot on. | 0:47:18 | 0:47:20 | |
It was really nice how it had the caramelisation on top. | 0:47:20 | 0:47:23 | |
And it really, really packed a punch, as well. It was great. | 0:47:23 | 0:47:26 | |
I just think it's a lovely way to finish the meal. It's been beautiful. | 0:47:26 | 0:47:29 | |
I know luck's not been on my side. The rest of the components I'm very happy with. | 0:47:34 | 0:47:38 | |
They came out exactly how I wanted them. | 0:47:38 | 0:47:40 | |
It's just a little bit heartbreaking when you design a dish | 0:47:40 | 0:47:43 | |
and equipment fails. | 0:47:43 | 0:47:46 | |
It's kind of annoying. | 0:47:46 | 0:47:48 | |
'Adam's dessert is a shard of chocolate mousse | 0:47:50 | 0:47:53 | |
'encased in lemon and cocoa butter powder, | 0:47:53 | 0:47:56 | |
'topped with candied mint, | 0:47:56 | 0:47:58 | |
'served with chocolate cremeux, peanut crumb, | 0:47:58 | 0:48:01 | |
'a chocolate caramel tuile and a lemon sorbet. | 0:48:01 | 0:48:05 | |
'For the later dishes, there was also a mint sorbet.' | 0:48:05 | 0:48:08 | |
I think it looks good. It looks good. | 0:48:08 | 0:48:11 | |
In this heat, as well, the sorbet's melting quite quickly. But it looks nice. It looks appetising. | 0:48:11 | 0:48:16 | |
I like the shard of chocolate mousse. I'm looking forward to eating it. | 0:48:16 | 0:48:22 | |
I think it was maybe missing its sorbet. | 0:48:31 | 0:48:33 | |
But the chocolate shards were really nice and light and went with the lemon sorbet. | 0:48:33 | 0:48:38 | |
When I first thought of this chocolate dish, | 0:48:38 | 0:48:40 | |
I was a little worried about how it's all going to marry. | 0:48:40 | 0:48:43 | |
But I'll be honest with you, I think this dessert is stunning. | 0:48:43 | 0:48:46 | |
The flavour of the chocolate is fantastic. The mint works well with it | 0:48:46 | 0:48:49 | |
and the acidity that comes with the lemon. It's a very good dessert, very happy. Yeah, I'm a happy man. | 0:48:49 | 0:48:54 | |
I like chocolate, I like lemon, I like mint and I like peanut, | 0:48:54 | 0:48:57 | |
but perhaps not all at the same time. | 0:48:57 | 0:48:59 | |
Unfortunately, the sorbets suffered from the warmth of the rooms, | 0:48:59 | 0:49:02 | |
so they were rather liquid by the time we got them. | 0:49:02 | 0:49:05 | |
But they were very flavourful. The mint was very evident. | 0:49:05 | 0:49:09 | |
The lemon was very evident. And the chocolate mousse had a nice salty tang to it | 0:49:09 | 0:49:14 | |
which was very well done, well-balanced. | 0:49:14 | 0:49:18 | |
Textures on the dish I thought were very, very good. | 0:49:18 | 0:49:20 | |
I love the crispness of the chocolate shard. | 0:49:20 | 0:49:23 | |
The chocolate mousse with the lemon for me worked very well. | 0:49:23 | 0:49:26 | |
Technically, I think it was very good. And I really enjoyed it. | 0:49:26 | 0:49:29 | |
Delicious dish. Very, very well done. | 0:49:29 | 0:49:32 | |
Quite brave because of the darkness of the chocolate, the bitterness of the chocolate. | 0:49:32 | 0:49:36 | |
But, for me, that's a very accomplished dish. | 0:49:36 | 0:49:39 | |
Now I'm starting to realise who I'm cooking for. | 0:49:42 | 0:49:44 | |
You know, I do feel good, but I just hope they've enjoyed their meal tonight | 0:49:44 | 0:49:50 | |
because, you know, it's been a real honour cooking for them. | 0:49:50 | 0:49:52 | |
'Steven's dessert is roasted apple parfait with a popcorn tuile, | 0:49:52 | 0:49:57 | |
'sour apple balls, caramel popcorn, popcorn crumble and an apple sorbet.' | 0:49:57 | 0:50:04 | |
The witch's hat, presentation-wise, looked stunning. | 0:50:04 | 0:50:07 | |
And it was a showstopper. | 0:50:07 | 0:50:09 | |
Nice creamy apple parfait, which is really working nicely, | 0:50:14 | 0:50:17 | |
and all the popcorn flavours come together. It was a delicious dessert. | 0:50:17 | 0:50:21 | |
The popcorn worked really well. There was some really clean acidity with the apple flavour. | 0:50:21 | 0:50:26 | |
And, you know, with a dessert, you want something that's going to refresh | 0:50:26 | 0:50:30 | |
and clean the palate, and that achieved that. | 0:50:30 | 0:50:33 | |
Sweet and the sourness from the apple, | 0:50:33 | 0:50:35 | |
I think the contestant captured that very well. | 0:50:35 | 0:50:38 | |
And also the flavour of the popcorn, which is quite a difficult thing to do. They did a really good job. | 0:50:38 | 0:50:43 | |
I personally wouldn't have thought apple could work with popcorn | 0:50:43 | 0:50:46 | |
but this person has absolutely convinced me that it does. | 0:50:46 | 0:50:50 | |
I absolutely loved the plate. | 0:50:50 | 0:50:52 | |
It's very good. Maybe just not enough popcorn for my liking, | 0:50:52 | 0:50:56 | |
but otherwise, all in all, not a bad dish. | 0:50:56 | 0:50:59 | |
It was really good. The flavours worked well, | 0:50:59 | 0:51:01 | |
I thought it was going to be too sickly, it wasn't. | 0:51:01 | 0:51:04 | |
The popcorn, toffee can be very sickly, | 0:51:04 | 0:51:06 | |
and the balance was good, the balance was really nice. | 0:51:06 | 0:51:09 | |
The parfait, beautifully soft, | 0:51:09 | 0:51:11 | |
nice underlying apple taste coming through. | 0:51:11 | 0:51:14 | |
The popcorn adds to that flavour, | 0:51:15 | 0:51:18 | |
all working together, and a really good dessert, very enjoyable. | 0:51:18 | 0:51:22 | |
-They did well. -They did very well. All the plates look stunning. | 0:51:25 | 0:51:29 | |
-Even with missing elements. -THEY LAUGH | 0:51:30 | 0:51:34 | |
'Service is over | 0:51:36 | 0:51:38 | |
'and the finalists will finally get the chance | 0:51:38 | 0:51:42 | |
'to meet their idols face-to-face.' | 0:51:42 | 0:51:44 | |
It's nerve-racking stepping into that room. | 0:51:47 | 0:51:49 | |
You've got the best chefs in the UK all sat together | 0:51:49 | 0:51:54 | |
and all their eyes are going to be on you. | 0:51:54 | 0:51:57 | |
It's quite daunting. | 0:51:57 | 0:52:00 | |
I just hope they're all smiling. | 0:52:00 | 0:52:02 | |
APPLAUSE | 0:52:09 | 0:52:12 | |
Well, guys, congratulations from all of us here. | 0:52:27 | 0:52:29 | |
Erm, the food tonight, in general terms, was actually fantastic. | 0:52:29 | 0:52:33 | |
Erm, I think you did set yourself a pretty hard task. | 0:52:33 | 0:52:37 | |
I can't begin to imagine what it must've been like back of house. | 0:52:37 | 0:52:41 | |
But everyone round our table enjoyed a fantastic dinner. | 0:52:41 | 0:52:45 | |
Scott, thank you very much for the venison dish you gave us tonight. | 0:52:46 | 0:52:50 | |
You cooked it very well and it had a really nice truffle crust, | 0:52:50 | 0:52:53 | |
really good flavour, but the particular bit was the oak-smoked consomme. | 0:52:53 | 0:52:57 | |
I think the smokiness was particularly very nice and added a lot of depth to the dish. | 0:52:57 | 0:53:01 | |
-I think you did a really good dish there tonight. Thank you very much. -Pleasure. | 0:53:01 | 0:53:06 | |
Cooking for all of you, it's been a very hard day, but I really enjoyed it, | 0:53:06 | 0:53:10 | |
and I hope you enjoyed it and just not lying to me, | 0:53:10 | 0:53:12 | |
to be honest. A fantastic opportunity, I'm so glad I got the chance to cook for you all. | 0:53:12 | 0:53:18 | |
Hello, Adam, I'm Tom Kerridge, I had your chocolate dessert. | 0:53:18 | 0:53:20 | |
I thought it was fantastic. The balance of flavours were very, very good. | 0:53:20 | 0:53:24 | |
There might have been issues with the ice cream in the heat of the room, | 0:53:24 | 0:53:27 | |
but it's very hot today, and the dish itself, I thought was brilliant. | 0:53:27 | 0:53:31 | |
-You should be very proud of yourself. Well done. -Thank you very much. | 0:53:31 | 0:53:34 | |
It was extremely nerve-racking cooking for all you guys. | 0:53:34 | 0:53:37 | |
Erm, technically, the ice cream was the biggest issue. | 0:53:37 | 0:53:42 | |
It's extremely hot down there. But I'm just really thankful you enjoyed it. | 0:53:42 | 0:53:46 | |
It was tremendous cooking for yous. Thank you very much. | 0:53:46 | 0:53:49 | |
I had the pork dish. I thought the rump was absolutely amazing. The fillet was beautifully cooked. | 0:53:49 | 0:53:54 | |
The only problem I had with the dish was the artichokes. I thought you put too much lemon on them. | 0:53:54 | 0:53:59 | |
I thought everything else on there was absolutely beautiful. No, I thought it was amazing. | 0:53:59 | 0:54:04 | |
Hi, Steven. I had your dessert. | 0:54:04 | 0:54:07 | |
Very modern, almost futuristic in its presentation. | 0:54:07 | 0:54:09 | |
In terms of flavour, very, very good and a fantastic dessert. So thank you very much. | 0:54:09 | 0:54:15 | |
I want to thank everybody for their feedback. | 0:54:15 | 0:54:19 | |
I can take a lot from it. You know, I'm not the finished product, | 0:54:19 | 0:54:24 | |
and that's something I can move on from and learn and develop myself. | 0:54:24 | 0:54:28 | |
So thank you all for this evening. | 0:54:28 | 0:54:30 | |
I think you should all be really proud of what you've done tonight. | 0:54:30 | 0:54:33 | |
The main thing out of this that you should take, whether you win or lose, | 0:54:33 | 0:54:36 | |
is you should always cook from the heart and just enjoy yourselves. Well done. | 0:54:36 | 0:54:40 | |
APPLAUSE | 0:54:40 | 0:54:44 | |
My emotions are running high. | 0:54:48 | 0:54:50 | |
It's nice to know that I cooked for some of my idols, it was a great feeling. | 0:54:52 | 0:54:56 | |
An absolutely amazing experience. It was good to get good feedback, | 0:54:58 | 0:55:01 | |
It's good to get recognition by these guys. | 0:55:01 | 0:55:04 | |
I felt so, so small, purely because these are all my idols. | 0:55:05 | 0:55:09 | |
I thought, "They're not going to say good things," but they did and I'm very happy. | 0:55:09 | 0:55:14 | |
APPLAUSE | 0:55:14 | 0:55:16 | |
That was a long day. That was a tough one. We meant it to be a real test. | 0:55:29 | 0:55:34 | |
And I think they've done really well, Monica. Really well. | 0:55:34 | 0:55:37 | |
I'm very, very pleased for them. | 0:55:37 | 0:55:39 | |
All the plates that these chefs put up tonight were stunning. | 0:55:39 | 0:55:43 | |
Scott delivered the goods yet again. | 0:55:45 | 0:55:48 | |
My word, that chef is getting better and better, stronger and stronger. | 0:55:50 | 0:55:54 | |
Today was the biggest day of the whole competition, you know? | 0:55:55 | 0:55:58 | |
It will be a massive shock to the system on the final day and it will suddenly end. It will be sad. | 0:55:58 | 0:56:04 | |
Hopefully we'll all keep in touch and it'll be great friendships started between us chefs. | 0:56:05 | 0:56:09 | |
Adam is his own worst critic, and I know for a fact he will not be happy | 0:56:11 | 0:56:15 | |
about how service went for him today. | 0:56:15 | 0:56:18 | |
Adam got flustered today but he did deliver great food in the end. | 0:56:18 | 0:56:22 | |
Definitely had some ups and downs today. But it's just put a fire in my belly. | 0:56:25 | 0:56:30 | |
I'm so excited about the next challenge. It's the last challenge. | 0:56:30 | 0:56:33 | |
Go out with a bang. I'm ready for it. | 0:56:33 | 0:56:36 | |
Steven really is a great chef, and it showed on his plating up today. | 0:56:39 | 0:56:43 | |
Steven delivered wonderful-looking plates. | 0:56:43 | 0:56:47 | |
His presentation, for me, was spot-on. | 0:56:47 | 0:56:49 | |
This is one head chef you want to work under. | 0:56:49 | 0:56:53 | |
The day has been emotional. I think I've felt every feeling possible. | 0:56:54 | 0:56:58 | |
It feels quite surreal to be at this stage of the competition and only having one round left to go. | 0:57:00 | 0:57:05 | |
It's all to play for, I think, on the final day. | 0:57:05 | 0:57:08 | |
'Tomorrow night, it's the final.' | 0:57:16 | 0:57:20 | |
We know the chefs here are exceptionally good. | 0:57:22 | 0:57:25 | |
But we want to see that today. Now. | 0:57:25 | 0:57:28 | |
I think I'm about to get blown away. | 0:57:30 | 0:57:33 | |
There is some crackingly good food going on here. | 0:57:33 | 0:57:35 | |
You can taste the nervous energy. | 0:57:36 | 0:57:39 | |
There is a real palpable tension. | 0:57:39 | 0:57:41 | |
It's a wonderful dish. | 0:57:43 | 0:57:45 | |
Brilliant. Absolutely stunning. | 0:57:45 | 0:57:48 | |
The flavours are built for stuffing yourself with. | 0:57:49 | 0:57:51 | |
Our MasterChef champion is... | 0:57:52 | 0:57:56 | |
Subtitles by Red Bee Media Ltd | 0:58:02 | 0:58:07 | |
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